WEBVTT - Simon Schama

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<v Speaker 1>Welcome to Ruthie's Table for a production of iHeartRadio and

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<v Speaker 1>Adamized Studios.

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<v Speaker 2>Last night, I was with my good friends Josh Berger

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<v Speaker 2>and Alexander Krapenzano. I said I needed to go and

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<v Speaker 2>write the introduction for Simon Sharma, today's guest, knowing he

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<v Speaker 2>had taught them both at Harvard twenty years ago. As

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<v Speaker 2>good friends do, they did my work for me.

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<v Speaker 1>Simon Shama I never missed his class, and the other

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<v Speaker 1>thing that I would never want to miss was I

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<v Speaker 1>wanted to see what waistcoat and what glasses he would wear,

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<v Speaker 1>because he was not only brilliant and articulate and taught

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<v Speaker 1>me about architecture and about art and politics in Europe,

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<v Speaker 1>but he also taught me how to look good.

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<v Speaker 3>I would simply say that Simon was and is an

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<v Speaker 3>extraordinary storyteller. So we would all sit in his class,

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<v Speaker 3>and I took British Empire with him, and we would

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<v Speaker 3>be riveted the way that we would be riveted watching

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<v Speaker 3>a thriller a suspense movie, because we would just be

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<v Speaker 3>hanging on every word.

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<v Speaker 1>Art and politics in Europe. From sixteen sixty to eighteen twenty,

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<v Speaker 1>he was the best professor at Harvard, and I was

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<v Speaker 1>gutted when he went to Columbia.

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<v Speaker 2>Simon is our most renowned historian. His books on the

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<v Speaker 2>French Revolution, the Dutch Masters, or most recently, Foreign Bodies,

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<v Speaker 2>an Exploration of Pandemics, and the Health of Nations have

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<v Speaker 2>changed the way we think. His television series Civilization, The

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<v Speaker 2>Story of the Jews, and the Power of Art have

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<v Speaker 2>reached millions. I know all this about Simon, but I

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<v Speaker 2>know something else. He is a fantastic cook. There is

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<v Speaker 2>much to admire and respect and being off of Simon,

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<v Speaker 2>all of which I do. But quite simply, he's my

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<v Speaker 2>great friend.

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<v Speaker 4>Thank you, Ruthie Well. I film my work on this

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<v Speaker 4>Earth is done?

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<v Speaker 2>Yeah, because I were there. I guess when was that?

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<v Speaker 2>Was it twenty years ago? I think Joshua was longer

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<v Speaker 2>than that because I've been at the Union.

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<v Speaker 4>I think it more like probably more like thirty, because

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<v Speaker 4>I moved from Harvard to Columbia in ninety three. But

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<v Speaker 4>they're very kind, and I don't.

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<v Speaker 2>Think they're kind because it's something I've heard over and

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<v Speaker 2>over again. Okay, praise is embarrassing you, So why don't

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<v Speaker 2>we go straight to the food and talk about your cooking?

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<v Speaker 2>You just made a recipe in the kitchen of the

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<v Speaker 2>River Cafe, or you helped watched. I'm not sure which

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<v Speaker 2>verb would you like to read the recipe for?

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<v Speaker 4>Yeah, this is Taliarini with broad beans and pancetta, and

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<v Speaker 4>you chose to. I think principally because of the broad beans.

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<v Speaker 4>One of my nicknames, one of my two nicknames at

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<v Speaker 4>school when I was about twelve, was Beanie. And because

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<v Speaker 4>I was, I was obsessively. I was obsessively enjoyed all

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<v Speaker 4>forms of beans. I really really still do, but I

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<v Speaker 4>think I enjoyed broad beans the most.

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<v Speaker 2>I love the way they have and I love the

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<v Speaker 2>way the color is different, that you get that pale

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<v Speaker 2>green color and then you.

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<v Speaker 5>And it's a tope color.

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<v Speaker 2>Yeah yeah, yeah, Okay, so read your read this recipe.

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<v Speaker 4>Here's here's the recipe. Should I read the ingredients first

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<v Speaker 4>as well?

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<v Speaker 5>Okay?

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<v Speaker 4>So fifty grams butter, four tbs tablespoons olive oil, one

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<v Speaker 4>small trapea onion, finely sliced, two garlic cloves, finally sliced,

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<v Speaker 4>one hundred grams of pancetta match stick cut into match sticks.

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<v Speaker 4>Four hundred grams very healthy of broad beans, one hundred

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<v Speaker 4>milli liters of dry white wine, two hundred and fifty

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<v Speaker 4>grams of fine pasta taliarini, a small bunch of mint

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<v Speaker 4>and a small bunch of basil, both torn I think,

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<v Speaker 4>and fifty grams of peccorino. And yes, what was going

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<v Speaker 4>on in the kitchen, very beautiful light. It helped a

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<v Speaker 4>bit with you just do a very simple, lovely braik

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<v Speaker 4>is of the onion and the garlic. For about fighting

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<v Speaker 4>the butter and oil together, which is never be afraid

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<v Speaker 4>of doing that until soft, and then the panchetta matchsticks

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<v Speaker 4>go in, so everything is braizening together. You don't want

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<v Speaker 4>and I was talking to jess whom I was cooking,

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<v Speaker 4>you don't This is not a recipe where you want

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<v Speaker 4>the panchetta to crisp up. So you you really wanted

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<v Speaker 4>gentle braize.

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<v Speaker 2>Hi.

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<v Speaker 6>I'm Jessica Philbey, and I work at the River Cafe

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<v Speaker 6>and we're here today making broadbean and panchetta sauce with

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<v Speaker 6>Simon Sharman. He started with a little bit of choppia

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<v Speaker 6>onion in the base, which I just kind of melted down,

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<v Speaker 6>and then I put the panchetter.

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<v Speaker 4>In until that already an idiot, I haven't had my coffee.

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<v Speaker 4>It's so it's a tiny bit of good panta and then.

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<v Speaker 7>A little bit of garlic.

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<v Speaker 4>Okay, we never used too much garlic.

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<v Speaker 6>Okay, we don't have to overpower anything.

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<v Speaker 5>Right, everything is brazing exactly.

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<v Speaker 4>So you're not fantastic, so you're not wanting the pants

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<v Speaker 4>to eat Crispye, I get it, I get it.

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<v Speaker 5>Yeah, I get it.

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<v Speaker 6>And I'm going to add a little at the.

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<v Speaker 2>End, and.

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<v Speaker 4>Okay, okay, and then comes the magic moment of adding

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<v Speaker 4>the broad beans in their skins and stir to coat

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<v Speaker 4>you fling the wine in, and then the gentle brazing

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<v Speaker 4>heat goes down even lower and everything marries together. You're

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<v Speaker 4>you're non stop stirring, but but only for about five

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<v Speaker 4>minutes or so, again making sure the beans don't just

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<v Speaker 4>completely mush up. And then you can actually be used

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<v Speaker 4>a free standing mixer. Processor recipe here says of course

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<v Speaker 4>pure but actually what we did was sort of bash

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<v Speaker 4>the beans really going to wait, yeah, oh yeah, so

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<v Speaker 4>right a stands next, right, And then we were just

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<v Speaker 4>making the sauce. So the talierini has to obviously talierini,

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<v Speaker 4>like all very fine pasta. You're cooking it and then

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<v Speaker 4>almost I don't know, what do you think? You know,

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<v Speaker 4>a minute, two minutes you're really basically chanking out almost

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<v Speaker 4>as soon as the water has come to a boil.

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<v Speaker 4>Make sure you keep a little half a cup of

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<v Speaker 4>the pasta water. It's going to carry on cooking when

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<v Speaker 4>you're adding it to the sauce. Okay, yes, you add

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<v Speaker 4>the pasta to the source, not.

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<v Speaker 5>The way around. Always it's supposed to cook in this

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<v Speaker 5>source exactly.

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<v Speaker 2>People to do that, because then that whole idea. Also also,

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<v Speaker 2>I don't drain pasta. I always you have if you

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<v Speaker 2>have a colander next to you and you just lift,

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<v Speaker 2>especially if you just lift it out over the pot,

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<v Speaker 2>put it into the colender with a pair of tongs,

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<v Speaker 2>and then put it into the sauce next to it.

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<v Speaker 2>You don't have to do that thing of carrying it

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<v Speaker 2>over to the sink, draining the pasta, putting it back

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<v Speaker 2>in the pan. But you're just and also then you

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<v Speaker 2>get a bit of the water from the pasta into

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<v Speaker 2>the sauce, which kind of you know, which I always said,

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<v Speaker 2>I always loved the Marcella Hazan when she says toss, toss, toss,

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<v Speaker 2>and then toss again. And I think that also is

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<v Speaker 2>that kind of you know that you can't almost you

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<v Speaker 2>can't toss pasta enough.

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<v Speaker 5>No, absolutely right.

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<v Speaker 2>I'm interested that you chose a recipe, that the recipe

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<v Speaker 2>has pancetta in it, and that brings us to our

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<v Speaker 2>next kind of starting at the very beginning of the

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<v Speaker 2>Shama household. So because you did grow up in a

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<v Speaker 2>kosher home and so was panchetta. But we did an

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<v Speaker 2>interview with Otto Lenki the other day and he was

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<v Speaker 2>telling us that in Tel Aviv there was a man

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<v Speaker 2>who sold pork under the counter like and prohibition.

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<v Speaker 4>But did you have it's called it's called bassar la

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<v Speaker 4>vonne in which means literally white flesh. Actually that's the

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<v Speaker 4>Hebrew for white flesh. So it's no longer very secretive. No,

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<v Speaker 4>it was very kosher, strictly kosher.

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<v Speaker 2>Tell me about your family, Well.

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<v Speaker 4>They were both great storytellers, my mother and father. I

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<v Speaker 4>had a sister who was She died hence I was

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<v Speaker 4>about twelve years ago now thirteen years older than me,

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<v Speaker 4>and I wasn't meant to happen. Particularly my mother started

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<v Speaker 4>she had a job as secretary to have an aircraft

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<v Speaker 4>corporation executives during the war, and then she was so brilliant,

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<v Speaker 4>ferociously organizationally brilliant, she became PA personal assistant, as a basil,

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<v Speaker 4>you know, the head of the whole thing, within about

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<v Speaker 4>six months.

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<v Speaker 5>So come the end of the war.

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<v Speaker 4>I was born in early nineteen forty five, the war

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<v Speaker 4>was going on. I was a massive inconvenience and would

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<v Speaker 4>not have happened, I think, had it not been for

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<v Speaker 4>the fact that when my parents were living, which was

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<v Speaker 4>near to the Haveland HQ in Nebworth, and Havlan was

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<v Speaker 4>in Welling Garden City in Hertfordshire, and their next door

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<v Speaker 4>neighbor was an obstetrician, a rather fancy society obstetrician. I

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<v Speaker 4>only know this to be true because he confirmed it

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<v Speaker 4>wrote me a lovely letter when I became a young

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<v Speaker 4>don at Cambridge, saying, well, you not only would not

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<v Speaker 4>have been a dom, but you wouldn't have been any

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<v Speaker 4>You wouldn't have been around at all had it not

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<v Speaker 4>for my persuading your mother that was a good idea

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<v Speaker 4>have this baby. So he told her, he said, well,

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<v Speaker 4>if you decide you should have this baby, and you

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<v Speaker 4>can have this baby in Morova. In my very fancy

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<v Speaker 4>clinic in Maryland and Wilbury Street, And what he did

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<v Speaker 4>not realize was that Wilburg Street would be the receiver

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<v Speaker 4>of one of the last V two rocket raids. But

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<v Speaker 4>it didn't hit the clinic. It missed me and the clinic,

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<v Speaker 4>so I was not supposed to happen. Courtesy of both

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<v Speaker 4>my mother and Adolf Hitler, you know, nonetheless, actually I

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<v Speaker 4>made it through.

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<v Speaker 5>No, not together.

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<v Speaker 4>They weren't in cahoots, so we were fairly stric My

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<v Speaker 4>father was what did he do well? He wanted to

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<v Speaker 4>be in the theater. He was a very theatrical personality.

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<v Speaker 4>He'll be shocked to discover, yes, but it was very

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<v Speaker 4>sad he left school at fourteen. Like a lot of

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<v Speaker 4>Hackney grammar and a lot of those kids. He was

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<v Speaker 4>largely but magnificently self educated. I mean we had not all.

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<v Speaker 4>It's a mistake. Actually, I'm going to be really disloyal now.

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<v Speaker 4>But if you're part of the German Jewish community that

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<v Speaker 4>had come around time with the Nuremberg Laws or later,

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<v Speaker 4>your house was full of books. If you're part of

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<v Speaker 4>an older ashkar Nazi community, not quite so much. My

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<v Speaker 4>father was very unusual in having not only all of Dickens,

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<v Speaker 4>all of Shakespeare, all of George Eliot. But he had

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<v Speaker 4>things like you know, Manzoni's in translation The Betrothed. He

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<v Speaker 4>had all of Honorary Balzac's comedy men. So and he

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<v Speaker 4>would read out loud on Sunday afternoons. So he wanted

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<v Speaker 4>to be in the.

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<v Speaker 2>Theater generation and came from another well.

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<v Speaker 4>My father was born in nineteen hundred and one. His

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<v Speaker 4>father was born in Botshan in Romania, and my father's

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<v Speaker 4>grandfather was born in Ismea in Ottoman, Turkey. So my father, however,

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<v Speaker 4>his you know, we went to the theater a lot.

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<v Speaker 4>He produced charity shows which ranged because he had lots

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<v Speaker 4>of lots of Thespian friends, actors and producers, Ralph Richardson,

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<v Speaker 4>for example, to her own Guthrie. And he produced from

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<v Speaker 4>you know, productions of Macbeth to Oklahoma at the Golden

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<v Speaker 4>Green Hypotome.

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<v Speaker 5>So yeah, he did.

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<v Speaker 4>He did so when I was about eight or nine,

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<v Speaker 4>I think, So that was really lovely.

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<v Speaker 2>Did he cook?

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<v Speaker 5>No, my mother was an arduous.

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<v Speaker 4>I feel guilty as all Jurwish sons do about slagging

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<v Speaker 4>off my mom as a cook. She was an enthusiast,

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<v Speaker 4>and there was something she could do. She was from

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<v Speaker 4>a different Jewish tradition. She was from Lithuania, pure Ashkenazi,

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<v Speaker 4>so they were soups she was good at. There was

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<v Speaker 4>one called Garden of Eden soup, which was based on

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<v Speaker 4>lambstock and lambones and ballei, which was a kind of

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<v Speaker 4>deep classic Lithuania, which was actually very good in the

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<v Speaker 4>middle of winter, and sometimes white beans as well, butter

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<v Speaker 4>beans or small white beans. She went into the kitchen

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<v Speaker 4>because she actually what happened to her after the war,

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<v Speaker 4>she had to abandon her job. I was there now,

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<v Speaker 4>and she did not really want to be back as

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<v Speaker 4>what was then called housewife. Really, one scary moment I

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<v Speaker 4>will never forget is when my mother she had these

0:12:43.760 --> 0:12:46.959
<v Speaker 4>old mincers, you know that you attached you still some

0:12:47.040 --> 0:12:50.360
<v Speaker 4>restaurants still have them, actually, so you clamped them onto

0:12:50.400 --> 0:12:53.400
<v Speaker 4>a table, right exactly, so you've got a coarse mince.

0:12:54.040 --> 0:12:58.960
<v Speaker 4>And when she was mincing up some beef, she managed

0:12:59.000 --> 0:13:02.560
<v Speaker 4>to mince the end of one of her fingers, and

0:13:02.760 --> 0:13:05.000
<v Speaker 4>so she bled a bit into it. I looked at

0:13:05.000 --> 0:13:07.360
<v Speaker 4>this with I must have been like nine or something,

0:13:07.840 --> 0:13:10.520
<v Speaker 4>with horror, and I remember her poking around with the

0:13:10.520 --> 0:13:13.560
<v Speaker 4>thought trying to find She did wrap her finger in

0:13:13.600 --> 0:13:17.000
<v Speaker 4>a bandage, but carried on cooking, and she never really

0:13:17.000 --> 0:13:20.800
<v Speaker 4>found a better finger, and she did produce these clops,

0:13:20.840 --> 0:13:23.120
<v Speaker 4>you know, the equivalent to a kind of kosher hamburger.

0:13:23.400 --> 0:13:26.200
<v Speaker 4>And I looked on with absolute horror. And my mother

0:13:26.440 --> 0:13:30.440
<v Speaker 4>said she was good when she made jokes, which wasn't

0:13:30.679 --> 0:13:33.560
<v Speaker 4>that often. They were very funny, and she said, don't

0:13:33.600 --> 0:13:36.480
<v Speaker 4>tell your father, after all, it's perfectly kosher.

0:13:37.440 --> 0:13:41.440
<v Speaker 5>So I was looking see if.

0:13:41.320 --> 0:13:45.360
<v Speaker 4>My dad suddenly, you know, was chewing suspiciously.

0:13:45.640 --> 0:13:48.680
<v Speaker 2>Really, it's quite interesting that women who don't have an

0:13:48.720 --> 0:13:51.000
<v Speaker 2>interest in cooking, you know, that they don't have to,

0:13:51.200 --> 0:13:54.280
<v Speaker 2>you know that Actually, if there was so many other things,

0:13:54.320 --> 0:13:59.360
<v Speaker 2>she might have been interested that in perhaps. But what's interesting,

0:13:59.360 --> 0:14:01.840
<v Speaker 2>I suppose, is but what did you actually then eat?

0:14:02.000 --> 0:14:05.079
<v Speaker 2>The meal? Times and pleasure for someone who loves food

0:14:05.160 --> 0:14:08.120
<v Speaker 2>so much, right, did you sit down to dinner and

0:14:08.240 --> 0:14:10.800
<v Speaker 2>just wish that it tasted better? Or did you not?

0:14:11.120 --> 0:14:13.920
<v Speaker 4>Yeah, my mother, there was what my sister and I

0:14:14.000 --> 0:14:18.120
<v Speaker 4>called a Friday night Memorial chicken, which was inevitably over roasted,

0:14:18.640 --> 0:14:24.000
<v Speaker 4>and in deference to my father's love affair with garlic,

0:14:24.040 --> 0:14:27.000
<v Speaker 4>which my mother did not share. There'd be one lonely

0:14:27.160 --> 0:14:31.040
<v Speaker 4>clove rattling around there somewhere, so it was always dried

0:14:31.080 --> 0:14:36.800
<v Speaker 4>out that we really wished. Chicken suit made from scratch

0:14:37.760 --> 0:14:39.040
<v Speaker 4>was actually okay.

0:14:39.440 --> 0:14:41.880
<v Speaker 2>You sit down to dinner every night as a family.

0:14:42.000 --> 0:14:44.480
<v Speaker 2>You did, And so she would prepare dinner, your father

0:14:44.480 --> 0:14:46.640
<v Speaker 2>would come home, and you and your sister, when she

0:14:46.720 --> 0:14:47.720
<v Speaker 2>was well, love.

0:14:47.600 --> 0:14:49.480
<v Speaker 4>To contract the one thing I went to before we

0:14:49.720 --> 0:14:50.920
<v Speaker 4>leave the family kitchen.

0:14:50.920 --> 0:14:53.160
<v Speaker 2>Now let's not the family kitch. We can say the

0:14:53.160 --> 0:14:53.560
<v Speaker 2>one thing.

0:14:53.480 --> 0:14:57.040
<v Speaker 4>My mother did very well, which was and it's interesting

0:14:57.160 --> 0:15:04.840
<v Speaker 4>in English cooking because famously fried, not poached, gefilterfish, that's

0:15:04.880 --> 0:15:10.600
<v Speaker 4>a rather horrible graying thing, kosher form of keneld brochet.

0:15:10.680 --> 0:15:10.880
<v Speaker 5>Here.

0:15:13.160 --> 0:15:16.560
<v Speaker 4>The first time that Jewish cooking appears that I know

0:15:16.720 --> 0:15:22.360
<v Speaker 4>of in print is Eliza Acton's book Cookery Book, which

0:15:22.400 --> 0:15:24.480
<v Speaker 4>is I think is eighteen forty five, and there's a

0:15:24.480 --> 0:15:29.320
<v Speaker 4>little add on chapter in the second edition on Jewish cooking,

0:15:29.360 --> 0:15:36.480
<v Speaker 4>which is then slightly fancy Safardi, Balkan and Turkish cooking

0:15:37.040 --> 0:15:40.560
<v Speaker 4>kind of fried fish patties instead as we'd say codcakes

0:15:40.640 --> 0:15:43.880
<v Speaker 4>or something like that, which she describes as being eaten

0:15:44.080 --> 0:15:48.120
<v Speaker 4>cold sometimes in the morning, even for breakfast, which we did.

0:15:48.520 --> 0:15:52.120
<v Speaker 4>My mother did that very very well. Actually, did they

0:15:52.120 --> 0:15:55.640
<v Speaker 4>going to take you to restaurants? Yes, this is the

0:15:55.760 --> 0:15:59.080
<v Speaker 4>arbitrary in us of being kosher. If you're really strictly,

0:15:59.120 --> 0:16:02.880
<v Speaker 4>strictly super cooked, you would never go to anything except

0:16:02.920 --> 0:16:07.640
<v Speaker 4>coacial restaurants that my parents had redefined the torah and

0:16:07.720 --> 0:16:11.720
<v Speaker 4>the rules of casual would say, it's fine, providing you

0:16:11.840 --> 0:16:15.960
<v Speaker 4>don't have bacon or don't have meat, which is absurd,

0:16:16.080 --> 0:16:20.520
<v Speaker 4>of course. So we went to places like in again

0:16:20.600 --> 0:16:25.560
<v Speaker 4>the fifties, the Trocadero, which was so grand and then

0:16:25.680 --> 0:16:31.280
<v Speaker 4>owned by our mutual wonderful friend Nigella's family. The Salmon's

0:16:31.960 --> 0:16:35.880
<v Speaker 4>and that was magnificent. I remember seeing and not quite

0:16:35.920 --> 0:16:38.680
<v Speaker 4>believing the miracle of peanuts sitting in what I thought

0:16:38.720 --> 0:16:41.280
<v Speaker 4>was the silver bowl. It was a really stainless steel

0:16:41.560 --> 0:16:44.560
<v Speaker 4>and then you went down The Savoy Grille was another place.

0:16:45.200 --> 0:16:47.360
<v Speaker 2>But these for special occasions.

0:16:48.760 --> 0:16:51.960
<v Speaker 4>We're going, yes, yes, yes, the latter we certainly would

0:16:51.960 --> 0:16:55.480
<v Speaker 4>go special occasions, Scott's and Simpsons, I think, you know.

0:16:55.480 --> 0:16:58.680
<v Speaker 4>And the place was sort of just steaming, though quite grand.

0:16:58.760 --> 0:17:02.600
<v Speaker 5>Yes, when my dad was travagunts in that way. If you.

0:17:02.840 --> 0:17:06.840
<v Speaker 4>He was very much like Max Biali Stock and the

0:17:06.880 --> 0:17:15.240
<v Speaker 4>producers flaunted baby so yes so clash and turines and

0:17:15.840 --> 0:17:20.240
<v Speaker 4>the ceremoniousness of eating fish particularly. We were a great

0:17:20.320 --> 0:17:22.560
<v Speaker 4>dover sole family fish.

0:17:22.600 --> 0:17:26.919
<v Speaker 2>So eating out and eating at home and eating well

0:17:27.720 --> 0:17:30.439
<v Speaker 2>it was a priority. Yeah kind of idea that.

0:17:30.720 --> 0:17:35.440
<v Speaker 4>Yeah, yes, the family was food. There's no doubt. Whatever

0:17:35.480 --> 0:17:40.199
<v Speaker 4>one thought of the food, it was crucial. And we've

0:17:40.760 --> 0:17:43.199
<v Speaker 4>my wife and I have always I mean not I

0:17:43.200 --> 0:17:46.199
<v Speaker 4>don't want to pat ourselves on the back ingrediously, but

0:17:47.040 --> 0:17:50.240
<v Speaker 4>we we we taught our children how to cook from

0:17:50.280 --> 0:17:52.960
<v Speaker 4>the time they were quite young, the very good cooks,

0:17:52.960 --> 0:17:55.080
<v Speaker 4>both of them, and it was all There were no

0:17:55.280 --> 0:17:58.000
<v Speaker 4>TV dinners. I mean, we sat I sound so snobby

0:17:58.040 --> 0:18:01.240
<v Speaker 4>and grand here, and of course they'd go off, you know,

0:18:01.240 --> 0:18:03.560
<v Speaker 4>if they had an extra late class at school, they

0:18:03.600 --> 0:18:05.720
<v Speaker 4>would go off and have a pizza, a hamburg or something.

0:18:06.000 --> 0:18:11.560
<v Speaker 4>But overwhelmingly, really that family dinner was crucial because you talked.

0:18:11.680 --> 0:18:16.400
<v Speaker 4>And you know, even when they were tight lipped teenagers,

0:18:16.400 --> 0:18:17.320
<v Speaker 4>still your talk.

0:18:17.560 --> 0:18:32.919
<v Speaker 2>So when you left this home of you know, a food,

0:18:32.960 --> 0:18:35.879
<v Speaker 2>of sitting down at the table of your mother cooking,

0:18:35.920 --> 0:18:38.360
<v Speaker 2>your father with this great character, and you went. Did

0:18:38.359 --> 0:18:40.520
<v Speaker 2>you go straight to university when you went?

0:18:40.680 --> 0:18:43.040
<v Speaker 4>Well, I had the second gap year, I had most

0:18:43.080 --> 0:18:46.280
<v Speaker 4>of a gap year, and I was actually briefly on

0:18:46.359 --> 0:18:49.080
<v Speaker 4>a kind of slightly broken down cruise ship that went

0:18:49.119 --> 0:18:52.720
<v Speaker 4>from Marseille to either Alexandria and Haifa, and I would

0:18:52.760 --> 0:18:56.920
<v Speaker 4>poke around the kitchens there and sometimes actually even yeah exactly,

0:18:57.040 --> 0:19:00.320
<v Speaker 4>and just was, you know, massively in awe of these

0:19:00.359 --> 0:19:03.480
<v Speaker 4>gigantic tururines, some stuff that would be served out to

0:19:03.560 --> 0:19:05.760
<v Speaker 4>all classes of passengers.

0:19:05.840 --> 0:19:07.920
<v Speaker 5>And then working on Kibootz, you were.

0:19:07.920 --> 0:19:12.639
<v Speaker 4>Very close to too close sometimes too you know, the

0:19:12.640 --> 0:19:15.439
<v Speaker 4>way the way food happened. I worked in the chicken

0:19:15.560 --> 0:19:19.000
<v Speaker 4>shed on Kibbutz, the so called lull, which was they

0:19:19.000 --> 0:19:22.040
<v Speaker 4>weren't bastery chickens, but they were they were sure not

0:19:22.160 --> 0:19:26.080
<v Speaker 4>free rereach inside, and my job was to load them

0:19:26.240 --> 0:19:30.520
<v Speaker 4>onto the trucks going to the slaughter house, which was

0:19:30.560 --> 0:19:33.080
<v Speaker 4>not fun. In case you didn't know, and I expect

0:19:33.160 --> 0:19:36.080
<v Speaker 4>you did, the way to stop a chicken panicking is

0:19:36.119 --> 0:19:39.800
<v Speaker 4>to turn it upside down. Yeah, exactly, hold it with

0:19:39.840 --> 0:19:41.480
<v Speaker 4>the legs. Say that wasn't great.

0:19:41.520 --> 0:19:43.520
<v Speaker 2>Did you seek out when you were in that year

0:19:43.560 --> 0:19:46.440
<v Speaker 2>abroad and apart from me on the kobbootz. Would you

0:19:46.960 --> 0:19:50.000
<v Speaker 2>seek out the food of wherever you were, something that

0:19:50.119 --> 0:19:51.640
<v Speaker 2>was food.

0:19:51.840 --> 0:19:53.440
<v Speaker 5>I loved Arab food.

0:19:53.640 --> 0:19:57.120
<v Speaker 4>Actually, I had a distant relative was a mining engineer

0:19:57.200 --> 0:20:01.240
<v Speaker 4>in the Negev Desert, and he rattled around in an

0:20:01.280 --> 0:20:07.719
<v Speaker 4>old jeep. He was an incredibly romantic, rather raffish Bohemian figure.

0:20:07.840 --> 0:20:11.439
<v Speaker 4>Well Bohemian isn't quite right, but certainly he belonged to

0:20:11.840 --> 0:20:15.520
<v Speaker 4>a colorful generation. So he was a very romagic ficure

0:20:15.560 --> 0:20:18.000
<v Speaker 4>of me. And he was he spoke Arabic very well.

0:20:18.400 --> 0:20:23.520
<v Speaker 4>And we ate a lot of Arab mets actually in Wonderful.

0:20:23.880 --> 0:20:26.400
<v Speaker 4>And the year then was ninety sixty two sixty three,

0:20:26.480 --> 0:20:30.280
<v Speaker 4>so that was actually, you know, I don't know, maybe

0:20:30.320 --> 0:20:36.600
<v Speaker 4>it's you know, the tragic and poisonous enmity that now exists.

0:20:37.240 --> 0:20:40.040
<v Speaker 4>We didn't necessarily, I mean, maybe we're kidding ourselves, but

0:20:40.080 --> 0:20:43.480
<v Speaker 4>we didn't feel I mean, there were so many, so

0:20:43.520 --> 0:20:46.320
<v Speaker 4>many Arab prints of it, so many Bedwin friends actually,

0:20:46.760 --> 0:20:51.320
<v Speaker 4>so that was something so long before Wonderful, your Tam

0:20:51.480 --> 0:20:55.240
<v Speaker 4>came along and all our friends. Now you know, I

0:20:55.359 --> 0:20:59.680
<v Speaker 4>knew that what was called Israeli food was basically Arab mostly,

0:21:00.160 --> 0:21:02.240
<v Speaker 4>or you were stuck with my mother's kitchen, you know.

0:21:02.400 --> 0:21:03.320
<v Speaker 5>So that's the way.

0:21:03.800 --> 0:21:06.240
<v Speaker 2>It's a revelation, isn't it now that you know people

0:21:06.280 --> 0:21:08.919
<v Speaker 2>talk about you know, because I grew up Jewish in

0:21:09.040 --> 0:21:13.520
<v Speaker 2>Upstate New York and my parents' family were Ellis Island

0:21:14.320 --> 0:21:17.439
<v Speaker 2>immigrants who came and brought the food that they had eaten,

0:21:17.520 --> 0:21:21.600
<v Speaker 2>and food was very basic. I'd say. My grandmother actually

0:21:21.640 --> 0:21:24.920
<v Speaker 2>was like a Hungarian pastry maker. She rolled out the dough,

0:21:25.160 --> 0:21:28.000
<v Speaker 2>she traveled with her rolling pin. But I always tell

0:21:28.040 --> 0:21:30.600
<v Speaker 2>the story, but she came to see her first grandson

0:21:31.119 --> 0:21:33.760
<v Speaker 2>in Woodstock, where we lived on the countryside, and my

0:21:33.760 --> 0:21:36.120
<v Speaker 2>mother said, do you want to see your first grandchild?

0:21:36.200 --> 0:21:38.280
<v Speaker 2>And she said, no, let's eat first, you know. And

0:21:38.359 --> 0:21:41.040
<v Speaker 2>that was that was the kind of the view of

0:21:41.160 --> 0:21:44.000
<v Speaker 2>food in our family. But when you went but also

0:21:44.000 --> 0:21:44.960
<v Speaker 2>Britain was coming around.

0:21:45.000 --> 0:21:46.960
<v Speaker 4>You know, all of the famous story and all of

0:21:47.040 --> 0:21:50.440
<v Speaker 4>Jewish history can be wrapped into three short sentences. They

0:21:50.520 --> 0:21:52.440
<v Speaker 4>tried to kill us, they failed, Let's eat.

0:21:56.480 --> 0:21:59.040
<v Speaker 2>We are now in Cambridge, right? Is that was a Cambridge?

0:21:59.119 --> 0:21:59.320
<v Speaker 5>Yeah?

0:21:59.840 --> 0:22:02.399
<v Speaker 2>That was that really hardcore? Was that sixty?

0:22:02.440 --> 0:22:03.600
<v Speaker 5>Well? I was still Yeah.

0:22:03.920 --> 0:22:06.359
<v Speaker 4>I arrived at christ Culture camebish in ninety sixty three,

0:22:07.000 --> 0:22:09.119
<v Speaker 4>and I was still Kosher, and it was really bizarre

0:22:09.160 --> 0:22:10.080
<v Speaker 4>because I'd stopped.

0:22:09.800 --> 0:22:10.800
<v Speaker 5>Believing in God.

0:22:10.960 --> 0:22:14.560
<v Speaker 4>Really basically, I was certainly at least an agnostic, but

0:22:14.880 --> 0:22:18.280
<v Speaker 4>somehow I didn't want to. My mother would send food,

0:22:18.440 --> 0:22:21.639
<v Speaker 4>including cold chickens sometimes, and I didn't want to offend us.

0:22:21.640 --> 0:22:25.800
<v Speaker 4>That was totally irrational. And I had a great professor

0:22:26.600 --> 0:22:30.560
<v Speaker 4>who we used to have a kind of a supper seminar,

0:22:30.960 --> 0:22:36.320
<v Speaker 4>and who had produced gorgeous, kind of oozy grouse and

0:22:36.400 --> 0:22:39.080
<v Speaker 4>things that everybody else and I would get a kind

0:22:39.119 --> 0:22:44.040
<v Speaker 4>of bouncy rubber cheese from the college. And finally one

0:22:44.080 --> 0:22:48.680
<v Speaker 4>of these terrible omelets actually broke me. And famously, I've

0:22:48.680 --> 0:22:51.639
<v Speaker 4>told this story a lot, but it is true. In

0:22:51.720 --> 0:22:54.000
<v Speaker 4>nineteen sixty five, I went to see The Hipcress File

0:22:54.119 --> 0:22:56.080
<v Speaker 4>Len Dayton, and I just did you have.

0:22:56.000 --> 0:22:57.159
<v Speaker 5>A know, lond Dayton. I love.

0:22:57.200 --> 0:23:05.119
<v Speaker 4>We did actually exchange letters, okay, so Michael, of course, yes,

0:23:05.200 --> 0:23:07.320
<v Speaker 4>I wrote a piece of the garden called Michael Kaine

0:23:07.400 --> 0:23:10.560
<v Speaker 4>taught me to cook. And I not only did he

0:23:10.600 --> 0:23:14.720
<v Speaker 4>write spy novels, one of which became the Criss File film,

0:23:14.760 --> 0:23:18.240
<v Speaker 4>but he wrote so called cook strips, which were cartoons

0:23:18.560 --> 0:23:21.879
<v Speaker 4>for men beginning to cook. You know what is parsley

0:23:22.000 --> 0:23:25.280
<v Speaker 4>and how to dice an onion or minced parsley the

0:23:25.280 --> 0:23:25.880
<v Speaker 4>proper way.

0:23:26.440 --> 0:23:27.960
<v Speaker 5>And these were fantastic.

0:23:28.640 --> 0:23:31.879
<v Speaker 4>And it was when there was a scene where Michael

0:23:31.960 --> 0:23:36.119
<v Speaker 4>Kaine says to his fellow spy Courtney, I'm going to

0:23:36.200 --> 0:23:39.600
<v Speaker 4>cook you the best meal you've ever had, and it

0:23:39.680 --> 0:23:43.040
<v Speaker 4>cuts to her saying, palm that that was the best

0:23:43.040 --> 0:23:45.680
<v Speaker 4>meal I've ever had. Do you always wear your glasses?

0:23:45.720 --> 0:23:48.760
<v Speaker 4>And he said, yes, Courtney, except in bed, and she

0:23:48.840 --> 0:23:50.920
<v Speaker 4>takes the glass up. I thought, okay, I've got a cook,

0:23:51.280 --> 0:23:54.040
<v Speaker 4>and I went out and bought my first little battery

0:23:54.080 --> 0:23:57.440
<v Speaker 4>to cuisine. There was one gas ring at the end

0:23:57.480 --> 0:24:00.639
<v Speaker 4>of the corridor in the student building. Cry So I

0:24:00.720 --> 0:24:03.240
<v Speaker 4>made friends with John Bolton, the college cook, and you

0:24:03.440 --> 0:24:06.480
<v Speaker 4>lent me the oven, and I made myself an omelet

0:24:07.359 --> 0:24:11.959
<v Speaker 4>hot butter, you know, and I instantly knew and it was,

0:24:12.600 --> 0:24:14.520
<v Speaker 4>you know, baba was kind of creamy.

0:24:14.560 --> 0:24:15.000
<v Speaker 5>Inside.

0:24:15.520 --> 0:24:18.479
<v Speaker 4>I thought, boy, you are hopeless with almost anything at

0:24:18.480 --> 0:24:22.760
<v Speaker 4>your hands, but this you instinctively understand and know how

0:24:22.800 --> 0:24:26.840
<v Speaker 4>to do. You understand timing and heat so and then

0:24:26.880 --> 0:24:29.240
<v Speaker 4>you can make people happy by doing it. And then

0:24:29.280 --> 0:24:31.680
<v Speaker 4>I was just absolutely often running.

0:24:31.640 --> 0:24:33.360
<v Speaker 2>And that continued throughout.

0:24:33.720 --> 0:24:33.960
<v Speaker 5>Yeah.

0:24:34.280 --> 0:24:36.800
<v Speaker 4>I only really got for myself all right out in

0:24:36.880 --> 0:24:41.000
<v Speaker 4>Cambridge and then yeah, and then in tiny spaces when

0:24:41.040 --> 0:24:43.840
<v Speaker 4>I became a baby dn I mean you had just

0:24:44.440 --> 0:24:48.920
<v Speaker 4>a kitchen the size of a toilet, really had minute things,

0:24:50.920 --> 0:24:53.960
<v Speaker 4>but I was just in love. I bought my first

0:24:53.960 --> 0:24:58.159
<v Speaker 4>cookery book other than it was actually Dayton's book of

0:24:58.200 --> 0:24:59.040
<v Speaker 4>these cookstrips.

0:24:59.119 --> 0:25:01.440
<v Speaker 5>I'm not kidding. It was called Uel.

0:25:01.080 --> 0:25:05.240
<v Speaker 4>Garlicaric and you can still find it. But the first

0:25:05.240 --> 0:25:10.439
<v Speaker 4>thing about was Elizabeth David's French Provincial Cooking. The first

0:25:10.480 --> 0:25:14.159
<v Speaker 4>serious thing I made with John Bolton's College album was

0:25:14.200 --> 0:25:18.639
<v Speaker 4>the Alsatian onion Tart. So Elizabeth David course was wonderful

0:25:18.680 --> 0:25:23.480
<v Speaker 4>to read and also incredibly forgiving, or you could say,

0:25:23.520 --> 0:25:28.200
<v Speaker 4>irresponsible about quantities. And then it was also the period

0:25:28.359 --> 0:25:31.439
<v Speaker 4>of Robert Carrier's cards, which were great if you were

0:25:31.440 --> 0:25:35.280
<v Speaker 4>a baby cook. Basically they were wonderful. So there were

0:25:35.280 --> 0:25:39.080
<v Speaker 4>all sorts of a Jane Grigson, Alan Davidson.

0:25:39.280 --> 0:25:42.040
<v Speaker 2>Everybody first slok.

0:25:41.320 --> 0:25:45.320
<v Speaker 4>Yeah exactly, yes, exactly, Oh first, like Arabella boxing, Yes,

0:25:45.440 --> 0:25:49.000
<v Speaker 4>I absolutely had that, and it sort of slightly aggravates

0:25:49.080 --> 0:25:52.000
<v Speaker 4>me because then the good Food Guy was in its prime.

0:25:52.200 --> 0:25:54.800
<v Speaker 4>I was one of those who would be one of

0:25:54.800 --> 0:25:58.880
<v Speaker 4>those anonymous inspectors the Good Food Guide. And when people say,

0:25:58.960 --> 0:26:04.280
<v Speaker 4>oh British Foobish until the nineteen eighties or something, the

0:26:04.359 --> 0:26:10.520
<v Speaker 4>sixties and seventies were amazingly brave and adventurous and exhilarating.

0:26:11.040 --> 0:26:15.919
<v Speaker 2>As a historian, how do you teach history? How do

0:26:15.920 --> 0:26:18.359
<v Speaker 2>you look at history? How much do you look at

0:26:18.400 --> 0:26:21.240
<v Speaker 2>history and food? You know, when I go to a city,

0:26:21.320 --> 0:26:23.239
<v Speaker 2>the first thing I hit is the market, because not

0:26:23.280 --> 0:26:25.720
<v Speaker 2>because I want to buy something, but because it tells

0:26:25.720 --> 0:26:27.159
<v Speaker 2>you how do they sell the food, how do they

0:26:27.240 --> 0:26:29.679
<v Speaker 2>grow it? What's a market like? Have people dressed a

0:26:29.680 --> 0:26:32.000
<v Speaker 2>certain way? And if we read your books and we

0:26:32.119 --> 0:26:35.199
<v Speaker 2>listen to your lectures, are we learning about are you

0:26:35.240 --> 0:26:36.120
<v Speaker 2>thinking about it? Hotes?

0:26:36.200 --> 0:26:37.840
<v Speaker 4>So? I think I think very often it can be

0:26:37.880 --> 0:26:42.760
<v Speaker 4>quite dramatic. For example, one thing that happened a regime

0:26:42.800 --> 0:26:46.359
<v Speaker 4>pre revolutionary France actually and post revolution France too, but

0:26:46.400 --> 0:26:48.840
<v Speaker 4>particularly in eighteenth Central where they were looking at it

0:26:48.880 --> 0:26:52.240
<v Speaker 4>divided into a wheat culture and a rye culture.

0:26:52.680 --> 0:26:53.359
<v Speaker 2>What you mean.

0:26:55.920 --> 0:27:00.440
<v Speaker 4>Wheat wheat flower was only for the aristocracy and the

0:27:00.440 --> 0:27:04.640
<v Speaker 4>oat burgeoisie. So people tended to eat rye we think

0:27:04.680 --> 0:27:07.399
<v Speaker 4>of as wonderful now, it wasn't so wonderful. And there

0:27:07.440 --> 0:27:10.320
<v Speaker 4>were certain amounts of wet France where the rye was

0:27:10.400 --> 0:27:15.520
<v Speaker 4>very susceptible to a kind of rot which actually produced ergotism,

0:27:15.560 --> 0:27:20.000
<v Speaker 4>which is a hallucinogenic state that in an extreme form, yeah,

0:27:20.119 --> 0:27:22.919
<v Speaker 4>would not only give you trips you didn't want, but

0:27:23.040 --> 0:27:29.280
<v Speaker 4>also would actually numb your circulation and cause gangreine. And

0:27:29.320 --> 0:27:33.560
<v Speaker 4>there were lots of incredibly serious reports about how terrifying

0:27:33.600 --> 0:27:37.480
<v Speaker 4>that was. It was anar called the Solonia Sologne where

0:27:37.520 --> 0:27:40.400
<v Speaker 4>this was thought to be a terrible proper of the population.

0:27:40.720 --> 0:27:43.760
<v Speaker 4>At the other end, of course, you cannot do Dutch

0:27:43.840 --> 0:27:47.400
<v Speaker 4>history without food, not only because there are paintings, of course,

0:27:47.960 --> 0:27:52.800
<v Speaker 4>but because this extraordinary kind of compressed population has actually

0:27:52.960 --> 0:27:57.720
<v Speaker 4>physically literally engineered a landscape both for horticulture and for

0:27:57.840 --> 0:28:02.119
<v Speaker 4>fishing and for pasture. And amazingly, this is the best

0:28:02.359 --> 0:28:06.280
<v Speaker 4>fed population possibly in the world, but certainly in Europe.

0:28:06.800 --> 0:28:11.560
<v Speaker 4>And poems are written to strawberries, and only the naturally

0:28:11.640 --> 0:28:14.240
<v Speaker 4>think of having a painter got Andrea and Kuto, who

0:28:14.240 --> 0:28:19.879
<v Speaker 4>specializes in asparagus, paints asparagus, so it's a kind of

0:28:20.359 --> 0:28:24.439
<v Speaker 4>festival of the stomach, really, and that's fair. That's I

0:28:24.480 --> 0:28:28.639
<v Speaker 4>have a whole chapter actually on food and.

0:28:28.119 --> 0:28:29.880
<v Speaker 2>I think that could be part two of our series.

0:28:29.920 --> 0:28:31.560
<v Speaker 2>I think we should do another one because I think

0:28:31.680 --> 0:28:33.600
<v Speaker 2>a friend a funny story is a friend of mine

0:28:33.640 --> 0:28:36.760
<v Speaker 2>his father married a woman who was a vegan. I

0:28:36.800 --> 0:28:38.800
<v Speaker 2>mean she was just and also this is years ago,

0:28:39.080 --> 0:28:42.280
<v Speaker 2>and he went into the hospital and well, while he

0:28:42.320 --> 0:28:44.120
<v Speaker 2>was in the hospital, he had a painting. You can

0:28:44.200 --> 0:28:46.040
<v Speaker 2>only imagine what the painting was like because it had

0:28:46.040 --> 0:28:49.280
<v Speaker 2>a lobster in it. But she had the lobster painted

0:28:49.320 --> 0:28:52.040
<v Speaker 2>out of the painting he was in the hospital. I

0:28:52.040 --> 0:28:54.960
<v Speaker 2>mean I thought probably any piece of art that actually

0:28:54.960 --> 0:28:56.720
<v Speaker 2>had a lobster and it might be something that you

0:28:56.920 --> 0:28:58.040
<v Speaker 2>wanted to pay out anyway.

0:28:58.240 --> 0:29:03.160
<v Speaker 7>No, no, for a great love, tell me one, Willem

0:29:03.240 --> 0:29:09.560
<v Speaker 7>culf has I will show you one on my phone.

0:29:09.960 --> 0:29:14.800
<v Speaker 2>Oh yeah, we have the phone that doesn't care, that doesn't.

0:29:14.520 --> 0:29:16.160
<v Speaker 5>I will take you to lobster art.

0:29:16.560 --> 0:29:20.600
<v Speaker 2>That's your food and art. Yeah, the asparagus because oh yeah.

0:29:20.960 --> 0:29:23.240
<v Speaker 4>At the Rex Museum is the famous Andre and Curta,

0:29:23.360 --> 0:29:27.960
<v Speaker 4>which is incredibly beautiful painting. Yeah, and then a lot

0:29:27.960 --> 0:29:29.840
<v Speaker 4>of the language about you know, for example, in the

0:29:29.880 --> 0:29:33.280
<v Speaker 4>sixteen twenties, this was a tough time. They darts wroup

0:29:33.280 --> 0:29:37.040
<v Speaker 4>against it militarily. It was a very hard economic time.

0:29:37.200 --> 0:29:40.360
<v Speaker 4>And not only do the paintings become rather monochrome, but

0:29:40.400 --> 0:29:44.680
<v Speaker 4>also what actually gets shown in still life paintings are

0:29:45.120 --> 0:29:48.320
<v Speaker 4>the what's thought of was the food of our fathers,

0:29:48.480 --> 0:29:52.840
<v Speaker 4>in other words, herrying and cheese and bread. And then

0:29:52.920 --> 0:29:55.680
<v Speaker 4>when they become a little richer, the country is more

0:29:55.720 --> 0:30:00.880
<v Speaker 4>at peace and richer. Then everything glitters with abundant, far

0:30:00.960 --> 0:30:04.360
<v Speaker 4>more kind of cherries and berries and sides of beef

0:30:04.480 --> 0:30:04.960
<v Speaker 4>and so on.

0:30:05.040 --> 0:30:08.160
<v Speaker 2>And then you see today Edwards having a painting saying

0:30:08.200 --> 0:30:11.760
<v Speaker 2>pot vegetables. Have you seen that? Yeah? And then of

0:30:11.800 --> 0:30:12.719
<v Speaker 2>course all the cakes.

0:30:12.760 --> 0:30:19.040
<v Speaker 5>You know, wonderful pain wonderful painting.

0:30:29.480 --> 0:30:32.120
<v Speaker 4>People either like or don't like my writing, but they

0:30:32.120 --> 0:30:36.680
<v Speaker 4>will all say it is full of texture, really of sensuousness,

0:30:36.680 --> 0:30:39.640
<v Speaker 4>I think. And for example, this last you know, this

0:30:39.800 --> 0:30:43.320
<v Speaker 4>last book I've written, which is about some of yes

0:30:43.440 --> 0:30:46.120
<v Speaker 4>vaccines and so on. Much of it is set in India,

0:30:46.560 --> 0:30:49.840
<v Speaker 4>so it was actually very interested in the hero who's

0:30:49.960 --> 0:30:52.880
<v Speaker 4>kind of traveling vaccinato called Vladimahafk and who comes out

0:30:52.920 --> 0:30:56.440
<v Speaker 4>of the Ukraine. He travels thousands of miles around India,

0:30:57.400 --> 0:31:00.920
<v Speaker 4>and he becomes quite a religious Jew. He's not particularly

0:31:00.920 --> 0:31:03.640
<v Speaker 4>religious Jew when he starts his career. But I went

0:31:03.680 --> 0:31:08.880
<v Speaker 4>to his account books, which simply have very detailed the

0:31:08.960 --> 0:31:11.760
<v Speaker 4>archives in Jerusalem about what he's paying for what, And

0:31:11.960 --> 0:31:16.000
<v Speaker 4>sure enough he lists a craving for walnuts and chocolate.

0:31:16.400 --> 0:31:19.320
<v Speaker 4>He lists actually some of the food that he's eaten.

0:31:20.120 --> 0:31:21.680
<v Speaker 4>He eats Brahmin.

0:31:21.360 --> 0:31:22.120
<v Speaker 5>Food, tirelie.

0:31:22.600 --> 0:31:25.600
<v Speaker 4>So that was which I don't write about. I do

0:31:25.840 --> 0:31:29.720
<v Speaker 4>mention in the chocolate walnuts where he's surrounded by bibonic

0:31:29.760 --> 0:31:33.280
<v Speaker 4>plague and cholera and so on. But I suppose actually,

0:31:33.440 --> 0:31:36.320
<v Speaker 4>in some sense the kind of world I live in

0:31:36.440 --> 0:31:40.400
<v Speaker 4>as a writer. It's not an extension of cooking or

0:31:40.400 --> 0:31:43.800
<v Speaker 4>cooking extentsion of that, but they do. They are complementary

0:31:44.360 --> 0:31:48.240
<v Speaker 4>for me, I think, and more important really, I make

0:31:48.320 --> 0:31:54.720
<v Speaker 4>friends with shopkeepers in America. It's very important. Not the

0:31:54.760 --> 0:31:59.000
<v Speaker 4>man who brings fish to the farmer's market. A guy

0:31:59.040 --> 0:32:02.200
<v Speaker 4>called Ryan Gool teacher in the week and a fishmonger

0:32:02.240 --> 0:32:05.480
<v Speaker 4>on the weekends. And he's very clever and brilliant, and

0:32:05.560 --> 0:32:08.360
<v Speaker 4>we lock around together and he will phone me up

0:32:08.360 --> 0:32:11.880
<v Speaker 4>and tell me what's really been landed that morning from

0:32:11.920 --> 0:32:15.440
<v Speaker 4>Long Island Sound. But I also known the Italian butcher

0:32:16.000 --> 0:32:20.720
<v Speaker 4>Vinni for many, many years, and so you know, I

0:32:20.880 --> 0:32:24.440
<v Speaker 4>just go to I mean the best of the family.

0:32:24.480 --> 0:32:28.480
<v Speaker 4>I go to supermarkets for paper towels and loo rolls,

0:32:28.600 --> 0:32:32.160
<v Speaker 4>and I mean I couldn't do without them. But but

0:32:32.520 --> 0:32:36.560
<v Speaker 4>essentially the shopping party is fine for me. So early

0:32:36.640 --> 0:32:39.840
<v Speaker 4>in the morning, I mean, I won't say like you, darling,

0:32:39.960 --> 0:32:43.920
<v Speaker 4>but you know, I am thinking about what.

0:32:42.960 --> 0:32:44.720
<v Speaker 5>Well I'm going to actually be cooking In the.

0:32:45.160 --> 0:32:47.560
<v Speaker 2>Yah drive in to work, I think what would I

0:32:47.600 --> 0:32:50.440
<v Speaker 2>want to eat for the cafe? We change the menu

0:32:50.560 --> 0:32:53.080
<v Speaker 2>for every single meal. But a question also I wanted

0:32:53.120 --> 0:32:53.640
<v Speaker 2>to ask.

0:32:53.520 --> 0:32:56.920
<v Speaker 4>You and Staples as well. When the family is growing up,

0:32:57.080 --> 0:32:59.640
<v Speaker 4>actually well one of them is, and they still my

0:32:59.720 --> 0:33:03.160
<v Speaker 4>daughter and son who was a vegetarian now a lapse vegetarian.

0:33:03.400 --> 0:33:07.200
<v Speaker 4>Palpatino is sort of Italian meatloaf, incredibly simple, but you

0:33:07.320 --> 0:33:10.560
<v Speaker 4>have to do everybody out there cooking a casserole not you

0:33:10.600 --> 0:33:14.000
<v Speaker 4>don't want to put it on a sheet pan.

0:33:14.480 --> 0:33:16.120
<v Speaker 5>You want to put it in a cast.

0:33:16.000 --> 0:33:19.760
<v Speaker 4>Role with a little wine or you've known the mooth

0:33:19.840 --> 0:33:22.480
<v Speaker 4>so it kind of the actual meat loaf is actually

0:33:22.560 --> 0:33:26.000
<v Speaker 4>brazing with a little old sprig of time and sage.

0:33:26.400 --> 0:33:27.760
<v Speaker 2>I think you should write a cookbook.

0:33:28.080 --> 0:33:30.800
<v Speaker 4>Yeah, the family We've said this, and the family says,

0:33:31.040 --> 0:33:31.920
<v Speaker 4>this is ridiculous.

0:33:31.920 --> 0:33:34.240
<v Speaker 5>We all have our recipes. You have most of them. Dad,

0:33:34.720 --> 0:33:37.040
<v Speaker 5>We have to do that. You and I did do recipes.

0:33:37.120 --> 0:33:39.840
<v Speaker 4>I was food writer partic you for a few years,

0:33:39.880 --> 0:33:41.400
<v Speaker 4>so then I was doing recipes.

0:33:41.440 --> 0:33:45.640
<v Speaker 2>There should you Yeah, I think you should. I think

0:33:45.720 --> 0:33:49.479
<v Speaker 2>I definitely think we're looking for this. Do One I

0:33:49.520 --> 0:33:52.680
<v Speaker 2>wanted to ask is that when you are writing, what

0:33:52.840 --> 0:33:55.360
<v Speaker 2>is your what is your eating? Do you eat before

0:33:55.400 --> 0:33:57.760
<v Speaker 2>you when you're writing? Do you sit down and eat

0:33:57.800 --> 0:33:59.320
<v Speaker 2>a meal then go and write.

0:33:59.880 --> 0:34:02.160
<v Speaker 4>I I'm a morning writer, so I have a very

0:34:02.200 --> 0:34:05.640
<v Speaker 4>minimal breakfast nearly always Sheep's yogurt these days, which I

0:34:05.680 --> 0:34:10.600
<v Speaker 4>love can be quite voluptuous, but it's not a big breakfast, right.

0:34:10.680 --> 0:34:12.440
<v Speaker 5>I'm a morning writer. Didn't used to be.

0:34:12.520 --> 0:34:14.840
<v Speaker 4>I used to be more of an evening late evening.

0:34:14.880 --> 0:34:18.480
<v Speaker 4>But I think having kids and lunch is also. But

0:34:18.600 --> 0:34:22.000
<v Speaker 4>sometimes you just especially on weekends. Really, but I'm probably

0:34:22.000 --> 0:34:24.480
<v Speaker 4>not a weekend writer anymore, and once was. But if

0:34:24.520 --> 0:34:27.400
<v Speaker 4>you have a big lunch. You're screwed, basically.

0:34:27.360 --> 0:34:28.400
<v Speaker 5>Well your imagination.

0:34:28.560 --> 0:34:31.279
<v Speaker 4>There's a funny thing, you know, this about writing is

0:34:31.280 --> 0:34:33.520
<v Speaker 4>that you write the way you want to write, and

0:34:33.560 --> 0:34:37.560
<v Speaker 4>then some fairy dust, if you're lucky, suddenly lands on

0:34:37.600 --> 0:34:42.440
<v Speaker 4>your brain and the writing does itself. That magic moment

0:34:42.480 --> 0:34:45.719
<v Speaker 4>when a sentence lies down on the page and the

0:34:45.760 --> 0:34:49.200
<v Speaker 4>sentence is just right, or at least on second and

0:34:49.320 --> 0:34:53.240
<v Speaker 4>third go it's just right. That seldom happens after lunch.

0:34:53.920 --> 0:34:57.920
<v Speaker 4>Revision happens after lunch, and I never write during the evening.

0:34:58.239 --> 0:34:59.719
<v Speaker 2>We do want to end. First of all, I want

0:34:59.760 --> 0:35:02.279
<v Speaker 2>to say thank you for coming this morning. We love

0:35:02.320 --> 0:35:06.239
<v Speaker 2>having you here. If food is art, if you're going

0:35:06.239 --> 0:35:08.319
<v Speaker 2>to convince me that food is art, if you're going

0:35:08.400 --> 0:35:10.320
<v Speaker 2>to convince me that you can have a lobster in

0:35:10.360 --> 0:35:12.719
<v Speaker 2>a painting, or that you can eat when you want

0:35:12.800 --> 0:35:15.839
<v Speaker 2>to share with your children, when you want to, you know,

0:35:16.120 --> 0:35:18.560
<v Speaker 2>express time, have time with your mother or your father,

0:35:18.840 --> 0:35:20.480
<v Speaker 2>or when you're on a trip or you're in a

0:35:20.560 --> 0:35:23.239
<v Speaker 2>kabbutz or wherever you are that you want to eat.

0:35:23.280 --> 0:35:27.280
<v Speaker 2>You also eat sometimes just for comfort. You just need

0:35:27.440 --> 0:35:31.600
<v Speaker 2>food for comfort. And I just as I asked everyone,

0:35:31.640 --> 0:35:35.160
<v Speaker 2>as I asked you, Sir Simon Sharma, who's here with

0:35:35.200 --> 0:35:38.640
<v Speaker 2>me today, lucky me? What would be your I hope

0:35:38.640 --> 0:35:40.680
<v Speaker 2>you don't need comfort very much. But if you do

0:35:40.760 --> 0:35:43.160
<v Speaker 2>need comfort, anyone to find it in food. What would

0:35:43.160 --> 0:35:43.680
<v Speaker 2>you each for?

0:35:44.000 --> 0:35:46.080
<v Speaker 4>I do love this little pasta sauce which I make.

0:35:46.160 --> 0:35:51.120
<v Speaker 4>It's so simple. It's tuna and black olives and anchovies,

0:35:51.440 --> 0:35:56.280
<v Speaker 4>and sometimes I am half little cherry tomatoes, but sometimes

0:35:56.320 --> 0:36:00.440
<v Speaker 4>I just use tomato paste and then the spaghetti or

0:36:00.560 --> 0:36:04.520
<v Speaker 4>the fatsuccini kind of cooks in that, so it's very quick.

0:36:04.960 --> 0:36:06.359
<v Speaker 4>Your children always loved it.

0:36:06.680 --> 0:36:07.080
<v Speaker 5>I don't know.

0:36:07.440 --> 0:36:11.920
<v Speaker 4>My baby time was by the sea, really, so I

0:36:11.960 --> 0:36:14.759
<v Speaker 4>think there is a there is a deep fishy and

0:36:14.800 --> 0:36:18.680
<v Speaker 4>I'm an aquarius, you know, a watery person. Say that always?

0:36:19.040 --> 0:36:22.200
<v Speaker 4>Oh in a little lemon zest actually at the last minute,

0:36:22.239 --> 0:36:25.080
<v Speaker 4>and that's fantastically comforting.

0:36:26.000 --> 0:36:27.920
<v Speaker 2>Well, thank you, Simon, it was a great morning.

0:36:28.080 --> 0:36:28.400
<v Speaker 5>Thank you.

0:36:34.239 --> 0:36:36.920
<v Speaker 1>The River Cafe Look Book is now available in bookshops

0:36:36.920 --> 0:36:41.120
<v Speaker 1>and online. It has over one hundred recipes, beautifully illustrated

0:36:41.480 --> 0:36:45.640
<v Speaker 1>with photographs from the renowned photographer Matthew Donaldson. The book

0:36:45.680 --> 0:36:49.600
<v Speaker 1>has fifty delicious and easy to prepare recipes, including a

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<v Speaker 1>host of River Cafe classics that have been specially adapted

0:36:53.120 --> 0:36:57.239
<v Speaker 1>for new cooks. The River Cafe Look Book Recipes for

0:36:57.360 --> 0:37:05.440
<v Speaker 1>Cooks of all ages. Ruthie's Table four is a production

0:37:05.520 --> 0:37:10.240
<v Speaker 1>of iHeartRadio and Adami Studios. For more podcasts from iHeartRadio,

0:37:10.440 --> 0:37:14.600
<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

0:37:14.640 --> 0:37:15.600
<v Speaker 1>to your favorite shows.