WEBVTT - AM Radio: Solid Gold

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<v Speaker 1>Everybody, we have a big announcement, but Josh, I think

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<v Speaker 1>you need to do your traditional tour announcement.

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<v Speaker 2>COURU, there we go. That means it's tour time, everybody.

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<v Speaker 1>We took off twenty twenty five because it just felt

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<v Speaker 1>like the right thing to do. But we are hitting

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<v Speaker 1>the road again next year and we are super excited.

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<v Speaker 3>Yes get this. So we're gonna start hitting the road

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<v Speaker 3>in January, starting January twenty seventh at the Paramount Theater

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<v Speaker 3>in Denver. The next day we'll be at the Paramount

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<v Speaker 3>Theater in Seattle, and on January twenty ninth, we'll be

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<v Speaker 3>back to our beloved Sketch Fest at the Sydney Goldstein

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<v Speaker 3>Theater in San Francisco, CA.

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<v Speaker 2>That's right, that's our January run.

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<v Speaker 1>And then in April we're going to hit the Midwest

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<v Speaker 1>and we're going to some cities we haven't been to yet.

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<v Speaker 2>And I'm super excited because on April.

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<v Speaker 1>Sixteenth, we'll be in Madison, Wisconsin at the Orpheum Theater.

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<v Speaker 1>On the seventeenth, we'll be back in Chicago at the

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<v Speaker 1>Chicago Auditorium, a city we love, and then to my

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<v Speaker 1>wife's some town. Finally, April eighteenth and Akron, Ohio at

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<v Speaker 1>the Goodyear Theater.

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<v Speaker 3>That's right, and get this for the January leg. Tickets

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<v Speaker 3>are on sale now and we're actually running a pre

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<v Speaker 3>sale today November eighteenth. You can use our code sysk

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<v Speaker 3>live to get tickets early. Go to stuff youshould Know

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<v Speaker 3>dot com. It'll have all the tickets and info that

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<v Speaker 3>you need. And you can buy Sketch Fest tickets right

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<v Speaker 3>now as well.

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<v Speaker 2>That's right. Sketch Fest on sale the sixteenth of November.

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<v Speaker 1>There's no presale on that one. General on sale is

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<v Speaker 1>happening as we speak.

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<v Speaker 3>That's right. So we'll see you guys in twenty twenty six.

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<v Speaker 3>We're really excited to get back out there. We hope

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<v Speaker 3>you're excited too. If you're not, just bake it when

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<v Speaker 3>you see us.

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<v Speaker 1>That's right, and pay attention the Great White North because

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<v Speaker 1>there is more to come this summer.

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<v Speaker 3>That's right. So we'll see you soon.

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<v Speaker 1>Welcome to Stuff you Should Know, a production of iHeartRadio.

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<v Speaker 3>Hey, and welcome to the podcast. I'm Josh, and there's

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<v Speaker 3>Chuck and Jerry's here too, and we're just keeping it

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<v Speaker 3>old school, real mellow style, which is what I understand.

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<v Speaker 1>All of the kids say today, that's right, and hey,

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<v Speaker 1>before we get going, this is probably the perfect episode

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<v Speaker 1>to mention that our episode on how Vinyl Works that

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<v Speaker 1>was released on Vinyl is being reprinted because that thing

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<v Speaker 1>sold out and I think people would love to have

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<v Speaker 1>one of these things for Christmas.

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<v Speaker 3>Yeah, we're releasing it just in time for the holidays.

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<v Speaker 3>As a matter of fact, it's coming out on Black Friday,

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<v Speaker 3>November twenty eighth this year, which also happens to be

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<v Speaker 3>record store Day from what I understand, and our friends

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<v Speaker 3>at Born Losers Records put this out again. They did

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<v Speaker 3>the first one, did a magnificent job, of course, and

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<v Speaker 3>they printed three hundred red and black marble records that

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<v Speaker 3>are just beautiful. Those are available online at syskvinyl dot com.

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<v Speaker 2>Yeah, and then.

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<v Speaker 3>For the actual store where you have to leave your home,

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<v Speaker 3>probably put on a cap because it's late November, maybe

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<v Speaker 3>a coat, go down to your local indie record store. Yeah,

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<v Speaker 3>they do it. There might be a chance that they

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<v Speaker 3>have one of the three hundred Gold Royalty records. Those

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<v Speaker 3>are exclusives for record stores.

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<v Speaker 1>Well, you can bet your boopie I'll be going to

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<v Speaker 1>my local record store and supporting ourselves by buying one.

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<v Speaker 3>That's awesome. You should draw more people by just spending

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<v Speaker 3>like a full day there and telling.

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<v Speaker 1>You, oh, yeah, maybe I could work something out with

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<v Speaker 1>the wack Street here in town. I can go sit

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<v Speaker 1>up there and those guys cannot talk to me.

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<v Speaker 3>We'll see if we can get a cutout of you too,

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<v Speaker 3>to stand behind you while you sit there.

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<v Speaker 2>That's great.

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<v Speaker 1>I'm really excited this is back out though, because people

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<v Speaker 1>really seem to enjoy it.

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<v Speaker 2>And what is it again, sysk vinyl dot com.

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<v Speaker 3>That's right awesome and thanks again to our friends at

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<v Speaker 3>Born Losers. You guys are great. Yeah, they're the best.

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<v Speaker 3>Yeah they are, okay, Chuck. So yeah, this is a

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<v Speaker 3>really good episode to shout out Records because we're talking

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<v Speaker 3>about AM radio and we talked a little bit about

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<v Speaker 3>it in our Beautiful Music Short stuff AKAABM.

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<v Speaker 2>That's right, I'll.

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<v Speaker 3>Never get over. But there's a lot more to AM radio,

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<v Speaker 3>And in fact, I didn't realize this. Julia helped us

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<v Speaker 3>with this one, and I didn't realize before that AM

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<v Speaker 3>broadcasting basically set the standards, yeah, for all sorts of

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<v Speaker 3>different things like how news is presented, soap operas, all

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<v Speaker 3>sorts of different stuff that lasted for decades and decades

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<v Speaker 3>and decades. It all started with AM radio because ultimately

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<v Speaker 3>it was the very first form of mass communication that

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<v Speaker 3>was not printed.

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<v Speaker 1>Yeah, I mean Top forty radio started on AM, which

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<v Speaker 1>is I mean, I think these days the kids, if

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<v Speaker 1>they hear of AM radio probably either don't know what

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<v Speaker 1>it is, or may not if they have as we'll

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<v Speaker 1>see a newer model card especially ev may not even

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<v Speaker 1>have AM radio or a radio in their house like

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<v Speaker 1>a transistor radio or something or receiver, but they may

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<v Speaker 1>think AM radio is as like you know, news talk,

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<v Speaker 1>sports talk, maybe some foreign language stations, maybe some if

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<v Speaker 1>they're driving through a rural community, some like weird Farm

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<v Speaker 1>Report or something that they've never heard. I remember that,

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<v Speaker 1>And that's that's kind of what AM radio became. But

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<v Speaker 1>it launched Top forty. It was the up until like

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<v Speaker 1>nineteen seventy eight. It beat FM, and FM had been

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<v Speaker 1>around since what like the thirties, Yeah, it had.

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<v Speaker 3>And everybody said, nope, we're really happy with AM and

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<v Speaker 3>stuck with it even after FM came around for quite

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<v Speaker 3>a while. But let's talk about this because, like you

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<v Speaker 3>hit on some really good points. So We're going to

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<v Speaker 3>touch on all of those, but let's start at the

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<v Speaker 3>very very beginning when AM radio really started to come around.

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<v Speaker 3>Because people had been messing with AM broadcasting since the

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<v Speaker 3>very early nineteen hundreds. There were some inventions that all

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<v Speaker 3>kind of came together around the same time. And I

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<v Speaker 3>do not understand how this could possibly happen, but putting

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<v Speaker 3>these disparate inventions together and figuring out how to broadcast

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<v Speaker 3>radio waves that have encoded sound in them is just

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<v Speaker 3>I mean, hats off. That's like mad genius stuff. But

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<v Speaker 3>that's what happened in the very early nineteen hundreds.

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<v Speaker 1>Yeah, there were people broadcasting AM signals at the time,

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<v Speaker 1>and you know, the only people that had these AM

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<v Speaker 1>receivers that could listen were like soldiers at sea or

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<v Speaker 1>something like that. This was before they made it into

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<v Speaker 1>the homes of Americans that pause during World War One

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<v Speaker 1>because they said, hey, we can't have you broadcasting your

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<v Speaker 1>daughter playing violin, even though our soldiers love it that

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<v Speaker 1>are out at sea. We need to kind of lock

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<v Speaker 1>this down for now. But starting in about nineteen twenty,

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<v Speaker 1>in fact, exactly nineteen twenty was when commercial broadcast AM

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<v Speaker 1>radio started with KDKA Pittsburgh.

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<v Speaker 3>Yeah, that was the very first one. I think that

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<v Speaker 3>they read the results of the Warren Harding election. I

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<v Speaker 3>can't remember the other guy's name, somebody Cox. Warren Harding

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<v Speaker 3>obviously won. But right after that, I mean, like, this

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<v Speaker 3>was so clearly a groundbreaking medium. It was basically for

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<v Speaker 3>the people in the nineteen twenties. It was what people

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<v Speaker 3>in the early nineties experience with internet. Yeah, it was

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<v Speaker 3>almost like, holy cow, I can't like, you can't even

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<v Speaker 3>begin to imagine all the different ways that this thing

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<v Speaker 3>is going to change the world. You just know it's

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<v Speaker 3>going to change the world. That's kind of what happened.

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<v Speaker 3>And so right after that first broadcast, it just exploded

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<v Speaker 3>all over the world. And one reason why it exploded

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<v Speaker 3>all over the world is because the person who's considered

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<v Speaker 3>the father of radio, Gulielmo Marconi. He set up companies everywhere,

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<v Speaker 3>so very quickly radio stations started to develop. And just

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<v Speaker 3>a year or two after Katie Ka went on the.

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<v Speaker 1>Air, I'm, by the way, a little mad at you

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<v Speaker 1>because ever since you sent me the Marconi tidbit this morning,

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<v Speaker 1>I cannot get we built the city on rock.

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<v Speaker 2>And roll out of my head.

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<v Speaker 3>How waii. That's that's odd.

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<v Speaker 1>Marconi played the mamba Oh never do the radio. Yeah,

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<v Speaker 1>And I mean, I hate that song so much and

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<v Speaker 1>I can't get it out of my head, all because

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<v Speaker 1>I just saw the word Marconi typed in an email.

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<v Speaker 3>I always thought, seriously, it was some gibberish I had

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<v Speaker 3>in my head. I knew it wasn't right, but it

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<v Speaker 3>was like in La says lebar something like that. I

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<v Speaker 3>had no idea Marconi was name check. But that's appropriate.

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<v Speaker 1>Yes, I'm not really mad at you, but boy, that

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<v Speaker 1>thing really gets rooted in your head pretty well. But

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<v Speaker 1>like you said, by the early nineteen twenties, everybody was

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<v Speaker 1>on board. In nineteen twenty two, in fact, AT and

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<v Speaker 1>T had the first radio network built when linked to

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<v Speaker 1>thirty eight radio stations by phone lines, and could broadcast,

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<v Speaker 1>you know, weaf out of New York all around the country.

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<v Speaker 2>So like people, it was it was literally, like you said,

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<v Speaker 2>like the.

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<v Speaker 1>Internet, it was American life before and life after as

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<v Speaker 1>far as AM radio.

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<v Speaker 3>Goes, well, we'll put it and not just American life too.

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<v Speaker 3>Like this, like I said, it spread around the world

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<v Speaker 3>very quickly. The BBC started broadcasting in nineteen twenty two

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<v Speaker 3>Australia's first radio station, two SB, which is now ABC Sydney.

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<v Speaker 3>That's they started in nineteen twenty three. Canada got its

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<v Speaker 3>first one in nineteen thirty two XWA out of Montreal.

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<v Speaker 3>It was just just like the Internet, It's not like

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<v Speaker 3>it was just one country. It was everybody who got

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<v Speaker 3>involved because it was a humanity altering invention.

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<v Speaker 2>Yeah, for sure.

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<v Speaker 1>By the late nineteen twenties, the major networks had launched,

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<v Speaker 1>and you know, these were radio networks NBC and CBS.

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<v Speaker 1>These were international broadcasts from the un United States all

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<v Speaker 1>over the world, and you know they worked by you know,

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<v Speaker 1>you had to have a receiver.

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<v Speaker 2>So early on, you know.

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<v Speaker 1>Vacuum tubes worked with radio receivers connected to loud speakers

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<v Speaker 1>and that's how you could hear things. Later on, transistor

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<v Speaker 1>radios came along and that's what really changed the game

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<v Speaker 1>because that's when it was like TV's for the olds,

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<v Speaker 1>the young people, we had these little radios in their pocket.

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<v Speaker 1>And then they started, you know, putting radios in cars.

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<v Speaker 1>But it's funny to think about a time when like, yeah,

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<v Speaker 1>TV's out outdated, right, and we want AM radio in

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<v Speaker 1>our pocket.

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<v Speaker 3>And then it came roaring back eventually thanks to LA Law.

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<v Speaker 3>You mentioned something that I think is worth calling out too.

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<v Speaker 3>You mentioned that there's a speaker that converts that sound

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<v Speaker 3>signal back into actual acoustics sound. They weren't headphones, they

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<v Speaker 3>were speakers. So that meant that early radio was a

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<v Speaker 3>thing that the family gathered around. It was a social

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<v Speaker 3>activity listening to all the stuff that was on the

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<v Speaker 3>ra which is really important because I mean that's definitely

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<v Speaker 3>become fragmented and fractured today as it you know, personal

0:11:09.520 --> 0:11:12.440
<v Speaker 3>media has become like more and more available. But that

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<v Speaker 3>was like whatever was on the radio right then, probably

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<v Speaker 3>whatever your parents wanted to listen to. That's what the

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<v Speaker 3>family was listening to.

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<v Speaker 2>Yeah, for better or worse.

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<v Speaker 1>I think by nineteen thirty there were forty percent of

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<v Speaker 1>US homes had AM receivers. Hopefully most of them had speakers.

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<v Speaker 1>Wise they just sit there and look at it. There

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<v Speaker 1>were more than six hundred radio stations in nineteen thirty,

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<v Speaker 1>obviously all of them AM. But like we mentioned, FM

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<v Speaker 1>came along pretty quickly in the nineteen thirties and had

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<v Speaker 1>a better sound, but you know, it just didn't take

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<v Speaker 1>over until nineteen seventy eight. I think by nineteen forty

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<v Speaker 1>even eighty three percent of the households in America. I

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<v Speaker 1>mean that's really massive coverage had AM radio signals, like

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<v Speaker 1>you know, being broadcast through their homes.

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<v Speaker 3>Yeah, and you said, I mean like FM was around,

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<v Speaker 3>but people said, no, we're sticking with the AM. One

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<v Speaker 3>of the big reasons is because the FM receiver needs

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<v Speaker 3>more power because of the way FM radio was pumped out,

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<v Speaker 3>that was a big thing for a long time. That

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<v Speaker 3>was one reason people stuck around with AM. But there's

0:12:17.800 --> 0:12:22.080
<v Speaker 3>definitely an affection that developed for AM radio over the years.

0:12:22.559 --> 0:12:26.640
<v Speaker 1>Yeah, there's also something called FM drift, Like you know,

0:12:26.679 --> 0:12:30.000
<v Speaker 1>if you're driving around listening to an FM station, it

0:12:30.000 --> 0:12:33.560
<v Speaker 1>can kind of go in and out, you know, to

0:12:33.600 --> 0:12:35.160
<v Speaker 1>the left or to the right. I guess you could

0:12:35.240 --> 0:12:36.960
<v Speaker 1>kind of turn your dial a little bit and try

0:12:37.000 --> 0:12:38.600
<v Speaker 1>and dial it back in. But that was an issue.

0:12:39.160 --> 0:12:41.080
<v Speaker 1>And we'll talk about some of the AM radio issues.

0:12:41.120 --> 0:12:46.160
<v Speaker 1>But if you're looking at the dial, AM according to

0:12:46.200 --> 0:12:49.360
<v Speaker 1>the FCC, AM waves have to be broadcast on frequencies

0:12:49.360 --> 0:12:53.840
<v Speaker 1>between five thirty five megahertz and one point seven and

0:12:54.120 --> 0:12:56.640
<v Speaker 1>FM is from eighty eight to one oh.

0:12:56.520 --> 0:13:02.400
<v Speaker 3>Eight sounds legit, so check out based on the radio

0:13:02.520 --> 0:13:04.360
<v Speaker 3>call signs I'm familiar with.

0:13:05.240 --> 0:13:07.240
<v Speaker 2>Do you ever listen to AM radio anymore?

0:13:08.800 --> 0:13:11.200
<v Speaker 3>Yeah? I listened to the Bulldogs game on the way

0:13:11.200 --> 0:13:14.719
<v Speaker 3>home from Yumi's parents house on Saturday.

0:13:15.600 --> 0:13:16.280
<v Speaker 2>Wasn't that nice?

0:13:16.800 --> 0:13:17.480
<v Speaker 3>The ballgame?

0:13:17.600 --> 0:13:21.119
<v Speaker 2>Or listening to the radio, listening to a sports broadcast

0:13:21.120 --> 0:13:21.679
<v Speaker 2>on the radio.

0:13:21.960 --> 0:13:24.480
<v Speaker 3>Yes, I used to do that in college. I can't

0:13:24.559 --> 0:13:28.600
<v Speaker 3>remember the sportscaster's name, the legendary one for Georgia with

0:13:28.679 --> 0:13:29.520
<v Speaker 3>the hobnail boot.

0:13:30.160 --> 0:13:31.920
<v Speaker 1>Yeah, yeah, Larry Munson.

0:13:32.040 --> 0:13:36.000
<v Speaker 3>Larry Munson. Yeah, back in college. I would listen to

0:13:36.080 --> 0:13:39.600
<v Speaker 3>him and watch the game. Yeah, like I'm mute, and

0:13:39.640 --> 0:13:40.880
<v Speaker 3>hopefully they would sync up.

0:13:41.400 --> 0:13:42.840
<v Speaker 2>Yeah, that was the preferred method.

0:13:42.880 --> 0:13:46.200
<v Speaker 1>But I still love and it doesn't happen a lot

0:13:46.280 --> 0:13:48.440
<v Speaker 1>because you know, I'll watch the game on TV generally,

0:13:48.480 --> 0:13:51.000
<v Speaker 1>but if I'm traveling like you were just talking about,

0:13:51.200 --> 0:13:55.160
<v Speaker 1>or I remember when I built we couldn't afford to build,

0:13:55.160 --> 0:13:57.600
<v Speaker 1>like to get a fence company to build our fence

0:13:57.679 --> 0:14:00.800
<v Speaker 1>twenty years ago. So I built our privacy fence like

0:14:00.880 --> 0:14:03.760
<v Speaker 1>picket by picket over the course of two months, and

0:14:03.840 --> 0:14:06.680
<v Speaker 1>a lot of that was spent with me listening to

0:14:07.400 --> 0:14:11.200
<v Speaker 1>Georgia Bulldogs on the radio. I mean it was pre

0:14:11.240 --> 0:14:13.920
<v Speaker 1>podcast even, and it's just it's still to me a

0:14:13.960 --> 0:14:17.000
<v Speaker 1>great way to catch a game for sure, not even

0:14:17.040 --> 0:14:19.200
<v Speaker 1>nostalgia wise, like it really is a great way to

0:14:19.240 --> 0:14:20.200
<v Speaker 1>listen to catch a game.

0:14:20.240 --> 0:14:22.480
<v Speaker 3>Oh yeah. The play calling is like you have to

0:14:22.520 --> 0:14:25.240
<v Speaker 3>be really good. There's no assist there. You're telling everybody

0:14:25.720 --> 0:14:29.120
<v Speaker 3>going on, you know. Yeah, I say we take a

0:14:29.120 --> 0:14:31.520
<v Speaker 3>break because we're getting nostalgic already. What do you think.

0:14:32.120 --> 0:14:34.560
<v Speaker 2>Yeah, I'm gonna park that and we'll stick to the facts.

0:14:34.600 --> 0:14:38.000
<v Speaker 3>Okay, baby, we're taking a break. Everybody will be right back.

0:15:11.280 --> 0:15:14.640
<v Speaker 1>So, if we're talking the golden age of radio as

0:15:14.680 --> 0:15:18.680
<v Speaker 1>a whole, that was about a three to four decade

0:15:18.720 --> 0:15:21.240
<v Speaker 1>period from the twenties through the mid fifties or so.

0:15:21.920 --> 0:15:24.800
<v Speaker 1>That was when am radio starred. We'll also talk a

0:15:24.800 --> 0:15:27.720
<v Speaker 1>little bit later about sort of the seventies period when

0:15:27.800 --> 0:15:31.240
<v Speaker 1>am radio music was like, you know, the Mellow Gold

0:15:31.280 --> 0:15:34.880
<v Speaker 1>stuff was a big deal. But that you know, that

0:15:34.920 --> 0:15:38.400
<v Speaker 1>first decade of radio ushered in. You know, it was

0:15:38.400 --> 0:15:41.720
<v Speaker 1>blowing people's minds like they had never heard sometimes any

0:15:41.760 --> 0:15:44.560
<v Speaker 1>of this stuff, or certainly had not heard any of

0:15:44.560 --> 0:15:47.440
<v Speaker 1>this stuff live like a live broadcast and speaking of

0:15:47.480 --> 0:15:51.880
<v Speaker 1>Sports in nineteen twenty one, over about one hundred and

0:15:51.920 --> 0:15:54.920
<v Speaker 1>twenty five thousand square miles from where it broadcasts out

0:15:54.920 --> 0:15:58.080
<v Speaker 1>of Jersey City, New Jersey, people listened to the heavyweight

0:15:58.360 --> 0:16:02.880
<v Speaker 1>boxing championship. I can't imagine what that was like to

0:16:02.920 --> 0:16:05.160
<v Speaker 1>hear a sports broadcast like that for the first time.

0:16:05.280 --> 0:16:06.040
<v Speaker 2>As it happened.

0:16:06.360 --> 0:16:08.880
<v Speaker 3>Hopefully the commentator knew what he was doing too, and

0:16:08.920 --> 0:16:12.440
<v Speaker 3>when they weren't like long pauses like the boom goes

0:16:12.480 --> 0:16:13.520
<v Speaker 3>the dynamite guy.

0:16:13.720 --> 0:16:16.760
<v Speaker 2>One of them's punching another one repeatedly.

0:16:17.720 --> 0:16:20.680
<v Speaker 3>Oh yeah, I forgot to mention. Carpentee just went down.

0:16:21.040 --> 0:16:21.520
<v Speaker 2>That's right.

0:16:22.400 --> 0:16:24.160
<v Speaker 3>One of the other things that we'll see about AM

0:16:24.240 --> 0:16:28.280
<v Speaker 3>Radio two, Chuck, is that's it was long considered a

0:16:28.280 --> 0:16:33.320
<v Speaker 3>public good, so that the government had like a little

0:16:33.320 --> 0:16:35.400
<v Speaker 3>more willingness to be like, no, you can say this,

0:16:35.520 --> 0:16:36.960
<v Speaker 3>you can't say that, and you have to do this.

0:16:37.520 --> 0:16:39.280
<v Speaker 3>One of the reasons why is because it was very

0:16:39.360 --> 0:16:43.320
<v Speaker 3>quickly used to kind of spread public information, Like presidents

0:16:43.360 --> 0:16:45.680
<v Speaker 3>took to it very quickly. Remember I said that Katie

0:16:45.800 --> 0:16:49.520
<v Speaker 3>Ka announced the results of the Harding election. Within just

0:16:49.560 --> 0:16:51.640
<v Speaker 3>a couple of years, Warren Harding was using it to

0:16:52.560 --> 0:16:56.400
<v Speaker 3>talk to America and FDR was probably the most famous

0:16:56.400 --> 0:16:58.800
<v Speaker 3>president who used the radio to talk to America. Had

0:16:58.800 --> 0:17:05.080
<v Speaker 3>a series of like just informal speeches basically called fireside chests. Yeah,

0:17:05.119 --> 0:17:07.000
<v Speaker 3>that really made a lot of the countries just fall

0:17:07.040 --> 0:17:10.040
<v Speaker 3>in love with them. But it was very it was

0:17:10.720 --> 0:17:14.240
<v Speaker 3>it was very clear early on just how much influence

0:17:14.280 --> 0:17:16.760
<v Speaker 3>it could have on people's political opinions.

0:17:17.119 --> 0:17:19.080
<v Speaker 1>Well, and it was a lot of people the first

0:17:19.080 --> 0:17:21.520
<v Speaker 1>time they ever heard the president's voice.

0:17:21.359 --> 0:17:25.399
<v Speaker 2>Speak, you know, how what he sounds like. Yeah, it

0:17:25.480 --> 0:17:27.600
<v Speaker 2>wasn't around during Lincoln because everyone would.

0:17:27.359 --> 0:17:31.320
<v Speaker 1>Have been like really, but yeah, you know, there was

0:17:31.359 --> 0:17:33.680
<v Speaker 1>definitely public good and we'll dive into that a little bit,

0:17:34.720 --> 0:17:36.800
<v Speaker 1>along with tons of entertainment and you know, it was

0:17:37.119 --> 0:17:39.760
<v Speaker 1>basically like fifteen minute chunks for a long long time

0:17:39.960 --> 0:17:43.840
<v Speaker 1>of all over the map variety style stuff, kind of

0:17:44.080 --> 0:17:47.600
<v Speaker 1>reminiscent of vaudeville. Like there were hosts of shows, but

0:17:47.640 --> 0:17:49.760
<v Speaker 1>the DJ thing didn't come along till much later. So

0:17:49.840 --> 0:17:53.680
<v Speaker 1>you had like advice shows and news shows and obviously

0:17:53.720 --> 0:17:56.320
<v Speaker 1>comedy stuff, game shows.

0:17:56.400 --> 0:17:58.320
<v Speaker 2>You know. Radio dramas were a big big deal.

0:17:58.920 --> 0:18:01.880
<v Speaker 3>Yeah, that's where soap op came from. Two They were

0:18:01.920 --> 0:18:07.200
<v Speaker 3>broadcast almost exclusively with women as their target audience. And

0:18:07.480 --> 0:18:09.640
<v Speaker 3>at the time, this is just post World War One,

0:18:10.520 --> 0:18:13.080
<v Speaker 3>where women had helped the war effort in the factories.

0:18:13.640 --> 0:18:15.560
<v Speaker 3>The men came back and they were like, get back

0:18:15.560 --> 0:18:17.960
<v Speaker 3>in the house, and women were stuck in the house

0:18:18.000 --> 0:18:21.240
<v Speaker 3>all day. So these radio dramas were broadcast to them

0:18:21.680 --> 0:18:26.359
<v Speaker 3>and they were almost exclusively sponsored by cleaning product companies.

0:18:26.560 --> 0:18:27.000
<v Speaker 2>That's right.

0:18:27.080 --> 0:18:30.280
<v Speaker 3>So they became known as soap operas. And one of

0:18:30.320 --> 0:18:33.400
<v Speaker 3>the longer lasting soap operas of all time actually made

0:18:33.440 --> 0:18:38.000
<v Speaker 3>the jump successfully from radio to TV. That was Guiding

0:18:38.080 --> 0:18:41.119
<v Speaker 3>Light No Way. Yeah. It started in nineteen thirty seven

0:18:41.160 --> 0:18:44.000
<v Speaker 3>on the radio and was finally canceled in two thousand

0:18:44.040 --> 0:18:47.280
<v Speaker 3>and nine on TV. It was seventy two years of

0:18:47.320 --> 0:18:49.680
<v Speaker 3>Guiding Light every weekday. Too.

0:18:50.320 --> 0:18:53.600
<v Speaker 1>I had a very very brief foray into soap operas. Yeah,

0:18:54.000 --> 0:18:56.240
<v Speaker 1>I guess it was in college or something. I don't

0:18:56.280 --> 0:18:58.960
<v Speaker 1>know why, but I got hooked for I mean, not

0:18:59.040 --> 0:19:01.000
<v Speaker 1>too long, but I was hooked.

0:19:01.040 --> 0:19:03.800
<v Speaker 2>I was like, these things are stupid. I was like, yeah,

0:19:03.840 --> 0:19:04.560
<v Speaker 2>but what happens.

0:19:04.960 --> 0:19:07.600
<v Speaker 3>Yeah, the same thing happened to me again in college too,

0:19:08.560 --> 0:19:11.360
<v Speaker 3>and I cannot remember the name of it, but it

0:19:11.480 --> 0:19:13.439
<v Speaker 3>was just off the chain. I know there was a

0:19:13.520 --> 0:19:16.480
<v Speaker 3>main character named Marlena, and she was possessed by the

0:19:16.520 --> 0:19:20.200
<v Speaker 3>devil at one point. Someone will remember, like, yeah, certainly,

0:19:20.240 --> 0:19:23.320
<v Speaker 3>that's like a very famous plotline that was going on

0:19:23.520 --> 0:19:26.240
<v Speaker 3>when I was hooked on them, and then I got

0:19:26.240 --> 0:19:28.480
<v Speaker 3>hooked on them enough that I would switch channels during

0:19:28.520 --> 0:19:31.720
<v Speaker 3>ads and see what was on other soap operas and

0:19:32.320 --> 0:19:36.240
<v Speaker 3>general hospital. Once there was a scene where this couple

0:19:36.320 --> 0:19:39.000
<v Speaker 3>was in bed and they did such a poor job

0:19:39.040 --> 0:19:41.879
<v Speaker 3>of editing that they left in the director saying cut

0:19:42.080 --> 0:19:45.760
<v Speaker 3>and the two actors roll out of bed. I'll never

0:19:45.840 --> 0:19:47.880
<v Speaker 3>forget it. It was one of the greatest things I've

0:19:47.880 --> 0:19:49.160
<v Speaker 3>ever seen on television.

0:19:49.480 --> 0:19:51.359
<v Speaker 1>They're like that, the sheets are pulled up, you know,

0:19:51.520 --> 0:19:53.440
<v Speaker 1>to their bare skin, and.

0:19:53.359 --> 0:19:54.800
<v Speaker 2>Then they roll out of bed and they have on

0:19:54.960 --> 0:19:56.000
<v Speaker 2>like blue jeans.

0:19:56.080 --> 0:19:58.200
<v Speaker 3>Yeah. I don't remember what they were wearing or anything,

0:19:58.240 --> 0:20:00.160
<v Speaker 3>but yeah, I'm sure it was just like that.

0:20:00.160 --> 0:20:01.000
<v Speaker 2>That's really funny.

0:20:01.600 --> 0:20:03.880
<v Speaker 1>Oh God, to have that time again where you could

0:20:03.960 --> 0:20:05.920
<v Speaker 1>just like maybe sort of get hooked on a soap

0:20:05.960 --> 0:20:06.520
<v Speaker 1>for no reason.

0:20:06.600 --> 0:20:08.040
<v Speaker 3>Yeah, for sure.

0:20:08.880 --> 0:20:11.439
<v Speaker 1>Religion was also a big deal early on AM radio.

0:20:12.280 --> 0:20:14.840
<v Speaker 1>All of a sudden, evangelist could broadcast far and wide

0:20:14.880 --> 0:20:18.800
<v Speaker 1>from what they call the electric pulpit, and they became like,

0:20:18.920 --> 0:20:22.240
<v Speaker 1>you know, big time personalities and stars during the depression era.

0:20:22.440 --> 0:20:25.240
<v Speaker 3>Yeah, one of the first people that the question of

0:20:25.320 --> 0:20:29.440
<v Speaker 3>freedom of speech was raised around his father, Charles Coughlin,

0:20:29.480 --> 0:20:35.560
<v Speaker 3>who was a bigoted, hate speech Catholic priest who really

0:20:35.640 --> 0:20:38.240
<v Speaker 3>kind of pushed the envelope, you could say. I think

0:20:38.240 --> 0:20:41.000
<v Speaker 3>he said the Nazis didn't go far enough during Crystal

0:20:41.040 --> 0:20:43.000
<v Speaker 3>knockt like, he was that kind of guy.

0:20:43.440 --> 0:20:43.760
<v Speaker 2>Wow.

0:20:44.000 --> 0:20:48.120
<v Speaker 3>So he definitely rose to prominence during this time. On

0:20:48.160 --> 0:20:52.920
<v Speaker 3>the lighter side, one of the most popular long running

0:20:53.640 --> 0:20:58.600
<v Speaker 3>shows was the Edgar Bergen and Charlie McCarthy Show, Yeah,

0:20:58.640 --> 0:21:03.480
<v Speaker 3>which was a ventralic act on the radio. Yeah.

0:21:03.560 --> 0:21:06.280
<v Speaker 1>I mean the jokes still worked, but it's definitely a

0:21:06.359 --> 0:21:07.879
<v Speaker 1>visual medium for sure.

0:21:07.920 --> 0:21:11.359
<v Speaker 3>But he managed to make it like super radio friendly

0:21:11.400 --> 0:21:14.560
<v Speaker 3>and it was super popular. You said that the Golden

0:21:14.560 --> 0:21:18.320
<v Speaker 3>Age of radio ended around the nineteen sixty two, and

0:21:18.359 --> 0:21:22.760
<v Speaker 3>we should say this was This depends on your perspective,

0:21:22.800 --> 0:21:24.720
<v Speaker 3>because a lot of people say no Golden Age of

0:21:24.800 --> 0:21:27.440
<v Speaker 3>radio and all the way to the seventies. This would

0:21:27.440 --> 0:21:30.200
<v Speaker 3>be like the first wave of Golden age radio where

0:21:30.680 --> 0:21:36.840
<v Speaker 3>it wasn't music. It was like dramas, scripted comedies, like sports,

0:21:36.880 --> 0:21:40.040
<v Speaker 3>all this stuff like what TV is today. This was

0:21:40.080 --> 0:21:42.879
<v Speaker 3>the first iteration of radio and it was all am radio.

0:21:43.359 --> 0:21:46.280
<v Speaker 3>But there was a year nineteen sixty two when two

0:21:46.320 --> 0:21:49.000
<v Speaker 3>shows were canceled, two long running shows, and people point

0:21:49.000 --> 0:21:51.920
<v Speaker 3>to their cancelation as essentially the end of that era.

0:21:52.600 --> 0:21:54.159
<v Speaker 2>What were those yours?

0:21:54.280 --> 0:21:55.719
<v Speaker 3>Truly? Johnny Dollar?

0:21:56.440 --> 0:21:56.800
<v Speaker 2>Okay?

0:21:57.000 --> 0:21:59.639
<v Speaker 3>It was about an insurance fraud investigator.

0:22:00.600 --> 0:22:02.560
<v Speaker 2>Sounds like true crime, it is.

0:22:02.640 --> 0:22:05.480
<v Speaker 3>It sounds interesting. Each episode was a flashback of him

0:22:05.520 --> 0:22:08.800
<v Speaker 3>going over the line items for his expense report for

0:22:08.840 --> 0:22:11.960
<v Speaker 3>that particular case, and then each line item would kind

0:22:11.960 --> 0:22:15.160
<v Speaker 3>of bring up like a new scene. Pretty interesting.

0:22:15.520 --> 0:22:18.240
<v Speaker 2>The radio network guys like can he kill his lover?

0:22:21.080 --> 0:22:23.639
<v Speaker 3>And then Suspense was another one, and it sounds like

0:22:23.680 --> 0:22:26.320
<v Speaker 3>it was a little bit of a predecessor to like

0:22:26.400 --> 0:22:29.760
<v Speaker 3>Alfred Hitchcock Presents and maybe The Twilight c here or there,

0:22:30.240 --> 0:22:33.640
<v Speaker 3>And both of those were really well produced shows and

0:22:34.040 --> 0:22:36.480
<v Speaker 3>they got canceled the same year, and everybody said that's it,

0:22:36.640 --> 0:22:39.000
<v Speaker 3>that's the end of the Golden Age, and they spat

0:22:39.080 --> 0:22:39.719
<v Speaker 3>on the floor.

0:22:40.920 --> 0:22:44.840
<v Speaker 1>Well, you mentioned the public good starting in the nineteen twenties.

0:22:44.880 --> 0:22:48.600
<v Speaker 1>To jump back a little bit, you know, like you

0:22:48.680 --> 0:22:52.320
<v Speaker 1>mentioned President speaking inaugural addresses were being broadcast, and the

0:22:52.359 --> 0:22:56.480
<v Speaker 1>government really realized, hey, like we have a sort of

0:22:56.520 --> 0:22:59.760
<v Speaker 1>a public service we need to enact when we're sharing information,

0:23:00.200 --> 0:23:01.960
<v Speaker 1>because we got to get the word out about stuff

0:23:02.000 --> 0:23:04.440
<v Speaker 1>sometimes and this is the way to do it. So

0:23:04.600 --> 0:23:08.720
<v Speaker 1>the USDA Radio Service began talking to farmers in nineteen

0:23:08.760 --> 0:23:12.480
<v Speaker 1>twenty six. The US Bureau of Home Economics had a

0:23:12.560 --> 0:23:14.880
<v Speaker 1>chat program they launched, I believe in the same year

0:23:15.560 --> 0:23:19.280
<v Speaker 1>where they could talk about, like, you know, any emergencies

0:23:19.280 --> 0:23:23.199
<v Speaker 1>happening in regards to kids, like health and safety, stuff

0:23:23.280 --> 0:23:26.080
<v Speaker 1>like a new disease going around that your kid maybe

0:23:26.119 --> 0:23:28.280
<v Speaker 1>should get vaccinated against, stuff.

0:23:28.040 --> 0:23:29.600
<v Speaker 3>Like that new fangled polio.

0:23:32.359 --> 0:23:36.080
<v Speaker 1>But by the end of the nineteen twenties, they were like, hey,

0:23:36.440 --> 0:23:40.960
<v Speaker 1>there's a limited bandwidth and people are getting political messages out,

0:23:41.000 --> 0:23:43.920
<v Speaker 1>and we need to make sure that everyone in America

0:23:44.119 --> 0:23:47.359
<v Speaker 1>is getting sort of equal access to these messages, so

0:23:48.080 --> 0:23:51.359
<v Speaker 1>you know, no particular message gets out more than any other.

0:23:51.440 --> 0:23:53.920
<v Speaker 1>And that's where the fairness doctrine came about, right.

0:23:53.960 --> 0:23:56.920
<v Speaker 3>Yeah, we talked about that in the Presidential Debates episode,

0:23:57.000 --> 0:24:00.560
<v Speaker 3>but I think it deserves its own episode. It's so contraal,

0:24:00.880 --> 0:24:03.120
<v Speaker 3>But basically, the fairness doctrine is what I was talking

0:24:03.160 --> 0:24:05.880
<v Speaker 3>about earlier when I said the government wasn't shy about

0:24:05.880 --> 0:24:09.719
<v Speaker 3>getting involved in regulating radio because of what you just said, Like,

0:24:09.760 --> 0:24:12.600
<v Speaker 3>you can't just use radio at the time. You couldn't

0:24:12.840 --> 0:24:16.760
<v Speaker 3>to just put out one, say, specific political viewpoint. So

0:24:16.800 --> 0:24:18.880
<v Speaker 3>the fairness doctrine said, you have to have equal time

0:24:18.920 --> 0:24:22.400
<v Speaker 3>when you're talking about political matters, you have to give

0:24:22.440 --> 0:24:26.320
<v Speaker 3>equal time to both opposing viewpoints. It also said some

0:24:26.359 --> 0:24:28.720
<v Speaker 3>other stuff too that I thought was pretty cool. It

0:24:29.240 --> 0:24:33.040
<v Speaker 3>made sure that commercial concerns did not eclipse social ones,

0:24:33.760 --> 0:24:36.920
<v Speaker 3>so you couldn't screw over the public for your own

0:24:36.960 --> 0:24:42.280
<v Speaker 3>bottom line, which is just refreshing these days. The radio

0:24:42.400 --> 0:24:46.680
<v Speaker 3>served the public good and that you have like a

0:24:46.840 --> 0:24:52.679
<v Speaker 3>kind of public programming that's essentially like in addition to

0:24:53.280 --> 0:24:56.640
<v Speaker 3>all of the you know, ventriloquist acts and soap operas

0:24:56.640 --> 0:24:59.760
<v Speaker 3>and all that, you have like stuff that makes people,

0:25:00.000 --> 0:25:03.880
<v Speaker 3>helps people be more informed citizens. Like that was what

0:25:03.920 --> 0:25:06.560
<v Speaker 3>the government was getting involved in radio for.

0:25:07.480 --> 0:25:10.320
<v Speaker 2>Yeah, maybe perhaps if we would have been around the time,

0:25:10.440 --> 0:25:11.760
<v Speaker 2>it might have been stuff you should know.

0:25:12.960 --> 0:25:15.760
<v Speaker 3>I could see that. I could see that, Yeah, we

0:25:15.800 --> 0:25:18.040
<v Speaker 3>would have been great for AM radio. I think as

0:25:18.080 --> 0:25:20.880
<v Speaker 3>a matter of fact, we should probably just stop podcasting

0:25:20.920 --> 0:25:22.840
<v Speaker 3>and start broadcasting on AM radio.

0:25:22.880 --> 0:25:25.320
<v Speaker 1>Yeah, we got to get the message of Jackhammer's out

0:25:25.359 --> 0:25:25.880
<v Speaker 1>far and wide.

0:25:26.119 --> 0:25:26.680
<v Speaker 3>That's right.

0:25:28.920 --> 0:25:32.479
<v Speaker 1>You know, the fairness doctrine went away, and you know,

0:25:32.680 --> 0:25:34.560
<v Speaker 1>like you said, we should do a whole episode on that.

0:25:34.680 --> 0:25:36.640
<v Speaker 1>But one of the things that happened was, you know,

0:25:37.080 --> 0:25:40.040
<v Speaker 1>the FM becoming a dominant force and just way more

0:25:40.160 --> 0:25:43.280
<v Speaker 1>choices and way more bandwidth for radio, so they didn't

0:25:43.280 --> 0:25:46.720
<v Speaker 1>need it anymore. So then you know, that's where that's

0:25:46.800 --> 0:25:50.200
<v Speaker 1>really literally where the echo chamber of politics started, where

0:25:50.200 --> 0:25:53.200
<v Speaker 1>you could turn into just your person who only talked

0:25:53.200 --> 0:25:54.720
<v Speaker 1>about things that you agreed with.

0:25:55.040 --> 0:25:55.919
<v Speaker 2>Yep, and that's it.

0:25:56.359 --> 0:25:59.879
<v Speaker 3>Yeah. Not coincidentally, in nineteen eighties is when talk radio

0:26:00.200 --> 0:26:02.400
<v Speaker 3>like really started to become a thing with like people

0:26:02.480 --> 0:26:07.000
<v Speaker 3>like Rush Limbaugh that did not exist before that kind

0:26:07.000 --> 0:26:07.320
<v Speaker 3>of thing.

0:26:08.119 --> 0:26:12.479
<v Speaker 1>Yeah, and you know, FM when that came around, it

0:26:12.520 --> 0:26:16.040
<v Speaker 1>did create that echo chamber, but it was mostly like

0:26:16.080 --> 0:26:19.320
<v Speaker 1>a wealthy, educated crowd that could afford FM receivers. They

0:26:19.320 --> 0:26:22.760
<v Speaker 1>were more expensive, like you were talking about. I think

0:26:23.080 --> 0:26:25.240
<v Speaker 1>there were more than two thousand AM stations on the

0:26:25.280 --> 0:26:27.440
<v Speaker 1>air in the nineteen fifties, some of them would broadcast

0:26:27.480 --> 0:26:31.160
<v Speaker 1>on both I definitely remember, you know, both AMFM stations,

0:26:32.400 --> 0:26:33.680
<v Speaker 1>but FM did have some.

0:26:35.280 --> 0:26:36.520
<v Speaker 2>And still do have.

0:26:36.520 --> 0:26:39.040
<v Speaker 1>Some sort of things that weren't in their favor, like

0:26:40.040 --> 0:26:42.920
<v Speaker 1>if you were inside a buildings sometimes the AM signal

0:26:43.000 --> 0:26:45.520
<v Speaker 1>could get blocked and get a little more difficult to

0:26:45.560 --> 0:26:49.080
<v Speaker 1>get a lot of AM stations, I think most of

0:26:49.119 --> 0:26:52.000
<v Speaker 1>them in fact, have to either reduce their power or

0:26:52.080 --> 0:26:54.199
<v Speaker 1>just go off the air at night, so you know,

0:26:54.240 --> 0:26:55.960
<v Speaker 1>back in the day and maybe still you hear those

0:26:56.040 --> 0:26:57.480
<v Speaker 1>sign offs at the end of the night, which is

0:26:57.560 --> 0:27:00.280
<v Speaker 1>kind of fun where they play like the stars angle

0:27:00.320 --> 0:27:00.920
<v Speaker 1>banner or something.

0:27:00.960 --> 0:27:01.960
<v Speaker 2>Then it just goes dead.

0:27:02.200 --> 0:27:03.440
<v Speaker 3>Yeah, like in Poltergeist.

0:27:04.280 --> 0:27:04.760
<v Speaker 2>That's right.

0:27:05.480 --> 0:27:08.800
<v Speaker 1>But another cool thing about AM is if you've ever

0:27:08.840 --> 0:27:11.600
<v Speaker 1>been like driving around out West or something, and you know,

0:27:11.880 --> 0:27:14.360
<v Speaker 1>probably not these days, but back when I was taking

0:27:14.440 --> 0:27:16.760
<v Speaker 1>my big out West trips, when all ahead was like

0:27:17.080 --> 0:27:20.480
<v Speaker 1>a cassette player in the radio. Once the sun went down,

0:27:20.560 --> 0:27:22.960
<v Speaker 1>sometimes you could get an AM station on your radio

0:27:23.119 --> 0:27:28.520
<v Speaker 1>that's like four states away because of those bear waves

0:27:28.600 --> 0:27:31.360
<v Speaker 1>bouncing off the ion a sphere and saying we'll take

0:27:31.400 --> 0:27:31.920
<v Speaker 1>it from here.

0:27:32.200 --> 0:27:35.199
<v Speaker 3>Yeah. During the day, the ionosphere is super ionized. That's

0:27:35.240 --> 0:27:38.760
<v Speaker 3>where it gets its name. At night, it's less ionized,

0:27:38.800 --> 0:27:42.480
<v Speaker 3>So there's for some reason AM radio signals can bounce

0:27:42.520 --> 0:27:44.680
<v Speaker 3>off of it easier and like you said, end up

0:27:44.960 --> 0:27:46.840
<v Speaker 3>down in Mexico for goodness.

0:27:46.440 --> 0:27:49.120
<v Speaker 2>Sake, Yeah, which is pretty cool.

0:27:49.640 --> 0:27:53.640
<v Speaker 3>For that reason though, that's why they stop transmitting at night,

0:27:53.680 --> 0:27:55.880
<v Speaker 3>a lot of them. Like I'm with you, I don't

0:27:55.920 --> 0:27:57.520
<v Speaker 3>know if they still do or not. It seems like

0:27:57.560 --> 0:28:00.639
<v Speaker 3>the kind of thing that maybe was licked, but it

0:28:00.680 --> 0:28:03.159
<v Speaker 3>also seems so fundamental that maybe it's still a problem.

0:28:03.200 --> 0:28:07.679
<v Speaker 3>But there were some stations that were designated clear channels.

0:28:08.680 --> 0:28:11.600
<v Speaker 3>They were allowed to broadcast twenty four hours a day,

0:28:11.920 --> 0:28:14.640
<v Speaker 3>and they were spread out both physically around the country

0:28:14.720 --> 0:28:18.719
<v Speaker 3>and in Canada and Mexico, and also spread out on

0:28:18.760 --> 0:28:22.359
<v Speaker 3>the dial so that their signals wouldn't interfere with one

0:28:22.400 --> 0:28:25.760
<v Speaker 3>another when they traveled really far distances. And one of

0:28:25.760 --> 0:28:31.480
<v Speaker 3>the reasons why they had AM stations designated to operate

0:28:31.480 --> 0:28:33.520
<v Speaker 3>twenty four hours a day is again part of that

0:28:33.600 --> 0:28:38.480
<v Speaker 3>public good, which was a service that AM radio offers

0:28:38.520 --> 0:28:40.800
<v Speaker 3>that has kind of overlooked a lot here in the

0:28:40.880 --> 0:28:44.160
<v Speaker 3>United States, which is it is like a national security

0:28:44.240 --> 0:28:47.800
<v Speaker 3>alert system essentially We'll talk a little more about that later.

0:28:47.840 --> 0:28:51.600
<v Speaker 3>But that's why the clear Channel thing is a thing.

0:28:52.080 --> 0:28:55.080
<v Speaker 1>Right, And to be clear, I didn't even mean that,

0:28:55.440 --> 0:29:00.960
<v Speaker 1>not to be confused with former iHeartMedia company Clear Channel.

0:29:01.720 --> 0:29:03.720
<v Speaker 3>No, but I bet that's where they get their name.

0:29:04.520 --> 0:29:06.800
<v Speaker 2>Man, it'd be a real coincidence. Huh.

0:29:06.960 --> 0:29:09.000
<v Speaker 3>Wasn't that the name of the city that was built

0:29:09.040 --> 0:29:09.760
<v Speaker 3>on rock and roll?

0:29:11.920 --> 0:29:12.520
<v Speaker 2>Clear Channel?

0:29:12.560 --> 0:29:13.840
<v Speaker 3>Yeah? Clear Channel City.

0:29:14.360 --> 0:29:16.400
<v Speaker 1>I'm not falling for anything you ever say anymore, so

0:29:16.440 --> 0:29:17.880
<v Speaker 1>don't even try.

0:29:18.160 --> 0:29:19.280
<v Speaker 2>Should we take another break?

0:29:19.400 --> 0:29:22.320
<v Speaker 1>Yes, all right, we'll take another break talk about the

0:29:22.400 --> 0:29:26.080
<v Speaker 1>rise of TV and you know, music on AM radio

0:29:26.160 --> 0:29:26.640
<v Speaker 1>right after this.

0:30:00.440 --> 0:30:03.680
<v Speaker 3>Okay, Chuck, we're back. And we talked about how the

0:30:03.680 --> 0:30:06.320
<v Speaker 3>Golden Age of radio ended, but that was what the

0:30:06.320 --> 0:30:08.760
<v Speaker 3>old stars considered the golden age. If you were young

0:30:08.800 --> 0:30:11.240
<v Speaker 3>and hip, the Golden Age was still yet to come.

0:30:12.600 --> 0:30:13.040
<v Speaker 2>That's right.

0:30:13.640 --> 0:30:15.800
<v Speaker 1>I mentioned Top forty was invented on AM and it

0:30:15.840 --> 0:30:19.640
<v Speaker 1>was specifically developed by a station odor named Todd Stores

0:30:19.680 --> 0:30:24.720
<v Speaker 1>in Nebraska at the beginning of the nineteen fifties. I guess,

0:30:25.440 --> 0:30:28.040
<v Speaker 1>and he said, Hey, you know, radio has all these

0:30:28.080 --> 0:30:32.360
<v Speaker 1>great shows. I love those puppets. That ventriloquism is great,

0:30:33.240 --> 0:30:36.479
<v Speaker 1>but we've got rock and roll now and R and

0:30:36.520 --> 0:30:40.280
<v Speaker 1>B and soon you know, pop music coming our way,

0:30:40.440 --> 0:30:42.080
<v Speaker 1>pop and pop music.

0:30:43.200 --> 0:30:44.479
<v Speaker 2>Who was that is that? Falco?

0:30:44.920 --> 0:30:48.520
<v Speaker 3>No, I shouldn't have opened my big mouth because I

0:30:48.520 --> 0:30:50.680
<v Speaker 3>don't remember I even have that on my phone, so

0:30:50.840 --> 0:30:52.680
<v Speaker 3>maybe I'll look sometime soon.

0:30:53.880 --> 0:30:56.400
<v Speaker 2>But he said, hey, let's let's start playing this music.

0:30:56.520 --> 0:31:00.840
<v Speaker 1>Let's create a what Julia calls a jew box driven

0:31:00.920 --> 0:31:04.600
<v Speaker 1>media and you know, play people stuff that. You know,

0:31:04.680 --> 0:31:08.400
<v Speaker 1>DJs became a thing. That's when they became personalities. Each

0:31:08.440 --> 0:31:10.960
<v Speaker 1>station started having you know, these sort of wacky that's

0:31:10.960 --> 0:31:13.600
<v Speaker 1>where those first you know, like the Wolfman and all

0:31:13.600 --> 0:31:16.120
<v Speaker 1>those sort of wacky early DJs came from that were

0:31:16.120 --> 0:31:19.040
<v Speaker 1>like real personalities people would tune into just to listen

0:31:19.040 --> 0:31:20.440
<v Speaker 1>to their specific show.

0:31:20.880 --> 0:31:25.120
<v Speaker 3>Yeah, Like each station had to have their own personality,

0:31:25.200 --> 0:31:27.520
<v Speaker 3>like the Big Bopper, one of the most famous of

0:31:27.560 --> 0:31:31.960
<v Speaker 3>all time. Yeah, he was djaying for a station in Beaumont, Texas.

0:31:31.960 --> 0:31:34.320
<v Speaker 3>Like it had like, if you had a station, you

0:31:34.440 --> 0:31:36.720
<v Speaker 3>had to have a personality, and some of them just

0:31:36.760 --> 0:31:41.040
<v Speaker 3>happened to be so popular that they became international icons essentially.

0:31:41.120 --> 0:31:42.280
<v Speaker 2>Yeah, it's amazing.

0:31:42.520 --> 0:31:46.320
<v Speaker 3>Yeah, Like the Wolfman went on to own a furniture

0:31:46.360 --> 0:31:50.280
<v Speaker 3>store in North Georgia called Gallery Furniture. If you wanted

0:31:50.320 --> 0:31:52.800
<v Speaker 3>a waterbed, you would go ask for the Wolfman.

0:31:53.840 --> 0:31:56.920
<v Speaker 2>Boy, that's a niche joke. Should we even explain it

0:31:57.000 --> 0:31:58.440
<v Speaker 2>or not? Okay?

0:31:58.440 --> 0:31:58.640
<v Speaker 1>Good?

0:31:58.960 --> 0:32:00.720
<v Speaker 3>I think if you go onto utube and you look

0:32:00.760 --> 0:32:03.680
<v Speaker 3>up Gallery Frensham the Wolfman, there'll be something on there.

0:32:04.200 --> 0:32:06.800
<v Speaker 2>Oh. Sure, but that was a wolf mate, Jack. Are

0:32:06.800 --> 0:32:09.800
<v Speaker 2>you sure you didn't really think it was the same guy,

0:32:09.880 --> 0:32:10.880
<v Speaker 2>did you?

0:32:10.920 --> 0:32:11.080
<v Speaker 3>No?

0:32:11.600 --> 0:32:14.640
<v Speaker 2>Okay, See, I don't know what to believe anymore.

0:32:15.160 --> 0:32:17.400
<v Speaker 3>I'm not trying, you know, I just wanted to come

0:32:17.440 --> 0:32:18.040
<v Speaker 3>clean about this.

0:32:18.560 --> 0:32:19.000
<v Speaker 2>Okay.

0:32:19.160 --> 0:32:22.720
<v Speaker 3>I've never tried to fool you. That was a thing

0:32:22.800 --> 0:32:26.280
<v Speaker 3>that just kind of evolved. I've just been making dry,

0:32:26.360 --> 0:32:29.840
<v Speaker 3>random jokes all this time, but it's never been to

0:32:30.240 --> 0:32:33.520
<v Speaker 3>fool you. You took that and ran with it. I've

0:32:33.560 --> 0:32:35.240
<v Speaker 3>never done it directly to fool you.

0:32:35.760 --> 0:32:37.720
<v Speaker 2>This is not what you said during our therapy session

0:32:37.800 --> 0:32:38.200
<v Speaker 2>last week.

0:32:40.000 --> 0:32:41.440
<v Speaker 3>Well, doctor Krantz said.

0:32:41.240 --> 0:32:43.480
<v Speaker 2>That, Doctor Katz, that's who we should have gotten.

0:32:43.560 --> 0:32:46.440
<v Speaker 3>Yeah, doctor Katz said that I needed to make more

0:32:46.480 --> 0:32:47.040
<v Speaker 3>stuff up.

0:32:47.320 --> 0:32:50.040
<v Speaker 2>So we're not therapy together. By the way, everybody, that

0:32:50.120 --> 0:32:52.960
<v Speaker 2>was a joke. But if we did we'd get the

0:32:52.960 --> 0:32:54.920
<v Speaker 2>guy who therapied Metallica, right.

0:32:55.840 --> 0:32:58.960
<v Speaker 3>Oh, I forgot that they were in therapy together. Yeah,

0:32:59.040 --> 0:32:59.840
<v Speaker 3>I guess it worked.

0:33:01.240 --> 0:33:02.360
<v Speaker 2>I'm not knocking at at all.

0:33:02.680 --> 0:33:04.320
<v Speaker 1>I mean, we haven't had to do it, but I

0:33:04.320 --> 0:33:06.600
<v Speaker 1>think that's a great idea for any kind of partnership.

0:33:06.680 --> 0:33:11.120
<v Speaker 3>You know, agreed? Okay, Was that the therapist that talked

0:33:11.200 --> 0:33:14.640
<v Speaker 3>Metallica out of their emo phase? Right, because hats off

0:33:14.680 --> 0:33:20.000
<v Speaker 3>to that therapist. Maybe we're talking, Oh yeah, we're talking

0:33:20.000 --> 0:33:23.960
<v Speaker 3>about what was going on with this transition to music.

0:33:24.360 --> 0:33:24.560
<v Speaker 2>Yeah.

0:33:25.200 --> 0:33:28.520
<v Speaker 3>Well, one of the reasons why AM radio transition to

0:33:28.640 --> 0:33:31.840
<v Speaker 3>music and away from things like soap operas and all

0:33:31.880 --> 0:33:35.080
<v Speaker 3>that stuff was because those things ended up on TV. Yeah,

0:33:35.080 --> 0:33:38.200
<v Speaker 3>the older people followed those. Remember, they're like radios the

0:33:38.240 --> 0:33:41.560
<v Speaker 3>pits now because the golden there is over And then

0:33:41.600 --> 0:33:43.400
<v Speaker 3>they turn on their TVs and they're like, oh, the

0:33:43.440 --> 0:33:45.720
<v Speaker 3>golden there is over here. Now, let's just keep going

0:33:46.160 --> 0:33:49.880
<v Speaker 3>and watching now instead of just listening. And that left

0:33:49.880 --> 0:33:53.200
<v Speaker 3>the kids to fill this vacuum, which was AM radio,

0:33:53.520 --> 0:33:55.880
<v Speaker 3>And like you said, the top forty format started there.

0:33:56.160 --> 0:34:00.920
<v Speaker 3>The like big internationally known DJs started there, and it

0:34:01.040 --> 0:34:04.920
<v Speaker 3>just kind of took off little by little. But really

0:34:04.960 --> 0:34:07.080
<v Speaker 3>picked up steam when a few things kind of came

0:34:07.120 --> 0:34:09.160
<v Speaker 3>together and one of them you already mentioned, which was

0:34:09.160 --> 0:34:12.080
<v Speaker 3>transis to radios, So now you didn't just have to

0:34:12.120 --> 0:34:15.560
<v Speaker 3>sit at home with the oldsters to listen to your

0:34:15.600 --> 0:34:19.440
<v Speaker 3>favorite hits. And then also AM radio started to show

0:34:19.520 --> 0:34:23.160
<v Speaker 3>up in cars essentially as not even an option after

0:34:23.239 --> 0:34:25.279
<v Speaker 3>a while, like you got the AM radio whether you

0:34:25.320 --> 0:34:26.120
<v Speaker 3>wanted it or not.

0:34:27.040 --> 0:34:30.160
<v Speaker 1>Yeah, I think more than half of American cars had

0:34:30.200 --> 0:34:35.080
<v Speaker 1>AM radio receivers factory installed by the nineteen fifties. And

0:34:35.239 --> 0:34:39.200
<v Speaker 1>that was a huge, huge deal obviously, and you know,

0:34:39.280 --> 0:34:43.560
<v Speaker 1>it was the dominant paradigm for music until seventy eight.

0:34:44.000 --> 0:34:48.160
<v Speaker 1>And there was that period from kind of the early

0:34:48.239 --> 0:34:52.120
<v Speaker 1>seventies to the early eighties, little under ten years where

0:34:52.320 --> 0:34:56.080
<v Speaker 1>that you know, sort of yacht rocky am mellow gold

0:34:56.200 --> 0:34:59.839
<v Speaker 1>stuff really really took over. Yeah, you had to kind

0:34:59.840 --> 0:35:02.360
<v Speaker 1>of watch what you put on the radio because FM

0:35:02.440 --> 0:35:07.280
<v Speaker 1>was playing you know, they were playing the AOAR album

0:35:07.320 --> 0:35:09.960
<v Speaker 1>oriented rock stuff that had a little more mckismo and

0:35:11.160 --> 0:35:15.280
<v Speaker 1>testosterone fuel, like you know rock bands. Big hair, yeah, exactly,

0:35:15.280 --> 0:35:19.680
<v Speaker 1>big hair, long hair, not a mustache in sight unless

0:35:19.680 --> 0:35:22.080
<v Speaker 1>it was part of a beard probably, but wasn't the

0:35:22.120 --> 0:35:25.800
<v Speaker 1>case on AM with yacht rock, there were mustachioed dudes,

0:35:25.840 --> 0:35:32.080
<v Speaker 1>generally sensitive guys. The songs weren't about usually like conquering women.

0:35:32.480 --> 0:35:34.880
<v Speaker 1>Most of them were about getting dumped by women. A

0:35:34.880 --> 0:35:38.160
<v Speaker 1>lot of sad sack music coming out, Yeah on AM

0:35:38.239 --> 0:35:39.520
<v Speaker 1>radio in the nineteen seventies.

0:35:39.719 --> 0:35:41.800
<v Speaker 2>I still listened to a lot of that stuff.

0:35:42.000 --> 0:35:44.640
<v Speaker 3>Yeah, and a lot of the constraints. I found this

0:35:44.719 --> 0:35:47.400
<v Speaker 3>to be true throughout my life. When you put constraints

0:35:47.440 --> 0:35:51.080
<v Speaker 3>on something, it automatically fuels creativity because it doesn't mean

0:35:51.120 --> 0:35:55.480
<v Speaker 3>you don't still want to get across you know, subversive ideas.

0:35:55.520 --> 0:35:58.160
<v Speaker 3>You just have to cloak them within the confines of

0:35:58.200 --> 0:36:00.400
<v Speaker 3>these constraints, and it makes you more creative than just

0:36:00.440 --> 0:36:04.920
<v Speaker 3>saying the idea out loud, right, which is why album

0:36:05.040 --> 0:36:09.480
<v Speaker 3>rockers are typically dumb compared to yacht rockers as far

0:36:09.520 --> 0:36:10.319
<v Speaker 3>as the artist go.

0:36:11.760 --> 0:36:14.560
<v Speaker 1>Yeah, So, like, if you're a songwriter and you're like,

0:36:15.280 --> 0:36:17.000
<v Speaker 1>I'm a yacht rocker, I'm not going to sing about,

0:36:18.160 --> 0:36:21.200
<v Speaker 1>you know, teenage girls. I'm going to sing about things

0:36:21.239 --> 0:36:24.000
<v Speaker 1>I like, like Penia Kalattison and getting caught in the ring.

0:36:24.120 --> 0:36:27.000
<v Speaker 3>Man. That guy, I think he's one of the most

0:36:27.040 --> 0:36:32.359
<v Speaker 3>reprehensible songwriters of all time. Not song, not just that song,

0:36:32.719 --> 0:36:35.480
<v Speaker 3>the Penia Kalada song. Have you ever heard the song him?

0:36:35.680 --> 0:36:36.399
<v Speaker 3>His song Him?

0:36:37.160 --> 0:36:39.719
<v Speaker 2>I don't know, I don't know it by name. What

0:36:39.840 --> 0:36:40.520
<v Speaker 2>I recognize it?

0:36:40.560 --> 0:36:44.399
<v Speaker 3>You think, I don't know. It's a it's considered yacht rock,

0:36:44.440 --> 0:36:47.719
<v Speaker 3>but it's it's a really despicable song about this this

0:36:47.800 --> 0:36:50.319
<v Speaker 3>guy whose girlfriend is sleeping around on him. So he's

0:36:50.320 --> 0:36:52.960
<v Speaker 3>got a teacher a lesson to basically bring her back

0:36:53.000 --> 0:36:57.200
<v Speaker 3>to heal and how he's not heartbroken or hurt. He's

0:36:57.360 --> 0:37:00.440
<v Speaker 3>just mad that this guy. He says, like nobody should

0:37:00.440 --> 0:37:04.160
<v Speaker 3>get it for free. Yeah, that's what he's upside. Well,

0:37:04.760 --> 0:37:08.280
<v Speaker 3>it's a nutsoe song. Go listen to it. But yeah,

0:37:08.360 --> 0:37:12.640
<v Speaker 3>Rupert Holmes, I don't think he'd like him Bodies the seventies,

0:37:12.640 --> 0:37:15.480
<v Speaker 3>like the worst part of Men in the seventies, I.

0:37:15.440 --> 0:37:18.520
<v Speaker 1>Think, Yeah, I mean, I really don't like that song

0:37:18.560 --> 0:37:20.719
<v Speaker 1>at all. But I do love most yacht rock. And

0:37:20.800 --> 0:37:22.600
<v Speaker 1>I know we've probably talked about it briefly at some

0:37:22.640 --> 0:37:25.200
<v Speaker 1>point as a recommendation, but the yacht rock documentary that

0:37:25.239 --> 0:37:28.239
<v Speaker 1>came out last year is really really good. Yeah, and

0:37:28.280 --> 0:37:30.960
<v Speaker 1>we do definitely want to say that that term was

0:37:31.000 --> 0:37:34.279
<v Speaker 1>not coined until the two thousands, when a comedy web

0:37:34.360 --> 0:37:38.279
<v Speaker 1>series spoofing the genre made up the nam yacht rock.

0:37:38.360 --> 0:37:41.200
<v Speaker 1>Before that, I think, like you know, Time Life put

0:37:41.200 --> 0:37:43.560
<v Speaker 1>out those the am Gold series of CDs. I think

0:37:43.600 --> 0:37:47.920
<v Speaker 1>am Gold or mellow or easy listening. That sort of

0:37:48.800 --> 0:37:50.239
<v Speaker 1>is what we called it, right, didn't that what you

0:37:50.280 --> 0:37:50.600
<v Speaker 1>called it?

0:37:50.880 --> 0:37:53.919
<v Speaker 3>Easy listening? Yeah, that's what I was first introduced to it.

0:37:53.840 --> 0:37:58.680
<v Speaker 1>As our mutual friend Allison who we used to work with.

0:37:58.719 --> 0:38:02.680
<v Speaker 1>My friend Eddie's wife calls it carsick music because it

0:38:02.800 --> 0:38:04.840
<v Speaker 1>just brings back days of like riding backwards in a

0:38:04.840 --> 0:38:07.120
<v Speaker 1>station wagon and being car sick and that stuff just

0:38:07.280 --> 0:38:08.000
<v Speaker 1>droning on and on.

0:38:08.120 --> 0:38:09.239
<v Speaker 3>That's a perfect name for it.

0:38:09.680 --> 0:38:10.239
<v Speaker 2>Yeah, it's good.

0:38:10.239 --> 0:38:12.520
<v Speaker 3>But when you know, when you're familiar with the idea

0:38:12.600 --> 0:38:16.359
<v Speaker 3>that they had to kind of cloak subversive ideas in

0:38:17.360 --> 0:38:21.440
<v Speaker 3>like non obvious terms, right, and you go back and

0:38:21.480 --> 0:38:23.640
<v Speaker 3>listen to some of this mellow Gold stuff, it's like,

0:38:23.680 --> 0:38:26.719
<v Speaker 3>whoa they were Really it's a little crazier than you thought.

0:38:26.760 --> 0:38:31.400
<v Speaker 3>Like for example, love Grows where My Rosemary Goes is

0:38:31.480 --> 0:38:38.080
<v Speaker 3>code for let's smoke some DMT. Yeah, that was the

0:38:38.120 --> 0:38:39.200
<v Speaker 3>only one I turned up.

0:38:40.680 --> 0:38:42.080
<v Speaker 2>I mean, what do you think Ride Like the Wind

0:38:42.160 --> 0:38:42.520
<v Speaker 2>is about?

0:38:42.560 --> 0:38:46.799
<v Speaker 3>Come on, right, that's about DMT as well. Oh wow,

0:38:46.840 --> 0:38:48.920
<v Speaker 3>all right, but he's talking about what it's like to

0:38:48.920 --> 0:38:52.640
<v Speaker 3>be on DMT, not just inviting you to smoke DMT.

0:38:52.880 --> 0:38:55.280
<v Speaker 1>Well, when you know what's funny, I think Christopher Cross

0:38:55.320 --> 0:38:57.560
<v Speaker 1>wrote Ride Like the Wind when he was on LSD.

0:38:58.360 --> 0:38:59.000
<v Speaker 3>I believe that.

0:38:59.680 --> 0:39:01.279
<v Speaker 2>I think said that in the yacht Rock doc.

0:39:01.600 --> 0:39:04.320
<v Speaker 3>Did he really? Yeah, it's a great song.

0:39:05.239 --> 0:39:07.520
<v Speaker 1>It's a great song and has one of the most

0:39:08.560 --> 0:39:10.520
<v Speaker 1>one of the greatest guitar solos because he's a killer

0:39:10.560 --> 0:39:13.120
<v Speaker 1>guitar player. But it's so buried in the mix, and

0:39:13.160 --> 0:39:15.680
<v Speaker 1>there's all kinds of YouTube videos now where they're like, yeah,

0:39:15.760 --> 0:39:17.359
<v Speaker 1>let's bring it up in the mix and talk about

0:39:17.360 --> 0:39:18.920
<v Speaker 1>this solo and like how amazing it is.

0:39:19.640 --> 0:39:23.239
<v Speaker 3>That's kind of like those videos of Van Halen with

0:39:23.440 --> 0:39:27.200
<v Speaker 3>nothing but David Lee Ross's vocals. Have you heard those?

0:39:28.120 --> 0:39:28.440
<v Speaker 2>Yeah?

0:39:28.640 --> 0:39:31.640
<v Speaker 1>Those are Those are very funny. And to be clear,

0:39:31.640 --> 0:39:34.680
<v Speaker 1>it's a ripping solo for yacht Rock. It's no so

0:39:34.800 --> 0:39:37.080
<v Speaker 1>it's not like the solo for My Sharona or anything,

0:39:37.280 --> 0:39:38.040
<v Speaker 1>but it's still good.

0:39:38.640 --> 0:39:41.319
<v Speaker 3>I don't Yeah, neither of the solos stand out to me.

0:39:41.360 --> 0:39:43.040
<v Speaker 3>I can't bring either one to mind.

0:39:43.360 --> 0:39:46.000
<v Speaker 1>Oh man, the My Sharona solo is a top five

0:39:46.080 --> 0:39:49.279
<v Speaker 1>guitar solo of all time for me. And you got

0:39:49.280 --> 0:39:51.880
<v Speaker 1>to listen to the radio version cut out a full minute.

0:39:51.920 --> 0:39:55.360
<v Speaker 1>It's like nineties plus seconds the full version.

0:39:55.440 --> 0:39:55.720
<v Speaker 3>Wow.

0:39:55.760 --> 0:39:57.480
<v Speaker 1>And they cut out two thirds of it for the

0:39:57.560 --> 0:39:59.040
<v Speaker 1>radio version. So you got to listen to the real

0:39:59.120 --> 0:40:02.160
<v Speaker 1>full version. It's like it's way better than it should

0:40:02.160 --> 0:40:02.839
<v Speaker 1>be for that song.

0:40:03.160 --> 0:40:04.839
<v Speaker 3>That would be the album at it right?

0:40:06.080 --> 0:40:08.040
<v Speaker 2>Yeah, I guess so it's Kiddler.

0:40:08.040 --> 0:40:09.240
<v Speaker 3>Or the twelve inch version.

0:40:10.320 --> 0:40:12.359
<v Speaker 2>I don't know about the twelve inch Okay.

0:40:12.440 --> 0:40:15.440
<v Speaker 3>Well, regardless, go listen to some Mellow Gold. It'll make

0:40:15.440 --> 0:40:17.320
<v Speaker 3>you happy for sure.

0:40:18.040 --> 0:40:20.120
<v Speaker 2>But where are we these days with AM radio?

0:40:20.680 --> 0:40:25.960
<v Speaker 3>Well, there's this battle over it, just like absolutely every

0:40:26.000 --> 0:40:29.520
<v Speaker 3>single other thing that people more than one person talks

0:40:29.560 --> 0:40:33.760
<v Speaker 3>about in America, AM radio's actually managed to become politicized

0:40:35.000 --> 0:40:37.080
<v Speaker 3>a bunch of car makers, from what I can tell,

0:40:37.200 --> 0:40:40.080
<v Speaker 3>led by Tesla. I think they were the first ones

0:40:40.120 --> 0:40:42.719
<v Speaker 3>to announce this back in twenty twenty that they were

0:40:42.760 --> 0:40:48.640
<v Speaker 3>going to discontinue AM radios in their cars. Boo yeah.

0:40:48.840 --> 0:40:50.920
<v Speaker 3>And I think now you can kind of imagine why

0:40:50.960 --> 0:40:57.359
<v Speaker 3>it's a politicized idea, But the ostensible reason is that

0:40:57.520 --> 0:41:03.240
<v Speaker 3>the AM stereo is interfered with by the ev long story,

0:41:03.280 --> 0:41:08.560
<v Speaker 3>short AM waves are much more susceptible to noise because

0:41:08.680 --> 0:41:12.719
<v Speaker 3>of electrical interference. Well, an electrical vehicle is lousy with

0:41:12.760 --> 0:41:15.680
<v Speaker 3>electrical interference, And so the whole car industry is like,

0:41:15.719 --> 0:41:17.680
<v Speaker 3>we're gonna have to spend a bunch of money just

0:41:17.719 --> 0:41:21.080
<v Speaker 3>to keep this AM radio in there. And the US

0:41:21.160 --> 0:41:26.120
<v Speaker 3>government is a pretty adamant that AM radio needs to

0:41:26.120 --> 0:41:29.399
<v Speaker 3>stick around again, not just for the public good thing,

0:41:29.800 --> 0:41:33.319
<v Speaker 3>the nostalgia factor, but also because if you are going

0:41:33.360 --> 0:41:37.880
<v Speaker 3>to get an alert that you know the Cubans have invaded,

0:41:38.480 --> 0:41:41.240
<v Speaker 3>you're going to probably get that alert over an AM

0:41:41.360 --> 0:41:44.239
<v Speaker 3>radio station because that's what the whole system is set

0:41:44.320 --> 0:41:47.640
<v Speaker 3>up to do. Not because it's antiquated, but because AM

0:41:47.760 --> 0:41:50.719
<v Speaker 3>radio does all sorts of things those they could. The

0:41:50.760 --> 0:41:53.160
<v Speaker 3>waves can travel very far, so it reaches a lot

0:41:53.160 --> 0:41:57.040
<v Speaker 3>of people. Rural people listen to AM radio still today,

0:41:57.120 --> 0:42:01.640
<v Speaker 3>like it's just part of rural life. So it's everybody

0:42:02.160 --> 0:42:04.640
<v Speaker 3>is reached by AM one way or another. And I

0:42:04.680 --> 0:42:07.920
<v Speaker 3>didn't know this, but you can make a type of

0:42:08.000 --> 0:42:14.760
<v Speaker 3>radio a crystal receiver radio that can play AM radio

0:42:15.160 --> 0:42:20.480
<v Speaker 3>broadcasts without any battery or power source. The crystal manages

0:42:20.560 --> 0:42:23.920
<v Speaker 3>to take the energy in the radio carrier wave and

0:42:23.960 --> 0:42:27.920
<v Speaker 3>it's amazing and use that alone to basically reproduce the sound.

0:42:28.200 --> 0:42:31.279
<v Speaker 3>So for all those reasons, AM like radio really makes

0:42:31.320 --> 0:42:33.520
<v Speaker 3>a lot of sense to put all of your eggs

0:42:33.560 --> 0:42:36.839
<v Speaker 3>in that basket. As far as getting like emergency broadcasts out,

0:42:37.040 --> 0:42:40.880
<v Speaker 3>So the government said, long story short, you need to

0:42:40.960 --> 0:42:43.960
<v Speaker 3>keep AM radios in cars, and they're trying to figure

0:42:43.960 --> 0:42:46.120
<v Speaker 3>out how to get that mandated.

0:42:47.000 --> 0:42:50.160
<v Speaker 1>Yeah, I mean it's called the Emergency Alert System now.

0:42:50.160 --> 0:42:52.800
<v Speaker 1>It used to be the EBS, the Emergency Broadcast System.

0:42:52.840 --> 0:42:55.040
<v Speaker 1>And if you're thinking, like man, I get my Amber alert,

0:42:55.040 --> 0:42:57.160
<v Speaker 1>so like all that stuff comes through my phone now.

0:42:58.000 --> 0:43:01.719
<v Speaker 1>And this isn't like gen X saying like, oh, to

0:43:01.840 --> 0:43:05.440
<v Speaker 1>rely on on your phones, but like if you expect

0:43:05.680 --> 0:43:08.279
<v Speaker 1>that phone to always work in all cases for the

0:43:08.320 --> 0:43:13.040
<v Speaker 1>rest of time, you're sorely mistaken because if that system

0:43:13.120 --> 0:43:16.640
<v Speaker 1>is taken out, then you're gonna rely on something like

0:43:16.719 --> 0:43:20.399
<v Speaker 1>AM radio to get important information out, you know. I mean,

0:43:20.440 --> 0:43:22.839
<v Speaker 1>that's why it's still there. That's why they're you know,

0:43:22.920 --> 0:43:25.239
<v Speaker 1>going to the car makers and saying like, hey, like

0:43:26.200 --> 0:43:27.839
<v Speaker 1>you may not listen to it, you may think it's

0:43:27.840 --> 0:43:30.840
<v Speaker 1>old fashioned, but there are still four thousand AM stations

0:43:30.840 --> 0:43:34.200
<v Speaker 1>and eighty million listeners a month that some of them

0:43:34.239 --> 0:43:36.920
<v Speaker 1>rely on this stuff to get information, and you can't

0:43:36.960 --> 0:43:39.480
<v Speaker 1>just say like, well, it seems old timey, so we

0:43:39.520 --> 0:43:42.160
<v Speaker 1>don't interferes with our stuff, so we don't want it anymore.

0:43:42.320 --> 0:43:44.680
<v Speaker 3>Yeah, I do kind of have the feeling that there

0:43:44.760 --> 0:43:48.319
<v Speaker 3>is like a certain scorn toward the nostalgic factor of

0:43:48.320 --> 0:43:51.879
<v Speaker 3>AM radio. Yeah, and that that's part of maybe what's

0:43:51.960 --> 0:43:55.160
<v Speaker 3>driving it, which really ticks me off, because who are

0:43:55.239 --> 0:43:58.200
<v Speaker 3>car makers to decide whether AM radio sticks around or not.

0:43:59.160 --> 0:44:02.719
<v Speaker 3>Congress says, no, we actually have come up with a

0:44:02.840 --> 0:44:06.160
<v Speaker 3>law called the Am Radio for Every Vehicle Act that

0:44:06.239 --> 0:44:08.760
<v Speaker 3>basically says, if you sell a car in the United States,

0:44:08.960 --> 0:44:12.239
<v Speaker 3>it has to have AM radio as a feature, not

0:44:12.320 --> 0:44:16.200
<v Speaker 3>even an option. And a lot of carmakers are like, sure, fine,

0:44:16.200 --> 0:44:23.360
<v Speaker 3>we're on board with that. Honda, Hyundai, Jaguar, Kiya, Mitsubishi, Nissan, Silantis, Subaru,

0:44:23.400 --> 0:44:27.399
<v Speaker 3>Toyota all said we're keeping AM radio. Ford had said

0:44:27.400 --> 0:44:30.359
<v Speaker 3>they weren't, and they said, okay, we didn't realize AM

0:44:30.480 --> 0:44:33.000
<v Speaker 3>radio was so popular, we're going to keep it too.

0:44:33.520 --> 0:44:35.080
<v Speaker 3>So I guess if you want to show your support

0:44:35.080 --> 0:44:37.359
<v Speaker 3>for AM radio, everybody should just go out and buy

0:44:37.360 --> 0:44:38.400
<v Speaker 3>a Jaguar.

0:44:39.840 --> 0:44:44.960
<v Speaker 1>Well, Tesla, Rivian, Pollstar, BMW, Volkswagen, and Balvo dispensed with

0:44:45.080 --> 0:44:47.680
<v Speaker 1>AM radio and some of their new car models. I

0:44:47.680 --> 0:44:50.520
<v Speaker 1>don't think completely across the board for each of those manufacturers,

0:44:51.480 --> 0:44:55.520
<v Speaker 1>but that every AM for Every Vehicle Act failed in

0:44:55.560 --> 0:45:00.520
<v Speaker 1>twenty twenty four. Unfortunately, it was reintroduced this year in

0:45:00.560 --> 0:45:03.920
<v Speaker 1>twenty twenty five, just I think recently in September, and

0:45:04.120 --> 0:45:06.799
<v Speaker 1>has a lot of support, like on you know, both

0:45:06.800 --> 0:45:10.160
<v Speaker 1>sides of the aisle. So you know, if the one

0:45:10.239 --> 0:45:13.680
<v Speaker 1>hundred and nineteenth Congress ever decides to do anything at all,

0:45:13.760 --> 0:45:15.040
<v Speaker 1>perhaps that will be reconsidered.

0:45:15.160 --> 0:45:19.160
<v Speaker 3>Yeah, it's got legs like an intern carrying coffee back

0:45:19.200 --> 0:45:21.880
<v Speaker 3>to the office is how they put it in Washington.

0:45:23.920 --> 0:45:26.040
<v Speaker 2>It's good. That was the original zzy top line, but

0:45:26.080 --> 0:45:27.080
<v Speaker 2>it was a little bagg.

0:45:28.640 --> 0:45:34.280
<v Speaker 3>Don't forget the Zzy top Eliminator video trilogy. You were feminist,

0:45:34.640 --> 0:45:37.319
<v Speaker 3>that's right. You got anything else? Man?

0:45:38.040 --> 0:45:40.320
<v Speaker 1>Yeah, I think that was that was good support support

0:45:40.360 --> 0:45:43.040
<v Speaker 1>AM radio. It's not a relic it's still important.

0:45:43.160 --> 0:45:47.279
<v Speaker 3>Yeah, well put dude. If you want to know more

0:45:47.320 --> 0:45:50.359
<v Speaker 3>about AM radio, start listening to AM radio. And since

0:45:50.400 --> 0:45:52.640
<v Speaker 3>I started to sign off this episode like it was

0:45:52.680 --> 0:45:55.480
<v Speaker 3>one of the OG episodes, that means it's time for

0:45:55.520 --> 0:45:56.200
<v Speaker 3>listener mail.

0:45:59.160 --> 0:46:01.239
<v Speaker 2>This is from car just kind of a thank you.

0:46:01.800 --> 0:46:04.239
<v Speaker 1>Carra started listening in two thousand and eight when she

0:46:04.280 --> 0:46:07.320
<v Speaker 1>was sick at home from high school with pneumonia. Yours

0:46:07.360 --> 0:46:09.680
<v Speaker 1>was the very first podcast ever listened to, back when

0:46:09.719 --> 0:46:13.120
<v Speaker 1>hardly anyone knew what a podcast was. I've been avid

0:46:13.120 --> 0:46:15.320
<v Speaker 1>listener to a lot of shows since, but you have

0:46:15.400 --> 0:46:17.239
<v Speaker 1>been a constant in my life through the end of

0:46:17.320 --> 0:46:20.200
<v Speaker 1>high school, college, grad school, and beyond. Your voices have

0:46:20.239 --> 0:46:23.080
<v Speaker 1>always been a sense of comfort and familiarity when things

0:46:23.120 --> 0:46:25.520
<v Speaker 1>in life got really difficult. I went to see You

0:46:25.600 --> 0:46:29.400
<v Speaker 1>Live in Boston three times, always on my own, and

0:46:29.440 --> 0:46:31.680
<v Speaker 1>each show felt like a small celebration for myself of

0:46:31.719 --> 0:46:33.960
<v Speaker 1>something that had carried me through so many years.

0:46:34.200 --> 0:46:36.560
<v Speaker 3>I wonder if that's the person who had the laugh

0:46:36.600 --> 0:46:38.400
<v Speaker 3>that we called out in Boston every time.

0:46:38.960 --> 0:46:41.920
<v Speaker 2>Oh, I don't know. Maybe I think Kara would have

0:46:41.920 --> 0:46:42.600
<v Speaker 2>mentioned that. Probably.

0:46:42.600 --> 0:46:46.640
<v Speaker 1>Probably one rule with stuff you should know for me, though,

0:46:46.680 --> 0:46:48.800
<v Speaker 1>is I could not listen to an episode until I

0:46:48.840 --> 0:46:53.520
<v Speaker 1>could really pay attention, like other shows were background podcasts

0:46:53.520 --> 0:46:56.480
<v Speaker 1>for me, but not yours. The only downside was that

0:46:56.520 --> 0:47:00.279
<v Speaker 1>I fell further and further behind unless I had the

0:47:00.280 --> 0:47:02.920
<v Speaker 1>focus to listen. This year, I've had to do a

0:47:02.960 --> 0:47:04.799
<v Speaker 1>lot of driving, though, and things have settled down some,

0:47:05.000 --> 0:47:07.080
<v Speaker 1>so I made it a goal to catch up in

0:47:07.120 --> 0:47:09.400
<v Speaker 1>time to listen to the twenty twenty five Halloween special

0:47:09.480 --> 0:47:12.759
<v Speaker 1>on Halloween. I also told myself, if I did it,

0:47:13.000 --> 0:47:14.719
<v Speaker 1>get finally right in and tell you how much I

0:47:14.800 --> 0:47:19.520
<v Speaker 1>appreciate the information, banter, humor and movie.

0:47:19.239 --> 0:47:20.160
<v Speaker 2>Rerecks and stuff like that.

0:47:20.440 --> 0:47:25.520
<v Speaker 1>So this is a day before Halloween email coming from

0:47:25.719 --> 0:47:27.360
<v Speaker 1>Kara or Kara ka R.

0:47:27.840 --> 0:47:32.440
<v Speaker 3>That's awesome, Thanks Carra. Kara obviously very goal motivated and

0:47:32.480 --> 0:47:36.560
<v Speaker 3>I appreciate that, and thank you for listening to all

0:47:36.600 --> 0:47:38.919
<v Speaker 3>of our shows for so long. That means a lot

0:47:39.000 --> 0:47:42.239
<v Speaker 3>that we have friends who are travelers like you. You know.

0:47:43.080 --> 0:47:45.200
<v Speaker 1>Yeah, I mean We've said it before. If there weren't

0:47:45.239 --> 0:47:48.440
<v Speaker 1>the Cara Karras, then we would not exist as a

0:47:48.440 --> 0:47:49.040
<v Speaker 1>show anymore.

0:47:49.080 --> 0:47:51.840
<v Speaker 3>Absolutely, that sounds like a T shirt if you ask me.

0:47:52.600 --> 0:47:55.000
<v Speaker 2>Yeah, And Cara Carra sounds like I don't know, like

0:47:55.040 --> 0:47:58.120
<v Speaker 2>a food Yeah, like replaced.

0:47:59.360 --> 0:48:01.840
<v Speaker 3>Okay, if you want to get in touch of this

0:48:02.000 --> 0:48:04.239
<v Speaker 3>like Kara Kara did and let us know what we

0:48:04.360 --> 0:48:08.560
<v Speaker 3>meant to you. We love those emails. You can wrap

0:48:08.560 --> 0:48:10.759
<v Speaker 3>it up, spank it on the bottom, and send it

0:48:10.800 --> 0:48:17.800
<v Speaker 3>off to Stuff Podcasts at iHeartRadio dot com.

0:48:17.960 --> 0:48:20.279
<v Speaker 2>Stuff you Should Know is a production of iHeartRadio.

0:48:20.760 --> 0:48:23.959
<v Speaker 1>For more podcasts my heart Radio, visit the iHeartRadio app,

0:48:24.160 --> 0:48:27.080
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.