WEBVTT - Demons Vs Ghosts with Alice Cooper

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<v Speaker 1>Kesha and the Creepies is a production of I Heart Radio.

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<v Speaker 1>How do we know that COVID nineteen isn't an alien?

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<v Speaker 1>You could be onto something. We should alert somebody. They're

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<v Speaker 1>cute little guys like little beach balls with little fucker's.

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<v Speaker 1>Welcome everybody to the very first edition of Kesha and

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<v Speaker 1>the Creepies. We are welcome today by iconic friend, magical, legend,

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<v Speaker 1>very creepy Alice Cooper himself. I'm not as creepy as

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<v Speaker 1>COVID nineteen, but I'm creepy. Yeah that's good. That's a

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<v Speaker 1>good thing. But I'm happy that you are joining us today.

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<v Speaker 1>Thank you for being on the very first of my

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<v Speaker 1>podcast ever. I got to be the first guy on

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<v Speaker 1>your show. You did. You were the first amazing, epic

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<v Speaker 1>rock star, legend, amazing human being on my show, So

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<v Speaker 1>thank you for that. You know we have the same

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<v Speaker 1>kind of idea that horror and rock and comedy all

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<v Speaker 1>belong in bed together. I agree. I'm with you. I

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<v Speaker 1>love a good like because I have a song called

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<v Speaker 1>cannibal I know you have lots of songs about like

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<v Speaker 1>dead babies, and can you have a song about cannibalism

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<v Speaker 1>and all that? Stuff. So I just think like horror

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<v Speaker 1>having fun, so like the comedy and then just the

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<v Speaker 1>drama of it all. Yes, and you know the lighter

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<v Speaker 1>side of cannibalism. Yeah, it's it's not a heavy song.

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<v Speaker 1>It's a really very playful song, but it is about cannibalism,

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<v Speaker 1>you get it. Anyways, I wanted to like start off

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<v Speaker 1>this very creepy conversation by asking you do you believe

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<v Speaker 1>in the supernatural? The pair normal? I you know, I

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<v Speaker 1>think it exists, but I think it exists on some

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<v Speaker 1>different levels that that everybody tries to put it into

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<v Speaker 1>the little little pockets that we can all understand. I

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<v Speaker 1>don't think we'll ever understand it, you know, because I

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<v Speaker 1>think it goes into different dimensions and things like that.

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<v Speaker 1>I don't necessarily believe in ghosts as much as I

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<v Speaker 1>believe that demons like to pretend they're ghosts. When you

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<v Speaker 1>watch ghost Hunters or any of these shows and they're

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<v Speaker 1>down in a cellar somewhere and it's a little girl

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<v Speaker 1>going daddy, Hello, Hi, daddy. I don't think that's a ghost.

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<v Speaker 1>I think that's a demon doing a really good impersonation

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<v Speaker 1>of a little girl. Well, it's just one of those

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<v Speaker 1>things where I think that what demons do best is imitate.

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<v Speaker 1>And you know, I I talked to some of the

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<v Speaker 1>guys that do these shows and I said, you know,

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<v Speaker 1>be careful because I don't I think that you think

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<v Speaker 1>you're talking to something innocent, and I don't think you

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<v Speaker 1>are talking to something innocent, you know. Uh. And they said, well,

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<v Speaker 1>why would they do that? And I said, to draw

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<v Speaker 1>you in, to draw you closer to the occult, to

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<v Speaker 1>draw you more into their world and out of your world.

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<v Speaker 1>And I said that's the only reason they would they

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<v Speaker 1>would do that. Um, but be very careful and don't

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<v Speaker 1>let them fool you. You know, I would never go

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<v Speaker 1>down into a basement trying to find somebody that's dead

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<v Speaker 1>down there. You know. I would assume you would love

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<v Speaker 1>just because of like your persona and you would like

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<v Speaker 1>to get pretend murdered all the time, that you just

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<v Speaker 1>have a fascination with death. I think is safe to say, right, Well,

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<v Speaker 1>well here's the deal. Uh. Joe Perry and I were

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<v Speaker 1>writing songs. We had just gotten out of rehab, so

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<v Speaker 1>we were a little shaky, you know, and every single

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<v Speaker 1>thing in this house was like I put my hat down,

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<v Speaker 1>go in the other room and my hat would be

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<v Speaker 1>not there anymore. And I just kind of chalked it

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<v Speaker 1>up too. Well, yeah, I just got out of rehab,

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<v Speaker 1>you know, so I'm not all there. But this happened

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<v Speaker 1>all day to everybody. And in the end, we're having

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<v Speaker 1>dinner that night and it sounds like somebody's moving furniture

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<v Speaker 1>in the basement. And you don't think that's a ghost. Well,

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<v Speaker 1>here's the deal. It's not like the movies where you go,

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<v Speaker 1>let's get a flashlight and go down and see what

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<v Speaker 1>that is. Uh. I got out of there. I mean

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<v Speaker 1>I got out of there faster than anybody because if

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<v Speaker 1>I don't know what it is moving furniture in the

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<v Speaker 1>in the cellar, you know, I don't want to know

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<v Speaker 1>what that is. It's a very strong creature whatever it is. Yeah, well,

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<v Speaker 1>I mean, whatever it is, it's not a it's not

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<v Speaker 1>a floating little ghost. It's something a lot heavier than that.

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<v Speaker 1>I feel like different entities of different intentions, like the

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<v Speaker 1>one ghost. I've had a couple of experiences, but I

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<v Speaker 1>had one ghost that was in my house in Nashville

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<v Speaker 1>and actually moved out of that house because things just

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<v Speaker 1>started flying around and it got really scary, and I

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<v Speaker 1>felt like I was almost being possessed wow by like

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<v Speaker 1>an entity. I don't see why a ghost would do that.

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<v Speaker 1>Why would a ghost do that? But would do that?

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<v Speaker 1>You know? See? That to me is the difference right

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<v Speaker 1>there between something with an intentional evil or something that's

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<v Speaker 1>just floating around going, hey, I'm lost, I don't know

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<v Speaker 1>where I am. You know. So I had another experience

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<v Speaker 1>with a ghost, I'll just call it that, but it

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<v Speaker 1>was very much more innocent, feeling like, I feel like

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<v Speaker 1>it was just a lost soul and I felt almost

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<v Speaker 1>like they needed a body to inhabit, an energy to

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<v Speaker 1>suck off of, much like shitty people. Yeah, well it

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<v Speaker 1>might have been Elvis. He was just a regular the guy,

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<v Speaker 1>you know. But I would imagine if there were ghosts,

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<v Speaker 1>he would have shown up by now, Yeah, he may have.

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<v Speaker 1>I've been to Graceland. Places pretty creepy. I think if

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<v Speaker 1>you could spend the night there. I actually love Graceland.

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<v Speaker 1>The creepiest thing about Graceland is the interior decorator. I'm

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<v Speaker 1>obsessed with it. That's what I want my home to

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<v Speaker 1>look like his Graceland. It's like a slight derailing of

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<v Speaker 1>the conversation. But I love Graceland. I love how creepy

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<v Speaker 1>it is. I love creepy. Well, Elvis was great, you know.

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<v Speaker 1>I mean the whole thing about Elvis was he was

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<v Speaker 1>so much bigger than life, you know what I mean,

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<v Speaker 1>his image, his everything about him. When he walked into

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<v Speaker 1>a room, it was it wasn't it was just like

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<v Speaker 1>he filled the room, you know what I mean. He

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<v Speaker 1>was magical. Yeah, he's a magical human. And then when

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<v Speaker 1>you start talking to him, he becomes extremely human, extremely Memphis.

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<v Speaker 1>You know, you're the cat with a snake, right, all right, man,

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<v Speaker 1>that's cool, you know that kind of thing. And you

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<v Speaker 1>got all of a sudden, you're the nicest guy that

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<v Speaker 1>you ever met in your life. And the next thing

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<v Speaker 1>I know, I'm standing in the kitchen with a gun

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<v Speaker 1>pointed at him because he said, here, almost show you

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<v Speaker 1>how to take a gun out of somebody's hand, because

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<v Speaker 1>he was a karate guy, you know. And he hands

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<v Speaker 1>me a loaded thirty eight and so I had the

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<v Speaker 1>gun there, and he knocked it out of my hand,

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<v Speaker 1>and I was on the floor and his boot was

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<v Speaker 1>in my throat and I'm and I'm going, that's good,

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<v Speaker 1>that's good. Elvis. Can I get up now? Right? That's guys,

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<v Speaker 1>I realize. I realized one thing about him was that

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<v Speaker 1>you or I never want to get as big as

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<v Speaker 1>Elvis because he had no life. He had can't imagine

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<v Speaker 1>even you're you're like one of the most famous human

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<v Speaker 1>beings on the earth. I feel like every time someone

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<v Speaker 1>meets you, they probably do that I'm not worthy thing, right, Yeah?

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<v Speaker 1>Absolutely absolutely, Well, yeah you get how much how much

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<v Speaker 1>TikTok do you get? You know? I get it? Oh yeah,

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<v Speaker 1>every time somebody it's like I'll be like I have

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<v Speaker 1>to brush my teeth and I can never say that

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<v Speaker 1>sentence ever again without someone being like with a bottle

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<v Speaker 1>of jack. Yeah, that's right. They you know, Jack Daniels,

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<v Speaker 1>you should be using you for their commercial immediately. Oh

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<v Speaker 1>they are. They sent me like they sent me a

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<v Speaker 1>lot of alcohol. Oh good. But the thing was, though,

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<v Speaker 1>is you never want to be that big because he

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<v Speaker 1>literally had no social life at all, because he couldn't

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<v Speaker 1>go play pool, he couldn't go to the movies, he

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<v Speaker 1>couldn't go shopping, he couldn't go out to dinner without

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<v Speaker 1>eight guys with him, you know, because he was that big. Yeah,

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<v Speaker 1>like security guards you mean, or just like he had

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<v Speaker 1>the Memphis Mafia. Yeah, I mean like eight of his

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<v Speaker 1>best friends and they had a great time. But he

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<v Speaker 1>literally could not just have any freedom. You had no freedom,

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<v Speaker 1>I can imagine, especially like now that there's the Internet

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<v Speaker 1>and we do stuff like this like virtual interviews and

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<v Speaker 1>ship like that. It's really different than I would save

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<v Speaker 1>him back like in the seventies, where you're just a

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<v Speaker 1>creature of legend. You're just this like legend that people

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<v Speaker 1>have to come see in the flesh to believe is real,

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<v Speaker 1>versus now super different. Yeah, I think we we become

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<v Speaker 1>a little bit more human now. You know, I've always

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<v Speaker 1>said that I want the Alice image on stage to

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<v Speaker 1>remain mystical. I want that character to be a mystical

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<v Speaker 1>character that's not human. He doesn't say thank you, he

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<v Speaker 1>doesn't say you know, he just is some other kind

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<v Speaker 1>of entity up there on stage and then off stage

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<v Speaker 1>to be exactly the opposite of him, like who you

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<v Speaker 1>are genuinely in your heart? Yeah, you you sign everything,

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<v Speaker 1>you take pictures with everybody, you laugh, you kid around,

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<v Speaker 1>go to the mall, go you know, just live a

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<v Speaker 1>regular life. But why don't you become Alice. You get

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<v Speaker 1>to become this arrogant villain, you know, you get to

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<v Speaker 1>become this like bigger than life villain. You get to

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<v Speaker 1>lay your evil out. I feel like that's where you

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<v Speaker 1>can put all your just like being an asshole and

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<v Speaker 1>being super evil, can go all into the Alice. Yeah.

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<v Speaker 1>It's great therapy, great therapy. But you know that you're here.

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<v Speaker 1>You are Kesha, right, and then I know the Kesha

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<v Speaker 1>on stage different Kesha. That's that's more of an untouchable character. Well,

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<v Speaker 1>I'm just like a false psycho. Yeah, but that's great

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<v Speaker 1>that you should be. It is like a great outlet though.

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<v Speaker 1>It's almost like it's like scream therapy or something. When

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<v Speaker 1>you just get to let it all out. That's what

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<v Speaker 1>I feel like when I go on stage. I just

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<v Speaker 1>let it all out. That's it, and you feel great

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<v Speaker 1>after your show. Right, if it's a good show, Yes, yeah,

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<v Speaker 1>it's always a good show. As long as I don't

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<v Speaker 1>like piss or ship in my pants, it's usually a

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<v Speaker 1>pretty good job. Which that hasn't happened very much. Just

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<v Speaker 1>letting everybody know listening, it's only happened one time. Your

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<v Speaker 1>name like your stage moniker That was from Auiji board.

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<v Speaker 1>Is that a true story. That's not a true story.

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<v Speaker 1>It's not a true story. Okay, but it's a better

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<v Speaker 1>story than the real story. Okay, well let's just keep

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<v Speaker 1>it at the better story. Well, here's the deal. There

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<v Speaker 1>was somebody we I when I thought of the name

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<v Speaker 1>Alice Cooper, the idea was it should be totally opposite

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<v Speaker 1>of who the band is. Here's this band of villains.

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<v Speaker 1>I mean we were, like, you know, we terrified everybody, right,

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<v Speaker 1>And the name is Alice Cooper, sweet little old lady

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<v Speaker 1>that lives down the street, a little demon in the basement. Yeah,

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<v Speaker 1>well she makes cookies for the kids. Since that you know,

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<v Speaker 1>and that you know that that sort of oxymoron thing

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<v Speaker 1>made it work. It was people were expecting one thing

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<v Speaker 1>and they got something else, and it was an obvious,

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<v Speaker 1>you know, play on the public. But now when you

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<v Speaker 1>think the name Alice Cooper, it's creepy, sweet little old lady.

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<v Speaker 1>It's like when I think it's very different because we've

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<v Speaker 1>been snarkling together. But before I met you, it was

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<v Speaker 1>like full creepy death showmanships, snakes, Chicken, like all of

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<v Speaker 1>the like craziest ship I could ever imagine. That's what

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<v Speaker 1>what I thought of what I thought of you, and

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<v Speaker 1>it still is on stage. That's what it is. That's

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<v Speaker 1>a great show. It's it's a it's sort of the

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<v Speaker 1>dark vaudeville kind of show. Well, that's why I would

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<v Speaker 1>think you'd like be super obsessed with the ghostie things

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<v Speaker 1>because of like kind of the death I see, like

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<v Speaker 1>evil nurses and the guillotine and stuff like that. So

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<v Speaker 1>that really doesn't have anything to do with you wondering

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<v Speaker 1>what's going to happen in the afterlife or anything like that. No,

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<v Speaker 1>you know, being a Christian, I I know what's going

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<v Speaker 1>to happen in the afterlife, so I don't I don't

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<v Speaker 1>deal with I don't worry about it. But at the

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<v Speaker 1>same time, you know, I think, no, your enemy. You know.

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<v Speaker 1>I watched the ghost shows, and I watch all the

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<v Speaker 1>paranormal shows, but I watch it in a different in

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<v Speaker 1>a different way. I watch it and say, Okay, how

0:12:58.280 --> 0:13:02.160
<v Speaker 1>do how does this affect me? And I realized that

0:13:02.920 --> 0:13:05.800
<v Speaker 1>you could be sucked into this real easy, you know.

0:13:06.160 --> 0:13:09.880
<v Speaker 1>So I look at myself outside of it. I know

0:13:09.960 --> 0:13:12.840
<v Speaker 1>it exists, but I don't have to be in it.

0:13:12.920 --> 0:13:15.920
<v Speaker 1>I've been asked to do these shows. Oh my gosh,

0:13:16.080 --> 0:13:18.640
<v Speaker 1>and you did it. Because you do it, you don't

0:13:18.640 --> 0:13:22.040
<v Speaker 1>want to invite it into your Absolutely. That's the thing

0:13:22.040 --> 0:13:24.520
<v Speaker 1>with Auigi board too. You do not want to play

0:13:24.520 --> 0:13:27.080
<v Speaker 1>with Auiji board because you don't know what's coming through.

0:13:27.880 --> 0:13:30.679
<v Speaker 1>I mean, you're opening gates there. You're opening the doors

0:13:30.720 --> 0:13:33.080
<v Speaker 1>to something that could come through and attached to you

0:13:33.520 --> 0:13:36.240
<v Speaker 1>and stay with you for a long time, which I

0:13:36.280 --> 0:13:38.200
<v Speaker 1>think is what I did because I thought it was

0:13:38.240 --> 0:13:41.320
<v Speaker 1>really fun. And then I had a ghost living inside

0:13:41.440 --> 0:13:45.640
<v Speaker 1>my body for like six months. Really wow, I really

0:13:45.800 --> 0:13:48.240
<v Speaker 1>do think I did because things were moving around in

0:13:48.280 --> 0:13:50.800
<v Speaker 1>my house and then I just started hearing this almost

0:13:50.920 --> 0:13:54.360
<v Speaker 1>like just dark that there's a darkness. And then I

0:13:54.400 --> 0:13:57.000
<v Speaker 1>went and had a full um what do you call

0:13:57.040 --> 0:14:01.120
<v Speaker 1>it when you get blessed? Yeah, yeah, yeah, and covered

0:14:01.120 --> 0:14:04.520
<v Speaker 1>my house in salt and everything stopped moving around and

0:14:04.559 --> 0:14:06.440
<v Speaker 1>I felt like a little more at peace. But so

0:14:06.520 --> 0:14:09.440
<v Speaker 1>after going through that experience, I felt like, sometimes you

0:14:09.440 --> 0:14:12.040
<v Speaker 1>really need to see it or feel it to believe it.

0:14:12.880 --> 0:14:16.880
<v Speaker 1>Since then, I've been fascinated with, like all things paranormal.

0:14:17.000 --> 0:14:18.760
<v Speaker 1>I do think it also like you could be other

0:14:18.840 --> 0:14:25.640
<v Speaker 1>dimensional energies or beings, yes, which could explain UFOs, I think. Okay,

0:14:25.760 --> 0:14:27.080
<v Speaker 1>So I was going to ask you, because you live

0:14:27.120 --> 0:14:31.720
<v Speaker 1>in Arizona, how do you feel about aliens? Well, you

0:14:31.760 --> 0:14:36.080
<v Speaker 1>know here, Sedona is one of the five places in

0:14:36.120 --> 0:14:39.640
<v Speaker 1>the world that has the most sightings, and I mean

0:14:39.720 --> 0:14:43.520
<v Speaker 1>it's ridiculous. We had the eras of the Phoenix Lights. Uh.

0:14:44.840 --> 0:14:47.360
<v Speaker 1>I think it was the Phoenix Lights where this thing

0:14:47.440 --> 0:14:50.480
<v Speaker 1>flew over Phoenix and it was the size of three

0:14:50.480 --> 0:14:54.760
<v Speaker 1>football fields and didn't make a sound, and everybody saw it.

0:14:55.680 --> 0:14:58.320
<v Speaker 1>Everybody looked up and went, what the hell is that?

0:14:58.600 --> 0:15:01.720
<v Speaker 1>Did you see it? Yeah? Oh yeah, Oh my god,

0:15:01.880 --> 0:15:04.040
<v Speaker 1>you know, and I'm studing. I'm going, well, this is it.

0:15:04.480 --> 0:15:08.240
<v Speaker 1>We're being invaded and it just flew over but it

0:15:08.320 --> 0:15:11.040
<v Speaker 1>wasn't trying to hide. It went over the city and

0:15:11.160 --> 0:15:15.240
<v Speaker 1>everybody saw it. That is so crazy that you saw that.

0:15:15.240 --> 0:15:19.240
<v Speaker 1>That would blow my mind. Well, it was like you

0:15:19.280 --> 0:15:21.360
<v Speaker 1>were just any other way. It was like a Spielberg movie,

0:15:21.400 --> 0:15:24.440
<v Speaker 1>you know, where you're like this. That's kind of how

0:15:24.480 --> 0:15:26.920
<v Speaker 1>I feel like with the coronavirus. I feel like it's

0:15:26.960 --> 0:15:29.280
<v Speaker 1>like a movie and I'm not really sure what to

0:15:29.360 --> 0:15:31.720
<v Speaker 1>do for the ending part is going to happen yet,

0:15:31.720 --> 0:15:36.280
<v Speaker 1>But I experienced a spaceship in the desert and Joshua

0:15:36.320 --> 0:15:38.000
<v Speaker 1>Tree and I had kind of the same thought where

0:15:38.000 --> 0:15:44.040
<v Speaker 1>I was like, yeah, yep, that exists. So obviously, if

0:15:44.080 --> 0:15:47.880
<v Speaker 1>they've been seeing these things, they're they're not here to

0:15:47.960 --> 0:15:49.560
<v Speaker 1>kill us or heard us, so they would have done

0:15:49.560 --> 0:15:53.920
<v Speaker 1>that already. We must be amusing to them. I think

0:15:53.960 --> 0:15:55.960
<v Speaker 1>so too. I think we're like the zoo that they

0:15:56.000 --> 0:16:02.320
<v Speaker 1>come and we look at all the stupid things were doing. No, really,

0:16:02.320 --> 0:16:05.600
<v Speaker 1>I think we may be a comedy show for the aliens.

0:16:05.840 --> 0:16:08.040
<v Speaker 1>I would explain a lot. Well, so I have I

0:16:08.160 --> 0:16:11.360
<v Speaker 1>have another theory that maybe aliens are us in the future,

0:16:11.560 --> 0:16:16.960
<v Speaker 1>when we've learned how to try time travel backwards visit us. Well,

0:16:17.000 --> 0:16:19.400
<v Speaker 1>that's a good movie and you should write that thank you.

0:16:20.720 --> 0:16:22.920
<v Speaker 1>That came out of my own friend. How about this, though,

0:16:23.080 --> 0:16:26.200
<v Speaker 1>how do we know that COVID nineteen isn't an alien?

0:16:27.440 --> 0:16:30.360
<v Speaker 1>It could be just invading, like a very tiny, tiny alien.

0:16:30.880 --> 0:16:34.320
<v Speaker 1>It's the first it's the first wave of the invasion.

0:16:35.400 --> 0:16:38.640
<v Speaker 1>You could be onto something. We should have alert, We

0:16:38.680 --> 0:16:42.280
<v Speaker 1>should alert somebody. They're cute little guys. Mean, they're really

0:16:42.280 --> 0:16:46.880
<v Speaker 1>cute little guys, like little beach balls with little fuckers.

0:16:48.400 --> 0:16:52.320
<v Speaker 1>So did you shoot your drummer in the knee, in

0:16:52.400 --> 0:16:56.400
<v Speaker 1>the ankle and the ankle on purpose. We might have

0:16:56.400 --> 0:17:00.520
<v Speaker 1>had something to do with alcohol. U at the hell

0:17:00.560 --> 0:17:03.720
<v Speaker 1>of a drug. You know. We were very young and

0:17:03.760 --> 0:17:07.840
<v Speaker 1>we were out. We had my sister's car driving through

0:17:07.880 --> 0:17:11.480
<v Speaker 1>the desert on a lot of alcohol. Everybody had a

0:17:11.520 --> 0:17:15.440
<v Speaker 1>twenty two, and we were shooting rabbits, you know, at night.

0:17:16.200 --> 0:17:18.760
<v Speaker 1>And right as I right as I pulled the trigger,

0:17:18.960 --> 0:17:21.359
<v Speaker 1>Neil Smith swung around. He was on the front of

0:17:21.359 --> 0:17:24.720
<v Speaker 1>the hood and it hit him in the ankle, and

0:17:24.760 --> 0:17:27.800
<v Speaker 1>we didn't know he was shot. So he gets something,

0:17:27.800 --> 0:17:30.879
<v Speaker 1>starts running and falls down and he says, oh, I

0:17:30.920 --> 0:17:34.480
<v Speaker 1>sprained my ankle, and we looked at as a perfect

0:17:34.480 --> 0:17:37.840
<v Speaker 1>hole right in his ankle. He didn't even know you

0:17:37.880 --> 0:17:44.960
<v Speaker 1>shot him in the ankle. No, well a little. And

0:17:45.119 --> 0:17:46.879
<v Speaker 1>the very next day we had to go down to

0:17:46.960 --> 0:17:49.720
<v Speaker 1>the draft board because we were all eighteen years old,

0:17:50.480 --> 0:17:53.280
<v Speaker 1>and you know, you have to report a gunshot moons, right,

0:17:54.359 --> 0:17:58.720
<v Speaker 1>And so we went in and uh, the guy says,

0:17:59.600 --> 0:18:02.480
<v Speaker 1>police guy says, so how did you get shot? And

0:18:02.520 --> 0:18:05.000
<v Speaker 1>he says, well, I got my draft noticed today, So

0:18:05.680 --> 0:18:10.959
<v Speaker 1>I tried to kill myself by shooting yourself in the ankle,

0:18:12.720 --> 0:18:14.399
<v Speaker 1>and the guy looks at me and he knows I

0:18:14.520 --> 0:18:17.600
<v Speaker 1>shot him. You know, he knows that I shot him,

0:18:17.640 --> 0:18:20.919
<v Speaker 1>and I'm kind of looking down and going, Okay, you

0:18:21.000 --> 0:18:26.440
<v Speaker 1>know that's pretty creepy. That's a creepy as story. Yeah,

0:18:26.480 --> 0:18:29.080
<v Speaker 1>but that could happen in Nashville easily, you know that.

0:18:29.680 --> 0:18:34.439
<v Speaker 1>Oh god, yeah, just hill billy's alcohol and guns. That

0:18:34.480 --> 0:18:39.880
<v Speaker 1>could happen anywhere. That's us. So did he still did

0:18:39.920 --> 0:18:43.680
<v Speaker 1>he still remain your friend and drummer? Oh? Absolutely, we're still.

0:18:43.920 --> 0:18:45.800
<v Speaker 1>I just did a sess you with him yesterday and

0:18:45.880 --> 0:18:47.760
<v Speaker 1>he still has part of the bullet in his ankle.

0:18:48.720 --> 0:18:52.000
<v Speaker 1>Oh my god, that is so crazy. See, I'm like, okay,

0:18:52.040 --> 0:18:54.040
<v Speaker 1>when we're done, I'm going to call my drummer and

0:18:54.080 --> 0:18:55.959
<v Speaker 1>ask him if I shot him in the foot, if

0:18:55.960 --> 0:18:59.600
<v Speaker 1>he would still be my drummer until I'm years old?

0:18:59.600 --> 0:19:04.639
<v Speaker 1>And I he'll say yes, Eliah. So I have a

0:19:04.720 --> 0:19:10.080
<v Speaker 1>question for you. It's really important, love it. If I

0:19:10.160 --> 0:19:15.400
<v Speaker 1>were to get drunk and shoot you in the foot,

0:19:15.640 --> 0:19:19.280
<v Speaker 1>would you still want to be my drummer till till

0:19:19.320 --> 0:19:24.960
<v Speaker 1>we're like nine years old? Yes? Done? Told you perfect

0:19:25.440 --> 0:19:33.040
<v Speaker 1>drummers I mean foot? Yeah, fine, head brain r I

0:19:33.119 --> 0:19:41.879
<v Speaker 1>P when you can tell somebody. Yeah, I kind of

0:19:41.880 --> 0:19:46.080
<v Speaker 1>got out of the line and Alice shot me. It's

0:19:46.119 --> 0:19:49.600
<v Speaker 1>such a good story. That's a serious band right there.

0:19:49.920 --> 0:19:53.919
<v Speaker 1>You know, that's how you test if someone's really in

0:19:54.000 --> 0:19:58.120
<v Speaker 1>it for the long hauls. Forty years later and he's

0:19:58.119 --> 0:20:01.399
<v Speaker 1>still with me. That's great. That's like what I think

0:20:01.480 --> 0:20:03.680
<v Speaker 1>my drummer would be, like, Oh, I think you know

0:20:03.960 --> 0:20:08.360
<v Speaker 1>Elias and Calico. Yeah, and I just think he's too

0:20:08.440 --> 0:20:11.520
<v Speaker 1>lazy probably to find another gig. But I could totally

0:20:11.600 --> 0:20:17.520
<v Speaker 1>shot I think that's drummer. Okay. So end of the

0:20:17.600 --> 0:20:21.320
<v Speaker 1>sixties going into the seventies, was it like in the

0:20:21.800 --> 0:20:25.360
<v Speaker 1>atmosphere like zeitgeistie that it was just time to be

0:20:25.400 --> 0:20:27.879
<v Speaker 1>creepy or did you always know you wanted to freak

0:20:27.920 --> 0:20:32.119
<v Speaker 1>people out, like around the Mansony times. It's you know,

0:20:32.440 --> 0:20:36.600
<v Speaker 1>the hippies were just wonderful for a long time until

0:20:36.640 --> 0:20:39.320
<v Speaker 1>the Manson thing happened. Yeah, all of a sudden, then

0:20:39.520 --> 0:20:44.639
<v Speaker 1>hippies became dangerous, and you know, and they now you

0:20:44.680 --> 0:20:47.760
<v Speaker 1>didn't look at a hippie the same way because they

0:20:47.800 --> 0:20:52.800
<v Speaker 1>could be vicious killers. We were already doing things that

0:20:52.840 --> 0:20:56.399
<v Speaker 1>we were never hippies, you know, we were never you know,

0:20:56.760 --> 0:21:02.119
<v Speaker 1>peace love, and we were always more SWITCHBLADESNS and ferraris. Okay,

0:21:02.359 --> 0:21:04.080
<v Speaker 1>you never went through that phase. I just want to

0:21:04.080 --> 0:21:07.480
<v Speaker 1>know if you ever had like a secret hippie phase. Never.

0:21:08.000 --> 0:21:10.640
<v Speaker 1>Calico was so depressed because she says, I was born

0:21:10.680 --> 0:21:12.880
<v Speaker 1>in the wrong decade. I really wanted to be a hippie.

0:21:13.160 --> 0:21:15.240
<v Speaker 1>Me too. I feel the exact same way. Her and

0:21:15.280 --> 0:21:18.320
<v Speaker 1>I are so similar. It's so funny. I really do

0:21:18.480 --> 0:21:22.520
<v Speaker 1>think in another life we are totally a lot of

0:21:22.560 --> 0:21:26.960
<v Speaker 1>bell bottoms. Yeah no, I love that, and I wish

0:21:26.960 --> 0:21:30.639
<v Speaker 1>I'd lived through that. But also just the manson that

0:21:30.840 --> 0:21:33.040
<v Speaker 1>whole time. I just wish I'd lived through that, just

0:21:33.119 --> 0:21:35.720
<v Speaker 1>to feel what happened. Because you were living in l

0:21:35.760 --> 0:21:38.920
<v Speaker 1>A during that time, right, we we actually were living

0:21:39.000 --> 0:21:42.800
<v Speaker 1>in to Panga Canyon and we used to see the girls,

0:21:43.520 --> 0:21:46.720
<v Speaker 1>all those girls at the general store. Wed go down

0:21:46.760 --> 0:21:49.560
<v Speaker 1>to get our mail, and they were always dancing in

0:21:49.600 --> 0:21:51.879
<v Speaker 1>the dirt and you know, with the flowers, and they

0:21:51.880 --> 0:21:54.840
<v Speaker 1>were just hippie girls. We just said, oh, hi, don dona, Hi,

0:21:54.960 --> 0:21:57.120
<v Speaker 1>Hi Hi. Next thing, we said, I'm watching a TV

0:21:57.480 --> 0:22:01.000
<v Speaker 1>and there they are, you know, their murder, and I went,

0:22:01.160 --> 0:22:03.080
<v Speaker 1>that can't be the same girls, and that was the

0:22:03.119 --> 0:22:06.680
<v Speaker 1>same girls. I lived actually in Laurel Canyon right behind

0:22:06.760 --> 0:22:10.240
<v Speaker 1>that store, the one store that's still there, Yeah, the

0:22:10.280 --> 0:22:13.800
<v Speaker 1>Country Store. Yeah yeah, So like it's called the Door's House,

0:22:13.840 --> 0:22:15.800
<v Speaker 1>and then right next to it's the Eagles House. Is

0:22:16.760 --> 0:22:20.119
<v Speaker 1>so the legend goes the Eagles recorded in one, the

0:22:20.160 --> 0:22:22.399
<v Speaker 1>Doors recorded in the other, and up the street was

0:22:22.440 --> 0:22:26.359
<v Speaker 1>like the Frank Zappa House. And then I lived right

0:22:26.400 --> 0:22:30.040
<v Speaker 1>next door to Frank No, I lived right above him,

0:22:30.119 --> 0:22:35.480
<v Speaker 1>and Mickey Dolan's lived next door to me from the Monkeys.

0:22:35.480 --> 0:22:37.320
<v Speaker 1>Oh yeah, it was a very cool time. Yeah, it

0:22:37.359 --> 0:22:40.919
<v Speaker 1>really was. But I just like I would totally be

0:22:40.960 --> 0:22:43.240
<v Speaker 1>a hippie. But then I also have a fascination with

0:22:43.280 --> 0:22:46.960
<v Speaker 1>like the occult and cults in general. And I could

0:22:47.000 --> 0:22:51.600
<v Speaker 1>see myself, I don't know, being like lured in by

0:22:51.640 --> 0:22:55.199
<v Speaker 1>this like hippies with naives thing. I don't think I

0:22:55.200 --> 0:22:57.560
<v Speaker 1>could ever murder anybody, but I would like definitely be

0:22:57.600 --> 0:23:00.600
<v Speaker 1>fascinated with it. Well, you know, most of these cults

0:23:00.640 --> 0:23:03.600
<v Speaker 1>were absolutely harmless. They were just a bunch of kids

0:23:03.600 --> 0:23:06.800
<v Speaker 1>that lived together in free sex and everybody eight meals

0:23:06.840 --> 0:23:09.080
<v Speaker 1>at the same time, and they were all on acid

0:23:09.119 --> 0:23:11.600
<v Speaker 1>and they were but None of them were really dangerous

0:23:11.920 --> 0:23:16.000
<v Speaker 1>until you get somebody that takes on the Messiah complex.

0:23:16.440 --> 0:23:19.320
<v Speaker 1>And he took on the Messiah complex and started controlling,

0:23:19.800 --> 0:23:22.400
<v Speaker 1>and he was you know, he was much older than

0:23:22.440 --> 0:23:26.359
<v Speaker 1>these young girls are, and so he became the father figure.

0:23:26.840 --> 0:23:29.920
<v Speaker 1>And so everything that he said when they were on

0:23:30.040 --> 0:23:33.960
<v Speaker 1>drugs seemed like gospel. And that's why they that's why

0:23:33.960 --> 0:23:37.359
<v Speaker 1>they killed for him. Yeah, it's so crazy because sometimes

0:23:37.440 --> 0:23:41.399
<v Speaker 1>I think about how religion and rock and roll sometimes

0:23:41.560 --> 0:23:45.520
<v Speaker 1>can get almost like there's some similarities that people look

0:23:45.600 --> 0:23:47.680
<v Speaker 1>up to you. Everything you do and say on stage

0:23:47.720 --> 0:23:50.440
<v Speaker 1>becomes like almost this like word of God. When you're

0:23:50.440 --> 0:23:53.320
<v Speaker 1>like obsessed with someone as a kid. Yeah, well you

0:23:53.359 --> 0:23:55.600
<v Speaker 1>know when if you if you go and see uh

0:23:55.720 --> 0:23:59.480
<v Speaker 1>Jesus Christ Superstar. You know, I got to play King

0:23:59.520 --> 0:24:02.840
<v Speaker 1>Herod and that in the TV show. And the thing was,

0:24:03.640 --> 0:24:06.280
<v Speaker 1>it was pretty right on when it came to who

0:24:06.359 --> 0:24:10.200
<v Speaker 1>Jesus was. Jesus never hung out with the with the priests,

0:24:10.480 --> 0:24:12.520
<v Speaker 1>He never hung out with the kings. He hung out

0:24:12.600 --> 0:24:16.240
<v Speaker 1>with you know, the prostitutes. He hang out and hung

0:24:16.240 --> 0:24:19.840
<v Speaker 1>out with the thieves. Because he said, a doctor doesn't

0:24:19.880 --> 0:24:22.160
<v Speaker 1>need to go to somebody that's well a doctor needs

0:24:22.160 --> 0:24:25.000
<v Speaker 1>to go somebody that's sick, and so he spent all

0:24:25.040 --> 0:24:27.639
<v Speaker 1>of his time with people that were destitute and poor

0:24:27.760 --> 0:24:30.479
<v Speaker 1>and hungry and you know, had nowhere to go. That

0:24:30.600 --> 0:24:34.320
<v Speaker 1>was his that's he said, these are my people here. Well,

0:24:34.359 --> 0:24:36.680
<v Speaker 1>I feel very much that way, like I would feel

0:24:36.800 --> 0:24:40.359
<v Speaker 1>way more comfortable, like down at the Venice boardwalk. I

0:24:40.440 --> 0:24:43.080
<v Speaker 1>feel very comfortable when everybody is running around right now,

0:24:43.119 --> 0:24:46.120
<v Speaker 1>they're running around with machetes. It's kind of crazy, but

0:24:46.480 --> 0:24:49.600
<v Speaker 1>I feel like very comfortable. I don't know why I

0:24:49.640 --> 0:24:54.520
<v Speaker 1>feel comfortable and like chaos, but anyways, thank you for

0:24:54.600 --> 0:24:56.760
<v Speaker 1>being on the show. Thank you for being a creep,

0:24:57.000 --> 0:24:59.520
<v Speaker 1>true and true, and I love you very much and

0:24:59.560 --> 0:25:03.240
<v Speaker 1>hopefully i'll see you very soon. Kesha, I'll see you again.

0:25:03.280 --> 0:25:06.080
<v Speaker 1>And you look great, by the way, really terrific. You

0:25:06.119 --> 0:25:09.160
<v Speaker 1>like my dark hair, Yeah, it looks good. I'm going

0:25:09.240 --> 0:25:11.480
<v Speaker 1>for the Alice Cooper lock. I like it.