1 00:00:00,680 --> 00:00:03,480 Speaker 1: Hey, Club Shashe listeners. We'll be back soon with weekly 2 00:00:03,520 --> 00:00:07,600 Speaker 1: episodes featuring brand new interviews with exciting roster guests. Until then, 3 00:00:07,880 --> 00:00:10,880 Speaker 1: enjoyed this special rewind episode with one of my favorite 4 00:00:10,880 --> 00:00:12,480 Speaker 1: moments from Club Shapshape so far. 5 00:00:13,200 --> 00:00:17,200 Speaker 2: All my life, grinding, all my life, sack of fight, hustle, 6 00:00:17,239 --> 00:00:20,560 Speaker 2: pactic price, one slicet. 7 00:00:21,480 --> 00:00:22,840 Speaker 3: You threw on a set? How long does it take 8 00:00:22,880 --> 00:00:24,360 Speaker 3: you to ride a set? 9 00:00:25,840 --> 00:00:30,880 Speaker 2: I've been on, man, I've been on doing standing up 10 00:00:30,880 --> 00:00:37,320 Speaker 2: professionalcy in twenty fourteen, twenty twenty two, almost with eight years. 11 00:00:37,320 --> 00:00:40,839 Speaker 4: Man, it takes It took me eight years still to 12 00:00:40,840 --> 00:00:43,920 Speaker 4: get here, and I don't still feel. 13 00:00:43,600 --> 00:00:46,159 Speaker 2: Like I have stepped into the prime yet right Like, 14 00:00:46,280 --> 00:00:49,840 Speaker 2: I'm still learning, learning my voice, learning different dynamics on stage. 15 00:00:49,920 --> 00:00:53,200 Speaker 4: You see what I'm saying. But ma'am, it takes time. 16 00:00:53,840 --> 00:00:57,320 Speaker 2: That's why a lot of people when I when I 17 00:00:57,360 --> 00:00:59,160 Speaker 2: get into my new set, because I'm about to be 18 00:00:59,160 --> 00:01:01,840 Speaker 2: done with the Notecap Comedy tour. 19 00:01:02,120 --> 00:01:03,560 Speaker 4: I'm headlining this Marina Toy. 20 00:01:03,600 --> 00:01:06,360 Speaker 2: This is my first time headlining, my second time headline 21 00:01:06,440 --> 00:01:07,279 Speaker 2: with wild'n Out. 22 00:01:07,200 --> 00:01:09,959 Speaker 4: But the actual stand up bit, it's. 23 00:01:09,840 --> 00:01:12,240 Speaker 2: My first time headlining and Arenal tour, and we've been 24 00:01:12,280 --> 00:01:16,319 Speaker 2: selling out everywhere we go, should out Little Duvall, Colos Miller, 25 00:01:16,440 --> 00:01:21,840 Speaker 2: Chico Bean, Black Run, h Beat some Mong d Ray Davis, 26 00:01:22,040 --> 00:01:22,720 Speaker 2: Michael Blackson. 27 00:01:22,760 --> 00:01:26,280 Speaker 4: We're doing We're going crazy. It took me time just 28 00:01:26,319 --> 00:01:30,039 Speaker 4: to get here. In the new era. Right now they record. 29 00:01:29,760 --> 00:01:33,360 Speaker 2: Everything right, we gotta I gotta tell people this how 30 00:01:33,360 --> 00:01:39,000 Speaker 2: comedy works. It takes us time to build sets material 31 00:01:39,920 --> 00:01:41,959 Speaker 2: because we tweak it every time we go on stage. 32 00:01:42,160 --> 00:01:44,119 Speaker 4: We be like, ah, we like that, Okay, we like that. 33 00:01:44,200 --> 00:01:46,600 Speaker 4: We're critiquing every time. We're going to be adding and 34 00:01:46,600 --> 00:01:47,240 Speaker 4: take something out. 35 00:01:47,440 --> 00:01:49,000 Speaker 2: So when you see it, when you see somebody do 36 00:01:49,200 --> 00:01:51,960 Speaker 2: perfect set, they work the ass. 37 00:01:51,760 --> 00:01:54,920 Speaker 4: On to get this set. Sometimes people be thinking, oh, 38 00:01:54,920 --> 00:01:56,440 Speaker 4: people just funny. They're just coming off the top of 39 00:01:56,480 --> 00:01:59,160 Speaker 4: their head. No, I told you this is psychological. 40 00:01:59,200 --> 00:02:01,280 Speaker 2: We somebody foe have been saying that maybe two three 41 00:02:01,320 --> 00:02:02,600 Speaker 2: years they've been working on it. 42 00:02:02,880 --> 00:02:05,200 Speaker 4: They never was saying it like that the first two years. 43 00:02:05,440 --> 00:02:09,520 Speaker 2: So when people record majority back then where somebody has 44 00:02:09,560 --> 00:02:11,600 Speaker 2: a set back then, when the og was doing it, 45 00:02:11,720 --> 00:02:13,680 Speaker 2: they had maybe like one or two sets that have 46 00:02:13,760 --> 00:02:17,240 Speaker 2: been taking them this far for so long. You can 47 00:02:17,280 --> 00:02:18,680 Speaker 2: have a once you get a major set, you can 48 00:02:18,760 --> 00:02:21,760 Speaker 2: travel ten years with it. Now that they're recordingized set, 49 00:02:22,280 --> 00:02:23,600 Speaker 2: somebody on Facebook, you're. 50 00:02:23,480 --> 00:02:24,720 Speaker 3: Gonna see now you don't have heard that. 51 00:02:25,480 --> 00:02:28,320 Speaker 2: That's the thing you doesnet show somebody on Facebook, somebody 52 00:02:28,360 --> 00:02:29,720 Speaker 2: else came to your show. 53 00:02:29,919 --> 00:02:31,200 Speaker 4: They done showed somebody on. 54 00:02:31,120 --> 00:02:33,760 Speaker 2: Facebook, somebody else that came to your show. They done 55 00:02:33,760 --> 00:02:36,440 Speaker 2: show somebody on Facebook. The person on Facebook done seen 56 00:02:36,480 --> 00:02:39,519 Speaker 2: your show five times before they actually came and see 57 00:02:39,600 --> 00:02:41,840 Speaker 2: you in person. So now when they come see you 58 00:02:41,880 --> 00:02:45,080 Speaker 2: in person and then heard it five six times because 59 00:02:45,240 --> 00:02:48,919 Speaker 2: y'all took the whole dynamic to show away from the consumer. 60 00:02:49,080 --> 00:02:51,080 Speaker 4: Right, you see what I'm saying. But it actually takes 61 00:02:51,120 --> 00:02:52,920 Speaker 4: time for people to build sets. 62 00:02:54,240 --> 00:02:55,320 Speaker 3: Have you ever forgot a joke? 63 00:02:55,760 --> 00:02:59,919 Speaker 4: Hell yeah, yeah, yeah, hell yeah. But that's where the 64 00:03:00,000 --> 00:03:00,680 Speaker 4: professional Listen. 65 00:03:00,800 --> 00:03:04,480 Speaker 2: You see early stage, I put around I don't like 66 00:03:04,560 --> 00:03:05,240 Speaker 2: kids to do this. 67 00:03:05,240 --> 00:03:07,200 Speaker 5: This is my This is before. I don't want kids 68 00:03:07,200 --> 00:03:07,480 Speaker 5: to do this. 69 00:03:07,639 --> 00:03:07,839 Speaker 4: Now. 70 00:03:08,040 --> 00:03:10,040 Speaker 2: I was still in the streets coming off the street, 71 00:03:10,200 --> 00:03:11,919 Speaker 2: trying to understand what a professional it is. 72 00:03:13,000 --> 00:03:16,079 Speaker 4: I was on stage put around the pop pill. Oh 73 00:03:16,120 --> 00:03:17,000 Speaker 4: you on. 74 00:03:17,000 --> 00:03:19,000 Speaker 2: Stage, listen, this is my beginning time. I won't get 75 00:03:19,040 --> 00:03:20,720 Speaker 2: no money like my first year and a half. 76 00:03:20,720 --> 00:03:22,440 Speaker 4: I didn't get no money, no. 77 00:03:22,400 --> 00:03:25,280 Speaker 5: Money, Yeah I was. I should definitely not been getting 78 00:03:25,280 --> 00:03:28,639 Speaker 5: no money. There I popped the pill. Went on stage. 79 00:03:28,760 --> 00:03:30,600 Speaker 4: Was like a little workout room. We're probably twelve people 80 00:03:30,639 --> 00:03:30,919 Speaker 4: in there. 81 00:03:30,960 --> 00:03:32,680 Speaker 5: I go on stage. I was like, yeah, we're going on. 82 00:03:32,800 --> 00:03:35,600 Speaker 5: Y'all forgot? 83 00:03:35,680 --> 00:03:39,360 Speaker 4: What the fuck out I forgot? I forgotten that Quinn. 84 00:03:39,400 --> 00:03:41,400 Speaker 4: I was so geeked up on stage, Nigga. 85 00:03:41,440 --> 00:03:43,360 Speaker 2: I up with the remnant and talking, And when I 86 00:03:43,400 --> 00:03:46,840 Speaker 2: got off stage, the commedian, the host came up bust 87 00:03:46,880 --> 00:03:48,720 Speaker 2: me in the head like he's supposed to do, because. 88 00:03:48,480 --> 00:03:50,360 Speaker 4: You always sposed to talk about the person when they 89 00:03:50,360 --> 00:03:50,920 Speaker 4: ain't do good. 90 00:03:50,960 --> 00:03:54,320 Speaker 2: You feel what I'm saying, But I learned then stop 91 00:03:54,840 --> 00:03:59,000 Speaker 2: playing crack right. You ain't any streets no more this. 92 00:03:59,160 --> 00:04:01,320 Speaker 2: You can't treat it like the street, right, you got 93 00:04:01,320 --> 00:04:05,200 Speaker 2: to be I'm telling you, look yourself in the mirror. 94 00:04:05,440 --> 00:04:09,720 Speaker 2: Stop playing with this gud giving talent. That ain't the 95 00:04:09,720 --> 00:04:10,280 Speaker 2: way to do it. 96 00:04:10,680 --> 00:04:11,680 Speaker 4: Stop doing all that. 97 00:04:11,960 --> 00:04:14,640 Speaker 2: Really got myself clean, made sure I did the homework 98 00:04:14,680 --> 00:04:16,719 Speaker 2: and got on stage, and here we are today. 99 00:04:17,200 --> 00:04:18,000 Speaker 3: You ever got booed? 100 00:04:18,640 --> 00:04:19,159 Speaker 4: Mmmm? 101 00:04:20,360 --> 00:04:23,280 Speaker 1: So what what what's the what are those silent? Those 102 00:04:23,480 --> 00:04:25,040 Speaker 1: long silent looks. 103 00:04:25,120 --> 00:04:25,719 Speaker 3: What are they like? 104 00:04:27,320 --> 00:04:28,760 Speaker 4: As a professional, you got to keep going. 105 00:04:29,040 --> 00:04:31,960 Speaker 2: Even when a joke don't work. A joke don't work, 106 00:04:32,000 --> 00:04:34,440 Speaker 2: they might laugh a little bit. Hi, you better keep 107 00:04:34,440 --> 00:04:37,520 Speaker 2: them going, going go to something that works. You see 108 00:04:37,520 --> 00:04:40,600 Speaker 2: what I'm saying, Because sometimes we're comedian, we'll try to 109 00:04:40,880 --> 00:04:43,200 Speaker 2: fit in something new in between, just to see what works. 110 00:04:43,200 --> 00:04:44,880 Speaker 4: And if a joke don't hit, you got to go 111 00:04:44,920 --> 00:04:45,600 Speaker 4: to something that works. 112 00:04:45,680 --> 00:04:47,880 Speaker 1: Do you try to have you? Do you try your 113 00:04:47,920 --> 00:04:49,680 Speaker 1: jokes out on the holies and somebody before you. 114 00:04:49,680 --> 00:04:54,960 Speaker 4: Get Yeah, all comedians ask comedians like we were up there, mad. 115 00:04:55,000 --> 00:04:57,800 Speaker 2: Listen man the shout of last night right, not long. 116 00:04:57,839 --> 00:05:01,479 Speaker 2: We're fumbling our whole set of the punchline. We're doing 117 00:05:01,560 --> 00:05:03,880 Speaker 2: all that because as a comedian, this is how we 118 00:05:03,960 --> 00:05:07,520 Speaker 2: naturally practice. We practice amongst our people, and even when 119 00:05:07,520 --> 00:05:10,200 Speaker 2: they they around and they say some funny, we add 120 00:05:10,200 --> 00:05:11,080 Speaker 2: that time material. 121 00:05:11,560 --> 00:05:13,479 Speaker 4: Most definitely, what's. 122 00:05:13,320 --> 00:05:14,560 Speaker 1: The toughest city to perform in? 123 00:05:16,960 --> 00:05:19,719 Speaker 4: Oh? I love them too? The most gangster cities ever? 124 00:05:20,839 --> 00:05:29,920 Speaker 2: My city, my city of course, Atlanta, Yes, Saint Louis, Detroit, Uh, who. 125 00:05:32,520 --> 00:05:33,800 Speaker 4: I think I want to say, that's. 126 00:05:33,640 --> 00:05:39,839 Speaker 2: A that's a Texas, Texas because they solid, they soiled, 127 00:05:39,920 --> 00:05:41,440 Speaker 2: They love you, they love you. And if you and 128 00:05:41,480 --> 00:05:46,480 Speaker 2: if you trash, you can't come back to Texas and 129 00:05:46,640 --> 00:05:49,240 Speaker 2: you're you're trash, You're not coming back. But I want 130 00:05:49,279 --> 00:05:54,480 Speaker 2: to say, like Atlanta, Saint Louis, Detroit, Detroit has has 131 00:05:54,520 --> 00:05:59,760 Speaker 2: a comedy circuit that's so solid, like it ain't nothing 132 00:05:59,800 --> 00:06:02,360 Speaker 2: but real ones that come out of Detroit. And if 133 00:06:02,360 --> 00:06:05,000 Speaker 2: you can go to Detroit or Saint Louis for real, 134 00:06:05,080 --> 00:06:09,800 Speaker 2: for real. Oh in Chicago, Yeah, Chicago, Chicago just doesn't 135 00:06:09,800 --> 00:06:13,560 Speaker 2: want to everybody we love, we love he, we love 136 00:06:13,640 --> 00:06:14,000 Speaker 2: coming so. 137 00:06:14,160 --> 00:06:17,080 Speaker 4: Because we Comedian, the Nigga in the Prize, Comedian. 138 00:06:16,800 --> 00:06:20,440 Speaker 1: Man, every everybody, every comedy show sold out. You have 139 00:06:20,600 --> 00:06:22,040 Speaker 1: one to State Farm's gonna. 140 00:06:23,279 --> 00:06:25,599 Speaker 2: I don't care who it is, everybody in there in 141 00:06:25,680 --> 00:06:27,400 Speaker 2: the beauty because we just love to laugh. 142 00:06:27,480 --> 00:06:30,600 Speaker 4: That's just our our Southern I guess hospitality. 143 00:06:30,680 --> 00:06:34,440 Speaker 1: Yes, you when you heard t I was gonna do comedy, right, 144 00:06:34,520 --> 00:06:36,039 Speaker 1: what were your first thoughts? 145 00:06:37,160 --> 00:06:39,280 Speaker 2: I mean, any anybody that willing to put their mind 146 00:06:39,320 --> 00:06:41,000 Speaker 2: to it can do it, you feel what I'm saying. 147 00:06:41,160 --> 00:06:44,039 Speaker 4: And he really been doing his thing. And for the 148 00:06:44,040 --> 00:06:47,000 Speaker 4: situation that happened in New York, in Brooklyn. 149 00:06:47,600 --> 00:06:50,159 Speaker 2: He come right back to the city to Atlanta the 150 00:06:50,200 --> 00:06:52,800 Speaker 2: next day and rip it in the arena. 151 00:06:52,880 --> 00:06:57,320 Speaker 4: People don't understand to take that what happened in New York. 152 00:06:57,400 --> 00:07:03,000 Speaker 2: To take it as a comedian, that that's like getting 153 00:07:03,040 --> 00:07:04,960 Speaker 2: sent into the hospital and coming back from rehab. 154 00:07:05,000 --> 00:07:06,919 Speaker 4: Man, you got to start all over. 155 00:07:06,720 --> 00:07:09,400 Speaker 1: Because you have to understand it's different. T I was 156 00:07:09,480 --> 00:07:11,800 Speaker 1: this this international. 157 00:07:11,120 --> 00:07:15,440 Speaker 6: Non rapper, which still is yes, which is yes? 158 00:07:15,880 --> 00:07:18,120 Speaker 1: And now you go, you subject yourself. I'm gonna start 159 00:07:18,120 --> 00:07:19,040 Speaker 1: from the bottom floor. 160 00:07:19,600 --> 00:07:21,400 Speaker 3: They boo this. Man, he say, I don't care. I 161 00:07:21,400 --> 00:07:22,000 Speaker 3: don't even care. 162 00:07:22,240 --> 00:07:24,080 Speaker 2: But you got to understand the confidence to have as 163 00:07:24,080 --> 00:07:26,080 Speaker 2: a comedian to do that, and then not only that, 164 00:07:26,120 --> 00:07:28,360 Speaker 2: come right back. Some people take a minute before they 165 00:07:28,360 --> 00:07:29,960 Speaker 2: come back on stage. They be like, man, I can't 166 00:07:29,960 --> 00:07:32,800 Speaker 2: deal with that. We come right back, get the love, 167 00:07:32,920 --> 00:07:35,600 Speaker 2: get the appreciation the people seeing it, and actually not 168 00:07:35,680 --> 00:07:37,880 Speaker 2: only do that, but come on stage and kill it too, 169 00:07:37,920 --> 00:07:38,840 Speaker 2: and went crazy. 170 00:07:39,440 --> 00:07:41,960 Speaker 4: It just showed like, oh, he's ready to even be 171 00:07:42,000 --> 00:07:45,760 Speaker 4: a comedian, because that's it right there. That's that. Ain't nothing, 172 00:07:45,960 --> 00:07:48,200 Speaker 4: ain't nothing else happened as a comedian up from now. 173 00:07:48,400 --> 00:07:51,280 Speaker 1: But see, I ain't built like that. I'm only gonna 174 00:07:51,280 --> 00:07:52,160 Speaker 1: do things that I'm good at. 175 00:07:52,400 --> 00:07:54,720 Speaker 4: See, see that what I'm wrong. 176 00:07:54,760 --> 00:07:57,720 Speaker 2: See, that's the thing with superstars. Sometimes we get so 177 00:07:57,760 --> 00:08:00,000 Speaker 2: frustrated with our talents. We want everybody to see it. 178 00:08:00,360 --> 00:08:00,560 Speaker 3: Right. 179 00:08:00,640 --> 00:08:02,720 Speaker 1: So that's like my best because you always see me. 180 00:08:02,960 --> 00:08:04,880 Speaker 1: I was a football player. You only saw me at 181 00:08:04,920 --> 00:08:06,720 Speaker 1: my best. I can't let you see me in my worst. 182 00:08:06,960 --> 00:08:09,720 Speaker 4: You see, sometimes people people got to learn that though. 183 00:08:10,360 --> 00:08:14,200 Speaker 2: And see if I would have known Michael Jordan's didn't 184 00:08:14,200 --> 00:08:17,360 Speaker 2: make the basketball team he got got a like got cut, right, 185 00:08:18,080 --> 00:08:18,440 Speaker 2: I won. 186 00:08:18,440 --> 00:08:21,680 Speaker 4: The trip when I got cut because I never got cut. 187 00:08:22,320 --> 00:08:24,840 Speaker 4: I always made the team. So until the moment when 188 00:08:24,880 --> 00:08:26,800 Speaker 4: I got cut, I lost my mind. 189 00:08:26,960 --> 00:08:31,600 Speaker 1: I'm like you, he ain't even better than me? 190 00:08:31,920 --> 00:08:33,080 Speaker 3: How you keep him right? 191 00:08:33,679 --> 00:08:36,439 Speaker 4: Like you kept him like I never ever got cut. 192 00:08:36,600 --> 00:08:38,600 Speaker 4: But if I would have known Michael Jordan got cut, 193 00:08:38,600 --> 00:08:40,160 Speaker 4: I would have been like, okay, even have it to 194 00:08:40,200 --> 00:08:42,240 Speaker 4: the greats. I just got to stick in there. 195 00:08:42,280 --> 00:08:45,640 Speaker 1: Looking at you when when fans start heckling, right, how 196 00:08:45,679 --> 00:08:46,640 Speaker 1: do you how do you handle that? 197 00:08:46,720 --> 00:08:47,520 Speaker 3: How do you handle that? 198 00:08:47,600 --> 00:08:47,760 Speaker 4: Do you? 199 00:08:47,880 --> 00:08:47,960 Speaker 3: Like? 200 00:08:47,960 --> 00:08:48,080 Speaker 2: All? 201 00:08:48,160 --> 00:08:48,319 Speaker 3: Right? 202 00:08:48,360 --> 00:08:50,800 Speaker 1: Now? Okay, now you know I'm the comedian. I got 203 00:08:50,800 --> 00:08:53,400 Speaker 1: the microphone right that that's your warning. 204 00:08:53,600 --> 00:08:57,240 Speaker 4: You you got, you got the mic. Nobody shit ever went. 205 00:08:57,280 --> 00:09:01,200 Speaker 4: I know Mike over talking ever and life. I don't 206 00:09:01,200 --> 00:09:03,199 Speaker 4: care what it is. I would be more aggitating than you. 207 00:09:03,440 --> 00:09:06,440 Speaker 4: I don't care. I would you death. You get me, 208 00:09:08,080 --> 00:09:09,000 Speaker 4: You're not gonna get me. 209 00:09:09,280 --> 00:09:13,960 Speaker 2: But I come from that street structure of comedy, like, okay, 210 00:09:14,240 --> 00:09:16,599 Speaker 2: this is our comedy. The heckler ain't doing nothing but 211 00:09:16,679 --> 00:09:18,640 Speaker 2: quote unquote trying to be a bad ass. 212 00:09:18,640 --> 00:09:19,880 Speaker 4: He want to talk about somebody. 213 00:09:20,080 --> 00:09:22,640 Speaker 2: Let me shut him up, embarrass him in front of 214 00:09:22,640 --> 00:09:23,600 Speaker 2: the entire crowd. 215 00:09:23,679 --> 00:09:25,400 Speaker 4: Not only bury him, embarrass who. 216 00:09:25,240 --> 00:09:28,000 Speaker 2: He came with, Just to show that not only what 217 00:09:28,120 --> 00:09:30,440 Speaker 2: you do affect your people, right, and. 218 00:09:30,840 --> 00:09:33,079 Speaker 4: Everybody that's around you, the people that sit next to. 219 00:09:33,040 --> 00:09:37,719 Speaker 2: You, the car you drove in, everything is affected when 220 00:09:37,720 --> 00:09:39,520 Speaker 2: you're trying to be a bully bad ass. 221 00:09:39,559 --> 00:09:39,800 Speaker 3: Right. 222 00:09:39,880 --> 00:09:42,160 Speaker 4: So that's how you have a heckless You just gotta 223 00:09:42,160 --> 00:09:43,480 Speaker 4: tat ass up you. 224 00:09:45,360 --> 00:09:47,959 Speaker 6: Sometime they like it, though, they like it. Yeah, sometimes 225 00:09:48,320 --> 00:09:51,679 Speaker 6: they comfort that shit. Last year, right, somebody came up 226 00:09:51,679 --> 00:09:55,400 Speaker 6: on the stage. Now, wow, yeah, I'm trying to figure out. 227 00:09:55,400 --> 00:09:57,240 Speaker 4: Oh yeah, I don't know what what is it? 228 00:09:57,360 --> 00:10:01,120 Speaker 3: What you I mean? Like, man, DC, your yes, with 229 00:10:01,160 --> 00:10:01,520 Speaker 3: a fan. 230 00:10:02,360 --> 00:10:04,920 Speaker 1: Yeah that say you put that say you putting them 231 00:10:04,920 --> 00:10:05,600 Speaker 1: fifty fives on. 232 00:10:05,559 --> 00:10:07,280 Speaker 3: The Damn how many fifty five? 233 00:10:08,040 --> 00:10:09,880 Speaker 4: Damn? I don't know if it was that minute, I 234 00:10:09,920 --> 00:10:11,600 Speaker 4: don't know. Damn. 235 00:10:12,920 --> 00:10:15,160 Speaker 1: Somebody comes up, So what are you thinking? I mean, 236 00:10:15,160 --> 00:10:16,800 Speaker 1: you just thought, okay, dude, come come up and give 237 00:10:16,800 --> 00:10:18,600 Speaker 1: me some poine. Gonnadap me up. He gonna goes, I'm 238 00:10:18,600 --> 00:10:19,600 Speaker 1: gonna be on. I'm gonna be on. 239 00:10:20,120 --> 00:10:23,000 Speaker 2: You know, coming from doing the eighty five South Show, 240 00:10:23,440 --> 00:10:26,080 Speaker 2: I'm always used to come from the hood. So we 241 00:10:26,120 --> 00:10:28,880 Speaker 2: show love aggress Yeah, what I love, I don't care 242 00:10:28,920 --> 00:10:29,280 Speaker 2: what it is. 243 00:10:29,360 --> 00:10:32,800 Speaker 4: Sometimes we just aggressed what I love. That's cool. Get 244 00:10:33,120 --> 00:10:33,840 Speaker 4: ye right. 245 00:10:33,679 --> 00:10:33,960 Speaker 5: Let's go. 246 00:10:34,360 --> 00:10:36,439 Speaker 4: Let's go show them up. Let's ah, We're gonna show 247 00:10:36,480 --> 00:10:40,160 Speaker 4: them up each other. I'm doing the show. He comes up. 248 00:10:40,920 --> 00:10:43,360 Speaker 2: I'm thinking, here a fan because I'm like, all right, mate, 249 00:10:43,640 --> 00:10:47,000 Speaker 2: So I goes to like embrace the crazy. 250 00:10:46,760 --> 00:10:47,640 Speaker 4: Ship you feel me? 251 00:10:48,000 --> 00:10:49,760 Speaker 2: But not only was I thought I was about to 252 00:10:49,760 --> 00:10:51,240 Speaker 2: embracing the crazy nigga. 253 00:10:51,480 --> 00:10:55,080 Speaker 4: I got hit like you got to like hit my head. Yeah, man, 254 00:10:55,120 --> 00:10:55,920 Speaker 4: sh it was crazy. 255 00:10:56,480 --> 00:10:59,080 Speaker 3: Hello, you about to show love? 256 00:10:59,480 --> 00:11:02,560 Speaker 4: He not you, not my hand out, not my hand 257 00:11:02,559 --> 00:11:03,560 Speaker 4: now was he not my hand. 258 00:11:03,600 --> 00:11:08,479 Speaker 2: Now in my head, I said, Wall, he hits you? 259 00:11:08,480 --> 00:11:09,800 Speaker 3: You how you going from that to that? 260 00:11:10,040 --> 00:11:10,240 Speaker 5: Yeah? 261 00:11:10,320 --> 00:11:10,720 Speaker 4: That was it. 262 00:11:10,840 --> 00:11:11,560 Speaker 5: That's all I heard. 263 00:11:11,600 --> 00:11:13,080 Speaker 4: When he hit me. I was like, oh he hit me? 264 00:11:15,520 --> 00:11:17,160 Speaker 4: Is he? Whatever you heard? That would happen. 265 00:11:23,640 --> 00:11:24,319 Speaker 3: In a situation. 266 00:11:24,360 --> 00:11:27,959 Speaker 1: Let's just say, for the sake of argument, Young Fly 267 00:11:28,040 --> 00:11:33,840 Speaker 1: hosting the Oscars, he makes a joke, right, somebody takes offense, 268 00:11:33,880 --> 00:11:36,200 Speaker 1: They come up on I mean because in that setting. 269 00:11:36,520 --> 00:11:39,720 Speaker 1: Have to understand now you you you do your comedy show, 270 00:11:40,040 --> 00:11:42,400 Speaker 1: you in a hoodie, you and gen you know what 271 00:11:42,440 --> 00:11:45,400 Speaker 1: I'm saying, you and sneaks, but just the Oscars, you 272 00:11:45,520 --> 00:11:49,800 Speaker 1: in tucks velvet, you know, top of the line, name 273 00:11:49,880 --> 00:11:50,640 Speaker 1: brand designer. 274 00:11:51,320 --> 00:11:52,679 Speaker 3: You not expecting this. 275 00:11:53,160 --> 00:11:55,720 Speaker 1: So when somebody leave, you make a joke about somebody's 276 00:11:55,720 --> 00:11:58,520 Speaker 1: significant other and that person gets up out to seat 277 00:11:58,559 --> 00:11:59,880 Speaker 1: and walks up on the stage. 278 00:12:00,520 --> 00:12:01,640 Speaker 3: What is Young Fly thinking? 279 00:12:02,640 --> 00:12:06,520 Speaker 2: Okay, Now I suck with both parties? Yes, all right, 280 00:12:06,559 --> 00:12:08,680 Speaker 2: I'm a fan of both parties. Are They're both legends 281 00:12:08,760 --> 00:12:11,520 Speaker 2: right in my eyes? No matter even the situation that happened, 282 00:12:11,840 --> 00:12:14,199 Speaker 2: it doesn't affect that legacy in. 283 00:12:14,200 --> 00:12:17,240 Speaker 4: Mind, right, Yeah, I understood understand that. 284 00:12:17,240 --> 00:12:18,600 Speaker 2: I won't I won't that need to be the narror 285 00:12:18,920 --> 00:12:20,280 Speaker 2: they try to drag it and go all the way 286 00:12:20,320 --> 00:12:21,520 Speaker 2: down should affect the legacy. 287 00:12:21,520 --> 00:12:23,120 Speaker 1: I'm gonna see Chris Rock when he come over, and 288 00:12:23,160 --> 00:12:25,720 Speaker 1: I'm gonna see where be doing a number movie facts. 289 00:12:25,800 --> 00:12:29,120 Speaker 2: Most definitely we're gonna support both of them. But if 290 00:12:29,120 --> 00:12:30,960 Speaker 2: you won't dissect the let be real. Let's be grown 291 00:12:31,000 --> 00:12:34,800 Speaker 2: me all right, Let's be grown me all right. The 292 00:12:34,920 --> 00:12:39,520 Speaker 2: joke can be broken down in multiple ways if your 293 00:12:39,760 --> 00:12:40,920 Speaker 2: intellectual and understand. 294 00:12:40,960 --> 00:12:43,640 Speaker 4: Okay, you ever seen g I j Yes, okay, they 295 00:12:43,679 --> 00:12:44,160 Speaker 4: see it. 296 00:12:44,800 --> 00:12:46,360 Speaker 3: Give me more play. 297 00:12:45,640 --> 00:12:50,160 Speaker 4: G I Jane had an entanglement in the movie. I 298 00:12:50,200 --> 00:12:51,720 Speaker 4: didn't know that, So a lot of people who ain't 299 00:12:51,720 --> 00:12:53,360 Speaker 4: seen g I Jane don't know that. 300 00:12:53,600 --> 00:12:55,600 Speaker 2: Maybe that would have been that angle he took right, 301 00:12:55,840 --> 00:12:58,679 Speaker 2: So for those who don't know that angle, they only seen. 302 00:12:58,840 --> 00:13:02,520 Speaker 3: The ball head the ball he angle, So we. 303 00:13:02,520 --> 00:13:05,800 Speaker 2: Don't know how close with enough friends they are for 304 00:13:05,920 --> 00:13:09,600 Speaker 2: them for that to be a joke about my significant other. 305 00:13:10,320 --> 00:13:13,120 Speaker 2: Or even if do we joke like this off camera? 306 00:13:13,520 --> 00:13:15,000 Speaker 2: You feel what I'm saying? Can we joke like this 307 00:13:15,080 --> 00:13:15,480 Speaker 2: off camera? 308 00:13:15,559 --> 00:13:16,000 Speaker 5: And cool? 309 00:13:16,320 --> 00:13:16,480 Speaker 3: Right? 310 00:13:17,120 --> 00:13:19,640 Speaker 4: Tripping? Won't joke like this camera? Why woud y'all do 311 00:13:19,640 --> 00:13:20,120 Speaker 4: it on camera. 312 00:13:20,200 --> 00:13:22,160 Speaker 1: But he he said, he said, well, he said a 313 00:13:22,240 --> 00:13:25,280 Speaker 1: joke earlier. But remember when Will Smith boycotted the Oscar 314 00:13:25,320 --> 00:13:28,960 Speaker 1: because he said it wasn't enough inclusiveness or diversity, and 315 00:13:29,040 --> 00:13:33,199 Speaker 1: Jada said she was going boycott too. Chris Rock said, well, ain't. 316 00:13:33,240 --> 00:13:37,400 Speaker 1: Ain't nobody invite Jada right, understand? But see for me, 317 00:13:38,280 --> 00:13:42,320 Speaker 1: I think Will this is years of people said he'll wax. 318 00:13:42,559 --> 00:13:45,280 Speaker 3: Will Smith with the first rapper to get a Grammy m. 319 00:13:45,760 --> 00:13:49,920 Speaker 1: Everybody says it's wrap assaft, but Harry is he goes 320 00:13:49,960 --> 00:13:53,720 Speaker 1: from fresh raph for the fresh Prince butler to a 321 00:13:53,760 --> 00:13:54,600 Speaker 1: box officer. 322 00:13:54,800 --> 00:13:58,280 Speaker 3: Fact fact, still feel that he doesn't get the credit. 323 00:13:58,360 --> 00:14:00,920 Speaker 3: They're making jokes. Everybody make a joke. What that taitle? 324 00:14:01,160 --> 00:14:01,959 Speaker 3: You making jokes. 325 00:14:01,960 --> 00:14:03,080 Speaker 5: I'm gonna bena be on. 326 00:14:03,080 --> 00:14:04,160 Speaker 3: I'm gonna be on. 327 00:14:04,920 --> 00:14:08,360 Speaker 5: I made one d he mad what everybody man? 328 00:14:09,400 --> 00:14:12,040 Speaker 4: But let's just say he's human. 329 00:14:12,920 --> 00:14:16,240 Speaker 2: Is he not allowed to be frust emotionally frustrated? 330 00:14:16,280 --> 00:14:18,240 Speaker 4: Not on me? Not on me? 331 00:14:18,360 --> 00:14:23,120 Speaker 3: He can't, not on me, He sure cannot. He absolutely 332 00:14:23,120 --> 00:14:23,880 Speaker 3: cannot on me. 333 00:14:24,360 --> 00:14:28,480 Speaker 6: You know, fly that ain't gonna happen. 334 00:14:29,080 --> 00:14:29,760 Speaker 3: He ain't gonna happen. 335 00:14:29,760 --> 00:14:32,840 Speaker 2: You walk your hand down that way. 336 00:14:34,240 --> 00:14:35,640 Speaker 5: I understand. I understand both. 337 00:14:35,720 --> 00:14:39,760 Speaker 2: Him said, then he's human. Yeah, he's emotionally frustrating. Now 338 00:14:39,800 --> 00:14:42,040 Speaker 2: and this is what also I took it. Here's a 339 00:14:42,120 --> 00:14:46,040 Speaker 2: man who is also motivated by his wife. 340 00:14:46,800 --> 00:14:49,080 Speaker 4: Now, got the clip of them laughing at off. 341 00:14:49,000 --> 00:14:51,760 Speaker 6: Right at first, at first he would laugh right right, 342 00:14:52,320 --> 00:14:54,640 Speaker 6: We don't know what the hell happened when they took 343 00:14:54,680 --> 00:14:55,200 Speaker 6: the camera off. 344 00:14:55,600 --> 00:14:57,240 Speaker 4: You know, he looked at him. 345 00:14:57,120 --> 00:14:58,800 Speaker 2: And when you looked at him, that's just like you 346 00:14:58,840 --> 00:15:00,560 Speaker 2: shoot the jump shot, right, you got to shoot the 347 00:15:00,600 --> 00:15:00,960 Speaker 2: free throw. 348 00:15:01,400 --> 00:15:03,480 Speaker 4: Got to jimry Bug like, man, I got to miss 349 00:15:03,480 --> 00:15:03,800 Speaker 4: this mother. 350 00:15:04,480 --> 00:15:06,000 Speaker 2: Then I look over at my girl and she's like, 351 00:15:06,080 --> 00:15:10,040 Speaker 2: you can make this motherfucker A finna make this motheruck. 352 00:15:11,880 --> 00:15:14,200 Speaker 4: That's what I felt like. He was like, God, damn, 353 00:15:14,240 --> 00:15:14,960 Speaker 4: that's crazy. 354 00:15:15,240 --> 00:15:15,680 Speaker 5: Wow. 355 00:15:16,320 --> 00:15:16,640 Speaker 3: Wow. 356 00:15:16,840 --> 00:15:19,840 Speaker 4: He looked at his wife and was like, right, I 357 00:15:19,920 --> 00:15:23,880 Speaker 4: should go up there himself, like that's what I felt 358 00:15:23,880 --> 00:15:26,400 Speaker 4: that for. But now let's take it in the O G. 359 00:15:26,560 --> 00:15:30,280 Speaker 4: Chris Rock, we're gonna we're gonna speak some real Can 360 00:15:30,280 --> 00:15:33,080 Speaker 4: I speak some all right? 361 00:15:36,760 --> 00:15:40,400 Speaker 2: The way we handle situations, I felt like the way 362 00:15:40,400 --> 00:15:43,640 Speaker 2: it was the wed was handled, it was was handled 363 00:15:43,640 --> 00:15:47,680 Speaker 2: with class, just a little bit. It was because at 364 00:15:47,680 --> 00:15:51,000 Speaker 2: the end of the day, stuff like that, having all 365 00:15:51,040 --> 00:15:52,520 Speaker 2: the time in the hood, but it's really supposed to. 366 00:15:52,480 --> 00:15:55,120 Speaker 4: Be like a brawl situation. Don't care where we at, 367 00:15:55,560 --> 00:15:57,600 Speaker 4: what's going on? Damn this mic. 368 00:15:57,760 --> 00:15:59,960 Speaker 3: Yeah, I believe it. I believe any place other than 369 00:16:00,040 --> 00:16:00,920 Speaker 3: in the oscars. 370 00:16:01,360 --> 00:16:04,720 Speaker 4: But this is what I'm saying. The oscars. Oh Chris Rock, Yeah, 371 00:16:05,240 --> 00:16:06,160 Speaker 4: they Oh Chris Rock. 372 00:16:06,360 --> 00:16:10,160 Speaker 2: He kept y'all quote unquote legacy, Yeah, name a lot. 373 00:16:10,080 --> 00:16:13,720 Speaker 3: Chris Roll will as I mean, you know, I mean 374 00:16:13,720 --> 00:16:14,600 Speaker 3: you want to be with you. 375 00:16:14,560 --> 00:16:16,480 Speaker 2: Know, the gloves outside, Jess in case y'all want to 376 00:16:16,480 --> 00:16:20,480 Speaker 2: get off the chair, the gloves is outside, yes, but 377 00:16:21,360 --> 00:16:22,600 Speaker 2: if we want to keep it one home. 378 00:16:23,160 --> 00:16:25,040 Speaker 4: He was like, you know when it happened, he was 379 00:16:25,080 --> 00:16:25,920 Speaker 4: like wow. 380 00:16:25,800 --> 00:16:27,640 Speaker 3: Because he didn't. They didn't have to end the oscars. 381 00:16:28,080 --> 00:16:31,240 Speaker 1: If he had reacted like you or I would have 382 00:16:31,280 --> 00:16:32,320 Speaker 1: reacted with the. 383 00:16:32,360 --> 00:16:35,320 Speaker 3: Oscar has only been twenty minutes long. A half hour. 384 00:16:36,200 --> 00:16:36,600 Speaker 4: Yeah. 385 00:16:37,920 --> 00:16:39,080 Speaker 5: Soon, however, soon he came. 386 00:16:39,960 --> 00:16:42,600 Speaker 4: That he did, even though he was like, God, damn it, 387 00:16:43,520 --> 00:16:44,240 Speaker 4: I'm gonna see you. 388 00:16:44,160 --> 00:16:45,480 Speaker 5: As right now. 389 00:16:45,560 --> 00:16:46,680 Speaker 3: I can't believe he did that. 390 00:16:46,880 --> 00:16:47,240 Speaker 4: I can't. 391 00:16:47,240 --> 00:16:48,800 Speaker 3: You know what I'm saying. That's what that's what Chris 392 00:16:49,000 --> 00:16:52,080 Speaker 3: probably said right right right believe because when he because 393 00:16:52,080 --> 00:16:52,760 Speaker 3: when he said it. 394 00:16:52,880 --> 00:16:55,280 Speaker 1: But I'm like, because I'm thinking, like everybody else, may 395 00:16:55,360 --> 00:16:55,920 Speaker 1: I know this man? 396 00:16:55,920 --> 00:16:58,400 Speaker 3: They just worked, that's that's that's a ski man. 397 00:16:58,600 --> 00:17:02,360 Speaker 2: But and the ostital on him, the ostital on him, 398 00:17:02,400 --> 00:17:04,240 Speaker 2: that's why he said. Man, listen, I'm worried about will 399 00:17:04,320 --> 00:17:07,920 Speaker 2: later Oscars, y'all need to pay me because I kept 400 00:17:08,000 --> 00:17:10,800 Speaker 2: y'all show a live y'all name alive and I handled this. 401 00:17:10,760 --> 00:17:11,680 Speaker 3: With class he did. 402 00:17:11,840 --> 00:17:15,399 Speaker 4: I just got a shout nigga, y'all. You know how 403 00:17:15,440 --> 00:17:17,000 Speaker 4: mad I would have been at the Oscars. You know 404 00:17:17,000 --> 00:17:18,440 Speaker 4: how bad I want to fuck this mother fugu. 405 00:17:18,800 --> 00:17:20,480 Speaker 3: Hey, I saved this. 406 00:17:22,040 --> 00:17:23,320 Speaker 4: Somebody washed my feet. 407 00:17:23,400 --> 00:17:26,639 Speaker 1: Please, I'm trying to figure out where where now you know, 408 00:17:26,760 --> 00:17:28,040 Speaker 1: ain't nowhere we ever at. 409 00:17:28,119 --> 00:17:30,040 Speaker 3: Somebody could walk up and slap somebody own. 410 00:17:29,960 --> 00:17:32,240 Speaker 2: Body in the day of life. I don't care if 411 00:17:32,280 --> 00:17:34,760 Speaker 2: you ain't the gangster or nothing. Somebody gonna be trying 412 00:17:34,760 --> 00:17:37,320 Speaker 2: to get hurt and that with class, and like you 413 00:17:37,400 --> 00:17:39,119 Speaker 2: know what, I'm gonna deal with it later. Man, I 414 00:17:39,160 --> 00:17:41,480 Speaker 2: got a job to do, Oscars. I'm gonna call that 415 00:17:41,600 --> 00:17:43,600 Speaker 2: y'all in a minute. They keep going run the telepromp. 416 00:17:44,040 --> 00:17:44,760 Speaker 2: You feel what I'm saying. 417 00:17:44,840 --> 00:17:46,280 Speaker 4: So I gotta sit there and say, you know what, 418 00:17:47,040 --> 00:17:48,760 Speaker 4: my boy handed that with class. He did. 419 00:17:49,040 --> 00:17:53,040 Speaker 3: Hey, take your hat off to it. Manew your style. 420 00:17:53,280 --> 00:17:57,040 Speaker 2: Who are some of your favorite comedian Bernie mack william 421 00:17:57,320 --> 00:17:59,120 Speaker 2: might cap my heart? 422 00:18:00,000 --> 00:18:01,919 Speaker 4: You know what I'm Tony Robbins, Colos Miller. 423 00:18:02,640 --> 00:18:05,919 Speaker 2: Uh these are these are like my my favorites, like 424 00:18:05,960 --> 00:18:07,520 Speaker 2: the ones I white earthquakes. 425 00:18:07,560 --> 00:18:12,960 Speaker 4: You know what I'm saying. Even women some more uh 426 00:18:13,160 --> 00:18:14,359 Speaker 4: more Nique listen. 427 00:18:14,760 --> 00:18:17,760 Speaker 2: Like people gotta understand when you're studying the game, you 428 00:18:17,800 --> 00:18:19,600 Speaker 2: gotta get Dal's fire. 429 00:18:20,119 --> 00:18:20,800 Speaker 4: It's a lot of it. 430 00:18:20,880 --> 00:18:22,080 Speaker 5: Like I I can really sit down. 431 00:18:22,080 --> 00:18:23,520 Speaker 4: I can't really sit down and say, like, which want 432 00:18:23,560 --> 00:18:25,680 Speaker 4: my favorite? Because I like them all. If you made 433 00:18:25,680 --> 00:18:28,600 Speaker 4: me laugh, you consider the favorite to me. You you've done. 434 00:18:28,680 --> 00:18:31,160 Speaker 4: You've done what you're supposed to do. You've done it. 435 00:18:31,320 --> 00:18:33,400 Speaker 2: So it's like I sit there and I study the game, 436 00:18:33,440 --> 00:18:35,600 Speaker 2: and I just sit there and take what everybody has 437 00:18:35,600 --> 00:18:36,560 Speaker 2: brought to the game, and I'm like. 438 00:18:36,480 --> 00:18:38,760 Speaker 4: Oh, this is what she does. This is they angle, 439 00:18:38,800 --> 00:18:40,600 Speaker 4: this is how they sit it up. That's why that 440 00:18:40,680 --> 00:18:41,280 Speaker 4: was so funny. 441 00:18:41,280 --> 00:18:43,919 Speaker 2: You feel what I'm saying, but my favorite all time, 442 00:18:44,119 --> 00:18:47,120 Speaker 2: all time got to be Burning Man. 443 00:18:47,200 --> 00:18:49,200 Speaker 4: If I can sit and have any conversation with. 444 00:18:49,160 --> 00:18:52,679 Speaker 2: Any comedian like that, I got it because I know 445 00:18:52,760 --> 00:18:53,560 Speaker 2: he was kept. 446 00:18:53,400 --> 00:18:55,840 Speaker 4: It so real, like he get kept it all the 447 00:18:55,840 --> 00:18:56,639 Speaker 4: way home to d. 448 00:18:58,480 --> 00:18:58,920 Speaker 3: I want to. 449 00:19:01,160 --> 00:19:04,400 Speaker 4: He was able to fuck. You won't say that's like. 450 00:19:06,560 --> 00:19:09,200 Speaker 1: The natural transition because we saw it with Richard Pryor. 451 00:19:09,560 --> 00:19:11,359 Speaker 1: We've seen it with Eddie Murphy, we see it with 452 00:19:11,440 --> 00:19:14,600 Speaker 1: Kevin Hart. We see it with so many comedians right 453 00:19:14,880 --> 00:19:18,280 Speaker 1: start out doing the stand up and the transition to television. 454 00:19:18,640 --> 00:19:20,720 Speaker 3: Is that something that you saw or it just it 455 00:19:20,880 --> 00:19:21,440 Speaker 3: just happened. 456 00:19:21,520 --> 00:19:23,520 Speaker 2: I just wanted to do the music and I always 457 00:19:23,560 --> 00:19:26,800 Speaker 2: wanted to act. I never saw myself telling jokes in 458 00:19:26,840 --> 00:19:29,200 Speaker 2: front of people. I always seen myself in front of people, 459 00:19:29,359 --> 00:19:32,439 Speaker 2: but it was for either music or I'm doing theater, 460 00:19:32,680 --> 00:19:36,080 Speaker 2: but I'm not telling jokes or not. That was not 461 00:19:36,160 --> 00:19:39,440 Speaker 2: a form of a profession to us in the hood. 462 00:19:39,520 --> 00:19:42,040 Speaker 2: Do you see a dope play sports or you know, 463 00:19:42,200 --> 00:19:42,919 Speaker 2: do the other stuff? 464 00:19:43,000 --> 00:19:45,600 Speaker 4: You feel me. But once I realized it's just what 465 00:19:45,680 --> 00:19:47,320 Speaker 4: I'm supposed to be doing, like, it. 466 00:19:47,240 --> 00:19:49,800 Speaker 2: Was way easier for me to just be like I 467 00:19:49,840 --> 00:19:50,920 Speaker 2: want to be a comedian. 468 00:19:50,640 --> 00:19:52,760 Speaker 4: And all of a sudden, the light shine like that 469 00:19:52,920 --> 00:19:53,720 Speaker 4: was all I was missing. 470 00:19:53,720 --> 00:19:54,800 Speaker 3: And it's less dangerous too. 471 00:19:55,160 --> 00:19:59,080 Speaker 5: Yeah, but I mean, and you can see what I 472 00:20:01,200 --> 00:20:02,880 Speaker 5: It goes down. You feel what I'm saying. 473 00:20:03,080 --> 00:20:07,000 Speaker 2: But it's when you can bring a group of people 474 00:20:07,119 --> 00:20:09,440 Speaker 2: and make them forget about everything that they're going through. 475 00:20:09,480 --> 00:20:10,840 Speaker 4: Right, you're doing God's work. 476 00:20:11,880 --> 00:20:12,640 Speaker 3: You know what to do. 477 00:20:13,040 --> 00:20:15,919 Speaker 1: Hit the subscribe button to become an official member of 478 00:20:15,960 --> 00:20:19,480 Speaker 1: Club shay Shape, where we always do something or choose something.