WEBVTT - Cien Por Ciento Mexicanas

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>it's Rosa in Sanchez from the He Said Jo podcast

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<v Speaker 1>every mile. Handay, it's your journey. Proud partner of Michael

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<v Speaker 1>Tura podcast network. Nay come in when to Livesalia said

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<v Speaker 1>ransfor I didn't think I could love this song even more,

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<v Speaker 1>but what you did with this arrangement, Rodrigo, it could

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<v Speaker 1>be a Mexican classic. Yeah, I think you're right, You

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<v Speaker 1>really think so. I did say I wanted to modernize

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<v Speaker 1>traditional Mexican and Latin American music. Yeah, you've definitely done that.

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<v Speaker 1>We've done that. Six months of hard work has paid off.

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<v Speaker 1>The azambre No still feeling nauseous. I can't seem to

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<v Speaker 1>kick the stomach flu. It's just the nerves about the

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<v Speaker 1>album release tomorrow. Are you expecting someone? No, I'll go

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<v Speaker 1>see who it is. Mom, Dad, Hi, Hi, come in,

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<v Speaker 1>good morning. My parents are here. Hey, hey, I thought

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<v Speaker 1>you were arriving back from your honeymoon tomorrow. We're quite

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<v Speaker 1>a short to bring you some good news behind you

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<v Speaker 1>want to tell her? Should I? You can tell her?

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<v Speaker 1>Wait if it's good news, I want Rodrigo to hear

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<v Speaker 1>it too. Wow, look at you, two love birds. Took

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<v Speaker 1>us thirty years, but we finally got here. I know

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<v Speaker 1>we wanted to tell you that your album will be

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<v Speaker 1>premiering at number one on Billboards Global two hundredth shart

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<v Speaker 1>What that's amazing? You serious? Of course? Fail see that

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<v Speaker 1>is to both of you. You've earned it. Thank you?

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<v Speaker 1>Is it too early for Champagne? Not today? Okay? Alan,

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<v Speaker 1>nice to have you back. Thank you for fitting me in.

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<v Speaker 1>Our listeners are always eager to hear what you have

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<v Speaker 1>to say in the world of music. I know you

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<v Speaker 1>wanted to come in and talk about Idelita pass this

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<v Speaker 1>new album. I had to do it after my review

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<v Speaker 1>of Extra for you. Oh I remember that review? Are

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<v Speaker 1>you taking it back? No? No, but I do think

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<v Speaker 1>that with this new album, Adlita is back and more

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<v Speaker 1>confident than ever. She completely reinvented herself while expanding the

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<v Speaker 1>scope of Latin music. The album deserves all the praise

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<v Speaker 1>it's getting. I couldn't agree with you more. I've been

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<v Speaker 1>listening to it every day since it came out. I

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<v Speaker 1>should also say that Rodrigo Rey is the producer on

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<v Speaker 1>the album, deserves a lot of the credit too. Mark

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<v Speaker 1>my wordants this album will win both of them their

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<v Speaker 1>first Grammy. Ah m, Alita, very ah, Mom, pure tell

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<v Speaker 1>her I'll be down in a minute. Oh oh, get

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<v Speaker 1>it together, Aldka M Hey Mom, Noah, how are you feeling? Mmmm?

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<v Speaker 1>Not right? Oh? I should have asked Lusma for one

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<v Speaker 1>of her remedies. I'll be fine for the Zoom call,

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<v Speaker 1>We'll keep it short. Robin Burton at Birdhouse Publishing JAS

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<v Speaker 1>wants to check in with us. Okay, you guys are

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<v Speaker 1>all set, camera is on, sound is on, and here's

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<v Speaker 1>some herbal teas. Baby, hopefully it'll settle your stomach. Good out,

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<v Speaker 1>says Memore. Hello, Hello, hey, Robin, thank you so much

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<v Speaker 1>for doing this over Zoom. Oh, no problem at all, Adelita,

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<v Speaker 1>you were smart not to travel across country if you're

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<v Speaker 1>not feeling well. M Thanks for understanding, Robin, of course.

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<v Speaker 1>But congratulations on the new album. I hear the album

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<v Speaker 1>and the new single are number one around the world.

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<v Speaker 1>Can you believe it, Honey. I'm so happy for you

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<v Speaker 1>and Rodrigo. You know what I'm most proud of is

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<v Speaker 1>that the audience doesn't care that half of the songs

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<v Speaker 1>are either bilingual or in Spanish. I think it's been fantastic.

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<v Speaker 1>This is an album that represents all of me, a

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<v Speaker 1>girl born in Mexico but who has lived in this

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<v Speaker 1>country half her life, and an artist who believed that

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<v Speaker 1>if BTS can release songs all over the world in

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<v Speaker 1>Korean and in English, she could do the same with

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<v Speaker 1>her music. I think you've just proven that. I guess

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<v Speaker 1>what I'm saying, Robin is that I want that spirit

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<v Speaker 1>to come through in the book series. Honey, we're on

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<v Speaker 1>the same page. I'm sorry I need to step away,

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<v Speaker 1>but I'll let you talk to my mother. Of course,

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<v Speaker 1>you feel better, Carmen, you know what I think? That's it.

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<v Speaker 1>I'm thinking the same thing too. You are right, Carmen, Adalita,

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<v Speaker 1>you're pregnant. What wonderful news. Doctor? Are you sure? Yes,

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<v Speaker 1>you're definitely pregnant. What mom? What am I gonna do?

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<v Speaker 1>I'm not ready for a baby yet, oh miha no

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<v Speaker 1>one ever is. But the album has just been released.

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<v Speaker 1>Then I have a tour to plan and take a

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<v Speaker 1>deep breath. Good. I know this is unexpected and it's

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<v Speaker 1>a lot to deal with right now, but we will

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<v Speaker 1>figure it out. It's still early on in the pregnancy,

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<v Speaker 1>so you have some time to think about what you

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<v Speaker 1>want to do. Oh, Mom, I don't want to already

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<v Speaker 1>good to know yet? Okay, Mom, Yes, of course there

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<v Speaker 1>you are. Hey Mom, is the nausea any better? Same,

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<v Speaker 1>but strangely getting used to it. M it's been a week.

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<v Speaker 1>You need to tell Rodrigo miha, or he'll figure it

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<v Speaker 1>out and then be really upset that you kept this

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<v Speaker 1>from him. I'm aware, all right, Changing subjects. Did Marcos

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<v Speaker 1>get a hold of you yet? Yeah? I know it's

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<v Speaker 1>a one night only concert, but I think if you're

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<v Speaker 1>up to it, we should say yes. Right, definitely. It's

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<v Speaker 1>at pala Our Carnegie Hall and in Mexico City. There's

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<v Speaker 1>no way I'm saying no, even if I have to

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<v Speaker 1>carry an airsick bag from the plane onto the stage

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<v Speaker 1>with me. Dad mentioned that as had this said, I

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<v Speaker 1>could have an opening act if I wanted to, and

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<v Speaker 1>I was thinking I should ask Natalia. Oh, yes, she'd

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<v Speaker 1>be thrilled. We've been talking about doing a duet together anyway, right, yeah, brother,

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<v Speaker 1>we going. I have an idea for it already. If

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<v Speaker 1>she likes it, we could end the show with it.

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<v Speaker 1>That would be amazing. Okay, let me go call her

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<v Speaker 1>and mom. I promised to tell Rodrigo after the concert.

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<v Speaker 1>Good Hi and Wilma. As a dad, actor, producer, and activist,

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<v Speaker 1>Welcome to Mexico City, babe. It's your first time performing

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<v Speaker 1>in Mexico City. Are you excited? You have no idea?

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<v Speaker 1>I heard the concert sold out in one hour. A

0:13:50.480 --> 0:13:53.640
<v Speaker 1>concert that we put together in a week. That's gotta

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<v Speaker 1>be a record, right right that? Daliah, you do it? Okay,

0:13:57.600 --> 0:14:00.880
<v Speaker 1>back there, come on, I'm party with this private flame

0:14:00.960 --> 0:14:04.520
<v Speaker 1>fly situation. It's my parents are worried about it's their

0:14:04.640 --> 0:14:09.040
<v Speaker 1>first time flying. Mister mississantos, you better get used to it.

0:14:11.040 --> 0:14:38.120
<v Speaker 1>To sit back, relax, enjoy the ride. Love say Joy said,

0:14:38.560 --> 0:14:48.480
<v Speaker 1>don't you don't know me? In dol way By said,

0:14:48.640 --> 0:14:59.800
<v Speaker 1>that's flow. We're done, left up? What if I want?

0:15:01.200 --> 0:15:11.120
<v Speaker 1>No blows cambias, believo, lavana, I don't what follows? Sill

0:15:11.160 --> 0:15:30.600
<v Speaker 1>listen what I's on? What I do that? Mom? Where's Natalia?

0:15:31.120 --> 0:15:38.840
<v Speaker 1>She's on her way? A belita? You were amazing? So

0:15:39.040 --> 0:15:42.920
<v Speaker 1>are you? Are you ready for our encore? Oh? I

0:15:43.120 --> 0:15:52.400
<v Speaker 1>can't wait? Who is that kid that comes on that?

0:16:01.560 --> 0:16:06.120
<v Speaker 1>This is a song we've been working on together. You're

0:16:06.200 --> 0:16:09.440
<v Speaker 1>the first to hear it. So let us tell where

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<v Speaker 1>you say? Is all right? It's called sa mexicanaschi a

0:16:42.160 --> 0:16:50.080
<v Speaker 1>Mexico estacontil lecome psimos da yo yo so in westas

0:16:50.120 --> 0:16:55.600
<v Speaker 1>indeed come a Mexican as he came amos in Westrocasodi

0:16:55.640 --> 0:17:05.240
<v Speaker 1>and wests venets. But which would you? Your ingle said, well,

0:17:05.280 --> 0:17:13.399
<v Speaker 1>be endings give s here is and of course I'm

0:17:14.160 --> 0:17:17.760
<v Speaker 1>And Thorne says, no, not no more that I say

0:17:21.400 --> 0:17:26.040
<v Speaker 1>gives see some gage some stop me give me again?

0:17:26.480 --> 0:17:34.560
<v Speaker 1>This se we done. Louis would do this, says yous much.

0:17:34.800 --> 0:17:42.920
<v Speaker 1>He can nes do liste away looking to for we

0:17:43.119 --> 0:17:47.840
<v Speaker 1>stand all the time a game or don't make it

0:17:48.160 --> 0:17:58.120
<v Speaker 1>gone now only say he can get back. He gave

0:17:58.200 --> 0:18:14.120
<v Speaker 1>me the like gone, can't get king goes you get everyone.

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<v Speaker 1>He didn't get the voe make it go. The one

0:18:49.400 --> 0:18:55.119
<v Speaker 1>night only concert was a huge success. This was the

0:18:55.240 --> 0:19:00.800
<v Speaker 1>most excited I had ever been about my career. Mm hmmm,

0:19:02.840 --> 0:19:07.000
<v Speaker 1>I need more water please, Yeah, I'll get you some

0:19:07.200 --> 0:19:11.320
<v Speaker 1>right away. Just hang in there, We're almost done. Who

0:19:11.400 --> 0:19:15.520
<v Speaker 1>knew recording an audio book would be so exhausting, That's

0:19:15.600 --> 0:19:30.560
<v Speaker 1>what everybody says. Here you go, thank you, m all right,

0:19:31.280 --> 0:19:38.480
<v Speaker 1>let's finish this and recording. This was the most excited

0:19:38.640 --> 0:19:43.200
<v Speaker 1>I'd ever been about my career. Album sales in Mexico

0:19:43.320 --> 0:19:46.040
<v Speaker 1>went through the roof for both Me and Not That Yet,

0:19:46.960 --> 0:19:49.840
<v Speaker 1>And after the film concert aired internationally, the same thing

0:19:49.960 --> 0:19:53.880
<v Speaker 1>happened all over the world. That was a good thing

0:19:55.480 --> 0:19:58.760
<v Speaker 1>because it would be the first and only concert I

0:19:58.840 --> 0:20:05.280
<v Speaker 1>would do for that album. You see, as scared as

0:20:05.359 --> 0:20:08.960
<v Speaker 1>I was to be a mom, I kept thinking about

0:20:09.080 --> 0:20:14.320
<v Speaker 1>my mom. How much younger she was. How scared she

0:20:14.600 --> 0:20:21.200
<v Speaker 1>must have felt too, and yet she chose to keep me.

0:20:24.080 --> 0:20:27.320
<v Speaker 1>In the end, keeping my baby was the choice I

0:20:27.480 --> 0:20:33.480
<v Speaker 1>made too. But I'll tell you a funny story. When

0:20:33.520 --> 0:20:36.240
<v Speaker 1>I told Rodrigo I was pregnant, he said that he

0:20:36.359 --> 0:20:40.040
<v Speaker 1>had suspected it for weeks. I asked him why he

0:20:40.160 --> 0:20:45.520
<v Speaker 1>hadn't said anything. He said, because having a baby is

0:20:45.600 --> 0:20:48.679
<v Speaker 1>not something any man, even a husband, should ever pressure

0:20:48.720 --> 0:20:54.520
<v Speaker 1>a woman into. I wish all women had someone like him.

0:20:57.000 --> 0:20:59.880
<v Speaker 1>After I made my decision, I called the book publisher

0:21:00.080 --> 0:21:01.960
<v Speaker 1>and told her I wanted to wait on the children's

0:21:02.000 --> 0:21:05.840
<v Speaker 1>book series and write a memoir first. She said, okay.

0:21:08.040 --> 0:21:10.920
<v Speaker 1>Rodrigo and I finally took a much needed break and

0:21:11.040 --> 0:21:18.280
<v Speaker 1>welcomed our daughter, Dahlia, nine months later. Now that my

0:21:18.400 --> 0:21:21.720
<v Speaker 1>story is out there, I hope it inspires someone to

0:21:21.800 --> 0:21:26.520
<v Speaker 1>go after their dreams, to stand up for themselves. Maybe

0:21:26.680 --> 0:21:30.600
<v Speaker 1>it'll help another mother and daughter heal their wounds. Or

0:21:30.680 --> 0:21:32.560
<v Speaker 1>maybe some of you are just here for the drama,

0:21:32.680 --> 0:21:37.200
<v Speaker 1>and that's okay. Whatever the reason, I hope the ride

0:21:37.240 --> 0:21:56.439
<v Speaker 1>was worth it. How was that perfect? If you're enjoying

0:21:56.480 --> 0:22:00.040
<v Speaker 1>at the last changing the key, please subscribe, rate, and

0:22:00.119 --> 0:22:03.920
<v Speaker 1>review our show. Wherever You're listening. Avelita Changing the Key

0:22:04.320 --> 0:22:07.639
<v Speaker 1>is a production of Sonoro in partnership with Ihearts Michael

0:22:07.720 --> 0:22:12.639
<v Speaker 1>Tura Network. Created and written by li Jiavijalobos. Produced by

0:22:12.720 --> 0:22:18.000
<v Speaker 1>Luisa Duardo, Castillo, Grinza Chaires and Bettina Lopez Mendoza. Directed

0:22:18.080 --> 0:22:23.119
<v Speaker 1>by Javier Perrazza, Developed by Jasmine Romero, Betina Lopez and

0:22:23.320 --> 0:22:27.760
<v Speaker 1>Christian Catar Executive produced by Gisel Bances and connel Byrne

0:22:27.840 --> 0:22:31.880
<v Speaker 1>for iHeart and Camilla Victoriano and Josia Weinstein for Sonoro.

0:22:32.400 --> 0:22:37.480
<v Speaker 1>Executive produced by Dangerero and li Jiavianovos. This episode written

0:22:37.480 --> 0:22:42.120
<v Speaker 1>by li Jieviealobos with help from Daniela Sarkis, Bettina Lopez,

0:22:42.440 --> 0:22:47.439
<v Speaker 1>Rodrigo Bravo, Moniza Hinrich, Mariana Martinez Gomez and Ed Garesteva.

0:22:48.000 --> 0:22:54.480
<v Speaker 1>Performances in this episode by Diangerero, Jesse Garcia, Beniniez, An artist,

0:22:54.960 --> 0:23:00.879
<v Speaker 1>Jordan Wall, Ray Lopez, Brittaniarebumola and Eli Hernandez. Recording and

0:23:01.000 --> 0:23:05.280
<v Speaker 1>engineering by Andres Bayna and then Leano quintanaa with sound

0:23:05.320 --> 0:23:11.399
<v Speaker 1>designed by Andres Bayena, Armando Uto Uni, Emiliano Quintana and

0:23:11.560 --> 0:23:16.680
<v Speaker 1>Cassandra Tajero. Additional editing by Daniel Padilla, Fernando Calaviz and

0:23:16.840 --> 0:23:21.280
<v Speaker 1>Manuel Parra. Casting and coordination by Rli Day, Mike Paige,

0:23:21.600 --> 0:23:27.600
<v Speaker 1>Christina Blevins Andres Chaidis, Alexandra Gonzalez, Querensa Chis, Christian Catar

0:23:28.000 --> 0:23:33.000
<v Speaker 1>and Nick Milanez. Original songs by Laura Cruz, Ector Fernandez,

0:23:33.359 --> 0:23:39.200
<v Speaker 1>Sean Metta, Miranda Johnson and play Slam music director Camara Kampa.

0:23:49.400 --> 0:23:52.439
<v Speaker 1>As a dad actor producer for an activist, My schedule

0:23:52.480 --> 0:23:54.720
<v Speaker 1>feels up fast and as we all know, life can

0:23:54.760 --> 0:23:58.960
<v Speaker 1>be unpredictable. That's why good help is always welcome. Hey everyone,

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<v Speaker 1>Life is too much these days. We all have to

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<v Speaker 1>live in the moment. It's only worth it if you

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<v Speaker 1>We all love our culture's obsession with old tails. Swimming

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<v Speaker 1>after eating gives cramps. Reading with a dim light will

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<v Speaker 1>hurt your site, Coffee stunts your growth. Well, the all

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<v Speaker 1>electric Hyundai Ionic lineup is here to help drive those

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<v Speaker 1>old tales? Because when it comes to debunking myths, Hyundai

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<v Speaker 1>is thinking of every mile. Unday, it's your journey. Proud

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<v Speaker 1>partner of the Michael dud The Podcast Network