WEBVTT - U Got The Look… More with Molly Rogers

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<v Speaker 1>Hi.

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<v Speaker 2>I'm Kristin Davis, and I want to know are you

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<v Speaker 2>a Charlotte. Mollie Rogers is back for part two.

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<v Speaker 1>Welcome back, Molly.

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<v Speaker 2>Michael brought up the is it the deor the huge,

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<v Speaker 2>huge dress that we brought back in and just like that.

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<v Speaker 3>Was it Dior, Versace, the real flour, Yeah, the mil

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<v Speaker 3>flir Yeah yeah, Versace, yeah.

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<v Speaker 2>Versace got it? How did it happen?

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<v Speaker 3>There was a big Vogue spread, I think it was

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<v Speaker 3>called Alice in Wonderland and there were dresses in that

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<v Speaker 3>and I believe that was one of them, that gown

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<v Speaker 3>and Pat was like, call this in for me. I

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<v Speaker 3>want to see them, and actually call in all the

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<v Speaker 3>gowns in that. Shoot.

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<v Speaker 2>Wow.

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<v Speaker 3>And I have fitting photos of Sarah Jessica on the

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<v Speaker 3>dirty fitting room floor pretending like she's asleep and each

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<v Speaker 3>of those gowns.

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<v Speaker 2>Wow, we need those pictures, Mollie.

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<v Speaker 3>The rejects are really some of the best outfits on

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<v Speaker 3>all of you.

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<v Speaker 1>Oh, the region.

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<v Speaker 4>The things that didn't make yeah, reason whatever. Oh and

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<v Speaker 4>you you know I have the picture way back for

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<v Speaker 4>season one probably you'll remember, and you've got a tennis

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<v Speaker 4>outfit on and then you just played tennis in and.

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<v Speaker 2>Just like that, I know, which is crazy, right? And

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<v Speaker 2>also I just watched the episode where I have a little,

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<v Speaker 2>a little, a little fling with this hasidic Jewish artist

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<v Speaker 2>named schmool Uh what foreshadowing to Harry do you?

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<v Speaker 3>Yeah? Do you know that actor that played that guy?

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<v Speaker 2>I vaguely remember there's some story, right, what is it?

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<v Speaker 3>Yeah? I worked with him on a cop show when no,

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<v Speaker 3>he's adorable. He's in the Joker, the what's his name?

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<v Speaker 3>Slices his neck up? But yeah, he told me when

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<v Speaker 3>I met when he said, he said, I want you

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<v Speaker 3>to know you worked on Sex and the City And

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<v Speaker 3>I said yes, he said, I want you to know

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<v Speaker 3>that I played the seed um wow with Charlte And

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<v Speaker 3>I said you're kidding and he was like, and guess what,

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<v Speaker 3>it was my first acting job.

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<v Speaker 1>Adorable. I love to hear.

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<v Speaker 3>That, isn't that he's such an incredible actor.

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<v Speaker 1>Wow. I remember being very into that.

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<v Speaker 2>I mean, I would not have said that at the time.

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<v Speaker 2>I'm sure I was trying to hide it. But when

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<v Speaker 2>I look back at it, I'm like, what's going on

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<v Speaker 2>with me?

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<v Speaker 3>Then?

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<v Speaker 2>And I remember he was very present, you know, like

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<v Speaker 2>in a way that a lot of the guys weren't,

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<v Speaker 2>especially in the beginning when no one knew what the

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<v Speaker 2>show was, right, Like, I think for the guys, and

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<v Speaker 2>I haven't talked about this that much, but the guys

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<v Speaker 2>kind of had to play like a girlfriend part. They

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<v Speaker 2>weren't really used to it.

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<v Speaker 3>You need to get into that.

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<v Speaker 1>Don't I don't.

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<v Speaker 2>I I don't know if I should have a guy

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<v Speaker 2>on and try to talk to him about it. Is

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<v Speaker 2>that weird? Molly?

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<v Speaker 3>No, I think you know they all were. It was

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<v Speaker 3>role reversal.

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<v Speaker 2>It really was, and it threw them sometimes. They were

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<v Speaker 2>just like deer in the headlights, you know what I'm saying.

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<v Speaker 2>And I have another episode that hasn't come on yet,

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<v Speaker 2>but I remember this, and I'm trying to get into

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<v Speaker 2>call Hall Officiner to come on. She's she's not come

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<v Speaker 2>on yet. I don't know why, but I'm gonna. I'm

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<v Speaker 2>gonna pursue her, Okay, But I think I think it

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<v Speaker 2>was one that she directed. And I have a guy

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<v Speaker 2>and you know how Michael and Melfie and Darren would

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<v Speaker 2>cast these like very good looking, like there was a

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<v Speaker 2>type in the beginning, do you know what I'm saying?

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<v Speaker 2>And they're making right.

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<v Speaker 1>Their type exactly.

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<v Speaker 2>And this guy comes in, very handsome guy, and I'm

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<v Speaker 2>supposed to be I don't know if I'm picking him

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<v Speaker 2>up at a bar or flirting with him at a bar,

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<v Speaker 2>or if we're meeting at a bar, but we're at

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<v Speaker 2>a bar and he's supposed to say to me, you're

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<v Speaker 2>so hot. So we're at this rehearsal and you know,

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<v Speaker 2>people didn't know the show right first or second season,

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<v Speaker 2>didn't really know the show, and numerous different actors who

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<v Speaker 2>came in would say like, well, I'm not gonna say

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<v Speaker 2>these lines, am I.

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<v Speaker 1>And we'd be like, uh, yes, you are.

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<v Speaker 2>You know, we take this seriously, like you are going

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<v Speaker 2>to say those lines. So I'm sitting there and he's like,

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<v Speaker 2>I'm not gonna say it. I'm not gonna tell her

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<v Speaker 2>she's hot. And I'm like, oh god, uh you know me?

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<v Speaker 2>And secure me. I'm like, oh god, he doesn't think

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<v Speaker 2>I'm hot, you know. But also, like what woman would

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<v Speaker 2>come on to a show and say that. No woman

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<v Speaker 2>would come onto a show and be like I'm not

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<v Speaker 2>gonna say that that guy is hot.

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<v Speaker 1>No one would do that.

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<v Speaker 3>That is a fascinating story, and you need to go scratch.

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<v Speaker 1>Okay, I will, but I don't.

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<v Speaker 2>I don't know that actor's name, and I feel bad

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<v Speaker 2>even talking about it. It's gonna be some whack out headline.

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<v Speaker 2>But it was truly happened, you know, it did happen.

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<v Speaker 2>I don't want to make him feel bad, but you know,

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<v Speaker 2>he was like, I'm not gonna say that to her,

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<v Speaker 2>and I was like, oh god. And then I remember

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<v Speaker 2>Nicole going like, well, you need you you really need

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<v Speaker 2>to just say it to her. Just throw it just,

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<v Speaker 2>you know, just throw it off like second, you know,

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<v Speaker 2>like like you know nothing.

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<v Speaker 3>You want to watch that again?

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<v Speaker 2>Well? See, this is the joy of rewatching, right, Like,

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<v Speaker 2>so much comes back to you. It's quite amazing. You

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<v Speaker 2>should come back on and rewatch with me, babe.

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<v Speaker 3>It's really fun to watch reruns.

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<v Speaker 2>It is.

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<v Speaker 1>I never had watched them.

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<v Speaker 3>I hadn't either, right there. I have a couple of times,

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<v Speaker 3>and it's it holds up.

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<v Speaker 2>It does. It's so interesting to look at I know,

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<v Speaker 2>and we're so young, my god, we're so young.

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<v Speaker 1>But also the thing.

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<v Speaker 2>That I enjoy about it it moves so quickly and

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<v Speaker 2>it's over so quickly.

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<v Speaker 1>Yeah, how do we fit it all in? I know

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<v Speaker 1>it's like bam bam, bam, bam bam.

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<v Speaker 2>And I mean at the point that I am in

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<v Speaker 2>the first season, we don't even really have it structured

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<v Speaker 2>in the way that it became structured where her voiceover

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<v Speaker 2>would tie in to you know, Meanwhile, downtown Charlotte was

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<v Speaker 2>doing blah blah blah blah, and uptown Miranda was doing

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<v Speaker 2>blah blah blah. You know, we're not even there yet, right,

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<v Speaker 2>It's still very Hodgepodge and Sarah Jessica is still having

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<v Speaker 2>to talk to the camera sometimes. Wow, but you know

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<v Speaker 2>she's just dying inside, you know.

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<v Speaker 3>Oh my gosh, can you remember that every single season?

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<v Speaker 1>Apparently I am well fantastic. Sometimes I lay in bed.

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<v Speaker 2>And I'm like, oh my god, ninety eight episodes. I'm

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<v Speaker 2>gonna watch ninety eight episodes. I know it is so

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<v Speaker 2>much to talk about, and I really need you guys

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<v Speaker 2>to come on and help me. Okay, we will, thank you, baby.

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<v Speaker 3>Many of the people that have memories.

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<v Speaker 2>I know, everyone has memories, which is joy. And I'm

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<v Speaker 2>going to look at this list now because obviously I

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<v Speaker 2>could just roll with you and talk about anything.

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<v Speaker 1>But okay, look, this is a good question.

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<v Speaker 2>Just off the top. Was there a lot of experimenting,

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<v Speaker 2>because I remember some experimenting you guys tried to do

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<v Speaker 2>on me that I was like, no.

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<v Speaker 3>Oh yeah, I think that for some reason, you Pat,

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<v Speaker 3>you know, Pat just had this Betty Page vision of

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<v Speaker 3>Charlotte interpreted Betty Page interpreted into the upper east side. Right,

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<v Speaker 3>that was her head and she just wanted you so

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<v Speaker 3>much in wiggle skirts. Oh my gosh, I hope this

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<v Speaker 3>doesn't trigger you.

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<v Speaker 2>It's okay.

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<v Speaker 3>But he wanted to clip on bang on you.

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<v Speaker 1>So she wanted it bad you guys.

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<v Speaker 2>Pat wanted me to have the mini micro bang so

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<v Speaker 2>badly that she took my head shot because you know,

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<v Speaker 2>when you're doing a TV show, you have everyone's picture

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<v Speaker 2>up on the board, right, like their head shots back

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<v Speaker 2>in the olden days. But that's what we called it.

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<v Speaker 1>And she drew in a mini a mini bang.

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<v Speaker 2>And then not only that, so she wanted me to

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<v Speaker 2>have a mini bang, but she also wanted me to

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<v Speaker 2>have a role like like like in the forties because

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<v Speaker 2>sometimes when I was doing my hair, we would pin

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<v Speaker 2>it up like temporarily, okay in the you like that.

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<v Speaker 1>Right, She wanted me to wear that like in the show.

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<v Speaker 2>Yeah, she's so adorable. But what I remember is like,

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<v Speaker 2>for me, I was stressing over my idea, which was

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<v Speaker 2>kind of very classic Upper east Side, long straight hair,

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<v Speaker 2>very Ralph Lauren, you know, very park Avenue, park Avenue,

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<v Speaker 2>stereotypical Park Avenue, right, not interesting park Avenue, just very

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<v Speaker 2>like if you walked into the Ralph Laurence store and

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<v Speaker 2>just bought head to tell Ralph Lauren, right, yeah.

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<v Speaker 3>And the person that would also go and look at

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<v Speaker 3>China at birds.

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<v Speaker 2>Exactly and just happens to be an art girl. So

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<v Speaker 2>maybe there could be some you know, something more structured

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<v Speaker 2>than that, but not necessarily, you know, some of the.

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<v Speaker 1>Things that that wanted.

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<v Speaker 2>So I remember one time, and I don't remember why.

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<v Speaker 2>It could have been the Hampton's episode that's coming when

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<v Speaker 2>I have to pretend that I'm.

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<v Speaker 1>Younger or whatever.

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<v Speaker 2>But do you remember she tried to get me the

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<v Speaker 2>Cone brother No way, Oh my gosh, so funny. Do

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<v Speaker 2>you remember the Cone bra she tried to get me

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<v Speaker 2>to wear. And again, this was like a Madonna Heyday

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<v Speaker 2>type moment. It was from the store, I believe. I mean,

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<v Speaker 2>I remember going to the store and having a fitting

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<v Speaker 2>at some point and there was like a very tight, tight,

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<v Speaker 2>tight tube skirt, which I was like, I can't do it, Pat,

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<v Speaker 2>I can't pull it off. This is what you guys

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<v Speaker 2>had to put up with me, you know for a while,

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<v Speaker 2>right as you know, thinking like I can't wear that,

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<v Speaker 2>and then and Pat being like what why not? You know,

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<v Speaker 2>And then there was a like tool it had like

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<v Speaker 2>little ruffles of tool on it, like you know, and

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<v Speaker 2>then like a cone bra and.

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<v Speaker 3>So wild.

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<v Speaker 1>I know, I love it too, but I said.

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<v Speaker 2>No, I mean it was just more photo shoot ish

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<v Speaker 2>or something. I just it was editorial, yes, which her,

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<v Speaker 2>you know, she just had a bigger view of everything,

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<v Speaker 2>you know, which God love her for it, right, But

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<v Speaker 2>for me as as a as an actor, as a

0:10:07.640 --> 0:10:09.640
<v Speaker 2>as a character as you know, trying to play its character,

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<v Speaker 2>sometimes I just felt like I couldn't go handle it.

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<v Speaker 3>Yeah, yeah, for sure, Yeah for sure.

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<v Speaker 2>Yeah. But then I feel like we found it. It

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<v Speaker 2>just took us some time to find the middle ground

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<v Speaker 2>of the agreed.

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<v Speaker 3>Agreed. Then when the two of you, you know, it's you,

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<v Speaker 3>she had her bang, you had this other idea, and

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<v Speaker 3>you guys came together.

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<v Speaker 2>And yeah, absolutely amazing.

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<v Speaker 3>Archetype of a person.

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<v Speaker 2>Absolutely absolutely, and thank goodness, she wasn't you know, as

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<v Speaker 2>a kind of pigeonholed as I wanted her to be.

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<v Speaker 3>And isn't it great to work with people that have

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<v Speaker 3>strong opinions and aren't with she while she or they're

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<v Speaker 3>not twenty cooks in the kitchen like somebody is. This

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<v Speaker 3>is how it is.

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<v Speaker 2>Definitely debate it, definitely, But I think that's the thing

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<v Speaker 2>about our show. And you know, it's hard to really

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<v Speaker 2>describe to other people. But you know, when I have

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<v Speaker 2>gone on to other projects or other shows and maybe

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<v Speaker 2>people aren't around all the time or they're you know,

0:11:15.840 --> 0:11:17.960
<v Speaker 2>they just kind of like, well, this is just my area.

0:11:18.000 --> 0:11:20.640
<v Speaker 2>I'm just gonna do my area. Like that's not how

0:11:20.679 --> 0:11:21.720
<v Speaker 2>you make something good?

0:11:22.360 --> 0:11:26.079
<v Speaker 3>No, and when are you? I mean, I'll speak for myself.

0:11:26.360 --> 0:11:30.520
<v Speaker 3>It's rare that you get to experiment or have the

0:11:30.679 --> 0:11:33.440
<v Speaker 3>luxury of finding your way in something.

0:11:33.559 --> 0:11:35.640
<v Speaker 1>Now, It's true, it is rare.

0:11:35.720 --> 0:11:38.120
<v Speaker 2>But I think that's our whole mo like in terms

0:11:38.160 --> 0:11:40.640
<v Speaker 2>of just the show in general, the fact that they

0:11:40.720 --> 0:11:43.840
<v Speaker 2>let us find our way, you know, like abst you know,

0:11:43.880 --> 0:11:44.600
<v Speaker 2>we didn't know.

0:11:45.320 --> 0:11:46.720
<v Speaker 3>The heyday of HBO.

0:11:47.280 --> 0:11:52.800
<v Speaker 2>I know, I know we're so lucky takers so good,

0:11:53.280 --> 0:11:56.360
<v Speaker 2>so good. Do you remember that time you guys dressed

0:11:56.440 --> 0:11:58.760
<v Speaker 2>me and I can't remember what I was doing. I

0:11:58.800 --> 0:12:01.800
<v Speaker 2>was wearing a vintage thing that also involved lace, and

0:12:02.200 --> 0:12:04.719
<v Speaker 2>we got I think the only note that I ever

0:12:04.760 --> 0:12:07.160
<v Speaker 2>remember getting from HBO about my clothes. They said, do

0:12:07.280 --> 0:12:10.520
<v Speaker 2>not put Charlotte in vintage. Do you remember this?

0:12:11.400 --> 0:12:14.360
<v Speaker 1>Because it was a little bit grandma ish vintage. They

0:12:14.400 --> 0:12:15.679
<v Speaker 1>thought was.

0:12:15.640 --> 0:12:18.120
<v Speaker 3>It white islet or something that it was.

0:12:18.120 --> 0:12:18.680
<v Speaker 2>Something like that.

0:12:19.040 --> 0:12:21.920
<v Speaker 1>It was black lace. It was black lace over white.

0:12:22.000 --> 0:12:23.640
<v Speaker 2>Yeah, and they didn't get it. And also I think

0:12:23.640 --> 0:12:28.120
<v Speaker 2>that what happened was it wasn't tight enough. Oh so

0:12:28.240 --> 0:12:31.040
<v Speaker 2>it looked fluffy, you know what I'm saying, like dowdyish,

0:12:31.080 --> 0:12:34.720
<v Speaker 2>grandma e vintage, And so they didn't necessarily understand. They

0:12:34.720 --> 0:12:36.720
<v Speaker 2>were like, no vintage, and you guys were like, what

0:12:37.480 --> 0:12:38.880
<v Speaker 2>you know, how dare you.

0:12:40.240 --> 0:12:40.520
<v Speaker 3>Place?

0:12:42.200 --> 0:12:44.760
<v Speaker 2>It was a little tiny moment. I don't think it lasted,

0:12:44.800 --> 0:12:46.200
<v Speaker 2>you know. But also the other thing was that they

0:12:46.559 --> 0:12:49.679
<v Speaker 2>didn't I don't think they probably realized that Sarah's four

0:12:49.760 --> 0:12:52.120
<v Speaker 2>coat was vented. Like there were so many vintage things

0:12:52.120 --> 0:12:54.480
<v Speaker 2>that you had from the get go, oh.

0:12:54.320 --> 0:12:56.679
<v Speaker 3>My god, and that we could afford, which you can

0:12:56.720 --> 0:12:57.960
<v Speaker 3>barely afford vintage.

0:12:57.960 --> 0:12:58.920
<v Speaker 2>Now I know it.

0:13:00.520 --> 0:13:02.240
<v Speaker 3>In a great way, in a good way, in a

0:13:02.320 --> 0:13:03.600
<v Speaker 3>sad way, and whatever.

0:13:03.880 --> 0:13:16.680
<v Speaker 2>It's so true, it's so so true. Who did you

0:13:16.760 --> 0:13:18.280
<v Speaker 2>enjoy dressing the most?

0:13:18.480 --> 0:13:23.840
<v Speaker 3>Molly? Now? That is no one in their right mind

0:13:23.960 --> 0:13:26.040
<v Speaker 3>is going to choose their favorite child.

0:13:26.880 --> 0:13:28.240
<v Speaker 1>See that's why I didn't ask her.

0:13:28.320 --> 0:13:30.839
<v Speaker 2>That's why I didn't ask her. But okay, so let's

0:13:30.880 --> 0:13:34.520
<v Speaker 2>just go over a little bit vague vague notes for

0:13:34.760 --> 0:13:35.319
<v Speaker 2>all of us.

0:13:35.360 --> 0:13:35.880
<v Speaker 1>Do you know what I mean?

0:13:36.000 --> 0:13:39.480
<v Speaker 3>Okay, Well, you know I have the receipts. I can

0:13:39.520 --> 0:13:44.240
<v Speaker 3>look through photos and I can remember, you know, some

0:13:44.400 --> 0:13:49.280
<v Speaker 3>of the you know, mind numbing things fitting Cynthia Nixon

0:13:49.360 --> 0:13:53.000
<v Speaker 3>when she was actually pregnant and fitting her when she

0:13:53.320 --> 0:13:58.840
<v Speaker 3>was show pregnant. Right, those moments that you know, pregnant

0:13:58.880 --> 0:14:03.920
<v Speaker 3>season shows are really really tough, aren't they. You remember

0:14:04.000 --> 0:14:06.720
<v Speaker 3>the little things like I don't know what they do now,

0:14:06.800 --> 0:14:11.200
<v Speaker 3>but I remember it. The thing that everybody just said

0:14:11.240 --> 0:14:13.680
<v Speaker 3>you had to use was bird seed for the.

0:14:13.640 --> 0:14:19.360
<v Speaker 2>Boobs, which makes no sense. I don't really understand, so Dinosaury, now, yeah, like,

0:14:19.520 --> 0:14:22.640
<v Speaker 2>why why would they say that? It's so interesting? Do

0:14:22.720 --> 0:14:26.560
<v Speaker 2>you remember when I Charlotte gets pregnant and we got

0:14:26.600 --> 0:14:28.440
<v Speaker 2>the fake belly and it had a belly button and

0:14:28.440 --> 0:14:30.960
<v Speaker 2>Michael Patrick was like, no, that's disgusting.

0:14:33.040 --> 0:14:37.960
<v Speaker 3>That is one of my favorite Charlotte outfits with big s.

0:14:38.200 --> 0:14:41.040
<v Speaker 1>The door. Yeah, the door was good.

0:14:41.080 --> 0:14:43.600
<v Speaker 2>Someone just brought that up on an Instagram post the

0:14:43.640 --> 0:14:45.760
<v Speaker 2>other day and it was good. It was vintage door

0:14:45.960 --> 0:14:49.800
<v Speaker 2>from their archives, I believe, really, yeah, because it wasn't

0:14:50.040 --> 0:14:52.080
<v Speaker 2>current and it wasn't my size, you know, because it

0:14:52.120 --> 0:14:54.120
<v Speaker 2>had to be pregnant. And the thing that I remember

0:14:54.160 --> 0:14:57.080
<v Speaker 2>about that, I think that was my first day on

0:14:57.840 --> 0:15:01.440
<v Speaker 2>the that's the first movie, right, the first movie must

0:15:01.520 --> 0:15:04.640
<v Speaker 2>be right, And I, you know how my ears, you know,

0:15:04.720 --> 0:15:08.800
<v Speaker 2>my allergy to certain metals, My ears had closed up

0:15:09.760 --> 0:15:10.080
<v Speaker 2>and I.

0:15:10.040 --> 0:15:10.920
<v Speaker 1>Didn't realize it.

0:15:11.240 --> 0:15:13.440
<v Speaker 2>So I'm in the hair and makeup trailer. I'm behind,

0:15:13.480 --> 0:15:15.480
<v Speaker 2>of course because it's our first day, and there's this

0:15:15.720 --> 0:15:19.280
<v Speaker 2>massive crowd up outside, you know, and I'm so stressed

0:15:19.360 --> 0:15:22.000
<v Speaker 2>about the crowd, and I'm thinking to myself, does Michael

0:15:22.040 --> 0:15:25.960
<v Speaker 2>Patrick realize that he has my very first scene outside

0:15:26.680 --> 0:15:29.000
<v Speaker 2>with like, you know, the pregnancy.

0:15:29.160 --> 0:15:30.920
<v Speaker 1>Does he remember that?

0:15:31.400 --> 0:15:34.400
<v Speaker 2>You know that there's just happening, yeah, And like, do

0:15:34.440 --> 0:15:36.760
<v Speaker 2>you remember there were people there from the magazines with

0:15:36.800 --> 0:15:39.960
<v Speaker 2>like their tape recorders and like writing notes, and Chris

0:15:39.960 --> 0:15:42.160
<v Speaker 2>and I walk over there thinking that they're fans, and

0:15:42.160 --> 0:15:44.120
<v Speaker 2>they're like asking us questions and we're like, oh god,

0:15:44.160 --> 0:15:44.760
<v Speaker 2>oh god.

0:15:45.200 --> 0:15:46.000
<v Speaker 1>Oh, we've got to leave.

0:15:46.000 --> 0:15:49.680
<v Speaker 2>We've got to leave exactly, run run, someone help us.

0:15:49.840 --> 0:15:52.440
<v Speaker 2>But I'm in the hair and makeup trailer. They're trying

0:15:52.440 --> 0:15:53.880
<v Speaker 2>to get me ready, you know, They're like, they're ready

0:15:53.920 --> 0:15:55.400
<v Speaker 2>for me, ready for me, and you're stressing. And I

0:15:55.440 --> 0:15:57.120
<v Speaker 2>realized it. Don't have my Van Cleef and our pel

0:15:57.200 --> 0:15:59.320
<v Speaker 2>earrings in they're supposed to go with my outfit, and

0:15:59.360 --> 0:16:02.600
<v Speaker 2>I have to read pierced this ear myself and blood

0:16:02.680 --> 0:16:08.120
<v Speaker 2>drips onto the white vintage de Or silk and I'm dying. Okay,

0:16:08.280 --> 0:16:10.080
<v Speaker 2>Can I tell you my ear is still messed up

0:16:10.160 --> 0:16:12.640
<v Speaker 2>from that. My ear has never recovered.

0:16:13.560 --> 0:16:17.440
<v Speaker 3>Oh my gosh. That was the true sacrifice. There was bloodshed.

0:16:17.680 --> 0:16:20.640
<v Speaker 2>There was bloodshed onto the door, which of course I'm mortified.

0:16:20.640 --> 0:16:22.360
<v Speaker 2>I'm like, oh my god, there's blood on the door.

0:16:24.480 --> 0:16:26.280
<v Speaker 3>You see it in the scene or something.

0:16:26.280 --> 0:16:28.040
<v Speaker 2>I don't think so, I don't think so. Oh, I'm

0:16:28.080 --> 0:16:29.640
<v Speaker 2>sure you guys were on top of me. I'm sure.

0:16:29.640 --> 0:16:31.680
<v Speaker 1>I called you, like, help me, I got blood on

0:16:31.720 --> 0:16:32.160
<v Speaker 1>the door.

0:16:33.800 --> 0:16:37.200
<v Speaker 3>That's such a good insider story.

0:16:37.360 --> 0:16:39.560
<v Speaker 2>I know I might have had the bags on that shoulder.

0:16:39.600 --> 0:16:41.560
<v Speaker 2>I might have put the bags on that shoulder just

0:16:41.680 --> 0:16:43.280
<v Speaker 2>so that you didn't see the blood on the door.

0:16:43.360 --> 0:16:45.600
<v Speaker 3>I'm sure you did some cute little.

0:16:45.320 --> 0:16:47.160
<v Speaker 1>Trip I tried.

0:16:47.200 --> 0:16:49.440
<v Speaker 2>I wish we had kept that because it was just, Oh,

0:16:49.480 --> 0:16:53.360
<v Speaker 2>what a fantastic I mean, you guys have done. When

0:16:53.400 --> 0:16:56.360
<v Speaker 2>you think about everything that you guys have done just

0:16:56.360 --> 0:16:58.920
<v Speaker 2>for us, obviously you have other careers, but I mean jobs,

0:16:58.960 --> 0:17:01.520
<v Speaker 2>other jobs in your career, If you think about everything

0:17:01.600 --> 0:17:04.040
<v Speaker 2>that you have done, do you feel proud?

0:17:06.080 --> 0:17:11.280
<v Speaker 3>I just am so speechless when I think of how

0:17:11.400 --> 0:17:16.440
<v Speaker 3>fortunate and oftentimes I think about and what we accomplished

0:17:16.440 --> 0:17:19.359
<v Speaker 3>in everything, and how amazing it was to go to

0:17:19.520 --> 0:17:23.600
<v Speaker 3>a couture show and you know that HBO sent us

0:17:23.640 --> 0:17:28.080
<v Speaker 3>several several times. That is unheard of, unheard care But

0:17:28.680 --> 0:17:31.160
<v Speaker 3>you know, I think about what it would be like

0:17:31.320 --> 0:17:35.679
<v Speaker 3>if it hadn't been the four of you, Like I

0:17:35.760 --> 0:17:40.119
<v Speaker 3>often think about what if it wasn't seem you know

0:17:40.280 --> 0:17:45.360
<v Speaker 3>who what this casting it's just all so aligned. It's

0:17:45.520 --> 0:17:46.280
<v Speaker 3>very witchy.

0:17:46.880 --> 0:17:49.679
<v Speaker 2>It is witchy because there's no, there was not a

0:17:49.720 --> 0:17:52.720
<v Speaker 2>lot of you know, we never read together. You know,

0:17:52.760 --> 0:17:55.040
<v Speaker 2>we didn't really know each other. It's just magic that

0:17:55.160 --> 0:17:58.680
<v Speaker 2>it worked. But again my feeling is, first of all, yes,

0:17:58.800 --> 0:18:01.439
<v Speaker 2>Kis meant some kind of like magic came together. But

0:18:01.480 --> 0:18:05.400
<v Speaker 2>also I feel I feel also that you know, the

0:18:05.400 --> 0:18:08.280
<v Speaker 2>the important parts of it that I think about are

0:18:08.400 --> 0:18:13.960
<v Speaker 2>the collaboration, the willingness to come in with these very

0:18:14.000 --> 0:18:19.200
<v Speaker 2>strong personalities, you know, Darren, Michael, pat you know Sarah, right, Yeah,

0:18:19.240 --> 0:18:25.040
<v Speaker 2>everyone had extremely strong thoughts and opinions and instincts, right,

0:18:25.359 --> 0:18:29.399
<v Speaker 2>but it was never you were not in trouble for

0:18:29.520 --> 0:18:31.639
<v Speaker 2>having that. You were more in trouble if you didn't

0:18:31.680 --> 0:18:32.399
<v Speaker 2>have that, you know.

0:18:32.400 --> 0:18:33.000
<v Speaker 1>What I'm saying.

0:18:33.200 --> 0:18:36.680
<v Speaker 2>That's true, right, And I think that's an amazing kind

0:18:36.720 --> 0:18:38.080
<v Speaker 2>of specialness of our show.

0:18:39.320 --> 0:18:42.639
<v Speaker 3>And I think that when you and I reminisce sometimes

0:18:42.640 --> 0:18:45.160
<v Speaker 3>in your trailer when you have a down moment, which

0:18:45.200 --> 0:18:51.280
<v Speaker 3>is never and talk about fights or major drama situations

0:18:51.400 --> 0:18:56.120
<v Speaker 3>on the show, those were as good to talk They're

0:18:56.119 --> 0:18:59.400
<v Speaker 3>as good to think about in hindsight as the.

0:18:59.400 --> 0:19:02.960
<v Speaker 2>High Absolutely, I think that's part of the reason for

0:19:03.000 --> 0:19:03.920
<v Speaker 2>the success is.

0:19:03.880 --> 0:19:06.600
<v Speaker 3>Because at the moment, yeah, it's right.

0:19:07.000 --> 0:19:09.200
<v Speaker 1>Right at the moment. It's kind of tiring.

0:19:09.240 --> 0:19:11.119
<v Speaker 2>You can wear yourself out with the dramas. But the

0:19:11.200 --> 0:19:14.840
<v Speaker 2>dramas happened because everyone felt so strongly, you know.

0:19:15.800 --> 0:19:18.160
<v Speaker 3>Yeah, the passion of it. Yeah, when you look back

0:19:18.200 --> 0:19:21.000
<v Speaker 3>now you're like, Okay, that's horrible when I was getting

0:19:21.040 --> 0:19:24.200
<v Speaker 3>screamed at in front of the crew, But now I

0:19:24.240 --> 0:19:27.640
<v Speaker 3>find it fascinating. Let's dis say it and talk about it.

0:19:27.720 --> 0:19:30.480
<v Speaker 2>Definitely, definitely, And I feel like also it's the thing

0:19:30.520 --> 0:19:36.880
<v Speaker 2>of like, you know, everyone involved was so incredibly smart

0:19:36.920 --> 0:19:39.280
<v Speaker 2>about their own area. Like I was just looking at

0:19:39.280 --> 0:19:40.760
<v Speaker 2>the credits for this one of six, and I ever

0:19:40.800 --> 0:19:42.080
<v Speaker 2>thought about Jeremy Conway.

0:19:42.280 --> 0:19:43.960
<v Speaker 1>Whereber Jeremy, I.

0:19:43.960 --> 0:19:46.600
<v Speaker 3>Do who went on to do the Olympics.

0:19:46.640 --> 0:19:50.399
<v Speaker 2>The Olympics, I know, because he's brilliant, Like our show

0:19:50.480 --> 0:19:54.240
<v Speaker 2>would not still exist and look like it does if

0:19:54.320 --> 0:19:56.960
<v Speaker 2>Jeremy hadn't been our production designer. You know, he was

0:19:57.080 --> 0:20:01.439
<v Speaker 2>just super super brilliant and cared about all the little

0:20:01.440 --> 0:20:03.080
<v Speaker 2>details and would come talk to me.

0:20:03.160 --> 0:20:04.160
<v Speaker 1>I remember, even back.

0:20:04.320 --> 0:20:06.640
<v Speaker 2>I mean we had no you remember, in the beginning,

0:20:06.680 --> 0:20:10.639
<v Speaker 2>we had no producer credit whatsoever. But I remember everyone

0:20:10.680 --> 0:20:14.399
<v Speaker 2>would include us, you know, with the exception occasionally of directors,

0:20:14.440 --> 0:20:16.919
<v Speaker 2>which then we would have to go above their heads.

0:20:17.200 --> 0:20:21.040
<v Speaker 2>But if they didn't understand that we were an integral

0:20:21.040 --> 0:20:23.280
<v Speaker 2>part of the decision making process and we're.

0:20:23.119 --> 0:20:25.840
<v Speaker 3>Just so lucky with the title, but you were.

0:20:25.880 --> 0:20:28.760
<v Speaker 2>We were, And that's so special and unique, you know,

0:20:28.960 --> 0:20:32.800
<v Speaker 2>to have for actors, much less actresses, right to be

0:20:33.200 --> 0:20:35.640
<v Speaker 2>thought of like, oh, this person is an integral part

0:20:35.640 --> 0:20:38.760
<v Speaker 2>of this production, and she has a say in how

0:20:38.800 --> 0:20:41.280
<v Speaker 2>her house looks, how her apartment looks, how her clothes looks.

0:20:41.359 --> 0:20:43.399
<v Speaker 2>You know, what art would she have? What art wouldn't

0:20:43.440 --> 0:20:45.320
<v Speaker 2>she have? Like it was so collaborative.

0:20:45.560 --> 0:20:49.080
<v Speaker 3>I remember Sarah Jessica with Sabrina Wright, who was like

0:20:49.280 --> 0:20:54.639
<v Speaker 3>five generation props yep, picking out what magazines would be

0:20:54.800 --> 0:20:56.719
<v Speaker 3>on that table in that apartment.

0:20:57.040 --> 0:21:00.199
<v Speaker 2>That's right, like that level of detail. I remember me

0:21:00.280 --> 0:21:04.560
<v Speaker 2>sending Sabrina what wedding rings I wanted, Oh wow, and

0:21:04.640 --> 0:21:06.960
<v Speaker 2>making her get them from Kathy Waterman, who happened to

0:21:07.000 --> 0:21:08.520
<v Speaker 2>be in Los Angeles. Do you remember that?

0:21:09.000 --> 0:21:14.560
<v Speaker 3>Yes? I do. Is there anything that you because we

0:21:14.640 --> 0:21:18.880
<v Speaker 3>reminisce and you're watching the older episode, do you have

0:21:18.920 --> 0:21:21.679
<v Speaker 3>a memento that you framed at home?

0:21:22.320 --> 0:21:24.239
<v Speaker 2>I don't have that.

0:21:24.359 --> 0:21:27.639
<v Speaker 3>You have that you is sacred and that you know,

0:21:27.760 --> 0:21:30.840
<v Speaker 3>I know, you know, being framed. What if she have

0:21:30.880 --> 0:21:33.320
<v Speaker 3>framed it's some kind of poeme.

0:21:34.000 --> 0:21:37.359
<v Speaker 2>Oh, that's nice. I don't think I knew that. I

0:21:37.359 --> 0:21:39.199
<v Speaker 2>should ask her about that. What do you have framed?

0:21:39.680 --> 0:21:42.119
<v Speaker 3>Okay? This, this won't get us in trouble.

0:21:42.400 --> 0:21:44.600
<v Speaker 1>Okay, you know talking.

0:21:44.280 --> 0:21:50.600
<v Speaker 3>About talking about passionate thing moments. There's a moment you

0:21:50.640 --> 0:21:54.360
<v Speaker 3>know when when people do not want you to wear something,

0:21:54.480 --> 0:21:57.399
<v Speaker 3>or anyone to wear something, and they it will ruin

0:21:57.520 --> 0:22:00.639
<v Speaker 3>their dialogue or it will take away from the scene.

0:22:01.119 --> 0:22:06.280
<v Speaker 3>They can go wild in the office, try to tell

0:22:06.320 --> 0:22:09.080
<v Speaker 3>you their point. This is why she should not wear this.

0:22:09.880 --> 0:22:15.080
<v Speaker 3>I have a torn picture of you guys. It's torn

0:22:16.160 --> 0:22:21.960
<v Speaker 3>from Michael King. They're never wearing this, oh my gosh.

0:22:22.000 --> 0:22:24.080
<v Speaker 3>And I showed it to him one time and he

0:22:24.200 --> 0:22:29.000
<v Speaker 3>just thought it was so funny that I can't and.

0:22:28.920 --> 0:22:31.760
<v Speaker 2>What were we wearing? And did we wear it? No,

0:22:31.800 --> 0:22:33.000
<v Speaker 2>it's not going to get us in trouble.

0:22:33.160 --> 0:22:37.000
<v Speaker 3>No, it's a funny passionate like did we wear it?

0:22:37.480 --> 0:22:38.479
<v Speaker 2>Who won that argument?

0:22:38.840 --> 0:22:39.520
<v Speaker 3>Yeah?

0:22:40.440 --> 0:22:42.640
<v Speaker 2>No, he brought up in when I talked to him,

0:22:42.760 --> 0:22:44.920
<v Speaker 2>he brought up that he had said no to the

0:22:45.160 --> 0:22:50.439
<v Speaker 2>fisace millful and then yeah, that he had initially said no,

0:22:50.600 --> 0:22:52.439
<v Speaker 2>and that then he had really learned like no, no,

0:22:52.720 --> 0:22:56.440
<v Speaker 2>because his thing was, well, why would she be wearing it? Right?

0:22:56.640 --> 0:22:59.200
<v Speaker 2>Because you know how he's literal because he's writing right,

0:22:59.280 --> 0:23:01.520
<v Speaker 2>like it's a different job. And then he says, you know,

0:23:01.560 --> 0:23:04.800
<v Speaker 2>it really taught me that you don't always have to

0:23:04.880 --> 0:23:07.400
<v Speaker 2>have a reason. You know that it's going to be amazing.

0:23:07.760 --> 0:23:10.920
<v Speaker 3>Incredible, right, I never do that. That's such a good

0:23:11.280 --> 0:23:14.280
<v Speaker 3>behind the scenes. I never knew that he was like

0:23:14.440 --> 0:23:15.119
<v Speaker 3>anti that.

0:23:15.720 --> 0:23:19.000
<v Speaker 2>I think it was anti that for in the hotel room,

0:23:19.080 --> 0:23:21.000
<v Speaker 2>like how would she have gotten it there? You know,

0:23:21.160 --> 0:23:21.960
<v Speaker 2>like practical?

0:23:22.480 --> 0:23:25.879
<v Speaker 3>Right, he's very good. I remember Pat explaining why she

0:23:26.080 --> 0:23:29.919
<v Speaker 3>borrowed it when she was there, right, why is in

0:23:29.960 --> 0:23:31.720
<v Speaker 3>her closet? And where she keeps it?

0:23:32.320 --> 0:23:35.360
<v Speaker 2>We have no idea, right, right, exactly right?

0:23:35.440 --> 0:23:36.399
<v Speaker 1>I think it's in a box.

0:23:36.440 --> 0:23:38.200
<v Speaker 2>Doesn't she get it back out of a box when

0:23:38.240 --> 0:23:38.760
<v Speaker 2>she needs it?

0:23:39.400 --> 0:23:39.640
<v Speaker 4>Yeah?

0:23:39.680 --> 0:23:43.280
<v Speaker 3>You have to kind of stretch your imagination there, right.

0:23:43.240 --> 0:23:46.840
<v Speaker 2>But that's okay because it was part of what our show,

0:23:47.359 --> 0:23:50.920
<v Speaker 2>Like it was like the you know, the like building

0:23:50.960 --> 0:23:52.840
<v Speaker 2>blocks of our show. I feel like, you know.

0:23:53.600 --> 0:23:57.040
<v Speaker 3>And I love about him and all of you too

0:23:57.240 --> 0:24:02.880
<v Speaker 3>as producers that you if you consider something and you're

0:24:02.960 --> 0:24:06.000
<v Speaker 3>against it and then you've slept on it and you've

0:24:06.040 --> 0:24:11.800
<v Speaker 3>changed your mind and you correct it, you will you

0:24:11.920 --> 0:24:15.680
<v Speaker 3>correct yourselves. You're not You're like, I thought about that

0:24:15.720 --> 0:24:18.040
<v Speaker 3>wrong and I think you're right, But I'm not gonna

0:24:18.080 --> 0:24:20.760
<v Speaker 3>wear that bang, pat Well.

0:24:20.800 --> 0:24:22.959
<v Speaker 2>I think some of that is from the history too,

0:24:23.160 --> 0:24:25.320
<v Speaker 2>like like in the beginning, because when I look back

0:24:25.400 --> 0:24:30.000
<v Speaker 2>on these early episodes, to me, I seem like like

0:24:30.040 --> 0:24:32.440
<v Speaker 2>a floppy puppy or like a little child or something

0:24:32.480 --> 0:24:36.679
<v Speaker 2>like I look so young, and I seem so like

0:24:36.880 --> 0:24:39.120
<v Speaker 2>out of my element almost, you know, like the rest

0:24:39.119 --> 0:24:42.000
<v Speaker 2>of them seem so sophisticated, and I feel like I'm like, right,

0:24:42.359 --> 0:24:44.200
<v Speaker 2>you know, but I remember.

0:24:44.320 --> 0:24:45.280
<v Speaker 1>I just remember that.

0:24:45.560 --> 0:24:48.480
<v Speaker 2>Like, and I'm also wearing weird clothes, like like.

0:24:48.640 --> 0:24:49.840
<v Speaker 1>I think I went shopping.

0:24:49.920 --> 0:24:50.680
<v Speaker 2>You know what I'm saying.

0:24:50.760 --> 0:24:51.960
<v Speaker 1>I don't know this is.

0:24:52.080 --> 0:24:53.720
<v Speaker 3>I think those are weird.

0:24:54.160 --> 0:24:57.160
<v Speaker 1>I see them, right, What are they?

0:24:57.440 --> 0:24:59.520
<v Speaker 3>I tell you that's where we went.

0:24:59.680 --> 0:25:03.320
<v Speaker 2>We they're Bloomingdale's. I think they're either Bloomingdales or that

0:25:03.359 --> 0:25:06.240
<v Speaker 2>I went somewhere and bought something and was like, hey,

0:25:06.280 --> 0:25:08.639
<v Speaker 2>can I wear this? You know, which I think is

0:25:08.640 --> 0:25:11.000
<v Speaker 2>why Darren then took me to dinner to say, listen,

0:25:11.400 --> 0:25:13.199
<v Speaker 2>you have to let Pat dress you because she can

0:25:13.240 --> 0:25:15.080
<v Speaker 2>dress you better than you can. And I was like, okay,

0:25:15.080 --> 0:25:18.639
<v Speaker 2>I'm sure she can. I just need to understand what

0:25:18.720 --> 0:25:20.720
<v Speaker 2>we're doing and that I can do it. I needed

0:25:20.760 --> 0:25:23.520
<v Speaker 2>so much confidence like built up in me that I

0:25:23.560 --> 0:25:27.359
<v Speaker 2>could actually wear the things that I perceived as being

0:25:27.600 --> 0:25:30.520
<v Speaker 2>what people in Vogue were like. I just had trouble

0:25:30.560 --> 0:25:35.000
<v Speaker 2>making that leap myself, you know. So it took some time,

0:25:35.080 --> 0:25:37.199
<v Speaker 2>and it took some time for Pat and I to

0:25:37.240 --> 0:25:40.000
<v Speaker 2>find our way to each other in terms of, like,

0:25:40.320 --> 0:25:43.520
<v Speaker 2>you know, she was trying to accentuate the part of

0:25:43.520 --> 0:25:45.359
<v Speaker 2>my body that I've been trying to hide, which was

0:25:45.400 --> 0:25:47.600
<v Speaker 2>my hips in my butt, but at the same time

0:25:47.720 --> 0:25:51.600
<v Speaker 2>she sometimes would you know, kind of slightly criticize them.

0:25:51.600 --> 0:25:54.639
<v Speaker 2>So it was very confusing to me, as you know,

0:25:54.960 --> 0:25:55.720
<v Speaker 2>because you were there.

0:25:56.600 --> 0:25:58.679
<v Speaker 3>That's not an easy thing to do in front of

0:25:58.680 --> 0:26:00.840
<v Speaker 3>the dressing room mirror, you know what I mean, when

0:26:00.880 --> 0:26:04.280
<v Speaker 3>you're comfortable and we all have those parts of us

0:26:04.320 --> 0:26:10.280
<v Speaker 3>that were like, no, I'm camouflaging that, this is whatever stopped. Yeah,

0:26:10.960 --> 0:26:16.040
<v Speaker 3>So yeah, it's it's it's interesting that you you uh,

0:26:16.119 --> 0:26:17.480
<v Speaker 3>you had a journey.

0:26:17.720 --> 0:26:22.119
<v Speaker 2>Oh my god, big time, such a journey, such a journey,

0:26:22.160 --> 0:26:23.560
<v Speaker 2>and it continues, doesn't it.

0:26:24.160 --> 0:26:26.880
<v Speaker 3>You know, maybe that's what is weird. A little bit

0:26:26.960 --> 0:26:30.640
<v Speaker 3>about your clothes. Maybe they're in the early early days,

0:26:30.760 --> 0:26:34.320
<v Speaker 3>Uh huh, they've got that little touch of West, you know,

0:26:34.520 --> 0:26:37.720
<v Speaker 3>like definitely needed to be sophisticated.

0:26:37.760 --> 0:26:41.360
<v Speaker 2>You were in Manhattan, definitely, and I definitely. I mean,

0:26:42.080 --> 0:26:46.280
<v Speaker 2>I just see that there's some kind of of lack

0:26:46.320 --> 0:26:49.639
<v Speaker 2>of clarity. And also I think also what you're reminding

0:26:49.720 --> 0:26:51.520
<v Speaker 2>me of is that we didn't have the budget, we

0:26:51.560 --> 0:26:56.199
<v Speaker 2>didn't have the ability to borrow, so so you know,

0:26:56.280 --> 0:26:58.520
<v Speaker 2>we haven't gotten there yet. But also I don't even

0:26:58.600 --> 0:27:03.040
<v Speaker 2>know what I what I would have wanted. Like the

0:27:03.080 --> 0:27:06.120
<v Speaker 2>first time that I remember feeling great, and I don't

0:27:06.119 --> 0:27:08.080
<v Speaker 2>know what episode this is is when I was wearing

0:27:08.119 --> 0:27:10.560
<v Speaker 2>this black dress with the you know it's got like

0:27:10.560 --> 0:27:13.200
<v Speaker 2>like panels down it. Oh you know what else I love?

0:27:13.240 --> 0:27:15.160
<v Speaker 2>And I also don't know if this first your second season.

0:27:15.160 --> 0:27:17.920
<v Speaker 2>Do you remember that time at the gallery where Willie's

0:27:17.960 --> 0:27:20.320
<v Speaker 2>there and all of us are there and Pat convinced

0:27:20.359 --> 0:27:23.280
<v Speaker 2>me to have a high pony with a hair piece,

0:27:23.280 --> 0:27:25.760
<v Speaker 2>so it's really long ponytail. And she put me in

0:27:25.840 --> 0:27:28.240
<v Speaker 2>diamond hoop ear rings, which literally I never wear.

0:27:29.080 --> 0:27:31.720
<v Speaker 3>Oh, I want to see this so bad.

0:27:31.920 --> 0:27:34.200
<v Speaker 2>And I feel like I might have a turtleneck kind

0:27:34.200 --> 0:27:36.639
<v Speaker 2>of a sheath on, you know, like some kind of

0:27:36.840 --> 0:27:38.480
<v Speaker 2>pretty sophisticated thing for me.

0:27:38.720 --> 0:27:41.639
<v Speaker 3>For Charlotte that sounds very gallery.

0:27:41.920 --> 0:27:43.439
<v Speaker 2>It was very gallery, and I feel like I might

0:27:43.480 --> 0:27:46.280
<v Speaker 2>even have a red lip on. All kind of shocking elements. Right,

0:27:48.480 --> 0:27:51.520
<v Speaker 2>I'm sitting, but it's good. It's good, and I remember

0:27:51.840 --> 0:27:54.879
<v Speaker 2>moments like that early on where things came together and

0:27:54.920 --> 0:27:57.479
<v Speaker 2>I think for me, and I'm sure she was probably

0:27:57.520 --> 0:28:00.280
<v Speaker 2>just cursing me right at this point, but like for me,

0:28:00.440 --> 0:28:02.399
<v Speaker 2>I just had to find my way to it, like

0:28:02.680 --> 0:28:04.960
<v Speaker 2>who is this woman? Because as we've discussed with Michael

0:28:05.000 --> 0:28:08.159
<v Speaker 2>and everybody else, really nobody knew who Charlotte was in

0:28:08.160 --> 0:28:10.080
<v Speaker 2>the beginning, which is why they tried to demote me,

0:28:10.280 --> 0:28:12.119
<v Speaker 2>you know, to recurring or whatever. And thank goodness I

0:28:12.119 --> 0:28:14.960
<v Speaker 2>didn't let them. Oh that, Oh baby, you got to

0:28:14.960 --> 0:28:16.480
<v Speaker 2>listen to the podcast.

0:28:16.240 --> 0:28:19.080
<v Speaker 3>No I will. I've been catching backs and snippets because

0:28:19.119 --> 0:28:20.480
<v Speaker 3>I love these stories.

0:28:20.720 --> 0:28:22.760
<v Speaker 2>I know, because no one knows all the stories that's

0:28:22.760 --> 0:28:23.879
<v Speaker 2>the fun that's the funny.

0:28:23.960 --> 0:28:27.480
<v Speaker 3>Because you have seen them in such a while is

0:28:27.600 --> 0:28:29.040
<v Speaker 3>also a great thing.

0:28:29.320 --> 0:28:31.760
<v Speaker 2>Oh yeah, oh, I haven't seen them in twenty something

0:28:32.359 --> 0:28:35.440
<v Speaker 2>twenty five years. Because for me, like if they were

0:28:35.440 --> 0:28:38.200
<v Speaker 2>on E which was the first time they got syndicated,

0:28:38.240 --> 0:28:40.920
<v Speaker 2>I feel like, you know, it was like, first of all,

0:28:40.920 --> 0:28:42.920
<v Speaker 2>it was toned down because they'd edded so much out,

0:28:43.160 --> 0:28:44.840
<v Speaker 2>and second of all, it was living in the past,

0:28:44.840 --> 0:28:46.000
<v Speaker 2>and I felt like, well, I don't want to live

0:28:46.000 --> 0:28:48.080
<v Speaker 2>in the past. I want to live now because partly

0:28:48.080 --> 0:28:49.640
<v Speaker 2>we were still doing the show, and we were doing

0:28:49.680 --> 0:28:52.440
<v Speaker 2>the movies and you know, doing other things obviously, and

0:28:52.480 --> 0:28:57.440
<v Speaker 2>now because it is so incredibly long ago, it's amazing

0:28:57.560 --> 0:28:59.760
<v Speaker 2>to watch it. But it is a little bit like

0:28:59.800 --> 0:29:01.560
<v Speaker 2>there therapy, I have to say, like it is a

0:29:01.560 --> 0:29:05.680
<v Speaker 2>little bit like wow, like I need to really think

0:29:05.720 --> 0:29:07.640
<v Speaker 2>about my own journey.

0:29:07.880 --> 0:29:12.000
<v Speaker 3>Right, Like that is a lot of chronicling, you know,

0:29:12.160 --> 0:29:14.040
<v Speaker 3>so much of a journey for sure.

0:29:14.440 --> 0:29:16.080
<v Speaker 2>But I love it and I love that we can

0:29:16.120 --> 0:29:18.840
<v Speaker 2>all be on record together about our experience.

0:29:19.400 --> 0:29:32.800
<v Speaker 3>Yeah, I'm so glad you're getting everybody to come in

0:29:32.920 --> 0:29:35.200
<v Speaker 3>and discuss everything with you.

0:29:35.680 --> 0:29:36.440
<v Speaker 1>I'm trying.

0:29:37.080 --> 0:29:39.080
<v Speaker 2>We're not all the way there, yet, but having you

0:29:39.160 --> 0:29:41.320
<v Speaker 2>has been amazing. I was like, we got to get Molly.

0:29:41.400 --> 0:29:42.320
<v Speaker 2>We got to get Molly.

0:29:42.520 --> 0:29:45.600
<v Speaker 3>Thank you so much. And you said when you texted me,

0:29:45.800 --> 0:29:49.280
<v Speaker 3>we won't have any problem finding something to talk about.

0:29:50.440 --> 0:29:55.240
<v Speaker 2>As we never do, as we never do. Okay, Mollie Rogers,

0:29:55.640 --> 0:29:58.400
<v Speaker 2>thank you for joining us. I love you so much.

0:29:59.200 --> 0:30:01.960
<v Speaker 3>Thank you for having It was so much fun. Let's

0:30:02.000 --> 0:30:02.560
<v Speaker 3>do it again.

0:30:02.880 --> 0:30:04.960
<v Speaker 1>Let's do it again. Hey, how do you feel.

0:30:04.720 --> 0:30:06.040
<v Speaker 2>About actually rewatching?

0:30:07.080 --> 0:30:07.320
<v Speaker 3>Yeah?

0:30:07.760 --> 0:30:09.520
<v Speaker 2>Cool, I mean we don't have to do it live together,

0:30:09.560 --> 0:30:11.200
<v Speaker 2>but like you can watch and then let's write about

0:30:11.240 --> 0:30:12.400
<v Speaker 2>our thoughts or what we remember.

0:30:12.920 --> 0:30:13.400
<v Speaker 3>Hilarious.

0:30:13.440 --> 0:30:15.120
<v Speaker 2>Oh my god, I forgot to ask your bus and

0:30:15.120 --> 0:30:16.880
<v Speaker 2>it's so important. I'm gonna take my glasses off for this.

0:30:16.920 --> 0:30:20.280
<v Speaker 2>I gotta ask her about the naked dress. The naked dress,

0:30:20.680 --> 0:30:22.160
<v Speaker 2>Well do I know the answer?

0:30:22.280 --> 0:30:24.240
<v Speaker 1>What about the naked dress?

0:30:24.640 --> 0:30:28.960
<v Speaker 2>Was the dress that she wears in the show and

0:30:29.160 --> 0:30:30.760
<v Speaker 2>the dress that ends up on the bus.

0:30:30.840 --> 0:30:32.160
<v Speaker 1>Do you remember the bus?

0:30:33.120 --> 0:30:35.320
<v Speaker 2>Is this the billboard that is on the bus and

0:30:35.360 --> 0:30:40.520
<v Speaker 2>that someone draws graffiti of a personal part? And yeah, yes,

0:30:40.960 --> 0:30:43.920
<v Speaker 2>and it's in the In the she's wearing the tutu

0:30:44.000 --> 0:30:46.360
<v Speaker 2>when she sees the bus obviously in the opening credits,

0:30:46.480 --> 0:30:48.640
<v Speaker 2>but in the show it's a story point. She's doing

0:30:48.680 --> 0:30:51.800
<v Speaker 2>a photo shoot for her column and she's wearing this

0:30:51.960 --> 0:30:54.360
<v Speaker 2>DK and Y and or Donna, Karen Proper, I'm not

0:30:54.400 --> 0:30:59.120
<v Speaker 2>sure which. It's a nude colored dress. It's very nineties,

0:30:59.720 --> 0:31:02.040
<v Speaker 2>and and she comes she shows up. We're all there

0:31:02.040 --> 0:31:04.880
<v Speaker 2>for moral supports. It's her first date with Big, and

0:31:05.000 --> 0:31:08.800
<v Speaker 2>she comes out and I'm like, oh, like you can tell.

0:31:08.880 --> 0:31:11.280
<v Speaker 2>Charlie's like somewhat mortified that this is what she's wearing.

0:31:11.600 --> 0:31:18.080
<v Speaker 2>And Amanda says, uh, it's tits on toast, which is

0:31:18.080 --> 0:31:20.960
<v Speaker 2>really funny. And she's like, is it too much? And

0:31:21.440 --> 0:31:25.320
<v Speaker 2>Samantha's like, it's fabulous, darling. And then she wears it.

0:31:25.400 --> 0:31:28.040
<v Speaker 2>And she walks out and sees Big on the street

0:31:28.040 --> 0:31:33.840
<v Speaker 2>with the fur coat, and he goes, interesting dress, and

0:31:33.880 --> 0:31:39.600
<v Speaker 2>she goes meaning and he says interesting dress, and I'm

0:31:39.640 --> 0:31:42.200
<v Speaker 2>just like, what a jerk. Like sometimes I look back

0:31:42.240 --> 0:31:44.920
<v Speaker 2>on Big and I'm like, wow, yeah, he's kind of

0:31:44.960 --> 0:31:51.360
<v Speaker 2>a jerk. Yeah, you know, but some lines, I mean, right, gosh.

0:31:51.600 --> 0:31:53.920
<v Speaker 2>Then they get in the car and they make out

0:31:54.200 --> 0:31:56.360
<v Speaker 2>because it's like this naked dress, and I guess she

0:31:56.440 --> 0:31:59.680
<v Speaker 2>felt like what interesting dress is a compliment or whatever.

0:31:59.720 --> 0:32:02.000
<v Speaker 2>I don't know, but do you remember this dress?

0:32:02.520 --> 0:32:05.200
<v Speaker 3>I do, and I want to remind you and you'll go, oh, yeah,

0:32:05.240 --> 0:32:08.320
<v Speaker 3>that's right. First of all, it's in her storage because

0:32:08.360 --> 0:32:09.280
<v Speaker 3>I touched.

0:32:08.920 --> 0:32:10.280
<v Speaker 2>It last year, your Way.

0:32:10.960 --> 0:32:13.200
<v Speaker 3>It's in tissue and I was like, what.

0:32:13.840 --> 0:32:14.120
<v Speaker 2>Wow.

0:32:14.560 --> 0:32:20.040
<v Speaker 3>It has plastic string, not like a plastic like a whatever,

0:32:20.480 --> 0:32:23.440
<v Speaker 3>plastic bra strap where you're trying to hide. You know

0:32:23.520 --> 0:32:27.240
<v Speaker 3>that it's it's a little fishing wire.

0:32:28.760 --> 0:32:29.240
<v Speaker 1>Wow.

0:32:29.520 --> 0:32:34.560
<v Speaker 3>Now here is the original continuity photo. Remember when we

0:32:35.240 --> 0:32:39.520
<v Speaker 3>olaroids and yes and wrote it all by hand.

0:32:39.960 --> 0:32:41.480
<v Speaker 2>Oh my gosh, will you send that to me?

0:32:42.760 --> 0:32:46.680
<v Speaker 3>I will? It says dress and Pat describes it naked,

0:32:48.160 --> 0:32:55.080
<v Speaker 3>g string, beige, Cosabella. Oh yeah, that's all your Manolo beige,

0:32:55.280 --> 0:33:02.640
<v Speaker 3>actor's own a purse, snake skin long, actor's own coat,

0:33:02.840 --> 0:33:05.240
<v Speaker 3>vintage for earrings studs.

0:33:05.880 --> 0:33:08.880
<v Speaker 2>Wow, adorable.

0:33:10.240 --> 0:33:13.600
<v Speaker 3>And you somebody took a picture of her on set. Yeah,

0:33:13.640 --> 0:33:15.840
<v Speaker 3>I guess I don't know.

0:33:15.960 --> 0:33:17.120
<v Speaker 1>Yeah, I know they have a hole.

0:33:17.280 --> 0:33:19.960
<v Speaker 2>She she's in the apartment with us, and she goes

0:33:20.000 --> 0:33:20.760
<v Speaker 2>out onto the street.

0:33:20.840 --> 0:33:21.840
<v Speaker 1>Then they're in the cab.

0:33:22.400 --> 0:33:25.840
<v Speaker 3>Then it's this big. It's like a notepad.

0:33:28.440 --> 0:33:33.040
<v Speaker 2>I mean, it is interestingly naked. In terms of what's

0:33:33.080 --> 0:33:37.880
<v Speaker 2>going on up top, I hadn't really remembered all of it.

0:33:37.960 --> 0:33:40.040
<v Speaker 2>I was like, Wow, it's quite something.

0:33:40.200 --> 0:33:42.920
<v Speaker 3>It's bold, it's in storage, it's in tis.

0:33:43.000 --> 0:33:44.840
<v Speaker 1>She Yeah, that's amazing.

0:33:45.200 --> 0:33:49.000
<v Speaker 2>I cannot wait until she has the retrospective show in

0:33:49.040 --> 0:33:51.480
<v Speaker 2>the future. It's going to be quite something.

0:33:52.160 --> 0:33:54.520
<v Speaker 3>I've got a lot of great pictures she can have

0:33:54.600 --> 0:33:56.640
<v Speaker 3>of you for that show, for sure.

0:33:57.280 --> 0:33:59.560
<v Speaker 1>Really, I do send them to me.

0:34:00.080 --> 0:34:02.240
<v Speaker 2>Send them, take pictures of the pictures and send them

0:34:02.240 --> 0:34:02.480
<v Speaker 2>to me.

0:34:03.000 --> 0:34:05.440
<v Speaker 3>I might send you the most shocking one I have

0:34:05.600 --> 0:34:09.120
<v Speaker 3>in a fitting and you will not believe what you

0:34:09.280 --> 0:34:16.319
<v Speaker 3>actually tried on you. Wow, take a alcacette, sir. Yeah,

0:34:16.440 --> 0:34:17.279
<v Speaker 3>I need to see it.

0:34:17.320 --> 0:34:17.960
<v Speaker 1>I need to see it.

0:34:18.280 --> 0:34:20.880
<v Speaker 2>One of my favorite favorite I have a stack of

0:34:21.000 --> 0:34:24.680
<v Speaker 2>photos myself of when we're trying to find the Vera

0:34:24.719 --> 0:34:27.800
<v Speaker 2>Wang wedding dress for the Kyle wedding, the Trey wedding,

0:34:28.200 --> 0:34:30.200
<v Speaker 2>and we went to Vera Wang a few times. Do

0:34:30.200 --> 0:34:32.360
<v Speaker 2>you remember this. I mean we must have put on

0:34:32.400 --> 0:34:35.239
<v Speaker 2>thirty dresses and we took polaroids of all of them

0:34:35.239 --> 0:34:38.080
<v Speaker 2>because we had to get everybody to agree, which was

0:34:38.200 --> 0:34:41.920
<v Speaker 2>so difficult. Do you remember. And there's one where Pat

0:34:41.960 --> 0:34:46.000
<v Speaker 2>is literally under my skirt. She's completely hidden, her little

0:34:46.000 --> 0:34:49.040
<v Speaker 2>feet are picking out, she's doing something under there, and

0:34:49.120 --> 0:34:52.120
<v Speaker 2>I'm just standing there because it was so normal and it's.

0:34:52.040 --> 0:34:57.239
<v Speaker 3>Really remember yeah, yesterday, me too. I remember being at

0:34:57.280 --> 0:34:58.440
<v Speaker 3>badgely Mishka.

0:34:58.960 --> 0:35:00.960
<v Speaker 2>That was for the second, for the hairy wedding.

0:35:01.160 --> 0:35:03.200
<v Speaker 3>I have a lot of those fitting photos of those.

0:35:03.800 --> 0:35:06.640
<v Speaker 2>Yay, I don't have those. Let's share our photos.

0:35:06.680 --> 0:35:10.759
<v Speaker 3>Molly, I will okay, see you soon.

0:35:10.920 --> 0:35:11.239
<v Speaker 2>Love you,