WEBVTT - The Babadook

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<v Speaker 1>On the Beck Dol Cast, the questions asked if movies

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<v Speaker 1>have women in them? Are all their discussions just boyfriends

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<v Speaker 1>and husbands? Do they have individualism? The patriarchy? Zef invest

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<v Speaker 1>start changing it with the beck del Cast. Jamie, I'd

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<v Speaker 1>like to read you a bedtime story. Okay, who is

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<v Speaker 1>it about? Um? It's about this guy named the Babba

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<v Speaker 1>Duck or rather just a figure. I don't want to

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<v Speaker 1>gender the Babba Duck, the Babba Duke. What's the fashion situation,

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<v Speaker 1>the fashion situation, fashion icon? I see the Babba Duke

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<v Speaker 1>a top hat, some like pretty intense makeup. Okay, amazing,

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<v Speaker 1>You've got like a black cloak, I would say, okay, hot, hot,

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<v Speaker 1>both physically and like you know, like energy wise, like

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<v Speaker 1>probably sweating under there. How much is the Babba Ducks

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<v Speaker 1>sweating under all of that at I mean, it does

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<v Speaker 1>seem like it's kind of maybe it seems like it's not,

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<v Speaker 1>you know, warm the whole movie. It's pretty chilly environment

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<v Speaker 1>seems like a second layer, honestly. I mean, look, welcome

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<v Speaker 1>to the Beck Doll Cast. My name is Shamie Loftus,

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<v Speaker 1>huge Babba Duck fan. My name is Caitlin Dronte, another

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<v Speaker 1>huge Babba Duck fan. Hard to really not be a

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<v Speaker 1>fan of the Babba Duck, as we will be discussing

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<v Speaker 1>in this exclusive unlocked Matreon episode for you. Can you

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<v Speaker 1>believe it? I can scarcely believe it, But here we are,

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<v Speaker 1>my goodness, nonetheless, here we are. Um, So we are

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<v Speaker 1>unlocking this episode this week. A little, a little peer

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<v Speaker 1>behind the curtain. That is just simply unfortunate. We were

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<v Speaker 1>hoping to spotlight I mean we at this point, it's

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<v Speaker 1>like we sort of cover all sorts of movies throughout

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<v Speaker 1>the year. Um, but we were hoping to get several

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<v Speaker 1>queer movies featured in the month of June because I

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<v Speaker 1>don't know if you've been to a bank recently, but

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<v Speaker 1>it's it's pretty. It's pride one, um, so happy pride

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<v Speaker 1>to everybody, and we um. We had big plans for

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<v Speaker 1>this month and then unfortunately, I Jamie got the homophobic

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<v Speaker 1>COVID nineteen virus, an extremely homophobic, queer phobic in general virus. Yes,

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<v Speaker 1>just not a friendly So I got really sick and

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<v Speaker 1>it kind of derailed our plans a little bit. Very

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<v Speaker 1>very fortunate to be doing better now. Shout out to

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<v Speaker 1>vaccines and pack Slovid. I don't know if anyone has

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<v Speaker 1>been on the pack Slavid bus um, but in any case,

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<v Speaker 1>you know, I feel I feel very lucky to have

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<v Speaker 1>UM to be better, but it it did sort of

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<v Speaker 1>derail our June a little bit, UM, and so we

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<v Speaker 1>were thinking, um, what would be a fun episode to

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<v Speaker 1>unlock for the month of June because me being success

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<v Speaker 1>stuff back a little bit. So sorry, Okay, we're trying

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<v Speaker 1>our best and we will also be like I mean,

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<v Speaker 1>I feel like we cover movies with queer themes all

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<v Speaker 1>the time now, so it's like the boundary of June,

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<v Speaker 1>we don't observe UM. But but in any case, we

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<v Speaker 1>wanted to unlock an episode that had um queer themes.

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<v Speaker 1>The Bobba Duck. You may say, now, hold on, what

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<v Speaker 1>are you talking about? I do believe we cover it

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<v Speaker 1>in text in this episode of why Duck is considered

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<v Speaker 1>a queer icon. We spend a long time talking about

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<v Speaker 1>it in fact, and I think and and I believe

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<v Speaker 1>because we were This episode originally came out on our Matreon, which,

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<v Speaker 1>by the way, if you enjoy the fun the loose

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<v Speaker 1>energy of this episode, always a reminder to go to

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<v Speaker 1>our Patreon ak, Matreon, Patreon dot com slash Bechtel Cast

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<v Speaker 1>for two bonus episodes a month and an over episode backlog.

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<v Speaker 1>We've only um ever unlocked a handful of them on

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<v Speaker 1>the main feed, and we don't make a habit of

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<v Speaker 1>it except for when one of us gets um wildly ill.

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<v Speaker 1>So there you go. But I do believe because we

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<v Speaker 1>discuss we won't spoil it here. We do discuss why

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<v Speaker 1>the Babba Duck is considered a queer icon and has

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<v Speaker 1>been embraced as a queer icon, even though that's not

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<v Speaker 1>necessarily in the text, but we address why. But I

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<v Speaker 1>believes because this is from this is an episode from

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<v Speaker 1>almost four years ago October. It's rather far back in

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<v Speaker 1>the Matrion's history and at the time I don't know

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<v Speaker 1>if I mentioned it in the episode, but I had

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<v Speaker 1>pitched an episode about queer icon the Bobba Duck on

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<v Speaker 1>my first season at Robot Chicken. This is familiar, and

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<v Speaker 1>because this is episode is four years old, that sketch

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<v Speaker 1>did get into the show and was released on the

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<v Speaker 1>show in so I will be linking to the sketch

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<v Speaker 1>hopefully like it. I was very I was shocked and

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<v Speaker 1>thrilled that it somehow got into the show. It is

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<v Speaker 1>an episode. It's like, I don't know, put yourself into

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<v Speaker 1>your brain if you count. It was very timely at

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<v Speaker 1>the time, queer Icon The Bobba Duck goes on to

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<v Speaker 1>new Netflix Queer Eye. Oh that's good. That's good, amazing.

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<v Speaker 1>Thank you, thank you for your support of a TV

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<v Speaker 1>show that came about three years ago. Look, I was

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<v Speaker 1>proud of it, and the Babba Duck is a queer icon.

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<v Speaker 1>And also the Babba Duck was like, even outside of

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<v Speaker 1>this fascinating history of how the Babba Duck became a

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<v Speaker 1>queer icon, it's also just a movie that is full

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<v Speaker 1>of discussion that's relevant to our show. Yes, which you

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<v Speaker 1>are about to hear I found And maybe this is

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<v Speaker 1>just but I feel like in the years since we

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<v Speaker 1>released that episode, the Babba Duck being a queer icon

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<v Speaker 1>has kind of fallen out of the zeitgeist. And I'm

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<v Speaker 1>hoping that us releasing this episode, like you know, like

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<v Speaker 1>unlocking this episode will remind people, don't forget about the

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<v Speaker 1>Babba Duck. It's being a queer icon. It's true. I

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<v Speaker 1>don't think I've really I don't think it's like that

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<v Speaker 1>the Babba Duck has been removed from Cannon, but it

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<v Speaker 1>just's not as discussed as as it was. And I

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<v Speaker 1>want to say, like eighteen nineteen, you know, in a

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<v Speaker 1>world where there is a dearth of sheer joy, the

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<v Speaker 1>Babba Duck as queer icon, I feel like, um, you

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<v Speaker 1>know is worthy of your attention. Hopefully you enjoy if

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<v Speaker 1>you if you're not aware of this, you'll enjoy learning

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<v Speaker 1>the origins. Because this is a Matreon episode, I guess

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<v Speaker 1>we should quickly tell people what the Bechtel test is,

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<v Speaker 1>because we don't do that in Matrion episodes. Yes, and

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<v Speaker 1>I will. We will do that by giving an example.

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<v Speaker 1>And here's the example of something that passes the Bechtel test. Hey, Jamie, Hey, Caitlin,

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<v Speaker 1>did you know that? I believe it was sometime in

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<v Speaker 1>twenty nineteen. The director of The Babba Duck, Jennifer Kent,

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<v Speaker 1>finally commented, I did not know this. Wait, so she

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<v Speaker 1>was asked her thoughts on the Babba Duck being a

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<v Speaker 1>queer icon, and of course for her conversations about the

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<v Speaker 1>Babba Duck past the Bechtel test, because yes, the Babba

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<v Speaker 1>Duck is a genderless slash gender fluid slash non binary

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<v Speaker 1>icon and also the Backel test passes kind of like

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<v Speaker 1>whatever is interesting to us in a lot of cases

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<v Speaker 1>true to true. Um. But Jennifer Kent finally responded, I leave.

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<v Speaker 1>In an interview with Entertainment Weekly, I think she was

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<v Speaker 1>on the press tour for her film The Nightingale. She

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<v Speaker 1>was asked what her thoughts were on the Baba Duck

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<v Speaker 1>as a gay icon, and she said, quote, I'm still

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<v Speaker 1>trying to work that one out. It's quite perplexing. I

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<v Speaker 1>feel it's really quite beautiful, but I still have no

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<v Speaker 1>idea why. I mean, I kind of do unquote Oh okay.

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<v Speaker 1>That's truly an iconic response because it is very funny,

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<v Speaker 1>Like I feel like, first of all, it is a

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<v Speaker 1>gift for a character you invented to be taken out

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<v Speaker 1>of context by accident, become a queer icon, and then

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<v Speaker 1>be asked what you think about it, You're like, um,

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<v Speaker 1>I guess that's awesome, because it is. But also I

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<v Speaker 1>think her response makes quite a quite a lot of

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<v Speaker 1>sense for you're like, yeah, great, Um, well, shout out

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<v Speaker 1>Jennifer Kent, shout out Babba Duck, shout out this movie,

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<v Speaker 1>and that did, in fact pass the Betel test top

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<v Speaker 1>to bottom test, which is a media metric created by

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<v Speaker 1>queer cartoonist Alice and Becktel, sometimes called the Bechtel Wallace Test.

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<v Speaker 1>There are many versions of the test. Here is the

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<v Speaker 1>one that we use. A piece of media passes the

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<v Speaker 1>Becktel test if there are two characters of a marginalized

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<v Speaker 1>gender who have names, they speak to each other, and

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<v Speaker 1>their conversation has to be about something other than a man.

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<v Speaker 1>And then we add the caveat you know, at least

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<v Speaker 1>a two line exchange, and hopefully that conversation is narratively meaningful.

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<v Speaker 1>And I am thrilled. I mean, I think it's just

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<v Speaker 1>very fun that we unlike this episode. Hopefully you agree. Um,

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<v Speaker 1>we have a really fun lineup planned for the summer.

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<v Speaker 1>We willbviously, we will always be covering queer movies on

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<v Speaker 1>this show. Apologies for our June getting a bit derailed

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<v Speaker 1>this year, but we're back on track. I am still

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<v Speaker 1>testing positive, however, I feel okay. I mean, you know,

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<v Speaker 1>first of all, I'm very lucky that I can work

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<v Speaker 1>from home. Second, of all, the walls of this apartment, unfortunately,

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<v Speaker 1>I mean, they couldn't be more familiar to me. We

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<v Speaker 1>were locked in our houses for quite a long time. True.

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<v Speaker 1>So UM, with that in mind, UM, thank you for

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<v Speaker 1>listening to the show, Happy Pride, Thank you for your

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<v Speaker 1>patients with this slight disruption, and we are going to

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<v Speaker 1>have a a fun summer ahead. It's not indeed we

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<v Speaker 1>are Hot Girl Summer. Hot Girl Summer was, I believe,

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<v Speaker 1>and twenty Hot Dog Summer was summer one. I don't

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<v Speaker 1>really know what hot. I mean, what's going to be

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<v Speaker 1>hot this summer? Hot planet summer seems depressing, but high

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<v Speaker 1>gas price summer. God, we really I can't think of

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<v Speaker 1>something non dystopian. We'll circle back on on that. It's

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<v Speaker 1>going to be a hot summer, that's for sure. Yes,

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<v Speaker 1>but thank you so much for listening. Join the Matreon

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<v Speaker 1>if you are enjoying the vibe of this episode we have.

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<v Speaker 1>You know it's no longer um. But Caitlin and I

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<v Speaker 1>do like to get a little chaotic and fun on

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<v Speaker 1>the Matreon stream. For example, this month our theme was

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<v Speaker 1>I Know what you did last Midsummer And we're not

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<v Speaker 1>going to tell you what movies we covered because it's

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<v Speaker 1>in the title. Yes, you'll be able to figure it out.

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<v Speaker 1>You're smart. I'm going to rattle off a bunch of

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<v Speaker 1>just kind of not random, but you know, thoughts that

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<v Speaker 1>pertain two things. One um thoughts that have pertained to

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<v Speaker 1>things things Ever heard of them? First, Jamie, I'm glad

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<v Speaker 1>you're recovering from COVID and feeling better too. I think

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<v Speaker 1>that the Babba Duok the movie is one of its

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<v Speaker 1>kind of thesis statements, is something that we also have

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<v Speaker 1>as a as a thesis statement on the Bechtel cast,

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<v Speaker 1>which is, um, don't read books. We don't, we don't

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<v Speaker 1>read books. The book and the Babba Duck. That is true,

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<v Speaker 1>it's bad. So I feel really close to the movie

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<v Speaker 1>The Babba Duck for that reason. Good messaging. Do not read,

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<v Speaker 1>don't don't read books. They're they're dangerous, I think is

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<v Speaker 1>the main takeaway. Trying to hurt you ye from the movie.

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<v Speaker 1>Let's see. I would like to plug an upcoming tour

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<v Speaker 1>I have so maybe you know it's it's not howt

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<v Speaker 1>girl summer. It's hot Caitlyn on tour summer because I'm

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<v Speaker 1>going to Europe. Ever heard of it? And I'm doing

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<v Speaker 1>shows in Barcelona, Madrid, Paris, Amsterdam, hopefully London, hopefully Edinburgh,

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<v Speaker 1>I've got to figure some of those out. But check

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<v Speaker 1>out my website and take a gander at the shows

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<v Speaker 1>I'm doing, and if you live in any of those places,

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<v Speaker 1>come say hello. I love it. I will plug Ghost

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<v Speaker 1>Church UM, which is finishing its run this coming week.

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<v Speaker 1>This is my podcast that if you've been listening to

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<v Speaker 1>the Battle Cast, you probably heard me plug the hell

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<v Speaker 1>out of it. But it's my most recent UM solo

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<v Speaker 1>podcast that is about the history of American spiritualism and

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<v Speaker 1>my time that I spent in a spiritualist camp in

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<v Speaker 1>central Florida where I am going back to UH in

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<v Speaker 1>a week and a half. Oh that's right, because you're

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<v Speaker 1>going you are going to Florida. I am going to

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<v Speaker 1>Florida for some in two is just Florida is a

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<v Speaker 1>magnet and I am a piece of metal. UM so

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<v Speaker 1>I have I I am doing shows in l all summer.

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<v Speaker 1>I think I'm gonna need doing a few shows in

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<v Speaker 1>Boston in July, but outside of that, I'm going to

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<v Speaker 1>be hanging out with my my mediums in in Florida.

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<v Speaker 1>So listen to Ghost Church UM. A lot of love

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<v Speaker 1>went into it. Produced by backdel Cast producer, So if

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<v Speaker 1>you lic Treman, featuring the voice talents of Caitlin Darante,

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<v Speaker 1>of Paula Tompkins, of Robert Evans, of many many talented people.

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<v Speaker 1>And um, I think that that's all I have to

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<v Speaker 1>say without further ado, shall we uh Boba Duck, let's

0:14:46.360 --> 0:14:59.760
<v Speaker 1>shall enjoy the episode. Hello, my matrons, us its u?

0:15:00.520 --> 0:15:04.920
<v Speaker 1>How are you? Jamie having a day? Honestly? I mean,

0:15:04.920 --> 0:15:08.000
<v Speaker 1>and we're also recording this uh that I'm literally like,

0:15:08.080 --> 0:15:10.600
<v Speaker 1>he ad a picture of a gravestone on my computer

0:15:10.960 --> 0:15:13.680
<v Speaker 1>because I just designed that his wife shirt, which will

0:15:13.720 --> 0:15:17.240
<v Speaker 1>be out soon. Um. All that to say, you know,

0:15:17.760 --> 0:15:21.920
<v Speaker 1>we're we're keeping it loose, and we're recording this a

0:15:22.000 --> 0:15:25.080
<v Speaker 1>week after the Kavanaugh hearings, but before the whole FBI

0:15:25.160 --> 0:15:30.520
<v Speaker 1>think has been settled. And I don't know, yeah, personally,

0:15:30.560 --> 0:15:33.400
<v Speaker 1>I took the morning off and I'm still fucking exhausted.

0:15:34.880 --> 0:15:40.640
<v Speaker 1>How are you I'm I'm you know, I just want

0:15:40.680 --> 0:15:44.200
<v Speaker 1>to like puke. I just I stay off of social

0:15:44.240 --> 0:15:47.840
<v Speaker 1>media for the most part. I have not been keeping

0:15:47.920 --> 0:15:52.520
<v Speaker 1>up with the news enough because it's far too depressing. Um.

0:15:52.520 --> 0:15:56.880
<v Speaker 1>But hey, speaking of depression and mental illness, let's talk

0:15:56.920 --> 0:15:59.600
<v Speaker 1>about the Baba Duck. I love the thing is I

0:15:59.680 --> 0:16:04.480
<v Speaker 1>love the Baba Duke so much? Okay, here's a question.

0:16:04.880 --> 0:16:08.080
<v Speaker 1>Is Bubba Duck When I said like that, is that

0:16:08.240 --> 0:16:13.000
<v Speaker 1>an Australian accent? Oh, I don't know. I say Duke.

0:16:13.280 --> 0:16:16.240
<v Speaker 1>I hit the I say, well, in the movie they

0:16:16.240 --> 0:16:20.360
<v Speaker 1>say it Bobba Duck. But I think it's because Australia. Right, Okay, Well,

0:16:20.400 --> 0:16:23.320
<v Speaker 1>I mean you sorry for ye you want. I can

0:16:23.360 --> 0:16:25.560
<v Speaker 1>say it however I want. Anyone can say it however

0:16:25.760 --> 0:16:30.160
<v Speaker 1>they want. Choosing how to identify as an important imbedded

0:16:32.280 --> 0:16:36.320
<v Speaker 1>not even choosing. It's it's acceptance. It's a message of

0:16:36.760 --> 0:16:40.640
<v Speaker 1>a failure to accept. Yeah, I think that. I mean, well,

0:16:40.880 --> 0:16:44.000
<v Speaker 1>there are two ways to view the Babba Duck Duke.

0:16:45.040 --> 0:16:50.400
<v Speaker 1>There is the textual reading, which is pretty generally understood

0:16:50.480 --> 0:16:55.600
<v Speaker 1>and even copped too by the writer director Jennifer Kent

0:16:56.760 --> 0:16:59.920
<v Speaker 1>was cops to do a pretty one to one metaphor

0:17:00.080 --> 0:17:03.040
<v Speaker 1>or for postpartum depression, the Baba Duke being a monster

0:17:03.560 --> 0:17:10.119
<v Speaker 1>that represents postpartum depression. Then there's a meta textual reading

0:17:10.440 --> 0:17:16.240
<v Speaker 1>that I think it's way cooler, which is I believe

0:17:16.400 --> 0:17:20.439
<v Speaker 1>it was twenty I believe the year was twenty sixteen

0:17:21.400 --> 0:17:28.160
<v Speaker 1>when Netflix miscategorized the Baba Duke as an LGBT film,

0:17:28.800 --> 0:17:35.639
<v Speaker 1>and the LGBT community lgbt Q I plus, etcetera community,

0:17:35.800 --> 0:17:39.840
<v Speaker 1>as they have historically done, welcome to the Baba Duke

0:17:39.920 --> 0:17:44.640
<v Speaker 1>into the community rather than rejecting them. And it became

0:17:44.800 --> 0:17:49.560
<v Speaker 1>really one of my favorite memes of all time is

0:17:49.640 --> 0:17:53.000
<v Speaker 1>that instead of saying, hey, this doesn't belong here, let's

0:17:53.160 --> 0:17:55.600
<v Speaker 1>let's make sure that the Baba Duke gets out of

0:17:55.880 --> 0:18:02.280
<v Speaker 1>the lgbt Q category, they instead said, oh, the Baba

0:18:02.359 --> 0:18:06.479
<v Speaker 1>Duke was queer, and it introduces, well, do you have

0:18:06.520 --> 0:18:11.960
<v Speaker 1>the tabs of let's because because the specific jokes are

0:18:12.040 --> 0:18:15.400
<v Speaker 1>so rich, I think this is the more interesting conversation.

0:18:16.400 --> 0:18:21.399
<v Speaker 1>There's a there's a BuzzFeed listical which just features many

0:18:21.520 --> 0:18:28.159
<v Speaker 1>of the tweets and good question. I know that Babba

0:18:28.400 --> 0:18:33.719
<v Speaker 1>Duke was being joked as being like the special guest

0:18:33.920 --> 0:18:38.240
<v Speaker 1>at Pride in Yeah, but I don't know what amount

0:18:38.240 --> 0:18:41.600
<v Speaker 1>of time before that people were beginning to make the

0:18:41.720 --> 0:18:44.399
<v Speaker 1>jokes and the queer icon Babba Duke was making the

0:18:44.480 --> 0:18:48.720
<v Speaker 1>rounds on the Internet. Yeah, there's all kinds of really

0:18:49.160 --> 0:18:55.920
<v Speaker 1>funny tumbler conversations, memes and tweets where the queer community

0:18:56.320 --> 0:18:59.640
<v Speaker 1>is embracing queer icon Babba Duke as one of their own.

0:19:00.480 --> 0:19:03.040
<v Speaker 1>That's not to say that everyone in the queer community

0:19:03.760 --> 0:19:07.000
<v Speaker 1>is on board. I mean I've spoken to a few

0:19:07.000 --> 0:19:11.440
<v Speaker 1>people who were like, whatever, it's like. I think, like

0:19:11.560 --> 0:19:18.639
<v Speaker 1>any meme, it could be perhaps viewed as cheesy, overdone

0:19:18.960 --> 0:19:24.840
<v Speaker 1>TACKI definitely understand that view completely. Yeah, personally, I love it.

0:19:27.440 --> 0:19:30.080
<v Speaker 1>I do too. And so we'll tell me your your

0:19:30.119 --> 0:19:33.560
<v Speaker 1>history with the film The Babba Duke. Oh gosh, I

0:19:33.600 --> 0:19:36.520
<v Speaker 1>think I saw and I'm pretty sure most people who

0:19:36.520 --> 0:19:38.719
<v Speaker 1>have seen this movie did not see it in theaters.

0:19:38.760 --> 0:19:41.120
<v Speaker 1>They saw it on Netflix. It's a movie that very

0:19:41.200 --> 0:19:45.480
<v Speaker 1>much found its legs and streaming. So I saw, Yeah,

0:19:45.520 --> 0:19:47.840
<v Speaker 1>I saw it in in streaming. I'm pretty sure I

0:19:47.840 --> 0:19:49.919
<v Speaker 1>saw the stark image of the Bomba Duke. It was like,

0:19:50.320 --> 0:19:53.320
<v Speaker 1>it seems like my kind of fit, you know. I

0:19:53.400 --> 0:19:57.359
<v Speaker 1>like the fit. I liked the the illiterative nature of

0:19:57.400 --> 0:20:01.320
<v Speaker 1>the name, and I watched it as like it was

0:20:01.359 --> 0:20:02.919
<v Speaker 1>like the kind of thing. On first viewing, I'm like,

0:20:03.359 --> 0:20:07.280
<v Speaker 1>this plot is all over the place enough that it

0:20:07.359 --> 0:20:11.280
<v Speaker 1>needs to be a metaphor for something I'm missing. And

0:20:11.320 --> 0:20:14.439
<v Speaker 1>then did a light goog and realize that indeed it

0:20:14.520 --> 0:20:17.280
<v Speaker 1>was a you know, kind of like and not even

0:20:17.520 --> 0:20:20.680
<v Speaker 1>to be overly critical of Jennifer Kent. I think she's

0:20:20.720 --> 0:20:25.320
<v Speaker 1>made a lovely, thoughtful, interesting, scary movie, but it does.

0:20:25.760 --> 0:20:29.280
<v Speaker 1>We were talking about this during the viewing, where it

0:20:29.320 --> 0:20:32.840
<v Speaker 1>gets so in the weeds on its own metaphor that

0:20:33.280 --> 0:20:35.679
<v Speaker 1>if there was no metaphor, if you're just looking at

0:20:35.720 --> 0:20:42.480
<v Speaker 1>the plot, there's a lot of moments that you're like, um, sure,

0:20:42.640 --> 0:20:46.040
<v Speaker 1>you know, almost like and not. I mean, it's like

0:20:48.080 --> 0:20:53.639
<v Speaker 1>that issue to Mother, Aroonowski's movie from last year, but

0:20:53.720 --> 0:20:58.119
<v Speaker 1>I think it's like, oh, far lesser offense of the

0:20:58.240 --> 0:21:02.160
<v Speaker 1>same crime of just like a movie that's so caught

0:21:02.240 --> 0:21:06.040
<v Speaker 1>up in its own metaphor that it loses any sort

0:21:06.080 --> 0:21:09.880
<v Speaker 1>of plot. Babba Doke is not to the I mean,

0:21:09.880 --> 0:21:14.879
<v Speaker 1>Mother is just like Mother barely has a plot. It

0:21:14.960 --> 0:21:17.800
<v Speaker 1>makes its story is at the expense of the extended

0:21:17.800 --> 0:21:22.120
<v Speaker 1>metaphors unintelligible. But the Babba do I mean, there's it's

0:21:22.119 --> 0:21:25.080
<v Speaker 1>more like there are a few scenes and plot points

0:21:25.119 --> 0:21:30.640
<v Speaker 1>that you're like, I'm not totally with this, especially like that,

0:21:30.920 --> 0:21:35.440
<v Speaker 1>and well, I guess don't I do the recap? Yeah, Um,

0:21:35.480 --> 0:21:37.680
<v Speaker 1>it's if weird. We're having so many there's so there's

0:21:37.720 --> 0:21:41.200
<v Speaker 1>so much to quote one yearser baba discourse to have

0:21:42.720 --> 0:21:44.920
<v Speaker 1>so my brief history with it before I do that,

0:21:46.480 --> 0:21:52.359
<v Speaker 1>how dare I'm sorry, goodness, gracious, unbelievable, Jamie. I saw

0:21:52.880 --> 0:21:55.120
<v Speaker 1>streaming as well. I remember there being like a lot

0:21:55.160 --> 0:21:57.600
<v Speaker 1>of buzz about it when it first came to Netflix,

0:21:57.800 --> 0:22:01.720
<v Speaker 1>and people were like, oh, I heard it, so freaking scary.

0:22:01.920 --> 0:22:04.800
<v Speaker 1>It's the best horror movie. You know. While people were

0:22:04.800 --> 0:22:08.480
<v Speaker 1>going crazy about it. It came out in two thousand fourteen.

0:22:08.600 --> 0:22:11.439
<v Speaker 1>I think I probably didn't watch it until sometime in

0:22:11.800 --> 0:22:16.520
<v Speaker 1>oh fifteen, but I was like, okay, yeah, I I

0:22:16.560 --> 0:22:20.240
<v Speaker 1>appreciated it's production design. I think a lot of care

0:22:20.359 --> 0:22:24.480
<v Speaker 1>went into stylizing the movie. I think that the performances

0:22:24.480 --> 0:22:27.639
<v Speaker 1>are really good. You know me, I generally I'm not

0:22:27.760 --> 0:22:30.840
<v Speaker 1>the hugest fan of a lot of child acting. It's

0:22:30.880 --> 0:22:32.879
<v Speaker 1>not that I hate the actors themselves, it's just that

0:22:32.960 --> 0:22:35.960
<v Speaker 1>I don't think that. But the child, the kid who

0:22:36.000 --> 0:22:39.639
<v Speaker 1>plays I mean, you do feel it reminds me of

0:22:39.680 --> 0:22:42.399
<v Speaker 1>this horrible health class I had in seventh grade. You

0:22:42.520 --> 0:22:47.720
<v Speaker 1>do feel her pain of like, yeah, this kid is

0:22:48.600 --> 0:22:52.359
<v Speaker 1>socreaming and she doesn't have the support she needs to

0:22:52.480 --> 0:22:55.560
<v Speaker 1>get this kid to not be screaming. It's not even

0:22:55.600 --> 0:22:59.080
<v Speaker 1>like the reasons the kids are screaming are wrong, But

0:22:59.200 --> 0:23:02.560
<v Speaker 1>how do You're just one person reminds me of this.

0:23:03.160 --> 0:23:09.000
<v Speaker 1>I had this horrible, horrible chain smoking health teacher named

0:23:09.080 --> 0:23:14.119
<v Speaker 1>Mr Starziac in seventh grade and his famous lesson was

0:23:14.240 --> 0:23:18.200
<v Speaker 1>on shaking baby syndrome. It was like notorious. It was

0:23:18.240 --> 0:23:20.200
<v Speaker 1>like in seventh grade because my older cousins had gotten

0:23:20.200 --> 0:23:22.040
<v Speaker 1>in a few years before me, and she's like, my

0:23:22.640 --> 0:23:24.880
<v Speaker 1>cousin Tammy was like, oh, you're gonna get Mr Starza

0:23:25.040 --> 0:23:28.520
<v Speaker 1>shaking baby lesson and so fucked up. But she wouldn't

0:23:28.520 --> 0:23:32.159
<v Speaker 1>tell me no spoilers. And what he did was he

0:23:32.200 --> 0:23:35.520
<v Speaker 1>would go into the beginning of class would be like, so,

0:23:35.880 --> 0:23:38.800
<v Speaker 1>none of you guys would shake a baby to death, right,

0:23:40.119 --> 0:23:43.280
<v Speaker 1>and we'd all be like, no, of course not. He

0:23:43.400 --> 0:23:47.480
<v Speaker 1>was like, good, just checking, and then he would put

0:23:47.520 --> 0:23:51.359
<v Speaker 1>on a cassette tape of a baby screaming and would

0:23:51.440 --> 0:23:55.440
<v Speaker 1>turn it all the way up and would leave a

0:23:55.480 --> 0:23:57.879
<v Speaker 1>baby doll sitting on top of the tapercorder so it

0:23:57.920 --> 0:24:00.000
<v Speaker 1>seemed like the baby was crying, and then he would

0:24:00.240 --> 0:24:03.320
<v Speaker 1>leave the room god, and he would leave it there

0:24:03.359 --> 0:24:07.960
<v Speaker 1>the whole period. His point being babies are annoying and

0:24:08.000 --> 0:24:11.600
<v Speaker 1>eventually you're gonna want to kill them them today, But

0:24:11.960 --> 0:24:15.399
<v Speaker 1>no seventh grader would ever like it was annoying and

0:24:15.440 --> 0:24:18.159
<v Speaker 1>it was gratinggg but it was more everyone was just like,

0:24:18.560 --> 0:24:21.199
<v Speaker 1>why is he doing this? Does he want one of

0:24:21.280 --> 0:24:23.920
<v Speaker 1>us to try to shake this baby? No one did,

0:24:24.040 --> 0:24:27.359
<v Speaker 1>and according to my cousins experiences, no one did in

0:24:27.359 --> 0:24:29.439
<v Speaker 1>their class either. They just sort of sat there and

0:24:29.440 --> 0:24:33.000
<v Speaker 1>they were just like, this is annoying, but like more

0:24:33.119 --> 0:24:36.840
<v Speaker 1>like why is our teacher doing this? And so eventually,

0:24:37.520 --> 0:24:42.119
<v Speaker 1>in every case, when a student inevitably does not shake

0:24:42.200 --> 0:24:46.679
<v Speaker 1>the baby to break the tension, Mr Starsiac comes back

0:24:46.720 --> 0:24:50.760
<v Speaker 1>into the room and shake the baby himself, and he

0:24:50.760 --> 0:24:54.520
<v Speaker 1>would be like, see is this annoying? And we'd be

0:24:54.600 --> 0:24:57.560
<v Speaker 1>like yes, and he's like, yeah, don't you want to

0:24:57.600 --> 0:25:00.959
<v Speaker 1>shake this baby? And he'd shake the doll and my

0:25:01.080 --> 0:25:04.120
<v Speaker 1>year was particularly iconic because the head of the doll

0:25:04.200 --> 0:25:09.840
<v Speaker 1>popped off and then he'd stop the tape recording and

0:25:10.000 --> 0:25:13.280
<v Speaker 1>be like, I don't know you'd be and that's shaking

0:25:13.600 --> 0:25:20.000
<v Speaker 1>baby syndrome. Wow. So that was what Samuel's performance was

0:25:20.040 --> 0:25:24.760
<v Speaker 1>invoking for me, what a horrible thing to do to kids.

0:25:25.080 --> 0:25:29.760
<v Speaker 1>There's no prevention techniques to just explaining it was basically

0:25:29.760 --> 0:25:32.200
<v Speaker 1>he was just like confirming the baby's crying is annoying,

0:25:32.480 --> 0:25:36.399
<v Speaker 1>and you might come to the temptation to shake them. Yeah,

0:25:36.440 --> 0:25:40.679
<v Speaker 1>it's just like, yeah, it happens. But you can pretty

0:25:40.760 --> 0:25:46.560
<v Speaker 1>much get why you like, Yeah, okay, well you're not

0:25:46.640 --> 0:25:50.760
<v Speaker 1>the best educator we've ever known. So yeah, I saw

0:25:50.760 --> 0:25:53.520
<v Speaker 1>the movie once and I liked it, but I didn't

0:25:53.600 --> 0:25:56.119
<v Speaker 1>quite get all of the hype. I wasn't like, you know,

0:25:56.240 --> 0:26:00.560
<v Speaker 1>it was because it is a little nonsensical, especially as

0:26:00.640 --> 0:26:03.159
<v Speaker 1>the movie progresses, and certainly in like the third act,

0:26:03.280 --> 0:26:07.800
<v Speaker 1>where the resolution is a little confusing, and when you

0:26:07.840 --> 0:26:11.959
<v Speaker 1>do look at it from the perspective of the Babba

0:26:12.040 --> 0:26:19.080
<v Speaker 1>Duck is a manifestation of her postpartum depression. Then the

0:26:19.119 --> 0:26:23.359
<v Speaker 1>implications of what happens are I mean, we'll talk about them,

0:26:23.400 --> 0:26:27.280
<v Speaker 1>but it's you know, it's a strange choice. Um, yes,

0:26:27.400 --> 0:26:31.320
<v Speaker 1>but yeah, we could talk about that. So the story

0:26:31.600 --> 0:26:34.399
<v Speaker 1>of the Babba Duck, Yes, do tell us Babba, the

0:26:34.440 --> 0:26:37.880
<v Speaker 1>Book of the Babba Book, the Book, the Babba Discourse,

0:26:38.520 --> 0:26:43.639
<v Speaker 1>The Babba Duck is about a mother named Amelia who

0:26:43.920 --> 0:26:48.680
<v Speaker 1>lost her husband on the day that her son was born.

0:26:48.920 --> 0:26:51.600
<v Speaker 1>So they were driving to the hospital. They get in

0:26:51.760 --> 0:26:55.680
<v Speaker 1>a car accident, her husband dies. Can I say kind

0:26:55.680 --> 0:26:58.919
<v Speaker 1>of lazy writing a little death on the way to

0:26:59.000 --> 0:27:03.120
<v Speaker 1>the hospital, like all right, but it does keep with

0:27:03.200 --> 0:27:06.720
<v Speaker 1>the one to one nature of this movie, right, So

0:27:07.280 --> 0:27:10.199
<v Speaker 1>we learned about this accident just through a series of

0:27:10.240 --> 0:27:13.200
<v Speaker 1>like kind of quick cuts and visuals. Uh. And then

0:27:13.359 --> 0:27:17.600
<v Speaker 1>we are with her and her son, Samuel, who is

0:27:18.000 --> 0:27:21.360
<v Speaker 1>six or seven years old something like that. I think

0:27:21.359 --> 0:27:23.520
<v Speaker 1>he says to be in first or second grade. Yeah,

0:27:23.560 --> 0:27:29.320
<v Speaker 1>So they're in a quiet Australian community. Um. Her son

0:27:29.480 --> 0:27:34.000
<v Speaker 1>has a lot of behavioral problems. He has different weapons

0:27:34.040 --> 0:27:36.960
<v Speaker 1>that he's assembled. It seems that he brings to school,

0:27:36.960 --> 0:27:40.359
<v Speaker 1>he gets in trouble about that. He acts out quite

0:27:40.359 --> 0:27:44.520
<v Speaker 1>a bit at home. He doesn't tend to get along

0:27:44.520 --> 0:27:48.199
<v Speaker 1>with other children. And then he also is inclined to

0:27:48.960 --> 0:27:52.960
<v Speaker 1>flights of fancy where he he loves magic. He loves

0:27:53.119 --> 0:27:57.280
<v Speaker 1>um which a magician. As we all know, a young

0:27:57.440 --> 0:28:00.360
<v Speaker 1>man interested in magic is a red flag. A young

0:28:00.400 --> 0:28:02.760
<v Speaker 1>man who thinks you don't be awesome if I could

0:28:02.800 --> 0:28:08.080
<v Speaker 1>control everything around me is dangerous anyway. See, I really appreciate,

0:28:08.440 --> 0:28:11.800
<v Speaker 1>you know, close up magic. So I I think, no,

0:28:12.080 --> 0:28:15.879
<v Speaker 1>that's when a man's like, get closer, it'll get more interesting.

0:28:16.200 --> 0:28:23.520
<v Speaker 1>I promise. I control everything. Musicians triggering. Okay, So he

0:28:23.560 --> 0:28:27.080
<v Speaker 1>loves he loves magic. He lets his imagination run away

0:28:27.119 --> 0:28:31.080
<v Speaker 1>with him, and he's always seeing monsters. So his mom's like,

0:28:31.119 --> 0:28:35.119
<v Speaker 1>there aren't any monsters. So one day it's bedtime and

0:28:35.160 --> 0:28:37.320
<v Speaker 1>he's like, read me a story, and he pulls a

0:28:37.400 --> 0:28:42.800
<v Speaker 1>book off the shelf called Mr. Baba Duke, which we'll

0:28:42.840 --> 0:28:47.240
<v Speaker 1>get into the needless gendering of the Baba Duke later.

0:28:47.600 --> 0:28:51.280
<v Speaker 1>Sure I think the movie is not called Mr. Baba

0:28:51.360 --> 0:29:00.320
<v Speaker 1>Duke for a reason. Sure because non binary icon, not

0:29:00.480 --> 0:29:06.200
<v Speaker 1>a feminist icon, necessarily does try to kill Amelia a

0:29:06.240 --> 0:29:12.080
<v Speaker 1>bunch and and stocks their neighbor Mrs Roach. He's like, sorry,

0:29:12.120 --> 0:29:17.800
<v Speaker 1>they they are are hanging out. They have certainly some

0:29:17.880 --> 0:29:23.000
<v Speaker 1>crimes to answer for, but being a non binary icon

0:29:23.160 --> 0:29:27.520
<v Speaker 1>is not one of them. So she reads Mr Bubba

0:29:27.600 --> 0:29:31.040
<v Speaker 1>Duck the book the Imagery, and it is scary and

0:29:31.080 --> 0:29:35.680
<v Speaker 1>it's about this monster who will come and get you.

0:29:36.080 --> 0:29:39.600
<v Speaker 1>And then the less you believe in the Bubba Duck,

0:29:39.880 --> 0:29:44.960
<v Speaker 1>the more, they will interfere with your life. So yeah,

0:29:45.600 --> 0:29:49.440
<v Speaker 1>so Amelia reads this to Samuel. She writes it off

0:29:49.600 --> 0:29:53.360
<v Speaker 1>is just a story, but Samuel insist that the Bubba

0:29:53.440 --> 0:29:57.840
<v Speaker 1>Duck is real and is around and is tormenting him,

0:29:57.920 --> 0:30:00.320
<v Speaker 1>and this causes even more problems at school where he

0:30:00.360 --> 0:30:03.200
<v Speaker 1>basically gets kicked out of school even though he's a young,

0:30:03.360 --> 0:30:08.480
<v Speaker 1>very young child. And he is at his cousin's birthday

0:30:08.520 --> 0:30:13.360
<v Speaker 1>party and he pushes her ruby Ruby not an icon

0:30:13.440 --> 0:30:16.320
<v Speaker 1>of any sort of anything, but does she just because

0:30:16.320 --> 0:30:18.400
<v Speaker 1>you're not an icon doesn't mean you should be pushed

0:30:18.400 --> 0:30:21.800
<v Speaker 1>out of a tree. Certainly not important to remember. So

0:30:22.000 --> 0:30:25.760
<v Speaker 1>he his like, misbehavior is like dialing up to an

0:30:25.760 --> 0:30:29.320
<v Speaker 1>eleven and pushing kids out of trees. It's a problem, right.

0:30:29.480 --> 0:30:32.760
<v Speaker 1>So she's saying, you know, stop with this Babba Duk thing.

0:30:32.920 --> 0:30:36.840
<v Speaker 1>The Babba Duck is not real. But then she starts

0:30:36.920 --> 0:30:43.560
<v Speaker 1>to see glimpses of the freaking duck. Yeah, so she's like, hey,

0:30:43.600 --> 0:30:46.640
<v Speaker 1>wait a minute, this isn't real. I'm seeing things and

0:30:46.720 --> 0:30:50.240
<v Speaker 1>she's in denial and she throws the book away, but

0:30:50.320 --> 0:30:52.320
<v Speaker 1>then the book, you know, she rips it up and

0:30:52.800 --> 0:31:01.600
<v Speaker 1>put the Abba book. What is the Aba Babba Duck

0:31:02.000 --> 0:31:05.200
<v Speaker 1>crossover event we've all been waiting for. I would be

0:31:05.360 --> 0:31:10.360
<v Speaker 1>baba shook if that happened. Can I plug my Baba

0:31:10.440 --> 0:31:17.200
<v Speaker 1>Duck thing soon? Yeah? Next season of Robot Chicken early nineteen.

0:31:17.720 --> 0:31:21.000
<v Speaker 1>Keep your eyes peeled for. Honestly, what I think is

0:31:21.080 --> 0:31:24.200
<v Speaker 1>my greatest accomplishment to date, which is a sketch called

0:31:24.240 --> 0:31:26.680
<v Speaker 1>Queer Eye for the Babba Duck. Yeah. I can't wait

0:31:26.760 --> 0:31:28.760
<v Speaker 1>to see it. I'm really excited. I think it's a

0:31:28.840 --> 0:31:35.960
<v Speaker 1>tale of becoming. Anyways, So yeah, we've got um Boba

0:31:36.040 --> 0:31:39.680
<v Speaker 1>Duck Mamma Mia, that's going to happen. Bye Bye Man.

0:31:41.720 --> 0:31:45.480
<v Speaker 1>The Bye Bye Man is also so funny. Did you

0:31:45.560 --> 0:31:49.280
<v Speaker 1>see that whatever that movie it was, It loves called

0:31:49.360 --> 0:31:53.520
<v Speaker 1>Bye Man. It's like a Slenderman knockoff, was my understanding.

0:31:53.560 --> 0:31:55.680
<v Speaker 1>And then it's like you can miss it. But the

0:31:56.240 --> 0:32:01.760
<v Speaker 1>double the double entendre of the Bye Bye Man is fun. Also,

0:32:02.000 --> 0:32:05.280
<v Speaker 1>Roger says bye bye when he gets off the phone. Okay,

0:32:05.640 --> 0:32:11.520
<v Speaker 1>that's just a flourish ab Okay. So she's she's chucking

0:32:11.920 --> 0:32:14.600
<v Speaker 1>the Babba Duck book in the bin if you're working

0:32:14.680 --> 0:32:18.680
<v Speaker 1>and chucking, but the Bubba Duck Book comes back on

0:32:19.000 --> 0:32:21.840
<v Speaker 1>her doorstep, and she's like, what the hell, So then

0:32:21.920 --> 0:32:24.160
<v Speaker 1>she burns it. She goes to the police and says,

0:32:24.200 --> 0:32:28.240
<v Speaker 1>I'm being stalked and they're like, wait, don't believe you. Sure,

0:32:28.840 --> 0:32:32.640
<v Speaker 1>And then the Babba Duck gets worse. Uh. It starts

0:32:32.720 --> 0:32:37.200
<v Speaker 1>to really torment her. She's having different delusions, she is,

0:32:37.400 --> 0:32:41.360
<v Speaker 1>she can't sleep, and when the Bubba Duck book comes back,

0:32:42.000 --> 0:32:43.960
<v Speaker 1>more of the story has filled in, and it's like,

0:32:44.080 --> 0:32:46.840
<v Speaker 1>you're going to kill your dog and your son by

0:32:46.920 --> 0:32:49.800
<v Speaker 1>the way. She's like, no, I'm not. But then she

0:32:50.040 --> 0:32:53.600
<v Speaker 1>does kill her dog because she's being more and more

0:32:53.840 --> 0:32:58.320
<v Speaker 1>possessed I suppose by the duck. And then the duck

0:32:58.480 --> 0:33:02.160
<v Speaker 1>she kind of snaps too. She she does nearly kill

0:33:02.280 --> 0:33:06.760
<v Speaker 1>her son because she's holding a large knife. And there's

0:33:06.760 --> 0:33:09.400
<v Speaker 1>an interesting switch that happens where in the beginning of

0:33:09.440 --> 0:33:14.320
<v Speaker 1>the movie, Samuel is intolerable as a character because of

0:33:14.440 --> 0:33:17.520
<v Speaker 1>his behavioral problems, and you feel really sorry for the

0:33:17.640 --> 0:33:21.040
<v Speaker 1>mom having to deal with a child like that, and

0:33:21.080 --> 0:33:23.520
<v Speaker 1>then there's a switch that happens where Samuel becomes a

0:33:23.600 --> 0:33:26.640
<v Speaker 1>super sympathetic character because his mom is trying to kill

0:33:26.760 --> 0:33:29.959
<v Speaker 1>him and or neglecting him and or verbally abusing him,

0:33:30.520 --> 0:33:33.840
<v Speaker 1>and then the mom meanwhile is doing all these horrible things.

0:33:34.040 --> 0:33:37.880
<v Speaker 1>So like the character you're identifying and sympathizing with most

0:33:38.360 --> 0:33:42.600
<v Speaker 1>there's like a stark switch that happens. So she throws

0:33:42.720 --> 0:33:48.800
<v Speaker 1>up some black, very Jennifer's body kind of bile, yeah,

0:33:49.000 --> 0:33:52.320
<v Speaker 1>and then you know she seems like she's about to

0:33:52.440 --> 0:33:55.280
<v Speaker 1>lose it, and you know her son has tied her

0:33:55.360 --> 0:33:58.200
<v Speaker 1>up in the basement. But then she kind of comes

0:33:58.280 --> 0:34:00.800
<v Speaker 1>to and she has this face to face contation with

0:34:00.920 --> 0:34:03.000
<v Speaker 1>the Babba Duck and she's like, this is my house.

0:34:03.120 --> 0:34:06.600
<v Speaker 1>You're trespassing in my house. Get out of here. And

0:34:06.680 --> 0:34:08.640
<v Speaker 1>then it like it seems like the Babba Duck has

0:34:08.719 --> 0:34:16.000
<v Speaker 1>been defeated and or kept at bay, because then we

0:34:16.160 --> 0:34:19.879
<v Speaker 1>cut to her and her son there and they're nice,

0:34:19.960 --> 0:34:24.560
<v Speaker 1>clean clothes. Again, they're not covered in black vomit. She

0:34:24.719 --> 0:34:27.960
<v Speaker 1>goes down to the basement, the Babba Duck is there,

0:34:28.840 --> 0:34:33.560
<v Speaker 1>presumably kind of like tied up or something, and she's like, here,

0:34:33.600 --> 0:34:37.759
<v Speaker 1>eat some worms. It's weird, and then that's the end

0:34:37.800 --> 0:34:43.200
<v Speaker 1>of the movie. So metaturreally, if if we are remembering

0:34:43.800 --> 0:34:47.280
<v Speaker 1>that the Babba Duck is a manifestation of her mental illness,

0:34:48.200 --> 0:34:51.600
<v Speaker 1>I guess all you have to do to cope with

0:34:51.719 --> 0:34:55.640
<v Speaker 1>mental illness is just acknowledged that it's there and then

0:34:56.280 --> 0:35:01.440
<v Speaker 1>kind of lock it away and your subconscious there's I

0:35:01.640 --> 0:35:04.560
<v Speaker 1>think that there's a little more to it than I mean,

0:35:05.040 --> 0:35:09.520
<v Speaker 1>it's again it's like kind of a sloppy metaphor, but

0:35:10.719 --> 0:35:14.719
<v Speaker 1>ultimately I think it's like supposed to mean. And then

0:35:15.080 --> 0:35:17.120
<v Speaker 1>I think the reason it doesn't work is because it

0:35:17.280 --> 0:35:20.680
<v Speaker 1>like skips ahead with so many like it depicts the

0:35:21.400 --> 0:35:27.200
<v Speaker 1>I guess, like the battle between a woman in postpartum depression, right,

0:35:27.719 --> 0:35:31.040
<v Speaker 1>but then it just skips ahead to like and now

0:35:31.239 --> 0:35:36.040
<v Speaker 1>it's treatment and everything's great and it's not none of

0:35:36.120 --> 0:35:40.600
<v Speaker 1>the abuse towards her sons, slash animal cruelty as ever

0:35:40.760 --> 0:35:44.480
<v Speaker 1>ad dressed and it's just all this. We're like, yeah,

0:35:44.560 --> 0:35:47.640
<v Speaker 1>we really like flipped ahead on this this one. I

0:35:47.719 --> 0:35:50.279
<v Speaker 1>don't know that she's saying. I mean, I think that

0:35:50.440 --> 0:35:54.400
<v Speaker 1>it's more like not locking mental illness away, but like

0:35:54.600 --> 0:35:59.520
<v Speaker 1>finding a way to restrain dark thoughts. Because I think

0:36:00.280 --> 0:36:05.440
<v Speaker 1>the actual movie, not the queer masterpiece version of it,

0:36:06.440 --> 0:36:10.480
<v Speaker 1>the Baba Duke represents all the like not even I

0:36:10.600 --> 0:36:13.960
<v Speaker 1>don't even know like it could possibly even recommend like

0:36:14.200 --> 0:36:18.279
<v Speaker 1>just be depicting the ugliest parts of this illness of

0:36:18.400 --> 0:36:21.239
<v Speaker 1>like dark thoughts that are attacking you and possessing you

0:36:21.400 --> 0:36:24.400
<v Speaker 1>and making you, you know, do things you wouldn't normally do,

0:36:25.280 --> 0:36:29.160
<v Speaker 1>and locking those away and keeping them at bay with

0:36:29.920 --> 0:36:37.400
<v Speaker 1>you know, little zolaf worms and what have you. I'm tired.

0:36:37.640 --> 0:36:41.200
<v Speaker 1>I don't know. I mean, the movie is creepy and

0:36:41.600 --> 0:36:46.000
<v Speaker 1>there's scary imagery, but when you really think about it,

0:36:46.520 --> 0:36:49.920
<v Speaker 1>like like we do on our podcast, yeah it is

0:36:50.000 --> 0:36:53.360
<v Speaker 1>technically our job, it doesn't necessarily make a whole lot

0:36:53.400 --> 0:36:55.399
<v Speaker 1>of sense. I think a movie that has a clear

0:36:55.680 --> 0:36:58.360
<v Speaker 1>metaphor that also has a story that makes sense and

0:36:58.520 --> 0:37:02.120
<v Speaker 1>it's also you know, very creepy and hunting is it

0:37:02.320 --> 0:37:07.080
<v Speaker 1>follows which I would love to do an episode on sometimes. Well,

0:37:07.160 --> 0:37:11.239
<v Speaker 1>I it's certainly not without its problems, But I think

0:37:11.800 --> 0:37:17.160
<v Speaker 1>I just enjoyed that movie more interesting. Yeah, I like see.

0:37:17.200 --> 0:37:18.880
<v Speaker 1>I think that that comes It might come down to

0:37:18.960 --> 0:37:23.800
<v Speaker 1>like a preference thing too, because I prefer call me simple.

0:37:24.520 --> 0:37:27.080
<v Speaker 1>But I like a villain with a face. I know,

0:37:27.200 --> 0:37:29.360
<v Speaker 1>it's scarier when they don't have a face and you're like,

0:37:29.440 --> 0:37:33.120
<v Speaker 1>where's he, Where's he? But I like a villain I

0:37:33.200 --> 0:37:35.840
<v Speaker 1>mean I'm literally dressing up as a Babba duke for Halloween.

0:37:36.239 --> 0:37:38.200
<v Speaker 1>I'm like, give me a villain with a with a

0:37:38.360 --> 0:37:43.760
<v Speaker 1>fit and an aesthetic and an objective. Um, it's less scary,

0:37:43.880 --> 0:37:47.160
<v Speaker 1>but it looks not necessarily Yeah, I think it is

0:37:47.200 --> 0:37:51.120
<v Speaker 1>a matter of preference. Yeah, but let's take a quick

0:37:51.160 --> 0:37:53.800
<v Speaker 1>break and then we will come back for more discussion.

0:38:00.080 --> 0:38:03.920
<v Speaker 1>So as far as the female characters, um, we have

0:38:04.560 --> 0:38:06.719
<v Speaker 1>a few. There aren't that many characters in this movie

0:38:06.960 --> 0:38:11.719
<v Speaker 1>at all. We've got Amelia, We've got Samuel. There is

0:38:11.840 --> 0:38:17.000
<v Speaker 1>Amelia's sister Claire. There's Claire's daughter Lucy, who we see

0:38:17.040 --> 0:38:18.920
<v Speaker 1>the both of them in a couple of scenes, but

0:38:19.120 --> 0:38:22.560
<v Speaker 1>they are certainly more secondary characters who don't get a

0:38:22.600 --> 0:38:26.279
<v Speaker 1>ton of screen time. There is a colleague of Amelia's

0:38:26.360 --> 0:38:31.839
<v Speaker 1>who I think is that Robbie. Oh she works, Yeah,

0:38:31.880 --> 0:38:35.760
<v Speaker 1>she works, and some sort of um like a nursing

0:38:35.840 --> 0:38:38.440
<v Speaker 1>home or a hospital of some sort. And yeah, so

0:38:38.560 --> 0:38:42.120
<v Speaker 1>there's the Benga mistress, etcetera. Yeah, please start calling me

0:38:42.320 --> 0:38:47.799
<v Speaker 1>the Bam Yeah, I already do behind your back so much. Um.

0:38:47.960 --> 0:38:51.080
<v Speaker 1>And then there's Mrs Roach, their neighbor, and then we

0:38:51.120 --> 0:38:57.920
<v Speaker 1>see glimpses of Amelia's dead husband, and that's really about it.

0:38:57.960 --> 0:39:01.200
<v Speaker 1>There's a couple of like child protect to service people

0:39:01.320 --> 0:39:05.000
<v Speaker 1>who visit the house a couple of times, but yeah,

0:39:05.040 --> 0:39:08.279
<v Speaker 1>it's really just those two main characters of Amelia and

0:39:08.560 --> 0:39:12.000
<v Speaker 1>Samuel and of course Papa Duck. So that means there's

0:39:12.040 --> 0:39:15.520
<v Speaker 1>not a whole lot of interaction between women. You know,

0:39:15.560 --> 0:39:18.480
<v Speaker 1>Amelia does talk to her sister Claire a few times.

0:39:18.640 --> 0:39:21.360
<v Speaker 1>She does talk to Mrs Roach a few times. Claire

0:39:21.400 --> 0:39:24.480
<v Speaker 1>as a character is like, I don't know. I mean,

0:39:24.560 --> 0:39:27.000
<v Speaker 1>there are a few elements of this that are like

0:39:27.120 --> 0:39:28.800
<v Speaker 1>turned up to an eleven, to the point of, like,

0:39:28.920 --> 0:39:31.960
<v Speaker 1>do we like anyone in this movie where you're definitely

0:39:32.000 --> 0:39:34.800
<v Speaker 1>sympathetic towards Amelia at most points in the movie. Towards

0:39:34.840 --> 0:39:38.200
<v Speaker 1>the end, you're like, oh, geez, she killed a dog.

0:39:38.640 --> 0:39:40.680
<v Speaker 1>Making her kill a dog was such a move because

0:39:40.719 --> 0:39:44.680
<v Speaker 1>that will like lose you nine of any rational audience.

0:39:45.600 --> 0:39:51.320
<v Speaker 1>But that said, Claire, Amelia's sister, seems to truly not

0:39:51.640 --> 0:39:55.840
<v Speaker 1>sympathize with amelia situation at all, which is confusing to

0:39:55.960 --> 0:39:59.560
<v Speaker 1>me because I don't know, there's a lot of people

0:39:59.719 --> 0:40:01.840
<v Speaker 1>and to be careful about the way phrases there's a

0:40:01.880 --> 0:40:04.640
<v Speaker 1>lot of people who are very aggressive to Amelia in

0:40:04.760 --> 0:40:08.000
<v Speaker 1>this movie that don't necessarily make a ton of sense.

0:40:08.600 --> 0:40:13.960
<v Speaker 1>Where like Claire obviously fully knows that Amelia lost her

0:40:14.080 --> 0:40:18.520
<v Speaker 1>husband in an accident that she was in. She knows

0:40:18.680 --> 0:40:23.160
<v Speaker 1>that her nephew Samuel is traumatized by this, She knows

0:40:23.200 --> 0:40:25.560
<v Speaker 1>that Amelia has to work a lot to support her

0:40:25.719 --> 0:40:30.839
<v Speaker 1>and Samuel, and and she knows that Amelia also has

0:40:30.960 --> 0:40:34.839
<v Speaker 1>a lot of trauma. So why is she so completely

0:40:34.960 --> 0:40:39.279
<v Speaker 1>and utterly unset Like literally most of their interactions are

0:40:39.440 --> 0:40:42.960
<v Speaker 1>screaming Yeah, it's very strange. I don't know. I mean

0:40:43.920 --> 0:40:49.759
<v Speaker 1>I think perhaps that Claire was maybe more supportive in

0:40:50.560 --> 0:40:54.560
<v Speaker 1>the more immediate aftermath of the accident, and she's just

0:40:54.600 --> 0:40:58.759
<v Speaker 1>sort of gotten sick of Yeah, I mean that does

0:40:59.280 --> 0:41:02.800
<v Speaker 1>make but that I mean, that's not being as supportive

0:41:03.280 --> 0:41:06.799
<v Speaker 1>as a sister as she could be. But I don't

0:41:07.000 --> 0:41:11.840
<v Speaker 1>necessarily think that Claire is completely unjustified in her behavior,

0:41:12.000 --> 0:41:15.120
<v Speaker 1>especially when in her being frustrated, Yeah, her frustration and

0:41:15.160 --> 0:41:17.600
<v Speaker 1>then also um because she does make an effort to

0:41:18.280 --> 0:41:22.320
<v Speaker 1>include Amelia and Samuel in her and her daughter's life

0:41:22.600 --> 0:41:26.920
<v Speaker 1>for sure, and the moment where she really decides to

0:41:27.600 --> 0:41:30.160
<v Speaker 1>kind of give up on them. Is when her daughter

0:41:30.280 --> 0:41:36.600
<v Speaker 1>get pushes Lucy out of a treehouse. So I know,

0:41:37.040 --> 0:41:39.640
<v Speaker 1>I guess, I guess, And it has been seven years,

0:41:39.719 --> 0:41:42.240
<v Speaker 1>and that is like a hard thing to be like, Okay,

0:41:42.440 --> 0:41:46.160
<v Speaker 1>how what am I supposed to do? But it's true

0:41:46.239 --> 0:41:49.400
<v Speaker 1>that you know she could even if she is frustrated

0:41:49.440 --> 0:41:52.520
<v Speaker 1>by the situation, it feels like she could do more

0:41:52.719 --> 0:41:57.800
<v Speaker 1>to either find help for Amelia. Um whether it's you know,

0:41:58.400 --> 0:42:03.480
<v Speaker 1>is this a critique of the Australian Australian public health system?

0:42:04.360 --> 0:42:09.640
<v Speaker 1>Had to know that was really bad? Yeah, I'm not

0:42:09.920 --> 0:42:13.959
<v Speaker 1>entirely sure what active commentaries, if any, are being made

0:42:14.120 --> 0:42:18.080
<v Speaker 1>in the movie. It is maybe worth noting that whenever

0:42:18.200 --> 0:42:21.080
<v Speaker 1>she whenever Amelia goes to the police and says like,

0:42:21.640 --> 0:42:25.120
<v Speaker 1>someone's leaving this creepy book outside of my house, the

0:42:25.800 --> 0:42:29.200
<v Speaker 1>cops are like, well, you don't have that book that

0:42:29.480 --> 0:42:33.320
<v Speaker 1>you said that they gave you, so we're even gonna

0:42:33.960 --> 0:42:38.440
<v Speaker 1>try to investigate this that. What I do think is

0:42:38.480 --> 0:42:43.919
<v Speaker 1>interesting about this movie is that the struggles of being

0:42:43.960 --> 0:42:48.719
<v Speaker 1>a mother are the focus of the story, particularly a

0:42:48.800 --> 0:42:54.000
<v Speaker 1>single mother. Yes, most movies don't bother to explore or

0:42:54.040 --> 0:42:56.880
<v Speaker 1>address that at all. Um. This movie reminded me a

0:42:57.000 --> 0:43:00.200
<v Speaker 1>lot of Tully Um, which came out earlier this year,

0:43:00.239 --> 0:43:03.600
<v Speaker 1>which I saw. I didn't especially like it just because

0:43:03.640 --> 0:43:06.359
<v Speaker 1>it wasn't my type of movie. It's a well made movie,

0:43:06.360 --> 0:43:08.560
<v Speaker 1>and it's well written and everything like that, it's just

0:43:08.760 --> 0:43:12.799
<v Speaker 1>not my genre. The tone isn't for me, but it's

0:43:12.840 --> 0:43:15.120
<v Speaker 1>another And she's not a single mother in that movie,

0:43:15.400 --> 0:43:18.040
<v Speaker 1>but she does have a husband who is hands off

0:43:18.440 --> 0:43:22.279
<v Speaker 1>in some ways. It's a very generous, right. Yeah. I

0:43:22.400 --> 0:43:25.280
<v Speaker 1>can only think of a few movies like this where

0:43:25.920 --> 0:43:28.879
<v Speaker 1>the struggle of of being a parent and of being

0:43:28.920 --> 0:43:34.920
<v Speaker 1>a mother is deeply explored. I certainly don't know anything

0:43:35.000 --> 0:43:38.759
<v Speaker 1>about what it's like to be a mother, and I

0:43:38.920 --> 0:43:41.919
<v Speaker 1>have expressed many times that I don't want to have kids,

0:43:41.960 --> 0:43:44.360
<v Speaker 1>so I will never know. But I am very sympathetic

0:43:44.440 --> 0:43:47.880
<v Speaker 1>to and also admiring of people who do choose to

0:43:47.920 --> 0:43:51.440
<v Speaker 1>have kids because I could never do it. I simply

0:43:51.480 --> 0:43:55.920
<v Speaker 1>don't have the patience or energy or any of the

0:43:56.000 --> 0:43:59.759
<v Speaker 1>things that you have to have to be a parent. Um.

0:44:00.560 --> 0:44:02.480
<v Speaker 1>A trap this movie you could have easily fallen into,

0:44:02.719 --> 0:44:07.360
<v Speaker 1>is being like single motherhood is absolute hell, which it

0:44:07.680 --> 0:44:10.879
<v Speaker 1>isn't for every single moment's certainly challenging, but like there,

0:44:11.200 --> 0:44:13.880
<v Speaker 1>if that were the only message of the movie, that

0:44:14.000 --> 0:44:18.120
<v Speaker 1>would be like probably insulting to some mothers who are

0:44:18.480 --> 0:44:21.960
<v Speaker 1>making it work just fine, and you know the implication

0:44:22.000 --> 0:44:24.720
<v Speaker 1>of a lack of father or even secondary parents figures

0:44:24.760 --> 0:44:28.520
<v Speaker 1>and how a failure. But this movie totally justifies the

0:44:28.640 --> 0:44:33.279
<v Speaker 1>hell world it creates by afflicting its single parent with

0:44:33.640 --> 0:44:39.839
<v Speaker 1>significant trauma that would make anyone's life conceivable in terms

0:44:39.920 --> 0:44:41.759
<v Speaker 1>of like if we're heightening it to a horror world,

0:44:42.640 --> 0:44:45.320
<v Speaker 1>it's not a far cry because of the trauma associated with,

0:44:45.480 --> 0:44:48.600
<v Speaker 1>you know, watching your spouse die and feeling like it's

0:44:48.640 --> 0:44:54.200
<v Speaker 1>your fault, and also adding the mental illness factor, which

0:44:54.280 --> 0:44:57.800
<v Speaker 1>a lot of movies do irresponsibly. But I think that

0:44:57.920 --> 0:45:02.000
<v Speaker 1>this movie like depicts and again it's like I'm obviously

0:45:02.040 --> 0:45:04.440
<v Speaker 1>not a mother either, but from what I can tell,

0:45:04.560 --> 0:45:07.160
<v Speaker 1>just based on the reception, and I did read a

0:45:07.239 --> 0:45:10.279
<v Speaker 1>few kind of one off blog posts from mothers to

0:45:10.280 --> 0:45:13.160
<v Speaker 1>would experienced postpartum depression that this movie really hit with

0:45:14.239 --> 0:45:19.320
<v Speaker 1>seems to be almost like a realistic metaphor for this

0:45:19.560 --> 0:45:22.560
<v Speaker 1>particular mental illness, almost to a fault, you know, like

0:45:22.680 --> 0:45:24.319
<v Speaker 1>to like what we're saying to the point where there's

0:45:24.320 --> 0:45:26.759
<v Speaker 1>like kind of plot holes because it is more concerned

0:45:27.480 --> 0:45:30.240
<v Speaker 1>or the the agenda of this movie is more concerned

0:45:30.280 --> 0:45:34.920
<v Speaker 1>with depicting postpartum in a metaphor than it is with

0:45:35.640 --> 0:45:38.720
<v Speaker 1>having the story that makes a whole ton of sense.

0:45:39.719 --> 0:45:41.960
<v Speaker 1>But I mean that's but I mean that is a

0:45:42.040 --> 0:45:45.960
<v Speaker 1>positive of of Like, Usually mental illness in the horror

0:45:46.000 --> 0:45:49.600
<v Speaker 1>genre is used as kind of like a god in

0:45:49.640 --> 0:45:53.160
<v Speaker 1>the machine kind of thing to explain away, Oh, why

0:45:53.239 --> 0:45:58.080
<v Speaker 1>is he evil? Um, he's bipolar, Like he's schizophrenic, or

0:45:58.160 --> 0:46:02.120
<v Speaker 1>he's dissociative, or like son was taken away and she's mad,

0:46:02.480 --> 0:46:05.360
<v Speaker 1>and you know, kind of these reductive ways of referring

0:46:05.400 --> 0:46:08.840
<v Speaker 1>to mental illness just to keep the story going. But

0:46:09.040 --> 0:46:12.239
<v Speaker 1>this movie kind of does the opposite, where understanding and

0:46:12.320 --> 0:46:15.200
<v Speaker 1>exploring the mental illness is the reason the movie exists

0:46:15.200 --> 0:46:18.200
<v Speaker 1>in the first place, and so that aspect of it

0:46:18.360 --> 0:46:21.600
<v Speaker 1>isn't just cast aside, which is cool. Um. And I

0:46:21.680 --> 0:46:24.840
<v Speaker 1>think we talked a little bit about this on the

0:46:25.320 --> 0:46:29.840
<v Speaker 1>Halloween episode that I believe will coincide pretty closely with

0:46:29.920 --> 0:46:32.239
<v Speaker 1>the release of this Boba Duck episode. So it's either

0:46:32.280 --> 0:46:35.000
<v Speaker 1>about to come out or it just has but we

0:46:35.600 --> 0:46:40.800
<v Speaker 1>explore how a lot of horror movies helped perpetuate the

0:46:40.880 --> 0:46:49.040
<v Speaker 1>stigma of mental illness by having killers who are something. Right.

0:46:49.640 --> 0:46:54.000
<v Speaker 1>We mentioned in Halloween where there is a psychiatrist character

0:46:54.400 --> 0:46:58.840
<v Speaker 1>who has been working with the killer Michael Myers since

0:46:59.360 --> 0:47:03.680
<v Speaker 1>his child old hood, and his official medical diagnosis for

0:47:03.840 --> 0:47:12.120
<v Speaker 1>Michael Myers is that he is evil just like al Right,

0:47:13.280 --> 0:47:18.320
<v Speaker 1>I wonder if the filmmakers think that having mental illness

0:47:19.000 --> 0:47:24.720
<v Speaker 1>is bless you goodness grations. I am expelling many demons

0:47:24.880 --> 0:47:27.600
<v Speaker 1>this time the Boba I just sneezed out the Papa Duke.

0:47:28.680 --> 0:47:34.160
<v Speaker 1>That was the Baba duke Duke Duke. Yeah, anyway, leave

0:47:34.239 --> 0:47:40.360
<v Speaker 1>that in. But yeah, so many films of this genre,

0:47:40.680 --> 0:47:45.920
<v Speaker 1>especially really mishandled a portrayal of mental illness equated with

0:47:46.320 --> 0:47:49.920
<v Speaker 1>being if you experienced any sort of mental illness, sorry,

0:47:50.080 --> 0:47:53.520
<v Speaker 1>you're probably evil. Right and then and again it's as

0:47:53.560 --> 0:47:56.160
<v Speaker 1>I think we were also discussing in the Halloween episode.

0:47:56.840 --> 0:48:01.839
<v Speaker 1>Offenses like this are especially apparent in genres that are

0:48:01.920 --> 0:48:05.920
<v Speaker 1>as campy as horror movies, where like mental illness stigma

0:48:06.040 --> 0:48:11.440
<v Speaker 1>can be found littered throughout media everywhere from Time you

0:48:11.520 --> 0:48:16.960
<v Speaker 1>Know immemorial. But in the less subtle genres. It's easier

0:48:17.040 --> 0:48:19.840
<v Speaker 1>to be like, yes he has he I have a

0:48:19.920 --> 0:48:24.040
<v Speaker 1>prescription for evil and it is shooting you to death.

0:48:25.520 --> 0:48:30.520
<v Speaker 1>That's literally the script that that psychiatrist delivers is the

0:48:30.719 --> 0:48:36.120
<v Speaker 1>only cure for evil's murder, which is I would love

0:48:36.160 --> 0:48:40.879
<v Speaker 1>to see that written on a prescription path. But yeah,

0:48:41.040 --> 0:48:43.680
<v Speaker 1>that is I mean to this movie's credit, because I

0:48:43.880 --> 0:48:46.000
<v Speaker 1>I still really like this movie. I think that it's

0:48:46.560 --> 0:48:48.400
<v Speaker 1>it's one of those movies that it's like, it's not

0:48:49.080 --> 0:48:53.120
<v Speaker 1>a horror movie that is scary after the first time

0:48:53.200 --> 0:48:55.719
<v Speaker 1>you watch it. But I remember the first time watching this,

0:48:55.840 --> 0:48:58.120
<v Speaker 1>I was pretty scared. Like when you before you fully

0:48:58.200 --> 0:49:00.799
<v Speaker 1>understand what the Bobba Dick is and what it represents,

0:49:00.880 --> 0:49:04.399
<v Speaker 1>and you're just like, what does the Duke's deal? Sure

0:49:06.719 --> 0:49:11.200
<v Speaker 1>give me the duke. Maybe it's weird because when you

0:49:11.320 --> 0:49:13.520
<v Speaker 1>look at a movie like this that is so steeped

0:49:13.560 --> 0:49:16.040
<v Speaker 1>in a very feminine metaphor, you're like, oh, we're gonna

0:49:16.040 --> 0:49:17.839
<v Speaker 1>have so much to talk about. But the movie really

0:49:17.880 --> 0:49:20.480
<v Speaker 1>does uh do what it says out to do, and

0:49:20.600 --> 0:49:23.000
<v Speaker 1>you either like it or you don't work for you

0:49:23.160 --> 0:49:26.360
<v Speaker 1>or it doesn't. But in terms of I mean, I

0:49:26.440 --> 0:49:28.800
<v Speaker 1>think that this would be an example of a movie

0:49:29.040 --> 0:49:35.319
<v Speaker 1>that absolutely benefits from a woman who understands what she's

0:49:35.360 --> 0:49:38.640
<v Speaker 1>writing about, writing and directing it, because can you imagine

0:49:38.760 --> 0:49:41.719
<v Speaker 1>if a man wrote and directed this, it would just

0:49:41.800 --> 0:49:45.560
<v Speaker 1>be all kinds of like to refer to our carry

0:49:45.600 --> 0:49:49.800
<v Speaker 1>episode is definitely out just like weird, like this is

0:49:49.840 --> 0:49:53.320
<v Speaker 1>what a woman would say, right, kind of kind of

0:49:53.600 --> 0:49:57.120
<v Speaker 1>what happens to her body I think and also her

0:49:57.239 --> 0:50:04.279
<v Speaker 1>mind question gush, what when the first period they ever get? Uh,

0:50:04.640 --> 0:50:06.919
<v Speaker 1>stuff like that. But like you know, in in that way,

0:50:07.360 --> 0:50:11.960
<v Speaker 1>it's good because that isn't something that really hit for

0:50:12.120 --> 0:50:14.439
<v Speaker 1>me at all. I mean in terms of, like there's

0:50:14.520 --> 0:50:17.960
<v Speaker 1>times where all characters seem to be behaving and reacting

0:50:18.160 --> 0:50:22.359
<v Speaker 1>over the top, but in terms of totally missing how

0:50:22.440 --> 0:50:25.760
<v Speaker 1>this female character has written. You almost always up until

0:50:25.840 --> 0:50:27.840
<v Speaker 1>the very end, you know, when she's possessed by the

0:50:27.880 --> 0:50:30.200
<v Speaker 1>Babba Duke, you're kind of just like this is a

0:50:30.280 --> 0:50:32.960
<v Speaker 1>good killing dogs. But for the most part, the movie

0:50:33.000 --> 0:50:35.399
<v Speaker 1>does a good job of like building a world where

0:50:35.440 --> 0:50:41.920
<v Speaker 1>you understand why she is so frustrated and feels so

0:50:42.680 --> 0:50:45.279
<v Speaker 1>depressed and like the world is closing in on her.

0:50:45.560 --> 0:50:50.600
<v Speaker 1>And definitely yeah, so I mean, hats off to Jennifer

0:50:50.880 --> 0:50:55.280
<v Speaker 1>Kent in that regard, I mean for writing a woman's story,

0:50:55.480 --> 0:50:58.759
<v Speaker 1>and also I mean, it's not a last girly kind

0:50:58.840 --> 0:51:02.959
<v Speaker 1>of movie. Is really one woman. Yeah, she's the final

0:51:03.040 --> 0:51:06.840
<v Speaker 1>girl from the start, which brings me to gendering the

0:51:06.960 --> 0:51:11.879
<v Speaker 1>Baba Duke. Why must be gender? The Baba Duke? Why

0:51:12.000 --> 0:51:15.239
<v Speaker 1>must why? Mr Baba Duke? Why did the bob Did

0:51:15.360 --> 0:51:20.680
<v Speaker 1>anyone talk to the Baba Duke about this? The movie

0:51:20.800 --> 0:51:24.359
<v Speaker 1>is called The Baba Duke. I think, with with good

0:51:24.520 --> 0:51:29.120
<v Speaker 1>reason is that the Baba Duke never specifies their gender,

0:51:29.719 --> 0:51:34.319
<v Speaker 1>and so it is a rude assumption to assume mail.

0:51:34.840 --> 0:51:36.719
<v Speaker 1>I think that this contributes to a lot of the

0:51:36.760 --> 0:51:42.640
<v Speaker 1>Baba Duke's rage, you know, I just I also wonder

0:51:42.719 --> 0:51:46.800
<v Speaker 1>I couldn't find a response from Jennifer Kent about this,

0:51:47.640 --> 0:51:49.920
<v Speaker 1>which I think is kind of a missed opportunity for her,

0:51:50.080 --> 0:51:53.400
<v Speaker 1>Like that's like a whole opportunity to get people to

0:51:53.480 --> 0:51:57.000
<v Speaker 1>watch her movie a second time. The publication that I

0:51:57.160 --> 0:52:01.320
<v Speaker 1>was reading at the time it was published, she hadn't

0:52:01.560 --> 0:52:06.480
<v Speaker 1>commented oh yes here in the Guardian article about it. Um.

0:52:06.880 --> 0:52:09.640
<v Speaker 1>Though director Jennifer Kent is aware of the meme, she

0:52:09.840 --> 0:52:13.359
<v Speaker 1>has not commented on it. I'll have to say, I mean,

0:52:13.440 --> 0:52:16.680
<v Speaker 1>I guess like if you're putting yourself in Jennifer Kent's uh,

0:52:17.800 --> 0:52:21.280
<v Speaker 1>that is kind of annoying. Okay, you're fun time, Caitlin.

0:52:21.400 --> 0:52:26.320
<v Speaker 1>Imagine you use both of your college degrees and you

0:52:26.440 --> 0:52:30.560
<v Speaker 1>spend years writing your first movie. You're also going to direct,

0:52:30.760 --> 0:52:32.840
<v Speaker 1>and you know you're really gonna put your heart into it,

0:52:34.760 --> 0:52:37.919
<v Speaker 1>and you make it. It's good, and you get good

0:52:37.960 --> 0:52:40.799
<v Speaker 1>performances and you're like, oh my gosh, this is great.

0:52:41.040 --> 0:52:46.360
<v Speaker 1>Movie does okay in theaters, and then Netflix is like, hey, Caitlin,

0:52:46.960 --> 0:52:49.759
<v Speaker 1>we think you really have something to say here. Your

0:52:49.840 --> 0:52:52.800
<v Speaker 1>movie is so well reviewed, we'd love to be on streaming.

0:52:53.280 --> 0:52:55.440
<v Speaker 1>And you're like, oh my god, so many people are

0:52:55.440 --> 0:52:56.879
<v Speaker 1>going to see my movie and they're gonna be able

0:52:56.920 --> 0:52:59.680
<v Speaker 1>to take away the message and I'm so thrilled that

0:52:59.800 --> 0:53:04.960
<v Speaker 1>this is happening. And then, by accident, just to switch

0:53:05.000 --> 0:53:08.360
<v Speaker 1>to the narrative a little bit, your movie which is

0:53:08.440 --> 0:53:14.840
<v Speaker 1>about what's your movie about? It's about the struggle of

0:53:15.520 --> 0:53:19.400
<v Speaker 1>being a woman in comedy. Okay, it's a movie about

0:53:19.480 --> 0:53:22.759
<v Speaker 1>the struggle of being a woman in comedy, and Netflix,

0:53:22.840 --> 0:53:28.719
<v Speaker 1>by mistake, puts it under car documentaries, and all these

0:53:28.840 --> 0:53:33.239
<v Speaker 1>car aficionados are like, what why is this here? And

0:53:33.320 --> 0:53:36.360
<v Speaker 1>then all of a sudden, the movie you put years into,

0:53:37.000 --> 0:53:42.040
<v Speaker 1>they're like, oh my god, car related icon we love.

0:53:42.200 --> 0:53:44.920
<v Speaker 1>And then your character is appearing at all these car

0:53:45.040 --> 0:53:48.040
<v Speaker 1>conventions and you're like, Okay, I'm getting pressed, but I

0:53:48.160 --> 0:53:51.080
<v Speaker 1>feel like my original message has been lost in the

0:53:51.160 --> 0:53:54.160
<v Speaker 1>shuffle a bit. I can understand why she's but I

0:53:54.280 --> 0:53:57.439
<v Speaker 1>still think I'm like, of all communities to be welcome into,

0:53:58.080 --> 0:54:03.279
<v Speaker 1>you know, the queer. You can't do better, definitely, but

0:54:04.000 --> 0:54:08.319
<v Speaker 1>you know, Jeffer Kent, enough time has passed, embrace queer

0:54:08.360 --> 0:54:12.320
<v Speaker 1>Baba Duke and and honestly, you know, get the funding

0:54:12.360 --> 0:54:18.319
<v Speaker 1>for a sequel, right, Babba Bubba and extremely Babba Duke

0:54:21.080 --> 0:54:30.400
<v Speaker 1>Dukey movie. That's a Green Day documentary? Wait what is

0:54:30.560 --> 0:54:34.279
<v Speaker 1>I did it all for the for the NUCKI nick

0:54:34.680 --> 0:54:38.640
<v Speaker 1>But there's that Green Day album called Dukie Anyways, Uh

0:54:39.600 --> 0:54:42.400
<v Speaker 1>that was a miss. Well. I think this episode is

0:54:42.480 --> 0:54:48.160
<v Speaker 1>perfect best I wanted to I don't even know if

0:54:48.200 --> 0:54:50.120
<v Speaker 1>this is worth really talking about what I wanted to

0:54:51.560 --> 0:54:55.879
<v Speaker 1>let mention the masturbation scene. Oh I do think that's

0:54:55.920 --> 0:55:00.960
<v Speaker 1>worth mentioning. Yeah, because it is rare in film to

0:55:01.040 --> 0:55:05.440
<v Speaker 1>see female pleasure, to see self administered female pleasure. They

0:55:05.600 --> 0:55:08.680
<v Speaker 1>never It's always under the coveries. And like, honestly, when

0:55:08.760 --> 0:55:10.920
<v Speaker 1>I was a kid, it literally took me until I

0:55:11.000 --> 0:55:12.960
<v Speaker 1>was in my late teens to even figure out how

0:55:13.080 --> 0:55:17.239
<v Speaker 1>women masturbated at all, because there was no there's no

0:55:17.640 --> 0:55:21.680
<v Speaker 1>book for that. There's no babok, there's no miss there's

0:55:21.719 --> 0:55:25.760
<v Speaker 1>no miss Babba duke. What if there's an everybody poops

0:55:26.120 --> 0:55:36.919
<v Speaker 1>with the story the babade everybody do masterbase everybody dudes. Yeah,

0:55:37.360 --> 0:55:42.680
<v Speaker 1>well fan art, everyone's got a couple of days to

0:55:42.800 --> 0:55:47.400
<v Speaker 1>kill and wants to make everybody do let us know.

0:55:47.800 --> 0:55:52.920
<v Speaker 1>We'd love to promote it to her. Um. Yeah, anyway,

0:55:53.120 --> 0:56:06.360
<v Speaker 1>so the dooking scene, Um, when she's giving herm baba

0:56:06.400 --> 0:56:09.520
<v Speaker 1>a little duke. Yeah, Yeah, she's using a vibrator and

0:56:09.680 --> 0:56:14.319
<v Speaker 1>she seems like she nearly reaches orgasm except Samuel comes

0:56:14.360 --> 0:56:18.440
<v Speaker 1>in and interrupted. Right, I think that, I mean, it's

0:56:18.480 --> 0:56:21.720
<v Speaker 1>weird because that seems to be I think in factly

0:56:21.840 --> 0:56:25.280
<v Speaker 1>she uses a sex toy is kind of different. But injury,

0:56:25.320 --> 0:56:28.920
<v Speaker 1>I feel like we do see female masturbation fairly frequently

0:56:29.120 --> 0:56:32.640
<v Speaker 1>in like thriller, slasher kind of things, and it is

0:56:32.680 --> 0:56:37.640
<v Speaker 1>always followed by something negative. I mean it seems that

0:56:38.080 --> 0:56:41.759
<v Speaker 1>what movie do we recently watched that Carry, there's like

0:56:41.800 --> 0:56:45.799
<v Speaker 1>a moment where carries feeling herself and Carry, and there's

0:56:45.840 --> 0:56:48.600
<v Speaker 1>a negative connotation where she scares herself because she doesn't

0:56:48.680 --> 0:56:52.320
<v Speaker 1>understand what her body. Happens in teeth, same thing happens

0:56:52.360 --> 0:56:56.400
<v Speaker 1>in teeth. I was thinking to see in Black Swan,

0:56:56.640 --> 0:56:59.319
<v Speaker 1>like we see a lot of depictions of women scaring

0:56:59.440 --> 0:57:03.960
<v Speaker 1>themselves by masturbating. Right, there's like feelings of shame almost

0:57:03.960 --> 0:57:08.040
<v Speaker 1>always associated right shame and almost like unfamiliarity of like, oh,

0:57:08.120 --> 0:57:09.840
<v Speaker 1>I've never done this before? What the fuck is this?

0:57:10.200 --> 0:57:13.120
<v Speaker 1>Which is fair, but also like you know, for future generations,

0:57:13.200 --> 0:57:15.440
<v Speaker 1>like also show them how to freaking follow through or

0:57:15.480 --> 0:57:18.120
<v Speaker 1>they'll be literally in college like oh how does one

0:57:18.240 --> 0:57:21.680
<v Speaker 1>do that? And they'll think their boyfriend invented kind of

0:57:21.880 --> 0:57:25.120
<v Speaker 1>guess so dumb. Anyways, seeing a sex way and seeing

0:57:25.160 --> 0:57:28.240
<v Speaker 1>someone who knew what they were doing was like hell yeah.

0:57:29.240 --> 0:57:31.520
<v Speaker 1>And then I feel like the ultimate point of that

0:57:31.600 --> 0:57:36.200
<v Speaker 1>scene was like to make it clearer or that she

0:57:36.600 --> 0:57:41.720
<v Speaker 1>can't get a moment's peace right, that her responsibility as

0:57:41.880 --> 0:57:46.360
<v Speaker 1>a mother to her son is always going to take

0:57:46.440 --> 0:57:53.640
<v Speaker 1>precedent over her being able to do anything for herself. Yeah,

0:57:54.320 --> 0:57:59.240
<v Speaker 1>And because I don't really know anything about postpartum depression firsthand,

0:57:59.320 --> 0:58:01.880
<v Speaker 1>I don't know if a thing like that would exacerbate

0:58:02.000 --> 0:58:05.320
<v Speaker 1>the mental illness. I don't know if because it seems

0:58:05.360 --> 0:58:08.959
<v Speaker 1>like she doesn't have any real opportunity to practice self care,

0:58:09.600 --> 0:58:14.120
<v Speaker 1>so I imagine that that's probably so that's probably making

0:58:14.280 --> 0:58:18.440
<v Speaker 1>her depression worse, or it's certainly not helping with it.

0:58:19.080 --> 0:58:22.160
<v Speaker 1>So yeah, there's like different factors that are playing into

0:58:23.040 --> 0:58:29.200
<v Speaker 1>it seems exacerbating the depression that she's experiencing, right, and

0:58:29.280 --> 0:58:31.200
<v Speaker 1>then that means we get to see more Bob a

0:58:31.280 --> 0:58:38.320
<v Speaker 1>Duke on screen. The more depressed she is, the more

0:58:38.440 --> 0:58:43.280
<v Speaker 1>Duck we see. So really the sequel good math problem.

0:58:46.040 --> 0:58:54.000
<v Speaker 1>But so I think that is really all I had

0:58:54.200 --> 0:58:58.520
<v Speaker 1>as far as things to talk about. Yeah, it's it's

0:58:58.520 --> 0:59:00.440
<v Speaker 1>a it's a good I mean, if you want to

0:59:00.480 --> 0:59:04.080
<v Speaker 1>revisit it this holiday season, highly recommend. It's a it's

0:59:04.080 --> 0:59:06.320
<v Speaker 1>a scary movie. If you've never seen it before, give

0:59:06.360 --> 0:59:08.960
<v Speaker 1>it a look. Yeah, give it a baba look, give

0:59:08.960 --> 0:59:14.760
<v Speaker 1>it a yeah. Um, does this movie pass the Bechdel test?

0:59:16.040 --> 0:59:17.720
<v Speaker 1>I'm going to be perfectly honest and say that I

0:59:17.840 --> 0:59:21.000
<v Speaker 1>forgot to pay attention to that part of the movie.

0:59:21.280 --> 0:59:25.440
<v Speaker 1>It does, but it's not an astounding past unless we

0:59:25.720 --> 0:59:32.880
<v Speaker 1>count the Babba Da talking to Amelia and their baba discourse.

0:59:33.080 --> 0:59:36.840
<v Speaker 1>The baba discourse scenes all pass I think Amelia, I

0:59:36.880 --> 0:59:39.600
<v Speaker 1>don't know what gender the dog was, so that would change.

0:59:40.760 --> 0:59:44.280
<v Speaker 1>But if Bucksby it was female identifying, I guess the

0:59:44.680 --> 0:59:47.440
<v Speaker 1>screaming from Amelia and the screaming back from the dog,

0:59:48.760 --> 0:59:51.439
<v Speaker 1>I can't imagine a world in which that conversation would

0:59:51.440 --> 0:59:54.080
<v Speaker 1>have referenced demand. It really seemed like the safety of

0:59:54.160 --> 0:59:57.680
<v Speaker 1>a female dog was the subject for discussion. So but

0:59:58.240 --> 1:00:01.400
<v Speaker 1>there was one scene, uh, at least with Amelia and

1:00:01.520 --> 1:00:06.000
<v Speaker 1>Claire where the majority. It's tricky because Amelia's number one

1:00:06.040 --> 1:00:08.840
<v Speaker 1>concern is Samuel, so most of what she talks about

1:00:08.880 --> 1:00:11.000
<v Speaker 1>is about him, But there were there was at least

1:00:11.040 --> 1:00:14.040
<v Speaker 1>a three line exchange at one point where Claire is

1:00:14.280 --> 1:00:16.960
<v Speaker 1>kind of asking Amelia does she need more help? She's

1:00:16.960 --> 1:00:19.480
<v Speaker 1>taking care of herself. There was a senior referencing earlier,

1:00:20.120 --> 1:00:23.600
<v Speaker 1>and Amelia does not answer in verboth ways, but she's

1:00:23.920 --> 1:00:26.360
<v Speaker 1>basically just like, I'm fine, I'm fine. Don't worry. I'm fine.

1:00:26.760 --> 1:00:28.560
<v Speaker 1>So it does. It does pass at least once between

1:00:28.600 --> 1:00:32.520
<v Speaker 1>the sisters, but there's certainly opportunities for it to pass more. Also,

1:00:32.640 --> 1:00:35.600
<v Speaker 1>let the Babba Duke speak. Why does the Babba duke.

1:00:35.640 --> 1:00:39.320
<v Speaker 1>The only line the Babba Duke gets when he's inhabiting

1:00:39.840 --> 1:00:43.960
<v Speaker 1>the dead husband vessel is you can bring me the boy. Yeah, right,

1:00:44.160 --> 1:00:47.000
<v Speaker 1>that doesn't pass. That certainly doesn't pass. And then the

1:00:47.080 --> 1:00:51.000
<v Speaker 1>Babba duck saying the Bubba duck's name Babba duck duck

1:00:51.080 --> 1:00:56.280
<v Speaker 1>duck yeah, is iconic the psychotic right because and then

1:00:56.400 --> 1:01:00.480
<v Speaker 1>Amelia also speaks with Mrs Roach, her neighbor. I think

1:01:00.560 --> 1:01:04.080
<v Speaker 1>almost all of those conversations are directly about Samuel. And

1:01:04.200 --> 1:01:09.760
<v Speaker 1>then also um Claire when she's Amelia and Claire are talking.

1:01:09.840 --> 1:01:13.760
<v Speaker 1>If they're not talking about Samuel, it's also about her

1:01:13.800 --> 1:01:17.120
<v Speaker 1>dead husband and how Amelia needs to get over it.

1:01:17.960 --> 1:01:20.480
<v Speaker 1>So but yeah, I think there are at least a

1:01:20.680 --> 1:01:25.400
<v Speaker 1>few very short exchanges within larger conversations that do pass

1:01:25.600 --> 1:01:30.280
<v Speaker 1>the Bechdel test. So, uh, what would you rate the

1:01:30.320 --> 1:01:33.320
<v Speaker 1>movie on her Nipple scale of its treatment of women?

1:01:34.280 --> 1:01:42.320
<v Speaker 1>I suppose I'm hitting the duke. Um hitting the duke

1:01:42.680 --> 1:01:45.919
<v Speaker 1>with a three, And the reason I'm hitting the Duke

1:01:46.000 --> 1:01:51.720
<v Speaker 1>with a three is that it represents a uniquely female

1:01:51.760 --> 1:01:56.960
<v Speaker 1>struggle in a way that gives it the seriousness and

1:01:57.040 --> 1:02:00.280
<v Speaker 1>attention it deserves. It does not belittle I mean, Alia

1:02:00.880 --> 1:02:04.120
<v Speaker 1>at any point. The story doesn't make you. Even when

1:02:04.160 --> 1:02:07.160
<v Speaker 1>the people in the world are saying Amelia is crazy,

1:02:07.680 --> 1:02:10.440
<v Speaker 1>we understand where she's coming from. We understand why she

1:02:10.520 --> 1:02:12.680
<v Speaker 1>feels like the walls are closing in. And so for

1:02:12.800 --> 1:02:16.400
<v Speaker 1>people who haven't experienced mental illness, particularly this mental illness,

1:02:16.960 --> 1:02:20.320
<v Speaker 1>it gives you kind of some insight that seems fairly

1:02:20.440 --> 1:02:24.600
<v Speaker 1>grounded into what that feels like. And I think that

1:02:24.720 --> 1:02:28.480
<v Speaker 1>that's very unique and something that genre films tend to

1:02:28.560 --> 1:02:31.480
<v Speaker 1>do very well because you're just able to amplify elements

1:02:31.560 --> 1:02:34.720
<v Speaker 1>and it doesn't have to be a nuanced representation of

1:02:34.800 --> 1:02:37.400
<v Speaker 1>mental illness. And that's like kind of the point. So

1:02:37.680 --> 1:02:40.480
<v Speaker 1>I think the Amilia character, while it kind of goes

1:02:40.520 --> 1:02:42.720
<v Speaker 1>off the rails at the and I agree in terms

1:02:42.760 --> 1:02:45.640
<v Speaker 1>of characterization of her and of Samuel, who suddenly you

1:02:45.720 --> 1:02:49.400
<v Speaker 1>feel bad for even though he's screaming must the movie, uh, well,

1:02:49.480 --> 1:02:51.840
<v Speaker 1>that tracks for me. The main thing that I don't

1:02:52.240 --> 1:02:55.560
<v Speaker 1>that I have a little trouble with is the very

1:02:55.960 --> 1:02:59.960
<v Speaker 1>sudden resolution, because if she is supposed to be age,

1:03:00.640 --> 1:03:03.040
<v Speaker 1>you know, struggling with this mental illness, it seems to

1:03:03.160 --> 1:03:09.480
<v Speaker 1>resolve almost instantaneously. And I wish that the ending wasn't

1:03:09.520 --> 1:03:12.880
<v Speaker 1>even there, like the post ending wasn't even there, because

1:03:12.920 --> 1:03:17.280
<v Speaker 1>it seems to be a story of someone struggling with

1:03:17.400 --> 1:03:21.200
<v Speaker 1>mental illness. It's not a story of hitting bottom and

1:03:21.360 --> 1:03:25.320
<v Speaker 1>then having to reacclimate into the world. That's a totally

1:03:25.400 --> 1:03:29.080
<v Speaker 1>different story and phase of dealing with mental illness. The

1:03:29.360 --> 1:03:32.160
<v Speaker 1>objective of the movie is the show a woman approaching

1:03:32.240 --> 1:03:35.800
<v Speaker 1>her lowest point and getting there to the point where

1:03:35.880 --> 1:03:39.080
<v Speaker 1>she has no choice. You can either die, kill her son,

1:03:39.720 --> 1:03:45.680
<v Speaker 1>or compartmentalize the Bobba Duke like lit like physically. So

1:03:46.120 --> 1:03:49.680
<v Speaker 1>flashing forward felt a little I get it, And it

1:03:49.720 --> 1:03:53.680
<v Speaker 1>seems kind of like studio notes, e of like there,

1:03:54.800 --> 1:03:57.680
<v Speaker 1>and but it does. I mean, that's just skips such

1:03:57.760 --> 1:04:01.280
<v Speaker 1>a large portion of the metaphor that I almost wish

1:04:01.320 --> 1:04:04.560
<v Speaker 1>they just kept it at like someone reaching their lowest

1:04:04.560 --> 1:04:07.959
<v Speaker 1>point with mental illness and then having to be like enough.

1:04:09.040 --> 1:04:11.400
<v Speaker 1>But I I don't know. I I think it is

1:04:11.560 --> 1:04:15.919
<v Speaker 1>very unique and tells the story it wants to tell responsibly,

1:04:16.480 --> 1:04:19.520
<v Speaker 1>even if the storytelling a plot wise sometimes gets a

1:04:19.560 --> 1:04:24.000
<v Speaker 1>little bit off. It seems good, but there's still women aren't.

1:04:24.320 --> 1:04:27.000
<v Speaker 1>I don't know's tricky because Amelia is very intentionally cut

1:04:27.040 --> 1:04:29.800
<v Speaker 1>off from the world around her, but the center of

1:04:29.880 --> 1:04:34.760
<v Speaker 1>her universe still are I would argue two men, her

1:04:34.840 --> 1:04:39.760
<v Speaker 1>son and her deceased husband. And so not only do

1:04:39.840 --> 1:04:42.280
<v Speaker 1>we not see her interact with anyone a lot, but

1:04:42.360 --> 1:04:45.720
<v Speaker 1>we don't see her giving the women she does interact with.

1:04:46.120 --> 1:04:49.640
<v Speaker 1>We don't really fully know what she hopes their relationship

1:04:49.720 --> 1:04:53.200
<v Speaker 1>turns into, like what they're It's just kind of, you know,

1:04:53.600 --> 1:04:54.920
<v Speaker 1>I would have liked to see more with her and

1:04:54.960 --> 1:04:57.120
<v Speaker 1>her sister and exploring that relationship a little bit where

1:04:57.120 --> 1:04:58.840
<v Speaker 1>it seems like there was something there but just not

1:04:58.960 --> 1:05:02.000
<v Speaker 1>fully delivered on anyways, The Bobby Duck is a queer icon,

1:05:02.520 --> 1:05:04.680
<v Speaker 1>and I'll give it to three. I kind of want

1:05:04.680 --> 1:05:05.880
<v Speaker 1>to give it a three and a half, but there's

1:05:06.000 --> 1:05:09.760
<v Speaker 1>I mean, kind of the usual blind spots of besides

1:05:09.760 --> 1:05:12.959
<v Speaker 1>the Bobby Duke, no queer people, uh no people of color.

1:05:13.080 --> 1:05:14.640
<v Speaker 1>This is in southern Australia. I don't know what the

1:05:14.680 --> 1:05:17.520
<v Speaker 1>demographics of it is, but it's worth I guess saying

1:05:17.600 --> 1:05:20.760
<v Speaker 1>that they filmed it entirely on location. Yeah, I don't know.

1:05:20.960 --> 1:05:22.760
<v Speaker 1>Three fields right to make given all three to the

1:05:22.800 --> 1:05:26.040
<v Speaker 1>Baba duke. Okay, good because the Baba Duck. Don't know

1:05:26.040 --> 1:05:27.600
<v Speaker 1>if you know this or not, but the Baba duck

1:05:27.720 --> 1:05:33.640
<v Speaker 1>has eight nipples. Amazing. This is Bubba duck facts. Melena

1:05:33.640 --> 1:05:37.000
<v Speaker 1>plays a bobba. It's just like a weird thing. He

1:05:37.080 --> 1:05:41.520
<v Speaker 1>does interesting performance, like, you know, I can do it. Um.

1:05:42.120 --> 1:05:45.920
<v Speaker 1>I think I will also land on three nips because,

1:05:47.080 --> 1:05:53.200
<v Speaker 1>as you mentioned, her world revolves around two male figures

1:05:53.240 --> 1:05:55.880
<v Speaker 1>in her life, and they and the only person she's

1:05:55.920 --> 1:05:59.480
<v Speaker 1>willing to welcome into her life as another man, the crush, right,

1:06:00.400 --> 1:06:04.080
<v Speaker 1>And that might be because like her sister Claire, as

1:06:04.480 --> 1:06:07.400
<v Speaker 1>her daughter, Lucy says, we don't go to your house

1:06:07.440 --> 1:06:11.480
<v Speaker 1>anymore because it's too depressing. So, which is a very

1:06:11.560 --> 1:06:16.520
<v Speaker 1>funny line. Yeah, there's a great line read by that. Yeah.

1:06:16.560 --> 1:06:19.920
<v Speaker 1>So it has some cool things going for it. But also,

1:06:20.160 --> 1:06:23.400
<v Speaker 1>you know, as we pointed out, there's some weird choices

1:06:23.800 --> 1:06:27.800
<v Speaker 1>made at the end. Also, this movie, it is scary,

1:06:27.880 --> 1:06:30.960
<v Speaker 1>but the main thing that gives me anxiety about watching

1:06:31.000 --> 1:06:36.520
<v Speaker 1>it is just the hat the is like watching Samuel

1:06:36.520 --> 1:06:41.720
<v Speaker 1>at the beginning just be like such a misbehaved, rambunctious

1:06:42.120 --> 1:06:45.760
<v Speaker 1>kid who's throwing tantrums and like not listening and like

1:06:46.320 --> 1:06:50.240
<v Speaker 1>being very reckless and dangerous with his like sharp weapons

1:06:50.360 --> 1:06:55.400
<v Speaker 1>and stuff. Well maybe that means that like Mr Starziac's

1:06:55.440 --> 1:06:59.880
<v Speaker 1>message would have resonated with you, baby, I wish I had.

1:07:00.440 --> 1:07:02.560
<v Speaker 1>Maybe it would have been maybe you would have been

1:07:02.600 --> 1:07:07.600
<v Speaker 1>the one to shake the baby. I would hope not.

1:07:07.880 --> 1:07:09.600
<v Speaker 1>I don't think you would have. No, I'm not going

1:07:09.640 --> 1:07:13.240
<v Speaker 1>to shake even a baby doll. God, when the head

1:07:13.280 --> 1:07:16.480
<v Speaker 1>popped off, my life change. Its literally like I'm going

1:07:16.600 --> 1:07:20.000
<v Speaker 1>to be a mother then. Yeah, And I also I

1:07:20.080 --> 1:07:23.160
<v Speaker 1>think it's it's funny, even if it isn't for everyone.

1:07:23.560 --> 1:07:25.880
<v Speaker 1>The fact that the queer community has sort of co

1:07:26.080 --> 1:07:30.360
<v Speaker 1>opted the Boba duke is one of their own. It's embraced,

1:07:30.720 --> 1:07:35.360
<v Speaker 1>it's funny, it's loving, it's the loor behind it is

1:07:35.520 --> 1:07:39.760
<v Speaker 1>very funny. Yeah, it's great. So three nipples too to

1:07:40.200 --> 1:07:44.400
<v Speaker 1>Mrs Roach because she just wanted to help. She loved

1:07:44.520 --> 1:07:47.680
<v Speaker 1>them and she and she was a sweet woman. And

1:07:47.840 --> 1:07:56.360
<v Speaker 1>I'll give my third nipple. Two Okay, give it to

1:07:56.440 --> 1:07:59.320
<v Speaker 1>the dude. The Duke gets my third nipple, give it

1:07:59.400 --> 1:08:01.840
<v Speaker 1>to the doll, give it to give it to the

1:08:01.880 --> 1:08:04.320
<v Speaker 1>four dogs. Another thing, I feel like I need to

1:08:04.360 --> 1:08:07.080
<v Speaker 1>watch this movie like five more times before I get

1:08:07.200 --> 1:08:11.840
<v Speaker 1>like all this before I just like fully appreciated, because

1:08:11.840 --> 1:08:13.840
<v Speaker 1>I feel like there's things I'm missing or things I'm

1:08:13.880 --> 1:08:19.280
<v Speaker 1>misunderstanding or misinterpreting. I'm also curious if there are viewers

1:08:19.439 --> 1:08:22.960
<v Speaker 1>of this movie of of any gender who are not

1:08:23.160 --> 1:08:27.559
<v Speaker 1>aware of the metaphor of postpartum depression and mental illness

1:08:27.720 --> 1:08:30.559
<v Speaker 1>and who just kind of watched it at face value

1:08:31.040 --> 1:08:35.600
<v Speaker 1>and weird it. Well? It like, is that not that

1:08:35.760 --> 1:08:38.599
<v Speaker 1>much weirder than any other kind of you know, horror

1:08:38.680 --> 1:08:43.840
<v Speaker 1>monster movie? The metaphor behind the Bye Bye Man? Yeah,

1:08:44.320 --> 1:08:47.519
<v Speaker 1>was that the what's the Mr Police? Oh my god?

1:08:47.600 --> 1:08:52.800
<v Speaker 1>The snows polies ain't tried to see her. That was

1:08:52.960 --> 1:08:56.760
<v Speaker 1>the funniest marketing made of all time. That's like, I

1:08:56.920 --> 1:09:00.280
<v Speaker 1>feel like advertisers really try to make movie mark getting

1:09:00.520 --> 1:09:06.439
<v Speaker 1>meimable now, but Sophie succeed And I hope that was

1:09:06.520 --> 1:09:11.439
<v Speaker 1>an accident. Mr Police. Oh, I gotta look up the

1:09:11.560 --> 1:09:16.960
<v Speaker 1>list of Mr Police memes now love it anyway, So anyway,

1:09:17.240 --> 1:09:21.000
<v Speaker 1>that is our bob a Duck episode. Uh, feel free

1:09:21.120 --> 1:09:24.919
<v Speaker 1>to you know, hit us with your comments and thoughts

1:09:25.160 --> 1:09:28.320
<v Speaker 1>and everything. Thank you so much for listening. We love

1:09:28.479 --> 1:09:33.519
<v Speaker 1>all of you, folks. We appreciate your all of you

1:09:33.600 --> 1:09:38.240
<v Speaker 1>Boba Ducks out there. I gave you all the clues.

1:09:42.720 --> 1:09:45.719
<v Speaker 1>Tell your friends, tell your other Baba Ducks, and enjoy

1:09:46.000 --> 1:09:52.439
<v Speaker 1>our upcoming Halloween Town episodes. Yeah, we're rerecording to get

1:09:53.960 --> 1:09:59.160
<v Speaker 1>right now. Wow wow we okay, see you next time.

1:09:59.439 --> 1:10:07.600
<v Speaker 1>I gave you all the clues. By well, there you

1:10:07.760 --> 1:10:12.960
<v Speaker 1>have it, folks. That was our unlocked Matreon episode now

1:10:13.200 --> 1:10:17.160
<v Speaker 1>on the main feed of the Babba Duck. And like

1:10:17.320 --> 1:10:20.360
<v Speaker 1>we said, we here and there. I think we've maybe

1:10:20.520 --> 1:10:25.479
<v Speaker 1>unlocked like six or so Matreon episodes, but there are

1:10:26.080 --> 1:10:31.880
<v Speaker 1>ever but there are literally a hundred others that are

1:10:32.200 --> 1:10:38.320
<v Speaker 1>only on the Matreon feed, So we really encourage you

1:10:38.720 --> 1:10:42.040
<v Speaker 1>to head over there. It's only five dollars a month.

1:10:42.360 --> 1:10:45.559
<v Speaker 1>It's uh two bonus episodes every single month, and then

1:10:45.600 --> 1:10:51.640
<v Speaker 1>again access to those many many backlogged episodes and you

1:10:51.720 --> 1:10:55.479
<v Speaker 1>can find that at patreon dot com slash Bechtel Cast.

1:10:56.200 --> 1:10:59.960
<v Speaker 1>You're in for a treat, if we do say so ourselves,

1:11:00.280 --> 1:11:04.360
<v Speaker 1>truly in our community. There is so much fun uh

1:11:04.520 --> 1:11:06.680
<v Speaker 1>coming up in the next week. If you're listening to

1:11:06.760 --> 1:11:08.599
<v Speaker 1>this episode the day it comes out, we are covering

1:11:08.840 --> 1:11:12.120
<v Speaker 1>an episode we have getting We've gotten requests on basically

1:11:12.280 --> 1:11:16.880
<v Speaker 1>weekly since it came out three years ago, which is Midsummer.

1:11:17.360 --> 1:11:20.640
<v Speaker 1>We did an arid aster movie alright, and it was

1:11:20.720 --> 1:11:23.680
<v Speaker 1>Caitlin's idea. So head over to the Matreon for a

1:11:24.080 --> 1:11:27.519
<v Speaker 1>for a fun I was really happy with that episode.

1:11:27.560 --> 1:11:30.280
<v Speaker 1>I'l like we had a great conversation around it. We've

1:11:30.280 --> 1:11:32.519
<v Speaker 1>been having some fun convos over in the Matron. I

1:11:32.600 --> 1:11:35.439
<v Speaker 1>really enjoyed our Top Gun episode from last month. I

1:11:35.560 --> 1:11:38.400
<v Speaker 1>loved doing mid Summer this month and a little preview

1:11:38.520 --> 1:11:44.240
<v Speaker 1>for next month, or doing Despicable Me. So because over

1:11:44.320 --> 1:11:48.680
<v Speaker 1>there Midt, it's Minions March. Caitlin, I truly don't know

1:11:48.800 --> 1:11:51.839
<v Speaker 1>if you're ready for how prepared I am for that episode.

1:11:52.120 --> 1:11:56.400
<v Speaker 1>I literally have ordered three novels in Indonesian to prepare

1:11:56.479 --> 1:12:00.040
<v Speaker 1>for that episode. I can't I just want to be

1:12:00.120 --> 1:12:03.120
<v Speaker 1>able to unload it all at once. But I'm so excited.

1:12:04.360 --> 1:12:09.759
<v Speaker 1>Oh right, I can't wait. So if you're also highly

1:12:09.800 --> 1:12:14.639
<v Speaker 1>anticipating our episode on Despicable Me, head over Tom sit

1:12:14.840 --> 1:12:18.960
<v Speaker 1>Treon and then well and then we're we're in talks

1:12:19.120 --> 1:12:21.600
<v Speaker 1>on what the other episode is going to be for

1:12:22.040 --> 1:12:25.320
<v Speaker 1>minions margin it's none of your business for now, could

1:12:25.320 --> 1:12:28.560
<v Speaker 1>be anything, um so yes, check us out over on

1:12:28.640 --> 1:12:30.920
<v Speaker 1>the Matreon and then you can also follow us on

1:12:31.000 --> 1:12:34.800
<v Speaker 1>social media at Bechtel Cast on Twitter and Instagram. If

1:12:34.880 --> 1:12:37.519
<v Speaker 1>you if you'd be a deer, why don't you give

1:12:37.640 --> 1:12:41.560
<v Speaker 1>us a nice little rate and review on wherever you

1:12:41.720 --> 1:12:46.200
<v Speaker 1>listen to your podcast, Always a treat and look forward

1:12:46.240 --> 1:12:48.600
<v Speaker 1>to an exciting summer. On the main feed, we have

1:12:48.680 --> 1:12:50.080
<v Speaker 1>a lot of returning guests, we have a lot of

1:12:50.160 --> 1:12:53.479
<v Speaker 1>new guests, we have a lot of popularly requested movies,

1:12:54.120 --> 1:12:56.320
<v Speaker 1>and it's going to be a fun old summer. So

1:12:57.080 --> 1:13:00.200
<v Speaker 1>we'll we'll talk to you next week. Bye bye ay