1 00:00:00,920 --> 00:00:02,239 Speaker 1: Taking a Walk Nashtille. 2 00:00:02,320 --> 00:00:05,280 Speaker 2: Hi, this is Sarah Harrelson, your host of Taking a 3 00:00:05,280 --> 00:00:09,360 Speaker 2: Walk Nashville, and today I am here with songwriter, artists, 4 00:00:09,400 --> 00:00:13,000 Speaker 2: podcast and radio host Dave Lenahan. We're here in his 5 00:00:13,080 --> 00:00:18,200 Speaker 2: home in Hermitage, right outside of Nashville. And for listeners 6 00:00:18,200 --> 00:00:21,079 Speaker 2: who don't know and Hermitage visitors can also find the 7 00:00:21,079 --> 00:00:24,400 Speaker 2: home of President Andrew Jackson, our seventh President of the 8 00:00:24,480 --> 00:00:27,440 Speaker 2: United States. So a lot of history here, but I'm 9 00:00:27,520 --> 00:00:31,800 Speaker 2: excited to share with listeners Dave's story today. Dave Lenahan, 10 00:00:31,920 --> 00:00:35,440 Speaker 2: He's originally from Cleveland, Ohio, the birthplace of rock and roll, 11 00:00:36,080 --> 00:00:39,520 Speaker 2: and he's a lifelong musician and radio veteran of over 12 00:00:39,600 --> 00:00:43,920 Speaker 2: forty years, working at different stations in different formats in Ohio, 13 00:00:43,960 --> 00:00:47,640 Speaker 2: including B one oh five and Cincinnati, a station that's 14 00:00:47,840 --> 00:00:50,840 Speaker 2: a six time winner of the CMA Awards for Large 15 00:00:51,200 --> 00:00:54,240 Speaker 2: Market Station of the Year. And through radio he has 16 00:00:54,320 --> 00:00:58,120 Speaker 2: met and interviewed many different country legends and then proceeded 17 00:00:58,120 --> 00:01:01,320 Speaker 2: to move to Nashville in the twenty three where you 18 00:01:01,440 --> 00:01:04,520 Speaker 2: now write with several independent artists. You've earned over a 19 00:01:04,560 --> 00:01:06,240 Speaker 2: million Spotify streams. 20 00:01:06,760 --> 00:01:07,160 Speaker 3: Wow. 21 00:01:07,240 --> 00:01:10,640 Speaker 2: And in addition to songwriting, Dave, you're the host of 22 00:01:10,680 --> 00:01:15,720 Speaker 2: the popular podcast Songwriter Connection and the host of Nashville 23 00:01:15,760 --> 00:01:20,040 Speaker 2: Connection radio show every Friday morning on w n OI 24 00:01:20,080 --> 00:01:20,840 Speaker 2: and Illinois. 25 00:01:21,040 --> 00:01:22,240 Speaker 4: I believe yes it is. 26 00:01:22,680 --> 00:01:25,640 Speaker 2: Yeah, well, Dave, there's a lot for us to discuss today. 27 00:01:25,760 --> 00:01:29,039 Speaker 3: I'm so tired. Do I do all that? 28 00:01:29,120 --> 00:01:30,240 Speaker 5: Wow? Crazy? 29 00:01:30,480 --> 00:01:30,760 Speaker 3: Well? 30 00:01:31,000 --> 00:01:32,800 Speaker 2: Thank you for having me in your home today. 31 00:01:32,920 --> 00:01:34,960 Speaker 5: How are you for coming to my home dinner? If 32 00:01:35,000 --> 00:01:37,400 Speaker 5: you me it's crazy, I'm so honored. 33 00:01:37,800 --> 00:01:39,560 Speaker 4: Yeah, I'm excited to be here. 34 00:01:39,880 --> 00:01:44,040 Speaker 2: And you know, songwriting performing wasn't just something you decided 35 00:01:44,080 --> 00:01:47,199 Speaker 2: to do one day. It seems you're always performing music, 36 00:01:47,640 --> 00:01:49,080 Speaker 2: playing with the band. 37 00:01:48,800 --> 00:01:50,480 Speaker 4: While you were a radio host. 38 00:01:51,320 --> 00:01:56,040 Speaker 2: Did you have a love for both being a broadcaster. 39 00:01:55,480 --> 00:01:57,880 Speaker 4: And performer or did one come before the other. 40 00:01:58,360 --> 00:02:00,320 Speaker 5: Yeah, As a matter of fact, there were there were 41 00:02:00,360 --> 00:02:02,560 Speaker 5: probably ten years in there where I didn't even pick 42 00:02:02,640 --> 00:02:04,680 Speaker 5: up a guitar because I was so focused on the 43 00:02:04,760 --> 00:02:08,960 Speaker 5: radio career and trying to make it there as I 44 00:02:09,000 --> 00:02:11,240 Speaker 5: was helping. I was too busy being a radio star. 45 00:02:13,639 --> 00:02:16,160 Speaker 3: But it was always there, you know, it was always 46 00:02:16,160 --> 00:02:16,760 Speaker 3: in my heart. 47 00:02:17,480 --> 00:02:20,720 Speaker 5: Got my first guitar when I was eleven, and my 48 00:02:20,880 --> 00:02:23,280 Speaker 5: brother and I got them for Christmas, and he was 49 00:02:23,639 --> 00:02:26,000 Speaker 5: a couple of years younger than me, and he picked 50 00:02:26,040 --> 00:02:27,720 Speaker 5: up right away. He was the kind of guy they 51 00:02:27,720 --> 00:02:29,320 Speaker 5: could hear it on the radio and then just play it, 52 00:02:29,400 --> 00:02:32,480 Speaker 5: you know, without even taking lessons. So we played a 53 00:02:32,520 --> 00:02:36,760 Speaker 5: lot together. We played in church, and then when I 54 00:02:36,800 --> 00:02:38,720 Speaker 5: was in radio for a while too, it was in 55 00:02:38,760 --> 00:02:42,040 Speaker 5: a really good worship band in Cincinnati. 56 00:02:42,200 --> 00:02:42,480 Speaker 2: Wow. 57 00:02:42,520 --> 00:02:45,840 Speaker 5: In fact, the bass player in that band is now 58 00:02:46,160 --> 00:02:49,800 Speaker 5: Taylor Swift's bass player. Oh wow, names Haller. Great guy. 59 00:02:50,280 --> 00:02:50,760 Speaker 3: Yeah. 60 00:02:51,040 --> 00:02:53,440 Speaker 5: So anyway, it's been a neat journey. 61 00:02:53,919 --> 00:02:55,320 Speaker 4: Yeah, it sounds like it. 62 00:02:55,400 --> 00:02:59,760 Speaker 2: And I love how in your biography mentions your career 63 00:03:00,120 --> 00:03:02,840 Speaker 2: radio is always under your real name, because you know, 64 00:03:02,919 --> 00:03:05,760 Speaker 2: so many radio hosts have a different name from what 65 00:03:05,840 --> 00:03:08,680 Speaker 2: they go by. So that was interesting and it just 66 00:03:08,680 --> 00:03:09,960 Speaker 2: seems very authentic for you. 67 00:03:10,480 --> 00:03:12,280 Speaker 5: And that was that was it, And it was a 68 00:03:12,280 --> 00:03:16,440 Speaker 5: conscious decision. I didn't I thought about being authentic, you know. 69 00:03:16,800 --> 00:03:18,760 Speaker 5: And it's the same in country music today. I mean, 70 00:03:18,840 --> 00:03:21,400 Speaker 5: people can see right through if it's not authentic. So 71 00:03:21,400 --> 00:03:23,040 Speaker 5: I always wanted to be myself. I don't know it 72 00:03:23,080 --> 00:03:24,720 Speaker 5: was the greatest strategy in the world. But I didn't 73 00:03:24,760 --> 00:03:26,720 Speaker 5: have to play a character on the right, you just 74 00:03:26,840 --> 00:03:31,160 Speaker 5: that was just me. So I hope that worked. Yeah. 75 00:03:31,520 --> 00:03:34,720 Speaker 2: So when you were playing with your band in Ohio, 76 00:03:34,720 --> 00:03:36,920 Speaker 2: did people see you and be like, oh, that's also 77 00:03:37,280 --> 00:03:39,040 Speaker 2: the radio host of that station. 78 00:03:40,160 --> 00:03:44,680 Speaker 5: Sometimes Yeah, I have a minor celebrity in our church. 79 00:03:45,200 --> 00:03:48,119 Speaker 5: That's kind of cool, eh, you know. But the nice 80 00:03:48,160 --> 00:03:49,840 Speaker 5: thing about radio is people don't see your face, so 81 00:03:49,920 --> 00:03:51,040 Speaker 5: they don't recognize you a lot. 82 00:03:51,720 --> 00:03:54,640 Speaker 2: That's true, but yeah, I'm sure they recognize your voice 83 00:03:54,640 --> 00:03:58,040 Speaker 2: when you were talking. Now, when you were in Cincinnati, 84 00:03:58,280 --> 00:04:02,040 Speaker 2: you also became the chapter anader for NSAI, which is 85 00:04:02,080 --> 00:04:07,840 Speaker 2: the Nashville Songwriters Association International. It's a wonderful organization for songwriters. 86 00:04:08,440 --> 00:04:09,880 Speaker 2: How did you get involved with them? 87 00:04:10,240 --> 00:04:14,240 Speaker 5: And that's eventually what brought me here. I was working 88 00:04:14,280 --> 00:04:17,280 Speaker 5: for a station called ninety six five in Cincinnati, where 89 00:04:17,279 --> 00:04:21,320 Speaker 5: I did afternoon drive, and one day got a call 90 00:04:21,400 --> 00:04:25,360 Speaker 5: from an SAI and they had a huge chapter in 91 00:04:25,480 --> 00:04:28,440 Speaker 5: Cincinnati and Dayton Wow, and they said, would you mind 92 00:04:28,440 --> 00:04:30,320 Speaker 5: come and we want to talk about how songs are 93 00:04:30,320 --> 00:04:32,760 Speaker 5: added to playlists and how they chart things like that. 94 00:04:33,120 --> 00:04:34,960 Speaker 5: I said, well, let me bring my program director and 95 00:04:35,200 --> 00:04:37,640 Speaker 5: we'll come. And I went to the meeting and there 96 00:04:37,640 --> 00:04:40,880 Speaker 5: were sixty people in this room, maybe more and they 97 00:04:40,880 --> 00:04:44,120 Speaker 5: were all songwriters, and I'm like, oh my god, you 98 00:04:44,120 --> 00:04:46,880 Speaker 5: guys all write songs because I was writing songs when 99 00:04:46,920 --> 00:04:51,440 Speaker 5: I was a kid, you know. And I just fell 100 00:04:51,480 --> 00:04:53,839 Speaker 5: in love with these people. We were like kindred spirits. 101 00:04:53,839 --> 00:04:56,400 Speaker 5: And I started going to the meetings and becoming a 102 00:04:56,440 --> 00:05:00,240 Speaker 5: part of it and really getting into songwriting again, and 103 00:05:00,720 --> 00:05:03,120 Speaker 5: eventually became one of the coordinators. And it was an 104 00:05:03,120 --> 00:05:05,200 Speaker 5: honor to do that. And through that we were coming 105 00:05:05,200 --> 00:05:07,440 Speaker 5: down to Nashville and writing a lot and meeting new people, 106 00:05:07,680 --> 00:05:09,839 Speaker 5: but for different reasons. Wasn't through rating anymore. It was 107 00:05:09,880 --> 00:05:13,040 Speaker 5: for songwriting and it was so cool, and we just 108 00:05:13,200 --> 00:05:16,120 Speaker 5: knew eventually we were going to end up here, and 109 00:05:17,360 --> 00:05:18,320 Speaker 5: here we are, you know. 110 00:05:18,960 --> 00:05:21,839 Speaker 2: Yeah, And I think it's great they do chapters to 111 00:05:22,080 --> 00:05:25,120 Speaker 2: support songwriters who maybe aren't able to make it to 112 00:05:25,200 --> 00:05:27,960 Speaker 2: Nashville right now, but they're still living their dreams, you know, 113 00:05:27,960 --> 00:05:28,840 Speaker 2: wherever they's from. 114 00:05:29,120 --> 00:05:32,400 Speaker 5: Yeah. Absolutely, And I tell folks on my podcast, join at, 115 00:05:32,400 --> 00:05:33,880 Speaker 5: I say I if you're into it, and if there 116 00:05:34,000 --> 00:05:37,120 Speaker 5: isn't a chapter, well start one. Get a bunch of 117 00:05:37,240 --> 00:05:39,440 Speaker 5: like minded people who love music and love to write. 118 00:05:40,000 --> 00:05:42,400 Speaker 5: Start meeting every week. If it's just once a month, 119 00:05:42,960 --> 00:05:46,080 Speaker 5: build your own group, challenge each other, come up with 120 00:05:46,160 --> 00:05:48,480 Speaker 5: song prompts, critique each other's music. 121 00:05:48,920 --> 00:05:51,040 Speaker 3: You know, that's what it's all about. 122 00:05:51,279 --> 00:05:51,799 Speaker 5: Yeah. 123 00:05:51,880 --> 00:05:55,919 Speaker 2: Yeah, they're such a great resource for songwriters. And I 124 00:05:55,960 --> 00:05:59,760 Speaker 2: want to talk about your upcoming project. It's really interesting 125 00:05:59,800 --> 00:06:03,400 Speaker 2: because you're currently preparing to release a new album, Absolom, 126 00:06:03,839 --> 00:06:08,800 Speaker 2: a concept driven project inspired by a forgotten Tennessee cemetery 127 00:06:08,920 --> 00:06:12,039 Speaker 2: that you helped uncover and preserve. Now you've released a 128 00:06:12,040 --> 00:06:16,040 Speaker 2: few singles from this project already, and with help from 129 00:06:16,320 --> 00:06:21,599 Speaker 2: historical researchers and songwriters, you uncovered seventy graves, which is 130 00:06:21,600 --> 00:06:23,000 Speaker 2: really actually. 131 00:06:22,520 --> 00:06:26,320 Speaker 5: Now, They're Historical Society in their latest email to me 132 00:06:26,440 --> 00:06:28,560 Speaker 5: say they believe there's between seventy. 133 00:06:28,240 --> 00:06:30,600 Speaker 3: And one hundred graves there. Oh my godness, that's something. 134 00:06:30,800 --> 00:06:34,359 Speaker 2: What made you want to do this project? 135 00:06:35,200 --> 00:06:37,520 Speaker 5: This is the craziest story and the craziest thing I've 136 00:06:37,560 --> 00:06:40,680 Speaker 5: ever been involved with. It really is. I mean, I 137 00:06:40,720 --> 00:06:43,480 Speaker 5: was going for walks around this neighborhood and right leave 138 00:06:43,520 --> 00:06:46,240 Speaker 5: and Hermitage, Like you said, this is where Andrew Jackson was, 139 00:06:46,360 --> 00:06:48,800 Speaker 5: you know, yeah, and I had thought and I thought 140 00:06:48,839 --> 00:06:51,080 Speaker 5: I heard somewhere red. I always believed that all of 141 00:06:51,080 --> 00:06:55,039 Speaker 5: this used to be owned by Andrew Jackson, but I 142 00:06:55,080 --> 00:06:58,720 Speaker 5: found out it wasn't the case. When I discovered the cemetery, 143 00:06:59,400 --> 00:07:01,360 Speaker 5: there was a new you know, if at the end 144 00:07:01,400 --> 00:07:03,599 Speaker 5: of our road here to the grove, there was a 145 00:07:03,880 --> 00:07:10,120 Speaker 5: huge wooded area. It was just wild and one day 146 00:07:10,120 --> 00:07:12,840 Speaker 5: they started plowing it and next thing I know, they're 147 00:07:12,840 --> 00:07:16,440 Speaker 5: building homes and you know, in this area. And so 148 00:07:16,480 --> 00:07:17,960 Speaker 5: one day I went for a walk and I'm going 149 00:07:17,960 --> 00:07:19,560 Speaker 5: through where the new homes were, and I cut through 150 00:07:19,560 --> 00:07:22,280 Speaker 5: this empty lot and on the right I see this sign. 151 00:07:22,320 --> 00:07:24,680 Speaker 5: It it's all beat up and bent. It looked like 152 00:07:24,680 --> 00:07:27,760 Speaker 5: a mud thrown on it or whatever, and it said 153 00:07:27,760 --> 00:07:30,720 Speaker 5: Absolute Gleaves Cemetery. And I go, what the heck is that? 154 00:07:31,560 --> 00:07:33,960 Speaker 5: Because it was all woods and it was all I go, oh, 155 00:07:34,000 --> 00:07:36,800 Speaker 5: it's we're crazy. So, you know, my walks every now 156 00:07:36,840 --> 00:07:38,280 Speaker 5: and then, i'd go through it, and every time I 157 00:07:38,320 --> 00:07:40,680 Speaker 5: was like a little you know, it's just something in 158 00:07:40,760 --> 00:07:43,760 Speaker 5: your mind is very curious about it. And so one day, 159 00:07:44,320 --> 00:07:46,720 Speaker 5: because I couldn't remember that Absolute was the name, I 160 00:07:46,760 --> 00:07:48,760 Speaker 5: was really familiar with the absolutlying what's it was? 161 00:07:48,800 --> 00:07:51,960 Speaker 3: It is like two families, where's the cemetery? The sign 162 00:07:52,040 --> 00:07:54,560 Speaker 3: looked like it was pointing somewhere I didn't know. So 163 00:07:54,600 --> 00:07:55,720 Speaker 3: one day I took a picture of the sign. 164 00:07:55,760 --> 00:07:57,200 Speaker 5: I went home and I googled it. It came up 165 00:07:57,200 --> 00:08:01,160 Speaker 5: Absom Leaves that he was a county magistrate, and I said, well, 166 00:08:01,160 --> 00:08:06,320 Speaker 5: where is this cemetery? So it was like October and 167 00:08:06,480 --> 00:08:09,600 Speaker 5: leaves are falling now, you know, late October, and I 168 00:08:09,640 --> 00:08:11,040 Speaker 5: go over there and I said, I don't want to 169 00:08:11,080 --> 00:08:14,360 Speaker 5: figure out where this is. And as I walk to 170 00:08:15,160 --> 00:08:17,000 Speaker 5: where I saw this sign, I could see this little 171 00:08:17,040 --> 00:08:20,760 Speaker 5: obelisk like pointing out from under the trees, and I. 172 00:08:20,720 --> 00:08:23,480 Speaker 3: Go, it's right here, it's behind this sign. 173 00:08:23,800 --> 00:08:24,160 Speaker 4: Wow. 174 00:08:24,240 --> 00:08:26,240 Speaker 5: And it was all overgrown. I mean, there was honeycyuckle 175 00:08:26,320 --> 00:08:29,360 Speaker 5: up over my head. There was trees, and so I 176 00:08:29,440 --> 00:08:33,360 Speaker 5: dug my way back there and it's beautiful obelisk standing 177 00:08:33,440 --> 00:08:35,560 Speaker 5: up and there was a little stone and it said 178 00:08:36,600 --> 00:08:41,080 Speaker 5: absolute Leaves departed life in eighteen thirty four, and I went, wow, 179 00:08:41,120 --> 00:08:44,199 Speaker 5: this is Anna Bellin. It's really on my interest some 180 00:08:44,320 --> 00:08:46,839 Speaker 5: switter history. And I walked on the other side and 181 00:08:46,880 --> 00:08:50,559 Speaker 5: it said Catherine Leaves eighteen sixty six. It was his wife, 182 00:08:50,640 --> 00:08:52,880 Speaker 5: and I thought, what in the world. So I went 183 00:08:52,920 --> 00:08:56,040 Speaker 5: back that evening with a saw ont of prerooming shears, 184 00:08:56,240 --> 00:08:58,360 Speaker 5: and I just started cutting my way all around there. 185 00:08:59,040 --> 00:09:02,960 Speaker 5: And I went back home that night and I googled 186 00:09:03,040 --> 00:09:06,400 Speaker 5: them again and I come up there was this whole 187 00:09:06,840 --> 00:09:10,319 Speaker 5: Gleaves cemetery site. And as it turns out that Gleaves 188 00:09:10,320 --> 00:09:14,880 Speaker 5: family were very prominent in this area. They were contemporaries 189 00:09:14,920 --> 00:09:18,280 Speaker 5: of Andrew Jackson. Appslom actually fought with Andrew in the 190 00:09:18,320 --> 00:09:22,360 Speaker 5: War of eighteen twelve. Abslince's father fought in the Civil War. 191 00:09:22,400 --> 00:09:25,280 Speaker 5: And then they came west, go west, young man right, 192 00:09:25,920 --> 00:09:28,680 Speaker 5: and they acquired a lot of property in this area. 193 00:09:28,679 --> 00:09:31,360 Speaker 5: In fact, there are a bunch of different Gleaves cemeteries. 194 00:09:31,600 --> 00:09:35,240 Speaker 5: I just happened to stumble across absoluence, and so I 195 00:09:35,280 --> 00:09:38,800 Speaker 5: made it my project to clear it. And I reached 196 00:09:38,800 --> 00:09:43,800 Speaker 5: out to them through that website, and I found a descendant, 197 00:09:44,160 --> 00:09:47,240 Speaker 5: a guy named Owen Gleaves, and we became really dear friends. 198 00:09:47,960 --> 00:09:50,200 Speaker 5: He said, when I was a kid, I used to 199 00:09:50,320 --> 00:09:53,480 Speaker 5: maintain that cemetery of some tool. Now and you know, 200 00:09:53,480 --> 00:09:55,600 Speaker 5: I have some health issues, he said, but you have 201 00:09:55,720 --> 00:09:59,080 Speaker 5: my permission, you have the family's permission to start clearing it. 202 00:09:59,679 --> 00:10:01,520 Speaker 5: So I'm remember a few sleepless nights going how am 203 00:10:01,559 --> 00:10:03,040 Speaker 5: I going to do this? This is a lot of work. 204 00:10:03,120 --> 00:10:05,679 Speaker 5: I mean, trees had fallen down, you know. We had 205 00:10:05,679 --> 00:10:09,320 Speaker 5: her a tornado through here, and and Owen said to me, 206 00:10:09,360 --> 00:10:11,240 Speaker 5: if you can make it back to the old oak tree, 207 00:10:11,440 --> 00:10:14,360 Speaker 5: Mary Wolford's buried there, I go, Who's she? He goes, 208 00:10:14,480 --> 00:10:19,280 Speaker 5: We don't know. So that was my first path I cut. 209 00:10:19,520 --> 00:10:21,640 Speaker 5: I spent an afternoon cut all the way back. There's 210 00:10:21,640 --> 00:10:24,400 Speaker 5: this old oak tree. We think it's about Arbust tells 211 00:10:24,480 --> 00:10:27,320 Speaker 5: us it could be seventy years old, so it's like 212 00:10:27,360 --> 00:10:29,920 Speaker 5: a witness tree. It was there when Absolom basket wow. 213 00:10:30,480 --> 00:10:32,559 Speaker 5: And it was all on Absolom's property, you know, all 214 00:10:32,640 --> 00:10:34,640 Speaker 5: of this. He owned this property where I live today. 215 00:10:35,320 --> 00:10:37,880 Speaker 5: So I made it back to Mary Wolford and it 216 00:10:38,200 --> 00:10:42,120 Speaker 5: just I started climbing down that rabbit hole. I found 217 00:10:42,200 --> 00:10:44,440 Speaker 5: on the website that there was somebody named Aunt Nancy 218 00:10:44,520 --> 00:10:47,360 Speaker 5: buried there. Again, what the connection is to the family, 219 00:10:47,760 --> 00:10:53,040 Speaker 5: I don't know. My friend Loretta found her her gravesite, 220 00:10:53,640 --> 00:10:57,800 Speaker 5: just walking through, I mean, you know, chopping her way through, 221 00:10:57,840 --> 00:11:00,520 Speaker 5: and she gets to this tree and and another she 222 00:11:00,600 --> 00:11:03,960 Speaker 5: had fallen over and had broken her stone in three 223 00:11:04,000 --> 00:11:07,679 Speaker 5: places just and all I could do was reach in 224 00:11:07,720 --> 00:11:09,720 Speaker 5: there with my phone and take a picture, and I 225 00:11:09,720 --> 00:11:12,720 Speaker 5: bowled it back out and went Mary Wolford and I went, 226 00:11:13,400 --> 00:11:15,440 Speaker 5: all right, you found Mary Wilford's berger. I knew she 227 00:11:15,480 --> 00:11:18,000 Speaker 5: was here. And as we were clearing, we would step 228 00:11:18,040 --> 00:11:20,840 Speaker 5: on a stone, and we'd step on a stone, and 229 00:11:20,880 --> 00:11:22,000 Speaker 5: these were great markers. 230 00:11:22,160 --> 00:11:22,400 Speaker 4: Yeah. 231 00:11:22,480 --> 00:11:26,360 Speaker 5: No, So eventually let me got the Historical Society out there. 232 00:11:26,360 --> 00:11:28,000 Speaker 5: Owen and I and a few other songwriter friends like 233 00:11:28,080 --> 00:11:30,800 Speaker 5: Joe Bizzelli would come out and just spend an afternoon 234 00:11:30,840 --> 00:11:33,960 Speaker 5: clearing and cutting trees down and you know, getting to 235 00:11:33,960 --> 00:11:36,040 Speaker 5: the bottom of it. The Historical Society came out a 236 00:11:36,080 --> 00:11:39,199 Speaker 5: couple of different times. They helped me put so much 237 00:11:39,240 --> 00:11:41,559 Speaker 5: a bit together. And what we found out is Absolom 238 00:11:41,800 --> 00:11:45,040 Speaker 5: was the county magistrate in this area in the eighteen 239 00:11:45,080 --> 00:11:47,760 Speaker 5: twenties and thirties, which which is kind of the justice 240 00:11:47,760 --> 00:11:50,000 Speaker 5: of the peace. You know, some people would come to 241 00:11:50,040 --> 00:11:52,880 Speaker 5: him to get married, to settle disputes and things like that. 242 00:11:53,760 --> 00:11:56,080 Speaker 5: And they said that being the person that he was, 243 00:11:56,160 --> 00:11:58,760 Speaker 5: probably a lot of people would come to him, you know, 244 00:11:58,840 --> 00:12:01,360 Speaker 5: with problems, and so and so died and he goes, well, 245 00:12:01,720 --> 00:12:03,679 Speaker 5: I've got a cemetery. You can just bury him right here, 246 00:12:03,720 --> 00:12:07,240 Speaker 5: you know, And that's probably what happens. They tell us 247 00:12:07,320 --> 00:12:09,199 Speaker 5: that between seventy and one hundred people are buried there 248 00:12:09,200 --> 00:12:13,400 Speaker 5: in this small area fifty two by eighty two area. 249 00:12:13,720 --> 00:12:14,080 Speaker 2: Wow. 250 00:12:14,120 --> 00:12:18,480 Speaker 5: And so I still go by there every day and 251 00:12:18,679 --> 00:12:21,640 Speaker 5: pay my respects and take a look. It's just hard 252 00:12:21,679 --> 00:12:24,520 Speaker 5: to It just grows up stuff around. It grows up 253 00:12:24,559 --> 00:12:27,440 Speaker 5: so fast. But here's the really interesting story. I couldn't 254 00:12:27,440 --> 00:12:31,560 Speaker 5: figure out. These are the are These are very God 255 00:12:31,600 --> 00:12:37,200 Speaker 5: fearing people, you know, Baptist, strict Baptist. And how we 256 00:12:37,280 --> 00:12:39,920 Speaker 5: know this is the circles? I sis. You notice all 257 00:12:39,920 --> 00:12:42,319 Speaker 5: these graves are facing east, and there's a reason for that. 258 00:12:42,600 --> 00:12:44,520 Speaker 5: I got, Really, what is that he goes because that's 259 00:12:44,520 --> 00:12:46,760 Speaker 5: where Jesus is supposed to rise when he comes back. 260 00:12:47,080 --> 00:12:51,839 Speaker 5: So always bury their people facing east. So that was 261 00:12:51,880 --> 00:12:54,400 Speaker 5: a big clue. But I couldn't figure out if you 262 00:12:54,400 --> 00:12:59,400 Speaker 5: were God fearing people, why would you name your child Absolom, 263 00:12:59,520 --> 00:13:01,160 Speaker 5: who was a bad guy in the Bible. If you 264 00:13:01,200 --> 00:13:04,280 Speaker 5: read the Bible, Absolom was David's son. He raised an 265 00:13:04,360 --> 00:13:06,640 Speaker 5: army to try to kill his dad and take it 266 00:13:06,679 --> 00:13:09,520 Speaker 5: over and died a horrible death. So I figured out, 267 00:13:09,800 --> 00:13:13,440 Speaker 5: why would you name your son Absolum? And so I 268 00:13:13,480 --> 00:13:16,800 Speaker 5: googled it and here's what they found out. And this 269 00:13:16,880 --> 00:13:20,960 Speaker 5: is fascinating to me. They felt they loved religious names, 270 00:13:21,000 --> 00:13:24,240 Speaker 5: they loved biblical names, and but so you start running out, 271 00:13:24,880 --> 00:13:30,280 Speaker 5: you know. So they loved the story behind the name 272 00:13:30,600 --> 00:13:33,880 Speaker 5: more than the story of the person in the Bible. 273 00:13:34,520 --> 00:13:36,440 Speaker 5: And so if you look at the name Absolom, and 274 00:13:36,480 --> 00:13:40,880 Speaker 5: it didn't hit me until I read this. Absolom means Abbah, 275 00:13:41,200 --> 00:13:47,040 Speaker 5: his father, and Shalom is peace, so his name meant 276 00:13:47,400 --> 00:13:50,680 Speaker 5: father of peace, and he was the justice of the 277 00:13:50,720 --> 00:13:52,720 Speaker 5: peace in this area. It just blew me away. 278 00:13:52,800 --> 00:13:53,160 Speaker 4: Wow. 279 00:13:53,320 --> 00:13:55,480 Speaker 5: So that became the second song, Father of Piece that 280 00:13:55,559 --> 00:13:58,440 Speaker 5: we released, and that was ritten by Jessica Nixon and myself. 281 00:13:58,600 --> 00:14:02,040 Speaker 2: Okay, so is each song on the album about a 282 00:14:02,120 --> 00:14:05,800 Speaker 2: different person that you uncovered from the cemetery? 283 00:14:06,000 --> 00:14:06,080 Speaker 5: No? 284 00:14:07,840 --> 00:14:08,400 Speaker 3: No, from there. 285 00:14:08,440 --> 00:14:10,840 Speaker 5: I just started recording songs that you know, I write 286 00:14:10,840 --> 00:14:13,760 Speaker 5: a lot of songs, and I got a lot of 287 00:14:13,800 --> 00:14:15,679 Speaker 5: indie cuts, but not a lot of major cuts, you know, 288 00:14:16,040 --> 00:14:17,880 Speaker 5: So I thought somebody needs to record these, so I 289 00:14:17,920 --> 00:14:20,640 Speaker 5: started recording them on my own, and so the rest 290 00:14:20,640 --> 00:14:24,720 Speaker 5: of these songs, we did two here in Nashville with 291 00:14:25,960 --> 00:14:28,720 Speaker 5: Cedric Israel, who did a wonderful drop. In fact, you know, 292 00:14:28,760 --> 00:14:31,440 Speaker 5: he produced Father of Peace and Abslon and he brought 293 00:14:31,520 --> 00:14:34,360 Speaker 5: Joe Spivey in from the Time Jumpers to play violin 294 00:14:34,720 --> 00:14:37,560 Speaker 5: fiddle on Appslom and just turned out so great. And 295 00:14:37,600 --> 00:14:39,480 Speaker 5: so he did the next one. It was fantastic, and 296 00:14:39,520 --> 00:14:42,800 Speaker 5: then long Coats. My friend Alan Sanderson, his wife and 297 00:14:42,800 --> 00:14:44,600 Speaker 5: I write a lot of songs for Namis Tylan Ray. 298 00:14:44,680 --> 00:14:48,480 Speaker 5: She's a great singer. And he is a Grammy Award 299 00:14:48,520 --> 00:14:51,800 Speaker 5: winning engineer and producer in San Diego. And this guy 300 00:14:51,840 --> 00:14:53,960 Speaker 5: has worked with everybody from Elton John and Michael Jackson. 301 00:14:54,000 --> 00:14:56,080 Speaker 5: His stories are amazing. In fact, we did a podcast 302 00:14:56,120 --> 00:15:00,280 Speaker 5: with him. We tell all these great stories and just 303 00:15:00,480 --> 00:15:03,120 Speaker 5: for the heck of it. One day, Alan, you got 304 00:15:03,200 --> 00:15:05,760 Speaker 5: your own studio in San Diego. It's called Pacific Beat. 305 00:15:05,840 --> 00:15:08,120 Speaker 5: It's really cool. It's just a few blocks up from 306 00:15:08,120 --> 00:15:11,200 Speaker 5: the beach. I said, well, would you be interested in 307 00:15:11,480 --> 00:15:14,320 Speaker 5: recording some of my songs? And love to have you 308 00:15:14,360 --> 00:15:16,480 Speaker 5: if you my producer. He goes, dude, I will put 309 00:15:16,520 --> 00:15:19,080 Speaker 5: together a great man. You come out to San Diego. 310 00:15:19,160 --> 00:15:21,080 Speaker 5: We're recorded out there, and that's exactly what we did. 311 00:15:21,080 --> 00:15:23,480 Speaker 5: So the next four songs we recorded out there and 312 00:15:23,520 --> 00:15:25,560 Speaker 5: they had nothing really to do with it absolom, but 313 00:15:25,600 --> 00:15:29,200 Speaker 5: they were just fun songs, you know, Like I always 314 00:15:29,200 --> 00:15:30,920 Speaker 5: wanted to do my version of Baby I'm Gone. That 315 00:15:31,000 --> 00:15:34,400 Speaker 5: was my big cut. Chancey Williams cut that and was 316 00:15:34,440 --> 00:15:36,160 Speaker 5: cut by a four other artists, and then finally my 317 00:15:36,240 --> 00:15:38,640 Speaker 5: own version that I recorded in San Diego, So that 318 00:15:38,720 --> 00:15:40,480 Speaker 5: was one of the first that we cut, and we 319 00:15:40,520 --> 00:15:43,240 Speaker 5: did a video and that was so fun. And the 320 00:15:43,240 --> 00:15:45,800 Speaker 5: one out there right now is called Diane's Barstool. We 321 00:15:45,840 --> 00:15:48,200 Speaker 5: shot the video recently at Betty Luz not too far 322 00:15:48,240 --> 00:15:51,680 Speaker 5: from here, is one of my favorite bars, and just 323 00:15:51,720 --> 00:15:52,520 Speaker 5: had a blast on it. 324 00:15:52,600 --> 00:15:55,480 Speaker 3: So you know what I'm you know, I tell people 325 00:15:55,520 --> 00:15:56,320 Speaker 3: say how you doing, I. 326 00:15:56,320 --> 00:15:58,520 Speaker 5: Say, I'm living the dream. I always wanted to do 327 00:15:58,600 --> 00:16:01,200 Speaker 5: this right here, and the podcast is my mix of 328 00:16:02,000 --> 00:16:06,080 Speaker 5: my two loves of broadcasting, specially interviewing people and songwriting. 329 00:16:06,640 --> 00:16:08,640 Speaker 5: So I'm just doing everything I love and I'm staying 330 00:16:08,680 --> 00:16:13,560 Speaker 5: real busy. So Mark Allen Barnett coined this term retire up. 331 00:16:14,120 --> 00:16:15,960 Speaker 3: Yeah, that's what I feel like I did. 332 00:16:16,160 --> 00:16:17,080 Speaker 5: I'd be tired up. 333 00:16:17,840 --> 00:16:19,480 Speaker 4: Yeah, you have so much going on. 334 00:16:20,000 --> 00:16:22,280 Speaker 2: I'm really excited for this album. 335 00:16:22,920 --> 00:16:25,040 Speaker 1: We'll be right back with more of the Taking a 336 00:16:25,160 --> 00:16:33,680 Speaker 1: Walk Nashville podcast. Welcome back to Taking a Walk Nashville. 337 00:16:34,320 --> 00:16:37,440 Speaker 2: Country music is all about the storytelling, and you certainly 338 00:16:37,480 --> 00:16:42,160 Speaker 2: did this by uncovering graves in a cemetery. Do you 339 00:16:42,160 --> 00:16:44,320 Speaker 2: have a projected release date for this album? 340 00:16:44,360 --> 00:16:47,080 Speaker 5: You know, I don't right now because I'm with I 341 00:16:47,120 --> 00:16:50,160 Speaker 5: sang this little India label and this wonderful publicist named 342 00:16:50,200 --> 00:16:53,960 Speaker 5: Jill Pavel, and she's just been wonderful in getting the 343 00:16:54,000 --> 00:16:57,080 Speaker 5: word out about my songs and also my podcast. She's 344 00:16:57,120 --> 00:17:00,880 Speaker 5: just been just wonderful. And so we've been doing a 345 00:17:00,880 --> 00:17:05,880 Speaker 5: lot of strategizing and I've been still recording, so we're 346 00:17:05,880 --> 00:17:08,560 Speaker 5: thinking about a new concept. Maybe it won't even be 347 00:17:08,600 --> 00:17:11,520 Speaker 5: called absolute. You know, things changed so fast in the industry, right. 348 00:17:12,520 --> 00:17:14,080 Speaker 5: So We've got a couple of new songs that we've 349 00:17:14,119 --> 00:17:17,320 Speaker 5: recorded that I'm really anxious for people to hear. One 350 00:17:17,400 --> 00:17:20,080 Speaker 5: is called Wildflowers that we wrote with Cayrie Phillips and 351 00:17:20,200 --> 00:17:23,399 Speaker 5: turned out so good, so you know, we may extend 352 00:17:23,440 --> 00:17:25,040 Speaker 5: it a little bit, but we were hoping for a 353 00:17:25,119 --> 00:17:28,119 Speaker 5: January release. There's one more song from San Diego that 354 00:17:28,160 --> 00:17:32,399 Speaker 5: we've got to release. It's called First, and that was 355 00:17:32,560 --> 00:17:36,080 Speaker 5: just This past year was just nuts for me. I 356 00:17:36,119 --> 00:17:39,000 Speaker 5: just cannot begin to tell you good and bad roller 357 00:17:39,000 --> 00:17:42,399 Speaker 5: coaster in February is when we went out to San 358 00:17:42,440 --> 00:17:45,560 Speaker 5: Diego to record. But also in February, I lost my mother, 359 00:17:45,920 --> 00:17:49,680 Speaker 5: you know, and she had been sick with Alzheimer's and 360 00:17:50,119 --> 00:17:52,719 Speaker 5: her cancer came back, and it was so hard on 361 00:17:52,720 --> 00:17:55,160 Speaker 5: my dad. You know, he was the main caregiver, and 362 00:17:55,640 --> 00:17:57,320 Speaker 5: God bless I love him so much. My dad just 363 00:17:57,320 --> 00:18:00,240 Speaker 5: turned ninety and he did everything for us, you know, 364 00:18:00,320 --> 00:18:03,600 Speaker 5: and I would feel guilty not, you know, being so 365 00:18:03,680 --> 00:18:06,560 Speaker 5: far away up in Ohio. They're up in Ohio, and 366 00:18:06,560 --> 00:18:09,760 Speaker 5: one day I was visiting and we had this really 367 00:18:09,800 --> 00:18:13,520 Speaker 5: heart to heart talk, you know, about life and everything. 368 00:18:13,600 --> 00:18:16,439 Speaker 5: And the song that came out of it was First, 369 00:18:16,520 --> 00:18:20,040 Speaker 5: which is going to be released in January, and it's 370 00:18:20,119 --> 00:18:24,280 Speaker 5: kind of sad listen with Kleenex. And so I came 371 00:18:24,280 --> 00:18:27,120 Speaker 5: out of that conversation again Jessica and Nixon an amazing songwriter. 372 00:18:27,640 --> 00:18:30,480 Speaker 5: I helped writing that. As a matter of fact, she 373 00:18:30,520 --> 00:18:33,479 Speaker 5: sings background that and a las Yeah. 374 00:18:33,520 --> 00:18:36,800 Speaker 2: So yeah, yeah, we're looking forward to hearing your new 375 00:18:36,880 --> 00:18:39,000 Speaker 2: single from that. I'm not sure if you've done this 376 00:18:39,080 --> 00:18:42,080 Speaker 2: already or I thought about this. Maybe you should even 377 00:18:42,119 --> 00:18:46,320 Speaker 2: record music video or music performance in that cemeteryya, I think. 378 00:18:46,160 --> 00:18:49,240 Speaker 5: That would be Well, it's actually we did. The absolute 379 00:18:49,280 --> 00:18:51,200 Speaker 5: video is out there. Okay, check it out on my 380 00:18:51,400 --> 00:18:54,359 Speaker 5: YouTube page. Just google it and it'll come up. But 381 00:18:55,320 --> 00:18:58,480 Speaker 5: my friend who's documentary filmmaker, Martin Buchanan, now has them 382 00:18:58,520 --> 00:19:00,920 Speaker 5: three of my videos, and that was the first one. 383 00:19:00,960 --> 00:19:03,240 Speaker 5: And we actually went into that cemetery. Well, I'll tell 384 00:19:03,240 --> 00:19:05,560 Speaker 5: at one point he took a little drone and he 385 00:19:05,600 --> 00:19:08,800 Speaker 5: went went up over the sign and down into the 386 00:19:08,840 --> 00:19:11,680 Speaker 5: cemetery and you can see all the graves and it's 387 00:19:12,080 --> 00:19:14,879 Speaker 5: check it out. And oh and by the way, Owen 388 00:19:14,960 --> 00:19:16,920 Speaker 5: Gleaves he was my dear friend who also he died 389 00:19:16,920 --> 00:19:19,000 Speaker 5: like a week after my mother and I missed him 390 00:19:19,000 --> 00:19:19,360 Speaker 5: so much. 391 00:19:20,240 --> 00:19:20,919 Speaker 3: He he. 392 00:19:22,560 --> 00:19:25,480 Speaker 5: As I was clearing the cemetery and I was doing 393 00:19:25,560 --> 00:19:28,560 Speaker 5: eighteen thirty four style, I'm chopping it by hand, and 394 00:19:29,240 --> 00:19:31,560 Speaker 5: all these couplets started coming into my head. You know, 395 00:19:32,119 --> 00:19:35,359 Speaker 5: his family owned this property, you know, from Wilson County 396 00:19:35,359 --> 00:19:37,119 Speaker 5: to the stone. All these rhyming cup I must have 397 00:19:37,119 --> 00:19:39,520 Speaker 5: add about twenty e one and I just record them 398 00:19:39,520 --> 00:19:42,040 Speaker 5: in my phone and I couldn't figure out how to 399 00:19:42,040 --> 00:19:44,480 Speaker 5: attach them all, you know, I you know, we're looking 400 00:19:44,480 --> 00:19:48,080 Speaker 5: for a good and one day Owen meets me at 401 00:19:48,080 --> 00:19:50,520 Speaker 5: the cemetery. He pulls up in his truck into the field. 402 00:19:51,040 --> 00:19:52,720 Speaker 5: He hops out of that truck, does a little jigging, 403 00:19:52,680 --> 00:19:55,320 Speaker 5: and he goes, absolute absolute what you doing in that ground? 404 00:19:56,040 --> 00:19:58,720 Speaker 5: And my eyes opened up and I'm going, what did 405 00:19:58,760 --> 00:20:01,080 Speaker 5: you just sing? Do it again? And he did, That's 406 00:20:01,119 --> 00:20:04,040 Speaker 5: exactly what I'm looking for, Owen, and that became the 407 00:20:04,160 --> 00:20:06,239 Speaker 5: chorus of the song. Well, absolum apps on what you're 408 00:20:06,280 --> 00:20:08,840 Speaker 5: doing in that ground. So on the very beginning of 409 00:20:08,840 --> 00:20:12,640 Speaker 5: that cemetery you will see the marker apps and leaves 410 00:20:12,640 --> 00:20:14,560 Speaker 5: departed light. You'll see that, and then all of a 411 00:20:14,600 --> 00:20:18,399 Speaker 5: sudden we switched to oh and go in apslum apps 412 00:20:18,920 --> 00:20:20,080 Speaker 5: what you're doing in that ground? 413 00:20:20,800 --> 00:20:21,880 Speaker 4: So that's amazing. 414 00:20:21,920 --> 00:20:24,040 Speaker 2: Yeah, I love that you got the idea for it 415 00:20:24,160 --> 00:20:25,960 Speaker 2: when you were in the actual cemetery. 416 00:20:26,040 --> 00:20:27,920 Speaker 4: So definitely check out the music video. 417 00:20:28,520 --> 00:20:33,600 Speaker 2: Is there a place where people can read through everything 418 00:20:33,640 --> 00:20:35,560 Speaker 2: you've uncovered from the cemetery? 419 00:20:35,680 --> 00:20:37,120 Speaker 4: Is that an ongoing. 420 00:20:36,680 --> 00:20:39,320 Speaker 5: Project, so it's it's just an ongoing project. There are 421 00:20:39,760 --> 00:20:43,120 Speaker 5: websites for Gleab Cemetery and if you if you look 422 00:20:43,160 --> 00:20:45,680 Speaker 5: go up, you can find the Absloum Gleave Cemetery. I'll 423 00:20:45,680 --> 00:20:48,080 Speaker 5: tell you where it is and everything. So I can 424 00:20:48,160 --> 00:20:51,159 Speaker 5: get back out there do some clearing well curring. You know, 425 00:20:51,200 --> 00:20:52,640 Speaker 5: we had all summer's worth a growth. 426 00:20:52,880 --> 00:20:53,880 Speaker 4: Yeah, that's wonderful. 427 00:20:53,960 --> 00:20:56,439 Speaker 2: And you know, you think you know Tennessee right in 428 00:20:56,480 --> 00:20:58,080 Speaker 2: the middle of the Civil War, there's got to be 429 00:20:58,200 --> 00:21:02,040 Speaker 2: so many cemetery just in Tennessee in general with on 430 00:21:02,200 --> 00:21:02,840 Speaker 2: March Grave. 431 00:21:03,000 --> 00:21:04,840 Speaker 5: So yeah, I had learned my Buddiesho just lived here 432 00:21:04,880 --> 00:21:06,360 Speaker 5: for a while and I was telling me about your Yeah, 433 00:21:06,359 --> 00:21:09,520 Speaker 5: you'll find cemeteries here, as if it was nothing, And 434 00:21:09,560 --> 00:21:11,919 Speaker 5: I went, well, but I found this one. Yeah, this 435 00:21:11,960 --> 00:21:15,600 Speaker 5: one I'm I'm going to take care of. So yeah, 436 00:21:15,600 --> 00:21:17,280 Speaker 5: I'm sure there are a lot. But you were so 437 00:21:17,320 --> 00:21:19,000 Speaker 5: cool about I mean, he died before the Civil War, 438 00:21:19,800 --> 00:21:22,080 Speaker 5: but his wife lived through it, Wow, right through the 439 00:21:22,119 --> 00:21:26,240 Speaker 5: whole thing. So I just I just fell down the 440 00:21:26,280 --> 00:21:28,679 Speaker 5: rabbit hole. I could read everything I could you know 441 00:21:29,359 --> 00:21:32,879 Speaker 5: about that family and about about head rejection too, So 442 00:21:32,960 --> 00:21:33,760 Speaker 5: it's very interesting. 443 00:21:34,040 --> 00:21:36,680 Speaker 2: Yeah, I'm sure there's so much history in there, good 444 00:21:36,680 --> 00:21:39,160 Speaker 2: and bad. Yeah, definitely a lot of good and bad 445 00:21:39,280 --> 00:21:43,520 Speaker 2: history intertwined there. In addition to this and your own music, 446 00:21:44,000 --> 00:21:46,840 Speaker 2: you know, you've got your podcast Songwriter Connection going on 447 00:21:46,920 --> 00:21:50,800 Speaker 2: at the same time. It drops weekly with Nashville songwriter Guest. 448 00:21:50,880 --> 00:21:53,679 Speaker 4: I even got to be a Bowers women. 449 00:21:53,119 --> 00:21:54,120 Speaker 2: Behind the lyrics. 450 00:21:54,160 --> 00:21:55,800 Speaker 4: People can hear that episode. 451 00:21:56,119 --> 00:21:58,320 Speaker 5: It was so great to have you, which I love 452 00:21:58,359 --> 00:22:02,840 Speaker 5: what you're doing with that and Judy and. 453 00:22:01,960 --> 00:22:03,920 Speaker 4: And Delaines de Lainey Gus. 454 00:22:04,040 --> 00:22:05,000 Speaker 3: I love her voice. 455 00:22:05,160 --> 00:22:07,840 Speaker 5: You guys are awesome together. I'm so excited for that 456 00:22:07,880 --> 00:22:08,920 Speaker 5: project to get released. 457 00:22:09,119 --> 00:22:12,160 Speaker 2: Yeah, I'm excited for it to come out to next year. 458 00:22:12,280 --> 00:22:15,960 Speaker 2: And you know your own podcast, you've interviewed hundreds of 459 00:22:16,000 --> 00:22:18,560 Speaker 2: songwriters on it. How did you even come up with 460 00:22:18,600 --> 00:22:20,560 Speaker 2: the idea for this podcast? 461 00:22:20,880 --> 00:22:21,400 Speaker 3: No, it's cool. 462 00:22:21,400 --> 00:22:23,639 Speaker 5: I got it was during COVID and I got a 463 00:22:23,640 --> 00:22:25,119 Speaker 5: call from the guy who should do traffic on my 464 00:22:25,240 --> 00:22:29,159 Speaker 5: radio show in Cincinnati. And I love him as Lenna Harvey, 465 00:22:29,160 --> 00:22:31,480 Speaker 5: we used to have a blast on the radio. And 466 00:22:31,520 --> 00:22:33,720 Speaker 5: he calls me out of the blue and he goes, hey, man, 467 00:22:33,760 --> 00:22:35,840 Speaker 5: would you come and be on my podcast? I go, 468 00:22:36,720 --> 00:22:38,840 Speaker 5: you've got a podcast, Land, he is, yeah, man, we'll 469 00:22:38,880 --> 00:22:41,320 Speaker 5: just do it's a zoom thing and and uh it's 470 00:22:41,359 --> 00:22:42,879 Speaker 5: it will have fun, just like the old days. And 471 00:22:42,920 --> 00:22:46,600 Speaker 5: they went interesting. I said, I'll tell you what, Land, 472 00:22:46,680 --> 00:22:48,840 Speaker 5: I will do it on one condition. 473 00:22:49,480 --> 00:22:50,600 Speaker 3: It's what's that I see? 474 00:22:50,600 --> 00:22:52,360 Speaker 5: You tell me everything you know about podcasts, because I 475 00:22:52,359 --> 00:22:54,919 Speaker 5: have this idea of I want to do one about songwriting. 476 00:22:55,640 --> 00:22:58,320 Speaker 5: And it's just started right there. And I started doing 477 00:22:58,320 --> 00:23:03,200 Speaker 5: my research. I was up late nights, wasn't sleeping much. 478 00:23:03,200 --> 00:23:07,080 Speaker 5: I had this thing called polymyelgia, which affects all your 479 00:23:08,040 --> 00:23:13,680 Speaker 5: joints and the only recure is through predna zone, a 480 00:23:14,040 --> 00:23:16,560 Speaker 5: big dose of preadda zone. The problem with the preadoism 481 00:23:16,640 --> 00:23:18,280 Speaker 5: Have you ever had any kind of that steroid kind 482 00:23:18,320 --> 00:23:20,520 Speaker 5: of things? You don't sleep very well, you know, you're 483 00:23:20,560 --> 00:23:24,359 Speaker 5: just antsy. So I'd use that time to just research 484 00:23:24,400 --> 00:23:27,160 Speaker 5: podcast break everything I could about it, you know, find 485 00:23:27,160 --> 00:23:30,359 Speaker 5: a host, the whole thing, you know, and what kind 486 00:23:30,400 --> 00:23:33,360 Speaker 5: of equipment are you gonna use? And I just took 487 00:23:33,400 --> 00:23:36,000 Speaker 5: four or five months doing nothing but that, And then, 488 00:23:36,080 --> 00:23:38,200 Speaker 5: of course you know how it goes. You start, Okay, 489 00:23:38,359 --> 00:23:40,320 Speaker 5: we're gonna are we doing it? I guess we're doing this, 490 00:23:40,960 --> 00:23:43,000 Speaker 5: so you start lining up people that you that you 491 00:23:43,000 --> 00:23:45,000 Speaker 5: think would make good guess in. My first guest was 492 00:23:45,000 --> 00:23:49,040 Speaker 5: Billy Lee. He wrote Gary Allen's big hit, The One, 493 00:23:49,720 --> 00:23:51,200 Speaker 5: and has been a dear friend for a long time. 494 00:23:51,200 --> 00:23:52,640 Speaker 5: I said, we're gonna use you as a guinea pig, 495 00:23:54,760 --> 00:23:56,280 Speaker 5: and that was the first episode and then we were 496 00:23:56,320 --> 00:23:59,199 Speaker 5: off and running and it's just been a blast, and 497 00:23:59,240 --> 00:24:01,119 Speaker 5: we're to the point now we're almost a three million 498 00:24:01,240 --> 00:24:03,280 Speaker 5: as we record this, we're almost a three million streams. 499 00:24:03,480 --> 00:24:04,720 Speaker 4: Wow, that's amazing. 500 00:24:04,800 --> 00:24:06,920 Speaker 5: We're about to do our second live one in front 501 00:24:06,920 --> 00:24:10,680 Speaker 5: of a live audience at the local and day drinking, 502 00:24:11,359 --> 00:24:14,080 Speaker 5: early evening drinking. Yeah, and it'll be a blast. We're 503 00:24:14,080 --> 00:24:18,160 Speaker 5: gonna have Randy Brooks. Randy Brooks wrote Cramwell got run 504 00:24:18,160 --> 00:24:21,199 Speaker 5: over by Ery. You hear it every Christmas? Right, You're 505 00:24:21,200 --> 00:24:23,320 Speaker 5: about nor by Heart and we're going to get the 506 00:24:23,320 --> 00:24:25,720 Speaker 5: story behind that song and any others so nice. 507 00:24:25,760 --> 00:24:27,560 Speaker 2: Yeah, that'll be a great episode. 508 00:24:27,720 --> 00:24:27,920 Speaker 3: Yeah. 509 00:24:27,920 --> 00:24:31,640 Speaker 2: There's hundreds of episodes for people to dive in on 510 00:24:31,680 --> 00:24:35,840 Speaker 2: your podcast on Writer Connection, so people can check out 511 00:24:35,880 --> 00:24:40,040 Speaker 2: that in addition to your own music and upcoming album 512 00:24:40,119 --> 00:24:44,960 Speaker 2: Absolum Dave. I always like to ask this on my podcast. 513 00:24:45,000 --> 00:24:48,000 Speaker 2: Since it's called taking a walk Nashville, I think I 514 00:24:48,080 --> 00:24:50,359 Speaker 2: might already know the answer. But do you have a 515 00:24:50,400 --> 00:24:53,199 Speaker 2: favorite place to take a walk in Nashville? Is it 516 00:24:53,680 --> 00:24:54,840 Speaker 2: the Absolum Cemetery? 517 00:24:54,960 --> 00:24:59,120 Speaker 3: It is really is? Yeah, Hello, I'll walk there. Yeah, 518 00:24:59,240 --> 00:24:59,720 Speaker 3: very cool. 519 00:25:00,119 --> 00:25:02,920 Speaker 2: Is it open to the public now because people walk 520 00:25:02,960 --> 00:25:04,160 Speaker 2: through it, they'll find it. 521 00:25:04,640 --> 00:25:07,639 Speaker 5: Yeah, it's it's in the back of this field, one 522 00:25:07,680 --> 00:25:11,000 Speaker 5: of the only empty fields left in the Hermitage area. 523 00:25:12,240 --> 00:25:13,800 Speaker 5: And it's at the very back of that field. 524 00:25:14,119 --> 00:25:14,479 Speaker 4: Wow. 525 00:25:14,600 --> 00:25:15,640 Speaker 5: Yeah, we'll see the sign. 526 00:25:16,040 --> 00:25:24,040 Speaker 2: So are these unmarked gravestones are they being populated with names? 527 00:25:24,119 --> 00:25:25,800 Speaker 4: Now? Are you keeping them as they are? 528 00:25:26,040 --> 00:25:27,840 Speaker 5: We're keeping them as and there's just no way to 529 00:25:27,880 --> 00:25:31,120 Speaker 5: tell who's who. The ones that are marked are absolute 530 00:25:31,160 --> 00:25:35,440 Speaker 5: and Catherine Mary Wolford underneath the tree to the right. 531 00:25:36,359 --> 00:25:39,480 Speaker 5: We repaired that sign. It's you can see that it's 532 00:25:39,480 --> 00:25:42,840 Speaker 5: been gluted three but it stands about this tall now, uh. 533 00:25:42,880 --> 00:25:45,679 Speaker 5: And then Mary Wolford under the tree. And we just 534 00:25:45,840 --> 00:25:47,760 Speaker 5: left that stone leaning up against the tree as we 535 00:25:47,840 --> 00:25:48,239 Speaker 5: found it. 536 00:25:48,520 --> 00:25:48,920 Speaker 4: Wow. 537 00:25:49,760 --> 00:25:52,760 Speaker 5: So but yeah, you can walk through it. And like 538 00:25:52,800 --> 00:25:55,520 Speaker 5: I say, there's some more growth. I got to get 539 00:25:55,560 --> 00:25:55,880 Speaker 5: up there. 540 00:25:55,960 --> 00:25:56,640 Speaker 4: Yeah. 541 00:25:56,800 --> 00:25:59,560 Speaker 5: Yeah, we also wanted to talk about though I'm sorrying 542 00:25:59,560 --> 00:26:03,080 Speaker 5: how what crazy year it was. So also in February, 543 00:26:03,119 --> 00:26:04,760 Speaker 5: I'm getting off the plane from San Diego and I 544 00:26:04,760 --> 00:26:07,800 Speaker 5: get a call from my friend Shantel Ogden. She's a 545 00:26:07,920 --> 00:26:11,160 Speaker 5: sink supervisor and a great songwriter and a great emo 546 00:26:11,560 --> 00:26:14,600 Speaker 5: shan I do, yeah, She said, give me a call 547 00:26:14,640 --> 00:26:17,040 Speaker 5: when you get a chance. So the next morning I 548 00:26:17,119 --> 00:26:19,880 Speaker 5: texted her. I say, you're good for a call. Boom 549 00:26:20,359 --> 00:26:22,639 Speaker 5: calls and we caught up. Because I didn't talked her 550 00:26:22,640 --> 00:26:24,920 Speaker 5: for a while, I thought, you know, we had once 551 00:26:25,280 --> 00:26:26,840 Speaker 5: she'd been on the podcast. I don't even she wanted 552 00:26:26,840 --> 00:26:27,720 Speaker 5: to be on the podcast again. 553 00:26:28,080 --> 00:26:28,440 Speaker 3: She has no. 554 00:26:28,600 --> 00:26:29,720 Speaker 5: I don't know if you know this, but I've been 555 00:26:29,720 --> 00:26:31,159 Speaker 5: a sink agent for so long and I'm thinking I 556 00:26:31,200 --> 00:26:33,840 Speaker 5: can write these movies. So I wrote a Hallmark kind 557 00:26:33,840 --> 00:26:37,000 Speaker 5: of movie for Christmas called Music City missilete And. 558 00:26:36,960 --> 00:26:37,800 Speaker 3: I said, that's great. 559 00:26:37,840 --> 00:26:39,919 Speaker 5: Shantell, She says, I think I got a part for you. 560 00:26:40,040 --> 00:26:42,760 Speaker 5: I go meet, did you ever do any accurate? I said, yeah, 561 00:26:42,800 --> 00:26:45,320 Speaker 5: but it's been a long time. She goes, well, I'm 562 00:26:45,320 --> 00:26:47,240 Speaker 5: gonna send you a script. You just read this into 563 00:26:47,280 --> 00:26:51,159 Speaker 5: the phone and we'll let you know like, okay, so 564 00:26:51,240 --> 00:26:54,880 Speaker 5: I did, and Son of Again I got the part. 565 00:26:55,000 --> 00:26:59,720 Speaker 5: So that movie launches tomorrow as we record this, and 566 00:27:00,600 --> 00:27:04,000 Speaker 5: it'll be available to rental by I believe it's Amazon 567 00:27:04,280 --> 00:27:07,240 Speaker 5: in Apple Plus, and I think eventually it's going to 568 00:27:07,280 --> 00:27:09,520 Speaker 5: be on the Faith and Family Network. 569 00:27:09,600 --> 00:27:11,920 Speaker 2: So very cool, congrat. 570 00:27:11,560 --> 00:27:13,119 Speaker 5: I mean it was such a stretch. I got to 571 00:27:13,119 --> 00:27:17,399 Speaker 5: play a songwriter guy named Tom Martin. Now, the difference 572 00:27:17,440 --> 00:27:19,840 Speaker 5: between Tom Martin and me, Thom has had a lot 573 00:27:19,880 --> 00:27:23,960 Speaker 5: of number ones and Grammy at least one Grammy, which 574 00:27:24,000 --> 00:27:26,679 Speaker 5: I am because you know, if I did, I'd be 575 00:27:26,720 --> 00:27:29,880 Speaker 5: sitting right there that Grammy right there under my lava lamp. 576 00:27:30,280 --> 00:27:32,480 Speaker 5: So but anyway, no, and so that was a blast. 577 00:27:32,480 --> 00:27:34,159 Speaker 3: So it's been a did I tell you it's been 578 00:27:34,160 --> 00:27:34,679 Speaker 3: a crazy year. 579 00:27:34,720 --> 00:27:36,119 Speaker 4: It's it sounds like it. 580 00:27:36,200 --> 00:27:42,439 Speaker 2: I mean, you're multi talented from podcast host, radio, hose, songwriter, artists, actor. 581 00:27:43,119 --> 00:27:44,840 Speaker 3: Now I got my own IMDb. 582 00:27:45,400 --> 00:27:51,320 Speaker 2: Great maybe Graveyard Diggery one of those things. 583 00:27:52,080 --> 00:27:53,440 Speaker 3: Yeah, well day. 584 00:27:53,280 --> 00:27:54,920 Speaker 6: Thank you so much for being on taking a walk 585 00:27:55,040 --> 00:27:57,560 Speaker 6: Nashville today. I am definitely going to check out the 586 00:27:57,640 --> 00:28:02,359 Speaker 6: music video for Absolom. Looking forward to that album coming out, 587 00:28:02,600 --> 00:28:06,480 Speaker 6: and people should also go listen to your podcast songwriter Connection. 588 00:28:06,760 --> 00:28:08,680 Speaker 4: So thanks again for having me here today. 589 00:28:08,760 --> 00:28:09,639 Speaker 5: I am so honored. 590 00:28:09,640 --> 00:28:10,960 Speaker 3: Thank you for coming to me. 591 00:28:13,320 --> 00:28:16,280 Speaker 1: Thanks for listening to Taking a Walk Nashville with singer 592 00:28:16,320 --> 00:28:21,040 Speaker 1: songwriter Sarah Harrelson, and check out our other podcasts, Music 593 00:28:21,080 --> 00:28:24,760 Speaker 1: Save Me, Comedy Save Me, and Taking a Walk. Available 594 00:28:24,760 --> 00:28:28,080 Speaker 1: on the iHeartRadio app, Apple Podcasts, or wherever you get 595 00:28:28,119 --> 00:28:29,000 Speaker 1: your podcasts