1 00:00:05,559 --> 00:00:07,800 Speaker 1: All the kids who I remember from growing up who 2 00:00:07,840 --> 00:00:11,560 Speaker 1: were like the funny kids, they just did, they just did. 3 00:00:11,640 --> 00:00:14,680 Speaker 1: Jim Carrey got to kill you. Yeah, that's because we 4 00:00:14,680 --> 00:00:17,079 Speaker 1: been have social media. There was literally are you Jim 5 00:00:17,120 --> 00:00:22,880 Speaker 1: Carrey or not? Because if you're not, I want you 6 00:00:22,960 --> 00:00:23,480 Speaker 1: out of here. 7 00:00:23,600 --> 00:00:26,680 Speaker 2: Yeah. In my age group, it was what it was, 8 00:00:26,840 --> 00:00:32,760 Speaker 2: Dane Cook and Chappelle was it was very weird, diametrically opposed. 9 00:00:33,000 --> 00:00:35,440 Speaker 2: That's such a weird thing because like it's easy for 10 00:00:35,560 --> 00:00:39,320 Speaker 2: kids to nail Jim Carrey because he's just a fucking goof. 11 00:00:39,600 --> 00:00:40,640 Speaker 1: What is Dane Cook? 12 00:00:40,760 --> 00:00:43,440 Speaker 2: Like like a twelve years and be Dane Cook? Like 13 00:00:43,440 --> 00:00:45,800 Speaker 2: what kind of shit is he doing? Like just doing 14 00:00:46,040 --> 00:00:49,080 Speaker 2: just regurgitating the materials, walking back and forth. They just 15 00:00:49,760 --> 00:00:52,479 Speaker 2: ripping that for their dumb kids. I don't think. I 16 00:00:52,520 --> 00:00:55,240 Speaker 2: think so. Honestly, this was only the white kids, no one. 17 00:00:56,960 --> 00:01:01,200 Speaker 1: Yeah, that's what we do. We appropriate to see. 18 00:01:01,560 --> 00:01:04,320 Speaker 2: At least I had Jim Carrey because in Living Color, 19 00:01:04,400 --> 00:01:06,680 Speaker 2: so I could do a Damon Wayne's thing that I love, 20 00:01:06,760 --> 00:01:09,600 Speaker 2: like especially I love like the fucking jailhouse dude. He's like, 21 00:01:09,920 --> 00:01:13,479 Speaker 2: allow me to ejack you tape excuse me. 22 00:01:15,120 --> 00:01:18,399 Speaker 1: I mean that's still good. My semin inspirations still like 23 00:01:18,440 --> 00:01:23,919 Speaker 1: fucking eating with that. You've got to open your mind. 24 00:01:24,240 --> 00:01:25,760 Speaker 1: He's just such a good. 25 00:01:25,880 --> 00:01:27,679 Speaker 2: I mean that show obviously has a lot of stuff 26 00:01:27,680 --> 00:01:29,920 Speaker 2: that didn't age well. But I think though too, it's 27 00:01:29,920 --> 00:01:32,600 Speaker 2: never us ever taking liberties and then improvising as a 28 00:01:32,640 --> 00:01:34,399 Speaker 2: thing because I'm like, what are they doing? Bits, It's 29 00:01:34,400 --> 00:01:36,160 Speaker 2: like you, no, you just said the same ship that 30 00:01:36,240 --> 00:01:39,040 Speaker 2: made you laugh over and over again. So it's not 31 00:01:39,080 --> 00:01:42,280 Speaker 2: like I was doing I was riffing on fire Marshall Bill. 32 00:01:42,319 --> 00:01:43,759 Speaker 2: I was just saying, let me show you something. 33 00:01:44,000 --> 00:01:47,920 Speaker 1: I act like it changed after childhood, but like in college, 34 00:01:47,960 --> 00:01:51,840 Speaker 1: it was just Anchorman. It was just people being for me. 35 00:01:52,080 --> 00:01:54,720 Speaker 2: It was sunny Heights or what a summer heights hot? Whatever? 36 00:01:56,520 --> 00:01:58,160 Speaker 1: Ye Christopher. 37 00:01:59,560 --> 00:02:02,080 Speaker 3: Bad habit, bad habit for drugs. 38 00:02:02,200 --> 00:02:12,120 Speaker 2: Yeah, I love that. Welcome mister G's Room. Oh my god, 39 00:02:12,639 --> 00:02:17,119 Speaker 2: spin around, Chinaman, spin around. I don't know because this 40 00:02:17,160 --> 00:02:22,160 Speaker 2: is you're brown face. Oh yeah the show. 41 00:02:22,400 --> 00:02:24,440 Speaker 1: I remember that. That's when they were like, bro, the 42 00:02:24,680 --> 00:02:28,440 Speaker 1: people were the quotes were brown face. 43 00:02:28,840 --> 00:02:33,240 Speaker 2: Oh yeah yeah, yeah, there's obviously Jonah and everyone was like, 44 00:02:33,600 --> 00:02:36,480 Speaker 2: oh well, I mean he's killing it, so is it okay? 45 00:02:37,280 --> 00:02:39,640 Speaker 2: They think the logic back then, He's like, it's a 46 00:02:39,680 --> 00:02:44,320 Speaker 2: good impersonation of a tong getting child. M hm, HBO. 47 00:02:44,480 --> 00:02:47,120 Speaker 2: I feel like people were just like, yeah, yeah, exactly 48 00:02:47,240 --> 00:02:54,040 Speaker 2: exactly like HBO can't be racist, Bro, what do you 49 00:02:54,080 --> 00:03:00,280 Speaker 2: mean racist? That is really like how libs think sample 50 00:03:01,000 --> 00:03:04,560 Speaker 2: he's on HBO. We can't be racist on HBO, getting 51 00:03:04,680 --> 00:03:06,880 Speaker 2: him the fuck out of here. I also think Bill 52 00:03:06,880 --> 00:03:09,000 Speaker 2: Maher describes that. He's like, I'm on HBO. I also 53 00:03:09,040 --> 00:03:11,760 Speaker 2: can't be racist. Right. Let me say this because I 54 00:03:11,880 --> 00:03:15,080 Speaker 2: dated Superhead for a little bit. Oh yeah, well you 55 00:03:15,080 --> 00:03:18,920 Speaker 2: can say the N word as much as I like. Okay, 56 00:03:19,120 --> 00:03:21,520 Speaker 2: that's how he really comes off, because he really because 57 00:03:21,520 --> 00:03:23,960 Speaker 2: you were with Superhead. Well, he gets mad anytime someone 58 00:03:23,960 --> 00:03:25,160 Speaker 2: brings it up. Yeah. 59 00:03:25,280 --> 00:03:28,079 Speaker 3: Shout out to the podcast called I Hate Bill Maher, 60 00:03:28,320 --> 00:03:31,680 Speaker 3: which my friend Will Weldon posts and I've was a 61 00:03:31,680 --> 00:03:32,600 Speaker 3: recent guest. 62 00:03:32,400 --> 00:03:36,400 Speaker 1: On Wait what did he just talk? You Hate Bill Maher? 63 00:03:36,800 --> 00:03:40,360 Speaker 3: Yeah, he goes through episodes of what the fuck is 64 00:03:40,360 --> 00:03:43,600 Speaker 3: it called Real Talk? Real Time? Real Time, Real time 65 00:03:43,640 --> 00:03:44,280 Speaker 3: with ma and. 66 00:03:44,920 --> 00:03:47,560 Speaker 1: Not Club Random. 67 00:03:48,120 --> 00:03:53,800 Speaker 2: We'll get to that random random again, Christopher Lily So 68 00:03:54,040 --> 00:03:55,400 Speaker 2: the other noticed. 69 00:03:55,040 --> 00:03:56,880 Speaker 1: How random Bill Maher is. 70 00:03:57,480 --> 00:04:04,400 Speaker 2: My god. Yeah, public schools are soy random. Oh my god, 71 00:04:04,480 --> 00:04:05,760 Speaker 2: public schools is so random. 72 00:04:07,240 --> 00:04:10,400 Speaker 1: See and now I'm being educated that I'm not beyond 73 00:04:10,480 --> 00:04:12,520 Speaker 1: this because you're just repeating those lines. 74 00:04:12,560 --> 00:04:13,560 Speaker 2: It's still making it. 75 00:04:13,560 --> 00:04:14,320 Speaker 3: It's hilarious. 76 00:04:14,400 --> 00:04:26,560 Speaker 1: It's hilarious. Hello the Internet, and welcome to season three 77 00:04:26,720 --> 00:04:28,240 Speaker 1: ninety one, Episode five of. 78 00:04:28,680 --> 00:04:29,640 Speaker 2: Alyas Like Guys. 79 00:04:30,640 --> 00:04:34,200 Speaker 4: It's a production of iHeartRadio. It's a podcast where we 80 00:04:34,240 --> 00:04:38,760 Speaker 4: take a deep dive into America's shared consciousness. Wreck Cannonball. 81 00:04:39,000 --> 00:04:42,360 Speaker 4: I mean, I just it's however. 82 00:04:42,040 --> 00:04:45,280 Speaker 1: You want to get in there. The water's fucking terrible. 83 00:04:45,680 --> 00:04:51,239 Speaker 1: It's disgusting. Come on in the water is filthy, terrible. 84 00:04:51,480 --> 00:04:55,000 Speaker 2: Don't open your eyes if you go under though, don't 85 00:04:55,040 --> 00:04:57,440 Speaker 2: even don't let it get in your eyes. Ears no, 86 00:04:57,600 --> 00:05:00,320 Speaker 2: or I'll honestly just don't get in go ankles. 87 00:05:00,600 --> 00:05:07,080 Speaker 1: It's Friday, June sixth, twenty twenty five, six six n man. 88 00:05:07,640 --> 00:05:09,400 Speaker 2: Oh yeah, well six six. 89 00:05:09,960 --> 00:05:13,599 Speaker 1: It's been a lot cooler if it was sixty six. 90 00:05:13,960 --> 00:05:19,279 Speaker 2: It's National Eyewear Day, National Higher Education Day, National Donut Day, 91 00:05:19,400 --> 00:05:23,400 Speaker 2: National Apple Sauce k Day, Apple Sauce Cake Day, National 92 00:05:23,480 --> 00:05:27,200 Speaker 2: Gardening Exercise Day, National Yo Yo Day, National Drive in 93 00:05:27,320 --> 00:05:32,080 Speaker 2: Movie Day, and for all of you Ryan out there, 94 00:05:32,320 --> 00:05:34,320 Speaker 2: guess what it's also fucking the. 95 00:05:34,400 --> 00:05:36,000 Speaker 1: Day National earned this day? 96 00:05:36,040 --> 00:05:42,839 Speaker 2: Oh yeah, National National Defense yep six to six. Yep. Hey, 97 00:05:42,920 --> 00:05:45,599 Speaker 2: I remember the contributions of the Canadians when we stormed 98 00:05:45,600 --> 00:05:50,440 Speaker 2: those beaches of Normandy, Juno and Sword Beach. Anyway, I 99 00:05:50,480 --> 00:05:52,440 Speaker 2: watched way too much History Channel and D Day when 100 00:05:52,480 --> 00:05:55,080 Speaker 2: I was eleven years old. Yeah, sounds like it, man, 101 00:05:55,480 --> 00:05:59,679 Speaker 2: I fucking I work on that. I should, man, I should, 102 00:05:59,720 --> 00:06:00,679 Speaker 2: but I just can't. 103 00:06:00,520 --> 00:06:02,520 Speaker 1: Shit out of here. Nis her back man, and I 104 00:06:02,520 --> 00:06:05,160 Speaker 1: got information about Crypto. 105 00:06:05,720 --> 00:06:09,240 Speaker 5: My name is Jack O'Brien aka. I got that baby Jack, 106 00:06:09,279 --> 00:06:12,080 Speaker 5: baby Jack, baby Jack. I got that baby Jack, Baby Jack, 107 00:06:12,160 --> 00:06:16,760 Speaker 5: baby Jack. I got that baby Jack riz wearing propeller hats. 108 00:06:16,960 --> 00:06:20,520 Speaker 1: That one courtesy of Cleo Universe. I think I was 109 00:06:20,520 --> 00:06:23,560 Speaker 1: talking about being baby and wearing a propeller hat at 110 00:06:23,560 --> 00:06:27,080 Speaker 1: some point on the show this week. Anyways, shout out 111 00:06:27,120 --> 00:06:29,360 Speaker 1: Cleo Universe, thank you for that. I'm thrilled to be 112 00:06:29,440 --> 00:06:31,760 Speaker 1: joined as always by my co host mister. 113 00:06:32,240 --> 00:06:36,240 Speaker 6: Miles Grass Miles Gray, booty. 114 00:06:35,880 --> 00:06:40,480 Speaker 7: Body, body, brother everywhere, brother everywhere. 115 00:06:40,160 --> 00:06:43,760 Speaker 2: Boom boog okay. Look shout out to Nick Semper teranis 116 00:06:43,760 --> 00:06:48,160 Speaker 2: because I didn't realize that horse sweat was like foam. Yeah, 117 00:06:48,240 --> 00:06:50,960 Speaker 2: I do. I know again that's where work up a 118 00:06:51,080 --> 00:07:00,719 Speaker 2: lather comes from, and then is blather. Yeah, exactly exactly. Anyway, 119 00:07:00,920 --> 00:07:10,800 Speaker 2: I see Caitlin's reaction there that face mouth gapic foam. Yeah. 120 00:07:09,880 --> 00:07:13,240 Speaker 3: Ye, horses sweat and it's foamy. 121 00:07:13,880 --> 00:07:17,720 Speaker 2: Yeah, a protein called Latherin no wonder. 122 00:07:17,480 --> 00:07:20,800 Speaker 1: Their coats always look so clean and shine shiny. 123 00:07:21,320 --> 00:07:23,560 Speaker 3: I don't know why I thought horses like panted like 124 00:07:23,600 --> 00:07:26,360 Speaker 3: a dog instead of sweating. 125 00:07:26,280 --> 00:07:30,120 Speaker 1: Just foaming up even when they're like really gassed. I 126 00:07:30,120 --> 00:07:32,160 Speaker 1: feel like you never see them open their mouth. They're 127 00:07:32,240 --> 00:07:36,160 Speaker 1: just like kind of you know, breathing heavy thing. They 128 00:07:36,200 --> 00:07:39,120 Speaker 1: got those big nostrils. By the way, I've been sleeping 129 00:07:39,160 --> 00:07:42,840 Speaker 1: with the uh nostril spander things, sleeping with the enemy 130 00:07:42,960 --> 00:07:48,680 Speaker 1: Julia Roberts, Julia Roberts's husband from that movie. I've been 131 00:07:48,760 --> 00:07:50,520 Speaker 1: sleeping with those like nose strip things. 132 00:07:50,560 --> 00:07:54,640 Speaker 2: Wait, what is that? Theah you put like there was 133 00:07:54,680 --> 00:07:57,840 Speaker 2: a thing that was like became a big deal for athletes. 134 00:07:57,880 --> 00:08:00,520 Speaker 1: I think athletes still wear them sometimes. 135 00:08:00,120 --> 00:08:01,040 Speaker 2: Breathe right strips. 136 00:08:01,120 --> 00:08:04,000 Speaker 1: And I always just felt too foolish to like have 137 00:08:04,040 --> 00:08:07,680 Speaker 1: the breathe right, strip be like, and now I'm wearing 138 00:08:07,760 --> 00:08:11,480 Speaker 1: this athletic gear to sleep, but it really does help 139 00:08:11,800 --> 00:08:14,360 Speaker 1: helps you breathe through your nose and snore less. 140 00:08:14,640 --> 00:08:15,920 Speaker 2: Does the eye black help though? 141 00:08:17,040 --> 00:08:21,120 Speaker 1: Is helpful? All right, we're getting the big wad of chew. 142 00:08:23,280 --> 00:08:25,160 Speaker 2: Wait is this the adhesive one or that one I 143 00:08:25,200 --> 00:08:27,480 Speaker 2: see on the internet with like the magnets that like 144 00:08:27,600 --> 00:08:30,320 Speaker 2: pull adhesive. Oh okay, have you seen the one with 145 00:08:30,360 --> 00:08:32,240 Speaker 2: the magnets where people clip them on and they're like 146 00:08:32,840 --> 00:08:35,920 Speaker 2: and they're like, yo, what oh really? Fuck? Yeah, I 147 00:08:35,960 --> 00:08:38,560 Speaker 2: mean that's next level. Yeah, it looks like it's like 148 00:08:38,559 --> 00:08:40,679 Speaker 2: a magnetic nose ring people. 149 00:08:40,679 --> 00:08:42,880 Speaker 1: It's kind of fun, But I feel like I would 150 00:08:43,360 --> 00:08:45,679 Speaker 1: be too worried about losing the magnets up my nose. 151 00:08:46,440 --> 00:08:48,640 Speaker 2: Yeah, yeah, that would. I'm sure there's got to be 152 00:08:48,800 --> 00:08:51,000 Speaker 2: some kind of thing there, because yeah, that would be 153 00:08:51,360 --> 00:08:55,280 Speaker 2: such bad. 154 00:08:53,640 --> 00:08:57,160 Speaker 1: Losing ship up there. So you gotta gotta be careful. 155 00:08:57,600 --> 00:08:58,920 Speaker 3: Shoving pennies. 156 00:09:00,160 --> 00:09:04,520 Speaker 1: Still was changing the nine to eleven documentary. Yeah, my favorite, 157 00:09:04,800 --> 00:09:09,040 Speaker 1: my favorite movie, Caitlin. We're thrilled to be joined in 158 00:09:09,120 --> 00:09:14,080 Speaker 1: our third Caitlyn. I should have said, Miles, but I 159 00:09:14,160 --> 00:09:18,160 Speaker 1: just want you to know caitlynjoined in our third seat 160 00:09:18,240 --> 00:09:21,679 Speaker 1: by a very talented writer, stand up comedian co host 161 00:09:21,679 --> 00:09:24,600 Speaker 1: of The Bechdel Cast. You're you might be getting a 162 00:09:24,600 --> 00:09:26,680 Speaker 1: sense of who I'm talking about, Caitlin. One of the 163 00:09:26,760 --> 00:09:30,000 Speaker 1: great one of the great film podcasts of all time 164 00:09:30,040 --> 00:09:33,839 Speaker 1: that just had Alison Bechdel on. They also happen to 165 00:09:33,880 --> 00:09:37,439 Speaker 1: have a our guests today who you might know also 166 00:09:37,480 --> 00:09:39,920 Speaker 1: happens to have a master's degree in film and the 167 00:09:39,920 --> 00:09:43,480 Speaker 1: most anagrammable name in the English language. So if you've 168 00:09:43,480 --> 00:09:45,160 Speaker 1: been given their name in a jumble of out of 169 00:09:45,240 --> 00:09:47,319 Speaker 1: order scrabble tiles, you may know them as Lauren d 170 00:09:47,440 --> 00:09:54,040 Speaker 1: Titanic nine tit Dracula Latin Dancer UTM. But to us, Caitlyn, 171 00:09:54,160 --> 00:09:59,000 Speaker 1: you will always be Caitlyn Durante's guest. 172 00:10:03,160 --> 00:10:07,160 Speaker 2: It was it was just a bit oh my god, 173 00:10:08,320 --> 00:10:12,160 Speaker 2: oh you know, yeah alive hell yea, I hear that. 174 00:10:12,679 --> 00:10:15,280 Speaker 2: Hell yeah. 175 00:10:15,320 --> 00:10:19,040 Speaker 1: It's been great. It's great to have you back, all 176 00:10:19,120 --> 00:10:24,800 Speaker 1: in the guest chair. Yeah, yeah, one thing, yeah exactly. 177 00:10:25,360 --> 00:10:27,640 Speaker 1: It's good to have you back. Where you belong. 178 00:10:28,080 --> 00:10:30,400 Speaker 2: Okay, I guess we're interested in. 179 00:10:32,080 --> 00:10:37,840 Speaker 1: Welcome to club random here where you belong? Okay, new rule. 180 00:10:39,000 --> 00:10:42,280 Speaker 1: Caitlin belongs in the third seat, not the second seat. 181 00:10:43,080 --> 00:10:46,240 Speaker 1: I love good Bill Maher. I love a good Bill 182 00:10:46,280 --> 00:10:46,920 Speaker 1: Maher impression. 183 00:10:47,040 --> 00:10:49,959 Speaker 8: I do not got one, but got the vibe though 184 00:10:50,200 --> 00:10:52,719 Speaker 8: I got the I just have that energy about me. 185 00:10:53,960 --> 00:10:57,240 Speaker 1: Caitlin, what is what's new with you? Have you seen 186 00:10:57,320 --> 00:11:00,880 Speaker 1: any films lately? I don't know that. We've talked about 187 00:11:01,040 --> 00:11:02,120 Speaker 1: Paddington and Peru. 188 00:11:03,040 --> 00:11:03,960 Speaker 3: I don't think we have. 189 00:11:04,200 --> 00:11:04,240 Speaker 5: No. 190 00:11:04,600 --> 00:11:10,200 Speaker 3: I did see it an advanced screening. Wow, yeah, huge deal. 191 00:11:10,640 --> 00:11:10,880 Speaker 1: You know. 192 00:11:11,240 --> 00:11:14,280 Speaker 3: I have my thoughts about it. We won't we don't 193 00:11:14,320 --> 00:11:18,840 Speaker 3: need to go into it super deeply, but I generally 194 00:11:18,840 --> 00:11:20,640 Speaker 3: think it was pretty good. I was ready to be 195 00:11:20,760 --> 00:11:24,160 Speaker 3: very disappointed by it, and it is the weakest of 196 00:11:24,200 --> 00:11:27,440 Speaker 3: the trilogy, I would say, but it's only because you 197 00:11:27,440 --> 00:11:29,360 Speaker 3: have to compare it to the best movie ever made, 198 00:11:29,400 --> 00:11:33,000 Speaker 3: Paddington too, and that's a very high bar. So you 199 00:11:33,040 --> 00:11:36,480 Speaker 3: know it's it's It's still good. Not as good as 200 00:11:36,520 --> 00:11:39,319 Speaker 3: the first two. But I enjoyed myself. 201 00:11:39,760 --> 00:11:41,439 Speaker 1: I watched the first twenty minutes with my kids and 202 00:11:41,480 --> 00:11:45,920 Speaker 1: then I had to leave for an adult engagement. WHOA 203 00:11:45,960 --> 00:11:48,440 Speaker 1: no big deal. But I was like, I've got a 204 00:11:48,480 --> 00:11:51,600 Speaker 1: bad feeling about that nun and they were like, what, 205 00:11:51,840 --> 00:11:54,079 Speaker 1: why are you saying that? I like to spoil make 206 00:11:54,440 --> 00:11:59,400 Speaker 1: movie predictions, spoil the movie for my kids there like whoa, Dad, 207 00:11:59,480 --> 00:12:03,200 Speaker 1: You're right, no, they're actually not that impressed. Usually, but 208 00:12:03,920 --> 00:12:07,240 Speaker 1: any other any other films that you've been enjoying or 209 00:12:07,320 --> 00:12:08,120 Speaker 1: not enjoying? 210 00:12:08,320 --> 00:12:11,079 Speaker 3: Certainly you know, I enjoyed Friendship. 211 00:12:12,800 --> 00:12:13,560 Speaker 2: I laughed a lot. 212 00:12:13,880 --> 00:12:16,680 Speaker 3: I thought the story, you know, could they should have 213 00:12:16,840 --> 00:12:20,880 Speaker 3: sent me the script for for a freaking for some notes. 214 00:12:20,960 --> 00:12:23,000 Speaker 1: Always my first note on any film, I. 215 00:12:22,960 --> 00:12:27,320 Speaker 3: Think, should Caitlin, And then I would have been like, 216 00:12:27,320 --> 00:12:31,360 Speaker 3: who's that? And then what else have I seen? 217 00:12:31,520 --> 00:12:31,679 Speaker 1: Oh? 218 00:12:31,800 --> 00:12:34,839 Speaker 3: I watched The Ugly Stepsister. In fact, that's that was 219 00:12:34,920 --> 00:12:37,200 Speaker 3: going to be the piece of media I've been enjoying. 220 00:12:37,240 --> 00:12:40,120 Speaker 3: At the end of the episode, okay, spoiling it. 221 00:12:40,120 --> 00:12:43,000 Speaker 2: We'll ask what we'll expand on that when we get to. 222 00:12:42,960 --> 00:12:47,040 Speaker 1: The okay core, Yeah, well we'll do that later. Yeah, 223 00:12:47,080 --> 00:12:49,079 Speaker 1: we are thrilled. Just believe me when I say we're 224 00:12:49,120 --> 00:12:50,720 Speaker 1: thrilled to have you back where you belong in the 225 00:12:50,760 --> 00:12:54,880 Speaker 1: third seat. You all right, we're going to get to 226 00:12:54,880 --> 00:12:56,600 Speaker 1: know you a little bit better in a moment. First, 227 00:12:56,600 --> 00:12:58,040 Speaker 1: we're going to tell the listeners a couple of the 228 00:12:58,040 --> 00:13:00,280 Speaker 1: things we're talking about today. We've got a bit of 229 00:13:00,320 --> 00:13:05,320 Speaker 1: a movie centric slate of stories. AMC wants to put 230 00:13:05,880 --> 00:13:08,719 Speaker 1: more ads before movies, which is something we've all been 231 00:13:08,800 --> 00:13:13,079 Speaker 1: asking for. So that's good. More ads. This is actually 232 00:13:13,360 --> 00:13:16,479 Speaker 1: this happened to me before I saw Centers. The an 233 00:13:16,679 --> 00:13:20,320 Speaker 1: ad appeared after the trailers before like it was like 234 00:13:21,120 --> 00:13:26,160 Speaker 1: where the Nicole kidman would go in an AMC. They 235 00:13:26,240 --> 00:13:30,640 Speaker 1: just had a lexis ad. Yeah, and I was it 236 00:13:30,760 --> 00:13:34,199 Speaker 1: was like unobtrusive and like because they do it right 237 00:13:34,240 --> 00:13:36,240 Speaker 1: as the lights are about to go down. I was 238 00:13:36,600 --> 00:13:40,200 Speaker 1: just like I didn't get up and start throwing things 239 00:13:40,240 --> 00:13:41,360 Speaker 1: like I should have, right, But. 240 00:13:41,400 --> 00:13:44,400 Speaker 2: Well, we've been conditioned to accept like pre roll ads 241 00:13:44,440 --> 00:13:47,199 Speaker 2: on video through YouTube and stuff, so I'm sure just like, yeah, yeah, 242 00:13:47,200 --> 00:13:48,600 Speaker 2: all right, here we go, Here we go, Here we go. 243 00:13:49,000 --> 00:13:51,160 Speaker 1: I was, I just I did stick my finger up 244 00:13:51,200 --> 00:13:55,360 Speaker 1: and keep trying to hit skip it more seconds we're 245 00:13:55,400 --> 00:13:59,240 Speaker 1: just happening. But yeah, I think that's just generally where 246 00:13:59,400 --> 00:14:03,000 Speaker 1: we've been condition to accept bullshit across the board. That's 247 00:14:03,360 --> 00:14:09,280 Speaker 1: where we're at as a as a civilization. Rainbow capitalism 248 00:14:09,760 --> 00:14:18,520 Speaker 1: is now earth tone capitalism. Look at Target's latest colorless 249 00:14:18,760 --> 00:14:24,080 Speaker 1: Pride collection. It's called the Neutral Pride m Dash Neutrals Collection. 250 00:14:24,920 --> 00:14:27,800 Speaker 1: So we'll just talk about where we're at with Pride 251 00:14:27,960 --> 00:14:33,160 Speaker 1: this year. We'll talk about what AI's secret role in Hollywood. 252 00:14:33,160 --> 00:14:36,120 Speaker 1: They're already using it but trying not to acknowledge that 253 00:14:36,160 --> 00:14:39,080 Speaker 1: they're using it, and just all sorts of good things. 254 00:14:39,120 --> 00:14:42,080 Speaker 1: There's a mega credit card that was released with a 255 00:14:42,120 --> 00:14:47,240 Speaker 1: fully Ai TV commercial. It's all good stuff, plenty more. 256 00:14:47,280 --> 00:14:49,880 Speaker 1: But first, Katelyb, we do like to ask you, what 257 00:14:50,240 --> 00:14:53,680 Speaker 1: is something from your search history that is revealing about 258 00:14:53,680 --> 00:14:54,240 Speaker 1: who you are? 259 00:14:55,480 --> 00:15:00,880 Speaker 3: I mean, I had to confirm what all right, all right, 260 00:15:00,960 --> 00:15:04,600 Speaker 3: all right is from because. 261 00:15:04,680 --> 00:15:08,680 Speaker 1: All right, all right, all right, that's the one McConaughey 262 00:15:08,720 --> 00:15:12,760 Speaker 1: I think I said L I V I N earlier incidentally, 263 00:15:12,800 --> 00:15:14,080 Speaker 1: also from the same character. 264 00:15:14,240 --> 00:15:17,280 Speaker 3: Oh wow, okay, okay, I did I did not catch 265 00:15:17,320 --> 00:15:18,480 Speaker 3: that because I'm. 266 00:15:18,280 --> 00:15:23,040 Speaker 1: A person I am. I like to quote. Those are 267 00:15:23,040 --> 00:15:28,360 Speaker 1: my Matthew McConaughey's pedophile character from Days and Computers. So 268 00:15:28,560 --> 00:15:29,320 Speaker 1: a chill one. 269 00:15:31,240 --> 00:15:34,640 Speaker 3: I were about to cover it on the Bechdel Cast 270 00:15:35,000 --> 00:15:40,400 Speaker 3: and we were, you know, communicating with our guest, and 271 00:15:40,920 --> 00:15:43,080 Speaker 3: we like settled on it. I was like, how's this 272 00:15:43,200 --> 00:15:45,880 Speaker 3: time and date for everyone, and our guess was like 273 00:15:46,120 --> 00:15:48,760 Speaker 3: works for me. And then I was like all right, 274 00:15:48,800 --> 00:15:50,960 Speaker 3: all right, all right. But then I was like, shit, 275 00:15:51,120 --> 00:15:53,920 Speaker 3: is that from that movie? Like, I know, that's that's 276 00:15:53,920 --> 00:15:56,120 Speaker 3: something that Matthew McConaughey says, just. 277 00:15:56,320 --> 00:16:03,400 Speaker 2: I meant, I meant, that's actually what I meant. 278 00:16:03,440 --> 00:16:05,320 Speaker 3: So yeah, which is hard to type out. 279 00:16:05,360 --> 00:16:08,720 Speaker 2: And yeah, I parenthetical pounding chest with. 280 00:16:10,320 --> 00:16:13,680 Speaker 1: The vocal warm up he did for his one scene 281 00:16:13,680 --> 00:16:15,840 Speaker 1: in Wolf of Wall Street that they were just like, hey, 282 00:16:15,880 --> 00:16:18,440 Speaker 1: could you do that again? That was weird as fuck? 283 00:16:18,520 --> 00:16:20,640 Speaker 1: Can we just keep that in the movie. 284 00:16:21,280 --> 00:16:24,840 Speaker 3: Yeah, I'd rather not anyway, so I had to. I 285 00:16:25,160 --> 00:16:27,480 Speaker 3: thought I was pretty for I was pretty sure it 286 00:16:27,520 --> 00:16:29,960 Speaker 3: was originally from Daist and Confused, but I haven't seen 287 00:16:29,960 --> 00:16:32,240 Speaker 3: that movie in a very long time, so I had 288 00:16:32,280 --> 00:16:34,880 Speaker 3: to google it and make sure. And I was right. 289 00:16:34,960 --> 00:16:37,200 Speaker 3: Because I'm a genius when it comes to movies. I 290 00:16:37,240 --> 00:16:40,640 Speaker 3: know everything. I'm a walking encyclopedia, a walking eye. 291 00:16:41,000 --> 00:16:47,080 Speaker 1: Learn from you this movie clotes, I learned that a movie. 292 00:16:46,880 --> 00:16:50,040 Speaker 2: Quote your families asking you after you graduate and what 293 00:16:50,120 --> 00:16:55,360 Speaker 2: did you learn? Oh that I'm fucking goaded? Oh okay, 294 00:16:55,600 --> 00:16:57,760 Speaker 2: how what what do you mean? Just like, I fucking 295 00:16:57,840 --> 00:17:00,400 Speaker 2: I knew I fucking was the ship man, I fucking 296 00:17:00,440 --> 00:17:02,240 Speaker 2: even know why I bothered. This ship just told me 297 00:17:02,280 --> 00:17:03,120 Speaker 2: everything I already knew. 298 00:17:03,560 --> 00:17:06,679 Speaker 1: Yeah, I wasted so much money goodwill hunting, Just like 299 00:17:06,800 --> 00:17:08,840 Speaker 1: you have any idea how easy this is for me 300 00:17:08,920 --> 00:17:12,000 Speaker 1: to pick the right movie quote at any given situation. 301 00:17:12,880 --> 00:17:16,040 Speaker 1: Fucking watch you fumble around and be like, I love 302 00:17:16,200 --> 00:17:18,399 Speaker 1: lamp when it should have been all right, all right, 303 00:17:18,480 --> 00:17:21,440 Speaker 1: all right, I love my pools. 304 00:17:22,480 --> 00:17:25,400 Speaker 2: That's such a terrible mistake to get those wires crushed, 305 00:17:26,480 --> 00:17:35,159 Speaker 2: you love, I love lamp. No, what milk was a 306 00:17:35,160 --> 00:17:37,800 Speaker 2: bad choice? It's it's milk was a bad choice. Sorry, sorry, 307 00:17:37,840 --> 00:17:40,000 Speaker 2: Oh what do you love? Okay? Well, yeah, now this 308 00:17:40,119 --> 00:17:44,240 Speaker 2: is happening, and they marry Kickbackster off that bridge. That 309 00:17:44,359 --> 00:17:47,720 Speaker 2: was that was Jack bluck, That was Jack so bad 310 00:17:47,760 --> 00:17:48,359 Speaker 2: at this game? 311 00:17:48,640 --> 00:17:50,560 Speaker 3: Yeah you don't well you don't have a master's degree 312 00:17:50,560 --> 00:17:50,800 Speaker 3: in that. 313 00:17:50,800 --> 00:17:54,320 Speaker 1: That's right, exactly. Do you have any idea how easy 314 00:17:54,359 --> 00:17:58,360 Speaker 1: this is for Kaylyn and difficult it is to watch 315 00:17:58,480 --> 00:18:00,960 Speaker 1: us fumble around and fuck these. 316 00:18:00,720 --> 00:18:04,480 Speaker 2: Movie quoted about getting the MFA. Okay, is that you 317 00:18:04,600 --> 00:18:08,760 Speaker 2: realize there's more than one movie that's Anchorman, that's right. 318 00:18:09,640 --> 00:18:12,240 Speaker 3: That is also the other main thing I learned. 319 00:18:12,240 --> 00:18:14,080 Speaker 1: Caitlyn, is he talking about Anchorman too? 320 00:18:14,359 --> 00:18:15,960 Speaker 2: Is that what Anchorman two? 321 00:18:16,720 --> 00:18:16,880 Speaker 5: Yeah? 322 00:18:17,800 --> 00:18:18,320 Speaker 2: A movie? 323 00:18:18,359 --> 00:18:22,720 Speaker 5: Besides yeah, yeah, I know there's more than there's other 324 00:18:22,800 --> 00:18:28,879 Speaker 5: movies that are Anchorman, Caitlin, what's something you think is underrated? I? 325 00:18:29,200 --> 00:18:34,320 Speaker 3: Okay, this is something that I personally underrate, rather than 326 00:18:34,359 --> 00:18:38,480 Speaker 3: like something that society under rates, because any of these 327 00:18:38,560 --> 00:18:43,560 Speaker 3: questions are open to interpretation. Oh yeah, and I couldn't 328 00:18:43,560 --> 00:18:44,320 Speaker 3: think of anything. 329 00:18:45,240 --> 00:18:48,359 Speaker 1: Oh believe me, Miles, and I do overrated underrated every 330 00:18:48,359 --> 00:18:51,720 Speaker 1: Monday morning. And when I tell you that, I take 331 00:18:51,760 --> 00:18:54,199 Speaker 1: some liberties where I'm just like, I don't know, this 332 00:18:54,280 --> 00:18:56,320 Speaker 1: is a thought I had. How am I going to 333 00:18:56,640 --> 00:19:00,000 Speaker 1: make them turn this into an underrated Yeah? 334 00:19:00,440 --> 00:19:02,800 Speaker 3: Yeah, so you get it anyway, But this is true. 335 00:19:02,840 --> 00:19:05,320 Speaker 3: This is something that I do underrate, which is like 336 00:19:05,520 --> 00:19:12,160 Speaker 3: just acknowledging the positives of a situation, acknowledging what's nice 337 00:19:12,200 --> 00:19:15,439 Speaker 3: about something. And the reason I realized this is because 338 00:19:15,520 --> 00:19:17,960 Speaker 3: I have I have a little you know, on my 339 00:19:18,080 --> 00:19:22,199 Speaker 3: notes app, I have a list of like anticipating that 340 00:19:22,280 --> 00:19:24,040 Speaker 3: I will not be able to think of anything for 341 00:19:24,200 --> 00:19:27,360 Speaker 3: my over and underrated, So I'm like, oh, I had 342 00:19:27,359 --> 00:19:30,520 Speaker 3: this strange thought of thing of something I thought was underrated. 343 00:19:30,560 --> 00:19:32,120 Speaker 3: I'm going to write it down for the next time 344 00:19:32,160 --> 00:19:35,919 Speaker 3: I am a guest on the Daily Ze guest a 345 00:19:35,960 --> 00:19:37,960 Speaker 3: guest where I rightfully belong. 346 00:19:38,160 --> 00:19:40,120 Speaker 2: So you must have a ton because you've last couple 347 00:19:40,160 --> 00:19:41,399 Speaker 2: of times you've been guest co posts. 348 00:19:41,680 --> 00:19:42,320 Speaker 1: I know, I know. 349 00:19:45,880 --> 00:19:48,960 Speaker 3: But what I was finding is that I had a 350 00:19:49,040 --> 00:19:53,080 Speaker 3: long list of things I think are overrated and no 351 00:19:53,280 --> 00:19:57,040 Speaker 3: things I think are underrated because I focus on the 352 00:19:57,080 --> 00:20:00,080 Speaker 3: negatives of sayings. I'm like when I, for example, and 353 00:20:00,160 --> 00:20:03,840 Speaker 3: I teach my screenwriting classes, I'm very good at giving 354 00:20:03,880 --> 00:20:06,280 Speaker 3: notes on something that needs to be improved or something 355 00:20:06,320 --> 00:20:09,680 Speaker 3: that's not working, and I have a harder time articulating 356 00:20:09,800 --> 00:20:13,360 Speaker 3: like what what is working about this and why? So 357 00:20:13,520 --> 00:20:15,359 Speaker 3: I just I tend to just like focus on the 358 00:20:15,400 --> 00:20:19,960 Speaker 3: negatives of everything, and so I undervalue and underwrite in 359 00:20:20,040 --> 00:20:25,560 Speaker 3: my own life the positives of things. So I'm like, 360 00:20:26,240 --> 00:20:27,880 Speaker 3: I don't know, I'm just I'm just working on it. 361 00:20:28,000 --> 00:20:31,160 Speaker 1: Yeah, I will say that when you do have an 362 00:20:31,240 --> 00:20:36,280 Speaker 1: underrated you can do a lot of Like Paddington Too, 363 00:20:36,600 --> 00:20:39,639 Speaker 1: I feel like you really taught the told the world 364 00:20:39,800 --> 00:20:43,399 Speaker 1: like this is a film that you should be taking 365 00:20:43,480 --> 00:20:47,919 Speaker 1: more seriously. This is like what starts and would be 366 00:20:48,000 --> 00:20:51,159 Speaker 1: making if he hadn't disappeared up his own ass, you know, 367 00:20:51,760 --> 00:20:55,600 Speaker 1: like that this is and that's what I was like, Yeah, 368 00:20:55,640 --> 00:20:57,920 Speaker 1: this is this is correct, and yeah, I do feel 369 00:20:57,960 --> 00:21:00,560 Speaker 1: like you started a movement. So maybe you're also just 370 00:21:00,640 --> 00:21:07,040 Speaker 1: like really selective and only only picking the most correct 371 00:21:07,320 --> 00:21:08,240 Speaker 1: underrated things. 372 00:21:08,480 --> 00:21:10,720 Speaker 3: Wow, and and look at what you just did, Jack, 373 00:21:10,920 --> 00:21:13,920 Speaker 3: You focused on the positive, yes, of. 374 00:21:13,960 --> 00:21:20,840 Speaker 1: More underrated are underrated? I think you're underrated, Minelan. I 375 00:21:20,880 --> 00:21:23,640 Speaker 1: don't know why I can only focus on the negatives too. 376 00:21:23,720 --> 00:21:25,560 Speaker 1: Oh no, I'm the same way, Like I always have 377 00:21:25,600 --> 00:21:28,200 Speaker 1: a hard time figure out what's underrated. But to that, 378 00:21:28,280 --> 00:21:31,200 Speaker 1: but your broader point like it, I'm the same way. 379 00:21:31,280 --> 00:21:33,240 Speaker 1: And I really had to like think about that question 380 00:21:33,280 --> 00:21:37,240 Speaker 1: about perception being reality of like when I'm so focused 381 00:21:37,280 --> 00:21:40,320 Speaker 1: on everything that's negative, I tend to just get fully 382 00:21:40,520 --> 00:21:43,600 Speaker 1: consumed in a very negative headspace and not like I 383 00:21:43,640 --> 00:21:46,400 Speaker 1: need to completely convince myself that, like. 384 00:21:46,480 --> 00:21:48,280 Speaker 2: Like let me focus on things that are made up, 385 00:21:48,280 --> 00:21:51,320 Speaker 2: but realizing there are good things too that you also 386 00:21:51,440 --> 00:21:53,800 Speaker 2: can bring your attention to. That just to even the 387 00:21:53,840 --> 00:21:56,280 Speaker 2: scales a bit, how about we do three less shitty 388 00:21:56,320 --> 00:21:59,920 Speaker 2: things and acknowledge three things that are neutral and maybe hey, 389 00:22:00,080 --> 00:22:00,680 Speaker 2: even nice. 390 00:22:01,240 --> 00:22:01,600 Speaker 1: Wow. 391 00:22:01,720 --> 00:22:04,440 Speaker 2: That's helped a lot because I felt like I was 392 00:22:04,480 --> 00:22:07,720 Speaker 2: always like a, like bad shit was happening, or like 393 00:22:07,760 --> 00:22:11,600 Speaker 2: I'd make mistakes and stuff like weird dumb, like just 394 00:22:11,680 --> 00:22:14,360 Speaker 2: weird shit that would like irritate me would happen more 395 00:22:14,400 --> 00:22:16,439 Speaker 2: When I was always focused on everything that was like 396 00:22:16,520 --> 00:22:17,240 Speaker 2: kissing me off. 397 00:22:18,200 --> 00:22:21,240 Speaker 3: So yeah, no, and like I will, I'm my own 398 00:22:21,280 --> 00:22:25,280 Speaker 3: worst critic. I'm always like what what's what are you doing? 399 00:22:25,320 --> 00:22:27,680 Speaker 3: Why'd you do that? Blah blah blah, But I never 400 00:22:27,880 --> 00:22:31,399 Speaker 3: I never compliment myself and I should start. Yeah, So 401 00:22:31,480 --> 00:22:33,560 Speaker 3: hey listeners, if you have any compliments you would like 402 00:22:33,600 --> 00:22:37,040 Speaker 3: to pay me that I can plagiarize. 403 00:22:36,440 --> 00:22:38,160 Speaker 2: Right that you want to pay me to hear? 404 00:22:38,720 --> 00:22:44,119 Speaker 1: Yeah, then me truly, like my brain never randomly thinks 405 00:22:44,160 --> 00:22:47,639 Speaker 1: of something cool I did in high school. It only 406 00:22:48,040 --> 00:22:54,120 Speaker 1: will be like it sucks so bad, something that keeps 407 00:22:54,160 --> 00:22:56,119 Speaker 1: you up at do you have Like I'll just like 408 00:22:56,280 --> 00:22:59,040 Speaker 1: to think of something that I said or did, like 409 00:22:59,520 --> 00:23:02,280 Speaker 1: maybe not high school, but like you know, in the past. 410 00:23:02,680 --> 00:23:06,600 Speaker 1: Sometimes recently I was just like, oh fuck, like I 411 00:23:06,760 --> 00:23:10,800 Speaker 1: just smelled a really bad fart or something and then 412 00:23:11,280 --> 00:23:14,880 Speaker 1: just just move along. But I never am like, ah, 413 00:23:15,040 --> 00:23:17,159 Speaker 1: remember that that was the right thing to say at 414 00:23:17,160 --> 00:23:20,560 Speaker 1: that moment. You know, you killed you bro? That was 415 00:23:20,600 --> 00:23:24,199 Speaker 1: actually really good, well done. Yeah, I think we all 416 00:23:24,240 --> 00:23:28,159 Speaker 1: struggle with it. But a great underrated. What's something you 417 00:23:28,240 --> 00:23:30,080 Speaker 1: think is overrated? 418 00:23:31,040 --> 00:23:36,440 Speaker 3: I think that doing everything together, specifically like as a couple, 419 00:23:36,920 --> 00:23:41,040 Speaker 3: or like if you're traveling with people, or like just 420 00:23:41,119 --> 00:23:44,879 Speaker 3: any kind of unit of people who are going to 421 00:23:44,920 --> 00:23:48,320 Speaker 3: do an activity maybe and like the pressure to do 422 00:23:48,359 --> 00:23:50,960 Speaker 3: it all together and not be able to like split 423 00:23:51,040 --> 00:23:53,800 Speaker 3: off if there's a disagreement about what should be done. 424 00:23:54,240 --> 00:23:56,800 Speaker 3: It's just like this, like yeah, the pressure of like, no, 425 00:23:56,880 --> 00:23:59,520 Speaker 3: we have to do this together. Or again, if someone's 426 00:23:59,520 --> 00:24:02,840 Speaker 3: like in a real mantic couple ship, they're like, no, 427 00:24:02,920 --> 00:24:05,359 Speaker 3: I won't do this without my person. I have to 428 00:24:05,400 --> 00:24:07,240 Speaker 3: do it. We have to do everything together. I think 429 00:24:07,240 --> 00:24:11,680 Speaker 3: that's overrated and people should feel free to branch off, breakoff. 430 00:24:12,480 --> 00:24:15,800 Speaker 2: Who's catching tell me who's catching a subliminal stray? Right now? 431 00:24:17,600 --> 00:24:18,480 Speaker 2: That's what I want to know. 432 00:24:18,600 --> 00:24:21,680 Speaker 1: I should just be able to have fun on my own. 433 00:24:22,480 --> 00:24:25,800 Speaker 2: Maybe you don't have to bring your partner this time. 434 00:24:26,320 --> 00:24:29,280 Speaker 2: I don't know. I get that it's new and exciting, 435 00:24:29,440 --> 00:24:32,280 Speaker 2: but please, I get the thing too, Like when you 436 00:24:32,280 --> 00:24:35,760 Speaker 2: go to like a theme park too, when people go literally. 437 00:24:37,119 --> 00:24:40,200 Speaker 1: Like, motherfucker, I hate that ride and I'm going to 438 00:24:40,280 --> 00:24:41,960 Speaker 1: be an asshole if you forced me to go on it. 439 00:24:42,040 --> 00:24:43,840 Speaker 2: Why don't you do that? And I will go have 440 00:24:43,920 --> 00:24:46,120 Speaker 2: a truro and I'll be right here when you're done. 441 00:24:46,160 --> 00:24:48,560 Speaker 3: This is absolutely fine, but people act like, no, we 442 00:24:48,640 --> 00:24:50,320 Speaker 3: have to do this together, or like we don't. 443 00:24:55,119 --> 00:24:58,280 Speaker 1: It's like the one dad, this it really should be 444 00:24:58,359 --> 00:25:00,680 Speaker 1: the one good thing. I all this, and like I 445 00:25:01,000 --> 00:25:03,560 Speaker 1: feel like I've had experience where I'm like, guys, we 446 00:25:03,600 --> 00:25:07,320 Speaker 1: have cell phones, like we have each other again. I'm 447 00:25:07,359 --> 00:25:10,640 Speaker 1: just yeah, we're still living like we're in the pre 448 00:25:10,760 --> 00:25:14,480 Speaker 1: cell phone era, like the cell phones have ruined fucking everything. 449 00:25:14,680 --> 00:25:17,719 Speaker 1: Just to at least enjoy this extra luxury of just 450 00:25:17,720 --> 00:25:19,960 Speaker 1: being like, yeah, we can fucking split off. I can 451 00:25:20,000 --> 00:25:22,080 Speaker 1: put my hood up and go ghost protocol like I 452 00:25:22,160 --> 00:25:24,480 Speaker 1: like to do sometimes on family. 453 00:25:24,240 --> 00:25:27,320 Speaker 2: Vacations, go on them. 454 00:25:27,480 --> 00:25:30,760 Speaker 1: No, it's okay, a dad, he's going ghost protocol. You 455 00:25:30,840 --> 00:25:32,880 Speaker 1: can tell because his hoodie just went off. 456 00:25:33,080 --> 00:25:35,320 Speaker 2: You mean he's having a panic attack in line for 457 00:25:35,359 --> 00:25:37,800 Speaker 2: the ride. So he just putting shot on the stairs 458 00:25:37,800 --> 00:25:43,359 Speaker 2: on his phone. I'm going ghost protocol, y'all. It's just 459 00:25:43,400 --> 00:25:47,239 Speaker 2: so funny to say, really spicing up the fact that 460 00:25:47,240 --> 00:25:49,840 Speaker 2: you're just feeling kind of off about shit. Sorry, I 461 00:25:49,840 --> 00:25:55,680 Speaker 2: gotta go ghost protocol. I'm off. That's great. 462 00:25:55,680 --> 00:25:57,560 Speaker 3: No, I go ghost protocol all the time. If I'm 463 00:25:57,560 --> 00:25:59,439 Speaker 3: like traveling with someone and they want to do they 464 00:25:59,480 --> 00:26:02,159 Speaker 3: want to go to like of some fucking museum that 465 00:26:02,200 --> 00:26:04,320 Speaker 3: I don't give a shit about, I'm like, great, you 466 00:26:04,320 --> 00:26:06,440 Speaker 3: go do that. I'll go do this other thing. We 467 00:26:06,440 --> 00:26:08,040 Speaker 3: can meet up later for dinner or whatever. 468 00:26:08,240 --> 00:26:10,879 Speaker 2: Like great question, totally random. Who is the last person 469 00:26:10,920 --> 00:26:11,720 Speaker 2: you went on a trip with? 470 00:26:14,440 --> 00:26:15,440 Speaker 1: Unrelated to this? 471 00:26:16,240 --> 00:26:17,520 Speaker 2: And they're listening right. 472 00:26:17,400 --> 00:26:18,680 Speaker 3: Now and they're frying. 473 00:26:18,880 --> 00:26:19,040 Speaker 1: No. 474 00:26:19,920 --> 00:26:22,840 Speaker 3: I well, like when I I went to Ireland a 475 00:26:22,840 --> 00:26:26,359 Speaker 3: few years ago with my sister and she was like 476 00:26:26,480 --> 00:26:28,720 Speaker 3: kind of under the impression that we would do every 477 00:26:28,720 --> 00:26:31,920 Speaker 3: single thing together. She kept wanting to do things there 478 00:26:31,960 --> 00:26:33,959 Speaker 3: it is I didn't want to, Like, that's not how 479 00:26:34,000 --> 00:26:35,840 Speaker 3: I wanted to spend my time. So I was like, 480 00:26:35,880 --> 00:26:37,680 Speaker 3: if you want to buy all means And I think 481 00:26:37,720 --> 00:26:41,399 Speaker 3: she learned some independence right and then, and I learned 482 00:26:41,440 --> 00:26:45,679 Speaker 3: how to you know, clearly, but considerately establish some boundaries, 483 00:26:46,040 --> 00:26:48,840 Speaker 3: like an advocate for yourself experience for all of us. 484 00:26:49,000 --> 00:26:51,439 Speaker 2: Yeah, oh, because you said you and your and your 485 00:26:51,440 --> 00:26:54,520 Speaker 2: sister's personalities are pretty different, right, quite different? 486 00:26:54,640 --> 00:26:54,840 Speaker 5: Yeah? 487 00:26:54,920 --> 00:26:56,399 Speaker 2: Yeah, okay, do you remember you saying that? So this 488 00:26:56,520 --> 00:26:59,080 Speaker 2: this tracks? Okay, love you though, love you though? 489 00:26:59,440 --> 00:27:02,359 Speaker 3: Yeah, love you Sarah. She's not listening. She doesn't care 490 00:27:02,400 --> 00:27:04,000 Speaker 3: about anything I do. 491 00:27:04,240 --> 00:27:08,919 Speaker 2: Okay, maybe we could have done a podcast together, but 492 00:27:09,080 --> 00:27:09,600 Speaker 2: you want to do. 493 00:27:09,560 --> 00:27:17,040 Speaker 1: That, all right, And it is good that we have this, 494 00:27:17,040 --> 00:27:19,520 Speaker 1: this new piece of evidence because I think a lot 495 00:27:19,560 --> 00:27:22,040 Speaker 1: of Jamie was on last week talking about going to 496 00:27:22,080 --> 00:27:24,640 Speaker 1: the Snoopy Museum, and I think that I think people 497 00:27:24,680 --> 00:27:26,280 Speaker 1: would have been like Kaitlyn did want to go to 498 00:27:26,320 --> 00:27:27,800 Speaker 1: the Snoopy Museum but. 499 00:27:28,720 --> 00:27:30,959 Speaker 3: Oh yeah no, no, no, I would have gone, but I 500 00:27:31,040 --> 00:27:31,800 Speaker 3: wasn't invited. 501 00:27:31,800 --> 00:27:32,359 Speaker 1: No, I'm kidding. 502 00:27:33,680 --> 00:27:38,159 Speaker 2: No, everything is fine, it's great, love you, Jamie. 503 00:27:40,440 --> 00:27:43,160 Speaker 1: I just wish we spent more time to get all right, 504 00:27:43,320 --> 00:27:47,080 Speaker 1: let's take a quick break and we'll be right back. 505 00:27:57,440 --> 00:27:58,080 Speaker 1: And we're back. 506 00:27:58,400 --> 00:28:02,040 Speaker 2: Oh he didn't finish it? Was then you didn't finish it? 507 00:28:01,720 --> 00:28:05,280 Speaker 1: What am I supposed to be? And we're am I back? 508 00:28:06,080 --> 00:28:07,440 Speaker 1: Back from the ads. 509 00:28:07,520 --> 00:28:09,360 Speaker 2: You see there you go. 510 00:28:09,840 --> 00:28:13,440 Speaker 1: We were on a break and I just can't live 511 00:28:13,520 --> 00:28:23,280 Speaker 1: with that. You wang wow, just some monotone gang and 512 00:28:23,320 --> 00:28:25,720 Speaker 1: that just can't live without zeit gang. 513 00:28:26,960 --> 00:28:27,800 Speaker 2: Yeah, we're back. 514 00:28:28,080 --> 00:28:33,640 Speaker 1: We're back, and AMC trying to put Uh they've created 515 00:28:33,680 --> 00:28:36,960 Speaker 1: a fun I just like the degree to which this 516 00:28:37,119 --> 00:28:40,800 Speaker 1: is irresistible to marketing people and like I read it 517 00:28:40,840 --> 00:28:42,720 Speaker 1: and I was like, oh, this is happening. There's no 518 00:28:42,840 --> 00:28:45,520 Speaker 1: stopping this. This is a fucking freight train. There's nothing 519 00:28:45,560 --> 00:28:48,600 Speaker 1: that's going to stop this. They've they've created a new 520 00:28:48,760 --> 00:28:53,280 Speaker 1: ad spot that goes between the trailers and the feature presentation, 521 00:28:53,840 --> 00:28:59,880 Speaker 1: and they're calling it the Platinum spot. Right before this 522 00:29:00,040 --> 00:29:02,440 Speaker 1: starting the film, baby love. 523 00:29:02,320 --> 00:29:05,640 Speaker 2: To see their offerings when they go out to potential advertisers. 524 00:29:05,680 --> 00:29:07,680 Speaker 2: I mean there's also the Platinum I don't know if 525 00:29:07,680 --> 00:29:10,520 Speaker 2: you guys meant do you think they do that maybe 526 00:29:10,800 --> 00:29:13,000 Speaker 2: where it's like Platinum spot, it's in a folder, it 527 00:29:13,160 --> 00:29:15,720 Speaker 2: falls out during the meeting and they're like, oh god, sorry, 528 00:29:15,760 --> 00:29:17,920 Speaker 2: you weren't supposed to see that. Well what was that? 529 00:29:17,960 --> 00:29:18,120 Speaker 1: Oh? 530 00:29:18,120 --> 00:29:20,560 Speaker 2: Nothing, you wouldn't be interested. It's like for super high 531 00:29:20,640 --> 00:29:24,400 Speaker 2: roller clients. No, No, I'd like I mean, I guess 532 00:29:24,680 --> 00:29:28,000 Speaker 2: it's the platinum spot. Now, well you just like that 533 00:29:28,080 --> 00:29:31,400 Speaker 2: kind of like that kind of like skeazy salesman tactic 534 00:29:31,560 --> 00:29:34,200 Speaker 2: to be like, well, this is the platinum spot where 535 00:29:34,240 --> 00:29:36,720 Speaker 2: people will be really angry because this will be the 536 00:29:36,760 --> 00:29:38,960 Speaker 2: last thing they remember before watching a movie. 537 00:29:39,560 --> 00:29:42,280 Speaker 1: And I feel like it's probably also just knowing how 538 00:29:42,800 --> 00:29:49,080 Speaker 1: like business mambrane intersects with anything creative is they probably 539 00:29:49,120 --> 00:29:51,600 Speaker 1: saw They're like, look at how people are responding to 540 00:29:51,680 --> 00:29:55,520 Speaker 1: this Nicole Kidman thing, right, I mean that thing is 541 00:29:55,560 --> 00:29:59,040 Speaker 1: in the platinum spot as a phrase I just came 542 00:29:59,160 --> 00:30:03,120 Speaker 1: up with, and they really seem to respond well to it, 543 00:30:03,800 --> 00:30:05,720 Speaker 1: and so. 544 00:30:04,880 --> 00:30:08,400 Speaker 2: So just using the transitive property to be like, people 545 00:30:08,400 --> 00:30:11,600 Speaker 2: are responding to this Nicole Kidman spot because it's in 546 00:30:11,640 --> 00:30:14,600 Speaker 2: the platinum spot. Therefore anything in the platinum spot will 547 00:30:14,600 --> 00:30:18,640 Speaker 2: be responded to as if it's an iconic meme. Do 548 00:30:18,680 --> 00:30:21,720 Speaker 2: they not realize that's what it is? It's interesting thing. 549 00:30:21,760 --> 00:30:25,280 Speaker 3: Like marketing business. Ye, people they always take away the 550 00:30:25,360 --> 00:30:26,640 Speaker 3: wrong message. 551 00:30:26,280 --> 00:30:28,960 Speaker 1: Exactly exactly the wrong message. 552 00:30:29,280 --> 00:30:31,920 Speaker 2: It's like, I see it has to just go right 553 00:30:32,000 --> 00:30:33,600 Speaker 2: before the movie, And. 554 00:30:35,480 --> 00:30:38,160 Speaker 3: I always think about that they're paying the most attention. 555 00:30:39,480 --> 00:30:42,320 Speaker 1: I always think about the the two like heads of 556 00:30:42,360 --> 00:30:45,720 Speaker 1: the Beach Boys, Brian Wilson, who is like the musical genus, 557 00:30:45,720 --> 00:30:47,720 Speaker 1: and then Mike Love, who is just like a guy 558 00:30:47,760 --> 00:30:51,360 Speaker 1: who's like people like songs about chicks and surfing man 559 00:30:51,920 --> 00:30:55,520 Speaker 1: and like just that argument. And like Mike Love obviously 560 00:30:55,600 --> 00:31:01,040 Speaker 1: had the like backing of the labels, and so when 561 00:31:01,120 --> 00:31:04,120 Speaker 1: like Brian Wilson turned in pet sounds, he was like, 562 00:31:04,240 --> 00:31:08,120 Speaker 1: I'm sorry, guys, this sucks shit, Like we we were 563 00:31:08,160 --> 00:31:10,960 Speaker 1: better than this. Guy's got dang French horns on it. 564 00:31:12,160 --> 00:31:16,120 Speaker 1: A bunch of fucking for those dogs barking. Yeah, there 565 00:31:16,280 --> 00:31:18,600 Speaker 1: they're pet sounds. I'm sorry, you're fired. 566 00:31:18,680 --> 00:31:18,920 Speaker 9: Man. 567 00:31:20,240 --> 00:31:22,680 Speaker 3: It's like the Barbie movie. When it came out and 568 00:31:22,800 --> 00:31:27,120 Speaker 3: was a huge box office success, Executives were like, oh 569 00:31:27,160 --> 00:31:32,720 Speaker 3: my god, well people love movies based on toys, so 570 00:31:32,840 --> 00:31:36,040 Speaker 3: let's do a hot Wheels movie. Let's do a fucking 571 00:31:36,240 --> 00:31:38,000 Speaker 3: playmobile movie. 572 00:31:38,840 --> 00:31:40,520 Speaker 2: All that ship is there gonna be There's not gonna 573 00:31:40,520 --> 00:31:41,560 Speaker 2: be a playmobile. 574 00:31:41,160 --> 00:31:43,080 Speaker 3: Movie, right, well not yet until I write it. 575 00:31:44,160 --> 00:31:47,480 Speaker 2: They're like they're the most stiff of like the block 576 00:31:47,560 --> 00:31:50,400 Speaker 2: toy people. I'm like, bro, the hell no, Bro, the 577 00:31:50,400 --> 00:31:53,320 Speaker 2: Plainmobile that's a fucking l yeah, well that's the same 578 00:31:53,320 --> 00:31:55,920 Speaker 2: thing where they're just like, we just need a Barbenheimer. Basically, 579 00:31:55,960 --> 00:31:57,720 Speaker 2: we just need two movies to come out on the 580 00:31:57,760 --> 00:31:58,600 Speaker 2: same weekend. 581 00:31:59,160 --> 00:32:03,040 Speaker 1: Remember, then everyone our toe into a weird Yeah. 582 00:32:02,640 --> 00:32:05,880 Speaker 2: Well how many how many minutes of commercials are there now? 583 00:32:05,920 --> 00:32:09,240 Speaker 2: Because I typically I always give myself ten minutes because 584 00:32:09,240 --> 00:32:11,600 Speaker 2: I'm like, you can always be timinous late, So I 585 00:32:11,680 --> 00:32:12,280 Speaker 2: am weird. 586 00:32:12,960 --> 00:32:15,880 Speaker 1: My wife talks about how like the only I'm I'm 587 00:32:16,080 --> 00:32:19,080 Speaker 1: usually a fairly late person, just like that I run 588 00:32:19,200 --> 00:32:24,280 Speaker 1: late naturally, and the one thing that I am never late, 589 00:32:24,360 --> 00:32:26,880 Speaker 1: I'm like forty five minutes before a movie, I'm like, 590 00:32:26,960 --> 00:32:29,240 Speaker 1: we better get going, we better hit the road here. 591 00:32:29,440 --> 00:32:32,480 Speaker 1: She's like, what the fuck? Like you weren't this on 592 00:32:32,600 --> 00:32:36,400 Speaker 1: time for my birthday? And yet like every every time 593 00:32:36,400 --> 00:32:38,320 Speaker 1: we're going to see a movie. 594 00:32:38,160 --> 00:32:41,880 Speaker 3: Final Destination, blood Lines, blood Lines, we gotta there's and 595 00:32:42,120 --> 00:32:44,480 Speaker 3: I don't know, I just I need the trailer, like 596 00:32:44,520 --> 00:32:45,720 Speaker 3: I love the trailer. 597 00:32:45,800 --> 00:32:47,400 Speaker 2: We gotta go. I don't. I hate to do this, 598 00:32:47,480 --> 00:32:51,440 Speaker 2: but I will go ghost protocol on you. No, I 599 00:32:51,440 --> 00:32:52,080 Speaker 2: don't tell. 600 00:32:52,440 --> 00:32:54,960 Speaker 1: At that point, I just put the hood up. She knows, 601 00:32:55,440 --> 00:32:59,360 Speaker 1: she knows it goes protocol. So when you say how 602 00:32:59,440 --> 00:32:59,960 Speaker 1: many minutes? 603 00:33:00,080 --> 00:33:03,880 Speaker 3: So because there are ads before the trailers start saying, OK, 604 00:33:04,160 --> 00:33:07,440 Speaker 3: twenty five minutes of trailers usually so yeah. 605 00:33:07,520 --> 00:33:09,240 Speaker 2: So what I mean is like if it says it's 606 00:33:09,240 --> 00:33:12,600 Speaker 2: a one thirty showing, that means that shit starts at 607 00:33:12,800 --> 00:33:16,320 Speaker 2: two pretty much. That's so disrespectful. 608 00:33:16,640 --> 00:33:18,920 Speaker 1: I know, you know what I mean. It infuriates. 609 00:33:19,040 --> 00:33:21,600 Speaker 3: I love trailers, Yeah, yeah, yeah, but like I don't know, 610 00:33:21,720 --> 00:33:25,120 Speaker 3: make them shorter, show fewer of them. Don't make me 611 00:33:25,160 --> 00:33:26,360 Speaker 3: sit through more than. 612 00:33:26,640 --> 00:33:29,680 Speaker 1: The variability of it is. What is frustrating the fact 613 00:33:29,720 --> 00:33:33,360 Speaker 1: that sometimes, like the weekend Barbie came out, we were like, well, 614 00:33:33,160 --> 00:33:36,040 Speaker 1: we can get there a little bit late because it's 615 00:33:36,320 --> 00:33:39,320 Speaker 1: going to be like five hours of trailers. There's like 616 00:33:39,920 --> 00:33:42,000 Speaker 1: two minutes of trail. It was like we missed the 617 00:33:42,040 --> 00:33:45,360 Speaker 1: first scene because of the fucking trailer. Yeah, like they 618 00:33:45,400 --> 00:33:48,680 Speaker 1: just there's no real logic to it. This is actually 619 00:33:48,720 --> 00:33:51,680 Speaker 1: there's a bill that somebody's trying to get past, where 620 00:33:52,040 --> 00:33:54,840 Speaker 1: like movie theaters have to tell you when the movie 621 00:33:54,920 --> 00:33:58,240 Speaker 1: actually starts. Oh really can oh, thank you the start 622 00:33:58,320 --> 00:34:02,480 Speaker 1: time for the present, but then we need a feature 623 00:34:02,560 --> 00:34:06,440 Speaker 1: presentation start time, which I'm on board, but it also 624 00:34:06,520 --> 00:34:09,440 Speaker 1: when they mentioned it. I was like, like that that 625 00:34:09,760 --> 00:34:12,880 Speaker 1: sounded like science fiction to me, like anything that is 626 00:34:12,920 --> 00:34:17,520 Speaker 1: based on just like valuing consumer and just like human 627 00:34:17,600 --> 00:34:21,840 Speaker 1: beings experience over like the money making possibilities. I'm like, 628 00:34:22,000 --> 00:34:25,239 Speaker 1: that's not our timeline. That's a different world that never 629 00:34:25,360 --> 00:34:26,799 Speaker 1: had democrats. 630 00:34:27,080 --> 00:34:29,360 Speaker 2: I know, you guys are looking for a low hanging 631 00:34:29,440 --> 00:34:31,520 Speaker 2: fruit because you don't want to contend with the real 632 00:34:31,560 --> 00:34:34,000 Speaker 2: shit going on. You can you can take on terms 633 00:34:34,000 --> 00:34:36,399 Speaker 2: and conditions. We've all talked about how we hate all 634 00:34:36,440 --> 00:34:40,280 Speaker 2: the fine print. We can talk about now legislation around 635 00:34:40,280 --> 00:34:43,120 Speaker 2: when a movie will start that will probably poll very 636 00:34:43,160 --> 00:34:45,279 Speaker 2: well based on what we've read about democrats. You're like, well, 637 00:34:45,280 --> 00:34:47,520 Speaker 2: if it polls popularly, maybe it's a policy we can. 638 00:34:47,640 --> 00:34:51,080 Speaker 1: But those are the highest hanging fruits for democrats because 639 00:34:51,280 --> 00:34:55,080 Speaker 1: they are corporate. They require them to do something that 640 00:34:55,120 --> 00:34:58,800 Speaker 1: would anger corporations like that. It is like an impossibility 641 00:34:58,880 --> 00:34:59,279 Speaker 1: for them. 642 00:34:59,440 --> 00:35:01,360 Speaker 2: All right, yeah, they'll throttle it back. What if we 643 00:35:01,400 --> 00:35:04,920 Speaker 2: gave like a fifteen minute window where the film may start. 644 00:35:05,320 --> 00:35:08,239 Speaker 1: Yeah, what if we lied and said it was this time, 645 00:35:08,239 --> 00:35:10,320 Speaker 1: but then they came and they still had like three 646 00:35:10,440 --> 00:35:13,760 Speaker 1: Lexus ads to watch. Oh yeah, well that's lexus ads 647 00:35:13,800 --> 00:35:18,239 Speaker 1: told a story. The lexus ads are the movie. 648 00:35:17,600 --> 00:35:20,560 Speaker 3: You know, when you like order a couch or something 649 00:35:20,640 --> 00:35:23,160 Speaker 3: and they give you like a delivery window of like 650 00:35:23,280 --> 00:35:25,920 Speaker 3: eight hours. I show up that they should do that 651 00:35:25,960 --> 00:35:28,560 Speaker 3: for movies, Like there's an eight hour window when this 652 00:35:28,600 --> 00:35:29,600 Speaker 3: movie couldn't start. 653 00:35:30,280 --> 00:35:33,600 Speaker 1: Yeah, that's probably where we're headed. But it seems like 654 00:35:33,640 --> 00:35:36,279 Speaker 1: it's gonna be unpopular, but like not unpopular enough for 655 00:35:37,120 --> 00:35:40,520 Speaker 1: brands to not take advantage of the platinum spot. Yeah. 656 00:35:40,680 --> 00:35:43,879 Speaker 2: I just remember like in the nineties in LA there 657 00:35:43,880 --> 00:35:46,279 Speaker 2: were only two things that were not trailers that would 658 00:35:46,280 --> 00:35:49,239 Speaker 2: play before the movie R three. That one would be 659 00:35:49,280 --> 00:35:51,640 Speaker 2: just be like the general ad for the theater you're at. 660 00:35:52,040 --> 00:35:54,360 Speaker 2: The other one would be like a Coca Cola Polar 661 00:35:54,400 --> 00:35:56,839 Speaker 2: Bear fucking spot or like the let's. 662 00:35:56,520 --> 00:35:59,000 Speaker 1: All go to the lobby, let's talk. 663 00:36:00,040 --> 00:36:01,399 Speaker 2: And then the one they played a lot in LA 664 00:36:01,440 --> 00:36:05,279 Speaker 2: where these La Times commercials about like weird shit on 665 00:36:05,400 --> 00:36:07,920 Speaker 2: movie sets like little it would be like little vignettes 666 00:36:07,960 --> 00:36:10,640 Speaker 2: from a movie set where like a PA would be like, hey, 667 00:36:10,640 --> 00:36:13,040 Speaker 2: I need a spinner over here, stat and the guy's like, 668 00:36:13,239 --> 00:36:15,399 Speaker 2: what's a spinner? Going all the departments on a set, 669 00:36:15,440 --> 00:36:17,960 Speaker 2: like what's a spinner and they get to craft services 670 00:36:17,960 --> 00:36:21,520 Speaker 2: and it's like a wooden coffee stirring thing too. He's like, 671 00:36:21,680 --> 00:36:24,799 Speaker 2: just spinner and then like mixes the coffee. He's like oh, 672 00:36:24,920 --> 00:36:27,560 Speaker 2: and it's like la times. It's like we know the biz, 673 00:36:27,640 --> 00:36:30,680 Speaker 2: so you don't. It was like that kind of shit, Yeah, 674 00:36:31,000 --> 00:36:31,840 Speaker 2: La times. 675 00:36:32,200 --> 00:36:36,480 Speaker 1: Fucking turns. They're stupid as hell, right, lame as hell 676 00:36:36,600 --> 00:36:43,040 Speaker 1: nog fuck them. Yeah, it is random like that. It 677 00:36:43,600 --> 00:36:46,759 Speaker 1: does feel like now that they're doing this, I'm like, 678 00:36:46,800 --> 00:36:49,640 Speaker 1: it's kind of miraculous that they didn't do this twenty 679 00:36:49,680 --> 00:36:52,960 Speaker 1: years ago. Like that they've just been having ads for 680 00:36:53,000 --> 00:36:55,640 Speaker 1: other movies, which makes sense to me, but then like 681 00:36:55,840 --> 00:37:01,680 Speaker 1: ads for the movies in general and the concession stand 682 00:37:02,000 --> 00:37:05,320 Speaker 1: like it just feels like from another era, Like stop 683 00:37:05,400 --> 00:37:08,799 Speaker 1: motion popcorn guy is going to tell you to go 684 00:37:08,880 --> 00:37:10,040 Speaker 1: to eat popcorn. 685 00:37:10,840 --> 00:37:14,560 Speaker 3: There's when you when you go to a movie in 686 00:37:14,600 --> 00:37:18,800 Speaker 3: a different country. Ever heard of it? 687 00:37:19,280 --> 00:37:20,760 Speaker 1: Maybe try it sometime. 688 00:37:20,960 --> 00:37:23,960 Speaker 2: Okay, wait, when you're seeing Anchorman somewhere. 689 00:37:25,440 --> 00:37:26,759 Speaker 3: Or Anchorman two? 690 00:37:28,080 --> 00:37:33,520 Speaker 1: Anchorman? Do you keep speaking of this. 691 00:37:33,480 --> 00:37:36,799 Speaker 3: Trip to Ireland? I went on with my sister. I 692 00:37:36,840 --> 00:37:39,560 Speaker 3: went to the movies in Ireland and instead, well, I 693 00:37:39,600 --> 00:37:43,120 Speaker 3: think in addition to ads and trailers, they also have 694 00:37:43,239 --> 00:37:46,200 Speaker 3: like p s as where it's like here's what to 695 00:37:46,280 --> 00:37:49,919 Speaker 3: do if you fall through thin ice, and like here's 696 00:37:49,960 --> 00:37:53,560 Speaker 3: how not to drown or like it was just like 697 00:37:53,719 --> 00:37:55,120 Speaker 3: and I was like, wait a minute, it was like 698 00:37:55,160 --> 00:37:55,960 Speaker 3: survival tips. 699 00:37:56,040 --> 00:38:01,600 Speaker 1: I just came on. The people are watching it, yes, 700 00:38:02,080 --> 00:38:04,680 Speaker 1: and I was like, unbelievable, unbelievable. 701 00:38:04,880 --> 00:38:08,760 Speaker 2: I don't know if you're falling first crypto scam what oh, 702 00:38:08,760 --> 00:38:09,839 Speaker 2: thank you, Here's what to do. 703 00:38:10,080 --> 00:38:12,719 Speaker 1: Yeah, but it's actually like sponsored by Crypto you know, 704 00:38:12,800 --> 00:38:17,239 Speaker 1: it is in America and by come on now, brought 705 00:38:17,239 --> 00:38:17,920 Speaker 1: to you by. 706 00:38:18,560 --> 00:38:23,200 Speaker 2: Fucking yeah bathing by Crypto dot com arena. 707 00:38:23,480 --> 00:38:26,359 Speaker 1: All right, let's talk about it. Let's let's continue talking 708 00:38:26,360 --> 00:38:30,719 Speaker 1: about cool marketing and the world that we live in. 709 00:38:31,080 --> 00:38:34,239 Speaker 1: It's June, which means it's time of the year when 710 00:38:34,280 --> 00:38:38,520 Speaker 1: corporations trot out their ill conceived acts of self serving 711 00:38:38,600 --> 00:38:43,480 Speaker 1: performative LGBTQ ally ship a La Burger Kings twenty twenty 712 00:38:43,640 --> 00:38:48,040 Speaker 1: two Pride Whopper Did you yummy? You guys remember this one? 713 00:38:48,440 --> 00:38:52,719 Speaker 1: This was a whopper where Austria, Right in Austria, you 714 00:38:52,760 --> 00:38:56,040 Speaker 1: could either get two top buns or two bottom buns. 715 00:38:58,280 --> 00:38:59,320 Speaker 1: I'm looking at the picture. 716 00:38:59,480 --> 00:39:01,360 Speaker 3: Yeah, and I didn't realize what I was looking at 717 00:39:01,440 --> 00:39:02,400 Speaker 3: until you said. 718 00:39:02,160 --> 00:39:06,719 Speaker 1: This, And wow, the two bottom buns looks good. I 719 00:39:06,719 --> 00:39:09,680 Speaker 1: don't know. I think it's reminding me of like Texas 720 00:39:09,719 --> 00:39:13,839 Speaker 1: toast a little bit, you know, it's like, yeahs buttered. 721 00:39:13,560 --> 00:39:15,040 Speaker 2: It looks like a sour dough jack. 722 00:39:15,239 --> 00:39:17,880 Speaker 1: Yeah, it does look like. That's what I'm thinking. The 723 00:39:17,920 --> 00:39:19,359 Speaker 1: top one too, bready. 724 00:39:19,280 --> 00:39:24,520 Speaker 2: Also completely right, but if you're into that, of course, yeah, 725 00:39:25,320 --> 00:39:26,600 Speaker 2: two bottoms. 726 00:39:26,160 --> 00:39:29,759 Speaker 1: I'm not okay with that. I'm okay with everything, but 727 00:39:29,840 --> 00:39:33,400 Speaker 1: not okay with people who are into two hamburger top ones. 728 00:39:33,760 --> 00:39:35,000 Speaker 1: That's where I draw the line. 729 00:39:35,160 --> 00:39:38,359 Speaker 3: So it's just like a traditional bun with a top 730 00:39:38,400 --> 00:39:39,719 Speaker 3: and a bottom? Are those for? 731 00:39:40,000 --> 00:39:40,880 Speaker 1: Just like verse? 732 00:39:41,640 --> 00:39:42,680 Speaker 2: I know that's what I mean. 733 00:39:43,680 --> 00:39:47,600 Speaker 1: Well, so that's the confusing thing, because that's not how 734 00:39:47,880 --> 00:39:52,160 Speaker 1: like we you can't two bottoms and two tops is not. Yeah, 735 00:39:52,200 --> 00:39:56,840 Speaker 1: that's not fun. But then they were like, oh so 736 00:39:56,840 --> 00:39:59,799 Speaker 1: so this is This is a quote from someone who said, 737 00:39:59,800 --> 00:40:01,560 Speaker 1: when I first saw the burger, I thought it was 738 00:40:01,600 --> 00:40:04,160 Speaker 1: a joke about two tops or two bottoms. It took 739 00:40:04,200 --> 00:40:06,239 Speaker 1: me a little while to realize they were supposed to 740 00:40:06,239 --> 00:40:10,240 Speaker 1: be representing same sex couples by having same type buns 741 00:40:10,360 --> 00:40:10,839 Speaker 1: paired up. 742 00:40:11,280 --> 00:40:14,120 Speaker 2: You absolute dummy. 743 00:40:13,960 --> 00:40:18,040 Speaker 1: Fucking swish from the logo. 744 00:40:18,280 --> 00:40:21,640 Speaker 2: You know it. Not a single person from that community 745 00:40:21,719 --> 00:40:24,800 Speaker 2: is in that fucking marketing like meeting where they'd. 746 00:40:24,640 --> 00:40:26,640 Speaker 1: Never heard the phrase tops and bottoms. 747 00:40:26,800 --> 00:40:29,520 Speaker 2: Yeah, like it's like the two girl ones and the 748 00:40:29,560 --> 00:40:32,600 Speaker 2: two boy ones. Yeah, yeah there and then I'm sure 749 00:40:32,600 --> 00:40:33,879 Speaker 2: that's how someone said it too. 750 00:40:34,239 --> 00:40:40,280 Speaker 3: Okay, Wait, is is the top rounded bun the quote 751 00:40:40,320 --> 00:40:41,479 Speaker 3: unquote girl or boy? 752 00:40:41,640 --> 00:40:42,919 Speaker 2: Wait? Which ones? Which which? 753 00:40:43,280 --> 00:40:46,839 Speaker 1: And that's up to your interpretation. That's how little thing 754 00:40:47,040 --> 00:40:48,680 Speaker 1: is that they don't even tell you. 755 00:40:48,760 --> 00:40:51,600 Speaker 2: That doesn't matter. Hey, to us, it doesn't matter. 756 00:40:52,239 --> 00:40:57,200 Speaker 1: We don't mature, you know whatever weird stuff you're in, 757 00:41:00,080 --> 00:41:01,520 Speaker 1: and it is weird closed. 758 00:41:02,080 --> 00:41:05,319 Speaker 2: I mean, look, this burger looks fucking freaky. I'm not 759 00:41:05,320 --> 00:41:08,279 Speaker 2: gonna lie. This looks fucking weird. But hey, whatever you 760 00:41:08,360 --> 00:41:10,040 Speaker 2: we love you, We're by it. 761 00:41:10,120 --> 00:41:13,240 Speaker 1: Please, but you don't know what you got until it's gone, 762 00:41:13,480 --> 00:41:16,120 Speaker 1: you guys. A phrase that I just made up the 763 00:41:16,800 --> 00:41:19,799 Speaker 1: right is celebrating the fact that stores like Macy's and 764 00:41:19,840 --> 00:41:25,480 Speaker 1: Target are like this Pride Month are not given like 765 00:41:25,520 --> 00:41:28,440 Speaker 1: the front page is just Father's day. Shit, they have 766 00:41:28,719 --> 00:41:31,319 Speaker 1: Pride stuff, but it's like buried on the website. 767 00:41:32,560 --> 00:41:35,560 Speaker 2: People post, people post like from inside the Target. They're like, 768 00:41:35,640 --> 00:41:39,040 Speaker 2: look at this year's display. It's gone, We're winning America. 769 00:41:39,160 --> 00:41:40,600 Speaker 2: And you're like, yeah, Jesus Christ. 770 00:41:41,080 --> 00:41:45,680 Speaker 1: I mean Target's losing money though. So Target has a 771 00:41:45,760 --> 00:41:51,240 Speaker 1: Pride Neutrals collection, which is pretty wide. It's a Pride 772 00:41:51,400 --> 00:41:56,520 Speaker 1: Pride clothes that are just like like skin tone, like 773 00:41:56,560 --> 00:42:01,080 Speaker 1: they're they're just all like beige neutral, like I don't know, 774 00:42:01,239 --> 00:42:02,600 Speaker 1: like the it's there. 775 00:42:02,520 --> 00:42:05,319 Speaker 2: Was one that there's like a T shirt that just 776 00:42:05,400 --> 00:42:08,920 Speaker 2: has a rainbow tag at the bottom. Hem yes, and 777 00:42:08,920 --> 00:42:09,960 Speaker 2: they're like, that's Pride. 778 00:42:10,400 --> 00:42:13,400 Speaker 1: They're selling a Pride sweatshirt that has a that's just 779 00:42:13,480 --> 00:42:16,400 Speaker 1: a beige hoodie with out loud and Proud written in 780 00:42:16,560 --> 00:42:20,439 Speaker 1: tiny print on the string. So they're saying out loud 781 00:42:20,480 --> 00:42:23,160 Speaker 1: and proud in like a way that seems like it's 782 00:42:23,200 --> 00:42:24,320 Speaker 1: an act of satire. 783 00:42:25,160 --> 00:42:28,160 Speaker 2: Wow, well, I mean this this all tracks because you 784 00:42:28,200 --> 00:42:31,680 Speaker 2: know how the cowardice of Target with Trump coming into office, 785 00:42:31,680 --> 00:42:35,520 Speaker 2: they're like, NODI know nothing, no, no, we're against everything 786 00:42:35,520 --> 00:42:38,640 Speaker 2: now is that what you want? Trump? Meanwhile, black people 787 00:42:38,680 --> 00:42:41,960 Speaker 2: have completely boycotted Target and many other people have too, 788 00:42:42,000 --> 00:42:45,280 Speaker 2: but like it's and there are constant calls to continue 789 00:42:45,320 --> 00:42:48,600 Speaker 2: the boycotts for Target, and it's it's showing up in 790 00:42:48,680 --> 00:42:51,640 Speaker 2: their bottom line. They're like year over year foot traffics down, 791 00:42:51,760 --> 00:42:55,640 Speaker 2: revenues going down. But hey, I'm is this what you 792 00:42:55,760 --> 00:42:58,160 Speaker 2: Is that good for a business to have people not 793 00:42:58,280 --> 00:42:59,080 Speaker 2: come anymore? 794 00:42:59,400 --> 00:43:02,960 Speaker 3: Just right used to they try to course correct, you 795 00:43:03,000 --> 00:43:03,920 Speaker 3: would think. 796 00:43:03,880 --> 00:43:05,520 Speaker 2: But maybe this is their way to be Like, maybe 797 00:43:05,560 --> 00:43:07,799 Speaker 2: they'll be okay if it's just like the most sort 798 00:43:07,840 --> 00:43:12,400 Speaker 2: of so obscure, subtle version of pride, because that's what 799 00:43:12,440 --> 00:43:14,920 Speaker 2: pride's all about, just doing yeah. 800 00:43:14,800 --> 00:43:18,480 Speaker 3: Yeah, yeah, keeping it under wraps and not being out 801 00:43:18,520 --> 00:43:23,120 Speaker 3: and loud and proud. I read something that the CEO 802 00:43:23,320 --> 00:43:25,240 Speaker 3: took like a huge had to take like a huge 803 00:43:25,320 --> 00:43:28,080 Speaker 3: pay cut because of the loss of revenue. 804 00:43:28,400 --> 00:43:34,120 Speaker 2: So that's nice. Yeah, it's to please the shareholders. 805 00:43:34,960 --> 00:43:37,560 Speaker 7: I'll take less money, so, you know, just just we're 806 00:43:37,640 --> 00:43:39,960 Speaker 7: just save some things there based on the fact that 807 00:43:40,000 --> 00:43:43,960 Speaker 7: we've upset pretty much all non Republican voters. 808 00:43:45,000 --> 00:43:48,600 Speaker 1: And probably doing massive like stock buybacks to enrich themselves 809 00:43:48,760 --> 00:43:51,080 Speaker 1: or you know, something along those lines. I don't I 810 00:43:51,080 --> 00:43:53,040 Speaker 1: don't really know what a stock buyback is but you 811 00:43:53,080 --> 00:43:55,360 Speaker 1: know how the c suite people are able to always 812 00:43:55,920 --> 00:44:00,520 Speaker 1: figure something out Golden parachutes. You know, just imagine that, 813 00:44:00,600 --> 00:44:01,720 Speaker 1: I know what I'm talking about. 814 00:44:02,040 --> 00:44:04,239 Speaker 3: These these clothes are so ugly. I'm looking at the. 815 00:44:05,000 --> 00:44:08,040 Speaker 1: Really like and to have it out loud and proud 816 00:44:08,080 --> 00:44:12,600 Speaker 1: written only on the draw string is so so wild. 817 00:44:13,920 --> 00:44:17,960 Speaker 1: It's but yeah, I mean, they are afraid of reprisals 818 00:44:18,560 --> 00:44:22,319 Speaker 1: from some type of people, you know, They're afraid of 819 00:44:22,440 --> 00:44:26,360 Speaker 1: Trump targeting them. They're afraid of Trump supporters doing what 820 00:44:26,400 --> 00:44:30,040 Speaker 1: they did with bud Light. And because those tend to 821 00:44:30,040 --> 00:44:33,120 Speaker 1: be the people who maybe show up in their social 822 00:44:33,160 --> 00:44:36,640 Speaker 1: media algorithms more so than you know, people of color 823 00:44:36,800 --> 00:44:39,960 Speaker 1: or working class people, that's probably the thing that hits 824 00:44:40,000 --> 00:44:44,439 Speaker 1: hardest with them, would be my guess, you know, yeah, 825 00:44:44,440 --> 00:44:48,320 Speaker 1: because they they don't seem to be worried about target 826 00:44:48,320 --> 00:44:51,560 Speaker 1: boycotts or anything. They just seem to be worried about 827 00:44:51,719 --> 00:44:53,359 Speaker 1: is Donald Trump gonna be mad at us? 828 00:44:55,680 --> 00:44:56,480 Speaker 2: Brave? Brave? 829 00:44:57,080 --> 00:44:59,880 Speaker 1: So I mean bailing on the kind of cringey promotion 830 00:45:00,320 --> 00:45:02,920 Speaker 1: isn't the end of the world. But the bigger problem 831 00:45:02,960 --> 00:45:07,120 Speaker 1: is they're no longer sponsoring pride events like Pride organizers 832 00:45:07,120 --> 00:45:09,320 Speaker 1: in the US have been dealing with a sudden massive 833 00:45:09,400 --> 00:45:14,000 Speaker 1: budget deficit this year due to normally reliable companies withdrawing 834 00:45:14,040 --> 00:45:18,000 Speaker 1: their financial support, and YC Pride is down seven hundred 835 00:45:18,000 --> 00:45:20,680 Speaker 1: and fifty thousand dollars as a result when it comes 836 00:45:20,680 --> 00:45:26,720 Speaker 1: to like planning and funding their celebration, which that's what's 837 00:45:27,480 --> 00:45:31,360 Speaker 1: them just being cowardly and like moving the display to 838 00:45:31,480 --> 00:45:36,200 Speaker 1: the back and moving the pride messaging to the drawstring 839 00:45:36,760 --> 00:45:40,480 Speaker 1: is like I see the corporate logic there, but then 840 00:45:40,560 --> 00:45:42,480 Speaker 1: also just being like we're also not going to like 841 00:45:42,560 --> 00:45:44,920 Speaker 1: provide any money, like quiet. 842 00:45:44,560 --> 00:45:47,480 Speaker 2: They can't be too. Yeah, it's just so that's why 843 00:45:47,560 --> 00:45:50,280 Speaker 2: it's so offensive, And I'm like, yeah, fuck these places, 844 00:45:50,520 --> 00:45:53,280 Speaker 2: like when they don't even have the like no courage 845 00:45:53,320 --> 00:45:55,799 Speaker 2: at all. And and again I think it also, like 846 00:45:55,840 --> 00:45:58,759 Speaker 2: you said, it reveals how performative this shit is to 847 00:45:58,800 --> 00:46:01,239 Speaker 2: begin with, because if it can be fucking in a 848 00:46:01,320 --> 00:46:03,960 Speaker 2: snap just taken back, it was y'all were never about 849 00:46:03,960 --> 00:46:07,640 Speaker 2: it to begin with. But unfortunately that does mean that 850 00:46:07,680 --> 00:46:09,799 Speaker 2: people take a hit. But also, what do you think 851 00:46:09,840 --> 00:46:12,840 Speaker 2: happens in these cities when they have Pride fest People 852 00:46:12,960 --> 00:46:17,080 Speaker 2: come in to congregate, and I'm sure the money people 853 00:46:17,160 --> 00:46:19,480 Speaker 2: know that creates revenue. 854 00:46:19,640 --> 00:46:20,640 Speaker 3: They're spending money. 855 00:46:20,760 --> 00:46:24,759 Speaker 2: Yeah, but again they'll just do this to please like 856 00:46:24,800 --> 00:46:27,520 Speaker 2: such a slim minority of people who will just post 857 00:46:27,560 --> 00:46:30,680 Speaker 2: to libs of TikTok or some shit, and they're like, sorry, 858 00:46:30,680 --> 00:46:32,520 Speaker 2: we just we can't handle this. We can't handle. What 859 00:46:32,600 --> 00:46:36,440 Speaker 2: we can handle is our bottom line being negatively affected 860 00:46:36,480 --> 00:46:39,520 Speaker 2: by boycotts because people are upset with our backwards policies. 861 00:46:39,560 --> 00:46:40,759 Speaker 3: Now mm hm. 862 00:46:41,320 --> 00:46:45,239 Speaker 1: Yeah, Pride is like the biggest day, like they it's 863 00:46:45,440 --> 00:46:48,600 Speaker 1: some of these plates like Airbnb has estimated that Pride 864 00:46:48,600 --> 00:46:53,239 Speaker 1: festivals bringing seventy seven million nationally to like hosts. Lift 865 00:46:53,320 --> 00:46:56,239 Speaker 1: has reported that Pride has an even bigger impact on 866 00:46:56,320 --> 00:47:00,239 Speaker 1: demand for ride shares than a Taylor Swift concert. This 867 00:47:00,680 --> 00:47:05,960 Speaker 1: Pride brings in sixteen to eighteen million for Ohio's economy 868 00:47:05,960 --> 00:47:09,719 Speaker 1: each year. But they're not doing it. And it's an 869 00:47:09,840 --> 00:47:14,920 Speaker 1: especially bad time for these organizations to be running out 870 00:47:14,960 --> 00:47:18,319 Speaker 1: of funding because they need way more money because they're 871 00:47:18,320 --> 00:47:20,920 Speaker 1: having to spend extra money on security in order to 872 00:47:20,960 --> 00:47:24,640 Speaker 1: protect people from the right wing extremists. That those companies 873 00:47:24,680 --> 00:47:31,680 Speaker 1: are worried about offending frustrating, and those are the ones 874 00:47:31,719 --> 00:47:35,480 Speaker 1: that we have a lot of evidence of you know, 875 00:47:35,800 --> 00:47:40,200 Speaker 1: massive acts of violence being perpetrated on Oh yeah. 876 00:47:40,320 --> 00:47:44,759 Speaker 2: IGBTQ community. You know everyone. We're always taking lessons this year. 877 00:47:44,840 --> 00:47:47,640 Speaker 2: I hope one is to know that these companies don't 878 00:47:47,680 --> 00:47:50,600 Speaker 2: give a fun do not give a funny thing except 879 00:47:50,600 --> 00:47:54,479 Speaker 2: for their bottom line. And that was ever fucking don't 880 00:47:54,520 --> 00:47:57,399 Speaker 2: ever stop like we all I feel like twenty twenty 881 00:47:57,480 --> 00:47:59,400 Speaker 2: five is a year, but people have to stop falling 882 00:47:59,440 --> 00:48:01,799 Speaker 2: for it. Stop the market based. 883 00:48:01,719 --> 00:48:05,120 Speaker 1: Like the market's gonna correct and the companies aren't going 884 00:48:05,200 --> 00:48:09,080 Speaker 1: to allow for a dictatorship to happen, because that would 885 00:48:09,080 --> 00:48:12,239 Speaker 1: be bad for their bottom line. Like those people have 886 00:48:12,360 --> 00:48:14,760 Speaker 1: all been shut the fuck up, like presses. 887 00:48:15,080 --> 00:48:16,399 Speaker 2: Yeah, they all got. 888 00:48:16,360 --> 00:48:21,080 Speaker 1: In live, everybody got in line. Yeah. There's a whole 889 00:48:21,080 --> 00:48:24,040 Speaker 1: list of companies here that just bailed on. You know, 890 00:48:24,400 --> 00:48:28,120 Speaker 1: Anheuser Busch, which has been sponsoring Pride in Saint Louis 891 00:48:28,200 --> 00:48:35,360 Speaker 1: for thirty years, backed out. Whoa, yeah, yeah, it's fucked up. Cowards, cowards. 892 00:48:35,440 --> 00:48:38,080 Speaker 1: I mean they were doing it when it yeah, probably 893 00:48:38,200 --> 00:48:43,000 Speaker 1: wasn't that popular, but now now they're they're backing out, 894 00:48:43,400 --> 00:48:44,480 Speaker 1: so yep. 895 00:48:44,719 --> 00:48:47,480 Speaker 2: But it's it's just, I mean, the funny thing is 896 00:48:47,520 --> 00:48:49,880 Speaker 2: all this shit that they tried to do disappear like 897 00:48:49,920 --> 00:48:53,320 Speaker 2: the contributions of black or gay people in this country, 898 00:48:53,400 --> 00:48:57,359 Speaker 2: and like reach changing the names of fucking battleships, change 899 00:48:57,360 --> 00:49:00,919 Speaker 2: the nameless Harvey Milk ship, doing it something else. It's 900 00:49:01,000 --> 00:49:04,719 Speaker 2: all it really does. I mean, in a way, I 901 00:49:04,760 --> 00:49:08,120 Speaker 2: think they believe that merely just needs, like very superficial 902 00:49:08,719 --> 00:49:12,960 Speaker 2: things will completely push back people and make them ashamed 903 00:49:13,080 --> 00:49:15,160 Speaker 2: or something or not feel like that this isn't a 904 00:49:15,200 --> 00:49:18,080 Speaker 2: place where they can exist. But on the same time, 905 00:49:18,440 --> 00:49:20,000 Speaker 2: there's this article I think that we shared on the 906 00:49:20,000 --> 00:49:23,319 Speaker 2: footnotes from earlier this week that was talking about how 907 00:49:23,640 --> 00:49:26,520 Speaker 2: this is set off a bunch of smaller pride events 908 00:49:26,960 --> 00:49:30,720 Speaker 2: that are completely sort of separate from this, like corporate version, 909 00:49:30,760 --> 00:49:33,640 Speaker 2: where people are merely as like human beings coming together 910 00:49:33,719 --> 00:49:37,759 Speaker 2: to celebrate and have their own events. So, I mean 911 00:49:37,920 --> 00:49:39,520 Speaker 2: it just shows you, like, even if you want to 912 00:49:39,560 --> 00:49:41,879 Speaker 2: try and cut off like the corporate head of these things, 913 00:49:41,880 --> 00:49:44,799 Speaker 2: it's not going to stop people from celebrating their communities 914 00:49:44,800 --> 00:49:46,799 Speaker 2: and things like that, which is what they want. But 915 00:49:47,400 --> 00:49:50,400 Speaker 2: again it's not sorry, that's not happening. 916 00:49:51,040 --> 00:49:54,920 Speaker 3: Yeah, I mean, queer people are very good at finding 917 00:49:54,960 --> 00:49:59,720 Speaker 3: community and choosing family and like getting together and making 918 00:50:00,080 --> 00:50:02,920 Speaker 3: their own building their own communities. 919 00:50:03,040 --> 00:50:08,160 Speaker 1: So without the help, without the help, no, I just 920 00:50:08,239 --> 00:50:10,399 Speaker 1: don't know how I'm gonna do it without Anheuser, bush 921 00:50:10,840 --> 00:50:15,879 Speaker 1: around or Comcast. God got a blow, damn yeah yeah, 922 00:50:16,920 --> 00:50:19,360 Speaker 1: all right, let's take a quick break and we'll be 923 00:50:19,480 --> 00:50:33,560 Speaker 1: right back. And we're back. We're back, and the AI 924 00:50:33,760 --> 00:50:38,480 Speaker 1: trained just to keep the rolling and over here. We're excited. 925 00:50:38,520 --> 00:50:39,640 Speaker 1: But if we just like one. 926 00:50:39,480 --> 00:50:43,200 Speaker 6: Day just went fully like an AI is good, awesome, 927 00:50:43,480 --> 00:50:48,759 Speaker 6: you start our voices, listeners, it's because I'm trying to 928 00:50:48,800 --> 00:50:50,560 Speaker 6: rebuild a burnt down home. 929 00:50:50,640 --> 00:50:54,040 Speaker 2: If you see me starting to be like I mean, 930 00:50:56,680 --> 00:50:59,520 Speaker 2: I mean, this is this is my soul leaves my body. 931 00:50:59,760 --> 00:51:02,280 Speaker 1: This is kind of an attempt to do that from 932 00:51:02,560 --> 00:51:07,520 Speaker 1: a creator, a famous creative, Natasha Leoni, who you know 933 00:51:07,640 --> 00:51:10,319 Speaker 1: from things like poker Face. 934 00:51:10,440 --> 00:51:16,279 Speaker 2: And Russian Doll American Pie like that. 935 00:51:16,480 --> 00:51:18,840 Speaker 3: I'm a cheerleader, but I'm a cheerlead. 936 00:51:18,920 --> 00:51:19,919 Speaker 1: Yes, very very good. 937 00:51:20,160 --> 00:51:24,480 Speaker 2: Happened to Purdue Who wasn't that wasn't They never go on? 938 00:51:24,560 --> 00:51:26,280 Speaker 2: Sorry it didn't mean anyways. Uh. 939 00:51:27,080 --> 00:51:31,840 Speaker 1: She is the co founder of Asteria, an AI production 940 00:51:31,960 --> 00:51:34,960 Speaker 1: studio that claims to be an artist led ethical AI 941 00:51:35,080 --> 00:51:40,240 Speaker 1: Film and Animation studio, and they are launching with a 942 00:51:40,560 --> 00:51:45,680 Speaker 1: movie called Uncanny Valley that will be made by combining 943 00:51:45,760 --> 00:51:50,279 Speaker 1: AI tools with traditional filmmaking techniques. Describes itself as an 944 00:51:50,600 --> 00:51:54,080 Speaker 1: The production company just describes itself as an artist led 945 00:51:54,160 --> 00:51:59,240 Speaker 1: ethical AI film an Animation studio. The news has obviously 946 00:51:59,239 --> 00:52:02,239 Speaker 1: sparked it back, prompting her to clarify that the movie 947 00:52:02,320 --> 00:52:06,279 Speaker 1: won't omit any department heads or production designers or cinematographers. 948 00:52:06,640 --> 00:52:10,360 Speaker 1: That has more like a green screen or something like that. Wow, 949 00:52:10,960 --> 00:52:13,560 Speaker 1: it's the way that's written. It's like they write the 950 00:52:13,600 --> 00:52:17,080 Speaker 1: way she talks. It's like a green screen or something 951 00:52:17,160 --> 00:52:20,719 Speaker 1: like that. Like oh okay, yeah, yeah, that's not too bad. 952 00:52:21,160 --> 00:52:25,640 Speaker 1: It's like, but this is a weird move for an actor. 953 00:52:26,160 --> 00:52:28,600 Speaker 2: Yeah, well, especially when you have people like Joseph Gordon 954 00:52:28,680 --> 00:52:30,960 Speaker 2: Levitt who are like, this is going to take away 955 00:52:31,000 --> 00:52:33,960 Speaker 2: the incentive for people to even create or want to 956 00:52:34,040 --> 00:52:37,400 Speaker 2: strive for something if if AI takes all over all 957 00:52:37,440 --> 00:52:37,799 Speaker 2: this shit. 958 00:52:38,040 --> 00:52:41,440 Speaker 1: Yeah, they claim that it's like trained on only what 959 00:52:41,640 --> 00:52:47,480 Speaker 1: licensed licensed content. However, when you ask other companies like 960 00:52:47,520 --> 00:52:50,960 Speaker 1: how how you why don't you just like use licensed content, 961 00:52:51,040 --> 00:52:53,359 Speaker 1: They're like that would be impossible. Like none of this 962 00:52:53,640 --> 00:52:57,120 Speaker 1: is possible with just license content, so remains to be 963 00:52:57,160 --> 00:53:01,160 Speaker 1: seen how that's actually working out, because it's a very. 964 00:53:00,840 --> 00:53:03,520 Speaker 2: It's this, but that's what the chat cheep, the open 965 00:53:03,560 --> 00:53:06,520 Speaker 2: a open AI lady said a few years ago when 966 00:53:06,520 --> 00:53:09,279 Speaker 2: they were talking about there, like it's actually through like 967 00:53:09,440 --> 00:53:11,680 Speaker 2: light it like agreements that we have with people. And 968 00:53:11,680 --> 00:53:13,080 Speaker 2: then it came out that it wasn't it. 969 00:53:13,080 --> 00:53:15,520 Speaker 1: Was just and I love to say that she's license 970 00:53:16,320 --> 00:53:19,719 Speaker 1: should be noted. Asteria was founded by Leoni and her 971 00:53:19,760 --> 00:53:28,960 Speaker 1: boyfriend Brinn Mooser. What brit Hyan Mooser? There's no, like 972 00:53:29,360 --> 00:53:33,320 Speaker 1: I think maybe it's Brian, Like I don't know, No, 973 00:53:33,520 --> 00:53:36,200 Speaker 1: that's Brandon. Sorry, that's a that's a Mooser if I've 974 00:53:36,239 --> 00:53:39,200 Speaker 1: ever seen one. M O O s e R. Who 975 00:53:39,320 --> 00:53:43,279 Speaker 1: is a tech bro whose mentors include Bob Iger and 976 00:53:43,360 --> 00:53:46,480 Speaker 1: Elon Musk. So in case you were wondering where this 977 00:53:46,600 --> 00:53:49,919 Speaker 1: idea came from and who was telling her, Like now 978 00:53:50,000 --> 00:53:53,320 Speaker 1: this is fine, we talking about Oh my god. 979 00:53:53,160 --> 00:53:58,000 Speaker 2: The weird and Natasha run they're running an OPI Although 980 00:53:58,000 --> 00:53:59,640 Speaker 2: I don't know, maybe you do believe this, but like 981 00:53:59,680 --> 00:54:02,160 Speaker 2: when I like how this dude was described as a 982 00:54:02,200 --> 00:54:04,880 Speaker 2: quote serial entrepreneur. 983 00:54:04,600 --> 00:54:07,160 Speaker 1: I know that, And that's like a thing they say 984 00:54:07,280 --> 00:54:10,239 Speaker 1: is good, Like, that's that's what you want people to 985 00:54:10,280 --> 00:54:11,400 Speaker 1: introduce you as. 986 00:54:11,560 --> 00:54:14,680 Speaker 2: To me, I see somebody who doesn't. It was just like, 987 00:54:14,760 --> 00:54:17,439 Speaker 2: will fucking try and make anything fucking happen by any 988 00:54:17,440 --> 00:54:20,200 Speaker 2: means necessary. I'n't tell this lady. I love her, Okay, 989 00:54:20,160 --> 00:54:20,800 Speaker 2: I give. 990 00:54:22,600 --> 00:54:24,799 Speaker 1: Who Just tell me who the best person to have 991 00:54:24,840 --> 00:54:26,840 Speaker 1: on our side is. I'll make it happen. 992 00:54:28,840 --> 00:54:31,799 Speaker 2: Will going to AI AI? Who is the best celebrity 993 00:54:31,840 --> 00:54:34,680 Speaker 2: actress I could use to help? Sort of trojan horse? 994 00:54:34,719 --> 00:54:36,920 Speaker 2: The idea of an AI company in Hollywood being a 995 00:54:36,920 --> 00:54:37,279 Speaker 2: good thing? 996 00:54:38,320 --> 00:54:45,160 Speaker 3: Hey, Also, the company describing itself as being an ethical 997 00:54:45,440 --> 00:54:48,400 Speaker 3: AI an animation sude like there's no such thing as 998 00:54:48,400 --> 00:54:49,160 Speaker 3: ethical AI. 999 00:54:49,760 --> 00:54:50,080 Speaker 2: Wow. 1000 00:54:50,480 --> 00:54:54,279 Speaker 3: Yeah, based on the environmental impact alone, but on then 1001 00:54:54,480 --> 00:54:57,200 Speaker 3: also everything else, But like, no such thing. 1002 00:54:57,400 --> 00:55:00,319 Speaker 2: That's why everything they say is bullshit. You didn't train 1003 00:55:00,400 --> 00:55:03,120 Speaker 2: it on licensed to material. This shit isn't ethical. You're 1004 00:55:03,160 --> 00:55:06,160 Speaker 2: just saying all the things to try and neutralize those 1005 00:55:06,200 --> 00:55:09,120 Speaker 2: first instincts people have when they hear about AI in 1006 00:55:09,160 --> 00:55:11,839 Speaker 2: a space anywhere, because people are gonna be like, oh, 1007 00:55:11,880 --> 00:55:14,440 Speaker 2: that's just gonna probably you're gonna be firing human beings 1008 00:55:14,440 --> 00:55:16,279 Speaker 2: and they go, no, we didn't even get rid of 1009 00:55:16,320 --> 00:55:19,040 Speaker 2: any department heads, nothing like that. And it's not even 1010 00:55:19,080 --> 00:55:22,239 Speaker 2: trained off other people's copyrighted materials. And it's also like 1011 00:55:22,320 --> 00:55:28,640 Speaker 2: ethical and it's it's cruelty free and organic okay on GMO. Okay. 1012 00:55:29,320 --> 00:55:32,520 Speaker 1: Corporations can't say ethical if it's not ethical, you guys, 1013 00:55:32,600 --> 00:55:35,160 Speaker 1: I'm sorry, Oh, I'm sorry. No, it's the opposite. They 1014 00:55:35,160 --> 00:55:38,600 Speaker 1: would never say ethical if it was actually ethical. They 1015 00:55:38,600 --> 00:55:41,320 Speaker 1: would only do something ethical by accident. 1016 00:55:40,920 --> 00:55:42,400 Speaker 2: If it's horribly unethical. 1017 00:55:44,200 --> 00:55:46,560 Speaker 1: Yeah, well one of the big uh so, the controvert 1018 00:55:46,600 --> 00:55:49,440 Speaker 1: people are like, this is bullshit. And then Natasha Leoni, 1019 00:55:49,719 --> 00:55:54,480 Speaker 1: who was neighbors with David Lynch, was like, I actually 1020 00:55:54,520 --> 00:55:57,440 Speaker 1: talked to David Lynch and he signed off on this project. 1021 00:55:58,080 --> 00:55:59,200 Speaker 2: Motherfucker, he said. 1022 00:55:59,440 --> 00:56:02,600 Speaker 1: I asked him, Hey, David, what do you think of AI? 1023 00:56:02,920 --> 00:56:07,200 Speaker 1: And he said, Natasha, look over there, this is a pencil. Okay, 1024 00:56:08,120 --> 00:56:11,360 Speaker 1: everyone has access to a pencil, and likewise everyone with 1025 00:56:11,440 --> 00:56:14,360 Speaker 1: a phone will be using AI if they aren't already. 1026 00:56:14,600 --> 00:56:18,919 Speaker 1: It's how you use the pencil, you see, And that 1027 00:56:19,600 --> 00:56:22,319 Speaker 1: maybe true? What does he mean? 1028 00:56:23,160 --> 00:56:28,680 Speaker 9: Yeah, just like everybody, everybody's gonna use be using AI, 1029 00:56:28,800 --> 00:56:31,920 Speaker 9: which may be true, but it doesn't mean that like 1030 00:56:32,000 --> 00:56:35,160 Speaker 9: he's thought through the ethical implications of its use, or 1031 00:56:35,200 --> 00:56:38,799 Speaker 9: that everybody's like that he's fully up on like what 1032 00:56:39,040 --> 00:56:40,240 Speaker 9: the environmental impact. 1033 00:56:40,280 --> 00:56:41,799 Speaker 2: I'm sorry, I don't know if David Lynch was in 1034 00:56:41,880 --> 00:56:44,239 Speaker 2: the right state to really be fully answering the question 1035 00:56:44,280 --> 00:56:45,479 Speaker 2: about the This is. 1036 00:56:45,440 --> 00:56:48,880 Speaker 1: Just her work. Somebody who was like Natasha Leoni the 1037 00:56:48,960 --> 00:56:51,759 Speaker 1: next time she's asked about AI and just showed the 1038 00:56:51,880 --> 00:56:55,279 Speaker 1: poster for Weekend at Bernie's because they were like kind 1039 00:56:55,280 --> 00:56:58,520 Speaker 1: of weird to be, Yeah, using David Lynch as your 1040 00:56:58,560 --> 00:57:05,319 Speaker 1: shield here, loved dead filmmaker as your puppet for saying that. 1041 00:57:05,200 --> 00:57:07,960 Speaker 3: This, yeah, well yeah, we can't ask him to clarify. 1042 00:57:08,680 --> 00:57:10,960 Speaker 2: It's kind of perfect, you know, to put words in 1043 00:57:11,000 --> 00:57:13,480 Speaker 2: a dead person's mouth like that, and like because you 1044 00:57:13,560 --> 00:57:16,160 Speaker 2: have enough plausible deny that, like, well, well, first of all, 1045 00:57:16,160 --> 00:57:18,640 Speaker 2: I'm his neighbor. We were neighbors, so of course I 1046 00:57:18,680 --> 00:57:21,000 Speaker 2: was talking to him, and you know, you're talking about 1047 00:57:21,040 --> 00:57:24,400 Speaker 2: my neighbor right now. That's my neighbor, David Lynch, you're 1048 00:57:24,440 --> 00:57:26,960 Speaker 2: talking about You said it was okay, it's a pencil, 1049 00:57:28,360 --> 00:57:31,200 Speaker 2: it's a pencil, Okay, it's a very cool pencil that 1050 00:57:31,280 --> 00:57:32,360 Speaker 2: will burn the earth down. 1051 00:57:32,760 --> 00:57:35,760 Speaker 1: But people within Hollywood are saying that AI is already 1052 00:57:35,760 --> 00:57:39,280 Speaker 1: being made or being used to make a lot of content. 1053 00:57:39,400 --> 00:57:42,000 Speaker 1: It's just they're not admitting it. So it's like a 1054 00:57:42,040 --> 00:57:48,439 Speaker 1: thing where like, for instance, a costume designer will get 1055 00:57:48,440 --> 00:57:50,920 Speaker 1: a job and they'll have to like turn something around 1056 00:57:50,920 --> 00:57:53,760 Speaker 1: really quickly, and so they'll have the AI generate the 1057 00:57:53,800 --> 00:57:56,440 Speaker 1: idea for them, and then instead of turning that in, 1058 00:57:56,760 --> 00:57:59,880 Speaker 1: they will then hire an artist to draw the thing 1059 00:58:00,120 --> 00:58:06,080 Speaker 1: AI generated and then be like whila, original creation drawing, 1060 00:58:07,360 --> 00:58:12,240 Speaker 1: original human, original human drawing. And then they're like, oh, 1061 00:58:12,480 --> 00:58:16,840 Speaker 1: but isn't that worse And they're like yeah, but nobody notices, right, 1062 00:58:17,040 --> 00:58:19,680 Speaker 1: that's just what is happening, Like across the board. I 1063 00:58:19,680 --> 00:58:21,920 Speaker 1: feel like like, well that and like that they are. 1064 00:58:21,840 --> 00:58:25,640 Speaker 2: Using NDAs for people, like when they are using AI. 1065 00:58:26,080 --> 00:58:28,760 Speaker 8: Yeah, I'll tell anybody we use AI, I'm all fuck 1066 00:58:28,840 --> 00:58:30,960 Speaker 8: you up because we can't have the Unions coming at 1067 00:58:31,000 --> 00:58:34,520 Speaker 8: us like it's so fucking underhanded. And I'm you know, 1068 00:58:34,560 --> 00:58:36,560 Speaker 8: I'm not surprised like that. 1069 00:58:36,720 --> 00:58:39,680 Speaker 2: It's already creeping in more and more and more, just 1070 00:58:39,720 --> 00:58:42,520 Speaker 2: not in a fucking hooray type of way. 1071 00:58:43,000 --> 00:58:49,200 Speaker 1: Yeah, this one a story bird artist storybird storyboard artists 1072 00:58:49,280 --> 00:58:52,240 Speaker 1: said quote, and if your back's against the wall, it's tempting, 1073 00:58:52,360 --> 00:58:55,080 Speaker 1: even if the result is of dubious quality and dubious 1074 00:58:55,120 --> 00:58:58,600 Speaker 1: ethical makeup. And I feel like this is exactly what 1075 00:58:59,400 --> 00:59:04,160 Speaker 1: everything is going. Like all jobs are just going to 1076 00:59:04,200 --> 00:59:08,240 Speaker 1: be people using AI to create C plus work, and 1077 00:59:08,280 --> 00:59:11,720 Speaker 1: there's just no penalty for turning in C plus work, 1078 00:59:12,360 --> 00:59:15,680 Speaker 1: and so it's just like everything's going to get shittier 1079 00:59:16,040 --> 00:59:19,160 Speaker 1: in a way that will be I mean everything already 1080 00:59:19,200 --> 00:59:22,760 Speaker 1: has gotten shittier, you know, and like nothing happened. So 1081 00:59:22,840 --> 00:59:25,080 Speaker 1: once we let them get away with that, and now 1082 00:59:25,320 --> 00:59:26,920 Speaker 1: now that you can just like turn it over to 1083 00:59:27,000 --> 00:59:32,160 Speaker 1: a fucking automated C plus machine, like you're we're just 1084 00:59:32,200 --> 00:59:36,360 Speaker 1: going to see everything turned to shit and we're not 1085 00:59:36,360 --> 00:59:38,600 Speaker 1: even going to be able to like describe what's happening. 1086 00:59:39,360 --> 00:59:42,000 Speaker 3: It's the idea of like putting a band aid on 1087 00:59:42,080 --> 00:59:45,560 Speaker 3: the problem, but not treating the problem itself. Because the 1088 00:59:45,600 --> 00:59:50,000 Speaker 3: problem is like everyone's overworked and underwhelmed, and there's deadlines 1089 00:59:50,040 --> 00:59:53,480 Speaker 3: and because because of capitalism and we so we just 1090 00:59:53,520 --> 00:59:56,240 Speaker 3: have to like churn out shit that AI generates to 1091 00:59:56,360 --> 01:00:00,760 Speaker 3: like meet the deadline or whatever, and rather than I'm like, oh, 1092 01:00:00,880 --> 01:00:04,960 Speaker 3: let's let's I don't know, dismantle capitalism so we're not 1093 01:00:05,040 --> 01:00:09,680 Speaker 3: all like killing ourselves trying to get work done that 1094 01:00:09,760 --> 01:00:12,360 Speaker 3: doesn't even fucking need to be done in the first place. 1095 01:00:12,760 --> 01:00:19,080 Speaker 3: We've just invented all of these whatever, fucking arbitrary totally 1096 01:00:19,080 --> 01:00:22,440 Speaker 3: fabricated assignments and deadlines and all that. 1097 01:00:22,560 --> 01:00:26,080 Speaker 2: But kaylin, I just saw what the Hulk Vthano's fistfight 1098 01:00:26,240 --> 01:00:31,520 Speaker 2: should have, how it should have three yeah, yeah, yeah, 1099 01:00:31,720 --> 01:00:33,640 Speaker 2: And that's it. Like, that's what's so funny to me. 1100 01:00:34,240 --> 01:00:37,400 Speaker 2: They Hollywood should have been the first fucking line of 1101 01:00:37,480 --> 01:00:40,680 Speaker 2: defense against this ship to be like, this is going 1102 01:00:40,760 --> 01:00:42,480 Speaker 2: to fucking kill us. 1103 01:00:42,600 --> 01:00:46,480 Speaker 3: Further, well, they haven't been in all the movies that 1104 01:00:46,520 --> 01:00:48,600 Speaker 3: are like, hey, yeah. 1105 01:00:48,600 --> 01:00:52,240 Speaker 2: A written by normal people in the studio heads, you 1106 01:00:52,280 --> 01:00:53,320 Speaker 2: know what I mean, where they're. 1107 01:00:53,160 --> 01:00:56,480 Speaker 3: Like again, I'm like, I'm like, why doren't why aren't 1108 01:00:56,480 --> 01:01:02,440 Speaker 3: we remembering? Fuck? You know, the Matrix Terminator. All the 1109 01:01:02,480 --> 01:01:06,240 Speaker 3: movies were Ai is Ai Aihi. 1110 01:01:08,000 --> 01:01:10,160 Speaker 2: But I think you know because like we talked on 1111 01:01:10,200 --> 01:01:12,840 Speaker 2: Trends yesterday about this commercial that was made fully with 1112 01:01:12,960 --> 01:01:15,760 Speaker 2: AI and it again it looks like shit, but you 1113 01:01:15,800 --> 01:01:18,720 Speaker 2: can based on what a video looks like a year ago, 1114 01:01:19,000 --> 01:01:20,440 Speaker 2: like and if this is where we're at now, I 1115 01:01:20,880 --> 01:01:23,120 Speaker 2: can't imagine in another year from now what it's gonna 1116 01:01:23,120 --> 01:01:25,600 Speaker 2: look like. But that's a direct threat to the two 1117 01:01:25,720 --> 01:01:29,360 Speaker 2: hundred and fifty billion dollars a year TV ad industry. 1118 01:01:29,680 --> 01:01:31,760 Speaker 2: Like if people can just start cooking up shit like 1119 01:01:31,800 --> 01:01:34,120 Speaker 2: this and they're not even seeing that part of it, 1120 01:01:34,120 --> 01:01:37,200 Speaker 2: they're like, well, we can get away with underpaying people 1121 01:01:37,280 --> 01:01:39,360 Speaker 2: or using less people we have to pay by using 1122 01:01:39,400 --> 01:01:43,040 Speaker 2: AI without realizing that the proliferation of it is creating 1123 01:01:43,080 --> 01:01:46,600 Speaker 2: an existential threat to everything you do, because now anyone 1124 01:01:46,920 --> 01:01:51,439 Speaker 2: can shit out this crap. But go ahead, I guess, well, 1125 01:01:51,440 --> 01:01:53,880 Speaker 2: I guess you'll just have to find out as you 1126 01:01:53,960 --> 01:01:54,640 Speaker 2: fuck around. 1127 01:01:55,920 --> 01:01:58,919 Speaker 1: Nah, it never works that way. Yeah, Nah, we fuck 1128 01:01:59,000 --> 01:02:00,680 Speaker 1: around and then it just keeps getting better. 1129 01:02:01,320 --> 01:02:01,520 Speaker 2: Yeah. 1130 01:02:02,480 --> 01:02:04,360 Speaker 3: No, soon we're all going to be just like working 1131 01:02:04,360 --> 01:02:08,920 Speaker 3: at those whatever fucking cooling data centers and like I 1132 01:02:08,960 --> 01:02:15,360 Speaker 3: don't know, throwing buckets of water on the drinking Yeah, 1133 01:02:15,400 --> 01:02:19,680 Speaker 3: and that'll be all of ours before you AI users. 1134 01:02:19,920 --> 01:02:22,560 Speaker 1: Yeah yeah, I mean yeah. 1135 01:02:22,600 --> 01:02:24,479 Speaker 2: It's like, you know, if you work at the data 1136 01:02:24,520 --> 01:02:27,200 Speaker 2: center cooling rooms, you actually get to sip the water 1137 01:02:27,280 --> 01:02:28,160 Speaker 2: that you throw them. 1138 01:02:28,520 --> 01:02:34,360 Speaker 1: And you get to steal SIPs all day waters, unlimited 1139 01:02:34,400 --> 01:02:36,080 Speaker 1: SIPs and unlimited days off. 1140 01:02:37,480 --> 01:02:40,640 Speaker 2: Whoa, you're gonna love it here. But they don't pay me. 1141 01:02:41,960 --> 01:02:43,760 Speaker 1: It's the SIPs. They pay me in SIPs. 1142 01:02:45,040 --> 01:02:46,480 Speaker 3: That's what That's what our future is. 1143 01:02:46,520 --> 01:02:48,520 Speaker 2: Anyway, I know it does feel like that, like. 1144 01:02:51,360 --> 01:02:54,120 Speaker 1: Anyways, good time. Yeah, it's gonna be good. We're going 1145 01:02:54,160 --> 01:02:56,920 Speaker 1: to figure it out. We're going to figure it out. Caitlin. 1146 01:02:57,080 --> 01:03:00,520 Speaker 1: Such a pleasure having you as always on the daily zite. 1147 01:03:00,560 --> 01:03:03,360 Speaker 1: Where can people find you? Follow you all that good stuff? 1148 01:03:03,720 --> 01:03:09,240 Speaker 3: Oh, you can follow me mostly on Instagram and you can. 1149 01:03:09,760 --> 01:03:13,160 Speaker 3: I have a screenwriting an intro to screenwriting class that 1150 01:03:13,280 --> 01:03:18,320 Speaker 3: starts in like early mid August area a couple months 1151 01:03:18,360 --> 01:03:21,680 Speaker 3: from now. If you go to my website Kaitlindurante dot 1152 01:03:21,720 --> 01:03:26,320 Speaker 3: com slash classes, you can find more info there and 1153 01:03:26,360 --> 01:03:31,440 Speaker 3: you can register if you're interested. What else, that's pretty 1154 01:03:31,480 --> 01:03:34,520 Speaker 3: much it. I mean, listen to the beachdel cast, et cetera. 1155 01:03:35,600 --> 01:03:38,040 Speaker 2: You must, you must, so good, you must. 1156 01:03:38,400 --> 01:03:41,120 Speaker 1: Is there a work a media that you've been enjoying? Oh? 1157 01:03:41,200 --> 01:03:46,280 Speaker 3: Yeah, I had mentioned The Ugly Step Sister, which I 1158 01:03:46,280 --> 01:03:48,560 Speaker 3: think came out in twenty twenty four. 1159 01:03:48,760 --> 01:03:49,160 Speaker 2: I don't know. 1160 01:03:49,360 --> 01:03:54,280 Speaker 3: It's a recent film. It is the Cinderella narrative as 1161 01:03:54,360 --> 01:03:57,720 Speaker 3: told through the lens of the ugly stepsister. 1162 01:03:58,600 --> 01:04:03,640 Speaker 1: Oh, done with the wickedization of the ugly step sister. 1163 01:04:04,240 --> 01:04:05,480 Speaker 3: It's a body horror movie. 1164 01:04:05,960 --> 01:04:08,240 Speaker 2: It happens to them. 1165 01:04:09,120 --> 01:04:09,480 Speaker 1: I don't know. 1166 01:04:09,520 --> 01:04:12,160 Speaker 3: You'll have to watch and find out. I really liked 1167 01:04:12,160 --> 01:04:14,840 Speaker 3: it and I picked it because I once again couldn't 1168 01:04:14,840 --> 01:04:17,480 Speaker 3: think of anything else because I don't go online. I 1169 01:04:17,520 --> 01:04:20,880 Speaker 3: don't see what people are socialing posting on social media 1170 01:04:21,440 --> 01:04:25,600 Speaker 3: except for I mean piece of media. I've enjoying Caitlin 1171 01:04:25,680 --> 01:04:32,040 Speaker 3: Johnstone's entire feed and all the stuff that she says 1172 01:04:32,080 --> 01:04:36,200 Speaker 3: about how Israel sucks and all of that. 1173 01:04:36,320 --> 01:04:38,600 Speaker 2: Anyway, they don't go on social media. 1174 01:04:39,040 --> 01:04:42,760 Speaker 3: I mean that's my feed is literally on Instagram, like 1175 01:04:42,840 --> 01:04:47,360 Speaker 3: it's it's news about Palestine and it's cat videos. Okay, 1176 01:04:47,360 --> 01:04:48,280 Speaker 3: it's those two things. 1177 01:04:48,400 --> 01:04:51,960 Speaker 2: Balance balance, balance, Yeah, Miles, where can people find you? 1178 01:04:52,080 --> 01:04:54,600 Speaker 1: Is there a workimedia you've been enjoying me? 1179 01:04:55,360 --> 01:04:58,040 Speaker 2: Mm hmm, Oh, you can find me at Miles of Gray. 1180 01:04:58,320 --> 01:05:04,120 Speaker 2: Everywhere you find Jack, I have the basketball podcast twenty 1181 01:05:04,200 --> 01:05:08,000 Speaker 2: Day for twenty day fiance. My mom said I should 1182 01:05:08,080 --> 01:05:10,720 Speaker 2: mumble less in the outro, So I'm trying to be 1183 01:05:10,800 --> 01:05:13,520 Speaker 2: more eloquent and more elegm. 1184 01:05:13,600 --> 01:05:15,200 Speaker 3: Listens, my sister doesn't. 1185 01:05:15,680 --> 01:05:19,680 Speaker 2: My mom listens and gives a lot more feedback than 1186 01:05:19,720 --> 01:05:26,120 Speaker 2: I'd like from someone who doesn't podcast mom anyway. Yeah, 1187 01:05:26,160 --> 01:05:27,080 Speaker 2: that's where you find it. 1188 01:05:28,600 --> 01:05:30,800 Speaker 1: Is she maybe passing a long feedback to you. 1189 01:05:31,560 --> 01:05:33,600 Speaker 2: She will, she will. My mom will not hold back. 1190 01:05:33,640 --> 01:05:35,200 Speaker 2: She will hit you with a direct note if she 1191 01:05:35,240 --> 01:05:38,080 Speaker 2: wanted me to give you Jack, because I remember early on, 1192 01:05:38,600 --> 01:05:41,920 Speaker 2: early on, my mom's big note was Jack always sounds nervous. 1193 01:05:44,520 --> 01:05:46,040 Speaker 1: And then just on me in general. 1194 01:05:46,120 --> 01:05:48,720 Speaker 2: Yeah, yeah, she goes, is he nervous? Is he nervous? 1195 01:05:48,760 --> 01:05:51,000 Speaker 2: This is like the I remember the first like first 1196 01:05:51,160 --> 01:05:54,520 Speaker 2: year of the thing, and then year two she's like, Jack, 1197 01:05:54,680 --> 01:05:57,480 Speaker 2: is he's not nervous anymore? I can hear it. He's like, 1198 01:05:57,520 --> 01:05:59,160 Speaker 2: this show is so good with the two of you, 1199 01:05:59,640 --> 01:06:02,160 Speaker 2: And she's like, but you have to stop mumbling and 1200 01:06:02,200 --> 01:06:07,480 Speaker 2: saying things that don't make sense. So this is the 1201 01:06:07,520 --> 01:06:11,360 Speaker 2: show called nervous, nervous and shit and the guy who 1202 01:06:11,440 --> 01:06:15,440 Speaker 2: makes no sense that is happening all the time, nervous 1203 01:06:15,440 --> 01:06:19,720 Speaker 2: and mumble mouth thanks mom Um. Gotta love a little 1204 01:06:19,720 --> 01:06:23,440 Speaker 2: bit of immigrant parent feedback on something that's become your 1205 01:06:23,440 --> 01:06:26,960 Speaker 2: life's work. Okay, a couple of things I like from 1206 01:06:27,000 --> 01:06:30,200 Speaker 2: Blue Sky, Uh just on the elon musk and Donald 1207 01:06:30,240 --> 01:06:34,560 Speaker 2: Trump saga at Nikki mcr skuy on social post it 1208 01:06:34,560 --> 01:06:36,920 Speaker 2: it's like watching the shittiest couple you know break up 1209 01:06:37,000 --> 01:06:40,840 Speaker 2: in the maul food court. Yes, it is that. Another 1210 01:06:40,880 --> 01:06:43,680 Speaker 2: one siege at siege dot online. They should invent a 1211 01:06:43,720 --> 01:06:45,720 Speaker 2: pill that shrinks you down to the size of a 1212 01:06:45,800 --> 01:06:49,000 Speaker 2: teeny little guy before long flights, stretched out on a 1213 01:06:49,040 --> 01:06:52,400 Speaker 2: tiny beach chair, pitched on the seat, nibbling a peanut 1214 01:06:52,440 --> 01:06:55,000 Speaker 2: the size of your body, drinking a bloody marry out 1215 01:06:55,040 --> 01:06:56,240 Speaker 2: of a thimble, et cetera. 1216 01:06:57,280 --> 01:07:02,080 Speaker 1: And then at monetize that we call it the platinum pill. 1217 01:07:02,440 --> 01:07:06,520 Speaker 2: Yeah, the platinum pill. Oh god, so tiny. This is 1218 01:07:06,520 --> 01:07:09,640 Speaker 2: how we're gonna get man housing crisis solved. If every 1219 01:07:09,720 --> 01:07:11,800 Speaker 2: if we can fit forty two million people in the 1220 01:07:11,840 --> 01:07:14,680 Speaker 2: studio apartment, the pill. 1221 01:07:15,040 --> 01:07:17,680 Speaker 1: There's a is it a Matt Damon moved downsize? 1222 01:07:17,600 --> 01:07:17,680 Speaker 5: Ye? 1223 01:07:17,880 --> 01:07:19,640 Speaker 2: Downsize right? Yeah? 1224 01:07:19,720 --> 01:07:22,840 Speaker 1: A movie that I should have been so like I 1225 01:07:23,520 --> 01:07:26,240 Speaker 1: was raised on Honey, I shrunk the kids. I think 1226 01:07:26,240 --> 01:07:29,800 Speaker 1: it was like a famous director was making it Love 1227 01:07:29,800 --> 01:07:34,200 Speaker 1: a Matt Damon and did not watch it and have 1228 01:07:34,360 --> 01:07:37,200 Speaker 1: never once been told like you should have watched that one. 1229 01:07:37,280 --> 01:07:38,720 Speaker 2: Alexander Paide, that's. 1230 01:07:40,520 --> 01:07:43,200 Speaker 1: Lexander Pain was like what if like Honey, I shrunk 1231 01:07:43,280 --> 01:07:46,280 Speaker 1: the kids was like moody And for adults. 1232 01:07:45,920 --> 01:07:51,120 Speaker 2: What if I follow up Nebraska with this director? 1233 01:07:51,680 --> 01:07:56,520 Speaker 1: Yeah? Yeah, I always get him and David O. 1234 01:07:56,680 --> 01:08:00,600 Speaker 2: Russell confused anyway, And then the last post, I like 1235 01:08:00,680 --> 01:08:03,600 Speaker 2: Chase at Madar dot be Scout at Social posted because 1236 01:08:03,640 --> 01:08:06,440 Speaker 2: we're talking about Kree Jean Pierre's new book, Karim Jean Pierre, 1237 01:08:06,520 --> 01:08:09,280 Speaker 2: far from being a turncoat, has stayed true to the 1238 01:08:09,360 --> 01:08:14,040 Speaker 2: essence of our institutional Democratic party, self seeking careerism welded 1239 01:08:14,080 --> 01:08:17,679 Speaker 2: to embarrassing incompetence. I have no doubt the former colleagues 1240 01:08:17,720 --> 01:08:20,880 Speaker 2: denouncing her feel this and are cheering her on. Yeah. 1241 01:08:21,120 --> 01:08:24,719 Speaker 1: Yeah, you can find me on Twitter at Jack Underscore, 1242 01:08:24,800 --> 01:08:26,880 Speaker 1: Brian on Blue Sky at jack ob The number one 1243 01:08:28,080 --> 01:08:32,680 Speaker 1: tweet I enjoyed at two thick Scoops tweeted just the 1244 01:08:33,400 --> 01:08:37,680 Speaker 1: Gmail summary from you know how the iPhone will give 1245 01:08:37,720 --> 01:08:39,679 Speaker 1: you or your phone will give you, like a Gmail 1246 01:08:39,680 --> 01:08:42,280 Speaker 1: summary of what's going on in your inbox and it 1247 01:08:42,479 --> 01:08:45,519 Speaker 1: said Gmail Jersey Mike's order pick up at twelve forty 1248 01:08:45,520 --> 01:08:50,440 Speaker 1: eight pm semi colon Dutch government collapses over migration dispute. 1249 01:08:50,880 --> 01:08:52,920 Speaker 1: He said, okay, sounds good. Thank you. 1250 01:08:54,320 --> 01:08:55,760 Speaker 2: We need someone to talk about when you give to 1251 01:08:55,760 --> 01:08:56,800 Speaker 2: the Jersey Mikes, and. 1252 01:08:56,760 --> 01:09:00,000 Speaker 1: Then I do enjoy the images. AI could never recreate account. 1253 01:09:00,080 --> 01:09:03,599 Speaker 1: This one was question two of two how often would 1254 01:09:03,640 --> 01:09:07,320 Speaker 1: you like to get updates about cheddar Cheese? Never? Only 1255 01:09:07,320 --> 01:09:10,960 Speaker 1: if something big happens. A few times a year, a 1256 01:09:11,040 --> 01:09:15,640 Speaker 1: few times a month. They have only if something big happens. 1257 01:09:15,439 --> 01:09:17,360 Speaker 1: I just got to know if something big happens with 1258 01:09:17,439 --> 01:09:21,240 Speaker 1: cheddar Cheese. You can find Awesome Blue Sky on Twitter 1259 01:09:21,400 --> 01:09:25,560 Speaker 1: at daily Zeit Guys read the daily Zeit guyst on Instagram. 1260 01:09:25,680 --> 01:09:27,920 Speaker 1: You can go to the description of this episode wherever 1261 01:09:28,000 --> 01:09:30,479 Speaker 1: you're listening to it, and there you will find the 1262 01:09:30,479 --> 01:09:32,760 Speaker 1: footnote no, which is where we link off to the 1263 01:09:32,760 --> 01:09:35,000 Speaker 1: information that we talked about in today's episode. We also 1264 01:09:35,040 --> 01:09:38,920 Speaker 1: link off to a song that we think you might enjoy. Miles, 1265 01:09:39,120 --> 01:09:41,439 Speaker 1: is there a song that you think that people might enjoy? 1266 01:09:41,720 --> 01:09:46,120 Speaker 2: Yeah, so wet leg you know, hot off the Shaise 1267 01:09:46,240 --> 01:09:50,519 Speaker 2: Long Chase, Long just Fever that captains song is more 1268 01:09:50,680 --> 01:09:54,479 Speaker 2: changed the way I pronounced Shase long Bean Shay's Long. 1269 01:09:55,000 --> 01:09:58,439 Speaker 2: They got a new single out cause CPR It's and 1270 01:09:58,920 --> 01:10:01,759 Speaker 2: I'm really digging it. So this is the new single 1271 01:10:01,800 --> 01:10:04,719 Speaker 2: from wet Leg cp R wet Leg. 1272 01:10:05,160 --> 01:10:08,439 Speaker 1: Yeah, I lind that album, totally forgot about it all right, 1273 01:10:08,520 --> 01:10:10,280 Speaker 1: Well we will link off to that in the footnote 1274 01:10:10,320 --> 01:10:12,800 Speaker 1: for The Daily Zeitgeist is a production of iHeartRadio. For 1275 01:10:12,840 --> 01:10:15,439 Speaker 1: more podcasts from my Heart Radio, visit the iHeartRadio app, 1276 01:10:15,439 --> 01:10:17,639 Speaker 1: Apple podcast, or wherever you listen to your favorite shows. 1277 01:10:17,680 --> 01:10:20,439 Speaker 1: That's going to do it for us this week. We 1278 01:10:20,720 --> 01:10:23,479 Speaker 1: are back Monday morning to tell you what was trending 1279 01:10:23,479 --> 01:10:26,760 Speaker 1: over the weekend. We also have a Greatest Hits from 1280 01:10:26,760 --> 01:10:30,040 Speaker 1: this week from this season of episodes that drops over 1281 01:10:30,080 --> 01:10:32,120 Speaker 1: the weekend the Weekly Ze, so you can check that 1282 01:10:32,200 --> 01:10:37,240 Speaker 1: out until then, have a great weekend. Bye bye, bye bye. 1283 01:10:37,960 --> 01:10:40,679 Speaker 2: The Daily zeit Geist is executive produced by Catherine Long, 1284 01:10:41,080 --> 01:10:45,040 Speaker 2: co produced by Bee Wang, co produced by Victor Wright, 1285 01:10:45,439 --> 01:10:49,400 Speaker 2: co written by j M mcnapp, Edited and engineered by 1286 01:10:49,560 --> 01:10:50,160 Speaker 2: Justin Conner.