WEBVTT - Jillian Jacqueline

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<v Speaker 1>Carola. She's the queen of talking. He was sown your man.

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<v Speaker 1>She's only yes side. You got the scoop on the

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<v Speaker 1>one side. No one can do with Clide My Carala Carola.

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<v Speaker 1>No one can do with Clid Caralai Carola. Hey, y'all,

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<v Speaker 1>welcome to Hyper Caroline Hobby. I am your host, Caroline Hobby.

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<v Speaker 1>I know music, I know people, and I know the

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<v Speaker 1>questions do you want to ask? So let's get hyper

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<v Speaker 1>heads up. These are adults having adult conversations, so there

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<v Speaker 1>could be adult content. This episode is super exciting. I

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<v Speaker 1>have one of the hottest new females in country music

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<v Speaker 1>joined me, Gillian Jacqueline. She has all sorts of new

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<v Speaker 1>songs that her single hate Me is on Spotify. It's

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<v Speaker 1>already had a couple of million streams as well as

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<v Speaker 1>her other single Reasons. She's been opening for Dwight Yoakum,

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<v Speaker 1>but like Herrington, she got her start with Kenny Rogers.

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<v Speaker 1>Her story it's fantastic you. I promise we'll love her

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<v Speaker 1>and we'll just want to eat her music. Up Here

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<v Speaker 1>is Jillian Jacqueline. I am so thrilled to have you

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<v Speaker 1>with me. Thank you. I'm so happy to be here.

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<v Speaker 1>First off, I've known you forever, like how long? Six years?

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<v Speaker 1>Six years? Yeah. We even wrote us a Long Time Together,

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<v Speaker 1>we did before you became Jillian. Should we do that again? No,

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<v Speaker 1>I've retired from writing songs no more. Yeah. The last song, actually,

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<v Speaker 1>thing I ever wrote was probably with you. Yeah really yeah,

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<v Speaker 1>because I was having one of my many midlife meltdown

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<v Speaker 1>crisis is that LIFEB had several and you were right

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<v Speaker 1>there and we wrote a song about it was called

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<v Speaker 1>Papa because you were in a trio at the time

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<v Speaker 1>and it wasn't going according to plan. I had an

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<v Speaker 1>experience like that when I first moved here. I was

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<v Speaker 1>like thrown into a duo with a guy. That's how

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<v Speaker 1>we met. Oh my god, I forgot about that. Yeah,

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<v Speaker 1>what were y'all called? Um? We changed our name like

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<v Speaker 1>five times. We were Jillian and Ryan, and we were Carousel.

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<v Speaker 1>We had a bunch of different things. Um, but it

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<v Speaker 1>just wasn't It didn't work out. And it was you know,

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<v Speaker 1>eight months of time where we have just tried and

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<v Speaker 1>the chemistry just wasn't there. So and that's kind of

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<v Speaker 1>something that I really want to talk to you about today.

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<v Speaker 1>But we have so much to talk about. But I'm

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<v Speaker 1>just gonna harp on it right now since they're talking

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<v Speaker 1>about it. You have been so ready for this career

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<v Speaker 1>for so long, or brady is not the right word.

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<v Speaker 1>You have been poised for this career for so long,

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<v Speaker 1>starting at nine years old when you were pretty much

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<v Speaker 1>discovered by Kenny Rodgers, which we have to talk about,

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<v Speaker 1>and then Vince Gill and then your sisters had a

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<v Speaker 1>band was it Luna Halo Luna Luna Bells that were

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<v Speaker 1>signed and you weren't a part of that. But then

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<v Speaker 1>you have your own duo that's happening, which I forgot about.

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<v Speaker 1>All of these things have happened in your music career

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<v Speaker 1>that you would think one of them would have just

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<v Speaker 1>gone like this starting at nine. But it's it's now.

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<v Speaker 1>It's happening now. It's happening now, and it's supposed to

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<v Speaker 1>be now. And I feel like with my entire existence

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<v Speaker 1>that it's supposed to be now. For you, it's spupposed

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<v Speaker 1>to be sooner. Thank you, don't you feel? I completely agree?

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<v Speaker 1>I mean I have to think that because I'm twenty

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<v Speaker 1>nine to wait twenty years for it, Yeah, yeah, I think, Um,

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<v Speaker 1>it didn't feel like waiting you know, it felt like

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<v Speaker 1>each phase was like such a different thing, and I

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<v Speaker 1>was doing I was making music at all the stages

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<v Speaker 1>of my life. But um, I always really thought long

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<v Speaker 1>and hard about everything, so all those like stages meant something.

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<v Speaker 1>But this moment is actually, um a culmination of like

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<v Speaker 1>me as a human being, like finding out exactly what

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<v Speaker 1>I wanted to say. Um, and that takes a long time,

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<v Speaker 1>at least it did for me, you know, And I

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<v Speaker 1>feel like these songs really reflect that. And you know,

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<v Speaker 1>you've own me long enough that you knew I was

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<v Speaker 1>in a relationship for a really long time, and so um,

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<v Speaker 1>you know, I've been writing songs for since I got

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<v Speaker 1>here and then before that. But these songs, a lot

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<v Speaker 1>of these songs on this album were like six months old,

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<v Speaker 1>and we like wrote them and we went right into

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<v Speaker 1>the studio and they're very fresh from something that I

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<v Speaker 1>was actually going through. And I this like Reasons and

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<v Speaker 1>hate Me, which the title hate Me is the best

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<v Speaker 1>title of a song I've ever heard. Thanks. They're so real,

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<v Speaker 1>like when you're saying, we're standing at the kitchen sing

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<v Speaker 1>and we feel like roommates. Oh yeah, that's that's reasons

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<v Speaker 1>for Reasons I'm like, oh my gosh, the way that

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<v Speaker 1>you're putting your relationship that was falling apart into a song.

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<v Speaker 1>How many people feel that but don't know how to

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<v Speaker 1>say it, and you say it in such a way

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<v Speaker 1>I've never heard said before, with the hookiest melodies behind it. Yeah.

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<v Speaker 1>I think a lot of that is due to the

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<v Speaker 1>fact that I wrote them with my best friend. His

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<v Speaker 1>name's Toford Brown, and he was my therapist through a

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<v Speaker 1>lot of what I was going through and songwriting Protect

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<v Speaker 1>the toy. He's so talented, and you know, we became

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<v Speaker 1>we became friends first, so we were just hanging out

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<v Speaker 1>and really talking to each other as as best friends,

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<v Speaker 1>and um, everything was super honest and super real. So

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<v Speaker 1>when we were going to write songs, there was no

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<v Speaker 1>sugarcoating and no skating around it. And for a long

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<v Speaker 1>time as a as a writer, I was actually avoiding

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<v Speaker 1>talking about relationships because, um, as a female, I wanted

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<v Speaker 1>to prove to myself that I didn't have to talk

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<v Speaker 1>about men, boys, men whatever. I wanted to talk about

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<v Speaker 1>other things. And then you want to talk about um,

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<v Speaker 1>just you know, life things and and what makes me

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<v Speaker 1>human being, and um, you know, I had a lot

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<v Speaker 1>of like funny tongue in cheek things that I wanted

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<v Speaker 1>to say. Um And essentially I still have that side,

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<v Speaker 1>but a lot of that was just me trying to

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<v Speaker 1>avoid actually saying the stuff that I didn't want to

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<v Speaker 1>admit that was going on. And these songs came out

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<v Speaker 1>and I couldn't really stop them. Yeah, feel like they

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<v Speaker 1>were divine too in a way. It was like a

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<v Speaker 1>journal entry. It was just things I was writing down

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<v Speaker 1>and things I was saying out loud, and then we

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<v Speaker 1>just put them to music and that felt really scary

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<v Speaker 1>and very emotional. Feels very like they even though the

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<v Speaker 1>songs are so hooky, you learn them and once I

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<v Speaker 1>hear them one time, it's memorized, but the lyrics feel

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<v Speaker 1>very vulnerable and very raw. And I was actually wanting

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<v Speaker 1>to talk to you about that. Is it terrifying to

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<v Speaker 1>be so honest? It should be? It probably should be.

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<v Speaker 1>It it has been. Putting them out has been really

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<v Speaker 1>scary because the person that they're about will hear them,

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<v Speaker 1>and everybody that knew us will hear them, and they'll

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<v Speaker 1>know that. I kind of went for the jugular, like

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<v Speaker 1>I just said it because I had to say it.

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<v Speaker 1>It I think, but you still said it peacefully. You

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<v Speaker 1>didn't say anything that's not there's nothing you're just saying.

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<v Speaker 1>You're just saying how a relationship is when it's falling apart.

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<v Speaker 1>I think it's important to be um open minded and

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<v Speaker 1>also see that everybody has a story, that person has

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<v Speaker 1>a side of the story. I have a side to

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<v Speaker 1>the story, and I would never, um, I would never

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<v Speaker 1>put the you know, the bad guy role on someone

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<v Speaker 1>that didn't ask for that. That's not just not fair.

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<v Speaker 1>So I think the most important thing is when you're

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<v Speaker 1>being truthful, is the truth is everybody has their side.

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<v Speaker 1>You know. You can't just write a song and pretend

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<v Speaker 1>that they were the only We're the only one. No, yeah,

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<v Speaker 1>because it's never really that way. We all in relationships.

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<v Speaker 1>It's always two sided. So they say it's your side,

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<v Speaker 1>my side of the truth. Yeah right, yeah, yeah, So

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<v Speaker 1>you've got to tell both sides of the story. And

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<v Speaker 1>I think I hope that we did that with these songs.

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<v Speaker 1>I think we did, And I mean the album is

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<v Speaker 1>very I think the album is really well rounded. It's

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<v Speaker 1>not just about this breakup. Um, it's uh, like you said,

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<v Speaker 1>it took me a really long time to get here.

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<v Speaker 1>So I had a lot of stuff to say. There's

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<v Speaker 1>songs um that I've already put out that are going

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<v Speaker 1>on the album as well. There's a song called kids

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<v Speaker 1>These Days that has been really important to me for

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<v Speaker 1>a long time. Uh tofer and I wrote that and

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<v Speaker 1>we wrote it about three and a half four years ago,

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<v Speaker 1>and it is something that I've noticed in UM culture,

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<v Speaker 1>and I'm sure we all have. It's kind of a

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<v Speaker 1>recurring theme where the teenagers do all the wrong things

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<v Speaker 1>and the parents are shaking their heads and saying, oh

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<v Speaker 1>my gosh, the world's going to hell there. They don't

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<v Speaker 1>understand anything, they have no morals, and it's happened literally

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<v Speaker 1>for decades and decades and decades. Yeah, and it's just it.

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<v Speaker 1>It happens in every generation. And I wanted to sum

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<v Speaker 1>that up and be like, dude, my parents were the

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<v Speaker 1>bad guys when they were young, and now they're telling

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<v Speaker 1>us that, you know, we don't stand for anything and

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<v Speaker 1>we are to um wishy washy about our you know,

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<v Speaker 1>political opinions and all this stuff. So I thought that

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<v Speaker 1>was worth commenting on and just saying, you know, when

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<v Speaker 1>you grow up, you just kind of you kind of

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<v Speaker 1>want to break out of your skin, figure out where

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<v Speaker 1>you stand in the world, and um, that song is

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<v Speaker 1>kind of about that. So I love Crime too. It

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<v Speaker 1>is making the album. I'm so excited because I still

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<v Speaker 1>really love that. I love that song, and that's kind

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<v Speaker 1>of in the same sort of vein, like you want

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<v Speaker 1>to live in your prime, Like, yeah, how great that

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<v Speaker 1>you are aware that you're in your prime. Well, I

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<v Speaker 1>I've had forty five year old women tell me like,

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<v Speaker 1>I love this song because it makes me feel like

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<v Speaker 1>I'm in my prime. And I'm like, you are, like

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<v Speaker 1>wherever you are in your life and you feel happy

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<v Speaker 1>to be there, that's your prime, you know. And that's

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<v Speaker 1>so true. Um. I think I like read somewhere online

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<v Speaker 1>that they consider your prime, you know. Um, actually it's

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<v Speaker 1>like married couples whose kids have moved out and then

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<v Speaker 1>they're in their prime because they get to enjoy their

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<v Speaker 1>mom is she's free as bird, she loves empty nest.

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<v Speaker 1>It's great. Yeah, see you wherever you are or you are. Yeah.

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<v Speaker 1>Think that's really important too for people to know. And

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<v Speaker 1>I mean we all struggle with that, you know, thinking

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<v Speaker 1>that the best thing is either behind us or two

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<v Speaker 1>cut of us. But it could be right where we

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<v Speaker 1>are right now. I think it always is, is that

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<v Speaker 1>I like to think, so okay, so when I kind

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<v Speaker 1>of go to the beginning, sure, you're nine years old.

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<v Speaker 1>Nine years old. This is a hilarious story because this

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<v Speaker 1>is actually the story of my life, which is why

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<v Speaker 1>it took me so long to get here, because I

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<v Speaker 1>was so, um clueless. My mom saw an ad for

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<v Speaker 1>a for a Broadway show audition in a newspaper that

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<v Speaker 1>we got, and we lived in Pennsylvania, and so after

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<v Speaker 1>school one day it was like the last day of

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<v Speaker 1>third grade, she drove me two hours to New York City.

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<v Speaker 1>We got there, the audition was already closing. They'd already

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<v Speaker 1>seen like fifty girls. And my mom was like, please,

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<v Speaker 1>just like let her come in and she just wants

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<v Speaker 1>to sing and she can read the part, and um,

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<v Speaker 1>it was horrible. I had two different colored socks on

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<v Speaker 1>and they asked me to dance and I could not

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<v Speaker 1>dance there like can you do a shuffle thing whatever?

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<v Speaker 1>Girls that I don't know what those dance moves are,

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<v Speaker 1>but I didn't know how to do it. And I

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<v Speaker 1>was like, I, um, I don't know. How did you know?

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<v Speaker 1>They had a woman there that was supposed to teach

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<v Speaker 1>you how to do it, and she like showed me

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<v Speaker 1>one time through and I just couldn't get it. But

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<v Speaker 1>I saying, the sun will come out tomorrow. And my

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<v Speaker 1>head shot was a picture of me and my aunt

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<v Speaker 1>from dinner my mom my, well it was a picture.

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<v Speaker 1>It wasn't even a head shot. They're like, you have

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<v Speaker 1>a picture of my mom's like, this is all we have.

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<v Speaker 1>And she handed him this picture of me and my aunt. So,

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<v Speaker 1>needless to say, the audition did not go well. But

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<v Speaker 1>we're driving home from New York and we get a

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<v Speaker 1>phone call. My mom gets a phone call and it

0:11:40.800 --> 0:11:42.360
<v Speaker 1>was the producer of the show, and he's like, we

0:11:42.440 --> 0:11:44.400
<v Speaker 1>love her, we love that she had no idea what

0:11:44.440 --> 0:11:46.120
<v Speaker 1>she was doing. Can you come back? And so we

0:11:46.160 --> 0:11:49.760
<v Speaker 1>had to do three more auditions and anyway, long story short,

0:11:50.120 --> 0:11:52.240
<v Speaker 1>I ended up doing the last audition with Kenny and

0:11:52.240 --> 0:11:55.160
<v Speaker 1>then that was on Broadway. It was this Christmas show.

0:11:55.720 --> 0:11:59.120
<v Speaker 1>He started your whole career on Broadway with Kenny Rogers. Yeah,

0:11:59.160 --> 0:12:01.400
<v Speaker 1>I mean fast forward through all the open mic nights

0:12:01.400 --> 0:12:03.480
<v Speaker 1>and karaoke that I did when I was like seven

0:12:03.480 --> 0:12:05.480
<v Speaker 1>and eight, and he doesn't even knowice start this at

0:12:05.480 --> 0:12:08.520
<v Speaker 1>seven or eight, I was just singing in the car

0:12:08.679 --> 0:12:12.080
<v Speaker 1>to the radio like Patty Loveless and Pam Tillis and

0:12:12.160 --> 0:12:15.280
<v Speaker 1>Lorie Morgan, just singing all the time, and so my

0:12:15.360 --> 0:12:17.719
<v Speaker 1>mom just was trying to find outlets for me to

0:12:17.760 --> 0:12:19.240
<v Speaker 1>get to do that in front of people, because she

0:12:19.320 --> 0:12:22.240
<v Speaker 1>was like, I think she's good. So I thank god

0:12:22.280 --> 0:12:25.400
<v Speaker 1>my mom was such a mamag because she really pushed

0:12:25.400 --> 0:12:28.760
<v Speaker 1>me to do it and it made me feel um

0:12:28.800 --> 0:12:30.640
<v Speaker 1>like proud. I was like, oh, I can do this

0:12:30.679 --> 0:12:32.679
<v Speaker 1>and people like it when I do it. How wonderful

0:12:32.679 --> 0:12:34.560
<v Speaker 1>to have a supportive parent, because so many both of

0:12:34.559 --> 0:12:37.200
<v Speaker 1>my parents were so supportive. So many parents don't support

0:12:37.240 --> 0:12:39.120
<v Speaker 1>their children and their dreams. I think that's crazy. You

0:12:39.160 --> 0:12:40.880
<v Speaker 1>need to go to school and finish it all the way.

0:12:40.920 --> 0:12:43.480
<v Speaker 1>They don't really want to, not that you shouldn't finish school,

0:12:43.520 --> 0:12:45.679
<v Speaker 1>but they don't take it seriously. I think it's like

0:12:45.679 --> 0:12:49.840
<v Speaker 1>a little hobby. Oh yeah, I mean I've heard so

0:12:49.960 --> 0:12:52.320
<v Speaker 1>many stories of that happening to friends of mine and

0:12:52.400 --> 0:12:55.600
<v Speaker 1>even like legend artists like Tom petty Is in his

0:12:55.760 --> 0:12:58.679
<v Speaker 1>um in his What's the Running Down a Dream? In

0:12:58.720 --> 0:13:01.160
<v Speaker 1>that movie, he talks about how he's dad hated that

0:13:01.200 --> 0:13:03.400
<v Speaker 1>he was a musician. I'm like, that is amazing to

0:13:03.440 --> 0:13:05.760
<v Speaker 1>me that he kept going with all that resistance. But

0:13:06.160 --> 0:13:08.400
<v Speaker 1>I didn't have that. I've never had that. My parents

0:13:08.480 --> 0:13:11.679
<v Speaker 1>are incredibly supportive, and I mean they pulled us out

0:13:11.720 --> 0:13:14.520
<v Speaker 1>of school. We were home schooled for a long time.

0:13:14.720 --> 0:13:17.720
<v Speaker 1>And you started training with your sisters getting into music

0:13:17.720 --> 0:13:20.240
<v Speaker 1>because then all of them are also in music also. Well,

0:13:20.280 --> 0:13:23.160
<v Speaker 1>we started together because after I did the Kenny's Show

0:13:23.160 --> 0:13:27.040
<v Speaker 1>on Broadway, it went on tour for h five years

0:13:27.040 --> 0:13:30.240
<v Speaker 1>and I did the same part for years four. Yeah,

0:13:30.280 --> 0:13:32.840
<v Speaker 1>so we were like on the road for three months

0:13:32.840 --> 0:13:35.280
<v Speaker 1>out of the year with Kenny, and he brought all

0:13:35.280 --> 0:13:37.840
<v Speaker 1>my sisters, he brought my parents. It was a big production.

0:13:37.840 --> 0:13:39.880
<v Speaker 1>I mean there was a lot of people. But um,

0:13:40.000 --> 0:13:42.319
<v Speaker 1>my sisters and I started a band during that time,

0:13:42.480 --> 0:13:45.000
<v Speaker 1>just a four sister family band. We called ourselves the

0:13:45.040 --> 0:13:48.480
<v Speaker 1>Little Women Band after the movie and the book, so

0:13:48.600 --> 0:13:50.320
<v Speaker 1>we know where you were in your life reading A

0:13:50.320 --> 0:13:55.240
<v Speaker 1>Little Women totally. Yeah, we all like matched the characters

0:13:55.240 --> 0:13:58.920
<v Speaker 1>in order, like Beth Amy joe y'all really did match them.

0:13:59.040 --> 0:14:01.480
<v Speaker 1>We thought we did. Yeah, we liked we liked to

0:14:01.520 --> 0:14:04.640
<v Speaker 1>think so yeah, and then um, the band kind of

0:14:04.640 --> 0:14:08.000
<v Speaker 1>became our lives while we're homeschooled. So we were on

0:14:08.040 --> 0:14:11.840
<v Speaker 1>the road in a van, just going wherever, playing festivals

0:14:11.960 --> 0:14:14.400
<v Speaker 1>and fairs. And do you get booked when you're when

0:14:14.400 --> 0:14:16.480
<v Speaker 1>you don't have an agent and you don't really have

0:14:16.559 --> 0:14:19.600
<v Speaker 1>how do you make that? I mean, these weren't like

0:14:19.800 --> 0:14:23.440
<v Speaker 1>high level shows. You're still getting shows. My mom was

0:14:23.720 --> 0:14:27.160
<v Speaker 1>very tenacious. She was the kind of woman that was like, well,

0:14:27.160 --> 0:14:28.840
<v Speaker 1>we don't have tickets to the show, but we can

0:14:28.880 --> 0:14:30.400
<v Speaker 1>just show up and like someone will let us in.

0:14:30.440 --> 0:14:32.320
<v Speaker 1>I'm like, I don't know if it works like that, mom,

0:14:32.400 --> 0:14:34.280
<v Speaker 1>but she would just get us in and then she'd

0:14:34.280 --> 0:14:36.920
<v Speaker 1>be like, well, I know the security guard because um

0:14:36.960 --> 0:14:38.400
<v Speaker 1>so and so, and she was just talked to him

0:14:38.400 --> 0:14:40.360
<v Speaker 1>to let us backstage. And then we would get backstage

0:14:40.360 --> 0:14:42.560
<v Speaker 1>and I'm like, huh, just act like you know what

0:14:42.640 --> 0:14:45.480
<v Speaker 1>you're doing and people let you into place. Have you

0:14:45.520 --> 0:14:51.320
<v Speaker 1>taken that philosophy? I try sometimes my like type a

0:14:51.360 --> 0:14:53.560
<v Speaker 1>stand in line, follow the leader comes into plan like no,

0:14:53.600 --> 0:14:55.640
<v Speaker 1>we can't do this, no, but I have I have

0:14:55.680 --> 0:14:57.720
<v Speaker 1>a little bit of her in me for sure with that.

0:14:58.040 --> 0:15:00.720
<v Speaker 1>So what was it like perform me with Kenny Rogers?

0:15:00.760 --> 0:15:03.720
<v Speaker 1>Were you even old enough to be starstruck by him,

0:15:03.760 --> 0:15:07.080
<v Speaker 1>or did you know what was happening. I I'm gonna

0:15:07.080 --> 0:15:09.440
<v Speaker 1>admit I did not know. That always better. It's a

0:15:09.480 --> 0:15:12.560
<v Speaker 1>blessing to be naive about it. You had no idea.

0:15:12.600 --> 0:15:15.960
<v Speaker 1>You're fresh on the planet. You're really like the world.

0:15:16.280 --> 0:15:19.200
<v Speaker 1>I knew more about his chicken than I knew about

0:15:19.200 --> 0:15:21.520
<v Speaker 1>because he had a restaurant for a long time, so

0:15:21.600 --> 0:15:26.960
<v Speaker 1>I had heard of that killer Rogers Roasters which didn't last. Yeah,

0:15:27.360 --> 0:15:29.680
<v Speaker 1>so I knew about that. But obviously I became very

0:15:29.720 --> 0:15:31.800
<v Speaker 1>familiar with all of his stuff, I mean, the Gambler

0:15:31.800 --> 0:15:35.080
<v Speaker 1>and Lucille, and I've seen his live show I don't

0:15:35.080 --> 0:15:37.160
<v Speaker 1>know how many times. So I have all those songs

0:15:37.200 --> 0:15:40.400
<v Speaker 1>memorized now, and I'm I'm he is. I'm so thankful

0:15:40.480 --> 0:15:43.560
<v Speaker 1>because I learned so much from him about longevity in

0:15:43.600 --> 0:15:48.280
<v Speaker 1>your career and just being respectful of the process. And

0:15:48.480 --> 0:15:50.720
<v Speaker 1>I mean, he's had so many different waves of like

0:15:50.840 --> 0:15:54.440
<v Speaker 1>being popular and than not, and he's just been very

0:15:54.720 --> 0:15:58.000
<v Speaker 1>just even keeled and steady and trusted. And it's awesome

0:15:58.040 --> 0:16:01.760
<v Speaker 1>to watch. What is he like as a performer? What

0:16:01.840 --> 0:16:04.320
<v Speaker 1>did you take away getting to watch on stage? So

0:16:04.440 --> 0:16:07.680
<v Speaker 1>that impact how you perform and how how you view

0:16:07.720 --> 0:16:13.120
<v Speaker 1>the entertainment industry. He yes, because he's very aware that

0:16:14.160 --> 0:16:16.880
<v Speaker 1>people want a certain thing from each artist. They fall

0:16:16.880 --> 0:16:19.200
<v Speaker 1>in love with you for a certain reason. And he's

0:16:19.240 --> 0:16:21.880
<v Speaker 1>so good about playing the songs the same way every night.

0:16:21.920 --> 0:16:25.480
<v Speaker 1>He tells the same jokes and they're all still really funny. Um.

0:16:25.520 --> 0:16:28.080
<v Speaker 1>He knows exactly what they expect when they buy a

0:16:28.120 --> 0:16:29.960
<v Speaker 1>ticket and he gives it to them, and he's he

0:16:30.040 --> 0:16:32.400
<v Speaker 1>has no pride or ego about that, like I want

0:16:32.400 --> 0:16:34.320
<v Speaker 1>to try this differently, I want to do this. He's like, no,

0:16:34.480 --> 0:16:36.000
<v Speaker 1>I'm going to give them what they want, and this

0:16:36.040 --> 0:16:38.840
<v Speaker 1>is what they want. And he's also so humble. He'll

0:16:38.880 --> 0:16:41.880
<v Speaker 1>say things like I'm not a really good singer, but

0:16:41.920 --> 0:16:44.880
<v Speaker 1>I just pick great songs, like you're an incredible singer.

0:16:45.480 --> 0:16:48.320
<v Speaker 1>But he just doesn't ever let himself go to like

0:16:48.400 --> 0:16:51.000
<v Speaker 1>that place of ego where he's the greatest thing that

0:16:51.040 --> 0:16:53.320
<v Speaker 1>God's ever made, which I think a lot of artists

0:16:53.320 --> 0:16:58.360
<v Speaker 1>probably do. I feel like being humble. Really, the artists

0:16:58.680 --> 0:17:01.480
<v Speaker 1>that really make it really are humble. And we were

0:17:01.520 --> 0:17:03.840
<v Speaker 1>talking about share you're kind of mentioning that because you

0:17:03.880 --> 0:17:08.320
<v Speaker 1>were just watching the Billboard. Yes, last time I can't

0:17:08.359 --> 0:17:11.360
<v Speaker 1>speak for how Humble shares. I don't know, well, her

0:17:11.400 --> 0:17:14.000
<v Speaker 1>wigs are pretty big, so I don't know what that means.

0:17:14.119 --> 0:17:18.120
<v Speaker 1>But I think that she was so cool to say

0:17:18.119 --> 0:17:20.240
<v Speaker 1>what she said when she accepted her she had it

0:17:20.280 --> 0:17:24.000
<v Speaker 1>was some lifetime achievement award, I think, and she just said,

0:17:24.080 --> 0:17:25.720
<v Speaker 1>you know, I'm gonna be honest. I think a lot

0:17:25.760 --> 0:17:27.359
<v Speaker 1>of this was luck. I think a lot of my

0:17:27.400 --> 0:17:31.520
<v Speaker 1>career was just I got lucky. And um to admit that,

0:17:31.640 --> 0:17:33.240
<v Speaker 1>you know, so late in your career. She didn't want

0:17:33.240 --> 0:17:35.240
<v Speaker 1>to sin up there and say I did everything right.

0:17:35.280 --> 0:17:38.560
<v Speaker 1>I take all this recognition, and I was just, you know,

0:17:39.000 --> 0:17:41.240
<v Speaker 1>I worked really hard. No, she said it was luck,

0:17:41.520 --> 0:17:45.040
<v Speaker 1>and that is um. You know, it's almost like discrediting

0:17:45.080 --> 0:17:48.080
<v Speaker 1>all the hard work that she did and how she persevered.

0:17:48.200 --> 0:17:50.920
<v Speaker 1>But I like that honesty because I kind of believe

0:17:51.000 --> 0:17:53.159
<v Speaker 1>that too. I think a lot of it is the

0:17:53.280 --> 0:17:56.679
<v Speaker 1>right combination of being prepared and also the situation just

0:17:56.760 --> 0:18:00.639
<v Speaker 1>coming your way. And that's probably why, you know, I'm

0:18:00.680 --> 0:18:05.080
<v Speaker 1>at the point now where yeah, you can't give a journey. Yeah,

0:18:05.160 --> 0:18:07.160
<v Speaker 1>I mean for me, there was really no other option

0:18:07.440 --> 0:18:11.919
<v Speaker 1>because I just I'm wired to want to make music

0:18:11.960 --> 0:18:14.520
<v Speaker 1>and share it with people. And that probably comes from

0:18:14.520 --> 0:18:17.520
<v Speaker 1>my parents, to just instilling that, like, you have a gift,

0:18:17.600 --> 0:18:21.000
<v Speaker 1>you should share it, And I think, um, I think

0:18:21.000 --> 0:18:25.080
<v Speaker 1>that's really important. But yeah, share is obviously a legend.

0:18:25.200 --> 0:18:27.840
<v Speaker 1>And for her to say that was really interesting to me,

0:18:28.000 --> 0:18:30.280
<v Speaker 1>just to kind of put the credit back on luck,

0:18:30.520 --> 0:18:32.400
<v Speaker 1>because it is true though you see all these people

0:18:32.400 --> 0:18:35.000
<v Speaker 1>who are so talented who really never get their big break.

0:18:35.560 --> 0:18:39.679
<v Speaker 1>But also I do think it is bound to happen.

0:18:39.880 --> 0:18:41.879
<v Speaker 1>If you have the gift and the talent and the

0:18:41.960 --> 0:18:44.679
<v Speaker 1>drive and never let it stop, it is bound to

0:18:44.800 --> 0:18:47.240
<v Speaker 1>somewhere or another. I think you're right. I don't think

0:18:47.280 --> 0:18:50.439
<v Speaker 1>it can be avoided. It made your whole life or

0:18:50.480 --> 0:18:54.080
<v Speaker 1>even after you're dead, but it's going to be exposed. Yeah,

0:18:54.200 --> 0:18:56.440
<v Speaker 1>I think that. I've seen that happen with a lot

0:18:56.480 --> 0:18:58.560
<v Speaker 1>of artists in town who I met at a certain

0:18:58.600 --> 0:19:01.200
<v Speaker 1>point and maybe things hadn't gone as well for them

0:19:01.200 --> 0:19:03.480
<v Speaker 1>and they were frustrated and they didn't stop. And then

0:19:03.520 --> 0:19:07.159
<v Speaker 1>all of a sudden, for an instance, so starting at

0:19:07.280 --> 0:19:11.720
<v Speaker 1>nine and it just now all coming together twenty years later. Well,

0:19:11.760 --> 0:19:14.160
<v Speaker 1>I kind of view it not as like this aha moment,

0:19:14.200 --> 0:19:17.320
<v Speaker 1>but more of like another step up the mountain. It's

0:19:17.320 --> 0:19:19.560
<v Speaker 1>not like I finally made it. It's more like, this

0:19:19.640 --> 0:19:22.680
<v Speaker 1>is really cool that I'm getting to a larger audience now,

0:19:22.760 --> 0:19:24.639
<v Speaker 1>and then the next step will come and then I'll

0:19:24.680 --> 0:19:26.119
<v Speaker 1>fall back down the mountain and then I'll have to

0:19:26.119 --> 0:19:27.880
<v Speaker 1>walk back up and then fall back down. I think

0:19:27.920 --> 0:19:29.840
<v Speaker 1>that's what it is like that that you see. It

0:19:30.000 --> 0:19:33.280
<v Speaker 1>have to because it changes so fast. I mean, we

0:19:33.320 --> 0:19:36.840
<v Speaker 1>know with social media, there's so many different ways people

0:19:36.840 --> 0:19:40.000
<v Speaker 1>discover music now, and so the relationship with artists is

0:19:40.040 --> 0:19:42.560
<v Speaker 1>so different than what we grew up with even and

0:19:42.640 --> 0:19:44.680
<v Speaker 1>I have to keep that in mind when I'm making

0:19:44.800 --> 0:19:47.960
<v Speaker 1>music that, um, you know, it feels like to me,

0:19:48.000 --> 0:19:50.000
<v Speaker 1>it's like my heart and my soul in a song.

0:19:50.160 --> 0:19:54.240
<v Speaker 1>But also, um, you know, come like another six months

0:19:54.280 --> 0:19:56.240
<v Speaker 1>or a year, people are going to want something else

0:19:56.680 --> 0:19:58.560
<v Speaker 1>and then something else. So you're gonna have to keep

0:19:58.600 --> 0:20:03.800
<v Speaker 1>figuring out how to either reinvent yourself or become We're honest,

0:20:03.920 --> 0:20:06.359
<v Speaker 1>or try different things or Yeah, it's like a new

0:20:06.440 --> 0:20:10.320
<v Speaker 1>challenge all the time. So you have this big Kenny

0:20:10.680 --> 0:20:13.719
<v Speaker 1>Rogers experience to start your life off. That's literally how

0:20:13.760 --> 0:20:16.960
<v Speaker 1>you start your life. Kenny Rogers touring with him on Broadway.

0:20:17.200 --> 0:20:18.600
<v Speaker 1>What a way to get into the world. I mean,

0:20:18.600 --> 0:20:22.320
<v Speaker 1>you're just starting off crazy. It's like I am you know,

0:20:22.560 --> 0:20:26.040
<v Speaker 1>I love that. So then your former band with your sisters,

0:20:26.080 --> 0:20:29.600
<v Speaker 1>your whole life, all of your real existence and memory

0:20:29.600 --> 0:20:31.720
<v Speaker 1>that you can wrap your head around, has been performing

0:20:32.600 --> 0:20:35.120
<v Speaker 1>being in a band like this is what you do.

0:20:35.160 --> 0:20:38.439
<v Speaker 1>You have a burnout, like to be so young. Normally

0:20:38.440 --> 0:20:40.120
<v Speaker 1>people have a burnout in there a little bit older,

0:20:40.119 --> 0:20:42.920
<v Speaker 1>but like, you have a burnout. Tell me about that,

0:20:42.960 --> 0:20:45.280
<v Speaker 1>and how old are you? How did that happen? Yeah?

0:20:46.359 --> 0:20:48.760
<v Speaker 1>It is really weird because I was only fifteen or

0:20:48.840 --> 0:20:53.680
<v Speaker 1>sixteen when it happened. But it's just like a long time, yeah,

0:20:53.760 --> 0:20:56.359
<v Speaker 1>and it it coincided with a few things. My parents

0:20:56.359 --> 0:21:01.159
<v Speaker 1>were actually getting divorced and um song that happened and

0:21:01.200 --> 0:21:04.560
<v Speaker 1>there too, your parents divorcing. Yeah. So when I was thirteen,

0:21:05.160 --> 0:21:07.679
<v Speaker 1>Kenny Kenny's management company brought me in to sing on

0:21:07.720 --> 0:21:10.159
<v Speaker 1>a song with Billy Dean and Susie Boggus and it

0:21:10.200 --> 0:21:12.320
<v Speaker 1>was called Please Keep Mom and Dad in Love while

0:21:12.400 --> 0:21:16.160
<v Speaker 1>your parents ironically same time, and so I was feeling

0:21:16.200 --> 0:21:18.280
<v Speaker 1>it like hardcore and as a kid, You're like, oh

0:21:18.320 --> 0:21:20.720
<v Speaker 1>my god, this herds and you don't know why. And

0:21:21.080 --> 0:21:23.400
<v Speaker 1>so I was singing that song and it actually made

0:21:23.400 --> 0:21:25.840
<v Speaker 1>it onto the Billboard charts for a little while. Um

0:21:25.840 --> 0:21:27.760
<v Speaker 1>it was like forty eight or forty nine or something

0:21:27.800 --> 0:21:31.520
<v Speaker 1>for a couple of weeks, which was really cool. But um, yeah,

0:21:31.600 --> 0:21:34.480
<v Speaker 1>I got to a point after that my parents moved

0:21:34.560 --> 0:21:36.640
<v Speaker 1>us to New York to try to you know, make

0:21:36.720 --> 0:21:40.440
<v Speaker 1>things work, and the band was still going. But I

0:21:40.480 --> 0:21:44.399
<v Speaker 1>was just feeling, um, very defiant against that situation. I mean,

0:21:44.400 --> 0:21:46.199
<v Speaker 1>because it was all in the family. I mean it

0:21:46.280 --> 0:21:49.199
<v Speaker 1>was all kind of wrapped into one, and the band

0:21:49.480 --> 0:21:52.800
<v Speaker 1>was you know, being affected by what they were going through. Obviously,

0:21:52.880 --> 0:21:56.399
<v Speaker 1>So are you the oldest, I'm the third. Actually it's

0:21:56.400 --> 0:21:59.000
<v Speaker 1>two more above me. But I think I felt like

0:21:59.040 --> 0:22:01.800
<v Speaker 1>I just gotta like on my place outside of this

0:22:01.920 --> 0:22:04.399
<v Speaker 1>because it it just doesn't feel good. And so I

0:22:04.440 --> 0:22:07.439
<v Speaker 1>actually left the band and went back to high school.

0:22:08.400 --> 0:22:10.600
<v Speaker 1>So I went to high school the last two years

0:22:10.720 --> 0:22:13.240
<v Speaker 1>of high school. You've been home school your whole life,

0:22:13.240 --> 0:22:16.040
<v Speaker 1>school will since third grade. Yeah, what is that like

0:22:16.080 --> 0:22:18.000
<v Speaker 1>all of a sudden, like being in this family band,

0:22:18.040 --> 0:22:20.520
<v Speaker 1>like you got your little really really hard because they

0:22:20.560 --> 0:22:24.040
<v Speaker 1>all had not like that. I did that. My sisters

0:22:24.119 --> 0:22:26.480
<v Speaker 1>were like how could you do this? It was hard

0:22:26.480 --> 0:22:28.840
<v Speaker 1>with the family. Oh yeah. They the family felt like

0:22:28.840 --> 0:22:31.760
<v Speaker 1>you portrayed them by wanting to go to school. Oh yeah,

0:22:31.840 --> 0:22:33.920
<v Speaker 1>oh yeah. Those comp parents were like go to school,

0:22:34.000 --> 0:22:35.840
<v Speaker 1>do your homework. And when I go to school, I

0:22:35.880 --> 0:22:37.919
<v Speaker 1>had one parent that was like I wanted me to

0:22:37.920 --> 0:22:39.359
<v Speaker 1>go back to school, and one parent that was like

0:22:39.400 --> 0:22:41.320
<v Speaker 1>how could you do this? To the band? So I

0:22:41.400 --> 0:22:44.320
<v Speaker 1>was like dealing with all of that. This is major

0:22:44.600 --> 0:22:48.639
<v Speaker 1>termil on a little heart. Yeah, I think I've always

0:22:48.680 --> 0:22:51.280
<v Speaker 1>I think a lot of songwriters probably feel this way

0:22:51.280 --> 0:22:54.440
<v Speaker 1>when they were young. Um, very in tune with our emotions.

0:22:54.480 --> 0:22:56.280
<v Speaker 1>And so I was a journal keeper for a very

0:22:56.280 --> 0:22:58.600
<v Speaker 1>long time, and yeah, a lot of stuff hit me

0:22:58.640 --> 0:23:01.560
<v Speaker 1>like really hard emotionally, and how do you process that?

0:23:01.680 --> 0:23:04.800
<v Speaker 1>How do you process You're in a family business, You

0:23:04.880 --> 0:23:07.800
<v Speaker 1>have family, your parents who are running the family business.

0:23:08.160 --> 0:23:10.040
<v Speaker 1>It kind of depend on you to make the family

0:23:10.040 --> 0:23:11.600
<v Speaker 1>business work. And how you want to leave and your

0:23:11.600 --> 0:23:14.159
<v Speaker 1>parents are divorcing on top of it, how what is

0:23:14.200 --> 0:23:18.640
<v Speaker 1>going like? What are you thinking? What are the feelings? Well,

0:23:18.760 --> 0:23:21.320
<v Speaker 1>so when you're that young, you don't I don't think.

0:23:21.400 --> 0:23:23.760
<v Speaker 1>I think it was almost like a blackout in my mind.

0:23:23.880 --> 0:23:26.240
<v Speaker 1>When I look back, I'm like, what happened? And it

0:23:26.240 --> 0:23:28.640
<v Speaker 1>took me a long time to piece together the chronological

0:23:28.720 --> 0:23:31.560
<v Speaker 1>order of everything, because I think they say with children,

0:23:31.880 --> 0:23:34.160
<v Speaker 1>when it feels like trauma, they kind of just block

0:23:34.280 --> 0:23:36.720
<v Speaker 1>it out, and I think I was sort of doing

0:23:36.760 --> 0:23:40.000
<v Speaker 1>that for a little while, trying to to cope with it. Um.

0:23:40.040 --> 0:23:42.199
<v Speaker 1>I actually tried to do a solo project at that

0:23:42.280 --> 0:23:44.400
<v Speaker 1>time with the producer in New York City, and your

0:23:44.400 --> 0:23:46.560
<v Speaker 1>parents are your family is probably so upset with you

0:23:46.440 --> 0:23:49.199
<v Speaker 1>that you're doing it was weird. Yeah, it was wan

0:23:49.400 --> 0:23:51.760
<v Speaker 1>be me for a minute. Yeah, And the songs were

0:23:51.840 --> 0:23:53.679
<v Speaker 1>that way, like I just want to be ordinary, I

0:23:53.720 --> 0:23:55.840
<v Speaker 1>want to be myself. It was all kind of that

0:23:56.119 --> 0:23:59.320
<v Speaker 1>theme because I had felt like, you know, thrust into

0:23:59.359 --> 0:24:04.240
<v Speaker 1>this very un ordinary life, UM, and I wanted some

0:24:04.359 --> 0:24:06.439
<v Speaker 1>semblance of normalcy. I just wanted to feel like I

0:24:06.480 --> 0:24:09.520
<v Speaker 1>had friends and and I went through that face and

0:24:09.600 --> 0:24:12.879
<v Speaker 1>thank god I did. You're a rebellion was actually going

0:24:12.960 --> 0:24:15.960
<v Speaker 1>to school and just trying to be yourself pretty much.

0:24:16.200 --> 0:24:18.320
<v Speaker 1>It's not like, yeah, you think crazy, just like I

0:24:18.359 --> 0:24:22.560
<v Speaker 1>just go to high school totally heed to beenious exactly,

0:24:22.960 --> 0:24:26.000
<v Speaker 1>which is so weird. It's such an opposite. The most

0:24:26.080 --> 0:24:28.680
<v Speaker 1>parents are like, they're like, just go to school, and

0:24:28.720 --> 0:24:31.520
<v Speaker 1>they're encouraging those things. Yeah, and not that you know,

0:24:31.600 --> 0:24:35.240
<v Speaker 1>neither my parents wanted anything bad for me, but they

0:24:35.359 --> 0:24:38.120
<v Speaker 1>just were they of course, we're thinking they were doing

0:24:38.240 --> 0:24:40.919
<v Speaker 1>the right things and encouraging me to be unique and

0:24:41.000 --> 0:24:43.480
<v Speaker 1>different and stand out. And I have that, you know too,

0:24:43.520 --> 0:24:46.160
<v Speaker 1>where I'm like, you know, they told us as kids,

0:24:46.160 --> 0:24:48.680
<v Speaker 1>like you're different, You're unique, And that's helpful when you're

0:24:48.680 --> 0:24:50.280
<v Speaker 1>an artist because you kind of have to have that

0:24:50.400 --> 0:24:53.560
<v Speaker 1>mindset because your life looks very different from all your friends,

0:24:54.200 --> 0:24:56.719
<v Speaker 1>and um, it's just you know, it's just a different

0:24:56.760 --> 0:25:01.400
<v Speaker 1>lifestyle and perspective. Um. But yeah, when I went back

0:25:01.440 --> 0:25:04.680
<v Speaker 1>to college, I really didn't do music for like four years.

0:25:04.800 --> 0:25:07.119
<v Speaker 1>You just needed a break. Yeah, you needed to just

0:25:07.119 --> 0:25:09.160
<v Speaker 1>see what else was out there in the world, because honestly,

0:25:09.200 --> 0:25:12.359
<v Speaker 1>your whole reasoning life had been music, So you just

0:25:12.400 --> 0:25:14.600
<v Speaker 1>needed to try some other flavors of the ice cream spectrum.

0:25:14.680 --> 0:25:18.960
<v Speaker 1>Exactly right, Yeah, I get that. It was really great.

0:25:19.000 --> 0:25:20.840
<v Speaker 1>It was I made some friends that I know I'll

0:25:20.880 --> 0:25:23.600
<v Speaker 1>have for the rest of my life. And I studied

0:25:23.640 --> 0:25:27.399
<v Speaker 1>abroad and I studied marketing. Oh and I studied in

0:25:27.520 --> 0:25:30.359
<v Speaker 1>Rome in Italy. What was that like to live in

0:25:30.480 --> 0:25:34.159
<v Speaker 1>Rome and Italy, especially in this very important time of

0:25:34.160 --> 0:25:37.879
<v Speaker 1>your life? Right? Yeah, well, I I come from Italian roots,

0:25:37.920 --> 0:25:39.760
<v Speaker 1>so that meant a lot to me to do that.

0:25:40.200 --> 0:25:43.800
<v Speaker 1>But I was in college, so I was drunk a lot. Perfect,

0:25:44.080 --> 0:25:46.159
<v Speaker 1>that's true. Cute boys probably, I know, we have a

0:25:46.160 --> 0:25:49.520
<v Speaker 1>boy who's here. It's all good, but it's good to

0:25:49.520 --> 0:25:51.720
<v Speaker 1>make out. There was a guy named Marco. His name

0:25:51.800 --> 0:25:54.439
<v Speaker 1>was Marco, It's true. Yeah, what a perfect time to

0:25:54.480 --> 0:25:57.480
<v Speaker 1>be drunk and making out, you know, and eating gelato

0:25:57.560 --> 0:26:02.040
<v Speaker 1>and pasta. Yes, perfect, a perfect time. Yeah. And they

0:26:02.080 --> 0:26:05.679
<v Speaker 1>serve like table wine that's two dollars and not disgusting.

0:26:06.400 --> 0:26:09.720
<v Speaker 1>It's so good. Yeah, So that was awesome. And then

0:26:09.760 --> 0:26:12.560
<v Speaker 1>literally I graduated, I went to Thailand for three months

0:26:12.560 --> 0:26:16.400
<v Speaker 1>with my mom, and uh, the day that I left Thailand,

0:26:16.520 --> 0:26:19.080
<v Speaker 1>I moved here and I haven't left since. And I

0:26:19.119 --> 0:26:20.919
<v Speaker 1>just kind of threw myself right back into it. It

0:26:20.960 --> 0:26:23.120
<v Speaker 1>was one of those kind of like a quarter life

0:26:23.119 --> 0:26:25.840
<v Speaker 1>thing where you're like, okay, I'm done with that chapter.

0:26:26.480 --> 0:26:28.880
<v Speaker 1>What is calling me? And I was really going through

0:26:28.920 --> 0:26:31.720
<v Speaker 1>a hard time, like I don't really want to do

0:26:31.760 --> 0:26:34.600
<v Speaker 1>anything else. But music, so and my sisters already lived here,

0:26:34.960 --> 0:26:37.360
<v Speaker 1>and so I formed this band, Luna Bells at that point.

0:26:37.480 --> 0:26:39.879
<v Speaker 1>Yet they came down here with a producer like a

0:26:39.960 --> 0:26:42.000
<v Speaker 1>year before I had even gotten here. Did you feel

0:26:42.080 --> 0:26:44.240
<v Speaker 1>left out because now Little Women has turned to Luna

0:26:44.240 --> 0:26:46.480
<v Speaker 1>Bells and guess who's not in Luna Bells? Now? Yeah?

0:26:46.680 --> 0:26:48.000
<v Speaker 1>I had a little bit of that, but it was

0:26:48.080 --> 0:26:52.239
<v Speaker 1>more from a family they did. So it's like, not

0:26:52.320 --> 0:26:54.199
<v Speaker 1>only are you're not in it? Now they have a

0:26:54.240 --> 0:26:57.040
<v Speaker 1>record deal and you're not in it. The funny thing

0:26:57.080 --> 0:27:00.240
<v Speaker 1>about that is I never felt competitive with them because

0:27:00.280 --> 0:27:02.840
<v Speaker 1>I knew that what they were doing was just different

0:27:02.840 --> 0:27:04.639
<v Speaker 1>than what I was doing. And I just had this

0:27:05.040 --> 0:27:07.600
<v Speaker 1>instinct where I was like, this is not for me,

0:27:07.720 --> 0:27:09.800
<v Speaker 1>so they should enjoy that it's not mine. And I

0:27:09.920 --> 0:27:11.960
<v Speaker 1>just put my head down and I waitressed a lot,

0:27:12.000 --> 0:27:14.639
<v Speaker 1>and I bartended, and I asked people to write with me.

0:27:14.720 --> 0:27:16.639
<v Speaker 1>They probably didn't want to write with me, and I

0:27:16.720 --> 0:27:20.760
<v Speaker 1>just I was just very determined for a long time.

0:27:21.240 --> 0:27:23.960
<v Speaker 1>That's so wise of you to even have that kind

0:27:24.000 --> 0:27:27.440
<v Speaker 1>of awareness, because a lot of people might not feel

0:27:27.440 --> 0:27:29.560
<v Speaker 1>that way. It could feel like this whole thing you've

0:27:29.560 --> 0:27:31.200
<v Speaker 1>been a part of your whole life and now actually

0:27:31.200 --> 0:27:34.919
<v Speaker 1>it's materialized into something. Yeah, you're not in it. I

0:27:34.960 --> 0:27:37.080
<v Speaker 1>think it comes down to the music. If I had

0:27:37.119 --> 0:27:38.920
<v Speaker 1>been like, well, they're making the music I want to make,

0:27:38.960 --> 0:27:41.040
<v Speaker 1>that would have been hard. But I had my own

0:27:41.080 --> 0:27:43.239
<v Speaker 1>idea of what I wanted to sound like and it

0:27:43.320 --> 0:27:45.639
<v Speaker 1>wasn't that. So I just knew it wasn't right, you know.

0:27:45.880 --> 0:27:47.480
<v Speaker 1>And I think the only thing I felt left out

0:27:47.480 --> 0:27:49.600
<v Speaker 1>of was the Sister Bond, you know, in that way,

0:27:49.640 --> 0:27:51.240
<v Speaker 1>because they were all doing their thing and I was

0:27:51.320 --> 0:27:55.200
<v Speaker 1>kind of all by myself. But um, it's worked out

0:27:55.280 --> 0:27:58.119
<v Speaker 1>fine for all of us, and they're all doing music

0:27:58.160 --> 0:28:01.119
<v Speaker 1>in their own ways and flourishing and living in different

0:28:01.119 --> 0:28:03.760
<v Speaker 1>parts of the country and we all are so much

0:28:03.800 --> 0:28:07.360
<v Speaker 1>stronger now than we ever were. So isn't it interesting

0:28:07.600 --> 0:28:10.920
<v Speaker 1>how God, the universe, whatever the thing is that we're

0:28:10.920 --> 0:28:12.880
<v Speaker 1>a part about in this world that we're living in,

0:28:13.320 --> 0:28:16.080
<v Speaker 1>does that like we have to get our heartbroken and

0:28:16.160 --> 0:28:22.640
<v Speaker 1>like we have to like just hit the rock. Yeah,

0:28:22.680 --> 0:28:24.919
<v Speaker 1>and maybe several times, you know, if you just keep

0:28:25.000 --> 0:28:27.360
<v Speaker 1>hitting bottom, but then you get to a point where

0:28:27.359 --> 0:28:30.480
<v Speaker 1>you're so much stronger because of it. Yes, Yeah, I

0:28:30.480 --> 0:28:33.200
<v Speaker 1>think it's so necessary. It is even like even this

0:28:33.480 --> 0:28:37.080
<v Speaker 1>horrible heartbreak that you went through, now it has led

0:28:37.160 --> 0:28:41.880
<v Speaker 1>you to the most authentic real spot in your music

0:28:41.920 --> 0:28:46.040
<v Speaker 1>career where you're finally emerging as the artist that you've

0:28:46.040 --> 0:28:48.160
<v Speaker 1>been building up to be. And obviously, like you said,

0:28:48.160 --> 0:28:51.240
<v Speaker 1>you'll keep reinventing. But if you wouldn't have had that pain,

0:28:52.120 --> 0:28:55.280
<v Speaker 1>you wouldn't have this song with music. Of course, it's

0:28:55.320 --> 0:28:57.360
<v Speaker 1>so weird how you have to go through the pain.

0:28:57.600 --> 0:29:01.680
<v Speaker 1>It is. It is weird. Um, I'm I'm really thankful

0:29:01.720 --> 0:29:04.800
<v Speaker 1>for it now because it pushed me to another level

0:29:04.840 --> 0:29:08.160
<v Speaker 1>of honesty that I never would have gotten to. And

0:29:08.240 --> 0:29:11.120
<v Speaker 1>I'm really proud that this is the first essentially the

0:29:11.120 --> 0:29:13.720
<v Speaker 1>first thing people are going to hear. Many people are

0:29:13.800 --> 0:29:15.560
<v Speaker 1>going to hear from me, you know, because I put

0:29:15.560 --> 0:29:20.560
<v Speaker 1>stuff out before, but this is truly like naked. You're like, okay,

0:29:20.600 --> 0:29:23.400
<v Speaker 1>well here it is. You know, here's all the information.

0:29:23.600 --> 0:29:25.800
<v Speaker 1>And you also like put something I'll Evince s Gale

0:29:25.840 --> 0:29:28.160
<v Speaker 1>before too, which was amazing. Yeah, he sang on a

0:29:28.200 --> 0:29:31.280
<v Speaker 1>song that I wrote with um Tofur and Richard Marks

0:29:32.320 --> 0:29:37.080
<v Speaker 1>and that was crazy. Yeah, the star setted past like

0:29:38.040 --> 0:29:41.640
<v Speaker 1>you have been. Everyone has seen your greatness and you

0:29:41.680 --> 0:29:44.280
<v Speaker 1>have known your greatness and your talent, but it just

0:29:44.320 --> 0:29:47.200
<v Speaker 1>takes a wild for the the food to be prepared,

0:29:47.240 --> 0:29:49.719
<v Speaker 1>you know, yeah, to be ready to deserve. Yeah. I

0:29:49.760 --> 0:29:52.480
<v Speaker 1>think it happens in different ways. You know. We see

0:29:52.520 --> 0:29:55.280
<v Speaker 1>people that it seems like overnight, and we see people

0:29:55.280 --> 0:29:57.000
<v Speaker 1>that are super young, you're like, oh my gosh, everything's

0:29:57.000 --> 0:29:59.880
<v Speaker 1>happening and that is their story and a lot of

0:30:00.000 --> 0:30:03.480
<v Speaker 1>and probably would say it was definitely not overnight. Um.

0:30:03.520 --> 0:30:07.120
<v Speaker 1>But for me, it's all about conviction. I think people

0:30:08.240 --> 0:30:11.880
<v Speaker 1>want conviction from an artist, and they want and I

0:30:11.880 --> 0:30:16.720
<v Speaker 1>think conviction just comes from really like maintaining, um, the

0:30:16.760 --> 0:30:20.000
<v Speaker 1>same level of dedication for a long time and whatever

0:30:20.040 --> 0:30:22.720
<v Speaker 1>you do for it to be the best thing that

0:30:22.800 --> 0:30:25.120
<v Speaker 1>you can do. And I've I feel like I've been

0:30:25.120 --> 0:30:27.080
<v Speaker 1>pretty careful with that. I think I probably could have

0:30:27.120 --> 0:30:29.200
<v Speaker 1>put out a lot of music in the last few

0:30:29.280 --> 0:30:31.000
<v Speaker 1>years and just put it out because I needed to

0:30:31.040 --> 0:30:34.400
<v Speaker 1>feel that recognition bouncing back off of me. But I

0:30:34.480 --> 0:30:37.800
<v Speaker 1>really just had an internal compass that was telling me

0:30:37.840 --> 0:30:40.000
<v Speaker 1>that this was not the best song was still coming,

0:30:40.080 --> 0:30:43.800
<v Speaker 1>and I did. I really did feel that. I was like, yeah,

0:30:43.840 --> 0:30:46.360
<v Speaker 1>even with Overdue, I was like, there's something else coming

0:30:46.480 --> 0:30:49.040
<v Speaker 1>and this is just the precursor. What does that feel like?

0:30:49.080 --> 0:30:52.360
<v Speaker 1>Because I feel like many people think it's called perfectionism,

0:30:52.360 --> 0:30:55.720
<v Speaker 1>and it's probably not very healthy. It's just always wanting

0:30:55.720 --> 0:30:58.360
<v Speaker 1>to be better than you currently are, but you know

0:30:58.680 --> 0:31:01.560
<v Speaker 1>reasons and hate me. You probably don't feel like there's

0:31:01.560 --> 0:31:04.680
<v Speaker 1>something better. You know, there's something. I'm very proud of them,

0:31:05.080 --> 0:31:07.440
<v Speaker 1>but those feel like what you've been waiting for for

0:31:07.480 --> 0:31:09.320
<v Speaker 1>sure right now at this point in my life, and

0:31:09.320 --> 0:31:11.440
<v Speaker 1>I'm kind of like, yeah, And I don't know what

0:31:11.480 --> 0:31:13.640
<v Speaker 1>will happen when these songs run their course. I don't

0:31:13.640 --> 0:31:15.720
<v Speaker 1>know if I'll suddenly have a new wave of Okay,

0:31:15.720 --> 0:31:18.040
<v Speaker 1>this is who I am now. It's interesting, it's just

0:31:18.120 --> 0:31:21.560
<v Speaker 1>kind of following that gut heart thing. Do you believe

0:31:21.560 --> 0:31:23.160
<v Speaker 1>in callings? Do you think we all have a calling?

0:31:24.920 --> 0:31:30.840
<v Speaker 1>Mm hmmm. I think we all have dreams callings. It's

0:31:30.960 --> 0:31:35.000
<v Speaker 1>that's a different I think a calling actually um compels

0:31:35.040 --> 0:31:37.160
<v Speaker 1>you to act like you're like I'm called to do this,

0:31:37.280 --> 0:31:40.320
<v Speaker 1>I must, And I think UM certain people have that.

0:31:40.440 --> 0:31:41.800
<v Speaker 1>I don't. Do you feel like you've been called to

0:31:41.840 --> 0:31:45.800
<v Speaker 1>do music like you must? Yeah? I guess I would

0:31:45.800 --> 0:31:48.120
<v Speaker 1>say that. Yeah, I've never had another option. I've never

0:31:48.160 --> 0:31:51.240
<v Speaker 1>wanted another option, and it feels like the only way

0:31:51.240 --> 0:31:53.560
<v Speaker 1>that I could feel true to myself is what I'm

0:31:53.600 --> 0:31:55.160
<v Speaker 1>doing this. Why do you think people give up on

0:31:55.200 --> 0:32:00.640
<v Speaker 1>their dreams? M hm, Oh, that's a hard question. I

0:32:00.680 --> 0:32:03.200
<v Speaker 1>don't even like to think about that, because many people do.

0:32:03.480 --> 0:32:05.320
<v Speaker 1>I think about that all the time when I'm at

0:32:05.760 --> 0:32:08.440
<v Speaker 1>restaurants across the country, like if we're on the road

0:32:08.600 --> 0:32:11.200
<v Speaker 1>or i always look at the waiters and waitresses and

0:32:11.240 --> 0:32:14.480
<v Speaker 1>I'm like, I wonder if there's something that they wished

0:32:14.520 --> 0:32:16.400
<v Speaker 1>they were doing, and I want to tell them to

0:32:16.440 --> 0:32:18.520
<v Speaker 1>do it. Not that being a waiter or waitress is

0:32:18.520 --> 0:32:20.520
<v Speaker 1>a bad thing, but I was one for a long time,

0:32:20.960 --> 0:32:24.120
<v Speaker 1>and I think I always know that that's for a

0:32:24.160 --> 0:32:25.840
<v Speaker 1>lot of people, it's a means to get to the

0:32:25.840 --> 0:32:28.840
<v Speaker 1>next level. And I'm like, what does stop people? I

0:32:28.880 --> 0:32:31.440
<v Speaker 1>don't know. Do you think people are scared? Were you scared?

0:32:31.440 --> 0:32:32.840
<v Speaker 1>Have you ever had a moment where you wanted to

0:32:32.880 --> 0:32:37.320
<v Speaker 1>quit through all of this? No, you haven't, no matter

0:32:37.400 --> 0:32:39.200
<v Speaker 1>how hard it got, did you ever? Did you ever

0:32:39.360 --> 0:32:41.719
<v Speaker 1>have a moment where it was so hard You're like,

0:32:41.800 --> 0:32:45.440
<v Speaker 1>why is this so hard? Yeah? I there was a

0:32:45.480 --> 0:32:49.320
<v Speaker 1>point a couple of years ago where I had been

0:32:49.640 --> 0:32:52.560
<v Speaker 1>um trying to. I was doing photography like on the

0:32:52.600 --> 0:32:55.360
<v Speaker 1>side to make money and it wasn't cutting it, and

0:32:55.400 --> 0:32:58.040
<v Speaker 1>so I had to go back to bartending at a restaurant.

0:32:58.120 --> 0:33:00.160
<v Speaker 1>And I had been writing songs during that time time,

0:33:00.200 --> 0:33:03.560
<v Speaker 1>but nothing had happened. And I was bartending for a

0:33:03.600 --> 0:33:06.360
<v Speaker 1>few months and really hating it, like wanting to go

0:33:06.440 --> 0:33:08.040
<v Speaker 1>home and cry every night because I was like, I

0:33:08.080 --> 0:33:10.320
<v Speaker 1>can't do this anymore. What how do I Where do

0:33:10.400 --> 0:33:14.239
<v Speaker 1>I go? And luckily I met with Steve Markland who

0:33:14.320 --> 0:33:17.120
<v Speaker 1>is now my publisher and tofer and I had done

0:33:17.160 --> 0:33:19.600
<v Speaker 1>a couple of demos that Steve loved and he took

0:33:19.600 --> 0:33:23.480
<v Speaker 1>a chance and signed me. And that was Yeah, that

0:33:23.600 --> 0:33:26.280
<v Speaker 1>was like the turning point where I thought all hope

0:33:26.320 --> 0:33:28.880
<v Speaker 1>was lost, I mean, and then there was the light.

0:33:29.680 --> 0:33:31.920
<v Speaker 1>But I had to go and find the light. Like

0:33:31.960 --> 0:33:33.840
<v Speaker 1>it wasn't just waiting. I was like, how do I

0:33:33.880 --> 0:33:35.520
<v Speaker 1>find the light? And I found the light. You have

0:33:35.560 --> 0:33:38.800
<v Speaker 1>to hunt it down, be proactive. Yeah, totally. Okay, So

0:33:38.800 --> 0:33:41.360
<v Speaker 1>we're gonna hear some of your songs. Can't wait, But

0:33:41.400 --> 0:33:45.160
<v Speaker 1>I like to wrap up with leave your light, So

0:33:45.440 --> 0:33:49.760
<v Speaker 1>leave some inspiration of how you have been inspired or

0:33:49.800 --> 0:33:51.760
<v Speaker 1>how you want to be inspired. Oh also, you did

0:33:51.760 --> 0:33:54.520
<v Speaker 1>say one quote that I love. You said, walk into

0:33:54.560 --> 0:33:57.240
<v Speaker 1>the room like you're a man. Yes, my friend Elena

0:33:57.320 --> 0:33:59.840
<v Speaker 1>told me that because she does, like she is so

0:34:00.680 --> 0:34:05.800
<v Speaker 1>incredibly strong and she just carries herself very proud and

0:34:06.160 --> 0:34:10.399
<v Speaker 1>she's not afraid to hold herself with respect. Yeah, um,

0:34:10.440 --> 0:34:13.120
<v Speaker 1>and hold space. And that really impacted me because I

0:34:13.160 --> 0:34:19.040
<v Speaker 1>think women sometimes feel like we have to, um, be

0:34:20.000 --> 0:34:23.640
<v Speaker 1>like pliable or at least, um, you know, easy to

0:34:24.000 --> 0:34:25.520
<v Speaker 1>work around her. I don't know what it is, but

0:34:25.600 --> 0:34:27.120
<v Speaker 1>we kind of come into the room. We're like, try

0:34:27.200 --> 0:34:29.080
<v Speaker 1>to read it. We need to use sexuality? Do we

0:34:29.120 --> 0:34:31.000
<v Speaker 1>need to use our intellect? We kind of know how

0:34:31.040 --> 0:34:33.719
<v Speaker 1>to do that. Um. But what if we didn't have

0:34:33.800 --> 0:34:35.960
<v Speaker 1>to think about that, we could just hold ourselves like

0:34:36.040 --> 0:34:39.000
<v Speaker 1>important people and not as women. So love that. I

0:34:39.080 --> 0:34:42.600
<v Speaker 1>thought that was really important for women to know, especially

0:34:42.640 --> 0:34:45.319
<v Speaker 1>in the music industry, because I have no problem with

0:34:45.440 --> 0:34:49.359
<v Speaker 1>being happy and comfortable with your sexuality, but I think

0:34:49.400 --> 0:34:52.880
<v Speaker 1>it's so important to remember that you are a whole

0:34:52.960 --> 0:34:56.200
<v Speaker 1>human being and there's a lot going on besides just

0:34:56.320 --> 0:34:59.920
<v Speaker 1>what you look like. I love that. Yeah, okay, so

0:35:00.040 --> 0:35:03.839
<v Speaker 1>now leave your life. All this prepared me for this one.

0:35:03.960 --> 0:35:07.400
<v Speaker 1>I don't okay, I'm not good at being on the spot. Um,

0:35:07.440 --> 0:35:10.280
<v Speaker 1>just how you've been inspired or how to inspire people.

0:35:11.080 --> 0:35:16.239
<v Speaker 1>I think it's uh, it's very important to take care

0:35:16.239 --> 0:35:18.560
<v Speaker 1>of yourself. Um. That is how you can shine to

0:35:18.600 --> 0:35:22.080
<v Speaker 1>other people is if you are constantly trying to fill

0:35:22.120 --> 0:35:26.200
<v Speaker 1>yourself up with goodness. Um, So pay attention to what

0:35:26.320 --> 0:35:29.440
<v Speaker 1>you need and don't do anything for anyone else because

0:35:29.440 --> 0:35:33.400
<v Speaker 1>it will not satisfy you. I love that, That's all

0:35:33.440 --> 0:35:37.560
<v Speaker 1>I got. You are wise, Jillian Jathan. Okay, than you're

0:35:39.040 --> 0:35:41.920
<v Speaker 1>play you the ones we've released so like we can

0:35:41.920 --> 0:35:44.040
<v Speaker 1>go check them out. So reasons and hate me? Okay,

0:35:44.320 --> 0:35:47.680
<v Speaker 1>so excited? Okay, here she comes. Teal Audio's new speaker

0:35:47.719 --> 0:35:50.319
<v Speaker 1>line that Aurora live stream speakers are designed to fit

0:35:50.400 --> 0:35:53.399
<v Speaker 1>seamlessly into your home with its wide range of connectivity.

0:35:53.600 --> 0:35:55.600
<v Speaker 1>To check out the latest speaker line, go to teal

0:35:55.640 --> 0:35:59.759
<v Speaker 1>audio dot com. Okay, so, Jillian, first, who do we

0:35:59.800 --> 0:36:04.760
<v Speaker 1>have of us? This is Brian Brown, amazing guitar player,

0:36:04.800 --> 0:36:08.480
<v Speaker 1>also my boyfriend. I love it. You guys are so cute.

0:36:09.239 --> 0:36:12.239
<v Speaker 1>Tell us about this first song you're singing. The first

0:36:12.280 --> 0:36:14.840
<v Speaker 1>song we're gonna do is Reasons and we just released

0:36:14.880 --> 0:36:20.799
<v Speaker 1>it last month, and this one is really about admitting

0:36:21.040 --> 0:36:25.279
<v Speaker 1>that it's time to go in a relationship and how

0:36:25.320 --> 0:36:39.480
<v Speaker 1>all the excuses you're making are just wasting time. I

0:36:39.520 --> 0:36:42.160
<v Speaker 1>don't want to tell my parents, want to tell my sister,

0:36:42.440 --> 0:36:45.239
<v Speaker 1>You don't want to tell your friends, you don't want

0:36:45.280 --> 0:36:48.719
<v Speaker 1>to pack your stuff, all back in love with another girl,

0:36:48.800 --> 0:36:53.120
<v Speaker 1>like and all alone, picking up, take you out, coming

0:36:53.160 --> 0:36:57.000
<v Speaker 1>home to an empty house, admitting at the time we

0:36:57.040 --> 0:37:01.480
<v Speaker 1>spent was just a lesson. We've got all our reasons

0:37:01.880 --> 0:37:07.520
<v Speaker 1>why Rich shot at Justify is to cunning out, stay together.

0:37:08.760 --> 0:37:14.480
<v Speaker 1>It was supposed to last wherever you and die. Just

0:37:14.640 --> 0:37:18.359
<v Speaker 1>scared to say good bye because it what would happen later.

0:37:19.520 --> 0:37:23.279
<v Speaker 1>We're not doing a Steely Favors. I'm so sick of

0:37:23.520 --> 0:37:34.920
<v Speaker 1>living away. So screw all of our reasons. Why we

0:37:35.000 --> 0:37:38.120
<v Speaker 1>feel like roommates standing at the same sink. We don't

0:37:38.160 --> 0:37:41.319
<v Speaker 1>even kiss goodnight. I don't want to be a quit

0:37:41.440 --> 0:37:44.239
<v Speaker 1>or do you want to have dancer? When everybody asked me,

0:37:44.400 --> 0:37:48.880
<v Speaker 1>where I giving all your t shirts? Bay putting all

0:37:48.960 --> 0:37:52.360
<v Speaker 1>the stuff in bags. We were supposed to be married

0:37:52.480 --> 0:37:55.880
<v Speaker 1>by the time with thirty breaking up scary. All these

0:37:56.000 --> 0:38:02.960
<v Speaker 1>reasons why Rich shot at just tofine secuny, not stay together.

0:38:04.160 --> 0:38:09.919
<v Speaker 1>It was supposed to lust rather you will die too

0:38:10.040 --> 0:38:13.759
<v Speaker 1>scared to say you by because it will happen later.

0:38:14.960 --> 0:38:20.080
<v Speaker 1>We're not doing sandy favors. I'm so sick of living alive,

0:38:22.520 --> 0:38:28.759
<v Speaker 1>So screw all of our easons? Why goodbye? I don't

0:38:28.800 --> 0:38:31.160
<v Speaker 1>love you, you don't love me. You can be. It

0:38:31.280 --> 0:38:34.759
<v Speaker 1>can be just that simple baby, I don't love you,

0:38:34.880 --> 0:38:37.160
<v Speaker 1>you don't love me. It can be. It should be

0:38:37.280 --> 0:38:40.799
<v Speaker 1>just that simple baby, I don't love you, you don't

0:38:40.800 --> 0:38:43.239
<v Speaker 1>love me. It can be. It can be just that

0:38:43.520 --> 0:38:46.759
<v Speaker 1>simple baby, I don't love you, you don't love me.

0:38:46.880 --> 0:38:55.520
<v Speaker 1>It can be, should be. Yeah, reason why which shot

0:38:55.719 --> 0:39:01.040
<v Speaker 1>at justifin secunity not stay together? It was supposed to

0:39:01.160 --> 0:39:09.000
<v Speaker 1>us forever you, and it's just scarce because the one

0:39:09.239 --> 0:39:14.560
<v Speaker 1>happened later. We're not doing any favors. I'm so sick

0:39:14.640 --> 0:39:30.359
<v Speaker 1>of living, So screw a lover e sasons? Why? I mean,

0:39:30.560 --> 0:39:33.920
<v Speaker 1>I hear that song and one listen, love it, memorize.

0:39:34.000 --> 0:39:39.400
<v Speaker 1>It's so good and so raw, just the rawness of it.

0:39:40.000 --> 0:39:42.400
<v Speaker 1>Thanks for sharing your heart with us. We appreciate it

0:39:42.400 --> 0:39:45.359
<v Speaker 1>as listeners. Oh okay, so it tell us we got

0:39:45.400 --> 0:39:50.960
<v Speaker 1>one more tell us about this next one. So we

0:39:51.000 --> 0:39:54.680
<v Speaker 1>got another breakup song for you. Imagine that. This one's

0:39:54.680 --> 0:39:57.240
<v Speaker 1>called hate Me. And this just came out on Friday,

0:39:57.480 --> 0:39:59.360
<v Speaker 1>so if you guys like it, you can check it

0:39:59.400 --> 0:40:03.840
<v Speaker 1>out everywhere song music is sold, but Spotify's guy at Amazon,

0:40:04.000 --> 0:40:08.960
<v Speaker 1>Apple Music, and there's a video on Vivo right now. Um,

0:40:08.960 --> 0:40:12.840
<v Speaker 1>this song is kind of like a coping mechanism for

0:40:13.560 --> 0:40:17.160
<v Speaker 1>not wanting to be the bad guy in a relationship. Um,

0:40:17.160 --> 0:40:19.400
<v Speaker 1>but actually you're just sort of admitting just go on

0:40:19.480 --> 0:40:22.440
<v Speaker 1>and hate me, and that way it's easier for us

0:40:22.440 --> 0:40:25.960
<v Speaker 1>to just walk away. So it's kind of trying to

0:40:26.080 --> 0:40:29.280
<v Speaker 1>push the situation into anger so that you guys don't

0:40:29.320 --> 0:40:33.600
<v Speaker 1>have to have compassion. Um. So yeah, I think psychologists

0:40:33.600 --> 0:40:37.399
<v Speaker 1>would probably think this song is not the best strategy.

0:40:37.440 --> 0:40:43.400
<v Speaker 1>But anyway, yeah, um, anyway, this is called hate Me.

0:40:58.719 --> 0:41:02.040
<v Speaker 1>Everything seems okay right now. The bottom of the sky

0:41:02.200 --> 0:41:06.000
<v Speaker 1>hasn't fallen out, but I know when it comes, it's

0:41:06.000 --> 0:41:10.799
<v Speaker 1>gonna get ugly, get ugly. You don't know you as

0:41:10.840 --> 0:41:13.799
<v Speaker 1>well as I do, so baby, don't wait a week

0:41:13.920 --> 0:41:17.160
<v Speaker 1>or two, go and pull the pendiate off. We'll both

0:41:17.239 --> 0:41:21.160
<v Speaker 1>be better off if you just come on and Amy.

0:41:23.160 --> 0:41:29.240
<v Speaker 1>Tell me you great you ever made me? Make sure

0:41:29.360 --> 0:41:35.719
<v Speaker 1>that it hurts right as I'm leaveveing. Make me believe

0:41:36.000 --> 0:41:43.440
<v Speaker 1>that you never even really ever loved me. Come on, baby, Ay,

0:41:48.239 --> 0:41:51.759
<v Speaker 1>don't need those coffee monks from Portland. Don't need that

0:41:51.920 --> 0:41:55.440
<v Speaker 1>sweater from your drawer. Don't need you to chase me

0:41:55.560 --> 0:41:58.919
<v Speaker 1>down the stairs and out the door. No, I don't

0:41:58.960 --> 0:42:02.520
<v Speaker 1>need to hear I'm ay. Don't need your version of

0:42:02.640 --> 0:42:07.440
<v Speaker 1>the truth. There's only one thing left that I need

0:42:07.480 --> 0:42:13.160
<v Speaker 1>from you. To Come on, Come on, any tell me

0:42:13.320 --> 0:42:19.320
<v Speaker 1>you great, you ever mad me? Make sure that it

0:42:19.520 --> 0:42:26.239
<v Speaker 1>hurts right as I'm leaveing. Make me believe that you

0:42:26.520 --> 0:42:32.280
<v Speaker 1>never even really ever loved me. Come on, baby hey,

0:42:36.080 --> 0:42:44.640
<v Speaker 1>come on, baby heady. I know you're not much for cry,

0:42:45.320 --> 0:42:49.880
<v Speaker 1>so why go start writing out? Why go start writing out?

0:42:52.040 --> 0:42:56.920
<v Speaker 1>I'm just trying to make it easy all you on me.

0:42:58.320 --> 0:43:04.000
<v Speaker 1>Come on at head in me tell me you regret

0:43:04.040 --> 0:43:09.600
<v Speaker 1>you ever maby and make sure that it hurts right

0:43:09.760 --> 0:43:17.680
<v Speaker 1>eyes I believe, made believe that you never even really

0:43:17.880 --> 0:43:25.720
<v Speaker 1>ever loved me. Come on, baby haty oh whoa Come

0:43:25.760 --> 0:43:34.800
<v Speaker 1>on baby hate me, hate me, hate don't see you sorry, baby,

0:43:35.320 --> 0:43:40.319
<v Speaker 1>just say you hate me. Don't say you're gonna miss me.

0:43:40.800 --> 0:43:45.719
<v Speaker 1>Just say you hate me. Don't say you sorry, baby,

0:43:46.239 --> 0:43:51.120
<v Speaker 1>just say you hate me. Don't say you're gonna miss me,

0:43:51.719 --> 0:43:59.959
<v Speaker 1>Just say you hate me. Wow wow wow wow wow.

0:44:00.160 --> 0:44:03.279
<v Speaker 1>I mean, I just I can't even get over that song.

0:44:03.320 --> 0:44:05.400
<v Speaker 1>I feel like everyone has sort of experienced that on

0:44:05.440 --> 0:44:08.040
<v Speaker 1>some level, or no someone has the way you put

0:44:08.040 --> 0:44:13.640
<v Speaker 1>that intowards Jillian and Jacqueline. You guys, thank you so

0:44:13.680 --> 0:44:18.000
<v Speaker 1>much for joining me on my thank you questions. I'm

0:44:18.040 --> 0:44:21.239
<v Speaker 1>so glad I got you before your superstar and thank

0:44:21.239 --> 0:44:28.480
<v Speaker 1>you for joining me even I know you loved hearing

0:44:28.480 --> 0:44:30.640
<v Speaker 1>from Jillian Jacqueline. Make sure to follow her journey and

0:44:30.680 --> 0:44:33.520
<v Speaker 1>get all her music. She's about to blow up next week.

0:44:33.600 --> 0:44:36.880
<v Speaker 1>I have steal Union. This is a group of three

0:44:36.920 --> 0:44:40.640
<v Speaker 1>people who are so talented. Rachel Potter was a Broadway star,

0:44:40.760 --> 0:44:43.239
<v Speaker 1>she got twelve from The X Factor. Donnie Foggator and

0:44:43.520 --> 0:44:46.040
<v Speaker 1>Josh Matheny were at a band called King Billy. They

0:44:46.040 --> 0:44:47.840
<v Speaker 1>were all the rage in Nashville, and now they have

0:44:47.960 --> 0:44:50.600
<v Speaker 1>joined forces to make this incredible trio. Y'all will not

0:44:50.640 --> 0:44:52.480
<v Speaker 1>want to miss that interview next week. See you then,

0:44:52.480 --> 0:44:53.759
<v Speaker 1>and don't forget to subscribe