1
00:00:05,680 --> 00:00:09,520
Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith and

2
00:00:09,640 --> 00:00:18,000
Speaker 1: Daphne's Aniga an iHeartRadio podcast. Hi guys, welcome is still

3
00:00:18,000 --> 00:00:20,119
Speaker 1: the Place. It's very exciting.

4
00:00:20,120 --> 00:00:23,680
Speaker 2: We are on our penultimate episode, our second to last

5
00:00:23,720 --> 00:00:25,000
Speaker 2: episode of season one.

6
00:00:25,320 --> 00:00:28,280
Speaker 1: Is that being an ultimate is? That's what penulty means.

7
00:00:28,400 --> 00:00:31,480
Speaker 3: I think that the last words, I think is penultimate

8
00:00:31,560 --> 00:00:32,640
Speaker 3: really second to last?

9
00:00:32,800 --> 00:00:35,960
Speaker 1: It is. I feel like Laura might knows a different fact.

10
00:00:36,400 --> 00:00:40,519
Speaker 3: I just had a different of penultimate, but I think

11
00:00:40,680 --> 00:00:42,920
Speaker 3: the last believe I have it in my mind like

12
00:00:43,280 --> 00:00:44,640
Speaker 3: an exaggerated es.

13
00:00:44,800 --> 00:00:47,199
Speaker 1: I'll look at the den beyond. But what does it

14
00:00:47,280 --> 00:00:52,680
Speaker 1: mean today as opposed to ninety ninety last? Right, thirty

15
00:00:52,760 --> 00:00:53,120
Speaker 1: years ago?

16
00:00:53,159 --> 00:00:56,639
Speaker 3: It meant something a little bit diminished last, but.

17
00:00:56,760 --> 00:01:00,120
Speaker 2: One is a series of things second to last. So

18
00:01:00,480 --> 00:01:02,160
Speaker 2: ladies learned something today.

19
00:01:02,280 --> 00:01:05,399
Speaker 1: Wasn't even using it wrong? Wasn't this so I've never

20
00:01:05,520 --> 00:01:06,000
Speaker 1: used it?

21
00:01:06,040 --> 00:01:08,759
Speaker 3: To be honest, I'm going to start using it correctly

22
00:01:08,800 --> 00:01:09,920
Speaker 3: and I appreciate it.

23
00:01:10,760 --> 00:01:12,800
Speaker 2: Like just try to figure out how to use ironic

24
00:01:12,840 --> 00:01:15,000
Speaker 2: properly and you just go down a rabbit hole of wait,

25
00:01:15,040 --> 00:01:15,680
Speaker 2: that can't be right.

26
00:01:15,720 --> 00:01:20,520
Speaker 1: Wait ruined it for everybody. This is a learning podcast

27
00:01:20,560 --> 00:01:22,920
Speaker 1: for our listeners. It's a learning podcast.

28
00:01:23,520 --> 00:01:27,520
Speaker 2: But this episode was so crazy, wasn't it crazy?

29
00:01:27,800 --> 00:01:29,440
Speaker 1: So exciting? So we've got so I'm going to do

30
00:01:29,440 --> 00:01:30,679
Speaker 1: a quick rundown just so we know.

31
00:01:30,800 --> 00:01:33,200
Speaker 2: So we've got Billy and Allison coming home from their

32
00:01:33,280 --> 00:01:34,160
Speaker 2: romantic weekend.

33
00:01:34,240 --> 00:01:36,440
Speaker 1: Super sweet. They come in a motorcycle which I was

34
00:01:36,480 --> 00:01:38,360
Speaker 1: sure was Joe and the model but was not.

35
00:01:39,120 --> 00:01:41,480
Speaker 2: And then Amanda comes in sort of blows things up

36
00:01:41,480 --> 00:01:44,360
Speaker 2: with some crazy news. Jake and Joe are in this

37
00:01:44,440 --> 00:01:48,120
Speaker 2: weird thing with this really overly sexed model Karen, who's

38
00:01:48,120 --> 00:01:51,160
Speaker 2: making her intentions for everybody known if you cross your path,

39
00:01:51,320 --> 00:01:54,760
Speaker 2: she wants to have sex with you, and Michael is

40
00:01:54,840 --> 00:01:58,280
Speaker 2: sort of having the consequences of being caught with Kimberly

41
00:01:58,640 --> 00:02:02,600
Speaker 2: by Jane, and Jane finally gets a backbone, which is

42
00:02:02,760 --> 00:02:07,240
Speaker 2: so incredibly satisfying. Okay, so satisfying, Yeah, so satisfying. So

43
00:02:07,320 --> 00:02:10,960
Speaker 2: let's get Josey too, so much fun for jokes. Yeah,

44
00:02:11,000 --> 00:02:13,480
Speaker 2: she gets to do something different. So we start and

45
00:02:13,720 --> 00:02:16,880
Speaker 2: this motorcycle pulls up Tomorrow's place. So surprised to see

46
00:02:17,000 --> 00:02:18,640
Speaker 2: it's Billy and Allison, Well.

47
00:02:18,600 --> 00:02:21,320
Speaker 4: You mean you're so surprised to see I'm jump you, Courtney,

48
00:02:21,360 --> 00:02:22,359
Speaker 4: are jumping off of it.

49
00:02:22,919 --> 00:02:24,200
Speaker 1: Uh so you did none of that.

50
00:02:24,240 --> 00:02:26,760
Speaker 2: You just I'm pretending I'm coming back from the Sunday

51
00:02:26,800 --> 00:02:28,240
Speaker 2: rides that you guys did without me.

52
00:02:28,320 --> 00:02:30,880
Speaker 1: That's that's my backstory that I think I have seen

53
00:02:30,919 --> 00:02:31,799
Speaker 1: this scene in the day.

54
00:02:31,880 --> 00:02:34,400
Speaker 4: I would have invited you on our weekend real Harley rides,

55
00:02:34,440 --> 00:02:36,440
Speaker 4: but we have time to watch.

56
00:02:36,440 --> 00:02:38,519
Speaker 1: I'm sorry, wait a minute here, all I could.

57
00:02:39,000 --> 00:02:41,600
Speaker 3: I was just wondering, did you actually were you actually

58
00:02:41,720 --> 00:02:44,760
Speaker 3: on the motorcycle for like the last half a block

59
00:02:44,840 --> 00:02:47,040
Speaker 3: to like pull in, or did they put stunt people

60
00:02:47,040 --> 00:02:48,760
Speaker 3: on and then you just stepped off in the clothes.

61
00:02:49,160 --> 00:02:51,160
Speaker 2: I was wondering, Well, I don't know if Andrew, I

62
00:02:51,160 --> 00:02:53,240
Speaker 2: don't remember if he could drive a motorcycle, it may

63
00:02:53,280 --> 00:02:56,079
Speaker 2: have been me and a stunt guy, or probably Grant

64
00:02:56,080 --> 00:02:57,680
Speaker 2: would have driven it. Right, it would have been me

65
00:02:57,720 --> 00:02:59,280
Speaker 2: and Grip, But or maybe Andrew did it.

66
00:02:59,320 --> 00:03:00,520
Speaker 1: We'll ask him when we see him.

67
00:03:00,520 --> 00:03:03,519
Speaker 3: But you don't recall because I don't. I was watching

68
00:03:03,560 --> 00:03:06,600
Speaker 3: it with that question, and I held my question till now.

69
00:03:06,880 --> 00:03:08,520
Speaker 1: I was hoping, but I also was.

70
00:03:08,480 --> 00:03:11,280
Speaker 4: Watching how they cut it, because usually it can either

71
00:03:11,320 --> 00:03:13,000
Speaker 4: be like if you're able to, then you'll have the

72
00:03:13,040 --> 00:03:15,959
Speaker 4: shot coming into the stop and then it won't cut

73
00:03:16,240 --> 00:03:18,080
Speaker 4: and the actor will get off if you're able to.

74
00:03:18,520 --> 00:03:20,520
Speaker 4: But a lot of times I'll cut that angle and

75
00:03:20,600 --> 00:03:22,720
Speaker 4: Courtney and Andrew will just step.

76
00:03:22,400 --> 00:03:24,560
Speaker 1: Off and already stop bike And I did you notice?

77
00:03:24,680 --> 00:03:25,720
Speaker 1: I think that's what I saw.

78
00:03:26,040 --> 00:03:28,000
Speaker 3: There was a cut, but I couldn't tell who it

79
00:03:28,160 --> 00:03:30,800
Speaker 3: was in the wide versus then it was obviously you

80
00:03:30,840 --> 00:03:32,680
Speaker 3: guys in the in the closer.

81
00:03:33,120 --> 00:03:34,800
Speaker 2: Yeah, And then it was super cute and we take

82
00:03:34,800 --> 00:03:36,920
Speaker 2: off our helmets and we kiss and it's super super

83
00:03:37,000 --> 00:03:40,120
Speaker 2: sweet and yummy. And then Jake walks up and we

84
00:03:40,160 --> 00:03:41,800
Speaker 2: did and Billy goes, don't want to know what happens.

85
00:03:41,800 --> 00:03:43,760
Speaker 1: He goes, it's pretty clear since we are making out,

86
00:03:43,800 --> 00:03:47,320
Speaker 1: I see what I can. I can, yeah, have eyeballs.

87
00:03:48,120 --> 00:03:50,560
Speaker 2: So then Billy and Allison walk into their apartment and

88
00:03:50,600 --> 00:03:52,520
Speaker 2: it's super cute and they're making out in the doorway

89
00:03:52,560 --> 00:03:55,160
Speaker 2: and it's so cute, and then Alison they're finally kissing,

90
00:03:55,200 --> 00:03:58,760
Speaker 2: like really kissing, really kissing, and then Alison of course

91
00:03:58,960 --> 00:04:03,560
Speaker 2: loses her mind and says, Billy says, I'm even even

92
00:04:03,640 --> 00:04:04,600
Speaker 2: repeating this line.

93
00:04:04,920 --> 00:04:11,680
Speaker 1: Yeah, it's like a little demand it. It's like, oh,

94
00:04:11,720 --> 00:04:12,560
Speaker 1: we made love.

95
00:04:12,720 --> 00:04:16,159
Speaker 4: Yeah, I had my PTSD with this whole situation is

96
00:04:16,200 --> 00:04:18,640
Speaker 4: now you're going to find a reason to put a

97
00:04:18,680 --> 00:04:21,640
Speaker 4: stop on it because we love so now we have

98
00:04:21,760 --> 00:04:25,160
Speaker 4: to stop and consider everything and talk about it and

99
00:04:25,200 --> 00:04:26,640
Speaker 4: make sure it's the right thing to do.

100
00:04:26,800 --> 00:04:28,520
Speaker 1: You know, well I do. I say, I feel like

101
00:04:28,520 --> 00:04:32,160
Speaker 1: we were really fast. It was like, really are you? Yeah?

102
00:04:32,600 --> 00:04:35,039
Speaker 1: That was what was to me.

103
00:04:35,400 --> 00:04:39,279
Speaker 4: Besides she's silly, that's yeah.

104
00:04:40,920 --> 00:04:45,000
Speaker 3: Besides saying we're moving so fast and like we made

105
00:04:45,080 --> 00:04:47,719
Speaker 3: love like just cringee lines or whatever. But that you

106
00:04:47,760 --> 00:04:51,120
Speaker 3: said the apartment makes you think that you're like being

107
00:04:51,120 --> 00:04:54,400
Speaker 3: back in the apartment makes you think that you're moving

108
00:04:54,400 --> 00:04:54,760
Speaker 3: too fast.

109
00:04:54,760 --> 00:04:57,200
Speaker 1: And I'm like what why? And now it's not going

110
00:04:57,279 --> 00:05:00,560
Speaker 1: to work out? Actually I know it should be.

111
00:05:00,720 --> 00:05:02,400
Speaker 2: Well, here we are back at the apartment, let's do

112
00:05:02,400 --> 00:05:04,839
Speaker 2: it before I go to work. Instead, gives him a

113
00:05:04,839 --> 00:05:06,640
Speaker 2: peck on the cheek and she raises off to work,

114
00:05:06,720 --> 00:05:08,760
Speaker 2: or Allison races off to work because she's stupid.

115
00:05:09,120 --> 00:05:13,119
Speaker 1: Yeah, at least we all agree, very accurate. We all agree.

116
00:05:15,360 --> 00:05:17,400
Speaker 2: We're all annoyed. We're like, make out with Billy for

117
00:05:17,400 --> 00:05:19,840
Speaker 2: a second. You've waited we've all waited a year for this.

118
00:05:19,960 --> 00:05:22,800
Speaker 2: You dope, you dope, all right. So anyway, now we're

119
00:05:22,839 --> 00:05:24,919
Speaker 2: back in the hospital and Michael is asleep on an

120
00:05:24,960 --> 00:05:27,640
Speaker 2: exam table, which we quickly figure out he's sleeping in

121
00:05:27,640 --> 00:05:30,080
Speaker 2: the hospital because he's been kicked out of the house.

122
00:05:30,520 --> 00:05:33,080
Speaker 2: Kimberly comes in and very like lovingly wakes him up

123
00:05:33,080 --> 00:05:39,080
Speaker 2: and plays with his hair, and Michael is suddenly completely shifted,

124
00:05:39,200 --> 00:05:42,040
Speaker 2: and now he's being mean to Kimberly and focused on Jane.

125
00:05:42,440 --> 00:05:45,440
Speaker 1: Yeah, he seems to finally have some guilt and well

126
00:05:45,480 --> 00:05:47,240
Speaker 1: I think he's been caught in the act. Like that

127
00:05:47,360 --> 00:05:49,520
Speaker 1: kind of wakes you up from your fantasy, like, oh,

128
00:05:49,560 --> 00:05:52,840
Speaker 1: this is a reality consequences, yeah, you know.

129
00:05:52,839 --> 00:05:55,960
Speaker 2: Yeah, consequences And Kimberlys saying, well, wait, what are we

130
00:05:56,040 --> 00:05:57,719
Speaker 2: going to do? And then I wrote this on my

131
00:05:57,720 --> 00:06:00,000
Speaker 2: phone what are we going to do? And he said,

132
00:06:00,960 --> 00:06:02,919
Speaker 2: right now, we're watching a valve replacement.

133
00:06:03,279 --> 00:06:05,920
Speaker 4: I was like, oh, yeah, he's totally can from her,

134
00:06:06,040 --> 00:06:09,240
Speaker 4: which I'm going, okay, I'll see I'll say it later.

135
00:06:09,680 --> 00:06:12,880
Speaker 1: I saw like a little twinge in the Kimberly character change.

136
00:06:12,960 --> 00:06:16,880
Speaker 4: I saw, oh, moment of future, like because she doesn't

137
00:06:16,920 --> 00:06:19,080
Speaker 4: like being you know, brushed off like this.

138
00:06:19,240 --> 00:06:22,839
Speaker 3: Yeah, because she's pretty sure here and for this episode like, oh,

139
00:06:23,040 --> 00:06:26,080
Speaker 3: so you've been kicked out, so you know about us?

140
00:06:26,120 --> 00:06:28,040
Speaker 1: It's still like what about me? What about us?

141
00:06:28,040 --> 00:06:32,479
Speaker 3: This whole time and he's having his consequence guilt moment

142
00:06:32,600 --> 00:06:33,279
Speaker 3: and she, Yeah.

143
00:06:33,240 --> 00:06:35,760
Speaker 2: She's super valid because he's been saying this is different,

144
00:06:35,839 --> 00:06:38,360
Speaker 2: like I'm crazy about you, this is magic, We're magic,

145
00:06:38,400 --> 00:06:41,839
Speaker 2: and all of a sudden he's completely shut.

146
00:06:41,600 --> 00:06:46,119
Speaker 1: Off to her. Yeah, yeah right, it's really so.

147
00:06:46,120 --> 00:06:49,240
Speaker 2: So then Michael goes up, he gets called to the

148
00:06:49,720 --> 00:06:51,200
Speaker 2: gets called to the front desk and they say, you

149
00:06:51,240 --> 00:06:53,640
Speaker 2: have a call, and we see him walk out and

150
00:06:53,680 --> 00:06:57,440
Speaker 2: there's Jane by the car with his bags.

151
00:06:57,960 --> 00:07:01,880
Speaker 4: Yeah, with that depositing bug in the on the side, Yeah,

152
00:07:01,880 --> 00:07:02,960
Speaker 4: on the parking lot, and.

153
00:07:02,920 --> 00:07:04,599
Speaker 1: I'm delivering his stuff here.

154
00:07:04,640 --> 00:07:07,200
Speaker 4: It is yeah, but it wasn't totally I don't know

155
00:07:07,200 --> 00:07:10,320
Speaker 4: about you guys, but it wasn't completely obvious to me.

156
00:07:10,480 --> 00:07:13,080
Speaker 1: I was like, is she moving? Is she leaving?

157
00:07:13,160 --> 00:07:14,760
Speaker 4: Is she going back home? But then why would it

158
00:07:14,760 --> 00:07:16,480
Speaker 4: be out? Maybe it was so obvious to you, But

159
00:07:16,560 --> 00:07:19,960
Speaker 4: I was like until she says it in that you know,

160
00:07:20,440 --> 00:07:22,400
Speaker 4: great line reading so strong.

161
00:07:22,480 --> 00:07:24,600
Speaker 1: You know, here's your stuff. I'll get you the rest

162
00:07:24,600 --> 00:07:27,080
Speaker 1: of the stuff. Yeah. Ready, she's finally mad.

163
00:07:27,160 --> 00:07:30,320
Speaker 2: It was really satisfying, right, she's fine, tough and mad

164
00:07:30,360 --> 00:07:32,000
Speaker 2: and getting rid of his stuff and saying this did

165
00:07:32,120 --> 00:07:32,640
Speaker 2: really well.

166
00:07:32,720 --> 00:07:35,000
Speaker 1: It made me feel for Josie, like you should have

167
00:07:35,480 --> 00:07:36,200
Speaker 1: had more of this.

168
00:07:37,160 --> 00:07:39,240
Speaker 3: Yeah, And I also liked like you said, like the

169
00:07:39,320 --> 00:07:41,400
Speaker 3: reveal was at the end of the scene.

170
00:07:41,440 --> 00:07:43,040
Speaker 1: As as the shot widens out.

171
00:07:42,960 --> 00:07:45,680
Speaker 3: You see she's deposited the suitcases and his bags on

172
00:07:45,720 --> 00:07:48,560
Speaker 3: the parking lot ground and she drives off, so she

173
00:07:48,640 --> 00:07:51,120
Speaker 3: has delivered his stuff and she's like, you're out, and

174
00:07:51,160 --> 00:07:53,240
Speaker 3: that's when it becomes clear what she intended.

175
00:07:53,920 --> 00:07:56,000
Speaker 2: He literally has his head in his hands, like he

176
00:07:56,200 --> 00:07:59,280
Speaker 2: literally has said in his hand. I love that. So

177
00:07:59,320 --> 00:08:01,760
Speaker 2: now we're back at the courtyard. Joe and Karen walk

178
00:08:01,840 --> 00:08:03,760
Speaker 2: in and I noticed that she's walking in. I'm like,

179
00:08:04,080 --> 00:08:06,160
Speaker 2: I can see her underwear through her dress, but only

180
00:08:06,240 --> 00:08:09,400
Speaker 2: lasted a second because she immediately takes her dress completely off.

181
00:08:09,720 --> 00:08:13,080
Speaker 1: She just takes her dress off, goes the pool.

182
00:08:13,600 --> 00:08:18,160
Speaker 2: Yeah, like she has no boundaries, She's just like she's

183
00:08:18,280 --> 00:08:21,560
Speaker 2: completely right out there. Jake walks out and Joe's all

184
00:08:21,560 --> 00:08:24,800
Speaker 2: over him. Karen is sort of making eyes. She seems very.

185
00:08:24,720 --> 00:08:27,000
Speaker 1: Red in the pool in her la and Jake.

186
00:08:27,000 --> 00:08:29,560
Speaker 2: Is giving her eyes, so I feel like he can't help,

187
00:08:29,600 --> 00:08:30,240
Speaker 2: but look.

188
00:08:30,120 --> 00:08:31,560
Speaker 1: I mean she makes signals.

189
00:08:31,800 --> 00:08:34,400
Speaker 3: Yeah, he can't help, but look she's there. She's very

190
00:08:34,880 --> 00:08:38,040
Speaker 3: sexy and she's flirting and whatever. So he's trying to

191
00:08:38,080 --> 00:08:41,080
Speaker 3: like get a sneak in and Joe's like, no, turning

192
00:08:41,120 --> 00:08:41,439
Speaker 3: his head.

193
00:08:41,520 --> 00:08:45,000
Speaker 1: Yeah right, don't look over there. Look here, buddy, eyes here, buddy.

194
00:08:45,040 --> 00:08:47,880
Speaker 2: Yeah, bringing him aside. She's got a new like nude

195
00:08:47,960 --> 00:08:49,360
Speaker 2: brawn panties.

196
00:08:49,120 --> 00:08:53,320
Speaker 1: Lace too, yeah, lingerie, nude lace, high cut. Remember when

197
00:08:53,320 --> 00:08:56,080
Speaker 1: the underwear was like totally high cut, like the leotards

198
00:08:56,280 --> 00:08:59,120
Speaker 1: I do so wear our bathing suits. Yeah, everything was

199
00:08:59,240 --> 00:09:00,920
Speaker 1: well that's what. Yeah.

200
00:09:00,920 --> 00:09:03,400
Speaker 2: Remember the one pieces where the hips would literally come

201
00:09:03,480 --> 00:09:04,600
Speaker 2: up almost to your arm.

202
00:09:04,920 --> 00:09:09,600
Speaker 1: Yeah yeah, we all had them. We all had them,

203
00:09:09,600 --> 00:09:10,440
Speaker 1: and we all love them.

204
00:09:10,880 --> 00:09:13,040
Speaker 2: So now we're back in D and D and Amanda

205
00:09:13,080 --> 00:09:16,440
Speaker 2: and Allison seemed friendly until Allison mentions that she got

206
00:09:16,480 --> 00:09:20,080
Speaker 2: the note from Billy after all and makes it clear

207
00:09:20,120 --> 00:09:22,960
Speaker 2: that they had a night, and then Amanda says, I

208
00:09:23,040 --> 00:09:25,599
Speaker 2: was only thinking of you, Allison because her stories that

209
00:09:25,679 --> 00:09:28,320
Speaker 2: she's trying to protect her. Then she says that she

210
00:09:28,320 --> 00:09:31,000
Speaker 2: really needs to talk to Billy and walks away, looking upset.

211
00:09:31,480 --> 00:09:35,120
Speaker 3: This is the first scene I've seen and been like,

212
00:09:35,120 --> 00:09:40,720
Speaker 3: Amanda is actually hurting, you know, I feel like here, oh,

213
00:09:40,800 --> 00:09:42,640
Speaker 3: you know, we were questioning it last episode, like is

214
00:09:42,679 --> 00:09:44,280
Speaker 3: she just being manipula or whatever.

215
00:09:44,679 --> 00:09:45,280
Speaker 1: This is the.

216
00:09:45,160 --> 00:09:49,040
Speaker 3: Scene where I felt like, no, she's this was she

217
00:09:49,120 --> 00:09:49,679
Speaker 3: felt like she.

218
00:09:49,679 --> 00:09:51,360
Speaker 1: Lost and it's it's sad for her.

219
00:09:51,720 --> 00:09:54,400
Speaker 4: Yeah, they're still writing her with some vulnerability, which was cool.

220
00:09:54,400 --> 00:09:56,800
Speaker 4: But I the top of the scene was so great

221
00:09:56,960 --> 00:10:00,120
Speaker 4: because Corney, I mean, it must have felt so good

222
00:10:00,160 --> 00:10:02,120
Speaker 4: to finally play that as opposed to.

223
00:10:02,200 --> 00:10:05,320
Speaker 1: Like, oh, what are you doing? Oh you're one upping

224
00:10:05,400 --> 00:10:05,720
Speaker 1: me again?

225
00:10:05,760 --> 00:10:09,720
Speaker 4: You're like you say, literally it worked out for me,

226
00:10:10,080 --> 00:10:12,559
Speaker 4: yeah yeah, yeah no, And.

227
00:10:12,520 --> 00:10:14,920
Speaker 1: By that I mean we made love. Yeah, we.

228
00:10:16,920 --> 00:10:21,079
Speaker 4: Rose on the bed, and so I was like, yeah,

229
00:10:21,120 --> 00:10:25,240
Speaker 4: finally she gets to go and we'll see how long

230
00:10:25,280 --> 00:10:25,760
Speaker 4: that lasts.

231
00:10:26,880 --> 00:10:29,800
Speaker 2: No, it was super satisfying to see it, and Alison

232
00:10:29,840 --> 00:10:32,680
Speaker 2: gets about half a second to feel smug, So let's

233
00:10:32,760 --> 00:10:33,880
Speaker 2: enjoy that little.

234
00:10:33,600 --> 00:10:34,400
Speaker 1: Half a second for her.

235
00:10:34,440 --> 00:10:36,880
Speaker 2: And I also thought, I agree with you that Amanda

236
00:10:36,920 --> 00:10:42,120
Speaker 2: seemed authentically vulnerable and gorgeous. Yeah, like she's never looked

237
00:10:42,120 --> 00:10:46,040
Speaker 2: better and this should be my moment of victory. But

238
00:10:46,080 --> 00:10:49,000
Speaker 2: I've got on this great, big red suit and she's got.

239
00:10:49,520 --> 00:10:52,080
Speaker 4: Like, come on, give me that, but well I'm gonna

240
00:10:52,120 --> 00:10:54,920
Speaker 4: get Well, come on for you, because you're as big

241
00:10:54,960 --> 00:10:57,760
Speaker 4: as that suit was. That red suit was. It was

242
00:10:57,840 --> 00:11:00,600
Speaker 4: more spelt than the other the other suits you had.

243
00:11:00,640 --> 00:11:02,720
Speaker 4: There was less fabric on this one. I felt like

244
00:11:02,760 --> 00:11:05,120
Speaker 4: we pulled in a little tightly and it was kind

245
00:11:05,120 --> 00:11:06,600
Speaker 4: of like shaped your shoulders.

246
00:11:07,520 --> 00:11:10,600
Speaker 1: At least it wasn't like a parachute. I'm sorry, that's true.

247
00:11:10,640 --> 00:11:12,880
Speaker 2: It's getting a little more I'm getting a little more sophisticated.

248
00:11:12,920 --> 00:11:14,160
Speaker 2: And I also think you guys are right. You made

249
00:11:14,160 --> 00:11:15,800
Speaker 2: the point that Alison is supposed to be like this

250
00:11:15,920 --> 00:11:19,800
Speaker 2: Midwest girl and she's not a sophisticated So I think that,

251
00:11:20,040 --> 00:11:22,240
Speaker 2: you know, we're in Talctor Denise soon. But bit by bit,

252
00:11:22,679 --> 00:11:24,840
Speaker 2: she's getting a little bit more sophisticated and things are

253
00:11:24,840 --> 00:11:26,080
Speaker 2: fitting a little bit better.

254
00:11:26,000 --> 00:11:28,560
Speaker 3: And not just that, like she's not overt like she's

255
00:11:28,640 --> 00:11:31,800
Speaker 3: you know, and I think Amanda is more likely to

256
00:11:31,840 --> 00:11:34,760
Speaker 3: be a little bit more overtly, you know, tailored fitted

257
00:11:34,880 --> 00:11:36,240
Speaker 3: and like figure.

258
00:11:35,960 --> 00:11:37,720
Speaker 1: You know, form fitting clothing.

259
00:11:37,880 --> 00:11:40,959
Speaker 3: I think that makes sense, and that you're just it's

260
00:11:41,000 --> 00:11:44,199
Speaker 3: like a conservative and more conservative choice as the midwesterner

261
00:11:44,280 --> 00:11:44,679
Speaker 3: that you are.

262
00:11:44,800 --> 00:11:44,959
Speaker 1: Yeah.

263
00:11:45,000 --> 00:11:46,719
Speaker 2: I think we made it clear Alison likes to take

264
00:11:46,760 --> 00:11:50,720
Speaker 2: things slow. Yeah, and she likes made that clear.

265
00:11:52,440 --> 00:11:55,840
Speaker 1: To take things slow with the man and her skirts

266
00:11:55,880 --> 00:11:59,000
Speaker 1: going up inch by answers slowly too, so that will

267
00:11:59,000 --> 00:11:59,920
Speaker 1: happen by bit by bit.

268
00:12:00,280 --> 00:12:04,720
Speaker 2: Well, all three of us, Joe, you and me and

269
00:12:04,720 --> 00:12:07,439
Speaker 2: and Heather all had these really long, straight skirts in

270
00:12:07,480 --> 00:12:09,640
Speaker 2: this episode. It must have been very in at that time.

271
00:12:09,960 --> 00:12:12,480
Speaker 2: It must have been all we all three had them. Okay,

272
00:12:12,679 --> 00:12:14,960
Speaker 2: so we're back at the courtyard and Alison walks up

273
00:12:15,000 --> 00:12:18,600
Speaker 2: to Jane who's cleaning the pool, and Jane is mad

274
00:12:18,640 --> 00:12:22,720
Speaker 2: at everybody, and then Joe walks up, as luck would

275
00:12:22,760 --> 00:12:25,559
Speaker 2: have it, with laundry and joins the conversation. Just as

276
00:12:25,640 --> 00:12:28,360
Speaker 2: Jane says, you were right, Alison, Michael was having an

277
00:12:28,360 --> 00:12:29,440
Speaker 2: affair m hm.

278
00:12:29,960 --> 00:12:33,840
Speaker 1: But didn't Jane look cute in this like thermal top

279
00:12:33,880 --> 00:12:36,880
Speaker 1: of those pink little roses and cut off jean shorts

280
00:12:36,920 --> 00:12:40,360
Speaker 1: And she's like cleaning the pool and she's like, Michael's

281
00:12:40,400 --> 00:12:42,679
Speaker 1: not around, you come to me with any of his shoes.

282
00:12:42,760 --> 00:12:45,120
Speaker 1: You know, I'm looking at the apartment building now, and

283
00:12:45,160 --> 00:12:47,360
Speaker 1: she just walks off like she's taking care of business.

284
00:12:47,480 --> 00:12:50,959
Speaker 1: I just love taking care of everything. Yeah, I loved it. Yeah,

285
00:12:51,280 --> 00:12:52,400
Speaker 1: she's tough and sable.

286
00:12:52,679 --> 00:12:55,680
Speaker 2: She goes, I'm fine, it'll be great. I don't know

287
00:12:55,720 --> 00:12:58,200
Speaker 2: that I completely believe you. But she did look gorgeous.

288
00:12:58,640 --> 00:12:59,439
Speaker 1: Yeah, but she is.

289
00:12:59,600 --> 00:13:02,480
Speaker 3: She is angry, like she feels like, hello, she's just

290
00:13:02,559 --> 00:13:05,280
Speaker 3: not Yeah, but she's not exactly friendly with her friends.

291
00:13:05,360 --> 00:13:07,400
Speaker 1: But she does look darn cute in those dinners. Well,

292
00:13:07,440 --> 00:13:08,640
Speaker 1: I think she's beside herself.

293
00:13:08,679 --> 00:13:11,480
Speaker 4: Frankly, if she if and that happened to any of us,

294
00:13:11,520 --> 00:13:14,760
Speaker 4: I think you're just mad at everything and everyone. It

295
00:13:14,800 --> 00:13:17,360
Speaker 4: wasn't like an aimed at us. Really, it was just like,

296
00:13:17,400 --> 00:13:19,440
Speaker 4: I'm taking care of stuff. I'm cleaning the pool. You

297
00:13:19,480 --> 00:13:22,439
Speaker 4: need anything, come to me, I'm out. Yeah, and she feels.

298
00:13:22,120 --> 00:13:25,199
Speaker 2: Stupid, like she feels stupid and ashamed and embarrassed.

299
00:13:25,240 --> 00:13:27,840
Speaker 1: And even though it wasn't she didn't do anything wrong, it's.

300
00:13:27,720 --> 00:13:31,200
Speaker 2: A horrible feeling. Yeah, I think she's she's playing it

301
00:13:31,320 --> 00:13:34,080
Speaker 2: just right. So Yeah, now we're back in Escapade Magazine

302
00:13:34,120 --> 00:13:37,840
Speaker 2: and Billy's coworker Cameron is is teasing him about not

303
00:13:37,880 --> 00:13:41,280
Speaker 2: being a good copywriter, but Billy is writing what.

304
00:13:41,280 --> 00:13:43,320
Speaker 1: Looks like a poem on his computer. I'm just going

305
00:13:43,360 --> 00:13:44,080
Speaker 1: to stick a pin in it.

306
00:13:44,720 --> 00:13:47,480
Speaker 2: Just stick a pin in the poem, and we see

307
00:13:47,480 --> 00:13:50,160
Speaker 2: a man. Cameron notices Amanda walk in. He goes up

308
00:13:50,160 --> 00:13:53,280
Speaker 2: and hits on her, and she comes to Billy and

309
00:13:53,320 --> 00:13:55,840
Speaker 2: gives him some news. Yeah.

310
00:13:55,840 --> 00:14:00,280
Speaker 1: So Amanda showed up at Billy's workspace looking how as

311
00:14:00,280 --> 00:14:05,000
Speaker 1: ever as well, and Cameron notices it. Wow, okay, and

312
00:14:05,120 --> 00:14:08,760
Speaker 1: her news tell us Courtney, Yeah, tell us her news. Oh,

313
00:14:08,880 --> 00:14:10,520
Speaker 1: I'm I was gonna let one of you guys do it.

314
00:14:10,600 --> 00:14:13,960
Speaker 2: But he, she says, in his workspace, of all places

315
00:14:14,120 --> 00:14:16,199
Speaker 2: in the open space. She tells him that she missed

316
00:14:16,240 --> 00:14:20,000
Speaker 2: her period and took a home test like she's pregnant.

317
00:14:20,720 --> 00:14:22,520
Speaker 1: Yeah, and that she still.

318
00:14:22,280 --> 00:14:25,200
Speaker 3: Has to confirm it with her doctor. Yeah, but her

319
00:14:25,280 --> 00:14:27,600
Speaker 3: time is done the home test. Yeah, her timing, you know,

320
00:14:27,760 --> 00:14:30,040
Speaker 3: she waits till after you guys.

321
00:14:29,640 --> 00:14:30,120
Speaker 4: And.

322
00:14:31,440 --> 00:14:34,560
Speaker 2: Yeah, and Billy has sort of no reaction, sort of a.

323
00:14:36,200 --> 00:14:39,520
Speaker 1: Y shunned I think sounned. I think so.

324
00:14:39,880 --> 00:14:42,680
Speaker 3: Yeah, although and you know our inclination is to go

325
00:14:42,800 --> 00:14:45,880
Speaker 3: do we believe her? You know, to ask ourselves, is

326
00:14:45,880 --> 00:14:47,960
Speaker 3: this real? Is this just a ploy?

327
00:14:48,440 --> 00:14:50,560
Speaker 1: Is I didn't believe real at this point.

328
00:14:50,640 --> 00:14:53,200
Speaker 3: I was like, yeah, I think it's a natural question

329
00:14:53,360 --> 00:14:56,160
Speaker 3: and to not, you know, to feel a little suspect

330
00:14:56,200 --> 00:14:58,600
Speaker 3: about it. But she's at least been forthright to say

331
00:14:58,640 --> 00:15:00,640
Speaker 3: I need to confirm it with my doctor, so that's

332
00:15:00,640 --> 00:15:03,760
Speaker 3: not just saying, you know, I am, I am.

333
00:15:04,280 --> 00:15:06,840
Speaker 4: But again, this is really like Melrosie, like, you know,

334
00:15:08,120 --> 00:15:10,480
Speaker 4: you think this is gonna happen, then this happens, then this,

335
00:15:10,760 --> 00:15:13,240
Speaker 4: you know, there's always like a problem with someone in

336
00:15:13,280 --> 00:15:15,360
Speaker 4: the building causing another problem, like oh.

337
00:15:15,320 --> 00:15:17,480
Speaker 2: Yeah, And it's super smart that they have her so

338
00:15:17,720 --> 00:15:21,120
Speaker 2: vulnerable and relatable, Amanda, I mean, because it makes it

339
00:15:21,160 --> 00:15:24,480
Speaker 2: more complicated than it would be if she just felt manipulated.

340
00:15:24,520 --> 00:15:25,080
Speaker 1: But she doesn't.

341
00:15:25,080 --> 00:15:28,360
Speaker 2: This is Heather does a great job in Yeah, he's

342
00:15:28,440 --> 00:15:30,480
Speaker 2: kind of the one we're rooting for. Is Alison is

343
00:15:30,480 --> 00:15:33,200
Speaker 2: super annoying. So speaking of annoying, Billy comes back into

344
00:15:33,200 --> 00:15:35,680
Speaker 2: their apartment and Alison is making dinner and does not

345
00:15:35,800 --> 00:15:38,160
Speaker 2: kiss him when he walks in. I'm just so annoyed

346
00:15:38,160 --> 00:15:40,880
Speaker 2: with her, Like, didn't you guys just make love for

347
00:15:40,920 --> 00:15:45,480
Speaker 2: the first time? So She's chatting about Michael and Jane

348
00:15:45,560 --> 00:15:48,040
Speaker 2: and chut chut chut chut chat and all of a sudden,

349
00:15:48,480 --> 00:15:50,480
Speaker 2: she notices Billy hasn't come in the room, and she goes,

350
00:15:50,480 --> 00:15:51,400
Speaker 2: are you going to join me?

351
00:15:52,360 --> 00:15:56,640
Speaker 1: And he turns all those candles everywhere. There's candles everywhere.

352
00:15:56,680 --> 00:16:00,200
Speaker 1: She's making dinner, shine, food, pouring wine.

353
00:16:00,080 --> 00:16:04,440
Speaker 2: Adding about the day, pouring wine. Happy join her, and

354
00:16:04,480 --> 00:16:08,000
Speaker 2: then Billy comes closer and tells her that Amanda is pregnant.

355
00:16:08,680 --> 00:16:10,880
Speaker 1: I think Amanda is pregnant. It's not sure.

356
00:16:12,680 --> 00:16:16,520
Speaker 3: Yeah, And Alison also tells him about the Michael and

357
00:16:16,600 --> 00:16:18,600
Speaker 3: Jane news, so like she thinks, oh my god, I

358
00:16:18,680 --> 00:16:19,960
Speaker 3: got this big news for you.

359
00:16:20,320 --> 00:16:21,040
Speaker 1: Michael and Jane.

360
00:16:21,200 --> 00:16:23,880
Speaker 3: You know, I'm split and Michael's She's kicked him out,

361
00:16:24,040 --> 00:16:26,120
Speaker 3: and he's like, no, I need to tell you I

362
00:16:26,160 --> 00:16:26,640
Speaker 3: can trump.

363
00:16:26,720 --> 00:16:30,440
Speaker 1: I can trump that. Yeah, yeah, pregnant.

364
00:16:30,800 --> 00:16:34,880
Speaker 2: And then Alison looks devastated, and Billy pulls her into

365
00:16:34,920 --> 00:16:37,080
Speaker 2: a hug and over his shoulder, she says.

366
00:16:37,120 --> 00:16:40,600
Speaker 1: It just isn't fair. Yeah, which is right.

367
00:16:40,880 --> 00:16:44,360
Speaker 2: It's not it's true, but I mean, honestly, it's kind

368
00:16:44,360 --> 00:16:45,480
Speaker 2: of not about her right now.

369
00:16:45,520 --> 00:16:47,400
Speaker 4: But you know, I did what I did, what I

370
00:16:47,440 --> 00:16:49,280
Speaker 4: don't know. I mean, I just feel like Billy was

371
00:16:49,320 --> 00:16:51,520
Speaker 4: a little wishy washy. He could have been more company,

372
00:16:51,600 --> 00:16:53,560
Speaker 4: Like if it were Jaked, it would be like, you know,

373
00:16:53,720 --> 00:16:56,960
Speaker 4: hugging her hard and understanding her. He's just more mature

374
00:16:57,000 --> 00:16:59,640
Speaker 4: and then saying, look, nothing's going to stop get between us.

375
00:16:59,840 --> 00:17:00,880
Speaker 1: I will take care of this.

376
00:17:01,200 --> 00:17:04,480
Speaker 4: You're my number one. Don't even worry about it. Let's

377
00:17:04,480 --> 00:17:05,760
Speaker 4: go make love, you know what I mean? Like he

378
00:17:05,800 --> 00:17:08,840
Speaker 4: would just and I just felt like, Billy do more.

379
00:17:09,400 --> 00:17:10,720
Speaker 4: But that's you don't say enough.

380
00:17:10,880 --> 00:17:14,320
Speaker 2: Billy Nelison never ever ever say what they're actually thinking

381
00:17:14,400 --> 00:17:16,480
Speaker 2: ever ever ever. It's very very frustrating.

382
00:17:16,560 --> 00:17:19,159
Speaker 3: Yeah, the writers definitely give Billy a pickle, Like you

383
00:17:19,160 --> 00:17:20,960
Speaker 3: could see that he was in a pickle, right.

384
00:17:21,000 --> 00:17:23,840
Speaker 2: He doesn't say it, he doesn't say this is hard

385
00:17:23,880 --> 00:17:26,879
Speaker 2: on it. He just gets really quiet. And that's a

386
00:17:26,920 --> 00:17:29,560
Speaker 2: horrible feeling to be with. Somebody just gets quiet.

387
00:17:29,359 --> 00:17:32,720
Speaker 1: By not saying enough. You say a lot, yes exactly.

388
00:17:32,760 --> 00:17:35,439
Speaker 2: So now we're back in Jane's apartment. It's Jane's apartment

389
00:17:35,440 --> 00:17:38,159
Speaker 2: now because Michael isn't there, and she's just crying. It's heartbreaking.

390
00:17:38,640 --> 00:17:40,440
Speaker 2: She's just crying good hutting the.

391
00:17:40,320 --> 00:17:44,199
Speaker 3: Phone ring and ring and ring, so cutting back and

392
00:17:44,200 --> 00:17:47,080
Speaker 3: forth to be Michael in a hotel, right, even.

393
00:17:46,920 --> 00:17:47,520
Speaker 1: Back and forth.

394
00:17:47,560 --> 00:17:50,280
Speaker 2: Then we go to Michael's hotel room and he's on

395
00:17:50,320 --> 00:17:52,239
Speaker 2: the phone and that there's a knock on the door,

396
00:17:52,240 --> 00:17:53,760
Speaker 2: and he gets up and fixes his shirt and you

397
00:17:53,800 --> 00:17:55,480
Speaker 2: get the sense that he thinks maybe it's Jane.

398
00:17:55,560 --> 00:17:56,360
Speaker 1: Well he's hung up.

399
00:17:56,760 --> 00:17:58,760
Speaker 4: He's hung up the phone first, so he's on it.

400
00:17:58,920 --> 00:18:02,760
Speaker 4: No one answers, and right doesn't he yes, okay, and

401
00:18:02,760 --> 00:18:04,880
Speaker 4: then and then the yeah, so I'm just saying they're

402
00:18:04,920 --> 00:18:05,600
Speaker 4: knock at the door.

403
00:18:05,760 --> 00:18:07,440
Speaker 1: No one's on the other end when there's a knock.

404
00:18:07,520 --> 00:18:09,879
Speaker 2: Yeah, yeah, so you think it feeling, didn't you think

405
00:18:09,880 --> 00:18:10,760
Speaker 2: maybe he thought it was James.

406
00:18:10,800 --> 00:18:12,520
Speaker 1: He got excited, he sort of buttoned up his shirt.

407
00:18:13,000 --> 00:18:16,520
Speaker 2: Yeah, And he opens the door and it's Kimberly and

408
00:18:16,560 --> 00:18:19,359
Speaker 2: she's acting sort of happy because now the path is

409
00:18:19,400 --> 00:18:21,240
Speaker 2: cleared for them. She goes, oh, look at you in

410
00:18:21,280 --> 00:18:23,399
Speaker 2: your apartment. This is kind of a what are you

411
00:18:23,440 --> 00:18:24,640
Speaker 2: doing in that? What are you doing in this hotel?

412
00:18:24,680 --> 00:18:26,000
Speaker 2: When she's actively sort of like.

413
00:18:26,080 --> 00:18:28,760
Speaker 1: Her such a cliche, she insults him and mocks him.

414
00:18:29,240 --> 00:18:31,639
Speaker 3: Yeah, like that he's a cliche for being holed up

415
00:18:31,640 --> 00:18:34,359
Speaker 3: in the hotel. It's like, hello, he's just you know,

416
00:18:35,440 --> 00:18:37,800
Speaker 3: she's messed up his marriage and he's been kicked out

417
00:18:37,800 --> 00:18:39,159
Speaker 3: of his home, so he has to be in this

418
00:18:39,200 --> 00:18:42,320
Speaker 3: hotel if it's so rude to be like mocking him

419
00:18:42,320 --> 00:18:43,960
Speaker 3: for that, and oh, you're at it's.

420
00:18:43,920 --> 00:18:45,840
Speaker 1: Kind of like her tough side, you know, Like the

421
00:18:45,920 --> 00:18:47,560
Speaker 1: character Kimberly.

422
00:18:47,240 --> 00:18:49,480
Speaker 4: Is not a softie. She never she won't be, and

423
00:18:49,520 --> 00:18:52,439
Speaker 4: she never was. I feel like and this is like

424
00:18:52,520 --> 00:18:54,320
Speaker 4: her tough side. I feel like she's from New York

425
00:18:54,440 --> 00:18:56,120
Speaker 4: or some like thing like that. You know, look at

426
00:18:56,119 --> 00:18:58,440
Speaker 4: you like that's the way she's trying to bond with him.

427
00:18:59,000 --> 00:19:01,560
Speaker 1: Yeah, I don't think that's really the way to bond

428
00:19:01,600 --> 00:19:01,960
Speaker 1: with a guy.

429
00:19:02,040 --> 00:19:04,200
Speaker 3: Like and he's and he's finally in this scene really

430
00:19:04,240 --> 00:19:07,200
Speaker 3: just saying he's suddenly sort of having a conscience, saying

431
00:19:07,400 --> 00:19:09,800
Speaker 3: that he needs to try to save his marriage, and

432
00:19:09,840 --> 00:19:11,360
Speaker 3: she just keeps being angry about that.

433
00:19:11,440 --> 00:19:13,720
Speaker 1: And if I can, she says, she says.

434
00:19:13,720 --> 00:19:16,320
Speaker 2: First before she gets mad, she says, I hate seeing

435
00:19:16,320 --> 00:19:19,080
Speaker 2: you hurting, knowing it was partially my fault, Like partially

436
00:19:19,440 --> 00:19:19,960
Speaker 2: what do you want?

437
00:19:21,040 --> 00:19:22,920
Speaker 1: He kind of had a lot to do with it, Yeah.

438
00:19:22,680 --> 00:19:24,000
Speaker 2: He kind of had a lot to do with it,

439
00:19:24,359 --> 00:19:26,000
Speaker 2: and then he tells her that he wants to save

440
00:19:26,040 --> 00:19:28,159
Speaker 2: his marriage. First, he says, I had nowhere else to stay,

441
00:19:28,280 --> 00:19:30,119
Speaker 2: and you know, she's thinking stay at my place. She

442
00:19:30,160 --> 00:19:33,040
Speaker 2: doesn't say it, but she's thinking stay at my place.

443
00:19:33,040 --> 00:19:35,000
Speaker 2: But he wants to he wants to save his marriage.

444
00:19:35,359 --> 00:19:37,439
Speaker 2: And he says, simperly, you're out of line.

445
00:19:38,240 --> 00:19:40,920
Speaker 4: Yeah, he says very clearly to her, if if I'm

446
00:19:40,920 --> 00:19:43,280
Speaker 4: going to try to save the marriage and if I

447
00:19:43,320 --> 00:19:45,440
Speaker 4: have a chance with it, I can't see you.

448
00:19:46,440 --> 00:19:46,560
Speaker 1: Like.

449
00:19:47,080 --> 00:19:48,879
Speaker 4: Then there's this moment I think where she gets a

450
00:19:48,880 --> 00:19:52,239
Speaker 4: little glen close close on us on fatal attraction, and

451
00:19:52,280 --> 00:19:55,280
Speaker 4: she that is where I saw the tweak in Marcia's eyes.

452
00:19:55,960 --> 00:19:59,600
Speaker 4: I just saw, like what you know what I mean, Like,

453
00:19:59,640 --> 00:20:02,639
Speaker 4: I just a little bit of this sparkle of yeah,

454
00:20:02,680 --> 00:20:03,640
Speaker 4: this isn't gonna work.

455
00:20:03,720 --> 00:20:07,520
Speaker 1: This isn't gonna end well for you, mister. So she

456
00:20:07,840 --> 00:20:10,720
Speaker 1: was just like pissed in that moment of I will

457
00:20:10,760 --> 00:20:13,159
Speaker 1: not be ignored. You are not gonna dump me.

458
00:20:13,240 --> 00:20:16,840
Speaker 4: Even though it makes sense that if he wants to

459
00:20:16,840 --> 00:20:17,600
Speaker 4: save his marriage, he.

460
00:20:17,600 --> 00:20:21,280
Speaker 3: Can't see her, the way she catches it is like that, oh, Michael,

461
00:20:21,359 --> 00:20:23,240
Speaker 3: you needed to be the center of everyone's life.

462
00:20:23,240 --> 00:20:25,480
Speaker 1: You think you can mess with my feelings as.

463
00:20:25,440 --> 00:20:29,840
Speaker 3: Like suddenly became about her feelings because he's ready to, like,

464
00:20:30,680 --> 00:20:32,960
Speaker 3: you know, grow up and deal with his marriage that

465
00:20:33,000 --> 00:20:36,119
Speaker 3: he's just destroyed. I was willing to shed a few tears,

466
00:20:36,119 --> 00:20:39,600
Speaker 3: but I draw the line of groveling, she says, wow.

467
00:20:40,000 --> 00:20:43,280
Speaker 2: But also he did sort of woo her and all

468
00:20:43,320 --> 00:20:45,200
Speaker 2: of a sudden, it's just a flipper switched.

469
00:20:45,520 --> 00:20:45,720
Speaker 1: Yeah.

470
00:20:45,800 --> 00:20:49,080
Speaker 2: Right, he went from hot to cold so fast, and

471
00:20:49,119 --> 00:20:51,400
Speaker 2: I think she's confused, like she, well, wait a minute,

472
00:20:51,480 --> 00:20:54,080
Speaker 2: this is our clear road and he's gone, so she

473
00:20:54,240 --> 00:20:54,640
Speaker 2: is mad.

474
00:20:55,080 --> 00:20:55,320
Speaker 1: Yeah.

475
00:20:55,400 --> 00:20:58,560
Speaker 3: I think they're both having sort of crazy reactions at

476
00:20:58,600 --> 00:20:59,560
Speaker 3: different times.

477
00:20:59,280 --> 00:21:02,760
Speaker 1: So like, yeah, exactly. Yeah. Well and they are on

478
00:21:02,800 --> 00:21:04,400
Speaker 1: Melrose Place, so it all makes sense.

479
00:21:04,400 --> 00:21:06,080
Speaker 3: So yeah, and it won't make it'll be something else

480
00:21:06,160 --> 00:21:12,920
Speaker 3: next episode anyway.

481
00:21:14,280 --> 00:21:14,520
Speaker 1: Yeah.

482
00:21:14,520 --> 00:21:16,000
Speaker 3: The last thing she says to him is I think

483
00:21:16,040 --> 00:21:19,359
Speaker 3: you're threatened by anyone who is your equal, which is

484
00:21:19,920 --> 00:21:22,760
Speaker 3: such an you know, an interesting thought for him. It's like, hmmm,

485
00:21:22,880 --> 00:21:26,160
Speaker 3: does that are you saying that Jamee's not an equal?

486
00:21:26,359 --> 00:21:27,520
Speaker 1: You know? Yeah, she is?

487
00:21:27,680 --> 00:21:31,880
Speaker 4: Yeah, and she's so young, right, because he's older and

488
00:21:31,920 --> 00:21:32,520
Speaker 4: she's older.

489
00:21:33,600 --> 00:21:36,960
Speaker 1: Kimberly's older, so she was saying that. Yeah.

490
00:21:37,000 --> 00:21:39,159
Speaker 2: So then we're back at Billy and Allison's apartment and

491
00:21:39,240 --> 00:21:41,520
Speaker 2: Billy comes out of his bedroom, I think, in his

492
00:21:41,600 --> 00:21:44,080
Speaker 2: boxers and he sees Alison. She's already out the door.

493
00:21:44,119 --> 00:21:47,359
Speaker 2: She's leaving in another bright red suit. So there's drama coming.

494
00:21:47,840 --> 00:21:50,680
Speaker 2: She'ves in a bright red suit. And Alison runs into

495
00:21:50,720 --> 00:21:54,399
Speaker 2: Michael in front of the building in his car, in

496
00:21:54,480 --> 00:21:58,719
Speaker 2: his car, looking tired, and he's he has decided that

497
00:21:58,760 --> 00:22:01,280
Speaker 2: he's going to get Alison speak to Jane for him.

498
00:22:01,320 --> 00:22:02,240
Speaker 1: Didn't that feel weird?

499
00:22:03,200 --> 00:22:05,639
Speaker 3: Why he was waiting for Alison out there just to

500
00:22:05,680 --> 00:22:07,240
Speaker 3: ask her, Hey, I can't go in there and talk

501
00:22:07,240 --> 00:22:07,480
Speaker 3: to her.

502
00:22:07,520 --> 00:22:09,040
Speaker 1: You got to do this for me. I know she'll

503
00:22:09,040 --> 00:22:13,880
Speaker 1: listen to you, but it's people because she saw him.

504
00:22:14,119 --> 00:22:18,000
Speaker 4: Yeah yeah, but now Jane knows, so it doesn't matter.

505
00:22:18,280 --> 00:22:21,080
Speaker 4: Is I feel like it's very Michael, you know, like,

506
00:22:21,920 --> 00:22:23,720
Speaker 4: go talk to her. You know, you're just a pawn

507
00:22:23,800 --> 00:22:25,760
Speaker 4: in my game, You're just a chess piece. It was

508
00:22:25,920 --> 00:22:30,000
Speaker 4: very Michael, not not like a normal person.

509
00:22:30,080 --> 00:22:34,280
Speaker 2: Just using people to get When he says, I almost

510
00:22:34,320 --> 00:22:36,159
Speaker 2: threw it away for a couple hours of lust and

511
00:22:36,200 --> 00:22:38,400
Speaker 2: Alison goes, what is it with men and lust?

512
00:22:38,800 --> 00:22:41,439
Speaker 1: Yeah? I think that's hitting him? What is it with

513
00:22:41,560 --> 00:22:44,679
Speaker 1: Alison and lust? But what is it? When is it?

514
00:22:44,720 --> 00:22:48,960
Speaker 2: Alison could use a little more lusts my problem with Alison.

515
00:22:49,280 --> 00:22:51,840
Speaker 2: But for some reason, Alison agrees to talk to Jane

516
00:22:52,040 --> 00:22:54,960
Speaker 2: when she gets a chance. Maybe she just loves love her.

517
00:22:55,000 --> 00:22:57,320
Speaker 2: Maybe she's trying to distract herself from her new relationship.

518
00:22:57,320 --> 00:23:01,879
Speaker 1: I don't know. I think it's because you said you

519
00:23:01,920 --> 00:23:04,199
Speaker 1: said it earlier in another scene the last episode that

520
00:23:04,200 --> 00:23:06,800
Speaker 1: they were the couple that kind of like was stable

521
00:23:06,880 --> 00:23:08,560
Speaker 1: to you in your eyes, and you know what I mean,

522
00:23:08,640 --> 00:23:10,320
Speaker 1: Like it was just like, Okay, I will you want

523
00:23:10,359 --> 00:23:12,120
Speaker 1: that to be back together? You want to work out?

524
00:23:12,359 --> 00:23:14,680
Speaker 1: That's all. That's a good point. That's very sweet that

525
00:23:14,800 --> 00:23:16,960
Speaker 1: I was reading about them. That's a very side. Okay,

526
00:23:16,960 --> 00:23:18,040
Speaker 1: I'll go with that. Okay.

527
00:23:18,240 --> 00:23:21,160
Speaker 2: So now we're back in Joe's darkroom, and not surprisingly,

528
00:23:21,280 --> 00:23:23,840
Speaker 2: Karen is standing way too close.

529
00:23:24,080 --> 00:23:27,680
Speaker 1: She's always way too close. She's a close talker. She's

530
00:23:27,720 --> 00:23:28,879
Speaker 1: a close talker.

531
00:23:28,920 --> 00:23:32,040
Speaker 2: She leads with her breastsses and then she talks super close.

532
00:23:32,440 --> 00:23:34,960
Speaker 2: So then she grabs Joe's Cameron starts taking her pictures,

533
00:23:34,960 --> 00:23:36,240
Speaker 2: saying she could be a model.

534
00:23:37,320 --> 00:23:39,560
Speaker 1: There's this flirty like so she grabs my camera and

535
00:23:39,560 --> 00:23:42,520
Speaker 1: she's coming after me, Joe, and just like, don't. I'm

536
00:23:42,520 --> 00:23:44,640
Speaker 1: not don't. It's super flirty.

537
00:23:44,720 --> 00:23:47,920
Speaker 4: Yeah, it was very flirty, and I remember this whole

538
00:23:47,960 --> 00:23:53,040
Speaker 4: storyline and it was kind of interesting to me, but

539
00:23:53,600 --> 00:23:57,920
Speaker 4: also like a little uncomfortable. But I like uncomfortable when

540
00:23:57,920 --> 00:24:01,240
Speaker 4: I'm acting, you know, I like something new. But I

541
00:24:01,280 --> 00:24:04,120
Speaker 4: do remember getting a lot of attention from the gay world, like, yeah,

542
00:24:04,240 --> 00:24:06,720
Speaker 4: Joe loved the gays and gay women loved Joe.

543
00:24:06,760 --> 00:24:09,280
Speaker 3: That's what I Yeah, sure, well it's a very sexy.

544
00:24:09,400 --> 00:24:11,240
Speaker 1: And this is the episode where, yeah, it's a.

545
00:24:11,320 --> 00:24:14,879
Speaker 3: Very sexy, like question mark moment, like is this going

546
00:24:14,960 --> 00:24:18,159
Speaker 3: to happen? And it's you know, it's a very sexy

547
00:24:18,200 --> 00:24:21,040
Speaker 3: way to do it. And Karen is obviously, you know,

548
00:24:21,119 --> 00:24:24,800
Speaker 3: interested in Joe, and you see Joe's sort of flirting

549
00:24:24,840 --> 00:24:27,399
Speaker 3: back in a friendship way at first, and then you know,

550
00:24:27,440 --> 00:24:29,720
Speaker 3: in the later scenes which we'll get to. It's just

551
00:24:30,400 --> 00:24:32,639
Speaker 3: I think it's easy to see why people go, oh,

552
00:24:32,640 --> 00:24:34,080
Speaker 3: I want to see that. I kind of want to

553
00:24:34,080 --> 00:24:37,240
Speaker 3: see that relationship, you know, And yeah, Joe has to

554
00:24:37,240 --> 00:24:37,560
Speaker 3: make it.

555
00:24:37,480 --> 00:24:39,720
Speaker 2: Sure if Karen wants it, We have no doubt about

556
00:24:39,720 --> 00:24:42,200
Speaker 2: what wants because in every scene.

557
00:24:42,000 --> 00:24:44,159
Speaker 1: Yeah, but you know that it was blocked so that

558
00:24:44,240 --> 00:24:47,919
Speaker 1: they fall on the couch together and and there are

559
00:24:47,960 --> 00:24:50,320
Speaker 1: they just two girls, Like can bond and talk like

560
00:24:50,359 --> 00:24:53,400
Speaker 1: you can't with your boyfriend or is it becoming something more?

561
00:24:53,960 --> 00:24:54,840
Speaker 1: All that kind of thing.

562
00:24:55,240 --> 00:24:58,440
Speaker 2: Yeah, it feels like more. And Karen invites Joe and

563
00:24:58,560 --> 00:24:59,480
Speaker 2: Jake out for dinner.

564
00:24:59,640 --> 00:25:03,120
Speaker 4: So walks in and Jake, of course, I mean, Jake

565
00:25:03,240 --> 00:25:05,840
Speaker 4: is so good looking, it's obvious for someone like Karen

566
00:25:05,920 --> 00:25:09,720
Speaker 4: that boy. Yeah, he's he's hot, and oh I like

567
00:25:09,760 --> 00:25:11,360
Speaker 4: her too, Like to me, it's obvious.

568
00:25:12,640 --> 00:25:15,119
Speaker 1: He walks in right then, doesn't he? No, not in

569
00:25:15,119 --> 00:25:18,040
Speaker 1: this scene. They just decided to go out that night,

570
00:25:18,160 --> 00:25:21,520
Speaker 1: just the two. Oh okay, okay he walks in another scene. Yeah,

571
00:25:21,600 --> 00:25:22,760
Speaker 1: so they're all going to go out. They're going to

572
00:25:22,800 --> 00:25:23,320
Speaker 1: invite Jake.

573
00:25:23,359 --> 00:25:25,879
Speaker 2: You say, Jake doesn't really dance, but whatever, So all

574
00:25:25,920 --> 00:25:28,200
Speaker 2: of a sudden, he's coming out on your girls' night

575
00:25:28,480 --> 00:25:31,720
Speaker 2: and Karen clearly just wants everybody there all the time.

576
00:25:32,280 --> 00:25:34,480
Speaker 2: So now we're back at D and D and Amanda

577
00:25:34,520 --> 00:25:37,399
Speaker 2: is trying to talk to Alison but Alison is furious

578
00:25:37,480 --> 00:25:39,600
Speaker 2: until she gets so excited she sees Billy walking. She

579
00:25:39,640 --> 00:25:42,480
Speaker 2: goes Billy hi until he tells her that he's there

580
00:25:42,520 --> 00:25:45,720
Speaker 2: to take Amanda, or she tells them that he's there

581
00:25:45,720 --> 00:25:47,320
Speaker 2: to take her Amanda to that doctor.

582
00:25:48,320 --> 00:25:49,680
Speaker 1: You had some great lines, Cory.

583
00:25:49,760 --> 00:25:51,720
Speaker 4: You said things like, you know, I don't want to

584
00:25:51,760 --> 00:25:54,080
Speaker 4: hear it, and I don't want to hear your business.

585
00:25:54,080 --> 00:25:55,520
Speaker 1: It's none of my I don't want to know.

586
00:25:55,720 --> 00:25:58,400
Speaker 4: You have to say, like three times right to Heather's face,

587
00:25:58,480 --> 00:26:00,560
Speaker 4: I do not want to like you just or putting

588
00:26:00,560 --> 00:26:01,160
Speaker 4: her in her place.

589
00:26:01,200 --> 00:26:04,119
Speaker 1: You'd had enough, which I don't know. I just I

590
00:26:04,160 --> 00:26:09,200
Speaker 1: got to see the future seasons of cause you're feud

591
00:26:09,240 --> 00:26:13,320
Speaker 1: and you're dynamic with Amanda. Goes on for years, doesn't it. Yeah,

592
00:26:13,359 --> 00:26:14,440
Speaker 1: And I got to see it.

593
00:26:14,440 --> 00:26:17,520
Speaker 4: It's more even now boom boom, boom boom, and you

594
00:26:17,600 --> 00:26:19,920
Speaker 4: were just like I've had it and you know you

595
00:26:20,000 --> 00:26:22,280
Speaker 4: got the boy and even though she's tried to take

596
00:26:22,320 --> 00:26:23,959
Speaker 4: them away again, but I liked it.

597
00:26:23,960 --> 00:26:26,120
Speaker 1: It wasn't just Amanda Amanda on you.

598
00:26:26,560 --> 00:26:29,080
Speaker 3: And also Amanda is telling Allison in this scene that

599
00:26:29,160 --> 00:26:34,119
Speaker 3: it wasn't something that she planned and it wasn't it

600
00:26:34,160 --> 00:26:36,960
Speaker 3: didn't wasn't meant to be a trap, like she you know,

601
00:26:37,080 --> 00:26:40,200
Speaker 3: she acknowledges that Allison might be feeling those things and

602
00:26:40,240 --> 00:26:43,360
Speaker 3: says it's not and whether or not Allison wants.

603
00:26:43,200 --> 00:26:44,880
Speaker 1: To believe that she's still like I don't. I don't

604
00:26:44,880 --> 00:26:46,680
Speaker 1: even want to know. I don't want to But.

605
00:26:46,640 --> 00:26:49,359
Speaker 3: It's it's the reality that Billy's come to step up

606
00:26:49,400 --> 00:26:50,879
Speaker 3: and take her to the doctor.

607
00:26:51,040 --> 00:26:53,840
Speaker 2: Is like, oh, and seriously, did he have couldn't they

608
00:26:53,880 --> 00:26:55,000
Speaker 2: have met downstairs?

609
00:26:55,160 --> 00:26:59,040
Speaker 3: Like isn't the couldn't they not on Melroy's place?

610
00:26:59,080 --> 00:27:01,040
Speaker 1: You need to make it extra comfortable.

611
00:27:00,760 --> 00:27:04,520
Speaker 2: But also isn't this something you should tell your partner, Like,

612
00:27:04,600 --> 00:27:06,680
Speaker 2: by the way, I'm coming to take my ex school

613
00:27:06,720 --> 00:27:07,840
Speaker 2: friend to the doctor for me.

614
00:27:08,560 --> 00:27:11,920
Speaker 1: Just head, just want to go, heads up, I'm coming

615
00:27:11,960 --> 00:27:13,639
Speaker 1: to come right up to your desk. I'm coming to

616
00:27:13,720 --> 00:27:16,800
Speaker 1: your desk to take her. I have to see you though.

617
00:27:16,840 --> 00:27:19,320
Speaker 2: For the record, I'm coming to see my ex girlfriend

618
00:27:19,359 --> 00:27:20,720
Speaker 2: and take her to the doctor for pregnancy.

619
00:27:20,760 --> 00:27:23,600
Speaker 4: It was like, yeah, you guys aren't communicating, and then

620
00:27:23,680 --> 00:27:25,879
Speaker 4: also that Michael and Jane are trying to learn to

621
00:27:25,880 --> 00:27:28,399
Speaker 4: communicate better in this episode too, Like y'all are just

622
00:27:28,480 --> 00:27:31,560
Speaker 4: not two couples are just not communicating at all.

623
00:27:32,119 --> 00:27:34,480
Speaker 1: Yeah, nobody's talking. It's so frustrating.

624
00:27:34,520 --> 00:27:38,119
Speaker 2: So, speaking of bad communication, we cut right to the

625
00:27:38,400 --> 00:27:41,480
Speaker 2: restaurant where Jane and Alison are at a table. Jane sare,

626
00:27:41,520 --> 00:27:44,199
Speaker 2: Allison walks in. Jane is super happy, talking about how

627
00:27:44,240 --> 00:27:47,200
Speaker 2: happy she is, how independent she is, and then Alison

628
00:27:47,240 --> 00:27:49,040
Speaker 2: tells her, I asked you to lunch to talk to

629
00:27:49,040 --> 00:27:52,960
Speaker 2: you about Michael, Like yeah, really, I'm just I would

630
00:27:52,960 --> 00:27:56,760
Speaker 2: have been so mad if a friend ambushed me like.

631
00:27:56,720 --> 00:27:59,320
Speaker 1: That, wouldn't you have been mad? Well?

632
00:28:00,040 --> 00:28:03,280
Speaker 3: I didn't think her. I didn't think Allison's tone was ambushy.

633
00:28:03,440 --> 00:28:06,040
Speaker 3: I think she was just like, I'm trying to.

634
00:28:07,480 --> 00:28:08,520
Speaker 1: Do what I said I would do.

635
00:28:08,720 --> 00:28:10,160
Speaker 3: Yeah, and it's not.

636
00:28:10,280 --> 00:28:12,320
Speaker 1: You do what you need. But I just wanted to

637
00:28:12,680 --> 00:28:12,840
Speaker 1: you know.

638
00:28:12,880 --> 00:28:17,160
Speaker 3: You weren't doing anything like saying like like really should yeah,

639
00:28:17,200 --> 00:28:20,160
Speaker 3: to cut her down or destroy her. You were more

640
00:28:20,200 --> 00:28:23,960
Speaker 3: just saying, hey, is there anyway you know you guys,

641
00:28:24,119 --> 00:28:25,959
Speaker 3: Michael wants Michael wants you to reconcile.

642
00:28:26,040 --> 00:28:28,800
Speaker 1: I'm just I'm just a messenger, you know. Like, Well,

643
00:28:28,800 --> 00:28:29,879
Speaker 1: but imagine this scene.

644
00:28:29,920 --> 00:28:33,359
Speaker 2: So imagine your husband or boyfriend cheats on you and

645
00:28:33,400 --> 00:28:34,920
Speaker 2: you get a call from one of your best friends

646
00:28:34,960 --> 00:28:36,520
Speaker 2: saying I want to take you to lunch. You meet

647
00:28:36,520 --> 00:28:38,000
Speaker 2: them for lunch, and you think, oh good, I'm going

648
00:28:38,080 --> 00:28:40,440
Speaker 2: to get some emotion important. They say, listen, I'm here

649
00:28:41,080 --> 00:28:43,480
Speaker 2: as a proxy for butt head.

650
00:28:44,520 --> 00:28:47,600
Speaker 1: Yeah be mad. I that's so mad. Well, it depends

651
00:28:47,600 --> 00:28:48,479
Speaker 1: on how you say it.

652
00:28:49,000 --> 00:28:50,960
Speaker 3: She wasn't proxying as much as just saying, I'm a

653
00:28:50,960 --> 00:28:54,720
Speaker 3: messenger for this information. Here's what I know to be true,

654
00:28:54,760 --> 00:28:56,600
Speaker 3: and here's what he wants to reconcile.

655
00:28:56,760 --> 00:28:59,440
Speaker 4: She's you can saying I want you guys to reconcile,

656
00:28:59,560 --> 00:29:01,600
Speaker 4: and Mychael and I are working on it, and you

657
00:29:01,600 --> 00:29:02,280
Speaker 4: know I'm in on it.

658
00:29:02,400 --> 00:29:04,000
Speaker 1: She's just saying he asked me.

659
00:29:04,200 --> 00:29:07,000
Speaker 4: In other words, it could be an expression of his

660
00:29:07,120 --> 00:29:09,920
Speaker 4: desperation for her love, so to say, look, I'm just

661
00:29:09,920 --> 00:29:11,280
Speaker 4: sharing you that he's You guys are.

662
00:29:11,440 --> 00:29:14,320
Speaker 3: Super on Michael's side and he's a buttead. I think

663
00:29:14,320 --> 00:29:16,080
Speaker 3: that's the part that was left out of the dialogue,

664
00:29:16,120 --> 00:29:20,680
Speaker 3: is that butt heead wants to reconcent Yeah.

665
00:29:20,360 --> 00:29:22,959
Speaker 1: Yeah, that's what I exactly think that's what was missing.

666
00:29:23,280 --> 00:29:25,000
Speaker 3: I could fix the line if we just did it

667
00:29:25,000 --> 00:29:25,280
Speaker 3: that way.

668
00:29:25,320 --> 00:29:30,240
Speaker 4: Well, I didn't mention how adorable her crocheted sweater oversized crocheted,

669
00:29:30,280 --> 00:29:33,280
Speaker 4: like handmade looking sweater was pink or mauve?

670
00:29:33,680 --> 00:29:34,600
Speaker 1: Yeah.

671
00:29:34,800 --> 00:29:38,600
Speaker 2: We cut immediately to a restaurant at night where Michael

672
00:29:38,680 --> 00:29:42,600
Speaker 2: is waiting for Jane. Wasn't that like such a fast cut?

673
00:29:42,640 --> 00:29:47,200
Speaker 2: You're good to me? Directly from lunch to dinner with

674
00:29:47,240 --> 00:29:49,440
Speaker 2: Michael and he says, there's a table, She says, let's

675
00:29:49,480 --> 00:29:52,360
Speaker 2: just walk. Michael immediately starts with this new personality we

676
00:29:52,400 --> 00:29:55,479
Speaker 2: haven't seen, telling her that he loves her and misses her,

677
00:29:55,520 --> 00:29:57,920
Speaker 2: and he asks her forgiveness and another chance. He's a

678
00:29:57,960 --> 00:30:01,080
Speaker 2: new Michael, sweetened contrite. And what do you think of

679
00:30:01,120 --> 00:30:01,560
Speaker 2: new Michael?

680
00:30:01,880 --> 00:30:04,520
Speaker 1: Oh? I love him, but you know, I'm like a

681
00:30:04,640 --> 00:30:07,480
Speaker 1: joy it because it ain't lasting. And I love new

682
00:30:07,560 --> 00:30:09,840
Speaker 1: Jane too. I love Jane going.

683
00:30:09,640 --> 00:30:12,719
Speaker 4: Like Jane, there's a counselor we can go to, and

684
00:30:13,080 --> 00:30:15,160
Speaker 4: I'm gonna consider this, and I don't you know, She's

685
00:30:15,200 --> 00:30:17,760
Speaker 4: just very like, don't get too comfy.

686
00:30:17,440 --> 00:30:20,680
Speaker 1: With me talking to you anymore. We'll see. You know,

687
00:30:20,760 --> 00:30:21,960
Speaker 1: you have to do this. You have to go to

688
00:30:22,000 --> 00:30:22,800
Speaker 1: a counselor with me.

689
00:30:22,840 --> 00:30:23,120
Speaker 2: You have to.

690
00:30:23,280 --> 00:30:25,160
Speaker 1: So she brings it up to him I'm not sitting

691
00:30:25,200 --> 00:30:26,959
Speaker 1: down with you. We're not gonna pretend everything's fine. We're

692
00:30:27,000 --> 00:30:29,000
Speaker 1: gonna walk. I love that Jane too.

693
00:30:29,520 --> 00:30:31,840
Speaker 3: Yeah, and suggesting that they go to counseling, and she

694
00:30:31,880 --> 00:30:34,360
Speaker 3: admits that she may never be able to forgive in

695
00:30:34,400 --> 00:30:36,600
Speaker 3: the way that he wants to be forgiven. And you

696
00:30:36,640 --> 00:30:39,040
Speaker 3: asked what I thought of Jane the new Michael.

697
00:30:39,200 --> 00:30:42,240
Speaker 1: I'm not sure. I don't know if I'm just biased because.

698
00:30:42,040 --> 00:30:45,440
Speaker 3: I know the Michael we're about to see is like,

699
00:30:45,640 --> 00:30:48,360
Speaker 3: I don't know that I believe him, you know, I

700
00:30:48,360 --> 00:30:50,640
Speaker 3: don't know that I trust him even when he's like,

701
00:30:50,880 --> 00:30:54,120
Speaker 3: quit acting contrite and like, do I trust this contrite?

702
00:30:55,080 --> 00:30:58,040
Speaker 3: I'm trying to be unbiased, but I might be biased too.

703
00:30:58,120 --> 00:30:59,400
Speaker 1: I just like him in this moment.

704
00:31:00,760 --> 00:31:04,640
Speaker 2: Yeah, it's such a complete turnaround so fast. He does

705
00:31:04,640 --> 00:31:07,200
Speaker 2: a great job, like Thomas did a great job. But

706
00:31:07,280 --> 00:31:10,680
Speaker 2: it's my head is spinning right from the change in person.

707
00:31:10,720 --> 00:31:14,200
Speaker 3: Yeah, because he was so firmly entitled to his affair before.

708
00:31:15,320 --> 00:31:17,400
Speaker 3: He didn't seem like he was a reluctant participant. He

709
00:31:17,400 --> 00:31:20,360
Speaker 3: seemed like he was so all in, so to go

710
00:31:20,400 --> 00:31:21,200
Speaker 3: from me back.

711
00:31:21,240 --> 00:31:23,800
Speaker 2: Jane for so long, Yeah, trying he's shaving, she's trying

712
00:31:23,800 --> 00:31:26,080
Speaker 2: to kiss him. He's turned her down for sex more

713
00:31:26,120 --> 00:31:29,440
Speaker 2: times than they've had sex. Yeah, so the abrupt you're right,

714
00:31:29,520 --> 00:31:31,360
Speaker 2: the abrupt extremes.

715
00:31:31,720 --> 00:31:35,920
Speaker 1: I mean, who doesn't like it? Write boyfriend? Who doesn't

716
00:31:35,960 --> 00:31:37,320
Speaker 1: like a guy coming up and going, what can I

717
00:31:37,360 --> 00:31:40,400
Speaker 1: do anything? Okay, therapy, Okay, here, I'm taking you to dinner.

718
00:31:40,600 --> 00:31:41,040
Speaker 1: I don't know.

719
00:31:41,240 --> 00:31:43,080
Speaker 4: I don't have a problem with that. I think he's great,

720
00:31:44,080 --> 00:31:47,240
Speaker 4: he's awesome. Maybe go do a little bad thing again

721
00:31:47,320 --> 00:31:50,920
Speaker 4: so you can be like this. I think it's great.

722
00:31:50,960 --> 00:31:52,520
Speaker 1: All right, you go ahead and trust him to have you.

723
00:31:52,600 --> 00:31:55,000
Speaker 1: Go ahead. I trust him, I said, I liked him

724
00:31:55,080 --> 00:31:56,360
Speaker 1: right now. Ahead.

725
00:31:56,400 --> 00:32:00,280
Speaker 2: So, speaking of troubled relationships where no one's communicating, Luson

726
00:32:00,400 --> 00:32:03,240
Speaker 2: is at the bar shooters, drinking of Martini. She's not

727
00:32:03,280 --> 00:32:06,480
Speaker 2: happy with the Alice Billy walks up and Allison says,

728
00:32:06,520 --> 00:32:09,280
Speaker 2: I assume from the long face that it's confirmed Alison

729
00:32:09,360 --> 00:32:10,360
Speaker 2: is pregnant.

730
00:32:10,440 --> 00:32:12,480
Speaker 1: And she's already drowning her sorrows in that Martine, And

731
00:32:12,560 --> 00:32:15,800
Speaker 1: you have a great monologue here, great Molly, get up

732
00:32:15,840 --> 00:32:18,840
Speaker 1: to leave. You look great with that Martini.

733
00:32:18,920 --> 00:32:21,360
Speaker 4: It's kind of like you're growing up and you're being hardened,

734
00:32:21,360 --> 00:32:23,360
Speaker 4: this hardened woman or something. But then you get up

735
00:32:23,360 --> 00:32:25,080
Speaker 4: and you have this great monologue and I don't remember

736
00:32:25,120 --> 00:32:26,240
Speaker 4: all the words except.

737
00:32:26,000 --> 00:32:30,400
Speaker 1: That at the very end you say, we were so close. Yeah, Billy,

738
00:32:30,480 --> 00:32:30,760
Speaker 1: we will.

739
00:32:30,920 --> 00:32:34,080
Speaker 2: I kind of say a lot of very rude things

740
00:32:34,120 --> 00:32:36,680
Speaker 2: that are none of my business about, but basically saying

741
00:32:36,720 --> 00:32:39,880
Speaker 2: that that she should get an abortion, which is, yeah, Alison,

742
00:32:39,960 --> 00:32:41,640
Speaker 2: that's not really your place to have a lot of

743
00:32:41,680 --> 00:32:45,600
Speaker 2: opinions there. But she just look clearly she wants what

744
00:32:45,640 --> 00:32:48,840
Speaker 2: she sees as a problem to go away, and she's mad,

745
00:32:49,120 --> 00:32:50,240
Speaker 2: and she just sort of bidding.

746
00:32:50,240 --> 00:32:50,720
Speaker 1: But I agree.

747
00:32:50,760 --> 00:32:52,800
Speaker 2: There's that moment of vulnerability at the end where she

748
00:32:52,880 --> 00:32:55,400
Speaker 2: says we were so close, and I.

749
00:32:55,360 --> 00:32:58,280
Speaker 1: Think she just speaks for the whole audience and everything,

750
00:32:58,360 --> 00:33:01,440
Speaker 1: because and you're so you say it's so honestly, and

751
00:33:01,520 --> 00:33:04,720
Speaker 1: your eyes are watering, and we're like, yes, you are

752
00:33:04,800 --> 00:33:07,360
Speaker 1: so close. I just thought it was great.

753
00:33:07,440 --> 00:33:10,640
Speaker 4: It wasn't like one of these well, I you know

754
00:33:10,680 --> 00:33:13,880
Speaker 4: that Melose has a lot of sort of defensive reactions

755
00:33:13,920 --> 00:33:16,080
Speaker 4: to each other because we're all being screwed over one

756
00:33:16,080 --> 00:33:17,600
Speaker 4: time or another. And then we I don't know, Joe

757
00:33:17,600 --> 00:33:19,520
Speaker 4: walks out mad, Jake walks out mad.

758
00:33:19,600 --> 00:33:21,840
Speaker 1: You know, you walk out mad. So I liked that

759
00:33:21,960 --> 00:33:25,120
Speaker 1: it was just this vulnerable honesty that he has to

760
00:33:25,120 --> 00:33:25,520
Speaker 1: deal with.

761
00:33:25,600 --> 00:33:27,280
Speaker 2: Oh, that's a sweet way to say it. Look they

762
00:33:27,280 --> 00:33:28,920
Speaker 2: do like she does love him obviously.

763
00:33:29,360 --> 00:33:31,360
Speaker 1: Yeah, yeah, it is then you.

764
00:33:31,280 --> 00:33:33,400
Speaker 3: Know, the sort of the elephant in the room conversation.

765
00:33:33,680 --> 00:33:36,200
Speaker 3: It isn't really her business, but she's asking anyway, you know,

766
00:33:36,320 --> 00:33:39,680
Speaker 3: wondering if Allison, if Amanda even wants the baby, and

767
00:33:39,720 --> 00:33:42,920
Speaker 3: then they're discussing the options that this might be an

768
00:33:43,000 --> 00:33:43,920
Speaker 3: unwanted pregnancy.

769
00:33:43,920 --> 00:33:46,520
Speaker 1: It's like making assumptions for Amanda that I don't know

770
00:33:47,000 --> 00:33:49,080
Speaker 1: why you guys are saying it's not her business and

771
00:33:49,120 --> 00:33:51,320
Speaker 1: she doesn't have can't have none of her business. I

772
00:33:51,320 --> 00:33:53,600
Speaker 1: think it's totally her business. I think she totally has

773
00:33:53,600 --> 00:33:54,120
Speaker 1: her right to.

774
00:33:54,080 --> 00:33:56,959
Speaker 4: Say, you know, you need to take care of it,

775
00:33:57,000 --> 00:33:58,760
Speaker 4: and Anna needs to take care of this unless you're

776
00:33:58,760 --> 00:34:01,920
Speaker 4: going to go marry her, and you know we're involved

777
00:34:01,960 --> 00:34:04,520
Speaker 4: now and you've been wanting this forever and now you

778
00:34:04,600 --> 00:34:06,600
Speaker 4: have it, and you know, I have an opinion, I

779
00:34:06,640 --> 00:34:08,000
Speaker 4: think she totally has a right.

780
00:34:08,600 --> 00:34:11,400
Speaker 3: M Oh no, no, I don't think it is like

781
00:34:11,800 --> 00:34:16,319
Speaker 3: to give to say, start speculating on Amanda's feelings, whether

782
00:34:16,320 --> 00:34:18,520
Speaker 3: she wants the pregnancy or not, as like not there's

783
00:34:18,560 --> 00:34:19,799
Speaker 3: to to say.

784
00:34:19,840 --> 00:34:23,280
Speaker 2: Yeah, I think her it would be Allison's place to say, Billy,

785
00:34:23,360 --> 00:34:24,240
Speaker 2: where do you stand?

786
00:34:24,600 --> 00:34:28,640
Speaker 1: Like, depending on what she chooses, right, where do you stand?

787
00:34:28,840 --> 00:34:29,200
Speaker 1: That's right?

788
00:34:29,280 --> 00:34:31,120
Speaker 4: Yeah, but she can have an opinion. And you know,

789
00:34:31,280 --> 00:34:34,640
Speaker 4: listen here thirty years later, we're very objective and mature.

790
00:34:34,280 --> 00:34:35,319
Speaker 1: And this and that and the other thing.

791
00:34:35,360 --> 00:34:39,759
Speaker 4: But in that moment, if you're in your twenties, I mean,

792
00:34:39,800 --> 00:34:41,520
Speaker 4: no one knows what she has a right to say,

793
00:34:41,560 --> 00:34:43,239
Speaker 4: and she should say this and should say that. I

794
00:34:43,280 --> 00:34:46,759
Speaker 4: think it's very I think it's anyway, it felt real.

795
00:34:46,800 --> 00:34:47,719
Speaker 4: It felt normal to me.

796
00:34:47,800 --> 00:34:50,440
Speaker 2: If it did feel real, she felt totally real. And

797
00:34:50,480 --> 00:34:53,960
Speaker 2: she's upset and spouting off. I think it felt totally real.

798
00:34:54,000 --> 00:34:56,439
Speaker 1: I agree with you. Yeah, poor baby.

799
00:34:56,520 --> 00:34:59,200
Speaker 2: So then, annoyingly for me, we cut to the marine

800
00:34:59,239 --> 00:35:01,960
Speaker 2: air where Billy and Amanda are walking and talking and

801
00:35:02,000 --> 00:35:05,400
Speaker 2: by the way, looking gorgeous like a perfect It's like

802
00:35:05,520 --> 00:35:07,480
Speaker 2: they look way too good together. That's super annoying.

803
00:35:07,520 --> 00:35:10,239
Speaker 1: I mean, on the marina, right, is this in also

804
00:35:10,280 --> 00:35:13,240
Speaker 1: a lovely on the docks just setting?

805
00:35:13,280 --> 00:35:15,960
Speaker 2: And yeah, you know, Billy starts to tell her some

806
00:35:16,040 --> 00:35:18,479
Speaker 2: of the options that Alison has mentioned, and Amanda says

807
00:35:18,520 --> 00:35:20,640
Speaker 2: it's not a moral issue for her, but she's not

808
00:35:20,719 --> 00:35:22,840
Speaker 2: open to abortion or adoption.

809
00:35:23,280 --> 00:35:25,760
Speaker 1: She's very clear about it. She's going to have this baby.

810
00:35:25,880 --> 00:35:29,680
Speaker 1: I know, I think so annoying. Yeah, and she says,

811
00:35:29,880 --> 00:35:32,359
Speaker 1: I mean she she's really adding that they're both talking

812
00:35:32,360 --> 00:35:35,399
Speaker 1: about themselves. No one's thinking about the baby, but they're

813
00:35:35,400 --> 00:35:37,640
Speaker 1: both talking about themselves as if this is just a thing,

814
00:35:37,880 --> 00:35:40,839
Speaker 1: and but it's really about us now, but it's going

815
00:35:40,880 --> 00:35:42,840
Speaker 1: to be a human being in this world.

816
00:35:43,760 --> 00:35:46,200
Speaker 2: Well, I think she's saying that. She says, I don't

817
00:35:46,239 --> 00:35:48,000
Speaker 2: want you to abigate her a sacrifice. I think this

818
00:35:48,120 --> 00:35:50,640
Speaker 2: is my responsibility. I never thought otherwise she's going to

819
00:35:50,719 --> 00:35:53,239
Speaker 2: step up. Yeah, I think she's saying, I'm going to

820
00:35:53,360 --> 00:35:55,480
Speaker 2: have this baby and take care of this baby.

821
00:35:55,320 --> 00:35:59,840
Speaker 4: She says, because she has no idea that whether this

822
00:36:00,080 --> 00:36:04,359
Speaker 4: child or not will want the biological father or the

823
00:36:04,880 --> 00:36:07,960
Speaker 4: or any father figure. And she's just blatantly saying, like,

824
00:36:08,120 --> 00:36:09,359
Speaker 4: whatever you decide to do.

825
00:36:09,800 --> 00:36:12,640
Speaker 1: And I just felt like that was really irresponsible to

826
00:36:12,640 --> 00:36:14,920
Speaker 1: have not even to have a discussion and just to

827
00:36:15,760 --> 00:36:16,760
Speaker 1: That's why I think.

828
00:36:16,640 --> 00:36:21,200
Speaker 2: She's defending right so she's afraid. She doesn't want to

829
00:36:21,239 --> 00:36:23,600
Speaker 2: be vulnerable. She says to him, you're off the hook, Billy,

830
00:36:23,640 --> 00:36:25,400
Speaker 2: go on into your life. You're romance with Alison.

831
00:36:25,440 --> 00:36:26,160
Speaker 1: I'll be fine.

832
00:36:26,239 --> 00:36:29,160
Speaker 2: I think she's feeling on the outside. She doesn't want

833
00:36:29,160 --> 00:36:30,719
Speaker 2: to ask. I think if she thought, like if she

834
00:36:30,840 --> 00:36:33,400
Speaker 2: thought he would be with her, that would be a

835
00:36:33,520 --> 00:36:37,400
Speaker 2: very different story. But she knows he's in love with Allison.

836
00:36:37,480 --> 00:36:39,080
Speaker 2: So she's in a terrible position.

837
00:36:39,760 --> 00:36:42,440
Speaker 3: Yeah, and she's saying, you know, I don't want these options.

838
00:36:42,520 --> 00:36:46,319
Speaker 3: I'm not considering abortion and I'm not considering adoption. Those

839
00:36:46,360 --> 00:36:49,759
Speaker 3: are not options for me. That's her, you know, she

840
00:36:49,840 --> 00:36:52,640
Speaker 3: stated her feelings very clearly at the top of the scene,

841
00:36:52,640 --> 00:36:55,279
Speaker 3: and so you know, right then it's like, okay, then

842
00:36:55,560 --> 00:36:58,160
Speaker 3: we're talking about a different scenario where Billy's you know,

843
00:36:58,200 --> 00:37:00,640
Speaker 3: and she says, I don't need any anything from you.

844
00:37:00,880 --> 00:37:05,239
Speaker 3: I got this, and that that changes the scenario that

845
00:37:05,280 --> 00:37:09,399
Speaker 3: Billy has to consider. You know, it's not it's it's

846
00:37:09,440 --> 00:37:12,360
Speaker 3: no longer. She's been very clear.

847
00:37:13,239 --> 00:37:15,560
Speaker 1: Yeah, once again, the child. No one cares about the

848
00:37:15,640 --> 00:37:19,359
Speaker 1: child right now, Well, she cares about the child. She's

849
00:37:19,360 --> 00:37:22,239
Speaker 1: sayings she wants to keep the child. I understand that,

850
00:37:22,360 --> 00:37:27,520
Speaker 1: but my opinion is that they're being both. She's being

851
00:37:27,520 --> 00:37:29,480
Speaker 1: self centered. She didn't have a discussion with him.

852
00:37:29,520 --> 00:37:32,000
Speaker 4: He's the father, he's the biological father, and he doesn't

853
00:37:32,000 --> 00:37:33,719
Speaker 4: say to her, listen, this is Melrose Place.

854
00:37:33,719 --> 00:37:35,359
Speaker 1: So I don't know why we're getting all serious.

855
00:37:35,040 --> 00:37:38,120
Speaker 4: About it, but but I do feel like Amanda should

856
00:37:38,120 --> 00:37:40,800
Speaker 4: there a moment. There's just it's just such a moment.

857
00:37:40,880 --> 00:37:43,600
Speaker 4: There's not even a moment of like what do you

858
00:37:43,680 --> 00:37:44,640
Speaker 4: want or what you know?

859
00:37:45,280 --> 00:37:48,400
Speaker 1: Nothing, It's all like what about she told him and

860
00:37:48,440 --> 00:37:49,439
Speaker 1: I think about him.

861
00:37:49,600 --> 00:37:53,600
Speaker 2: His reactions have been more about Allison, and I think

862
00:37:53,680 --> 00:37:57,719
Speaker 2: she's feeling defensive and sad because let's get married and raised.

863
00:37:57,719 --> 00:38:00,680
Speaker 4: This it's all written beautifully for Melrose's Place and the drama,

864
00:38:00,760 --> 00:38:05,760
Speaker 4: but I just everyone's so self centered in the show.

865
00:38:05,880 --> 00:38:08,839
Speaker 3: Well, and she also she also just sort of moves

866
00:38:08,840 --> 00:38:11,200
Speaker 3: past and it's like, Okay, that's that, and oh, by

867
00:38:11,239 --> 00:38:14,400
Speaker 3: the way, my dad's coming down with the boat and

868
00:38:14,560 --> 00:38:16,080
Speaker 3: I'm going to tell my dad and.

869
00:38:16,000 --> 00:38:17,719
Speaker 1: I know he's going to be disappointed, and that's going

870
00:38:17,760 --> 00:38:18,560
Speaker 1: to be, you know, one of.

871
00:38:18,600 --> 00:38:21,959
Speaker 3: The hardest parts. But don't worry, Billy, you're off the hook.

872
00:38:22,120 --> 00:38:25,759
Speaker 3: I'll be fine, and she's like, I got this and

873
00:38:25,760 --> 00:38:27,879
Speaker 3: I'm gonna, you know, take care of tell me to

874
00:38:27,680 --> 00:38:28,040
Speaker 3: that too.

875
00:38:34,280 --> 00:38:34,560
Speaker 1: Okay.

876
00:38:34,600 --> 00:38:37,799
Speaker 2: So now we're back in the therapist's office and it's

877
00:38:37,920 --> 00:38:40,440
Speaker 2: with Jane and Michael. Did you guys notice I don't

878
00:38:40,440 --> 00:38:43,560
Speaker 2: have you've ever done couples therapy? I have, but but

879
00:38:44,560 --> 00:38:47,720
Speaker 2: Josie is so she's got her legs and arms crossed

880
00:38:47,760 --> 00:38:52,080
Speaker 2: and she's holding a pillow like the body so perfect.

881
00:38:52,080 --> 00:38:55,200
Speaker 2: I was like, she's been an uncomfortable couple therapy because

882
00:38:55,239 --> 00:38:58,600
Speaker 2: I've hugged that same pillow turned away from my partner.

883
00:38:58,640 --> 00:39:01,759
Speaker 2: Does not even remember that.

884
00:39:01,800 --> 00:39:04,719
Speaker 1: Oh it was so that was so good.

885
00:39:04,760 --> 00:39:07,799
Speaker 2: And she starts talking about She says, I've been so

886
00:39:07,920 --> 00:39:09,560
Speaker 2: angry I can't talk to Mike and Hart to look

887
00:39:09,560 --> 00:39:09,839
Speaker 2: at him.

888
00:39:09,880 --> 00:39:12,360
Speaker 1: The therapist goes, okay, this is a good start. I

889
00:39:12,400 --> 00:39:17,360
Speaker 1: was like, yeah, yeah, and time's up. Yeah, and that's

890
00:39:17,360 --> 00:39:19,279
Speaker 1: all for today. Yeah, that's it.

891
00:39:21,360 --> 00:39:23,360
Speaker 3: But she does say that, you know, the living arrangements

892
00:39:23,360 --> 00:39:25,000
Speaker 3: are up to you. You need to keep the lines

893
00:39:25,040 --> 00:39:27,920
Speaker 3: of communication open, but the living arrangements, that's up for

894
00:39:27,960 --> 00:39:29,319
Speaker 3: you guys to decide what to do.

895
00:39:30,120 --> 00:39:30,839
Speaker 1: Yeah.

896
00:39:30,960 --> 00:39:33,800
Speaker 2: I wanted her to say take some space, which I

897
00:39:33,800 --> 00:39:36,239
Speaker 2: think would be a lot healthier. I think a good

898
00:39:36,280 --> 00:39:39,560
Speaker 2: therapist would say, like take thirty days, take a breath,

899
00:39:39,640 --> 00:39:42,759
Speaker 2: figure out what you both want, take some time apart.

900
00:39:43,000 --> 00:39:45,040
Speaker 1: But I guess we get them back in the same apartment.

901
00:39:45,080 --> 00:39:47,160
Speaker 3: Maybe, No, we we only have one more episode less

902
00:39:47,160 --> 00:39:49,719
Speaker 3: than this season, so we need we had to create.

903
00:39:49,480 --> 00:39:53,080
Speaker 1: Some drama, that's all. Yeah, we did need.

904
00:39:53,200 --> 00:39:55,960
Speaker 3: And then and Jane is already like even on the

905
00:39:55,960 --> 00:39:58,359
Speaker 3: way out, she says she's willing to let Michael move

906
00:39:58,400 --> 00:40:00,880
Speaker 3: back in but on the game, as long as he

907
00:40:00,880 --> 00:40:03,560
Speaker 3: sleeps on the couch. And he's of course thrilled. So

908
00:40:03,640 --> 00:40:05,840
Speaker 3: that like all happened very quickly, and that was obviously

909
00:40:05,920 --> 00:40:08,279
Speaker 3: the point of the scene is to get him to

910
00:40:08,320 --> 00:40:10,120
Speaker 3: be back on the couch by the end of the episode.

911
00:40:10,239 --> 00:40:12,160
Speaker 1: Yeah, and he goes, that's great, I'll cook, Like are

912
00:40:12,160 --> 00:40:17,600
Speaker 1: we at cooking? What happened? Are we? A? Yeah?

913
00:40:17,640 --> 00:40:19,440
Speaker 2: But he's acting like everything's fine. He gives her a

914
00:40:19,440 --> 00:40:22,680
Speaker 2: big kiss on the cheek. He's thinking he's back in.

915
00:40:22,840 --> 00:40:26,760
Speaker 1: Everything's fine, except so that when they leave, it's so funny.

916
00:40:26,800 --> 00:40:28,640
Speaker 1: I wrote down his first line.

917
00:40:28,680 --> 00:40:30,759
Speaker 4: She's like, well, I like her, and the woman wants

918
00:40:30,800 --> 00:40:32,720
Speaker 4: them to come twice a week, and his first line

919
00:40:32,760 --> 00:40:35,760
Speaker 4: is Jane says, I really like her.

920
00:40:35,800 --> 00:40:37,960
Speaker 1: And then Michael goes, it's a long drive for two

921
00:40:38,040 --> 00:40:44,000
Speaker 1: times a week, and I thought that too, likes hilarious.

922
00:40:44,280 --> 00:40:46,600
Speaker 1: How's he going to do that? Yeah, I don't know.

923
00:40:46,640 --> 00:40:49,000
Speaker 4: I just thought it was hilarious, Like y'all do anything anything,

924
00:40:49,040 --> 00:40:50,879
Speaker 4: but you know, you know, it's always like the way, but.

925
00:40:53,680 --> 00:40:56,000
Speaker 1: Give mean everything to me. Nothing else is important. But

926
00:40:56,040 --> 00:40:57,759
Speaker 1: can we do once a week? It's gonna be a

927
00:40:57,800 --> 00:40:59,960
Speaker 1: little bit someone who really wants to look at his part.

928
00:41:00,200 --> 00:41:03,600
Speaker 1: I love that line. A long drive for twice a week.

929
00:41:03,800 --> 00:41:06,359
Speaker 1: It was right. If it's anywhere near la Is, He's

930
00:41:06,440 --> 00:41:11,640
Speaker 1: right it twice a week is a lot. That's a

931
00:41:11,640 --> 00:41:17,200
Speaker 1: lot for couple's therapy. There was no zoom back, no zoom.

932
00:41:17,320 --> 00:41:19,120
Speaker 3: They get a zoomed from him and him on the

933
00:41:19,120 --> 00:41:22,640
Speaker 3: couch and heard that he could be at the hospital

934
00:41:22,680 --> 00:41:24,080
Speaker 3: with kimberly looking right.

935
00:41:25,360 --> 00:41:30,160
Speaker 1: On the corner, rubbing his hair as he talked, Oh

936
00:41:30,200 --> 00:41:34,520
Speaker 1: my god, sharing a sandwich in that bunk like they

937
00:41:34,640 --> 00:41:39,920
Speaker 1: usually do. And Jeane's like, are you alone over there?

938
00:41:40,640 --> 00:41:42,440
Speaker 1: Oh my god. Hilarious.

939
00:41:42,560 --> 00:41:44,960
Speaker 2: So now we're back in Joe's apartment and Joe is

940
00:41:45,000 --> 00:41:45,800
Speaker 2: trying to get ready.

941
00:41:45,840 --> 00:41:46,600
Speaker 1: This is when you.

942
00:41:46,640 --> 00:41:49,480
Speaker 2: Have the skirt suit on. Like Alison had a red

943
00:41:49,680 --> 00:41:51,440
Speaker 2: skirt suit and a long shirt. Now you have a

944
00:41:51,440 --> 00:41:55,000
Speaker 2: black one, very elegant long skirt with a really fitted

945
00:41:55,000 --> 00:41:59,960
Speaker 2: suit jacket, super elegant. And I'm ranting and talking and talking,

946
00:42:00,000 --> 00:42:02,399
Speaker 2: talking about everybody told me, everybody told me to do it.

947
00:42:02,680 --> 00:42:05,360
Speaker 2: And then Joe goes, why don't you just admit it, Alison,

948
00:42:05,440 --> 00:42:07,520
Speaker 2: you're in love and I love my reading this and

949
00:42:07,600 --> 00:42:10,239
Speaker 2: went no.

950
00:42:12,440 --> 00:42:14,959
Speaker 4: But meanwhile Joe's like putting on makeup and getting dressed

951
00:42:15,000 --> 00:42:16,719
Speaker 4: and grabbing your stuff. And I thought she was just

952
00:42:16,719 --> 00:42:21,640
Speaker 4: a really lame friend with advice with with just general advice.

953
00:42:21,760 --> 00:42:24,239
Speaker 1: It was really lame in this moment. I thought, did

954
00:42:24,280 --> 00:42:25,879
Speaker 1: you feel that way? Did you? Guys?

955
00:42:25,920 --> 00:42:26,080
Speaker 2: Yeah?

956
00:42:26,120 --> 00:42:29,400
Speaker 3: It was like being really situation yeah, not situation specific,

957
00:42:29,440 --> 00:42:31,400
Speaker 3: it was just in general. Oh it just admitted you

958
00:42:31,440 --> 00:42:33,480
Speaker 3: love him. Can we not talk about you anymore? It's

959
00:42:33,480 --> 00:42:34,040
Speaker 3: sort of like a.

960
00:42:34,040 --> 00:42:35,640
Speaker 1: Dismissive I have it. I might have a date with

961
00:42:35,680 --> 00:42:37,640
Speaker 1: a model and my boyfriend, so you know, leave me

962
00:42:37,640 --> 00:42:38,919
Speaker 1: alone and we'll get back to you.

963
00:42:39,280 --> 00:42:43,200
Speaker 2: I've got a threesome. I've got to.

964
00:42:44,040 --> 00:42:47,120
Speaker 3: Forget about your problems and they're partying problem.

965
00:42:47,200 --> 00:42:49,800
Speaker 2: I didn't think it was lame, because you know, Joe's

966
00:42:49,800 --> 00:42:51,120
Speaker 2: been listening to this for a year.

967
00:42:51,880 --> 00:42:54,160
Speaker 1: That's true. We're finally doing it, and you're like, you're

968
00:42:54,160 --> 00:42:56,600
Speaker 1: in love. Stop it, you're in love. Talk to him.

969
00:42:56,640 --> 00:42:59,919
Speaker 2: I think you're probably feeling like, talk to him, not me, right,

970
00:43:00,040 --> 00:43:01,759
Speaker 2: It would have been a great line, but then we

971
00:43:02,000 --> 00:43:03,520
Speaker 2: have to have all these miscommunications.

972
00:43:03,520 --> 00:43:05,600
Speaker 1: But yeah, that's what I felt like. And I thought you.

973
00:43:05,600 --> 00:43:10,120
Speaker 2: Were going out for this weird evening with Jake and

974
00:43:10,120 --> 00:43:11,680
Speaker 2: the hot model, which.

975
00:43:11,440 --> 00:43:12,520
Speaker 3: She's very distracted by.

976
00:43:12,560 --> 00:43:15,680
Speaker 1: I'm very excited by, super excited. Jake comes to the

977
00:43:15,680 --> 00:43:17,160
Speaker 1: door annoyed, which is so funny.

978
00:43:17,200 --> 00:43:18,960
Speaker 2: So last time he's trying to sneak a look at

979
00:43:19,000 --> 00:43:20,799
Speaker 2: the naked half naked.

980
00:43:20,520 --> 00:43:21,280
Speaker 1: Model in the pool.

981
00:43:21,680 --> 00:43:23,640
Speaker 2: Right now, he's annoyed that they're going out with the

982
00:43:23,640 --> 00:43:27,279
Speaker 2: hot model. He's kind of very confused about where he stands.

983
00:43:28,520 --> 00:43:31,080
Speaker 4: Yeah exactly, Yeah, this is where he walks in and

984
00:43:31,080 --> 00:43:33,920
Speaker 4: he's super cute. Joe's like dying to share him with

985
00:43:34,040 --> 00:43:36,600
Speaker 4: this model, and that's the part I don't get.

986
00:43:36,440 --> 00:43:38,239
Speaker 2: Like, yeah, you know how every guy hates to share

987
00:43:38,280 --> 00:43:39,520
Speaker 2: his girlfriend with a hot model.

988
00:43:39,920 --> 00:43:43,320
Speaker 1: M Yeah, I would have be sharing him with anybody.

989
00:43:43,400 --> 00:43:45,520
Speaker 4: These are not your typical what do they call it

990
00:43:45,560 --> 00:43:49,319
Speaker 4: now when you have multiple people in the relationship polyamories,

991
00:43:49,440 --> 00:43:53,839
Speaker 4: rupple polyamorous. They're not your basic polyamorous sort of type.

992
00:43:53,880 --> 00:43:55,880
Speaker 4: We're all uncomfortable with them.

993
00:43:55,920 --> 00:43:58,160
Speaker 2: Although he's confused because he was looking at her and

994
00:43:58,200 --> 00:44:01,480
Speaker 2: you're all flirting and you're sitting with anyway, it's I'm

995
00:44:01,600 --> 00:44:03,440
Speaker 2: very confused. There's a lot of mixed signals.

996
00:44:03,440 --> 00:44:05,840
Speaker 1: This is the show. This is the episode of mixed signals.

997
00:44:05,880 --> 00:44:06,640
Speaker 1: We're very confused.

998
00:44:06,719 --> 00:44:10,000
Speaker 2: So Alison leaves after they take off, Alison leaves and

999
00:44:10,040 --> 00:44:11,480
Speaker 2: she sees Billy on his way out.

1000
00:44:11,320 --> 00:44:11,800
Speaker 1: Of the apartment.

1001
00:44:11,840 --> 00:44:16,440
Speaker 2: They meet in the courtyard and again nobody's communicating, and

1002
00:44:16,480 --> 00:44:19,080
Speaker 2: he goes, I'm just going out for a bit, and

1003
00:44:19,320 --> 00:44:22,759
Speaker 2: there's this weird, awkward thing and you don't ask her

1004
00:44:23,080 --> 00:44:26,280
Speaker 2: Amanda situation, and he leaves without giving her a kiss.

1005
00:44:26,880 --> 00:44:32,760
Speaker 1: Yeah. Yeah, they're comforted or telling her where anything. Yeah,

1006
00:44:32,800 --> 00:44:34,840
Speaker 1: it's so so uncomfortable.

1007
00:44:35,440 --> 00:44:41,359
Speaker 2: So now we're at the we're at the nightclub and Karen, Jake,

1008
00:44:41,400 --> 00:44:43,440
Speaker 2: and Joe are sort of snuggled up on the railing

1009
00:44:43,960 --> 00:44:46,439
Speaker 2: and Karen is sexy dancing with dirty dancing.

1010
00:44:46,480 --> 00:44:47,920
Speaker 1: I guess we called it with some guy.

1011
00:44:47,840 --> 00:44:50,880
Speaker 2: By herself or some guy near people who knows it

1012
00:44:50,960 --> 00:44:53,120
Speaker 2: is actually with people, But she doesn't care who it is.

1013
00:44:53,200 --> 00:44:56,480
Speaker 1: She just goes. He just rubs up against whoever's there.

1014
00:44:56,800 --> 00:45:00,400
Speaker 2: She goes and takes Jake out for a dance, and

1015
00:45:00,400 --> 00:45:02,480
Speaker 2: they're dancing too sexy, and Joe's trying to keep an

1016
00:45:02,520 --> 00:45:04,960
Speaker 2: eye on them, and then she takes him to the

1017
00:45:05,000 --> 00:45:08,040
Speaker 2: side and kisses him and excuse me, he kisses.

1018
00:45:07,680 --> 00:45:10,640
Speaker 4: Her back back, yeah, with his hand around her head

1019
00:45:10,960 --> 00:45:13,200
Speaker 4: up against the wall and Joe.

1020
00:45:13,239 --> 00:45:16,120
Speaker 1: You see the shot of Joe trying. There's hands and

1021
00:45:16,160 --> 00:45:18,879
Speaker 1: bodies and you just see her like trying to see

1022
00:45:18,920 --> 00:45:21,200
Speaker 1: where trying to peek around and get a view of her.

1023
00:45:21,840 --> 00:45:24,840
Speaker 1: She can't see anything, but it's not that far away.

1024
00:45:25,520 --> 00:45:27,840
Speaker 3: It's just like around a corner or something. And she

1025
00:45:28,160 --> 00:45:30,680
Speaker 3: just grabs him, and Karen just grabs Jake and kisses him.

1026
00:45:30,920 --> 00:45:34,239
Speaker 1: Yeah. But he kisses her back. Yeah.

1027
00:45:34,360 --> 00:45:38,680
Speaker 2: He doesn't break away immediately, not only doesn't break away,

1028
00:45:38,880 --> 00:45:41,160
Speaker 2: like there's a super hot kiss between the two of them.

1029
00:45:41,200 --> 00:45:43,399
Speaker 2: And then she says, Joe won't mind. He goes, maybe

1030
00:45:43,400 --> 00:45:46,319
Speaker 2: I do, and it's like, well, apparently not because.

1031
00:45:46,400 --> 00:45:49,040
Speaker 3: Just after this one, then I mind, what was in

1032
00:45:49,040 --> 00:45:49,960
Speaker 3: the last episode.

1033
00:45:50,000 --> 00:45:52,600
Speaker 4: I saw you resisting her all over this damn place.

1034
00:45:52,880 --> 00:45:56,160
Speaker 4: I hand his hand around her head and you're like, yeah,

1035
00:45:56,200 --> 00:45:59,560
Speaker 4: I saw you not liking it at all, mister liar.

1036
00:46:00,320 --> 00:46:02,960
Speaker 3: But then he does like push her away and she's

1037
00:46:03,000 --> 00:46:04,719
Speaker 3: your way, goes to find Joe and say we're leaving,

1038
00:46:04,760 --> 00:46:07,200
Speaker 3: and Joe says, I'm not leaving my drunk friend.

1039
00:46:07,920 --> 00:46:10,360
Speaker 1: Right smart. I thought that was caring. So she stays

1040
00:46:10,400 --> 00:46:13,000
Speaker 1: behind like she hasn't kissed me yet, so I'm not

1041
00:46:13,080 --> 00:46:18,239
Speaker 1: leaving Jake. I'll let you know when I'm riking, not yours.

1042
00:46:18,560 --> 00:46:23,600
Speaker 2: Yeah, so he leaves, like he leaves Joe there with Karen,

1043
00:46:23,600 --> 00:46:24,880
Speaker 2: which I thought was so weird.

1044
00:46:25,880 --> 00:46:26,960
Speaker 1: Yeah, he made it more about it.

1045
00:46:26,960 --> 00:46:27,200
Speaker 2: He was.

1046
00:46:27,360 --> 00:46:29,839
Speaker 3: He was more incensed that Karen tried to kiss him,

1047
00:46:29,880 --> 00:46:30,480
Speaker 3: like how dare she?

1048
00:46:30,640 --> 00:46:32,520
Speaker 1: And yeah, I'm out.

1049
00:46:32,280 --> 00:46:35,760
Speaker 2: Of here her back and then he storms off.

1050
00:46:36,480 --> 00:46:38,480
Speaker 1: Don't care what happens to Joe, but I'm out of here.

1051
00:46:39,040 --> 00:46:41,000
Speaker 1: But you know, they just the writers.

1052
00:46:41,040 --> 00:46:43,759
Speaker 4: We just needed now in the sexy environment, we need

1053
00:46:43,800 --> 00:46:45,640
Speaker 4: the two girls alone without yet.

1054
00:46:45,520 --> 00:46:48,680
Speaker 1: Around, so they are alone. Yeah on the sexy now

1055
00:46:48,680 --> 00:46:49,320
Speaker 1: they're alone.

1056
00:46:49,400 --> 00:46:52,239
Speaker 2: So now we cut to Amanda's apartment and Billy walks in,

1057
00:46:52,600 --> 00:46:54,719
Speaker 2: and I can't tell if Amanda is expecting and or not.

1058
00:46:54,800 --> 00:46:57,439
Speaker 2: She goes hello, Bill and he walks in and there's

1059
00:46:57,480 --> 00:47:01,520
Speaker 2: Amanda's dad, and Billy takes Amanda aside and says he

1060
00:47:01,600 --> 00:47:04,279
Speaker 2: wants to keep the pregnancy quiet until he knows where

1061
00:47:04,320 --> 00:47:05,120
Speaker 2: he stands.

1062
00:47:05,800 --> 00:47:08,160
Speaker 3: Yeah, yeah, that he hasn't decided what to do, so

1063
00:47:08,239 --> 00:47:09,839
Speaker 3: let's not talk about this yet.

1064
00:47:10,080 --> 00:47:13,520
Speaker 1: Oh yeah, it was so mad for Allison. I'm super

1065
00:47:13,600 --> 00:47:17,960
Speaker 1: uncomfortable now. So now, Daphne, we're back in the club. Okay,

1066
00:47:18,000 --> 00:47:20,120
Speaker 1: So we're sitting on the sofa and hot.

1067
00:47:20,239 --> 00:47:23,440
Speaker 4: Karen Link keeps leaning in and talking about Jake or

1068
00:47:23,480 --> 00:47:25,040
Speaker 4: I don't even know what she's talking about. I'm just

1069
00:47:25,120 --> 00:47:30,080
Speaker 4: looking at my double chin going a bad position. Daphne's aniga,

1070
00:47:30,360 --> 00:47:32,560
Speaker 4: lift your chin up and stay in the profile, and

1071
00:47:32,760 --> 00:47:35,480
Speaker 4: she's comes in for the kiss, and then right as

1072
00:47:35,480 --> 00:47:37,880
Speaker 4: it happens, I remember doing this, I turn away and

1073
00:47:37,920 --> 00:47:41,440
Speaker 4: she says and Joe says, I'm sorry, it's.

1074
00:47:41,280 --> 00:47:43,920
Speaker 1: Just not me. I thought it was or could have been,

1075
00:47:43,920 --> 00:47:46,200
Speaker 1: but it's just not. And then Karen's like, well, you

1076
00:47:46,200 --> 00:47:48,120
Speaker 1: don't know unless you try it. She's like, no, I

1077
00:47:48,200 --> 00:47:50,280
Speaker 1: know anyway, So that's that moment.

1078
00:47:50,640 --> 00:47:53,080
Speaker 2: So do you think Joe was thinking maybe? Do you

1079
00:47:53,080 --> 00:47:55,800
Speaker 2: think that's why Joe stayed because she was thinking maybe?

1080
00:47:55,960 --> 00:47:57,680
Speaker 1: I mean, I guess, but I didn't see it in

1081
00:47:57,719 --> 00:47:58,480
Speaker 1: my performance.

1082
00:47:58,520 --> 00:48:01,000
Speaker 2: I didn't see it either though the way you just said,

1083
00:48:01,080 --> 00:48:02,279
Speaker 2: I thought maybe it was me.

1084
00:48:02,840 --> 00:48:04,080
Speaker 1: I was like, oh, maybe she stayed.

1085
00:48:04,560 --> 00:48:07,600
Speaker 3: Yeah, Well, like if she thought that it was her,

1086
00:48:07,680 --> 00:48:10,440
Speaker 3: it wasn't apparent, like you know, the dialogue is, I

1087
00:48:10,440 --> 00:48:12,759
Speaker 3: thought maybe this was me, but like what you just

1088
00:48:12,920 --> 00:48:14,960
Speaker 3: wanted to get to that point, and then now that

1089
00:48:15,040 --> 00:48:17,520
Speaker 3: you are at that point, you're sure that it's not

1090
00:48:17,719 --> 00:48:18,280
Speaker 3: or whatever.

1091
00:48:18,080 --> 00:48:21,160
Speaker 1: But like nobody could see that you were really entertaining

1092
00:48:21,160 --> 00:48:21,840
Speaker 1: it necessarily.

1093
00:48:21,840 --> 00:48:23,600
Speaker 3: It was like it was all going over your head

1094
00:48:24,080 --> 00:48:27,440
Speaker 3: until the moment that it happened, and then then you're like, oh, no.

1095
00:48:27,480 --> 00:48:29,399
Speaker 1: That's not what I'm here for or whatever. And Yeah,

1096
00:48:29,400 --> 00:48:31,799
Speaker 1: in my memory of playing it, I thought Joe was

1097
00:48:32,320 --> 00:48:35,320
Speaker 1: interested and curious. But now that I see my performance,

1098
00:48:35,360 --> 00:48:38,239
Speaker 1: I'm like, you don't look interested, Like you don't look

1099
00:48:38,320 --> 00:48:41,480
Speaker 1: like it could be you. If she's very thin.

1100
00:48:42,080 --> 00:48:44,560
Speaker 2: I think you played that for the episode. Like I

1101
00:48:44,560 --> 00:48:46,520
Speaker 2: think there was a playing and the flirting and you're

1102
00:48:46,560 --> 00:48:47,560
Speaker 2: letting her get close.

1103
00:48:47,640 --> 00:48:51,279
Speaker 1: So yeah, it was in the episode. It was definitely like,

1104
00:48:51,480 --> 00:48:53,399
Speaker 1: you know, two beautiful women.

1105
00:48:53,800 --> 00:48:55,600
Speaker 3: It was sexy and you're like, oh, is she gonna

1106
00:48:55,600 --> 00:48:58,120
Speaker 3: And I would not have been surprised if you had

1107
00:48:58,200 --> 00:49:00,200
Speaker 3: kissed her. I would not have been surprised if the

1108
00:49:00,280 --> 00:49:01,560
Speaker 3: character show had kissdur.

1109
00:49:01,280 --> 00:49:01,800
Speaker 1: In that moment.

1110
00:49:02,200 --> 00:49:06,839
Speaker 3: Yeah, I did, and so I certainly thought it could

1111
00:49:06,880 --> 00:49:09,239
Speaker 3: go that way. And what I also found interesting about

1112
00:49:09,280 --> 00:49:11,080
Speaker 3: the scene is like, you know how we have to

1113
00:49:11,080 --> 00:49:13,400
Speaker 3: shoot scenes and noisy dance clubs and we have to

1114
00:49:13,400 --> 00:49:16,000
Speaker 3: shout all our dialogue and or at.

1115
00:49:15,960 --> 00:49:17,480
Speaker 1: Least talking a loud voice.

1116
00:49:17,880 --> 00:49:20,000
Speaker 3: They asked us to you guys were it was so

1117
00:49:20,000 --> 00:49:25,040
Speaker 3: soft and intimate, and yet there's this in the background, Yeah,

1118
00:49:25,480 --> 00:49:27,799
Speaker 3: like loud dance music, and it was just a very

1119
00:49:27,800 --> 00:49:28,879
Speaker 3: intimate I.

1120
00:49:28,880 --> 00:49:30,239
Speaker 1: Know you have in the real life. He was like,

1121
00:49:30,640 --> 00:49:34,880
Speaker 1: I want to kiss you, now what I'm glad you

1122
00:49:34,880 --> 00:49:37,719
Speaker 1: guys learning. How do you know unless you.

1123
00:49:37,800 --> 00:49:42,160
Speaker 2: Try it and you know when you're doing it, they're

1124
00:49:42,160 --> 00:49:43,719
Speaker 2: not going to turn the music up high enough.

1125
00:49:43,800 --> 00:49:46,640
Speaker 1: You know when you're doing it, you're an idiot, exactly.

1126
00:49:48,280 --> 00:49:56,480
Speaker 2: It always that way. So now we're back in Billy

1127
00:49:56,480 --> 00:49:59,520
Speaker 2: and Allison's apartment. Allison is super sad on the couch

1128
00:50:00,280 --> 00:50:02,840
Speaker 2: and I don't know how she knows this, but she says,

1129
00:50:03,200 --> 00:50:04,719
Speaker 2: why couldn't you just tell me that you were going

1130
00:50:04,760 --> 00:50:07,279
Speaker 2: to her apartment? How does she know?

1131
00:50:07,520 --> 00:50:08,919
Speaker 1: I don't know. Does she follow him?

1132
00:50:09,200 --> 00:50:11,400
Speaker 3: Because she didn't have to find my friends?

1133
00:50:11,880 --> 00:50:15,240
Speaker 1: And so you're right, right, this is pretty snapyo. We know.

1134
00:50:15,640 --> 00:50:17,399
Speaker 2: Yeah, I don't know how she knew, but she knows.

1135
00:50:17,440 --> 00:50:19,000
Speaker 2: And then Billy says, I didn't want to hurt you.

1136
00:50:19,040 --> 00:50:22,399
Speaker 2: But Allison is super upset, and she says, you feel

1137
00:50:22,440 --> 00:50:24,120
Speaker 2: obligated to refine, but what about me?

1138
00:50:25,239 --> 00:50:28,120
Speaker 1: You finally stand up for yourself that you have an

1139
00:50:28,120 --> 00:50:31,920
Speaker 1: investment in this we're upset. Yeah, yeah, just because you're

1140
00:50:31,920 --> 00:50:33,719
Speaker 1: not the pregnant one does not mean you are not

1141
00:50:33,880 --> 00:50:37,240
Speaker 1: equally invested in this whole debacle thing that happens.

1142
00:50:37,280 --> 00:50:40,360
Speaker 2: Yeah, and she's super upset, and then Billy says, finally,

1143
00:50:40,400 --> 00:50:42,080
Speaker 2: he says, can't you see that I hate myself for

1144
00:50:42,120 --> 00:50:43,200
Speaker 2: this whole pathetic mess.

1145
00:50:43,440 --> 00:50:45,200
Speaker 1: It doesn't mean it has to change what's going on

1146
00:50:45,239 --> 00:50:45,640
Speaker 1: with you and me.

1147
00:50:45,719 --> 00:50:47,839
Speaker 2: I'm not going to lose you. And then Alison, damn

1148
00:50:47,880 --> 00:50:49,760
Speaker 2: it says it's too late.

1149
00:50:49,560 --> 00:50:50,440
Speaker 1: Billy, you already have.

1150
00:50:50,760 --> 00:50:54,600
Speaker 2: I was like, come on, like, there's no sense of

1151
00:50:54,640 --> 00:50:56,960
Speaker 2: them working through this together. Although I'm still mad at

1152
00:50:56,960 --> 00:50:59,239
Speaker 2: Billy for telling Amanda that he doesn't know where he

1153
00:50:59,280 --> 00:51:00,640
Speaker 2: stands yet, I just have.

1154
00:51:00,680 --> 00:51:06,120
Speaker 1: In my note no, yeah already. I like the last

1155
00:51:06,160 --> 00:51:13,600
Speaker 1: scene when you say we were so close, build on that, yeah, yeah, exactly.

1156
00:51:13,640 --> 00:51:15,640
Speaker 2: So now we're on the street and Jake and Billy

1157
00:51:15,680 --> 00:51:19,520
Speaker 2: are walking and Billy is kind of too casual at this,

1158
00:51:19,640 --> 00:51:21,719
Speaker 2: but he mentions that a man is given him permission

1159
00:51:21,719 --> 00:51:24,920
Speaker 2: to walk away, and Jake says, he mentions that he

1160
00:51:24,960 --> 00:51:26,880
Speaker 2: has a son, and he gives him really good advice,

1161
00:51:26,920 --> 00:51:28,880
Speaker 2: which is, if you walk out of this now, you

1162
00:51:28,880 --> 00:51:30,000
Speaker 2: don't get a second chance.

1163
00:51:30,080 --> 00:51:32,080
Speaker 1: That kid is hers m.

1164
00:51:32,840 --> 00:51:35,799
Speaker 3: Yeah, and you might raise your chance at all with

1165
00:51:35,880 --> 00:51:38,320
Speaker 3: the kid. Yeah, And that he didn't have a chance,

1166
00:51:38,920 --> 00:51:41,200
Speaker 3: he wasn't even told, he wasn't given the opportunity, and

1167
00:51:41,239 --> 00:51:44,560
Speaker 3: he doesn't want Billy to have the same missed opportunity.

1168
00:51:45,239 --> 00:51:45,640
Speaker 1: Yeah.

1169
00:51:45,680 --> 00:51:47,960
Speaker 2: So we're sort of out on Billy thinking about that,

1170
00:51:48,040 --> 00:51:51,000
Speaker 2: and then we're back in Jane and Michael's apartment. Jane

1171
00:51:51,000 --> 00:51:53,120
Speaker 2: says she's going to the Big Michael offers to go

1172
00:51:53,200 --> 00:51:57,080
Speaker 2: with her. To open the lines of communication. Then he

1173
00:51:57,120 --> 00:51:59,520
Speaker 2: gets a call from the hospital and Jane has a

1174
00:51:59,560 --> 00:52:03,960
Speaker 2: reaction going to the hospital. Of course she does, yeah, right,

1175
00:52:04,000 --> 00:52:05,400
Speaker 2: because that's just happened.

1176
00:52:06,000 --> 00:52:08,719
Speaker 1: Yeah, PTSD exactly, that's what has PTSD.

1177
00:52:08,800 --> 00:52:11,200
Speaker 2: And he of course gaslights her and acts like she's

1178
00:52:11,280 --> 00:52:12,839
Speaker 2: crazy for suspecting her.

1179
00:52:12,880 --> 00:52:14,359
Speaker 1: And then didn't you have that moment of there he

1180
00:52:14,480 --> 00:52:19,960
Speaker 1: is there, He is right, Michael. Michael doesn't take much. No,

1181
00:52:20,040 --> 00:52:20,919
Speaker 1: it doesn't take much.

1182
00:52:20,960 --> 00:52:24,520
Speaker 3: And again Jane looks completely adorable getting ready for the

1183
00:52:24,560 --> 00:52:27,840
Speaker 3: beach and the cutest turquoise like sort of a wrap

1184
00:52:27,920 --> 00:52:29,879
Speaker 3: top with ruffles and it's cropped and you can see

1185
00:52:29,880 --> 00:52:32,560
Speaker 3: your cute little flat belly's and you're just like.

1186
00:52:32,600 --> 00:52:34,319
Speaker 4: She's getting ready for the beach. The last time we

1187
00:52:34,320 --> 00:52:36,200
Speaker 4: saw the beach, it was Michael and Kimberly and they

1188
00:52:36,239 --> 00:52:37,200
Speaker 4: were together.

1189
00:52:36,960 --> 00:52:37,880
Speaker 1: And all in love.

1190
00:52:38,600 --> 00:52:40,640
Speaker 4: Now we have the wife like going to the beach.

1191
00:52:41,000 --> 00:52:42,600
Speaker 4: She's gonna be all by herself, you know what I mean.

1192
00:52:42,680 --> 00:52:45,240
Speaker 4: It was so sad that this is just wrong.

1193
00:52:45,719 --> 00:52:48,719
Speaker 2: Yeah, she wants to get out, and so he blames her,

1194
00:52:48,800 --> 00:52:50,280
Speaker 2: and he says, you could at least make an effort,

1195
00:52:50,280 --> 00:52:52,600
Speaker 2: and she goes, you're the one who screwed up, not me,

1196
00:52:52,760 --> 00:52:54,560
Speaker 2: So just go to the hospital and leave me alone,

1197
00:52:54,600 --> 00:52:56,320
Speaker 2: and wrote, I love mad Jane.

1198
00:52:56,480 --> 00:53:00,879
Speaker 4: I love thank you, Melrose writers thank you, and she's

1199
00:53:00,920 --> 00:53:01,920
Speaker 4: saying all the right things.

1200
00:53:02,080 --> 00:53:02,760
Speaker 1: Oh yes.

1201
00:53:03,560 --> 00:53:06,239
Speaker 2: So they get to the hospital and Michael runs in

1202
00:53:06,239 --> 00:53:08,560
Speaker 2: and there's an emergency and Kimberly's putting on a cast

1203
00:53:08,600 --> 00:53:11,560
Speaker 2: and she has this little, perfectly placed spot of plaster

1204
00:53:11,719 --> 00:53:15,160
Speaker 2: on her beautiful skin setting a broken arm, and then

1205
00:53:15,200 --> 00:53:17,720
Speaker 2: he wipes her face gently.

1206
00:53:17,719 --> 00:53:19,160
Speaker 1: And now they're flirting again.

1207
00:53:19,840 --> 00:53:24,320
Speaker 2: Like the second Jane turns, he's Factor's old tricks. I'm

1208
00:53:24,360 --> 00:53:26,719
Speaker 2: telling you, this happens so fast in this episode.

1209
00:53:27,120 --> 00:53:29,719
Speaker 3: And it was like the putting the plaster on the

1210
00:53:29,800 --> 00:53:32,320
Speaker 3: patient's arm together, it was like a little bit of

1211
00:53:32,360 --> 00:53:33,120
Speaker 3: a ghost moment.

1212
00:53:33,120 --> 00:53:35,719
Speaker 1: Did you guys get that, Like the the you.

1213
00:53:35,680 --> 00:53:38,200
Speaker 3: Know, the their hands are in the plaster and whatever,

1214
00:53:38,280 --> 00:53:41,160
Speaker 3: and like that was enough for them.

1215
00:53:41,040 --> 00:53:44,239
Speaker 2: To like, I see you and like, well, I think

1216
00:53:44,280 --> 00:53:46,360
Speaker 2: it's really that Jane is standing up to him and

1217
00:53:46,400 --> 00:53:51,240
Speaker 2: he's like, might not be efforts and reality, yeah, Jane

1218
00:53:51,280 --> 00:53:52,880
Speaker 2: is stronger than he thought she was going to be.

1219
00:53:52,960 --> 00:53:55,840
Speaker 2: So we're back end Billy and Allison's apartment. Allison is

1220
00:53:55,880 --> 00:53:58,720
Speaker 2: tidying up and finds a piece of paper on Billy's floor,

1221
00:53:59,239 --> 00:53:59,919
Speaker 2: and it's the.

1222
00:54:01,760 --> 00:54:04,680
Speaker 1: Isn't that so cute? Should I read it to Alison? Yeah?

1223
00:54:04,760 --> 00:54:06,000
Speaker 1: Do you want me to read the poem? Because I

1224
00:54:06,000 --> 00:54:08,000
Speaker 1: thought it was so true? But don't you think it's interesting?

1225
00:54:08,080 --> 00:54:10,920
Speaker 4: She's cleaning his Billy's room, she was going to do

1226
00:54:10,960 --> 00:54:12,239
Speaker 4: his laundry.

1227
00:54:11,760 --> 00:54:16,000
Speaker 2: She's showing him she loves me like a mommy clean?

1228
00:54:16,080 --> 00:54:18,920
Speaker 1: Is the cute little poem that she finds? Alison?

1229
00:54:19,040 --> 00:54:22,680
Speaker 2: In my arms, asleep on my shoulder, endless night and dreaming,

1230
00:54:22,800 --> 00:54:26,440
Speaker 2: mourning dreams that come true, they really do come true.

1231
00:54:27,760 --> 00:54:29,719
Speaker 2: So now we're lying, isn't that so sweet? So she

1232
00:54:29,840 --> 00:54:32,640
Speaker 2: finds this so you know, clearly she's thinking, oh my gosh,

1233
00:54:32,719 --> 00:54:35,080
Speaker 2: we're in love. But then we cut to the damn

1234
00:54:35,120 --> 00:54:40,839
Speaker 2: Marina and Billy approaches Amanda at her father's boat and

1235
00:54:40,880 --> 00:54:43,919
Speaker 2: he tells her that he'll be there for her all

1236
00:54:43,960 --> 00:54:44,960
Speaker 2: the way through this thing.

1237
00:54:45,960 --> 00:54:48,880
Speaker 1: What is this? So? What does this mean? You guys?

1238
00:54:48,920 --> 00:54:53,080
Speaker 1: What is he saying? Don't know? Really, okay, don't know,

1239
00:54:53,120 --> 00:54:54,400
Speaker 1: but we're furious.

1240
00:54:54,760 --> 00:54:56,239
Speaker 3: Yeah, that he doesn't want to be left out of it,

1241
00:54:56,280 --> 00:54:57,840
Speaker 3: and that he wants to be there for her, and

1242
00:54:57,840 --> 00:54:59,480
Speaker 3: and uh, and.

1243
00:54:59,760 --> 00:55:01,040
Speaker 1: Yeah, based on Jake's talk.

1244
00:55:01,320 --> 00:55:04,239
Speaker 4: Jake's talk made him think, like, don't count me out,

1245
00:55:04,280 --> 00:55:05,640
Speaker 4: because then I won't ever get in.

1246
00:55:05,760 --> 00:55:08,640
Speaker 1: So he's like, I'm going to be in, right, But

1247
00:55:08,680 --> 00:55:10,080
Speaker 1: he still wants to be with Alison.

1248
00:55:10,280 --> 00:55:13,000
Speaker 3: Yeah, based on his own, you know, mixed up feelings

1249
00:55:13,040 --> 00:55:16,719
Speaker 3: and stuff, and that conversation probably triggered it that he

1250
00:55:16,760 --> 00:55:19,480
Speaker 3: wants to be there for And we don't know exactly what.

1251
00:55:19,360 --> 00:55:22,120
Speaker 1: That all means. But she's thrilled to hear him say that.

1252
00:55:23,040 --> 00:55:23,840
Speaker 1: She's so thrilled.

1253
00:55:23,920 --> 00:55:26,120
Speaker 2: She hugs him and she says, you're here now, that's

1254
00:55:26,160 --> 00:55:26,880
Speaker 2: all that matters.

1255
00:55:26,960 --> 00:55:29,840
Speaker 1: M m yeah, And then she says, get on the boat.

1256
00:55:29,880 --> 00:55:32,000
Speaker 1: He invites him to go on the boat, and I

1257
00:55:32,200 --> 00:55:32,920
Speaker 1: was dying.

1258
00:55:33,560 --> 00:55:36,799
Speaker 2: Luckily he doesn't go in great ending you is can

1259
00:55:36,840 --> 00:55:38,640
Speaker 2: be on the dock.

1260
00:55:38,560 --> 00:55:41,480
Speaker 1: And is super cute foot walks after the boat and

1261
00:55:41,560 --> 00:55:44,520
Speaker 1: she's pulling away. Yeah, I love the way that was shot.

1262
00:55:45,000 --> 00:55:48,239
Speaker 2: Great watching her pull away and all I can think

1263
00:55:48,239 --> 00:55:51,200
Speaker 2: about is poor Alison home with that poem, thinking it's

1264
00:55:51,239 --> 00:55:52,840
Speaker 2: gonna be okay, It's going to be okay.

1265
00:55:52,880 --> 00:55:56,000
Speaker 4: And meanwhile, and then he walks all the way to

1266
00:55:56,000 --> 00:55:57,680
Speaker 4: the end of the dock and he leans against that

1267
00:55:57,800 --> 00:55:59,040
Speaker 4: piling just that.

1268
00:55:58,960 --> 00:56:02,640
Speaker 1: Great look like yes, his jeans and T shirt.

1269
00:56:02,760 --> 00:56:05,239
Speaker 3: And we literally don't know until the last minute if

1270
00:56:05,239 --> 00:56:07,560
Speaker 3: he's just going to leap onto the boat, because they

1271
00:56:07,600 --> 00:56:09,360
Speaker 3: timed it so that the boat is parallel to the

1272
00:56:09,400 --> 00:56:11,200
Speaker 3: dock and he's walking with it, walking with it, and

1273
00:56:11,200 --> 00:56:12,520
Speaker 3: then the boat starts to go wing.

1274
00:56:12,600 --> 00:56:13,960
Speaker 1: There's still time he can jump on.

1275
00:56:14,120 --> 00:56:16,399
Speaker 3: And at the very last one that you see now

1276
00:56:16,440 --> 00:56:17,880
Speaker 3: the boat has pulled away and he's chosen.

1277
00:56:17,880 --> 00:56:20,440
Speaker 1: It's the right thing, so perfect, So Alison doesn't have

1278
00:56:20,520 --> 00:56:21,040
Speaker 1: to worry.

1279
00:56:21,200 --> 00:56:25,000
Speaker 2: Yeah, so he's there, he's watching her, And all we

1280
00:56:25,040 --> 00:56:27,920
Speaker 2: can think about is for all we all of us, everybody,

1281
00:56:28,000 --> 00:56:32,279
Speaker 2: not just me, can think about it, poor Alison and everybody.

1282
00:56:33,400 --> 00:56:36,879
Speaker 3: And we still have one more episode to find out.

1283
00:56:37,000 --> 00:56:38,880
Speaker 1: It wasn't it hard to stop this time? It was

1284
00:56:38,920 --> 00:56:41,239
Speaker 1: still hard to stop. But I'm excited.

1285
00:56:41,680 --> 00:56:44,200
Speaker 3: We have a season finale as our last recap. But

1286
00:56:44,320 --> 00:56:48,120
Speaker 3: of course on Melrose minutes and thanks everybody for.

1287
00:56:48,160 --> 00:56:50,480
Speaker 1: Listening, Thanks everybody.

1288
00:56:50,200 --> 00:56:53,279
Speaker 3: And subscribing him downloading to come back and from my life.

1289
00:56:53,719 --> 00:56:56,439
Speaker 1: Yes, indeed, I can't wait to see you guys soon. Yay,

1290
00:56:56,560 --> 00:56:58,480
Speaker 1: I see you guys soon. Bye. Everyone.

1291
00:57:00,120 --> 00:57:00,319
Speaker 3: Yeah,