1 00:00:01,000 --> 00:00:04,800 Speaker 1: Look man, oh, I see you? Why why and look 2 00:00:04,840 --> 00:00:13,760 Speaker 1: over there? How is that culture? Yes? Goodness lost culture calling. 3 00:00:14,520 --> 00:00:18,000 Speaker 1: I told you before we hit record that you're activated, 4 00:00:18,239 --> 00:00:22,480 Speaker 1: something activated within you. Something has activated me and my 5 00:00:22,560 --> 00:00:25,160 Speaker 1: interest was peaked, as they say, and then they just 6 00:00:25,920 --> 00:00:27,840 Speaker 1: how do you spell peaked? This is a test p 7 00:00:28,160 --> 00:00:31,080 Speaker 1: I q U E D smart queen and that's it. 8 00:00:31,280 --> 00:00:34,600 Speaker 1: Don't let anyone tell you different smart queen, spelling be queen. 9 00:00:34,600 --> 00:00:36,280 Speaker 1: I don't think so many people who think that it's 10 00:00:36,360 --> 00:00:39,120 Speaker 1: the p E A K peaked. No, that's simply the 11 00:00:39,159 --> 00:00:42,000 Speaker 1: wrong peaked. You know, I placed sixth place in my 12 00:00:42,159 --> 00:00:44,920 Speaker 1: sixth grade spelling bee. Do you want to know that 13 00:00:45,080 --> 00:00:47,840 Speaker 1: six is not bad? I placed second in the fourth grade. 14 00:00:47,880 --> 00:00:50,760 Speaker 1: I lost to Laura Henderson. I remember, no, no, no, 15 00:00:50,760 --> 00:00:53,960 Speaker 1: I'm sorry. I remember this like so well, like it 16 00:00:54,040 --> 00:00:56,640 Speaker 1: was yesterday. Even do you remember your word in the 17 00:00:56,640 --> 00:00:59,520 Speaker 1: sixth grade? I remember my word um? Okay. So there 18 00:00:59,560 --> 00:01:02,040 Speaker 1: were there were two famous spelling bees in my life, 19 00:01:02,120 --> 00:01:04,319 Speaker 1: and one the first one, I got off on the 20 00:01:04,360 --> 00:01:08,320 Speaker 1: word mule. I got off on the word mule. I 21 00:01:08,480 --> 00:01:11,399 Speaker 1: came on stage, they said the word is a mule 22 00:01:11,560 --> 00:01:17,080 Speaker 1: I ejaculated and was eliminated. Just because of the colm, 23 00:01:17,200 --> 00:01:20,440 Speaker 1: not because, but now and I spelled it m u 24 00:01:20,560 --> 00:01:23,120 Speaker 1: e l like muel. I don't know why. I thought 25 00:01:23,120 --> 00:01:25,520 Speaker 1: it was like fuel And I said m u l 26 00:01:25,560 --> 00:01:27,959 Speaker 1: e and I it's escaping me right now. The word 27 00:01:28,000 --> 00:01:29,880 Speaker 1: I got out on on sixth grade. But you tell 28 00:01:29,920 --> 00:01:33,039 Speaker 1: me what was your second place finishing word? Must know 29 00:01:34,400 --> 00:01:37,319 Speaker 1: the fourth grade. But I think people still suck this up. 30 00:01:38,560 --> 00:01:40,319 Speaker 1: Let me tell you something. If you got it wrong, 31 00:01:40,640 --> 00:01:43,080 Speaker 1: there's not that are getting it wrong, and that's really culture. 32 00:01:43,360 --> 00:01:47,680 Speaker 1: If it's really culture number as well if other people 33 00:01:47,720 --> 00:01:54,720 Speaker 1: are getting it wrong. The satellite s A T E 34 00:01:56,040 --> 00:02:02,280 Speaker 1: l L I T E. Okay, yes, stupid, No, I doubled. 35 00:02:02,320 --> 00:02:05,160 Speaker 1: I did the double T s A T t E. 36 00:02:05,320 --> 00:02:08,000 Speaker 1: And then and then the look on Mr Koby's face fell. 37 00:02:08,240 --> 00:02:11,440 Speaker 1: She just dropped. Mr Koby. She she lost all respect 38 00:02:11,480 --> 00:02:14,240 Speaker 1: for you, and that moment she absolutely did um oh 39 00:02:14,280 --> 00:02:15,760 Speaker 1: but she no. You know what, I don't think so many, 40 00:02:15,840 --> 00:02:18,840 Speaker 1: Mr Kobe, because she did this thing where when when 41 00:02:18,840 --> 00:02:22,200 Speaker 1: people would like whisper during like you know, drop everything 42 00:02:22,200 --> 00:02:25,600 Speaker 1: in read hour or something, she'd be like, bowen, I 43 00:02:25,639 --> 00:02:27,960 Speaker 1: can hear you from here. I can hear you from here, 44 00:02:27,960 --> 00:02:30,480 Speaker 1: which is like a meaningless sentence. She could hear you 45 00:02:30,600 --> 00:02:32,880 Speaker 1: breathing or what she that was her That was her 46 00:02:32,919 --> 00:02:35,480 Speaker 1: little catchphrase when whenever she wanted to call out someone 47 00:02:35,520 --> 00:02:38,600 Speaker 1: for being loud or disruptive, like I can hear you 48 00:02:38,680 --> 00:02:41,000 Speaker 1: from here, I can hear you from here. It's a 49 00:02:41,000 --> 00:02:43,440 Speaker 1: little bit. We're in the same room. So that that 50 00:02:43,440 --> 00:02:46,920 Speaker 1: that reads to me? Why don't you relax and read? Famously? 51 00:02:46,960 --> 00:02:49,440 Speaker 1: What it's called? Not stop everything and read? Was it 52 00:02:49,440 --> 00:02:52,040 Speaker 1: called relax and reda long Island? Very much so? R 53 00:02:52,080 --> 00:02:54,120 Speaker 1: and R? It was called dear d e A R 54 00:02:54,200 --> 00:02:57,200 Speaker 1: drop everything in read in Colorado? Well, that's just too much, 55 00:02:57,200 --> 00:03:00,520 Speaker 1: that's too much. Yeah, dear you got dare you got 56 00:03:00,520 --> 00:03:04,079 Speaker 1: all the programs that that that's too much. It's too confusing. 57 00:03:04,200 --> 00:03:07,960 Speaker 1: Where where you were educated was too confusing? Right? What 58 00:03:08,000 --> 00:03:10,320 Speaker 1: can I tell you? What I would activated me? Yes, 59 00:03:10,919 --> 00:03:13,880 Speaker 1: I thought to myself, I want to look like a 60 00:03:13,919 --> 00:03:17,560 Speaker 1: barbed today on Instagram? You like a barb today? And 61 00:03:17,600 --> 00:03:19,800 Speaker 1: then I was I put on Pink Friday, I pressed 62 00:03:19,800 --> 00:03:21,920 Speaker 1: play on Pink Friday, and I thought, this is one 63 00:03:21,960 --> 00:03:26,560 Speaker 1: of the best albums albums of all time. So how 64 00:03:26,560 --> 00:03:28,760 Speaker 1: would you go about looking like a barb? Like Nikki 65 00:03:28,840 --> 00:03:33,519 Speaker 1: herself has a face filter everything but making music lately, 66 00:03:33,880 --> 00:03:37,640 Speaker 1: sweet stam, excuse me, she's not bound to like, she's 67 00:03:37,680 --> 00:03:41,280 Speaker 1: not beholden to like the album cycle anymore. So you 68 00:03:41,120 --> 00:03:43,320 Speaker 1: know you don't you misunderstand I say that with all 69 00:03:43,320 --> 00:03:47,080 Speaker 1: the love in the world. I mean it. No entrepreneurial. 70 00:03:47,720 --> 00:03:49,800 Speaker 1: Well no, but you're you're trying to like make some 71 00:03:49,920 --> 00:03:52,360 Speaker 1: Rihanna equivalent. Tell me what I'm trying to do. I 72 00:03:52,480 --> 00:03:55,560 Speaker 1: know what you're trying to do, saying because where you 73 00:03:55,600 --> 00:03:57,800 Speaker 1: were educated, they had too much ship going on in 74 00:03:59,640 --> 00:04:02,040 Speaker 1: the way that you're actually not a barb. But I 75 00:04:02,120 --> 00:04:04,040 Speaker 1: want the readers to know that is that you're not. 76 00:04:04,600 --> 00:04:09,360 Speaker 1: That is pathetic. Welcome to the crying game. That's a 77 00:04:09,520 --> 00:04:15,800 Speaker 1: that's a that's a great Nicki song. Actually into the 78 00:04:15,840 --> 00:04:19,400 Speaker 1: crying game. Wait, you lose your soul. Okay, we're putting 79 00:04:19,400 --> 00:04:22,279 Speaker 1: on some accent there. No, we're not. And fuck you, 80 00:04:23,000 --> 00:04:29,599 Speaker 1: that's so stupid. I'm so kidding. I'm we're not going 81 00:04:29,640 --> 00:04:32,400 Speaker 1: to cut it out because I have nothing tied. I 82 00:04:32,400 --> 00:04:35,640 Speaker 1: have nothing. You're right, and I actually, reader, I take 83 00:04:35,680 --> 00:04:39,080 Speaker 1: it back. Matt was just being a barb, and he 84 00:04:39,120 --> 00:04:41,400 Speaker 1: was and he was quoting that was a barb accent, 85 00:04:41,680 --> 00:04:48,159 Speaker 1: and that was all right, let's pump the brakes. Wait, 86 00:04:48,320 --> 00:04:50,960 Speaker 1: I'm so happy that you're activated. Um, and you in 87 00:04:51,040 --> 00:04:53,960 Speaker 1: being so sort of confrontational, and I think we're both 88 00:04:53,960 --> 00:04:57,200 Speaker 1: sort of giving. Yeah, yeah, we're getting barbed before we 89 00:04:57,320 --> 00:05:03,680 Speaker 1: bring in our films star guests. I just want to say, star, literally, 90 00:05:04,839 --> 00:05:07,960 Speaker 1: what do you think about what I'm calling the two 91 00:05:07,839 --> 00:05:11,240 Speaker 1: thousand twenty one Demilovado frozen yogurt controversy. I'm sorry, I 92 00:05:11,240 --> 00:05:13,640 Speaker 1: haven't been keeping up with this. What's she lost it 93 00:05:13,680 --> 00:05:15,680 Speaker 1: in a fro Yo shop. It's all over the news, 94 00:05:15,920 --> 00:05:17,840 Speaker 1: It's all over there. Wait, so she got mad at 95 00:05:17,880 --> 00:05:20,039 Speaker 1: someone in a froyo story to tell me? Tell me 96 00:05:20,200 --> 00:05:23,880 Speaker 1: she got angry at the fro Yo shop because it 97 00:05:23,960 --> 00:05:27,560 Speaker 1: was giving sugar free options, and she felt triggered by 98 00:05:27,600 --> 00:05:31,560 Speaker 1: that and took to Instagram to blast the fro Yo 99 00:05:31,640 --> 00:05:36,800 Speaker 1: shop to her a hundred two million followers and say 100 00:05:36,839 --> 00:05:40,479 Speaker 1: that the fro Yo shop was doing harmful messaging and 101 00:05:40,560 --> 00:05:45,839 Speaker 1: offering sugar free options. Meanwhile, famously, diabetics must have sugar 102 00:05:45,920 --> 00:05:49,039 Speaker 1: free things. Vegans must, you know, sort of they have 103 00:05:49,200 --> 00:05:54,040 Speaker 1: diet Vegans have to No, I said, they have dietary restrictions. 104 00:05:54,240 --> 00:05:56,599 Speaker 1: You're uneducated, so what do I care what you have 105 00:05:56,680 --> 00:06:05,280 Speaker 1: to say? Dear drop every thing and rehearse some better reports. Yes, yes, 106 00:06:06,240 --> 00:06:09,760 Speaker 1: that was good. I'm on fire today, king, Oh my king, 107 00:06:10,640 --> 00:06:12,120 Speaker 1: this is what do you make of this Demi thing? 108 00:06:12,160 --> 00:06:13,880 Speaker 1: I mean, I'm just hearing about this now. I'm shocked. 109 00:06:13,880 --> 00:06:16,159 Speaker 1: I'm not surprised. I'm going to talk about it later, 110 00:06:16,200 --> 00:06:19,440 Speaker 1: and so I'm it's I don't think so, honey, but 111 00:06:19,480 --> 00:06:22,120 Speaker 1: I had to. It's occupied so much of my brain 112 00:06:22,120 --> 00:06:24,760 Speaker 1: space today because I did watch an eight minute apology 113 00:06:24,839 --> 00:06:28,599 Speaker 1: video that she released. It was eight minutes long, and 114 00:06:28,800 --> 00:06:33,000 Speaker 1: she said the words when I messaged the FROO shop 115 00:06:33,240 --> 00:06:35,040 Speaker 1: and I was like, this is when she jumped the 116 00:06:35,080 --> 00:06:37,719 Speaker 1: shark from me. I think, no, this is we're going 117 00:06:37,760 --> 00:06:40,440 Speaker 1: through like a renaissance with Demi. Like everyone is like 118 00:06:40,560 --> 00:06:43,720 Speaker 1: kind of rallying to her corner for the first time. 119 00:06:43,760 --> 00:06:46,960 Speaker 1: There's no one who rallies harder for Demi than me. 120 00:06:47,320 --> 00:06:50,880 Speaker 1: There is no one I know, I know, but I'm 121 00:06:50,920 --> 00:06:54,039 Speaker 1: saying everyone is becoming a lebotic now because it's like 122 00:06:54,200 --> 00:06:58,000 Speaker 1: huge lebotic. We've in lebotic since the first YouTube documentary. 123 00:06:58,120 --> 00:07:01,560 Speaker 1: We should say the documentary where she was like, yeah, 124 00:07:01,600 --> 00:07:03,880 Speaker 1: I beat the ship out of some girl like on 125 00:07:03,880 --> 00:07:06,160 Speaker 1: on my plane. I was like, oh my god, this 126 00:07:06,680 --> 00:07:08,919 Speaker 1: unapologetically beat the ship out one of my backup dnswers 127 00:07:08,920 --> 00:07:12,160 Speaker 1: because she looked at me wrong. She said that in 128 00:07:12,280 --> 00:07:15,960 Speaker 1: the documentary, simply complicated. That's the whole thing in the documentary. 129 00:07:16,000 --> 00:07:19,480 Speaker 1: We shouldn't be making light of her anger issues. No, no, no, no, 130 00:07:19,520 --> 00:07:22,360 Speaker 1: we're not. We're we are. We are simply stating the facts. 131 00:07:22,360 --> 00:07:24,920 Speaker 1: We're not making light of anything and the facts today 132 00:07:25,680 --> 00:07:28,880 Speaker 1: or she tried to absolutely drag a family owned froyo 133 00:07:28,960 --> 00:07:31,920 Speaker 1: shop for simply saying that some of the items were 134 00:07:31,920 --> 00:07:34,560 Speaker 1: sugar free. Oh my god. And she did apologize. And 135 00:07:34,720 --> 00:07:37,200 Speaker 1: like I said in over eight minute long video where 136 00:07:37,200 --> 00:07:39,320 Speaker 1: she used the word fro yo about a hundred times, 137 00:07:39,360 --> 00:07:41,120 Speaker 1: and I was like, no pop star should be using 138 00:07:41,160 --> 00:07:46,400 Speaker 1: the word froyo this much. I just said, yeah, you disagree, 139 00:07:46,440 --> 00:07:50,760 Speaker 1: Actually yes, Remember remember two one of the best years, 140 00:07:51,000 --> 00:07:53,440 Speaker 1: one of the best years, one of the best years 141 00:07:53,440 --> 00:07:57,360 Speaker 1: pink Berry was king. Coming to New York meant like 142 00:07:57,480 --> 00:07:59,880 Speaker 1: or going to any big or but it's specifically new 143 00:08:00,120 --> 00:08:02,960 Speaker 1: It was like l a. But my experience of coming 144 00:08:03,040 --> 00:08:06,440 Speaker 1: moving to New York was like oh my god, We're 145 00:08:06,480 --> 00:08:09,360 Speaker 1: about to elect our first black president and I have 146 00:08:09,640 --> 00:08:12,239 Speaker 1: to go and I have to go to Saint Mark's 147 00:08:12,320 --> 00:08:17,360 Speaker 1: the pink Berry there and just feel like Harry Bradshaw. 148 00:08:18,200 --> 00:08:19,960 Speaker 1: Maybe I don't think she ever ate for was that 149 00:08:20,000 --> 00:08:22,840 Speaker 1: one of her things? No, but it felt very like, 150 00:08:22,840 --> 00:08:24,360 Speaker 1: it felt very No, I should say it was very 151 00:08:24,360 --> 00:08:25,920 Speaker 1: gossip Girl. Don't even know if they ate it on 152 00:08:25,960 --> 00:08:29,000 Speaker 1: gossip Girl, but like they definitely like if they probably 153 00:08:29,000 --> 00:08:30,960 Speaker 1: didn't eat it, they probably like played with their played 154 00:08:30,960 --> 00:08:33,360 Speaker 1: with it in their played with it and their with 155 00:08:33,440 --> 00:08:35,760 Speaker 1: their spoons in their Yeah, of course, And then there's 156 00:08:35,760 --> 00:08:37,720 Speaker 1: a spit bucket on set where they're like, Okay, she 157 00:08:37,880 --> 00:08:40,520 Speaker 1: just Blake had to be reassured that she wouldn't have 158 00:08:40,559 --> 00:08:43,760 Speaker 1: to ingest a single pink? Is there going to be 159 00:08:43,800 --> 00:08:45,320 Speaker 1: a spit bucket on set that Late and I can 160 00:08:45,320 --> 00:08:48,000 Speaker 1: share because we're we're on board on this together. We 161 00:08:48,000 --> 00:08:50,120 Speaker 1: don't want to eat any of that. And meanwhile, Layton 162 00:08:50,200 --> 00:08:52,440 Speaker 1: Measter is like, what is MOCHI like, she like spent 163 00:08:52,520 --> 00:08:54,720 Speaker 1: twenty minutes asking people what was? But but can we 164 00:08:54,920 --> 00:08:59,000 Speaker 1: quickly talk about New York City two eight that specific 165 00:08:59,080 --> 00:09:01,480 Speaker 1: year you were coming right off of sex in the city. 166 00:09:01,480 --> 00:09:05,600 Speaker 1: The first movie and Gossip Girl was was raining. It 167 00:09:05,679 --> 00:09:07,959 Speaker 1: was from season one into season two. It was like, 168 00:09:08,280 --> 00:09:11,480 Speaker 1: what what an electric time in New York City to 169 00:09:11,559 --> 00:09:14,760 Speaker 1: be like, Wow, I mean we're killing it like in 170 00:09:14,800 --> 00:09:16,720 Speaker 1: film and television. Do you know what I'm saying? And 171 00:09:16,800 --> 00:09:19,120 Speaker 1: you know, Famously, one time when I was walking on 172 00:09:19,160 --> 00:09:23,880 Speaker 1: the street on Fourth five, I walked past remember the 173 00:09:23,880 --> 00:09:26,560 Speaker 1: bar Forum. It's not called that any Yeah, yeah, but 174 00:09:26,679 --> 00:09:29,720 Speaker 1: I've told you this. They were shooting a movie called 175 00:09:29,760 --> 00:09:34,120 Speaker 1: Black Swan, Oh my God, which then I would see 176 00:09:34,160 --> 00:09:37,720 Speaker 1: the next year. And it was the scene where and 177 00:09:37,760 --> 00:09:40,040 Speaker 1: this actually is going to segue perfectly into Our Guests. 178 00:09:40,600 --> 00:09:44,680 Speaker 1: It was the scene where Mila Kunis says Natalie Portman 179 00:09:45,120 --> 00:09:49,760 Speaker 1: He've never rolled God and gets her to do Molly 180 00:09:50,160 --> 00:09:55,200 Speaker 1: and then they have lesbian sex later. Fun fact, the 181 00:09:55,280 --> 00:09:58,160 Speaker 1: one of the guys they date in that scene is 182 00:09:58,559 --> 00:10:04,240 Speaker 1: the Winter Soldier himself, Sebastian stand Sebastian Standards was dating 183 00:10:04,320 --> 00:10:07,600 Speaker 1: latent me. Story at the time, Oh my god, this 184 00:10:07,640 --> 00:10:09,880 Speaker 1: is powerful. This is our guest. Is our guest is 185 00:10:09,880 --> 00:10:13,160 Speaker 1: sort of like gesturing at the importance of this. Speaking 186 00:10:13,200 --> 00:10:18,920 Speaker 1: of lesbians, okay, speaking of queerness. Queerness, let's let's not 187 00:10:19,000 --> 00:10:22,160 Speaker 1: let's not like keep it at lesbian is um I 188 00:10:22,240 --> 00:10:26,160 Speaker 1: labeled and and I and that's wrong. It's okay, it's okay. 189 00:10:26,480 --> 00:10:30,079 Speaker 1: These are two bona fide film stars, stars of film. 190 00:10:30,320 --> 00:10:33,600 Speaker 1: The breakout film, I'm gonna say, the breakout film of 191 00:10:33,640 --> 00:10:36,160 Speaker 1: the year for me, my favorite film of the year. 192 00:10:36,520 --> 00:10:38,560 Speaker 1: I loved this so much. I watched it the second 193 00:10:38,559 --> 00:10:41,720 Speaker 1: I could, and then I I ingested it, and I 194 00:10:41,720 --> 00:10:45,560 Speaker 1: immediately was like, you see that the press watching it 195 00:10:45,600 --> 00:10:48,280 Speaker 1: makes you quite anxious, but it was like the most 196 00:10:48,320 --> 00:10:51,520 Speaker 1: beautiful anxiety attack that I would that I would like 197 00:10:51,600 --> 00:10:55,120 Speaker 1: to experience again and again. And the poster, the poster 198 00:10:55,559 --> 00:10:58,440 Speaker 1: you have are you have one of our guests in 199 00:10:58,480 --> 00:11:03,520 Speaker 1: a cream cheese gown. Can you imagine a star was born? 200 00:11:03,840 --> 00:11:06,400 Speaker 1: I said, star was born? I said, let's bring our 201 00:11:06,440 --> 00:11:11,480 Speaker 1: guests in. They're both the stars of Shiva Baby, phenomenal movie, 202 00:11:11,559 --> 00:11:13,320 Speaker 1: and you and you know them and you love them. 203 00:11:13,320 --> 00:11:17,720 Speaker 1: From a plethora a sundry plethora of other things. Spell 204 00:11:17,800 --> 00:11:21,960 Speaker 1: sundry s u n d r y pretty easy to spell, 205 00:11:22,240 --> 00:11:24,320 Speaker 1: not easy to use in a sentence. That's why I 206 00:11:24,360 --> 00:11:28,079 Speaker 1: was sort of so taken with you in that moment. Yeah, yeah, um, 207 00:11:28,240 --> 00:11:31,319 Speaker 1: I spell plethora, p L E T h O R 208 00:11:31,400 --> 00:11:36,800 Speaker 1: A smart queen. I think these are two phenomenal, phenomenal people, 209 00:11:37,040 --> 00:11:38,839 Speaker 1: and I'm so we're so excited to have them. We're 210 00:11:39,840 --> 00:11:43,440 Speaker 1: here to stay. Oh, make no mistake, and we're gonna 211 00:11:43,480 --> 00:11:46,760 Speaker 1: introduce them alphabetically. Okay, good, thank you for doing that, 212 00:11:46,800 --> 00:11:49,640 Speaker 1: because you know it would have been a nightmare. It 213 00:11:49,640 --> 00:11:54,880 Speaker 1: would have been a nightmare. But everyone welcome, Molly Gordon 214 00:11:55,200 --> 00:12:02,640 Speaker 1: and then Rachel said it, Yeah, is a moment in time. 215 00:12:03,080 --> 00:12:05,840 Speaker 1: I'm so glad that you've talked about pink berry already 216 00:12:05,880 --> 00:12:09,320 Speaker 1: because I love it. And how many of them are 217 00:12:09,320 --> 00:12:12,640 Speaker 1: in l A still, well, it really it popped off 218 00:12:12,679 --> 00:12:15,880 Speaker 1: and and I used to for dinner. I used to 219 00:12:15,920 --> 00:12:18,920 Speaker 1: fully go there for dinner, and then it closed a lot, 220 00:12:19,080 --> 00:12:22,120 Speaker 1: I think a lot of places closed. There are actually three, 221 00:12:22,400 --> 00:12:26,120 Speaker 1: because I was having this conversation with someone this morning 222 00:12:27,240 --> 00:12:30,679 Speaker 1: with my boyfriend. We didn't imagine our um and we 223 00:12:30,760 --> 00:12:33,360 Speaker 1: looked up how many pink berries there were because we 224 00:12:33,400 --> 00:12:37,640 Speaker 1: remembered when it was a big thing. I'm going to confirm, 225 00:12:37,880 --> 00:12:40,760 Speaker 1: but I think there are three confirm And let's let mama, 226 00:12:40,840 --> 00:12:43,520 Speaker 1: let's research. As as as we've said in the past. 227 00:12:43,760 --> 00:12:47,679 Speaker 1: But the thing is, um, pinkberry, what we call it 228 00:12:47,840 --> 00:12:52,400 Speaker 1: sort of the in and out of desserts. What is 229 00:12:52,400 --> 00:12:55,480 Speaker 1: that occupy that cultural space? Because but in and out 230 00:12:55,520 --> 00:12:57,319 Speaker 1: it's kind of like still the test of time in 231 00:12:57,400 --> 00:12:59,640 Speaker 1: terms of burgers, whereas pink berry, we think had a 232 00:12:59,679 --> 00:13:03,080 Speaker 1: moment identify with it as being a sort of odds situation, 233 00:13:03,520 --> 00:13:06,520 Speaker 1: and yet it exists. I will say that in and out. 234 00:13:06,960 --> 00:13:09,040 Speaker 1: The reason it's so beloved is that it's it's hard 235 00:13:09,080 --> 00:13:11,880 Speaker 1: to find, it's hard to it's hard to come across. 236 00:13:11,880 --> 00:13:15,320 Speaker 1: And pinkberry was kind of ubiquitous for for a little bit. Right. 237 00:13:15,360 --> 00:13:17,000 Speaker 1: It was like it was everywhere. It came on the 238 00:13:17,000 --> 00:13:18,920 Speaker 1: scene as like this health thing kind of and this 239 00:13:19,040 --> 00:13:22,079 Speaker 1: new healthy but then it wasn't healthy and then it 240 00:13:22,480 --> 00:13:25,000 Speaker 1: lost its way and it gave us all diarrhea. But 241 00:13:25,040 --> 00:13:27,200 Speaker 1: we were kind of like, is this I thought it 242 00:13:27,240 --> 00:13:29,200 Speaker 1: was kind of like having Greek yogurt, but it's not 243 00:13:29,240 --> 00:13:32,679 Speaker 1: Greek yogurt. But it's not right. I want to say 244 00:13:32,880 --> 00:13:38,040 Speaker 1: I was completely wrong. There are seven it's not I 245 00:13:38,080 --> 00:13:43,200 Speaker 1: came in so hot with that. I was like three, Um, 246 00:13:43,640 --> 00:13:47,520 Speaker 1: there's more, But I that is not a fault that 247 00:13:47,559 --> 00:13:50,480 Speaker 1: was said to me this morning, and yes, and this 248 00:13:50,679 --> 00:13:54,640 Speaker 1: just show you can't trust men. They can't be trusted, 249 00:13:55,280 --> 00:13:59,480 Speaker 1: especially when it comes to frozen yogurt places, actually when 250 00:13:59,480 --> 00:14:01,840 Speaker 1: it comes throw rio. Now he asked to take two 251 00:14:01,880 --> 00:14:07,160 Speaker 1: Instagram and do an ig live and talk about throw yo. Yeah, truly, 252 00:14:07,200 --> 00:14:09,920 Speaker 1: I apologist for misinformed my girlfriend about the number of 253 00:14:10,080 --> 00:14:12,760 Speaker 1: froyo places. And you know, I really who I really 254 00:14:12,760 --> 00:14:15,480 Speaker 1: hope is not listening to this as Demi, She's not. 255 00:14:15,800 --> 00:14:17,440 Speaker 1: She's not gonna be dealing well with this. Had you 256 00:14:17,440 --> 00:14:19,240 Speaker 1: guys heard about the dent what I'm calling the two 257 00:14:19,680 --> 00:14:21,760 Speaker 1: one Demi a little about of frozen your good controversy 258 00:14:21,800 --> 00:14:25,840 Speaker 1: and what were your sort of takes? Well that's what 259 00:14:25,960 --> 00:14:29,800 Speaker 1: sparked the conversation. Oh my god. See I told you 260 00:14:29,840 --> 00:14:32,480 Speaker 1: everyone was talking about it. Well that's what I do 261 00:14:32,560 --> 00:14:36,440 Speaker 1: every morning, wake up, look at Twitter, find something really 262 00:14:36,520 --> 00:14:41,280 Speaker 1: dark to talk about, something sad. Just when I was 263 00:14:41,320 --> 00:14:44,560 Speaker 1: going like this full circle, yeah yeah, yeah, yeah, yeah, 264 00:14:44,600 --> 00:14:46,160 Speaker 1: yea yeah, she was making a circular emotion with her 265 00:14:46,160 --> 00:14:49,800 Speaker 1: hands and she was yeah, I grew up in her way, 266 00:14:50,160 --> 00:14:54,760 Speaker 1: so big chill is where I went. So this is 267 00:14:54,800 --> 00:14:57,200 Speaker 1: like and this is something else that that's like important 268 00:14:57,200 --> 00:15:00,000 Speaker 1: about the story this is like a sort of story 269 00:15:00,080 --> 00:15:03,560 Speaker 1: read fro Yo Place. It's the iconic l A place 270 00:15:03,640 --> 00:15:07,400 Speaker 1: where you're going not for health, You're going for delicious 271 00:15:07,440 --> 00:15:11,160 Speaker 1: dairy options, sugary things. You're after school going there for 272 00:15:11,200 --> 00:15:14,840 Speaker 1: a light snack before dinner, you know, kind of large 273 00:15:14,920 --> 00:15:18,000 Speaker 1: order of fro Yo pre dinner and of you know, 274 00:15:18,080 --> 00:15:21,000 Speaker 1: after third grade or something. It's not the place to drag. 275 00:15:21,120 --> 00:15:24,080 Speaker 1: They're not. They're not. They're keep up with the place 276 00:15:24,120 --> 00:15:29,680 Speaker 1: to drag. Wait, Denny was Dragon Big Chill, Yes, she 277 00:15:29,760 --> 00:15:32,480 Speaker 1: really was. And and the thing too, was like she 278 00:15:32,560 --> 00:15:35,680 Speaker 1: didn't stop. Like it was like it was like Instagram 279 00:15:35,680 --> 00:15:39,239 Speaker 1: story after Instagram story after Instagram story of her going 280 00:15:39,520 --> 00:15:43,880 Speaker 1: for this place and like showing receipts of her like 281 00:15:43,960 --> 00:15:46,680 Speaker 1: conversation with the with the fro Yo whoever was like 282 00:15:46,800 --> 00:15:51,400 Speaker 1: manning the instagram the six thousand followed instagram of the 283 00:15:51,440 --> 00:15:55,240 Speaker 1: Big Chill in l A. It was really something. It 284 00:15:55,360 --> 00:15:59,360 Speaker 1: was really something. It's not it's not like you know, 285 00:15:59,600 --> 00:16:02,160 Speaker 1: juice bar, it's not. It's not trying to be that. 286 00:16:02,760 --> 00:16:05,520 Speaker 1: They're just trying to give diabetics or people who don't 287 00:16:05,520 --> 00:16:08,480 Speaker 1: want to have as much sugar other options. But they're not. 288 00:16:08,520 --> 00:16:10,560 Speaker 1: They're not even giving us a gluten free option. They're 289 00:16:10,560 --> 00:16:16,720 Speaker 1: not taking it there automatically going free or no. I'm 290 00:16:16,760 --> 00:16:19,120 Speaker 1: just saying like they're not trying to be healthy. That's 291 00:16:19,120 --> 00:16:23,760 Speaker 1: not that. Yeah, they're giving you the baseline. I hope 292 00:16:24,080 --> 00:16:27,360 Speaker 1: I'm actually gonna go big with games. I hope up 293 00:16:27,400 --> 00:16:32,480 Speaker 1: to the pandemic, we don't do any more of the 294 00:16:32,840 --> 00:16:40,640 Speaker 1: like talking about stuff online. I agree, I hope, I agreed. 295 00:16:41,520 --> 00:16:44,640 Speaker 1: I welcome. I welcome the dark Age though, remember like 296 00:16:44,640 --> 00:16:47,000 Speaker 1: like you know have like people like the doomsday people 297 00:16:47,000 --> 00:16:48,640 Speaker 1: on Twitter are like, We're going to enter like a 298 00:16:48,640 --> 00:16:52,200 Speaker 1: technological dark age where like there is no electricity or 299 00:16:52,240 --> 00:16:54,240 Speaker 1: whatever the hell, And I'm like, yeah, well that's great, 300 00:16:54,480 --> 00:16:56,800 Speaker 1: Like I could be good. I could see it up 301 00:16:56,840 --> 00:16:59,280 Speaker 1: being good for well, I think in some ways we 302 00:16:59,280 --> 00:17:01,560 Speaker 1: were about to blow up, something was going to happen. 303 00:17:01,600 --> 00:17:05,160 Speaker 1: Then the pandemic happened, and hopefully use this other dark 304 00:17:05,240 --> 00:17:07,600 Speaker 1: thing to like turn us into a better time in 305 00:17:07,680 --> 00:17:10,560 Speaker 1: some way. Yeah, I think the pandemic happened, and then 306 00:17:10,640 --> 00:17:12,560 Speaker 1: like we all thought that was bad, and then when 307 00:17:14,240 --> 00:17:17,360 Speaker 1: in yogurt controversy happened, I think that's when we all realized, 308 00:17:17,400 --> 00:17:18,840 Speaker 1: like this was all a bridge too far and we 309 00:17:18,880 --> 00:17:21,000 Speaker 1: all had to log off. We had to log off 310 00:17:21,080 --> 00:17:23,560 Speaker 1: at that point, I think, can I tell you this 311 00:17:23,640 --> 00:17:27,000 Speaker 1: is like, this is playing out my biggest fear of 312 00:17:27,119 --> 00:17:32,560 Speaker 1: leaving Twitter, which I decided to really permanently do as 313 00:17:32,600 --> 00:17:35,760 Speaker 1: of last week. But I would have known about this. 314 00:17:35,880 --> 00:17:38,000 Speaker 1: I would have known about this if I was still on. 315 00:17:38,600 --> 00:17:41,439 Speaker 1: But doesn't it feel good to not know? No, I 316 00:17:41,440 --> 00:17:43,639 Speaker 1: would have loved to be part of the discord. And 317 00:17:43,680 --> 00:17:48,000 Speaker 1: now I feel that's the thing. I know, a thing 318 00:17:48,160 --> 00:17:50,520 Speaker 1: like the scam or something that could send you just 319 00:17:50,560 --> 00:17:52,679 Speaker 1: like funny Twitter stuff, but you wouldn't have to be 320 00:17:52,760 --> 00:17:54,760 Speaker 1: on Twitter, but you get to know all the like 321 00:17:54,840 --> 00:18:01,239 Speaker 1: s news in some ways. Okay, that could literally just 322 00:18:01,280 --> 00:18:04,119 Speaker 1: be like a friend or something, or or dating someone. 323 00:18:04,160 --> 00:18:06,440 Speaker 1: But I think maybe we create an app, we create 324 00:18:06,480 --> 00:18:10,679 Speaker 1: an app, create, maybe we create an app. I do say, 325 00:18:10,400 --> 00:18:13,800 Speaker 1: I do think, Like I also deactivated for a few 326 00:18:13,840 --> 00:18:16,240 Speaker 1: days there. I was like that's it for me too, 327 00:18:16,600 --> 00:18:18,280 Speaker 1: and I was just like going to move forward in 328 00:18:18,320 --> 00:18:21,439 Speaker 1: my life. And then what you don't realize happens is 329 00:18:21,480 --> 00:18:24,520 Speaker 1: in like group threads or just amongst texts, something that 330 00:18:24,520 --> 00:18:26,720 Speaker 1: happens all the time is they'll just send a tweet 331 00:18:27,080 --> 00:18:28,679 Speaker 1: and then in order to like see it or a 332 00:18:28,760 --> 00:18:31,760 Speaker 1: video or something, to see the new story, you have 333 00:18:31,800 --> 00:18:33,600 Speaker 1: to log in to go see it. And then that's 334 00:18:33,640 --> 00:18:36,800 Speaker 1: when you realize, like, oh, it doesn't matter that I'm 335 00:18:36,800 --> 00:18:38,600 Speaker 1: making the decision to not go off it because the 336 00:18:38,600 --> 00:18:40,560 Speaker 1: rest of the world isn't making that decision. And this 337 00:18:40,600 --> 00:18:46,280 Speaker 1: is where news happens, or for example, that's where actually 338 00:18:46,320 --> 00:18:49,760 Speaker 1: Molly and I got our message or quests to do 339 00:18:49,840 --> 00:18:52,320 Speaker 1: this show and see and that's because I knew. Because 340 00:18:52,320 --> 00:18:54,520 Speaker 1: I knew, I wanted to go straight to the source, 341 00:18:54,560 --> 00:18:57,080 Speaker 1: Like I I'm sure I could have gone through my 342 00:18:57,119 --> 00:18:59,359 Speaker 1: email and found both emails, but I was like, but 343 00:18:59,440 --> 00:19:01,639 Speaker 1: I know where they both are on Twitter, and I 344 00:19:01,720 --> 00:19:04,560 Speaker 1: did that and it was and hence what we have 345 00:19:04,680 --> 00:19:07,560 Speaker 1: right now. I just want to say that we received 346 00:19:07,680 --> 00:19:10,399 Speaker 1: the d M, the group chat d M while we 347 00:19:10,400 --> 00:19:13,879 Speaker 1: were together while we are full hair and makeup done 348 00:19:14,080 --> 00:19:20,120 Speaker 1: for the Kibo premiere. Molly actually screamed out, well, throw 349 00:19:20,200 --> 00:19:23,720 Speaker 1: her phone to the ground, hair and makeup. People knew 350 00:19:23,720 --> 00:19:27,480 Speaker 1: about the podcast. Oh no, the guy doing my hair 351 00:19:27,600 --> 00:19:32,560 Speaker 1: really clipping in fake hair. Was like, that's huge, forget 352 00:19:32,600 --> 00:19:38,240 Speaker 1: the premiere, You're going on the pod. He literally could 353 00:19:38,240 --> 00:19:45,239 Speaker 1: say I quote, that's huge for you, but we know 354 00:19:45,320 --> 00:19:48,040 Speaker 1: it's really like the most exciting thing to happen to 355 00:19:48,080 --> 00:19:50,840 Speaker 1: either of us. I would say that's not true, that's 356 00:19:51,040 --> 00:19:54,920 Speaker 1: not true. This film is more exciting than the pod. 357 00:19:55,200 --> 00:19:58,080 Speaker 1: It is. It just is. Let's talk about it must, 358 00:19:58,160 --> 00:20:00,399 Speaker 1: let's talk about I want to know and I I 359 00:20:00,440 --> 00:20:03,280 Speaker 1: had this thought throughout the film, especially in your scenes. 360 00:20:04,040 --> 00:20:06,680 Speaker 1: What was I mean, this is such a gross like 361 00:20:06,840 --> 00:20:10,320 Speaker 1: James Lipton asked question, but like, but I want to know, 362 00:20:10,440 --> 00:20:13,040 Speaker 1: like what how did you How did you both develop 363 00:20:13,119 --> 00:20:15,879 Speaker 1: this chemistry between between these characters, because I was like, 364 00:20:15,920 --> 00:20:19,800 Speaker 1: this is crackling, this is unlike anything I've ever seen. Okay, 365 00:20:19,880 --> 00:20:23,560 Speaker 1: Molly is a really good listener, and she's like an 366 00:20:23,600 --> 00:20:28,040 Speaker 1: open person, where like she's like warm but not in 367 00:20:28,080 --> 00:20:32,080 Speaker 1: a fake way. And so I feel like, I don't know, 368 00:20:32,600 --> 00:20:36,200 Speaker 1: I feel like we clicked because also our dressing rooms 369 00:20:36,240 --> 00:20:41,560 Speaker 1: which was my dressing rooms, a child's bedroom was maybe 370 00:20:41,560 --> 00:20:44,280 Speaker 1: a guest room, and we would go and sit in 371 00:20:44,320 --> 00:20:47,320 Speaker 1: each other's rooms and just talk, and I feel like 372 00:20:47,359 --> 00:20:52,159 Speaker 1: it was like natural. Yeah, but you had not met beforehand. No, 373 00:20:52,720 --> 00:20:54,719 Speaker 1: that's like even weird to me. Yeah, I was just 374 00:20:54,720 --> 00:20:57,800 Speaker 1: so attracted to Rachel because she's so singular. I was like, 375 00:20:57,840 --> 00:21:01,320 Speaker 1: who is this human being? I just want to know 376 00:21:01,520 --> 00:21:04,240 Speaker 1: everything about her. It was so effortless because of like 377 00:21:04,280 --> 00:21:06,440 Speaker 1: who she is as a human. Oh my god. We 378 00:21:06,840 --> 00:21:10,280 Speaker 1: met only one before, in A Jack's Wife. FRIEDA, Wait 379 00:21:10,320 --> 00:21:13,560 Speaker 1: what and which one Jack's by? FRIEDA, what is this? 380 00:21:13,880 --> 00:21:15,560 Speaker 1: We already got We're in the movie. We didn't know 381 00:21:15,600 --> 00:21:18,880 Speaker 1: each other before. Yes, yes, it was like literally two 382 00:21:18,960 --> 00:21:22,199 Speaker 1: days before filming. We met in A jack Swife just 383 00:21:22,480 --> 00:21:24,160 Speaker 1: coincidentally or you were like, hey, we meant us, let's 384 00:21:24,160 --> 00:21:26,159 Speaker 1: get lunch. We met on We met on purpose. I 385 00:21:26,160 --> 00:21:30,320 Speaker 1: should have said it wasn't I was. I was like, 386 00:21:30,320 --> 00:21:33,840 Speaker 1: oh my god, do you also frequent this? Jack FRIEDA. Yeah, 387 00:21:35,680 --> 00:21:38,280 Speaker 1: its purpose, but it's isn't it so great when the 388 00:21:38,359 --> 00:21:41,679 Speaker 1: lunch goes well like the pre lunch? Oh my god. 389 00:21:42,040 --> 00:21:46,760 Speaker 1: I was nervous honestly. Well yeah, yeah. And then Molly 390 00:21:46,840 --> 00:21:50,080 Speaker 1: came in and me and Emma the writer director were 391 00:21:50,080 --> 00:21:51,960 Speaker 1: already there, and then she came right up to us 392 00:21:52,320 --> 00:21:55,040 Speaker 1: and um like touched our hair and was like, we 393 00:21:55,119 --> 00:21:57,760 Speaker 1: all have the same hair, and then you do. It 394 00:21:57,800 --> 00:22:00,200 Speaker 1: went beautiful from there, Yeah, I mean we all look 395 00:22:00,240 --> 00:22:02,159 Speaker 1: exactly the same. So it's kind of weird that we 396 00:22:02,200 --> 00:22:06,640 Speaker 1: didn't know. We're like, we look exactly the same. Yeah, 397 00:22:06,680 --> 00:22:10,440 Speaker 1: this is perfect. This is perfect because had you had 398 00:22:10,440 --> 00:22:13,600 Speaker 1: you seen Molly before, Rachel, Yeah, in film and television. 399 00:22:13,800 --> 00:22:16,040 Speaker 1: I saw her in Book Smart last, I saw her 400 00:22:16,040 --> 00:22:18,200 Speaker 1: in Good Boys, but actually we had that was after 401 00:22:18,240 --> 00:22:21,920 Speaker 1: we had met, but Books and I saw her in First, 402 00:22:22,160 --> 00:22:24,879 Speaker 1: So I also had seen Molly in Book Smart and 403 00:22:24,960 --> 00:22:29,560 Speaker 1: Molly in many things, and then I was surprised when 404 00:22:29,600 --> 00:22:33,160 Speaker 1: you meet Molly and she's so like, I'm extremely friendly 405 00:22:33,520 --> 00:22:36,159 Speaker 1: because she do play a lot of characters Molly that 406 00:22:36,160 --> 00:22:39,480 Speaker 1: are sort of like, I'm actually the coolest bitch you've 407 00:22:39,520 --> 00:22:42,239 Speaker 1: ever met, and don't speak to me. I'll speak to 408 00:22:42,320 --> 00:22:45,320 Speaker 1: you if I want, but that's only if I want. 409 00:22:45,800 --> 00:22:47,600 Speaker 1: That's sort of the energy a lot of a lot 410 00:22:47,640 --> 00:22:51,040 Speaker 1: of the characters you play. But then you are so lovely. Yeah. 411 00:22:51,080 --> 00:22:54,399 Speaker 1: I don't know, I have no idea. I maybe I 412 00:22:54,440 --> 00:22:56,720 Speaker 1: just can't get past as like a nice person. I 413 00:22:56,800 --> 00:23:01,040 Speaker 1: don't know why, but it's it's not a simple. I 414 00:23:01,040 --> 00:23:04,240 Speaker 1: think it's like kind of flattens some context to be like, well, 415 00:23:04,280 --> 00:23:08,080 Speaker 1: Molly only plays these like aloof people. Because there was 416 00:23:08,119 --> 00:23:10,120 Speaker 1: something about Book Smart where I think when you pick 417 00:23:10,280 --> 00:23:12,840 Speaker 1: up it reveals itself at the end that there's more 418 00:23:12,920 --> 00:23:16,239 Speaker 1: going on there. But like also Triple A is you 419 00:23:16,280 --> 00:23:19,040 Speaker 1: know the Triple A. Well, even even when even in 420 00:23:19,080 --> 00:23:21,920 Speaker 1: that scene where because you pick up Beanie in uh 421 00:23:22,359 --> 00:23:26,080 Speaker 1: in Book Smart, right, there's there's there's that interaction there 422 00:23:26,160 --> 00:23:28,520 Speaker 1: that scene where it's like, oh wait, this is like 423 00:23:28,640 --> 00:23:31,880 Speaker 1: this is not just like mean person. This is like 424 00:23:32,200 --> 00:23:35,960 Speaker 1: a grounded coolness that you're like, I don't think I've 425 00:23:36,000 --> 00:23:38,200 Speaker 1: seen this before, because I think there's been a model 426 00:23:38,240 --> 00:23:39,800 Speaker 1: that's been set and we've Matt and I've talked about 427 00:23:39,800 --> 00:23:42,760 Speaker 1: this million times of like the Regina George model of 428 00:23:42,800 --> 00:23:45,880 Speaker 1: like mean person, and I was and this was just 429 00:23:45,960 --> 00:23:48,720 Speaker 1: like in Book Smart was just like oh wait, yeah, 430 00:23:48,880 --> 00:23:52,320 Speaker 1: like this we we've that person is sort of a 431 00:23:52,359 --> 00:23:55,159 Speaker 1: caricature of something and and and Molly's portrayal of that 432 00:23:55,240 --> 00:23:58,320 Speaker 1: character in Book Smart is like very very very much 433 00:23:58,359 --> 00:24:00,359 Speaker 1: swinging the other way where it's like, oh, this is 434 00:24:00,359 --> 00:24:02,840 Speaker 1: someone you would meet in real life and you aren't 435 00:24:02,880 --> 00:24:05,080 Speaker 1: your second guessing whether or not this person is like 436 00:24:05,520 --> 00:24:08,240 Speaker 1: stand offish. Is that fair to say stand offish is 437 00:24:08,240 --> 00:24:10,480 Speaker 1: like a harsh word? No, No No, No, that's that's so 438 00:24:10,720 --> 00:24:12,920 Speaker 1: kind of you. But yeah, I think I think it's 439 00:24:12,960 --> 00:24:16,280 Speaker 1: exciting that like we I don't know that, Yeah, to 440 00:24:16,359 --> 00:24:19,360 Speaker 1: not cast people that like maybe on the page look 441 00:24:19,440 --> 00:24:23,000 Speaker 1: like those kind of characters are like the mean hawk girl, 442 00:24:23,400 --> 00:24:26,920 Speaker 1: but like pick a more kind of normal looking person. 443 00:24:26,960 --> 00:24:29,399 Speaker 1: I'm thankful for that, for that journey, and to also 444 00:24:29,480 --> 00:24:32,120 Speaker 1: play someone that's mean but also like probably is more 445 00:24:32,160 --> 00:24:38,600 Speaker 1: vulnerable underneath, right, because that really is, isn't it? Inside 446 00:24:38,640 --> 00:24:41,800 Speaker 1: all of us is more is more? Also, I would 447 00:24:41,800 --> 00:24:46,360 Speaker 1: say Beanie's character projecting being and kids projecting all over 448 00:24:46,440 --> 00:24:49,840 Speaker 1: you and then maybe because and I do that too, 449 00:24:49,880 --> 00:24:54,440 Speaker 1: where sometimes I'm like that I see a girl on Instagram, 450 00:24:54,560 --> 00:24:58,320 Speaker 1: I follow her, of course I look through definitely I'm 451 00:24:58,040 --> 00:25:00,439 Speaker 1: also and I'm like, she would be mean to me 452 00:25:00,480 --> 00:25:04,520 Speaker 1: in real life, And I think that I like build 453 00:25:04,680 --> 00:25:07,560 Speaker 1: almost like what it would be like to talk to 454 00:25:08,040 --> 00:25:11,359 Speaker 1: I'm like, I know, and then you meet them and 455 00:25:11,359 --> 00:25:14,359 Speaker 1: they're kind of like, hey, like completely right, you know 456 00:25:14,359 --> 00:25:17,040 Speaker 1: what I mean? You're like, as I've actually built up 457 00:25:17,040 --> 00:25:21,400 Speaker 1: this insane persona of you because of like and it's 458 00:25:21,400 --> 00:25:25,479 Speaker 1: all very specific to like every little insecurity that I have. 459 00:25:25,800 --> 00:25:30,000 Speaker 1: So it's like, do you know what I mean? We 460 00:25:30,040 --> 00:25:34,200 Speaker 1: all relate to this. But then Rachel, like you've you've 461 00:25:34,240 --> 00:25:36,400 Speaker 1: probably I mean you must have gotten this from other 462 00:25:36,400 --> 00:25:41,000 Speaker 1: people who are like wow, like Rachel, oh my god, 463 00:25:41,200 --> 00:25:43,720 Speaker 1: like they've built up this full image around like interacting 464 00:25:43,720 --> 00:25:47,399 Speaker 1: with you too. I feel like the version that I 465 00:25:47,440 --> 00:25:50,520 Speaker 1: get to that is like if I go on a 466 00:25:50,640 --> 00:25:56,200 Speaker 1: date and they're like, are you gonna tweet about me? Like, like, 467 00:25:58,280 --> 00:26:01,879 Speaker 1: I can't even get us wine because it's gonna be 468 00:26:02,000 --> 00:26:06,480 Speaker 1: on Twitter. Yeah, I'll be an alcoholic on Twitter, won't. Yes, 469 00:26:07,320 --> 00:26:10,360 Speaker 1: that is what I got. And sometimes and I'm like, Okay, 470 00:26:10,400 --> 00:26:13,960 Speaker 1: that actually I that was the old me. But that 471 00:26:14,320 --> 00:26:16,399 Speaker 1: I only would do. I would only do that if 472 00:26:16,400 --> 00:26:18,919 Speaker 1: you're being really toxic and we were already involved in 473 00:26:18,920 --> 00:26:24,040 Speaker 1: a non relationship relationship. Fair game. I'm only tweeting true things. 474 00:26:24,440 --> 00:26:26,359 Speaker 1: If you're someone that I'm going on a first date with, 475 00:26:26,440 --> 00:26:30,040 Speaker 1: I'm not going to tweet about you unless I say 476 00:26:30,080 --> 00:26:32,800 Speaker 1: it to you first. And you actually approve a lot 477 00:26:32,840 --> 00:26:46,760 Speaker 1: of my tweets about people, they yeah, wait, how do 478 00:26:46,800 --> 00:26:54,280 Speaker 1: you meet your boyfriend? Okay, Molly involved, Um, he dm 479 00:26:54,320 --> 00:26:58,919 Speaker 1: me on Instagram at four am. Um, so she but 480 00:26:59,119 --> 00:27:02,480 Speaker 1: here's the thing, Well, okay, he basically sent me a message. 481 00:27:02,480 --> 00:27:06,000 Speaker 1: I wonder if I can find the message. Um, he's 482 00:27:06,280 --> 00:27:09,359 Speaker 1: scroll is it? Is it a long exchange or you 483 00:27:09,359 --> 00:27:11,280 Speaker 1: guys do you guys just made it happen pretty quickly, 484 00:27:11,280 --> 00:27:18,280 Speaker 1: because that's that's that's beautiful. We've been dating since early October. Okay, 485 00:27:18,280 --> 00:27:24,440 Speaker 1: come on, six months, six months. Happier Okay, math olympiads 486 00:27:24,480 --> 00:27:28,359 Speaker 1: proud of myself. Ass happier. Okay, I'm moving my wedding 487 00:27:28,480 --> 00:27:32,920 Speaker 1: my ring. He messaged me before in the morning saying 488 00:27:32,960 --> 00:27:35,040 Speaker 1: I was looking at your Instagram at four in the 489 00:27:35,080 --> 00:27:40,160 Speaker 1: morning and it was really funny read sexual. Um. And 490 00:27:40,240 --> 00:27:42,359 Speaker 1: so then he said, if you're ever in l A 491 00:27:42,720 --> 00:27:45,159 Speaker 1: and want to hang out, I would love to m 492 00:27:46,240 --> 00:27:48,760 Speaker 1: And were you immediately struck by his sort of you know, 493 00:27:48,880 --> 00:27:53,399 Speaker 1: aesthetic as well? No? No. I initially was like, here's 494 00:27:53,400 --> 00:27:55,359 Speaker 1: the thing I was. That was when I was still 495 00:27:55,400 --> 00:27:58,240 Speaker 1: home living in my parents basement and I was doing 496 00:27:58,400 --> 00:28:00,480 Speaker 1: I mean, he seemed cute and cool, but I was 497 00:28:00,520 --> 00:28:03,640 Speaker 1: doing a lot of like texting things, and I was like, 498 00:28:04,200 --> 00:28:07,120 Speaker 1: I haven't like seen anyone in person. I've just been 499 00:28:07,160 --> 00:28:11,840 Speaker 1: like FaceTime jerking off with guy after guy. It's like exhausting. 500 00:28:12,520 --> 00:28:15,280 Speaker 1: So I we message for a little, but then I 501 00:28:15,600 --> 00:28:17,960 Speaker 1: kind of it sort of fell off. Then I get 502 00:28:18,000 --> 00:28:21,680 Speaker 1: to l a Um and I didn't I didn't immediately 503 00:28:21,680 --> 00:28:24,080 Speaker 1: message him back because I got there in September. Then 504 00:28:24,119 --> 00:28:27,960 Speaker 1: I was saying, you out with Molly, and I was like, oh, 505 00:28:28,000 --> 00:28:30,639 Speaker 1: like this guy messagement and hang out. You guys follow 506 00:28:30,680 --> 00:28:33,840 Speaker 1: each other? Is he cool? Oh? Is there is there 507 00:28:33,880 --> 00:28:36,520 Speaker 1: a revealing this guy? Okay? Sorry, Well then Molly, do 508 00:28:36,560 --> 00:28:39,120 Speaker 1: you want to say what you said to me? Yeah, 509 00:28:39,280 --> 00:28:42,600 Speaker 1: that I birthed him, No, that I I love he's 510 00:28:42,680 --> 00:28:45,560 Speaker 1: my kid. No, I just said I I love Logan. 511 00:28:45,720 --> 00:28:49,080 Speaker 1: He's well, actually, the big I'm like a white man. 512 00:28:49,280 --> 00:28:51,680 Speaker 1: The big reveal is that I adore this man. And 513 00:28:51,800 --> 00:28:54,800 Speaker 1: I was like, he's lovely and kind, and I said 514 00:28:54,800 --> 00:28:56,440 Speaker 1: they'll date for a long time. And I said, run 515 00:28:56,480 --> 00:29:00,800 Speaker 1: into this man's arm. Who you knew? I'm a job. 516 00:29:01,680 --> 00:29:05,959 Speaker 1: Molly was pro And then we went on and I 517 00:29:06,000 --> 00:29:07,760 Speaker 1: looked at our text because we were doing this the 518 00:29:07,880 --> 00:29:09,440 Speaker 1: other night where I was looking at what I said 519 00:29:09,480 --> 00:29:12,000 Speaker 1: to Molly. After our first date, we went on a 520 00:29:12,080 --> 00:29:14,840 Speaker 1: date at he literally asked me hang out at four 521 00:29:15,000 --> 00:29:22,120 Speaker 1: thirty pm, which is in psychonic day daytime. We went 522 00:29:22,160 --> 00:29:24,520 Speaker 1: on a really long That's the only that should have 523 00:29:24,520 --> 00:29:26,600 Speaker 1: been a red flag. But other than that, it was 524 00:29:26,640 --> 00:29:31,760 Speaker 1: such a great day. He's really sweet. Um, I just 525 00:29:31,880 --> 00:29:36,480 Speaker 1: love him and um, well, what's crazy is we would 526 00:29:36,520 --> 00:29:40,480 Speaker 1: have met in person at south By because he's there 527 00:29:40,600 --> 00:29:43,239 Speaker 1: for another film, and so it's sort of like we 528 00:29:43,240 --> 00:29:46,600 Speaker 1: were like, okay, we were meant to meet. Oh my god, 529 00:29:46,680 --> 00:29:50,440 Speaker 1: this is beautiful. So can I say something? Don't sleep 530 00:29:50,680 --> 00:29:54,880 Speaker 1: on daytime dates because I think it also ultimately takes 531 00:29:54,880 --> 00:29:57,920 Speaker 1: a pressure off that is there during a nighttime date. 532 00:29:58,200 --> 00:30:02,960 Speaker 1: I recently had a very good daytime date. I hope 533 00:30:02,960 --> 00:30:08,320 Speaker 1: he's listening hello. Um. But it was almost like because 534 00:30:08,360 --> 00:30:11,120 Speaker 1: I was like, let's hang out on Saturday night. And 535 00:30:11,120 --> 00:30:12,720 Speaker 1: then right after I said it, I was like, is 536 00:30:12,720 --> 00:30:15,600 Speaker 1: that aggressive? And then he was like, well, let's hang 537 00:30:15,600 --> 00:30:18,120 Speaker 1: out like um during the day like a too. We 538 00:30:18,160 --> 00:30:21,080 Speaker 1: can get like drinks outside or whatever. And I was like, okay, cool. 539 00:30:21,200 --> 00:30:23,560 Speaker 1: And that made it more casual for me, and that 540 00:30:23,680 --> 00:30:27,680 Speaker 1: lets chemistry flow forth instead of it being like this 541 00:30:27,800 --> 00:30:32,640 Speaker 1: like steamy night you know what I mean. It kind 542 00:30:32,640 --> 00:30:34,720 Speaker 1: of makes its easier, I think. And do you know what, 543 00:30:35,400 --> 00:30:38,000 Speaker 1: I actually like that because usually I feel like when 544 00:30:38,080 --> 00:30:42,880 Speaker 1: I hear daytime date I think hike right, not necessarily 545 00:30:43,160 --> 00:30:49,640 Speaker 1: getting bitten by bugs not good. It can be frozen cocktails, 546 00:30:50,320 --> 00:30:53,760 Speaker 1: it can be wait, Molly, because last time I saw 547 00:30:53,800 --> 00:30:58,720 Speaker 1: you you were sort of towing the waters. We're not 548 00:30:58,760 --> 00:31:00,880 Speaker 1: going to talk about this from me, but I'm so 549 00:31:00,920 --> 00:31:08,760 Speaker 1: happy telling then I don't have off pod. We'll I'll 550 00:31:08,800 --> 00:31:12,120 Speaker 1: connect off pod and we can. Okay, Molly is Molly 551 00:31:12,240 --> 00:31:15,240 Speaker 1: is not getting into it on the air. She's I mean, 552 00:31:15,280 --> 00:31:20,560 Speaker 1: I'm literally in bed with you, but I'm not, Oh 553 00:31:20,640 --> 00:31:22,840 Speaker 1: my god in you, but I'm not going to get 554 00:31:22,840 --> 00:31:27,480 Speaker 1: any don't tube in. I'm I'm so happy that we 555 00:31:27,520 --> 00:31:29,880 Speaker 1: all are here together because actually it's funny. Like I 556 00:31:29,920 --> 00:31:32,640 Speaker 1: was about to message you guys, and then I was like, wait, 557 00:31:32,680 --> 00:31:34,720 Speaker 1: I haven't seen the movie yet. I don't know, like 558 00:31:35,280 --> 00:31:37,240 Speaker 1: I haven't gotten to like to see like if the 559 00:31:37,320 --> 00:31:41,240 Speaker 1: chemistry obviously is good on screen and off. So I 560 00:31:41,280 --> 00:31:44,840 Speaker 1: asked Ben Platt. I was like, wait, so like Rachel, like, 561 00:31:45,000 --> 00:31:46,400 Speaker 1: is that a good vibe? Should we have them on 562 00:31:46,400 --> 00:31:47,640 Speaker 1: the pot together? And he was like, oh my god, 563 00:31:47,680 --> 00:31:50,520 Speaker 1: absolutely yes, with each other, would die, they would love. 564 00:31:50,600 --> 00:31:52,640 Speaker 1: I was like, okay, great, that's but I did run 565 00:31:52,640 --> 00:31:54,400 Speaker 1: it by him first because I was like I would 566 00:31:54,440 --> 00:31:56,440 Speaker 1: hate to be like come on together and then find 567 00:31:56,480 --> 00:32:00,560 Speaker 1: out that the girls were befuting, yeah, enemies for years 568 00:32:02,920 --> 00:32:08,720 Speaker 1: this big front a movie together, but little do you 569 00:32:08,720 --> 00:32:14,000 Speaker 1: know you chat Yeah happens all the time. Let's say 570 00:32:14,200 --> 00:32:16,320 Speaker 1: I was in either of your position and I did 571 00:32:16,320 --> 00:32:18,400 Speaker 1: not like the other one. I would still think it 572 00:32:18,400 --> 00:32:21,200 Speaker 1: would be kind of interesting and fun to go on 573 00:32:21,320 --> 00:32:25,400 Speaker 1: something together and do something together. I just love the 574 00:32:25,440 --> 00:32:28,200 Speaker 1: idea that there would be like a huge food in 575 00:32:28,280 --> 00:32:30,880 Speaker 1: like the indie community for our like a hundred thousand 576 00:32:30,960 --> 00:32:35,320 Speaker 1: dollar movie, but like get Along, he didn't get along 577 00:32:35,360 --> 00:32:40,920 Speaker 1: on set when we shot it. I would always take 578 00:32:40,920 --> 00:32:44,760 Speaker 1: the one selser that was available before before we get 579 00:32:44,800 --> 00:32:46,840 Speaker 1: into um, we have to ask you both of the 580 00:32:46,920 --> 00:32:51,080 Speaker 1: absolute question. But I want to know about Queen Diana A. 581 00:32:51,240 --> 00:32:55,960 Speaker 1: Graham because I absolutely could have been standing since the 582 00:32:56,000 --> 00:32:58,600 Speaker 1: beginning of time and then I saw the movie and 583 00:32:58,640 --> 00:33:03,600 Speaker 1: she was so good at that's phenomenal. Do we love Yes, 584 00:33:04,480 --> 00:33:09,440 Speaker 1: she's a wonderful fucking person. Yeah, it's great. God, I 585 00:33:09,480 --> 00:33:14,160 Speaker 1: love her, And she's so funny, so good. She really 586 00:33:14,320 --> 00:33:17,840 Speaker 1: is fantastic in it, and she's like, oh my god, 587 00:33:17,880 --> 00:33:19,880 Speaker 1: I was gonna say though, I texted I told Molly 588 00:33:19,920 --> 00:33:23,240 Speaker 1: this recently on an interview. They asked me, like, what 589 00:33:23,320 --> 00:33:25,080 Speaker 1: was it like working with Diana, And I was like, 590 00:33:25,400 --> 00:33:30,800 Speaker 1: she is the most lovely, kind, beautiful. I cherished her, 591 00:33:31,120 --> 00:33:34,960 Speaker 1: and then I said, in the movie she's so good. 592 00:33:35,040 --> 00:33:37,320 Speaker 1: Her character is like terrifying to me, like when she 593 00:33:37,400 --> 00:33:42,320 Speaker 1: hands me the baby. Article headlines Rachel Sennett is terrified 594 00:33:42,560 --> 00:33:49,800 Speaker 1: of Diana grand doing. These people fans are also keeping 595 00:33:49,800 --> 00:33:52,520 Speaker 1: this movie alive. Sometimes they say like, I'm so sorry 596 00:33:52,520 --> 00:33:54,160 Speaker 1: Diana had to be in a film with like Sea 597 00:33:54,200 --> 00:33:57,920 Speaker 1: Liss celebrities, so that was amazing, But they also like, 598 00:33:58,120 --> 00:34:02,280 Speaker 1: are keeping this movie afloat from so thankful so interesting? 599 00:34:03,600 --> 00:34:07,880 Speaker 1: For them? We are, well, there's something we are I 600 00:34:07,920 --> 00:34:11,040 Speaker 1: have no authority on this, and I'm speaking purely as 601 00:34:11,120 --> 00:34:13,520 Speaker 1: like as an idiot who is out of touch, but like, 602 00:34:14,200 --> 00:34:19,240 Speaker 1: I think there's something about Greek culture that has aged 603 00:34:19,520 --> 00:34:24,200 Speaker 1: up into like the general Twitter discord, something about like 604 00:34:24,520 --> 00:34:27,800 Speaker 1: them being empowered by a show that a show likely 605 00:34:27,960 --> 00:34:30,560 Speaker 1: amazing like what we all would have wanted as like 606 00:34:30,640 --> 00:34:33,479 Speaker 1: little queer kids, but then like they feel like they 607 00:34:33,520 --> 00:34:37,600 Speaker 1: have this power and they do to like really make 608 00:34:37,680 --> 00:34:40,759 Speaker 1: their opinions known about stuff, and that's that's that's all 609 00:34:40,800 --> 00:34:43,839 Speaker 1: I'll say, yes, but maybe but maybe that that's that's 610 00:34:43,920 --> 00:34:46,640 Speaker 1: them thinking, Oh, that's them going I can't. It's so 611 00:34:46,719 --> 00:34:48,400 Speaker 1: nice to Diana a Grant to be in this movie 612 00:34:48,400 --> 00:34:51,440 Speaker 1: with like normal normal actors or not normal actors, but 613 00:34:51,520 --> 00:34:57,879 Speaker 1: like U compliment. But it makes me think about the fact, 614 00:34:57,880 --> 00:35:01,200 Speaker 1: like I'm so happy that I wasn't kid when I 615 00:35:01,280 --> 00:35:03,960 Speaker 1: was watching I that I didn't have like Twitter or 616 00:35:04,000 --> 00:35:07,080 Speaker 1: TikTok when I was watching Glee. I don't know what 617 00:35:07,120 --> 00:35:08,759 Speaker 1: I would have done. I had Vine, and that was 618 00:35:08,760 --> 00:35:10,719 Speaker 1: already a little freaky with me, so I'm like, yeah, 619 00:35:11,920 --> 00:35:15,759 Speaker 1: I would have done Where were you both Gleeks? Yes, 620 00:35:16,400 --> 00:35:20,120 Speaker 1: I was. I liked the first couple of seasons a lot. 621 00:35:20,200 --> 00:35:22,640 Speaker 1: And the reason I think that it makes sense that 622 00:35:22,760 --> 00:35:26,000 Speaker 1: it's sort of like um developed into stand into like 623 00:35:26,040 --> 00:35:27,920 Speaker 1: what you're describing, but when it's like a stand Twitter 624 00:35:28,000 --> 00:35:30,640 Speaker 1: is because they were all pop stars in a way 625 00:35:31,000 --> 00:35:34,880 Speaker 1: like like you would you. It wasn't like a normal 626 00:35:34,920 --> 00:35:37,440 Speaker 1: TV show where like you stand a character like once 627 00:35:37,760 --> 00:35:41,880 Speaker 1: they started recording music, they were all like little pop stars, 628 00:35:42,400 --> 00:35:46,920 Speaker 1: especially like the rivalries on the show itself, like those 629 00:35:46,960 --> 00:35:51,000 Speaker 1: were narratives that then would would eventually play out online, 630 00:35:51,000 --> 00:35:52,759 Speaker 1: and I think that probably is a show that like 631 00:35:53,200 --> 00:35:55,760 Speaker 1: gets revisited a lot and everything now, like it probably 632 00:35:55,760 --> 00:35:57,840 Speaker 1: has people watching it now they're like discovering it and 633 00:35:57,840 --> 00:36:01,560 Speaker 1: then they take two to gleek Twitter. Yeah, I was 634 00:36:01,560 --> 00:36:05,080 Speaker 1: gonna say that. I just the movie is phenomenal. But 635 00:36:05,239 --> 00:36:08,000 Speaker 1: you see Diana, Diana's character and you're like, oh god, 636 00:36:08,000 --> 00:36:11,719 Speaker 1: oh this poor woman. But also she's she is terrifying 637 00:36:11,760 --> 00:36:15,360 Speaker 1: in this way, and she is adding this crazy stakes 638 00:36:15,440 --> 00:36:18,319 Speaker 1: layer to it, and it's just there's the alchemy and 639 00:36:18,360 --> 00:36:21,400 Speaker 1: all of this is beautiful, I think, And I don't know, 640 00:36:21,440 --> 00:36:23,279 Speaker 1: I just think it's phenomenal. I just I just had 641 00:36:23,280 --> 00:36:27,080 Speaker 1: a compliment everybody about this. Anyway, I really loved it too, 642 00:36:27,120 --> 00:36:29,640 Speaker 1: and especially because like not to give anything away about 643 00:36:29,640 --> 00:36:32,399 Speaker 1: the ending, but what I really loved about like what 644 00:36:32,920 --> 00:36:35,400 Speaker 1: it's so it was inspiring to me too, Like it 645 00:36:35,440 --> 00:36:38,080 Speaker 1: really just takes place in the amount of time it takes, 646 00:36:38,440 --> 00:36:39,840 Speaker 1: you know what I mean, which I really liked. And 647 00:36:39,880 --> 00:36:43,239 Speaker 1: then at the very end, without saying anything, like there's 648 00:36:43,239 --> 00:36:46,719 Speaker 1: a moment between your two characters where you realize, like, 649 00:36:47,120 --> 00:36:51,440 Speaker 1: while this two hours or whatever has been such a 650 00:36:51,800 --> 00:36:56,560 Speaker 1: sort of tough like maybe scarring experience for Rachel's character, 651 00:36:56,719 --> 00:36:59,680 Speaker 1: like what she's going to leave with and what's going 652 00:36:59,719 --> 00:37:02,000 Speaker 1: to be important in her life and the grand scheme 653 00:37:02,040 --> 00:37:06,279 Speaker 1: of everything is this relationship. And like I just thought 654 00:37:06,320 --> 00:37:08,840 Speaker 1: that that was like that that there was like a 655 00:37:08,880 --> 00:37:10,960 Speaker 1: truly it was like a three second moment at the 656 00:37:11,040 --> 00:37:13,239 Speaker 1: very very end where I was like, Oh, that's like 657 00:37:13,320 --> 00:37:16,160 Speaker 1: the whole movie right there. It's just like it's really 658 00:37:16,200 --> 00:37:20,520 Speaker 1: about how like we all have those periods in our life. 659 00:37:20,520 --> 00:37:23,040 Speaker 1: I'm sure you both have had them where it's just 660 00:37:23,120 --> 00:37:26,319 Speaker 1: like I feel like I am in hell and now 661 00:37:26,400 --> 00:37:29,680 Speaker 1: you look back on it and you're like, wow, I 662 00:37:29,760 --> 00:37:32,400 Speaker 1: really felt like I was in hell. But something I 663 00:37:32,440 --> 00:37:36,520 Speaker 1: still have from that is this relationship or this moment 664 00:37:36,600 --> 00:37:39,239 Speaker 1: or this thing I learned about myself. So like, I 665 00:37:39,239 --> 00:37:40,719 Speaker 1: don't know, was that something that you felt in the 666 00:37:40,800 --> 00:37:42,960 Speaker 1: script or was it something that you felt when you 667 00:37:43,000 --> 00:37:45,600 Speaker 1: watched it? Like I wonder about that For you guys, 668 00:37:46,520 --> 00:37:49,040 Speaker 1: Matt and Bowen, I feel like you saw me and 669 00:37:49,120 --> 00:37:52,200 Speaker 1: how the last time I did. I don't think so, honey, 670 00:37:52,440 --> 00:37:56,400 Speaker 1: oh my god, yeah, yeah, you were having that. It 671 00:37:56,520 --> 00:37:59,239 Speaker 1: was really really that was actually maybe the lowest point 672 00:37:59,239 --> 00:38:01,239 Speaker 1: in my life. But I remember you came up to 673 00:38:01,280 --> 00:38:04,239 Speaker 1: me and like, you you were really in distress, and 674 00:38:04,280 --> 00:38:08,560 Speaker 1: I was like, oh yeah, openly crying the whole show. 675 00:38:08,719 --> 00:38:12,799 Speaker 1: I was, honestly, I felt so supported by everyone on 676 00:38:12,840 --> 00:38:17,719 Speaker 1: the show, literally all one hundred comedians. Every person gave 677 00:38:17,800 --> 00:38:20,960 Speaker 1: me like a little bit of wisdom, so getting I 678 00:38:21,000 --> 00:38:24,279 Speaker 1: was taking hits off of people's jewels and we like right, 679 00:38:24,840 --> 00:38:28,959 Speaker 1: but it was I really felt like I went through 680 00:38:29,080 --> 00:38:33,280 Speaker 1: the arc that Danielle goes through in one day, from 681 00:38:33,320 --> 00:38:35,640 Speaker 1: probably the time that we did the short to the feature, 682 00:38:35,680 --> 00:38:39,560 Speaker 1: where I felt like I like could not get in, 683 00:38:39,920 --> 00:38:41,680 Speaker 1: I could not get people to I could not get 684 00:38:41,719 --> 00:38:44,600 Speaker 1: respect in relationships, or I felt like I couldn't and 685 00:38:44,680 --> 00:38:48,319 Speaker 1: I felt like it was so I felt like it 686 00:38:48,440 --> 00:38:51,880 Speaker 1: was so hard to get someone to love me, and 687 00:38:52,080 --> 00:38:54,959 Speaker 1: like I was just like a mess. After that night, 688 00:38:55,360 --> 00:39:00,040 Speaker 1: I was addicted to poppers every I literally was a 689 00:39:00,120 --> 00:39:03,520 Speaker 1: day for three months. There are a time one morning 690 00:39:03,560 --> 00:39:07,719 Speaker 1: where Katherine Cohen took me to like brunch. I was 691 00:39:07,800 --> 00:39:10,759 Speaker 1: crying openly during that. Then she gave me water down 692 00:39:10,840 --> 00:39:14,400 Speaker 1: vodka and I went to walk back to my apartment 693 00:39:14,800 --> 00:39:17,880 Speaker 1: and I had to like sit down on the on 694 00:39:17,920 --> 00:39:21,640 Speaker 1: the ground, meaning the concrete sidewalk of the West Side Highway, 695 00:39:21,880 --> 00:39:25,720 Speaker 1: just doing poppers raw eleven am in the daylight because 696 00:39:25,800 --> 00:39:28,040 Speaker 1: I was like, I need to do something and I 697 00:39:28,080 --> 00:39:31,920 Speaker 1: felt I had to go through that and my friend 698 00:39:32,080 --> 00:39:36,000 Speaker 1: through um Miles, not Danielle's friend, she's but I mean 699 00:39:36,040 --> 00:39:38,640 Speaker 1: there are exces, but it's that the same thing where 700 00:39:38,640 --> 00:39:41,719 Speaker 1: it's like you, I think you have to like go 701 00:39:42,040 --> 00:39:47,279 Speaker 1: through that like really shitty time to know like you're 702 00:39:47,360 --> 00:39:50,080 Speaker 1: worth or like make it to change. And like at 703 00:39:50,120 --> 00:39:52,279 Speaker 1: the end of the movie, I think, I don't think 704 00:39:52,360 --> 00:39:55,040 Speaker 1: Danielle goes home and it's like I'm starting a business tomorrow. 705 00:39:56,320 --> 00:39:58,239 Speaker 1: It might even it might even continue to be bad 706 00:39:58,280 --> 00:40:00,200 Speaker 1: for her for a few months after that, like she'll 707 00:40:00,239 --> 00:40:03,480 Speaker 1: have to find herself out of her emotional situation, her 708 00:40:03,600 --> 00:40:07,200 Speaker 1: literal physical situation. But what I loved about that moment 709 00:40:07,239 --> 00:40:09,359 Speaker 1: at the end is it was like this girl has 710 00:40:09,480 --> 00:40:12,439 Speaker 1: real love in her life and she's like and and 711 00:40:12,640 --> 00:40:15,720 Speaker 1: that that ending the movie. On that moment, I thought 712 00:40:15,800 --> 00:40:18,160 Speaker 1: is like it was a way to say this will 713 00:40:18,200 --> 00:40:20,719 Speaker 1: be something that will that she will remember and that 714 00:40:20,760 --> 00:40:24,200 Speaker 1: will help her, and that she will she she hasn't 715 00:40:24,280 --> 00:40:27,759 Speaker 1: lost as much as she thinks and spatially it's like 716 00:40:28,000 --> 00:40:30,680 Speaker 1: you have May and Danielle sort of walking in the 717 00:40:30,719 --> 00:40:33,120 Speaker 1: open air and then and then the movie without giving 718 00:40:33,320 --> 00:40:35,279 Speaker 1: away like the last sort of moment of it, it 719 00:40:35,400 --> 00:40:37,759 Speaker 1: like it ends on another moment of claustrophobia, where like 720 00:40:37,800 --> 00:40:40,640 Speaker 1: the whole film is about just like things closing in 721 00:40:40,719 --> 00:40:43,360 Speaker 1: on you, and like this is just one last charming 722 00:40:43,400 --> 00:40:46,520 Speaker 1: moment of like some resolution but still ultimately like you're 723 00:40:46,560 --> 00:40:49,080 Speaker 1: packed in. That's all. That's all we will say. But like, 724 00:40:49,719 --> 00:40:52,040 Speaker 1: but Rachel talked about this timing where like you were 725 00:40:52,080 --> 00:40:53,799 Speaker 1: you had just finished the short at that time when 726 00:40:53,800 --> 00:40:58,759 Speaker 1: you were doing Poppers off the Webside Highway. That was 727 00:40:58,800 --> 00:41:02,640 Speaker 1: actually after that was right after we finished the feature. 728 00:41:03,480 --> 00:41:07,200 Speaker 1: Oh my god, I would say that period of my 729 00:41:07,280 --> 00:41:11,320 Speaker 1: life began after the short. Twenty three was really the 730 00:41:11,760 --> 00:41:15,080 Speaker 1: rough year, but twenty four it was like segueing out, 731 00:41:17,280 --> 00:41:22,920 Speaker 1: oh my god, I'm old, I've lived it all, I've grown. 732 00:41:25,760 --> 00:41:27,400 Speaker 1: How long was that from the short to the feature, 733 00:41:28,000 --> 00:41:32,840 Speaker 1: like to to three years? So you felt like you 734 00:41:32,880 --> 00:41:35,000 Speaker 1: were in like a personal hell even while you were 735 00:41:35,040 --> 00:41:37,840 Speaker 1: shooting the film. I think it was like not every 736 00:41:37,880 --> 00:41:39,919 Speaker 1: single day, but do you know when you look back 737 00:41:39,960 --> 00:41:41,799 Speaker 1: at a period of your life, it feels like a 738 00:41:41,840 --> 00:41:45,120 Speaker 1: fever the whole time. YEA, yeah, We're just like I 739 00:41:45,239 --> 00:41:48,759 Speaker 1: was like, there were so many decisions. I was just mad. 740 00:41:49,360 --> 00:41:51,320 Speaker 1: I just like if I was to see her, I 741 00:41:51,360 --> 00:41:53,839 Speaker 1: would be like, oh, no, like you know what I mean, 742 00:41:56,360 --> 00:41:59,319 Speaker 1: but you have to write, you must, I mean I 743 00:41:59,360 --> 00:42:03,040 Speaker 1: think that, Yeah, those that just looking back on those 744 00:42:03,080 --> 00:42:05,680 Speaker 1: periods I remember, I feel like one is probably like 745 00:42:05,880 --> 00:42:07,880 Speaker 1: when I was like coming out of the closet. I remember, 746 00:42:08,440 --> 00:42:10,680 Speaker 1: I can describe it as they're feeling like I was 747 00:42:10,719 --> 00:42:12,920 Speaker 1: in having a fee for every single day. And then 748 00:42:12,960 --> 00:42:15,520 Speaker 1: that happened again during my Sorry, but like returned to 749 00:42:15,560 --> 00:42:19,040 Speaker 1: Saturn when I was like years old, when we were 750 00:42:19,040 --> 00:42:21,759 Speaker 1: going through a lot, and like personally I was going 751 00:42:21,760 --> 00:42:23,479 Speaker 1: through a lot, and it just feels like I would 752 00:42:23,480 --> 00:42:25,840 Speaker 1: open my eyes every single day and I would just 753 00:42:25,880 --> 00:42:27,719 Speaker 1: be like the first thing I would think is like, no, 754 00:42:28,080 --> 00:42:30,120 Speaker 1: I don't want to wake up and do this day. 755 00:42:30,480 --> 00:42:33,640 Speaker 1: And now looking back on those periods, it's like those 756 00:42:33,640 --> 00:42:37,200 Speaker 1: are some of the most important because because ultimately you 757 00:42:37,239 --> 00:42:39,160 Speaker 1: do make it through them and then and then you 758 00:42:39,200 --> 00:42:42,040 Speaker 1: feel stronger because of it. I would imagine Molly's had 759 00:42:42,080 --> 00:42:47,359 Speaker 1: these times as well. She's like right now, no, yeah, 760 00:42:47,640 --> 00:42:50,759 Speaker 1: That's why I think the movie is so important for 761 00:42:50,840 --> 00:42:54,400 Speaker 1: also like, um, all these little ladies that are trapped 762 00:42:54,440 --> 00:42:56,560 Speaker 1: in their homes right now, because like, yeah, the only 763 00:42:56,600 --> 00:42:59,640 Speaker 1: way is through, and like you can't spend your life 764 00:42:59,680 --> 00:43:01,719 Speaker 1: being like why is this fucking happening? Why is this 765 00:43:01,840 --> 00:43:03,920 Speaker 1: not working out? Why? And you just have to like 766 00:43:04,239 --> 00:43:07,719 Speaker 1: push on and try to learn from those experiences and 767 00:43:07,800 --> 00:43:11,359 Speaker 1: like how humbling is life if you like just let 768 00:43:11,400 --> 00:43:13,600 Speaker 1: it happen to you and like learn from it and 769 00:43:13,680 --> 00:43:15,680 Speaker 1: don't I have spent so much of my life being 770 00:43:15,680 --> 00:43:17,560 Speaker 1: like why is this happening? What instead of being like, 771 00:43:17,680 --> 00:43:20,080 Speaker 1: oh my god, I am becoming a better human. I 772 00:43:20,120 --> 00:43:22,279 Speaker 1: am learning so much. I don't know anything. And I 773 00:43:22,320 --> 00:43:26,200 Speaker 1: feel like this movie like dances that dance so beautifully 774 00:43:26,320 --> 00:43:28,879 Speaker 1: and I wish because I I they don't teach you that. 775 00:43:28,960 --> 00:43:32,680 Speaker 1: They just don't know. I watched this movie. And then 776 00:43:32,960 --> 00:43:34,600 Speaker 1: even now as we're talking about I'm like, oh, but 777 00:43:34,680 --> 00:43:38,200 Speaker 1: you know, there's something that I feel like I've learned 778 00:43:38,280 --> 00:43:41,200 Speaker 1: and gleaned over the past year, um, just in terms 779 00:43:41,239 --> 00:43:43,960 Speaker 1: of coping with ship, and I feel like that is 780 00:43:44,040 --> 00:43:47,239 Speaker 1: kind of what the movie is about. Ultimately, Earth you 781 00:43:47,280 --> 00:43:49,919 Speaker 1: want you go on this real time journey with Um 782 00:43:49,960 --> 00:43:53,120 Speaker 1: with Danielle and you're just like, oh god, this this 783 00:43:53,160 --> 00:43:57,279 Speaker 1: is all impossible. And then and then somehow it's like, yeah, 784 00:43:57,280 --> 00:43:58,759 Speaker 1: you're right, mill like the only way is through, and 785 00:43:58,800 --> 00:44:02,040 Speaker 1: you're just like okay, like you built the plane as 786 00:44:02,080 --> 00:44:03,880 Speaker 1: you flew it and maybe but you also just like 787 00:44:03,920 --> 00:44:05,200 Speaker 1: by the end, by the end of it, you have 788 00:44:05,200 --> 00:44:08,960 Speaker 1: a plane at least like you have some again mechanism 789 00:44:09,040 --> 00:44:12,640 Speaker 1: around like dealing with something as harrowing as that and 790 00:44:12,719 --> 00:44:15,719 Speaker 1: ex podcast like your guys friendship, I feel like so 791 00:44:15,800 --> 00:44:17,759 Speaker 1: much you're like and then we talked and like I 792 00:44:17,800 --> 00:44:20,320 Speaker 1: was able to feel better about something for a second, 793 00:44:20,320 --> 00:44:21,719 Speaker 1: and like that moment at the end where they like 794 00:44:21,760 --> 00:44:24,920 Speaker 1: hold hands is like okay, like one person in my 795 00:44:24,960 --> 00:44:27,480 Speaker 1: life like kind of understands me, and like that's enough 796 00:44:27,520 --> 00:44:30,800 Speaker 1: for this moment. It doesn't understand, but like is willing 797 00:44:30,800 --> 00:44:32,719 Speaker 1: to look at me and like see me, and that's 798 00:44:32,760 --> 00:44:35,560 Speaker 1: like enough for this moment, and like our friends are 799 00:44:35,600 --> 00:44:39,120 Speaker 1: those people and how lucky are we? Totally yeah, And 800 00:44:39,160 --> 00:44:41,680 Speaker 1: it's it's it really the fact that it's the fact 801 00:44:41,680 --> 00:44:44,520 Speaker 1: that I feel like I was able to watch this 802 00:44:44,560 --> 00:44:48,200 Speaker 1: movie and then leave feeling good, like says so much 803 00:44:48,200 --> 00:44:51,879 Speaker 1: about that moment because you really like the girl is 804 00:44:52,440 --> 00:44:57,160 Speaker 1: like like Danielle is so it's so bad for her, 805 00:44:57,280 --> 00:44:59,440 Speaker 1: Like you're you're like, oh my god, this is so 806 00:45:00,400 --> 00:45:03,479 Speaker 1: it's so rough, like like by the time that movie 807 00:45:03,520 --> 00:45:06,279 Speaker 1: is over, you're like, oh no, like this girl, like 808 00:45:06,480 --> 00:45:09,840 Speaker 1: is it over? And then and then there's that moment 809 00:45:09,880 --> 00:45:12,880 Speaker 1: and you just feel so much better and like testament 810 00:45:12,920 --> 00:45:16,080 Speaker 1: to the directing, we gotta say, yeah, what's what's what's 811 00:45:16,080 --> 00:45:18,560 Speaker 1: Emma's deal? We have talked about Emma. I know, I 812 00:45:18,600 --> 00:45:20,960 Speaker 1: just have to say that I misunderstood the last page 813 00:45:20,960 --> 00:45:22,640 Speaker 1: of the film and I still said yes to it, 814 00:45:22,840 --> 00:45:25,720 Speaker 1: And I told Rachel I read it and I thought 815 00:45:25,719 --> 00:45:31,799 Speaker 1: that my character was fingering her in the back. You 816 00:45:32,080 --> 00:45:34,400 Speaker 1: thought that until you were going to shoot it. I 817 00:45:34,480 --> 00:45:36,920 Speaker 1: literally on the day was like, okay, like how do 818 00:45:36,960 --> 00:45:39,560 Speaker 1: I get into this? Alright, so she's like a moment 819 00:45:39,560 --> 00:45:48,680 Speaker 1: of connection alright, like psycho um. But let's talk about Emma, 820 00:45:48,760 --> 00:45:53,879 Speaker 1: who's like the most unbelievable force and the way, Yeah, Rachel, yes, 821 00:45:53,920 --> 00:45:57,160 Speaker 1: talk about Emma. Talk about Emma. Well, Emma I met 822 00:45:57,239 --> 00:46:01,160 Speaker 1: when I auditioned for the short, and I literally feel 823 00:46:01,160 --> 00:46:04,520 Speaker 1: like it was like state, like I think she is 824 00:46:04,800 --> 00:46:09,480 Speaker 1: a genius. She's so like she's so I feel like 825 00:46:09,520 --> 00:46:12,680 Speaker 1: we're similar but so different and in a way where 826 00:46:12,719 --> 00:46:16,720 Speaker 1: we like complement each other. Like she's so grounded and 827 00:46:17,080 --> 00:46:19,880 Speaker 1: she knows what she wants. Like I remember Molly saying 828 00:46:19,920 --> 00:46:22,719 Speaker 1: to me when it was like the second or third 829 00:46:22,760 --> 00:46:24,799 Speaker 1: day of shooting, like, oh my god, look at how 830 00:46:25,600 --> 00:46:28,440 Speaker 1: happy she is. She's literally like glowing in her element 831 00:46:28,640 --> 00:46:33,520 Speaker 1: because she's so I mean, Okay, this is gonna sound stupid. 832 00:46:33,880 --> 00:46:37,919 Speaker 1: I didn't realize how hard directing was and what you mean, Yes, 833 00:46:38,080 --> 00:46:41,440 Speaker 1: it's the hardest job. You have to do so much 834 00:46:41,719 --> 00:46:45,200 Speaker 1: heart attack every day. It's so it literally is like 835 00:46:45,480 --> 00:46:49,200 Speaker 1: n degrees in the house. There are old people, there's 836 00:46:49,239 --> 00:46:53,920 Speaker 1: a baby that is screaming on an offset, whether or 837 00:46:53,920 --> 00:46:57,319 Speaker 1: not there the baby was on camera, and it's like 838 00:46:57,480 --> 00:47:01,640 Speaker 1: every person who has a question about anything is like Emma, 839 00:47:00,480 --> 00:47:05,799 Speaker 1: and like she just knew what she wanted, which I 840 00:47:05,800 --> 00:47:08,080 Speaker 1: think it was like you have to be you have 841 00:47:08,239 --> 00:47:11,560 Speaker 1: to like be flexible and work with everyone, but also 842 00:47:11,680 --> 00:47:15,799 Speaker 1: like maintain your vision. And I think Emma did that beautifully. 843 00:47:16,000 --> 00:47:20,600 Speaker 1: And she also wrote from a place of I think 844 00:47:20,680 --> 00:47:24,719 Speaker 1: she wrote about things that were connect she connected to 845 00:47:24,800 --> 00:47:27,120 Speaker 1: in her life. And like we're important to her. And 846 00:47:27,160 --> 00:47:30,799 Speaker 1: I think that really resonated with young women and you 847 00:47:30,880 --> 00:47:33,400 Speaker 1: can like, I mean but when when you were talking 848 00:47:33,440 --> 00:47:37,040 Speaker 1: about like stands and Twitter, I was like, it's honestly 849 00:47:37,080 --> 00:47:40,360 Speaker 1: like sometimes they can be scary, but there but also 850 00:47:40,400 --> 00:47:44,600 Speaker 1: they like supported the movie and our reason that it's 851 00:47:44,640 --> 00:47:48,040 Speaker 1: like doing so well because like young women shared it 852 00:47:48,080 --> 00:47:50,799 Speaker 1: on social media and so yeah, I feel like that 853 00:47:50,840 --> 00:47:56,319 Speaker 1: speaks to Emma's like talent and boys very intuitive. Yeah, 854 00:47:56,520 --> 00:47:58,399 Speaker 1: and it sounds like and and is and is it 855 00:47:58,400 --> 00:48:00,320 Speaker 1: one of those things where it's like you meet someone 856 00:48:00,440 --> 00:48:02,680 Speaker 1: like that on a collaborative level or on a on 857 00:48:02,760 --> 00:48:05,280 Speaker 1: a on a friendship level with like you and Molly, 858 00:48:05,280 --> 00:48:07,480 Speaker 1: But it's like it doesn't feel like falling in love 859 00:48:07,520 --> 00:48:12,040 Speaker 1: when it's like so so perfect. It's like, wow, I 860 00:48:12,200 --> 00:48:14,640 Speaker 1: found someone you know, like and you two like have 861 00:48:14,719 --> 00:48:17,399 Speaker 1: this this creative relationship now that's about to pop off 862 00:48:17,400 --> 00:48:19,600 Speaker 1: and like do do more things and that's the best 863 00:48:19,600 --> 00:48:23,319 Speaker 1: thing you want. It literally does feel We were saying 864 00:48:23,360 --> 00:48:25,440 Speaker 1: that it feels like Shiva is like we had a 865 00:48:25,480 --> 00:48:28,359 Speaker 1: baby together, but I will say she is the one 866 00:48:28,360 --> 00:48:34,640 Speaker 1: that gave birth and I'm like the because we edited it, 867 00:48:35,239 --> 00:48:39,200 Speaker 1: like I was involved, but she gave the birth. Um. 868 00:48:39,239 --> 00:48:42,080 Speaker 1: But yeah, it feels very very special and it honestly 869 00:48:42,120 --> 00:48:44,160 Speaker 1: does feel like a marriage. And then it's like as 870 00:48:44,200 --> 00:48:46,959 Speaker 1: you get to new levels you have, it's like such 871 00:48:47,000 --> 00:48:51,040 Speaker 1: a deep relationship because you have to be able to 872 00:48:51,120 --> 00:48:56,640 Speaker 1: like balance your your friendship and like working creative like 873 00:48:56,840 --> 00:49:00,080 Speaker 1: so much. I mean, like obviously you guys know, like 874 00:49:00,160 --> 00:49:02,239 Speaker 1: it's like when you're doing a problem, it's there's so 875 00:49:02,280 --> 00:49:06,880 Speaker 1: many different things. Um, but like it feels very very special. 876 00:49:06,920 --> 00:49:08,840 Speaker 1: And I remember when we went to south By for 877 00:49:08,920 --> 00:49:12,560 Speaker 1: the shore, we like stayed in like one little room 878 00:49:12,560 --> 00:49:15,600 Speaker 1: in an airbb together and like I was like, oh 879 00:49:15,640 --> 00:49:19,160 Speaker 1: my god, she's like my person. Be such like a 880 00:49:19,200 --> 00:49:23,600 Speaker 1: special week. And then now and then we met Mollie 881 00:49:23,760 --> 00:49:26,560 Speaker 1: and now we're a gorgeous group of friends. It's just 882 00:49:26,800 --> 00:49:29,960 Speaker 1: it feels very a triptych. But I have to say 883 00:49:30,080 --> 00:49:34,520 Speaker 1: Rachel and Emma are the most inspiring, unbelievable duo and 884 00:49:34,560 --> 00:49:37,319 Speaker 1: like don't wait around for people to give them opportunities. 885 00:49:37,360 --> 00:49:40,120 Speaker 1: They just made a movie for no money themselves, and 886 00:49:40,120 --> 00:49:41,640 Speaker 1: we're like brave enough to do that. And I'm sure 887 00:49:41,680 --> 00:49:43,000 Speaker 1: we all know so many people that are like I 888 00:49:43,000 --> 00:49:44,000 Speaker 1: want to do this and I want to do this 889 00:49:44,000 --> 00:49:47,000 Speaker 1: and are just waiting around like someone to give them 890 00:49:47,000 --> 00:49:48,879 Speaker 1: money to make something, and they just like fucking did 891 00:49:48,920 --> 00:49:52,640 Speaker 1: it and it's working out for them. Yeah. Well, we 892 00:49:53,080 --> 00:49:56,799 Speaker 1: love the movie and can't recommend it enough to everyone. Um, 893 00:49:56,880 --> 00:50:00,160 Speaker 1: we have to ask these ladies the question. It was 894 00:50:00,200 --> 00:50:02,160 Speaker 1: the really essential question of mar Sha. Wouldn't you say 895 00:50:02,160 --> 00:50:05,879 Speaker 1: a bow? Yes, I would say so, I would say so. Well, 896 00:50:05,920 --> 00:50:08,080 Speaker 1: the question is what was the culture that made you 897 00:50:08,120 --> 00:50:11,560 Speaker 1: say culture is for you? And Molly Gordon, I would 898 00:50:11,600 --> 00:50:13,759 Speaker 1: like to pose it to you first, what was the 899 00:50:13,800 --> 00:50:17,680 Speaker 1: culture that made you say culture was for you? Wow? 900 00:50:18,120 --> 00:50:20,799 Speaker 1: I can't believe to be at this moment, I being 901 00:50:20,800 --> 00:50:23,000 Speaker 1: a lifelong fan, to be spending here on this stage, 902 00:50:23,000 --> 00:50:30,040 Speaker 1: I think absolutely. I think mine would be seeing our 903 00:50:30,200 --> 00:50:33,640 Speaker 1: rated movies with my parents on a Friday night when 904 00:50:33,680 --> 00:50:35,719 Speaker 1: I was It was kind of aged inappropriate for me 905 00:50:35,800 --> 00:50:38,920 Speaker 1: to be seeing them. Um. I really connected to caper 906 00:50:39,000 --> 00:50:42,680 Speaker 1: Land's episode about an only child and like being brought 907 00:50:42,760 --> 00:50:45,279 Speaker 1: to things that maybe you wouldn't normally be brought to 908 00:50:45,320 --> 00:50:47,400 Speaker 1: because there was no one to leave you with. And 909 00:50:47,440 --> 00:50:51,320 Speaker 1: I just remember my parents bringing me like to Anchorman 910 00:50:51,400 --> 00:50:54,800 Speaker 1: when I was ten years old, and like getting thrifty 911 00:50:54,840 --> 00:50:57,680 Speaker 1: ice cream and chip like sitting between them. Everyone else 912 00:50:57,760 --> 00:51:01,080 Speaker 1: is on a date and it's a path theater and 913 00:51:01,120 --> 00:51:04,480 Speaker 1: everyone is just laughing so fucking hard, and like the 914 00:51:04,520 --> 00:51:08,000 Speaker 1: communal laughter was so infectious and amazing. And when he 915 00:51:08,040 --> 00:51:13,560 Speaker 1: said like Sandiago is a whales, so fucking hard, but 916 00:51:13,600 --> 00:51:18,440 Speaker 1: I had no idea what it meant literally annoyed, but 917 00:51:18,520 --> 00:51:21,320 Speaker 1: every the whole like it makes me sad in COVID 918 00:51:21,320 --> 00:51:23,279 Speaker 1: because I missed that so much. Like the whole room 919 00:51:23,360 --> 00:51:26,080 Speaker 1: was shaking. Yeah, I'm like, oh, all I want to 920 00:51:26,120 --> 00:51:29,879 Speaker 1: do is like understand why people are laughing like this 921 00:51:31,200 --> 00:51:34,440 Speaker 1: idea and like just being I don't know, getting to 922 00:51:34,440 --> 00:51:36,960 Speaker 1: to kind of see things maybe that I shouldn't have, 923 00:51:37,120 --> 00:51:40,000 Speaker 1: but but kind of being so curious about what they were. 924 00:51:41,239 --> 00:51:43,399 Speaker 1: It was so like exciting and made me want to 925 00:51:43,760 --> 00:51:47,200 Speaker 1: kind of be in on that joke. Literally bow and wait. 926 00:51:47,360 --> 00:51:50,719 Speaker 1: This reminds me of so about me bowing and and a. 927 00:51:50,800 --> 00:51:54,839 Speaker 1: Dresen went to see Fifty Shades of Gray years ago. 928 00:51:55,600 --> 00:52:00,120 Speaker 1: We went to go see fifty Shades of Day and 929 00:52:00,320 --> 00:52:04,280 Speaker 1: literally we watch probably i'm gonna say of the movie, 930 00:52:04,400 --> 00:52:06,280 Speaker 1: like we get all the way to the end, it's 931 00:52:06,320 --> 00:52:10,560 Speaker 1: She's been like every which way, like truly, like they 932 00:52:10,600 --> 00:52:13,040 Speaker 1: have sex so many times in the most fifty shades 933 00:52:13,040 --> 00:52:15,759 Speaker 1: of gray ways. The movie really goes there. And then 934 00:52:15,840 --> 00:52:18,879 Speaker 1: at the end of the theater, like in the back, 935 00:52:19,000 --> 00:52:20,840 Speaker 1: we just hear this voice and it was huge. It 936 00:52:20,880 --> 00:52:23,160 Speaker 1: was like it was like the I picks like in 937 00:52:23,360 --> 00:52:26,920 Speaker 1: like but yeah, like it was like a huge deal, 938 00:52:27,000 --> 00:52:29,160 Speaker 1: like it was like on Valentine's that I remember. It 939 00:52:29,239 --> 00:52:31,320 Speaker 1: was a huge deal. And then back of the theater, 940 00:52:31,360 --> 00:52:34,719 Speaker 1: we just hear mommy and he go into the bathroom 941 00:52:34,800 --> 00:52:42,440 Speaker 1: and literally this child, Like everyone just cathartically goes what 942 00:52:42,800 --> 00:52:45,560 Speaker 1: And it's just like everyone just turned around, like it 943 00:52:45,640 --> 00:52:48,520 Speaker 1: was like the hundreds of people a sea of people 944 00:52:48,560 --> 00:52:53,480 Speaker 1: just turning to the source that being like what happened? 945 00:52:53,560 --> 00:52:57,440 Speaker 1: Someone had brought their child to that movie? Like because 946 00:52:57,480 --> 00:52:59,880 Speaker 1: al right and movie shore And then Anna said like 947 00:53:00,480 --> 00:53:02,600 Speaker 1: at the time she said, like she was laughing to 948 00:53:02,680 --> 00:53:04,239 Speaker 1: we were all having but she was like, you know, 949 00:53:04,320 --> 00:53:06,359 Speaker 1: some people they can't afford to sit here, like yeah, 950 00:53:06,400 --> 00:53:08,160 Speaker 1: they have to bring their kids like whatever. And I 951 00:53:08,200 --> 00:53:11,080 Speaker 1: was like, yeah, yeah, yeah, but probably not this movie. 952 00:53:11,640 --> 00:53:14,080 Speaker 1: This is like mommy needed Mommy needs her fixed. Like 953 00:53:16,920 --> 00:53:20,360 Speaker 1: I'm talking like comedy an R rated comedy. We're talking 954 00:53:20,840 --> 00:53:23,000 Speaker 1: a group comedy. We're talking about a couple of square words. 955 00:53:23,000 --> 00:53:26,440 Speaker 1: We're not talking about your frontal tie up community, yes, 956 00:53:27,480 --> 00:53:31,480 Speaker 1: community tie up munity. I have a couple of I 957 00:53:31,480 --> 00:53:35,120 Speaker 1: have a couple of questions though. One it's interesting that 958 00:53:35,160 --> 00:53:36,759 Speaker 1: you bring up the only child, because do you think 959 00:53:36,800 --> 00:53:38,799 Speaker 1: that you wouldn't have been brought to these movies had 960 00:53:38,840 --> 00:53:42,480 Speaker 1: you had siblings? Yeah, I just think when you're an 961 00:53:42,480 --> 00:53:45,960 Speaker 1: only child, you kind of get brought around. I really 962 00:53:45,960 --> 00:53:47,879 Speaker 1: connected with her being like you you go to these 963 00:53:47,920 --> 00:53:50,880 Speaker 1: dinner parties and you kind of like ask these questions 964 00:53:51,160 --> 00:53:53,680 Speaker 1: that you wouldn't You're you're brought into the conversation and 965 00:53:53,719 --> 00:53:56,040 Speaker 1: it's such a beautiful thing at such a younger age. 966 00:53:56,080 --> 00:53:58,920 Speaker 1: But also like sometimes you're like should I really be talking? 967 00:54:01,320 --> 00:54:04,360 Speaker 1: But it's also why I feel like I've I always 968 00:54:04,360 --> 00:54:07,480 Speaker 1: connected more to like older people, until I got to 969 00:54:07,480 --> 00:54:09,359 Speaker 1: a certain age where I was like that's like where 970 00:54:09,360 --> 00:54:10,959 Speaker 1: I was like, I have all my friends are older, 971 00:54:10,960 --> 00:54:12,359 Speaker 1: and it was like Ben Platt, that's like a year 972 00:54:12,360 --> 00:54:18,359 Speaker 1: and a half and I was like, um, but but yeah, 973 00:54:18,440 --> 00:54:20,120 Speaker 1: and I think my parents were like, oh, we can't 974 00:54:20,160 --> 00:54:21,759 Speaker 1: like fully afford a cit a right now, and like 975 00:54:21,760 --> 00:54:23,440 Speaker 1: maybe if they had another kid it would have been it, 976 00:54:23,520 --> 00:54:25,920 Speaker 1: or they would have had friends that had more kids 977 00:54:25,920 --> 00:54:28,279 Speaker 1: and left me with them or anything. Yeah, right, just 978 00:54:28,320 --> 00:54:30,920 Speaker 1: to remark on that it is, I think it is 979 00:54:30,960 --> 00:54:34,760 Speaker 1: a good development. It's a positive thing that like gen 980 00:54:34,880 --> 00:54:37,839 Speaker 1: zers want nothing to do with older people, and it's 981 00:54:37,880 --> 00:54:40,239 Speaker 1: like and that that makes sense because it's like and 982 00:54:40,280 --> 00:54:43,520 Speaker 1: also millennials should not want aspire to be like gen 983 00:54:43,640 --> 00:54:46,279 Speaker 1: zers either. It should it should not go either way 984 00:54:46,320 --> 00:54:48,880 Speaker 1: because it's like if I was in high school and 985 00:54:49,000 --> 00:54:51,440 Speaker 1: like a thirty year old was trying to like mimic me, 986 00:54:51,480 --> 00:54:55,239 Speaker 1: I'd be like, you're fucking weaker. Stop. I feel like 987 00:54:55,360 --> 00:54:58,960 Speaker 1: though millennials looked up to gen X because there was 988 00:54:59,040 --> 00:55:03,839 Speaker 1: aspiration about that generation. Meanwhile, I think that like gen 989 00:55:03,960 --> 00:55:06,480 Speaker 1: Z looks at all the generations above it and it's 990 00:55:06,520 --> 00:55:09,960 Speaker 1: like you all fucked up so bad. I don't want 991 00:55:09,960 --> 00:55:12,480 Speaker 1: anything to do with you or the world that existed before. 992 00:55:12,719 --> 00:55:15,640 Speaker 1: Like it's fucked like we're dealing with so much ship. 993 00:55:15,760 --> 00:55:18,480 Speaker 1: So yeah, that might be why. Like when we when 994 00:55:18,520 --> 00:55:22,720 Speaker 1: we were all younger, like it was like older people 995 00:55:22,719 --> 00:55:24,400 Speaker 1: were cool, you know what I mean, Like even like 996 00:55:24,840 --> 00:55:28,440 Speaker 1: even like the way that like older people played teens, 997 00:55:28,600 --> 00:55:30,520 Speaker 1: you know what I mean, like the entire cast of 998 00:55:30,560 --> 00:55:33,239 Speaker 1: Clueless being in their late twenties or whatever, Like you 999 00:55:33,280 --> 00:55:37,640 Speaker 1: know what I mean, like you wanted to be older literally, 1000 00:55:37,680 --> 00:55:39,640 Speaker 1: like like all those teams was like she's all that 1001 00:55:39,760 --> 00:55:44,000 Speaker 1: or whatever, like Freddie Prince Jr. Being forty always No. 1002 00:55:44,000 --> 00:55:45,680 Speaker 1: Now it's like a different thing where they're like, oh, 1003 00:55:45,719 --> 00:55:48,239 Speaker 1: we fully want like a real person in high school 1004 00:55:48,280 --> 00:55:51,759 Speaker 1: to play a high school or not, like are like that, 1005 00:55:51,840 --> 00:55:55,920 Speaker 1: And it's like we had two children and it's different. Yeah, 1006 00:55:56,080 --> 00:55:58,319 Speaker 1: it felt like you guys were the oldest people that 1007 00:55:58,360 --> 00:56:00,560 Speaker 1: could have been in Book Smart, Like the older it 1008 00:56:00,560 --> 00:56:03,279 Speaker 1: would have been like no way, yes, yes, yes, And 1009 00:56:03,320 --> 00:56:05,759 Speaker 1: we were already like it wasn't okay in some ways, 1010 00:56:07,360 --> 00:56:08,879 Speaker 1: but I know what you mean. Yeah, it's like now 1011 00:56:08,920 --> 00:56:11,360 Speaker 1: I look at how beautiful is it to connect with 1012 00:56:11,360 --> 00:56:13,240 Speaker 1: people your own age. I don't know why. I always 1013 00:56:13,239 --> 00:56:15,920 Speaker 1: had this huge kind of fixation on it, like they 1014 00:56:16,040 --> 00:56:18,800 Speaker 1: deemed me worthy enough or smart enough to be able 1015 00:56:18,840 --> 00:56:21,600 Speaker 1: to like talk to them. And my older friends were like, 1016 00:56:21,600 --> 00:56:23,480 Speaker 1: why are you, Like we don't even think about you 1017 00:56:23,520 --> 00:56:26,120 Speaker 1: as being younger. Sure, well, it felt it felt cool 1018 00:56:26,120 --> 00:56:29,880 Speaker 1: to be like precocious or whatever. Right, Yeah, but um, okay, 1019 00:56:29,920 --> 00:56:32,080 Speaker 1: the other question was besides ancrem and you remember other 1020 00:56:32,440 --> 00:56:34,279 Speaker 1: duties that you guys went to. Yeah, I mean it 1021 00:56:34,360 --> 00:56:36,800 Speaker 1: was always the kind of mackay calm. I feel like 1022 00:56:36,800 --> 00:56:41,959 Speaker 1: it was like to um but I mean, I don't 1023 00:56:41,960 --> 00:56:44,799 Speaker 1: even honestly it's the R rated comedies, but I think 1024 00:56:45,320 --> 00:56:48,400 Speaker 1: for your virgin all those ones, um, those kind of 1025 00:56:48,440 --> 00:56:51,000 Speaker 1: stuck with me. I mean, we definitely saw some romantic 1026 00:56:51,000 --> 00:56:54,440 Speaker 1: ones to not a full like fifty shades, but that 1027 00:56:54,520 --> 00:56:57,719 Speaker 1: was this which is always be able to see. But like, 1028 00:56:57,880 --> 00:57:01,960 Speaker 1: this doesn't work, No, bring your eyes and there's sort 1029 00:57:01,960 --> 00:57:04,600 Speaker 1: of there's a peeking, and it's it doesn't work for 1030 00:57:04,640 --> 00:57:07,560 Speaker 1: the exact reason why why why you're showing which let 1031 00:57:07,560 --> 00:57:11,359 Speaker 1: me explain to the readers. Basically, Molly is covering her face, 1032 00:57:11,360 --> 00:57:13,840 Speaker 1: but you can see in between her sort of middle 1033 00:57:13,840 --> 00:57:17,200 Speaker 1: and index finger there's clearly an eye. So really what 1034 00:57:17,360 --> 00:57:20,440 Speaker 1: she can do is see when I saw Spring Awakening 1035 00:57:20,640 --> 00:57:23,320 Speaker 1: and I'm seeing a full ask mom goes like this 1036 00:57:23,960 --> 00:57:28,080 Speaker 1: in some ways I have a better view of the Okay, 1037 00:57:28,400 --> 00:57:31,200 Speaker 1: did you see Jonathan Grof's ass or Hunter Parrish's ass? No? 1038 00:57:31,280 --> 00:57:34,920 Speaker 1: Better believe I saw both multiple times in it. I 1039 00:57:35,080 --> 00:57:37,200 Speaker 1: wish I had seen John Groff's ass, although you can 1040 00:57:37,240 --> 00:57:38,680 Speaker 1: you've seen you can see it so many times in 1041 00:57:38,680 --> 00:57:41,000 Speaker 1: film and television now. But I saw Hunter Parrish's ass 1042 00:57:41,000 --> 00:57:42,120 Speaker 1: was also it was great. But you can see that 1043 00:57:42,160 --> 00:57:43,760 Speaker 1: in film and television too. They both show their s 1044 00:57:43,800 --> 00:57:50,000 Speaker 1: a lot, which we love perfect. I love asks male 1045 00:57:50,120 --> 00:57:54,520 Speaker 1: celebrity ass. I'm like a connoisseur, like I truly love 1046 00:57:54,640 --> 00:57:58,640 Speaker 1: butts so much. Mm hmm, I love that. I love 1047 00:57:58,680 --> 00:58:01,160 Speaker 1: that for format. I'm here, I'm gonna be brave and 1048 00:58:01,200 --> 00:58:03,680 Speaker 1: say it. Okay. So now we turned, we turned to 1049 00:58:03,760 --> 00:58:07,560 Speaker 1: Rachel Senate and we say, now, what was the culture 1050 00:58:07,760 --> 00:58:12,280 Speaker 1: that made you say culture was for you? Okay? So 1051 00:58:12,360 --> 00:58:16,080 Speaker 1: I thought about this a lot because um Molly and 1052 00:58:16,120 --> 00:58:21,640 Speaker 1: I had a pre call to talk about it. Because 1053 00:58:21,880 --> 00:58:26,360 Speaker 1: because I there was like a mom, I wanted to 1054 00:58:26,400 --> 00:58:28,560 Speaker 1: be like an actress or be in the art since 1055 00:58:28,600 --> 00:58:31,840 Speaker 1: I was little. But when I was growing up, I 1056 00:58:31,880 --> 00:58:34,240 Speaker 1: wasn't allowed to watch a lot of TV and movies, 1057 00:58:34,280 --> 00:58:37,840 Speaker 1: like I wasn't really allowed to watch inappropriate stuff. And 1058 00:58:37,920 --> 00:58:42,840 Speaker 1: so I feel when I was in high school, actually 1059 00:58:42,880 --> 00:58:45,880 Speaker 1: honestly college, when I was first when I first had 1060 00:58:45,920 --> 00:58:49,040 Speaker 1: like a laptop and I could watch stuff. I experienced 1061 00:58:49,040 --> 00:58:55,240 Speaker 1: the movie Lingering, and I said, this is my ship, 1062 00:58:56,440 --> 00:58:59,440 Speaker 1: the kind of stuff that I want to make, I 1063 00:58:59,480 --> 00:59:02,760 Speaker 1: want to be in. I love a movie that's like 1064 00:59:03,000 --> 00:59:07,360 Speaker 1: five girls, one guy. They're walking in Unison, we're listening 1065 00:59:07,400 --> 00:59:10,720 Speaker 1: to slave owls, they're trying to close, they're calling each 1066 00:59:10,760 --> 00:59:14,919 Speaker 1: other bits. That is my head of movie. And I 1067 00:59:14,960 --> 00:59:18,120 Speaker 1: loved it. And I think like that that was when 1068 00:59:18,120 --> 00:59:22,000 Speaker 1: I was like I knew the genre that that I like, yes, 1069 00:59:22,280 --> 00:59:24,600 Speaker 1: oh that's a part. That is such a perfect storry 1070 00:59:24,600 --> 00:59:26,240 Speaker 1: to bring up this word again, but that's a perfect 1071 00:59:26,280 --> 00:59:30,280 Speaker 1: like activating movie. But but this answers the question so perfectly. 1072 00:59:30,320 --> 00:59:32,680 Speaker 1: It is the culture that made you say, I'm going 1073 00:59:32,720 --> 00:59:34,680 Speaker 1: to focus it on bling ering. I mean, but that 1074 00:59:34,760 --> 00:59:37,000 Speaker 1: is the answer, right, because like that is such a 1075 00:59:37,000 --> 00:59:39,640 Speaker 1: good one. Oh my god, slave as You're right, dam 1076 00:59:41,800 --> 00:59:46,800 Speaker 1: is underrated, Sophia. The first scene is like when they're 1077 00:59:46,840 --> 00:59:50,200 Speaker 1: running through the targeting, like yeah, and then it starts 1078 00:59:50,200 --> 00:59:52,720 Speaker 1: with the slave a song and it's like work and 1079 00:59:52,760 --> 00:59:56,440 Speaker 1: you're and it's like it's like like like it's so 1080 00:59:56,520 --> 01:00:01,080 Speaker 1: good a shot, crazy wide shot and stays on that 1081 01:00:01,080 --> 01:00:04,200 Speaker 1: that that one take is that Paris's House. Was there's 1082 01:00:04,240 --> 01:00:07,880 Speaker 1: just that one house, yeah, Paris's House where you just 1083 01:00:07,920 --> 01:00:09,680 Speaker 1: see them, like you see the whole house and all 1084 01:00:09,720 --> 01:00:11,680 Speaker 1: the interiors and they're just like flipping on the lights, 1085 01:00:11,680 --> 01:00:15,160 Speaker 1: which is going in and out genius, so good. Yeah, 1086 01:00:15,160 --> 01:00:16,800 Speaker 1: and you can hear and you see them, and then 1087 01:00:16,800 --> 01:00:18,960 Speaker 1: there's like one person all the way over here and 1088 01:00:19,000 --> 01:00:23,160 Speaker 1: it's like the lightning glass doors. It's great. It's that 1089 01:00:23,320 --> 01:00:26,840 Speaker 1: typical thing too, of like it is a very good 1090 01:00:26,840 --> 01:00:29,360 Speaker 1: Sofia Coppola movie, but they don't list it as one 1091 01:00:29,400 --> 01:00:32,320 Speaker 1: of her best because people don't think that because it's 1092 01:00:32,360 --> 01:00:35,480 Speaker 1: about young people and especially young women, they don't give 1093 01:00:35,520 --> 01:00:37,840 Speaker 1: it the head everything else. And they do the same 1094 01:00:37,880 --> 01:00:40,200 Speaker 1: things with Marie Antoinette, which I believe is her like 1095 01:00:40,240 --> 01:00:44,200 Speaker 1: magnum Opus. And I think that it's actually like maybe 1096 01:00:44,240 --> 01:00:47,120 Speaker 1: her most important work, because I do think that her 1097 01:00:47,360 --> 01:00:50,640 Speaker 1: most important artistic relationship is with Kirsten Dunst, and I 1098 01:00:50,680 --> 01:00:53,520 Speaker 1: think that it's so good and so inventive and so 1099 01:00:54,440 --> 01:00:59,360 Speaker 1: perfect encapsulation of or at least um in her mind, 1100 01:00:59,480 --> 01:01:02,280 Speaker 1: like who this woman might have been, But you don't 1101 01:01:02,320 --> 01:01:05,880 Speaker 1: see it talked about as one of Sofia Coppola's best, 1102 01:01:05,920 --> 01:01:08,200 Speaker 1: like you do lost in translation, because it's not about 1103 01:01:08,200 --> 01:01:10,560 Speaker 1: like a sad older guy, you know what I mean. 1104 01:01:10,600 --> 01:01:13,440 Speaker 1: And I think, like what she's so good at is 1105 01:01:13,560 --> 01:01:18,320 Speaker 1: like really capturing the experience of being a young woman. 1106 01:01:18,680 --> 01:01:22,040 Speaker 1: And I think that that that movie. Like maybe it's 1107 01:01:22,040 --> 01:01:24,240 Speaker 1: because it was about Hollywood too or about this like 1108 01:01:24,560 --> 01:01:28,720 Speaker 1: reality star adjacent group of people. But people sleep on blingering. 1109 01:01:28,920 --> 01:01:32,800 Speaker 1: They really do, they really do. Yeah wait, Molly, were 1110 01:01:32,800 --> 01:01:34,959 Speaker 1: you going to say something about Marie Intranette? I saw 1111 01:01:35,040 --> 01:01:38,959 Speaker 1: your face. No, I just fucking love that movie. Yeah, yeah, 1112 01:01:39,760 --> 01:01:42,200 Speaker 1: she just like it is career than I feel like 1113 01:01:42,200 --> 01:01:45,320 Speaker 1: people give her credit for. Like I think we're all 1114 01:01:45,760 --> 01:01:49,640 Speaker 1: very different. Actually, like she has a like you you 1115 01:01:49,680 --> 01:01:52,160 Speaker 1: can definitely like link all her films, but like she 1116 01:01:52,320 --> 01:01:55,640 Speaker 1: takes like big swings and like takes chances, and I 1117 01:01:55,640 --> 01:01:57,760 Speaker 1: feel like they don't, like they don't. I don't know 1118 01:01:57,760 --> 01:01:59,360 Speaker 1: who they are, but they don't like when she does that. 1119 01:02:00,000 --> 01:02:02,280 Speaker 1: Oh no, you're right, Yeah I haven't. I haven't seen 1120 01:02:02,320 --> 01:02:06,520 Speaker 1: on the Rocks. Her newest one, I Never Saw Somewhere 1121 01:02:07,080 --> 01:02:10,960 Speaker 1: Somewhere is like a tone poem. Yeah, it's it's really 1122 01:02:11,240 --> 01:02:13,680 Speaker 1: sit and it's very it's very much like an actual 1123 01:02:13,840 --> 01:02:16,240 Speaker 1: it's very much like a slice of life, actual of 1124 01:02:16,320 --> 01:02:19,400 Speaker 1: Stephen Dorff's life, Like do you know that Stephen Dorfreak 1125 01:02:19,440 --> 01:02:22,280 Speaker 1: really lives at the Chateau Marmont and like he still does, 1126 01:02:22,480 --> 01:02:25,720 Speaker 1: so he really lives there, and like, um, so it's 1127 01:02:25,760 --> 01:02:29,320 Speaker 1: really like about this guy that's very close to him, 1128 01:02:29,360 --> 01:02:32,120 Speaker 1: and it's got l Fanning and she's really young in 1129 01:02:32,200 --> 01:02:34,880 Speaker 1: it and el Fanning kind of going through a pool. 1130 01:02:35,240 --> 01:02:39,000 Speaker 1: It's like Casablanca singing. It's a kind one I will 1131 01:02:39,040 --> 01:02:43,480 Speaker 1: never be in because we're too loud, Like because you 1132 01:02:43,680 --> 01:02:48,120 Speaker 1: swim too loud, as we speak too loud, we're not 1133 01:02:48,200 --> 01:02:54,320 Speaker 1: gonna get Yeah, I feel like screen acting is just 1134 01:02:54,400 --> 01:03:00,280 Speaker 1: about literally, but you two have done that absolutely. It's 1135 01:03:01,120 --> 01:03:04,200 Speaker 1: full whisper. It is scary when you realize, wait, if 1136 01:03:04,240 --> 01:03:06,120 Speaker 1: I make this tape and I kind of whisper, are 1137 01:03:06,160 --> 01:03:09,800 Speaker 1: they're gonna be into it? Literally everything. It's been a 1138 01:03:09,840 --> 01:03:12,400 Speaker 1: revolution for me in the past like year and a half. 1139 01:03:12,520 --> 01:03:16,000 Speaker 1: Like I I was, I always used to really struggle 1140 01:03:16,360 --> 01:03:18,840 Speaker 1: in auditions, and I never knew what was the problem. 1141 01:03:19,240 --> 01:03:21,800 Speaker 1: And then I just realized, like, oh, I kept getting 1142 01:03:21,800 --> 01:03:24,360 Speaker 1: a note like throw it away, throw it away, you're 1143 01:03:24,360 --> 01:03:26,240 Speaker 1: too big, you're too big, because I think it's because 1144 01:03:26,240 --> 01:03:27,840 Speaker 1: we are I mean, Rachel and knows, like we are 1145 01:03:27,880 --> 01:03:30,920 Speaker 1: truly creatures of the New York stage. So it's like, 1146 01:03:31,280 --> 01:03:34,360 Speaker 1: you know, like I didn't have acting training, Like I 1147 01:03:34,440 --> 01:03:37,640 Speaker 1: learned how to be effective on stage from screaming in 1148 01:03:37,680 --> 01:03:41,160 Speaker 1: a basement. So it was like and and like my 1149 01:03:41,240 --> 01:03:44,280 Speaker 1: big tomb face was like a skill of mine. And 1150 01:03:44,320 --> 01:03:46,760 Speaker 1: so it was just like when it when it comes 1151 01:03:46,800 --> 01:03:50,320 Speaker 1: to on camera acting, like I didn't realize really what 1152 01:03:50,400 --> 01:03:52,560 Speaker 1: that ever meant and then throw it away. It's it's 1153 01:03:52,600 --> 01:03:56,760 Speaker 1: just truly like you having to understand that, like by 1154 01:03:56,880 --> 01:04:00,280 Speaker 1: thinking it, you do it like it's so weird, but 1155 01:04:00,360 --> 01:04:03,200 Speaker 1: it doesn't. It almost doesn't feel right. Like sometimes I'll 1156 01:04:03,240 --> 01:04:05,400 Speaker 1: leave auditions and feel like but I didn't do anything, 1157 01:04:06,040 --> 01:04:08,680 Speaker 1: and those are the ones that go, well, it's so weird. 1158 01:04:09,760 --> 01:04:11,160 Speaker 1: But it's good that you guys are all doing this 1159 01:04:11,160 --> 01:04:13,560 Speaker 1: snap because I not to like say, like what is me? 1160 01:04:13,640 --> 01:04:16,000 Speaker 1: But I feel like I'm fucked because I am working 1161 01:04:16,040 --> 01:04:19,360 Speaker 1: in this place where it's like you scream loud and 1162 01:04:19,360 --> 01:04:22,440 Speaker 1: you read off of a white paper card and like 1163 01:04:22,520 --> 01:04:26,840 Speaker 1: that that's not how it works anywhere else. I actually was, 1164 01:04:26,920 --> 01:04:28,560 Speaker 1: so first of all, I have to shout you out 1165 01:04:28,560 --> 01:04:31,000 Speaker 1: because you brought the house down and or an icon 1166 01:04:31,080 --> 01:04:36,080 Speaker 1: and we're so unbelievable in the last episode, like tucking believable, 1167 01:04:36,120 --> 01:04:39,200 Speaker 1: like life changing performance. But you had so many levels 1168 01:04:39,200 --> 01:04:42,560 Speaker 1: in that vocally, I phone really you did. There was 1169 01:04:42,600 --> 01:04:44,080 Speaker 1: the only one you were like I turned around, like 1170 01:04:45,280 --> 01:04:47,880 Speaker 1: and like there was like the small moment. But but 1171 01:04:47,880 --> 01:04:50,120 Speaker 1: but it is true though, like remember one time, like 1172 01:04:50,320 --> 01:04:53,040 Speaker 1: it's non transferable credits. It's like, yeah, whatever, but well, 1173 01:04:53,080 --> 01:04:55,480 Speaker 1: what that's not really true though, because Kristen Wigg is 1174 01:04:55,520 --> 01:04:58,080 Speaker 1: super small and she was like on that show and 1175 01:04:58,320 --> 01:05:01,240 Speaker 1: was so big right like there, but like I'm not 1176 01:05:01,280 --> 01:05:03,640 Speaker 1: a Christian Wegg where i can like switch the gear 1177 01:05:03,680 --> 01:05:06,240 Speaker 1: in my head because I'm gonna like I'm truly bringing 1178 01:05:06,320 --> 01:05:09,040 Speaker 1: like I am bringing this to other places and I'm 1179 01:05:09,040 --> 01:05:11,880 Speaker 1: realizing that it's like it's actually not normal, like I 1180 01:05:12,000 --> 01:05:15,920 Speaker 1: like not to I'm sorry, but but like I finished 1181 01:05:15,960 --> 01:05:18,160 Speaker 1: Saturday at us to Know, and then on Monday, I 1182 01:05:18,160 --> 01:05:20,320 Speaker 1: went into North from Queens and then I was like 1183 01:05:20,600 --> 01:05:23,280 Speaker 1: and then I didn't get the know, but I told 1184 01:05:23,360 --> 01:05:26,160 Speaker 1: I clocked myself being like you're being too loud, you're 1185 01:05:26,160 --> 01:05:28,440 Speaker 1: being too big, and this is this is a different 1186 01:05:28,480 --> 01:05:31,880 Speaker 1: thing and you've got you gotta keep it whisper not whisper, 1187 01:05:31,960 --> 01:05:35,920 Speaker 1: but like it is the crazy realization. And Molly's probably 1188 01:05:35,920 --> 01:05:37,320 Speaker 1: known this for a while, but I feel like, yes, 1189 01:05:37,520 --> 01:05:39,680 Speaker 1: but me and Rachel and Matt have probably like been 1190 01:05:39,760 --> 01:05:45,800 Speaker 1: to like indoctorated and like the attention. Yeah yeah, well 1191 01:05:45,800 --> 01:05:48,320 Speaker 1: it's like the back that you're at Union Hall. There's 1192 01:05:48,360 --> 01:05:53,280 Speaker 1: like people being like a beer beer and you're like 1193 01:05:53,320 --> 01:05:58,520 Speaker 1: what it's so yeah, Rachel, weren't you a hammer cat? No? No, 1194 01:05:58,800 --> 01:06:02,040 Speaker 1: what I got called back did not make it into 1195 01:06:02,040 --> 01:06:05,440 Speaker 1: the group. Oh that's that's not my legacy that I 1196 01:06:05,600 --> 01:06:08,200 Speaker 1: like to leave. I I don't like that. I I 1197 01:06:08,240 --> 01:06:12,360 Speaker 1: want to go speak to them. It's okay, that's do 1198 01:06:12,400 --> 01:06:14,640 Speaker 1: you know what. Actually I'm greatful because that's why I 1199 01:06:14,640 --> 01:06:17,920 Speaker 1: started doing stand up is because I didn't get so 1200 01:06:17,960 --> 01:06:20,760 Speaker 1: then I said I want to perform somewhere. Then I 1201 01:06:20,880 --> 01:06:26,600 Speaker 1: met Moss and everyone's like this guy mosses. I love Moss, 1202 01:06:26,840 --> 01:06:32,640 Speaker 1: and then um, we would do open Mice together. Paracone, Yes, Paraconi, 1203 01:06:32,680 --> 01:06:37,520 Speaker 1: percone Parci Paraconi the best because it's because we used 1204 01:06:37,520 --> 01:06:41,280 Speaker 1: to we're used to reading it, I know. And honestly, 1205 01:06:41,280 --> 01:06:45,720 Speaker 1: another after of online you're used to reading them on 1206 01:06:45,760 --> 01:06:50,720 Speaker 1: the show poster or on Twitter. Moss permanently deleted Twitter. 1207 01:06:51,480 --> 01:06:56,440 Speaker 1: Good for half for how long did you know? Gone? 1208 01:06:56,520 --> 01:06:59,480 Speaker 1: His account is gone? All right, great? Great? Great? Here 1209 01:06:59,520 --> 01:07:03,840 Speaker 1: I needed pro Also, Emma Watson. Whenever anyone's like Emma 1210 01:07:03,880 --> 01:07:05,760 Speaker 1: Watson is not great, I'm like, well you didn't see 1211 01:07:05,760 --> 01:07:10,880 Speaker 1: the bling ring? When when you can say multiple lines 1212 01:07:10,960 --> 01:07:15,080 Speaker 1: that like people say again, first of all, I want 1213 01:07:15,080 --> 01:07:21,880 Speaker 1: to rob Yeah, girls, it's time for your aderall. There's 1214 01:07:22,040 --> 01:07:24,439 Speaker 1: so many lines in that movie that I just say 1215 01:07:24,560 --> 01:07:28,400 Speaker 1: alone to myself when I think I'm going to politics 1216 01:07:28,640 --> 01:07:32,120 Speaker 1: or something like that. Rachel playing this and like the 1217 01:07:32,520 --> 01:07:35,680 Speaker 1: musical version, I'm kind of kind of maybe be really 1218 01:07:35,840 --> 01:07:41,560 Speaker 1: compelling and interesting. Yes as a play, maybe even the play, 1219 01:07:41,760 --> 01:07:44,480 Speaker 1: But when were you aware of it as a true 1220 01:07:44,600 --> 01:07:48,640 Speaker 1: story when you watched it the first time? I remember 1221 01:07:48,800 --> 01:07:53,040 Speaker 1: seeing the trailer. I watched the trailer obsessively because I 1222 01:07:53,120 --> 01:07:56,240 Speaker 1: loved I love when it's like candy, do you know 1223 01:07:56,280 --> 01:08:00,640 Speaker 1: what I mean? Where you like pops out? Yeah? And 1224 01:08:00,680 --> 01:08:07,480 Speaker 1: then I um looked up that it was it said 1225 01:08:07,520 --> 01:08:09,880 Speaker 1: I think it said like based on true events or something, 1226 01:08:09,960 --> 01:08:12,720 Speaker 1: and then I looked up the videos and then I 1227 01:08:12,800 --> 01:08:15,240 Speaker 1: knew that going in. Yeah, and then I knew the 1228 01:08:15,240 --> 01:08:22,759 Speaker 1: Alexis Nyers video. They Yeah, Nancy, this is Alexis Nyres calling. 1229 01:08:23,000 --> 01:08:25,559 Speaker 1: I just wanted to say, I'm so disappointed. I gotta still. 1230 01:08:25,600 --> 01:08:29,400 Speaker 1: I gotta say. It ends like in a really heartbreaking way. Well, yeah, 1231 01:08:29,439 --> 01:08:31,719 Speaker 1: she's like, She's like, you don't know that, I'm becoming 1232 01:08:31,760 --> 01:08:35,000 Speaker 1: like a little girl, no, a young woman. It's like, 1233 01:08:35,040 --> 01:08:38,439 Speaker 1: how this poor girl Alexis And then it got really 1234 01:08:38,520 --> 01:08:41,000 Speaker 1: rough for her and then now she's okay, and now 1235 01:08:41,040 --> 01:08:42,600 Speaker 1: she's okay. And when she was on when she was 1236 01:08:42,600 --> 01:08:44,800 Speaker 1: on Zoe's Live over the summer, I was like, oh, 1237 01:08:44,840 --> 01:08:47,720 Speaker 1: she's she's she seems like she's doing well. That was 1238 01:08:47,800 --> 01:08:50,519 Speaker 1: her problem. Maybe it wasn't her Saturn return, but that 1239 01:08:50,720 --> 01:08:55,639 Speaker 1: was her. And the only way is through. Oh my god, 1240 01:08:56,120 --> 01:09:02,960 Speaker 1: the only way is through again, the only ways through, 1241 01:09:03,200 --> 01:09:04,639 Speaker 1: The only way is through. It might be the title 1242 01:09:04,680 --> 01:09:07,120 Speaker 1: of that. I love that. I love that. Wait before 1243 01:09:07,120 --> 01:09:09,720 Speaker 1: we move on, I want to know, Molly. I want 1244 01:09:09,720 --> 01:09:13,080 Speaker 1: to ask about this Lakers show. What can you say 1245 01:09:13,120 --> 01:09:14,960 Speaker 1: about it? Is it about the l a Lakers in 1246 01:09:15,000 --> 01:09:19,599 Speaker 1: the seventies. Yeah, it's about the It's about Magic Johnson 1247 01:09:19,920 --> 01:09:24,599 Speaker 1: joining the team in nine and Jerry Buss buying the Lakers. Um, 1248 01:09:25,040 --> 01:09:28,240 Speaker 1: but I haven't I start on Friday. It has not. 1249 01:09:29,600 --> 01:09:31,960 Speaker 1: We were supposed to shoot a year ago, but then 1250 01:09:32,000 --> 01:09:35,599 Speaker 1: we pushed for COVID for a year. So so I'm 1251 01:09:35,640 --> 01:09:37,960 Speaker 1: kind of like, maybe it'll stop Friday, or maybe it'll 1252 01:09:38,000 --> 01:09:40,240 Speaker 1: start at seventy five years. I'm not sure you're gonna 1253 01:09:40,240 --> 01:09:43,520 Speaker 1: start on Friday. Oh and how long is the shoot? 1254 01:09:43,800 --> 01:09:51,400 Speaker 1: It's until I think it's like until October, October, November. Um, 1255 01:09:51,439 --> 01:09:54,160 Speaker 1: but it'll be, it'll be. It's such a fun time 1256 01:09:54,200 --> 01:09:57,600 Speaker 1: period and the music and the costume and it's HBO 1257 01:09:58,040 --> 01:10:04,000 Speaker 1: and it's HBO and and it's gorgeous men playing basketball players. 1258 01:10:03,120 --> 01:10:08,759 Speaker 1: We have Bo Burnham playing Larry Bird. Oh that's great casting, 1259 01:10:09,160 --> 01:10:12,360 Speaker 1: right though, breaking breaking the internet in some ways with that, 1260 01:10:12,600 --> 01:10:18,360 Speaker 1: with with that casting, he's lovely. But we we met 1261 01:10:18,439 --> 01:10:20,840 Speaker 1: him very briefly multr Fest. We didn't meet him. Yeah, 1262 01:10:21,040 --> 01:10:24,360 Speaker 1: I'm obsessed with during him. Yeah, he's great. He's really 1263 01:10:24,360 --> 01:10:27,759 Speaker 1: really good. That be that talented an actor, that talented 1264 01:10:27,760 --> 01:10:29,880 Speaker 1: a writer, that talented a director and seemed like such 1265 01:10:29,920 --> 01:10:32,680 Speaker 1: a good person, like I don't know it, and that 1266 01:10:32,720 --> 01:10:35,680 Speaker 1: talented a comedian stand up, but then also like understand 1267 01:10:35,720 --> 01:10:38,160 Speaker 1: the inner mind of like an eighth grade girl. Yeah, 1268 01:10:38,320 --> 01:10:43,560 Speaker 1: it's crazy. That movie is so incredible. I couldn't believe 1269 01:10:44,439 --> 01:10:47,160 Speaker 1: how good that movie was. Eighth grade. Yeah, that was 1270 01:10:47,240 --> 01:10:48,760 Speaker 1: That was another one that I was just like and 1271 01:10:48,760 --> 01:10:51,200 Speaker 1: talking about visual style and wanting to eat the movie. 1272 01:10:51,720 --> 01:10:54,920 Speaker 1: Like that movie was like and the music. Remember the 1273 01:10:55,000 --> 01:10:58,160 Speaker 1: scene where like it's like the hot kid and he's 1274 01:10:58,160 --> 01:11:00,880 Speaker 1: like such a child, Like he comes out of the 1275 01:11:00,880 --> 01:11:03,160 Speaker 1: pool and he's got those like like blue eyes and 1276 01:11:03,200 --> 01:11:06,400 Speaker 1: like they do like that sexy like dubstep music and 1277 01:11:06,479 --> 01:11:09,720 Speaker 1: you're like I was screaming laughing because I'm like, yes, 1278 01:11:09,840 --> 01:11:12,920 Speaker 1: this was the kid. Yes, this is the feeling of 1279 01:11:12,960 --> 01:11:16,240 Speaker 1: seeing the kid, like sexualizing the kid in this way 1280 01:11:16,280 --> 01:11:18,920 Speaker 1: that's for comedy, but also like you do get it, 1281 01:11:19,040 --> 01:11:23,320 Speaker 1: like like it's so funny. But also the lighting of 1282 01:11:23,360 --> 01:11:25,880 Speaker 1: that movie, like the heat. I feel like I've never 1283 01:11:25,920 --> 01:11:30,360 Speaker 1: seen just like a dark room with your your face 1284 01:11:30,439 --> 01:11:36,040 Speaker 1: and that's to so many people that like live with 1285 01:11:36,200 --> 01:11:41,280 Speaker 1: that and like I haven't really seen that explored. Yeah, 1286 01:11:41,320 --> 01:11:45,320 Speaker 1: it's very sad. Sad when the dad is trying to 1287 01:11:45,320 --> 01:11:46,840 Speaker 1: talk to her at dinner and she has the head 1288 01:11:46,840 --> 01:11:51,240 Speaker 1: conson and she's like what and I'm like, don't want 1289 01:11:52,080 --> 01:11:56,920 Speaker 1: but like sits up. Oh my god. That's how too. 1290 01:11:57,000 --> 01:12:01,240 Speaker 1: That's like your first round of how First her anxiety 1291 01:12:01,240 --> 01:12:03,479 Speaker 1: attack that she has at the pool party, I was like, 1292 01:12:03,600 --> 01:12:06,439 Speaker 1: oh my god. I couldn't believe that a straight man 1293 01:12:06,600 --> 01:12:09,120 Speaker 1: was that was responsible for capturing this. I was like, 1294 01:12:09,560 --> 01:12:14,920 Speaker 1: this is so real, like that moment of panic, just 1295 01:12:15,120 --> 01:12:19,840 Speaker 1: appearing in a swimsuit with your peers like man who 1296 01:12:20,760 --> 01:12:24,679 Speaker 1: follows you to into adulthood kind of in a major 1297 01:12:24,760 --> 01:12:28,400 Speaker 1: way in and also the end of that movie too, 1298 01:12:28,400 --> 01:12:30,800 Speaker 1: where she's like do you think do you think I'm 1299 01:12:30,840 --> 01:12:32,760 Speaker 1: a loser or something? Or she says and he's like, 1300 01:12:32,800 --> 01:12:35,280 Speaker 1: I think you're so cool and he's telling his daughter 1301 01:12:35,360 --> 01:12:39,160 Speaker 1: he thinks she's so cool. Oh my god. And then 1302 01:12:39,200 --> 01:12:41,040 Speaker 1: the little date that she has, that little dinner date 1303 01:12:41,080 --> 01:12:46,759 Speaker 1: that she has with that kid. Jones deserves to be 1304 01:12:47,080 --> 01:12:50,120 Speaker 1: put in heaven for the rest of her life, Like 1305 01:12:50,240 --> 01:12:54,679 Speaker 1: what the fuck, let's shout out miss Alison Jones. Iconic 1306 01:12:54,680 --> 01:12:58,240 Speaker 1: casting direction. I had one meeting with her, nothing came 1307 01:12:58,280 --> 01:13:03,840 Speaker 1: of it, but I enjoyed my experience. She's lovely, like 1308 01:13:03,920 --> 01:13:07,800 Speaker 1: the people that are those people not just yeah yeah, yeah, 1309 01:13:08,000 --> 01:13:11,080 Speaker 1: she cast um to force the animated show I wrote. 1310 01:13:11,200 --> 01:13:13,400 Speaker 1: I wrote on it. She she doesn't amazing job. Yeah 1311 01:13:14,080 --> 01:13:15,720 Speaker 1: I was. I was writing for a show that she 1312 01:13:15,880 --> 01:13:21,639 Speaker 1: cast that's animated. More to come on that one. But listen, 1313 01:13:21,800 --> 01:13:23,160 Speaker 1: I think we need to go into I don't think 1314 01:13:23,160 --> 01:13:25,080 Speaker 1: so honey, just because I know that we're all going 1315 01:13:25,120 --> 01:13:28,040 Speaker 1: to promote, provoke conversation with ours, and I know that 1316 01:13:28,160 --> 01:13:31,759 Speaker 1: this is going to um going to be a stirring 1317 01:13:32,120 --> 01:13:41,960 Speaker 1: group of I don't think so Honey's. Yes, I agree, 1318 01:13:42,000 --> 01:13:44,160 Speaker 1: we're going to store conversation. Matt, do you have one? 1319 01:13:44,200 --> 01:13:46,920 Speaker 1: Would you like to go first? Yes? I have one 1320 01:13:47,080 --> 01:13:50,439 Speaker 1: and I can go first. Okay, um, when you get 1321 01:13:50,800 --> 01:13:53,599 Speaker 1: the timer up, this is Matt Rodgers. I don't think 1322 01:13:53,640 --> 01:13:56,920 Speaker 1: so honey, and his time starts now. I don't think 1323 01:13:56,960 --> 01:14:01,280 Speaker 1: so honey. Froyo ice cream is better. Sorry about it, 1324 01:14:01,720 --> 01:14:04,120 Speaker 1: but if I'm gonna be out here eating any frozen 1325 01:14:04,200 --> 01:14:06,479 Speaker 1: tree or dessert, it's gonna be ice cream. It's not 1326 01:14:06,560 --> 01:14:09,080 Speaker 1: gonna be frozen yogurt. Ah. So I'm sorry, but I 1327 01:14:09,120 --> 01:14:10,840 Speaker 1: don't think so honey fro yo. I can't look at 1328 01:14:10,880 --> 01:14:13,120 Speaker 1: you the same anymore. After I watched Emmi Lavado use 1329 01:14:13,160 --> 01:14:15,559 Speaker 1: the words fro Yo upwards of fifty times in an 1330 01:14:15,600 --> 01:14:18,799 Speaker 1: eight minute long apology video, where she said the sentence 1331 01:14:19,040 --> 01:14:21,439 Speaker 1: when I messaged the fro Yo shop dot dot dot, 1332 01:14:21,680 --> 01:14:24,719 Speaker 1: like I said, Froyo has jumped the shark. Unfortunately, Demi 1333 01:14:24,800 --> 01:14:28,160 Speaker 1: Lavado have ruined frozen yogurt for me? Should say thro 1334 01:14:28,360 --> 01:14:34,479 Speaker 1: Yo for us all. Maybe she's right, Maybe shops, maybe 1335 01:14:34,520 --> 01:14:37,200 Speaker 1: the big shows should shut right down and we should 1336 01:14:37,200 --> 01:14:40,600 Speaker 1: open a soft and straw. Maybe we need a Jenny's. 1337 01:14:41,000 --> 01:14:43,960 Speaker 1: Maybe we need a Scoops, which was my hometown ice 1338 01:14:44,000 --> 01:14:47,679 Speaker 1: cream place. I'm sorry, but search your memories of childhood. 1339 01:14:47,920 --> 01:14:49,840 Speaker 1: Do you have memories of ice cream? Or do you 1340 01:14:49,920 --> 01:14:53,200 Speaker 1: have memories of fro Yo? Memories of ice cream? It 1341 01:14:53,320 --> 01:14:56,800 Speaker 1: is the blueprint for fro Yo ice cream. First, I 1342 01:14:56,840 --> 01:15:01,240 Speaker 1: don't think so, honey, And that's one minute. I'm I, 1343 01:15:01,280 --> 01:15:06,080 Speaker 1: I'm in, I'm I feel that ice cream tastes better. 1344 01:15:06,600 --> 01:15:11,120 Speaker 1: Ice creams, flavors are more real feeling, you know what 1345 01:15:11,200 --> 01:15:13,760 Speaker 1: I mean. Like it's just like fro you. I just 1346 01:15:13,880 --> 01:15:16,680 Speaker 1: feel like I don't I don't get really get it. 1347 01:15:16,880 --> 01:15:19,080 Speaker 1: And also yogurt I don't like, so why would I 1348 01:15:19,160 --> 01:15:23,360 Speaker 1: like it frozen? Well? We we love yogurt you can 1349 01:15:23,360 --> 01:15:28,160 Speaker 1: speak for your fucking self. I love yogurt. Well, wait, 1350 01:15:28,280 --> 01:15:34,160 Speaker 1: can I ask whoa? Who? WHOA? I have a breakdown? 1351 01:15:35,600 --> 01:15:39,439 Speaker 1: You can ask a question and wait the top back begins. Now, yes, 1352 01:15:39,520 --> 01:15:42,920 Speaker 1: I'm now filding questions. Whoa wait? So do you mean 1353 01:15:43,400 --> 01:15:47,120 Speaker 1: you mean yogurt yogurt or frozen yogurt? Well I don't 1354 01:15:47,160 --> 01:15:49,920 Speaker 1: think so, honey was frozen yogurt? I like playing you 1355 01:15:50,160 --> 01:15:56,160 Speaker 1: Greek yogurt with um, you know a little bit granola berry, honey, lovely, lovely, 1356 01:15:56,240 --> 01:16:00,160 Speaker 1: lovely treats. That simulates ice cream in some ways. But 1357 01:16:00,280 --> 01:16:04,240 Speaker 1: froyo is tough because it's it's like pancakes almost. It's 1358 01:16:04,280 --> 01:16:06,400 Speaker 1: like the idea sounds great, and then once you're like 1359 01:16:06,560 --> 01:16:09,479 Speaker 1: in it, it really kind of doesn't hold up because 1360 01:16:09,520 --> 01:16:11,640 Speaker 1: it's never gonna be ice cream, and it's trying to 1361 01:16:11,720 --> 01:16:16,400 Speaker 1: be ice cream, and she's never trying to be ice cream. Now, well, 1362 01:16:16,439 --> 01:16:18,960 Speaker 1: I actually dressed up in all these flavors. Then why 1363 01:16:19,080 --> 01:16:21,840 Speaker 1: is she saying I'm strawberry, I'm vanilla, I'm chocolate. Why 1364 01:16:21,960 --> 01:16:23,840 Speaker 1: is she saying you can cover me and all these things? 1365 01:16:24,240 --> 01:16:27,000 Speaker 1: If McDonald's soft serve, what where where are we putting 1366 01:16:27,040 --> 01:16:31,240 Speaker 1: that ice cream. Ice cream the best ice cream. But 1367 01:16:31,560 --> 01:16:35,000 Speaker 1: even though it's it's like quorling like that, it doesn't 1368 01:16:35,040 --> 01:16:38,280 Speaker 1: matter what soft serve ice cream. Now, now we're getting 1369 01:16:38,320 --> 01:16:40,160 Speaker 1: into the distinction. And so thank you for teeing up 1370 01:16:41,880 --> 01:16:45,040 Speaker 1: taking up this distinction, which is ice cream can be 1371 01:16:45,200 --> 01:16:49,360 Speaker 1: both hard scoop or soft serve. It can be both 1372 01:16:49,560 --> 01:16:56,920 Speaker 1: frozen yogurt certainly can't scoop it triangle or rectangle square. 1373 01:16:58,439 --> 01:17:02,360 Speaker 1: It's not versatile and off. And I'm telling you Demilovado 1374 01:17:02,520 --> 01:17:05,400 Speaker 1: like she may have a point, that queen, that queen 1375 01:17:05,479 --> 01:17:07,320 Speaker 1: may have had a point. This time, I need to 1376 01:17:07,400 --> 01:17:09,120 Speaker 1: say one more thing that you talked about in our 1377 01:17:09,280 --> 01:17:11,920 Speaker 1: opening thing before we came in. I fucking hate on 1378 01:17:12,040 --> 01:17:14,559 Speaker 1: like TV shows when people don't eat, when people are 1379 01:17:14,600 --> 01:17:18,360 Speaker 1: like just playing with the ice cream. Eat that so 1380 01:17:18,880 --> 01:17:23,200 Speaker 1: eat it. Just get it. What a gift. Yeah, So 1381 01:17:23,400 --> 01:17:26,720 Speaker 1: this this is this actually is an interesting thing. So 1382 01:17:26,920 --> 01:17:30,280 Speaker 1: Bowen and I recently did the summer campaign for Bonobo's, 1383 01:17:31,080 --> 01:17:34,759 Speaker 1: so that's going to be hitting the internet and screens 1384 01:17:34,840 --> 01:17:38,160 Speaker 1: and store storefronts very soon. But they handed us ice 1385 01:17:38,240 --> 01:17:42,120 Speaker 1: cream for one of the shots. Bowen, we ate it, 1386 01:17:42,520 --> 01:17:44,360 Speaker 1: we ate it all. When I tell you, I I 1387 01:17:44,800 --> 01:17:47,639 Speaker 1: ate three whole cones because because what a gift. Because 1388 01:17:48,200 --> 01:17:50,559 Speaker 1: a gift. And I never am eating this stuff because 1389 01:17:50,560 --> 01:17:53,559 Speaker 1: I'm trying. I'm trying to be hashtag like body contrast. 1390 01:17:53,600 --> 01:17:56,439 Speaker 1: I'm trying to like be good about like what I 1391 01:17:56,520 --> 01:17:57,960 Speaker 1: put in my body and like I am being a 1392 01:17:58,000 --> 01:17:59,760 Speaker 1: little bit of a psycho and like summer's coming up, 1393 01:18:00,000 --> 01:18:02,120 Speaker 1: I need anything bad. Like it's not good. I'm not 1394 01:18:02,240 --> 01:18:04,519 Speaker 1: saying I'm right, but it is the way I am. 1395 01:18:05,160 --> 01:18:07,320 Speaker 1: Um for better or worse than. Like they handed us 1396 01:18:07,360 --> 01:18:09,200 Speaker 1: that ice cream and I was like, well, it's for work. 1397 01:18:09,640 --> 01:18:11,960 Speaker 1: So then it was just like I was like shoveling 1398 01:18:12,160 --> 01:18:15,519 Speaker 1: it down and I think I eat like three cones 1399 01:18:15,800 --> 01:18:17,360 Speaker 1: and they were like, Okay, we need to take that 1400 01:18:17,439 --> 01:18:19,320 Speaker 1: one because for the shot you need to be holding 1401 01:18:19,360 --> 01:18:20,920 Speaker 1: a fresh one. And I was like, well, I'm not 1402 01:18:21,040 --> 01:18:22,760 Speaker 1: done with this one, and they're like, yeah, but it's 1403 01:18:22,840 --> 01:18:25,000 Speaker 1: for the picture, it's not for you, and I was like, 1404 01:18:25,320 --> 01:18:27,920 Speaker 1: well hold on, And so I ate that we were 1405 01:18:27,960 --> 01:18:31,439 Speaker 1: eating cotton candy on set. I'm ready to see these 1406 01:18:31,479 --> 01:18:35,320 Speaker 1: photos will be fun. They came out good. I love 1407 01:18:36,080 --> 01:18:40,599 Speaker 1: eating in a photo, yeah I do, And I honestly 1408 01:18:40,720 --> 01:18:43,240 Speaker 1: love to be honest, I do my best acting if 1409 01:18:43,240 --> 01:18:46,400 Speaker 1: I'm eating while I'm acting, because there's no way to fake. 1410 01:18:46,560 --> 01:18:49,559 Speaker 1: There's no way to fake like authenticity. There's it's it's 1411 01:18:49,560 --> 01:18:51,920 Speaker 1: just real, real, it's really you eat the way that 1412 01:18:52,120 --> 01:18:55,120 Speaker 1: you eat, and then naturally everything comes out the way 1413 01:18:55,200 --> 01:18:58,120 Speaker 1: that I guess. The only thing with that though, is 1414 01:18:58,200 --> 01:19:00,080 Speaker 1: it's a little bit of a continuity nightmare. Like I 1415 01:19:00,200 --> 01:19:02,479 Speaker 1: was wondering about that shooting Shiva Baby because there's so 1416 01:19:02,560 --> 01:19:04,720 Speaker 1: much food in the movie, Like, did you ever do 1417 01:19:04,760 --> 01:19:06,280 Speaker 1: you have to be like very conscious about like the 1418 01:19:06,320 --> 01:19:09,800 Speaker 1: continuity of it all. I will say, the bagel, the 1419 01:19:10,280 --> 01:19:14,080 Speaker 1: everything sat out in the house, which again no air conditioning, 1420 01:19:14,560 --> 01:19:19,800 Speaker 1: so it was kind of we the it's expensive the food, 1421 01:19:20,200 --> 01:19:24,599 Speaker 1: and so like we had the same food and then um, 1422 01:19:25,400 --> 01:19:30,800 Speaker 1: the like set person, the like designer would put stuff 1423 01:19:30,840 --> 01:19:33,000 Speaker 1: in the fridge in between takes. It wouldn't go bad. 1424 01:19:33,360 --> 01:19:35,640 Speaker 1: But why the time I was eating the bagel and 1425 01:19:35,720 --> 01:19:38,560 Speaker 1: the locks, they were like, don't put the locks in 1426 01:19:38,600 --> 01:19:41,320 Speaker 1: your mouth, So I don't put the other side of 1427 01:19:41,360 --> 01:19:44,160 Speaker 1: the bagel into my mouth. And that's a and that's 1428 01:19:44,160 --> 01:19:46,080 Speaker 1: a technical thing that you have to think about while 1429 01:19:46,080 --> 01:19:49,519 Speaker 1: you're Yeah, there's an extra layer to that, but wait, 1430 01:19:49,560 --> 01:19:55,040 Speaker 1: what was this house ditmas park? Yes, yes, lovely. I 1431 01:19:55,200 --> 01:19:57,000 Speaker 1: was really impressed with you on that scene, by the way, 1432 01:19:57,040 --> 01:19:59,320 Speaker 1: because that was one shot and when you went all 1433 01:19:59,360 --> 01:20:01,280 Speaker 1: the way up and did the bagel, I'm like, what 1434 01:20:01,360 --> 01:20:03,120 Speaker 1: if she was like freaking out and couldn't butter the 1435 01:20:03,200 --> 01:20:07,760 Speaker 1: bagel like she really did that one. I thought that 1436 01:20:07,880 --> 01:20:11,000 Speaker 1: that scene with the buttering and the or the schmearring 1437 01:20:11,600 --> 01:20:16,200 Speaker 1: and the adding of the everything onto the bagel, I 1438 01:20:16,240 --> 01:20:19,519 Speaker 1: thought that was well done. But that was when you're like, 1439 01:20:20,600 --> 01:20:23,800 Speaker 1: when you're doing and you don't even really have to 1440 01:20:24,160 --> 01:20:31,160 Speaker 1: like you to open the really stress you know, the 1441 01:20:31,280 --> 01:20:36,480 Speaker 1: character is focused on the schmearring, not the acting, right exactly. 1442 01:20:38,720 --> 01:20:41,439 Speaker 1: All right, Well that's my attack on Froyo for today. 1443 01:20:41,520 --> 01:20:44,360 Speaker 1: It feels like I have some people on my side. Um, 1444 01:20:44,960 --> 01:20:47,240 Speaker 1: bone Yang, are you ready for your out and think 1445 01:20:47,280 --> 01:20:50,880 Speaker 1: so honey, I'm ready. I'm ready. Okay, that's good because 1446 01:20:51,040 --> 01:20:55,160 Speaker 1: your time bone Yang starts now. I don't think so, 1447 01:20:55,240 --> 01:20:59,000 Speaker 1: honey peeing into a cup Honey. Went to the doctor today. 1448 01:20:59,040 --> 01:21:01,880 Speaker 1: First of all, got blood work done. Didn't have the 1449 01:21:02,040 --> 01:21:05,639 Speaker 1: heart to tell Trevor my p A that I forgot 1450 01:21:05,680 --> 01:21:08,240 Speaker 1: about the blood work, and then I ate already this morning, 1451 01:21:08,280 --> 01:21:10,760 Speaker 1: so that's gonna come out all drinking. But then he 1452 01:21:10,920 --> 01:21:13,720 Speaker 1: hands me the cup, he goes go into the bathroom, 1453 01:21:13,960 --> 01:21:17,080 Speaker 1: drop it off at the window. What a mortified I mean, 1454 01:21:17,560 --> 01:21:21,120 Speaker 1: it just feels so unnatural to pee inside a cup, 1455 01:21:21,280 --> 01:21:24,360 Speaker 1: and then to be confronted with like, you can you 1456 01:21:25,080 --> 01:21:27,960 Speaker 1: smell your piss guaranteed if you're peeing into a cup, 1457 01:21:28,000 --> 01:21:31,760 Speaker 1: if it's not a big old toilet bowl or a 1458 01:21:31,880 --> 01:21:34,320 Speaker 1: squatter thing. If you're in parts of Europe or Asia, 1459 01:21:35,439 --> 01:21:37,439 Speaker 1: thank god, you don't have to smell your own urine. 1460 01:21:37,560 --> 01:21:39,519 Speaker 1: But if it's in a cup, if you didn't smell it, 1461 01:21:39,640 --> 01:21:41,280 Speaker 1: you gotta screw the lid on. You gotta make sure 1462 01:21:41,280 --> 01:21:43,280 Speaker 1: the tapes on right. It's this whole to do that 1463 01:21:43,360 --> 01:21:46,040 Speaker 1: you're being and you're like you have urine molecules all 1464 01:21:46,080 --> 01:21:49,040 Speaker 1: over your little fingers and nails and cuticles that you're like, wait, 1465 01:21:49,120 --> 01:21:51,439 Speaker 1: this room my whole day, and I feel unclean. I 1466 01:21:51,560 --> 01:21:54,840 Speaker 1: feel like I feel like a leper in my own piss. 1467 01:21:55,120 --> 01:21:56,960 Speaker 1: And that's one minute. Well, it's all for your own 1468 01:21:57,000 --> 01:21:59,040 Speaker 1: good bone and so your daughter can take care of you, 1469 01:21:59,439 --> 01:22:02,400 Speaker 1: and you know, but I'm just saying, like the act 1470 01:22:02,560 --> 01:22:06,479 Speaker 1: of being in a cop really really demoralizing, you feel 1471 01:22:06,479 --> 01:22:14,480 Speaker 1: it's demoralizing to humanizing and um degrading. Yes, all three. See, 1472 01:22:15,120 --> 01:22:19,240 Speaker 1: I I get it. Do you ever feel concerned that 1473 01:22:19,320 --> 01:22:22,360 Speaker 1: you're gonna, like miss or p too much or that 1474 01:22:22,479 --> 01:22:25,519 Speaker 1: you're gonna be that asshole that's simply that asshole that 1475 01:22:25,720 --> 01:22:28,240 Speaker 1: gives them way too much P in the cup and 1476 01:22:28,320 --> 01:22:31,679 Speaker 1: they say, well, we only needed a little Yeah, always 1477 01:22:33,360 --> 01:22:35,839 Speaker 1: I P above the late I P above the the decale, 1478 01:22:35,840 --> 01:22:42,800 Speaker 1: the sticker. Yeah, there wasn't a lot. There wasn't a 1479 01:22:42,880 --> 01:22:46,240 Speaker 1: line on this one. I believe me. I looked well. Also, 1480 01:22:46,400 --> 01:22:49,000 Speaker 1: it's you know what's humiliating is when you, of course 1481 01:22:49,040 --> 01:22:51,800 Speaker 1: are the jerk who has like bright yellow piss and 1482 01:22:51,880 --> 01:22:58,680 Speaker 1: you're like, okay, not the hydration king tonight, No right, 1483 01:22:58,720 --> 01:23:01,280 Speaker 1: you always get it on your hand and always all 1484 01:23:01,360 --> 01:23:04,240 Speaker 1: over the coast. It's different for you ladies. Yeah, but 1485 01:23:04,360 --> 01:23:06,240 Speaker 1: it's like they I feel for them that they have 1486 01:23:06,360 --> 01:23:09,320 Speaker 1: to whole it's the whole thing is so sad. They're 1487 01:23:09,360 --> 01:23:11,439 Speaker 1: so used to it. Let me say something about nurses 1488 01:23:11,479 --> 01:23:15,160 Speaker 1: and doctors. They've seen so much worse. I'm actually going 1489 01:23:15,200 --> 01:23:17,639 Speaker 1: to be vulnerable right now, and this may get cut. 1490 01:23:17,800 --> 01:23:19,560 Speaker 1: I will be vulnerable too, and it will get to 1491 01:23:19,680 --> 01:23:22,439 Speaker 1: because it's discussing that you go first. Suffice it to 1492 01:23:22,520 --> 01:23:26,479 Speaker 1: say that during my surgery that I just had, I 1493 01:23:27,080 --> 01:23:29,120 Speaker 1: you're not supposed to eat or drink for like ten 1494 01:23:29,160 --> 01:23:33,760 Speaker 1: hours before, so I didn't do that, but woke up 1495 01:23:33,760 --> 01:23:36,200 Speaker 1: in the morning and like couldn't really go to the bathroom, 1496 01:23:36,320 --> 01:23:39,040 Speaker 1: like either way. So I get to the I get 1497 01:23:39,120 --> 01:23:42,120 Speaker 1: to like nice surgery, and I'm like, I haven't eaten, 1498 01:23:42,200 --> 01:23:44,679 Speaker 1: but I also haven't gone to the bathroom and like whatever. 1499 01:23:44,840 --> 01:23:46,320 Speaker 1: And they were like, oh, it's not a big deal. 1500 01:23:46,400 --> 01:23:48,160 Speaker 1: And I was like, so should I keep my underwear 1501 01:23:48,280 --> 01:23:50,759 Speaker 1: on during the surgery or like, because because it's my nose, 1502 01:23:50,840 --> 01:23:54,400 Speaker 1: like I don't need to have my underwear and they're like, yeah, 1503 01:23:54,520 --> 01:23:58,320 Speaker 1: keep your underwear on. Woke up from the surgery, underwear 1504 01:23:58,400 --> 01:24:00,280 Speaker 1: is nowhere to be found, and I don't have to 1505 01:24:00,320 --> 01:24:03,640 Speaker 1: go to the bathroom anymore. So I was like, excuse me, 1506 01:24:04,040 --> 01:24:08,000 Speaker 1: like knock, knock, um, where is my underwear? And they 1507 01:24:08,040 --> 01:24:09,800 Speaker 1: were like, oh, we had to take it off. And 1508 01:24:09,880 --> 01:24:12,760 Speaker 1: I was like what and they were like yeah, and um, 1509 01:24:13,040 --> 01:24:14,760 Speaker 1: we just so big. We had to give you a 1510 01:24:14,840 --> 01:24:18,760 Speaker 1: catheter because you were full of piss. I was like, oh, 1511 01:24:19,400 --> 01:24:23,240 Speaker 1: full of piss, got it. I know I shipped myself 1512 01:24:23,360 --> 01:24:29,880 Speaker 1: during that surgery. I know it. I know that they 1513 01:24:29,920 --> 01:24:32,639 Speaker 1: were like doing surgery on me. Atle said, he's full 1514 01:24:32,680 --> 01:24:34,439 Speaker 1: of ship. We got to get this out of there, 1515 01:24:34,479 --> 01:24:37,719 Speaker 1: and they I know for a fact because I didn't 1516 01:24:37,720 --> 01:24:39,960 Speaker 1: shiop for like four days after the surgery either, So 1517 01:24:40,120 --> 01:24:42,920 Speaker 1: I know for a fact I know for a fact 1518 01:24:43,000 --> 01:24:45,000 Speaker 1: they took it all from me. And also when they 1519 01:24:45,080 --> 01:24:47,360 Speaker 1: told me they put that catheter in, they did not 1520 01:24:47,520 --> 01:24:49,560 Speaker 1: lie because it was burning when I was peeing for 1521 01:24:49,600 --> 01:24:51,439 Speaker 1: about two days after and that was also not a 1522 01:24:51,479 --> 01:24:54,120 Speaker 1: good feeling. Surgery. Don't recommend it only if you have 1523 01:24:54,240 --> 01:24:58,280 Speaker 1: two people, and remember I did. I'm so sorry, but 1524 01:24:58,880 --> 01:25:01,240 Speaker 1: it's so dude. That's when I say, like, these people 1525 01:25:01,320 --> 01:25:03,880 Speaker 1: have seen way worse than like I'm getting a little 1526 01:25:03,880 --> 01:25:06,559 Speaker 1: bit of pep on their finger, Like please, these people 1527 01:25:06,600 --> 01:25:13,440 Speaker 1: have their hands up your ass. Amazing people, amazing, amazing heroes, 1528 01:25:14,000 --> 01:25:16,559 Speaker 1: amazing heroes, have their hands up your ass, and it's 1529 01:25:16,640 --> 01:25:22,360 Speaker 1: ruler culture number one. Amazing have their hands up your ass. 1530 01:25:22,760 --> 01:25:24,840 Speaker 1: Can I share something? And this will definitely get cut 1531 01:25:24,840 --> 01:25:28,160 Speaker 1: because it's actually if we keep in what I said, 1532 01:25:28,240 --> 01:25:31,000 Speaker 1: it has to we have to given when you say risk, 1533 01:25:31,800 --> 01:25:37,080 Speaker 1: and I feel you should. Lately, lately, I've like felt 1534 01:25:37,200 --> 01:25:41,639 Speaker 1: a little bit of pain when I when I get fucked, 1535 01:25:43,040 --> 01:25:45,320 Speaker 1: well yeah, and I and then I and so then 1536 01:25:45,360 --> 01:25:49,080 Speaker 1: I go my prostates enlarged. I have a huge prostate. 1537 01:25:49,360 --> 01:25:51,800 Speaker 1: I have a humongous prostate. And so I go into 1538 01:25:51,800 --> 01:25:57,040 Speaker 1: the for a fact. Well know here, I I yes, 1539 01:25:57,160 --> 01:25:59,080 Speaker 1: I'm convinced of this. And I go to the doctor 1540 01:25:59,120 --> 01:26:05,519 Speaker 1: today and I tell Trevor. I go, also, well, he's yeah, Trevor, 1541 01:26:05,760 --> 01:26:13,160 Speaker 1: we love him. Um, I go, you know, Trevor, I think, um, lately, 1542 01:26:13,200 --> 01:26:16,080 Speaker 1: when my prostate has been stimulated, there's been this stinging 1543 01:26:16,240 --> 01:26:19,720 Speaker 1: pain and I wonder if I wonder if I have 1544 01:26:19,800 --> 01:26:23,519 Speaker 1: an enlarged prostate. And he goes, who doesn't sound like that? 1545 01:26:23,600 --> 01:26:25,439 Speaker 1: It sounds like more of a fisher, but we'll check. 1546 01:26:25,520 --> 01:26:28,679 Speaker 1: And I was like, oh okay, And he starts putting 1547 01:26:28,680 --> 01:26:32,800 Speaker 1: on the gloves and and and gives me an examination. 1548 01:26:34,080 --> 01:26:37,439 Speaker 1: And then I when I go to pee in this cup. 1549 01:26:37,600 --> 01:26:45,519 Speaker 1: Later on I realized that um, I had not done 1550 01:26:45,560 --> 01:26:50,560 Speaker 1: a great job white. Oh my god, Oh this just 1551 01:26:50,680 --> 01:26:52,720 Speaker 1: had this happened to me too? I have like a 1552 01:26:52,800 --> 01:26:55,400 Speaker 1: physical and they went up there and like I was like, 1553 01:26:55,439 --> 01:26:58,479 Speaker 1: oh no, I didn't prep for this. I thought I 1554 01:26:58,600 --> 01:27:00,280 Speaker 1: was gonna be like we we're gonna we're gonna go 1555 01:27:00,320 --> 01:27:02,160 Speaker 1: in for skan. Here's a referral for like a place 1556 01:27:02,200 --> 01:27:03,920 Speaker 1: to do like a scan, which I was ready to 1557 01:27:04,000 --> 01:27:07,720 Speaker 1: pony up money for. But like, I'm so sorry, this 1558 01:27:07,800 --> 01:27:09,519 Speaker 1: is so this is so disgusting, and Nana and this 1559 01:27:09,680 --> 01:27:13,560 Speaker 1: is okay. No, she's a human life. And we're destigmatizing. 1560 01:27:13,800 --> 01:27:18,200 Speaker 1: We're destigmatizing going to the doctor and poopy butt because 1561 01:27:18,320 --> 01:27:21,639 Speaker 1: it happens to everyone. Actually, here's breaking news. What comes 1562 01:27:21,720 --> 01:27:24,840 Speaker 1: out of your asshole is poop. It's it's a ruler 1563 01:27:24,840 --> 01:27:29,280 Speaker 1: culture number thirty breaking what comes out of your asshole? 1564 01:27:30,680 --> 01:27:32,360 Speaker 1: No ask going to say. Sometimes it doesn't even have 1565 01:27:32,680 --> 01:27:36,720 Speaker 1: happened at the doctor. Sometimes you're having sex and you 1566 01:27:36,880 --> 01:27:42,080 Speaker 1: really that later you you it can happen. I know, 1567 01:27:42,439 --> 01:27:47,800 Speaker 1: I know, I know. I mean, like this this is 1568 01:27:47,960 --> 01:27:52,000 Speaker 1: something that you just especially having gay sex. If there's 1569 01:27:52,360 --> 01:27:56,400 Speaker 1: if that happens a little bit, like no one cares. 1570 01:27:56,560 --> 01:27:59,240 Speaker 1: And here's the thing, if you do care, you actually 1571 01:27:59,400 --> 01:28:03,559 Speaker 1: suck because because I don't know what gay porn fantasy 1572 01:28:03,640 --> 01:28:08,000 Speaker 1: you're living where like no ship happens, ever, but like, yeah, 1573 01:28:08,160 --> 01:28:10,760 Speaker 1: you do your best to clean yourself out, and like 1574 01:28:10,840 --> 01:28:13,080 Speaker 1: any type of sex, you do your best to like 1575 01:28:13,520 --> 01:28:15,880 Speaker 1: make sure it's like a sanitary area and then give 1576 01:28:15,920 --> 01:28:21,360 Speaker 1: it to get up to God, who's watching? Who's watching? Okay, Molly, 1577 01:28:21,479 --> 01:28:24,400 Speaker 1: did you have any thoughts on this? Why? It's like why, 1578 01:28:25,000 --> 01:28:27,800 Speaker 1: like why are we still embarrassed of that? Like that 1579 01:28:28,000 --> 01:28:32,600 Speaker 1: and periods? It's like that, yes, or how we have 1580 01:28:32,760 --> 01:28:35,360 Speaker 1: children the ship is how we gash it out like 1581 01:28:35,600 --> 01:28:41,000 Speaker 1: what it like? Oh no, oh good god, doctor, And 1582 01:28:41,040 --> 01:28:44,120 Speaker 1: it's like, yeah, that's what I'm saying. Though it's like 1583 01:28:44,800 --> 01:28:49,200 Speaker 1: I just just knowing that, like it's no doctor cares 1584 01:28:49,280 --> 01:28:51,439 Speaker 1: by a little bit of piss on their fingers because 1585 01:28:51,560 --> 01:28:53,639 Speaker 1: it's sort of because of what happened in the cup. 1586 01:28:54,040 --> 01:28:57,400 Speaker 1: They're not. I guarantee they don't. Even it goes in 1587 01:28:57,520 --> 01:29:00,200 Speaker 1: one year out the other, I want to say. Ever, 1588 01:29:00,800 --> 01:29:03,320 Speaker 1: had a little quiver to his voice after after the exam, 1589 01:29:03,439 --> 01:29:07,600 Speaker 1: and I thought he's embarrassed for me. He's embarrassed for me? No, 1590 01:29:07,800 --> 01:29:10,759 Speaker 1: I don't think so. When did you go like sorry 1591 01:29:10,760 --> 01:29:12,640 Speaker 1: about that trip? Or did you not talk about it? 1592 01:29:12,760 --> 01:29:17,320 Speaker 1: He did not talk about it. I'm not talking and 1593 01:29:17,520 --> 01:29:23,519 Speaker 1: he's gonna forget about it. Yes he is. I wouldn't 1594 01:29:23,520 --> 01:29:25,479 Speaker 1: bring the energy back in with you when you go 1595 01:29:25,560 --> 01:29:27,479 Speaker 1: see him next, like, hey, I want to talk about 1596 01:29:27,520 --> 01:29:30,920 Speaker 1: my last anal examination. I think he might have dealt 1597 01:29:30,960 --> 01:29:33,919 Speaker 1: with some hoop. They'll be like, yeah, you fucking idiot. 1598 01:29:34,439 --> 01:29:36,400 Speaker 1: So you think the next time Bowen's at the desk 1599 01:29:36,479 --> 01:29:41,080 Speaker 1: on we get update, be like, oh yeah, yeah, that's 1600 01:29:41,120 --> 01:29:51,679 Speaker 1: the guy with a shitty ass's ship. Last patient patient. 1601 01:29:51,800 --> 01:29:53,720 Speaker 1: By the way, he was like, it's a fisher. I 1602 01:29:53,840 --> 01:29:57,559 Speaker 1: was like, okay, well, oh well that's okay. Fishers happened. 1603 01:29:57,600 --> 01:30:00,400 Speaker 1: They really happened. They really happen. It's just like just 1604 01:30:00,479 --> 01:30:02,360 Speaker 1: let it heal, just like take it easy and like 1605 01:30:02,560 --> 01:30:05,400 Speaker 1: I can do well. First of all, congratulations, I'm getting 1606 01:30:05,439 --> 01:30:09,040 Speaker 1: fucked lately. What the hell you didn't tell me this? No, 1607 01:30:09,479 --> 01:30:13,040 Speaker 1: it's no, it's not worth getting into well a right, fine, 1608 01:30:14,080 --> 01:30:16,439 Speaker 1: bitch's I'm being Molly right now. I don't want to 1609 01:30:16,439 --> 01:30:18,639 Speaker 1: talk about it, and you have to respect that bitch. 1610 01:30:19,280 --> 01:30:23,599 Speaker 1: I think she's a bit too well. I think it's 1611 01:30:23,680 --> 01:30:26,240 Speaker 1: time for to turn to our guests. Molly will have 1612 01:30:26,360 --> 01:30:30,680 Speaker 1: you go first. If that's okay, Wow, this is going 1613 01:30:30,720 --> 01:30:33,560 Speaker 1: to be a moment in time. Yes, I know you have. 1614 01:30:33,800 --> 01:30:37,280 Speaker 1: I know you've been thinking of one. I'm nervous, so 1615 01:30:37,360 --> 01:30:39,320 Speaker 1: I'm going with them. That's kind of a little like 1616 01:30:39,520 --> 01:30:41,800 Speaker 1: not great, but we're going. We're going with no no, no, 1617 01:30:41,920 --> 01:30:43,640 Speaker 1: no no, don't read it, just no no, no, no, 1618 01:30:43,960 --> 01:30:46,240 Speaker 1: no no. This is Molly Gordon's. I don't think so, honey. 1619 01:30:46,439 --> 01:30:51,880 Speaker 1: Her time starts now. I don't think so honey. My Calvin's, Oh, 1620 01:30:53,120 --> 01:30:55,640 Speaker 1: the commercials are always. I sit in my Calvin's. I 1621 01:30:55,720 --> 01:30:57,720 Speaker 1: live in my Calvin's. I lounge in my Calvin's. I 1622 01:30:57,760 --> 01:30:59,560 Speaker 1: work out in my Calvin's. Bitch, I cannot fit in 1623 01:30:59,640 --> 01:31:03,479 Speaker 1: my cow then a little hanging breast and a big gass. 1624 01:31:03,600 --> 01:31:05,519 Speaker 1: I have no idea what sucking size I am. I 1625 01:31:05,640 --> 01:31:08,400 Speaker 1: wear small, it's too small. I wear a large. I'm 1626 01:31:08,400 --> 01:31:10,679 Speaker 1: wearing a medium. I picked one up and my breast 1627 01:31:10,720 --> 01:31:15,200 Speaker 1: balls out. I can't my Calvins. I can think. The 1628 01:31:15,320 --> 01:31:19,160 Speaker 1: commercials were all women of all different sizes. They are lies. 1629 01:31:19,600 --> 01:31:23,320 Speaker 1: They are gluing the fabric to the woman's bodies. I 1630 01:31:24,000 --> 01:31:26,400 Speaker 1: cannot wear them. I can't wear a bar let. I 1631 01:31:26,479 --> 01:31:30,400 Speaker 1: can wear a little little piece of underwear so mean 1632 01:31:30,439 --> 01:31:33,360 Speaker 1: and it makes me feel bad about myself. I would 1633 01:31:33,400 --> 01:31:35,559 Speaker 1: only do a couple of things in your in your Calvins, 1634 01:31:35,560 --> 01:31:38,599 Speaker 1: which is just sit and do nothing. I think they're 1635 01:31:38,920 --> 01:31:42,160 Speaker 1: being completely off and it really aren't feelings, and I 1636 01:31:42,240 --> 01:31:44,759 Speaker 1: think they really need um. I don't think so, honey. 1637 01:31:45,080 --> 01:31:49,519 Speaker 1: My Calvins, and that's one minute in this country is 1638 01:31:49,640 --> 01:31:51,720 Speaker 1: all off. And can I say something I almost did? 1639 01:31:51,760 --> 01:31:54,920 Speaker 1: I don't think so, honey. When things quote unquote run small, 1640 01:31:55,479 --> 01:31:57,680 Speaker 1: what the fund does that mean? So? How big does 1641 01:31:57,720 --> 01:31:59,880 Speaker 1: the thing? I have to order them? Because I have 1642 01:32:00,000 --> 01:32:01,920 Speaker 1: people being like it runs small, and I'm like, well 1643 01:32:01,960 --> 01:32:06,120 Speaker 1: I I ordinarily just don't. Yeah, if it's a if 1644 01:32:06,160 --> 01:32:08,439 Speaker 1: I need to order a large, you need to let 1645 01:32:08,479 --> 01:32:12,000 Speaker 1: me know now, because sometimes I have to order a small. 1646 01:32:12,640 --> 01:32:16,240 Speaker 1: So it's just like what the hell. Also, they have 1647 01:32:16,360 --> 01:32:19,439 Speaker 1: a whole thing about we fit everyone well, you can 1648 01:32:19,520 --> 01:32:22,759 Speaker 1: do anything. In your Calvin's. It's always like Kendall Jenner 1649 01:32:22,840 --> 01:32:25,800 Speaker 1: and a normal woman like running and it's like I 1650 01:32:26,000 --> 01:32:28,800 Speaker 1: can't do anything. But I go to moving tails and 1651 01:32:28,880 --> 01:32:36,400 Speaker 1: I'm like, I'm actually shaking. I'm so embarrassed. What they 1652 01:32:36,439 --> 01:32:40,720 Speaker 1: have a whole thing about is lies. Lies. That's what 1653 01:32:40,800 --> 01:32:42,760 Speaker 1: they have a whole thing about. They can lie in 1654 01:32:42,840 --> 01:32:46,880 Speaker 1: their Calvins. Well, it's confusing because like my friend Anthony 1655 01:32:47,000 --> 01:32:52,240 Speaker 1: Ramos just is now like the new Calvin Klein. You know, 1656 01:32:52,920 --> 01:32:55,599 Speaker 1: he looks amazing. I support him, I support the brand. 1657 01:32:56,160 --> 01:32:58,919 Speaker 1: I just have a problem with the hashtag my Calvins. 1658 01:32:58,920 --> 01:33:02,240 Speaker 1: You can do anything, yourn. That's what I have a problem. Well, 1659 01:33:02,520 --> 01:33:04,840 Speaker 1: here's the thing is, it's like also like you buy 1660 01:33:04,920 --> 01:33:08,400 Speaker 1: the underwear and it's like, I'm not Anthony ra Mo semi, 1661 01:33:08,960 --> 01:33:13,160 Speaker 1: but I like I like my Calvin's. I love too, 1662 01:33:13,560 --> 01:33:17,880 Speaker 1: like I do like my Calvin's. But but can you 1663 01:33:18,040 --> 01:33:20,320 Speaker 1: do anything in them? No? I don't think you could 1664 01:33:20,360 --> 01:33:25,200 Speaker 1: teach teach children. You can't teach you have a penal 1665 01:33:25,280 --> 01:33:28,439 Speaker 1: fissure in your Calvins. I'm not so sure like you 1666 01:33:28,680 --> 01:33:31,439 Speaker 1: do in your but I think it's more of the 1667 01:33:31,520 --> 01:33:34,840 Speaker 1: braw let. But Rachel can speak on that are problematic. No, 1668 01:33:35,040 --> 01:33:38,280 Speaker 1: you need to have I just think it's like, don't 1669 01:33:38,400 --> 01:33:41,479 Speaker 1: try to there's a day braw lett. There's a lie 1670 01:33:41,600 --> 01:33:44,519 Speaker 1: down braw let. But it's you're you know what I mean, 1671 01:33:44,600 --> 01:33:48,639 Speaker 1: It's like you're anything. You're talking about sports bra that's anything, 1672 01:33:48,920 --> 01:33:52,760 Speaker 1: you know what I mean? Yeah, got it is. There 1673 01:33:52,920 --> 01:33:54,960 Speaker 1: is there a brand that we do like. I like 1674 01:33:55,479 --> 01:33:58,639 Speaker 1: cut bras, which are always kind of talked about on Instagram. 1675 01:33:58,800 --> 01:34:01,439 Speaker 1: I've been enjoying them. Beany belt Pin and I both 1676 01:34:01,520 --> 01:34:04,280 Speaker 1: have a very large, low hanging breast. And there's a 1677 01:34:04,360 --> 01:34:08,080 Speaker 1: woman um on the east side, the Upper east Side. 1678 01:34:08,200 --> 01:34:10,200 Speaker 1: It's called Linda the braw Lady in New York and 1679 01:34:10,280 --> 01:34:13,360 Speaker 1: they fit you personally there and they're very ugly bras, 1680 01:34:13,479 --> 01:34:18,800 Speaker 1: but boy do you get support? And I what is 1681 01:34:18,840 --> 01:34:22,240 Speaker 1: an ugly pretty bra? I don't. I don't know one's 1682 01:34:22,280 --> 01:34:24,760 Speaker 1: clocking it. I'm not me at least, I'm like, I 1683 01:34:24,840 --> 01:34:28,000 Speaker 1: don't care what the bra looks like. Well, Bowen, you're homosexual. 1684 01:34:28,040 --> 01:34:33,559 Speaker 1: I don't know. Well, I think I think like you mean, 1685 01:34:33,680 --> 01:34:37,880 Speaker 1: like a very like it's like utilitarian the bra to 1686 01:34:38,000 --> 01:34:41,280 Speaker 1: support you versus I just as I was showing you 1687 01:34:41,680 --> 01:34:43,880 Speaker 1: and Geraldine I faced him earlier today, my Savage fan. 1688 01:34:44,520 --> 01:34:51,599 Speaker 1: That's for sex yet, see it? Yeah? Geral Vena staying 1689 01:34:51,640 --> 01:34:53,880 Speaker 1: with me right now and she has been wearing Savage 1690 01:34:53,880 --> 01:34:58,840 Speaker 1: fenty and she looks unbelievable that I love. So it's late. 1691 01:35:00,439 --> 01:35:03,920 Speaker 1: That's stunning right now? What is it? Just talented actress 1692 01:35:04,040 --> 01:35:06,200 Speaker 1: central over there? I was gonna say the cool l 1693 01:35:06,280 --> 01:35:08,840 Speaker 1: a girls just on face time. Okay. I want to 1694 01:35:08,960 --> 01:35:12,920 Speaker 1: be a part of that respect the circle. That's I 1695 01:35:13,040 --> 01:35:14,560 Speaker 1: love that. I was just thinking about her today. I 1696 01:35:14,640 --> 01:35:17,760 Speaker 1: was like that Geraldine fucking talent. She's wrapped on him. 1697 01:35:17,880 --> 01:35:20,439 Speaker 1: We have to get her on because I watched Blockers 1698 01:35:20,520 --> 01:35:22,720 Speaker 1: the other day for like the eighth time, and I'm 1699 01:35:22,800 --> 01:35:25,800 Speaker 1: like Jesus Christ. And also another thing I watched that 1700 01:35:25,920 --> 01:35:28,000 Speaker 1: she was also really good and it was Bad Education. 1701 01:35:28,360 --> 01:35:32,320 Speaker 1: Have you guys seen Bad Education? Oh my god, bowen. 1702 01:35:32,479 --> 01:35:34,560 Speaker 1: It's with Hugh Jackman and Alison Janney. It's about a 1703 01:35:34,600 --> 01:35:37,200 Speaker 1: high school and um a Long Island, which, by the way, 1704 01:35:37,240 --> 01:35:39,000 Speaker 1: this is the high school that Amanda Chackman went to, 1705 01:35:39,800 --> 01:35:43,280 Speaker 1: Rosslyn High School. It's about like a scandal about like 1706 01:35:43,400 --> 01:35:47,760 Speaker 1: mismanaging money there. It's in saying how where where it goes? 1707 01:35:47,920 --> 01:35:50,040 Speaker 1: And Geraldine is in it. She plays a student who 1708 01:35:50,080 --> 01:35:54,200 Speaker 1: like cracks the case. It's unbelievable, but yeah, that's someone 1709 01:35:54,240 --> 01:35:56,479 Speaker 1: who can act, who can who can who can sort 1710 01:35:56,479 --> 01:35:59,640 Speaker 1: of dial the whisper or the or the loudness the 1711 01:35:59,720 --> 01:36:06,679 Speaker 1: volume talent and like the normal wonderful, amazing person. Wait 1712 01:36:06,760 --> 01:36:10,519 Speaker 1: and also speaking of talent, U is beans shooting Monica 1713 01:36:10,600 --> 01:36:15,720 Speaker 1: Lewinsky right now? Yeah, Wow, oh my god, I've been 1714 01:36:15,800 --> 01:36:20,320 Speaker 1: waiting for that forever. Yeah, that's gonna be good. Look 1715 01:36:20,360 --> 01:36:22,280 Speaker 1: at her, she's smirking and shaking her head and being like, 1716 01:36:22,360 --> 01:36:24,479 Speaker 1: you don't even know how good it's gonna be. She 1717 01:36:24,720 --> 01:36:27,559 Speaker 1: is smirking, and now she's laughing. Her shoulders are shaking 1718 01:36:27,560 --> 01:36:35,800 Speaker 1: a little bit, sill were. I love that we had 1719 01:36:35,840 --> 01:36:41,759 Speaker 1: this broad dist course. I'm learning, okay, learning every day, alright, 1720 01:36:41,880 --> 01:36:44,040 Speaker 1: So now it's going to be the time when we 1721 01:36:44,200 --> 01:36:47,320 Speaker 1: turned to Rachel Senate and here's the thing she has done. 1722 01:36:47,320 --> 01:36:50,600 Speaker 1: I don't think so, honey. I believe several times, and 1723 01:36:51,080 --> 01:36:54,560 Speaker 1: one of them was a point of despair. But this 1724 01:36:54,880 --> 01:36:57,280 Speaker 1: is the return to the form. This is the return 1725 01:36:57,320 --> 01:37:01,000 Speaker 1: to the form. I'm ready, okay, you time, you time, 1726 01:37:01,040 --> 01:37:03,280 Speaker 1: or this time? Okay? Is this Rachel's I don't think so, honey. 1727 01:37:03,439 --> 01:37:07,160 Speaker 1: Her time starts now. I don't think so, honey. Me 1728 01:37:07,400 --> 01:37:11,960 Speaker 1: not being able to poop at my boyfriend's house not 1729 01:37:12,160 --> 01:37:14,240 Speaker 1: do it. It has been six months. I love him, 1730 01:37:14,439 --> 01:37:16,720 Speaker 1: he loves me, he gives me my space. I can 1731 01:37:17,320 --> 01:37:21,080 Speaker 1: not do it. I don't think every time I can't poop, 1732 01:37:21,240 --> 01:37:23,320 Speaker 1: I can't poop the next day, and then I can't 1733 01:37:23,320 --> 01:37:25,960 Speaker 1: put the next day. Once I can't poop, you can't poop, 1734 01:37:26,040 --> 01:37:29,120 Speaker 1: and it sucks up your whole schedule. I literally have 1735 01:37:29,280 --> 01:37:34,000 Speaker 1: gone down spirals of different food things. I've tried pills, 1736 01:37:34,080 --> 01:37:38,000 Speaker 1: Molly gave me a pill. Nothing. It is a mental thing. 1737 01:37:38,240 --> 01:37:41,720 Speaker 1: His bathroom isn't even near his room. He offers to 1738 01:37:41,840 --> 01:37:46,719 Speaker 1: go on walks. It doesn't matter. I cannot. I don't 1739 01:37:46,760 --> 01:37:49,719 Speaker 1: know why. Sometimes people say it's okay if you pop 1740 01:37:49,840 --> 01:37:52,560 Speaker 1: right now, I'm gonna watch the show. I can't do it. 1741 01:37:52,720 --> 01:37:55,439 Speaker 1: It sucks up everything. Once you can't pop, you can't think. 1742 01:37:55,520 --> 01:37:59,240 Speaker 1: Your day is ruined. I it mentally bucks with you. 1743 01:37:59,479 --> 01:38:02,000 Speaker 1: It's very I don't think so, honey, me not being 1744 01:38:02,040 --> 01:38:04,760 Speaker 1: able to put with my boyfriend's house. Honestly, that's one 1745 01:38:04,840 --> 01:38:08,000 Speaker 1: minute and that's real and it's raw, and it's it's 1746 01:38:08,120 --> 01:38:12,320 Speaker 1: it's it's actually interesting. Like I have that disease where 1747 01:38:12,360 --> 01:38:14,800 Speaker 1: it's like when I'm in a relationship, like I'm like 1748 01:38:14,880 --> 01:38:16,880 Speaker 1: one of those sick crazy like what do you mean 1749 01:38:17,040 --> 01:38:20,040 Speaker 1: I don't poop? People like I just I am like 1750 01:38:20,280 --> 01:38:22,560 Speaker 1: that still, So I hope no one that wants to 1751 01:38:23,120 --> 01:38:26,880 Speaker 1: listen to this podcast. Um, but I have to tell you, 1752 01:38:27,200 --> 01:38:30,640 Speaker 1: I don't think it's gonna go away. I no, no, no, no, no, no, 1753 01:38:31,120 --> 01:38:33,040 Speaker 1: I don't know. I've never been able to be like 1754 01:38:33,200 --> 01:38:35,639 Speaker 1: fecal around men i'm having sex with. I just can't 1755 01:38:35,680 --> 01:38:38,000 Speaker 1: be fecal. I think, I think maybe maybe way around 1756 01:38:38,040 --> 01:38:42,840 Speaker 1: this is like bringing a hypnotist into the home, into 1757 01:38:44,040 --> 01:38:47,160 Speaker 1: into the bathroom, into the bath well literally just like 1758 01:38:47,439 --> 01:38:52,240 Speaker 1: doing earlier, just outside, so that it's just like you 1759 01:38:52,320 --> 01:38:56,439 Speaker 1: can do. I'm not saying, all, well, this is the 1760 01:38:56,560 --> 01:39:00,679 Speaker 1: thing is I've tried to bridge the boundary of talking 1761 01:39:00,760 --> 01:39:03,160 Speaker 1: about it in the past. I've made the mistake of 1762 01:39:03,360 --> 01:39:06,680 Speaker 1: hiding the problem. But then we went on on like 1763 01:39:06,800 --> 01:39:09,720 Speaker 1: a trip to a cabin and there was like a 1764 01:39:09,920 --> 01:39:12,000 Speaker 1: thing where we were like ordering food, and then I 1765 01:39:12,040 --> 01:39:13,720 Speaker 1: had to freak out and I was like, if I 1766 01:39:13,840 --> 01:39:17,799 Speaker 1: can't poop, my whole thing is like ruined and okay, 1767 01:39:17,920 --> 01:39:20,640 Speaker 1: like I'm trying to like figure out out. And so 1768 01:39:20,760 --> 01:39:23,320 Speaker 1: then he would go on walks because I was like, 1769 01:39:23,800 --> 01:39:26,000 Speaker 1: it's one thing if I go stay over yours and 1770 01:39:26,040 --> 01:39:27,360 Speaker 1: then I go home the next day, and then I 1771 01:39:27,439 --> 01:39:30,400 Speaker 1: find his time to poop. I'm looking for three days 1772 01:39:30,400 --> 01:39:33,240 Speaker 1: in the cabin three days of not shooting. It's like 1773 01:39:33,640 --> 01:39:36,160 Speaker 1: backing up. Also, I'm wearing a bathing suit and I'm 1774 01:39:36,160 --> 01:39:40,360 Speaker 1: trying to have sex, so it was really hard. Molly 1775 01:39:40,400 --> 01:39:44,519 Speaker 1: gave me a pill and it worked a little. But 1776 01:39:44,640 --> 01:39:48,960 Speaker 1: what how sometimes is I have a little poop? Yeah, okay, 1777 01:39:49,000 --> 01:39:51,720 Speaker 1: And that's but which which is so cruel because you're like, 1778 01:39:51,800 --> 01:39:53,960 Speaker 1: I know there's more in there, yea. And that's when 1779 01:39:54,000 --> 01:39:57,880 Speaker 1: you're like, I know that, I know this is not 1780 01:39:58,439 --> 01:40:01,960 Speaker 1: the real truth of my ages. So it's literally okay 1781 01:40:02,040 --> 01:40:04,680 Speaker 1: to quot bones character tip of the iceberg. It is. 1782 01:40:05,320 --> 01:40:09,200 Speaker 1: It literally is you're like, it's all worse because you're like, 1783 01:40:10,280 --> 01:40:12,880 Speaker 1: I know how much I'm capable of and this is 1784 01:40:13,000 --> 01:40:16,880 Speaker 1: not that. Yeah. It's also the thing is is that 1785 01:40:17,160 --> 01:40:19,559 Speaker 1: when you have to ship, you have to go right then. Yeah, 1786 01:40:19,760 --> 01:40:22,880 Speaker 1: when you're dating someone, you're like, oh, I'll go in 1787 01:40:22,960 --> 01:40:25,720 Speaker 1: an hour, and that's your first new think whatever the 1788 01:40:25,720 --> 01:40:28,479 Speaker 1: funk you're doing, you're leaving in that moment, yeah you 1789 01:40:29,280 --> 01:40:32,240 Speaker 1: know you know what though, I think this is because 1790 01:40:32,280 --> 01:40:35,160 Speaker 1: as gay men we have to be extra thoughtful about that. 1791 01:40:35,439 --> 01:40:39,120 Speaker 1: Like I usually like you have to consciously take care 1792 01:40:39,200 --> 01:40:43,439 Speaker 1: of it, you really like beforehand, like really clear, clear 1793 01:40:43,520 --> 01:40:46,640 Speaker 1: it from your mind by just like really going for 1794 01:40:46,800 --> 01:40:49,720 Speaker 1: it before you leave the house. Now, So you were 1795 01:40:49,720 --> 01:40:51,840 Speaker 1: saying that the cabin trip broke the seal on the 1796 01:40:52,080 --> 01:40:56,680 Speaker 1: on the conversation, Well, because I had basically a breakdown, kid, 1797 01:40:56,720 --> 01:41:00,800 Speaker 1: stop having break up rust the way I'm feeling, I 1798 01:41:00,920 --> 01:41:05,560 Speaker 1: call it a break down, But it was because it 1799 01:41:05,800 --> 01:41:10,080 Speaker 1: was like I was, I was like, I was just 1800 01:41:10,479 --> 01:41:15,160 Speaker 1: I felt like uncomfortable in my body, like because he 1801 01:41:15,360 --> 01:41:17,720 Speaker 1: does suck you up and then you can't tell if 1802 01:41:17,760 --> 01:41:21,760 Speaker 1: you're hungry you're not because and it just like throw 1803 01:41:21,920 --> 01:41:24,320 Speaker 1: and then you're thinking about it. Once you start thinking 1804 01:41:24,320 --> 01:41:27,240 Speaker 1: about it, it's over. You're not going for a week. 1805 01:41:28,560 --> 01:41:31,040 Speaker 1: So then we so then we started having the conversation, 1806 01:41:31,160 --> 01:41:34,240 Speaker 1: and so then he would go on walks while I 1807 01:41:34,400 --> 01:41:37,760 Speaker 1: was playing to poop. It's like it's like and that's 1808 01:41:37,760 --> 01:41:40,760 Speaker 1: actually never gonna work because then you think like, oh, 1809 01:41:41,120 --> 01:41:45,200 Speaker 1: this is my time to shoot. Whenever you start overthinking something, 1810 01:41:45,439 --> 01:41:47,280 Speaker 1: it's like when you're having Like it's like when you're 1811 01:41:47,360 --> 01:41:49,800 Speaker 1: dating someone and the sex starts to get bad and 1812 01:41:49,920 --> 01:41:52,200 Speaker 1: then you have a conversation about it. It's never gonna 1813 01:41:52,240 --> 01:41:55,200 Speaker 1: be sexy again, Like it's going to be real work 1814 01:41:55,479 --> 01:41:57,719 Speaker 1: for it to get the layer. There's a new layer 1815 01:41:57,840 --> 01:42:01,280 Speaker 1: on it of like awareness or something or acknowledgement. Rachel, 1816 01:42:01,320 --> 01:42:03,519 Speaker 1: do you remember you remember times when he's gone to 1817 01:42:03,560 --> 01:42:07,080 Speaker 1: poop and what you were doing. I don't think I've 1818 01:42:07,280 --> 01:42:11,360 Speaker 1: literally ever noticed. I think ignorance is bliss there. I 1819 01:42:11,439 --> 01:42:14,000 Speaker 1: think quick pooper. Would it help if you watched him 1820 01:42:14,040 --> 01:42:19,040 Speaker 1: poop one time, like in person? Yes, you wouldn't like that? Yeah, 1821 01:42:19,720 --> 01:42:22,479 Speaker 1: actually maybe I don't know. Well, I do you think 1822 01:42:22,680 --> 01:42:25,439 Speaker 1: that we could do that? I think Bowen is onto 1823 01:42:25,560 --> 01:42:27,760 Speaker 1: something kind of miraculous. Yes, I think that would be 1824 01:42:27,800 --> 01:42:30,840 Speaker 1: Really you should be in the room with him, just 1825 01:42:30,920 --> 01:42:33,280 Speaker 1: for a little bit, just for a little bit. You're 1826 01:42:33,320 --> 01:42:36,280 Speaker 1: forgetting about the smell factor of it. You don't know. 1827 01:42:37,920 --> 01:42:42,639 Speaker 1: You do not want to hear the sound of ship 1828 01:42:43,080 --> 01:42:45,560 Speaker 1: leaving your boyfriend's bowels. You don't want to hear it, 1829 01:42:46,200 --> 01:42:49,800 Speaker 1: you think, and even entertaining, because it's disgusting. It's one 1830 01:42:49,840 --> 01:42:54,760 Speaker 1: of the most offensive sounds famously. Alright, almost feel like 1831 01:42:55,360 --> 01:42:58,679 Speaker 1: maybe I'm just really like in love with him, actually, 1832 01:42:58,920 --> 01:43:07,240 Speaker 1: like he poops for clean, like this is what I feel. 1833 01:43:07,880 --> 01:43:10,400 Speaker 1: I think even first, and I'm talking about a walk by. 1834 01:43:10,520 --> 01:43:12,280 Speaker 1: We don't know we don't have to walk into you. 1835 01:43:12,680 --> 01:43:15,600 Speaker 1: It's like, oh, you're shipping. I'm cloking it. I've cloked it. 1836 01:43:15,920 --> 01:43:18,479 Speaker 1: It's metabolizing in my body and I'm walking home. No, 1837 01:43:18,840 --> 01:43:23,439 Speaker 1: there should be nothing intentional when and when it comes 1838 01:43:23,479 --> 01:43:27,280 Speaker 1: to you in relation to other people's no. No, no, no, 1839 01:43:27,520 --> 01:43:29,960 Speaker 1: But this is, this is what I hope happens, is 1840 01:43:30,000 --> 01:43:33,560 Speaker 1: that Rachel is in the room with Logan while he 1841 01:43:33,720 --> 01:43:37,559 Speaker 1: poops and then hold on, hold on, let me finish. 1842 01:43:37,760 --> 01:43:41,760 Speaker 1: And then it's like and then hopefully Rachel thinks, well, 1843 01:43:43,080 --> 01:43:45,680 Speaker 1: I can return, I can, I can just sort of 1844 01:43:45,960 --> 01:43:49,280 Speaker 1: beset us in some equivalent. It's not it's not pressure 1845 01:43:49,400 --> 01:43:52,439 Speaker 1: for her to poop, it's that she feels comfortable enough 1846 01:43:52,479 --> 01:43:56,599 Speaker 1: to like provide in some way by like meeting her boyfriend, 1847 01:43:56,680 --> 01:43:58,840 Speaker 1: meeting Logan where he's at, by also being like, well, 1848 01:43:58,880 --> 01:44:01,920 Speaker 1: now I can I can sort of let the valve loose. Yeah, 1849 01:44:02,280 --> 01:44:06,200 Speaker 1: like knowing it's almost like confronting the demon head on. 1850 01:44:07,760 --> 01:44:11,000 Speaker 1: We've seen each other p before. Well, that's just like 1851 01:44:12,240 --> 01:44:14,320 Speaker 1: it's totally different. One time he had to help me 1852 01:44:14,400 --> 01:44:18,920 Speaker 1: take a shower after I was injured, so I were 1853 01:44:19,960 --> 01:44:22,080 Speaker 1: um and Molly was there for that too, not the 1854 01:44:22,680 --> 01:44:27,280 Speaker 1: not the shower, but the right But so I feel 1855 01:44:27,320 --> 01:44:30,760 Speaker 1: like we could cross that. Yeah, I think it's on. 1856 01:44:31,080 --> 01:44:32,720 Speaker 1: You're you're on your way there. You're you're sort of 1857 01:44:32,840 --> 01:44:36,360 Speaker 1: chiseling towards it. You're right, you are, you're chiseling towards it. 1858 01:44:36,520 --> 01:44:39,920 Speaker 1: And part of getting into a more serious relationship is 1859 01:44:40,000 --> 01:44:42,479 Speaker 1: you start to see some gross ship like and that 1860 01:44:42,680 --> 01:44:45,000 Speaker 1: is that is really a makeup break. Like I remember, 1861 01:44:45,120 --> 01:44:47,439 Speaker 1: like when I moved in with my first boyfriend, like 1862 01:44:47,560 --> 01:44:49,559 Speaker 1: we started to see some gross ship here and there, 1863 01:44:49,680 --> 01:44:53,800 Speaker 1: like and then one time I had, like long story short, 1864 01:44:53,920 --> 01:44:56,280 Speaker 1: he had to look up close at my butt hole 1865 01:44:56,400 --> 01:44:59,280 Speaker 1: one time, and I was like, this is insane, Like 1866 01:44:59,720 --> 01:45:03,320 Speaker 1: this what a relationship is? Just like watching each watching 1867 01:45:03,360 --> 01:45:09,599 Speaker 1: each other like get truly disgusting, Like I couldn't really 1868 01:45:10,360 --> 01:45:13,559 Speaker 1: you think that romance is beautiful and then you realize 1869 01:45:13,640 --> 01:45:18,080 Speaker 1: it's disgusting. And sex is so disgusting. Sex is so 1870 01:45:18,360 --> 01:45:21,840 Speaker 1: gross and it's insane. Now we do it, but we 1871 01:45:21,920 --> 01:45:29,519 Speaker 1: do it is the most disgusting thing that you could 1872 01:45:29,600 --> 01:45:31,360 Speaker 1: ever think of. And think about the way you act 1873 01:45:31,520 --> 01:45:34,920 Speaker 1: during it an animal and like something like sometimes you're 1874 01:45:34,960 --> 01:45:39,800 Speaker 1: just like the sounds, the smells, the feelings, it's just 1875 01:45:39,960 --> 01:45:43,400 Speaker 1: it's so disgusting and it's so weird that we do it, 1876 01:45:43,560 --> 01:45:45,439 Speaker 1: but we love it and we're not going to stop. 1877 01:45:45,520 --> 01:45:49,479 Speaker 1: I'm certainly so horny right now. From after my procedure, 1878 01:45:49,479 --> 01:45:51,160 Speaker 1: I haven't been able to do anything, and I'm like, 1879 01:45:53,000 --> 01:45:56,160 Speaker 1: oh my god, I want to get filthy, Like it's 1880 01:45:56,240 --> 01:45:59,000 Speaker 1: it's like so bad. I feel like sex is all 1881 01:45:59,000 --> 01:46:04,720 Speaker 1: about spension of disbelief, yes, because you really just have 1882 01:46:04,880 --> 01:46:08,320 Speaker 1: to especially if you're doing like prop sex or like 1883 01:46:08,600 --> 01:46:12,400 Speaker 1: active sex, which I love, you really have to like 1884 01:46:12,600 --> 01:46:14,680 Speaker 1: and you, honestly you and your you have to be 1885 01:46:14,800 --> 01:46:17,400 Speaker 1: giving with each other because someone's going to say a 1886 01:46:17,560 --> 01:46:21,640 Speaker 1: line that's not good. And I use the problem if 1887 01:46:21,760 --> 01:46:25,439 Speaker 1: I was having sex with us with someone in in 1888 01:46:25,640 --> 01:46:29,160 Speaker 1: like in a setup and they did it wrong, I 1889 01:46:29,200 --> 01:46:32,479 Speaker 1: would be like cut, we're about to start, like do 1890 01:46:32,560 --> 01:46:34,960 Speaker 1: you know what I mean? Like you know, you come 1891 01:46:35,080 --> 01:46:39,600 Speaker 1: in and you say this, and then it's like that's stressful. 1892 01:46:40,680 --> 01:46:43,240 Speaker 1: I've never done full on role play. I've definitely done 1893 01:46:43,320 --> 01:46:46,320 Speaker 1: like we wear some cool some interesting things, but like 1894 01:46:46,680 --> 01:46:50,040 Speaker 1: I've never done full on role play like wearing what 1895 01:46:51,120 --> 01:46:52,880 Speaker 1: I don't know, just like you know, you spiced it 1896 01:46:52,960 --> 01:46:55,360 Speaker 1: up with like jock straps or whatever, like like a 1897 01:46:55,520 --> 01:47:01,920 Speaker 1: hat or something, and I like, costume your hat. No, Like, 1898 01:47:02,040 --> 01:47:05,280 Speaker 1: I don't know after Halloween if you got fun Like 1899 01:47:05,400 --> 01:47:07,080 Speaker 1: I remember one time, I don't know if we had 1900 01:47:07,120 --> 01:47:10,080 Speaker 1: sexist night, but me and my ex were dressed up 1901 01:47:10,160 --> 01:47:14,840 Speaker 1: as Malfoy and Harry Potter. Oh my god. And I 1902 01:47:14,960 --> 01:47:17,720 Speaker 1: think there was like at least some hand jobs happening afterwards. 1903 01:47:17,800 --> 01:47:21,040 Speaker 1: But anyway, and then last two halloweens ago I was 1904 01:47:21,439 --> 01:47:23,880 Speaker 1: I was a nerd and my boyfriend was a baseball player. 1905 01:47:26,360 --> 01:47:29,479 Speaker 1: That's like we got into a fight that night. Actually, 1906 01:47:33,560 --> 01:47:36,400 Speaker 1: Molly's like, I save my acting for the silver screen. 1907 01:47:38,240 --> 01:47:41,360 Speaker 1: You know what. We all have our places where we play. 1908 01:47:41,800 --> 01:47:43,960 Speaker 1: I'm just quiet, but we don't know. We don't know. 1909 01:47:45,840 --> 01:47:49,719 Speaker 1: I'm not sharing those either. We all have our whisper acting. 1910 01:47:49,800 --> 01:47:53,120 Speaker 1: We all placed it in yes, yes, yeah, do you 1911 01:47:53,360 --> 01:47:55,759 Speaker 1: do you are going? Do you do it? Like you cards? 1912 01:47:56,160 --> 01:48:03,280 Speaker 1: When you're sex, it is sort of like cue cards, 1913 01:48:03,320 --> 01:48:05,560 Speaker 1: where it's like, okay, tell me where to go. Like 1914 01:48:05,720 --> 01:48:09,040 Speaker 1: in the moment, I'm like tell me, I know this is, 1915 01:48:09,120 --> 01:48:11,880 Speaker 1: this is I've said this too many times during sex 1916 01:48:12,040 --> 01:48:20,680 Speaker 1: in recent memory. I'll go, how do you want me? No? Like, 1917 01:48:21,680 --> 01:48:26,760 Speaker 1: how do you want is not a top? How do 1918 01:48:26,800 --> 01:48:38,320 Speaker 1: you want me? Anyway? I actually really hot? Actually you 1919 01:48:38,360 --> 01:48:40,080 Speaker 1: should try it. No, no, no, no, don't let it 1920 01:48:40,160 --> 01:48:42,320 Speaker 1: ruin any Do they have any fancy stuff for boys? 1921 01:48:43,479 --> 01:48:46,160 Speaker 1: Did they have what fancy stuff for boys? I guess 1922 01:48:46,600 --> 01:48:51,560 Speaker 1: Hans just immediately said yes. Wife, it's the way that 1923 01:48:51,680 --> 01:48:57,519 Speaker 1: Hans immediately. I asked the question and Hans immediately said yes, 1924 01:48:58,479 --> 01:49:01,360 Speaker 1: like as if he had like a whole Yeah, the 1925 01:49:01,439 --> 01:49:05,280 Speaker 1: timing was a little suspicious. That's that's great. I have 1926 01:49:05,640 --> 01:49:09,559 Speaker 1: smoking jacket pep for asked to ask that question because 1927 01:49:09,640 --> 01:49:13,000 Speaker 1: Rachel does have a paid partnership with them, so you do. 1928 01:49:17,360 --> 01:49:20,920 Speaker 1: I believe that that would be a goal, a personal goal, 1929 01:49:21,080 --> 01:49:23,720 Speaker 1: but I'm not there yet. Love that. I think that's 1930 01:49:23,720 --> 01:49:25,560 Speaker 1: a personal goal for us all, and I'm going to 1931 01:49:25,640 --> 01:49:29,000 Speaker 1: put that out into the atmosphere. Um And something that 1932 01:49:29,080 --> 01:49:31,559 Speaker 1: we're also putting out into the atmosphere is this fucking 1933 01:49:31,680 --> 01:49:36,080 Speaker 1: incredible episode. Oh my gosh, this is this. This, this 1934 01:49:36,240 --> 01:49:39,400 Speaker 1: is top shelf app This is top Shelf up with 1935 01:49:39,640 --> 01:49:44,960 Speaker 1: top shelf talent and top Shelf guests. You guys, thank 1936 01:49:45,000 --> 01:49:46,560 Speaker 1: you so much for coming and doing this. Thank you 1937 01:49:46,680 --> 01:49:52,880 Speaker 1: so much for having us yeah, I know you guys 1938 01:49:52,920 --> 01:49:56,519 Speaker 1: are It's really, it's really it's now I feel like 1939 01:49:56,560 --> 01:49:58,439 Speaker 1: we just put you guys to bed, like you guys 1940 01:49:58,680 --> 01:50:00,360 Speaker 1: have at least you started sort of sitting up right, 1941 01:50:00,400 --> 01:50:02,840 Speaker 1: and now you're both like lounging and feeling it. We 1942 01:50:02,920 --> 01:50:05,680 Speaker 1: both had a glass of wine. We had a comba. 1943 01:50:06,040 --> 01:50:09,280 Speaker 1: We're lying down. What wine did you both drink? So 1944 01:50:09,560 --> 01:50:12,600 Speaker 1: that the readers can know about your lifestyle and cloticusan 1945 01:50:12,720 --> 01:50:15,479 Speaker 1: stair or Pino Griggio from Molly what is it? We're 1946 01:50:15,520 --> 01:50:20,160 Speaker 1: going with Pino Griggio. We're going to Rachel Fields mixed 1947 01:50:20,200 --> 01:50:23,080 Speaker 1: on her right. Mine was a shorten a. It was 1948 01:50:23,200 --> 01:50:26,920 Speaker 1: called butter. Yeah, I was gonna say buttery. It was 1949 01:50:27,200 --> 01:50:31,040 Speaker 1: very like it was really yellow in a way where 1950 01:50:31,080 --> 01:50:33,920 Speaker 1: I was kind of almost like it was like very 1951 01:50:34,120 --> 01:50:38,320 Speaker 1: bright where it almost felt I don't know. I got 1952 01:50:38,400 --> 01:50:41,360 Speaker 1: it from a word like drug store, and I was 1953 01:50:41,400 --> 01:50:43,360 Speaker 1: like it was pissed, right. I was pretty it was 1954 01:50:44,280 --> 01:50:50,080 Speaker 1: because it looks like but I drank it. Well, it's sterile, 1955 01:50:50,120 --> 01:50:55,000 Speaker 1: you'll love it. You'll love it. It's kind of electrolytes. Well, 1956 01:50:55,960 --> 01:50:59,559 Speaker 1: this is another rep of lost culturistas. And they were 1957 01:50:59,560 --> 01:51:01,439 Speaker 1: going to say, like if you haven't watched The Baby 1958 01:51:01,479 --> 01:51:04,200 Speaker 1: and select theaters or on demand, you absolutely must. I 1959 01:51:04,320 --> 01:51:06,880 Speaker 1: saw I I googled it, and so it is. It 1960 01:51:07,040 --> 01:51:08,920 Speaker 1: is out there in theaters. If you want to go brave, 1961 01:51:09,600 --> 01:51:14,720 Speaker 1: brave the storm that is COVID still, you can go 1962 01:51:15,280 --> 01:51:18,280 Speaker 1: to see it or watch from the comfort and safety 1963 01:51:18,880 --> 01:51:22,200 Speaker 1: of your own, hopefully COVID free home. But we never 1964 01:51:22,280 --> 01:51:30,920 Speaker 1: can know any final words from the ladies. Do you 1965 01:51:31,560 --> 01:51:34,360 Speaker 1: have any better words? So I'm just so lucky to 1966 01:51:34,400 --> 01:51:36,400 Speaker 1: be in the presence of you both. Thank you for 1967 01:51:36,520 --> 01:51:42,559 Speaker 1: having lovely and I am going to watch my boyfriend poop. 1968 01:51:42,680 --> 01:51:47,559 Speaker 1: I will I think drib the quick what Molly said 1969 01:51:47,600 --> 01:51:53,240 Speaker 1: the now and so? Does that remind us of a 1970 01:51:53,320 --> 01:51:55,400 Speaker 1: song to sort of get us out bowen? What do 1971 01:51:55,479 --> 01:51:57,600 Speaker 1: you think? Um? Yeah, it seems like you give a 1972 01:51:57,680 --> 01:52:01,360 Speaker 1: song ready to go? Yeah, what's that song? Um? Where 1973 01:52:01,400 --> 01:52:03,640 Speaker 1: it's like you stick it in the middle, then you 1974 01:52:03,760 --> 01:52:06,160 Speaker 1: stick it all It's like a party song. It's like 1975 01:52:06,160 --> 01:52:08,640 Speaker 1: a block party song. It's like, um, and then you 1976 01:52:08,760 --> 01:52:11,200 Speaker 1: shake it all about you do the hooky. I guess 1977 01:52:11,240 --> 01:52:14,680 Speaker 1: it's called you know, you know, you know this. It's 1978 01:52:14,720 --> 01:52:17,200 Speaker 1: where it's like you stick your hand in and it's 1979 01:52:17,240 --> 01:52:21,040 Speaker 1: like a three count and then you stick right hand 1980 01:52:21,160 --> 01:52:26,439 Speaker 1: in you're run hand. I don't a lot of put 1981 01:52:26,520 --> 01:52:37,479 Speaker 1: your right hand in, right hand right. Holy shit. The 1982 01:52:39,320 --> 01:52:41,760 Speaker 1: what the singer has to constantly sort of go, you 1983 01:52:41,880 --> 01:52:44,280 Speaker 1: do the hokey pokey and just you know what I mean, 1984 01:52:44,439 --> 01:52:47,880 Speaker 1: like it's good the singer, the singer, Oh my god, 1985 01:52:48,000 --> 01:52:49,719 Speaker 1: never bye bye