1 00:00:00,200 --> 00:00:02,640 Speaker 1: Elvis Duran in the Morning show. Here's one of our 2 00:00:02,680 --> 00:00:12,360 Speaker 1: world famous phone pranks, Elvis Duran, Elvis Duran phone tap. 3 00:00:12,560 --> 00:00:15,600 Speaker 2: Here we go, Garrett phone tapped Uncle Johnny. 4 00:00:15,800 --> 00:00:16,680 Speaker 3: All right, set it up. 5 00:00:16,680 --> 00:00:17,160 Speaker 1: What happened? 6 00:00:17,160 --> 00:00:17,440 Speaker 3: All right? 7 00:00:17,480 --> 00:00:19,800 Speaker 4: So we got an email from our listener, Christina, who 8 00:00:19,800 --> 00:00:22,319 Speaker 4: told us her uncle Craig has a great talent. He 9 00:00:22,440 --> 00:00:24,639 Speaker 4: thinks he sounds like Uncle Johnny, to the point where 10 00:00:24,640 --> 00:00:26,439 Speaker 4: Craig has gone out to bars and people have been 11 00:00:26,480 --> 00:00:29,040 Speaker 4: giving him free drinks because they think he's Uncle Johnny. 12 00:00:29,080 --> 00:00:29,400 Speaker 3: Wow. 13 00:00:29,720 --> 00:00:32,480 Speaker 4: So we decided to use Craig's talent and phone tap 14 00:00:32,520 --> 00:00:35,239 Speaker 4: our very own Uncle Johnny. 15 00:00:35,320 --> 00:00:36,639 Speaker 1: I can't wait listen in. 16 00:00:39,000 --> 00:00:44,080 Speaker 4: Hello Zaro, Hey Johnny is Garrett. I know I've just 17 00:00:44,080 --> 00:00:47,120 Speaker 4: gotten several emails about something that I thought you should 18 00:00:47,159 --> 00:00:50,560 Speaker 4: know about. Yeah, there's this guy that has been going 19 00:00:50,600 --> 00:00:52,839 Speaker 4: around claiming to be Uncle Johnny. 20 00:00:53,600 --> 00:00:54,120 Speaker 3: Get out. 21 00:00:54,520 --> 00:00:56,360 Speaker 4: You know, he's causing some trouble. He got thrown out 22 00:00:56,400 --> 00:00:58,080 Speaker 4: of a bar for getting into a fight with the guys. 23 00:00:58,120 --> 00:01:00,319 Speaker 4: He's giving you a bad name around town, all right, 24 00:01:00,320 --> 00:01:02,240 Speaker 4: he said, he said he's gone to the Monster before. 25 00:01:02,320 --> 00:01:05,480 Speaker 4: I mean, he's literally copying your life. Oh god, this 26 00:01:05,600 --> 00:01:07,320 Speaker 4: is just a bad look for us at the radio station. 27 00:01:07,400 --> 00:01:09,640 Speaker 3: It certainly is. But we don't need any of this. 28 00:01:10,040 --> 00:01:12,639 Speaker 3: I mean, I don't know. It's my reversation. He's ruining, 29 00:01:12,720 --> 00:01:12,920 Speaker 3: I know. 30 00:01:12,920 --> 00:01:15,240 Speaker 4: And the interesting part is, so I decided to call him, 31 00:01:15,560 --> 00:01:19,080 Speaker 4: and he is telling me that he's Uncle Johnny, like 32 00:01:19,520 --> 00:01:20,720 Speaker 4: you know, you know what. I'll put you on hold 33 00:01:20,760 --> 00:01:22,280 Speaker 4: and you can listen in. But I want you to 34 00:01:22,280 --> 00:01:25,320 Speaker 4: hear what this guy sounds like. You know, he hold on, 35 00:01:25,440 --> 00:01:28,440 Speaker 4: he doesn't know that I'm talking to you. So, hey, 36 00:01:28,520 --> 00:01:30,319 Speaker 4: Uncle Johnny, I'm sorry all this was a little busy. 37 00:01:30,440 --> 00:01:31,280 Speaker 4: I'm sorry about that. 38 00:01:31,560 --> 00:01:33,880 Speaker 5: Hello, lady, what's going on? 39 00:01:34,240 --> 00:01:36,640 Speaker 4: So you're telling me that I should come out and 40 00:01:36,680 --> 00:01:37,480 Speaker 4: have a drink with you? 41 00:01:37,880 --> 00:01:40,160 Speaker 5: Yes, and you know I want to get back into 42 00:01:40,240 --> 00:01:42,880 Speaker 5: the studio and you know, I guess so called cocktails 43 00:01:42,880 --> 00:01:44,759 Speaker 5: to make. Maybe we could do it monday. You could 44 00:01:44,800 --> 00:01:46,759 Speaker 5: have me back and we conmit something. 45 00:01:47,360 --> 00:01:52,640 Speaker 3: Uh Hello, hello, hello, hello, hello, hello. Would you like 46 00:01:52,680 --> 00:01:57,080 Speaker 3: to want me to come with you? This is Uncle Johnny. 47 00:01:57,320 --> 00:01:59,360 Speaker 3: Would you like me to come with you? No, this 48 00:01:59,440 --> 00:02:02,000 Speaker 3: is uncle No. Now you're talking to the real one. 49 00:02:02,040 --> 00:02:05,200 Speaker 5: Now no, no, no, hello Hello. 50 00:02:06,040 --> 00:02:07,840 Speaker 3: Anyways, you're not me And I could tell you. I 51 00:02:07,840 --> 00:02:10,880 Speaker 3: could I'm dying to see you. Yes, I'll meet you. Yeah, 52 00:02:10,919 --> 00:02:12,200 Speaker 3: where do you want to meet you? 53 00:02:12,280 --> 00:02:12,800 Speaker 5: And I could? 54 00:02:13,000 --> 00:02:13,880 Speaker 3: You could come out and visit? 55 00:02:14,000 --> 00:02:17,600 Speaker 5: Meant, Cherry's on the Bay and on Fire Island. I 56 00:02:17,639 --> 00:02:18,160 Speaker 5: set you up. 57 00:02:18,080 --> 00:02:23,960 Speaker 3: With a beautiful drink. Yes, phonies, he's copying everything I do? 58 00:02:24,160 --> 00:02:26,240 Speaker 5: What are you crazy? So I'll get you to come 59 00:02:26,240 --> 00:02:27,360 Speaker 5: over to Fire Island? 60 00:02:27,600 --> 00:02:30,280 Speaker 3: Are you cute? Ask Elvis what to do about this? 61 00:02:30,760 --> 00:02:33,600 Speaker 3: I think that because you could trace the call. If 62 00:02:33,600 --> 00:02:35,760 Speaker 3: you can trace where the call is coming from, we've 63 00:02:35,760 --> 00:02:38,799 Speaker 3: had them online long enough. And then uh, and then 64 00:02:38,840 --> 00:02:42,160 Speaker 3: we'll notify the police. That because it's ruining my reputation. 65 00:02:42,280 --> 00:02:46,520 Speaker 3: And I said, trace him? Now? What are you crazy? 66 00:02:47,000 --> 00:02:49,679 Speaker 3: You're both full of cops? Is a copyright infringement. 67 00:02:49,720 --> 00:02:51,040 Speaker 5: I got a lot of money tied up in these 68 00:02:51,080 --> 00:02:51,520 Speaker 5: T shirts? 69 00:02:51,560 --> 00:02:51,720 Speaker 1: You know? 70 00:02:52,680 --> 00:02:55,200 Speaker 3: Really? Yeah? What are you bananic T shirts? I make 71 00:02:55,200 --> 00:02:55,760 Speaker 3: a lot of it. 72 00:02:56,520 --> 00:02:59,400 Speaker 5: Listen to this guy he's trying to say his uncle Johnny. Yeah, 73 00:03:00,160 --> 00:03:02,400 Speaker 5: even sound like it's awful? Would I have a too 74 00:03:02,440 --> 00:03:04,880 Speaker 5: pay like this on it? If I wasn't, Uncle Johnny. 75 00:03:04,760 --> 00:03:07,080 Speaker 3: You can tell it's a too pay, can't you? All right? 76 00:03:07,160 --> 00:03:07,560 Speaker 5: Crazy? 77 00:03:08,520 --> 00:03:11,080 Speaker 4: You cannot tell Uncle Johnny see what I'm talking about. 78 00:03:11,240 --> 00:03:13,800 Speaker 3: Yes, well, apparently we've got to get in touch with 79 00:03:13,840 --> 00:03:14,560 Speaker 3: the police as something. 80 00:03:14,720 --> 00:03:16,040 Speaker 5: I'm going to call the cops right now. 81 00:03:16,160 --> 00:03:18,880 Speaker 3: I think you should. And this is somebody. He's gone 82 00:03:18,919 --> 00:03:21,919 Speaker 3: all over the town impersonating me, and they got kicked 83 00:03:21,960 --> 00:03:24,360 Speaker 3: out of myles and things like this, and now he's 84 00:03:24,600 --> 00:03:25,920 Speaker 3: taken over my hope as honor. 85 00:03:26,040 --> 00:03:26,880 Speaker 5: What do you bananis? 86 00:03:28,040 --> 00:03:29,760 Speaker 3: Oh my god, I don't know what to do. We're 87 00:03:29,760 --> 00:03:30,880 Speaker 3: going to get the police or something. 88 00:03:30,960 --> 00:03:32,600 Speaker 4: We called some of the listeners that have met him 89 00:03:32,600 --> 00:03:34,600 Speaker 4: to and they said that he even tried to sell 90 00:03:34,600 --> 00:03:35,320 Speaker 4: them drugs. 91 00:03:35,640 --> 00:03:39,960 Speaker 3: Now, this guy listen, hello you buddy, but whoever you listen, 92 00:03:40,000 --> 00:03:43,440 Speaker 3: you're ruining my reputation. You're really starting to aggrevate me. Now. 93 00:03:43,680 --> 00:03:46,320 Speaker 3: I don't want anybody selling drugs in my name, are 94 00:03:46,480 --> 00:03:49,200 Speaker 3: using my t shirts or anything else. Do you shut up? 95 00:03:50,000 --> 00:03:52,360 Speaker 3: If I see you, I'll break your head. You're not 96 00:03:52,800 --> 00:03:56,000 Speaker 3: with me, buddy. Hello, lady, I'm telling you right now, 97 00:03:56,120 --> 00:03:59,640 Speaker 3: it's oba nothing, it's oba what are you a tough guy? 98 00:04:00,040 --> 00:04:01,360 Speaker 3: I am a tough guy. Am a hell of a 99 00:04:01,600 --> 00:04:04,560 Speaker 3: tough of the new baby. Just no dog, I'm not 100 00:04:04,600 --> 00:04:07,160 Speaker 3: even going to play this game with you. I'm not 101 00:04:07,640 --> 00:04:12,120 Speaker 3: with you anymore. You're screwing up Elvis Durant's his reputation, 102 00:04:12,280 --> 00:04:15,440 Speaker 3: the radio and everybody around town. I will hunt you 103 00:04:15,480 --> 00:04:16,839 Speaker 3: down and I will have you arrested. 104 00:04:17,680 --> 00:04:19,640 Speaker 5: And you're trying to perpetrate a fraud here. 105 00:04:19,800 --> 00:04:21,960 Speaker 3: I am not trying to perpetrate anything. I'm going to 106 00:04:22,040 --> 00:04:22,800 Speaker 3: perpetrate you. 107 00:04:22,960 --> 00:04:25,599 Speaker 5: Pictures of me skinny dipping out in Palm Springs a 108 00:04:25,600 --> 00:04:26,480 Speaker 5: couple of weeks ago. 109 00:04:27,800 --> 00:04:31,120 Speaker 3: Well, no, you follow me on Twitter? What's the big deal? 110 00:04:31,360 --> 00:04:34,320 Speaker 3: Anybody could do that? Listen, what are you talking about? 111 00:04:34,320 --> 00:04:36,520 Speaker 3: You're to fraud me? All right? I want to meet you. 112 00:04:36,600 --> 00:04:38,280 Speaker 3: I want to meet you now. I want to meet 113 00:04:38,320 --> 00:04:40,800 Speaker 3: you too. Where are you my gonna know? You? Tell 114 00:04:40,839 --> 00:04:43,880 Speaker 3: me where to meet you this afternoon? Well tell me 115 00:04:43,920 --> 00:04:46,000 Speaker 3: where to meet you this afternoon, you're idiot. 116 00:04:46,360 --> 00:04:48,120 Speaker 5: I live right by Madison Square Garden. 117 00:04:48,160 --> 00:04:50,280 Speaker 3: You know what? Yes, well come over here, then the 118 00:04:50,320 --> 00:04:53,640 Speaker 3: street from Madison Square. I live in Madison Square Garden, 119 00:04:53,720 --> 00:04:56,640 Speaker 3: So come on over, come on, come on, say you 120 00:04:56,720 --> 00:04:58,680 Speaker 3: want to come on? Send a picture. 121 00:04:59,000 --> 00:05:01,560 Speaker 5: You can see me on YouTube making a banana surprise 122 00:05:01,640 --> 00:05:02,400 Speaker 5: like women on it. 123 00:05:02,560 --> 00:05:05,080 Speaker 3: I'm gonna smack you so high. Your mother's gonna feel it. 124 00:05:05,240 --> 00:05:08,400 Speaker 4: Hey, Uncle Johnny, Banana's you got phone tapped? 125 00:05:08,839 --> 00:05:14,760 Speaker 3: Got out? How you're going? I'm going to show you 126 00:05:16,160 --> 00:05:18,240 Speaker 3: who is who is my who's playing Uncle Johnny? 127 00:05:18,440 --> 00:05:21,080 Speaker 4: That's Craig. He actually has been getting free drinks at 128 00:05:21,120 --> 00:05:22,800 Speaker 4: bars because people think he's Uncle Johnny. 129 00:05:23,000 --> 00:05:26,839 Speaker 3: Get out. That was a phone tap. They phone tapped me. 130 00:05:27,000 --> 00:05:31,160 Speaker 5: But well, you listen, Uncle Johnny, You've been a very 131 00:05:31,200 --> 00:05:32,520 Speaker 5: good sport. 132 00:05:32,960 --> 00:05:41,520 Speaker 3: And I'm saying, what the hell is this guy? Bananas? 133 00:05:42,279 --> 00:05:48,479 Speaker 3: Uncle Johnny, why are you crazy? So I've upset that 134 00:05:48,560 --> 00:05:49,320 Speaker 3: I fought for that. 135 00:05:49,680 --> 00:05:53,200 Speaker 2: No, you know what, Uncle Johnny, I've in my years 136 00:05:53,200 --> 00:05:55,400 Speaker 2: of knowing you, I have never heard you like that. 137 00:05:55,480 --> 00:05:57,280 Speaker 2: I almost got to tear in my eye because you 138 00:05:58,279 --> 00:06:02,279 Speaker 2: fought to the end. You are are just pretty amazing. 139 00:06:03,240 --> 00:06:06,480 Speaker 3: Thank you. But I was really upset there. 140 00:06:06,640 --> 00:06:08,400 Speaker 2: I know, because you want to you you wanted to 141 00:06:08,400 --> 00:06:10,640 Speaker 2: protect yourself and us, and I you're You're the best, 142 00:06:10,720 --> 00:06:11,279 Speaker 2: Uncle Johnny. 143 00:06:11,320 --> 00:06:11,960 Speaker 3: That was correct. 144 00:06:13,040 --> 00:06:14,280 Speaker 1: I know I want to meet you. 145 00:06:14,279 --> 00:06:15,200 Speaker 3: You come down here. 146 00:06:17,200 --> 00:06:19,400 Speaker 2: I mean, Johnny, what would you have done, Haddy? Come 147 00:06:19,440 --> 00:06:20,080 Speaker 2: to your apartment? 148 00:06:20,120 --> 00:06:20,440 Speaker 3: I don't know. 149 00:06:23,480 --> 00:06:26,120 Speaker 1: This phone tab was pre recorded with permission granted by 150 00:06:26,120 --> 00:06:31,400 Speaker 1: all participants. Elvis Durant phone tab were Elvis Duran in 151 00:06:31,400 --> 00:06:36,520 Speaker 1: the Morning show. You're a new Elvis Durant phone tab 152 00:06:36,560 --> 00:06:37,520 Speaker 1: weekday mornings