WEBVTT - Baby on Board?? (S1 EP 31 "State of Need") 0:00:05.680 --> 0:00:09.520 Still the Place with Laura Layton, Courtney Thorn Smith and 0:00:09.640 --> 0:00:18.000 Daphne's Aniga an iHeartRadio podcast. Hi guys, welcome is still 0:00:18.000 --> 0:00:20.119 the Place. It's very exciting. 0:00:20.120 --> 0:00:23.680 We are on our penultimate episode, our second to last 0:00:23.720 --> 0:00:25.000 episode of season one. 0:00:25.320 --> 0:00:28.280 Is that being an ultimate is? That's what penulty means. 0:00:28.400 --> 0:00:31.480 I think that the last words, I think is penultimate 0:00:31.560 --> 0:00:32.640 really second to last? 0:00:32.800 --> 0:00:35.960 It is. I feel like Laura might knows a different fact. 0:00:36.400 --> 0:00:40.519 I just had a different of penultimate, but I think 0:00:40.680 --> 0:00:42.920 the last believe I have it in my mind like 0:00:43.280 --> 0:00:44.640 an exaggerated es. 0:00:44.800 --> 0:00:47.199 I'll look at the den beyond. But what does it 0:00:47.280 --> 0:00:52.680 mean today as opposed to ninety ninety last? Right, thirty 0:00:52.760 --> 0:00:53.120 years ago? 0:00:53.159 --> 0:00:56.639 It meant something a little bit diminished last, but. 0:00:56.760 --> 0:01:00.120 One is a series of things second to last. So 0:01:00.480 --> 0:01:02.160 ladies learned something today. 0:01:02.280 --> 0:01:05.399 Wasn't even using it wrong? Wasn't this so I've never 0:01:05.520 --> 0:01:06.000 used it? 0:01:06.040 --> 0:01:08.759 To be honest, I'm going to start using it correctly 0:01:08.800 --> 0:01:09.920 and I appreciate it. 0:01:10.760 --> 0:01:12.800 Like just try to figure out how to use ironic 0:01:12.840 --> 0:01:15.000 properly and you just go down a rabbit hole of wait, 0:01:15.040 --> 0:01:15.680 that can't be right. 0:01:15.720 --> 0:01:20.520 Wait ruined it for everybody. This is a learning podcast 0:01:20.560 --> 0:01:22.920 for our listeners. It's a learning podcast. 0:01:23.520 --> 0:01:27.520 But this episode was so crazy, wasn't it crazy? 0:01:27.800 --> 0:01:29.440 So exciting? So we've got so I'm going to do 0:01:29.440 --> 0:01:30.679 a quick rundown just so we know. 0:01:30.800 --> 0:01:33.200 So we've got Billy and Allison coming home from their 0:01:33.280 --> 0:01:34.160 romantic weekend. 0:01:34.240 --> 0:01:36.440 Super sweet. They come in a motorcycle which I was 0:01:36.480 --> 0:01:38.360 sure was Joe and the model but was not. 0:01:39.120 --> 0:01:41.480 And then Amanda comes in sort of blows things up 0:01:41.480 --> 0:01:44.360 with some crazy news. Jake and Joe are in this 0:01:44.440 --> 0:01:48.120 weird thing with this really overly sexed model Karen, who's 0:01:48.120 --> 0:01:51.160 making her intentions for everybody known if you cross your path, 0:01:51.320 --> 0:01:54.760 she wants to have sex with you, and Michael is 0:01:54.840 --> 0:01:58.280 sort of having the consequences of being caught with Kimberly 0:01:58.640 --> 0:02:02.600 by Jane, and Jane finally gets a backbone, which is 0:02:02.760 --> 0:02:07.240 so incredibly satisfying. Okay, so satisfying, Yeah, so satisfying. So 0:02:07.320 --> 0:02:10.960 let's get Josey too, so much fun for jokes. Yeah, 0:02:11.000 --> 0:02:13.480 she gets to do something different. So we start and 0:02:13.720 --> 0:02:16.880 this motorcycle pulls up Tomorrow's place. So surprised to see 0:02:17.000 --> 0:02:18.640 it's Billy and Allison, Well. 0:02:18.600 --> 0:02:21.320 You mean you're so surprised to see I'm jump you, Courtney, 0:02:21.360 --> 0:02:22.359 are jumping off of it. 0:02:22.919 --> 0:02:24.200 Uh so you did none of that. 0:02:24.240 --> 0:02:26.760 You just I'm pretending I'm coming back from the Sunday 0:02:26.800 --> 0:02:28.240 rides that you guys did without me. 0:02:28.320 --> 0:02:30.880 That's that's my backstory that I think I have seen 0:02:30.919 --> 0:02:31.799 this scene in the day. 0:02:31.880 --> 0:02:34.400 I would have invited you on our weekend real Harley rides, 0:02:34.440 --> 0:02:36.440 but we have time to watch. 0:02:36.440 --> 0:02:38.519 I'm sorry, wait a minute here, all I could. 0:02:39.000 --> 0:02:41.600 I was just wondering, did you actually were you actually 0:02:41.720 --> 0:02:44.760 on the motorcycle for like the last half a block 0:02:44.840 --> 0:02:47.040 to like pull in, or did they put stunt people 0:02:47.040 --> 0:02:48.760 on and then you just stepped off in the clothes. 0:02:49.160 --> 0:02:51.160 I was wondering, Well, I don't know if Andrew, I 0:02:51.160 --> 0:02:53.240 don't remember if he could drive a motorcycle, it may 0:02:53.280 --> 0:02:56.079 have been me and a stunt guy, or probably Grant 0:02:56.080 --> 0:02:57.680 would have driven it. Right, it would have been me 0:02:57.720 --> 0:02:59.280 and Grip, But or maybe Andrew did it. 0:02:59.320 --> 0:03:00.520 We'll ask him when we see him. 0:03:00.520 --> 0:03:03.519 But you don't recall because I don't. I was watching 0:03:03.560 --> 0:03:06.600 it with that question, and I held my question till now. 0:03:06.880 --> 0:03:08.520 I was hoping, but I also was. 0:03:08.480 --> 0:03:11.280 Watching how they cut it, because usually it can either 0:03:11.320 --> 0:03:13.000 be like if you're able to, then you'll have the 0:03:13.040 --> 0:03:15.959 shot coming into the stop and then it won't cut 0:03:16.240 --> 0:03:18.080 and the actor will get off if you're able to. 0:03:18.520 --> 0:03:20.520 But a lot of times I'll cut that angle and 0:03:20.600 --> 0:03:22.720 Courtney and Andrew will just step. 0:03:22.400 --> 0:03:24.560 Off and already stop bike And I did you notice? 0:03:24.680 --> 0:03:25.720 I think that's what I saw. 0:03:26.040 --> 0:03:28.000 There was a cut, but I couldn't tell who it 0:03:28.160 --> 0:03:30.800 was in the wide versus then it was obviously you 0:03:30.840 --> 0:03:32.680 guys in the in the closer. 0:03:33.120 --> 0:03:34.800 Yeah, And then it was super cute and we take 0:03:34.800 --> 0:03:36.920 off our helmets and we kiss and it's super super 0:03:37.000 --> 0:03:40.120 sweet and yummy. And then Jake walks up and we 0:03:40.160 --> 0:03:41.800 did and Billy goes, don't want to know what happens. 0:03:41.800 --> 0:03:43.760 He goes, it's pretty clear since we are making out, 0:03:43.800 --> 0:03:47.320 I see what I can. I can, yeah, have eyeballs. 0:03:48.120 --> 0:03:50.560 So then Billy and Allison walk into their apartment and 0:03:50.600 --> 0:03:52.520 it's super cute and they're making out in the doorway 0:03:52.560 --> 0:03:55.160 and it's so cute, and then Alison they're finally kissing, 0:03:55.200 --> 0:03:58.760 like really kissing, really kissing, and then Alison of course 0:03:58.960 --> 0:04:03.560 loses her mind and says, Billy says, I'm even even 0:04:03.640 --> 0:04:04.600 repeating this line. 0:04:04.920 --> 0:04:11.680 Yeah, it's like a little demand it. It's like, oh, 0:04:11.720 --> 0:04:12.560 we made love. 0:04:12.720 --> 0:04:16.159 Yeah, I had my PTSD with this whole situation is 0:04:16.200 --> 0:04:18.640 now you're going to find a reason to put a 0:04:18.680 --> 0:04:21.640 stop on it because we love so now we have 0:04:21.760 --> 0:04:25.160 to stop and consider everything and talk about it and 0:04:25.200 --> 0:04:26.640 make sure it's the right thing to do. 0:04:26.800 --> 0:04:28.520 You know, well I do. I say, I feel like 0:04:28.520 --> 0:04:32.160 we were really fast. It was like, really are you? Yeah? 0:04:32.600 --> 0:04:35.039 That was what was to me. 0:04:35.400 --> 0:04:39.279 Besides she's silly, that's yeah. 0:04:40.920 --> 0:04:45.000 Besides saying we're moving so fast and like we made 0:04:45.080 --> 0:04:47.719 love like just cringee lines or whatever. But that you 0:04:47.760 --> 0:04:51.120 said the apartment makes you think that you're like being 0:04:51.120 --> 0:04:54.400 back in the apartment makes you think that you're moving 0:04:54.400 --> 0:04:54.760 too fast. 0:04:54.760 --> 0:04:57.200 And I'm like what why? And now it's not going 0:04:57.279 --> 0:05:00.560 to work out? Actually I know it should be. 0:05:00.720 --> 0:05:02.400 Well, here we are back at the apartment, let's do 0:05:02.400 --> 0:05:04.839 it before I go to work. Instead, gives him a 0:05:04.839 --> 0:05:06.640 peck on the cheek and she raises off to work, 0:05:06.720 --> 0:05:08.760 or Allison races off to work because she's stupid. 0:05:09.120 --> 0:05:13.119 Yeah, at least we all agree, very accurate. We all agree. 0:05:15.360 --> 0:05:17.400 We're all annoyed. We're like, make out with Billy for 0:05:17.400 --> 0:05:19.840 a second. You've waited we've all waited a year for this. 0:05:19.960 --> 0:05:22.800 You dope, you dope, all right. So anyway, now we're 0:05:22.839 --> 0:05:24.919 back in the hospital and Michael is asleep on an 0:05:24.960 --> 0:05:27.640 exam table, which we quickly figure out he's sleeping in 0:05:27.640 --> 0:05:30.080 the hospital because he's been kicked out of the house. 0:05:30.520 --> 0:05:33.080 Kimberly comes in and very like lovingly wakes him up 0:05:33.080 --> 0:05:39.080 and plays with his hair, and Michael is suddenly completely shifted, 0:05:39.200 --> 0:05:42.040 and now he's being mean to Kimberly and focused on Jane. 0:05:42.440 --> 0:05:45.440 Yeah, he seems to finally have some guilt and well 0:05:45.480 --> 0:05:47.240 I think he's been caught in the act. Like that 0:05:47.360 --> 0:05:49.520 kind of wakes you up from your fantasy, like, oh, 0:05:49.560 --> 0:05:52.840 this is a reality consequences, yeah, you know. 0:05:52.839 --> 0:05:55.960 Yeah, consequences And Kimberlys saying, well, wait, what are we 0:05:56.040 --> 0:05:57.719 going to do? And then I wrote this on my 0:05:57.720 --> 0:06:00.000 phone what are we going to do? And he said, 0:06:00.960 --> 0:06:02.919 right now, we're watching a valve replacement. 0:06:03.279 --> 0:06:05.920 I was like, oh, yeah, he's totally can from her, 0:06:06.040 --> 0:06:09.240 which I'm going, okay, I'll see I'll say it later. 0:06:09.680 --> 0:06:12.880 I saw like a little twinge in the Kimberly character change. 0:06:12.960 --> 0:06:16.880 I saw, oh, moment of future, like because she doesn't 0:06:16.920 --> 0:06:19.080 like being you know, brushed off like this. 0:06:19.240 --> 0:06:22.839 Yeah, because she's pretty sure here and for this episode like, oh, 0:06:23.040 --> 0:06:26.080 so you've been kicked out, so you know about us? 0:06:26.120 --> 0:06:28.040 It's still like what about me? What about us? 0:06:28.040 --> 0:06:32.479 This whole time and he's having his consequence guilt moment 0:06:32.600 --> 0:06:33.279 and she, Yeah. 0:06:33.240 --> 0:06:35.760 She's super valid because he's been saying this is different, 0:06:35.839 --> 0:06:38.360 like I'm crazy about you, this is magic, We're magic, 0:06:38.400 --> 0:06:41.839 and all of a sudden he's completely shut. 0:06:41.600 --> 0:06:46.119 Off to her. Yeah, yeah right, it's really so. 0:06:46.120 --> 0:06:49.240 So then Michael goes up, he gets called to the 0:06:49.720 --> 0:06:51.200 gets called to the front desk and they say, you 0:06:51.240 --> 0:06:53.640 have a call, and we see him walk out and 0:06:53.680 --> 0:06:57.440 there's Jane by the car with his bags. 0:06:57.960 --> 0:07:01.880 Yeah, with that depositing bug in the on the side, Yeah, 0:07:01.880 --> 0:07:02.960 on the parking lot, and. 0:07:02.920 --> 0:07:04.599 I'm delivering his stuff here. 0:07:04.640 --> 0:07:07.200 It is yeah, but it wasn't totally I don't know 0:07:07.200 --> 0:07:10.320 about you guys, but it wasn't completely obvious to me. 0:07:10.480 --> 0:07:13.080 I was like, is she moving? Is she leaving? 0:07:13.160 --> 0:07:14.760 Is she going back home? But then why would it 0:07:14.760 --> 0:07:16.480 be out? Maybe it was so obvious to you, But 0:07:16.560 --> 0:07:19.960 I was like until she says it in that you know, 0:07:20.440 --> 0:07:22.400 great line reading so strong. 0:07:22.480 --> 0:07:24.600 You know, here's your stuff. I'll get you the rest 0:07:24.600 --> 0:07:27.080 of the stuff. Yeah. Ready, she's finally mad. 0:07:27.160 --> 0:07:30.320 It was really satisfying, right, she's fine, tough and mad 0:07:30.360 --> 0:07:32.000 and getting rid of his stuff and saying this did 0:07:32.120 --> 0:07:32.640 really well. 0:07:32.720 --> 0:07:35.000 It made me feel for Josie, like you should have 0:07:35.480 --> 0:07:36.200 had more of this. 0:07:37.160 --> 0:07:39.240 Yeah, And I also liked like you said, like the 0:07:39.320 --> 0:07:41.400 reveal was at the end of the scene. 0:07:41.440 --> 0:07:43.040 As as the shot widens out. 0:07:42.960 --> 0:07:45.680 You see she's deposited the suitcases and his bags on 0:07:45.720 --> 0:07:48.560 the parking lot ground and she drives off, so she 0:07:48.640 --> 0:07:51.120 has delivered his stuff and she's like, you're out, and 0:07:51.160 --> 0:07:53.240 that's when it becomes clear what she intended. 0:07:53.920 --> 0:07:56.000 He literally has his head in his hands, like he 0:07:56.200 --> 0:07:59.280 literally has said in his hand. I love that. So 0:07:59.320 --> 0:08:01.760 now we're back at the courtyard. Joe and Karen walk 0:08:01.840 --> 0:08:03.760 in and I noticed that she's walking in. I'm like, 0:08:04.080 --> 0:08:06.160 I can see her underwear through her dress, but only 0:08:06.240 --> 0:08:09.400 lasted a second because she immediately takes her dress completely off. 0:08:09.720 --> 0:08:13.080 She just takes her dress off, goes the pool. 0:08:13.600 --> 0:08:18.160 Yeah, like she has no boundaries, She's just like she's 0:08:18.280 --> 0:08:21.560 completely right out there. Jake walks out and Joe's all 0:08:21.560 --> 0:08:24.800 over him. Karen is sort of making eyes. She seems very. 0:08:24.720 --> 0:08:27.000 Red in the pool in her la and Jake. 0:08:27.000 --> 0:08:29.560 Is giving her eyes, so I feel like he can't help, 0:08:29.600 --> 0:08:30.240 but look. 0:08:30.120 --> 0:08:31.560 I mean she makes signals. 0:08:31.800 --> 0:08:34.400 Yeah, he can't help, but look she's there. She's very 0:08:34.880 --> 0:08:38.040 sexy and she's flirting and whatever. So he's trying to 0:08:38.080 --> 0:08:41.080 like get a sneak in and Joe's like, no, turning 0:08:41.120 --> 0:08:41.439 his head. 0:08:41.520 --> 0:08:45.000 Yeah right, don't look over there. Look here, buddy, eyes here, buddy. 0:08:45.040 --> 0:08:47.880 Yeah, bringing him aside. She's got a new like nude 0:08:47.960 --> 0:08:49.360 brawn panties. 0:08:49.120 --> 0:08:53.320 Lace too, yeah, lingerie, nude lace, high cut. Remember when 0:08:53.320 --> 0:08:56.080 the underwear was like totally high cut, like the leotards 0:08:56.280 --> 0:08:59.120 I do so wear our bathing suits. Yeah, everything was 0:08:59.240 --> 0:09:00.920 well that's what. Yeah. 0:09:00.920 --> 0:09:03.400 Remember the one pieces where the hips would literally come 0:09:03.480 --> 0:09:04.600 up almost to your arm. 0:09:04.920 --> 0:09:09.600 Yeah yeah, we all had them. We all had them, 0:09:09.600 --> 0:09:10.440 and we all love them. 0:09:10.880 --> 0:09:13.040 So now we're back in D and D and Amanda 0:09:13.080 --> 0:09:16.440 and Allison seemed friendly until Allison mentions that she got 0:09:16.480 --> 0:09:20.080 the note from Billy after all and makes it clear 0:09:20.120 --> 0:09:22.960 that they had a night, and then Amanda says, I 0:09:23.040 --> 0:09:25.599 was only thinking of you, Allison because her stories that 0:09:25.679 --> 0:09:28.320 she's trying to protect her. Then she says that she 0:09:28.320 --> 0:09:31.000 really needs to talk to Billy and walks away, looking upset. 0:09:31.480 --> 0:09:35.120 This is the first scene I've seen and been like, 0:09:35.120 --> 0:09:40.720 Amanda is actually hurting, you know, I feel like here, oh, 0:09:40.800 --> 0:09:42.640 you know, we were questioning it last episode, like is 0:09:42.679 --> 0:09:44.280 she just being manipula or whatever. 0:09:44.679 --> 0:09:45.280 This is the. 0:09:45.160 --> 0:09:49.040 Scene where I felt like, no, she's this was she 0:09:49.120 --> 0:09:49.679 felt like she. 0:09:49.679 --> 0:09:51.360 Lost and it's it's sad for her. 0:09:51.720 --> 0:09:54.400 Yeah, they're still writing her with some vulnerability, which was cool. 0:09:54.400 --> 0:09:56.800 But I the top of the scene was so great 0:09:56.960 --> 0:10:00.120 because Corney, I mean, it must have felt so good 0:10:00.160 --> 0:10:02.120 to finally play that as opposed to. 0:10:02.200 --> 0:10:05.320 Like, oh, what are you doing? Oh you're one upping 0:10:05.400 --> 0:10:05.720 me again? 0:10:05.760 --> 0:10:09.720 You're like you say, literally it worked out for me, 0:10:10.080 --> 0:10:12.559 yeah yeah, yeah no, And. 0:10:12.520 --> 0:10:14.920 By that I mean we made love. Yeah, we. 0:10:16.920 --> 0:10:21.079 Rose on the bed, and so I was like, yeah, 0:10:21.120 --> 0:10:25.240 finally she gets to go and we'll see how long 0:10:25.280 --> 0:10:25.760 that lasts. 0:10:26.880 --> 0:10:29.800 No, it was super satisfying to see it, and Alison 0:10:29.840 --> 0:10:32.680 gets about half a second to feel smug, So let's 0:10:32.760 --> 0:10:33.880 enjoy that little. 0:10:33.600 --> 0:10:34.400 Half a second for her. 0:10:34.440 --> 0:10:36.880 And I also thought, I agree with you that Amanda 0:10:36.920 --> 0:10:42.120 seemed authentically vulnerable and gorgeous. Yeah, like she's never looked 0:10:42.120 --> 0:10:46.040 better and this should be my moment of victory. But 0:10:46.080 --> 0:10:49.000 I've got on this great, big red suit and she's got. 0:10:49.520 --> 0:10:52.080 Like, come on, give me that, but well I'm gonna 0:10:52.120 --> 0:10:54.920 get Well, come on for you, because you're as big 0:10:54.960 --> 0:10:57.760 as that suit was. That red suit was. It was 0:10:57.840 --> 0:11:00.600 more spelt than the other the other suits you had. 0:11:00.640 --> 0:11:02.720 There was less fabric on this one. I felt like 0:11:02.760 --> 0:11:05.120 we pulled in a little tightly and it was kind 0:11:05.120 --> 0:11:06.600 of like shaped your shoulders. 0:11:07.520 --> 0:11:10.600 At least it wasn't like a parachute. I'm sorry, that's true. 0:11:10.640 --> 0:11:12.880 It's getting a little more I'm getting a little more sophisticated. 0:11:12.920 --> 0:11:14.160 And I also think you guys are right. You made 0:11:14.160 --> 0:11:15.800 the point that Alison is supposed to be like this 0:11:15.920 --> 0:11:19.800 Midwest girl and she's not a sophisticated So I think that, 0:11:20.040 --> 0:11:22.240 you know, we're in Talctor Denise soon. But bit by bit, 0:11:22.679 --> 0:11:24.840 she's getting a little bit more sophisticated and things are 0:11:24.840 --> 0:11:26.080 fitting a little bit better. 0:11:26.000 --> 0:11:28.560 And not just that, like she's not overt like she's 0:11:28.640 --> 0:11:31.800 you know, and I think Amanda is more likely to 0:11:31.840 --> 0:11:34.760 be a little bit more overtly, you know, tailored fitted 0:11:34.880 --> 0:11:36.240 and like figure. 0:11:35.960 --> 0:11:37.720 You know, form fitting clothing. 0:11:37.880 --> 0:11:40.959 I think that makes sense, and that you're just it's 0:11:41.000 --> 0:11:44.199 like a conservative and more conservative choice as the midwesterner 0:11:44.280 --> 0:11:44.679 that you are. 0:11:44.800 --> 0:11:44.959 Yeah. 0:11:45.000 --> 0:11:46.719 I think we made it clear Alison likes to take 0:11:46.760 --> 0:11:50.720 things slow. Yeah, and she likes made that clear. 0:11:52.440 --> 0:11:55.840 To take things slow with the man and her skirts 0:11:55.880 --> 0:11:59.000 going up inch by answers slowly too, so that will 0:11:59.000 --> 0:11:59.920 happen by bit by bit. 0:12:00.280 --> 0:12:04.720 Well, all three of us, Joe, you and me and 0:12:04.720 --> 0:12:07.439 and Heather all had these really long, straight skirts in 0:12:07.480 --> 0:12:09.640 this episode. It must have been very in at that time. 0:12:09.960 --> 0:12:12.480 It must have been all we all three had them. Okay, 0:12:12.679 --> 0:12:14.960 so we're back at the courtyard and Alison walks up 0:12:15.000 --> 0:12:18.600 to Jane who's cleaning the pool, and Jane is mad 0:12:18.640 --> 0:12:22.720 at everybody, and then Joe walks up, as luck would 0:12:22.760 --> 0:12:25.559 have it, with laundry and joins the conversation. Just as 0:12:25.640 --> 0:12:28.360 Jane says, you were right, Alison, Michael was having an 0:12:28.360 --> 0:12:29.440 affair m hm. 0:12:29.960 --> 0:12:33.840 But didn't Jane look cute in this like thermal top 0:12:33.880 --> 0:12:36.880 of those pink little roses and cut off jean shorts 0:12:36.920 --> 0:12:40.360 And she's like cleaning the pool and she's like, Michael's 0:12:40.400 --> 0:12:42.679 not around, you come to me with any of his shoes. 0:12:42.760 --> 0:12:45.120 You know, I'm looking at the apartment building now, and 0:12:45.160 --> 0:12:47.360 she just walks off like she's taking care of business. 0:12:47.480 --> 0:12:50.959 I just love taking care of everything. Yeah, I loved it. Yeah, 0:12:51.280 --> 0:12:52.400 she's tough and sable. 0:12:52.679 --> 0:12:55.680 She goes, I'm fine, it'll be great. I don't know 0:12:55.720 --> 0:12:58.200 that I completely believe you. But she did look gorgeous. 0:12:58.640 --> 0:12:59.439 Yeah, but she is. 0:12:59.600 --> 0:13:02.480 She is angry, like she feels like, hello, she's just 0:13:02.559 --> 0:13:05.280 not Yeah, but she's not exactly friendly with her friends. 0:13:05.360 --> 0:13:07.400 But she does look darn cute in those dinners. Well, 0:13:07.440 --> 0:13:08.640 I think she's beside herself. 0:13:08.679 --> 0:13:11.480 Frankly, if she if and that happened to any of us, 0:13:11.520 --> 0:13:14.760 I think you're just mad at everything and everyone. It 0:13:14.800 --> 0:13:17.360 wasn't like an aimed at us. Really, it was just like, 0:13:17.400 --> 0:13:19.440 I'm taking care of stuff. I'm cleaning the pool. You 0:13:19.480 --> 0:13:22.439 need anything, come to me, I'm out. Yeah, and she feels. 0:13:22.120 --> 0:13:25.199 Stupid, like she feels stupid and ashamed and embarrassed. 0:13:25.240 --> 0:13:27.840 And even though it wasn't she didn't do anything wrong, it's. 0:13:27.720 --> 0:13:31.200 A horrible feeling. Yeah, I think she's she's playing it 0:13:31.320 --> 0:13:34.080 just right. So Yeah, now we're back in Escapade Magazine 0:13:34.120 --> 0:13:37.840 and Billy's coworker Cameron is is teasing him about not 0:13:37.880 --> 0:13:41.280 being a good copywriter, but Billy is writing what. 0:13:41.280 --> 0:13:43.320 Looks like a poem on his computer. I'm just going 0:13:43.360 --> 0:13:44.080 to stick a pin in it. 0:13:44.720 --> 0:13:47.480 Just stick a pin in the poem, and we see 0:13:47.480 --> 0:13:50.160 a man. Cameron notices Amanda walk in. He goes up 0:13:50.160 --> 0:13:53.280 and hits on her, and she comes to Billy and 0:13:53.320 --> 0:13:55.840 gives him some news. Yeah. 0:13:55.840 --> 0:14:00.280 So Amanda showed up at Billy's workspace looking how as 0:14:00.280 --> 0:14:05.000 ever as well, and Cameron notices it. Wow, okay, and 0:14:05.120 --> 0:14:08.760 her news tell us Courtney, Yeah, tell us her news. Oh, 0:14:08.880 --> 0:14:10.520 I'm I was gonna let one of you guys do it. 0:14:10.600 --> 0:14:13.960 But he, she says, in his workspace, of all places 0:14:14.120 --> 0:14:16.199 in the open space. She tells him that she missed 0:14:16.240 --> 0:14:20.000 her period and took a home test like she's pregnant. 0:14:20.720 --> 0:14:22.520 Yeah, and that she still. 0:14:22.280 --> 0:14:25.200 Has to confirm it with her doctor. Yeah, but her 0:14:25.280 --> 0:14:27.600 time is done the home test. Yeah, her timing, you know, 0:14:27.760 --> 0:14:30.040 she waits till after you guys. 0:14:29.640 --> 0:14:30.120 And. 0:14:31.440 --> 0:14:34.560 Yeah, and Billy has sort of no reaction, sort of a. 0:14:36.200 --> 0:14:39.520 Y shunned I think sounned. I think so. 0:14:39.880 --> 0:14:42.680 Yeah, although and you know our inclination is to go 0:14:42.800 --> 0:14:45.880 do we believe her? You know, to ask ourselves, is 0:14:45.880 --> 0:14:47.960 this real? Is this just a ploy? 0:14:48.440 --> 0:14:50.560 Is I didn't believe real at this point. 0:14:50.640 --> 0:14:53.200 I was like, yeah, I think it's a natural question 0:14:53.360 --> 0:14:56.160 and to not, you know, to feel a little suspect 0:14:56.200 --> 0:14:58.600 about it. But she's at least been forthright to say 0:14:58.640 --> 0:15:00.640 I need to confirm it with my doctor, so that's 0:15:00.640 --> 0:15:03.760 not just saying, you know, I am, I am. 0:15:04.280 --> 0:15:06.840 But again, this is really like Melrosie, like, you know, 0:15:08.120 --> 0:15:10.480 you think this is gonna happen, then this happens, then this, 0:15:10.760 --> 0:15:13.240 you know, there's always like a problem with someone in 0:15:13.280 --> 0:15:15.360 the building causing another problem, like oh. 0:15:15.320 --> 0:15:17.480 Yeah, And it's super smart that they have her so 0:15:17.720 --> 0:15:21.120 vulnerable and relatable, Amanda, I mean, because it makes it 0:15:21.160 --> 0:15:24.480 more complicated than it would be if she just felt manipulated. 0:15:24.520 --> 0:15:25.080 But she doesn't. 0:15:25.080 --> 0:15:28.360 This is Heather does a great job in Yeah, he's 0:15:28.440 --> 0:15:30.480 kind of the one we're rooting for. Is Alison is 0:15:30.480 --> 0:15:33.200 super annoying. So speaking of annoying, Billy comes back into 0:15:33.200 --> 0:15:35.680 their apartment and Alison is making dinner and does not 0:15:35.800 --> 0:15:38.160 kiss him when he walks in. I'm just so annoyed 0:15:38.160 --> 0:15:40.880 with her, Like, didn't you guys just make love for 0:15:40.920 --> 0:15:45.480 the first time? So She's chatting about Michael and Jane 0:15:45.560 --> 0:15:48.040 and chut chut chut chut chat and all of a sudden, 0:15:48.480 --> 0:15:50.480 she notices Billy hasn't come in the room, and she goes, 0:15:50.480 --> 0:15:51.400 are you going to join me? 0:15:52.360 --> 0:15:56.640 And he turns all those candles everywhere. There's candles everywhere. 0:15:56.680 --> 0:16:00.200 She's making dinner, shine, food, pouring wine. 0:16:00.080 --> 0:16:04.440 Adding about the day, pouring wine. Happy join her, and 0:16:04.480 --> 0:16:08.000 then Billy comes closer and tells her that Amanda is pregnant. 0:16:08.680 --> 0:16:10.880 I think Amanda is pregnant. It's not sure. 0:16:12.680 --> 0:16:16.520 Yeah, And Alison also tells him about the Michael and 0:16:16.600 --> 0:16:18.600 Jane news, so like she thinks, oh my god, I 0:16:18.680 --> 0:16:19.960 got this big news for you. 0:16:20.320 --> 0:16:21.040 Michael and Jane. 0:16:21.200 --> 0:16:23.880 You know, I'm split and Michael's She's kicked him out, 0:16:24.040 --> 0:16:26.120 and he's like, no, I need to tell you I 0:16:26.160 --> 0:16:26.640 can trump. 0:16:26.720 --> 0:16:30.440 I can trump that. Yeah, yeah, pregnant. 0:16:30.800 --> 0:16:34.880 And then Alison looks devastated, and Billy pulls her into 0:16:34.920 --> 0:16:37.080 a hug and over his shoulder, she says. 0:16:37.120 --> 0:16:40.600 It just isn't fair. Yeah, which is right. 0:16:40.880 --> 0:16:44.360 It's not it's true, but I mean, honestly, it's kind 0:16:44.360 --> 0:16:45.480 of not about her right now. 0:16:45.520 --> 0:16:47.400 But you know, I did what I did, what I 0:16:47.440 --> 0:16:49.280 don't know. I mean, I just feel like Billy was 0:16:49.320 --> 0:16:51.520 a little wishy washy. He could have been more company, 0:16:51.600 --> 0:16:53.560 Like if it were Jaked, it would be like, you know, 0:16:53.720 --> 0:16:56.960 hugging her hard and understanding her. He's just more mature 0:16:57.000 --> 0:16:59.640 and then saying, look, nothing's going to stop get between us. 0:16:59.840 --> 0:17:00.880 I will take care of this. 0:17:01.200 --> 0:17:04.480 You're my number one. Don't even worry about it. Let's 0:17:04.480 --> 0:17:05.760 go make love, you know what I mean? Like he 0:17:05.800 --> 0:17:08.840 would just and I just felt like, Billy do more. 0:17:09.400 --> 0:17:10.720 But that's you don't say enough. 0:17:10.880 --> 0:17:14.320 Billy Nelison never ever ever say what they're actually thinking 0:17:14.400 --> 0:17:16.480 ever ever ever. It's very very frustrating. 0:17:16.560 --> 0:17:19.159 Yeah, the writers definitely give Billy a pickle, Like you 0:17:19.160 --> 0:17:20.960 could see that he was in a pickle, right. 0:17:21.000 --> 0:17:23.840 He doesn't say it, he doesn't say this is hard 0:17:23.880 --> 0:17:26.879 on it. He just gets really quiet. And that's a 0:17:26.920 --> 0:17:29.560 horrible feeling to be with. Somebody just gets quiet. 0:17:29.359 --> 0:17:32.720 By not saying enough. You say a lot, yes exactly. 0:17:32.760 --> 0:17:35.439 So now we're back in Jane's apartment. It's Jane's apartment 0:17:35.440 --> 0:17:38.159 now because Michael isn't there, and she's just crying. It's heartbreaking. 0:17:38.640 --> 0:17:40.440 She's just crying good hutting the. 0:17:40.320 --> 0:17:44.199 Phone ring and ring and ring, so cutting back and 0:17:44.200 --> 0:17:47.080 forth to be Michael in a hotel, right, even. 0:17:46.920 --> 0:17:47.520 Back and forth. 0:17:47.560 --> 0:17:50.280 Then we go to Michael's hotel room and he's on 0:17:50.320 --> 0:17:52.239 the phone and that there's a knock on the door, 0:17:52.240 --> 0:17:53.760 and he gets up and fixes his shirt and you 0:17:53.800 --> 0:17:55.480 get the sense that he thinks maybe it's Jane. 0:17:55.560 --> 0:17:56.360 Well he's hung up. 0:17:56.760 --> 0:17:58.760 He's hung up the phone first, so he's on it. 0:17:58.920 --> 0:18:02.760 No one answers, and right doesn't he yes, okay, and 0:18:02.760 --> 0:18:04.880