WEBVTT - I Scream, You Scream

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb. My name is scream Queen.

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<v Speaker 1>Julie Douglas. Are you Are you really a scream queen?

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<v Speaker 1>I'm not much of a screamer. I have to say,

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<v Speaker 1>when when was the last time you scream? Um? I

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<v Speaker 1>think it was out of frustration. And I know I

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<v Speaker 1>was alone, because I'm not like, hey, let's let's emote publicly.

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<v Speaker 1>That's not my thing. Yeah, the last it was just

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<v Speaker 1>a few days ago. I was I went outside, like

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<v Speaker 1>first thing in the morning, I shut off the alarm

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<v Speaker 1>system and I walked outside too. I don't know. I

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<v Speaker 1>was checking the temperature or doing some with the carbage cans.

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<v Speaker 1>I don't know. But I go outside and there's a

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<v Speaker 1>cicada that right outside and I stepped through the door.

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<v Speaker 1>In this the case, it's just takes off and it

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<v Speaker 1>just scares the crap out of me, and I go,

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<v Speaker 1>I'm just like scream full volume, okay, all right, Yeah,

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<v Speaker 1>I don't even think that. When I'm scared, I so

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<v Speaker 1>much that you know, like if if someone comes around

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<v Speaker 1>the corner, I might jump a bit. As you all

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<v Speaker 1>can tell, we're going to talk about screams today. The

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<v Speaker 1>sign is of screaming all about because like in both

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<v Speaker 1>of these cases, Okay, I screamed when there was cicada? Like,

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<v Speaker 1>what was I doing? Was I scaring the cicado away?

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<v Speaker 1>Was I warning people that hey, there's cicada's around and

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<v Speaker 1>they might be startling? Were you, um, you know, trying

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<v Speaker 1>to intimidate some paperwork or or you know, or some

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<v Speaker 1>some house cleaning, Like what was what was that about?

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<v Speaker 1>Why do we do these things that we do? And uh,

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<v Speaker 1>fortunately we live in a world of science and u

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<v Speaker 1>and these questions are being addressed. Yeah, and and and

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<v Speaker 1>we were thinking about this um sort of like from

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<v Speaker 1>nuts to soup. Like when you take this first breath

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<v Speaker 1>in the world, the first thing that you do is

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<v Speaker 1>you scream, right, And that's really the great place to

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<v Speaker 1>add to start off, because you, as a human gets older,

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<v Speaker 1>you end up you know, you know, you get languid,

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<v Speaker 1>you get reason, you get culture, you get all these

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<v Speaker 1>various things that just just mark up the waters of

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<v Speaker 1>of why we do the things we do. But you

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<v Speaker 1>start off with the baby and it's the first thing

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<v Speaker 1>it's doing. It passes through the vaginal canal, get some

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<v Speaker 1>nice bacteria on it, and then just screaming its head off,

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<v Speaker 1>all right, because it's transitioning from a respiratory system that

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<v Speaker 1>had fluid to air. Right, that's the first thing that

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<v Speaker 1>you do is you scream like mad. But then, as

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<v Speaker 1>you say, it gets a little bit more complex. We

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<v Speaker 1>scream because we're frightened, we're frustrated, we're angry, we're aroused,

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<v Speaker 1>or we're in pain or we you know, it's it's

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<v Speaker 1>a purely cathartic thing. People screamed because they're aroused apparently. Okay, yes,

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<v Speaker 1>that's what the literature says. Um. But back to babies before,

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<v Speaker 1>before we get into infant screaming anymore, let's actually listen

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<v Speaker 1>to a little clip because I mean, you might be

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<v Speaker 1>listening to a baby scream right now, and it's so

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<v Speaker 1>great because you're already immersed in the subject matter. But

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<v Speaker 1>if not, we just need to remind everyone because there's

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<v Speaker 1>nothing else like it. Oh, so that the sound of

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<v Speaker 1>a baby crying, it's the if you're not at all

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<v Speaker 1>connected to a situation, you're like in an airplane or something,

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<v Speaker 1>then it's just really annoying. But if you're all connected

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<v Speaker 1>to the situation, whether you're it's your friends baby, your baby,

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<v Speaker 1>your babysitting or whatever, then it just like you. You're

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<v Speaker 1>just like, I must help this creature it is it

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<v Speaker 1>wants something really bad or it does not want something

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<v Speaker 1>really bad. What can I do to try and make

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<v Speaker 1>things better? Because it's just the the infant. Infant screens

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<v Speaker 1>in a way that like that humans rarely do, Like

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<v Speaker 1>they're just putting everything into it, like it's like a

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<v Speaker 1>full body exercise in disapproval or one. And it is

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<v Speaker 1>interesting because, uh, the babies screams cries have been analyzed

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<v Speaker 1>over and over again, and what they find is that

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<v Speaker 1>there are particular screams or screams for for food, for

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<v Speaker 1>for boredom, for wanting to be held um And in fact,

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<v Speaker 1>lactating women who hear the screams of infant that are

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<v Speaker 1>particular to a scream for I'm hungry will begin loctating

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<v Speaker 1>whether or not it's your baby. Um. Now, as a mom,

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<v Speaker 1>were you able to determine like what once scream niche? Yeah,

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<v Speaker 1>eventually I could. I mean obviously the I don't know

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<v Speaker 1>how long it took, but the first you know, a

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<v Speaker 1>couple of weeks out of the gate. I had no

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<v Speaker 1>idea what my daughter wanted. I was plus, I was

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<v Speaker 1>just like tired, Um, what do you want? Um? But

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<v Speaker 1>what what has been discovered lately, which I think is

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<v Speaker 1>really interesting, is that thetises, although we know they can

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<v Speaker 1>recognize music and voices and within the womb, that they

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<v Speaker 1>can actually mimic speech patterns and they do this through

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<v Speaker 1>their screams. Dr Kathleen Bremckey of the University of horser Wurzburg,

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<v Speaker 1>Germany and colleagues studied the patterns of baby cries in

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<v Speaker 1>the first five days of life that recorded the screams.

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<v Speaker 1>How exciting is this going through their data right? Uh?

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<v Speaker 1>That that's got to be headache inducing. They recorded the

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<v Speaker 1>screams of thirty Germans and thirty French babies, and they

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<v Speaker 1>found that the screams of the five day old French

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<v Speaker 1>babies had a distinct gallic twang and the Germans babies

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<v Speaker 1>had a teutonic quality to their yells. The teutonic screams

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<v Speaker 1>of the infant German and I just I keep thinking

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<v Speaker 1>of like Arnold Schwarzenegger somehow sometimes exactly yeah, I can't

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<v Speaker 1>even replicate it. But I think that that's a good attempt. There. No, wait, actually,

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<v Speaker 1>let's let let's let me find a clip of that

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<v Speaker 1>real quick. See there you go, all right, Okay, not bad.

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<v Speaker 1>That was either Arnold or a German infant. I'll let

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<v Speaker 1>you decide. Um. And then in addition to the screaming babies,

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<v Speaker 1>it turns out that children in their screams are also

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<v Speaker 1>telling a story. Um. Children who were given One's Ease

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<v Speaker 1>with built in microphones were recorded during their tantrums, and

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<v Speaker 1>so researchers had hours and hours of data which bore

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<v Speaker 1>out this pattern during a tantrum. And it turns out

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<v Speaker 1>that kids make this whimpering, sad noise the entire time

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<v Speaker 1>that they're going through a tantrum, but then they have

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<v Speaker 1>these spikes of screaming and yelling. It used to be that, oh,

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<v Speaker 1>it's just anger at the beginning of sadness at the end.

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<v Speaker 1>That's what what psychologists thought, um, But it turns out

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<v Speaker 1>that these two motions are really intermingled the whole time.

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<v Speaker 1>And this is an interesting thing. During these peaks of anger,

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<v Speaker 1>these this yelling, when you want to reach out to

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<v Speaker 1>the child and say, what's wrong, how can I help you?

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<v Speaker 1>That additional sort of stimuli or stimulus would actually incite

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<v Speaker 1>the child to scream even more so they're they're too

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<v Speaker 1>angry to deal with at that point. Yeah, Which I

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<v Speaker 1>think is telling the story of of what is at

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<v Speaker 1>the at the bottom of at least one type of scream,

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<v Speaker 1>the frustration, scream sadness and anger, is that maybe it

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<v Speaker 1>has tied into this idea that we're over stimulated in

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<v Speaker 1>life and you reach this breaking point where you just

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<v Speaker 1>have to scream. Yeah. Yeah, I think I think everyone's

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<v Speaker 1>felt that way at one point or another, even if

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<v Speaker 1>you you're not like completely aware of it, Like what

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<v Speaker 1>you really need is a really good scream. I have certainly, Like,

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<v Speaker 1>have you ever been faced with a choice or a

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<v Speaker 1>situation that is so frustrating for so frustrating or so

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<v Speaker 1>anger filled and you're just sitting there and you're trying

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<v Speaker 1>to communicate with another person about it, Yeah, and it

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<v Speaker 1>seems like you have to make a choice at that

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<v Speaker 1>moment and you just want to go and you're trying

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<v Speaker 1>not to write because as we get older, we try

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<v Speaker 1>to to keep this under wraps. All Right, we're gonna

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<v Speaker 1>move on from infant screens now, and we're gonna discuss

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<v Speaker 1>more grown up screens. So for this I'm gonna actual

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<v Speaker 1>let's throw out another couple of sound pites here. Uh.

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<v Speaker 1>This first one, uh is a scream queen's scream scream

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<v Speaker 1>queens for anyone who's not familiar with the term. Uh, where,

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<v Speaker 1>of course, uh in our women in horror movies whose

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<v Speaker 1>primary acting role is to scream and react and terror

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<v Speaker 1>to um monsters or mass men coming after them to

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<v Speaker 1>kill them. Uh, it's a and there's a there's a

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<v Speaker 1>whole lot of of of of cultural psychological matter to

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<v Speaker 1>discuss there. But but at the heart of it, you

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<v Speaker 1>have women whose like whole thing was like, all right,

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<v Speaker 1>we can get you on screen and we just need

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<v Speaker 1>to scream your head off and and and not. And

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<v Speaker 1>it's not only just making the sound, but the face

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<v Speaker 1>and just it's like a there's a purity to it though,

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<v Speaker 1>because in many cases, you, I mean, you'll find movies

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<v Speaker 1>where like the woman is screaming no, no, or or

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<v Speaker 1>they'll be screaming about something. But in many cases it

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<v Speaker 1>is just a primal scream of just just full on terror.

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<v Speaker 1>So think of Janet Lee and in the Psycho exactly yeah,

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<v Speaker 1>or um Jamie Lee Curtis was started off her career

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<v Speaker 1>as a scream queen. Yeah yeah, and and a number

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<v Speaker 1>of other little films after that. But but this is

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<v Speaker 1>one of my favorites. This is Marylyn Burns as Sally

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<v Speaker 1>Hertessy in the Texas Chainsaw Massacre of the original. So

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<v Speaker 1>in the in that clip, they're they're also doing some

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<v Speaker 1>stuff with the sound effects. They're they're throwing in some

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<v Speaker 1>mechanical kind of chainsaw noise and really messing with you

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<v Speaker 1>on a on a sonic level as well. But but

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<v Speaker 1>she's also just doing a fabulous scream and if you've

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<v Speaker 1>ever seen the movie, she has the facials to to

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<v Speaker 1>match it. It's just you get this really authentic sense.

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<v Speaker 1>So here's somebody that is just screaming at the there

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<v Speaker 1>at the edge of sanity with terror, and they should be,

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<v Speaker 1>because I mean, she's sitting that table when she's about

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<v Speaker 1>to get well what seems like she's about to get

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<v Speaker 1>killed right there, and there's awful visual things going on.

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<v Speaker 1>And the method aspect of that scene, as I as

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<v Speaker 1>I understand it, is that that was also a really long,

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<v Speaker 1>really hot shoot and so at the end of it,

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<v Speaker 1>everybody was just worn out, so there's a certain amount

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<v Speaker 1>of her screaming and that scene that is probably just

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<v Speaker 1>her just being completely done with this, uh this horror

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<v Speaker 1>movie shoot for the day. Well, and I like the

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<v Speaker 1>clips that you've sent me because it's got sweetish subtitles,

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<v Speaker 1>which is very odd to look out when you're hearing

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<v Speaker 1>these The Texas heavy accents are girl, We're gonna kill you. Yeah,

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<v Speaker 1>but there are no there are no subtitles for the

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<v Speaker 1>scream because that's the universal and that's what we're really

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<v Speaker 1>discussing next is you know, we discussed like the in

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<v Speaker 1>the past, like the discussed face that people make, that

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<v Speaker 1>that's universal, that that speaks to anyone, no matter if

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<v Speaker 1>you know, you could be in New York City or

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<v Speaker 1>just outstanding in the middle of nowhere in Mongolia, and

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<v Speaker 1>if someone makes a disgust face, you're going to think, oh,

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<v Speaker 1>my goodness, do I smell weird? Am? I is there's

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<v Speaker 1>something in my face? You understand what they're emoting. And likewise,

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<v Speaker 1>the scream is pretty universal. If someone is screaming about something,

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<v Speaker 1>you were going to look around, like, WHOA, what's happening?

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<v Speaker 1>Is this person crazy? Are they being assaulted? Should I help?

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<v Speaker 1>Should I pretend should I be awful and pretend that

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<v Speaker 1>I'm not noticing them screaming? But either way, it's something

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<v Speaker 1>that you you have to deal with on on some level.

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<v Speaker 1>So yes, to your point, absolutely, it's very universal, um,

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<v Speaker 1>no matter where you are. But it does seem to

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<v Speaker 1>point that that that fear and screaming is particular. Yes,

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<v Speaker 1>there there, Yes it's universal, but it turns out that

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<v Speaker 1>not everybody has all of the muscles in the faces

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<v Speaker 1>nineteen muscles. There's a lot going on your face when

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<v Speaker 1>you scream. It's it's like we're talking about with with

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<v Speaker 1>any good scream queen, It's not just an exercise and audio.

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<v Speaker 1>It's also a facial event right in their nineteen muscles

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<v Speaker 1>in your face there these major muscles that are controlling

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<v Speaker 1>and contorting these muscles. Two thirds of the population actually

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<v Speaker 1>have these muscles. So it and what this is driving

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<v Speaker 1>at is that some people are much better at expressing

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<v Speaker 1>things like fear, but particularly with the rstorious muscle, because

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<v Speaker 1>that is what controls um. This look of extreme fear

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<v Speaker 1>on your face. Wow, So you hear about people having

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<v Speaker 1>a really expressive face, but you often tend to think

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<v Speaker 1>of that in terms of just behavior in mindset and

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<v Speaker 1>not so much as actual anatomy. But but it sounds

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<v Speaker 1>like there could conceivably be a little girl out there

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<v Speaker 1>is like when I grew up, I'm gonna be a

0:12:35.800 --> 0:12:38.480
<v Speaker 1>screen queen, and that she does not have all the

0:12:38.559 --> 0:12:41.160
<v Speaker 1>muscles to really pull it off. I mean, maybe she

0:12:41.160 --> 0:12:42.960
<v Speaker 1>could go she could go gatica on it and just

0:12:43.000 --> 0:12:45.839
<v Speaker 1>like really try extra hard, but she's still gonna have

0:12:45.880 --> 0:12:48.320
<v Speaker 1>to go up against the screen queens that have just

0:12:48.400 --> 0:12:51.319
<v Speaker 1>naturally occurring extra muscles. And who knows what if people

0:12:51.400 --> 0:12:54.760
<v Speaker 1>started evolving to uh, I mean that it's an evolutionary

0:12:54.760 --> 0:12:57.560
<v Speaker 1>advantage to be a better screen queen. Well, actually, there

0:12:57.640 --> 0:13:02.559
<v Speaker 1>is an evolutionary advantage because when you are making those expressions,

0:13:02.640 --> 0:13:05.920
<v Speaker 1>it's actually um, it's pumping more blood to your brain,

0:13:06.440 --> 0:13:10.240
<v Speaker 1>particularly if it's something like fear and screaming. What's happening

0:13:10.360 --> 0:13:13.480
<v Speaker 1>is that your field of vision actually widens. You smell

0:13:13.600 --> 0:13:17.200
<v Speaker 1>your Yeah, you're taking in more data. You're so much

0:13:17.200 --> 0:13:19.960
<v Speaker 1>more alert. Blood is flowing to your face, your your

0:13:19.960 --> 0:13:24.440
<v Speaker 1>mouth is opening, your nose is taking in more smells,

0:13:24.440 --> 0:13:27.080
<v Speaker 1>are more acutely taking them in, which is the opposite

0:13:27.120 --> 0:13:30.079
<v Speaker 1>of disgust. Because think about disgust. Disgust is like something

0:13:30.120 --> 0:13:32.520
<v Speaker 1>smells weird. Let's cut this off because it might kill

0:13:32.559 --> 0:13:34.199
<v Speaker 1>me if I breathe it in. Look, you feel the

0:13:34.240 --> 0:13:36.360
<v Speaker 1>vision narrows a little bit because you're you're honing in

0:13:36.360 --> 0:13:39.880
<v Speaker 1>on side. My eyes definitely mind blind me exactly, and

0:13:39.880 --> 0:13:42.240
<v Speaker 1>and your nose is sort of shutting off the smell.

0:13:42.920 --> 0:13:46.400
<v Speaker 1>So yeah, definitely when you're you're actually having this fear

0:13:46.400 --> 0:13:48.840
<v Speaker 1>face and you're screaming though you're it's like, I need

0:13:48.880 --> 0:13:51.040
<v Speaker 1>to see what's happening. I need to smell what's happening,

0:13:51.080 --> 0:13:53.120
<v Speaker 1>and I need to be pumped and ready because I'm

0:13:53.120 --> 0:13:56.160
<v Speaker 1>about to have to duke it out with with Jason

0:13:56.240 --> 0:13:59.680
<v Speaker 1>Vorhees or something. Yeah, so it's not just this alarm

0:13:59.800 --> 0:14:02.160
<v Speaker 1>to to a fellow man, like hey, there's something wrong.

0:14:02.240 --> 0:14:04.960
<v Speaker 1>It is an expression to your body to say, let's

0:14:04.960 --> 0:14:08.200
<v Speaker 1>get things, let's go in here, let's let's start to

0:14:08.240 --> 0:14:11.720
<v Speaker 1>really assess this situation. Become as alert as possible. And

0:14:11.760 --> 0:14:14.400
<v Speaker 1>you get a taste of this if you just like

0:14:14.559 --> 0:14:16.600
<v Speaker 1>a if you've ever like just screamed for the sake

0:14:16.640 --> 0:14:19.280
<v Speaker 1>of it, but also like in yoga class, will do

0:14:19.360 --> 0:14:22.640
<v Speaker 1>this lion face thing, you know, uh, you know, where

0:14:22.680 --> 0:14:26.000
<v Speaker 1>you you you scrunch up your face face and you

0:14:26.080 --> 0:14:28.600
<v Speaker 1>like stick out your tongue, your tongue, roll your eyes

0:14:28.680 --> 0:14:32.440
<v Speaker 1>back in your head and it's like this scary, ridiculous face. Yeah,

0:14:32.560 --> 0:14:34.960
<v Speaker 1>and it does. It pumps you up, It works um

0:14:35.000 --> 0:14:36.480
<v Speaker 1>in the same way that you know they talk about,

0:14:36.680 --> 0:14:39.800
<v Speaker 1>you know, smiling can actually make you feel happy or

0:14:39.800 --> 0:14:42.760
<v Speaker 1>just the physical act of smiling, because our expressions are

0:14:42.800 --> 0:14:45.840
<v Speaker 1>not just they're not just a result of the way

0:14:45.840 --> 0:14:47.560
<v Speaker 1>we feel. It's well, you know, it's the mind body

0:14:47.560 --> 0:14:51.040
<v Speaker 1>connection and all these things are are connected to one another.

0:14:51.080 --> 0:14:53.280
<v Speaker 1>So if you you turn one, you're going to turn

0:14:53.320 --> 0:14:55.920
<v Speaker 1>the other, you know. And it was Darwin who actually

0:14:56.240 --> 0:14:58.840
<v Speaker 1>sussed this out long ago because he thought, what is

0:14:58.880 --> 0:15:03.080
<v Speaker 1>the evolutionary manage of smiling or frowning or fear? And

0:15:03.160 --> 0:15:04.880
<v Speaker 1>I don't know if you remember these studies that he

0:15:04.880 --> 0:15:09.040
<v Speaker 1>helped to conduct, but they actually manipulated people's muscles and

0:15:09.080 --> 0:15:12.600
<v Speaker 1>their faces, which looked very painful, and then they did

0:15:12.600 --> 0:15:15.000
<v Speaker 1>some studies to see whether or not it was corresponding

0:15:15.160 --> 0:15:19.640
<v Speaker 1>with how they felt. So people used muscles that were

0:15:19.800 --> 0:15:24.320
<v Speaker 1>being manipulated by machines to to rise in a smiling formation.

0:15:24.520 --> 0:15:28.200
<v Speaker 1>Became happier, even though it probably hurt that they had

0:15:28.200 --> 0:15:30.320
<v Speaker 1>the little metal prongs sticking in them. We'll see they

0:15:30.320 --> 0:15:32.920
<v Speaker 1>should that should be a treatment method. You know. They

0:15:33.040 --> 0:15:38.160
<v Speaker 1>strapped this happiness device on you, and yeah, and invaders

0:15:38.200 --> 0:15:43.720
<v Speaker 1>them the car. The Nickelodeon cartoon really twisted, awesome cartoon

0:15:44.040 --> 0:15:45.760
<v Speaker 1>they would have. This thing was like this big screw

0:15:45.920 --> 0:15:47.640
<v Speaker 1>with a smiley face on it and like screws in

0:15:47.680 --> 0:15:49.600
<v Speaker 1>at the side of your skull and just makes you

0:15:49.640 --> 0:15:54.000
<v Speaker 1>happy all the time. Similar principle. I'm thinking that with

0:15:54.040 --> 0:15:57.200
<v Speaker 1>all this happiness out there in the in the marketplace,

0:15:57.280 --> 0:16:00.560
<v Speaker 1>that this could be some thing. Yeah, yeah, this this

0:16:00.640 --> 0:16:04.640
<v Speaker 1>might fly on QBC. Alright, Um, should we listen to

0:16:04.880 --> 0:16:08.320
<v Speaker 1>one more iconic scream before we go to break? Yes? Uh,

0:16:08.520 --> 0:16:12.400
<v Speaker 1>this is a little something called the Wilhelm scream. You

0:16:12.520 --> 0:16:14.920
<v Speaker 1>if you watch movies, you have heard this before. It's

0:16:14.960 --> 0:16:17.200
<v Speaker 1>a stock sound effect that was first used in nineteen

0:16:17.600 --> 0:16:20.280
<v Speaker 1>one for the film Distant Drums, and it has since

0:16:20.320 --> 0:16:23.080
<v Speaker 1>been used in hundreds of films like Star Wars, Indiana Jones.

0:16:23.160 --> 0:16:27.920
<v Speaker 1>Mainstream stuff, you know, very professional blockbuster stuff. Also, lots

0:16:27.960 --> 0:16:29.760
<v Speaker 1>of people like film Bucks just like to throw it

0:16:29.800 --> 0:16:32.000
<v Speaker 1>into their own like little indie pictures as well, or

0:16:32.040 --> 0:16:35.560
<v Speaker 1>just you know, um, amateur pictures. Let's have a listen.

0:16:37.160 --> 0:16:40.840
<v Speaker 1>So that reminds me of Vertigo. Yeah yeah, the movie Vertigo,

0:16:40.880 --> 0:16:42.920
<v Speaker 1>which I haven't seen in a very long time. Made

0:16:42.960 --> 0:16:45.160
<v Speaker 1>me a shorter version of it. Huh yeah. It's just

0:16:45.200 --> 0:16:48.840
<v Speaker 1>a very guttural you know. It's just the falling screen

0:16:49.360 --> 0:16:51.080
<v Speaker 1>and it's a mail scream, and so I'm glad that

0:16:51.120 --> 0:16:53.760
<v Speaker 1>we got to feature two mail screams on here. I

0:16:53.800 --> 0:16:55.240
<v Speaker 1>don't know what the baby is. The baby might be

0:16:55.280 --> 0:16:59.240
<v Speaker 1>male or female, who knows, but um, but everyone screams

0:16:59.240 --> 0:17:01.080
<v Speaker 1>at one point another. Let's take a quick break and

0:17:01.080 --> 0:17:04.040
<v Speaker 1>when we come back, we'll discuss a little more why

0:17:04.160 --> 0:17:06.840
<v Speaker 1>we scream and what we're where it's coming from and

0:17:07.040 --> 0:17:15.520
<v Speaker 1>primary scream therapy. All right, we're back. And when we

0:17:15.520 --> 0:17:18.720
<v Speaker 1>were researching this, you sent me a study called Screaming

0:17:18.720 --> 0:17:25.200
<v Speaker 1>and Wailing and Dimentia Patients by Bernard gro Lukes. It's

0:17:25.200 --> 0:17:27.600
<v Speaker 1>got an accident at the end. I unless that's a typo,

0:17:27.760 --> 0:17:31.000
<v Speaker 1>I know, I think there's actually that, but but it was.

0:17:31.000 --> 0:17:34.399
<v Speaker 1>It was. It's a very interesting, perhaps a little specialized study,

0:17:34.480 --> 0:17:37.280
<v Speaker 1>but it did have a really interesting chart that was

0:17:37.280 --> 0:17:40.680
<v Speaker 1>part of his theoretical framework for why dementia patients or

0:17:40.720 --> 0:17:43.400
<v Speaker 1>screaming and like, where is it coming from? And UH,

0:17:43.400 --> 0:17:46.359
<v Speaker 1>at the center of this chart, he has the circle

0:17:46.520 --> 0:17:51.920
<v Speaker 1>that is that represents unsatisfied needs and UH bubbles come

0:17:51.960 --> 0:17:55.040
<v Speaker 1>out of this from every direction. Screaming satisfies that the

0:17:55.200 --> 0:17:58.960
<v Speaker 1>screaming that satisfy satisfies the need. They're screaming that communicates

0:17:58.960 --> 0:18:02.199
<v Speaker 1>the need. Just screaming that is due to frustration and

0:18:02.240 --> 0:18:09.640
<v Speaker 1>negative effects. There's screaming that's due to environmental physical psychological conditions, uh,

0:18:09.800 --> 0:18:12.480
<v Speaker 1>due to the current condition, and due to habits and personality.

0:18:13.080 --> 0:18:15.880
<v Speaker 1>And then all those things that rise out of unsatisfied

0:18:15.920 --> 0:18:19.200
<v Speaker 1>needs can conceivably feedback into these other causes. So you

0:18:19.280 --> 0:18:21.600
<v Speaker 1>end up with this kind of feedback loop of of

0:18:21.680 --> 0:18:25.600
<v Speaker 1>screaming and screaming stimuli, which I found really interesting. Yeah,

0:18:25.640 --> 0:18:27.920
<v Speaker 1>and what I liked about that study is well, as

0:18:27.960 --> 0:18:33.439
<v Speaker 1>it talks about dementia, and in this idea that the

0:18:33.440 --> 0:18:38.040
<v Speaker 1>person's world has become so small that um that there

0:18:38.119 --> 0:18:42.480
<v Speaker 1>is this level of frustration and this this level um

0:18:42.680 --> 0:18:46.119
<v Speaker 1>to need to communicate and try to get your bearings,

0:18:46.160 --> 0:18:49.399
<v Speaker 1>that that results in a ton of screaming. Really and

0:18:49.400 --> 0:18:51.600
<v Speaker 1>I thought well, that's not necessarily a case for everyone

0:18:51.680 --> 0:18:54.680
<v Speaker 1>that the general public doesn't have dementia, but certainly everybody

0:18:54.720 --> 0:18:58.320
<v Speaker 1>has been in that situation before where they felt isolated

0:18:59.040 --> 0:19:01.840
<v Speaker 1>or they they've lost their way a bit, yeah, or

0:19:01.880 --> 0:19:05.399
<v Speaker 1>just or just crushed in by all these forces, you know,

0:19:05.440 --> 0:19:10.000
<v Speaker 1>general often imaginary forces or or social job related forces.

0:19:10.040 --> 0:19:13.119
<v Speaker 1>They're just pressing you in and you until you scream. Right.

0:19:13.240 --> 0:19:15.200
<v Speaker 1>And if you were that dementia patient and you had

0:19:15.240 --> 0:19:18.880
<v Speaker 1>all those different conditions, uh, then you would enter into

0:19:18.880 --> 0:19:21.800
<v Speaker 1>that feedback loop. Thankfully, most of us aren't in that

0:19:21.840 --> 0:19:25.560
<v Speaker 1>feedback loop, and we can get ourselves out of the screaming. Um.

0:19:25.600 --> 0:19:28.080
<v Speaker 1>But I was it made me think about something called

0:19:28.080 --> 0:19:31.600
<v Speaker 1>primal scream therapy. Okay, and this is where you would

0:19:31.760 --> 0:19:34.760
<v Speaker 1>it's like a nineties right, Uh. Yeah. It has its

0:19:34.760 --> 0:19:38.320
<v Speaker 1>beginnings in the nineteen seventies, Dr Jane. It is probably

0:19:39.320 --> 0:19:43.880
<v Speaker 1>better known as UM sort of a subplot of John

0:19:43.920 --> 0:19:48.119
<v Speaker 1>Lennon's life because he underwent primal scream therapy, which and

0:19:48.160 --> 0:19:51.359
<v Speaker 1>it became very popular. Actually, Steve Jobs underwent it and

0:19:51.400 --> 0:19:52.960
<v Speaker 1>then he thought it was just whoey and he quit

0:19:53.080 --> 0:19:55.920
<v Speaker 1>doing it. Um. But it's appealing to people for a

0:19:56.000 --> 0:19:59.840
<v Speaker 1>number of reasons. One is because it's a license to scream,

0:20:00.040 --> 0:20:03.720
<v Speaker 1>license to screen with abandoned on the floor in in

0:20:03.760 --> 0:20:06.400
<v Speaker 1>a fetal position. Who lets you do that these days?

0:20:06.520 --> 0:20:09.480
<v Speaker 1>No one. Um, but this this idea that you can

0:20:09.520 --> 0:20:13.199
<v Speaker 1>go into your past and all these painful memories and

0:20:13.200 --> 0:20:18.719
<v Speaker 1>and um embody this scream, this frustration, this anger that

0:20:18.760 --> 0:20:22.960
<v Speaker 1>you feel about your past, and then you can correct

0:20:23.080 --> 0:20:28.399
<v Speaker 1>that with a new what they call enactment. So um

0:20:28.560 --> 0:20:31.440
<v Speaker 1>it is a lot about release and catharsis saying something

0:20:31.440 --> 0:20:35.439
<v Speaker 1>that's been pressed in and putting it out. Yees. So

0:20:35.560 --> 0:20:40.480
<v Speaker 1>it's this neurotic tension that you're releasing through this re experiencing,

0:20:41.280 --> 0:20:43.280
<v Speaker 1>and then the idea is to create a new scene

0:20:43.320 --> 0:20:46.680
<v Speaker 1>to replace the neurotic one. And it's a very creative

0:20:46.720 --> 0:20:49.680
<v Speaker 1>process as well, which is probably why it appealed to

0:20:49.760 --> 0:20:52.520
<v Speaker 1>John Lennon and into a number of other people. Now,

0:20:52.680 --> 0:20:57.119
<v Speaker 1>is it uh a straight up therapy that has been

0:20:58.119 --> 0:21:01.199
<v Speaker 1>studied and has come out with glowing reviews? No, not

0:21:01.240 --> 0:21:04.480
<v Speaker 1>necessarily that the data on it is a little bit sketchy,

0:21:04.760 --> 0:21:07.760
<v Speaker 1>But at the end of it there there's very interesting premises.

0:21:08.560 --> 0:21:10.280
<v Speaker 1>There are people who claim that it helps them. There

0:21:10.320 --> 0:21:11.960
<v Speaker 1>are people who claim the help, but other people will

0:21:12.000 --> 0:21:15.000
<v Speaker 1>say they're they've been primed, which you could also say

0:21:15.000 --> 0:21:19.280
<v Speaker 1>there are other types of um therapy in which priming

0:21:19.359 --> 0:21:21.639
<v Speaker 1>is used. Yeah, And I mean, I'm kind of of

0:21:21.680 --> 0:21:24.159
<v Speaker 1>the mindset hey have. If you had to prime me

0:21:24.240 --> 0:21:26.280
<v Speaker 1>to to sort of fix me, then let's let's do it.

0:21:26.520 --> 0:21:28.480
<v Speaker 1>I was thinking about it in terms of the placebo. Yeah,

0:21:28.600 --> 0:21:31.200
<v Speaker 1>I'm kind of like, I'm willing to take a placebo

0:21:31.280 --> 0:21:33.640
<v Speaker 1>if it if I can fool myself into feeling better

0:21:33.680 --> 0:21:36.720
<v Speaker 1>than That's kind of what life is about, right. Yeah. Indeed,

0:21:36.920 --> 0:21:39.040
<v Speaker 1>the only problem though I have with it is that

0:21:39.160 --> 0:21:42.360
<v Speaker 1>apparently Harry Nelson, a good friend of John Lynn's at

0:21:42.359 --> 0:21:47.800
<v Speaker 1>that time, musician beautiful Voice, ruined his voice by I

0:21:47.840 --> 0:21:50.360
<v Speaker 1>think a weekend of he and John Lennon like kind

0:21:50.359 --> 0:21:53.119
<v Speaker 1>of doing some primal scream therapy. I can't remember who

0:21:53.119 --> 0:21:55.119
<v Speaker 1>it is. There was one. There was some actor and

0:21:55.160 --> 0:21:56.840
<v Speaker 1>maybe our listeners can fill me in on this, but

0:21:56.880 --> 0:21:59.040
<v Speaker 1>there was an actor who was like early in his career.

0:21:59.359 --> 0:22:01.439
<v Speaker 1>He was trying to some parts, and you know, he

0:22:01.440 --> 0:22:03.120
<v Speaker 1>had a very normal voice, and then you just went

0:22:03.119 --> 0:22:05.200
<v Speaker 1>out one weekend on the advice of like his agent,

0:22:05.240 --> 0:22:10.000
<v Speaker 1>and just screamed him self force, uh, prior to an audition,

0:22:10.080 --> 0:22:11.600
<v Speaker 1>and then he got the part. But it kind of

0:22:11.600 --> 0:22:16.320
<v Speaker 1>with his voice became that permanently, permanently scarred kind of

0:22:16.320 --> 0:22:20.080
<v Speaker 1>gravelly voice. But that's end up being his moneymaker. So

0:22:20.160 --> 0:22:23.040
<v Speaker 1>I don't remember who it was. I don't think it's

0:22:23.040 --> 0:22:26.840
<v Speaker 1>one of the more famous gravelly voice actors, but it

0:22:26.880 --> 0:22:30.120
<v Speaker 1>could be wrong. Well, here's the thing. If you don't

0:22:30.119 --> 0:22:33.639
<v Speaker 1>feel like going to a primal scream therapist and you

0:22:33.680 --> 0:22:37.080
<v Speaker 1>want to do this uh in private or even in public,

0:22:37.440 --> 0:22:40.920
<v Speaker 1>there is something. There is a device for you. Yes,

0:22:41.400 --> 0:22:43.320
<v Speaker 1>we've mentioned it before, but I thought that it was

0:22:43.359 --> 0:22:47.440
<v Speaker 1>probably worth it to mention again. Fab Labs. This came

0:22:47.480 --> 0:22:52.400
<v Speaker 1>out from the h this idea that there's open software

0:22:52.480 --> 0:22:54.359
<v Speaker 1>that you can create anything. You could design it and

0:22:55.400 --> 0:22:58.120
<v Speaker 1>feed into a computer and lo and behold here here

0:22:58.119 --> 0:23:00.560
<v Speaker 1>it is um. It is called the Green Buddy, and

0:23:00.600 --> 0:23:02.959
<v Speaker 1>it came out of this idea of this fab Labs.

0:23:03.000 --> 0:23:05.360
<v Speaker 1>And it looks like an infant carrier and you can

0:23:05.359 --> 0:23:08.760
<v Speaker 1>scream directly into it and nobody can hear you. That's

0:23:08.760 --> 0:23:10.600
<v Speaker 1>the brilliant thing about right, So you can be in

0:23:10.600 --> 0:23:12.520
<v Speaker 1>the middle of a busy street and just scream into

0:23:12.560 --> 0:23:15.720
<v Speaker 1>your scream, buddy, nobody knows, but you can record it.

0:23:15.880 --> 0:23:19.800
<v Speaker 1>And if later you felt like just releasing your scream

0:23:19.840 --> 0:23:22.960
<v Speaker 1>on everybody, you could, Yeah, put it up on soundclouds.

0:23:22.960 --> 0:23:26.120
<v Speaker 1>Here it with the world. There you go. You can.

0:23:26.280 --> 0:23:31.560
<v Speaker 1>You can voice your frustration without any social repercussions. An

0:23:31.600 --> 0:23:34.560
<v Speaker 1>animals do animal scream, Yeah, they do, of course, and

0:23:34.600 --> 0:23:36.960
<v Speaker 1>when we can hear their little barbarica yachts all over

0:23:37.000 --> 0:23:41.520
<v Speaker 1>the place. Um. But there is one ultrasonic primate in

0:23:41.560 --> 0:23:45.240
<v Speaker 1>existence that we know of, so we can't hear it screams, right,

0:23:45.280 --> 0:23:47.800
<v Speaker 1>who screams? We cannot hear it's the five inch high

0:23:47.880 --> 0:23:53.960
<v Speaker 1>primate called the tartars. I believe it's indigenous to the Philippines. Yes. Yes,

0:23:54.000 --> 0:23:56.800
<v Speaker 1>Actually the eyes are itself like make up most of

0:23:56.840 --> 0:23:59.400
<v Speaker 1>the body. Because it's just so small. Um, it has

0:23:59.440 --> 0:24:02.840
<v Speaker 1>the ability to produce high pitched screams unheard by human ears.

0:24:02.960 --> 0:24:06.159
<v Speaker 1>And before researchers stuck thirty five of these guys in

0:24:06.200 --> 0:24:10.240
<v Speaker 1>front of a ultrasound detector and um, they realize that

0:24:10.240 --> 0:24:14.959
<v Speaker 1>they are actually emitting these ultra sonic secret yells. Before that,

0:24:15.000 --> 0:24:18.600
<v Speaker 1>they assumed that they were just yawning. Um. But it's

0:24:18.640 --> 0:24:23.240
<v Speaker 1>really cool because This allows their predators like snakes and birds,

0:24:23.280 --> 0:24:26.000
<v Speaker 1>just to go along their business without realizing that these

0:24:26.080 --> 0:24:30.280
<v Speaker 1>these little primates are giving each other heads up warning calls. Um,

0:24:30.320 --> 0:24:34.239
<v Speaker 1>presumably like giving them the birds uh coordinates. I don't know,

0:24:34.760 --> 0:24:36.840
<v Speaker 1>but so far, again, this is the only primate that

0:24:36.880 --> 0:24:38.960
<v Speaker 1>we know that has this ability. It's kind of like

0:24:39.000 --> 0:24:41.399
<v Speaker 1>a superpower. Yeah. And of course it should come as

0:24:41.400 --> 0:24:44.679
<v Speaker 1>no surprise to anybody that animal screams of distress have

0:24:44.760 --> 0:24:47.399
<v Speaker 1>an effect on us. If you if you have a pet,

0:24:47.480 --> 0:24:51.399
<v Speaker 1>you know this. Uh, cats in particular sounds really good

0:24:51.600 --> 0:24:56.240
<v Speaker 1>at you know, they're they're they're rather mimicking human distress.

0:24:56.280 --> 0:25:00.720
<v Speaker 1>They're no, they're manipulating you with the sounds of babies crying. Yes,

0:25:00.800 --> 0:25:04.360
<v Speaker 1>you're right. Those recalizations are maddening simes. So they're just yeah,

0:25:04.359 --> 0:25:06.240
<v Speaker 1>they're maddening. It's just like, oh, you just made the

0:25:06.240 --> 0:25:09.560
<v Speaker 1>worst noise in the world. I'll feed you. It's because

0:25:09.560 --> 0:25:13.439
<v Speaker 1>you're hungry. Yeah, um and uh. And they found that

0:25:13.480 --> 0:25:17.280
<v Speaker 1>the various other distress calls from animals, when used in

0:25:17.320 --> 0:25:20.080
<v Speaker 1>film soundtracks, they're able to manipulate responses out of us

0:25:20.080 --> 0:25:23.120
<v Speaker 1>on a very primal level. So, which is why you'll

0:25:23.320 --> 0:25:26.199
<v Speaker 1>you know, people throw in like weird tiger noises into

0:25:26.640 --> 0:25:29.200
<v Speaker 1>into scenes and uh, and there's a I mean, there's

0:25:29.200 --> 0:25:31.439
<v Speaker 1>a whole Like anytime someone's doing sound design for like

0:25:31.480 --> 0:25:34.159
<v Speaker 1>a monster or something, you know, they're inevitably taking all

0:25:34.160 --> 0:25:38.199
<v Speaker 1>sorts of natural sounds and then warping them and and

0:25:38.440 --> 0:25:41.880
<v Speaker 1>weaving them together into a new manipulated noise. Yeah, it's

0:25:41.960 --> 0:25:46.520
<v Speaker 1>very dissentering. Uh. Yeah, And apparently as a result, snakes, lines, hippo's, birds,

0:25:46.560 --> 0:25:50.000
<v Speaker 1>you name it are being used for film soundtracks, So

0:25:50.160 --> 0:25:53.720
<v Speaker 1>keep an ear out. Yeah cool, Well, well that's screaming

0:25:53.760 --> 0:25:56.600
<v Speaker 1>for you. The next time you're you just have to

0:25:56.640 --> 0:25:59.359
<v Speaker 1>belt out a scream, or you're watching a horror movie

0:25:59.359 --> 0:26:02.800
<v Speaker 1>with a lot of dreaming in it, or you're dealing

0:26:02.800 --> 0:26:05.280
<v Speaker 1>with a child who is just screaming um his or

0:26:05.320 --> 0:26:07.520
<v Speaker 1>her head off. Take some of this knowledge with you,

0:26:07.560 --> 0:26:09.280
<v Speaker 1>and maybe you'll be able to to understand a little

0:26:09.280 --> 0:26:12.000
<v Speaker 1>more what's what's happening in them and what's happening in

0:26:12.040 --> 0:26:15.760
<v Speaker 1>you as a listener. Alright, let's call over the robot.

0:26:17.000 --> 0:26:19.720
<v Speaker 1>We have two bits of listener mail here today. The

0:26:19.720 --> 0:26:23.920
<v Speaker 1>first one is from Ken in Saint Catherine's, Ontario, Canada.

0:26:24.359 --> 0:26:26.800
<v Speaker 1>Ken writes In it, says, Hi, Julian Robert, I enjoyed

0:26:26.800 --> 0:26:29.720
<v Speaker 1>your podcast on camouflage. My wife and I have come

0:26:29.760 --> 0:26:32.200
<v Speaker 1>to the realization that are two boys are color blind.

0:26:32.760 --> 0:26:35.280
<v Speaker 1>We were recently told that my wife's uncle, who would

0:26:35.320 --> 0:26:37.800
<v Speaker 1>have been the same gene, who would have had the

0:26:37.840 --> 0:26:40.240
<v Speaker 1>same gene for color blindness of my boys, have put

0:26:40.359 --> 0:26:43.080
<v Speaker 1>his disability to good use. Apparently when he was serving

0:26:43.080 --> 0:26:46.800
<v Speaker 1>in World War Two, they used him to spot camouflaged equipment.

0:26:47.119 --> 0:26:49.400
<v Speaker 1>The story is that people with color blindness can see

0:26:49.440 --> 0:26:52.760
<v Speaker 1>through camouflage better than people with regular vision. I am

0:26:52.800 --> 0:26:54.560
<v Speaker 1>not sure if this is true or not, but I

0:26:54.600 --> 0:26:58.359
<v Speaker 1>think it is an interesting story. Keep up the great work, Kim.

0:26:58.640 --> 0:27:00.919
<v Speaker 1>That would make sense, right because for the general public,

0:27:01.040 --> 0:27:04.239
<v Speaker 1>it's designed to see particular colors. Yeah, you're not going

0:27:04.280 --> 0:27:06.720
<v Speaker 1>to be manipulated by color if you are blind to color,

0:27:06.760 --> 0:27:10.600
<v Speaker 1>and therefore you can conceivably see through some of the illusions.

0:27:10.840 --> 0:27:15.399
<v Speaker 1>Um the camouflage perpetrates. So that's interesting. Uh. Then we

0:27:15.440 --> 0:27:18.280
<v Speaker 1>also heard from Amy. Amy writes, then and this was

0:27:18.320 --> 0:27:21.919
<v Speaker 1>a very interesting one. Um. Uh, the subject being plane

0:27:21.920 --> 0:27:25.359
<v Speaker 1>crash survival. We recently did the podcast on surviving a

0:27:25.400 --> 0:27:28.520
<v Speaker 1>plane crash. She says, Hey, y'all, I just started listening

0:27:28.560 --> 0:27:31.560
<v Speaker 1>to your podcast, Love It, and I was especially driven

0:27:31.640 --> 0:27:34.919
<v Speaker 1>to the topic of surviving plane crashes. When I was seventeen,

0:27:35.000 --> 0:27:37.399
<v Speaker 1>I survived the crash of the United Airlines d C

0:27:37.640 --> 0:27:41.080
<v Speaker 1>eight December of seventy eight in Portland, Oregon. Two things

0:27:41.080 --> 0:27:42.880
<v Speaker 1>that occurred to me right off the bat are one

0:27:43.280 --> 0:27:45.679
<v Speaker 1>the plane crashes that get the most publicity are the

0:27:45.680 --> 0:27:49.200
<v Speaker 1>most spectacular, and the ones with many survivors aren't still

0:27:49.280 --> 0:27:51.280
<v Speaker 1>till lating. Which is true. I mean something, you know

0:27:51.400 --> 0:27:54.280
<v Speaker 1>it's a small crash or more of a runway related incident.

0:27:55.200 --> 0:27:59.080
<v Speaker 1>The media is not gonna more common, right, She says,

0:27:59.119 --> 0:28:02.040
<v Speaker 1>this exploits an tensifies the fear of flying so many

0:28:02.359 --> 0:28:05.919
<v Speaker 1>people have already had. Although I have a better reason

0:28:06.480 --> 0:28:09.280
<v Speaker 1>than most fear flying, some phobias aren't going to go

0:28:09.320 --> 0:28:12.560
<v Speaker 1>away with simple rationalization. I know that driving is insanely

0:28:12.560 --> 0:28:15.080
<v Speaker 1>more dangerous than flying, but I haven't flown since nine

0:28:15.880 --> 0:28:17.800
<v Speaker 1>and at this stage I think it would take an

0:28:17.800 --> 0:28:19.879
<v Speaker 1>act of God to give me on a plane. I

0:28:19.920 --> 0:28:22.080
<v Speaker 1>never scoff at anyone who's afraid to fly, and I

0:28:22.160 --> 0:28:24.520
<v Speaker 1>usually don't mention my experience to them either, just my

0:28:24.640 --> 0:28:29.280
<v Speaker 1>musings any Wow. Okay, so I mean that's yeah, from

0:28:29.280 --> 0:28:32.240
<v Speaker 1>someone who's actually been in it. Yeah, So that was

0:28:32.359 --> 0:28:35.320
<v Speaker 1>that was awesome. That just some you know, some really fascinating,

0:28:35.359 --> 0:28:40.320
<v Speaker 1>honest commentary on the reality of surviving a plane crash

0:28:40.320 --> 0:28:42.240
<v Speaker 1>and also just what how does how does that affect

0:28:42.240 --> 0:28:45.040
<v Speaker 1>your your perception and your and your your fear of

0:28:45.080 --> 0:28:47.800
<v Speaker 1>going forward? So yeah, yeah, and we did. We talked

0:28:47.920 --> 0:28:51.840
<v Speaker 1>really about how it is in irrational fear, but when

0:28:51.840 --> 0:28:53.880
<v Speaker 1>the rubber hits the road and you know you've been

0:28:54.000 --> 0:28:58.000
<v Speaker 1>in it, it's it's a much different, um idea. Yeah.

0:28:58.160 --> 0:29:00.840
<v Speaker 1>Well cool. If you want to interact with us, If

0:29:00.840 --> 0:29:02.440
<v Speaker 1>you want to talk to USHO, wanna ask us questions

0:29:02.520 --> 0:29:05.840
<v Speaker 1>or share something, do reach out to us. You can

0:29:05.920 --> 0:29:08.520
<v Speaker 1>find us on the Facebook, where we are stuff to

0:29:08.560 --> 0:29:11.360
<v Speaker 1>Blow your Mind, and if you venture onto Twitter, our

0:29:11.400 --> 0:29:14.479
<v Speaker 1>handle is blow the Mind. Um. So, let let us

0:29:14.480 --> 0:29:17.160
<v Speaker 1>know if you have any particular thoughts on screaming, your

0:29:17.160 --> 0:29:22.080
<v Speaker 1>own experience with screaming, your experience with screaming toddlers, uh screaming,

0:29:22.120 --> 0:29:24.440
<v Speaker 1>and movies of whatever, let us know. We'd love to

0:29:24.480 --> 0:29:27.920
<v Speaker 1>hear from you how to solve screaming in space? Right?

0:29:28.360 --> 0:29:30.160
<v Speaker 1>Oh yeah, because no one can hear you there. What

0:29:30.200 --> 0:29:32.360
<v Speaker 1>are we going to do about that? All right? You

0:29:32.400 --> 0:29:34.680
<v Speaker 1>can also drop us a line at blow the Mind

0:29:34.720 --> 0:29:44.400
<v Speaker 1>at discovery dot com for more on this and thousands

0:29:44.440 --> 0:29:51.400
<v Speaker 1>of other topics. Is It How Stuff Works dot com