1 00:00:05,240 --> 00:00:14,240 Speaker 1: The episode seven false Epiphany, not we one you what? 2 00:00:15,160 --> 00:00:17,040 Speaker 1: Gigi has no idea who you are. 3 00:00:17,600 --> 00:00:20,560 Speaker 2: She'd spot me from three steam rooms away. Will disguise 4 00:00:20,600 --> 00:00:22,599 Speaker 2: you as another patron, a Russian oligarth petty. 5 00:00:22,920 --> 00:00:23,920 Speaker 1: I can guide you remotely. 6 00:00:26,320 --> 00:00:29,200 Speaker 3: It's just it's just one gig. 7 00:00:29,280 --> 00:00:31,800 Speaker 1: Will ever buy me as a Russian oligarchic. I'm not 8 00:00:31,880 --> 00:00:34,959 Speaker 1: a Caravaggio. I'm more of a money I'm better at 9 00:00:35,040 --> 00:00:36,680 Speaker 1: blending in like a watercolor. 10 00:00:36,800 --> 00:00:39,000 Speaker 2: Okay, okay, so then what's you cover? 11 00:00:45,520 --> 00:00:47,200 Speaker 4: Come in frocky copy? 12 00:00:47,400 --> 00:00:51,000 Speaker 1: Who is this one? I am Dima Masarski Dowell. 13 00:00:50,840 --> 00:00:53,480 Speaker 5: Boy, just moved to the city from Minsk and it's 14 00:00:53,560 --> 00:00:56,640 Speaker 5: my first day on job. I move in the shadows, 15 00:00:56,800 --> 00:01:00,880 Speaker 5: a silent inspector, ready to protect and serve. Com Okay, and. 16 00:01:00,840 --> 00:01:03,880 Speaker 2: It's not nineteen eighty nine. You can't say comrade anymore. 17 00:01:04,120 --> 00:01:05,440 Speaker 4: Just get on attached to. 18 00:01:05,440 --> 00:01:08,200 Speaker 2: Micro GPS tracking to Gg's phone and get out. 19 00:01:08,920 --> 00:01:09,080 Speaker 4: Now. 20 00:01:09,160 --> 00:01:11,640 Speaker 5: She should be in charcoal, sanna, Yeah, exactly one room 21 00:01:11,680 --> 00:01:17,400 Speaker 5: ahead and one room over, Yes, exactly, walking near the 22 00:01:17,520 --> 00:01:19,200 Speaker 5: edge of the room because it's so steamy. 23 00:01:19,440 --> 00:01:19,679 Speaker 6: I know. 24 00:01:20,040 --> 00:01:22,520 Speaker 5: These old buildings on the Lower east Side have incredible 25 00:01:22,520 --> 00:01:24,440 Speaker 5: thick walls to keep the heat in the center of 26 00:01:24,480 --> 00:01:27,320 Speaker 5: the room, which means less steam if you stay closer 27 00:01:27,360 --> 00:01:29,840 Speaker 5: to the walls for a better vantage point. 28 00:01:30,040 --> 00:01:34,520 Speaker 2: Wow, okay, tell me about your mark and I guess. 29 00:01:34,319 --> 00:01:37,880 Speaker 5: Gggg's real name him Na Guerero just under five foot ten, 30 00:01:38,000 --> 00:01:41,080 Speaker 5: striking bob of curly black hair, small red koy tattoo 31 00:01:41,160 --> 00:01:44,280 Speaker 5: under the left collarbone. Favors the right rear corner of 32 00:01:44,319 --> 00:01:47,160 Speaker 5: the charcoal sauna. So when I enter, I'll trace the 33 00:01:47,240 --> 00:01:50,720 Speaker 5: room counterclockwise. She won't see me coming from that direction. 34 00:01:52,560 --> 00:01:53,360 Speaker 7: That is brilliant. 35 00:01:54,360 --> 00:01:54,680 Speaker 5: Okay. 36 00:01:55,040 --> 00:01:56,000 Speaker 2: The next room after the. 37 00:01:55,960 --> 00:01:58,080 Speaker 5: Bath is the cold hose room. 38 00:01:58,160 --> 00:01:59,400 Speaker 6: I'm at the entrance right now. 39 00:02:00,600 --> 00:02:02,560 Speaker 2: Get through the hoses and turn right. 40 00:02:03,000 --> 00:02:06,480 Speaker 5: Yeah, it's like Legends of the Hidden Tempo up in here. 41 00:02:06,840 --> 00:02:08,720 Speaker 1: Can I can make out a clear path? 42 00:02:09,160 --> 00:02:10,440 Speaker 2: It's almost twelve twenty. 43 00:02:12,280 --> 00:02:13,240 Speaker 7: Okay, God, I got a catch. 44 00:02:13,240 --> 00:02:14,360 Speaker 5: Just just just slim me focus. 45 00:02:14,400 --> 00:02:18,720 Speaker 7: Okay, okay, okay. 46 00:02:18,760 --> 00:02:22,440 Speaker 5: There's a pattern these hoses, the hoses, they they spray 47 00:02:22,480 --> 00:02:24,880 Speaker 5: in a kind of a rhythmic pattern. It reminds me 48 00:02:24,919 --> 00:02:28,160 Speaker 5: of a of an mc escher drawing. If you want 49 00:02:28,160 --> 00:02:31,160 Speaker 5: to make any progress, you have to move like a 50 00:02:31,360 --> 00:02:35,359 Speaker 5: chest piece, like a rook. Two steps forward, one step over, 51 00:02:35,560 --> 00:02:37,239 Speaker 5: two steps forward, one step over. 52 00:02:37,520 --> 00:02:41,799 Speaker 1: It's just like one of the Escher's staircase drawings. Yes, yes, 53 00:02:41,800 --> 00:02:42,799 Speaker 1: I'm positive I got this. 54 00:02:43,560 --> 00:02:47,520 Speaker 2: Okay, here we go, get read on my account. 55 00:02:47,720 --> 00:03:08,720 Speaker 1: Okay, one three D I made it. I can see 56 00:03:08,720 --> 00:03:13,480 Speaker 1: the red light just around the corner. The charcoal's on it. 57 00:03:14,639 --> 00:03:21,200 Speaker 1: Ship It's crap. I lost it. I lost it. 58 00:03:41,680 --> 00:03:46,720 Speaker 7: FuG fuch. Okay, okay, what nomadic? You can do this? Okay, 59 00:03:46,920 --> 00:03:48,680 Speaker 7: this is in the back. 60 00:03:48,880 --> 00:03:50,560 Speaker 1: Okay, totally in the back. 61 00:03:51,280 --> 00:03:53,760 Speaker 5: Just get the GPS tracker on the back of Gigi's 62 00:03:53,760 --> 00:03:54,680 Speaker 5: phone and get out. 63 00:03:55,200 --> 00:03:58,600 Speaker 3: Yeah, the back left corner, red cord tattoo. I'm demon 64 00:03:58,720 --> 00:04:03,600 Speaker 3: mask terrible minsk. Oh holy shit. 65 00:04:03,760 --> 00:04:18,960 Speaker 5: Okay, get it together, get it together. Jeez, it's darker 66 00:04:18,960 --> 00:04:23,080 Speaker 5: than the finale of House of Dragon in here. Okay, okay, 67 00:04:24,200 --> 00:04:24,719 Speaker 5: I'm sorry. 68 00:04:26,080 --> 00:04:31,720 Speaker 6: I am Dima. Anyone needs fresh towel, dowel? Any one 69 00:04:32,200 --> 00:04:37,800 Speaker 6: fresh clean thoul. If there's someone else in here, my 70 00:04:37,880 --> 00:04:40,920 Speaker 6: name is Lima and I am dou. 71 00:04:45,120 --> 00:04:47,280 Speaker 1: Needs to work on that Russian accent with you? 72 00:04:47,400 --> 00:04:50,360 Speaker 3: One does. 73 00:04:51,760 --> 00:04:56,000 Speaker 1: Does Maldolm need the madam? Was my mother? 74 00:04:59,600 --> 00:04:59,880 Speaker 5: Justine? 75 00:05:00,120 --> 00:05:01,080 Speaker 3: You more steps? 76 00:05:02,240 --> 00:05:03,880 Speaker 8: The steam will clear a second. 77 00:05:04,360 --> 00:05:06,240 Speaker 3: I I I think I'm good, actually. 78 00:05:06,320 --> 00:05:12,760 Speaker 8: Typical on only going halfway, never actually following through. 79 00:05:13,640 --> 00:05:19,200 Speaker 5: So wonder if this, gig, it's just you and me 80 00:05:19,240 --> 00:05:24,800 Speaker 5: in here right now, and I am well, I'm not 81 00:05:24,839 --> 00:05:25,359 Speaker 5: scared of you. 82 00:05:33,520 --> 00:05:36,440 Speaker 8: It really looks like everything we've been working on the 83 00:05:36,480 --> 00:05:39,800 Speaker 8: last few weeks is paying off. I'm so proud of 84 00:05:39,839 --> 00:05:40,560 Speaker 8: your progress. 85 00:05:41,880 --> 00:05:44,880 Speaker 5: What are you talking about with? Why don't you show 86 00:05:44,880 --> 00:05:46,880 Speaker 5: yourself instead of hiding in the shadows? 87 00:05:46,960 --> 00:05:47,479 Speaker 3: Huh? 88 00:05:47,600 --> 00:05:51,400 Speaker 1: Come out here? Huh face me? Are you sure about 89 00:05:51,440 --> 00:05:52,159 Speaker 1: that one? 90 00:05:52,920 --> 00:05:55,839 Speaker 8: You really want me to come out and play? 91 00:05:56,600 --> 00:05:58,880 Speaker 1: I told you I'm not scared of you, gig. 92 00:06:00,160 --> 00:06:04,520 Speaker 8: Maybe fear is a natural part of the growth process. 93 00:06:06,320 --> 00:06:10,479 Speaker 8: Have you considered you might be thinking, oh my god. 94 00:06:10,800 --> 00:06:13,200 Speaker 9: The sounds like a wonderful person. 95 00:06:13,279 --> 00:06:15,040 Speaker 1: Did you oh just met it? 96 00:06:15,960 --> 00:06:22,279 Speaker 9: No, you have to find your own define. 97 00:06:19,520 --> 00:06:22,760 Speaker 1: A stop stopping. 98 00:06:25,040 --> 00:06:29,360 Speaker 8: All right one, Remember to breathe in for full out. 99 00:06:29,200 --> 00:06:29,680 Speaker 5: Full. 100 00:06:32,160 --> 00:06:35,720 Speaker 1: Stop? No enough? How did you know I would? How 101 00:06:35,720 --> 00:06:36,520 Speaker 1: did you even know that I would? 102 00:06:36,600 --> 00:06:39,479 Speaker 8: When you canceled our session this morning, I realized you 103 00:06:39,520 --> 00:06:42,920 Speaker 8: were taking matters into your own shaky little hands. 104 00:06:43,279 --> 00:06:45,000 Speaker 1: How could you even know that I was? 105 00:06:45,240 --> 00:06:49,360 Speaker 8: This job is bigger than you realize one. In fact, 106 00:06:50,160 --> 00:06:52,839 Speaker 8: I bet I know more about you than Fernando does. 107 00:06:53,720 --> 00:06:54,400 Speaker 1: How's Abela? 108 00:06:55,160 --> 00:06:58,080 Speaker 8: And indeed, did you come up with a productive way 109 00:06:58,120 --> 00:07:00,560 Speaker 8: to confront William at your Okay? 110 00:07:00,560 --> 00:07:01,000 Speaker 2: How did you? 111 00:07:01,080 --> 00:07:02,880 Speaker 1: Did you know I would be Fernando did? Did you 112 00:07:02,920 --> 00:07:05,520 Speaker 1: and Fernando planets together? Is another continent? 113 00:07:05,760 --> 00:07:06,000 Speaker 3: Good? 114 00:07:06,160 --> 00:07:09,560 Speaker 8: No, my cousin and I don't work jobs together anymore. 115 00:07:09,920 --> 00:07:12,680 Speaker 8: We had a temc falling out over some silly lost 116 00:07:12,760 --> 00:07:17,000 Speaker 8: artifacts a few years back, and well, to be honest, 117 00:07:17,800 --> 00:07:20,920 Speaker 8: I still haven't gotten over it. Bad on me, but 118 00:07:21,520 --> 00:07:22,800 Speaker 8: I tend to hold a grudge. 119 00:07:23,000 --> 00:07:25,320 Speaker 1: You betrayed him. He was locked up and starved because 120 00:07:25,320 --> 00:07:26,000 Speaker 1: of what you did. 121 00:07:26,360 --> 00:07:30,560 Speaker 8: Oh, you really have no idea who you've gotten yourself 122 00:07:30,560 --> 00:07:31,400 Speaker 8: into business with? 123 00:07:31,760 --> 00:07:32,080 Speaker 7: Do you? 124 00:07:32,480 --> 00:07:35,400 Speaker 1: I know your tricks? G? Okay, you're just messing with 125 00:07:35,440 --> 00:07:38,320 Speaker 1: my head. I trust Fernando and he trusts me. 126 00:07:38,400 --> 00:07:40,480 Speaker 8: Fernando doesn't trust any more. 127 00:07:41,120 --> 00:07:42,160 Speaker 1: He's using you. 128 00:07:43,040 --> 00:07:45,520 Speaker 8: This isn't the first time he's had a partner. 129 00:07:45,240 --> 00:07:48,680 Speaker 1: Because you ruined it for him by lying and scheming 130 00:07:48,760 --> 00:07:51,240 Speaker 1: and only looking out for yourself. You're a monster. 131 00:07:51,520 --> 00:07:54,480 Speaker 8: That's what they always call a powerful woman, isn't it. 132 00:07:55,280 --> 00:08:00,679 Speaker 8: I prefer entrepreneur now, as much as I've to stay 133 00:08:00,680 --> 00:08:03,240 Speaker 8: in chat, especially since we didn't get to have our 134 00:08:03,280 --> 00:08:04,160 Speaker 8: last session today. 135 00:08:05,000 --> 00:08:07,880 Speaker 1: I have a deal to make. No, No, we're not 136 00:08:07,920 --> 00:08:09,400 Speaker 1: done here, Oh but we are. 137 00:08:10,760 --> 00:08:15,240 Speaker 8: We're a sweet man, one pathetic, but sweet. And you 138 00:08:15,320 --> 00:08:18,320 Speaker 8: may think I'm a monster now, but most of the 139 00:08:18,400 --> 00:08:21,360 Speaker 8: monsters I've met in my line of work hide their 140 00:08:21,440 --> 00:08:26,280 Speaker 8: fangs behind a dashing Debonair smile and an expensive suit. 141 00:08:27,080 --> 00:08:29,480 Speaker 8: You have to know that none of those. 142 00:08:29,400 --> 00:08:31,680 Speaker 9: Never going to love you as much as he loves 143 00:08:31,720 --> 00:08:32,240 Speaker 9: this job. 144 00:08:33,040 --> 00:08:38,679 Speaker 3: I don't believe you, then, who do you believe? 145 00:08:38,960 --> 00:09:00,160 Speaker 4: One? 146 00:09:03,080 --> 00:09:07,720 Speaker 2: I'm telling all of it my father, Leonard. She poses 147 00:09:07,760 --> 00:09:10,520 Speaker 2: your therapist. She stayed you and your family out. 148 00:09:10,520 --> 00:09:14,440 Speaker 7: It's especially after Gig. 149 00:09:14,360 --> 00:09:16,600 Speaker 2: Must have been planning this for weeks months. 150 00:09:17,040 --> 00:09:19,640 Speaker 5: Fernando, Please, I can't think we should just work on 151 00:09:19,720 --> 00:09:22,200 Speaker 5: letting all of this go, because right now I'm feeling 152 00:09:22,679 --> 00:09:23,400 Speaker 5: really overwhelmed. 153 00:09:23,440 --> 00:09:24,040 Speaker 1: Of course you are. 154 00:09:24,400 --> 00:09:27,920 Speaker 2: Gigi invaded your privacy. Want she slithered into my life. 155 00:09:27,720 --> 00:09:34,560 Speaker 1: And she she targeted me, Fernando, not you. GG knows 156 00:09:34,600 --> 00:09:38,880 Speaker 1: things about me about my family, my job. Gigi knows 157 00:09:38,920 --> 00:09:42,200 Speaker 1: personal things about my life that I have never ever 158 00:09:42,280 --> 00:09:45,600 Speaker 1: shared with with you. You know what, Actually I don't. 159 00:09:45,600 --> 00:09:47,040 Speaker 1: I don't I don't want to talk about this anymore. 160 00:09:47,240 --> 00:09:48,480 Speaker 3: Well, I am. 161 00:09:49,000 --> 00:09:53,240 Speaker 6: I am so sorry. I didn't you know. 162 00:09:53,240 --> 00:09:55,840 Speaker 2: I never ever wanted you to get wrapped up in this. 163 00:09:55,880 --> 00:09:56,640 Speaker 2: You have to believe me. 164 00:09:56,720 --> 00:09:57,079 Speaker 7: This is. 165 00:10:05,040 --> 00:10:09,280 Speaker 2: Hey wan, are you okay? No, you're not. And for 166 00:10:09,320 --> 00:10:12,480 Speaker 2: fuck's sake, it's all my fault. I know better than this. 167 00:10:12,600 --> 00:10:15,360 Speaker 2: I was taught better than this. I let my feelings 168 00:10:15,360 --> 00:10:17,320 Speaker 2: get in the way and it was a mistake to get. 169 00:10:17,200 --> 00:10:19,560 Speaker 1: Involved with a mistake. 170 00:10:20,040 --> 00:10:20,600 Speaker 6: What he's saying. 171 00:10:20,760 --> 00:10:23,280 Speaker 2: My father taught me there isn't enough space for both 172 00:10:23,280 --> 00:10:26,079 Speaker 2: the man and the klan. It's all about the job, 173 00:10:26,160 --> 00:10:29,559 Speaker 2: no matter what. There's no room for personal feelings. Otherwise 174 00:10:29,640 --> 00:10:30,120 Speaker 2: it gets. 175 00:10:30,000 --> 00:10:33,920 Speaker 5: Complicated, and I'm the complication for the can yes, well, 176 00:10:34,200 --> 00:10:38,240 Speaker 5: but for me, No, you're on. 177 00:10:38,480 --> 00:10:41,559 Speaker 2: I'm trying to tell you that I'm choosing you. I've 178 00:10:41,600 --> 00:10:43,600 Speaker 2: been trying to tell you all day. My family is 179 00:10:44,320 --> 00:10:47,320 Speaker 2: this is what they do, the lies, the strategy, the 180 00:10:47,400 --> 00:10:49,920 Speaker 2: mental warfare, and I can't do it anymore. 181 00:10:50,000 --> 00:10:50,840 Speaker 1: My dad was right. 182 00:10:50,920 --> 00:10:53,000 Speaker 2: I can't have both, and I don't want both. 183 00:10:53,080 --> 00:10:53,400 Speaker 9: I won't. 184 00:10:53,600 --> 00:10:55,640 Speaker 2: I won't risk putting you in harm's way, even if 185 00:10:55,640 --> 00:10:58,000 Speaker 2: it means walking away from everything my family taught me 186 00:10:58,040 --> 00:11:00,920 Speaker 2: and everything I wanted because now, well, now it feels 187 00:11:00,920 --> 00:11:05,360 Speaker 2: like it feels like all all of a sudden, whoa, whoa, 188 00:11:05,400 --> 00:11:06,360 Speaker 2: all of a sudden. 189 00:11:06,040 --> 00:11:08,680 Speaker 1: I kid, oh well, I I can't breathe. 190 00:11:08,679 --> 00:11:09,640 Speaker 2: It feels like I can't breathe. 191 00:11:09,679 --> 00:11:11,480 Speaker 1: Okay, but on the front of this is huge. It's 192 00:11:11,480 --> 00:11:14,080 Speaker 1: a huge. Okay, you're making it so slow. I can't 193 00:11:14,120 --> 00:11:14,800 Speaker 1: catch my breath. 194 00:11:14,800 --> 00:11:17,520 Speaker 2: It's like it's like my ribs are sneaking in, my 195 00:11:17,720 --> 00:11:18,520 Speaker 2: throat is closing out. 196 00:11:18,520 --> 00:11:20,240 Speaker 5: Okay, yeah, I think you have any panic? 197 00:11:20,280 --> 00:11:23,400 Speaker 1: It's okay, relax, rex messages, okay, hair, relax anything. How 198 00:11:23,400 --> 00:11:24,760 Speaker 1: am I supposed to relax right now? 199 00:11:25,000 --> 00:11:25,200 Speaker 2: Okay? 200 00:11:25,679 --> 00:11:27,040 Speaker 1: Okay, okay, look at me, Look at me. 201 00:11:27,160 --> 00:11:30,559 Speaker 2: I'm looking. I'm looking. Oh gosh, how am I going 202 00:11:30,600 --> 00:11:33,640 Speaker 2: to tell my father? He'll never understand? And the painting 203 00:11:33,679 --> 00:11:35,400 Speaker 2: that delato is hell, get your deal? 204 00:11:35,559 --> 00:11:38,480 Speaker 1: Tell me abouting? No, no, no, okay, can tell me Banana, 205 00:11:38,679 --> 00:11:40,080 Speaker 1: just the paint and describe it. 206 00:11:40,280 --> 00:11:46,600 Speaker 2: The painting is it's small and and rectangular, and I'm 207 00:11:46,840 --> 00:11:51,880 Speaker 2: the brost strokes are really thick, yeah, gloopy. But if 208 00:11:51,880 --> 00:11:55,800 Speaker 2: you step back, if you step back, if you step 209 00:11:55,840 --> 00:11:57,640 Speaker 2: back far, and if you can tell that the paint 210 00:11:57,679 --> 00:12:00,320 Speaker 2: is so thick because it's all it all? What's to 211 00:12:00,320 --> 00:12:00,880 Speaker 2: play together? 212 00:12:01,800 --> 00:12:04,720 Speaker 7: Okay, how do you feel now? 213 00:12:05,920 --> 00:12:10,120 Speaker 2: Better? I feel much better? 214 00:12:10,200 --> 00:12:11,800 Speaker 1: Okay, good. 215 00:12:12,840 --> 00:12:17,040 Speaker 2: I just I've never not known what to do before. 216 00:12:17,640 --> 00:12:20,040 Speaker 5: Yeah, well, welcome to my world. 217 00:12:21,280 --> 00:12:23,120 Speaker 6: Making big decisions can. 218 00:12:23,000 --> 00:12:24,240 Speaker 2: Be a lot. 219 00:12:25,480 --> 00:12:28,200 Speaker 6: You really feel like this every time I. 220 00:12:28,200 --> 00:12:28,559 Speaker 7: Used to. 221 00:12:30,160 --> 00:12:37,200 Speaker 3: Until I met you, And somehow you make everything feel 222 00:12:39,360 --> 00:12:43,600 Speaker 3: not so overwhelming because you have someone by your side. 223 00:12:45,960 --> 00:12:53,520 Speaker 7: Yeah, no matter what, then you're all in need. 224 00:12:58,880 --> 00:13:07,760 Speaker 1: Better h. 225 00:13:11,280 --> 00:13:12,920 Speaker 5: M hm hm. 226 00:13:17,840 --> 00:13:18,560 Speaker 2: Of course you. 227 00:13:18,600 --> 00:13:21,559 Speaker 1: Will bring maybe alive. 228 00:13:23,240 --> 00:13:25,760 Speaker 3: To be much he wants him? 229 00:13:26,440 --> 00:13:28,280 Speaker 1: And why you don't even know that? 230 00:13:28,520 --> 00:13:28,720 Speaker 5: Whatever? 231 00:13:28,760 --> 00:13:29,880 Speaker 2: I would have never want to. 232 00:13:33,760 --> 00:13:34,520 Speaker 9: Ask yourself? 233 00:13:39,800 --> 00:13:40,160 Speaker 4: Why are you? 234 00:13:41,040 --> 00:13:41,680 Speaker 6: Are you okay? 235 00:13:41,800 --> 00:13:46,240 Speaker 7: Well? Well yeah, fine, sorry, sorry, I just it's just 236 00:13:46,240 --> 00:13:47,360 Speaker 7: a bad dream to just go back. 237 00:13:47,400 --> 00:13:48,880 Speaker 3: Just way to sleep, are you sure? 238 00:13:49,200 --> 00:13:49,400 Speaker 6: Yeah? 239 00:13:50,120 --> 00:13:58,440 Speaker 3: Yeah, okay, okay mm hmmmmmmmm. 240 00:13:58,920 --> 00:14:02,720 Speaker 9: There's just safe in The code is two five two five. 241 00:14:03,600 --> 00:14:07,400 Speaker 9: Inside the safe is a file. Read it and you'll 242 00:14:07,440 --> 00:14:09,480 Speaker 9: find out who the real monster. 243 00:14:09,360 --> 00:14:33,840 Speaker 7: Is behind the weapons case as you walk in. Okay, 244 00:14:37,080 --> 00:14:40,720 Speaker 7: Jesus christis is heavy? How many ak forty seven does 245 00:14:40,720 --> 00:14:41,480 Speaker 7: one family meet? 246 00:14:43,880 --> 00:14:44,520 Speaker 4: Okay? 247 00:14:45,640 --> 00:14:49,520 Speaker 3: Two five? Okay? 248 00:14:50,000 --> 00:14:51,000 Speaker 5: What just one folder? 249 00:14:56,280 --> 00:14:56,440 Speaker 4: No? 250 00:14:56,440 --> 00:15:01,480 Speaker 9: No, no, no, need it you'll find out to the real monsters. 251 00:15:02,400 --> 00:15:05,000 Speaker 6: No, no, this can't be right. 252 00:15:05,920 --> 00:15:07,640 Speaker 1: Fernanda would never, he would never. 253 00:15:10,520 --> 00:15:11,200 Speaker 7: Oh my god. 254 00:15:27,280 --> 00:15:30,760 Speaker 8: The setup was produced by Soro in partnership with Iheart's 255 00:15:30,800 --> 00:15:35,280 Speaker 8: Michael Tura podcast Network. Created and written by Ivy Marie 256 00:15:35,320 --> 00:15:36,960 Speaker 8: and Philippe Baujan. 257 00:15:38,000 --> 00:15:44,200 Speaker 5: Directed by Bettina Lopez, Produced by Luis Luardo Castillo, developed 258 00:15:44,200 --> 00:15:48,239 Speaker 5: by Bettina Lopez, story editing by Nick Milanes. 259 00:15:49,400 --> 00:15:52,360 Speaker 8: Executive produced by Harvey Gian and Christian Navarro. 260 00:15:53,080 --> 00:15:57,120 Speaker 5: Connel Byrne and Giselle Banss for iHeart and Camilla Victoriano 261 00:15:57,160 --> 00:16:02,400 Speaker 5: and Joshua Weinstein for Soro. Performances in this episode by. 262 00:16:03,760 --> 00:16:11,000 Speaker 1: Harvey Gen, Christian Navarro and Daniella Alozso. Our production and 263 00:16:11,040 --> 00:16:16,240 Speaker 1: supervising managers are Gustavo Rilaer and Queren Sa Chaidis. Recording 264 00:16:16,320 --> 00:16:20,280 Speaker 1: engineering and sound designed by Luin Irigoying, Juan Dias and 265 00:16:20,280 --> 00:16:21,200 Speaker 1: Andres Bayena. 266 00:16:22,480 --> 00:16:27,920 Speaker 8: Casting and coordination by Ansley Martinez and Alex Gonzalez. Voices 267 00:16:27,960 --> 00:16:31,280 Speaker 8: recorded at the Invisible Studios in Los Angeles, the Relic 268 00:16:31,360 --> 00:16:34,200 Speaker 8: Room in New York, and Cabby Sound Studios in. 269 00:16:34,160 --> 00:16:39,160 Speaker 1: Albuquerque, New Mexico, with engineering by Lester Danglar, Brett Tubin, 270 00:16:39,360 --> 00:16:45,160 Speaker 1: and Colin Hunkerlier. If you're enjoying the setup, please subscribe, rate, 271 00:16:45,240 --> 00:16:47,400 Speaker 1: and review our show wherever you're listening.