1 00:00:00,600 --> 00:00:03,440 Speaker 1: On the Beck dol Cast, the questions asked if movies 2 00:00:03,480 --> 00:00:07,119 Speaker 1: have women in them? Are all their discussions just boyfriends 3 00:00:07,120 --> 00:00:11,520 Speaker 1: and husbands? Do they have individualism? The patriarchy? Zef and 4 00:00:11,720 --> 00:00:16,040 Speaker 1: best start changing it with the Beck del Cast. Hi, 5 00:00:16,200 --> 00:00:18,360 Speaker 1: welcome to the Beck Deel Cast. My name is Jamie 6 00:00:19,440 --> 00:00:22,000 Speaker 1: and this is our podcast about how women are portrayed 7 00:00:22,000 --> 00:00:24,720 Speaker 1: in movies. Hey, is it good? Usually no, almost never, 8 00:00:24,800 --> 00:00:28,080 Speaker 1: almost never, But sometimes a movie surprises us and it's like, 9 00:00:28,080 --> 00:00:31,680 Speaker 1: oh it wasn't it was like only terrible, but like 10 00:00:31,760 --> 00:00:35,800 Speaker 1: ten okay in its portrayal of women. And then sometimes 11 00:00:35,840 --> 00:00:39,559 Speaker 1: you're like, I'm tired, I'm tired, I'm tired of this, 12 00:00:40,000 --> 00:00:43,280 Speaker 1: I'm tired of this happening. I'm tired of this world. 13 00:00:44,159 --> 00:00:46,199 Speaker 1: Why do we have to have this discussion? But we 14 00:00:46,280 --> 00:00:48,960 Speaker 1: have to because someone has to, And and then you 15 00:00:49,040 --> 00:00:54,480 Speaker 1: just spiral are heroes. You're right, Jesus fucking christ Man. 16 00:00:54,800 --> 00:00:59,360 Speaker 1: What an exhausting time to be alive. Indeed, well, but 17 00:00:59,480 --> 00:01:02,120 Speaker 1: we're here, I don't know, maybe bring some levity to 18 00:01:02,160 --> 00:01:06,160 Speaker 1: anyone's life by yeah, sorry, yeah, but we're not supposed 19 00:01:06,160 --> 00:01:09,400 Speaker 1: to be the bummer podcast. Yeah, we're a fun We're 20 00:01:09,400 --> 00:01:12,760 Speaker 1: a fun lift up we're fun. We're fun. We're fun, 21 00:01:12,880 --> 00:01:14,560 Speaker 1: but sometimes we get piste off and you can just 22 00:01:14,600 --> 00:01:17,399 Speaker 1: had to be okay with it. It's an upsetting world. 23 00:01:17,800 --> 00:01:20,680 Speaker 1: We're allowed to have our feelings. Yeah, I've been drinking 24 00:01:20,720 --> 00:01:23,440 Speaker 1: a Mike's heart in days. What's going on? Ship, I 25 00:01:23,480 --> 00:01:28,920 Speaker 1: know that's what's going on. iBOT Crystally. We bought crystals, Yeah, 26 00:01:29,000 --> 00:01:32,840 Speaker 1: we did. I bought like eight crystals. Bot. I didn't 27 00:01:32,840 --> 00:01:34,440 Speaker 1: say anything while we're in the store because I was 28 00:01:34,520 --> 00:01:36,640 Speaker 1: just like, no, she's into it, She's going for well. 29 00:01:36,760 --> 00:01:40,480 Speaker 1: I figured crystal. I have a lot of things that 30 00:01:40,560 --> 00:01:43,600 Speaker 1: need addressed in my life, and I bought a crystal 31 00:01:43,640 --> 00:01:47,440 Speaker 1: for every issue. I bought crystals yesterday and I was 32 00:01:47,840 --> 00:01:50,040 Speaker 1: vibrating at a very high level. I walked for a 33 00:01:50,040 --> 00:01:52,320 Speaker 1: total of three hours. I had a panic attack. But 34 00:01:52,360 --> 00:01:54,760 Speaker 1: I'm like, I'm just I can't handle the energy of 35 00:01:54,800 --> 00:01:57,080 Speaker 1: the crystals yet, or maybe I should go back on 36 00:01:57,120 --> 00:01:59,920 Speaker 1: my bipolar medication. Hard to say. I bought the crystal, 37 00:02:00,240 --> 00:02:04,640 Speaker 1: feel good about it. Bought Picasso Jasper. I'm about to 38 00:02:04,640 --> 00:02:08,720 Speaker 1: start writing the Great American novel literally any second, literally 39 00:02:08,760 --> 00:02:12,040 Speaker 1: an It's on the tip of my tongue. I can't 40 00:02:12,040 --> 00:02:15,560 Speaker 1: wait to read we're so close. But yes, we bought crystals. 41 00:02:15,639 --> 00:02:17,720 Speaker 1: Totally fine, we can deal with it. Shout out to 42 00:02:17,720 --> 00:02:21,080 Speaker 1: all you crystal heads out here. We are become you. Yes, 43 00:02:21,160 --> 00:02:29,359 Speaker 1: we are among you, and speaking of like crystally we're 44 00:02:29,360 --> 00:02:32,280 Speaker 1: talking about. But before we even do that, let's introduce 45 00:02:32,320 --> 00:02:35,840 Speaker 1: our guests. She is the creator of Act Like a Girl, 46 00:02:35,919 --> 00:02:38,280 Speaker 1: which is a podcast. It's a live show. It's a 47 00:02:38,320 --> 00:02:43,160 Speaker 1: whole movement. It's a movement. As soon as you're done, Hello, 48 00:02:43,440 --> 00:02:46,360 Speaker 1: sorry I introduced you right as you were swallowing a 49 00:02:46,400 --> 00:02:49,200 Speaker 1: gulp of water. Also, I have to say I just 50 00:02:49,280 --> 00:02:53,680 Speaker 1: got given a bowl, like a pipe that's completely a crystal. 51 00:02:54,240 --> 00:02:59,920 Speaker 1: Whoa smoking and it gives you mental clarity or something. Yeah, 52 00:03:00,080 --> 00:03:05,240 Speaker 1: that's like two for one my brain chakras. Yeah, so 53 00:03:05,400 --> 00:03:08,680 Speaker 1: we're here to talk about the craft. Yes, wait, the 54 00:03:08,720 --> 00:03:14,200 Speaker 1: craft of screenwriting, the craft spiking of I do have 55 00:03:14,240 --> 00:03:16,280 Speaker 1: a master's degree in it. I to bring up it. 56 00:03:16,480 --> 00:03:19,799 Speaker 1: I wanted to open it brought up because you want 57 00:03:19,880 --> 00:03:24,680 Speaker 1: to know what's exciting. There are still only three degrees between. 58 00:03:25,120 --> 00:03:29,919 Speaker 1: Oh well, now we're even. Now we're even, I'll give 59 00:03:29,960 --> 00:03:35,000 Speaker 1: you one. You know the podcast. Yeah, I've never used it. Okay, 60 00:03:35,600 --> 00:03:38,520 Speaker 1: keep it. Keep it, Dad will finally be proud of me. 61 00:03:38,600 --> 00:03:43,400 Speaker 1: It'll be great. So one wants to make a dad proud. Honestly, 62 00:03:44,040 --> 00:03:48,160 Speaker 1: that's so twentieth century right over it. When did you 63 00:03:48,200 --> 00:03:51,280 Speaker 1: first see this movie? What's your history with this movie? Oh? Man, 64 00:03:51,440 --> 00:03:53,680 Speaker 1: I mean I feel like I saw this in my teen, 65 00:03:53,840 --> 00:03:56,960 Speaker 1: like teenage years. I was probably like thirteen or fourteen. 66 00:03:57,240 --> 00:03:58,920 Speaker 1: I think that's like the right age to see it 67 00:03:58,960 --> 00:04:01,800 Speaker 1: for the first time. I wish i'd seen it then. Yeah, 68 00:04:01,840 --> 00:04:04,920 Speaker 1: I was obsessed with it immediately. I mean, it's it's 69 00:04:05,000 --> 00:04:08,120 Speaker 1: not it is a teen movie structurally, but it's also 70 00:04:08,240 --> 00:04:12,040 Speaker 1: like not a teen movie. It's pretty scary. Yeah, there's 71 00:04:12,040 --> 00:04:18,360 Speaker 1: some scary imagery. There's some pretty heavy topics sexual yeah, racism. Yeah. 72 00:04:18,560 --> 00:04:21,040 Speaker 1: I don't think I saw it until I was later 73 00:04:21,080 --> 00:04:23,279 Speaker 1: teens or maybe even early twenties. I think I saw 74 00:04:23,279 --> 00:04:26,200 Speaker 1: it for the first time in college and then Jamie 75 00:04:26,760 --> 00:04:29,320 Speaker 1: three am last night. Yes, you've never seen it before. 76 00:04:29,320 --> 00:04:31,320 Speaker 1: I've never seen it, which is weird. It's like a 77 00:04:31,360 --> 00:04:32,800 Speaker 1: movie that I know if I had seen it at 78 00:04:32,839 --> 00:04:34,560 Speaker 1: the right time, I would have been because I was 79 00:04:34,600 --> 00:04:37,640 Speaker 1: really into Witchy Ship when I was a teenager and 80 00:04:37,720 --> 00:04:40,120 Speaker 1: still kind of now. And and I mean, we just 81 00:04:40,160 --> 00:04:44,760 Speaker 1: bought crystal. We just bought crystals. Wait, what do you think? Well, 82 00:04:44,880 --> 00:04:47,520 Speaker 1: I have a lot of thoughts. I loved the first 83 00:04:47,520 --> 00:04:49,760 Speaker 1: half of the movie. The second half of the movie. 84 00:04:50,360 --> 00:04:52,560 Speaker 1: I didn't like the second half. I didn't like the 85 00:04:52,960 --> 00:04:55,800 Speaker 1: weird turn that it took in the second night. But well, 86 00:04:55,880 --> 00:04:58,880 Speaker 1: we'll get there. But in general, I liked what they 87 00:04:58,920 --> 00:05:03,560 Speaker 1: were going. I'll do the recap of the craft, the 88 00:05:03,600 --> 00:05:07,760 Speaker 1: recraft that doesn't make any sense. I loved it, thank 89 00:05:07,800 --> 00:05:16,440 Speaker 1: you so much. So. It centers on these four girls, Sarah, Nancy, Bonnie, 90 00:05:16,480 --> 00:05:19,640 Speaker 1: and Rochelle. Sarah's new to town. She just moved to 91 00:05:19,880 --> 00:05:22,839 Speaker 1: l A from San Francisco, and she's like already kind 92 00:05:22,839 --> 00:05:28,120 Speaker 1: of practicing witchcraft and magic. And these Sarah hot, all 93 00:05:28,200 --> 00:05:31,080 Speaker 1: of them. All of them are big. It's it's a 94 00:05:31,160 --> 00:05:33,880 Speaker 1: it's a very it's a hot move ho. It's a 95 00:05:33,880 --> 00:05:36,000 Speaker 1: lot of hot, but not really any hot men to 96 00:05:36,040 --> 00:05:40,520 Speaker 1: speak of. Um, I'm gonna go with Skeet, not his character. 97 00:05:40,680 --> 00:05:46,400 Speaker 1: Who's Skeete that's his real name? Oh wait, the like 98 00:05:46,520 --> 00:05:50,120 Speaker 1: a job, Yeah, the the guy that his name is 99 00:05:51,480 --> 00:05:58,840 Speaker 1: the short term for masturbation, like skee like like Skeet skeet, 100 00:05:58,880 --> 00:06:06,320 Speaker 1: motherfucker skee goddamn skeet skeep motherfucker ear. Yeah, yeah, he's 101 00:06:06,360 --> 00:06:09,280 Speaker 1: on Riverdale. This is all wild. I didn't know he's 102 00:06:09,320 --> 00:06:12,640 Speaker 1: a guy from Riverdale. Well, I guess he's hot. I 103 00:06:13,160 --> 00:06:16,520 Speaker 1: find he's hotter now really, I think he's hotter. Now 104 00:06:16,680 --> 00:06:18,400 Speaker 1: I would agree he's hotter. And I didn't think he's 105 00:06:18,440 --> 00:06:22,880 Speaker 1: hot in the Craft Riverdale. I think his character is deplorable. 106 00:06:22,960 --> 00:06:25,920 Speaker 1: So maybe that's why. Well, I like that, Like this 107 00:06:25,960 --> 00:06:30,040 Speaker 1: movie totally harkens us to discuss the male characters that way, 108 00:06:30,279 --> 00:06:33,919 Speaker 1: like in a way that generally would discuss the female characters, right, Like, 109 00:06:33,960 --> 00:06:36,120 Speaker 1: it's just like very easy to be like, well he's hot, 110 00:06:36,120 --> 00:06:39,000 Speaker 1: he's not. Yeah, and then we don't know anything about 111 00:06:39,000 --> 00:06:42,720 Speaker 1: his character and he's not that he's horrifying, but we'll 112 00:06:42,760 --> 00:06:46,120 Speaker 1: get yeah, we'll get there. So Sarah's like, hey, you 113 00:06:46,160 --> 00:06:48,320 Speaker 1: guys seem witchy. I'm kind of witchy. Maybe we should 114 00:06:48,320 --> 00:06:50,320 Speaker 1: all be friends, and the other three girls are like, yeah, 115 00:06:50,360 --> 00:06:52,960 Speaker 1: we need a fourth because they have to have earth 116 00:06:53,080 --> 00:06:57,800 Speaker 1: and fire and everyone of fours, they need a north, 117 00:06:57,800 --> 00:07:01,679 Speaker 1: south east West. So they sort of bring her into 118 00:07:01,720 --> 00:07:05,799 Speaker 1: the group, and Sarah is the most talented of the witches, 119 00:07:06,040 --> 00:07:09,080 Speaker 1: so she's able to introduce him to different spells and like, hey, 120 00:07:09,080 --> 00:07:12,200 Speaker 1: wait a minute, there's this racist girl, let's make her 121 00:07:12,240 --> 00:07:16,320 Speaker 1: hair fall out. Wait a minute, there's this boy skeet well, well, 122 00:07:16,440 --> 00:07:19,120 Speaker 1: Sarah like she's the best witch, but she knows the 123 00:07:19,200 --> 00:07:21,040 Speaker 1: least and then they like kind of teach her how 124 00:07:21,040 --> 00:07:24,640 Speaker 1: to harness she's like the least educated. Yeah, and so 125 00:07:24,760 --> 00:07:27,640 Speaker 1: she just has raw talent, right, but then they sort 126 00:07:27,680 --> 00:07:29,800 Speaker 1: of mold her and their teacher had to cast the 127 00:07:29,840 --> 00:07:33,240 Speaker 1: spells and then they yeah, so they like there's different 128 00:07:33,240 --> 00:07:35,280 Speaker 1: people who they sort of want to cast spells on, 129 00:07:35,440 --> 00:07:41,000 Speaker 1: either to punish them for being racist. Taylor, all racist 130 00:07:41,040 --> 00:07:44,960 Speaker 1: people should just go bald, and I'm setting them off 131 00:07:45,000 --> 00:07:50,480 Speaker 1: the hook right right, because some of them might look nice. Well, 132 00:07:50,520 --> 00:07:55,440 Speaker 1: it was like spoiled. It was a weird I never 133 00:07:55,480 --> 00:07:58,560 Speaker 1: even made the connection that made they were turning her 134 00:07:58,600 --> 00:08:02,400 Speaker 1: into a skinhead because racist sometimes are already involved by choice, 135 00:08:02,400 --> 00:08:05,520 Speaker 1: because like, this is part of the I wonder if 136 00:08:05,520 --> 00:08:07,560 Speaker 1: the two white guys who wrote this movie thought that 137 00:08:07,600 --> 00:08:09,440 Speaker 1: hard about it. I doubt it. I doubt it, but 138 00:08:09,480 --> 00:08:11,880 Speaker 1: I said, but I like that. But then that's also 139 00:08:11,920 --> 00:08:14,920 Speaker 1: interesting because even though like, Okay, yeah, that's great that 140 00:08:14,960 --> 00:08:18,120 Speaker 1: they talk about racism and like show a racist character 141 00:08:18,320 --> 00:08:21,640 Speaker 1: getting her come up. And but then like they don't 142 00:08:21,720 --> 00:08:25,040 Speaker 1: even give Rochelle a lot of validity as a character, 143 00:08:25,080 --> 00:08:26,880 Speaker 1: Like we never see her home life. The only time 144 00:08:26,920 --> 00:08:30,280 Speaker 1: we see her, she's the only character. She's the only one. 145 00:08:30,320 --> 00:08:32,520 Speaker 1: Like we just see her front door. That's it. I mean, 146 00:08:32,559 --> 00:08:34,839 Speaker 1: there's I mean the back half of this movie just 147 00:08:36,000 --> 00:08:39,160 Speaker 1: and there's no other person of color. Yeah, she is 148 00:08:39,200 --> 00:08:41,960 Speaker 1: the only one. I think you even see unscreen any 149 00:08:42,559 --> 00:08:44,320 Speaker 1: which is like for a movie that takes place in 150 00:08:44,440 --> 00:08:48,800 Speaker 1: Los Angeles, is like craziest thing. But right, So, so 151 00:08:49,240 --> 00:08:53,640 Speaker 1: she punished these Yeah, and then Skeet is like he 152 00:08:53,800 --> 00:08:56,400 Speaker 1: spreads this rumor that like he and Sarah head sex 153 00:08:56,440 --> 00:08:58,800 Speaker 1: even though he didn't. But then Sarah's like, well, I 154 00:08:58,840 --> 00:09:01,319 Speaker 1: still want him to like me. So she cast a 155 00:09:01,360 --> 00:09:04,000 Speaker 1: spell and he sort of becomes obsessed with her. Yeah, 156 00:09:04,200 --> 00:09:10,559 Speaker 1: and then um, Nancy sort of like the head Dorothy 157 00:09:10,559 --> 00:09:14,640 Speaker 1: Gale in The Terrible Movie, returned to oz. Yes, I 158 00:09:14,679 --> 00:09:18,160 Speaker 1: still have not seen that her eye. Yes, oh my god. 159 00:09:21,640 --> 00:09:25,440 Speaker 1: But she wants to sort of invoke the spirit of man. Yeah, 160 00:09:26,679 --> 00:09:29,199 Speaker 1: they worship a male god, which is kind of upsetting 161 00:09:29,480 --> 00:09:39,319 Speaker 1: right movie, like like who's inside of you? Anyways? So 162 00:09:39,360 --> 00:09:43,120 Speaker 1: she like they cast this spell or whatever, do this 163 00:09:43,360 --> 00:09:47,480 Speaker 1: ritual to have him be inside of Nancy, and then 164 00:09:47,480 --> 00:09:49,959 Speaker 1: it turns her all evil and then they have this 165 00:09:50,000 --> 00:09:52,360 Speaker 1: big they sort of duke it out at the end. 166 00:09:52,800 --> 00:09:56,440 Speaker 1: Finally Sarah triumphs because she's the good witch of the 167 00:09:56,480 --> 00:10:01,000 Speaker 1: North yea literally, And then is Nancy the witch of 168 00:10:01,000 --> 00:10:05,720 Speaker 1: the South? Am I saying she's not of the West? Um? 169 00:10:05,800 --> 00:10:07,640 Speaker 1: But I don't remember who's who? I didn't even I 170 00:10:07,679 --> 00:10:10,199 Speaker 1: can't either. But I also think that they assigned them 171 00:10:10,280 --> 00:10:13,800 Speaker 1: the wrong elements in my opinion, thinking that too, because 172 00:10:13,960 --> 00:10:18,960 Speaker 1: I think that Rachelle is definitely air and Bonnie is 173 00:10:19,000 --> 00:10:22,600 Speaker 1: definitely earth. And then this is like different than I 174 00:10:22,600 --> 00:10:24,800 Speaker 1: think most people would think. But I think Sarah is 175 00:10:24,920 --> 00:10:29,600 Speaker 1: fire and Nancy is water because Nancy is more chaos 176 00:10:29,760 --> 00:10:32,560 Speaker 1: and fire is like, I don't know, like more controlled 177 00:10:32,600 --> 00:10:35,360 Speaker 1: and it's all like one thing, whereas water like other 178 00:10:35,440 --> 00:10:37,400 Speaker 1: things can exist in it and there can be like 179 00:10:37,679 --> 00:10:40,640 Speaker 1: different kinds of chaos whereas fire is just like all 180 00:10:40,679 --> 00:10:44,440 Speaker 1: this anyway, I think about these things. I was just wondering, 181 00:10:44,440 --> 00:10:47,720 Speaker 1: It's like, am I am I a fire Am I 182 00:10:47,760 --> 00:10:50,880 Speaker 1: a water? Am I Samantha? Am I Charlotte? I don't know. 183 00:10:50,960 --> 00:10:54,400 Speaker 1: I think you're what's what's your? What signed are you? 184 00:10:54,600 --> 00:10:57,440 Speaker 1: Is it? What kind of sign is it? I'm a chorus? 185 00:10:57,480 --> 00:11:00,720 Speaker 1: Well that's earth an Okay, I'm a sign. I'm a 186 00:11:00,760 --> 00:11:04,920 Speaker 1: fair sign. I guess I'm an ares Leo nice Earth? 187 00:11:05,640 --> 00:11:08,280 Speaker 1: Well Earth is Sarah was Earth? Right? Think I think 188 00:11:08,280 --> 00:11:11,320 Speaker 1: that's what they signed her to. Yeah, um yeah she 189 00:11:11,440 --> 00:11:13,960 Speaker 1: was mother? Yeah yeah, right right right. And it's like, 190 00:11:14,120 --> 00:11:16,320 Speaker 1: I guess I can see that argument. I don't know, Yeah, 191 00:11:16,640 --> 00:11:19,480 Speaker 1: I think. Okay, So something I did find funny in 192 00:11:19,520 --> 00:11:22,200 Speaker 1: this Okay. So the big problem for me with this 193 00:11:22,240 --> 00:11:25,520 Speaker 1: movie is the first half of it is all about 194 00:11:25,640 --> 00:11:32,319 Speaker 1: these teenage goth adjacent misfits finding each other bonding. There's 195 00:11:32,360 --> 00:11:34,480 Speaker 1: a little bit of friction, there's a little bit of 196 00:11:34,559 --> 00:11:38,079 Speaker 1: click problems, but ultimately it's people in high school finding 197 00:11:38,080 --> 00:11:45,280 Speaker 1: people that they like and generally doing positive, like or 198 00:11:45,360 --> 00:11:48,320 Speaker 1: not horrible things. They make a racist go bald. I 199 00:11:48,320 --> 00:11:52,040 Speaker 1: think that's very cool. You know. Nev Campbell gets healed 200 00:11:52,040 --> 00:11:56,600 Speaker 1: of her scars and it's confident like in this universe. Now, 201 00:11:56,640 --> 00:12:00,000 Speaker 1: her doctors being like written up about in medical journals 202 00:12:00,360 --> 00:12:08,520 Speaker 1: for hearing right and women lifting up women women even 203 00:12:08,520 --> 00:12:11,319 Speaker 1: though the women in stem in this case had nothing 204 00:12:11,360 --> 00:12:13,880 Speaker 1: to do with it, women in magic, because she's like 205 00:12:13,880 --> 00:12:17,880 Speaker 1: making major breakthroughs, right right, I mean, you know, it's 206 00:12:17,880 --> 00:12:20,120 Speaker 1: about them coming together. And then the second half of 207 00:12:20,160 --> 00:12:23,160 Speaker 1: the movie they kind of sell out all the momentum 208 00:12:23,200 --> 00:12:25,760 Speaker 1: made in the first half and just turn these characters 209 00:12:25,800 --> 00:12:30,120 Speaker 1: against each other in a really brutal way. And and 210 00:12:30,440 --> 00:12:33,360 Speaker 1: for me, the most frustrating part was, I mean, I 211 00:12:33,360 --> 00:12:37,360 Speaker 1: guess we're to understand, you know, Nancy gets her wish, 212 00:12:37,400 --> 00:12:41,680 Speaker 1: which is move inside of her and she basically becomes 213 00:12:41,679 --> 00:12:43,920 Speaker 1: a god who can read people's thoughts and fly and 214 00:12:43,960 --> 00:12:47,319 Speaker 1: appear and blah blah blah. But then they basically sell 215 00:12:47,360 --> 00:12:50,680 Speaker 1: out the characters of Bonnie and Rochelle, who we have 216 00:12:50,800 --> 00:12:54,000 Speaker 1: started to learn more about and they have been getting 217 00:12:54,000 --> 00:12:56,800 Speaker 1: to different degrees at least we've gotten looks into their 218 00:12:56,840 --> 00:12:58,760 Speaker 1: lives and we're sort of understanding where they're coming from 219 00:12:58,800 --> 00:13:00,720 Speaker 1: and why they want what they want, and then all 220 00:13:00,760 --> 00:13:02,160 Speaker 1: of a sudden, it's like, oh, but none of that 221 00:13:02,200 --> 00:13:04,440 Speaker 1: matters anymore. They're just gonna do what Nancy tells them 222 00:13:04,480 --> 00:13:07,040 Speaker 1: to do. And now they're I was shocked by that 223 00:13:07,200 --> 00:13:09,559 Speaker 1: choice that they didn't have them be on Sarah's side 224 00:13:10,400 --> 00:13:13,360 Speaker 1: or didn't even in ass the like that we don't 225 00:13:13,400 --> 00:13:16,400 Speaker 1: see that change take place. It just happened. Yeah, there's 226 00:13:16,440 --> 00:13:19,320 Speaker 1: no real build up or arc. Well are we to 227 00:13:19,400 --> 00:13:24,920 Speaker 1: believe that and his power is sort of corrupting all 228 00:13:24,960 --> 00:13:27,240 Speaker 1: of them? Or maybe just but then why are they 229 00:13:27,280 --> 00:13:30,440 Speaker 1: still bitches at the end? You know when they when 230 00:13:30,440 --> 00:13:31,920 Speaker 1: they go up to Sarah and they're like, hey, we 231 00:13:31,960 --> 00:13:34,440 Speaker 1: don't have powers anymore? Do you have? Like it was 232 00:13:34,440 --> 00:13:36,640 Speaker 1: just weird because they all came together as friends and 233 00:13:36,679 --> 00:13:39,520 Speaker 1: then it's sort of and I thought of that too, 234 00:13:39,559 --> 00:13:43,079 Speaker 1: of like, oh, maybe they're just being manipulated by Nancy 235 00:13:43,160 --> 00:13:49,480 Speaker 1: and mentally. But but even after that's no longer a thing, 236 00:13:49,760 --> 00:13:51,960 Speaker 1: it's like, oh, are we supposed to think that these 237 00:13:52,000 --> 00:13:54,720 Speaker 1: three were just not good people the whole time? Because 238 00:13:54,760 --> 00:13:58,840 Speaker 1: I I don't like that there is sort of that 239 00:13:58,880 --> 00:14:01,280 Speaker 1: implication because come to think of it, I don't think 240 00:14:01,480 --> 00:14:09,079 Speaker 1: Mom is a bad force. The how he's everything, Yeah, 241 00:14:09,240 --> 00:14:14,400 Speaker 1: he's every seld and as the witch store lady, I 242 00:14:14,440 --> 00:14:16,559 Speaker 1: can't remember what her character's name is. I'm pretty sure 243 00:14:16,800 --> 00:14:20,360 Speaker 1: which store lady, which short lady? She says, like there's 244 00:14:20,360 --> 00:14:24,040 Speaker 1: evil and good in nature in the world, so like 245 00:14:24,240 --> 00:14:29,640 Speaker 1: it's really the witch who chooses, so she will. And 246 00:14:29,680 --> 00:14:32,560 Speaker 1: also like they steal from her in the beginning, which 247 00:14:32,600 --> 00:14:36,000 Speaker 1: I know I've as a teenager, I stole stuff sometimes, 248 00:14:36,080 --> 00:14:42,000 Speaker 1: like more like from CVS than like from from a mom. Yeah, 249 00:14:42,120 --> 00:14:44,760 Speaker 1: from like a locally owned and to her credit, I mean, 250 00:14:44,760 --> 00:14:47,960 Speaker 1: she doesn't seem super bothered by it, like you know, 251 00:14:48,120 --> 00:14:49,960 Speaker 1: like that the woman who owns the New Age shop 252 00:14:50,040 --> 00:14:52,560 Speaker 1: is just like, oh, you're stealing again, and she's like, yeah, 253 00:14:52,560 --> 00:14:54,280 Speaker 1: I don't have any money. I was like, this is 254 00:14:54,320 --> 00:14:56,800 Speaker 1: a weird dynamic. Why would you let him keep coming in? 255 00:14:56,920 --> 00:15:01,000 Speaker 1: But she's so chill, she's in with Manos. She's like whatever, Yeah, 256 00:15:01,040 --> 00:15:03,960 Speaker 1: it's his life. That's a good point though about this 257 00:15:04,080 --> 00:15:07,160 Speaker 1: movie starts out is like a depiction of female friendship 258 00:15:07,160 --> 00:15:09,000 Speaker 1: and you're like, oh, cool, I'm glad they all found 259 00:15:09,000 --> 00:15:10,800 Speaker 1: each other and even though some of them are you know, 260 00:15:10,880 --> 00:15:13,560 Speaker 1: like rough around the edges, they found each other and 261 00:15:13,600 --> 00:15:16,160 Speaker 1: that's nice. And then yeah, by the end, they've pretty 262 00:15:16,240 --> 00:15:20,480 Speaker 1: much all the three original which is all turned on Sarah, 263 00:15:20,760 --> 00:15:23,240 Speaker 1: and then they try to kill her, even like I 264 00:15:23,280 --> 00:15:26,160 Speaker 1: pretend like her dad and stepmom are dad. Yeah, oh 265 00:15:26,200 --> 00:15:27,800 Speaker 1: my god. That That was the thing that made me laugh, 266 00:15:27,880 --> 00:15:29,800 Speaker 1: is like they're like, oh man, it was a flight 267 00:15:29,840 --> 00:15:31,800 Speaker 1: from l A to San Francisco. I'm like, that's like 268 00:15:31,800 --> 00:15:34,880 Speaker 1: an eight minute flight. How can you get that wrong? 269 00:15:35,120 --> 00:15:38,400 Speaker 1: She should have known they were lying. At the end, 270 00:15:38,480 --> 00:15:40,840 Speaker 1: you see your dad and he's like, hey, it's me. 271 00:15:41,000 --> 00:15:43,120 Speaker 1: I was like, of course you took a two minute flight. 272 00:15:43,200 --> 00:15:47,560 Speaker 1: What You're fine. I love those parental relationships. I love 273 00:15:47,640 --> 00:15:49,720 Speaker 1: Sarah and her dad. They're so cute together. Like, I 274 00:15:49,760 --> 00:15:53,120 Speaker 1: love that she doesn't have daddy issues. Yeah, he's like 275 00:15:53,200 --> 00:15:55,600 Speaker 1: kind of the only male character that you don't end 276 00:15:55,680 --> 00:15:59,640 Speaker 1: up absolutely hating. Yeah, and he likely supports her. Like 277 00:15:59,680 --> 00:16:01,880 Speaker 1: when when that guy shows up when they first get 278 00:16:01,960 --> 00:16:05,000 Speaker 1: to the house, Yeah, the snake man, Like he like 279 00:16:05,200 --> 00:16:08,560 Speaker 1: what freaks out on him? Yeah, that was so fucking weird. 280 00:16:09,360 --> 00:16:11,800 Speaker 1: He like freaks out on him, you know, rather than like, 281 00:16:11,960 --> 00:16:15,640 Speaker 1: I don't know, victim blaming or something. Right. And I 282 00:16:15,680 --> 00:16:18,920 Speaker 1: also love Nancy and her mom's relationship, which I do 283 00:16:19,000 --> 00:16:21,480 Speaker 1: think also gets spoiled by the second half because it's 284 00:16:21,480 --> 00:16:23,360 Speaker 1: like they have so I mean, like, yeah, they're a mess, 285 00:16:23,400 --> 00:16:26,800 Speaker 1: but like they're each other's mess. I didn't. I don't know, 286 00:16:26,880 --> 00:16:30,440 Speaker 1: I didn't like Nancy. It's interesting because again it's like 287 00:16:30,920 --> 00:16:32,880 Speaker 1: the movie does a lot of work in the front 288 00:16:32,960 --> 00:16:36,320 Speaker 1: half to develop Nancy's character. Is like, yes, she is 289 00:16:36,640 --> 00:16:41,240 Speaker 1: jealous of Sarah, which is like not atypical for teenage girl, 290 00:16:41,760 --> 00:16:43,960 Speaker 1: and so I was like, okay, she's like, you know, 291 00:16:44,080 --> 00:16:46,840 Speaker 1: she's tough, but like she you know, she doesn't seem 292 00:16:46,880 --> 00:16:50,000 Speaker 1: like a bad person. And then they give us her backstory, 293 00:16:50,040 --> 00:16:52,480 Speaker 1: which is like she has a brutal home life, like 294 00:16:52,520 --> 00:16:57,400 Speaker 1: her mom and her stepdad I guess are are alcoholics 295 00:16:57,400 --> 00:16:59,320 Speaker 1: who are screaming at her from the second and her 296 00:16:59,320 --> 00:17:01,960 Speaker 1: mom is the first an yell at her um. And 297 00:17:02,000 --> 00:17:03,920 Speaker 1: so it's like, okay, she has a really really really 298 00:17:03,920 --> 00:17:07,280 Speaker 1: hard home life. And then sort of sells that out 299 00:17:07,320 --> 00:17:09,480 Speaker 1: when they're just like, okay, now she's an all powerful 300 00:17:09,520 --> 00:17:12,080 Speaker 1: being and she's a she's an evil bitch, and at 301 00:17:12,080 --> 00:17:15,199 Speaker 1: the end she's punished by being in in a mental 302 00:17:15,240 --> 00:17:18,720 Speaker 1: asylum and you know, in a kind of needlessly long 303 00:17:18,880 --> 00:17:23,080 Speaker 1: montage of her, you know, I was like, okay, we 304 00:17:23,119 --> 00:17:26,160 Speaker 1: get it cut, Yeah, just like what did it were? 305 00:17:26,160 --> 00:17:29,200 Speaker 1: They like, no, we need more, like but either way, 306 00:17:29,240 --> 00:17:31,800 Speaker 1: I was just like man like it. I don't I 307 00:17:31,840 --> 00:17:34,719 Speaker 1: don't get why this movie went the way it did, 308 00:17:34,760 --> 00:17:37,800 Speaker 1: because it just sacrificed all the really good character development 309 00:17:37,800 --> 00:17:41,040 Speaker 1: they were doing to just turn girls against each other 310 00:17:41,119 --> 00:17:42,320 Speaker 1: for the sake of it. I felt like, I don't 311 00:17:42,359 --> 00:17:45,240 Speaker 1: know if I mean, I have conflicting feelings about it, 312 00:17:45,280 --> 00:17:48,880 Speaker 1: the same way I do for like Heathers and Mean Girls, 313 00:17:49,119 --> 00:17:52,240 Speaker 1: where it's like a depiction of female friendship which is 314 00:17:52,240 --> 00:17:54,679 Speaker 1: like always to me kind of just defaults is like, 315 00:17:54,680 --> 00:17:57,280 Speaker 1: oh cool, I'm glad that there's a movie about this, right, 316 00:17:57,520 --> 00:18:02,399 Speaker 1: And then they're often shown as like, at least some 317 00:18:02,440 --> 00:18:04,720 Speaker 1: of them are like really awful to each other to 318 00:18:04,760 --> 00:18:07,280 Speaker 1: the point where they're killing each other or trying to 319 00:18:07,400 --> 00:18:11,160 Speaker 1: kill each other or just like bullying each other. So 320 00:18:11,440 --> 00:18:15,080 Speaker 1: there's that that I'm like, okay, well, yeah, like you said, 321 00:18:15,440 --> 00:18:18,480 Speaker 1: towards the second half and towards the end, the three 322 00:18:19,040 --> 00:18:22,200 Speaker 1: original Girls too, of the characters are basically they're just 323 00:18:22,280 --> 00:18:26,800 Speaker 1: like well, whenever, like they just totally blow them off. 324 00:18:26,840 --> 00:18:30,560 Speaker 1: I don't know, yeah, yeah, they're just like, well everything. 325 00:18:30,560 --> 00:18:32,720 Speaker 1: I hope you enjoyed the first half of them, because 326 00:18:32,720 --> 00:18:35,440 Speaker 1: now they're just going to be around. It's also so interesting, 327 00:18:35,480 --> 00:18:40,120 Speaker 1: like their hair all just gets so much better as 328 00:18:40,119 --> 00:18:43,040 Speaker 1: they are more power and I also love that. Oh 329 00:18:43,080 --> 00:18:45,320 Speaker 1: I can't even remember why she said this, but my 330 00:18:45,359 --> 00:18:48,400 Speaker 1: favorite line in the whole movie was when Rochelle is like, 331 00:18:48,800 --> 00:18:51,320 Speaker 1: and I told her your white honeys just deal with that. 332 00:18:51,400 --> 00:18:53,000 Speaker 1: Oh yeah, oh yeah. They're like, what did Nancy wish 333 00:18:53,000 --> 00:18:54,240 Speaker 1: for her? She's like, I don't know. She wished to 334 00:18:54,240 --> 00:18:58,479 Speaker 1: not be white trash anymore. It was like, and I 335 00:18:58,520 --> 00:19:04,560 Speaker 1: told her, you're what there? But I mean Nancy. I 336 00:19:04,840 --> 00:19:07,320 Speaker 1: guess I didn't really like the takeaway I got from 337 00:19:07,400 --> 00:19:10,359 Speaker 1: Nancy and her mom because even after we see the 338 00:19:10,400 --> 00:19:14,240 Speaker 1: stepfather have a witch induced heart attack and he dies 339 00:19:14,320 --> 00:19:17,000 Speaker 1: and then they get money, that's all like great, great, great, 340 00:19:17,080 --> 00:19:19,240 Speaker 1: love to see a villain his mail died in front 341 00:19:19,240 --> 00:19:21,560 Speaker 1: of me. That scene in the trailer too, when they're 342 00:19:21,600 --> 00:19:26,280 Speaker 1: talking with the guy, that's like, yeah, all the different 343 00:19:26,400 --> 00:19:28,360 Speaker 1: Like the art department must have had so much fun 344 00:19:28,480 --> 00:19:31,160 Speaker 1: creating that scene because there's like different wallpaper on each 345 00:19:31,160 --> 00:19:34,360 Speaker 1: wall of the trailer, and like scenes are just like 346 00:19:34,560 --> 00:19:40,720 Speaker 1: sitting and smoking stick so good. I love it, and 347 00:19:42,119 --> 00:19:45,960 Speaker 1: look like she's crying but then she's laughing. It's so good. Yeah. Um, 348 00:19:46,119 --> 00:19:48,560 Speaker 1: And so that was all great, But then I feel 349 00:19:48,560 --> 00:19:50,119 Speaker 1: like where you sort of leave off with Nancy and 350 00:19:50,160 --> 00:19:52,360 Speaker 1: her mom as they moved to this really nice apartment, 351 00:19:52,400 --> 00:19:57,159 Speaker 1: which you're just like a hundred but it was so 352 00:19:57,240 --> 00:20:00,080 Speaker 1: then they moved into this amazing apartment in l A. 353 00:20:00,560 --> 00:20:05,720 Speaker 1: But the jukebox that only plays Connie Bradley Bailey something right, 354 00:20:07,080 --> 00:20:13,040 Speaker 1: Conny Connie Walker, my favorite France frand and my favorite 355 00:20:14,480 --> 00:20:21,560 Speaker 1: that's a feminist. Um. But then with I'm pretty sure 356 00:20:21,600 --> 00:20:24,160 Speaker 1: the last time we see Nancy's mom, you can tell 357 00:20:24,200 --> 00:20:26,640 Speaker 1: you the door in her face, right, because her mom 358 00:20:26,680 --> 00:20:30,320 Speaker 1: is still kind of a disaster alcoholic who's not thinking 359 00:20:30,359 --> 00:20:32,720 Speaker 1: about her daughter. And so it's like, well, you know, 360 00:20:33,240 --> 00:20:35,520 Speaker 1: that's not what's gonna make Nancy happy. Even though that 361 00:20:35,640 --> 00:20:38,080 Speaker 1: improves her situation by not having a piece of ship 362 00:20:37,880 --> 00:20:40,280 Speaker 1: step step dad anymore and having a better living situation, 363 00:20:40,640 --> 00:20:42,600 Speaker 1: her mom's still an alcoholic and doesn't know how to 364 00:20:42,600 --> 00:20:45,240 Speaker 1: take care of her kids. And that is like kind 365 00:20:45,240 --> 00:20:49,280 Speaker 1: of devastating and and sad and hard to see. Um, 366 00:20:49,359 --> 00:20:52,040 Speaker 1: and also just made me feel worse when they turned 367 00:20:52,359 --> 00:20:55,040 Speaker 1: Nancy into a total evil demon because I was just 368 00:20:55,080 --> 00:20:58,120 Speaker 1: like she you like, I feel like if you're gonna 369 00:20:58,200 --> 00:21:00,159 Speaker 1: do that to a character, if you're going to if 370 00:21:00,160 --> 00:21:01,480 Speaker 1: you know at the beginning you're going to take this 371 00:21:01,560 --> 00:21:06,080 Speaker 1: character and turn them completely irredeemably evil, but then don't 372 00:21:06,119 --> 00:21:09,560 Speaker 1: give them a very sympathetic backstory that like possibly a 373 00:21:09,600 --> 00:21:13,200 Speaker 1: girl seeing that movie could relate, you know, because so 374 00:21:13,240 --> 00:21:15,919 Speaker 1: many I mean, you know, it's not uncommon to have 375 00:21:15,960 --> 00:21:19,160 Speaker 1: an alcoholic parent, and so it's just weird to see that. 376 00:21:19,280 --> 00:21:21,800 Speaker 1: There's also a little moment where like her stepdad, she's 377 00:21:21,800 --> 00:21:23,840 Speaker 1: like wearing a robe and he's like you could almost 378 00:21:23,840 --> 00:21:25,399 Speaker 1: see through it, and he like kind of yanks on 379 00:21:25,440 --> 00:21:31,440 Speaker 1: a robe and it's like weirdly sexual. And another thing 380 00:21:31,480 --> 00:21:34,439 Speaker 1: that I struggled with in this movie is that a 381 00:21:34,480 --> 00:21:37,399 Speaker 1: lot of the spells that they because each of the 382 00:21:37,440 --> 00:21:40,520 Speaker 1: four girls has sort of like their own character arc. 383 00:21:40,560 --> 00:21:43,240 Speaker 1: They're thing that they're trying to achieve, and at least 384 00:21:43,280 --> 00:21:46,959 Speaker 1: two of them are like either very superficial or selfish. 385 00:21:47,040 --> 00:21:50,280 Speaker 1: Where Bonnie is trying to remove the scars so that 386 00:21:50,359 --> 00:21:52,199 Speaker 1: she can be beautiful on the outside as well as 387 00:21:52,240 --> 00:21:55,119 Speaker 1: and and then as soon as that happens, she turns 388 00:21:55,160 --> 00:21:57,840 Speaker 1: like ship on the inside. She's like but also when 389 00:21:57,840 --> 00:21:59,720 Speaker 1: they were just like when Sarah was giving her a 390 00:21:59,760 --> 00:22:01,480 Speaker 1: hard time in the car. I don't know. And I 391 00:22:01,560 --> 00:22:03,680 Speaker 1: say this as a teenager that wore a back brace, 392 00:22:05,400 --> 00:22:07,639 Speaker 1: Like when when Sarah turned to Bonnie and was like, 393 00:22:07,720 --> 00:22:10,000 Speaker 1: ever since you started looking at like a normal girl, 394 00:22:10,040 --> 00:22:12,879 Speaker 1: you've become a real bit or like that was summarized, 395 00:22:13,040 --> 00:22:14,560 Speaker 1: and I was like, you know what, give Bonnie like 396 00:22:14,560 --> 00:22:16,239 Speaker 1: a couple of months to be a little bit and 397 00:22:16,280 --> 00:22:18,320 Speaker 1: be like I'm cute now. I was like, man, because 398 00:22:18,480 --> 00:22:21,800 Speaker 1: getting out of a physical prison is exciting, and give 399 00:22:21,800 --> 00:22:23,119 Speaker 1: her a couple of months. I don't know. I was 400 00:22:23,160 --> 00:22:26,040 Speaker 1: like getting her dress sexy and walk around. Yeah, like 401 00:22:26,359 --> 00:22:30,119 Speaker 1: let for a narrative of a movie. It was a 402 00:22:30,119 --> 00:22:32,399 Speaker 1: little bit of a bummer to like see Bonnie like 403 00:22:32,560 --> 00:22:34,960 Speaker 1: so like her hair like so greasy and in her 404 00:22:35,000 --> 00:22:37,960 Speaker 1: face and just like completely covered up because of this scar, 405 00:22:38,160 --> 00:22:40,159 Speaker 1: you know. And then like the minutes off she's like 406 00:22:40,640 --> 00:22:43,000 Speaker 1: sexy nev Campbell. All of a sudden she starts out 407 00:22:43,160 --> 00:22:48,320 Speaker 1: very ali sheety in the breakfast club. Yes, well, but 408 00:22:48,359 --> 00:22:50,399 Speaker 1: I think almost like covering her face with her hair 409 00:22:50,520 --> 00:22:52,159 Speaker 1: to be like, oh, please don't know this. It's Neuf 410 00:22:52,240 --> 00:22:55,639 Speaker 1: Cambell and she's very hot because she's hot at the 411 00:22:55,640 --> 00:22:58,640 Speaker 1: beginning of the movie too, but it's that crazy Hollywood 412 00:22:58,640 --> 00:23:00,560 Speaker 1: thing where they're just like, we're just going to gaslight 413 00:23:00,600 --> 00:23:03,000 Speaker 1: you into thinking she's not not because she looks a 414 00:23:03,000 --> 00:23:08,240 Speaker 1: little bit she's gonna have a middle part. And well 415 00:23:08,320 --> 00:23:12,440 Speaker 1: between that her like her wanting to remove her scars 416 00:23:12,640 --> 00:23:16,000 Speaker 1: and Sarah, who's the main character that we're most supposed 417 00:23:16,000 --> 00:23:19,120 Speaker 1: to identify with and root for, her thing is that 418 00:23:19,160 --> 00:23:22,399 Speaker 1: she wants this boy to like her even after he 419 00:23:22,520 --> 00:23:25,600 Speaker 1: spread these like vicious rumors about her. And so I 420 00:23:25,640 --> 00:23:28,320 Speaker 1: want to go through that arc really quick. Skeets Character 421 00:23:28,440 --> 00:23:33,840 Speaker 1: arcs se day out on every episode of the Backtel 422 00:23:33,880 --> 00:23:38,359 Speaker 1: Cast Skeets Character Arc. So, okay, So the first thing 423 00:23:38,960 --> 00:23:43,159 Speaker 1: you see is like him talking to Sarah and he's like, oh, 424 00:23:43,320 --> 00:23:45,480 Speaker 1: the old girls over there, the bitches of east Wick 425 00:23:45,520 --> 00:23:48,120 Speaker 1: and the like slut shames Nancy and like we're like, oh, 426 00:23:48,240 --> 00:23:51,800 Speaker 1: I don't know, really, it's just like she's a slut. Yeah, yeah, 427 00:23:52,320 --> 00:23:56,640 Speaker 1: I know how he feels. So he's like talking them 428 00:23:57,000 --> 00:23:59,840 Speaker 1: and then they go on a date. He and Sarah. 429 00:24:00,160 --> 00:24:03,040 Speaker 1: They're like flirting. He's like, oh, your head is good 430 00:24:03,440 --> 00:24:08,119 Speaker 1: good for kissing? Can I? He asks Permis I know, 431 00:24:08,200 --> 00:24:11,399 Speaker 1: I know not to do I know, and then and 432 00:24:11,440 --> 00:24:15,080 Speaker 1: I was like feminist Nikon Skeet asks permission to kill 433 00:24:17,000 --> 00:24:22,600 Speaker 1: ri He I was like, wow, this never we never said. 434 00:24:23,520 --> 00:24:25,520 Speaker 1: I literally said out loud less and I was like, God, 435 00:24:25,600 --> 00:24:27,800 Speaker 1: damn it, that's so sexy. And then he sucks it 436 00:24:27,840 --> 00:24:31,040 Speaker 1: all up, which is weird because he well, I mean 437 00:24:31,080 --> 00:24:33,439 Speaker 1: she and she says no and he's like oh, and 438 00:24:33,480 --> 00:24:35,840 Speaker 1: then she's like, are you mad and he says no, 439 00:24:36,480 --> 00:24:38,159 Speaker 1: and then you're like and then the scene cuts to 440 00:24:38,160 --> 00:24:41,119 Speaker 1: the next day, You're like, well they do kiss? They did? Well, 441 00:24:41,160 --> 00:24:45,919 Speaker 1: yeah they did, because but then totally adds validity to 442 00:24:46,040 --> 00:24:48,679 Speaker 1: a story because his friends see them making out and 443 00:24:48,720 --> 00:24:51,720 Speaker 1: then they're leaving, so that's like key that, like they 444 00:24:51,760 --> 00:24:54,400 Speaker 1: do kiss, because then everybody's like, well we saw them 445 00:24:54,440 --> 00:24:58,959 Speaker 1: making out comes afterwards, right, because then he asks her 446 00:24:59,000 --> 00:25:01,560 Speaker 1: to go home right him, and she says no, and 447 00:25:01,600 --> 00:25:03,840 Speaker 1: he's seen he's like saying he's okay with it, But 448 00:25:03,880 --> 00:25:06,840 Speaker 1: the subtext of his tone and stuff like that is 449 00:25:06,960 --> 00:25:09,520 Speaker 1: he's annoyed and piste off that he will that she 450 00:25:09,600 --> 00:25:12,639 Speaker 1: won't go home with him, So then he spreads the 451 00:25:12,680 --> 00:25:15,680 Speaker 1: rumor that they slept together, and then she calls him 452 00:25:15,680 --> 00:25:17,720 Speaker 1: out on it. She's like, you're a lying sack of shit. 453 00:25:18,280 --> 00:25:20,879 Speaker 1: Fuck you, and he's like really rude to her, and 454 00:25:20,880 --> 00:25:22,720 Speaker 1: then she's like, oh, I better cast a spell to 455 00:25:22,760 --> 00:25:25,199 Speaker 1: make him like me. Even he also proved himself as 456 00:25:25,240 --> 00:25:27,679 Speaker 1: a piece of ship. He also says like out like 457 00:25:27,760 --> 00:25:30,000 Speaker 1: he like yells so that everyone hears, just like I 458 00:25:30,040 --> 00:25:32,919 Speaker 1: don't want to date you again or whatever, like just 459 00:25:33,000 --> 00:25:35,840 Speaker 1: to add even more relity to a shitty, shitty story 460 00:25:35,880 --> 00:25:39,720 Speaker 1: and its stupid pants. There is terrible pants in this 461 00:25:39,760 --> 00:25:44,600 Speaker 1: movie pants. So by the way, this movie, I just 462 00:25:44,600 --> 00:25:47,080 Speaker 1: want to say that this movie completely was passing the 463 00:25:47,080 --> 00:25:50,600 Speaker 1: backdel test until minute thirteen, which I love was really good. 464 00:25:51,320 --> 00:25:54,240 Speaker 1: That never happens and that has to happen one time. 465 00:25:54,480 --> 00:25:56,960 Speaker 1: And at minute thirteen they talk about how much they 466 00:25:57,080 --> 00:26:00,720 Speaker 1: don't like the guys. That's like the first that that was. 467 00:26:00,760 --> 00:26:02,680 Speaker 1: Another part I liked about the front half of this 468 00:26:02,720 --> 00:26:06,800 Speaker 1: movie is that at the beginning, when I mean, granted, 469 00:26:07,240 --> 00:26:12,400 Speaker 1: do Nancy, Bonnie and Rochelle basically bully Sarah into being 470 00:26:12,440 --> 00:26:18,280 Speaker 1: their friend. Yes? Is that clicky and problematic? Yes, but 471 00:26:18,640 --> 00:26:21,440 Speaker 1: they're just come with us. They're like, you're our friend now, 472 00:26:22,480 --> 00:26:24,040 Speaker 1: which kind of happens in a more fun way and 473 00:26:24,080 --> 00:26:26,840 Speaker 1: mean girls. But but it's I mean, that's high school, 474 00:26:26,840 --> 00:26:29,920 Speaker 1: I guess, but you know, worth saying. But they sort 475 00:26:29,920 --> 00:26:31,600 Speaker 1: of look out for each other a little bit, where 476 00:26:31,880 --> 00:26:36,439 Speaker 1: Nancy very in no uncertain terms, says, look out for Skeet. 477 00:26:36,520 --> 00:26:40,120 Speaker 1: He's a predator. He'll hit on anyone with hits. Trust me, 478 00:26:40,280 --> 00:26:45,720 Speaker 1: he spreads disease right right, except Bonnie because she still 479 00:26:45,720 --> 00:26:47,679 Speaker 1: has a middle part for like twenty more minutes and 480 00:26:47,720 --> 00:26:51,560 Speaker 1: then she'll start fucking anyone she wants. But and then 481 00:26:51,760 --> 00:26:54,160 Speaker 1: when that happens and Sarah finds out the hard way, 482 00:26:54,240 --> 00:26:58,640 Speaker 1: that's Skeets an asshole. Nancy sort of gloats a little bit, 483 00:26:58,680 --> 00:27:01,640 Speaker 1: but ultimately doesn't shame where for it doesn't doubt her 484 00:27:01,680 --> 00:27:05,240 Speaker 1: story and why did I tell you? And that is 485 00:27:05,280 --> 00:27:08,119 Speaker 1: sort of what convinces Sarah, Okay, I'll be friends with 486 00:27:08,160 --> 00:27:11,800 Speaker 1: these girls because they warned me and I wanted to 487 00:27:11,880 --> 00:27:14,560 Speaker 1: learn anyways, which seems like a very teenage girl move. 488 00:27:15,160 --> 00:27:17,199 Speaker 1: And then you know, now I have a reason to 489 00:27:17,200 --> 00:27:19,400 Speaker 1: trust them. And so that was I was like, that's 490 00:27:19,440 --> 00:27:23,000 Speaker 1: a you know, pretty solid friendship bonding moment, and I 491 00:27:23,040 --> 00:27:24,960 Speaker 1: liked that. It was like one of My favorite parts 492 00:27:25,000 --> 00:27:26,720 Speaker 1: of them coming together Light as a feather stuff is 493 00:27:26,720 --> 00:27:29,919 Speaker 1: a board scene. Amazing, I'm so good. I'm obsessed that 494 00:27:29,920 --> 00:27:32,240 Speaker 1: scene because it's it's like, it's the best and you 495 00:27:32,280 --> 00:27:35,080 Speaker 1: and they started doing like the like mid to late 496 00:27:35,240 --> 00:27:39,560 Speaker 1: nineties almost pretty matrix e kind of technology where you 497 00:27:39,640 --> 00:27:44,119 Speaker 1: see the three sixties shot like we just want to 498 00:27:44,200 --> 00:27:47,560 Speaker 1: prove that, you know, there's not some weird things. She's 499 00:27:47,640 --> 00:27:50,200 Speaker 1: laying on a green block, but I like it looks 500 00:27:50,280 --> 00:27:54,920 Speaker 1: so real, it's exciting. It's man, Yeah, that was cool. 501 00:27:55,160 --> 00:27:58,040 Speaker 1: I left that scene. Yeah. So then where skeets are 502 00:27:58,359 --> 00:28:01,640 Speaker 1: Lands is that he gets spell cast on him, he 503 00:28:01,840 --> 00:28:04,600 Speaker 1: falls in love with her and starts stalking her. Then 504 00:28:04,960 --> 00:28:08,760 Speaker 1: this rise to rape Sarah. But that but by then 505 00:28:08,840 --> 00:28:11,840 Speaker 1: it's the second half of the movie where where it 506 00:28:11,960 --> 00:28:17,760 Speaker 1: seems like all the harmless slash very little harm done 507 00:28:17,800 --> 00:28:19,800 Speaker 1: they do in the first half that's fun to watch 508 00:28:20,359 --> 00:28:23,120 Speaker 1: suddenly comes back on them threefold in the second half, 509 00:28:23,119 --> 00:28:26,679 Speaker 1: and I feel like punishes female characters unnecessarily everything post 510 00:28:26,840 --> 00:28:31,360 Speaker 1: the invoking in summoning of Yeah, that's when things take 511 00:28:31,400 --> 00:28:33,439 Speaker 1: a turn. So then he tries to rape her, she 512 00:28:33,560 --> 00:28:36,160 Speaker 1: runs away, and then Nancy's like, we're going to get 513 00:28:36,240 --> 00:28:39,960 Speaker 1: revenge on this guy. So she goes and and like 514 00:28:40,280 --> 00:28:44,800 Speaker 1: puts a lot of unwanted sexual contact on him and 515 00:28:44,840 --> 00:28:49,000 Speaker 1: then turns into s and has sex name and that 516 00:28:49,880 --> 00:28:53,280 Speaker 1: could probably be considered rape, Like did they have sex sex? Though? 517 00:28:53,400 --> 00:28:56,280 Speaker 1: I mean, it seems like it's like they were to 518 00:28:56,400 --> 00:28:58,640 Speaker 1: write and that. But that's another like selling out of 519 00:28:58,640 --> 00:29:01,880 Speaker 1: a character they just didn't like. That didn't make sense 520 00:29:01,920 --> 00:29:06,280 Speaker 1: to me other than once Nancy had momented power, like 521 00:29:06,680 --> 00:29:09,200 Speaker 1: she just wanted to use it to cause chaos, to 522 00:29:09,320 --> 00:29:13,040 Speaker 1: hurt anybody, like and well, I mean, I don't know 523 00:29:13,040 --> 00:29:14,560 Speaker 1: because at first, when she said I'm going to go 524 00:29:14,600 --> 00:29:16,840 Speaker 1: get revenge on him, I was like, all right, this 525 00:29:16,880 --> 00:29:19,680 Speaker 1: seems like something this character would do because she's piste 526 00:29:19,680 --> 00:29:22,880 Speaker 1: off and wants to take care of it, probably in 527 00:29:22,920 --> 00:29:28,400 Speaker 1: a chaotic way, but then ends up having totally selfish motives. 528 00:29:28,400 --> 00:29:31,280 Speaker 1: That's like, I don't I don't really believe that. The 529 00:29:31,320 --> 00:29:34,920 Speaker 1: scene ends with him getting magic to death out of 530 00:29:34,920 --> 00:29:37,719 Speaker 1: a window, like pushed by magic out of a window. 531 00:29:37,880 --> 00:29:41,040 Speaker 1: But he died. I think he died. Does he did die? Okay? 532 00:29:41,160 --> 00:29:44,280 Speaker 1: I was when I couldn't remember, could just start there, 533 00:29:44,960 --> 00:29:49,160 Speaker 1: just kill him? I mean honestly that his death scene didn't. 534 00:29:49,840 --> 00:29:53,520 Speaker 1: The sex scene that precedes it is very problematic and 535 00:29:53,560 --> 00:29:57,120 Speaker 1: confusing and just like, oh, what are the ethics of this? 536 00:29:57,760 --> 00:30:00,960 Speaker 1: But his death scene I really liked. That's the problem 537 00:30:01,000 --> 00:30:03,480 Speaker 1: is that she like quite literally asked for it, you 538 00:30:03,520 --> 00:30:05,200 Speaker 1: know what I'm saying, Like our a big issue was 539 00:30:05,200 --> 00:30:07,520 Speaker 1: talking about rape culture as well, she was asking for it, 540 00:30:07,600 --> 00:30:11,880 Speaker 1: like she quite literally, Yeah, she like literally asked for 541 00:30:11,920 --> 00:30:13,560 Speaker 1: him to fall head over heels in love with her, 542 00:30:13,680 --> 00:30:16,320 Speaker 1: not to rape her. Obviously, No, no, what I'm saying. 543 00:30:16,400 --> 00:30:20,120 Speaker 1: And that's that's why it's And that spell was so 544 00:30:20,240 --> 00:30:22,440 Speaker 1: fun at first two or it's just like he was 545 00:30:22,480 --> 00:30:24,360 Speaker 1: just like I want to carry your books. Why can't 546 00:30:24,360 --> 00:30:27,400 Speaker 1: I stop thinking about you? I'm stupid. I'm stupid. I'm stupid. 547 00:30:27,440 --> 00:30:32,440 Speaker 1: And it's like, great, this checks out, he's stupid. Backfires, Yeah, 548 00:30:32,600 --> 00:30:36,760 Speaker 1: and then the whole threefold thing comes in and just 549 00:30:36,840 --> 00:30:40,320 Speaker 1: every repercussion of the threefold thing I just just didn't 550 00:30:40,360 --> 00:30:43,680 Speaker 1: work for me at all. Like there's no world in 551 00:30:43,720 --> 00:30:47,960 Speaker 1: which because Sarah cast a goofy spell in an already 552 00:30:48,040 --> 00:30:52,160 Speaker 1: misguided attempt to make an asshole like her, there's no 553 00:30:52,200 --> 00:30:56,400 Speaker 1: way that she deserved that come up and of being 554 00:30:56,880 --> 00:31:01,360 Speaker 1: a sat no. And Rochelle's arc of at the end 555 00:31:01,560 --> 00:31:04,480 Speaker 1: when you know she's doing a bad thing and she's 556 00:31:04,760 --> 00:31:08,040 Speaker 1: kind of mindlessly following Nancy for reasons that I didn't understand. 557 00:31:08,680 --> 00:31:11,480 Speaker 1: She and Bonnie look in the mirror and Bonnie has scars, 558 00:31:11,000 --> 00:31:15,160 Speaker 1: and then and then Rachelle's somehow going bald because she 559 00:31:15,240 --> 00:31:18,480 Speaker 1: retaliated against a racist, which is like, no, she that 560 00:31:18,560 --> 00:31:21,880 Speaker 1: was allowed. That was allowed. I just I don't know 561 00:31:21,920 --> 00:31:26,440 Speaker 1: every racist should go bald, like the should fly out 562 00:31:26,480 --> 00:31:28,640 Speaker 1: of a wind get thrown out of the window. Man. 563 00:31:28,680 --> 00:31:32,520 Speaker 1: I really did like Skeet's death scene. It was what 564 00:31:32,560 --> 00:31:36,520 Speaker 1: did you say? She said, You're sorry, She's like shaking, 565 00:31:36,560 --> 00:31:38,840 Speaker 1: and then he just like you know, explodes. But I 566 00:31:38,880 --> 00:31:42,360 Speaker 1: agree with Caitlin that it like totally negates the validity 567 00:31:42,400 --> 00:31:45,720 Speaker 1: of it all by then raping him before doing that. 568 00:31:46,240 --> 00:31:49,280 Speaker 1: It's such a bummer that his whole arc plays out, 569 00:31:49,320 --> 00:31:51,360 Speaker 1: didn't say way, especially because it starts out with him 570 00:31:51,760 --> 00:31:55,400 Speaker 1: asking for consent to kiss her like don't like don't 571 00:31:55,440 --> 00:31:59,560 Speaker 1: and that's shy is under a spell. Yeah, So if 572 00:31:59,600 --> 00:32:02,280 Speaker 1: you're going to set up that type of behavior, then 573 00:32:02,440 --> 00:32:05,840 Speaker 1: don't make that character actually end up being a gross 574 00:32:06,160 --> 00:32:11,520 Speaker 1: because that's like the major that we should so many 575 00:32:11,600 --> 00:32:20,280 Speaker 1: characters in this movie a troubled but possibly not irredeemable character, 576 00:32:20,520 --> 00:32:22,880 Speaker 1: and then at the end they're just totally like nope. 577 00:32:23,320 --> 00:32:25,959 Speaker 1: And I remember like rewatching this movie when I was 578 00:32:26,320 --> 00:32:30,280 Speaker 1: becoming more feminism aware, you know, and thinking to myself, like, 579 00:32:30,640 --> 00:32:33,360 Speaker 1: I kept hoping because I think I kind of forgot 580 00:32:33,360 --> 00:32:35,800 Speaker 1: plat points, and I kept hoping that she would like 581 00:32:36,280 --> 00:32:39,000 Speaker 1: be wanting him to follow so how to reveals in 582 00:32:39,040 --> 00:32:41,320 Speaker 1: love with her, to like then teach him a proper left, 583 00:32:41,360 --> 00:32:44,400 Speaker 1: like a good lesson. But then it just really was 584 00:32:44,440 --> 00:32:46,440 Speaker 1: because she just wanted him to like her, and I 585 00:32:46,480 --> 00:32:49,600 Speaker 1: was like, damn it. And almost immediately once he starts 586 00:32:49,600 --> 00:32:52,880 Speaker 1: to like her, she's over it. She's just like, oh, well, well, 587 00:32:52,880 --> 00:32:55,320 Speaker 1: it goes back to my point of like two of 588 00:32:55,360 --> 00:32:58,160 Speaker 1: the like desires of the girls are like I want 589 00:32:58,200 --> 00:33:00,719 Speaker 1: to be hotter and I want a boy to like me. 590 00:33:00,760 --> 00:33:02,640 Speaker 1: And it's like, you, I guess you could argue, that's sure, 591 00:33:02,760 --> 00:33:06,800 Speaker 1: that's what they're they're teenagers, that's what teenagers. But I 592 00:33:06,840 --> 00:33:10,480 Speaker 1: would counter argue that we're socialized to think that that's 593 00:33:10,480 --> 00:33:13,880 Speaker 1: all teenage girls are capable of or should care about 594 00:33:13,960 --> 00:33:16,640 Speaker 1: or do care about, which one of them wishes that 595 00:33:16,760 --> 00:33:22,920 Speaker 1: racism would no longer exist, and that's good really, like 596 00:33:23,120 --> 00:33:26,040 Speaker 1: Rochelle kills it in the wish department. Everyone else does 597 00:33:26,240 --> 00:33:29,560 Speaker 1: kind of also like kind of feels bad about it too, 598 00:33:29,640 --> 00:33:32,160 Speaker 1: which is sad, like she should just be like, yeah, 599 00:33:32,200 --> 00:33:34,280 Speaker 1: suck you, you're bald to deal with it, you know. 600 00:33:34,760 --> 00:33:37,360 Speaker 1: But I think that that's interesting too, which again is 601 00:33:37,400 --> 00:33:40,520 Speaker 1: why it's such a bummer in the end when she's 602 00:33:40,600 --> 00:33:43,800 Speaker 1: just like a crazy bitch too, yeah, I mean, and 603 00:33:43,800 --> 00:33:47,640 Speaker 1: and really like, yeah, selling out developed female character to 604 00:33:47,680 --> 00:33:51,760 Speaker 1: be a crazy bitch is just such a move. Also 605 00:33:52,000 --> 00:33:56,320 Speaker 1: a small character for Sarah Um she's sort of Disney 606 00:33:56,320 --> 00:34:00,680 Speaker 1: princessed a little bit by no mom. She has mom, 607 00:34:00,720 --> 00:34:03,360 Speaker 1: and there's sort of this the specter of her mom 608 00:34:03,720 --> 00:34:08,160 Speaker 1: is sort of being you know the whole time. I 609 00:34:08,200 --> 00:34:11,000 Speaker 1: totally about that, but only because of you, because of 610 00:34:11,040 --> 00:34:13,239 Speaker 1: what you bring up always on back Toel cast I 611 00:34:13,320 --> 00:34:17,279 Speaker 1: was like, oh, yeah, we're changing lives, we're here, we're 612 00:34:17,440 --> 00:34:23,160 Speaker 1: hero But but that occurred and then I don't know, 613 00:34:23,200 --> 00:34:26,319 Speaker 1: I mean, I wasn't dissatisfied with how that was brought 614 00:34:26,400 --> 00:34:29,680 Speaker 1: back at the end with the name of the witch 615 00:34:30,440 --> 00:34:33,840 Speaker 1: at the Witch Store is Lerio, which is a Spanish 616 00:34:33,880 --> 00:34:37,800 Speaker 1: word for lily um. But at the end when Sarah 617 00:34:37,840 --> 00:34:41,440 Speaker 1: almost sort of seeks out Lerio as like a maternal 618 00:34:41,600 --> 00:34:43,960 Speaker 1: figure of like, here's a woman who knows something I 619 00:34:43,960 --> 00:34:47,279 Speaker 1: don't and I need help and I'm scared. Mom, it 620 00:34:47,360 --> 00:34:50,560 Speaker 1: goes goes to Leria and Lerio is you know, it 621 00:34:50,920 --> 00:34:54,120 Speaker 1: adds in and she really is kind of like the 622 00:34:54,120 --> 00:34:57,960 Speaker 1: witch ex Makina at the correct moment in the movie, right, Oh, 623 00:34:58,040 --> 00:35:00,640 Speaker 1: she has all the information and turns old Sarah will 624 00:35:00,640 --> 00:35:02,600 Speaker 1: be fine no matter what, and you know, and then 625 00:35:02,640 --> 00:35:05,759 Speaker 1: we get to see that weird climactic scene but she 626 00:35:05,840 --> 00:35:08,240 Speaker 1: says like whatever, she's like and your mother was a witch? 627 00:35:08,640 --> 00:35:11,080 Speaker 1: Did you know that? And Sara was like no, and 628 00:35:11,120 --> 00:35:16,760 Speaker 1: she said, well she was. You're like, well that's great, 629 00:35:16,920 --> 00:35:21,760 Speaker 1: don't she know she's the witch at she does everything? 630 00:35:21,880 --> 00:35:23,600 Speaker 1: She does it all? Yeah, that was that was a 631 00:35:23,640 --> 00:35:25,839 Speaker 1: weird what did she do? That was helpful in that scene? 632 00:35:25,880 --> 00:35:28,640 Speaker 1: Genuine question because doesn't it just end with like the 633 00:35:28,680 --> 00:35:30,600 Speaker 1: shop blowing up and then that's it. But then it 634 00:35:30,640 --> 00:35:36,560 Speaker 1: doesn't like it because because it looks like it's exploding 635 00:35:36,920 --> 00:35:40,880 Speaker 1: and us like it's it's Nancy. So she runs away 636 00:35:40,960 --> 00:35:44,439 Speaker 1: because she's still being tormented by Nancy. Yeah, I mean 637 00:35:44,760 --> 00:35:47,560 Speaker 1: that character the Witch Story lady doesn't really do anything 638 00:35:47,600 --> 00:35:51,359 Speaker 1: except maybe give her the confidence later on to realize, hey, 639 00:35:51,440 --> 00:35:57,160 Speaker 1: I can invoke. It was nice to see a maternal 640 00:35:57,600 --> 00:36:00,520 Speaker 1: moment for Sarah. Maybe that was like supposed to just 641 00:36:00,520 --> 00:36:02,640 Speaker 1: be like, oh, she gives her a strength or something. 642 00:36:03,080 --> 00:36:08,680 Speaker 1: Oh I did like that. Sarah repeatedly tries to not 643 00:36:09,200 --> 00:36:13,680 Speaker 1: kill Nancy, which after a certain amount of misdeeds, would 644 00:36:13,719 --> 00:36:17,239 Speaker 1: have been legit, you know, And I think a lot 645 00:36:17,280 --> 00:36:19,719 Speaker 1: of movies would have just made that easier move, but 646 00:36:19,880 --> 00:36:22,440 Speaker 1: is repeatedly trying to make counter spells to be like 647 00:36:22,680 --> 00:36:24,360 Speaker 1: I don't want Nancy to hurt anyone else, and I 648 00:36:24,360 --> 00:36:27,040 Speaker 1: don't want her to hurt herself. So you're just like, well, 649 00:36:27,080 --> 00:36:29,480 Speaker 1: that's a good look it out. And also I don't 650 00:36:29,480 --> 00:36:31,240 Speaker 1: know if I would have had that sort of frustraint, 651 00:36:31,800 --> 00:36:33,319 Speaker 1: I'd be like, get rid of her. Why is she 652 00:36:33,400 --> 00:36:36,279 Speaker 1: so mean now? But she just why It makes no 653 00:36:36,360 --> 00:36:39,480 Speaker 1: sense to me that, like, if that's her character, she 654 00:36:39,760 --> 00:36:42,920 Speaker 1: wants goodwill to what everyone, and like she's looking out 655 00:36:42,960 --> 00:36:45,960 Speaker 1: for people, why then does she choose to make this 656 00:36:46,080 --> 00:36:52,120 Speaker 1: boy like her as her like mainly story. Maybe she 657 00:36:52,200 --> 00:36:55,520 Speaker 1: learned from that and learned even that choice though, Like 658 00:36:55,719 --> 00:36:59,160 Speaker 1: it's why if he had wronged her, why didn't she 659 00:36:59,239 --> 00:37:02,319 Speaker 1: cast a spell to make his dick tiny fall off 660 00:37:02,440 --> 00:37:04,759 Speaker 1: or stop working or something, yeah, like or just a 661 00:37:04,840 --> 00:37:08,440 Speaker 1: counter about yeah something something. But yeah, it was just 662 00:37:08,480 --> 00:37:11,480 Speaker 1: a weird choice that if this had been written and 663 00:37:11,520 --> 00:37:17,319 Speaker 1: directed by women, I feel like I was also very 664 00:37:17,360 --> 00:37:19,919 Speaker 1: sad when all the sharks washed up on the Yeah, 665 00:37:19,960 --> 00:37:23,840 Speaker 1: what a weird I forgot about that. That was like, 666 00:37:23,920 --> 00:37:28,040 Speaker 1: you're making me feel bad for sharks. I like, that's head. 667 00:37:29,160 --> 00:37:32,680 Speaker 1: There's just a million of them, and she's like their gifts, Like, 668 00:37:32,800 --> 00:37:36,839 Speaker 1: what fucked up? Nancy? That's that's pretty much exactly where 669 00:37:36,880 --> 00:37:39,399 Speaker 1: the movie lost me, because from that scene on, it's 670 00:37:39,440 --> 00:37:42,200 Speaker 1: just like, well, I hope you enjoyed the first part, 671 00:37:42,600 --> 00:37:45,080 Speaker 1: no sense, Like when they because they do the sands right, 672 00:37:45,160 --> 00:37:48,239 Speaker 1: and like all the glass things explode and all the 673 00:37:48,239 --> 00:37:51,680 Speaker 1: animals go out and whatever, and then Nev Campbell is 674 00:37:51,719 --> 00:37:55,200 Speaker 1: like sitting on the rock watching Rochelle's character is taking 675 00:37:55,200 --> 00:37:58,640 Speaker 1: a beautiful nap, and then Nancy is walking across the 676 00:37:58,640 --> 00:38:05,800 Speaker 1: water and it's like what happened happened. Oh, here's another. 677 00:38:06,600 --> 00:38:08,799 Speaker 1: Because there's not a lot of male characters in this movie, 678 00:38:08,840 --> 00:38:13,040 Speaker 1: which amazing, most of them end up dead by the end, 679 00:38:13,360 --> 00:38:16,879 Speaker 1: and the remaining ones the one character. I don't know why, 680 00:38:16,880 --> 00:38:18,600 Speaker 1: I was like harping on this in my head. I'm like, man, 681 00:38:18,880 --> 00:38:22,360 Speaker 1: it's crazy that that character wasn't a perfect the gym teacher, 682 00:38:22,400 --> 00:38:25,320 Speaker 1: the swim coach. Oh yeah, where there is the moment 683 00:38:25,360 --> 00:38:29,640 Speaker 1: where like he definitely like when Laura Lily or what 684 00:38:29,760 --> 00:38:35,200 Speaker 1: is her name, Laura, Laura, which is which is the 685 00:38:35,280 --> 00:38:39,760 Speaker 1: popular girl when she like, you know, when she takes 686 00:38:39,760 --> 00:38:42,000 Speaker 1: off her cap and her hair is falling out, and 687 00:38:42,040 --> 00:38:44,640 Speaker 1: then he like it's literally like he's like, oh, she's 688 00:38:44,640 --> 00:38:46,680 Speaker 1: not hot anymore, so I won't pay attention to her. 689 00:38:46,760 --> 00:38:48,799 Speaker 1: Let me look over here. And then he sees her 690 00:38:48,920 --> 00:38:51,680 Speaker 1: do like the perfect dive, and it's it's like, now 691 00:38:51,719 --> 00:38:54,160 Speaker 1: he pays attention to the girl, the only girl of 692 00:38:54,239 --> 00:38:56,839 Speaker 1: color in the whole fucking field. I guess I didn't 693 00:38:56,840 --> 00:38:58,920 Speaker 1: see it that way because he scolded Laura once before 694 00:38:58,920 --> 00:39:02,880 Speaker 1: where Laura was making fun. But I don't think you 695 00:39:02,920 --> 00:39:05,560 Speaker 1: did enough in my opinion. Well, he's also a character 696 00:39:05,560 --> 00:39:07,759 Speaker 1: who's on screen for like eleven seconds in the whole movie. 697 00:39:07,800 --> 00:39:10,120 Speaker 1: I think I was. I was lightly impressed by him. 698 00:39:11,480 --> 00:39:15,479 Speaker 1: But yeah, I mean between um, Nancy's gross stepdad who 699 00:39:15,680 --> 00:39:19,200 Speaker 1: has a heart attack and dies, Skeet who dies, and 700 00:39:19,400 --> 00:39:21,399 Speaker 1: the snake man at the beginning it was run over 701 00:39:21,440 --> 00:39:23,320 Speaker 1: by a car. Yeah, it's like half the men because 702 00:39:23,320 --> 00:39:25,719 Speaker 1: the other The only other male characters with speaking roles 703 00:39:25,760 --> 00:39:29,439 Speaker 1: in the movie are Chris's friends. Who is that tiny friend? 704 00:39:30,719 --> 00:39:32,320 Speaker 1: He's okay, I was like, I know who that guy is, 705 00:39:32,360 --> 00:39:40,759 Speaker 1: who's that tiny? In Clueless? He plays Murphy's uh, And 706 00:39:40,760 --> 00:39:42,680 Speaker 1: then I don't even know the other dude. One of 707 00:39:42,719 --> 00:39:44,520 Speaker 1: them is Mint and one of them is Trey. I 708 00:39:44,560 --> 00:39:46,560 Speaker 1: think I don't even know which ones which they are, 709 00:39:47,000 --> 00:39:50,839 Speaker 1: which is great, Yeah, right, exactly, like I don't know 710 00:39:51,600 --> 00:39:55,560 Speaker 1: what these characters are the same, the represent the same too. Yeah. Yeah. 711 00:39:55,760 --> 00:40:00,480 Speaker 1: He plays Bernie Murphy's love interest in Clueless. Yea, So 712 00:40:00,719 --> 00:40:04,400 Speaker 1: I would argue that of the both male and female 713 00:40:04,480 --> 00:40:08,080 Speaker 1: characters in this movie, of the women who aren't portrayed 714 00:40:08,160 --> 00:40:10,319 Speaker 1: all that well, neither any of the men. Like all 715 00:40:10,360 --> 00:40:13,839 Speaker 1: the men except for like Sarah's dad, who hardly has 716 00:40:14,000 --> 00:40:16,799 Speaker 1: screen time and it's kind of awesome. He is such 717 00:40:16,840 --> 00:40:19,480 Speaker 1: a good dad. And then when she there's like a 718 00:40:19,480 --> 00:40:21,680 Speaker 1: scene where she's like laying a boundary. She's like, don't 719 00:40:21,719 --> 00:40:25,719 Speaker 1: touch me, go away, and he's like, okay, yeah he does, like, 720 00:40:25,719 --> 00:40:28,279 Speaker 1: oh man, that definitely happened. And when my dad at 721 00:40:28,320 --> 00:40:30,719 Speaker 1: some point he just like sunk off. Yeah, he was like, well, 722 00:40:30,719 --> 00:40:33,200 Speaker 1: the teenage girls are confusing. And then when he's like 723 00:40:33,280 --> 00:40:36,040 Speaker 1: dropping because you know, clearly we established that, they look 724 00:40:36,080 --> 00:40:37,680 Speaker 1: at her wrists and they're like, oh, you cut it 725 00:40:37,719 --> 00:40:40,720 Speaker 1: the right way, So we clearly established that, like probably 726 00:40:40,800 --> 00:40:43,000 Speaker 1: part of why they left San Francisco is because she 727 00:40:43,080 --> 00:40:46,600 Speaker 1: tried to commit suicide. Decidit right. And then when he's 728 00:40:46,640 --> 00:40:48,239 Speaker 1: dropping her off at school, he's like, you know, you 729 00:40:48,280 --> 00:40:50,680 Speaker 1: don't have to go right away, like we can, you know, 730 00:40:51,440 --> 00:40:53,879 Speaker 1: settle in. You can take some time off. And that's 731 00:40:53,880 --> 00:40:56,759 Speaker 1: another positive part of their friendship I thought, is that 732 00:40:56,840 --> 00:41:01,440 Speaker 1: she's not shamed or pushed to be asked questions about that, 733 00:41:01,440 --> 00:41:04,760 Speaker 1: where Nancy's just like punk rock right, and then like, okay, 734 00:41:04,840 --> 00:41:08,280 Speaker 1: we accept you. You're a friend. And I was like, man, cool, okay, cool, 735 00:41:08,719 --> 00:41:11,319 Speaker 1: but I don't know that. Man. Another fun moment in 736 00:41:11,360 --> 00:41:13,960 Speaker 1: the half of the movie that I liked Yeah. Does 737 00:41:14,000 --> 00:41:16,640 Speaker 1: anyone have any final thoughts about the movie? Just that 738 00:41:16,719 --> 00:41:22,239 Speaker 1: this was written and directed by white guys obviously in 739 00:41:22,280 --> 00:41:24,880 Speaker 1: case you couldn't have assumed that off the fact that 740 00:41:24,920 --> 00:41:27,960 Speaker 1: it's a movie that was released. Yeah, I mean, I 741 00:41:27,960 --> 00:41:31,479 Speaker 1: think it's just exciting that it. They don't really talk 742 00:41:31,560 --> 00:41:35,600 Speaker 1: about boys that they like, really true, there are none 743 00:41:35,680 --> 00:41:38,640 Speaker 1: to like. Yeah, and so I think that that's an 744 00:41:38,640 --> 00:41:40,920 Speaker 1: exciting part of it. But yeah, I think it's just 745 00:41:41,040 --> 00:41:44,520 Speaker 1: a bummer that it. But they're redoing it, right, aren't they. 746 00:41:45,120 --> 00:41:48,200 Speaker 1: I heard that that they're what they're thinking about redoing it, 747 00:41:48,600 --> 00:41:53,520 Speaker 1: which I'm like, let's cast Susie Dennis Sarah and let's 748 00:41:53,560 --> 00:41:55,800 Speaker 1: have it be written by a woman interacted by a woman. 749 00:41:55,840 --> 00:42:01,200 Speaker 1: Oh yeah, the Craft reboot is right, actually a sequel. 750 00:42:01,320 --> 00:42:05,120 Speaker 1: Oh that's well, that's cool. Or just stop rebooting things 751 00:42:05,120 --> 00:42:10,279 Speaker 1: and write another movie about witchy teenagers. It's true, speaking 752 00:42:10,360 --> 00:42:13,440 Speaker 1: of characters talking to each other about things, this movie 753 00:42:13,520 --> 00:42:19,200 Speaker 1: definitely does pass the backdel test. It basically passes immediately. 754 00:42:19,600 --> 00:42:21,919 Speaker 1: I mean they're not talking to each other, but they're 755 00:42:21,960 --> 00:42:25,920 Speaker 1: like doing a seance and it's three Yeah. Yeah, I mean, 756 00:42:26,000 --> 00:42:28,680 Speaker 1: like I mean this in terms of passing the test. 757 00:42:28,920 --> 00:42:32,600 Speaker 1: A million times as that's it's almost like the opposite 758 00:42:32,640 --> 00:42:34,920 Speaker 1: of the test. Like the boys are the characters that 759 00:42:34,960 --> 00:42:37,360 Speaker 1: are like obsessed with the girls and are like only 760 00:42:37,400 --> 00:42:41,399 Speaker 1: ever talking about girls, and men rarely talk to each other. 761 00:42:41,560 --> 00:42:43,759 Speaker 1: There's only a few scenes where there's like two men 762 00:42:43,920 --> 00:42:48,279 Speaker 1: talking to and they're talking about usually about how they 763 00:42:48,280 --> 00:42:50,279 Speaker 1: super love a girl or how do they super think 764 00:42:50,360 --> 00:42:55,359 Speaker 1: she fucking sucks blah blah. But they're all punished, so 765 00:42:55,440 --> 00:42:58,480 Speaker 1: that's important. Yeah, I mean most of the time they're 766 00:42:58,480 --> 00:43:04,160 Speaker 1: talking about spells in magic and like all they like 767 00:43:04,200 --> 00:43:07,520 Speaker 1: what their inner conflex with each other are. Like, this 768 00:43:07,640 --> 00:43:09,920 Speaker 1: movie very much goes along with the theme of the 769 00:43:09,960 --> 00:43:12,200 Speaker 1: more a movie he passes the Bechdel test, the more 770 00:43:12,239 --> 00:43:14,879 Speaker 1: it tends to be financially successful. Budget of this movie 771 00:43:14,880 --> 00:43:18,200 Speaker 1: fifteen million, box office fifty six million. All right, so 772 00:43:18,280 --> 00:43:20,640 Speaker 1: there you go. Maybe right, a female even if you 773 00:43:20,960 --> 00:43:23,000 Speaker 1: kind of sunk up the second half, still right, right, 774 00:43:23,080 --> 00:43:26,920 Speaker 1: female characters. Yeah, let's write the movie on our nipple scale, 775 00:43:28,040 --> 00:43:30,279 Speaker 1: um zero to five nipples based on its portrayal of 776 00:43:30,280 --> 00:43:34,080 Speaker 1: women who this is This is a tricky one. This 777 00:43:34,120 --> 00:43:37,560 Speaker 1: is tricky because it's doing a lot of things right. 778 00:43:37,680 --> 00:43:41,959 Speaker 1: It's a female centered movie about female friendships. At least 779 00:43:41,960 --> 00:43:44,600 Speaker 1: they're friends for the first part of it until that 780 00:43:44,719 --> 00:43:47,880 Speaker 1: all goes to ship. But well, it is very upsetting 781 00:43:47,880 --> 00:43:51,520 Speaker 1: to me that the male character who asks permission to 782 00:43:51,640 --> 00:43:53,799 Speaker 1: kiss a girl, because at least half of the movies 783 00:43:53,880 --> 00:43:58,160 Speaker 1: we talk about there's a surprise kiss and yeah, and 784 00:43:58,160 --> 00:44:04,400 Speaker 1: it's like whoa or like yeah. So I was like, oh, 785 00:44:04,480 --> 00:44:06,760 Speaker 1: he's going to be because I couldn't remember much about 786 00:44:06,760 --> 00:44:08,680 Speaker 1: this movie. So when I was rewatching it, I was like, Wow, 787 00:44:08,680 --> 00:44:10,920 Speaker 1: he is he a good guy? Are we supposed to 788 00:44:10,920 --> 00:44:13,560 Speaker 1: like him? I like him right now? And then every 789 00:44:13,680 --> 00:44:16,080 Speaker 1: story beat after that it's like, oh no, he's a 790 00:44:16,320 --> 00:44:20,799 Speaker 1: nightmare person. So yeah, there's the female friendships, and for 791 00:44:20,840 --> 00:44:23,359 Speaker 1: the most part at the beginning, they're uplifting each other 792 00:44:23,600 --> 00:44:27,000 Speaker 1: and they're supporting each other. And the movie isn't specifically, 793 00:44:27,200 --> 00:44:29,879 Speaker 1: there's not about the goal. Isn't there trying to win 794 00:44:29,960 --> 00:44:32,520 Speaker 1: over a man's love or anything like that. They're basically 795 00:44:32,520 --> 00:44:35,840 Speaker 1: just trying to get better at witchcraft and the women 796 00:44:35,880 --> 00:44:39,320 Speaker 1: in magic. Women in Magic, although it is like, okay, 797 00:44:39,880 --> 00:44:42,880 Speaker 1: is a man to keep using the heat pronoun So 798 00:44:43,080 --> 00:44:46,160 Speaker 1: it's like, all right, why couldn't it be like a goddess, 799 00:44:46,239 --> 00:44:49,319 Speaker 1: especially because they're basically describing Mother Nature. I'm like, why 800 00:44:49,440 --> 00:44:54,920 Speaker 1: is he? Especially when they have Sarah then say Mother Earth? 801 00:44:55,040 --> 00:44:57,719 Speaker 1: Like why wouldn't if they're putting that pinnacle thing and 802 00:44:57,760 --> 00:45:01,919 Speaker 1: they have her say that last? You know? So I 803 00:45:01,920 --> 00:45:05,680 Speaker 1: think it had a lot of potential, but the movie, 804 00:45:06,440 --> 00:45:10,400 Speaker 1: especially by the end, whenever all the girls have basically 805 00:45:10,440 --> 00:45:13,879 Speaker 1: turned on each other and it's not, you know, this 806 00:45:14,040 --> 00:45:17,439 Speaker 1: feminist masterpiece that we're all hoping for anymore. I'm gonna 807 00:45:17,520 --> 00:45:21,560 Speaker 1: give it, I guess like two and a half snipples. 808 00:45:21,800 --> 00:45:26,800 Speaker 1: I almost said stars, but ye I know, but stars 809 00:45:26,800 --> 00:45:30,719 Speaker 1: are five pointed things, which is like a very witchy thing. 810 00:45:31,680 --> 00:45:33,920 Speaker 1: The pentagram? Is that what it's called? I think? So 811 00:45:34,680 --> 00:45:36,879 Speaker 1: let me can sell my crystals and oh my gosh, 812 00:45:36,920 --> 00:45:42,719 Speaker 1: I brought my crystals still my neckpack. Well wait, I 813 00:45:42,760 --> 00:45:47,040 Speaker 1: have to see them. Okay, okay, right now, let me 814 00:45:47,080 --> 00:45:52,000 Speaker 1: see smr rattle them. Oh my god, wait where did 815 00:45:52,000 --> 00:45:56,640 Speaker 1: you guys go to get these? Intuition? Yeah, I work 816 00:45:57,400 --> 00:46:00,960 Speaker 1: that's over here. Fun. Yeah, So I am going to 817 00:46:01,080 --> 00:46:04,080 Speaker 1: give it. I'll give it three. Maybe i'd give it 818 00:46:04,080 --> 00:46:07,320 Speaker 1: to that half. It's a bummer because all the characters 819 00:46:07,400 --> 00:46:10,360 Speaker 1: have so much agency there, with the exception of I 820 00:46:10,400 --> 00:46:12,480 Speaker 1: wish we had seen Rochelle's home life. I think it's 821 00:46:12,480 --> 00:46:14,200 Speaker 1: really bizarre that the only person to come are in 822 00:46:14,200 --> 00:46:16,720 Speaker 1: the whole movie doesn't have a home life. So dumb. 823 00:46:16,920 --> 00:46:20,840 Speaker 1: But I mean, even excluding that, we're given a background 824 00:46:20,840 --> 00:46:24,120 Speaker 1: for all these female characters and then they turn out 825 00:46:24,160 --> 00:46:26,960 Speaker 1: to be crazy. They turn out to be what, Like, 826 00:46:27,000 --> 00:46:28,960 Speaker 1: there's just the second half of this movie. It was 827 00:46:28,960 --> 00:46:31,560 Speaker 1: a big disappointment. But in the first half of the 828 00:46:31,600 --> 00:46:37,080 Speaker 1: movie we see so much more of fully developed female 829 00:46:37,200 --> 00:46:39,600 Speaker 1: character than when we would see in almost any other movie, 830 00:46:40,360 --> 00:46:43,200 Speaker 1: So it's hard. Nancy is kind of one of the 831 00:46:43,239 --> 00:46:45,600 Speaker 1: bigger bummers for me because it's just like she's the 832 00:46:45,719 --> 00:46:47,680 Speaker 1: child of an alcoholic and then ends up in a 833 00:46:47,719 --> 00:46:53,520 Speaker 1: mental asylum. Like that is not a good message. It's 834 00:46:53,520 --> 00:46:55,000 Speaker 1: bad we don't find out what happens to her mom 835 00:46:55,080 --> 00:46:58,279 Speaker 1: or whatever. Yeah, it was I really enjoyed the first 836 00:46:58,280 --> 00:47:00,319 Speaker 1: half of this movie. If you have and to fall 837 00:47:00,360 --> 00:47:04,080 Speaker 1: asleep in the middle, don't rewind it, like you probably 838 00:47:04,080 --> 00:47:06,239 Speaker 1: saw the fun part. I'll give it two and a 839 00:47:06,280 --> 00:47:11,719 Speaker 1: half nipples. I'll give one to Rochelle, I'll give one 840 00:47:11,800 --> 00:47:16,040 Speaker 1: and Nancy, and then I'll give half a nippy to 841 00:47:18,760 --> 00:47:22,440 Speaker 1: the gym teacher who didn't bother me. Well, yeah, I 842 00:47:22,440 --> 00:47:24,680 Speaker 1: didn't give my nipples away. Um, there aren't any cats 843 00:47:24,680 --> 00:47:26,760 Speaker 1: in this movie, so I don't know which is weird. 844 00:47:28,360 --> 00:47:36,000 Speaker 1: There's a million given to those discorpions, nipples, spiders, Spiders 845 00:47:36,000 --> 00:47:39,160 Speaker 1: have eight legs. This has been spider facts with Caitlin, 846 00:47:39,680 --> 00:47:44,279 Speaker 1: just like how cats have eight nipples. I wish this 847 00:47:44,320 --> 00:47:48,560 Speaker 1: movie was about four witches who like people wronged them 848 00:47:48,680 --> 00:47:51,440 Speaker 1: in like that they were racist toward them or that 849 00:47:51,520 --> 00:47:53,600 Speaker 1: they were like assaulting them and they're like, I'm going 850 00:47:53,640 --> 00:47:55,759 Speaker 1: to get revenge and then they get revenge and then 851 00:47:56,239 --> 00:47:58,560 Speaker 1: the world's a better place. That's what this movie should 852 00:47:58,560 --> 00:48:00,880 Speaker 1: be about. I don't know why, all right it alrite 853 00:48:00,920 --> 00:48:03,359 Speaker 1: that movie anyway? Would you like to write the movie? Yeah? 854 00:48:03,400 --> 00:48:04,759 Speaker 1: I mean I think you guys are spot on with 855 00:48:04,800 --> 00:48:06,759 Speaker 1: two and a half. Like I think that there are 856 00:48:06,800 --> 00:48:09,719 Speaker 1: so many things that it it did well and then 857 00:48:09,719 --> 00:48:11,440 Speaker 1: it like all of a sudden just like flipped and 858 00:48:11,480 --> 00:48:13,640 Speaker 1: did it bad like and then you know again like 859 00:48:13,680 --> 00:48:16,000 Speaker 1: this stuff with Rochelle, Like, yeah, I think that it 860 00:48:16,080 --> 00:48:18,840 Speaker 1: was really strong and cool show that black girls do 861 00:48:18,960 --> 00:48:21,400 Speaker 1: deal with white girls being racist to them in high school. 862 00:48:21,880 --> 00:48:24,960 Speaker 1: But then they don't show her home life, and they 863 00:48:25,080 --> 00:48:27,719 Speaker 1: like only make her like the two D character of 864 00:48:27,800 --> 00:48:30,200 Speaker 1: the four other girls that they kind of make three. 865 00:48:30,320 --> 00:48:34,359 Speaker 1: I feel like she has lines, yeah, I think, and 866 00:48:34,360 --> 00:48:36,520 Speaker 1: they don't have anybody else of color to like back 867 00:48:36,560 --> 00:48:38,880 Speaker 1: her up, and then they like give the girl a 868 00:48:38,960 --> 00:48:42,760 Speaker 1: family to give more than a front door exactly. Yeah, 869 00:48:43,040 --> 00:48:45,120 Speaker 1: so yeah, I think two and a half nipples is 870 00:48:45,160 --> 00:48:47,960 Speaker 1: a good rating. Who gets your nips? Oh man? Okay, 871 00:48:47,960 --> 00:48:50,399 Speaker 1: well yeah, definitely. I think Rochelle gets one of them 872 00:48:50,480 --> 00:48:55,600 Speaker 1: for sure. I think the like store owner definitely gets one, 873 00:48:55,800 --> 00:49:02,440 Speaker 1: which x Mankina. And then also I think that probably 874 00:49:02,480 --> 00:49:05,560 Speaker 1: Sarah's stepmom could get that happ nipple because I mean 875 00:49:05,640 --> 00:49:08,320 Speaker 1: she's not really in the movie, but she like clearly 876 00:49:08,440 --> 00:49:12,000 Speaker 1: is very supportive of them and like she uprooted her 877 00:49:12,080 --> 00:49:15,520 Speaker 1: life because of what happened with Sarah and she gets 878 00:49:15,520 --> 00:49:17,840 Speaker 1: on that eight minute flight. I feel like it's like 879 00:49:17,840 --> 00:49:22,880 Speaker 1: a good, healthy family relationship, yea, even though I mean 880 00:49:22,880 --> 00:49:26,520 Speaker 1: there's a lot of speculating. Yeah, yeah, it's but you know, 881 00:49:26,640 --> 00:49:28,480 Speaker 1: that's what you have to do with most movies to 882 00:49:28,560 --> 00:49:30,440 Speaker 1: fill in the blanks. So I wonder what this female 883 00:49:30,480 --> 00:49:33,800 Speaker 1: character must be like, well, a positively depiction of the stepmom. 884 00:49:33,880 --> 00:49:36,359 Speaker 1: It's pretty yeah, yeah, because I feel like there's so 885 00:49:36,400 --> 00:49:40,000 Speaker 1: many like times in real life and in in movies 886 00:49:40,040 --> 00:49:42,000 Speaker 1: and stories where like, yeah, the step mom is like 887 00:49:42,040 --> 00:49:44,480 Speaker 1: horrible and like wouldn't even let the dad like have 888 00:49:44,560 --> 00:49:47,480 Speaker 1: that relationship with that supports the Disney Trump a little bit. 889 00:49:47,680 --> 00:49:52,640 Speaker 1: That's nice. Yeah. Well, Susie, thanks so much for being here, guys, 890 00:49:53,040 --> 00:49:57,359 Speaker 1: thanks for having me. Where can people follow you online? Well, 891 00:49:57,480 --> 00:49:59,279 Speaker 1: you guys can check out Act Like a Girl. As 892 00:49:59,280 --> 00:50:01,880 Speaker 1: we said before, are all the handles for socials for 893 00:50:01,920 --> 00:50:04,919 Speaker 1: that are at Act Like a Girl TV, and then 894 00:50:05,239 --> 00:50:12,759 Speaker 1: my personal handle is Underscore Boss, which amazing. Yeah cool, 895 00:50:12,880 --> 00:50:17,200 Speaker 1: cool cool. You can follow the Betel cast on Twitter, Instagram, Facebook, 896 00:50:17,200 --> 00:50:25,520 Speaker 1: our website, iTunes, rate It Reviews, Spotify. Sure we're not 897 00:50:25,640 --> 00:50:30,000 Speaker 1: stopping your stitcher, dot com I think, or maybe it's 898 00:50:30,000 --> 00:50:33,480 Speaker 1: an app. I think it's an app. Okay. Probably has 899 00:50:33,480 --> 00:50:37,640 Speaker 1: a website still though probably if you type you probably 900 00:50:37,640 --> 00:50:40,600 Speaker 1: won't be poored. Probably a website where you can maybe 901 00:50:40,640 --> 00:50:47,839 Speaker 1: better podcast and also Earth, Fire, Wind, and Water. Which 902 00:50:47,880 --> 00:50:53,920 Speaker 1: one are you? Fire? Aristyle is Earth? Susie your water 903 00:50:54,239 --> 00:51:02,920 Speaker 1: and Jamie you got I bud? Thanks