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Speaker 1: Fly from the Mercedes Benz interview Lounge. God knows we

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Speaker 1: need a mentalist in this room. So in the best

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Speaker 1: world renowned O's pearlman is here you heyo the best

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Speaker 1: for the best. Thank you well, thank you for coming in.

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Speaker 1: Appreciate it. I'm just gover wondering how does a mentalist

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Speaker 1: in what you do translate through a microphone? Because I

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Speaker 1: mean it's all audio. I like the challenge so that though,

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Speaker 1: if I can get inside you, you know, I have a

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Speaker 1: great idea. Okay, what because what do I do for

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Speaker 1: a living? I read people? And it's all about nonverbal communications,

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Speaker 1: not even what you say, it's what you don't say,

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Speaker 1: how you say it. Let's get everyone in the mix.

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Speaker 1: How about it? Daniel should get you going. Okay, let's go.

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Speaker 1: Here we go. I have you can hear that noise?

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Speaker 1: Everyone hear that noise on a microphone? What that is?

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Speaker 1: And one more elvis? You've grabbed one too? There it is,

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Speaker 1: gandhi you ready? Yeah, I'm throwing them around you all

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Speaker 1: right now? If you roll that, I just played Vegas.

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Speaker 1: I stole all these. Don't tell the wind uh towels

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Speaker 1: two and I'm kidding. Uh grab it I don't touch

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Speaker 1: it instead of you rolling it, which is luck. I

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Speaker 1: want you to be in charge. I'm gonna turn around.

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Speaker 1: I'm gonna close my eyes. Scary, you watch me like

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Speaker 1: a hawk. I'm closing my eyes tight. I'm gonna look down,

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Speaker 1: and I want you to set the diet to whatever

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Speaker 1: number you want on top. Wait till I'm gone, Wait

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Speaker 1: till I'm not looking, and then you're gonna put two

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Speaker 1: hands on top of it. Scary, Am I peaking? Make sure?

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Speaker 1: Are my eyes closed? You're not baking?

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Speaker 2: Die?

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Speaker 1: We get scared of it? Scary, come on over and

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Speaker 1: cover my Scary. This guy washed his hands this morning.

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Speaker 1: I'm very concerned, very concerned. Right now, scary, put your

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Speaker 1: tongue on his eyes and folks, I already have Conjunctividis

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Speaker 1: Is there any way I could know what they just did? Scary?

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Speaker 1: No chance? Right? Can I can I out my eyes? Okay,

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Speaker 1: let's go. Has this been set up? Did I tell

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Speaker 1: you guys what to do? I mean real talk to

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Speaker 1: put dice? I tell you what number did do on

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Speaker 1: your hand? And now you do not? No chance you

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Speaker 1: do not? So here's the game? You ready? You said?

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Speaker 1: How do I do what I do. I want everyone listening,

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Speaker 1: millions of people across the world to do my job

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Speaker 1: for me right now. So, Elvis, you're gonna dart and

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Speaker 1: you know what number you did. Yes, I'm gonna have

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Speaker 1: you say one, two, three, four, five six, just like that.

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Speaker 1: Whatever tone you want, you can swap it up one

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Speaker 1: at a time for me. Go ahead, one, two, three,

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Speaker 1: four five six. So the tone didn't change, the speed

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Speaker 1: didn't change, but the tension did. Yeah, the tension changed

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Speaker 1: for sure. You saw he was going at an even clip,

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Speaker 1: but without a doubt. Near the end, he got tense

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Speaker 1: and then he relaxed. He got tense on five because

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Speaker 1: that's his number. Is it a five, Elvis? No, are

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Speaker 1: you being honest? Be honest, you're being honest. It's not

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Speaker 1: a five. Do me a favor. You're looking down right

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Speaker 1: now at your hands. The number on top right, not

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Speaker 1: a five. No, Okay, I'm gonna go over. Danielle. Danielle,

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Speaker 1: you know what, take your die, turn it around a

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Speaker 1: couple times, do the same, Elvis, Flip it around, flipping, flipping, flipping. Okay,

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Speaker 1: and go back to your number, Elvis, go back to

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Speaker 1: your number. I'm closing my eye. Scary Danielle. Yeah, see,

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Speaker 1: Elvis was tense on five. So you asked me, is

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Speaker 1: this a magic show? It's not. You never know what's

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Speaker 1: gonna happen. Did you in your mind think the number

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Speaker 1: that you picked? Is it a number you liked or

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Speaker 1: you were not sure? No?

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Speaker 2: Number?

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Speaker 1: I like you? Number you liked? Oh? Man, think one, two, three, four, five, six, seven,

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Speaker 1: eight nine? Not a two? Is it? No? No? No, no,

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Speaker 1: I'm gonna write this down. Okay, your number, your number,

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Speaker 1: your number. He's writing the number down. I'm writing down

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Speaker 1: three digits in a row. Done. Okay, you're behind me.

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Speaker 1: I'm gonna show you, Nate. Did you see how what

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Speaker 1: I wrote already for you?

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Speaker 2: Now?

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Speaker 1: Okay, I'm gonna'm gonna come over to you. I'm gonna

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Speaker 1: come over you. Elvis the five is killing me because

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Speaker 1: he's a go bigger, go home type of guy. Elvis,

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Speaker 1: tell us what was your number? What was your number? Two? Two?

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Speaker 1: And Danielle, what was yours? Five? And tell us what

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Speaker 1: was yours? One? One? Can you tell them you saw

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Speaker 1: what did I wrote down? I wrote down two? Five?

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Speaker 1: You did? Using out the numbers?

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Speaker 2: Right?

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Speaker 1: This is good? You know. Let's give it one more

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Speaker 1: go scary. Let's do this with something that matters. Let's

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Speaker 1: go with something that matters. Think of your social secure

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Speaker 1: already number. This is a great thing to do to

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Speaker 1: reveal to eight million current listeners, is it right? I

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Speaker 1: mean I got an idea. Think of your ATM PIN code? Okay?

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Speaker 1: Is there anyone in the world that would know that?

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Speaker 1: Nobody in this room? No, who would? Who would? Your

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Speaker 1: dad calling him? Right now? All right? You know what?

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Speaker 1: Lie to me? So the same way that I was

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Speaker 1: able with Godi, you didn't even say a word. I

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Speaker 1: just looked in your eyes. I knew you were my

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Speaker 1: number one, Gandhi. Give us a fake give us a

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Speaker 1: fake code, not your real number, unless you want to

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Speaker 1: want to know it. Give us a fake number. Scary,

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Speaker 1: go four six five three. He stumbled a little at

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Speaker 1: the end, voice cracked a little bit of teenage Scary

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Speaker 1: came out four sixty five three. Did you hear that?

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Speaker 1: I heard it?

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Speaker 2: Yep.

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Speaker 1: I feel like he messed up. I feel like one

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Speaker 1: of his numbers was the same as the real number,

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Speaker 1: and it was definitely there's an actual three in your

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Speaker 1: real code, isn't there, Scary, be honest on your life.

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Speaker 1: I didn't set this up with you. You have not

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Speaker 1: written down your coat and you're not told the code.

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Speaker 1: No one but your dad. Think of the numbers four, six,

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Speaker 1: five three, the mentalist, think of the numbers. This code?

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Speaker 1: Does that have a meaning of some sort? It does? It? Does?

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Speaker 1: Yea change? You gotta change everything. It just hit him.

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Speaker 1: It's the garage code. He's like, Dad, change it now,

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Speaker 1: he's coming. It's a. It's a. It's a. I wonder

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Speaker 1: if it's a date. I wonder if it's a date?

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Speaker 1: Is it? Hold on? Hold on? Is that your pin code?

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Speaker 1: That's too easy. I'm scary. I'll never forget that. You

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Speaker 1: better change it fast, do it quickly. We got him. No,

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Speaker 1: I don't trust you to get You're gonna get the

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Speaker 1: rest of us an us. How do you not use

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Speaker 1: this for bad things? How do you know? I don't.

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Speaker 1: How do you know? I don't used to work on

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Speaker 1: Wall Street? Quit my job to do this. I don't

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Speaker 1: think I quit. They fired me. I told everybody's money scary.

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Speaker 1: So was first they were like after the six atmaing code,

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Speaker 1: They're like, you're out, bro, you are out. So it

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Speaker 1: was how long ago was it when you were on

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Speaker 1: America's got talent. Wow, throwback nine years ago. You you

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Speaker 1: were like third, third out of out of thousands. I think.

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Speaker 1: So they loved you. They you know what I mean.

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Speaker 1: Howard Stern, Howard said I should have won. I was like, Howard,

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Speaker 1: I love you, buddy. I see him all the time.

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Speaker 1: I was just it was just just talking about me

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Speaker 1: on the radio show. But I love Howard. Yeah, so

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Speaker 1: I did. I did. Americans got talent. I want to

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Speaker 1: love Howard's atm CODE. Please, I'm working on that. I

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Speaker 1: am working on that for you. It's so funny. So

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Speaker 1: it was permanent. Is here nine years ago when America's

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Speaker 1: got talent? Yep? And he's still rolling around. Thank god

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Speaker 1: you left the financial world. It's a little more boring.

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Speaker 1: It just wasn't for you. Yeah, but I still do

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Speaker 1: a lot of stuff CNBC. I'm going to Fox Business

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Speaker 1: right after this today. I'm going around. I like doing

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Speaker 1: things related to money. I do out with sports teams.

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Speaker 1: That's been my kind of big thing last few years.

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Speaker 1: I do a lot with NFL teams. I don't know,

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Speaker 1: if you saw Hard Knocks Aaron Rodgers, they were like,

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Speaker 1: why didn't you tell me he was going to miss

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Speaker 1: the season? Jets fans were very mad at me. But

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Speaker 1: with those sports fans, they love that stuff. You know what,

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Speaker 1: I want to try this. You have your phone, Elvis, Yes,

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Speaker 1: I do grab your phone. No, I'm not. You're not

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Speaker 1: messing with my phone. Okay? Here we are here, all right, Elvis,

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Speaker 1: hold it in away where there's no way because they

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Speaker 1: can't really see the room. You're a few feet away

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Speaker 1: from me. But I want you to go, and I

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Speaker 1: want you to go. Would you say you're you're more

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Speaker 1: of an emailer or a text I'm a texture, I'm

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Speaker 1: a text or two. Go to your text messages. Okay,

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Speaker 1: And here's what I noticed, patterns. What do I do?

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Speaker 1: I am not a psychic. I want never understand that

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Speaker 1: I don't talk to dead people. I'm not supernatural. I

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Speaker 1: read people for a living, and so most people we

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Speaker 1: text the same ten or fifteen people all the time. Right,

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Speaker 1: your spouse, if you got kids, if you got like

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Speaker 1: I want you to scroll and I want deep cuts, Elvis.

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Speaker 1: I want you to scroll past at least a week ago. Okay.

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Speaker 1: And before you do this, can you do me one favor.

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Speaker 1: You know when you swipe down and you see all

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Speaker 1: the widgets swipe down. No, no, at the top of

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Speaker 1: your screen, scroll down to your texts and scroll to

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Speaker 1: somebody that you did not even know you would think

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Speaker 1: of before this moment. So random, so spontaneous, but not

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Speaker 1: just a two weeks, three weeks? You know what serious

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Speaker 1: is paying me by the hour? Goes six months ago? Okay, Okay,

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Speaker 1: I don't want to see it. There's no way I

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Speaker 1: can see. Can you tell the listener There's no way

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Speaker 1: in the world I could see who you're looking to. Impossible, Danielle,

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Speaker 1: your hands probably smell better than than Scary's. Do this.

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Speaker 1: Open the text message from this person, Elvis, and I

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Speaker 1: why you? I always like to know who got the

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Speaker 1: final word? Why did this thread drop off? Weeks ago?

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Speaker 1: And Elvis, can you see at the bottom of the

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Speaker 1: text the final word that was written either by you

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Speaker 1: or this person? Yes, you do, swipe up so there

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Speaker 1: is nothing like you. Go back to your home screen.

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Speaker 1: Have you done that? Are we home screened? Home screen? Actually?

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Speaker 1: Just to be safe because later on people leaving they

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Speaker 1: you know what he must have done. He must have

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Speaker 1: distracted me, he must have done something. Quick, go back

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Speaker 1: into that text message with that person. Okay, and then

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Speaker 1: you know where you hit the back button. So now

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Speaker 1: you're back in all the text, and I'll scroll all

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Speaker 1: the way back to the top. So even if we

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Speaker 1: get your phone later, but we don't know where he

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Speaker 1: just went. Do you see what I'm saying. I don't

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Speaker 1: know if I'm okay with this particular text. Now it's good.

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Speaker 1: Turn your phone around, show everybody you're at the top

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Speaker 1: at the last person to shop and who was the

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Speaker 1: first person you wrote to? Elvis? Turn it side. It

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Speaker 1: was just like gonna say, I can't read your how

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Speaker 1: small is your type? Elvis? And swipe up? So it's

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Speaker 1: gone good? All right? Think in your head fifty to fifty?

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Speaker 1: I flip a coin, right, Elvis is hard to read?

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Speaker 1: You saw the five two one? I am hard to read.

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Speaker 1: I had the five? Do you want catch upside down

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Speaker 1: the two in the five? Elvis? Anything you think he's saying,

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Speaker 1: it's the opposite. Okay, So you threw me for a

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Speaker 1: loops So think guy girl, Thank guy girl, lenagrass for

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Speaker 1: one second. I want to show ready the last person

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Speaker 1: he picked. I think the first person that popped in

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Speaker 1: your head was a guy. But I think it was

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Speaker 1: an obvious choice, and they all would have known. Do

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Speaker 1: you think you knew who he thought of initially? And

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Speaker 1: you think you know who would have been? So he

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Speaker 1: they think they knew you would thought of initially. I

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Speaker 1: think that you thought of a guy first, and then

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Speaker 1: you go, that's too obvious. So you know what I've

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Speaker 1: been doing. Said, it's a female one hundred percent? Is

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Speaker 1: it a female you're thinking of? No, the person you

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Speaker 1: picked in your phone? No? No, no, hold on, think

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Speaker 1: of the person. Well, forget the name. You picked a word?

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Speaker 1: Is that right out of the whole thread text thread?

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Speaker 1: You look at the last words. Count the letters in

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Speaker 1: the word. Okay, he did it too fast, Daniel, if

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Speaker 1: that word super calufragul could have done it. He counted instant.

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Speaker 1: I watched your eyes ding ding ding ding. Four letters,

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Speaker 1: isn't it? Yes? Yeah, nobody be impressed. That's okay. Four

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Speaker 1: letters in this random word. I want you to mix

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Speaker 1: up the letters of those four letters, and you just

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Speaker 1: imagine one of them. You just grab it out like

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Speaker 1: a scrabble time letter. One of those four letters you

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Speaker 1: got one. Yep. We read from left to right. For

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Speaker 1: those that are on the radio and you're hearing, I

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Speaker 1: watched Elvis's eyes. They started and they moved over. You

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Speaker 1: didn't do the first letter, did you. No, you went

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Speaker 1: further down, and in fact, you looked at it twice.

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Speaker 1: It's two of the same letter L. Yes, L well

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Speaker 1: is the word you were thinking of? The word? That's it.

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Speaker 1: That was the last word in that text. With this person,

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Speaker 1: with this person and the person the person, the person,

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Speaker 1: think of their name. Pick any letter in their first name,

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Speaker 1: Pick any letter in their first name. Don't say just

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Speaker 1: thinking that you did something interesting. You thought of an LB,

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Speaker 1: you changed an L the name. You picked a G. Layton.

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Speaker 1: That's crazy. I don't even know you knew what layton,

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Speaker 1: lighton knows. We all know lighton, lighton, L E, I,

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Speaker 1: G H T O N. Yes, that's it. Seem spell

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Speaker 1: their name wrong, hates it probably And I did think

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Speaker 1: of the first letter, and then I thought of the delivery. Yes, yes,

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Speaker 1: that's it. This is crazy. We have to take a

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Speaker 1: break because I'm gonna I gotta ask you some question.

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Speaker 1: Take a break because Elvis is leaving the room and

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Speaker 1: scary scared of me. Hold On, Gandhi's throwing holy water. Okay,

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Speaker 1: so this has been pretty freaky so far. Os pearl

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Speaker 1: One is here. We have to get freakyer. You promise

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Speaker 1: it'll get freaky here more. Yes, all right, hang on,

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Speaker 1: We'll be right back. The Brooklyn Boys Podcast comedian Sebastian Maniscalcos.

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Speaker 2: Yes, today I do a radio tour. My neighbors are

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Speaker 2: sawing down their house. It's like it couldn't have been

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Speaker 2: worse time.

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Speaker 1: Listen to The Brooklyn Boys Podcast on the iHeartRadio app,

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Speaker 1: Apple Podcasts, or wherever you get your podcasts. Elvista ran

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Speaker 1: in the Morning show. This is Elvisa in the Morning Show. Okay,

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Speaker 1: so we're back with O's Pearlman. That took way too long.

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Speaker 1: We got to get back to this now. If you

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Speaker 1: missed the first uh half of this conversation with O's uh,

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Speaker 1: you need to go back and listen to it in

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Speaker 1: the replay because wow, yeah, we're all so many questions,

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Speaker 1: so many questions. But yeah, everyone always says the same thing.

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Speaker 1: When my videos go on there they go viral. People haters.

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Speaker 1: I love the haters. They go, it's all face, it's

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Speaker 1: all set up. So I don't even want someone in

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Speaker 1: this room. I don't want someone in the room. You ready,

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Speaker 1: who's fun I've got somebody in the corner. Is this Garrett.

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Speaker 1: He's s out of his mind. He's like, stay away, Garrett.

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Speaker 1: Who can we get from the office? Tell me who

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Speaker 1: is a fun person out there that's not even in

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Speaker 1: this room that we're gonna surprise. Who's a fun person

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Speaker 1: out in that room? Tell Andrew Andrew get Andrew?

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Speaker 2: Now?

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Speaker 1: Is that? Okay? Wait? He's fun?

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Speaker 2: Right?

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Speaker 1: And Andrew needs to get got Is that the person? Yeah,

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Speaker 1: let's do it. And absolutely well? So wow, fill some air.

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Speaker 1: Where is Andrew? Andrew better not be in the bathroom.

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Speaker 1: I'm thinking a number. It's the number one. He'll be

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Speaker 1: back quick, Hi, Andrew, Hello, Hello, all right, I asked

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Speaker 1: Garrett to bring somebody fun. So know that he either

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Speaker 1: loves you or hates you. I don't know which one. Okay, okay,

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Speaker 1: hates Here is a hypothetical scenario I'm gonna throw out there,

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Speaker 1: Andrew on your life under oath in court. Before I

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Speaker 1: walked into this building, had we ever spoken a word? Met?

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Speaker 1: Did you know who I was? Nothing? Now? Okay? A

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Speaker 1: little hurtful? Follow me on Instagram later, Andrew, my parents,

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Speaker 1: thank you. Imagine that anybody walks into this studio, iHeartRadio.

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Speaker 1: You've had big stars, lots of them, and somebody walks

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Speaker 1: in and you go, oh my god, you are starstruck.

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Speaker 1: You are on cloud nine. If I asked you to

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Speaker 1: think of the number one person that pops in your

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Speaker 1: head number one, I bet some of them could guess it,

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Speaker 1: am I right? Yes, it'd be too obvious. It'd be

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Speaker 1: too obvious. You know what, I want you to guess?

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Speaker 1: Who would have been his number one choice? I think

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Speaker 1: it's a toss up. Would that have been in your

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Speaker 1: top three? Absolutely? So hear me out. First off, Gandhi,

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Speaker 1: applause for Ghandhi. Come on, little mini mentalists right there,

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Speaker 1: So hear me out. I love that. But she knows

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Speaker 1: you again. So I'm like, that's not impressive enough, because

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Speaker 1: there's history. So if I say to Andrew, no deep,

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Speaker 1: go deep, where you go to somebody so far down

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Speaker 1: the list, You're like, no one will get this. I

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Speaker 1: didn't even know I'd picked this person. Can you close

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Speaker 1: your eyes and picture that person and see them in

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Speaker 1: your mind right now? Absolutely can. No way in the

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Speaker 1: world anybody could know this, right, he didn't pick It's

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Speaker 1: not Lana Delray, is it? No, she's awesome. I think

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Speaker 1: he changed. I think because you did a female. He

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Speaker 1: felt forced he pushed him in that corner. No, no,

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Speaker 1: I don't see gender, but I think that he said

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Speaker 1: it was too obviously like I'm gonna go to a guy.

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Speaker 1: That's what I think. Next up, we're music. It's Higheart Radio.

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Speaker 1: Did he do music? Watch? Look he's he's trying to

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Speaker 1: give nothing, Sarri. I look into his eyes. I see

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Speaker 1: a pin coat, Andrew, I see nothing. I'm looking deep.

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Speaker 1: I'm looking into your soul. I am going to write this.

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Speaker 1: If that's okay with you now, the listener who cannot see,

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Speaker 1: close your eyes, Andrew, cover them up. I'm writing this down.

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Speaker 1: I am showing everybody and everyone just you know, in

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Speaker 1: the studio. Andrew's eyes are closed. Everybody. If you see it,

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Speaker 1: say Elvis, Duran, Elvis. Okay, everybody saw it. I've written

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Speaker 1: this down. It is not changing. There's no trick, no trick.

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Speaker 1: Open your eyes, open your eyes, Andrew, say it. Who

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Speaker 1: are you picturing at this very moment? What's his name?

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Speaker 1: Tom Hanks? And yes you are, that's awesome? Kill it?

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Speaker 1: So what made you think of Tom Eggs? I just

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Speaker 1: really love Forrest Gump. Are you are awesome? If Andrew

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Speaker 1: is going somewhere. He was running. I was that's amazing.

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Speaker 1: That is too crazy is going on here? What is happening?

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Speaker 1: This is too much and I don't like it. We

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Speaker 1: can't do on this. I'm gonna be nervous all weekend

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Speaker 1: by Andrew Andrew. Andrew was so impressed he might just

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Speaker 1: pete a little bit for the record. That's yes, I've

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Speaker 1: never seen him fall on the floor like that. It

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Speaker 1: was so drum fell on the floor, fell on the floor.

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Speaker 1: This is credible, and it's credible and incredible. Here's my thing. Sure,

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Speaker 1: you're a mentalist, so obviously there is no trickery. It's

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Speaker 1: all through the waves of the mind. You know, it's

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Speaker 1: trickery in the sense of deception. I'm writing a book

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Speaker 1: it's coming out next year or where I'm going to

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Speaker 1: tell you. You're not gonna be a mentalist. You might not

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Speaker 1: guess what's on dice. But how do you read people

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Speaker 1: more effectively?

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Speaker 2: Right?

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Speaker 1: What if you had a ten or twenty percent kind

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Speaker 1: of advantage on knowing someone telling you the truth? Are

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Speaker 1: they lying to you? When's the right timing to go

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Speaker 1: ask your boss for raise? Right? All different tips and

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Speaker 1: tricks you can use how do you remember people's names.

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Speaker 1: That's one of my big ones. I'll go show for

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Speaker 1: three hundred people, I'll tell all three of people their name.

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Speaker 1: They're like, dude, I don't even know my coworker's name.

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Speaker 1: Helped me out with that. So it's honestly using how

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Speaker 1: to use your mind in a different way. Because I

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Speaker 1: told you again, I'm not psychic. I've just been practicing

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Speaker 1: for thirty years on how to do this stuff. But

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Speaker 1: just just like in the world a magician, yep, performance,

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Speaker 1: I'm the kind of guy. We talked about those all

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Speaker 1: the time. I don't want to know how you did it. Sure,

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Speaker 1: I don't care. I don't want to know how you

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Speaker 1: figure this stuff out. I don't want to know the

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Speaker 1: cues you see. Or I don't want to know how

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Speaker 1: they can A magician can sault one in half and

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Speaker 1: they don't die, right, I just want to not as

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Speaker 1: good if they die. I just enjoy what just happened. Yes,

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Speaker 1: but there are people who probably try to like I

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Speaker 1: love that everybody's going to kidnap you and enforce you

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Speaker 1: by some sort of I have had CEOs of major

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Speaker 1: companies be like, I need you to sit in the

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Speaker 1: room during this next merger and save me like eight

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Speaker 1: hundred million dollars. I'm like, sure, just throwing me ten percent.

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Speaker 1: I'm in. I'm Nate right over here straight, Nate? Is

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Speaker 1: that right?

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Speaker 2: Yeah?

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Speaker 1: Nate, let's throw it back. If you were to go

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Speaker 1: back in time, how many collective hours you think you

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Speaker 1: spent with the people in this room? Got too many years?

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Speaker 1: So there is if we could go through in like

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Speaker 1: mine for gold, everything he's ever said, would they know

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Speaker 1: your childhood best friend in this room? No, he didn't

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Speaker 1: have any friends. Trick question. He was a sickly child.

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Speaker 1: All right, do you think you have ever mentioned anybody

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Speaker 1: here the first girl you had a crush on? Could

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Speaker 1: that have been mentioned? Possibly? You see, I don't want it.

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Speaker 1: Possibly Elvis, get somebody else, get the second tier mentalist.

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Speaker 1: What's happening if we're going for goat status? I got

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Speaker 1: to do something insane. I have a question. Instead of

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Speaker 1: girl you had a crush on, do you you recall

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Speaker 1: the first person that had a crush on you? Yes?

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Speaker 1: He does. Do you see that? Look at the look

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Speaker 1: at the vanity. He's like, they have a lot of

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Speaker 1: the man crushes on me? Second grade? All right, here

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Speaker 1: we go, Elvis, you picked Layton. I watched your eyes.

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Speaker 1: You watch me. Look how un comfortables getting No, he's uncomfortable.

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Speaker 1: One that got away and you turned her down. You

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Speaker 1: broke this young girl's heart. I hope she's listening right now.

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Speaker 1: Second grade. All right, Nate, here's all you do without

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Speaker 1: using your fingers. Count the number of letters. And this

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Speaker 1: is not written somewhere. This is not posted on a

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Speaker 1: social media Is that correct? This is nowhere, this is

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Speaker 1: in your brain. Count how many letters in the first name?

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Speaker 1: I got it? It took him a while. You see

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Speaker 1: that earlier, Elvis, you were quick on the draw. You

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Speaker 1: were quick on the draw. Well, I mean I'm there

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Speaker 1: for you. Watch me, watch me, here we go. Think

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Speaker 1: of the first letter, don't say it. Think of the

420
00:19:49,000 --> 00:19:51,560
Speaker 1: second letter. No, no, don't don't go. That's like saying yes,

421
00:19:51,680 --> 00:19:54,280
Speaker 1: keep watching me. Think of the third letter, fourth letter,

422
00:19:55,040 --> 00:19:57,360
Speaker 1: fifth letter. For those that are listening and not seeing

423
00:19:57,440 --> 00:20:01,119
Speaker 1: Nate intense eyebrow movements, his face expressive. Do have an

424
00:20:01,119 --> 00:20:04,240
Speaker 1: expressive face? Sixth letter, seventh letter, eighth letter, ninth letter,

425
00:20:04,280 --> 00:20:06,840
Speaker 1: tenth letter, eleventh letter, twelfth letter. Daniel's like, how long

426
00:20:06,920 --> 00:20:12,040
Speaker 1: is his name? Is it? Alejandro? She sounds enchanting. I

427
00:20:12,080 --> 00:20:15,679
Speaker 1: think that there was a moment where Nate looked perplexed.

428
00:20:16,000 --> 00:20:19,080
Speaker 1: He gave me that mile long stare because he ran

429
00:20:19,119 --> 00:20:21,000
Speaker 1: out of letters, and I'm trying to think when it was,

430
00:20:21,080 --> 00:20:23,240
Speaker 1: and it was like, was it eight nine? It was?

431
00:20:24,080 --> 00:20:26,840
Speaker 1: It was the ninth letter, because there is no ninth letter.

432
00:20:26,840 --> 00:20:28,919
Speaker 1: Her name's eight letters, isn't it? Nate? You heard a

433
00:20:28,960 --> 00:20:36,119
Speaker 1: witch mix up those letters. And I want you to

434
00:20:36,160 --> 00:20:37,600
Speaker 1: you know what, I want you to take the first

435
00:20:37,640 --> 00:20:40,320
Speaker 1: letter of her name, and right, it was just halloween,

436
00:20:40,600 --> 00:20:42,879
Speaker 1: fun costumes, fun things. I want you to take the

437
00:20:42,920 --> 00:20:45,800
Speaker 1: first letter of her name. And what we think of quick?

438
00:20:45,880 --> 00:20:48,000
Speaker 1: Quick a category? Think of an animal that starts with

439
00:20:48,040 --> 00:20:51,159
Speaker 1: that letter, don't say it, think of a one. Was

440
00:20:51,160 --> 00:20:54,000
Speaker 1: it a cute animal? It could be cut? Yes, it

441
00:20:54,080 --> 00:20:59,400
Speaker 1: felt cute. I got it. You thought of a place Australia, kangaroo, Christina.

442
00:21:01,440 --> 00:21:08,280
Speaker 1: Why did you do that? How did he do that?

443
00:21:08,400 --> 00:21:11,440
Speaker 1: It was like he was in my break. If he's

444
00:21:11,480 --> 00:21:13,400
Speaker 1: not swearing, I'm not doing my job. Is that right?

445
00:21:13,920 --> 00:21:16,640
Speaker 1: Very well? That's crazy. And he even knew the case.

446
00:21:16,720 --> 00:21:19,280
Speaker 1: The animal that you picked, I did, I said, a kangaroo.

447
00:21:19,400 --> 00:21:21,320
Speaker 1: That's when he jumped first, he was jumping the kangaroo.

448
00:21:21,320 --> 00:21:22,959
Speaker 1: That's first thing he thought of. He went from Australia

449
00:21:23,040 --> 00:21:25,920
Speaker 1: kangaroo to Christine. I saw it all. Was it really her? Yes?

450
00:21:26,240 --> 00:21:29,440
Speaker 1: Was she like me? I don't know what. I don't

451
00:21:29,480 --> 00:21:31,520
Speaker 1: know what to say. How come we didn't date? I

452
00:21:31,520 --> 00:21:36,160
Speaker 1: went home second grade? Second grade was on the swings.

453
00:21:36,160 --> 00:21:38,199
Speaker 1: She was and she wouldn't give n pushes back. I

454
00:21:38,200 --> 00:21:39,560
Speaker 1: don't want to put it out there, but she was

455
00:21:39,600 --> 00:21:44,160
Speaker 1: very selfish. I have I'm sorry. This is like, there

456
00:21:44,200 --> 00:21:46,120
Speaker 1: you go. This is what does when he walks into

457
00:21:46,119 --> 00:21:47,480
Speaker 1: her room. I don't know if I like it or

458
00:21:47,480 --> 00:21:49,639
Speaker 1: hate it. That's what he'll say to me there, like

459
00:21:49,680 --> 00:21:51,800
Speaker 1: I hate you, but I love you, love you a

460
00:21:51,800 --> 00:21:53,640
Speaker 1: little bit of both. I don't know this will change

461
00:21:53,640 --> 00:21:56,080
Speaker 1: your life, though, because you could probably immediately tell if

462
00:21:56,080 --> 00:21:58,200
Speaker 1: somebody likes you or dislikes you. If somebody's being honest,

463
00:21:58,200 --> 00:22:00,520
Speaker 1: it's honest. Yes, that a little bit about do you

464
00:22:00,520 --> 00:22:03,080
Speaker 1: think we like you? I think Danielle does. I think

465
00:22:03,160 --> 00:22:06,440
Speaker 1: Garrett scared? And Elvis wants to use me for nefarious

466
00:22:06,440 --> 00:22:10,720
Speaker 1: purposes and the next serious negotiation, ohs, get me on

467
00:22:10,760 --> 00:22:13,000
Speaker 1: speed dial on he's like late and you're out oh's

468
00:22:13,040 --> 00:22:15,440
Speaker 1: you're in. You said your kids can't lie to you.

469
00:22:15,520 --> 00:22:18,480
Speaker 1: That's like, that's like no joke, Like damn your poor kid.

470
00:22:18,640 --> 00:22:20,720
Speaker 1: I am in a sweet goldilock zone where they still

471
00:22:20,720 --> 00:22:22,679
Speaker 1: think I am cool because right now I have kids eight, six,

472
00:22:22,800 --> 00:22:25,879
Speaker 1: four and one busy household. But yeah, last year I

473
00:22:25,920 --> 00:22:28,159
Speaker 1: did a magic show and I mostly do adults, but

474
00:22:28,200 --> 00:22:29,520
Speaker 1: back in the day was a teenager. I did a

475
00:22:29,520 --> 00:22:31,000
Speaker 1: lot of kids shows. So I had to like blow

476
00:22:31,040 --> 00:22:32,520
Speaker 1: the dust off my kids show, which I did not

477
00:22:32,600 --> 00:22:34,480
Speaker 1: remember how to do, and I went there to his

478
00:22:34,520 --> 00:22:38,239
Speaker 1: school and they ate me alive. I think I had

479
00:22:38,280 --> 00:22:41,399
Speaker 1: literally performed for presidents before of this country and was

480
00:22:41,480 --> 00:22:44,600
Speaker 1: less tense than when my kid's second grade class were like,

481
00:22:44,960 --> 00:22:46,720
Speaker 1: you got something in your thumb, check your pocket. I

482
00:22:46,760 --> 00:22:48,719
Speaker 1: know where that bird came from. Like, bro, take it.

483
00:22:50,119 --> 00:22:52,800
Speaker 1: I got home. My lawyer is in my building. He's

484
00:22:52,840 --> 00:22:54,359
Speaker 1: my neighbor, and he saw me and it was like

485
00:22:54,400 --> 00:22:56,360
Speaker 1: you thought somebody died because my face was so ashen whit.

486
00:22:56,359 --> 00:22:57,600
Speaker 1: He's like, what happened? I'm like, I think I have

487
00:22:57,640 --> 00:23:01,720
Speaker 1: to rethink careers. Wow. Yeah, incredible. And on the flip side,

488
00:23:01,720 --> 00:23:04,119
Speaker 1: you probably meet people and immediately don't like them. Because

489
00:23:04,119 --> 00:23:06,560
Speaker 1: you can tell some stuff about them. So I never

490
00:23:06,640 --> 00:23:09,240
Speaker 1: reveal embarrassing things in my show. It is very wholesome.

491
00:23:09,480 --> 00:23:11,320
Speaker 1: But I, for a fact, have definitely known things in

492
00:23:11,600 --> 00:23:13,480
Speaker 1: an event where I'm like, yep, he's cheating on her.

493
00:23:13,840 --> 00:23:17,040
Speaker 1: This guy definitely lied, Like, yes, I will know those things.

494
00:23:18,320 --> 00:23:21,199
Speaker 1: Marriage therapy like tell me what my wife is actually thinking?

495
00:23:22,160 --> 00:23:23,840
Speaker 1: My wife, I don't know. I married a woman who

496
00:23:23,840 --> 00:23:25,320
Speaker 1: has I have no idea what she's thinking. Maybe that's

497
00:23:25,359 --> 00:23:28,040
Speaker 1: why you married her, I think. So it's always it's

498
00:23:28,080 --> 00:23:30,800
Speaker 1: always a question mark. Damn. So date number one, I

499
00:23:30,840 --> 00:23:32,320
Speaker 1: try to do a trick on HER's like, yeah, let's

500
00:23:32,359 --> 00:23:34,400
Speaker 1: cut this magic stuff, and I'm like, my powers don't

501
00:23:34,400 --> 00:23:38,520
Speaker 1: work on her kryptonite. All right, well listen, oh's is

502
00:23:38,520 --> 00:23:40,320
Speaker 1: there anything else we want to discover before we do

503
00:23:40,400 --> 00:23:43,000
Speaker 1: something fun? Yeah, I feel like we didn't get enough yet,

504
00:23:43,000 --> 00:23:46,280
Speaker 1: we didn't get enough, so who you know what, let's

505
00:23:46,320 --> 00:23:49,080
Speaker 1: let's let's combine forces. Who would like in gandhied you

506
00:23:49,119 --> 00:23:50,720
Speaker 1: on in? Yeah? Now you know I can't get somebody

507
00:23:50,720 --> 00:23:51,879
Speaker 1: from your past because I did that for him. So

508
00:23:51,920 --> 00:23:53,119
Speaker 1: I don't want to repeat. I don't want to do

509
00:23:53,119 --> 00:23:56,520
Speaker 1: boring stuff I already did, so instead, what can we do?

510
00:23:56,560 --> 00:24:00,240
Speaker 1: That's very fun? I want to try this. I want

511
00:24:00,280 --> 00:24:04,560
Speaker 1: you and how long have you known Elvis? Six plus years? Okay,

512
00:24:04,720 --> 00:24:07,520
Speaker 1: six plus years? You seemed happier than he did. That

513
00:24:07,560 --> 00:24:11,639
Speaker 1: was awkward and ouch ouch? Can we do a duet?

514
00:24:11,680 --> 00:24:14,600
Speaker 1: Can I get you next to Elvis on the same mica?

515
00:24:14,680 --> 00:24:16,440
Speaker 1: So I want you to be I want you guys

516
00:24:16,440 --> 00:24:18,520
Speaker 1: closer to me. Is that okay? Yeah? I don't know.

517
00:24:19,840 --> 00:24:23,000
Speaker 1: All right, Well, okay, come on over. We're rolling the

518
00:24:23,040 --> 00:24:25,640
Speaker 1: shares over. Gotta tell you, I'm quite hurt that Danielle

519
00:24:25,640 --> 00:24:27,720
Speaker 1: and Elvis have gold mics and I just got chopped liver.

520
00:24:27,840 --> 00:24:31,000
Speaker 1: So what's going on here? Chulimone here? All right, So

521
00:24:31,040 --> 00:24:31,720
Speaker 1: here's what we're gonna do.

522
00:24:32,040 --> 00:24:32,240
Speaker 2: Breath.

523
00:24:33,320 --> 00:24:36,480
Speaker 1: You are going to read Elvis's mind? Right, so far

524
00:24:36,520 --> 00:24:38,240
Speaker 1: it's been all me. It's been the show. I don't

525
00:24:38,280 --> 00:24:40,600
Speaker 1: want the O show. Good luck, gandhi. You are not

526
00:24:40,600 --> 00:24:42,280
Speaker 1: going to guess names. You are not going to gets

527
00:24:42,320 --> 00:24:44,840
Speaker 1: words or numbers. It's curious. Still, I don't you guys

528
00:24:44,840 --> 00:24:47,960
Speaker 1: can't see this. He is still freaking out about his

529
00:24:48,000 --> 00:24:52,679
Speaker 1: pin code. He is still freaking out what he will forget? Yeah,

530
00:24:52,760 --> 00:24:54,760
Speaker 1: all right, yeah, take all stuff I don't know. This

531
00:24:54,800 --> 00:24:57,160
Speaker 1: is my hollow. I brought the Halloween costume catalog. You're

532
00:24:57,160 --> 00:24:59,320
Speaker 1: gonna go through these in a second, Daniel day late.

533
00:24:59,359 --> 00:25:01,880
Speaker 1: But it's okay, so so Gandhi's gonna read my mind. Yeah,

534
00:25:01,920 --> 00:25:03,720
Speaker 1: but she's not gonna guess things that she could know

535
00:25:03,800 --> 00:25:06,440
Speaker 1: about you, because then our listener, our loyal listeners, they

536
00:25:06,480 --> 00:25:08,840
Speaker 1: know you. Guys. Okay, chop it up on this show.

537
00:25:09,240 --> 00:25:11,639
Speaker 1: You open up. Here's what I do. I want you

538
00:25:12,040 --> 00:25:14,199
Speaker 1: to hold his hand, hold hand. It's kind of climb here.

539
00:25:14,280 --> 00:25:19,240
Speaker 1: Everybody go all all right, Ghandi looked this way at me.

540
00:25:20,160 --> 00:25:22,159
Speaker 1: It is not going to be a thought. It's going

541
00:25:22,240 --> 00:25:24,679
Speaker 1: to be a feeling. If I reach over and I

542
00:25:24,720 --> 00:25:27,359
Speaker 1: tap Elvis on the shoulder, Gandhi will swear that she

543
00:25:27,440 --> 00:25:31,080
Speaker 1: felt somebody tap her shoulder. At the same time, if

544
00:25:31,119 --> 00:25:33,240
Speaker 1: I take this piece of paper with two five to

545
00:25:33,280 --> 00:25:35,960
Speaker 1: one and I brush it on Elvis's forehead, she will

546
00:25:35,960 --> 00:25:37,560
Speaker 1: feel a brush on her forage. You get it. You

547
00:25:37,640 --> 00:25:41,680
Speaker 1: two are gonna be like twins. Okay, twinning. We look

548
00:25:41,840 --> 00:25:47,280
Speaker 1: literally indistinguishable, truly good, separate at birth. Yeah, all right,

549
00:25:47,440 --> 00:25:50,800
Speaker 1: look this way. Now, they're gonna say that I hypnotized

550
00:25:50,840 --> 00:25:52,600
Speaker 1: you and so she didn't really feel it. She's pretends.

551
00:25:52,720 --> 00:25:55,840
Speaker 1: I want test conditions, Gandhi. I want you to close

552
00:25:55,840 --> 00:25:58,360
Speaker 1: your eyes. Can everybody in here get on the mic?

553
00:25:58,400 --> 00:26:02,080
Speaker 1: Can everybody see Gandhi? Everybody say yeah, Khani, I'm doing

554
00:26:02,080 --> 00:26:04,080
Speaker 1: a test run. Don't open your eyes. No peeking, no peeking,

555
00:26:04,080 --> 00:26:07,480
Speaker 1: no peeking. Did you just feel me poke you in

556
00:26:07,520 --> 00:26:10,720
Speaker 1: the right bicep lightly? Yes? Did everyone see me do that? Okay,

557
00:26:10,760 --> 00:26:12,360
Speaker 1: I just did that. By the way she flexed, she's

558
00:26:12,400 --> 00:26:14,879
Speaker 1: been working out. She's been working out. I'm impressed. So

559
00:26:15,160 --> 00:26:18,480
Speaker 1: we're starting from this moment and everyone is watching and Ghani,

560
00:26:18,520 --> 00:26:20,360
Speaker 1: I maybe turn your head towards me a little bit.

561
00:26:20,560 --> 00:26:23,600
Speaker 1: Her eyes are closed, her lashes very luscious, and I

562
00:26:23,640 --> 00:26:25,520
Speaker 1: want to make sure that she remembers this moment when

563
00:26:25,520 --> 00:26:28,080
Speaker 1: we're starting. So everybody look over at Gandhi and everybody

564
00:26:28,119 --> 00:26:32,400
Speaker 1: say yeah. Everybody say yeah, yeah. I want to ask

565
00:26:32,480 --> 00:26:37,120
Speaker 1: you a question. I want you to tell everybody right now,

566
00:26:37,960 --> 00:26:40,159
Speaker 1: what did you just feel me duty? What happened? I

567
00:26:40,160 --> 00:26:41,640
Speaker 1: don't know what it was. Maybe a piece of paper

568
00:26:41,640 --> 00:26:45,680
Speaker 1: across my face. We're on your face like eyebrows to

569
00:26:45,880 --> 00:26:48,600
Speaker 1: under like across my eyes down the Oh my god.

570
00:26:49,040 --> 00:26:52,160
Speaker 1: So for those listening. She closed her eyes. Open your eyes.

571
00:26:52,200 --> 00:26:54,760
Speaker 1: I took this piece of paper, yeah, and I brushed

572
00:26:54,760 --> 00:26:59,159
Speaker 1: it down Elvis's nose and eyebrows. He did that to me.

573
00:26:59,320 --> 00:27:07,560
Speaker 1: We got that camera, camera, You're a sorcerer. I just

574
00:27:07,600 --> 00:27:10,200
Speaker 1: throw a smoke bomb and disappear. Next. Did anyone touch

575
00:27:10,240 --> 00:27:13,719
Speaker 1: her face? He did to me. Imagine that you are

576
00:27:13,800 --> 00:27:17,000
Speaker 1: rocking a Panteen Provy commercial slow motion hairshake, makeing go

577
00:27:17,040 --> 00:27:19,000
Speaker 1: behind Oh you work it, work it all right, Turn

578
00:27:19,040 --> 00:27:20,760
Speaker 1: this way towards me, Turn this way towards me. No,

579
00:27:20,840 --> 00:27:23,080
Speaker 1: hair's got to go back a little. Yes, yes, okay,

580
00:27:23,960 --> 00:27:26,280
Speaker 1: palm is Elvis is getting clammy. There hasn't been this

581
00:27:26,359 --> 00:27:29,199
Speaker 1: much contact in a while. Okay, all right, Ghanhi, look

582
00:27:29,240 --> 00:27:31,560
Speaker 1: this way at me. Are you guys watching her? Am

583
00:27:31,600 --> 00:27:33,479
Speaker 1: I anywhere near her? Is anything? Am I touching her?

584
00:27:33,560 --> 00:27:35,879
Speaker 1: Doing anything? I want to know when imagine you have

585
00:27:35,960 --> 00:27:39,240
Speaker 1: read receipts on your text? Have you felt anything yet, Gandhi?

586
00:27:39,880 --> 00:27:41,760
Speaker 1: How about right now? Yes?

587
00:27:41,800 --> 00:27:41,879
Speaker 2: No?

588
00:27:41,960 --> 00:27:45,160
Speaker 1: Maybe so. My theory, my theory, My theory is that

589
00:27:45,200 --> 00:27:47,480
Speaker 1: whatever I do to Elvis goes through his hand, goes

590
00:27:47,520 --> 00:27:49,400
Speaker 1: through her hand. Ghandi, I want you to open your eyes,

591
00:27:49,400 --> 00:27:51,600
Speaker 1: open your eyes, talk to us, just like a second

592
00:27:51,680 --> 00:27:53,440
Speaker 1: or two ago, what did you feel? Show me where?

593
00:27:53,920 --> 00:27:58,320
Speaker 1: Like right here, Gandhi is brushing her, he's looking at it.

594
00:27:58,600 --> 00:28:03,800
Speaker 1: I brush at the exact same moment. Didn't go to

595
00:28:03,800 --> 00:28:10,520
Speaker 1: hear you. He did it to my chin and then

596
00:28:10,560 --> 00:28:14,199
Speaker 1: you felt it on yours. This is very weird. For

597
00:28:14,240 --> 00:28:18,560
Speaker 1: the record, they are still holding hands and embracing closely. Yeah,

598
00:28:18,720 --> 00:28:22,280
Speaker 1: this is so weird. I like it when people say

599
00:28:22,320 --> 00:28:24,400
Speaker 1: touch me next. But now I'm ending big. I'm ending big.

600
00:28:24,880 --> 00:28:28,960
Speaker 1: That costs extra, that costs extra. Danielle. Danielle feels like

601
00:28:29,000 --> 00:28:31,520
Speaker 1: chop liver. She's like, what about me? What about me?

602
00:28:32,240 --> 00:28:35,000
Speaker 1: All right, a day late to the game, But Halloween

603
00:28:35,080 --> 00:28:37,080
Speaker 1: was such a fun holiday. I like Halloween to extend.

604
00:28:37,200 --> 00:28:39,240
Speaker 1: I have brought with me for the listener. Can't see

605
00:28:39,600 --> 00:28:42,360
Speaker 1: a Halloween costume catalog. Now you made me come back

606
00:28:42,400 --> 00:28:44,959
Speaker 1: and cost you know what. I made it happen. And

607
00:28:45,040 --> 00:28:46,840
Speaker 1: so I'm not gonna go through There's hundreds in here,

608
00:28:46,920 --> 00:28:48,760
Speaker 1: but I want you to describe daniel into the mic.

609
00:28:48,800 --> 00:28:50,440
Speaker 1: I'm gonna go through fast and name some of them

610
00:28:50,440 --> 00:28:51,760
Speaker 1: out loud. We don't do every single one, but yell

611
00:28:51,760 --> 00:28:53,440
Speaker 1: out if you I'm gonna go rapid fire into the mic,

612
00:28:53,920 --> 00:28:58,040
Speaker 1: and you can we hear you. Okay, you're in the mico. Okay,

613
00:28:58,840 --> 00:29:02,000
Speaker 1: just as chic knock over. It doesn't matter. Are you ready?

614
00:29:02,080 --> 00:29:04,320
Speaker 1: Let's go rapid fire because hundreds plus in here, but

615
00:29:04,360 --> 00:29:08,800
Speaker 1: just yells them out pirate. I can't see them. Okay, Hey, Wonka,

616
00:29:08,840 --> 00:29:15,120
Speaker 1: Willie Wonka, disco guy. Somebody diver something dynamite, Napoleon dynamite.

617
00:29:15,760 --> 00:29:18,880
Speaker 1: You recognized you can't do Oh yeah, yeah, you can't

618
00:29:18,880 --> 00:29:21,400
Speaker 1: hear anyway. There's tons in here. Do you agree? They're

619
00:29:21,400 --> 00:29:24,040
Speaker 1: all different? She sees all different ones. There's hundreds of

620
00:29:24,040 --> 00:29:26,640
Speaker 1: them in here. Here's what you do. I'm gonna have

621
00:29:26,680 --> 00:29:28,640
Speaker 1: you pick one, but I don't care if you change

622
00:29:28,640 --> 00:29:31,040
Speaker 1: your mind five times, ten times. I need Danielle to

623
00:29:31,080 --> 00:29:33,920
Speaker 1: be happy in her core. So take this book. Okay,

624
00:29:33,920 --> 00:29:36,040
Speaker 1: take the cattle, no, no hold on, and I'm gonna

625
00:29:36,080 --> 00:29:38,520
Speaker 1: have you back up just a smidge so there's no

626
00:29:38,640 --> 00:29:40,680
Speaker 1: camera behind you that can see kind of like get

627
00:29:40,680 --> 00:29:41,960
Speaker 1: in tight you and I need to put your hand

628
00:29:42,040 --> 00:29:44,560
Speaker 1: on top. You get it like a not so much

629
00:29:44,560 --> 00:29:46,959
Speaker 1: squeezing like you're praying, more like you've got this this

630
00:29:47,000 --> 00:29:48,560
Speaker 1: catalog close to you with your other hand on top

631
00:29:48,600 --> 00:29:50,120
Speaker 1: so it's close like this, so there's no way anyone

632
00:29:50,160 --> 00:29:52,040
Speaker 1: can see behind you. You get it and put your

633
00:29:52,040 --> 00:29:54,480
Speaker 1: thumb right on the back of it. Okay, get it? Yeah,

634
00:29:54,560 --> 00:29:56,640
Speaker 1: in the back of the back. You get it. No, no, no, yeah,

635
00:29:56,680 --> 00:29:58,520
Speaker 1: like that. Have a hold on, hold on verybore. Not yet,

636
00:29:58,520 --> 00:30:02,720
Speaker 1: not yet, all right, before we go further. Everyone right now, No, no,

637
00:30:02,760 --> 00:30:05,040
Speaker 1: don't look yet because you're not picking yet. I want

638
00:30:05,080 --> 00:30:07,800
Speaker 1: everyone to see what I posted more than an hour ago.

639
00:30:08,240 --> 00:30:11,320
Speaker 1: Check the gram. Everyone by you, Danielle. Everyone listening right

640
00:30:11,360 --> 00:30:13,600
Speaker 1: now before she even makes her choice. You no, I

641
00:30:13,640 --> 00:30:15,960
Speaker 1: want you to go to app and it looks like OZ.

642
00:30:16,040 --> 00:30:17,960
Speaker 1: Blame my folks, it's O's. But it's at o Z

643
00:30:18,760 --> 00:30:22,280
Speaker 1: the mentalist, o Z the mentalist. There is a story,

644
00:30:22,400 --> 00:30:24,920
Speaker 1: just one that I posted a little late to the game,

645
00:30:24,920 --> 00:30:27,080
Speaker 1: probably when everyone to look at it before she even

646
00:30:27,120 --> 00:30:30,719
Speaker 1: does it. And if you've seen it, just say, yeah, Danielle,

647
00:30:30,760 --> 00:30:32,920
Speaker 1: you have not seen a thing. Danielle, look me in

648
00:30:32,920 --> 00:30:34,680
Speaker 1: the eyes, Stare me in the eyes. I want you

649
00:30:34,760 --> 00:30:37,720
Speaker 1: to open slowly any point in that catalog. Just open,

650
00:30:37,760 --> 00:30:40,560
Speaker 1: don't look opened up a little, and you decide right now.

651
00:30:41,040 --> 00:30:43,280
Speaker 1: Know that you could change your mind. Do you want

652
00:30:43,280 --> 00:30:45,040
Speaker 1: to go before you go? Do you want to go

653
00:30:45,120 --> 00:30:46,160
Speaker 1: that page? Or do you want to go to a

654
00:30:46,160 --> 00:30:47,440
Speaker 1: new page? You tell me? You tell me right now?

655
00:30:47,480 --> 00:30:49,080
Speaker 1: Does it feel right? Or you want to change? Change?

656
00:30:49,080 --> 00:30:51,160
Speaker 1: She's changing her mind in the middle, everything would have

657
00:30:51,200 --> 00:30:52,920
Speaker 1: just shifted. Changed you a new and I'll stop. Do

658
00:30:53,000 --> 00:30:53,920
Speaker 1: you want to go here? Do you want to go

659
00:30:53,960 --> 00:30:55,640
Speaker 1: to a new one? New one? Go to a new

660
00:30:55,640 --> 00:30:59,440
Speaker 1: one again? Is that it? Are you sure? Third time?

661
00:30:59,520 --> 00:31:02,040
Speaker 1: Is the charm the one? She picked one and said no?

662
00:31:02,360 --> 00:31:04,000
Speaker 1: She said too. I'm gonna ask you one last time

663
00:31:04,040 --> 00:31:06,160
Speaker 1: because everyone already saw what I did. Are you sure

664
00:31:06,160 --> 00:31:08,440
Speaker 1: that's where you want to go? I want you to

665
00:31:08,440 --> 00:31:11,040
Speaker 1: bring it close to you, open it up and look

666
00:31:11,560 --> 00:31:16,240
Speaker 1: at that costume and tell everybody, out of hundreds of

667
00:31:16,240 --> 00:31:19,560
Speaker 1: different choices, you're imagining me, put the put the cattle away,

668
00:31:19,560 --> 00:31:21,400
Speaker 1: throw to I don't even want it. Tell us all,

669
00:31:21,840 --> 00:31:25,760
Speaker 1: what are you picturing me wearing? Say it batman, folks.

670
00:31:27,200 --> 00:31:29,960
Speaker 1: I'm not saying that's right, but you've never seen me

671
00:31:30,040 --> 00:31:36,160
Speaker 1: and Batman in the same He's wearing shirts. Oh my god,

672
00:31:36,360 --> 00:31:40,480
Speaker 1: he's wearing a Batman shirt. We did take it. We

673
00:31:40,520 --> 00:31:46,640
Speaker 1: should be destroyed right now. Wow, that's crazy. What Thank

674
00:31:46,680 --> 00:31:52,239
Speaker 1: you Elvis, Dan so Oz Pearlman. Of course we can

675
00:31:52,280 --> 00:31:56,680
Speaker 1: all follow you at o Z The Mentalist, The Mentalist,

676
00:31:57,080 --> 00:32:00,120
Speaker 1: The Mentalist. That was awesome. Thanks guys, thank you not

677
00:32:00,320 --> 00:32:03,680
Speaker 1: having me. I mean, I don't know later, Yeah, this

678
00:32:03,800 --> 00:32:08,560
Speaker 1: is kind of efos all. Yes, my favorite on your page.

679
00:32:09,360 --> 00:32:12,760
Speaker 1: My favorite part is he was tickling my chin and

680
00:32:12,920 --> 00:32:17,360
Speaker 1: Gandhi felt it. Wait hold on, someone just tickled by Scroba.

681
00:32:19,120 --> 00:32:22,240
Speaker 1: Gandhi felt it too. I did a couple of kegels,

682
00:32:22,240 --> 00:32:24,520
Speaker 1: so I think that I just got that covered those program.

683
00:32:24,520 --> 00:32:25,080
Speaker 1: Thanks for coming in