1 00:00:01,160 --> 00:00:04,840 Speaker 1: Hello the Internet, and welcome to this episode of Hogwarts 2 00:00:04,920 --> 00:00:11,560 Speaker 1: trend to Guess, But that, of course is the music 3 00:00:11,680 --> 00:00:17,600 Speaker 1: from Hot Hodgwartz trend to Get Legacy more like hogwash? 4 00:00:17,800 --> 00:00:23,320 Speaker 1: Am I right? That's so. Those are the comedic stylings 5 00:00:23,520 --> 00:00:27,000 Speaker 1: of today's special guest co host DJ Daniel good Man. 6 00:00:27,400 --> 00:00:30,920 Speaker 1: It is a your boy, Mr Steel, Your Ariel in 7 00:00:31,200 --> 00:00:34,159 Speaker 1: the building, happy to be here, ready to Ariel like 8 00:00:34,280 --> 00:00:37,680 Speaker 1: Ariel for the Little Mermaid. It is yes, um, yeah, 9 00:00:37,880 --> 00:00:40,400 Speaker 1: I'm I call me whatever that dude's name is from 10 00:00:40,440 --> 00:00:43,919 Speaker 1: the movie because Prince Eric, Prince Eric, thank you. Yes, 11 00:00:43,920 --> 00:00:45,760 Speaker 1: because she's about to grow some legs and be like 12 00:00:45,960 --> 00:00:49,880 Speaker 1: I need some of that. No, no, no, I'm taking 13 00:00:50,320 --> 00:00:55,520 Speaker 1: did not like that, isn't it? Ursula? Mr Steel, your Ariel? 14 00:00:55,840 --> 00:01:00,560 Speaker 1: I guess? Yeah? Really? Yeah, so your Ariel's voice. Hey, 15 00:01:00,600 --> 00:01:05,720 Speaker 1: there we go. Oh God, make her silent so that 16 00:01:05,880 --> 00:01:09,000 Speaker 1: Eric can fall in love with her. Ha ha, that's 17 00:01:09,080 --> 00:01:13,000 Speaker 1: the that's the trick. Because of toxic MASCULINITYA thought. Ha. 18 00:01:13,240 --> 00:01:17,399 Speaker 1: She'll never find love while she's silent. But because of 19 00:01:17,440 --> 00:01:24,040 Speaker 1: toxic masculinity. Eric was like, oh my god, she's so perfect, perfect, Brian, 20 00:01:24,120 --> 00:01:26,000 Speaker 1: you don't have to worry about anything, she might say. 21 00:01:26,040 --> 00:01:30,679 Speaker 1: Ha ha ha ha. All right, there's there's a bunch 22 00:01:30,760 --> 00:01:39,080 Speaker 1: going on the discourse. Is uh ablaze ablaze, bubbling, bubbling, bubbling. 23 00:01:39,520 --> 00:01:44,200 Speaker 1: Hogworth's Legacy is trending. It has crossed my desk. Yes, 24 00:01:44,560 --> 00:01:47,680 Speaker 1: I know everybody sees gaming news. What does Jack think? 25 00:01:47,760 --> 00:01:51,040 Speaker 1: What's Jack kinda says about it? Is it out on switch? 26 00:01:51,680 --> 00:01:54,320 Speaker 1: Is it out on switch? The answer to that, I, 27 00:01:54,440 --> 00:01:56,559 Speaker 1: of course no, but I'm not going to say it here. 28 00:01:57,040 --> 00:01:59,240 Speaker 1: I appreciate that because I'm not going to date the 29 00:01:59,280 --> 00:02:01,680 Speaker 1: show because I'm might one day, you know, you never know, 30 00:02:02,040 --> 00:02:09,240 Speaker 1: and then evergreen where it might be right now? Uh so, Daniel, Yes, 31 00:02:10,160 --> 00:02:16,320 Speaker 1: pretend I'm an idiot, so I close your eyes. Just 32 00:02:16,840 --> 00:02:20,839 Speaker 1: imagine a world where I'm a complete fucking idiot. Don't 33 00:02:20,880 --> 00:02:24,840 Speaker 1: know nothing. It doesn't know shit about the world of gaming. 34 00:02:25,120 --> 00:02:29,760 Speaker 1: Absolutely what what? What's going on? Hogwarts Legacy? Is it 35 00:02:29,880 --> 00:02:33,080 Speaker 1: a is it a sandbox game? Is it's a very 36 00:02:33,120 --> 00:02:36,800 Speaker 1: good jack? So? Hogwarts Legacy is the open world RPG 37 00:02:37,000 --> 00:02:41,160 Speaker 1: developed by Avalanche Games or Avalanche Studios for all your 38 00:02:41,400 --> 00:02:45,640 Speaker 1: contemporary quote unquote next gen systems. It is a Harry 39 00:02:45,720 --> 00:02:49,120 Speaker 1: Potter RPG that, if you ask I g N is 40 00:02:49,200 --> 00:02:52,560 Speaker 1: the game that every Harry Potter video gaming fan has 41 00:02:52,600 --> 00:02:55,959 Speaker 1: been waiting for. And I'm sure to a certain extent 42 00:02:56,320 --> 00:02:59,919 Speaker 1: that there I don't know, maybe right, but the release 43 00:03:00,040 --> 00:03:03,600 Speaker 1: of this game has gotten so many people to crawl 44 00:03:03,680 --> 00:03:06,040 Speaker 1: out of their high holes to participate in a discourse 45 00:03:06,120 --> 00:03:10,280 Speaker 1: that is absolutely fraught with bullshit and throw out takes 46 00:03:10,360 --> 00:03:13,240 Speaker 1: that are completely ridiculous. And I want to talk about 47 00:03:13,280 --> 00:03:16,000 Speaker 1: them very brief briefly for a little bit. And I 48 00:03:16,040 --> 00:03:19,000 Speaker 1: want to start with the idea you just unrolled a 49 00:03:19,080 --> 00:03:21,440 Speaker 1: whole long as scroll. You guys, when you say you 50 00:03:21,480 --> 00:03:24,480 Speaker 1: can't see, actually it goes behind me. It just rolled 51 00:03:24,560 --> 00:03:27,560 Speaker 1: out the door. And then I heard some cars get 52 00:03:27,600 --> 00:03:30,519 Speaker 1: into a car accident outside when it rolled into the street. 53 00:03:30,720 --> 00:03:34,079 Speaker 1: So right, that's what we're dealing with. But I I 54 00:03:34,240 --> 00:03:37,160 Speaker 1: seed the floor to you. I'm just gonna go go 55 00:03:37,320 --> 00:03:41,320 Speaker 1: for a job. Well, I'm gonna get my soapbox out 56 00:03:41,320 --> 00:03:43,840 Speaker 1: of the way. Here longs the long story short here 57 00:03:44,000 --> 00:03:46,040 Speaker 1: is that like it brings up a bunch of topics that, 58 00:03:46,160 --> 00:03:49,000 Speaker 1: like you know, sometimes come to the forefront, things like 59 00:03:49,320 --> 00:03:51,840 Speaker 1: separating the art from the artist, things like we need 60 00:03:51,920 --> 00:03:55,200 Speaker 1: to support X person, things like well, that's the way 61 00:03:55,280 --> 00:03:57,880 Speaker 1: business works and blah blah blah. All of these like 62 00:03:58,120 --> 00:04:00,560 Speaker 1: trends that you know are are sometime are easier to 63 00:04:00,800 --> 00:04:03,920 Speaker 1: tackle in like confined packages where it's like, you like 64 00:04:04,160 --> 00:04:06,640 Speaker 1: music from this person, but they're also an abuser. How 65 00:04:06,720 --> 00:04:09,360 Speaker 1: do you handle those two things. That's a conversation that 66 00:04:09,520 --> 00:04:13,360 Speaker 1: we can have another time about whatever. But with Hogwarts Legacy, 67 00:04:13,920 --> 00:04:16,919 Speaker 1: this is a game that is about the wizarding world 68 00:04:17,120 --> 00:04:20,320 Speaker 1: created by a J. K. Rowling. This game was produced 69 00:04:20,480 --> 00:04:23,680 Speaker 1: and released in a world completely aware of her own, 70 00:04:24,360 --> 00:04:28,280 Speaker 1: you know, horrible thoughts and beliefs or turf nature, like 71 00:04:28,480 --> 00:04:31,200 Speaker 1: everything about J. K. Rowling that we that we now 72 00:04:31,320 --> 00:04:35,200 Speaker 1: really know. It's also something that is forcing quote unquote 73 00:04:35,279 --> 00:04:38,760 Speaker 1: forcing the hand of media giants and game reviewers to 74 00:04:38,960 --> 00:04:41,840 Speaker 1: participate in the discourse of talking about this game. Some 75 00:04:42,000 --> 00:04:45,520 Speaker 1: people handle that well. Some people absolutely are not. And 76 00:04:45,600 --> 00:04:47,680 Speaker 1: I think one of the people that handled this really 77 00:04:47,720 --> 00:04:49,880 Speaker 1: poorly is I g N. I g N is a 78 00:04:49,920 --> 00:04:53,400 Speaker 1: company that you know has been reviewing games for years, 79 00:04:53,560 --> 00:04:57,320 Speaker 1: is a huge, huge, huge company, and they gave this 80 00:04:57,520 --> 00:05:00,240 Speaker 1: game a nine out of ten. A nine out of ten, 81 00:05:00,800 --> 00:05:03,160 Speaker 1: and the criteria for a game being a nine out 82 00:05:03,200 --> 00:05:05,360 Speaker 1: of ten is this If we call again nine out 83 00:05:05,360 --> 00:05:08,960 Speaker 1: of ten means it's amazing. If we call a game amazing, 84 00:05:09,040 --> 00:05:11,840 Speaker 1: that means something about it seriously impressed us, whether it's 85 00:05:11,839 --> 00:05:15,040 Speaker 1: an inspired new idea or an exceptional take on an 86 00:05:15,080 --> 00:05:17,560 Speaker 1: old one. We expect to look at this game as 87 00:05:17,600 --> 00:05:22,240 Speaker 1: one of the highlights of its time and genre. And 88 00:05:23,040 --> 00:05:24,600 Speaker 1: I just wanted to quickly pull out a couple of 89 00:05:24,680 --> 00:05:28,080 Speaker 1: lines from the actual review of this game, just certain 90 00:05:28,160 --> 00:05:31,760 Speaker 1: lines that stuck out to me as uh, maybe things 91 00:05:31,800 --> 00:05:35,400 Speaker 1: that go counter to that very review not reflective of 92 00:05:35,480 --> 00:05:39,080 Speaker 1: a nine out of ten not reflective ideas tradition correct. 93 00:05:39,480 --> 00:05:42,240 Speaker 1: It may not be the most impressive technical achievement, and 94 00:05:42,320 --> 00:05:44,920 Speaker 1: it is certainly cursed with a lack of enemy variety. 95 00:05:45,440 --> 00:05:48,560 Speaker 1: One Legacies plot has more holes than a fish net 96 00:05:48,640 --> 00:05:51,200 Speaker 1: stocking and sort of just expects you to accept that 97 00:05:51,279 --> 00:05:54,680 Speaker 1: its magical world makes no sense too if you're like 98 00:05:54,839 --> 00:05:56,880 Speaker 1: me and you roll your eyes during moments when you're 99 00:05:56,880 --> 00:05:59,640 Speaker 1: introduced to hundred years worth of dead characters lettering you 100 00:05:59,760 --> 00:06:04,359 Speaker 1: from hatings. Three Legacies dicey performance suffered from just about 101 00:06:04,400 --> 00:06:06,600 Speaker 1: every issue that makes I g m S Performance review 102 00:06:06,680 --> 00:06:09,960 Speaker 1: team cry frame reading, consistency, weird issues with the lighting, 103 00:06:10,000 --> 00:06:13,200 Speaker 1: aggressive Poppin and more. Every door in Hogwarts has a 104 00:06:13,240 --> 00:06:16,400 Speaker 1: brief loading screen. We're talking about stuff that is just 105 00:06:16,600 --> 00:06:19,160 Speaker 1: like some of these things are day one patch stuff 106 00:06:19,160 --> 00:06:20,680 Speaker 1: where it's like this stuff is gonna get fixed, it 107 00:06:20,680 --> 00:06:22,760 Speaker 1: doesn't really matter. But then you have things like the 108 00:06:22,839 --> 00:06:26,119 Speaker 1: plot doesn't make sense, the enemies are boring, the world 109 00:06:26,279 --> 00:06:29,120 Speaker 1: is You're just full of exposition and nonsense, stuff that 110 00:06:29,200 --> 00:06:31,240 Speaker 1: on a very base level takes a game out of 111 00:06:31,320 --> 00:06:35,960 Speaker 1: the category of amazing or unique. And that's only looking 112 00:06:36,000 --> 00:06:38,560 Speaker 1: at this game on the level of it's just a 113 00:06:38,600 --> 00:06:41,360 Speaker 1: regular game with no other political issues around it at all. 114 00:06:42,120 --> 00:06:45,040 Speaker 1: And I g N does a very very short skirting 115 00:06:45,200 --> 00:06:48,960 Speaker 1: thing of well, here's how we talk about this game, 116 00:06:49,640 --> 00:06:51,360 Speaker 1: and I'm not going to read the whole thing, but 117 00:06:51,520 --> 00:06:54,240 Speaker 1: the long story short of their little like you know, 118 00:06:54,600 --> 00:06:58,560 Speaker 1: of their of their small piece about why or why 119 00:06:58,640 --> 00:07:01,720 Speaker 1: not the reviewing this game is because their whole thing 120 00:07:01,880 --> 00:07:04,080 Speaker 1: is as a company, we have to talk about the 121 00:07:04,240 --> 00:07:07,839 Speaker 1: video game as a video game, outside of politics, outside 122 00:07:07,880 --> 00:07:10,480 Speaker 1: of discourse, and just how it presents itself as a 123 00:07:10,600 --> 00:07:13,920 Speaker 1: video game. And that's something we have to do. And 124 00:07:14,240 --> 00:07:18,360 Speaker 1: I think that is bullshit. I don't believe that at all. 125 00:07:18,680 --> 00:07:21,080 Speaker 1: I think The reality is more along the lines of 126 00:07:21,240 --> 00:07:23,040 Speaker 1: another thing that I have linked in the stock here, 127 00:07:23,120 --> 00:07:25,240 Speaker 1: and I promise I will get off my soapbox shortly, 128 00:07:25,760 --> 00:07:29,600 Speaker 1: which is this. This is a tweet from Patrick Kleppick. 129 00:07:30,400 --> 00:07:34,520 Speaker 1: Watching gaming outlets jump through rhetorical hoops to justify coverage 130 00:07:34,560 --> 00:07:37,560 Speaker 1: on Hogwarts Legacy isn't surprising, but it would be more 131 00:07:37,640 --> 00:07:40,360 Speaker 1: honest if they played it straight and just said quote, 132 00:07:40,600 --> 00:07:43,320 Speaker 1: our shaky business model does not allow us to ignore 133 00:07:43,400 --> 00:07:47,400 Speaker 1: any game that might sell ten million copies. And unfortunately 134 00:07:47,560 --> 00:07:51,239 Speaker 1: that is the truth. If this company, we're talking about 135 00:07:51,960 --> 00:07:55,280 Speaker 1: so much lost revenue, if they were to not cover 136 00:07:55,440 --> 00:07:58,320 Speaker 1: this game that is undoubtedly going to sell well, because 137 00:07:58,360 --> 00:08:01,040 Speaker 1: there are certain Harry Potter fans who, despite the fact 138 00:08:01,080 --> 00:08:04,400 Speaker 1: that there are tons that really felt touched by the 139 00:08:04,880 --> 00:08:07,880 Speaker 1: by you know, the book's narrative about you know, finding 140 00:08:07,920 --> 00:08:10,560 Speaker 1: your truest and best version of yourself and striking down 141 00:08:10,600 --> 00:08:14,200 Speaker 1: the forces of evil, how that applied to their own 142 00:08:14,320 --> 00:08:18,440 Speaker 1: lives and their own you know, self realization and self actualization. 143 00:08:18,840 --> 00:08:21,080 Speaker 1: Despite all that, they're still going to cover this game 144 00:08:21,320 --> 00:08:24,680 Speaker 1: that directly supports this awful turf woman who you know 145 00:08:25,480 --> 00:08:29,600 Speaker 1: is making so much money off of this game. And 146 00:08:29,680 --> 00:08:33,800 Speaker 1: that sucks. Um, and it's just um, yeah, so you know, 147 00:08:34,640 --> 00:08:37,000 Speaker 1: long story short, people are really going out the work 148 00:08:37,040 --> 00:08:38,800 Speaker 1: to say, well, it's okay if I review this game, 149 00:08:38,920 --> 00:08:41,760 Speaker 1: or it's okay if I play this game, because man, 150 00:08:41,920 --> 00:08:43,720 Speaker 1: it would sure be bad if all these developers who 151 00:08:43,760 --> 00:08:46,320 Speaker 1: worked on this game weren't able to eat. First of all, 152 00:08:46,640 --> 00:08:48,480 Speaker 1: they get paid no matter what. It's not like all 153 00:08:48,520 --> 00:08:50,679 Speaker 1: of them are getting royalties. And second of all, if 154 00:08:50,760 --> 00:08:53,840 Speaker 1: that's your stance, you have to go and support literally everything. 155 00:08:54,160 --> 00:08:58,080 Speaker 1: Go see every movie, eat at every restaurant, read every book, 156 00:08:58,240 --> 00:09:00,840 Speaker 1: listen to every music album, because God forbid, the people 157 00:09:00,880 --> 00:09:02,880 Speaker 1: who did the work on those things don't get the 158 00:09:02,960 --> 00:09:05,760 Speaker 1: support that you think they deserve. That's the end of 159 00:09:05,800 --> 00:09:08,679 Speaker 1: my right. Well, speaking of music albums, which is what 160 00:09:08,800 --> 00:09:13,360 Speaker 1: we call them here, Um, the Grammy's happened. The Grammys happened. 161 00:09:14,320 --> 00:09:19,040 Speaker 1: And another thing that is just has the take machine 162 00:09:20,200 --> 00:09:27,120 Speaker 1: in over running. It's just so it's it's lost, it's equilibrium. Um, 163 00:09:27,800 --> 00:09:31,200 Speaker 1: I don't know, it's it was one of the those 164 00:09:31,280 --> 00:09:35,559 Speaker 1: moments two where where it really seemed like, oh man, 165 00:09:35,760 --> 00:09:39,880 Speaker 1: this is something that I don't care that much about, 166 00:09:40,000 --> 00:09:43,400 Speaker 1: but that everybody was in on it. Felt like, or 167 00:09:43,400 --> 00:09:45,240 Speaker 1: at least there was a lot of people who were 168 00:09:45,360 --> 00:09:50,240 Speaker 1: surprised when the Best Album Grammy went to the wrong person. 169 00:09:51,520 --> 00:09:57,000 Speaker 1: For instance, um, when Song of the Year instead of 170 00:09:57,120 --> 00:10:03,360 Speaker 1: going to Beyonce or Lizzo, although Lizzo one Record of 171 00:10:03,360 --> 00:10:07,199 Speaker 1: the Year, which is also the categories are fucking confusing, ridiculous. 172 00:10:07,240 --> 00:10:09,640 Speaker 1: Record of the Year is actually song of the Year, 173 00:10:09,880 --> 00:10:13,760 Speaker 1: but as like including production, where a song of the 174 00:10:13,880 --> 00:10:16,680 Speaker 1: Year is just about songwriting. And they went to Bonnie 175 00:10:16,800 --> 00:10:20,960 Speaker 1: Rate which is an artist that my parents were into 176 00:10:21,640 --> 00:10:25,800 Speaker 1: when I was twelve, Like so she was like old 177 00:10:25,920 --> 00:10:28,760 Speaker 1: at year. Some of those songs I've like listened back 178 00:10:28,760 --> 00:10:30,880 Speaker 1: to them, been like they're pretty solid. But like I 179 00:10:31,360 --> 00:10:34,559 Speaker 1: anytime the winner is announced and I have to be like, oh, 180 00:10:34,640 --> 00:10:37,360 Speaker 1: I'm looking at the wrong year. This is this is 181 00:10:37,440 --> 00:10:41,760 Speaker 1: a past year's list of winners. It's it's always just tricky, 182 00:10:41,880 --> 00:10:44,720 Speaker 1: Like I didn't, I don't. I don't feel like Bonnie 183 00:10:44,800 --> 00:10:49,920 Speaker 1: Rates return captured the Zekeeys necessarily this year. Um, maybe 184 00:10:49,960 --> 00:10:53,600 Speaker 1: it did. I I guess it did. Among the elderly 185 00:10:54,000 --> 00:10:56,559 Speaker 1: folks who vote on the Grammys, though exactly is the 186 00:10:56,640 --> 00:11:00,160 Speaker 1: point among the representative body that makes these decisions is 187 00:11:00,200 --> 00:11:03,240 Speaker 1: that do not matter. But last year, A Bad Bunny 188 00:11:03,520 --> 00:11:06,840 Speaker 1: did not kind of got a lot of snubs despite 189 00:11:06,880 --> 00:11:09,240 Speaker 1: having what a lot of people thought was, like, it 190 00:11:09,520 --> 00:11:11,720 Speaker 1: feels like this will be the year that people look 191 00:11:11,760 --> 00:11:14,760 Speaker 1: back on and say, well, bad Bunny is this was 192 00:11:14,840 --> 00:11:19,040 Speaker 1: the artist who, like, whether it was reviews, you know, 193 00:11:19,160 --> 00:11:21,280 Speaker 1: one of the best reviewed albums of the year when 194 00:11:21,320 --> 00:11:25,800 Speaker 1: you look at apples like most played Songs or Spotify's 195 00:11:25,840 --> 00:11:29,320 Speaker 1: most played songs, like across the year. For like six 196 00:11:29,400 --> 00:11:32,360 Speaker 1: months after he dropped his album, like, there were like 197 00:11:32,640 --> 00:11:36,560 Speaker 1: five songs off this album in the top ten. Bad Bunny, Yeah, 198 00:11:36,679 --> 00:11:39,439 Speaker 1: Badunny Bunny all the way down. Yeah, it's Bad Bunnies 199 00:11:39,440 --> 00:11:42,920 Speaker 1: all the way down. Um so I don't know it, 200 00:11:43,880 --> 00:11:47,320 Speaker 1: but again I'm just like, so ever since they gave 201 00:11:48,000 --> 00:11:53,000 Speaker 1: the first best rap album too Will Smith and DJ 202 00:11:53,160 --> 00:12:00,520 Speaker 1: Jazzy Jeff over a Public Enemy and gave McLemore rap 203 00:12:00,720 --> 00:12:06,079 Speaker 1: album over Good Kids at City, I mean, that's it, 204 00:12:06,440 --> 00:12:11,520 Speaker 1: that's it, that's I need, that's it. Where Ever since 205 00:12:11,559 --> 00:12:14,040 Speaker 1: they picked a fight with Frank Ocean because he wouldn't 206 00:12:14,080 --> 00:12:18,439 Speaker 1: go along with their weird like the Grammy musical performances, 207 00:12:18,480 --> 00:12:20,199 Speaker 1: and we're gonna talk about one of them, which was 208 00:12:20,360 --> 00:12:24,319 Speaker 1: like iconic that happened this year, Like they're big production numbers. 209 00:12:25,480 --> 00:12:29,160 Speaker 1: It's very cool that these things are happening because they're 210 00:12:29,160 --> 00:12:32,000 Speaker 1: able to get like amazing talent together because they are 211 00:12:32,320 --> 00:12:35,000 Speaker 1: the powers that be in the music industry quite literally. 212 00:12:35,840 --> 00:12:42,760 Speaker 1: But the production is weird and overwrought and it's always like, 213 00:12:43,720 --> 00:12:47,240 Speaker 1: I don't know, you can tell that there are live 214 00:12:47,679 --> 00:12:52,480 Speaker 1: like music performance producers are like something who whatever the 215 00:12:52,559 --> 00:12:55,160 Speaker 1: funk that is called that they're producing. There are people 216 00:12:55,200 --> 00:12:57,040 Speaker 1: who are like that is really what we want to 217 00:12:57,080 --> 00:13:00,400 Speaker 1: be the star of the show, right, and not Frank Ocean. 218 00:13:01,000 --> 00:13:02,839 Speaker 1: So they picked a fright with Frank Ocean where like 219 00:13:02,880 --> 00:13:06,319 Speaker 1: Frank actually doesn't like he he's his own worst enemy, 220 00:13:06,640 --> 00:13:10,120 Speaker 1: um and we did not like enjoy working with him 221 00:13:10,400 --> 00:13:13,720 Speaker 1: and whatever. Yeah, it's just like shut the funk up, 222 00:13:13,760 --> 00:13:17,640 Speaker 1: shut up. Yeah. But anyways, they did have a big 223 00:13:18,720 --> 00:13:22,000 Speaker 1: thing the Rap fifty Years of Rap because raps fiftie 224 00:13:22,040 --> 00:13:26,760 Speaker 1: anniversary debatable, but some people believe it's coming up shot 225 00:13:26,800 --> 00:13:30,840 Speaker 1: a cool hurt, Yeah, cool Hirk back to school party, 226 00:13:31,040 --> 00:13:34,800 Speaker 1: that cool hurricane his sister through that had like that 227 00:13:35,040 --> 00:13:38,439 Speaker 1: that was where the seed was planted. According to some 228 00:13:38,640 --> 00:13:42,079 Speaker 1: people on one side of a very controversial subject exactly, 229 00:13:43,160 --> 00:13:47,640 Speaker 1: but so they did like a you know, twenty minute 230 00:13:47,840 --> 00:13:49,240 Speaker 1: or I don't I don't know how long it was 231 00:13:49,280 --> 00:13:51,240 Speaker 1: because I can't find a clip of it because they're 232 00:13:51,280 --> 00:13:53,199 Speaker 1: they're lugging this ship down. So I just find like 233 00:13:53,360 --> 00:13:57,760 Speaker 1: individual clips of people taking shots from their phone of 234 00:13:57,920 --> 00:14:02,240 Speaker 1: the TV for twenties seconds. I've seen multiple clips, and 235 00:14:02,320 --> 00:14:04,679 Speaker 1: it really seemed to be something that people were responding to. 236 00:14:05,240 --> 00:14:09,280 Speaker 1: And again I ask those people, why are you watching 237 00:14:09,360 --> 00:14:14,480 Speaker 1: the Grammy? I guess for moments like what exactly it's 238 00:14:14,520 --> 00:14:18,760 Speaker 1: a you know, I think, uh, the I think one 239 00:14:18,800 --> 00:14:20,920 Speaker 1: of the things that invites so much controversy as well, 240 00:14:20,920 --> 00:14:24,400 Speaker 1: because I know another thing that people were getting the 241 00:14:24,520 --> 00:14:27,120 Speaker 1: little Twitter fingers hot about was Harry Styles going up 242 00:14:27,160 --> 00:14:29,440 Speaker 1: there and saying this doesn't happen to people like me often. 243 00:14:29,920 --> 00:14:33,360 Speaker 1: And it's just like, man, you really walked into that one, 244 00:14:33,680 --> 00:14:37,160 Speaker 1: because you could very easily just accept your reward, hold 245 00:14:37,240 --> 00:14:39,960 Speaker 1: up the trophy and go hey thanks, and no one 246 00:14:40,040 --> 00:14:43,640 Speaker 1: would say shits. Yeah, they would have, I mean probably, 247 00:14:43,720 --> 00:14:46,240 Speaker 1: but it's like, but it's not like you stiffed Beyonce. 248 00:14:46,440 --> 00:14:49,600 Speaker 1: It's not like you stiffed bad Bunny. All these people 249 00:14:49,600 --> 00:14:51,800 Speaker 1: are releasing music, and it's like, that's just it's their job. 250 00:14:51,800 --> 00:14:53,880 Speaker 1: They're supposed to release music. Like it's not like Harry 251 00:14:53,880 --> 00:14:55,760 Speaker 1: Styles is being like, well, I better not release this 252 00:14:55,800 --> 00:14:58,080 Speaker 1: album because I don't want to step on Beyonce maybe 253 00:14:58,160 --> 00:15:01,560 Speaker 1: getting a Grammy. That's not how it works. But you know, 254 00:15:01,760 --> 00:15:03,280 Speaker 1: you do get to choose what you go up there 255 00:15:03,320 --> 00:15:06,400 Speaker 1: and say and how you represent yourself. And um, I 256 00:15:06,480 --> 00:15:08,920 Speaker 1: think everybody can take a lesson, take a big old 257 00:15:08,920 --> 00:15:12,000 Speaker 1: slice of humble pie, and just remember, don't go up 258 00:15:12,040 --> 00:15:15,200 Speaker 1: there and say anything. Just don't don't say anything at all. 259 00:15:15,320 --> 00:15:18,160 Speaker 1: This voting body is only here to present awards to 260 00:15:19,000 --> 00:15:22,600 Speaker 1: people for whatever reason. It never makes any sense. It's 261 00:15:22,640 --> 00:15:25,760 Speaker 1: never good. But when you insert yourself into the discourse 262 00:15:25,840 --> 00:15:28,880 Speaker 1: by saying some ship like that Harry Styles, Oh baby, 263 00:15:29,160 --> 00:15:30,920 Speaker 1: I mean this is you know, you reap what you 264 00:15:31,040 --> 00:15:33,920 Speaker 1: sew and that's what happened there. Just go up there 265 00:15:33,920 --> 00:15:35,480 Speaker 1: and shut the funk up and take your trophy and 266 00:15:35,520 --> 00:15:38,560 Speaker 1: get drunk on the free meal and then go. The 267 00:15:38,640 --> 00:15:42,440 Speaker 1: other moment that really seemed to stand out to people, 268 00:15:42,560 --> 00:15:48,480 Speaker 1: or at least me, UM was singer and songwriter Adele 269 00:15:49,800 --> 00:15:55,040 Speaker 1: was presented with um an Award for Best Pop Solo 270 00:15:55,200 --> 00:15:59,520 Speaker 1: Performance category, Hell yeah. And presenting that award was of 271 00:15:59,680 --> 00:16:03,480 Speaker 1: core Dwayne the Rock Johnson, the Rock, well, the one 272 00:16:03,520 --> 00:16:08,200 Speaker 1: and only Dwayne the Rock Johnson, who handed her the grandphone. 273 00:16:08,520 --> 00:16:12,320 Speaker 1: Uh and in announcing it, he opened the envelope, read 274 00:16:12,360 --> 00:16:16,960 Speaker 1: it and said, get up here, best friend, adele, which 275 00:16:17,080 --> 00:16:21,000 Speaker 1: is how humans talk to one another. I also want 276 00:16:21,040 --> 00:16:24,000 Speaker 1: to believe that in in in my head, one of 277 00:16:24,120 --> 00:16:26,560 Speaker 1: his people was like, just call her bestie, because like 278 00:16:26,680 --> 00:16:28,880 Speaker 1: that's what everybody likes these days. And he was like, 279 00:16:28,960 --> 00:16:30,600 Speaker 1: what does that mean. It's like, it's your best friend. 280 00:16:30,640 --> 00:16:32,440 Speaker 1: He's like, okay, cool, I got it. Yeah, for sure, 281 00:16:33,080 --> 00:16:35,520 Speaker 1: get up your best friend. It's like I was supposed 282 00:16:35,520 --> 00:16:42,800 Speaker 1: to be Bestiewayne just disconnected. Amazing. All right, let's take 283 00:16:42,800 --> 00:16:45,640 Speaker 1: a quick break. We'll be back with a couple more things, 284 00:16:56,320 --> 00:17:03,000 Speaker 1: and we're back and that. So the big Kyrie trade 285 00:17:03,240 --> 00:17:08,640 Speaker 1: happened was bomb sham drop the WOA just of WOA 286 00:17:08,840 --> 00:17:17,920 Speaker 1: bombs happened. Um and Kyrie Irving, who famous anti semi right, yeah, okay, 287 00:17:17,960 --> 00:17:25,840 Speaker 1: well who you know then was like, oh damn, my 288 00:17:26,040 --> 00:17:30,280 Speaker 1: bad kind of I talked to a rabbi and that's 289 00:17:30,320 --> 00:17:35,159 Speaker 1: all good now right Anyways, Uh, you know, requested or 290 00:17:35,240 --> 00:17:38,720 Speaker 1: trade at that towards the end of last week, the 291 00:17:38,840 --> 00:17:45,320 Speaker 1: nets were like, granted badly, good sir, no problem, And 292 00:17:46,080 --> 00:17:50,359 Speaker 1: so he got traded to the Dallas Mavericks, who have 293 00:17:50,600 --> 00:17:54,040 Speaker 1: one of the other best offensive players in the league, 294 00:17:54,440 --> 00:17:59,960 Speaker 1: Luca don Chich. Mark Cuban is the owner Cuba Mr Cuba. 295 00:18:00,800 --> 00:18:04,960 Speaker 1: Mr Cubano himself one of my least favorites just in 296 00:18:05,119 --> 00:18:09,280 Speaker 1: general in terms as people go. Sure, just from his 297 00:18:09,600 --> 00:18:13,520 Speaker 1: his shark tankness and listening to him interviewed. He's got big, 298 00:18:14,200 --> 00:18:21,480 Speaker 1: He's just got that that smug billionaire, nous energy billionairosity. 299 00:18:23,560 --> 00:18:26,119 Speaker 1: But he apparently so there was somebody who did a 300 00:18:27,359 --> 00:18:32,719 Speaker 1: mural of Luca looking lonely and was like, come please, 301 00:18:33,119 --> 00:18:37,000 Speaker 1: Mark Cuban, bring Luca help. He needs help type of thing, 302 00:18:37,359 --> 00:18:41,680 Speaker 1: and Mark Cuban reached out to the muralist and said 303 00:18:42,560 --> 00:18:45,239 Speaker 1: told like reprimanded them and told them that they were 304 00:18:45,280 --> 00:18:50,600 Speaker 1: being rude. But then yeah, but he's just like soft 305 00:18:50,680 --> 00:18:55,280 Speaker 1: bit he's so he's so like insecure, but like in 306 00:18:55,400 --> 00:18:59,879 Speaker 1: a way where he wants to you know, project security 307 00:19:00,200 --> 00:19:04,880 Speaker 1: and like strength. So baby, I know. So he then 308 00:19:05,200 --> 00:19:09,320 Speaker 1: immediately went and made a questionable trade because neither of 309 00:19:09,400 --> 00:19:14,400 Speaker 1: them play great defense. They're both like ball dominant offensive players. 310 00:19:14,920 --> 00:19:19,359 Speaker 1: Kyrier Bring has alienated every team that he's ever been 311 00:19:19,400 --> 00:19:24,399 Speaker 1: a part of. Um, it's the mess. You can always, 312 00:19:24,960 --> 00:19:27,600 Speaker 1: you know, get get an initial idea of how a 313 00:19:27,680 --> 00:19:31,119 Speaker 1: trade has gone by how audience or how the fans 314 00:19:31,160 --> 00:19:35,359 Speaker 1: of the various teams are reacting. And let's call this 315 00:19:35,440 --> 00:19:40,200 Speaker 1: a win for the Nets. Homie Adam, big Nets fan 316 00:19:40,480 --> 00:19:47,159 Speaker 1: shout out. Adam was like relief, finally relief, just relief. 317 00:19:47,640 --> 00:19:51,920 Speaker 1: It's like it's like the the room has quieted down. 318 00:19:52,080 --> 00:19:58,040 Speaker 1: Everybody went, yeah, peace piece at last. Yeah, I don't 319 00:19:58,040 --> 00:20:02,360 Speaker 1: know with you and also Untie netstands Yeah, I also think. 320 00:20:02,400 --> 00:20:03,639 Speaker 1: I mean, I don't know how much time is left 321 00:20:03,680 --> 00:20:05,680 Speaker 1: in Lucas contract, but something tells me that he's pretty 322 00:20:05,680 --> 00:20:08,360 Speaker 1: frustrated as well, and like wants a wants a chip, 323 00:20:08,520 --> 00:20:11,359 Speaker 1: wants something or is g t FO getting the f 324 00:20:11,480 --> 00:20:15,760 Speaker 1: out of there? Mm hmm. Interesting that's what that stands for. Yes, 325 00:20:16,160 --> 00:20:18,560 Speaker 1: these are the things that you need to explain to me. Yeah, 326 00:20:19,720 --> 00:20:24,160 Speaker 1: and obviously, uh, you know, there was a horrible earthquake 327 00:20:24,560 --> 00:20:30,440 Speaker 1: that happened Turkey and Syria. M Yeah, killed more than 328 00:20:30,560 --> 00:20:35,359 Speaker 1: three thousand four hundred people. We link off to a 329 00:20:35,760 --> 00:20:39,879 Speaker 1: place where you can donate money to help people in 330 00:20:40,000 --> 00:20:44,520 Speaker 1: those regions in footnotes or show notes. But yeah, I 331 00:20:44,600 --> 00:20:50,800 Speaker 1: mean just a horrifying tragedy when that, uh, we should 332 00:20:50,800 --> 00:20:54,119 Speaker 1: all be keeping our eye on and it's beasts. I mean, 333 00:20:54,160 --> 00:20:56,920 Speaker 1: you know, just just very briefly as you know. Of course, 334 00:20:56,960 --> 00:20:59,760 Speaker 1: a cautionary tale is that, like you know, it was 335 00:21:00,000 --> 00:21:05,560 Speaker 1: two huge earthquakes back to back, and you see, you 336 00:21:05,640 --> 00:21:09,840 Speaker 1: know this is this is how fault lines work. Is 337 00:21:09,920 --> 00:21:13,320 Speaker 1: that like it's so rarely just one quick action that's 338 00:21:13,840 --> 00:21:16,119 Speaker 1: is of course it's scary, but it's just something to 339 00:21:16,359 --> 00:21:18,440 Speaker 1: keep in mind and be prepared for. This might be 340 00:21:18,480 --> 00:21:20,680 Speaker 1: a very l a centric thing here, but it's always 341 00:21:20,720 --> 00:21:24,159 Speaker 1: a constant reminder of earthquake safety and the importance of 342 00:21:24,240 --> 00:21:26,680 Speaker 1: mutual aid. And it's like we need to be able 343 00:21:26,760 --> 00:21:29,359 Speaker 1: to reach out and help people when they need it. 344 00:21:29,440 --> 00:21:32,760 Speaker 1: These natural disasters strike it completely random times and it's awful. 345 00:21:32,880 --> 00:21:35,160 Speaker 1: So you know, if there's ever time to reach out 346 00:21:35,240 --> 00:21:37,879 Speaker 1: and help your friends across the world, now is the 347 00:21:37,960 --> 00:21:39,920 Speaker 1: time to do it. So please help out. As a 348 00:21:40,000 --> 00:21:43,840 Speaker 1: lifelong Angelina, is that something you remember like experiencing an earthquake, 349 00:21:43,920 --> 00:21:47,479 Speaker 1: and then being like, oh, it's not done. Oh vividly. 350 00:21:47,560 --> 00:21:49,680 Speaker 1: We had an earthquake, you know, probably a week and 351 00:21:49,720 --> 00:21:52,159 Speaker 1: a half ago, where it rocked it first and then 352 00:21:52,200 --> 00:21:53,879 Speaker 1: for the next five or ten minutes, I was like, 353 00:21:54,520 --> 00:21:57,760 Speaker 1: hold fast, and there was and there was another. There 354 00:21:57,800 --> 00:22:00,240 Speaker 1: was another aftershock not long after. I mean, thankfully wasn't 355 00:22:00,280 --> 00:22:01,800 Speaker 1: very strong. It was it was like, you know, the 356 00:22:01,840 --> 00:22:04,320 Speaker 1: whole thing was okay, but you know, it's it's something 357 00:22:04,359 --> 00:22:05,720 Speaker 1: that you always think about. It's always in the back 358 00:22:05,720 --> 00:22:09,000 Speaker 1: of your mind. Yeah, I think I have earthquake blindness, 359 00:22:09,119 --> 00:22:12,359 Speaker 1: Like my equilibrium is just such that I don't notice 360 00:22:12,400 --> 00:22:16,200 Speaker 1: earthquakes when they happen. My wife will wake up and 361 00:22:16,280 --> 00:22:18,600 Speaker 1: I'm just I have my hands up like I'm on 362 00:22:18,680 --> 00:22:23,680 Speaker 1: a roller coaster, you know. All right, those are some 363 00:22:23,760 --> 00:22:27,720 Speaker 1: of the things that are trending on this Monday, February six. 364 00:22:28,280 --> 00:22:30,399 Speaker 1: We are back tomorrow with the whole last episode of 365 00:22:30,480 --> 00:22:33,240 Speaker 1: the show. Until then, be kind to each other, be 366 00:22:33,440 --> 00:22:36,520 Speaker 1: kind to yourselves, get the vaccine, don't do nothing about 367 00:22:36,520 --> 00:22:39,359 Speaker 1: white supremacy, and we will talk to you all tomorrow. 368 00:22:39,560 --> 00:22:39,600 Speaker 1: B