1
00:00:01,720 --> 00:00:04,720
Speaker 1: Hey, discos, need a little more Disgraceland in your life,

2
00:00:05,080 --> 00:00:08,000
Speaker 1: just to touch to get you through. Yeah, me too.

3
00:00:08,680 --> 00:00:11,920
Speaker 1: This is the podcast that comes after the podcast. Welcome

4
00:00:11,960 --> 00:00:30,760
Speaker 1: to Disgraceland, the after party. Welcome to the Disgraceland bonus episode,

5
00:00:30,880 --> 00:00:33,760
Speaker 1: a little thing we like to call the after party.

6
00:00:34,080 --> 00:00:37,200
Speaker 1: This is the show after the show, the party after

7
00:00:37,240 --> 00:00:39,240
Speaker 1: the party, the bridge to get you from one full

8
00:00:39,280 --> 00:00:42,800
Speaker 1: episode or Disgraceland to the other, the backyard to dig

9
00:00:42,920 --> 00:00:47,680
Speaker 1: into the dirt. On this episode, we're talking about Merle Haggard,

10
00:00:47,960 --> 00:00:51,920
Speaker 1: my country music gateway, drug more British post punk, and

11
00:00:52,040 --> 00:00:55,440
Speaker 1: of course your voicemails, texts, dms and more and as

12
00:00:55,520 --> 00:00:59,440
Speaker 1: always a whole lot of rosy. All right, Discos, let's

13
00:00:59,680 --> 00:01:14,400
Speaker 1: get into it all right. We are here, we are together,

14
00:01:14,440 --> 00:01:17,479
Speaker 1: we are communing in Disgraceland. It is Merle Haggard Week.

15
00:01:17,600 --> 00:01:20,280
Speaker 1: Merle Haggard is of course the subject of our latest

16
00:01:20,319 --> 00:01:22,840
Speaker 1: full episode of Disgraceland, and in the mini bonus up

17
00:01:22,920 --> 00:01:25,120
Speaker 1: leading up to the full lip on Merle, I discuss

18
00:01:25,200 --> 00:01:28,160
Speaker 1: a bit about Merle's background and his crimes and a

19
00:01:28,240 --> 00:01:31,720
Speaker 1: stint in prison and fulsome prison, even his relation to

20
00:01:31,800 --> 00:01:36,000
Speaker 1: the high character Hi from raising Arizona. So if you're

21
00:01:36,040 --> 00:01:38,280
Speaker 1: interested in all that, there is a lot for you

22
00:01:38,319 --> 00:01:41,040
Speaker 1: to sink your teeth into in that mini episode, also

23
00:01:41,080 --> 00:01:42,600
Speaker 1: in the full episode. But what I want to talk

24
00:01:42,640 --> 00:01:45,840
Speaker 1: more about here in the bonus episode is Merle Haggard's music,

25
00:01:46,360 --> 00:01:51,440
Speaker 1: and even more generally about country music, about classic country music.

26
00:01:51,480 --> 00:01:54,200
Speaker 1: How many of you are into country music? Are into

27
00:01:54,280 --> 00:01:57,360
Speaker 1: classic country music like Merle Haggard? I get it, I

28
00:01:57,400 --> 00:01:59,200
Speaker 1: get it. If you're not, you're into punk rock, you're

29
00:01:59,240 --> 00:02:03,440
Speaker 1: into hip hop, you're into Taylor Swift. Who knows you're

30
00:02:03,480 --> 00:02:06,760
Speaker 1: into like sixty shit? And what does classic country music

31
00:02:06,760 --> 00:02:08,440
Speaker 1: have to do with punk or hip hop or Taylor

32
00:02:08,480 --> 00:02:12,480
Speaker 1: Swift or classic rock. Well turns out a lot, actually,

33
00:02:12,800 --> 00:02:14,519
Speaker 1: especially that Taylor Swift part. But I'm not going to

34
00:02:14,600 --> 00:02:17,800
Speaker 1: go down that rabbit hole here, and rather than to

35
00:02:17,840 --> 00:02:20,720
Speaker 1: explain to you why classic country has everything to do

36
00:02:20,800 --> 00:02:24,640
Speaker 1: with modern forms of music, particularly modern forms of aggressive

37
00:02:24,720 --> 00:02:28,480
Speaker 1: music like punk rock and even hip hop, I thought

38
00:02:28,520 --> 00:02:32,239
Speaker 1: I would instead share with you how I got into

39
00:02:32,280 --> 00:02:36,840
Speaker 1: classic country by mistake, by accident. I was in my

40
00:02:36,919 --> 00:02:41,200
Speaker 1: late teens, I forget how old exactly, and my dad

41
00:02:41,280 --> 00:02:45,240
Speaker 1: had for years been telling me about the importance of

42
00:02:45,240 --> 00:02:47,799
Speaker 1: country music on rock and roll and all the music

43
00:02:47,840 --> 00:02:50,399
Speaker 1: that I loved, But I put him on the pane

44
00:02:50,400 --> 00:02:52,040
Speaker 1: of my list when it came to the subject, I

45
00:02:52,040 --> 00:02:55,840
Speaker 1: didn't give shit. What did Hank Haggard, Jones or whatever

46
00:02:55,880 --> 00:02:57,360
Speaker 1: the fuck his name was have to do with Who's

47
00:02:57,360 --> 00:03:03,560
Speaker 1: coudu or suicidal or misfits and a Metallica. Now, right

48
00:03:03,560 --> 00:03:06,440
Speaker 1: around this time, my late teens, my dad, who I

49
00:03:06,480 --> 00:03:08,840
Speaker 1: told you guys before as a musician, A lot of

50
00:03:08,840 --> 00:03:10,720
Speaker 1: you know him actually who listened to this, But my

51
00:03:10,800 --> 00:03:13,280
Speaker 1: dad started playing this tiny club on Monday nights in

52
00:03:13,360 --> 00:03:16,720
Speaker 1: Jamaica playing Boston called the Brendan Bean. I was around

53
00:03:16,800 --> 00:03:19,840
Speaker 1: eighteen years old at the time. And when I say tiny,

54
00:03:20,120 --> 00:03:24,480
Speaker 1: I mean tiny. This bar is I think I called

55
00:03:24,480 --> 00:03:26,359
Speaker 1: it a club that was That was a mistake. It

56
00:03:26,480 --> 00:03:30,400
Speaker 1: was a bar and no stage, and you had to

57
00:03:30,480 --> 00:03:31,800
Speaker 1: kind of if you wanted to go to the bathroom,

58
00:03:31,800 --> 00:03:34,000
Speaker 1: you had to kind of like walk through the band

59
00:03:34,040 --> 00:03:35,920
Speaker 1: as they were playing and be careful not to like

60
00:03:35,960 --> 00:03:41,080
Speaker 1: step on pedals or bump into them. The band was

61
00:03:41,200 --> 00:03:44,480
Speaker 1: fucking incredible. These nights were incredible and it was yet

62
00:03:44,560 --> 00:03:45,760
Speaker 1: to be twenty one. To get in, I don't know

63
00:03:45,760 --> 00:03:47,120
Speaker 1: how I got in but I got in a lot.

64
00:03:47,320 --> 00:03:49,880
Speaker 1: My dad certainly didn't help me get in. He might

65
00:03:49,880 --> 00:03:52,560
Speaker 1: have said something like, you know, my kid's not drinking,

66
00:03:52,760 --> 00:03:55,280
Speaker 1: don't throw them out type of thing. I didn't drink.

67
00:03:56,240 --> 00:03:58,400
Speaker 1: I was respectful. I got that I knew that I

68
00:03:58,440 --> 00:04:00,600
Speaker 1: was putting. I knew that I was putting the liquor

69
00:04:00,680 --> 00:04:02,960
Speaker 1: license on the line for the working folks, even at

70
00:04:02,960 --> 00:04:06,080
Speaker 1: that young age. So anyhow, I was in got into

71
00:04:06,080 --> 00:04:08,320
Speaker 1: this bar. So watch this band and my dad had formed. Now,

72
00:04:08,320 --> 00:04:10,480
Speaker 1: I didn't care what the type of band it was,

73
00:04:10,520 --> 00:04:13,520
Speaker 1: what kind of music they were playing. I just wanted

74
00:04:13,560 --> 00:04:16,599
Speaker 1: to be around live music and be around my dad,

75
00:04:16,640 --> 00:04:19,640
Speaker 1: and be around with my dad was doing and creating,

76
00:04:20,240 --> 00:04:22,960
Speaker 1: and so you know this band then, my dad had

77
00:04:23,000 --> 00:04:25,240
Speaker 1: formed only for these Monday night shows. By the way,

78
00:04:25,520 --> 00:04:28,520
Speaker 1: it was for this residency. The band was called the

79
00:04:28,600 --> 00:04:31,479
Speaker 1: I and I'm Brothers. And the musicians in this band

80
00:04:31,560 --> 00:04:36,400
Speaker 1: were and still are straight up assassins. A guy by

81
00:04:36,400 --> 00:04:38,920
Speaker 1: the name of Jay Belrose on drums. Look Jay up.

82
00:04:39,040 --> 00:04:41,919
Speaker 1: He now plays with icons like Robert Plant Madonna on

83
00:04:42,000 --> 00:04:46,520
Speaker 1: bass high harmonies. Another dude named Paul Bryan, who's another

84
00:04:46,600 --> 00:04:49,760
Speaker 1: top notch guy, produced a bunch of great stuff since

85
00:04:49,760 --> 00:04:53,040
Speaker 1: then played with artists like Elvis Costello, Amy Mann, among others.

86
00:04:53,480 --> 00:04:57,320
Speaker 1: And on guitar two dudes, two guitars, one named Kevin Barry,

87
00:04:57,560 --> 00:04:59,680
Speaker 1: the other named Duke Levine, who to this day are

88
00:04:59,800 --> 00:05:03,200
Speaker 1: a level session in touring guitars who will melt your

89
00:05:03,240 --> 00:05:07,080
Speaker 1: faces when you see them perform. They're both in Bonnie

90
00:05:07,120 --> 00:05:09,760
Speaker 1: Rates Band. Now, by the way, I'm not telling Bostonians.

91
00:05:09,800 --> 00:05:13,040
Speaker 1: Anyone from Boston, Cambridge, Summerville knows exactly what I'm talking about.

92
00:05:13,760 --> 00:05:15,719
Speaker 1: I'm not telling you anything new about these guys, but

93
00:05:15,760 --> 00:05:17,960
Speaker 1: I'm telling the rest of you because these dudes could

94
00:05:18,040 --> 00:05:21,960
Speaker 1: and can play any style of music at the highest level.

95
00:05:22,080 --> 00:05:23,800
Speaker 1: And the style of music they played with my old

96
00:05:23,800 --> 00:05:26,720
Speaker 1: man fronting them who was singing, the style they all

97
00:05:26,720 --> 00:05:29,200
Speaker 1: played was country music. That's what the Ideen Brothers were.

98
00:05:29,240 --> 00:05:31,880
Speaker 1: Was a country band, okay, and a tiny Irish pub

99
00:05:31,960 --> 00:05:35,200
Speaker 1: in Boston, mass country music again in a tiny Irish

100
00:05:35,240 --> 00:05:40,159
Speaker 1: pub in Jamaica Plaine in Boston. And you know that bar,

101
00:05:40,560 --> 00:05:43,240
Speaker 1: the Brendan Bean was just filled to the brim with

102
00:05:43,480 --> 00:05:47,880
Speaker 1: music heads like you, Guys like me again though from Boston.

103
00:05:49,040 --> 00:05:51,200
Speaker 1: Music heads from Boston who showed up to see a

104
00:05:51,279 --> 00:05:54,000
Speaker 1: little band who only performed on Monday nights in Boston

105
00:05:54,880 --> 00:05:57,839
Speaker 1: to hear them play incredible country music songs by George

106
00:05:57,920 --> 00:06:01,159
Speaker 1: Jones and the Carter Family, Conway Twitty and of course

107
00:06:01,600 --> 00:06:04,839
Speaker 1: Merle Haggard. So my dad, who fronted this band, he

108
00:06:04,839 --> 00:06:07,680
Speaker 1: grew up before punk rock, but he grew up playing

109
00:06:07,720 --> 00:06:09,760
Speaker 1: in frat houses and when he was in high school,

110
00:06:09,800 --> 00:06:12,640
Speaker 1: his high school band he actually played like college on campus,

111
00:06:12,720 --> 00:06:16,600
Speaker 1: college campuses and fratthouses, and after high school the same thing.

112
00:06:16,720 --> 00:06:19,839
Speaker 1: So you know, think like his bands, then I'm guessing

113
00:06:19,880 --> 00:06:23,919
Speaker 1: we're like Sonics, young rascals, Kingsmen, pre punk energy is

114
00:06:23,920 --> 00:06:25,960
Speaker 1: what I'm trying to get at. It's in my old

115
00:06:26,000 --> 00:06:30,279
Speaker 1: man's DNA, okay, and he brought that to Aide'm brothers

116
00:06:30,360 --> 00:06:34,880
Speaker 1: shows to this country music. And when I saw it,

117
00:06:35,120 --> 00:06:36,760
Speaker 1: when I saw my dad playing, I knew what the

118
00:06:36,800 --> 00:06:40,000
Speaker 1: hell was going on. What I saw was punk rock

119
00:06:40,560 --> 00:06:44,000
Speaker 1: and this tiny little Irish bar with face melting guitar

120
00:06:44,080 --> 00:06:47,839
Speaker 1: solos and high, lonesome country harmonies. And I realized, I

121
00:06:47,920 --> 00:06:53,120
Speaker 1: realized what I'd been missing about country music, country rock, pop, punk,

122
00:06:53,480 --> 00:06:57,239
Speaker 1: even hip hop. On some level, it's all the same.

123
00:06:57,680 --> 00:07:02,039
Speaker 1: The difference is that throughout time As these musical styles evolve,

124
00:07:02,680 --> 00:07:06,080
Speaker 1: or perhaps a better word, as they refine, they lose

125
00:07:06,120 --> 00:07:09,360
Speaker 1: that initial energy that sparked the genre in the beginning.

126
00:07:09,880 --> 00:07:13,480
Speaker 1: Country became huge business in the years after Hank Williams, Hank,

127
00:07:13,560 --> 00:07:15,480
Speaker 1: you know, Hank Williams took it from violent hockey talks

128
00:07:15,480 --> 00:07:17,920
Speaker 1: to the top of the charts, you know, with Tony Bennett.

129
00:07:18,520 --> 00:07:21,480
Speaker 1: Same with rock and roll. Those early beatles Hamburg gigs

130
00:07:21,520 --> 00:07:25,240
Speaker 1: are about as punk as punk gets. But alas with success,

131
00:07:25,360 --> 00:07:27,920
Speaker 1: all that energy gets sucked out. Okay, and you know

132
00:07:28,000 --> 00:07:29,800
Speaker 1: the band of all is into obladill o b love.

133
00:07:29,840 --> 00:07:32,760
Speaker 1: Please shut the fuck up. Punk rock was a correction,

134
00:07:32,880 --> 00:07:35,920
Speaker 1: that's all. It was Joe Strummer rattling his telecaster and

135
00:07:35,960 --> 00:07:37,480
Speaker 1: saying to rock and roll, Hey, what the fuck is

136
00:07:37,520 --> 00:07:39,800
Speaker 1: going on? Rock and roll? Hank Williams is rolling over

137
00:07:39,840 --> 00:07:42,400
Speaker 1: in his grave. Where is the energy? Guys? So when

138
00:07:42,400 --> 00:07:44,560
Speaker 1: I first heard country music as a kid, there wasn't

139
00:07:44,560 --> 00:07:46,480
Speaker 1: any ergy. I couldn't identify the energy in it, I

140
00:07:46,480 --> 00:07:49,360
Speaker 1: should say, okay, and I imagine that if you've never

141
00:07:49,400 --> 00:07:52,360
Speaker 1: heard classic country music and aren't a fan and are

142
00:07:52,400 --> 00:07:55,320
Speaker 1: looking to say Morgan Wallen or Luke Combs, you probably

143
00:07:55,360 --> 00:07:57,080
Speaker 1: feel in the same way you're sitting there saying, where's

144
00:07:57,120 --> 00:08:02,280
Speaker 1: the energy, Merle Haggard, that's your answer. The answer is

145
00:08:02,280 --> 00:08:05,440
Speaker 1: with Merle Haggard. And I'm not talking about an exact

146
00:08:05,560 --> 00:08:07,720
Speaker 1: comp to the punk rock energy or rock and roll

147
00:08:07,800 --> 00:08:10,160
Speaker 1: energy that you're familiar. You might be familiar with three

148
00:08:10,240 --> 00:08:12,320
Speaker 1: chords played fast with a dude yelling over them into

149
00:08:12,360 --> 00:08:14,200
Speaker 1: a microphone. But I am talking about the same three

150
00:08:14,240 --> 00:08:16,480
Speaker 1: chords and the truth type of energy, even though it

151
00:08:16,520 --> 00:08:20,320
Speaker 1: ain't fast, it's heavy. Go listen to the Fighting Side

152
00:08:20,360 --> 00:08:22,240
Speaker 1: of Me or Tonight the Bottle Let Me Down by

153
00:08:22,240 --> 00:08:25,880
Speaker 1: Merle Haggard, or The Image of Me by Conway Twitty,

154
00:08:26,000 --> 00:08:28,360
Speaker 1: or You're Still on My Mind by George Jones, and

155
00:08:28,400 --> 00:08:30,520
Speaker 1: then work your way back in time to Hank Williams

156
00:08:30,720 --> 00:08:34,160
Speaker 1: and Hank Snow and Letti Frizelle. Those dudes were punk

157
00:08:34,280 --> 00:08:36,680
Speaker 1: before we had a name for it and lived the

158
00:08:36,720 --> 00:08:41,600
Speaker 1: life they sang about in their songs, violent, aggressive, transgressive

159
00:08:41,679 --> 00:08:44,520
Speaker 1: lives filled with b bank guitar strings, but also in

160
00:08:44,559 --> 00:08:47,480
Speaker 1: some cases from behind bars, as was the case with

161
00:08:47,600 --> 00:08:50,960
Speaker 1: Merle Haggard. If you're looking for more specific recommendations here

162
00:08:51,000 --> 00:08:53,680
Speaker 1: to start your love affair with classic country music, because

163
00:08:53,679 --> 00:08:55,280
Speaker 1: I know you're going to have one just like I did,

164
00:08:55,600 --> 00:08:58,480
Speaker 1: or perhaps looking for a more specific introduction to Merle Haggard.

165
00:08:58,520 --> 00:09:00,240
Speaker 1: Hit me up. I'll be much of a I just

166
00:09:00,320 --> 00:09:02,400
Speaker 1: to hook you up six one seven nine oh six

167
00:09:02,480 --> 00:09:06,000
Speaker 1: six six three eight voicemail and text at Disgrace slam

168
00:09:06,000 --> 00:09:09,720
Speaker 1: pod on Instagram, Twitter, Facebook and threads. All right back

169
00:09:09,720 --> 00:09:32,600
Speaker 1: after this, Hey, oh we are back. All right. A

170
00:09:32,600 --> 00:09:34,280
Speaker 1: bit ago, I asked you guys to call in and

171
00:09:34,320 --> 00:09:36,560
Speaker 1: text in let me know what you guys are into,

172
00:09:36,640 --> 00:09:39,240
Speaker 1: to introduce yourselves. Of course, I wasn't thinking about the

173
00:09:39,240 --> 00:09:41,320
Speaker 1: fact that I was pre producing these episodes because of

174
00:09:41,360 --> 00:09:43,880
Speaker 1: some travel that I have to do. So if you

175
00:09:43,920 --> 00:09:46,200
Speaker 1: called in you haven't yet heard a response, be patient.

176
00:09:46,280 --> 00:09:48,360
Speaker 1: I promise you it's coming. For now, though, I will

177
00:09:48,400 --> 00:09:51,240
Speaker 1: dig into a couple of your responses and reply. Like

178
00:09:51,240 --> 00:09:53,040
Speaker 1: I said before, hit me up. Introduce yourselves. Tell me

179
00:09:53,080 --> 00:09:55,160
Speaker 1: a little bit about you, what you listen to when

180
00:09:55,200 --> 00:09:57,320
Speaker 1: you listen to it, who you want to hear me?

181
00:09:57,679 --> 00:10:00,400
Speaker 1: Talk about whatever I'm here for. All right, Let's meet

182
00:10:00,440 --> 00:10:01,760
Speaker 1: Juba from the six to one to four.

183
00:10:02,800 --> 00:10:06,400
Speaker 2: Ay, Jake, it's Juba. It's the six one four. You

184
00:10:06,520 --> 00:10:11,400
Speaker 2: ask what we're into and I just wanted to just

185
00:10:11,520 --> 00:10:15,480
Speaker 2: say something. Okay, I'm sixty two. I'm not be your

186
00:10:15,480 --> 00:10:18,840
Speaker 2: oldest listener. I don't know, I doubt it, but I

187
00:10:18,960 --> 00:10:21,960
Speaker 2: have such a vast love of so many different kinds

188
00:10:21,960 --> 00:10:26,559
Speaker 2: of music that I'm just so passionate about from the

189
00:10:26,679 --> 00:10:32,000
Speaker 2: entire last century. I mean, get into the original rockabilly,

190
00:10:32,400 --> 00:10:35,360
Speaker 2: you know, and then start listening to some of the

191
00:10:35,720 --> 00:10:38,959
Speaker 2: to the new stuff. I mean that Reverend hort Heat

192
00:10:39,240 --> 00:10:44,400
Speaker 2: you have flat duo jets, you have all different kinds

193
00:10:44,440 --> 00:10:47,679
Speaker 2: of rockabillity. And there's a lot of punk ability now

194
00:10:48,400 --> 00:10:50,760
Speaker 2: in Columbus. Here we have some great dance and I'm

195
00:10:50,800 --> 00:10:53,920
Speaker 2: not doing this commercially for them, but you know, there's

196
00:10:53,960 --> 00:10:57,760
Speaker 2: a band called the Mathematics the White Outs. Then you

197
00:10:57,800 --> 00:11:00,920
Speaker 2: go back to the punk of the nineties with Econo Thugs.

198
00:11:00,960 --> 00:11:04,320
Speaker 2: All these folks are on Spotify and they're amazing, and

199
00:11:04,360 --> 00:11:08,319
Speaker 2: it might open a whole new door for people who

200
00:11:09,120 --> 00:11:13,559
Speaker 2: that don't know the best amount of different genres there are.

201
00:11:15,120 --> 00:11:17,319
Speaker 2: I had a vintage clothing store in Appens in the

202
00:11:17,400 --> 00:11:20,720
Speaker 2: nineties and I met so many amazing people who turned.

203
00:11:20,480 --> 00:11:21,120
Speaker 1: Me on to music.

204
00:11:21,360 --> 00:11:25,920
Speaker 2: I had no idea was out there. James Addiction the

205
00:11:26,040 --> 00:11:30,720
Speaker 2: cure Public Image Limited. I mean, come on, Johnny Rotten,

206
00:11:31,040 --> 00:11:35,600
Speaker 2: right on Viva in the Box. That's some punk abilities

207
00:11:35,640 --> 00:11:40,839
Speaker 2: that's super amazing, and they're so talented. You've got rahall

208
00:11:40,960 --> 00:11:45,600
Speaker 2: pet These just amazing. So everybody kind of opened your minds,

209
00:11:46,080 --> 00:11:50,560
Speaker 2: start looking at other interesting genres, start looking at last

210
00:11:50,559 --> 00:11:55,240
Speaker 2: centuries music from the forties and fifties, like these old

211
00:11:55,720 --> 00:12:02,079
Speaker 2: bluegrass people that just started it all. And I love you.

212
00:12:02,600 --> 00:12:05,760
Speaker 2: I hope this wasn't too long, but life is good.

213
00:12:06,080 --> 00:12:07,160
Speaker 2: Music makes it better.

214
00:12:07,640 --> 00:12:12,200
Speaker 1: Rock a Rollo, Thank you, Juba doubt you're our oldest listener,

215
00:12:12,320 --> 00:12:15,120
Speaker 1: and I appreciate, of course, our listeners of all age

216
00:12:16,080 --> 00:12:19,319
Speaker 1: like you. I am passionate about all types of different music,

217
00:12:20,240 --> 00:12:22,640
Speaker 1: and I think I think that's one of the things

218
00:12:22,640 --> 00:12:26,160
Speaker 1: that yokes us all together here in the Disgraceland universe.

219
00:12:27,120 --> 00:12:29,320
Speaker 1: I think we all have sort of this, you know,

220
00:12:30,720 --> 00:12:34,360
Speaker 1: very diverse taste. And I love the door you're opening

221
00:12:34,400 --> 00:12:38,320
Speaker 1: into the Midwest punk scene. Thank you. Also, I want

222
00:12:38,320 --> 00:12:41,360
Speaker 1: to say I was in Athens Athens, Georgia in the nineties.

223
00:12:42,080 --> 00:12:43,960
Speaker 1: I wasn't living there, but my band was playing there

224
00:12:44,040 --> 00:12:46,400
Speaker 1: quite a bit. My drummer at the time. That's where

225
00:12:46,400 --> 00:12:49,360
Speaker 1: he met his now wife. It was a long long

226
00:12:49,400 --> 00:12:51,720
Speaker 1: time ago, was a special place and I remember well.

227
00:12:53,120 --> 00:12:56,160
Speaker 1: And of course you mentioned you mentioned the cure and pill,

228
00:12:56,240 --> 00:12:57,679
Speaker 1: and I'm going to talk about them a little bit

229
00:12:57,720 --> 00:13:00,000
Speaker 1: later here in the episode, so stay tuned. Juba. Right,

230
00:13:00,120 --> 00:13:03,439
Speaker 1: thanks for thanks for calling and introducing yourselves. Guys, calling

231
00:13:03,480 --> 00:13:05,600
Speaker 1: and introduce yourselves. Let me know what you're into, all right,

232
00:13:05,720 --> 00:13:08,080
Speaker 1: six one seven nine oh six six six three eight.

233
00:13:08,360 --> 00:13:10,760
Speaker 1: All right, let's let's do some text to meet some

234
00:13:10,800 --> 00:13:12,680
Speaker 1: more of you guys and h hit you guys with

235
00:13:12,760 --> 00:13:16,880
Speaker 1: some responses. All right, The seven one six rights and

236
00:13:16,960 --> 00:13:20,199
Speaker 1: hey there, Jake. I'm a remote accountant who generally listens

237
00:13:20,240 --> 00:13:22,600
Speaker 1: to your shows the day they are released, but I've

238
00:13:22,640 --> 00:13:25,280
Speaker 1: been so busy with clients this month I'm falling behind. Anyway,

239
00:13:25,440 --> 00:13:28,800
Speaker 1: Thank you for keeping me entertained throughout my work week.

240
00:13:28,880 --> 00:13:33,960
Speaker 1: That is from Nicole Buffalo. Nicole, you are welcome. The

241
00:13:34,040 --> 00:13:36,360
Speaker 1: seven sixty three is writing. And hey, Jake, you asked

242
00:13:36,360 --> 00:13:38,400
Speaker 1: about what your fans like and are listening to, so

243
00:13:38,520 --> 00:13:40,440
Speaker 1: I thought I would respond first. I think I have

244
00:13:40,480 --> 00:13:42,800
Speaker 1: to say we gravitate to the music we loved when

245
00:13:42,800 --> 00:13:44,280
Speaker 1: we were growing up. I would agree with that. You

246
00:13:44,280 --> 00:13:46,360
Speaker 1: said how much you grew up on rock punk hip hop,

247
00:13:46,440 --> 00:13:49,320
Speaker 1: so you naturally gravitate towards it. With that said, right now,

248
00:13:49,320 --> 00:13:52,520
Speaker 1: I'm listening to Ninja Sex Party for a self titled album.

249
00:13:52,559 --> 00:13:55,480
Speaker 1: As my favorite artist growing up was Weird al Side note,

250
00:13:55,520 --> 00:13:57,280
Speaker 1: I met Weird Alu to meet and greet, and I

251
00:13:57,320 --> 00:13:59,080
Speaker 1: got to tell him how much I appreciated him for

252
00:13:59,080 --> 00:14:00,960
Speaker 1: showing me it was okay to be a nerd slash

253
00:14:00,960 --> 00:14:03,720
Speaker 1: weird when growing up. He seemed genuinely moved and said

254
00:14:03,760 --> 00:14:05,720
Speaker 1: thank you. It was very quick, but it was great

255
00:14:05,720 --> 00:14:07,760
Speaker 1: to meet my hero. Second side note, I think Weird

256
00:14:07,800 --> 00:14:10,040
Speaker 1: al themed April Fool's episode would be great. You know

257
00:14:10,080 --> 00:14:13,160
Speaker 1: this is not the first time someone's recommended this. Going

258
00:14:13,200 --> 00:14:15,400
Speaker 1: back to the Texas says back to the discussion, Green

259
00:14:15,480 --> 00:14:18,200
Speaker 1: Day American Idiot and Smashing Pumpkins, Melancholy and The Infinite

260
00:14:18,240 --> 00:14:20,840
Speaker 1: Status are two go to albums. I'm reading The Year

261
00:14:20,880 --> 00:14:24,040
Speaker 1: of Living Biblically by AJ Jacobs and Just After Sunset

262
00:14:24,040 --> 00:14:26,440
Speaker 1: by Stephen King. Thank you for all you do. I

263
00:14:26,520 --> 00:14:28,800
Speaker 1: love your podcast. Keep up the great work. Sorry I

264
00:14:28,800 --> 00:14:31,160
Speaker 1: forget to say. This is Keith from the seven sixty three.

265
00:14:31,240 --> 00:14:33,680
Speaker 1: Thanks for the text. Keith from the seven sixty three,

266
00:14:34,080 --> 00:14:35,760
Speaker 1: I want to know about this book The Year of

267
00:14:35,800 --> 00:14:38,400
Speaker 1: Living Biblically by AJ Jacobs. What is that? Text me

268
00:14:38,440 --> 00:14:41,960
Speaker 1: back and let me know. Okay, you know we got

269
00:14:41,960 --> 00:14:45,280
Speaker 1: into this this like age old question. Who invented rock

270
00:14:45,320 --> 00:14:47,400
Speaker 1: and roll? I can't help but asking in my book,

271
00:14:47,400 --> 00:14:49,360
Speaker 1: I make a hard case and it was Chuck Berry.

272
00:14:49,720 --> 00:14:51,440
Speaker 1: Five four to row rights in rock and roll was

273
00:14:51,480 --> 00:14:56,680
Speaker 1: invented by Muddy Waters. No, he invented electricity. I love that.

274
00:14:57,040 --> 00:14:59,160
Speaker 1: I think Ben Franklin invented rock and roll? Is that

275
00:14:59,160 --> 00:15:01,160
Speaker 1: what you're saying? Five four five four. Oa goes on

276
00:15:01,160 --> 00:15:02,560
Speaker 1: to say, I think it was all of blues that

277
00:15:02,640 --> 00:15:05,000
Speaker 1: invented rock and roll evolution. I believe. I believe in

278
00:15:05,040 --> 00:15:08,160
Speaker 1: that country music had something to do with it too, definitely.

279
00:15:10,480 --> 00:15:12,920
Speaker 1: And from the eight one five here we go. Hey ya,

280
00:15:13,280 --> 00:15:17,160
Speaker 1: Tanya from Chicago land here. Thanks for your phenomenal pods.

281
00:15:17,200 --> 00:15:19,280
Speaker 1: They provide hours of entertainment as I drive up and

282
00:15:19,320 --> 00:15:21,920
Speaker 1: down the west coast of Lake Michigan. When I was twelve,

283
00:15:21,920 --> 00:15:25,080
Speaker 1: I became obsessed with the Manson case. After reading Helter Skelter.

284
00:15:25,160 --> 00:15:28,120
Speaker 1: I ordered the microfiche of the La Times through my

285
00:15:28,120 --> 00:15:32,120
Speaker 1: middle school library. Wow. You were obsessed. Text goes on

286
00:15:32,200 --> 00:15:33,880
Speaker 1: to say I told some live about a history project.

287
00:15:33,920 --> 00:15:36,680
Speaker 1: The libraries were so happy I was utilizing this resource.

288
00:15:36,760 --> 00:15:38,960
Speaker 1: Your episodes on the subject opened up what I thought

289
00:15:39,000 --> 00:15:41,520
Speaker 1: I knew. Hey, this is a great text. Eight one

290
00:15:41,520 --> 00:15:43,560
Speaker 1: to five. I appreciate it. I got into Helter Skelter

291
00:15:43,680 --> 00:15:47,600
Speaker 1: super early too. I was fifteen, not twelve though.

292
00:15:48,000 --> 00:15:48,400
Speaker 2: All right.

293
00:15:48,480 --> 00:15:50,520
Speaker 1: Let's meet Tom from the five to four to one,

294
00:15:50,520 --> 00:15:53,160
Speaker 1: who says, Hey, Jake, love the show. I'm Tom. I'm

295
00:15:53,160 --> 00:15:55,400
Speaker 1: a seed farmer in southern Oregon. I listened to you

296
00:15:55,480 --> 00:15:58,760
Speaker 1: while I firm favorite rap band is The Coup from Oakland.

297
00:15:58,840 --> 00:16:00,400
Speaker 1: Music is a huge part of my life for me.

298
00:16:00,560 --> 00:16:02,840
Speaker 1: I would like to recommend two bands for you, Graveyard

299
00:16:02,840 --> 00:16:09,800
Speaker 1: classic metal from Sweden and Rivver River Rivver rviv R

300
00:16:10,280 --> 00:16:14,200
Speaker 1: amazing pop punk from Olympia. Unfortunately not together anymore. Enjoy peace,

301
00:16:14,840 --> 00:16:18,280
Speaker 1: all right, Tom, Thanks dude, appreciate this. So from the

302
00:16:18,360 --> 00:16:21,840
Speaker 1: nine to one seven got this one here, says hey Jake.

303
00:16:21,880 --> 00:16:23,960
Speaker 1: So back in my high school days in Brooklyn, New York,

304
00:16:24,000 --> 00:16:26,280
Speaker 1: my friends and I ran into Peter Steel one night,

305
00:16:27,960 --> 00:16:33,080
Speaker 1: Peter Steele from Typo Negative. I'm adding that part me

306
00:16:33,120 --> 00:16:34,920
Speaker 1: and my friends ran into Peter Steel one night when

307
00:16:34,920 --> 00:16:36,720
Speaker 1: he was getting some pizza in our neighborhood. That is

308
00:16:36,760 --> 00:16:38,760
Speaker 1: so New York. I love this. He was super cool

309
00:16:38,800 --> 00:16:40,920
Speaker 1: and gracious to some random kids and totally made me

310
00:16:40,960 --> 00:16:43,520
Speaker 1: love everything he did even more. I love that nine

311
00:16:43,560 --> 00:16:53,640
Speaker 1: to one seven Thank you. I don't know if you

312
00:16:53,640 --> 00:16:56,600
Speaker 1: guys can hear that or not. That is from the

313
00:16:56,760 --> 00:16:59,400
Speaker 1: four to one two sending me a video. Looks like

314
00:16:59,440 --> 00:17:04,359
Speaker 1: they're at the day Company show. Thank you for one too.

315
00:17:04,440 --> 00:17:07,280
Speaker 1: I'm trying to make heads or tails of your text here,

316
00:17:07,440 --> 00:17:09,800
Speaker 1: and I just I can't. I don't know what the

317
00:17:09,800 --> 00:17:13,240
Speaker 1: hell you're talking. Was a lot of texts here, but

318
00:17:13,480 --> 00:17:15,919
Speaker 1: uh yeah, I understood the video. All right, let's keep

319
00:17:16,000 --> 00:17:18,280
Speaker 1: rolling here. Like I said, I do these in real time.

320
00:17:19,480 --> 00:17:22,440
Speaker 1: This one from the plus six to one, this being

321
00:17:22,600 --> 00:17:27,240
Speaker 1: a international text versuys as one of your favorite bands said,

322
00:17:27,280 --> 00:17:30,880
Speaker 1: who created rock and roll? Easy answer, Tchaikowski, AC DC,

323
00:17:31,040 --> 00:17:33,080
Speaker 1: Let there be rock. I don't know what you're answering there,

324
00:17:33,080 --> 00:17:36,919
Speaker 1: but thank you. The seven to one nine. Writing in

325
00:17:37,200 --> 00:17:39,240
Speaker 1: Brighton from the seven to one to nine, although I

326
00:17:39,280 --> 00:17:42,879
Speaker 1: live in the nine to seven zo soon to be

327
00:17:42,960 --> 00:17:44,719
Speaker 1: the two five to three just wanted to say that

328
00:17:44,760 --> 00:17:46,760
Speaker 1: the Far Side album Bizarre Ride to the Far Side

329
00:17:46,840 --> 00:17:49,160
Speaker 1: is one of my favorite most influential ninety hip hop albums.

330
00:17:49,160 --> 00:17:52,399
Speaker 1: I would agree with that statement. This text going back

331
00:17:52,800 --> 00:17:55,119
Speaker 1: to a conversation we had a little bit of go about.

332
00:17:55,400 --> 00:17:57,080
Speaker 1: I'm assuming this is when we were talking about the

333
00:17:57,080 --> 00:18:01,359
Speaker 1: greatest rap groups of all time, right, the eight one seven?

334
00:18:01,440 --> 00:18:01,560
Speaker 3: Right?

335
00:18:01,640 --> 00:18:04,360
Speaker 1: Since says Hi, I'm Robin and I live in Conway, Arkansas.

336
00:18:04,359 --> 00:18:07,160
Speaker 1: I'm currently obsessed with speak now Taylor's version, even though

337
00:18:07,200 --> 00:18:11,920
Speaker 1: I'm a middle aged woman. This Taylor phenomenon something else.

338
00:18:12,880 --> 00:18:15,000
Speaker 1: Robin goes on to say, I admire how she's proclaiming

339
00:18:15,040 --> 00:18:17,840
Speaker 1: her own. Your episode on her is incredible. I listened

340
00:18:17,880 --> 00:18:19,440
Speaker 1: to it twice. Love your show. I like to listen

341
00:18:19,520 --> 00:18:21,280
Speaker 1: when i'm walking. I get lost in the stories, and

342
00:18:21,320 --> 00:18:23,679
Speaker 1: I'm grateful for that. Thanks for what you do. Thank you, Robin.

343
00:18:23,880 --> 00:18:26,280
Speaker 1: Thanks for what you do. Thanks for listening. I appreciate that.

344
00:18:27,240 --> 00:18:29,679
Speaker 1: Let's see here, let's see the four to eight oh

345
00:18:29,840 --> 00:18:32,440
Speaker 1: rights in love the podcast. Listening to it now with

346
00:18:32,480 --> 00:18:37,720
Speaker 1: my snack looks like a one hitter, a weed tall boy,

347
00:18:37,920 --> 00:18:41,720
Speaker 1: estella and a book? Is that a gorvey ot? What

348
00:18:41,720 --> 00:18:44,200
Speaker 1: does I have to blow this up? No, great the

349
00:18:44,280 --> 00:18:47,560
Speaker 1: Swiss Family. Whatever the fuck Robinson is that? What that is?

350
00:18:48,359 --> 00:18:51,119
Speaker 1: The illustrated version? Well there you go, all right, four Rado,

351
00:18:51,800 --> 00:18:54,560
Speaker 1: thanks for that photo. All right? The eight five nine

352
00:18:54,600 --> 00:18:57,400
Speaker 1: rites in Jake, I discovered Disgraceland in the early days.

353
00:18:57,400 --> 00:18:59,639
Speaker 1: I painted the inside of my entire house while on

354
00:18:59,680 --> 00:19:03,080
Speaker 1: a disco Araceland binge. It kept me sane and entertained.

355
00:19:03,080 --> 00:19:05,359
Speaker 1: This theme music would always take me back to that time.

356
00:19:05,800 --> 00:19:08,400
Speaker 1: I would love to hear an episode on Rush. Best regards,

357
00:19:08,520 --> 00:19:12,040
Speaker 1: Joe from Kentucky, Love it, Joe, right on man, Thank you.

358
00:19:12,600 --> 00:19:15,720
Speaker 1: Uh five oh three. Hello. I came across your podcast

359
00:19:15,800 --> 00:19:18,200
Speaker 1: because I was looking for Beatles podcasts and your episodes

360
00:19:18,200 --> 00:19:20,640
Speaker 1: on them came up. Love the episodes on them. They're

361
00:19:20,680 --> 00:19:22,400
Speaker 1: my favorite group ever. In the rest of your podcast

362
00:19:22,480 --> 00:19:24,159
Speaker 1: is amazing as well. Thanks five h three. We got

363
00:19:24,200 --> 00:19:26,520
Speaker 1: another Beatles thing we're working on right now with them.

364
00:19:26,560 --> 00:19:30,680
Speaker 1: Pretty excited about three one seven, right sing yo? Jake

365
00:19:30,760 --> 00:19:32,760
Speaker 1: John from Indy here, just catching up on the after

366
00:19:32,800 --> 00:19:34,840
Speaker 1: party in the wrap. Top ten. Can't believe no mention,

367
00:19:35,000 --> 00:19:39,320
Speaker 1: House of Pain, eh, House of Pain top ten. I

368
00:19:39,320 --> 00:19:41,679
Speaker 1: don't know if Larry David agrees with that. Let's go

369
00:19:41,760 --> 00:19:43,200
Speaker 1: Let's see what else he says here. John goes on

370
00:19:43,280 --> 00:19:46,000
Speaker 1: to say, you sure you're a mass guy? Loe, what's

371
00:19:46,040 --> 00:19:48,960
Speaker 1: your go to local heavy band? You a hate breed guy?

372
00:19:49,359 --> 00:19:52,240
Speaker 1: Bury your dead? I know they're not hardcore, but Seamless

373
00:19:52,320 --> 00:19:54,360
Speaker 1: was a killer band out there. Love you pods? Peace man?

374
00:19:54,400 --> 00:19:58,919
Speaker 1: Are you testing my fucking Massachusetts heavy music knowledge? You

375
00:19:58,960 --> 00:20:01,000
Speaker 1: realize I was signed a Victor Records at one time,

376
00:20:01,440 --> 00:20:06,439
Speaker 1: John from Indy, Um, I'm not gonna fucking I'm not

377
00:20:06,480 --> 00:20:09,960
Speaker 1: gonna stoop to answer your question. John, Let's move on here.

378
00:20:10,000 --> 00:20:13,200
Speaker 1: What else we got here? Seven oh three. I always

379
00:20:13,240 --> 00:20:15,880
Speaker 1: consider myself a huge music fan, open to a lot

380
00:20:15,880 --> 00:20:18,159
Speaker 1: of different stuff. Guys, when you're introducing yourself, you have

381
00:20:18,240 --> 00:20:22,160
Speaker 1: to tell me your names seven oh three, just right

382
00:20:22,200 --> 00:20:24,280
Speaker 1: into it. I kind of love that. Though I always

383
00:20:24,280 --> 00:20:26,320
Speaker 1: consider myself a huge music fan, open to a lot

384
00:20:26,320 --> 00:20:28,919
Speaker 1: of different stuff, your show has expanded my horizons even more.

385
00:20:28,960 --> 00:20:31,200
Speaker 1: Growing up in New Jersey in the eighties nineties, I

386
00:20:31,200 --> 00:20:32,960
Speaker 1: thought I was a huge Bruce Springsteen fans, and so

387
00:20:32,960 --> 00:20:34,480
Speaker 1: I went all the way back to the River. I

388
00:20:34,600 --> 00:20:36,920
Speaker 1: never would have considered Nebraska because people in New Jersey

389
00:20:36,960 --> 00:20:40,520
Speaker 1: called it country, which I couldn't do Wow, there we go.

390
00:20:40,560 --> 00:20:43,000
Speaker 1: All right. Lately, Bruce's Nebraska album has been one of

391
00:20:43,040 --> 00:20:44,840
Speaker 1: the things I've been enjoying the most. Thanks for opening

392
00:20:44,880 --> 00:20:46,520
Speaker 1: my eyes even more. Keep it up, you rock, you

393
00:20:46,560 --> 00:20:48,160
Speaker 1: got it? Seven oh three. I'm gonna end it there

394
00:20:48,200 --> 00:20:52,640
Speaker 1: because that one is apropos to the classic country theme

395
00:20:52,680 --> 00:20:57,600
Speaker 1: we're on in this bonus episode, So thank you. Where

396
00:20:57,680 --> 00:21:00,000
Speaker 1: was I from? Seven oh three? I forget whoever takes

397
00:21:00,200 --> 00:21:03,400
Speaker 1: to that in Thanks guys, hit me up, introduce yourselves

398
00:21:03,440 --> 00:21:06,000
Speaker 1: all right? Six one seven nine oh six, six six

399
00:21:06,080 --> 00:21:08,640
Speaker 1: three eight. Let me know what you're into, what you're

400
00:21:08,680 --> 00:21:11,600
Speaker 1: listening to, how you got into Disgraceland, what you want

401
00:21:11,640 --> 00:21:13,639
Speaker 1: to hear me doing in storytelling, what you want me

402
00:21:13,640 --> 00:21:15,560
Speaker 1: to hear what kind of different stories you want even

403
00:21:15,640 --> 00:21:19,200
Speaker 1: maybe outside of Disgraceland. Let me know, all right at

404
00:21:19,240 --> 00:21:24,359
Speaker 1: DISGRACELAMD pod on Instagram, Twitter, Facebook and the like. I

405
00:21:24,400 --> 00:21:29,040
Speaker 1: would be a bad creator if I did not engage

406
00:21:29,040 --> 00:21:30,800
Speaker 1: with you guys here on some of these dms. There's

407
00:21:30,840 --> 00:21:33,280
Speaker 1: a lot, and I've been I've been slow to respond

408
00:21:33,320 --> 00:21:36,439
Speaker 1: this week. All right from Ryan Burnham says, hey, longtime

409
00:21:36,480 --> 00:21:38,800
Speaker 1: listener and fellow New England or and hardcore punk rock

410
00:21:38,880 --> 00:21:40,680
Speaker 1: kid growing up. We had a great scene imports with

411
00:21:40,720 --> 00:21:43,359
Speaker 1: three Hampshire back in the day. But that's besides the point.

412
00:21:43,520 --> 00:21:45,800
Speaker 1: My favorite all time band is Black Sabbath. We ever

413
00:21:45,840 --> 00:21:46,920
Speaker 1: do an episode about them?

414
00:21:46,960 --> 00:21:47,160
Speaker 2: Oh?

415
00:21:47,240 --> 00:21:51,359
Speaker 1: Come on, Ryan, We've done one. Got a Black Sabbath

416
00:21:51,359 --> 00:21:54,480
Speaker 1: episode in the archive. Got another episode on Auzius as well.

417
00:21:54,600 --> 00:21:58,639
Speaker 1: All right. Heather Dill writes in Hey, Jake and everyone

418
00:21:58,640 --> 00:22:01,040
Speaker 1: at Disgraceland, I'm a longtime center and love your podcast,

419
00:22:01,040 --> 00:22:02,640
Speaker 1: And today I was listening to the after party where

420
00:22:02,640 --> 00:22:04,760
Speaker 1: you asked for stories about meeting your rock stars. Made

421
00:22:04,800 --> 00:22:06,719
Speaker 1: me think about meeting my musical hero and wondering if

422
00:22:06,760 --> 00:22:08,640
Speaker 1: you could ever do a podcast on my favorite band,

423
00:22:08,680 --> 00:22:11,280
Speaker 1: Pearl Jams Zeth Lundy are you're listening to this? I've

424
00:22:11,400 --> 00:22:14,480
Speaker 1: often thought when listening that it would be a less

425
00:22:14,520 --> 00:22:18,040
Speaker 1: interesting than some stories, because for the most part, the

426
00:22:18,080 --> 00:22:20,680
Speaker 1: band is clean, steady, loyal and stands up for good causes,

427
00:22:21,000 --> 00:22:22,880
Speaker 1: not to mention that they are still putting out killer

428
00:22:22,960 --> 00:22:27,439
Speaker 1: music in live shows. You know. Oh, actually, let's see hear.

429
00:22:27,440 --> 00:22:30,359
Speaker 1: Heather just has this quick little anecdote about meeting Eddie Vetterer.

430
00:22:30,359 --> 00:22:32,520
Speaker 1: So here's my story about meeting Eddievedter Charlotte, North Carolina,

431
00:22:32,600 --> 00:22:35,520
Speaker 1: nineteen ninety six. I helped register voters, got invited backstage

432
00:22:35,520 --> 00:22:38,120
Speaker 1: where I met the whole band, what including Eddie. Asked

433
00:22:38,160 --> 00:22:40,080
Speaker 1: him for a hug and he shyly complied, and then

434
00:22:40,080 --> 00:22:41,840
Speaker 1: we got a pick with my disposable camera, but I

435
00:22:41,840 --> 00:22:44,440
Speaker 1: could not develop it due to the film being exposed.

436
00:22:44,600 --> 00:22:47,840
Speaker 1: Now that is a disgrace, Heather. I'm working on a

437
00:22:47,840 --> 00:22:52,520
Speaker 1: way to bring you stories about bands that did not

438
00:22:53,080 --> 00:22:56,080
Speaker 1: get embroiled in crimes. We're trying to figure that out,

439
00:22:56,440 --> 00:23:00,800
Speaker 1: so appreciate your text. Actually your DM all right at

440
00:23:00,840 --> 00:23:02,640
Speaker 1: s Graslam Pod. You guys wanna DM me. I'm gonna

441
00:23:02,640 --> 00:23:20,520
Speaker 1: take a quick break the recommendations part. This is the

442
00:23:20,560 --> 00:23:22,920
Speaker 1: recommendations part, the part where we recommend the things that

443
00:23:23,000 --> 00:23:25,600
Speaker 1: need recommending. The recommendations part what I've been listening to

444
00:23:25,800 --> 00:23:28,679
Speaker 1: so well. Literally, as I was sitting there getting my

445
00:23:28,760 --> 00:23:32,720
Speaker 1: notes together to come in here and record, there's this

446
00:23:32,880 --> 00:23:36,640
Speaker 1: Chicago video on in the background with Peter Setera that's

447
00:23:36,640 --> 00:23:40,520
Speaker 1: a guy's name, right, singer wearing a fucking Bauhause T shirt.

448
00:23:42,440 --> 00:23:44,520
Speaker 1: Is this the final straw that causes me to take

449
00:23:44,600 --> 00:23:48,000
Speaker 1: Chicago seriously? Hey? Yeah, yeah, yeah, yeah, all right, there's

450
00:23:48,000 --> 00:23:50,200
Speaker 1: also some chick in this video who looks just like Madonna.

451
00:23:50,240 --> 00:23:52,160
Speaker 1: What's happening? What is going on here?

452
00:23:52,960 --> 00:23:53,080
Speaker 2: Uh?

453
00:23:53,640 --> 00:23:56,800
Speaker 1: That's that's what I need to know. I don't know,

454
00:23:57,160 --> 00:24:00,800
Speaker 1: you know. I hear Chicago sometimes, guys, and I'm just like,

455
00:24:01,680 --> 00:24:09,119
Speaker 1: this is the most painful, uh Vanilla, just I can't deal.

456
00:24:09,760 --> 00:24:11,600
Speaker 1: And then I hear some of it and I'm just like,

457
00:24:12,160 --> 00:24:16,760
Speaker 1: this is incredible. I love this. I'm rolling the windows down,

458
00:24:17,280 --> 00:24:20,199
Speaker 1: I'm driving a little faster than I should be. I

459
00:24:20,200 --> 00:24:22,479
Speaker 1: don't know. I don't know. I'm not willing to accept

460
00:24:22,560 --> 00:24:26,840
Speaker 1: Chicago yet. I'm not there, Okay, all right. So what

461
00:24:26,920 --> 00:24:30,640
Speaker 1: I'm listening to, aside from the classic country inspired by

462
00:24:30,640 --> 00:24:33,719
Speaker 1: Merle Haggard that we talked about earlier, I'm still on

463
00:24:33,760 --> 00:24:36,119
Speaker 1: this post punk kick from the New Order episode a

464
00:24:36,160 --> 00:24:39,160
Speaker 1: couple weeks back or week back, I should say, we

465
00:24:39,240 --> 00:24:43,320
Speaker 1: talked about the biggest post punk bands post nineteen eighty

466
00:24:43,359 --> 00:24:46,120
Speaker 1: and we opened it up to the nineties. So here's

467
00:24:46,160 --> 00:24:49,159
Speaker 1: my top five list, along with one record each for

468
00:24:49,280 --> 00:24:52,600
Speaker 1: ease of listening. The greatest English post punk group for

469
00:24:52,760 --> 00:24:56,959
Speaker 1: me is, without question number one, The Cure, And if

470
00:24:56,960 --> 00:25:00,560
Speaker 1: you're going to name one Cure record. For me, it's integration.

471
00:25:01,240 --> 00:25:03,359
Speaker 1: I know the purists are cringing right now, but hey,

472
00:25:03,440 --> 00:25:06,199
Speaker 1: I could have said wish I almost did, all right, okay?

473
00:25:06,440 --> 00:25:09,359
Speaker 1: Number two. Second greatest English post punk band of all

474
00:25:09,359 --> 00:25:13,359
Speaker 1: the time Oasis. You can probably argue the number one,

475
00:25:13,359 --> 00:25:15,800
Speaker 1: but their album What's the Story Warning Glory, that's definitely

476
00:25:15,800 --> 00:25:18,120
Speaker 1: the record. I can make a case, like I said

477
00:25:18,119 --> 00:25:20,160
Speaker 1: for Oasis and the number one, so but my personal

478
00:25:20,200 --> 00:25:22,840
Speaker 1: preference one out. I guess in some weird way, I

479
00:25:22,880 --> 00:25:25,920
Speaker 1: don't know that we get Oasis without the Cure. I'm

480
00:25:25,920 --> 00:25:28,120
Speaker 1: not sure what I mean by that exactly, but I'm

481
00:25:28,160 --> 00:25:31,320
Speaker 1: at least fifty percent committed to that. Take number three.

482
00:25:31,600 --> 00:25:38,440
Speaker 1: Third greatest post punk British group Smith's just the Smiths,

483
00:25:38,640 --> 00:25:41,639
Speaker 1: the Smiths and the Smiths and the album. For me,

484
00:25:42,400 --> 00:25:45,200
Speaker 1: I'm gonna cheat here louder than Bombs. I know it's

485
00:25:45,280 --> 00:25:47,840
Speaker 1: unfair because it's a compilation, but it is nonetheless a

486
00:25:47,880 --> 00:25:52,400
Speaker 1: staggering document of unrivaled originality and genius and MARSSI fucking roles. Okay,

487
00:25:52,480 --> 00:25:55,120
Speaker 1: number four. It pains me to say this. I feel

488
00:25:55,160 --> 00:25:57,199
Speaker 1: like I'm losing my rock and roll cred by saying this,

489
00:25:57,600 --> 00:26:00,719
Speaker 1: like I should get my fucking cool cardvoked because I'm

490
00:26:00,720 --> 00:26:04,160
Speaker 1: such a fucking dork, but I think this quote unquote

491
00:26:04,160 --> 00:26:08,280
Speaker 1: cool band is actually so uncool. In my gut, they

492
00:26:08,280 --> 00:26:10,840
Speaker 1: are a big bag of dorks and I can't stand that.

493
00:26:10,920 --> 00:26:12,960
Speaker 1: I like them so much, but they're so fucking good

494
00:26:13,000 --> 00:26:16,919
Speaker 1: and their first three albums are so damn influential. All right,

495
00:26:17,040 --> 00:26:20,679
Speaker 1: enough qualifiers? Who am I talking about Radiohead? There? I

496
00:26:20,760 --> 00:26:23,040
Speaker 1: said it fucking kill me now, but it's Radiohead in

497
00:26:23,080 --> 00:26:26,480
Speaker 1: the four spot? Okay? Computer is that good? The Bens amazing?

498
00:26:26,520 --> 00:26:31,320
Speaker 1: Even Pablo Honey also great. That said, their whole vibe,

499
00:26:31,400 --> 00:26:34,080
Speaker 1: their whole creative vibe, I should say, is so relentlessly

500
00:26:34,160 --> 00:26:36,399
Speaker 1: pretentious that they border on not even being rock and

501
00:26:36,480 --> 00:26:40,399
Speaker 1: roll to me, but forget it whatever. Number five Publa

502
00:26:40,440 --> 00:26:42,960
Speaker 1: Camage Limited Pill love you, John Lyden. You might be

503
00:26:42,960 --> 00:26:44,440
Speaker 1: the greatest rock and roll singer of all time. I

504
00:26:44,520 --> 00:26:47,240
Speaker 1: literally can't pick one album, and this has made harder

505
00:26:47,280 --> 00:26:49,520
Speaker 1: because some of their greatest efforts came pre nineteen eighty.

506
00:26:49,520 --> 00:26:51,840
Speaker 1: But you can't say post punk and not say John Lydon.

507
00:26:51,920 --> 00:26:55,440
Speaker 1: All right, so there you have it. The five greatest

508
00:26:56,359 --> 00:27:00,520
Speaker 1: post punk British rock bands of all time. Number one

509
00:27:00,520 --> 00:27:05,680
Speaker 1: The Cure number two, Oasis number three, The Smiths number four,

510
00:27:06,200 --> 00:27:11,439
Speaker 1: Radiohead number five, pill Public Image Limited. All right, my

511
00:27:11,520 --> 00:27:14,480
Speaker 1: heart is breaking for Blur right now. Breaking breaks my heart.

512
00:27:14,480 --> 00:27:16,800
Speaker 1: The Blur isn't on this list, but hey, DEM's the

513
00:27:16,800 --> 00:27:18,800
Speaker 1: break See what I did there? Also, if someone doesn't

514
00:27:18,800 --> 00:27:20,359
Speaker 1: threaten to punch me in the face for leaving Primal

515
00:27:20,359 --> 00:27:22,440
Speaker 1: Screen off this list, are we even rock and roll?

516
00:27:22,760 --> 00:27:25,320
Speaker 1: Speaking of English groups, I just caught the video to

517
00:27:25,359 --> 00:27:29,280
Speaker 1: the Jesus and Mary Chain sometimes always. I know they're

518
00:27:29,280 --> 00:27:32,439
Speaker 1: not English, they're Scottish, but it's still the UK, or

519
00:27:32,440 --> 00:27:34,359
Speaker 1: it was I don't know what it is anymore. Whatever.

520
00:27:34,400 --> 00:27:36,960
Speaker 1: The video with Hope from Massie Starr. That video is

521
00:27:37,000 --> 00:27:40,960
Speaker 1: fucking awesome. It's great, good looking people doing good looking shit.

522
00:27:41,640 --> 00:27:44,560
Speaker 1: Can we talk music movies again? I'm working on my

523
00:27:44,600 --> 00:27:46,840
Speaker 1: list the top five music movies of all time, as

524
00:27:46,880 --> 00:27:51,080
Speaker 1: prompted by the TCM bumper Almost Famous. We talked about

525
00:27:51,080 --> 00:27:53,360
Speaker 1: this a little bit ago, breaking news. I don't think

526
00:27:53,400 --> 00:27:56,280
Speaker 1: Almost Famous is the greatest music movie of all time?

527
00:27:56,960 --> 00:27:59,240
Speaker 1: What are your top five music movies of all time?

528
00:27:59,480 --> 00:28:02,080
Speaker 1: Doesn't have to be a music biopic, okay, very key

529
00:28:02,240 --> 00:28:04,000
Speaker 1: does not have to be a biopick. It just has

530
00:28:04,040 --> 00:28:06,400
Speaker 1: to be a movie that is set in the world

531
00:28:06,440 --> 00:28:09,000
Speaker 1: of music or is about music. Okay, hit me up

532
00:28:09,040 --> 00:28:11,680
Speaker 1: six one seven nine oh six six six three eight

533
00:28:11,760 --> 00:28:15,640
Speaker 1: at disgracelam pod on social media, hit me and hit

534
00:28:15,680 --> 00:28:18,400
Speaker 1: me hard and I'll be back in a flash to recap.

535
00:28:34,400 --> 00:28:37,920
Speaker 1: All right, let's recap, shall we? Number one Merle Haggard

536
00:28:38,040 --> 00:28:40,680
Speaker 1: is the latest episode of Disgraceland in your fees right now.

537
00:28:40,760 --> 00:28:43,480
Speaker 1: Number two got a new Roman plan Ski episode this

538
00:28:43,600 --> 00:28:46,560
Speaker 1: week in the Badlands Feed. Number three next week in

539
00:28:46,600 --> 00:28:50,240
Speaker 1: the Disgraceland Feed. It is Sonny Rollins for my number

540
00:28:50,400 --> 00:28:53,200
Speaker 1: is six one seven nine oh six six six three eight.

541
00:28:53,280 --> 00:28:56,160
Speaker 1: Call me on the telephone, it texts me all right

542
00:28:56,360 --> 00:29:00,360
Speaker 1: in honor of me right now. Being exhausted after recording

543
00:29:00,400 --> 00:29:04,080
Speaker 1: two episodes today writing another one being late for dinner,

544
00:29:04,280 --> 00:29:07,160
Speaker 1: I'm gonna read you the first vintage phone book I

545
00:29:07,240 --> 00:29:11,400
Speaker 1: can find. And it is from Where's it from? Where's

546
00:29:11,400 --> 00:29:12,840
Speaker 1: it from? Where's it from? I don't know where this

547
00:29:12,880 --> 00:29:15,440
Speaker 1: is from? Oh, New York City. In nineteen twenty, here

548
00:29:15,440 --> 00:29:21,640
Speaker 1: we go Arena Doctor John two one five six Bathgate

549
00:29:21,760 --> 00:29:27,840
Speaker 1: ave fordam four to one four one errand FJ one

550
00:29:27,960 --> 00:29:35,440
Speaker 1: sixty five Broadway Courtland zero nine for zero Arens, Catherine

551
00:29:35,720 --> 00:29:40,800
Speaker 1: MD one seventy eight West ninety seven, Riversides zero five

552
00:29:40,960 --> 00:29:45,920
Speaker 1: seven zero, a rent E one fifty six West eighty six,

553
00:29:46,480 --> 00:29:51,240
Speaker 1: Shuler two eight six one zero, Aaron Edward and Seth.

554
00:29:51,400 --> 00:29:58,160
Speaker 3: Leeftop one fifty one, John one six three five five Arens,

555
00:30:00,080 --> 00:30:03,520
Speaker 3: one of the suits Waston sells for four seven four

556
00:30:03,600 --> 00:30:06,720
Speaker 3: seconds threads Missus.

557
00:30:07,520 --> 00:30:14,320
Speaker 1: Western Shore quit talking and start mixing.

558
00:30:14,520 --> 00:30:14,760
Speaker 2: Could