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Speaker 1: Hi.

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Speaker 2: I'm Kristin Davis, and I want to know are you

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Speaker 2: a Charlotte. Mollie Rogers is back for part two.

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Speaker 1: Welcome back, Molly.

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Speaker 2: Michael brought up the is it the deor the huge,

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Speaker 2: huge dress that we brought back in and just like that.

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Speaker 3: Was it Dior, Versace, the real flour, Yeah, the mil

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Speaker 3: flir Yeah yeah, Versace, yeah.

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Speaker 2: Versace got it? How did it happen?

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Speaker 3: There was a big Vogue spread, I think it was

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Speaker 3: called Alice in Wonderland and there were dresses in that

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Speaker 3: and I believe that was one of them, that gown

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Speaker 3: and Pat was like, call this in for me. I

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Speaker 3: want to see them, and actually call in all the

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Speaker 3: gowns in that. Shoot.

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Speaker 2: Wow.

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Speaker 3: And I have fitting photos of Sarah Jessica on the

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Speaker 3: dirty fitting room floor pretending like she's asleep and each

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Speaker 3: of those gowns.

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Speaker 2: Wow, we need those pictures, Mollie.

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Speaker 3: The rejects are really some of the best outfits on

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Speaker 3: all of you.

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Speaker 1: Oh, the region.

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Speaker 4: The things that didn't make yeah, reason whatever. Oh and

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Speaker 4: you you know I have the picture way back for

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Speaker 4: season one probably you'll remember, and you've got a tennis

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Speaker 4: outfit on and then you just played tennis in and.

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Speaker 2: Just like that, I know, which is crazy, right? And

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Speaker 2: also I just watched the episode where I have a little,

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Speaker 2: a little, a little fling with this hasidic Jewish artist

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Speaker 2: named schmool Uh what foreshadowing to Harry do you?

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Speaker 3: Yeah? Do you know that actor that played that guy?

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Speaker 2: I vaguely remember there's some story, right, what is it?

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Speaker 3: Yeah? I worked with him on a cop show when no,

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Speaker 3: he's adorable. He's in the Joker, the what's his name?

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Speaker 3: Slices his neck up? But yeah, he told me when

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Speaker 3: I met when he said, he said, I want you

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Speaker 3: to know you worked on Sex and the City And

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Speaker 3: I said yes, he said, I want you to know

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Speaker 3: that I played the seed um wow with Charlte And

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Speaker 3: I said you're kidding and he was like, and guess what,

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Speaker 3: it was my first acting job.

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Speaker 1: Adorable. I love to hear.

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Speaker 3: That, isn't that he's such an incredible actor.

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Speaker 1: Wow. I remember being very into that.

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Speaker 2: I mean, I would not have said that at the time.

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Speaker 2: I'm sure I was trying to hide it. But when

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Speaker 2: I look back at it, I'm like, what's going on

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Speaker 2: with me?

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Speaker 3: Then?

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Speaker 2: And I remember he was very present, you know, like

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Speaker 2: in a way that a lot of the guys weren't,

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Speaker 2: especially in the beginning when no one knew what the

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Speaker 2: show was, right, Like, I think for the guys, and

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Speaker 2: I haven't talked about this that much, but the guys

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Speaker 2: kind of had to play like a girlfriend part. They

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Speaker 2: weren't really used to it.

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Speaker 3: You need to get into that.

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Speaker 1: Don't I don't.

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Speaker 2: I I don't know if I should have a guy

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Speaker 2: on and try to talk to him about it. Is

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Speaker 2: that weird? Molly?

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Speaker 3: No, I think you know they all were. It was

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Speaker 3: role reversal.

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Speaker 2: It really was, and it threw them sometimes. They were

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Speaker 2: just like deer in the headlights, you know what I'm saying.

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Speaker 2: And I have another episode that hasn't come on yet,

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Speaker 2: but I remember this, and I'm trying to get into

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Speaker 2: call Hall Officiner to come on. She's she's not come

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Speaker 2: on yet. I don't know why, but I'm gonna. I'm

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Speaker 2: gonna pursue her, Okay, But I think I think it

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Speaker 2: was one that she directed. And I have a guy

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Speaker 2: and you know how Michael and Melfie and Darren would

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Speaker 2: cast these like very good looking, like there was a

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Speaker 2: type in the beginning, do you know what I'm saying?

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Speaker 2: And they're making right.

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Speaker 1: Their type exactly.

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Speaker 2: And this guy comes in, very handsome guy, and I'm

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Speaker 2: supposed to be I don't know if I'm picking him

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Speaker 2: up at a bar or flirting with him at a bar,

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Speaker 2: or if we're meeting at a bar, but we're at

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Speaker 2: a bar and he's supposed to say to me, you're

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Speaker 2: so hot. So we're at this rehearsal and you know,

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Speaker 2: people didn't know the show right first or second season,

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Speaker 2: didn't really know the show, and numerous different actors who

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Speaker 2: came in would say like, well, I'm not gonna say

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Speaker 2: these lines, am I.

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Speaker 1: And we'd be like, uh, yes, you are.

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Speaker 2: You know, we take this seriously, like you are going

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Speaker 2: to say those lines. So I'm sitting there and he's like,

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Speaker 2: I'm not gonna say it. I'm not gonna tell her

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Speaker 2: she's hot. And I'm like, oh god, uh you know me?

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Speaker 2: And secure me. I'm like, oh god, he doesn't think

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Speaker 2: I'm hot, you know. But also, like what woman would

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Speaker 2: come on to a show and say that. No woman

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Speaker 2: would come onto a show and be like I'm not

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Speaker 2: gonna say that that guy is hot.

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Speaker 1: No one would do that.

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Speaker 3: That is a fascinating story, and you need to go scratch.

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Speaker 1: Okay, I will, but I don't.

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Speaker 2: I don't know that actor's name, and I feel bad

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Speaker 2: even talking about it. It's gonna be some whack out headline.

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Speaker 2: But it was truly happened, you know, it did happen.

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Speaker 2: I don't want to make him feel bad, but you know,

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Speaker 2: he was like, I'm not gonna say that to her,

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Speaker 2: and I was like, oh god. And then I remember

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Speaker 2: Nicole going like, well, you need you you really need

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Speaker 2: to just say it to her. Just throw it just,

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Speaker 2: you know, just throw it off like second, you know,

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Speaker 2: like like you know nothing.

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Speaker 3: You want to watch that again?

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Speaker 2: Well? See, this is the joy of rewatching, right, Like,

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Speaker 2: so much comes back to you. It's quite amazing. You

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Speaker 2: should come back on and rewatch with me, babe.

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Speaker 3: It's really fun to watch reruns.

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Speaker 2: It is.

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Speaker 1: I never had watched them.

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Speaker 3: I hadn't either, right there. I have a couple of times,

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Speaker 3: and it's it holds up.

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Speaker 2: It does. It's so interesting to look at I know,

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Speaker 2: and we're so young, my god, we're so young.

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Speaker 1: But also the thing.

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Speaker 2: That I enjoy about it it moves so quickly and

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Speaker 2: it's over so quickly.

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Speaker 1: Yeah, how do we fit it all in? I know

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Speaker 1: it's like bam bam, bam, bam bam.

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Speaker 2: And I mean at the point that I am in

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Speaker 2: the first season, we don't even really have it structured

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Speaker 2: in the way that it became structured where her voiceover

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Speaker 2: would tie in to you know, Meanwhile, downtown Charlotte was

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Speaker 2: doing blah blah blah blah, and uptown Miranda was doing

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Speaker 2: blah blah blah. You know, we're not even there yet, right,

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Speaker 2: It's still very Hodgepodge and Sarah Jessica is still having

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Speaker 2: to talk to the camera sometimes. Wow, but you know

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Speaker 2: she's just dying inside, you know.

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Speaker 3: Oh my gosh, can you remember that every single season?

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Speaker 1: Apparently I am well fantastic. Sometimes I lay in bed.

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Speaker 2: And I'm like, oh my god, ninety eight episodes. I'm

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Speaker 2: gonna watch ninety eight episodes. I know it is so

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Speaker 2: much to talk about, and I really need you guys

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Speaker 2: to come on and help me. Okay, we will, thank you, baby.

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Speaker 3: Many of the people that have memories.

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Speaker 2: I know, everyone has memories, which is joy. And I'm

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Speaker 2: going to look at this list now because obviously I

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Speaker 2: could just roll with you and talk about anything.

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Speaker 1: But okay, look, this is a good question.

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Speaker 2: Just off the top. Was there a lot of experimenting,

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Speaker 2: because I remember some experimenting you guys tried to do

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Speaker 2: on me that I was like, no.

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Speaker 3: Oh yeah, I think that for some reason, you Pat,

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Speaker 3: you know, Pat just had this Betty Page vision of

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Speaker 3: Charlotte interpreted Betty Page interpreted into the upper east side. Right,

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Speaker 3: that was her head and she just wanted you so

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Speaker 3: much in wiggle skirts. Oh my gosh, I hope this

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Speaker 3: doesn't trigger you.

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Speaker 2: It's okay.

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Speaker 3: But he wanted to clip on bang on you.

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Speaker 1: So she wanted it bad you guys.

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Speaker 2: Pat wanted me to have the mini micro bang so

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Speaker 2: badly that she took my head shot because you know,

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Speaker 2: when you're doing a TV show, you have everyone's picture

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Speaker 2: up on the board, right, like their head shots back

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Speaker 2: in the olden days. But that's what we called it.

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Speaker 1: And she drew in a mini a mini bang.

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Speaker 2: And then not only that, so she wanted me to

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Speaker 2: have a mini bang, but she also wanted me to

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Speaker 2: have a role like like like in the forties because

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Speaker 2: sometimes when I was doing my hair, we would pin

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Speaker 2: it up like temporarily, okay in the you like that.

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Speaker 1: Right, She wanted me to wear that like in the show.

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Speaker 2: Yeah, she's so adorable. But what I remember is like,

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Speaker 2: for me, I was stressing over my idea, which was

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Speaker 2: kind of very classic Upper east Side, long straight hair,

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Speaker 2: very Ralph Lauren, you know, very park Avenue, park Avenue,

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Speaker 2: stereotypical Park Avenue, right, not interesting park Avenue, just very

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Speaker 2: like if you walked into the Ralph Laurence store and

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Speaker 2: just bought head to tell Ralph Lauren, right, yeah.

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Speaker 3: And the person that would also go and look at

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Speaker 3: China at birds.

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Speaker 2: Exactly and just happens to be an art girl. So

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Speaker 2: maybe there could be some you know, something more structured

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Speaker 2: than that, but not necessarily, you know, some of the.

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Speaker 1: Things that that wanted.

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Speaker 2: So I remember one time, and I don't remember why.

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Speaker 2: It could have been the Hampton's episode that's coming when

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Speaker 2: I have to pretend that I'm.

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Speaker 1: Younger or whatever.

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Speaker 2: But do you remember she tried to get me the

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Speaker 2: Cone brother No way, Oh my gosh, so funny. Do

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Speaker 2: you remember the Cone bra she tried to get me

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Speaker 2: to wear. And again, this was like a Madonna Heyday

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Speaker 2: type moment. It was from the store, I believe. I mean,

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Speaker 2: I remember going to the store and having a fitting

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Speaker 2: at some point and there was like a very tight, tight,

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Speaker 2: tight tube skirt, which I was like, I can't do it, Pat,

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Speaker 2: I can't pull it off. This is what you guys

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Speaker 2: had to put up with me, you know for a while,

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Speaker 2: right as you know, thinking like I can't wear that,

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Speaker 2: and then and Pat being like what why not? You know,

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Speaker 2: And then there was a like tool it had like

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Speaker 2: little ruffles of tool on it, like you know, and

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Speaker 2: then like a cone bra and.

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Speaker 3: So wild.

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Speaker 1: I know, I love it too, but I said.

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Speaker 2: No, I mean it was just more photo shoot ish

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Speaker 2: or something. I just it was editorial, yes, which her,

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Speaker 2: you know, she just had a bigger view of everything,

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Speaker 2: you know, which God love her for it, right, But

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Speaker 2: for me as as a as an actor, as a

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Speaker 2: as a character as you know, trying to play its character,

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Speaker 2: sometimes I just felt like I couldn't go handle it.

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Speaker 3: Yeah, yeah, for sure, Yeah for sure.

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Speaker 2: Yeah. But then I feel like we found it. It

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Speaker 2: just took us some time to find the middle ground

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Speaker 2: of the agreed.

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Speaker 3: Agreed. Then when the two of you, you know, it's you,

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Speaker 3: she had her bang, you had this other idea, and

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Speaker 3: you guys came together.

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Speaker 2: And yeah, absolutely amazing.

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Speaker 3: Archetype of a person.

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Speaker 2: Absolutely absolutely, and thank goodness, she wasn't you know, as

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Speaker 2: a kind of pigeonholed as I wanted her to be.

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Speaker 3: And isn't it great to work with people that have

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Speaker 3: strong opinions and aren't with she while she or they're

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Speaker 3: not twenty cooks in the kitchen like somebody is. This

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Speaker 3: is how it is.

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Speaker 2: Definitely debate it, definitely, But I think that's the thing

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Speaker 2: about our show. And you know, it's hard to really

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Speaker 2: describe to other people. But you know, when I have

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Speaker 2: gone on to other projects or other shows and maybe

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Speaker 2: people aren't around all the time or they're you know,

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Speaker 2: they just kind of like, well, this is just my area.

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Speaker 2: I'm just gonna do my area. Like that's not how

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Speaker 2: you make something good?

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Speaker 3: No, and when are you? I mean, I'll speak for myself.

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Speaker 3: It's rare that you get to experiment or have the

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Speaker 3: luxury of finding your way in something.

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Speaker 1: Now, It's true, it is rare.

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Speaker 2: But I think that's our whole mo like in terms

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Speaker 2: of just the show in general, the fact that they

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Speaker 2: let us find our way, you know, like abst you know,

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Speaker 2: we didn't know.

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Speaker 3: The heyday of HBO.

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Speaker 2: I know, I know we're so lucky takers so good,

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Speaker 2: so good. Do you remember that time you guys dressed

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Speaker 2: me and I can't remember what I was doing. I

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Speaker 2: was wearing a vintage thing that also involved lace, and

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Speaker 2: we got I think the only note that I ever

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Speaker 2: remember getting from HBO about my clothes. They said, do

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Speaker 2: not put Charlotte in vintage. Do you remember this?

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Speaker 1: Because it was a little bit grandma ish vintage. They

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Speaker 1: thought was.

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Speaker 3: It white islet or something that it was.

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Speaker 2: Something like that.

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Speaker 1: It was black lace. It was black lace over white.

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Speaker 2: Yeah, and they didn't get it. And also I think

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Speaker 2: that what happened was it wasn't tight enough. Oh so

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Speaker 2: it looked fluffy, you know what I'm saying, like dowdyish,

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Speaker 2: grandma e vintage, And so they didn't necessarily understand. They

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Speaker 2: were like, no vintage, and you guys were like, what

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Speaker 2: you know, how dare you.

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Speaker 3: Place?

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Speaker 2: It was a little tiny moment. I don't think it lasted,

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Speaker 2: you know. But also the other thing was that they

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Speaker 2: didn't I don't think they probably realized that Sarah's four

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Speaker 2: coat was vented. Like there were so many vintage things

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Speaker 2: that you had from the get go, oh.

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Speaker 3: My god, and that we could afford, which you can

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Speaker 3: barely afford vintage.

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Speaker 2: Now I know it.

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Speaker 3: In a great way, in a good way, in a

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Speaker 3: sad way, and whatever.

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Speaker 2: It's so true, it's so so true. Who did you

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Speaker 2: enjoy dressing the most?

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Speaker 3: Molly? Now? That is no one in their right mind

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Speaker 3: is going to choose their favorite child.

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Speaker 1: See that's why I didn't ask her.

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Speaker 2: That's why I didn't ask her. But okay, so let's

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Speaker 2: just go over a little bit vague vague notes for

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Speaker 2: all of us.

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Speaker 1: Do you know what I mean?

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Speaker 3: Okay, Well, you know I have the receipts. I can

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Speaker 3: look through photos and I can remember, you know, some

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Speaker 3: of the you know, mind numbing things fitting Cynthia Nixon

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Speaker 3: when she was actually pregnant and fitting her when she

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Speaker 3: was show pregnant. Right, those moments that you know, pregnant

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Speaker 3: season shows are really really tough, aren't they. You remember

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Speaker 3: the little things like I don't know what they do now,

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Speaker 3: but I remember it. The thing that everybody just said

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Speaker 3: you had to use was bird seed for the.

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Speaker 2: Boobs, which makes no sense. I don't really understand, so Dinosaury, now, yeah, like,

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Speaker 2: why why would they say that? It's so interesting? Do

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Speaker 2: you remember when I Charlotte gets pregnant and we got

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Speaker 2: the fake belly and it had a belly button and

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Speaker 2: Michael Patrick was like, no, that's disgusting.

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Speaker 3: That is one of my favorite Charlotte outfits with big s.

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Speaker 1: The door. Yeah, the door was good.

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Speaker 2: Someone just brought that up on an Instagram post the

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Speaker 2: other day and it was good. It was vintage door

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Speaker 2: from their archives, I believe, really, yeah, because it wasn't

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Speaker 2: current and it wasn't my size, you know, because it

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Speaker 2: had to be pregnant. And the thing that I remember

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Speaker 2: about that, I think that was my first day on

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Speaker 2: the that's the first movie, right, the first movie must

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Speaker 2: be right, And I, you know how my ears, you know,

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Speaker 2: my allergy to certain metals, My ears had closed up

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Speaker 2: and I.

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Speaker 1: Didn't realize it.

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Speaker 2: So I'm in the hair and makeup trailer. I'm behind,

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Speaker 2: of course because it's our first day, and there's this

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Speaker 2: massive crowd up outside, you know, and I'm so stressed

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Speaker 2: about the crowd, and I'm thinking to myself, does Michael

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Speaker 2: Patrick realize that he has my very first scene outside

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Speaker 2: with like, you know, the pregnancy.

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Speaker 1: Does he remember that?

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Speaker 2: You know that there's just happening, yeah, And like, do

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Speaker 2: you remember there were people there from the magazines with

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Speaker 2: like their tape recorders and like writing notes, and Chris

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Speaker 2: and I walk over there thinking that they're fans, and

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Speaker 2: they're like asking us questions and we're like, oh god,

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Speaker 2: oh god.

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Speaker 1: Oh, we've got to leave.

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Speaker 2: We've got to leave exactly, run run, someone help us.

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Speaker 2: But I'm in the hair and makeup trailer. They're trying

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Speaker 2: to get me ready, you know, They're like, they're ready

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Speaker 2: for me, ready for me, and you're stressing. And I

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Speaker 2: realized it. Don't have my Van Cleef and our pel

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Speaker 2: earrings in they're supposed to go with my outfit, and

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Speaker 2: I have to read pierced this ear myself and blood

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Speaker 2: drips onto the white vintage de Or silk and I'm dying. Okay,

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Speaker 2: Can I tell you my ear is still messed up

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Speaker 2: from that. My ear has never recovered.

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Speaker 3: Oh my gosh. That was the true sacrifice. There was bloodshed.

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Speaker 2: There was bloodshed onto the door, which of course I'm mortified.

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Speaker 2: I'm like, oh my god, there's blood on the door.

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Speaker 3: You see it in the scene or something.

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Speaker 2: I don't think so, I don't think so. Oh, I'm

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Speaker 2: sure you guys were on top of me. I'm sure.

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Speaker 1: I called you, like, help me, I got blood on

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Speaker 1: the door.

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Speaker 3: That's such a good insider story.

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Speaker 2: I know I might have had the bags on that shoulder.

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Speaker 2: I might have put the bags on that shoulder just

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Speaker 2: so that you didn't see the blood on the door.

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Speaker 3: I'm sure you did some cute little.

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Speaker 1: Trip I tried.

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Speaker 2: I wish we had kept that because it was just, Oh,

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Speaker 2: what a fantastic I mean, you guys have done. When

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Speaker 2: you think about everything that you guys have done just

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Speaker 2: for us, obviously you have other careers, but I mean jobs,

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Speaker 2: other jobs in your career, If you think about everything

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Speaker 2: that you have done, do you feel proud?

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Speaker 3: I just am so speechless when I think of how

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Speaker 3: fortunate and oftentimes I think about and what we accomplished

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Speaker 3: in everything, and how amazing it was to go to

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Speaker 3: a couture show and you know that HBO sent us

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Speaker 3: several several times. That is unheard of, unheard care But

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Speaker 3: you know, I think about what it would be like

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Speaker 3: if it hadn't been the four of you, Like I

360
00:17:35,760 --> 00:17:40,119
Speaker 3: often think about what if it wasn't seem you know

361
00:17:40,280 --> 00:17:45,360
Speaker 3: who what this casting it's just all so aligned. It's

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Speaker 3: very witchy.

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Speaker 2: It is witchy because there's no, there was not a

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Speaker 2: lot of you know, we never read together. You know,

365
00:17:52,760 --> 00:17:55,040
Speaker 2: we didn't really know each other. It's just magic that

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Speaker 2: it worked. But again my feeling is, first of all, yes,

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Speaker 2: Kis meant some kind of like magic came together. But

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Speaker 2: also I feel I feel also that you know, the

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Speaker 2: the important parts of it that I think about are

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Speaker 2: the collaboration, the willingness to come in with these very

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00:18:14,000 --> 00:18:19,200
Speaker 2: strong personalities, you know, Darren, Michael, pat you know Sarah, right, Yeah,

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Speaker 2: everyone had extremely strong thoughts and opinions and instincts, right,

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Speaker 2: but it was never you were not in trouble for

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Speaker 2: having that. You were more in trouble if you didn't

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Speaker 2: have that, you know.

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Speaker 1: What I'm saying.

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00:18:33,200 --> 00:18:36,680
Speaker 2: That's true, right, And I think that's an amazing kind

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Speaker 2: of specialness of our show.

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Speaker 3: And I think that when you and I reminisce sometimes

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Speaker 3: in your trailer when you have a down moment, which

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00:18:45,200 --> 00:18:51,280
Speaker 3: is never and talk about fights or major drama situations

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Speaker 3: on the show, those were as good to talk They're

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Speaker 3: as good to think about in hindsight as the.

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Speaker 2: High Absolutely, I think that's part of the reason for

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Speaker 2: the success is.

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Speaker 3: Because at the moment, yeah, it's right.

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Speaker 1: Right at the moment. It's kind of tiring.

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Speaker 2: You can wear yourself out with the dramas. But the

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Speaker 2: dramas happened because everyone felt so strongly, you know.

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00:19:15,800 --> 00:19:18,160
Speaker 3: Yeah, the passion of it. Yeah, when you look back

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Speaker 3: now you're like, Okay, that's horrible when I was getting

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00:19:21,040 --> 00:19:24,200
Speaker 3: screamed at in front of the crew, But now I

393
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Speaker 3: find it fascinating. Let's dis say it and talk about it.

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Speaker 2: Definitely, definitely, And I feel like also it's the thing

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Speaker 2: of like, you know, everyone involved was so incredibly smart

396
00:19:36,920 --> 00:19:39,280
Speaker 2: about their own area. Like I was just looking at

397
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Speaker 2: the credits for this one of six, and I ever

398
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Speaker 2: thought about Jeremy Conway.

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Speaker 1: Whereber Jeremy, I.

400
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Speaker 3: Do who went on to do the Olympics.

401
00:19:46,640 --> 00:19:50,399
Speaker 2: The Olympics, I know, because he's brilliant, Like our show

402
00:19:50,480 --> 00:19:54,240
Speaker 2: would not still exist and look like it does if

403
00:19:54,320 --> 00:19:56,960
Speaker 2: Jeremy hadn't been our production designer. You know, he was

404
00:19:57,080 --> 00:20:01,439
Speaker 2: just super super brilliant and cared about all the little

405
00:20:01,440 --> 00:20:03,080
Speaker 2: details and would come talk to me.

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Speaker 1: I remember, even back.

407
00:20:04,320 --> 00:20:06,640
Speaker 2: I mean we had no you remember, in the beginning,

408
00:20:06,680 --> 00:20:10,639
Speaker 2: we had no producer credit whatsoever. But I remember everyone

409
00:20:10,680 --> 00:20:14,399
Speaker 2: would include us, you know, with the exception occasionally of directors,

410
00:20:14,440 --> 00:20:16,919
Speaker 2: which then we would have to go above their heads.

411
00:20:17,200 --> 00:20:21,040
Speaker 2: But if they didn't understand that we were an integral

412
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Speaker 2: part of the decision making process and we're.

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Speaker 3: Just so lucky with the title, but you were.

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00:20:25,880 --> 00:20:28,760
Speaker 2: We were, And that's so special and unique, you know,

415
00:20:28,960 --> 00:20:32,800
Speaker 2: to have for actors, much less actresses, right to be

416
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Speaker 2: thought of like, oh, this person is an integral part

417
00:20:35,640 --> 00:20:38,760
Speaker 2: of this production, and she has a say in how

418
00:20:38,800 --> 00:20:41,280
Speaker 2: her house looks, how her apartment looks, how her clothes looks.

419
00:20:41,359 --> 00:20:43,399
Speaker 2: You know, what art would she have? What art wouldn't

420
00:20:43,440 --> 00:20:45,320
Speaker 2: she have? Like it was so collaborative.

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00:20:45,560 --> 00:20:49,080
Speaker 3: I remember Sarah Jessica with Sabrina Wright, who was like

422
00:20:49,280 --> 00:20:54,639
Speaker 3: five generation props yep, picking out what magazines would be

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00:20:54,800 --> 00:20:56,719
Speaker 3: on that table in that apartment.

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Speaker 2: That's right, like that level of detail. I remember me

425
00:21:00,280 --> 00:21:04,560
Speaker 2: sending Sabrina what wedding rings I wanted, Oh wow, and

426
00:21:04,640 --> 00:21:06,960
Speaker 2: making her get them from Kathy Waterman, who happened to

427
00:21:07,000 --> 00:21:08,520
Speaker 2: be in Los Angeles. Do you remember that?

428
00:21:09,000 --> 00:21:14,560
Speaker 3: Yes? I do. Is there anything that you because we

429
00:21:14,640 --> 00:21:18,880
Speaker 3: reminisce and you're watching the older episode, do you have

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00:21:18,920 --> 00:21:21,679
Speaker 3: a memento that you framed at home?

431
00:21:22,320 --> 00:21:24,239
Speaker 2: I don't have that.

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00:21:24,359 --> 00:21:27,639
Speaker 3: You have that you is sacred and that you know,

433
00:21:27,760 --> 00:21:30,840
Speaker 3: I know, you know, being framed. What if she have

434
00:21:30,880 --> 00:21:33,320
Speaker 3: framed it's some kind of poeme.

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00:21:34,000 --> 00:21:37,359
Speaker 2: Oh, that's nice. I don't think I knew that. I

436
00:21:37,359 --> 00:21:39,199
Speaker 2: should ask her about that. What do you have framed?

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00:21:39,680 --> 00:21:42,119
Speaker 3: Okay? This, this won't get us in trouble.

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00:21:42,400 --> 00:21:44,600
Speaker 1: Okay, you know talking.

439
00:21:44,280 --> 00:21:50,600
Speaker 3: About talking about passionate thing moments. There's a moment you

440
00:21:50,640 --> 00:21:54,360
Speaker 3: know when when people do not want you to wear something,

441
00:21:54,480 --> 00:21:57,399
Speaker 3: or anyone to wear something, and they it will ruin

442
00:21:57,520 --> 00:22:00,639
Speaker 3: their dialogue or it will take away from the scene.

443
00:22:01,119 --> 00:22:06,280
Speaker 3: They can go wild in the office, try to tell

444
00:22:06,320 --> 00:22:09,080
Speaker 3: you their point. This is why she should not wear this.

445
00:22:09,880 --> 00:22:15,080
Speaker 3: I have a torn picture of you guys. It's torn

446
00:22:16,160 --> 00:22:21,960
Speaker 3: from Michael King. They're never wearing this, oh my gosh.

447
00:22:22,000 --> 00:22:24,080
Speaker 3: And I showed it to him one time and he

448
00:22:24,200 --> 00:22:29,000
Speaker 3: just thought it was so funny that I can't and.

449
00:22:28,920 --> 00:22:31,760
Speaker 2: What were we wearing? And did we wear it? No,

450
00:22:31,800 --> 00:22:33,000
Speaker 2: it's not going to get us in trouble.

451
00:22:33,160 --> 00:22:37,000
Speaker 3: No, it's a funny passionate like did we wear it?

452
00:22:37,480 --> 00:22:38,479
Speaker 2: Who won that argument?

453
00:22:38,840 --> 00:22:39,520
Speaker 3: Yeah?

454
00:22:40,440 --> 00:22:42,640
Speaker 2: No, he brought up in when I talked to him,

455
00:22:42,760 --> 00:22:44,920
Speaker 2: he brought up that he had said no to the

456
00:22:45,160 --> 00:22:50,439
Speaker 2: fisace millful and then yeah, that he had initially said no,

457
00:22:50,600 --> 00:22:52,439
Speaker 2: and that then he had really learned like no, no,

458
00:22:52,720 --> 00:22:56,440
Speaker 2: because his thing was, well, why would she be wearing it? Right?

459
00:22:56,640 --> 00:22:59,200
Speaker 2: Because you know how he's literal because he's writing right,

460
00:22:59,280 --> 00:23:01,520
Speaker 2: like it's a different job. And then he says, you know,

461
00:23:01,560 --> 00:23:04,800
Speaker 2: it really taught me that you don't always have to

462
00:23:04,880 --> 00:23:07,400
Speaker 2: have a reason. You know that it's going to be amazing.

463
00:23:07,760 --> 00:23:10,920
Speaker 3: Incredible, right, I never do that. That's such a good

464
00:23:11,280 --> 00:23:14,280
Speaker 3: behind the scenes. I never knew that he was like

465
00:23:14,440 --> 00:23:15,119
Speaker 3: anti that.

466
00:23:15,720 --> 00:23:19,000
Speaker 2: I think it was anti that for in the hotel room,

467
00:23:19,080 --> 00:23:21,000
Speaker 2: like how would she have gotten it there? You know,

468
00:23:21,160 --> 00:23:21,960
Speaker 2: like practical?

469
00:23:22,480 --> 00:23:25,879
Speaker 3: Right, he's very good. I remember Pat explaining why she

470
00:23:26,080 --> 00:23:29,919
Speaker 3: borrowed it when she was there, right, why is in

471
00:23:29,960 --> 00:23:31,720
Speaker 3: her closet? And where she keeps it?

472
00:23:32,320 --> 00:23:35,360
Speaker 2: We have no idea, right, right, exactly right?

473
00:23:35,440 --> 00:23:36,399
Speaker 1: I think it's in a box.

474
00:23:36,440 --> 00:23:38,200
Speaker 2: Doesn't she get it back out of a box when

475
00:23:38,240 --> 00:23:38,760
Speaker 2: she needs it?

476
00:23:39,400 --> 00:23:39,640
Speaker 4: Yeah?

477
00:23:39,680 --> 00:23:43,280
Speaker 3: You have to kind of stretch your imagination there, right.

478
00:23:43,240 --> 00:23:46,840
Speaker 2: But that's okay because it was part of what our show,

479
00:23:47,359 --> 00:23:50,920
Speaker 2: Like it was like the you know, the like building

480
00:23:50,960 --> 00:23:52,840
Speaker 2: blocks of our show. I feel like, you know.

481
00:23:53,600 --> 00:23:57,040
Speaker 3: And I love about him and all of you too

482
00:23:57,240 --> 00:24:02,880
Speaker 3: as producers that you if you consider something and you're

483
00:24:02,960 --> 00:24:06,000
Speaker 3: against it and then you've slept on it and you've

484
00:24:06,040 --> 00:24:11,800
Speaker 3: changed your mind and you correct it, you will you

485
00:24:11,920 --> 00:24:15,680
Speaker 3: correct yourselves. You're not You're like, I thought about that

486
00:24:15,720 --> 00:24:18,040
Speaker 3: wrong and I think you're right, But I'm not gonna

487
00:24:18,080 --> 00:24:20,760
Speaker 3: wear that bang, pat Well.

488
00:24:20,800 --> 00:24:22,959
Speaker 2: I think some of that is from the history too,

489
00:24:23,160 --> 00:24:25,320
Speaker 2: like like in the beginning, because when I look back

490
00:24:25,400 --> 00:24:30,000
Speaker 2: on these early episodes, to me, I seem like like

491
00:24:30,040 --> 00:24:32,440
Speaker 2: a floppy puppy or like a little child or something

492
00:24:32,480 --> 00:24:36,679
Speaker 2: like I look so young, and I seem so like

493
00:24:36,880 --> 00:24:39,120
Speaker 2: out of my element almost, you know, like the rest

494
00:24:39,119 --> 00:24:42,000
Speaker 2: of them seem so sophisticated, and I feel like I'm like, right,

495
00:24:42,359 --> 00:24:44,200
Speaker 2: you know, but I remember.

496
00:24:44,320 --> 00:24:45,280
Speaker 1: I just remember that.

497
00:24:45,560 --> 00:24:48,480
Speaker 2: Like, and I'm also wearing weird clothes, like like.

498
00:24:48,640 --> 00:24:49,840
Speaker 1: I think I went shopping.

499
00:24:49,920 --> 00:24:50,680
Speaker 2: You know what I'm saying.

500
00:24:50,760 --> 00:24:51,960
Speaker 1: I don't know this is.

501
00:24:52,080 --> 00:24:53,720
Speaker 3: I think those are weird.

502
00:24:54,160 --> 00:24:57,160
Speaker 1: I see them, right, What are they?

503
00:24:57,440 --> 00:24:59,520
Speaker 3: I tell you that's where we went.

504
00:24:59,680 --> 00:25:03,320
Speaker 2: We they're Bloomingdale's. I think they're either Bloomingdales or that

505
00:25:03,359 --> 00:25:06,240
Speaker 2: I went somewhere and bought something and was like, hey,

506
00:25:06,280 --> 00:25:08,639
Speaker 2: can I wear this? You know, which I think is

507
00:25:08,640 --> 00:25:11,000
Speaker 2: why Darren then took me to dinner to say, listen,

508
00:25:11,400 --> 00:25:13,199
Speaker 2: you have to let Pat dress you because she can

509
00:25:13,240 --> 00:25:15,080
Speaker 2: dress you better than you can. And I was like, okay,

510
00:25:15,080 --> 00:25:18,639
Speaker 2: I'm sure she can. I just need to understand what

511
00:25:18,720 --> 00:25:20,720
Speaker 2: we're doing and that I can do it. I needed

512
00:25:20,760 --> 00:25:23,520
Speaker 2: so much confidence like built up in me that I

513
00:25:23,560 --> 00:25:27,359
Speaker 2: could actually wear the things that I perceived as being

514
00:25:27,600 --> 00:25:30,520
Speaker 2: what people in Vogue were like. I just had trouble

515
00:25:30,560 --> 00:25:35,000
Speaker 2: making that leap myself, you know. So it took some time,

516
00:25:35,080 --> 00:25:37,199
Speaker 2: and it took some time for Pat and I to

517
00:25:37,240 --> 00:25:40,000
Speaker 2: find our way to each other in terms of, like,

518
00:25:40,320 --> 00:25:43,520
Speaker 2: you know, she was trying to accentuate the part of

519
00:25:43,520 --> 00:25:45,359
Speaker 2: my body that I've been trying to hide, which was

520
00:25:45,400 --> 00:25:47,600
Speaker 2: my hips in my butt, but at the same time

521
00:25:47,720 --> 00:25:51,600
Speaker 2: she sometimes would you know, kind of slightly criticize them.

522
00:25:51,600 --> 00:25:54,639
Speaker 2: So it was very confusing to me, as you know,

523
00:25:54,960 --> 00:25:55,720
Speaker 2: because you were there.

524
00:25:56,600 --> 00:25:58,679
Speaker 3: That's not an easy thing to do in front of

525
00:25:58,680 --> 00:26:00,840
Speaker 3: the dressing room mirror, you know what I mean, when

526
00:26:00,880 --> 00:26:04,280
Speaker 3: you're comfortable and we all have those parts of us

527
00:26:04,320 --> 00:26:10,280
Speaker 3: that were like, no, I'm camouflaging that, this is whatever stopped. Yeah,

528
00:26:10,960 --> 00:26:16,040
Speaker 3: So yeah, it's it's it's interesting that you you uh,

529
00:26:16,119 --> 00:26:17,480
Speaker 3: you had a journey.

530
00:26:17,720 --> 00:26:22,119
Speaker 2: Oh my god, big time, such a journey, such a journey,

531
00:26:22,160 --> 00:26:23,560
Speaker 2: and it continues, doesn't it.

532
00:26:24,160 --> 00:26:26,880
Speaker 3: You know, maybe that's what is weird. A little bit

533
00:26:26,960 --> 00:26:30,640
Speaker 3: about your clothes. Maybe they're in the early early days,

534
00:26:30,760 --> 00:26:34,320
Speaker 3: Uh huh, they've got that little touch of West, you know,

535
00:26:34,520 --> 00:26:37,720
Speaker 3: like definitely needed to be sophisticated.

536
00:26:37,760 --> 00:26:41,360
Speaker 2: You were in Manhattan, definitely, and I definitely. I mean,

537
00:26:42,080 --> 00:26:46,280
Speaker 2: I just see that there's some kind of of lack

538
00:26:46,320 --> 00:26:49,639
Speaker 2: of clarity. And also I think also what you're reminding

539
00:26:49,720 --> 00:26:51,520
Speaker 2: me of is that we didn't have the budget, we

540
00:26:51,560 --> 00:26:56,199
Speaker 2: didn't have the ability to borrow, so so you know,

541
00:26:56,280 --> 00:26:58,520
Speaker 2: we haven't gotten there yet. But also I don't even

542
00:26:58,600 --> 00:27:03,040
Speaker 2: know what I what I would have wanted. Like the

543
00:27:03,080 --> 00:27:06,120
Speaker 2: first time that I remember feeling great, and I don't

544
00:27:06,119 --> 00:27:08,080
Speaker 2: know what episode this is is when I was wearing

545
00:27:08,119 --> 00:27:10,560
Speaker 2: this black dress with the you know it's got like

546
00:27:10,560 --> 00:27:13,200
Speaker 2: like panels down it. Oh you know what else I love?

547
00:27:13,240 --> 00:27:15,160
Speaker 2: And I also don't know if this first your second season.

548
00:27:15,160 --> 00:27:17,920
Speaker 2: Do you remember that time at the gallery where Willie's

549
00:27:17,960 --> 00:27:20,320
Speaker 2: there and all of us are there and Pat convinced

550
00:27:20,359 --> 00:27:23,280
Speaker 2: me to have a high pony with a hair piece,

551
00:27:23,280 --> 00:27:25,760
Speaker 2: so it's really long ponytail. And she put me in

552
00:27:25,840 --> 00:27:28,240
Speaker 2: diamond hoop ear rings, which literally I never wear.

553
00:27:29,080 --> 00:27:31,720
Speaker 3: Oh, I want to see this so bad.

554
00:27:31,920 --> 00:27:34,200
Speaker 2: And I feel like I might have a turtleneck kind

555
00:27:34,200 --> 00:27:36,639
Speaker 2: of a sheath on, you know, like some kind of

556
00:27:36,840 --> 00:27:38,480
Speaker 2: pretty sophisticated thing for me.

557
00:27:38,720 --> 00:27:41,639
Speaker 3: For Charlotte that sounds very gallery.

558
00:27:41,920 --> 00:27:43,439
Speaker 2: It was very gallery, and I feel like I might

559
00:27:43,480 --> 00:27:46,280
Speaker 2: even have a red lip on. All kind of shocking elements. Right,

560
00:27:48,480 --> 00:27:51,520
Speaker 2: I'm sitting, but it's good. It's good, and I remember

561
00:27:51,840 --> 00:27:54,879
Speaker 2: moments like that early on where things came together and

562
00:27:54,920 --> 00:27:57,479
Speaker 2: I think for me, and I'm sure she was probably

563
00:27:57,520 --> 00:28:00,280
Speaker 2: just cursing me right at this point, but like for me,

564
00:28:00,440 --> 00:28:02,399
Speaker 2: I just had to find my way to it, like

565
00:28:02,680 --> 00:28:04,960
Speaker 2: who is this woman? Because as we've discussed with Michael

566
00:28:05,000 --> 00:28:08,159
Speaker 2: and everybody else, really nobody knew who Charlotte was in

567
00:28:08,160 --> 00:28:10,080
Speaker 2: the beginning, which is why they tried to demote me,

568
00:28:10,280 --> 00:28:12,119
Speaker 2: you know, to recurring or whatever. And thank goodness I

569
00:28:12,119 --> 00:28:14,960
Speaker 2: didn't let them. Oh that, Oh baby, you got to

570
00:28:14,960 --> 00:28:16,480
Speaker 2: listen to the podcast.

571
00:28:16,240 --> 00:28:19,080
Speaker 3: No I will. I've been catching backs and snippets because

572
00:28:19,119 --> 00:28:20,480
Speaker 3: I love these stories.

573
00:28:20,720 --> 00:28:22,760
Speaker 2: I know, because no one knows all the stories that's

574
00:28:22,760 --> 00:28:23,879
Speaker 2: the fun that's the funny.

575
00:28:23,960 --> 00:28:27,480
Speaker 3: Because you have seen them in such a while is

576
00:28:27,600 --> 00:28:29,040
Speaker 3: also a great thing.

577
00:28:29,320 --> 00:28:31,760
Speaker 2: Oh yeah, oh, I haven't seen them in twenty something

578
00:28:32,359 --> 00:28:35,440
Speaker 2: twenty five years. Because for me, like if they were

579
00:28:35,440 --> 00:28:38,200
Speaker 2: on E which was the first time they got syndicated,

580
00:28:38,240 --> 00:28:40,920
Speaker 2: I feel like, you know, it was like, first of all,

581
00:28:40,920 --> 00:28:42,920
Speaker 2: it was toned down because they'd edded so much out,

582
00:28:43,160 --> 00:28:44,840
Speaker 2: and second of all, it was living in the past,

583
00:28:44,840 --> 00:28:46,000
Speaker 2: and I felt like, well, I don't want to live

584
00:28:46,000 --> 00:28:48,080
Speaker 2: in the past. I want to live now because partly

585
00:28:48,080 --> 00:28:49,640
Speaker 2: we were still doing the show, and we were doing

586
00:28:49,680 --> 00:28:52,440
Speaker 2: the movies and you know, doing other things obviously, and

587
00:28:52,480 --> 00:28:57,440
Speaker 2: now because it is so incredibly long ago, it's amazing

588
00:28:57,560 --> 00:28:59,760
Speaker 2: to watch it. But it is a little bit like

589
00:28:59,800 --> 00:29:01,560
Speaker 2: there therapy, I have to say, like it is a

590
00:29:01,560 --> 00:29:05,680
Speaker 2: little bit like wow, like I need to really think

591
00:29:05,720 --> 00:29:07,640
Speaker 2: about my own journey.

592
00:29:07,880 --> 00:29:12,000
Speaker 3: Right, Like that is a lot of chronicling, you know,

593
00:29:12,160 --> 00:29:14,040
Speaker 3: so much of a journey for sure.

594
00:29:14,440 --> 00:29:16,080
Speaker 2: But I love it and I love that we can

595
00:29:16,120 --> 00:29:18,840
Speaker 2: all be on record together about our experience.

596
00:29:19,400 --> 00:29:32,800
Speaker 3: Yeah, I'm so glad you're getting everybody to come in

597
00:29:32,920 --> 00:29:35,200
Speaker 3: and discuss everything with you.

598
00:29:35,680 --> 00:29:36,440
Speaker 1: I'm trying.

599
00:29:37,080 --> 00:29:39,080
Speaker 2: We're not all the way there, yet, but having you

600
00:29:39,160 --> 00:29:41,320
Speaker 2: has been amazing. I was like, we got to get Molly.

601
00:29:41,400 --> 00:29:42,320
Speaker 2: We got to get Molly.

602
00:29:42,520 --> 00:29:45,600
Speaker 3: Thank you so much. And you said when you texted me,

603
00:29:45,800 --> 00:29:49,280
Speaker 3: we won't have any problem finding something to talk about.

604
00:29:50,440 --> 00:29:55,240
Speaker 2: As we never do, as we never do. Okay, Mollie Rogers,

605
00:29:55,640 --> 00:29:58,400
Speaker 2: thank you for joining us. I love you so much.

606
00:29:59,200 --> 00:30:01,960
Speaker 3: Thank you for having It was so much fun. Let's

607
00:30:02,000 --> 00:30:02,560
Speaker 3: do it again.

608
00:30:02,880 --> 00:30:04,960
Speaker 1: Let's do it again. Hey, how do you feel.

609
00:30:04,720 --> 00:30:06,040
Speaker 2: About actually rewatching?

610
00:30:07,080 --> 00:30:07,320
Speaker 3: Yeah?

611
00:30:07,760 --> 00:30:09,520
Speaker 2: Cool, I mean we don't have to do it live together,

612
00:30:09,560 --> 00:30:11,200
Speaker 2: but like you can watch and then let's write about

613
00:30:11,240 --> 00:30:12,400
Speaker 2: our thoughts or what we remember.

614
00:30:12,920 --> 00:30:13,400
Speaker 3: Hilarious.

615
00:30:13,440 --> 00:30:15,120
Speaker 2: Oh my god, I forgot to ask your bus and

616
00:30:15,120 --> 00:30:16,880
Speaker 2: it's so important. I'm gonna take my glasses off for this.

617
00:30:16,920 --> 00:30:20,280
Speaker 2: I gotta ask her about the naked dress. The naked dress,

618
00:30:20,680 --> 00:30:22,160
Speaker 2: Well do I know the answer?

619
00:30:22,280 --> 00:30:24,240
Speaker 1: What about the naked dress?

620
00:30:24,640 --> 00:30:28,960
Speaker 2: Was the dress that she wears in the show and

621
00:30:29,160 --> 00:30:30,760
Speaker 2: the dress that ends up on the bus.

622
00:30:30,840 --> 00:30:32,160
Speaker 1: Do you remember the bus?

623
00:30:33,120 --> 00:30:35,320
Speaker 2: Is this the billboard that is on the bus and

624
00:30:35,360 --> 00:30:40,520
Speaker 2: that someone draws graffiti of a personal part? And yeah, yes,

625
00:30:40,960 --> 00:30:43,920
Speaker 2: and it's in the In the she's wearing the tutu

626
00:30:44,000 --> 00:30:46,360
Speaker 2: when she sees the bus obviously in the opening credits,

627
00:30:46,480 --> 00:30:48,640
Speaker 2: but in the show it's a story point. She's doing

628
00:30:48,680 --> 00:30:51,800
Speaker 2: a photo shoot for her column and she's wearing this

629
00:30:51,960 --> 00:30:54,360
Speaker 2: DK and Y and or Donna, Karen Proper, I'm not

630
00:30:54,400 --> 00:30:59,120
Speaker 2: sure which. It's a nude colored dress. It's very nineties,

631
00:30:59,720 --> 00:31:02,040
Speaker 2: and and she comes she shows up. We're all there

632
00:31:02,040 --> 00:31:04,880
Speaker 2: for moral supports. It's her first date with Big, and

633
00:31:05,000 --> 00:31:08,800
Speaker 2: she comes out and I'm like, oh, like you can tell.

634
00:31:08,880 --> 00:31:11,280
Speaker 2: Charlie's like somewhat mortified that this is what she's wearing.

635
00:31:11,600 --> 00:31:18,080
Speaker 2: And Amanda says, uh, it's tits on toast, which is

636
00:31:18,080 --> 00:31:20,960
Speaker 2: really funny. And she's like, is it too much? And

637
00:31:21,440 --> 00:31:25,320
Speaker 2: Samantha's like, it's fabulous, darling. And then she wears it.

638
00:31:25,400 --> 00:31:28,040
Speaker 2: And she walks out and sees Big on the street

639
00:31:28,040 --> 00:31:33,840
Speaker 2: with the fur coat, and he goes, interesting dress, and

640
00:31:33,880 --> 00:31:39,600
Speaker 2: she goes meaning and he says interesting dress, and I'm

641
00:31:39,640 --> 00:31:42,200
Speaker 2: just like, what a jerk. Like sometimes I look back

642
00:31:42,240 --> 00:31:44,920
Speaker 2: on Big and I'm like, wow, yeah, he's kind of

643
00:31:44,960 --> 00:31:51,360
Speaker 2: a jerk. Yeah, you know, but some lines, I mean, right, gosh.

644
00:31:51,600 --> 00:31:53,920
Speaker 2: Then they get in the car and they make out

645
00:31:54,200 --> 00:31:56,360
Speaker 2: because it's like this naked dress, and I guess she

646
00:31:56,440 --> 00:31:59,680
Speaker 2: felt like what interesting dress is a compliment or whatever.

647
00:31:59,720 --> 00:32:02,000
Speaker 2: I don't know, but do you remember this dress?

648
00:32:02,520 --> 00:32:05,200
Speaker 3: I do, and I want to remind you and you'll go, oh, yeah,

649
00:32:05,240 --> 00:32:08,320
Speaker 3: that's right. First of all, it's in her storage because

650
00:32:08,360 --> 00:32:09,280
Speaker 3: I touched.

651
00:32:08,920 --> 00:32:10,280
Speaker 2: It last year, your Way.

652
00:32:10,960 --> 00:32:13,200
Speaker 3: It's in tissue and I was like, what.

653
00:32:13,840 --> 00:32:14,120
Speaker 2: Wow.

654
00:32:14,560 --> 00:32:20,040
Speaker 3: It has plastic string, not like a plastic like a whatever,

655
00:32:20,480 --> 00:32:23,440
Speaker 3: plastic bra strap where you're trying to hide. You know

656
00:32:23,520 --> 00:32:27,240
Speaker 3: that it's it's a little fishing wire.

657
00:32:28,760 --> 00:32:29,240
Speaker 1: Wow.

658
00:32:29,520 --> 00:32:34,560
Speaker 3: Now here is the original continuity photo. Remember when we

659
00:32:35,240 --> 00:32:39,520
Speaker 3: olaroids and yes and wrote it all by hand.

660
00:32:39,960 --> 00:32:41,480
Speaker 2: Oh my gosh, will you send that to me?

661
00:32:42,760 --> 00:32:46,680
Speaker 3: I will? It says dress and Pat describes it naked,

662
00:32:48,160 --> 00:32:55,080
Speaker 3: g string, beige, Cosabella. Oh yeah, that's all your Manolo beige,

663
00:32:55,280 --> 00:33:02,640
Speaker 3: actor's own a purse, snake skin long, actor's own coat,

664
00:33:02,840 --> 00:33:05,240
Speaker 3: vintage for earrings studs.

665
00:33:05,880 --> 00:33:08,880
Speaker 2: Wow, adorable.

666
00:33:10,240 --> 00:33:13,600
Speaker 3: And you somebody took a picture of her on set. Yeah,

667
00:33:13,640 --> 00:33:15,840
Speaker 3: I guess I don't know.

668
00:33:15,960 --> 00:33:17,120
Speaker 1: Yeah, I know they have a hole.

669
00:33:17,280 --> 00:33:19,960
Speaker 2: She she's in the apartment with us, and she goes

670
00:33:20,000 --> 00:33:20,760
Speaker 2: out onto the street.

671
00:33:20,840 --> 00:33:21,840
Speaker 1: Then they're in the cab.

672
00:33:22,400 --> 00:33:25,840
Speaker 3: Then it's this big. It's like a notepad.

673
00:33:28,440 --> 00:33:33,040
Speaker 2: I mean, it is interestingly naked. In terms of what's

674
00:33:33,080 --> 00:33:37,880
Speaker 2: going on up top, I hadn't really remembered all of it.

675
00:33:37,960 --> 00:33:40,040
Speaker 2: I was like, Wow, it's quite something.

676
00:33:40,200 --> 00:33:42,920
Speaker 3: It's bold, it's in storage, it's in tis.

677
00:33:43,000 --> 00:33:44,840
Speaker 1: She Yeah, that's amazing.

678
00:33:45,200 --> 00:33:49,000
Speaker 2: I cannot wait until she has the retrospective show in

679
00:33:49,040 --> 00:33:51,480
Speaker 2: the future. It's going to be quite something.

680
00:33:52,160 --> 00:33:54,520
Speaker 3: I've got a lot of great pictures she can have

681
00:33:54,600 --> 00:33:56,640
Speaker 3: of you for that show, for sure.

682
00:33:57,280 --> 00:33:59,560
Speaker 1: Really, I do send them to me.

683
00:34:00,080 --> 00:34:02,240
Speaker 2: Send them, take pictures of the pictures and send them

684
00:34:02,240 --> 00:34:02,480
Speaker 2: to me.

685
00:34:03,000 --> 00:34:05,440
Speaker 3: I might send you the most shocking one I have

686
00:34:05,600 --> 00:34:09,120
Speaker 3: in a fitting and you will not believe what you

687
00:34:09,280 --> 00:34:16,319
Speaker 3: actually tried on you. Wow, take a alcacette, sir. Yeah,

688
00:34:16,440 --> 00:34:17,279
Speaker 3: I need to see it.

689
00:34:17,320 --> 00:34:17,960
Speaker 1: I need to see it.

690
00:34:18,280 --> 00:34:20,880
Speaker 2: One of my favorite favorite I have a stack of

691
00:34:21,000 --> 00:34:24,680
Speaker 2: photos myself of when we're trying to find the Vera

692
00:34:24,719 --> 00:34:27,800
Speaker 2: Wang wedding dress for the Kyle wedding, the Trey wedding,

693
00:34:28,200 --> 00:34:30,200
Speaker 2: and we went to Vera Wang a few times. Do

694
00:34:30,200 --> 00:34:32,360
Speaker 2: you remember this. I mean we must have put on

695
00:34:32,400 --> 00:34:35,239
Speaker 2: thirty dresses and we took polaroids of all of them

696
00:34:35,239 --> 00:34:38,080
Speaker 2: because we had to get everybody to agree, which was

697
00:34:38,200 --> 00:34:41,920
Speaker 2: so difficult. Do you remember. And there's one where Pat

698
00:34:41,960 --> 00:34:46,000
Speaker 2: is literally under my skirt. She's completely hidden, her little

699
00:34:46,000 --> 00:34:49,040
Speaker 2: feet are picking out, she's doing something under there, and

700
00:34:49,120 --> 00:34:52,120
Speaker 2: I'm just standing there because it was so normal and it's.

701
00:34:52,040 --> 00:34:57,239
Speaker 3: Really remember yeah, yesterday, me too. I remember being at

702
00:34:57,280 --> 00:34:58,440
Speaker 3: badgely Mishka.

703
00:34:58,960 --> 00:35:00,960
Speaker 2: That was for the second, for the hairy wedding.

704
00:35:01,160 --> 00:35:03,200
Speaker 3: I have a lot of those fitting photos of those.

705
00:35:03,800 --> 00:35:06,640
Speaker 2: Yay, I don't have those. Let's share our photos.

706
00:35:06,680 --> 00:35:10,759
Speaker 3: Molly, I will okay, see you soon.

707
00:35:10,920 --> 00:35:11,239
Speaker 2: Love you,