1
00:00:19,560 --> 00:00:22,119
Speaker 1: Uh, you know, I had family in for the holidays,

2
00:00:22,239 --> 00:00:26,760
Speaker 1: and over the holidays we were I was talking about

3
00:00:27,040 --> 00:00:31,080
Speaker 1: the Rob Reiner situation with my wife and Indy asked,

4
00:00:31,080 --> 00:00:33,479
Speaker 1: he was like, what are guys talking about? And I

5
00:00:33,520 --> 00:00:35,600
Speaker 1: started to explain what had happened, and I just started

6
00:00:35,600 --> 00:00:38,880
Speaker 1: sobbing in the kitchen like just I couldn't. I couldn't

7
00:00:38,880 --> 00:00:42,159
Speaker 1: explain it to Indy. And then I was like, you

8
00:00:42,200 --> 00:00:46,000
Speaker 1: know what, let's let's let's have a Rob Reiner film

9
00:00:46,000 --> 00:00:50,519
Speaker 1: festival with family. And so we in one day watched

10
00:00:50,760 --> 00:00:55,320
Speaker 1: four Rob Reiner films and it was the greatest, greatest

11
00:00:55,360 --> 00:01:00,000
Speaker 1: tribute to this man like that. I mean, besides Spielberg,

12
00:01:00,160 --> 00:01:02,880
Speaker 1: I cannot think of a more influential director in my life.

13
00:01:03,040 --> 00:01:08,320
Speaker 1: And maybe z Mechus is huge too, Yeah, but man like,

14
00:01:08,360 --> 00:01:12,760
Speaker 1: when you look at the run of films, it's it's insane, like.

15
00:01:12,840 --> 00:01:14,840
Speaker 1: And so we started with Spinal Tap. We watched that.

16
00:01:15,000 --> 00:01:18,080
Speaker 1: Of course, we didn't get into when Harry met Sally.

17
00:01:17,840 --> 00:01:21,400
Speaker 2: Because he was not happy about it.

18
00:01:24,520 --> 00:01:28,360
Speaker 1: Harry met Sally a romance. You know, he's not there yet,

19
00:01:28,520 --> 00:01:30,800
Speaker 1: but he's really into horror. So we watched Misery, which

20
00:01:30,840 --> 00:01:35,199
Speaker 1: is incredible. Uh yeah, you know, there's just that run.

21
00:01:35,240 --> 00:01:36,880
Speaker 1: I mean, obviously stand by Me is like probably the

22
00:01:36,920 --> 00:01:40,400
Speaker 1: most influential film in my life. And it was just

23
00:01:40,440 --> 00:01:43,440
Speaker 1: a beautiful day ended with him and me watching Princess

24
00:01:43,480 --> 00:01:45,720
Speaker 1: Bride after everyone else had gone to bed. He had

25
00:01:45,720 --> 00:01:49,440
Speaker 1: already seen Princess Bride, but now he just was dying

26
00:01:49,480 --> 00:01:53,600
Speaker 1: with laughter and man, just what a you know, like

27
00:01:53,840 --> 00:01:57,520
Speaker 1: just one an incredible director, and I you know, he's

28
00:01:58,000 --> 00:02:00,440
Speaker 1: like I also had this realization like of course he

29
00:02:00,560 --> 00:02:04,200
Speaker 1: started on a sitcom, you know, like there's these syscom Yeah,

30
00:02:04,480 --> 00:02:06,520
Speaker 1: and like I didn't know that because I never never

31
00:02:06,560 --> 00:02:12,480
Speaker 1: watched that show. Brilliant, So I can do his movies, yeah, brilliant.

32
00:02:12,680 --> 00:02:16,080
Speaker 1: But I just think watching his movies, I think his

33
00:02:16,360 --> 00:02:20,360
Speaker 1: his you know, besides his incredible ability to pick the

34
00:02:20,360 --> 00:02:23,280
Speaker 1: best material out there, which is just legendary. All the

35
00:02:23,280 --> 00:02:27,600
Speaker 1: scripts are so good. He is by far the most

36
00:02:27,840 --> 00:02:31,359
Speaker 1: subtle director in terms of like he's not doing crazy

37
00:02:31,360 --> 00:02:35,080
Speaker 1: camera angles, are insane lighting or even like incredible sound

38
00:02:35,120 --> 00:02:37,320
Speaker 1: design the way that like somebody like Spielberg, you kind

39
00:02:37,320 --> 00:02:41,160
Speaker 1: of always feel their film making choices, you know, like

40
00:02:41,360 --> 00:02:45,040
Speaker 1: they're they're very bold. Rob render. He lets the acting

41
00:02:45,160 --> 00:02:47,760
Speaker 1: and the storytelling take precedence and the camera work and

42
00:02:47,800 --> 00:02:50,600
Speaker 1: everything secondary. It's like a play. Yeah, but when you

43
00:02:50,680 --> 00:02:54,640
Speaker 1: watch it, he's not only creating the best performances of

44
00:02:54,760 --> 00:02:56,880
Speaker 1: most everybody who ever works with him, that's always like

45
00:02:56,919 --> 00:03:00,080
Speaker 1: the best performance of their career. He's supporting them in

46
00:03:00,120 --> 00:03:03,480
Speaker 1: such subtle ways and like the best example is Kathy

47
00:03:03,480 --> 00:03:07,320
Speaker 1: Bates in Misery, which is just such an astounding The

48
00:03:07,360 --> 00:03:10,000
Speaker 1: whole movie is two people in a room like and

49
00:03:10,160 --> 00:03:12,359
Speaker 1: yet from moment to moment you are on the edge

50
00:03:12,400 --> 00:03:14,560
Speaker 1: of your seat. And I've seen this movie a million times.

51
00:03:14,720 --> 00:03:17,840
Speaker 1: Every time you don't know how she's going to be

52
00:03:17,880 --> 00:03:20,720
Speaker 1: from scene to scene, and weigh the do you watch

53
00:03:20,800 --> 00:03:23,720
Speaker 1: the way that he uses the camera and the sound

54
00:03:23,720 --> 00:03:27,320
Speaker 1: design to very subtly tell you how to feel about her,

55
00:03:27,440 --> 00:03:29,880
Speaker 1: like whether she's like in a good you know, she's

56
00:03:29,919 --> 00:03:33,040
Speaker 1: a hero saving him as a nurse. And then like suddenly,

57
00:03:33,040 --> 00:03:35,840
Speaker 1: the camera's frame just a little lower, and as she's talking,

58
00:03:35,880 --> 00:03:38,480
Speaker 1: it's pushing in towards her, and you feel this tension building.

59
00:03:38,560 --> 00:03:41,200
Speaker 1: You're like, oh God, why am I uncomfortable? I don't

60
00:03:41,240 --> 00:03:42,440
Speaker 1: know if I could trust this woman? And then she

61
00:03:42,480 --> 00:03:46,400
Speaker 1: suddenly screaming. It's so well made and it's all in

62
00:03:46,440 --> 00:03:48,520
Speaker 1: the service of his actors. And I think that's you know,

63
00:03:48,600 --> 00:03:50,640
Speaker 1: because he was an actor first and he only he

64
00:03:50,720 --> 00:03:53,400
Speaker 1: thinks of story as acting first. And then of course

65
00:03:53,400 --> 00:03:56,840
Speaker 1: with stand By Me, like just it's the greatest child

66
00:03:56,840 --> 00:04:00,360
Speaker 1: acting performances ever caught on film. And he he got

67
00:04:00,360 --> 00:04:03,720
Speaker 1: that by rehearsing with them for weeks, by casting them correctly,

68
00:04:03,920 --> 00:04:07,560
Speaker 1: by making them all feel confident and comfortable, and you know,

69
00:04:07,560 --> 00:04:09,200
Speaker 1: it's just the legendary, legendary.

70
00:04:09,440 --> 00:04:11,400
Speaker 3: I would I would put one more film in there

71
00:04:12,120 --> 00:04:14,400
Speaker 3: for for child acting performances, and that would be et.

72
00:04:15,320 --> 00:04:16,880
Speaker 3: If you go back and you watch the child acting

73
00:04:16,880 --> 00:04:18,400
Speaker 3: performances in e T they're pretty.

74
00:04:18,600 --> 00:04:22,600
Speaker 1: Oh, it's amazing. But as an ensemble, as an ensemble,

75
00:04:23,000 --> 00:04:24,520
Speaker 1: it's hard to beats Standby Yeah.

76
00:04:24,600 --> 00:04:26,000
Speaker 3: No, it's well, well, I mean that's the thing is

77
00:04:26,080 --> 00:04:29,279
Speaker 3: it's every genre he tried. He made like the quintessential

78
00:04:29,400 --> 00:04:30,279
Speaker 3: version of the genre.

79
00:04:30,279 --> 00:04:31,120
Speaker 1: He defined the genre.

80
00:04:31,279 --> 00:04:32,719
Speaker 3: Yes, it's like, how do you you don't get a

81
00:04:32,720 --> 00:04:34,240
Speaker 3: better rom comm than when Harry Meets Out.

82
00:04:34,360 --> 00:04:36,159
Speaker 4: You don't get a better documentary any.

83
00:04:36,240 --> 00:04:39,000
Speaker 1: But maybe any hap, maybe any hall documentary.

84
00:04:39,120 --> 00:04:45,800
Speaker 4: It's documentary, spinal tap, I mean, romance, courtroom, drama that's

85
00:04:45,839 --> 00:04:47,719
Speaker 4: at all psychological thriller.

86
00:04:47,760 --> 00:04:50,840
Speaker 3: I mean, you picked a genre and you gave him

87
00:04:50,839 --> 00:04:54,080
Speaker 3: a movie, and he would define the genre. It's when

88
00:04:54,080 --> 00:04:57,040
Speaker 3: you really read, because when he did pass and you

89
00:04:57,040 --> 00:04:59,160
Speaker 3: go back and you're like, oh man, god, that's the saddest,

90
00:04:59,200 --> 00:05:01,560
Speaker 3: most horrible thing. And then you actually read in a

91
00:05:01,600 --> 00:05:04,120
Speaker 3: row what you did, You're like, this can't be one person.

92
00:05:04,360 --> 00:05:06,480
Speaker 4: Like this can't be one person. He did all these

93
00:05:06,560 --> 00:05:07,200
Speaker 4: It's amazing.

94
00:05:07,440 --> 00:05:11,640
Speaker 3: And he was a phenomenal sitcom actor on a groundbreaking

95
00:05:11,640 --> 00:05:12,479
Speaker 3: television show.

96
00:05:12,400 --> 00:05:14,679
Speaker 1: Me and Beloved. I mean also just as a person.

97
00:05:14,760 --> 00:05:17,600
Speaker 4: Everybody, I mean, Carl Reiner was was another one.

98
00:05:17,640 --> 00:05:19,360
Speaker 3: You go back and you watch like Dead Men Don't

99
00:05:19,440 --> 00:05:21,000
Speaker 3: or Plaid and the stuff that he did with with

100
00:05:21,080 --> 00:05:21,640
Speaker 3: Steve Martin.

101
00:05:21,680 --> 00:05:23,159
Speaker 2: I mean, the Reiners were just it.

102
00:05:23,040 --> 00:05:26,000
Speaker 4: Was working on another level. Just working on another level

103
00:05:26,080 --> 00:05:26,800
Speaker 4: was really amazing.

104
00:05:26,960 --> 00:05:29,640
Speaker 3: But yeah, we talked to Alex Daniel and I talked

105
00:05:29,680 --> 00:05:32,599
Speaker 3: to Alex at Yabava, who was like, don't get me started.

106
00:05:32,880 --> 00:05:34,200
Speaker 4: I just wanted when Harry met.

107
00:05:34,240 --> 00:05:38,479
Speaker 5: Sali made it more clear. At all I wanted was

108
00:05:38,520 --> 00:05:41,080
Speaker 5: to watch when Harry met Sally and then when the

109
00:05:41,120 --> 00:05:43,839
Speaker 5: decisions were made, and I heard that the fourth movie,

110
00:05:43,880 --> 00:05:45,560
Speaker 5: and the thing was not going to be When Harry

111
00:05:45,560 --> 00:05:47,160
Speaker 5: Mett Sally I went to bed.

112
00:05:48,760 --> 00:05:50,839
Speaker 3: There's more lines from when Harry mitts Sally that Sue

113
00:05:50,839 --> 00:05:52,560
Speaker 3: and I still quote to this day that are all just.

114
00:05:52,600 --> 00:05:55,880
Speaker 1: Yeah, it's perfect. I mean when we were teenagers, I

115
00:05:56,040 --> 00:05:59,279
Speaker 1: must I pretty much exclusively watched his movies, like that's

116
00:05:59,320 --> 00:06:01,240
Speaker 1: all we did, like as a group of friends, and

117
00:06:01,279 --> 00:06:04,440
Speaker 1: that's all we quoted were his movies. That's mind boggling.

118
00:06:04,760 --> 00:06:06,880
Speaker 1: You can all come down to like one director. And

119
00:06:06,920 --> 00:06:08,520
Speaker 1: granted a lot of that is the age. You know,

120
00:06:08,560 --> 00:06:10,240
Speaker 1: we were the right age for the sure when his

121
00:06:10,320 --> 00:06:12,720
Speaker 1: movies were coming out, But there's something to it.

122
00:06:12,720 --> 00:06:12,920
Speaker 4: Man.

123
00:06:12,960 --> 00:06:15,040
Speaker 1: He was just he was so good.

124
00:06:15,600 --> 00:06:17,000
Speaker 3: It would have been like it would have been like

125
00:06:17,120 --> 00:06:21,279
Speaker 3: ten years earlier with all of the Breakfast Club.

126
00:06:21,520 --> 00:06:24,239
Speaker 1: And I was around the same time. I guess.

127
00:06:24,360 --> 00:06:25,560
Speaker 4: I mean, it's time me.

128
00:06:25,600 --> 00:06:26,400
Speaker 1: It was eighty six.

129
00:06:26,960 --> 00:06:28,640
Speaker 4: That was it, eighty six, So yeah, I'm talking about

130
00:06:29,400 --> 00:06:31,960
Speaker 4: John Hughes. John Hughes, So I guess. But I guess

131
00:06:31,960 --> 00:06:34,520
Speaker 4: if you were a little older, you were more of.

132
00:06:34,480 --> 00:06:35,200
Speaker 2: The Hughes fan.

133
00:06:35,480 --> 00:06:37,599
Speaker 3: I think because it was like you had weird science

134
00:06:37,640 --> 00:06:39,440
Speaker 3: and all these kind of movies coming out vacation. He's

135
00:06:39,440 --> 00:06:41,560
Speaker 3: another one John Hughes that you look back at his

136
00:06:41,600 --> 00:06:43,440
Speaker 3: list of things and you're like, my god, he's never

137
00:06:43,520 --> 00:06:48,000
Speaker 3: been never been in like vacation and and you know club,

138
00:06:48,640 --> 00:06:50,200
Speaker 3: Oh god, these are defining for me.

139
00:06:50,360 --> 00:06:52,599
Speaker 1: I uh, I'd love to get into it with you

140
00:06:52,640 --> 00:06:55,240
Speaker 1: at some point. There's something there's something a little mean

141
00:06:55,240 --> 00:06:58,000
Speaker 1: about John Hughes films. For me, I've always felt like,

142
00:06:58,160 --> 00:07:01,080
Speaker 1: as much as they try to be inclusive, like the

143
00:07:01,080 --> 00:07:03,719
Speaker 1: Breakfast Club is supposed to be about these misfits, I

144
00:07:03,720 --> 00:07:06,720
Speaker 1: don't know, man, it always feels a little cynical. And

145
00:07:07,600 --> 00:07:07,920
Speaker 1: I don't know.

146
00:07:08,800 --> 00:07:11,120
Speaker 3: A captured high school I mean captured high school. Well,

147
00:07:11,160 --> 00:07:12,800
Speaker 3: I'm sure that's the way it was in high school

148
00:07:12,840 --> 00:07:14,800
Speaker 3: that you know. He kind of picked up on that.

149
00:07:14,880 --> 00:07:17,000
Speaker 3: And that's especially high school in the eighties when there

150
00:07:17,040 --> 00:07:20,160
Speaker 3: was a ton of bullying and racism and a lot

151
00:07:20,200 --> 00:07:22,640
Speaker 3: of it misogyny. I mean, that's what it was like

152
00:07:22,720 --> 00:07:24,480
Speaker 3: in the eighties. I mean, it was just it was

153
00:07:24,520 --> 00:07:26,520
Speaker 3: so it was kind of that snapshot in time. Whereas

154
00:07:26,560 --> 00:07:28,560
Speaker 3: that's the thing about Rhiner was you put a movie

155
00:07:28,600 --> 00:07:30,720
Speaker 3: in the fifties, he'll take that perfect snapshot in time.

156
00:07:30,760 --> 00:07:32,240
Speaker 3: You put a movie in the eighties. He'll make that

157
00:07:32,280 --> 00:07:34,400
Speaker 3: perfect snapshot in time, put it in a fantasy world.

158
00:07:35,000 --> 00:07:37,560
Speaker 3: I mean, he just it was well, you.

159
00:07:37,560 --> 00:07:39,559
Speaker 1: Know, it's different than Hughes two because he wasn't writing

160
00:07:39,600 --> 00:07:42,400
Speaker 1: the material. I'm sure he was very involved, but you know,

161
00:07:42,440 --> 00:07:44,640
Speaker 1: he had less of a voice as like as a writer.

162
00:07:44,800 --> 00:07:47,000
Speaker 1: You know, he was much more of a director like

163
00:07:47,160 --> 00:07:49,960
Speaker 1: you know, and an actor's director, and so his his

164
00:07:50,000 --> 00:07:52,560
Speaker 1: ability to bring different types of stories to life and

165
00:07:52,720 --> 00:07:55,720
Speaker 1: such time commit and just you know, like you said,

166
00:07:55,760 --> 00:07:56,520
Speaker 1: define the genre.

167
00:07:56,720 --> 00:08:02,920
Speaker 5: Yeah, crazy craziness, unbelievable director man, rest in peace, an

168
00:08:02,920 --> 00:08:06,360
Speaker 5: absolute tragedy. Well, welcome to Bud meets World.

169
00:08:06,440 --> 00:08:09,280
Speaker 4: I'm Danielle Fischal, I'm Rider Strong, and I'm Wilfredell.

170
00:08:21,600 --> 00:08:25,640
Speaker 5: Today we are recapping season seven episode for No such

171
00:08:25,720 --> 00:08:29,280
Speaker 5: Thing as a sure Thing. It originally aired October fifteenth,

172
00:08:29,320 --> 00:08:30,200
Speaker 5: nineteen ninety nine.

173
00:08:30,360 --> 00:08:33,800
Speaker 1: The Sure Thing also a rougher in film Ye Ye

174
00:08:34,760 --> 00:08:35,599
Speaker 1: the synopsis.

175
00:08:35,640 --> 00:08:38,000
Speaker 5: With the help of her mother, Japanga decides if Corey

176
00:08:38,120 --> 00:08:40,600
Speaker 5: is a sure bet, while Jack gets Eric in over

177
00:08:40,679 --> 00:08:44,679
Speaker 5: his head with a bookie. It was directed by Jeff McCracken.

178
00:08:45,160 --> 00:08:48,160
Speaker 5: It was written by Gary H. Miller and Before I

179
00:08:48,240 --> 00:08:51,920
Speaker 5: Jump into our guest stars. Shall we share our overall thoughts?

180
00:08:53,640 --> 00:08:56,400
Speaker 1: I was just on a confused on this. I had

181
00:08:56,480 --> 00:09:01,440
Speaker 1: a weird episode. Yes, I just felt like I just

182
00:09:01,440 --> 00:09:03,000
Speaker 1: didn't know what world we were in. And then when

183
00:09:03,000 --> 00:09:04,680
Speaker 1: I was like, oh, is this the episode were according

184
00:09:04,679 --> 00:09:09,080
Speaker 1: to pengare going to get back together? This feels really weird.

185
00:09:08,280 --> 00:09:12,520
Speaker 3: I just saw this exact same storyline with Trina, the

186
00:09:12,520 --> 00:09:16,080
Speaker 3: same exact one. Then you guys are kissing the entire time,

187
00:09:16,080 --> 00:09:20,920
Speaker 3: which is disgustingly off putting. Eric is now an Italian

188
00:09:21,280 --> 00:09:24,040
Speaker 3: bike rider. None of this made sense.

189
00:09:24,080 --> 00:09:27,240
Speaker 5: Also, it was a hard guys, a cheerleader, and now

190
00:09:27,240 --> 00:09:28,120
Speaker 5: we're cheerleaders.

191
00:09:28,320 --> 00:09:30,760
Speaker 4: None of this made sense. This was a bad episode

192
00:09:30,760 --> 00:09:31,280
Speaker 4: of television.

193
00:09:31,320 --> 00:09:33,520
Speaker 1: This was and a little little little a salty too.

194
00:09:33,840 --> 00:09:42,640
Speaker 1: Oh my god, you're like her dress? That was so weird.

195
00:09:42,679 --> 00:09:44,480
Speaker 4: I was like, this is a bad episode.

196
00:09:45,400 --> 00:09:48,280
Speaker 1: Those moments were very charring. But yeah, man, I was.

197
00:09:48,520 --> 00:09:50,360
Speaker 1: It was okay, all right, and it didn't.

198
00:09:50,400 --> 00:09:51,480
Speaker 5: It also didn't sucked.

199
00:09:51,640 --> 00:09:53,920
Speaker 4: It wasn't. Yeah, I agree, it sucks and it did not.

200
00:09:54,559 --> 00:09:57,400
Speaker 3: The bits, the quote unquote funny bits did not outweigh

201
00:09:57,400 --> 00:09:59,000
Speaker 3: the suckiness of this episode.

202
00:09:59,280 --> 00:10:01,840
Speaker 2: This was this is just a bad episode of television.

203
00:10:02,000 --> 00:10:05,480
Speaker 5: Bad just bad. Agree, So let's get.

204
00:10:04,280 --> 00:10:07,960
Speaker 1: The integration of Tapanga's parents felt like sudden and like,

205
00:10:07,960 --> 00:10:09,520
Speaker 1: what what are they doing here? And why are we

206
00:10:09,559 --> 00:10:09,760
Speaker 1: with that?

207
00:10:09,880 --> 00:10:12,640
Speaker 3: I don't again, we literally just saw the same storyline,

208
00:10:12,720 --> 00:10:14,839
Speaker 3: parents coming to tell you this, you're not us, You've

209
00:10:14,840 --> 00:10:15,640
Speaker 3: got to be with it.

210
00:10:15,640 --> 00:10:18,480
Speaker 4: We just saw this. I don't know, so yeah, this

211
00:10:18,559 --> 00:10:19,760
Speaker 4: is this was bad for me.

212
00:10:20,000 --> 00:10:22,959
Speaker 1: Yeah, I just wonder why they decided to bring everybody

213
00:10:23,000 --> 00:10:25,240
Speaker 1: back together within a matter of four episodes, Like you

214
00:10:25,320 --> 00:10:28,640
Speaker 1: break everybody up, you do that for the sake of

215
00:10:29,040 --> 00:10:31,400
Speaker 1: having storylines that take advantage of the fact that like

216
00:10:31,440 --> 00:10:34,199
Speaker 1: Corey and t Pango aren't together an angel.

217
00:10:34,160 --> 00:10:36,840
Speaker 3: What because we didn't we thought at this point we

218
00:10:36,880 --> 00:10:38,640
Speaker 3: only had thirteen and we.

219
00:10:40,280 --> 00:10:42,760
Speaker 4: Do the wedding in or within thirteen episodes.

220
00:10:43,080 --> 00:10:46,480
Speaker 1: That's absolutely right, because yeah, it does. Doesn't make sense

221
00:10:46,480 --> 00:10:49,320
Speaker 1: to me. It's like you you go through this dramatic

222
00:10:49,480 --> 00:10:52,080
Speaker 1: first episode to like break them up into like and

223
00:10:52,120 --> 00:10:54,240
Speaker 1: then you don't take advantage of it, like you just

224
00:10:54,280 --> 00:10:57,320
Speaker 1: bring us back together within four It's like, what, yeah, okay,

225
00:10:57,360 --> 00:10:58,040
Speaker 1: that makes sense.

226
00:10:58,040 --> 00:11:03,480
Speaker 5: Also, now remembering that you guys that Angela breaks up

227
00:11:03,480 --> 00:11:06,960
Speaker 5: with you at the end of the season again. Yeah,

228
00:11:07,000 --> 00:11:10,560
Speaker 5: you guys just got back together. I know, all right,

229
00:11:10,640 --> 00:11:12,280
Speaker 5: I can't. I don't know where the season's going. I

230
00:11:12,280 --> 00:11:13,200
Speaker 5: don't know what's gonna happen.

231
00:11:13,240 --> 00:11:16,319
Speaker 4: I don't know what I will say. Now do they

232
00:11:16,520 --> 00:11:17,880
Speaker 4: like either?

233
00:11:17,920 --> 00:11:20,600
Speaker 3: Because they didn't expect to have to add another nine episodes,

234
00:11:20,640 --> 00:11:22,480
Speaker 3: so nobody knows where that's going at this point.

235
00:11:23,040 --> 00:11:26,640
Speaker 5: Guest starring Marsha Cross returns is the Newest Rhann and Lawrence.

236
00:11:26,880 --> 00:11:30,760
Speaker 5: The Talented Mark Harrolik also returns as Jedediah Lawrence and

237
00:11:31,080 --> 00:11:34,960
Speaker 5: Grant Garrison as Jerry. He appeared on TV shows like Buffy,

238
00:11:35,000 --> 00:11:38,080
Speaker 5: The Vampire Slayer, jag Monk and The Good Guys, and

239
00:11:38,160 --> 00:11:41,000
Speaker 5: movies like Arlington Road and The Island, and appears to

240
00:11:41,040 --> 00:11:43,920
Speaker 5: still be acting, showing up on The Chosen back in

241
00:11:43,960 --> 00:11:48,480
Speaker 5: twenty twenty three, and then Sasha Barisi appears as Janina.

242
00:11:48,960 --> 00:11:50,880
Speaker 5: This guest star role was in the same year. The

243
00:11:50,920 --> 00:11:55,040
Speaker 5: former model virtually debuted in the blockbuster comedy American Pie.

244
00:11:55,240 --> 00:11:57,520
Speaker 5: She also was in TV shows like Just Shoot Me,

245
00:11:57,760 --> 00:12:02,120
Speaker 5: MTV's Undressed and Supernatural, and movies like Legally Blonde and

246
00:12:02,240 --> 00:12:05,240
Speaker 5: the Great remake from Matt Reeves Let Me In. But

247
00:12:05,320 --> 00:12:08,320
Speaker 5: she is best known as Tracy the wife in all

248
00:12:08,360 --> 00:12:11,760
Speaker 5: three Hangover movies, and despite acting a ton for quite

249
00:12:11,800 --> 00:12:14,760
Speaker 5: a while, Hangover three was her last Hollywood credit because

250
00:12:14,760 --> 00:12:20,600
Speaker 5: she appears to be focused on playing poker professionally. All right,

251
00:12:20,760 --> 00:12:23,640
Speaker 5: jumping into our recap, how He's starting the student union,

252
00:12:23,679 --> 00:12:26,280
Speaker 5: Sean and Angela are yelling at each other, surrounded by

253
00:12:26,360 --> 00:12:29,640
Speaker 5: a huge crowd, drowned out by a loud marching band.

254
00:12:30,000 --> 00:12:32,920
Speaker 5: Sean is spilling his heart out. If he was only

255
00:12:32,960 --> 00:12:35,760
Speaker 5: gonna be alive for one minute, he'd spend it looking

256
00:12:35,800 --> 00:12:39,000
Speaker 5: in her eyes. Angela yells right back. If he was

257
00:12:39,000 --> 00:12:41,800
Speaker 5: only gonna be alive for one minute, she'd stell him

258
00:12:41,840 --> 00:12:47,320
Speaker 5: to stop looking and stot kissing. And then they begin

259
00:12:47,559 --> 00:12:52,640
Speaker 5: to make out, and the inmates and no guardoxt stop

260
00:12:52,679 --> 00:12:56,640
Speaker 5: and the inmates ooh and ah as we zoom out

261
00:12:56,679 --> 00:13:00,600
Speaker 5: to reveal the chaos around them. It's a pepper and

262
00:13:00,679 --> 00:13:05,240
Speaker 5: Rachel is standing on a nearby table in her cheerleading uniform.

263
00:13:05,679 --> 00:13:08,840
Speaker 5: She is shouting into a megaphone, hyping up the crowd.

264
00:13:09,080 --> 00:13:13,160
Speaker 5: Jack and Eric flank her, both wearing male cheerleading uniforms.

265
00:13:13,200 --> 00:13:17,280
Speaker 5: So just the three of you are on the cheerleading squad.

266
00:13:18,000 --> 00:13:21,640
Speaker 4: Yeah, yeah, obviously. Okay, that's been a huge part of

267
00:13:22,920 --> 00:13:23,679
Speaker 4: for five years.

268
00:13:23,920 --> 00:13:25,000
Speaker 5: What's program?

269
00:13:25,280 --> 00:13:25,480
Speaker 2: Is that?

270
00:13:25,520 --> 00:13:25,880
Speaker 3: What it is?

271
00:13:26,440 --> 00:13:31,720
Speaker 4: Well? Just get going? Okay ready, okay, god, what did

272
00:13:31,800 --> 00:13:32,080
Speaker 4: I mean?

273
00:13:32,160 --> 00:13:36,280
Speaker 1: Like where did this episode come from? Like somebody pitched

274
00:13:36,280 --> 00:13:40,800
Speaker 1: a like football player betting storyline. They were like, yeah,

275
00:13:40,840 --> 00:13:42,520
Speaker 1: that works, and then we'll make that with the one

276
00:13:42,520 --> 00:13:43,760
Speaker 1: recording to beg to get back together.

277
00:13:43,760 --> 00:13:45,560
Speaker 4: It's yeah, that's the Bee story.

278
00:13:45,920 --> 00:13:48,880
Speaker 3: The idea that Jack, this perfect guy has a gambling

279
00:13:48,920 --> 00:13:50,400
Speaker 3: problem pretty funny, Like you.

280
00:13:50,320 --> 00:13:53,280
Speaker 4: Could do that anything with that, and then they did

281
00:13:53,320 --> 00:13:55,680
Speaker 4: this with it. So yeah, I don't.

282
00:13:55,720 --> 00:13:58,480
Speaker 3: I mean, like, that's a funny Bee story to get

283
00:13:58,600 --> 00:13:59,400
Speaker 3: Jack China bet.

284
00:13:59,440 --> 00:14:01,400
Speaker 4: But why are we all cheerleaders?

285
00:14:01,640 --> 00:14:04,439
Speaker 5: Why? I don't know why am I looking up her skirt?

286
00:14:04,760 --> 00:14:08,200
Speaker 4: It's just it's all and you're just making off for Twitter.

287
00:14:08,280 --> 00:14:10,640
Speaker 2: It's a very strange episode.

288
00:14:10,840 --> 00:14:15,920
Speaker 5: Yeah, not not faves either. Students in school colors wave

289
00:14:15,960 --> 00:14:18,120
Speaker 5: their pom poms as Rachel asks who are we going

290
00:14:18,160 --> 00:14:20,880
Speaker 5: to beat? The crowd yells back the Amish. When she

291
00:14:20,960 --> 00:14:23,120
Speaker 5: asks the crowd who's going to lead them to victory?

292
00:14:23,160 --> 00:14:27,480
Speaker 5: They all scream. In unison, Jerry Mungo a football uniform

293
00:14:27,560 --> 00:14:30,560
Speaker 5: Jock raises his hands in victory and the school mascot penge.

294
00:14:30,720 --> 00:14:33,800
Speaker 5: The penguin does a backflip off a trampoline and the

295
00:14:33,800 --> 00:14:36,440
Speaker 5: students go nuts high five in one another.

296
00:14:36,520 --> 00:14:38,640
Speaker 1: I'm understanding, like this is where I was like the.

297
00:14:38,600 --> 00:14:44,400
Speaker 5: Amish or is another school? Is a school there actually

298
00:14:44,520 --> 00:14:45,320
Speaker 5: Amish people?

299
00:14:45,400 --> 00:14:47,240
Speaker 3: They're supposed to be Amish people. I think there was

300
00:14:47,280 --> 00:14:49,600
Speaker 3: a several Amish jokes in this first.

301
00:14:49,480 --> 00:14:51,720
Speaker 1: Thing, I know, but I was just like I thought

302
00:14:51,720 --> 00:14:54,520
Speaker 1: for a minute, like may was another school. His team

303
00:14:54,680 --> 00:14:57,000
Speaker 1: was called the Amish. That's what I want to reveal,

304
00:14:57,080 --> 00:14:59,600
Speaker 1: that the guy actually is Amish with his beard, right,

305
00:14:59,720 --> 00:15:01,080
Speaker 1: I think? Then I'm like, is.

306
00:15:00,960 --> 00:15:02,200
Speaker 5: This this kind of offensive?

307
00:15:02,280 --> 00:15:04,360
Speaker 4: Is not too They're never going to see it. They're

308
00:15:04,400 --> 00:15:07,160
Speaker 4: on me, so you know, they.

309
00:15:07,040 --> 00:15:09,120
Speaker 1: Could be on their rum spring and they could see it.

310
00:15:09,320 --> 00:15:12,280
Speaker 4: They could see it then, yes, but yeah, no, that's

311
00:15:12,280 --> 00:15:12,720
Speaker 4: what it was.

312
00:15:12,760 --> 00:15:16,640
Speaker 3: That was the joke was that they're Amish, right?

313
00:15:17,960 --> 00:15:20,080
Speaker 1: Funny, yes, so hysterical.

314
00:15:21,000 --> 00:15:29,960
Speaker 5: I love it now. Meanwhile, Tafanga's outside quietly studying Sean

315
00:15:30,000 --> 00:15:32,120
Speaker 5: and Angela walk over and ask to sit with her.

316
00:15:32,280 --> 00:15:34,440
Speaker 5: She begins to say, as long as you don't, and

317
00:15:34,480 --> 00:15:37,360
Speaker 5: they completely ignore her Angela takes a seat on Sean's

318
00:15:37,440 --> 00:15:39,720
Speaker 5: lap and they start to make out. Topanga rolls her

319
00:15:39,720 --> 00:15:43,720
Speaker 5: eyes in annoyance that inside, Jack and Eric are performing

320
00:15:43,720 --> 00:15:45,720
Speaker 5: a stunt holding up a cheerleader by the bottom of

321
00:15:45,760 --> 00:15:49,160
Speaker 5: her sneakers. Eric sneaks a peek under the girl's skirt.

322
00:15:49,680 --> 00:15:52,320
Speaker 5: Jack gives him a disapproving look, and Eric snaps back

323
00:15:52,320 --> 00:15:54,440
Speaker 5: to reality. They let the girl down, and as she

324
00:15:54,480 --> 00:15:58,920
Speaker 5: walks away, Eric calls out, see you, panty, I mean, Patty.

325
00:15:59,240 --> 00:16:01,000
Speaker 4: We also are act holding her up there.

326
00:16:01,240 --> 00:16:03,720
Speaker 3: I know, I mean, that's not It's a dangerous thing

327
00:16:03,720 --> 00:16:04,400
Speaker 3: to be a cheerleader.

328
00:16:04,520 --> 00:16:06,840
Speaker 4: I don't even remember, like being the it's called the base,

329
00:16:06,920 --> 00:16:09,920
Speaker 4: basing right on the base. That's yeah, holding and.

330
00:16:09,840 --> 00:16:12,400
Speaker 5: Then you guys lower her down like right, Yeah, I

331
00:16:12,440 --> 00:16:14,320
Speaker 5: know that was I did think that was well done.

332
00:16:14,520 --> 00:16:17,120
Speaker 5: Jack accuses Eric of wanting to look up Paddy's skirt

333
00:16:17,240 --> 00:16:20,640
Speaker 5: more than he wants to beat the Amish. Eric shrugs,

334
00:16:20,720 --> 00:16:23,400
Speaker 5: I've got nothing against the Amish. They're a decent, hardworking

335
00:16:23,480 --> 00:16:30,040
Speaker 5: agrarian people. Okay. Jack reminds him they've kicked their butts

336
00:16:30,080 --> 00:16:32,360
Speaker 5: forty seven years in a row, but Eric waves that

337
00:16:32,440 --> 00:16:34,480
Speaker 5: off as a little streak what are the chances they're

338
00:16:34,480 --> 00:16:37,280
Speaker 5: going to do that again? Jack reveals that Vegas has

339
00:16:37,320 --> 00:16:40,760
Speaker 5: them as a fourteen point favorite. Eric can't believe it, you,

340
00:16:40,960 --> 00:16:44,800
Speaker 5: mister clean cut a gambling man. Jack shrugs him off,

341
00:16:44,880 --> 00:16:46,840
Speaker 5: but Eric gets serious. Do you have a problem that

342
00:16:46,880 --> 00:16:49,800
Speaker 5: needs my help? Jack insists he doesn't, so Eric just

343
00:16:49,840 --> 00:16:52,080
Speaker 5: immediately believes him and gives his friend a big hug.

344
00:16:52,440 --> 00:16:55,160
Speaker 5: A satisfied Eric sees Pengy the Penguin sitting at a

345
00:16:55,160 --> 00:16:58,240
Speaker 5: nearby booth taking a break. The mascot takes the penguin

346
00:16:58,280 --> 00:16:59,880
Speaker 5: head off for a breath of fresh air, and Eric

347
00:17:00,080 --> 00:17:04,480
Speaker 5: notices something. Oh look, he's amish, and then it clicks hey.

348
00:17:05,080 --> 00:17:07,439
Speaker 5: He runs after the man at full speed into escape.

349
00:17:07,600 --> 00:17:10,440
Speaker 5: Pengy does a backflip off the little trampoline, which Eric

350
00:17:10,560 --> 00:17:13,840
Speaker 5: tries to copy. This really made me laugh. This was

351
00:17:13,840 --> 00:17:17,520
Speaker 5: a funny as can be, but instead he just frustratingly

352
00:17:17,680 --> 00:17:22,800
Speaker 5: jumps backward, allowing the amish penguin to get away. Fun Okay,

353
00:17:22,800 --> 00:17:23,680
Speaker 5: we found our first lafe.

354
00:17:23,680 --> 00:17:25,040
Speaker 2: We found a laugh.

355
00:17:25,240 --> 00:17:27,840
Speaker 5: There's a laugh there. Back outside, Angela and Seawn are

356
00:17:27,880 --> 00:17:30,560
Speaker 5: still making out when Corey appears. He alerts to Panga,

357
00:17:30,600 --> 00:17:34,000
Speaker 5: Oh look, how the formerly separated, now behave I want

358
00:17:34,000 --> 00:17:36,480
Speaker 5: to be like them? She asks, you want to make

359
00:17:36,480 --> 00:17:39,439
Speaker 5: out until we realize we hate each other someday. Corey

360
00:17:39,480 --> 00:17:42,120
Speaker 5: reminds her we hate each other now, so your little

361
00:17:42,160 --> 00:17:46,000
Speaker 5: plan doesn't work, does it? Kiss me with tongue and

362
00:17:46,040 --> 00:17:50,879
Speaker 5: he sticks his tongue out yeah to Penga physically turns

363
00:17:50,880 --> 00:17:53,680
Speaker 5: around appropriately repulsed, and Corey smirks.

364
00:17:53,760 --> 00:17:53,920
Speaker 1: Oh.

365
00:17:54,000 --> 00:17:56,000
Speaker 5: She thinks that's going to stop me. That's not going

366
00:17:56,080 --> 00:18:00,920
Speaker 5: to stop me. He lunges towards her and Art's kissing

367
00:18:01,119 --> 00:18:04,600
Speaker 5: the side of her face, so she shoves him onto

368
00:18:04,640 --> 00:18:09,199
Speaker 5: the floor in response. It is not played for comedy, No,

369
00:18:10,000 --> 00:18:14,200
Speaker 5: it plays like a fight, and the inmates give a

370
00:18:14,240 --> 00:18:20,000
Speaker 5: little bit of a concerned Banka quickly jumps up to

371
00:18:20,200 --> 00:18:25,200
Speaker 5: check on him, and she apologizes, Thank God, didn't mean

372
00:18:25,400 --> 00:18:30,040
Speaker 5: to hurt you, but Corey shakes his head. That's it.

373
00:18:30,520 --> 00:18:31,800
Speaker 5: I've had it with you.

374
00:18:33,400 --> 00:18:37,880
Speaker 1: So ridiculous. The whole thing is kiss you.

375
00:18:39,160 --> 00:18:41,960
Speaker 4: And then you dared to knock me off of you.

376
00:18:42,520 --> 00:18:48,560
Speaker 4: I'm done. It's like, wait, what do you did you

377
00:18:48,600 --> 00:18:50,960
Speaker 4: remember this at all? Zero? Yeah?

378
00:18:51,480 --> 00:18:53,480
Speaker 1: I know I remember nothing about this episode. I mean

379
00:18:53,520 --> 00:18:55,919
Speaker 1: I can tell why because I'm just like I had no.

380
00:18:56,320 --> 00:18:57,640
Speaker 1: It was like literally, like you.

381
00:18:57,600 --> 00:18:58,400
Speaker 4: Remember one part.

382
00:18:58,440 --> 00:19:00,520
Speaker 3: I'll bet you remembered one part because of our show.

383
00:19:00,680 --> 00:19:03,240
Speaker 3: It's me in the Jacquelina Jacquelina.

384
00:19:03,320 --> 00:19:05,040
Speaker 4: No, that's all I remember too.

385
00:19:05,040 --> 00:19:08,040
Speaker 1: From filming it. I know because I'm I was so

386
00:19:08,080 --> 00:19:09,840
Speaker 1: out of it this week. I know what happened. It

387
00:19:09,880 --> 00:19:11,560
Speaker 1: was like, Oh, I'm just making out with Trina and

388
00:19:11,680 --> 00:19:13,840
Speaker 1: like you know, And It's what's so weird is to

389
00:19:13,880 --> 00:19:16,960
Speaker 1: think about like how I just didn't care, like you know,

390
00:19:16,960 --> 00:19:19,880
Speaker 1: it's like we're just making a Like now, I would

391
00:19:19,880 --> 00:19:21,720
Speaker 1: be like, can we do something else? Can we find

392
00:19:21,720 --> 00:19:23,680
Speaker 1: a way to make this more interesting? But the time

393
00:19:23,800 --> 00:19:26,520
Speaker 1: I was so like disassociated with my own body that

394
00:19:26,560 --> 00:19:28,160
Speaker 1: I would just be like, yeah, sure, And I'm sure

395
00:19:28,200 --> 00:19:29,080
Speaker 1: training felt the same way.

396
00:19:29,480 --> 00:19:32,159
Speaker 2: Let's do the thing we always do. Yeah weird.

397
00:19:32,640 --> 00:19:36,080
Speaker 5: I mean, I, like I said before we started this season,

398
00:19:36,240 --> 00:19:38,880
Speaker 5: or even maybe early on in the podcast, like I

399
00:19:38,960 --> 00:19:44,000
Speaker 5: remember feeling generally. I guess the best word to describe

400
00:19:44,040 --> 00:19:47,919
Speaker 5: it is over the Corey into Panga relationship. I was

401
00:19:48,440 --> 00:19:51,879
Speaker 5: over it. I did not know how to articulate what

402
00:19:52,080 --> 00:19:55,760
Speaker 5: it was about it. It wasn't just we've been doing

403
00:19:55,800 --> 00:19:58,920
Speaker 5: it for seven seasons. It wasn't that. It was a disgust.

404
00:19:59,080 --> 00:20:02,760
Speaker 5: I had a discuss about the relationship and about the

405
00:20:02,800 --> 00:20:06,840
Speaker 5: storylines pertaining to the relationship. And now that i'm you know,

406
00:20:06,960 --> 00:20:10,280
Speaker 5: have watched them all in succession, I would, as an

407
00:20:10,320 --> 00:20:12,240
Speaker 5: actor on a show that was doing this now be

408
00:20:12,359 --> 00:20:16,199
Speaker 5: able to articulate why this is. This is wrong, This

409
00:20:16,280 --> 00:20:18,320
Speaker 5: is wrong, this is this isn't how this should be going.

410
00:20:18,359 --> 00:20:21,400
Speaker 5: This is inappropriate, this is uncomfortable.

411
00:20:21,880 --> 00:20:24,240
Speaker 3: I'm going to knock them off and then apologize for

412
00:20:24,320 --> 00:20:25,000
Speaker 3: knocking them off?

413
00:20:25,040 --> 00:20:25,600
Speaker 4: Are you kidding?

414
00:20:26,760 --> 00:20:26,840
Speaker 6: So?

415
00:20:27,520 --> 00:20:29,919
Speaker 5: Yeah, I mean I did. I did. I did remember

416
00:20:30,000 --> 00:20:33,480
Speaker 5: having that feeling, but I didn't know how. I didn't

417
00:20:33,480 --> 00:20:35,080
Speaker 5: know what it was. I didn't know what to put

418
00:20:35,080 --> 00:20:37,200
Speaker 5: my finger on as to like what it was about it.

419
00:20:37,720 --> 00:20:39,680
Speaker 4: You guys were both checked out too by this point,

420
00:20:39,840 --> 00:20:40,520
Speaker 4: you were both.

421
00:20:40,480 --> 00:20:42,679
Speaker 1: But these last two episodes are just about you know,

422
00:20:42,720 --> 00:20:45,760
Speaker 1: wearing down withholding women. Yeah, yeah, that's all about, is

423
00:20:46,640 --> 00:20:50,160
Speaker 1: wearing down withholding women until they give in. That's the

424
00:20:50,320 --> 00:20:51,600
Speaker 1: entire arc of these last two.

425
00:20:51,840 --> 00:20:54,680
Speaker 3: Not only that, but also just letting having everybody else

426
00:20:54,720 --> 00:20:57,119
Speaker 3: come to them to let them know what they're feeling.

427
00:20:56,840 --> 00:21:02,280
Speaker 1: Exactly right right, Yeah, what they're saying and expressing is wrong.

428
00:21:02,240 --> 00:21:04,719
Speaker 5: Yeah, convincing them they're wrong and that they should make

429
00:21:04,760 --> 00:21:08,000
Speaker 5: the decision you want them to make, yes, and everyone's.

430
00:21:07,560 --> 00:21:09,760
Speaker 1: Bettering them and their parents know better than them.

431
00:21:10,359 --> 00:21:13,040
Speaker 5: Unable to read the room, Eric comes running back now

432
00:21:13,119 --> 00:21:15,920
Speaker 5: with the Pengy the Penguin suit in hand. He tells

433
00:21:15,920 --> 00:21:18,240
Speaker 5: them that the penguin was an Amish infiltrator, and he

434
00:21:18,320 --> 00:21:21,360
Speaker 5: had Penbrook's playbook and his breeches how to get it out.

435
00:21:21,440 --> 00:21:23,919
Speaker 5: He doesn't want to talk about it. The point is

436
00:21:24,160 --> 00:21:27,600
Speaker 5: they'll need a new mascot. Corey, seconds after being thrown

437
00:21:27,640 --> 00:21:29,719
Speaker 5: to the floor by the love of his life, offers

438
00:21:29,760 --> 00:21:32,560
Speaker 5: to do it. To Penga says he can't, he'll hurt himself,

439
00:21:33,359 --> 00:21:35,800
Speaker 5: but Corey argues, I couldn't be hurt any more than

440
00:21:35,800 --> 00:21:38,600
Speaker 5: you've hurt me already. The crowd again is hurt by

441
00:21:38,600 --> 00:21:42,320
Speaker 5: his emotions. As Corey passes Angela and Sean still making

442
00:21:42,320 --> 00:21:46,119
Speaker 5: out how you doing, He reminds to Penga, she broke

443
00:21:46,160 --> 00:21:48,480
Speaker 5: his heart and he's given her every opportunity to get

444
00:21:48,520 --> 00:21:50,920
Speaker 5: back together. But now, as he puts on the ridiculous

445
00:21:50,960 --> 00:21:54,280
Speaker 5: penguin head, he has to keep his dignity. He asks

446
00:21:54,400 --> 00:21:56,679
Speaker 5: Eric how he looks and Eric grins you the bird.

447
00:21:57,200 --> 00:21:59,520
Speaker 5: Corey shakes his penguin head back and forth, asking you

448
00:21:59,520 --> 00:22:02,399
Speaker 5: hear that to Tanga I the bird and this bird

449
00:22:02,480 --> 00:22:06,320
Speaker 5: is moving on. This bird is flying solo. Eric announces

450
00:22:06,359 --> 00:22:09,080
Speaker 5: to the crowd of students inside, Ladies and gentlemen, put

451
00:22:09,080 --> 00:22:12,399
Speaker 5: your hands together for the pride of Penbrook, Pengy, the

452
00:22:12,480 --> 00:22:16,480
Speaker 5: Penbrook Penguin. Corey dances into the building, flaunting his stuff

453
00:22:16,480 --> 00:22:18,840
Speaker 5: and to Penga watches on with concern.

454
00:22:19,520 --> 00:22:22,480
Speaker 1: To Penga Pengy Penguin, it's a lot.

455
00:22:22,280 --> 00:22:27,200
Speaker 5: Of it's a lot of angoration, personal assault.

456
00:22:28,760 --> 00:22:31,159
Speaker 1: All goes together and we're.

457
00:22:31,040 --> 00:22:33,960
Speaker 5: In the Matthews kitchen. Everyone appears to be aggressively eating

458
00:22:34,000 --> 00:22:37,280
Speaker 5: dinner at the Matthews House tonight. A real friend for yourself,

459
00:22:37,359 --> 00:22:40,159
Speaker 5: vibe angry dinner.

460
00:22:40,560 --> 00:22:43,960
Speaker 1: Everybody's eating a lot.

461
00:22:42,920 --> 00:22:45,560
Speaker 5: And shopping and cutting in seven seasons?

462
00:22:46,480 --> 00:22:50,240
Speaker 1: Is this the first dinner at the table we've ever seen?

463
00:22:51,000 --> 00:22:53,920
Speaker 5: No, no, no, no, we know we've.

464
00:22:54,440 --> 00:22:56,720
Speaker 1: We've had coffee, we were bowls of.

465
00:22:58,200 --> 00:23:00,840
Speaker 3: It was dinner with the second episode with the squirre

466
00:23:00,840 --> 00:23:03,560
Speaker 3: Guns dinner when he finds it under under the table.

467
00:23:03,600 --> 00:23:06,720
Speaker 1: Oh my god, of course, okay, cool, right, right, this

468
00:23:06,800 --> 00:23:09,000
Speaker 1: is unusual. I was like, we don't do this. We

469
00:23:09,080 --> 00:23:10,720
Speaker 1: have a kitchen table, we have a dining room table.

470
00:23:10,760 --> 00:23:11,479
Speaker 1: We never use it.

471
00:23:11,680 --> 00:23:15,159
Speaker 5: The episode with the girl who gives them the socks

472
00:23:15,720 --> 00:23:19,200
Speaker 5: she joins them for I think she's there for also,

473
00:23:19,359 --> 00:23:21,960
Speaker 5: t K is there for dinner?

474
00:23:22,280 --> 00:23:25,320
Speaker 1: Is she? Oh? Yeah, thank you very Miss Matthew.

475
00:23:25,440 --> 00:23:27,440
Speaker 5: Yeah. Yeah, so she's there for dinner too. So we

476
00:23:27,680 --> 00:23:31,960
Speaker 5: have a few dinners. But is this the first time

477
00:23:32,920 --> 00:23:38,080
Speaker 5: matt Lawrence has met Matthews. They make it seem like no,

478
00:23:38,200 --> 00:23:42,600
Speaker 5: but yes, I'm not sure I've ever seen as they.

479
00:23:42,560 --> 00:23:46,720
Speaker 3: Always like to have Jack over for angry dinner. They

480
00:23:46,720 --> 00:23:51,640
Speaker 3: do every week in the Matthew's house. It's angry dinner night.

481
00:23:52,480 --> 00:23:54,679
Speaker 3: First of all, just saying what to kill you to

482
00:23:54,720 --> 00:23:56,639
Speaker 3: use real potatoes is like, man, that's harsh.

483
00:23:56,640 --> 00:23:59,480
Speaker 4: But secondly, who doesn't use real potatoes?

484
00:24:00,200 --> 00:24:02,960
Speaker 5: Well, now a lot of people, but you know them?

485
00:24:03,040 --> 00:24:06,200
Speaker 5: Have you? Have you not had the microwaves mashed potatoes

486
00:24:06,240 --> 00:24:06,920
Speaker 5: that's already made?

487
00:24:07,160 --> 00:24:11,679
Speaker 4: I think? But there's real potatoes, the potatoes.

488
00:24:12,280 --> 00:24:13,000
Speaker 5: Who doesn't do that?

489
00:24:13,119 --> 00:24:15,080
Speaker 1: I think there's still real potatoes to just behydrated to

490
00:24:15,160 --> 00:24:16,800
Speaker 1: add water to them, right.

491
00:24:17,119 --> 00:24:19,440
Speaker 5: So what is a not real potato? Maybe he who

492
00:24:19,440 --> 00:24:22,120
Speaker 5: knows what he meant. That whole conversation though, was weird too,

493
00:24:22,160 --> 00:24:25,160
Speaker 5: where she's like, I don't want to know about you gambling,

494
00:24:25,640 --> 00:24:27,240
Speaker 5: and they'm like, that's why I do it.

495
00:24:27,720 --> 00:24:31,960
Speaker 1: Yeah, I just I just felt like I was on

496
00:24:32,040 --> 00:24:35,760
Speaker 1: drugs watching this not the good You're not sure what's happening?

497
00:24:35,960 --> 00:24:38,080
Speaker 1: And is it me? I thought it was me. I

498
00:24:38,119 --> 00:24:40,800
Speaker 1: thought I was like too tired or something was wrong.

499
00:24:41,040 --> 00:24:43,440
Speaker 1: Now hearing hearing it red back, I'm like, no, none

500
00:24:43,440 --> 00:24:44,760
Speaker 1: of this actually does.

501
00:24:44,800 --> 00:24:47,359
Speaker 4: None of it makes sense. So Alan's also a gambler,

502
00:24:47,560 --> 00:24:50,439
Speaker 4: uh huh. And he does it because it pisses his

503
00:24:50,480 --> 00:24:51,000
Speaker 4: wife off.

504
00:24:51,680 --> 00:24:57,320
Speaker 5: Yes, Also he's a very bad gambler because he continues

505
00:24:57,440 --> 00:25:03,919
Speaker 5: to bet on the home to yeah seven years just

506
00:25:04,400 --> 00:25:04,960
Speaker 5: you're not.

507
00:25:05,080 --> 00:25:06,840
Speaker 3: By the way, your kids didn't go there at the time,

508
00:25:06,920 --> 00:25:08,240
Speaker 3: so you had no allegiance to.

509
00:25:08,280 --> 00:25:12,040
Speaker 5: No allegiance exactly, no reason. Well, Corey isn't eating, he's beaming.

510
00:25:12,240 --> 00:25:15,200
Speaker 5: I'm going to be the penguin. Alan ignores his son instead,

511
00:25:15,280 --> 00:25:17,800
Speaker 5: asking is what he heard is true? Jerry Mungo isn't

512
00:25:17,800 --> 00:25:21,000
Speaker 5: playing on Saturday. That means they'll have no chance to win. Unmoved,

513
00:25:21,000 --> 00:25:23,960
Speaker 5: Corey repeats himself I'm going to be the penguin. Eric

514
00:25:24,000 --> 00:25:26,440
Speaker 5: explains that Jerry's grades might not be good enough to play,

515
00:25:26,480 --> 00:25:29,200
Speaker 5: and Morgan heard he's even dumber than Eric, but Eric

516
00:25:29,240 --> 00:25:34,280
Speaker 5: denies that instantly that Alan needs Jerry Mungo to play.

517
00:25:34,320 --> 00:25:38,680
Speaker 5: He's tired of losing money betting against the Amish, and

518
00:25:38,840 --> 00:25:56,840
Speaker 5: the bread stop betting against Theish. Corey continues to try

519
00:25:56,880 --> 00:25:59,160
Speaker 5: and get attention by announcing he's the penguin, but now

520
00:25:59,240 --> 00:26:01,919
Speaker 5: even Amy doesn't care. She comments, I really don't like

521
00:26:01,960 --> 00:26:05,200
Speaker 5: your gambling. He responds with that's why I.

522
00:26:05,160 --> 00:26:08,919
Speaker 4: Do it, and then she apologizes for it.

523
00:26:09,359 --> 00:26:13,840
Speaker 5: Corey continues his own conversation, now noting that Tapega doesn't

524
00:26:13,880 --> 00:26:16,600
Speaker 5: think he can be the penguin. Well that's fine, they're

525
00:26:16,640 --> 00:26:19,280
Speaker 5: not getting married anymore. Amy tells the boys.

526
00:26:19,040 --> 00:26:21,040
Speaker 1: Does think and not think he can be the penguin?

527
00:26:21,040 --> 00:26:21,840
Speaker 1: Does she say that?

528
00:26:22,000 --> 00:26:23,400
Speaker 5: She said, don't because you'll get hurt.

529
00:26:23,440 --> 00:26:23,960
Speaker 4: You'll get hurt.

530
00:26:24,080 --> 00:26:26,960
Speaker 1: Okay, okay, yeah.

531
00:26:26,280 --> 00:26:28,840
Speaker 5: I hope none of you start gambling, she says. Jack

532
00:26:28,880 --> 00:26:31,240
Speaker 5: asks why, because it could ruin your life, blow every

533
00:26:31,240 --> 00:26:33,879
Speaker 5: relationship you ever had, cause mom and stepdad to almost

534
00:26:33,920 --> 00:26:37,359
Speaker 5: sell their house in the Hamptons. I like this backstory.

535
00:26:37,520 --> 00:26:39,760
Speaker 4: Yes, this is fun.

536
00:26:39,920 --> 00:26:40,840
Speaker 5: Know more about this.

537
00:26:41,080 --> 00:26:43,040
Speaker 4: Yes, you could have done a lot more of it

538
00:26:43,320 --> 00:26:43,639
Speaker 4: with this.

539
00:26:44,480 --> 00:26:46,840
Speaker 5: Mid June, Allan asks Amy if it would kill her

540
00:26:46,920 --> 00:26:51,159
Speaker 5: to use real potatoes, and Morgan bluntly tells Jack, I

541
00:26:51,200 --> 00:26:54,879
Speaker 5: heard you have a problem again. Also, I would like

542
00:26:54,920 --> 00:26:58,199
Speaker 5: to know more. Where did she hear that? It's just

543
00:26:58,240 --> 00:27:02,159
Speaker 5: completely blown over? Jack gasp and tries his best attempt

544
00:27:02,200 --> 00:27:07,320
Speaker 5: at whoa, and still Cory is ranting to Penga just

545
00:27:07,359 --> 00:27:10,240
Speaker 5: doesn't believe in love anymore, And now Alan's interested. He

546
00:27:10,359 --> 00:27:12,600
Speaker 5: suggests it's time for Corey to move on with his life.

547
00:27:12,680 --> 00:27:14,880
Speaker 5: Corey agrees, I'm the penguin.

548
00:27:15,720 --> 00:27:18,680
Speaker 4: That's a scene this entire episode.

549
00:27:18,720 --> 00:27:22,679
Speaker 1: I think writer's right. Drugs fever dream I. I just

550
00:27:22,680 --> 00:27:25,360
Speaker 1: can't believe that you're in a run through. We didn't

551
00:27:25,400 --> 00:27:29,600
Speaker 1: like have that. No, this is just we need to Yeah.

552
00:27:29,680 --> 00:27:31,840
Speaker 5: Sean and Angela are busy making out in a public

553
00:27:31,880 --> 00:27:32,600
Speaker 5: setting once again.

554
00:27:32,960 --> 00:27:33,880
Speaker 4: This is where they were kissing.

555
00:27:34,080 --> 00:27:38,040
Speaker 5: Uh huh at this part they're kissing well. Jerry Mungo

556
00:27:38,160 --> 00:27:41,080
Speaker 5: mindlessly tosses a football in the air. A passing Phoene

557
00:27:41,080 --> 00:27:44,400
Speaker 5: snatches it from him. Study mister Mungo star running back

558
00:27:44,480 --> 00:27:47,760
Speaker 5: or not? You fail my test, you don't play, Jerry admits,

559
00:27:47,760 --> 00:27:49,640
Speaker 5: when this college paid me to come here, they didn't

560
00:27:49,680 --> 00:27:52,840
Speaker 5: say nothing about no tests. Phoene's had enough with his

561
00:27:52,920 --> 00:27:55,520
Speaker 5: double negatives. He hands him back the football and demands

562
00:27:55,520 --> 00:27:57,960
Speaker 5: he open a book. As Phoene leaves, he walks past

563
00:27:58,040 --> 00:27:59,400
Speaker 5: Angela and Sean's makeout sash.

564
00:27:59,560 --> 00:28:00,879
Speaker 2: How you doing Okay?

565
00:28:01,040 --> 00:28:05,679
Speaker 3: I googled Mungo okay because I thought that was the

566
00:28:05,760 --> 00:28:09,440
Speaker 3: name of the character from Blazing Saddles. But the first

567
00:28:09,520 --> 00:28:12,320
Speaker 3: thing that pops up is a rock band from the

568
00:28:12,359 --> 00:28:14,800
Speaker 3: seventies called Mungo.

569
00:28:14,600 --> 00:28:18,320
Speaker 5: Jerry Jerry Mungo. There you go, okay, So now we

570
00:28:18,359 --> 00:28:19,000
Speaker 5: know where they got it.

571
00:28:19,160 --> 00:28:23,200
Speaker 3: Somebody is a British rock band from the nineteen seventies.

572
00:28:23,240 --> 00:28:27,480
Speaker 3: So somebody was a fan of Mungo Jerry Yeah, and

573
00:28:27,600 --> 00:28:28,720
Speaker 3: named the character after that.

574
00:28:29,200 --> 00:28:30,760
Speaker 1: Or do you think they even knew it? It was

575
00:28:30,760 --> 00:28:32,560
Speaker 1: like deep in their subconscious and they were like, Oh,

576
00:28:32,600 --> 00:28:39,320
Speaker 1: let's go with the Mungo. It'sken off of Yeah, it's okay.

577
00:28:39,480 --> 00:28:41,680
Speaker 1: I have a question, and I really can't remember. Didn't

578
00:28:41,720 --> 00:28:45,240
Speaker 1: we do this storyline in high school? Wasn't there an

579
00:28:45,240 --> 00:28:49,680
Speaker 1: episode about a football player needing to be tutors.

580
00:28:49,840 --> 00:28:52,280
Speaker 4: Yes, yes, yes, yeah, yeah right Eric.

581
00:28:52,120 --> 00:28:55,920
Speaker 1: Yeah, Eric helps tutor a foot tutor, a football player

582
00:28:55,960 --> 00:28:58,320
Speaker 1: who gets to win. Yeah.

583
00:28:59,120 --> 00:29:01,080
Speaker 4: I was watching this, like didn't we do this?

584
00:29:01,640 --> 00:29:03,560
Speaker 1: And then we also did the gambling thing with Corey

585
00:29:03,560 --> 00:29:05,440
Speaker 1: and Sean in first few season.

586
00:29:05,520 --> 00:29:07,640
Speaker 3: Yeah, and we also did them getting back together because

587
00:29:07,640 --> 00:29:09,520
Speaker 3: of their parents the episode before.

588
00:29:10,960 --> 00:29:13,080
Speaker 1: Yeah, it's like a weird It's like it's like an

589
00:29:13,120 --> 00:29:17,040
Speaker 1: AI generator, like a bad AI generated Boy meets World episode.

590
00:29:17,080 --> 00:29:20,040
Speaker 1: You just take like other episodes, they're like, spit one out,

591
00:29:20,160 --> 00:29:21,120
Speaker 1: shove it in, shove.

592
00:29:20,960 --> 00:29:21,440
Speaker 2: It in there.

593
00:29:22,440 --> 00:29:24,320
Speaker 5: That's funny. You're right, we did do that. Yeah.

594
00:29:24,320 --> 00:29:26,760
Speaker 1: I kept being liked, Am I remembering this episode? Or

595
00:29:26,880 --> 00:29:28,800
Speaker 1: is there? But we did? We had an episode in

596
00:29:28,880 --> 00:29:29,320
Speaker 1: high school?

597
00:29:29,360 --> 00:29:31,760
Speaker 4: High school? Y, yes, and it's Eric tutoring him.

598
00:29:32,000 --> 00:29:33,040
Speaker 2: Yeah, yeah, so weird.

599
00:29:33,760 --> 00:29:37,040
Speaker 5: Nearby, Jack and Eric find Rachel. Eric colorfully commends her

600
00:29:37,040 --> 00:29:39,040
Speaker 5: on a great pep rally, and she admits it was

601
00:29:39,080 --> 00:29:42,360
Speaker 5: mostly to light a fire under Jerry's lazy butt. Rachel

602
00:29:42,440 --> 00:29:44,760
Speaker 5: knows if he doesn't pass Phoene's exam, they have no

603
00:29:44,880 --> 00:29:48,520
Speaker 5: chance at winning the game. Jack uncomfortably reacts, well, you know,

604
00:29:48,560 --> 00:29:52,400
Speaker 5: it's a sporting event. Oddly shaped ball, inside information, inside information.

605
00:29:52,920 --> 00:29:55,520
Speaker 5: He frantically excuses himself and begins to walk away, but

606
00:29:55,720 --> 00:29:58,200
Speaker 5: Eric follows closely behind him, pointing out that his roommate

607
00:29:58,240 --> 00:30:01,040
Speaker 5: is shaking. Jack bites his nails, convincing himself, but there's

608
00:30:01,040 --> 00:30:02,640
Speaker 5: no such thing as a sure thing. That's the first

609
00:30:02,680 --> 00:30:04,720
Speaker 5: step to accepting that you have a problem. Hello, my

610
00:30:04,840 --> 00:30:09,480
Speaker 5: name's Jack. Eric robotically responds Hello. Back on the couch.

611
00:30:09,560 --> 00:30:12,080
Speaker 5: Rachel has taken it upon herself to help Jerry study.

612
00:30:12,320 --> 00:30:15,200
Speaker 5: She quizzes him on what African nation abolished apartheide in

613
00:30:15,280 --> 00:30:19,320
Speaker 5: nineteen eighty six, and he answers Florida. Eric is impressed. Well,

614
00:30:19,440 --> 00:30:25,400
Speaker 5: that's one right. Jerry asks Rachel why she keeps asking

615
00:30:25,440 --> 00:30:29,000
Speaker 5: him all these history questions, and she says, furiously, because

616
00:30:29,080 --> 00:30:32,360
Speaker 5: that's your major. She hits him with the textbook, calling

617
00:30:32,440 --> 00:30:34,560
Speaker 5: him the dumb dumb, dumbest person alive.

618
00:30:35,280 --> 00:30:37,200
Speaker 3: That's a funny bit too. I thought Maitland was good

619
00:30:37,200 --> 00:30:40,200
Speaker 3: in this episode. Frankly, with nothing to do, right.

620
00:30:40,840 --> 00:30:44,200
Speaker 5: Yeah, Jack is wide eyed as he realizes there's no

621
00:30:44,280 --> 00:30:48,000
Speaker 5: way this goavoons passes mister Feeney's test. He walks away

622
00:30:48,040 --> 00:30:50,720
Speaker 5: on a mission as Eric agrees, Yeah, without him, I

623
00:30:50,720 --> 00:30:52,800
Speaker 5: don't think we're going to have a player. Now you're

624
00:30:52,880 --> 00:30:56,840
Speaker 5: going on that word gavoon, gavoon's gavoons. I've never heard

625
00:30:56,840 --> 00:30:58,360
Speaker 5: that is neither. I know no idea.

626
00:30:58,480 --> 00:31:01,960
Speaker 3: It might be like a made up battalion kind of

627
00:31:02,080 --> 00:31:04,440
Speaker 3: like whatever that kind of stuff is.

628
00:31:04,520 --> 00:31:05,800
Speaker 2: Yeah, we use that.

629
00:31:07,760 --> 00:31:13,760
Speaker 5: N Z G A V O O zs oh.

630
00:31:13,800 --> 00:31:15,240
Speaker 4: It's a band from the seventies.

631
00:31:16,800 --> 00:31:18,680
Speaker 1: I got nothing, nothing's coming on.

632
00:31:20,400 --> 00:31:21,959
Speaker 4: Don't you remember it wasn't there an episode where Eric

633
00:31:22,000 --> 00:31:26,280
Speaker 4: says that, like this, givo make up words.

634
00:31:26,640 --> 00:31:31,520
Speaker 1: Gavone is a popular Italian American slang term, derived from

635
00:31:31,560 --> 00:31:34,200
Speaker 1: the Italian word cafone, used to describe someone who is

636
00:31:34,240 --> 00:31:36,600
Speaker 1: a glutton, greedy, ill manner, or eats like a pig,

637
00:31:38,640 --> 00:31:41,400
Speaker 1: especially in a teasing way, referencing messy or excessive eating,

638
00:31:41,480 --> 00:31:47,640
Speaker 1: especially a family gathering. So I guess it's a gavone, Okay, gavoonsavoonsavon,

639
00:31:48,160 --> 00:31:51,280
Speaker 1: that's a I guess it's a take on gavone. Okay.

640
00:31:52,320 --> 00:31:55,760
Speaker 5: Uh So Jack walks away and Eric says, yeah, without him,

641
00:31:55,760 --> 00:31:57,239
Speaker 5: I don't think we're going to have a prayer. And

642
00:31:57,320 --> 00:32:00,360
Speaker 5: now you're gone, Where did you go? Jack's on the page,

643
00:32:00,640 --> 00:32:06,880
Speaker 5: danny Jack Connor, so that's his stepdad's.

644
00:32:06,840 --> 00:32:11,200
Speaker 1: I thought he said Jack Hunter just weirdly, I didn't

645
00:32:11,200 --> 00:32:11,520
Speaker 1: hear it.

646
00:32:12,080 --> 00:32:13,520
Speaker 4: I tuned up by this point. I think I was

647
00:32:13,520 --> 00:32:13,840
Speaker 4: watching it.

648
00:32:14,040 --> 00:32:15,720
Speaker 1: I thought he said Connor too for a second that

649
00:32:15,720 --> 00:32:16,960
Speaker 1: I was like, oh, no, I guess he just said

650
00:32:17,200 --> 00:32:18,920
Speaker 1: Jack Counter so quickly that's.

651
00:32:19,200 --> 00:32:21,600
Speaker 5: I think he says Jack Connor, and that's what the

652
00:32:21,760 --> 00:32:22,440
Speaker 5: chiron says.

653
00:32:22,600 --> 00:32:25,360
Speaker 4: Oh, it says it says Connor. So it's either either

654
00:32:25,440 --> 00:32:26,240
Speaker 4: that or.

655
00:32:26,440 --> 00:32:30,120
Speaker 3: It's the fake name he uses with his bookie, which

656
00:32:30,120 --> 00:32:32,280
Speaker 3: is also the possibility of what it is.

657
00:32:32,320 --> 00:32:36,120
Speaker 2: It's like he's he's got a fake con possibly.

658
00:32:36,200 --> 00:32:39,320
Speaker 5: I don't know. I mean I would I I definitely

659
00:32:39,560 --> 00:32:40,080
Speaker 5: Jack Conter.

660
00:32:40,640 --> 00:32:41,360
Speaker 1: It's Jack Counter.

661
00:32:41,840 --> 00:32:42,360
Speaker 2: No, you're right.

662
00:32:42,400 --> 00:32:44,640
Speaker 1: You were here and you hear the tea Jack Connor.

663
00:32:45,640 --> 00:32:48,080
Speaker 5: Yeah, I don't know it was. I was like, wait

664
00:32:48,120 --> 00:32:49,240
Speaker 5: what I thought?

665
00:32:49,240 --> 00:32:49,920
Speaker 1: I just heard it wrong.

666
00:32:49,960 --> 00:32:52,800
Speaker 5: Okay, Yeah, we want to place a little bed on

667
00:32:52,840 --> 00:32:55,680
Speaker 5: the penbroke game. Jack laughs, Yeah, I'm on the thirteenth

668
00:32:55,760 --> 00:32:59,000
Speaker 5: step relapse. He puts a dime on the Amish, but

669
00:32:59,120 --> 00:33:01,800
Speaker 5: Eric quickly tries to intercept. The two go back and

670
00:33:01,840 --> 00:33:03,920
Speaker 5: forth with the phone until Eric finally gets a hold

671
00:33:03,960 --> 00:33:06,560
Speaker 5: of it. Instead of canceling Jack's wager, though, he just

672
00:33:06,600 --> 00:33:08,680
Speaker 5: asks the bookie to put another dime on the amish

673
00:33:08,760 --> 00:33:11,920
Speaker 5: for himself and then hangs up. Eric boasts, I don't

674
00:33:11,920 --> 00:33:13,600
Speaker 5: know what I'm doing. He just put me down for

675
00:33:13,640 --> 00:33:16,200
Speaker 5: a dime. Baby. Jack wonders if he knows what a

676
00:33:16,280 --> 00:33:19,680
Speaker 5: dime is, and Eric nods he knows the lingo it's

677
00:33:19,720 --> 00:33:24,120
Speaker 5: fourteen fifty. Jack reveals that a dime is one thousand

678
00:33:24,160 --> 00:33:25,680
Speaker 5: dollars and Eric is surprised.

679
00:33:25,840 --> 00:33:26,200
Speaker 4: Wow.

680
00:33:26,520 --> 00:33:30,400
Speaker 5: Then he laughs hysterically before fainting from shock. Later on,

681
00:33:30,480 --> 00:33:32,600
Speaker 5: in the student union, Corey is dressed as the penguin,

682
00:33:32,680 --> 00:33:35,080
Speaker 5: sounds the mask while a pretty girl holds onto one

683
00:33:35,080 --> 00:33:38,360
Speaker 5: of his flippers. He asks, you really thought I was good?

684
00:33:38,760 --> 00:33:41,160
Speaker 5: She gushes, you were the best penguin ever.

685
00:33:41,400 --> 00:33:44,960
Speaker 1: And back to the tradition of just girls is they're

686
00:33:45,160 --> 00:33:50,760
Speaker 1: rowing themselves at Cory. It's really crazy, Yeah, it's really crazy.

687
00:33:50,840 --> 00:33:55,000
Speaker 5: It's like she can smell that he's single now and

688
00:33:55,600 --> 00:33:58,480
Speaker 5: he's dressed as a penguin and he's apparently not good

689
00:33:58,520 --> 00:34:03,600
Speaker 5: at it, and she is willing to just lie through

690
00:34:03,680 --> 00:34:06,680
Speaker 5: her teeth about how great he is because she so

691
00:34:07,480 --> 00:34:11,200
Speaker 5: badly wants to hook up with him. Yeah, He wonders

692
00:34:11,239 --> 00:34:13,880
Speaker 5: about when he fell into the marching band's tubas, but

693
00:34:13,960 --> 00:34:16,720
Speaker 5: she thinks that was the best part. Sean and Angela

694
00:34:16,760 --> 00:34:19,600
Speaker 5: are still making out, so Corey butts in Tapega would

695
00:34:19,600 --> 00:34:21,479
Speaker 5: have thought it was wrong for me to fall into

696
00:34:21,520 --> 00:34:25,080
Speaker 5: the tubas. Sean points out that they're a little busy,

697
00:34:25,080 --> 00:34:27,839
Speaker 5: and Corey apologizes, then tells them they're doing a great

698
00:34:27,920 --> 00:34:30,880
Speaker 5: job to Pega enters and sees Corey with this mystery

699
00:34:30,920 --> 00:34:34,120
Speaker 5: girl just She asks Corey if after the game he'd

700
00:34:34,160 --> 00:34:37,280
Speaker 5: like to see her dorm room like a real snow bunny,

701
00:34:38,160 --> 00:34:41,600
Speaker 5: but Corey doesn't catch hidden meaning. He wonders, don't all

702
00:34:41,640 --> 00:34:44,480
Speaker 5: dorm rooms look the same. Sean, who is apparently listening

703
00:34:44,520 --> 00:34:47,800
Speaker 5: in while tonguing his girlfriend, kicks his friend. It finally

704
00:34:47,840 --> 00:34:49,640
Speaker 5: clicks for Corey, but he's still hesitant.

705
00:34:49,680 --> 00:34:52,080
Speaker 3: He reminds, you to me all the time, I'm throwing

706
00:34:52,080 --> 00:34:53,719
Speaker 3: it back at you. I don't ever want to hear

707
00:34:53,760 --> 00:34:55,759
Speaker 3: you say, tonguing his girlfriend.

708
00:34:56,040 --> 00:35:03,160
Speaker 5: Ever again, no promises, we got multiple scenes left exactly.

709
00:35:03,440 --> 00:35:07,000
Speaker 5: You never know what's in here. He reminds the girl

710
00:35:07,040 --> 00:35:09,600
Speaker 5: that they hardly know each other, but she emphasizes that's

711
00:35:09,640 --> 00:35:13,640
Speaker 5: why you're coming to my room to Penga looks devastated

712
00:35:14,080 --> 00:35:17,680
Speaker 5: from watching all the horniness. And then we go to

713
00:35:17,719 --> 00:35:19,920
Speaker 5: a commercial break, and then we're in the student union

714
00:35:20,200 --> 00:35:22,239
Speaker 5: with Cory gone to Pega takes a seat next to

715
00:35:22,239 --> 00:35:25,480
Speaker 5: Sean and Angela, who, yes, are still making it out.

716
00:35:25,960 --> 00:35:31,600
Speaker 1: It was nauseating, point truly starting handle hand chapstick to

717
00:35:31,640 --> 00:35:31,959
Speaker 1: one another.

718
00:35:32,000 --> 00:35:35,760
Speaker 3: It's just like, god, I know, watching it was disgusting,

719
00:35:35,960 --> 00:35:38,239
Speaker 3: and it was just like, can we please get I

720
00:35:38,320 --> 00:35:39,200
Speaker 3: was literally turning.

721
00:35:41,600 --> 00:35:44,120
Speaker 1: Don't you say you know what? We wrote this as

722
00:35:44,120 --> 00:35:46,640
Speaker 1: a thing, but obviously it's just weird to watch, so

723
00:35:47,400 --> 00:35:49,719
Speaker 1: let's let's rewrite it. Let's find another way to get

724
00:35:49,760 --> 00:35:52,960
Speaker 1: this point across. But instead they just kept so cross.

725
00:35:53,040 --> 00:35:53,720
Speaker 4: It was gross.

726
00:35:54,880 --> 00:35:57,439
Speaker 5: In an episode where maybe you guys were in your

727
00:35:57,480 --> 00:36:00,279
Speaker 5: dorm room and and we kept having to go somebody

728
00:36:00,320 --> 00:36:02,319
Speaker 5: kept popping their head in there, and all every time

729
00:36:02,360 --> 00:36:04,200
Speaker 5: you guys were still just making out. So we get

730
00:36:04,239 --> 00:36:06,480
Speaker 5: the funny bead of like, wow, it's been four hours

731
00:36:06,480 --> 00:36:09,839
Speaker 5: and those two are still making out. But to have

732
00:36:09,880 --> 00:36:13,040
Speaker 5: you present in every scene, in the background of every scene,

733
00:36:13,040 --> 00:36:14,839
Speaker 5: to the side of every scene, to have people trying

734
00:36:14,880 --> 00:36:18,240
Speaker 5: to talk to you, you engaging in dialogue while also

735
00:36:18,360 --> 00:36:20,719
Speaker 5: still making out is just right.

736
00:36:21,160 --> 00:36:21,359
Speaker 2: Yeah.

737
00:36:21,480 --> 00:36:24,960
Speaker 5: Chris Tapega explains Corey can do whatever he wants, and

738
00:36:25,000 --> 00:36:29,400
Speaker 5: Angela responds he is. Tapega continues, if she's what he wants,

739
00:36:29,440 --> 00:36:31,840
Speaker 5: then let him have her. Angela finally comes up for

740
00:36:31,880 --> 00:36:35,000
Speaker 5: Aaron explains, you're what he wants, and he's what you want.

741
00:36:35,560 --> 00:36:38,040
Speaker 5: Angela asks Sean for five minutes and promises to make

742
00:36:38,080 --> 00:36:40,279
Speaker 5: it up to him. He nods, okay, I haven't had

743
00:36:40,320 --> 00:36:43,880
Speaker 5: water in four days. Angela moves next to Topanga. Everyone

744
00:36:43,920 --> 00:36:45,560
Speaker 5: you know has tried to help you. Corey went to

745
00:36:45,600 --> 00:36:48,040
Speaker 5: Pittsburgh to try to get your parents back together. What

746
00:36:48,080 --> 00:36:50,239
Speaker 5: do you want from him? Are you happy like this?

747
00:36:50,760 --> 00:36:53,560
Speaker 5: To Panga size, I've never been so unhappy in my life.

748
00:36:54,040 --> 00:36:56,560
Speaker 5: Angela admits she thought she was protecting Sean by pushing

749
00:36:56,600 --> 00:36:59,000
Speaker 5: him away, but she was only hurting them both. Now

750
00:36:59,040 --> 00:37:01,920
Speaker 5: that they're back together, she's happier than ever, but she

751
00:37:01,960 --> 00:37:05,440
Speaker 5: does need some chapstick to Panga hands hers to Angela.

752
00:37:05,680 --> 00:37:08,520
Speaker 5: She has no use for it now. Angela quickly applies it.

753
00:37:08,560 --> 00:37:10,279
Speaker 5: Then she hands it to Sean and he hands her

754
00:37:10,280 --> 00:37:13,680
Speaker 5: a water bottle. They finish hydrating and applying mentholate them

755
00:37:13,680 --> 00:37:17,360
Speaker 5: and then go right back to making. Then a horn

756
00:37:17,440 --> 00:37:19,560
Speaker 5: sounds and Eric rides in on a racing bike, wearing

757
00:37:19,560 --> 00:37:23,319
Speaker 5: a full lance armstrong outfit. And why I don't why

758
00:37:24,200 --> 00:37:26,000
Speaker 5: to show that you're already spending the money you think

759
00:37:26,000 --> 00:37:27,359
Speaker 5: you're gonna win, but like.

760
00:37:28,320 --> 00:37:30,399
Speaker 6: But why not come in and throw a three piece

761
00:37:30,440 --> 00:37:34,360
Speaker 6: suit thank you? Or playing a video game on a

762
00:37:34,400 --> 00:37:36,520
Speaker 6: new thing. I've got to come in as an Italian

763
00:37:36,640 --> 00:37:37,320
Speaker 6: bike rider?

764
00:37:37,760 --> 00:37:40,600
Speaker 1: What an Italian thing going on? This whole episode? Yes,

765
00:37:40,719 --> 00:37:41,399
Speaker 1: which is like.

766
00:37:41,440 --> 00:37:43,000
Speaker 4: What it was after a while.

767
00:37:43,000 --> 00:37:45,120
Speaker 3: It was as nauseating to me as watching you make

768
00:37:45,160 --> 00:37:47,399
Speaker 3: out with Drina the whole time, where it's like, really

769
00:37:47,440 --> 00:37:48,560
Speaker 3: the Italian accent again?

770
00:37:49,239 --> 00:37:51,600
Speaker 5: Ugh, he yells to Jack and an attempt at an

771
00:37:51,640 --> 00:37:55,080
Speaker 5: Italian accent. Oh, chow bella, I ride bike, I hunk.

772
00:37:54,840 --> 00:37:55,320
Speaker 2: Of the horn.

773
00:37:55,760 --> 00:37:58,040
Speaker 5: Jack starts to panic Eric this is a five thousand

774
00:37:58,040 --> 00:38:00,239
Speaker 5: dollars bike, which he just knows because he all he's

775
00:38:00,320 --> 00:38:01,239
Speaker 5: very into biking.

776
00:38:01,080 --> 00:38:03,880
Speaker 4: Of course, into biking, Rick gambling only.

777
00:38:03,520 --> 00:38:06,200
Speaker 5: Going to win one thousand dollars. Eric replies, that's not right,

778
00:38:06,280 --> 00:38:10,000
Speaker 5: my little Jacaelina. I'm sorry, my English is no so good.

779
00:38:10,040 --> 00:38:12,600
Speaker 5: How do you say, Jack, hits his helmet and Eric

780
00:38:12,640 --> 00:38:14,520
Speaker 5: cuts the bit. I called Danny and I placed a

781
00:38:14,560 --> 00:38:17,040
Speaker 5: new bet. We're down for five large. Jack's freaking out.

782
00:38:17,080 --> 00:38:19,400
Speaker 5: He called Danny. Eric reminds him, you said it was

783
00:38:19,400 --> 00:38:22,000
Speaker 5: a sure thing. Jack is livid. There's no such thing

784
00:38:22,080 --> 00:38:25,200
Speaker 5: as a sure thing. I learned that in rehab. Eric

785
00:38:25,239 --> 00:38:27,920
Speaker 5: brings back the Italian accent. Then why I got the

786
00:38:28,000 --> 00:38:30,440
Speaker 5: expensive bike and the two hundred dollars panties with the

787
00:38:30,480 --> 00:38:34,520
Speaker 5: cushions in the buttocks? Deal is nice. Jack is obviously stressed,

788
00:38:34,520 --> 00:38:37,440
Speaker 5: but it's gonna be okay. As long as Jerry doesn't play,

789
00:38:37,560 --> 00:38:40,479
Speaker 5: they're in the clear. Eric is sure he's going to play,

790
00:38:40,480 --> 00:38:42,480
Speaker 5: but Jack is not so sure. What if Phoene goes

791
00:38:42,480 --> 00:38:44,919
Speaker 5: soft and lets him play. Eric tells him that's never

792
00:38:44,960 --> 00:38:47,920
Speaker 5: gonna happen. He's known Feene for what fifty seven years now,

793
00:38:47,960 --> 00:38:51,080
Speaker 5: He wouldn't do that, But then the confidence wanes. What

794
00:38:51,160 --> 00:38:54,400
Speaker 5: if he does? Jack cringes, Then we lose and we

795
00:38:54,400 --> 00:38:56,920
Speaker 5: can't pay the bookie. Eric hopes he'd understand that, but

796
00:38:57,040 --> 00:38:59,600
Speaker 5: Jack says, oh, he'll understand that. He'll understand that. While

797
00:38:59,600 --> 00:39:02,480
Speaker 5: he's looking and our thumbs in a jar. Eric is stunned.

798
00:39:02,480 --> 00:39:06,200
Speaker 5: That this man has a thumb jar that seems odd.

799
00:39:06,920 --> 00:39:09,279
Speaker 4: A funny bit but beat at the end.

800
00:39:09,360 --> 00:39:12,320
Speaker 3: But yeah, the whole I just now I'm an Italian

801
00:39:12,440 --> 00:39:15,440
Speaker 3: bike rider. It is just it really is, Let's see

802
00:39:15,600 --> 00:39:18,640
Speaker 3: what we can put will in this whole season, put

803
00:39:18,719 --> 00:39:21,000
Speaker 3: you in an outfit, and we're just gonna let you go.

804
00:39:21,239 --> 00:39:23,359
Speaker 3: And at first it was kind of funny, and now

805
00:39:23,360 --> 00:39:24,880
Speaker 3: I'm going like, oh God, where does this go?

806
00:39:27,040 --> 00:39:28,360
Speaker 2: Culminatesirrels?

807
00:39:28,440 --> 00:39:30,920
Speaker 1: I don't yeah, I mean, yeah, I don't know.

808
00:39:31,000 --> 00:39:31,880
Speaker 4: I think. I mean.

809
00:39:33,560 --> 00:39:36,760
Speaker 1: That it doesn't bother me honestly, Like you being funny

810
00:39:36,760 --> 00:39:39,200
Speaker 1: and having weird asides and being ridiculous is like right,

811
00:39:39,200 --> 00:39:40,960
Speaker 1: but point to it.

812
00:39:41,160 --> 00:39:43,840
Speaker 3: I mean I agree, But like the point where with

813
00:39:43,960 --> 00:39:47,600
Speaker 3: Tapango was like you know, I'm hiding to seek attacked

814
00:39:47,600 --> 00:39:49,000
Speaker 3: to Panga, like there's a reason.

815
00:39:48,800 --> 00:39:50,839
Speaker 1: There's a character basis now I'm just.

816
00:39:50,760 --> 00:39:53,280
Speaker 4: An Italian bike rider, right.

817
00:39:53,440 --> 00:39:56,360
Speaker 5: Yeah, I mean I guess, I guess the idea. I

818
00:39:56,360 --> 00:39:58,959
Speaker 5: don't know why you had to be Italian. I don't

819
00:39:59,000 --> 00:40:01,680
Speaker 5: get that far, but like I said, they did want

820
00:40:01,680 --> 00:40:04,840
Speaker 5: to show that you had become addicted to gambling.

821
00:40:04,560 --> 00:40:06,960
Speaker 4: And there's such better ways to do it, and you're.

822
00:40:06,800 --> 00:40:09,480
Speaker 5: Spending too much money on things, and I you know,

823
00:40:09,840 --> 00:40:10,319
Speaker 5: I don't know.

824
00:40:10,400 --> 00:40:12,279
Speaker 1: I mean, well, you know, we've talked a little bit.

825
00:40:12,320 --> 00:40:13,920
Speaker 1: I feel like in the in the past about the

826
00:40:13,920 --> 00:40:19,840
Speaker 1: difference between like saying like having something be funny versus

827
00:40:19,920 --> 00:40:21,920
Speaker 1: saying something in a funny voice or you know what

828
00:40:21,920 --> 00:40:24,200
Speaker 1: I mean. And I feel like in this case it

829
00:40:24,360 --> 00:40:27,520
Speaker 1: actually doesn't make sense, like there's no motivation. So it's

830
00:40:27,600 --> 00:40:30,440
Speaker 1: just literally like an Italian accident that'll be funny, and

831
00:40:30,480 --> 00:40:31,239
Speaker 1: it is.

832
00:40:31,600 --> 00:40:33,759
Speaker 5: It's a little.

833
00:40:34,640 --> 00:40:37,720
Speaker 1: Pointless, like yeah, yeah, Well.

834
00:40:37,560 --> 00:40:39,919
Speaker 5: Then we're in Phoene's classroom. Eric comes riding his bike

835
00:40:39,920 --> 00:40:42,680
Speaker 5: into the classroom, honking the horn. Phoene size ah the

836
00:40:42,760 --> 00:40:46,040
Speaker 5: tour to idiot. Eric begins to do his Italian accent. Hi,

837
00:40:46,200 --> 00:40:48,759
Speaker 5: I am from the Italy, but Phoene promptly tells him

838
00:40:48,760 --> 00:40:49,279
Speaker 5: to shut up.

839
00:40:49,400 --> 00:40:51,480
Speaker 3: I was like, thank god, thank god. He was like,

840
00:40:51,520 --> 00:40:52,840
Speaker 3: I can't hear this accent anymore.

841
00:40:53,480 --> 00:40:56,239
Speaker 5: Eric gets serious, Jerry Mungo, I think you should pass

842
00:40:56,320 --> 00:40:58,200
Speaker 5: him and let him play, no matter how stupid he is.

843
00:40:58,640 --> 00:41:00,840
Speaker 5: Phoene explains, I'm going to make this so simple that

844
00:41:00,920 --> 00:41:03,719
Speaker 5: even you can understand it. Eric takes off his sunglasses

845
00:41:03,719 --> 00:41:07,240
Speaker 5: and challenges his teacher you can try. Phoene says, because

846
00:41:07,320 --> 00:41:09,959
Speaker 5: Jerry Mungo can score touchdowns, he's been given a free

847
00:41:10,040 --> 00:41:13,480
Speaker 5: ride through this university. I detest that. Eric asks, so

848
00:41:13,560 --> 00:41:16,279
Speaker 5: let me get this straight. If Jerry doesn't pass his test,

849
00:41:16,320 --> 00:41:18,760
Speaker 5: there's no way you're gonna let him play. Phoene nods.

850
00:41:19,040 --> 00:41:21,200
Speaker 5: Eric lets out a happy little giggle, hiding it to

851
00:41:21,239 --> 00:41:25,240
Speaker 5: ask what's passing? Phoene quips, Oh, that's right, you wouldn't

852
00:41:25,239 --> 00:41:28,839
Speaker 5: know sixty five. Eric asks, what about a sixty four,

853
00:41:29,239 --> 00:41:32,319
Speaker 5: an eighty, a twenty? Phoene answers every time until he

854
00:41:32,320 --> 00:41:35,120
Speaker 5: can't take it anymore. Are you kidding me? Eric understands,

855
00:41:35,320 --> 00:41:38,840
Speaker 5: but asks again about twenty. Eric can't believe that Phoene

856
00:41:38,840 --> 00:41:41,800
Speaker 5: cares more about morals and ethics than he does about football,

857
00:41:41,920 --> 00:41:44,520
Speaker 5: but Phoene's not budging. They go back and forth, yelling

858
00:41:44,560 --> 00:41:46,719
Speaker 5: fine to each other, until Phoene tells him he doesn't

859
00:41:46,719 --> 00:41:49,080
Speaker 5: want to play anymore. Eric gets the last laugh by

860
00:41:49,080 --> 00:41:52,520
Speaker 5: saying fine, thus winning the game. Hemaniacally laughs and bikes

861
00:41:52,520 --> 00:41:54,160
Speaker 5: out of the room. We see Jack was waiting for

862
00:41:54,239 --> 00:41:56,799
Speaker 5: him in the hallway. Eric excitedly reveals that he did it.

863
00:41:56,800 --> 00:41:59,040
Speaker 5: It's in the bag. No way Mungo is gonna play.

864
00:41:59,239 --> 00:42:02,880
Speaker 5: He outsmarted and it felt so good. Jack congratulates him,

865
00:42:02,880 --> 00:42:04,960
Speaker 5: but Eric doesn't want to leave. He insists that he

866
00:42:05,040 --> 00:42:07,040
Speaker 5: needs to go back into the classroom and pull another

867
00:42:07,080 --> 00:42:09,080
Speaker 5: one over on Phoene, but Jack begs him not to

868
00:42:09,080 --> 00:42:11,560
Speaker 5: do it. Eric honks his horn as he re enters,

869
00:42:11,560 --> 00:42:14,200
Speaker 5: and Phoene looks less than pleased. To seal the deal,

870
00:42:14,360 --> 00:42:17,480
Speaker 5: Eric tells him, just remember one thing when Jerry Mungo

871
00:42:17,520 --> 00:42:20,840
Speaker 5: fails his test, and that Amish horse drawn buggy charges

872
00:42:20,840 --> 00:42:24,040
Speaker 5: across our football field and victory, crushing the hearts of

873
00:42:24,160 --> 00:42:27,439
Speaker 5: every student here at this university. You hold your head

874
00:42:27,520 --> 00:42:31,120
Speaker 5: up high, Phoene, because you held to your ethics. Good

875
00:42:31,160 --> 00:42:33,839
Speaker 5: for you. He backs away and lets out a few

876
00:42:33,880 --> 00:42:37,640
Speaker 5: more insane giggles before one again pedaling out, but this

877
00:42:37,680 --> 00:42:42,800
Speaker 5: time Phoene ponders Eric's words a bit more than before. Okay,

878
00:42:43,440 --> 00:42:46,879
Speaker 5: really sealed the deal on that scene, Like, we get

879
00:42:46,920 --> 00:42:48,400
Speaker 5: what's going to happen now for sure?

880
00:42:48,920 --> 00:42:50,839
Speaker 4: Yeah, this was and again this was them. I got

881
00:42:50,840 --> 00:42:51,520
Speaker 4: what they were doing.

882
00:42:51,800 --> 00:42:54,680
Speaker 3: They wanted to get Eric and Phoenie together mm hm,

883
00:42:54,680 --> 00:42:58,200
Speaker 3: and so they would manufacture reasons to do that. And

884
00:42:58,239 --> 00:43:00,160
Speaker 3: it was again I always loved working with Bill, so

885
00:43:00,160 --> 00:43:01,520
Speaker 3: I didn't have a problem with it. But a lot

886
00:43:01,520 --> 00:43:04,360
Speaker 3: of times you're just kind of like, okay, yeah, just

887
00:43:04,480 --> 00:43:05,560
Speaker 3: riding the bike around the school.

888
00:43:17,800 --> 00:43:20,320
Speaker 5: And then we're in the girls apartment. Rhiannon and Jedediah

889
00:43:20,360 --> 00:43:23,240
Speaker 5: Lawrence exit the elevator together and Jedediah makes a beeline

890
00:43:23,280 --> 00:43:26,879
Speaker 5: for Topanga's apartment. Rhiannon's hesitant about whatever they're doing. There's

891
00:43:26,880 --> 00:43:29,600
Speaker 5: absolutely no reason to tell her this now. He argues

892
00:43:29,640 --> 00:43:31,279
Speaker 5: that she's going to find out eventually, so it's best

893
00:43:31,320 --> 00:43:33,560
Speaker 5: for her to find out from him, but Rhiannon reminds

894
00:43:33,640 --> 00:43:35,920
Speaker 5: him that this is between Corey and Tapanga, not between

895
00:43:35,920 --> 00:43:39,399
Speaker 5: Tapanga and him. Jedediah emphasizes that the only reason there's

896
00:43:39,400 --> 00:43:41,600
Speaker 5: an issue with Corey and Tapanga is because of him.

897
00:43:41,800 --> 00:43:47,480
Speaker 5: He wants to help what Rhannon insists she's not ready

898
00:43:47,480 --> 00:43:50,279
Speaker 5: for this. You tell her you left me for someone else,

899
00:43:50,400 --> 00:43:53,400
Speaker 5: she'll hate you. Jedediah shakes his head, No, she won't.

900
00:43:53,480 --> 00:43:56,080
Speaker 5: I'm her father. She loves me, And with that, he

901
00:43:56,200 --> 00:43:59,200
Speaker 5: rings the doorbell. It's been a while, so welcome back.

902
00:43:59,360 --> 00:44:00,640
Speaker 5: The opt to go.

903
00:44:01,520 --> 00:44:04,359
Speaker 1: Yeah, we have a doorbell that never existed. By the way,

904
00:44:04,960 --> 00:44:07,560
Speaker 1: this last episode, Remember I was knocking on the door, knocking,

905
00:44:07,640 --> 00:44:10,520
Speaker 1: knock and knocking, knock, knocking, knock, knock, knocking, k knocking.

906
00:44:10,920 --> 00:44:13,400
Speaker 5: Tapega tells her dad to get out. She's crying and

907
00:44:13,440 --> 00:44:14,920
Speaker 5: he's begging her to give him a chance, but she

908
00:44:14,960 --> 00:44:17,399
Speaker 5: won't listen. She hugs her mom while her dad leaves,

909
00:44:17,440 --> 00:44:19,319
Speaker 5: telling his daughter he loves her and is sorry for

910
00:44:19,360 --> 00:44:19,839
Speaker 5: what he did.

911
00:44:20,000 --> 00:44:25,200
Speaker 1: Okay, So he was thinking, if I admit to Topanga

912
00:44:25,520 --> 00:44:26,919
Speaker 1: that I there are.

913
00:44:26,840 --> 00:44:29,319
Speaker 5: Two different things, they're two different thoughts. One, she's gonna

914
00:44:29,320 --> 00:44:31,200
Speaker 5: find out I have a girlfriend and left you for

915
00:44:31,280 --> 00:44:33,719
Speaker 5: another woman. Anyway, I want to be the person to

916
00:44:33,880 --> 00:44:37,920
Speaker 5: tell her I understand two. If not for our divorce,

917
00:44:38,040 --> 00:44:40,440
Speaker 5: Corey and Tapanga wouldn't be having any problems. So I

918
00:44:40,520 --> 00:44:43,640
Speaker 5: also want to smooth. I also want to tell her

919
00:44:43,640 --> 00:44:45,000
Speaker 5: to get back together with Corey to.

920
00:44:45,080 --> 00:44:48,600
Speaker 1: Different but like, like why does the fact because her

921
00:44:48,600 --> 00:44:52,799
Speaker 1: feelings are wrong but they're still divorcing, and and if

922
00:44:52,880 --> 00:44:57,799
Speaker 1: she assumed that like the so so the idea is

923
00:44:57,800 --> 00:45:00,520
Speaker 1: that because he left her for another woman and didn't

924
00:45:00,560 --> 00:45:03,120
Speaker 1: just divorce her for what I guess any other reason

925
00:45:03,320 --> 00:45:05,600
Speaker 1: that that was in it will convince to Pega that

926
00:45:05,640 --> 00:45:06,560
Speaker 1: it's okay to stay.

927
00:45:06,400 --> 00:45:10,440
Speaker 5: With Corey, right because that would never happen to them.

928
00:45:11,160 --> 00:45:14,839
Speaker 1: I don't like they're still divorcing. And yeah, and so

929
00:45:14,880 --> 00:45:18,120
Speaker 1: it's not saying you and Corey like I just don't understand.

930
00:45:18,160 --> 00:45:20,480
Speaker 1: It's like you and Corey are going to work like

931
00:45:20,920 --> 00:45:24,080
Speaker 1: I just like you're still divorcing. The logic doesn't make

932
00:45:24,120 --> 00:45:27,880
Speaker 1: any sense to me that, like, because I left your

933
00:45:28,000 --> 00:45:32,120
Speaker 1: mom for another woman, it has no reflection on my

934
00:45:32,239 --> 00:45:35,279
Speaker 1: love for her, So therefore your love for Corey should

935
00:45:35,320 --> 00:45:36,040
Speaker 1: still be good.

936
00:45:36,080 --> 00:45:39,239
Speaker 3: Right right, Yeah, yeah, it's the last episode, it was

937
00:45:39,680 --> 00:45:43,760
Speaker 3: the dad saying to Angela, you're not your mom. Your

938
00:45:43,800 --> 00:45:46,719
Speaker 3: mom left, You're not going to do that because you're

939
00:45:46,760 --> 00:45:49,200
Speaker 3: in love, right And in this one because I told

940
00:45:49,200 --> 00:45:51,640
Speaker 3: you so, because I told you so, And in this

941
00:45:51,719 --> 00:45:56,120
Speaker 3: one it's it's really has nothing to do with your mom.

942
00:45:56,200 --> 00:46:00,719
Speaker 4: It's all about me. So Corey might still she need.

943
00:46:00,960 --> 00:46:03,319
Speaker 5: It's the same idea. Yea, I wasn't in love with

944
00:46:03,400 --> 00:46:05,600
Speaker 5: your mom anymore, and so as long and that's what

945
00:46:05,640 --> 00:46:08,440
Speaker 5: it is, because that's then what Tapega says. Love is

946
00:46:08,520 --> 00:46:10,520
Speaker 5: real and we have to do everything we can to

947
00:46:10,680 --> 00:46:14,360
Speaker 5: keep it alive. So in this situation, the situation with

948
00:46:14,440 --> 00:46:19,800
Speaker 5: her parents. Their love died, he found love with someone else,

949
00:46:20,640 --> 00:46:24,239
Speaker 5: and so as long as Corey and Topanga don't let

950
00:46:24,280 --> 00:46:27,480
Speaker 5: their love die, they'll never get a divorce.

951
00:46:27,600 --> 00:46:29,960
Speaker 1: But that still might happen, Like, I don't understand why

952
00:46:30,000 --> 00:46:32,120
Speaker 1: it's a different argument. How does it change anything that

953
00:46:32,160 --> 00:46:36,000
Speaker 1: he left her for another woman? That doesn't change anything

954
00:46:36,000 --> 00:46:38,200
Speaker 1: as far as the logic, which I put in air

955
00:46:38,280 --> 00:46:39,160
Speaker 1: quotes because it makes.

956
00:46:39,000 --> 00:46:41,120
Speaker 5: It no unless you're saying to someone, as long as

957
00:46:41,160 --> 00:46:43,839
Speaker 5: you learn from my mistakes and don't fall out of love.

958
00:46:45,400 --> 00:46:47,879
Speaker 3: Yeah, The only way this would have worked is if

959
00:46:47,960 --> 00:46:52,719
Speaker 3: Tapanga thought the relationship was breaking up because of her mother, right,

960
00:46:53,080 --> 00:46:54,920
Speaker 3: And then it's the father who comes and is like,

961
00:46:55,080 --> 00:46:56,880
Speaker 3: it's not her fault, it's.

962
00:46:56,680 --> 00:46:57,600
Speaker 2: At my fault.

963
00:46:57,719 --> 00:47:00,520
Speaker 1: Right. That's a good point, right if she like, oh,

964
00:47:00,520 --> 00:47:03,200
Speaker 1: I'm going to be like my mom who would break

965
00:47:03,239 --> 00:47:07,600
Speaker 1: up married, right, And it turns out to be the dad,

966
00:47:08,080 --> 00:47:10,239
Speaker 1: and then it's Corey going, but I'm not your dad,

967
00:47:10,360 --> 00:47:13,239
Speaker 1: I'm not gonna hurt so yes, So.

968
00:47:13,239 --> 00:47:15,479
Speaker 5: Why did why would Topanga think it was her mom?

969
00:47:15,719 --> 00:47:15,799
Speaker 6: Like?

970
00:47:15,880 --> 00:47:18,200
Speaker 5: Why like, why would she well.

971
00:47:18,080 --> 00:47:20,000
Speaker 1: Why does she assume that because her parents broke up,

972
00:47:20,160 --> 00:47:23,239
Speaker 1: she can't be in a relationship anyway, the correlation makes

973
00:47:23,280 --> 00:47:24,200
Speaker 1: no sense, but.

974
00:47:23,960 --> 00:47:26,200
Speaker 2: The now none of us made it.

975
00:47:27,000 --> 00:47:31,040
Speaker 4: But I was Italian, I said, not little Ja.

976
00:47:32,760 --> 00:47:35,400
Speaker 5: Once he's gone, Topega tells her mom she's so sorry

977
00:47:35,400 --> 00:47:38,719
Speaker 5: and asks if she knew. Rhannon nods, I knew, he

978
00:47:38,840 --> 00:47:41,960
Speaker 5: was just so happy all the time, and there's a

979
00:47:42,040 --> 00:47:45,400
Speaker 5: small laugh there from the inmates. Topega asks why she

980
00:47:45,440 --> 00:47:47,439
Speaker 5: didn't tell her and Rihanna and explains that it wasn't

981
00:47:47,480 --> 00:47:50,080
Speaker 5: important to Pega decides she doesn't like her dad anymore,

982
00:47:50,120 --> 00:47:53,600
Speaker 5: and Rhiannon admits neither do I, except I do, and

983
00:47:53,640 --> 00:47:59,600
Speaker 5: so do you. Topinka insists I hate him, but her

984
00:47:59,640 --> 00:48:02,359
Speaker 5: mom said, no, you don't. You can never hate him,

985
00:48:02,440 --> 00:48:04,919
Speaker 5: and I would never want you to to. Pega doesn't

986
00:48:05,000 --> 00:48:07,399
Speaker 5: understand how she can be so rational about this. And

987
00:48:07,560 --> 00:48:09,480
Speaker 5: I love Jeff McCracken, but I did not like the

988
00:48:09,480 --> 00:48:12,000
Speaker 5: blocking of this, just going back and forth and back

989
00:48:12,000 --> 00:48:14,960
Speaker 5: and forth. And I know, I know that they didn't

990
00:48:15,000 --> 00:48:18,480
Speaker 5: want two people just sitting in one location having a conversation,

991
00:48:18,640 --> 00:48:20,920
Speaker 5: but I so much would have preferred two people sitting

992
00:48:21,239 --> 00:48:24,759
Speaker 5: in one location having a conversation. Then Tapega just aimlessly

993
00:48:24,960 --> 00:48:28,600
Speaker 5: bouncing back and forth, pacing just pacing is just not good.

994
00:48:28,760 --> 00:48:30,400
Speaker 3: And I know we've said this before, but pointing it

995
00:48:30,400 --> 00:48:32,399
Speaker 3: out again, Marsha Cross is a rock star.

996
00:48:32,680 --> 00:48:36,439
Speaker 4: She's so good, really really good, so good.

997
00:48:37,320 --> 00:48:39,320
Speaker 5: Rhiannon says that after you cut his face out of

998
00:48:39,360 --> 00:48:42,480
Speaker 5: every family photo, smash everything he owns, and cry hysterically

999
00:48:42,520 --> 00:48:45,480
Speaker 5: over it for three months, you eventually get to rational.

1000
00:48:45,840 --> 00:48:49,600
Speaker 5: Tapega responds, well, I'm not rational, and Rhannon agrees. She

1001
00:48:49,680 --> 00:48:52,200
Speaker 5: tells her daughter, whatever happens between your father and me

1002
00:48:52,280 --> 00:48:54,360
Speaker 5: shouldn't affect what happens between you and Corey.

1003
00:48:54,840 --> 00:48:57,760
Speaker 1: Well someone said it. Yeah, my god.

1004
00:48:58,560 --> 00:49:00,400
Speaker 5: Topenga is shocked that her mom can and even be

1005
00:49:00,440 --> 00:49:03,760
Speaker 5: thinking of her amidst all this chaos. Rhyannon siyhs, well,

1006
00:49:03,880 --> 00:49:05,839
Speaker 5: I may not be a wife anymore, but I'm still

1007
00:49:05,880 --> 00:49:08,919
Speaker 5: your mother. Tapegas shakes her head. I don't ever want

1008
00:49:08,960 --> 00:49:10,799
Speaker 5: Corey and I to hurt each other like you and dad,

1009
00:49:11,320 --> 00:49:13,680
Speaker 5: Rhannon exclaims, to hell with me and dad. This isn't

1010
00:49:13,680 --> 00:49:16,440
Speaker 5: about us anymore. This is about you and Corey and

1011
00:49:16,480 --> 00:49:19,400
Speaker 5: what you and Corey have. It's rare and real and

1012
00:49:19,440 --> 00:49:23,399
Speaker 5: good and true. Topenga admits she's scared. She's scared because

1013
00:49:23,400 --> 00:49:25,520
Speaker 5: of her mom. And how she's always perceived her parents

1014
00:49:25,560 --> 00:49:29,000
Speaker 5: as happy. Rannon insists, we were and now we're not.

1015
00:49:29,560 --> 00:49:31,640
Speaker 5: But I would never trade what I had with your father,

1016
00:49:31,760 --> 00:49:33,880
Speaker 5: even if I knew it wasn't going to last forever.

1017
00:49:34,760 --> 00:49:36,600
Speaker 5: To Penga's shocked to hear that her mom say that.

1018
00:49:37,000 --> 00:49:39,200
Speaker 5: Rhannon asks, are you going to give up Corey because

1019
00:49:39,200 --> 00:49:41,360
Speaker 5: you're afraid of what might happen in the future, or

1020
00:49:41,360 --> 00:49:43,080
Speaker 5: are you going to have the courage to marry him

1021
00:49:43,160 --> 00:49:46,160
Speaker 5: and find out? And then we're back in the student

1022
00:49:46,280 --> 00:49:48,680
Speaker 5: union for another PEP rally. The big game against the

1023
00:49:48,680 --> 00:49:51,360
Speaker 5: Amish is tonight. Corey is dressed up as Pangy, and

1024
00:49:51,400 --> 00:49:55,080
Speaker 5: the mystery girl, who apparently has a penguin fetish, reminds

1025
00:49:55,120 --> 00:49:58,279
Speaker 5: him my room. After the big game, Corey gives her

1026
00:49:58,280 --> 00:50:00,960
Speaker 5: an over the top salute, and response returns to getting

1027
00:50:00,960 --> 00:50:03,480
Speaker 5: the crowd hyped up. Eric and Jack, who are supposed

1028
00:50:03,480 --> 00:50:07,480
Speaker 5: to be participating as cheerleaders, seem very stressed. Eric asks,

1029
00:50:07,520 --> 00:50:09,279
Speaker 5: it's getting a little late. Don't you think Phoene should

1030
00:50:09,280 --> 00:50:11,960
Speaker 5: announced that he's not playing by now? Just then Jack

1031
00:50:12,000 --> 00:50:14,960
Speaker 5: sees the teacher walk in. Here comes mister party pooper.

1032
00:50:15,000 --> 00:50:18,120
Speaker 5: Now Phoene hops onto the stage, and Eric asks everyone

1033
00:50:18,160 --> 00:50:21,120
Speaker 5: to be quiet to hear the announcement. Phoeney acknowledges the

1034
00:50:21,200 --> 00:50:24,240
Speaker 5: rumors and admits, I'm afraid I have some bad news.

1035
00:50:24,719 --> 00:50:28,200
Speaker 5: Jack and Eric exchange excited looks. Then Feeney continues, bad

1036
00:50:28,280 --> 00:50:33,000
Speaker 5: news for the Amish. I give you our starting tailback,

1037
00:50:33,280 --> 00:50:37,280
Speaker 5: Jerry Mungo. Jerry sprints onto the stage holding his helmet,

1038
00:50:37,280 --> 00:50:40,080
Speaker 5: accompanied by Rachel. He hops onto the stage, giving out

1039
00:50:40,160 --> 00:50:43,360
Speaker 5: high fives to the excited crowd. Eric and Jack are horrified.

1040
00:50:43,640 --> 00:50:46,480
Speaker 5: They immediately confront feene Eric wonders, how could he pass?

1041
00:50:46,480 --> 00:50:49,440
Speaker 5: He's dumber than me. How could he pass? Jack asks Feenie,

1042
00:50:49,520 --> 00:50:53,520
Speaker 5: what happened. Phoene points to Eric. He happened. That last

1043
00:50:53,520 --> 00:50:55,600
Speaker 5: thing you said to me in my office got me thinking.

1044
00:50:56,040 --> 00:50:58,760
Speaker 5: Jack growls at Eric, you had to go back in there,

1045
00:50:59,160 --> 00:51:02,080
Speaker 5: and Eric begs to do hate me. Phoene wonders, was

1046
00:51:02,120 --> 00:51:05,480
Speaker 5: I so focused on academia that I forgot about school spirit.

1047
00:51:06,000 --> 00:51:08,200
Speaker 5: The boys try to tell him no, but phoene says, yes,

1048
00:51:08,640 --> 00:51:11,160
Speaker 5: So I took on the ultimate challenge? Could I take

1049
00:51:11,160 --> 00:51:14,000
Speaker 5: somebody actually dumber than you and in only twenty four

1050
00:51:14,040 --> 00:51:17,640
Speaker 5: hours raise him to his highest possible level? Eric wins,

1051
00:51:17,880 --> 00:51:20,720
Speaker 5: and you did. Phoene pulls out the test and hands

1052
00:51:20,719 --> 00:51:23,839
Speaker 5: it to him sixty five baby. Eric and Jack stare

1053
00:51:23,880 --> 00:51:25,880
Speaker 5: at the test in disbelief, and Phoene pats them on

1054
00:51:25,880 --> 00:51:29,040
Speaker 5: the shoulders. Come on, boys, let's go kick some amish butt.

1055
00:51:29,800 --> 00:51:32,640
Speaker 5: Jack breaks the news to Eric you killed us a genius,

1056
00:51:33,080 --> 00:51:36,080
Speaker 5: but Eric tries to sugarcoat it. Jack, Jack, listen to me.

1057
00:51:36,400 --> 00:51:38,879
Speaker 5: Bookies take so many bets, they're probably not even thinking

1058
00:51:38,920 --> 00:51:42,719
Speaker 5: about ours. Jack sarcastically tells him, yeah, you're probably right.

1059
00:51:43,239 --> 00:51:45,759
Speaker 5: Eric smiles, I'm not right at all, am I. And

1060
00:51:45,840 --> 00:51:48,360
Speaker 5: at that moment, two scary men dressed in all black

1061
00:51:48,440 --> 00:51:49,359
Speaker 5: creep up behind them.

1062
00:51:49,520 --> 00:51:51,640
Speaker 3: Okay, Eric, I've never ever placed a bet with a

1063
00:51:51,640 --> 00:51:53,400
Speaker 3: booky in my life. But do they normally show up

1064
00:51:53,440 --> 00:51:54,720
Speaker 3: before the game has happened?

1065
00:51:55,000 --> 00:51:55,080
Speaker 4: No?

1066
00:51:55,840 --> 00:51:57,920
Speaker 1: Okay, no, never just jacking.

1067
00:51:58,200 --> 00:52:02,399
Speaker 5: Just one of those bookies Ish Miller, Miller, the one

1068
00:52:02,400 --> 00:52:06,319
Speaker 5: who talks. Eric extends a hand. Hello, two very large men.

1069
00:52:06,400 --> 00:52:09,120
Speaker 5: I don't believe we've had the pleasure. One of them responds,

1070
00:52:09,239 --> 00:52:11,640
Speaker 5: Danny sent us the book. He's had a convention, and

1071
00:52:11,680 --> 00:52:14,040
Speaker 5: you two were voted most likely to lose and run

1072
00:52:14,080 --> 00:52:16,759
Speaker 5: like the wind. Eric whispers to Jack. See they're not

1073
00:52:16,760 --> 00:52:18,800
Speaker 5: here to hurt us. They wanted to give us a plaque.

1074
00:52:19,400 --> 00:52:21,120
Speaker 5: Jack tells him to run and they make a break

1075
00:52:21,160 --> 00:52:24,239
Speaker 5: for it. The goons follow quickly behind. Then we see

1076
00:52:24,280 --> 00:52:27,120
Speaker 5: Tapango walking through the crowd of students. She spots Pegy

1077
00:52:27,120 --> 00:52:30,000
Speaker 5: and taps him on the shoulder. Don't say anything, just

1078
00:52:30,080 --> 00:52:33,879
Speaker 5: hold me. They hug, and Penge slowly starts to move

1079
00:52:33,880 --> 00:52:37,040
Speaker 5: his flipper down to her butt, but then Corey enters

1080
00:52:37,080 --> 00:52:40,359
Speaker 5: the student union. He's not Pegy to Pega sees him

1081
00:52:40,360 --> 00:52:42,799
Speaker 5: and quickly pulls away from the creepy mascot. She looks

1082
00:52:42,800 --> 00:52:44,520
Speaker 5: at the penguin and punches him straight in the face,

1083
00:52:44,600 --> 00:52:47,120
Speaker 5: knocking him to the floor. She asks Cory why he

1084
00:52:47,160 --> 00:52:49,880
Speaker 5: isn't the penguin, and he explains, I fell on the tubus.

1085
00:52:50,040 --> 00:52:52,719
Speaker 5: I tore cartilage doing the igglue dance. You were right,

1086
00:52:52,960 --> 00:52:55,640
Speaker 5: I made a terrible penguin. Nobody knows me better than you,

1087
00:52:56,280 --> 00:52:59,520
Speaker 5: she smiles. Nobody knows me better than you. And now

1088
00:52:59,560 --> 00:53:01,440
Speaker 5: we start this thing that we used to have to

1089
00:53:01,440 --> 00:53:03,920
Speaker 5: do on the show, where we have rapid fire conversation

1090
00:53:04,040 --> 00:53:06,040
Speaker 5: back and forth where no one's listening to each other.

1091
00:53:06,160 --> 00:53:10,160
Speaker 4: That's real. That happens in your life all the time.

1092
00:53:10,400 --> 00:53:13,920
Speaker 5: Yeah, Corey asks, it doesn't matter though, right. Tapega tells him,

1093
00:53:13,960 --> 00:53:16,040
Speaker 5: you mean everything to me, and he says, because we're

1094
00:53:16,080 --> 00:53:18,759
Speaker 5: never going to be together again. Tapega says, I want

1095
00:53:18,760 --> 00:53:21,680
Speaker 5: to be with you forever. Corey continues, but it's okay,

1096
00:53:21,840 --> 00:53:24,920
Speaker 5: I've accepted it. I'm ready to move on to Pega responds,

1097
00:53:25,040 --> 00:53:26,600
Speaker 5: I love you. I want to be your wife.

1098
00:53:26,680 --> 00:53:28,879
Speaker 1: This is funny that this is the bit that because

1099
00:53:28,880 --> 00:53:30,480
Speaker 1: this is what happens on the monkey bars, right or

1100
00:53:30,480 --> 00:53:36,920
Speaker 1: whatever or the playground, So this is the the reunit.

1101
00:53:37,200 --> 00:53:40,760
Speaker 1: Whenever Corey de Banger reunite, they literally talk over one.

1102
00:53:40,600 --> 00:53:43,120
Speaker 4: Another and Corey doesn't hear anything she's saying.

1103
00:53:43,120 --> 00:53:44,240
Speaker 1: Ever, Now, that's.

1104
00:53:44,320 --> 00:53:49,000
Speaker 5: Remarkably like it waits until the moment that Corey is

1105
00:53:49,200 --> 00:53:52,160
Speaker 5: ready to just he when in his final moment of

1106
00:53:52,160 --> 00:53:56,880
Speaker 5: giving up the last possible second to Pega changes it.

1107
00:53:57,239 --> 00:53:59,399
Speaker 1: Yeah, and he's still not listening to her.

1108
00:54:00,239 --> 00:54:03,440
Speaker 2: Now, my god, that is so healthy.

1109
00:54:04,120 --> 00:54:07,000
Speaker 1: Just it's so revealing, Like it's amazing that Amanz.

1110
00:54:08,400 --> 00:54:08,640
Speaker 4: Yeah.

1111
00:54:09,480 --> 00:54:13,359
Speaker 5: Yeah, and I don't think it was intentional, probably.

1112
00:54:13,120 --> 00:54:18,200
Speaker 1: No, it's like a bit that somehow got you know. Yeah,

1113
00:54:18,560 --> 00:54:21,200
Speaker 1: it just it's just yeah, it's really revealing.

1114
00:54:22,680 --> 00:54:25,719
Speaker 5: Clueless. Corey grabs her hand and says, so, I guess

1115
00:54:25,760 --> 00:54:29,080
Speaker 5: you and I are officially over. Goodbye to Panga. She

1116
00:54:29,160 --> 00:54:31,280
Speaker 5: pushes him down onto the floor and pins him down.

1117
00:54:31,440 --> 00:54:34,520
Speaker 5: He admits this is new amongst the crowd. She lies

1118
00:54:34,560 --> 00:54:36,920
Speaker 5: next to him. If something bad happens to us someday,

1119
00:54:36,920 --> 00:54:38,960
Speaker 5: it could never change what we have now, what we've

1120
00:54:38,960 --> 00:54:42,120
Speaker 5: always had. Because you're right, Cory, love is real and

1121
00:54:42,160 --> 00:54:44,280
Speaker 5: we have to do everything we can to keep it alive.

1122
00:54:44,840 --> 00:54:47,919
Speaker 5: Corey breaks it to her, you really haven't been doing that, dear.

1123
00:54:48,560 --> 00:54:50,160
Speaker 5: She asks, what can I do to make it up

1124
00:54:50,200 --> 00:54:53,200
Speaker 5: to you? He winces you can move your knee. She

1125
00:54:53,280 --> 00:54:56,680
Speaker 5: apologizes and explains, wherever life takes us, I want it

1126
00:54:56,680 --> 00:54:57,160
Speaker 5: to be with you.

1127
00:54:57,239 --> 00:54:59,279
Speaker 1: Why do they end up on the ground Because she's

1128
00:55:00,880 --> 00:55:05,160
Speaker 1: so it's just like aggressive female aggressive female dominations sexual.

1129
00:55:05,840 --> 00:55:08,000
Speaker 4: I think it's also because he wasn't listening.

1130
00:55:08,080 --> 00:55:10,719
Speaker 1: She grabbed him like now I'm gonna Now I've got you,

1131
00:55:10,800 --> 00:55:13,200
Speaker 1: so you're gonna very unmotivated. It just feels like, oh,

1132
00:55:13,200 --> 00:55:13,800
Speaker 1: we just get on.

1133
00:55:13,920 --> 00:55:14,120
Speaker 4: I was.

1134
00:55:14,680 --> 00:55:16,960
Speaker 5: He said goodbye, and so she needed to pin him

1135
00:55:16,960 --> 00:55:19,200
Speaker 5: down so he didn't leave. Because he wasn't listening to her,

1136
00:55:19,280 --> 00:55:21,799
Speaker 5: so it was literally I have to physically restrain him,

1137
00:55:21,920 --> 00:55:25,960
Speaker 5: and I'm going to do it with you know, my ensorcement.

1138
00:55:27,080 --> 00:55:28,200
Speaker 4: It's a sexual tackle.

1139
00:55:28,480 --> 00:55:32,040
Speaker 5: Yes, they lean in and kiss each other. Meanwhile, on stage,

1140
00:55:32,120 --> 00:55:34,000
Speaker 5: Rachel tells the crowd that it's time to stick it

1141
00:55:34,000 --> 00:55:36,080
Speaker 5: to the Amish. Everyone runs out the door for the

1142
00:55:36,080 --> 00:55:38,400
Speaker 5: big game, leaving just Angela and Sean and Corey and

1143
00:55:38,400 --> 00:55:41,120
Speaker 5: Tapanga still laying on the floor as band members step

1144
00:55:41,200 --> 00:55:44,919
Speaker 5: over them. Two couples back together again, happily making out

1145
00:55:45,000 --> 00:55:49,640
Speaker 5: in public like absolute perverts. And then we're in the tag.

1146
00:55:49,800 --> 00:55:52,360
Speaker 1: We have rooms, we're adults.

1147
00:55:52,440 --> 00:55:53,640
Speaker 5: We are adults' rooms.

1148
00:55:53,719 --> 00:55:55,719
Speaker 1: High school a high school dance where you have to

1149
00:55:55,719 --> 00:55:57,920
Speaker 1: like make out on a corner. But we're like, just

1150
00:55:58,000 --> 00:56:00,479
Speaker 1: go to your dorm rooms and get it on. Yeah,

1151
00:56:00,520 --> 00:56:02,160
Speaker 1: like Sean and andam what are you doing?

1152
00:56:02,400 --> 00:56:05,279
Speaker 5: What are you doing? And then we're in the tag.

1153
00:56:05,320 --> 00:56:08,000
Speaker 5: We're in Amish country. Eric and Jack are disguised as

1154
00:56:08,040 --> 00:56:10,720
Speaker 5: Amish men, riding in a horse and buggy. Jack scolds

1155
00:56:10,840 --> 00:56:14,600
Speaker 5: Eric for groping the women while they churn the butter because.

1156
00:56:14,360 --> 00:56:16,839
Speaker 3: We needed Hey, we got thirty five seconds left, let's

1157
00:56:16,840 --> 00:56:20,120
Speaker 3: get another sexual assault joke in there, he got the time.

1158
00:56:20,600 --> 00:56:23,319
Speaker 5: Eric frowns, but I love dairy and I think I'm

1159
00:56:23,360 --> 00:56:26,520
Speaker 5: falling hard for Anna Lundyke. I tried to talk to her,

1160
00:56:26,560 --> 00:56:29,200
Speaker 5: but she shunned me. Jack reminds him she hit him

1161
00:56:29,239 --> 00:56:31,640
Speaker 5: with a rake. Eric asks, how long do you think

1162
00:56:31,640 --> 00:56:34,880
Speaker 5: we have to hide out here? Jack shrugs forty fifty years.

1163
00:56:35,040 --> 00:56:38,000
Speaker 5: Everybody should be dead. Eric tries to look at the positives.

1164
00:56:38,080 --> 00:56:40,120
Speaker 5: Maybe it's not such a bad thing. Nobody here knows

1165
00:56:40,160 --> 00:56:41,840
Speaker 5: who I am. It's a fresh start. Maybe if I

1166
00:56:41,840 --> 00:56:43,560
Speaker 5: don't screw up, I can have a good life here.

1167
00:56:43,960 --> 00:56:46,160
Speaker 5: Jack points into the distance. Isn't that the girl you

1168
00:56:46,160 --> 00:56:49,319
Speaker 5: were just talking about? Eric excitedly shouts out Anna lu

1169
00:56:49,360 --> 00:56:51,880
Speaker 5: and Dyke. I wish to make out with thee. A

1170
00:56:51,920 --> 00:56:54,640
Speaker 5: pitchfork is thrown their way and Eric catches it. Wow,

1171
00:56:54,760 --> 00:56:57,680
Speaker 5: she's got quite the arm. But Jack is terrified they're

1172
00:56:57,760 --> 00:57:01,279
Speaker 5: chucking pitchforks. Let's go as the buggy.

1173
00:57:00,920 --> 00:57:03,799
Speaker 1: Speaking assaulted a woman, right, I mean that's right, that's

1174
00:57:03,840 --> 00:57:04,160
Speaker 1: the joke.

1175
00:57:04,320 --> 00:57:06,719
Speaker 4: Yeah, the joke is and then tried to hit on

1176
00:57:06,760 --> 00:57:07,200
Speaker 4: her again.

1177
00:57:07,560 --> 00:57:11,080
Speaker 1: Yeah that's pretty all I mean, yes, it's.

1178
00:57:12,160 --> 00:57:12,560
Speaker 4: We did.

1179
00:57:12,560 --> 00:57:15,320
Speaker 3: We There was a scene earlier, where Corey grabs the

1180
00:57:15,400 --> 00:57:17,240
Speaker 3: pang and tries to kiss her. She pushes him off

1181
00:57:17,280 --> 00:57:20,240
Speaker 3: and apologizes for pushing him off. This is this is

1182
00:57:20,320 --> 00:57:21,840
Speaker 3: just part of this episode.

1183
00:57:22,080 --> 00:57:27,160
Speaker 5: Yeah yeah. As the buggy speeds off into the sunset,

1184
00:57:27,240 --> 00:57:31,040
Speaker 5: Eric shouts out, I thought you were peaceful people. That's

1185
00:57:31,080 --> 00:57:31,800
Speaker 5: our episode.

1186
00:57:33,840 --> 00:57:35,320
Speaker 4: Who in this body means well?

1187
00:57:36,840 --> 00:57:40,080
Speaker 5: I was gonna say thank you all for joining us.

1188
00:57:40,440 --> 00:57:43,520
Speaker 5: First two episodes weren't bad. Yeah, this is the seven

1189
00:57:43,560 --> 00:57:45,280
Speaker 5: O four, I mean the fourth the.

1190
00:57:45,840 --> 00:57:48,080
Speaker 4: Third one wasn't like, that's okay. I enjoyed this.

1191
00:57:48,520 --> 00:57:53,520
Speaker 5: Yeah, we've this for me. Of while not loving all

1192
00:57:53,600 --> 00:57:56,680
Speaker 5: four episodes, this for me is the first one of

1193
00:57:56,720 --> 00:57:59,040
Speaker 5: the season I find unwatchable.

1194
00:57:59,160 --> 00:58:03,040
Speaker 3: Agreed, Ndred, this is And I know we haven't watched

1195
00:58:03,040 --> 00:58:05,200
Speaker 3: the other episodes in quite a while, but I bet

1196
00:58:05,240 --> 00:58:06,800
Speaker 3: you if we had a list of the top ten

1197
00:58:06,840 --> 00:58:09,880
Speaker 3: worst episodes of the series, this would be on my list.

1198
00:58:10,080 --> 00:58:11,080
Speaker 1: Yeah.

1199
00:58:11,160 --> 00:58:14,280
Speaker 5: Yeah, me too. Well, thank you all for joining us

1200
00:58:14,320 --> 00:58:16,120
Speaker 5: for this episode of Podmeets World. As always, you can

1201
00:58:16,160 --> 00:58:18,440
Speaker 5: follow us on Instagram pod meets World Show. You can

1202
00:58:18,480 --> 00:58:20,760
Speaker 5: send us your emails pod meets World Show at gmail

1203
00:58:20,760 --> 00:58:22,800
Speaker 5: dot com, and we've got merch.

1204
00:58:23,520 --> 00:58:25,640
Speaker 3: I'm not even gonna make a joke. I want Pengy

1205
00:58:25,720 --> 00:58:28,560
Speaker 3: the Penguin merch. Oh, that's not even a joke. I

1206
00:58:28,560 --> 00:58:32,000
Speaker 3: would like some sort of Pegy the Penguin merch cue.

1207
00:58:32,440 --> 00:58:35,680
Speaker 5: Podmeets worldshow dot com writer send us off.

1208
00:58:35,920 --> 00:58:40,680
Speaker 1: We love you all, pod dismissed. Pod Meets World is

1209
00:58:40,680 --> 00:58:43,800
Speaker 1: an iHeart podcast producer and hosted by Danielle Fischel, Wilfridell

1210
00:58:43,880 --> 00:58:47,400
Speaker 1: and Ryder Strong executive producers, Jensen Karp and Amy Sugarman

1211
00:58:47,560 --> 00:58:50,720
Speaker 1: Executive in charge of production, Danielle Romo, producer and editor,

1212
00:58:50,720 --> 00:58:54,680
Speaker 1: Tarasubasch producer, Maddie Moore engineer and boy Meets World Superman

1213
00:58:54,840 --> 00:58:58,200
Speaker 1: Easton Allen. Our theme song is by Kyle Morton of Typhoon.

1214
00:58:58,480 --> 00:59:00,840
Speaker 1: Follow us on Instagram at pod Meet the World Show,

1215
00:59:01,000 --> 00:59:04,360
Speaker 1: or email us at Podmeetsworldshow at gmail dot com.

1216
00:59:07,240 --> 00:59:07,520
Speaker 3: MHM