WEBVTT - Wayne Knight on Seinfeld, Jurassic Park, Basic Instinct and more!

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<v Speaker 1>Now really, really.

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<v Speaker 2>Now really hello, and welcome to Really Know Really with

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<v Speaker 2>Jason Alexander and Peter Tilden, who both invite you to

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<v Speaker 2>subscribe to our show. You don't even have to mail

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<v Speaker 2>anything in, just push the subscribe button. And speaking of mail,

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<v Speaker 2>today's episode could be titled Hello Newman, because the internationally

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<v Speaker 2>beloved actor Wayne Knight visits Really No Really to talk

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<v Speaker 2>about his iconic roles, including Seinfeld's scheming mailman Newman and

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<v Speaker 2>the techno was Dennis Nedrie in the original Jurassic Park.

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<v Speaker 2>We and also discusses getting work based on his weight,

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<v Speaker 2>being held hostage on the set of Oliver Stone's JFK,

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<v Speaker 2>the bizarre audition that got him his part in Basic Instinct,

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<v Speaker 2>the disgusting reality of being spit on by a dinosaur.

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<v Speaker 3>Here's Jason and Peter. You didn't want the ball?

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<v Speaker 1>I think the bell has been a major assets to

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<v Speaker 1>the show and annoying.

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<v Speaker 3>Really no Um In nineteen fifty seven on radio that

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<v Speaker 3>was a very powerful tonic THO today, well you would

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<v Speaker 3>you would know.

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<v Speaker 1>Hell, And I was going to say it, I.

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<v Speaker 3>Always love when they get to see the real you.

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<v Speaker 1>Yeah.

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<v Speaker 4>So what I love today is that I feel at

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<v Speaker 4>home because a person that I was happy to work with.

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<v Speaker 1>Has joined us today, someone who.

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<v Speaker 3>I admired and respect on the sill of one time.

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<v Speaker 3>We can shut it down now you want, but a

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<v Speaker 3>man who's a deposit for the mics and the cameras, and.

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<v Speaker 4>A man who whose work I was aware of long

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<v Speaker 4>before he became a national and national international iconic figure.

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<v Speaker 4>I was aware of this man's work upon the Broadway stage.

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<v Speaker 4>I was a huge fan. I was very excited when

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<v Speaker 4>we actually maid our acquaintance professionally for nine years on

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<v Speaker 4>the number one hit comedy of the of the nineties

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<v Speaker 4>and today I was stilled.

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<v Speaker 3>To make his acquaintance because and people say that he's

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<v Speaker 3>one of the funniest guys. I know this is truly

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<v Speaker 3>in conversation I break up I could be talking about.

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<v Speaker 4>Before we sat down in front of these mics, We've

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<v Speaker 4>already had four things he said that I could write

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<v Speaker 4>down and go.

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<v Speaker 1>I'm using that.

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<v Speaker 3>He's a joy as a smart man, as you know,

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<v Speaker 3>can talk about see and an extremely funny man. You

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<v Speaker 3>all know him. I think everybody knows.

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<v Speaker 4>The temptation is to say hello newman, but we're gonna say.

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<v Speaker 1>Hello to our friend, mister Wayne Knight. Welcome to really really, sir.

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<v Speaker 3>Bless You're exciting to see the COVID God, we've lost

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<v Speaker 3>touch with so many people.

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<v Speaker 1>Ever since COVID, I have not been the same. I've

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<v Speaker 1>become some of the Diamond. The Diamond was a famous

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<v Speaker 1>actress and comedian.

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<v Speaker 3>There you go. So how are you?

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<v Speaker 1>Bro?

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<v Speaker 4>You know, I've talked to you recently because we were

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<v Speaker 4>working on something together that nothing to new show business.

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<v Speaker 4>But I haven't seen you since really since the pandemic began.

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<v Speaker 3>How yeah, how is life? What's going on?

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<v Speaker 1>I know you're working, you gotta, you're in a show,

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<v Speaker 1>and you're I'm not always working. I'm always not working,

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<v Speaker 1>but now I am.

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<v Speaker 3>Yeah.

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<v Speaker 1>Anyway, but was it? Was it?

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<v Speaker 4>But you know, but that's so interesting because I knew so,

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<v Speaker 4>you know, we do a little bit of research about

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<v Speaker 4>all of our guests, and I knew some of this

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<v Speaker 4>stuff about you. But you had such a kind of crazy, rich,

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<v Speaker 4>diverse life around what we know you for as an

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<v Speaker 4>actor that I almost want to I want to start

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<v Speaker 4>by going, if you if this hadn't happened for you acting,

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<v Speaker 4>what did you want to do? When did you go? Oh,

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<v Speaker 4>I'm going to be an actor and what else was

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<v Speaker 4>on the table when you.

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<v Speaker 1>A biochemistry.

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<v Speaker 4>I don't doubt it because I but I'm not just

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<v Speaker 4>saying this to be nice.

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<v Speaker 1>I've had.

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<v Speaker 4>One of the things I've enjoyed so much about being

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<v Speaker 4>around you all these years is you are legit intimately

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<v Speaker 4>one of the most intelligent, well read, fascinating people.

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<v Speaker 3>I know. I'm not.

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<v Speaker 1>I don't you strike me as as I'm a functioning idiot.

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<v Speaker 1>I don't read. What I do is I listen to conversations,

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<v Speaker 1>repeat them as if they were mine.

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<v Speaker 3>Oh good, then leave the room quickly. What that does is.

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<v Speaker 1>It create impression, the opression of I do the I

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<v Speaker 1>do impressions of intelligent people.

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<v Speaker 3>You know this is taking me back to phone calls.

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<v Speaker 3>Wayne would take you up like I gotta go.

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<v Speaker 1>You just got to leave quickly. Don't stay too long

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<v Speaker 1>after the intelligence Wait.

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<v Speaker 3>A minute before acting. You were a private investigator.

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<v Speaker 1>Yes, how five years I was a p I in

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<v Speaker 1>New York.

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<v Speaker 3>I got it here.

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<v Speaker 4>I can't and I knew. I knew this because you

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<v Speaker 4>had told me that before. But you have to say it,

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<v Speaker 4>say it so.

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<v Speaker 3>It's pretty he was a private investigator because I know

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<v Speaker 3>it you're the one.

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<v Speaker 1>You know, like, when when is this going to go

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<v Speaker 1>digitif out? Do you really think the analog belt works?

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<v Speaker 1>I think it's so.

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<v Speaker 3>Fashioned, you know what? Investigator?

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<v Speaker 1>Oh no, but but the thing is that here's the thing.

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<v Speaker 1>So I'm an actor, right, and uh I did a

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<v Speaker 1>Broadway show and uh one of my cast mates. You know,

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<v Speaker 1>we're young, we're in our twenties. So when you crap

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<v Speaker 1>out after that, you still grab out. You know, you

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<v Speaker 1>think this is going to be a continuant and I'm

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<v Speaker 1>gonna last forever. Yes, so I didn't want to wait

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<v Speaker 1>tables again. I had you know, I'd been on Broadway

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<v Speaker 1>and stuff, and and I had a friend. He says, Oh,

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<v Speaker 1>I got a great job. Yeah, what do you do?

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<v Speaker 1>He goes, I'm I'm a private investigator. What you don't

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<v Speaker 1>have any criminology background. You never were a policeman. You

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<v Speaker 1>don't know anything about this. He goes, that's right. How

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<v Speaker 1>are you these people? Why why would hire said they

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<v Speaker 1>like actors? Why do they like actors? They're not upwardly mobile,

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<v Speaker 1>they don't want a full time job, and they're totally unscrupulous.

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<v Speaker 1>That's correct. They're willing to lie about themselves. Add infinitum.

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<v Speaker 1>You know, I mean, I've been building resumes my entire life,

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<v Speaker 1>so why not just build an entire character that was

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<v Speaker 1>fake and then walking the door. And that's what I

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<v Speaker 1>wound up doing. And I did it on phone and

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<v Speaker 1>I did it in person, and I talked to like

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<v Speaker 1>uh admirals, heads of industry, uh senators, getting references on people.

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<v Speaker 1>I found out that somebody had been in a mental

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<v Speaker 1>hospital the previous summer and they were trying to get

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<v Speaker 1>a job as a startup engineer at a nuclear plants.

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<v Speaker 1>Then then I'm like, so proud of myself and he

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<v Speaker 1>was I'm not even and he got shocked and everything.

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<v Speaker 1>Then the phone rings and it's the candidate, the guy

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<v Speaker 1>who's trying to get the job, and he goes, I'm

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<v Speaker 1>so thankful to you. I've been hoping that a headhunter

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<v Speaker 1>would come around. Nobody's ever had any interest in me.

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<v Speaker 1>For two years, I haven't been able to get a job.

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<v Speaker 3>Oh oh oh god. Oh yeah, so before Google listen

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<v Speaker 3>is before the internet. Here a gumshoe, you're running around

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<v Speaker 3>doing everything.

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<v Speaker 1>Oh I remember I had one where I'm well, I'll

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<v Speaker 1>give you the whole shmear. We were doing this for

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<v Speaker 1>an arbitragure right, who has a lot of money and

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<v Speaker 1>he has no pair, an Irish old pair who's in

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<v Speaker 1>his home taking care of his kids. A very attractive

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<v Speaker 1>young Irish woman. And he says to his wife, you know, uh,

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<v Speaker 1>Mara is so talented and so clever. I think we're

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<v Speaker 1>doing her disservice by having her be here in the house.

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<v Speaker 1>I should bring her down to the office and give

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<v Speaker 1>her a real job. I think that she can go far. Okay, hey,

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<v Speaker 1>So she goes down there and of course gets immediately pregnant,

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<v Speaker 1>but she is a Catholic girl and she will not

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<v Speaker 1>have an abortion. Right, So the arbitrager sets her up

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<v Speaker 1>in Red Hook, Brooklyn, because God knows, you can't get

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<v Speaker 1>through it. You can't get away from her. So we'll

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<v Speaker 1>just stasher over there in Red Hook, and maybe, you know,

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<v Speaker 1>she'll go away. So then they hire us to follow her.

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<v Speaker 1>The wife finds out about this somehow, because he tells

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<v Speaker 1>a wife, listen, I think that the only thing I

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<v Speaker 1>can do is like four days a week, I'll be

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<v Speaker 1>with you three days a week. I'll check in on her,

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<v Speaker 1>just to make sure she's not doing anything, you know.

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<v Speaker 1>And so the wife hires us to follow her because

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<v Speaker 1>she might be cheating on him, and if she's cheating

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<v Speaker 1>on him, he might drump, you know, dump her. So

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<v Speaker 1>I'm following her. I'm in Red Hook in the rain

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<v Speaker 1>and February. Uh, there's a there's a three legged dog

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<v Speaker 1>walking by, and I hated this. She's pure as the

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<v Speaker 1>driven snow. This girl. I fire follow her from miles

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<v Speaker 1>from restaurant, the restaurant, whatever and whatever, whatever, there's nothing

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<v Speaker 1>wrong with her. Meanwhile, the wife says that she wants

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<v Speaker 1>to hire us to follow the husband. Then the husband

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<v Speaker 1>sees the wife the people following him, and he believes

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<v Speaker 1>that the wife is colluding with the girl for a

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<v Speaker 1>divorce settlement. So we're hired by the wife. By the

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<v Speaker 1>husband that the wife begins to have an affair with

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<v Speaker 1>the head of the detective agency and has lunchtime owners

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<v Speaker 1>with hih my god, really, I'm telling you, how could

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<v Speaker 1>I leave this job?

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<v Speaker 3>In New York Times unbelievable. Now you have to sit

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<v Speaker 3>there like a three If they're up till three in

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<v Speaker 3>the morning, you're there till three in the morning.

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<v Speaker 1>Well, you have this thing, you know, you put your

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<v Speaker 1>you put your SODA's under the car if it's winter,

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<v Speaker 1>you know, instead of hot coffee, you have your cold

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<v Speaker 1>soda under the thing. You have a sandwich, you got

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<v Speaker 1>your thing, you got you know, you're all decked out,

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<v Speaker 1>you're waiting there. The worst thing that could happen is

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<v Speaker 1>that they leave the house.

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<v Speaker 3>Because then you gotta move.

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<v Speaker 1>You gotta move, you know, and we don't have we

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<v Speaker 1>don't have cell phones in those days, so you gotta

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<v Speaker 1>move and get from to a payphone or whatever the hell.

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<v Speaker 1>You don't know what. We're a walking twice one or two.

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<v Speaker 3>In every show, even the best show, when you leave,

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<v Speaker 3>they look around and there's a car there with you

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<v Speaker 3>guys sitting in there. It's so obvious. And then you

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<v Speaker 3>pull out and it's one two they pull out. How

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<v Speaker 3>do you do that?

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<v Speaker 1>In real life, you realize that people don't think they're

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<v Speaker 1>being followed all the time. So if you are standing

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<v Speaker 1>next to somebody in an elevator, they don't go, are

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<v Speaker 1>you following me?

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<v Speaker 5>You know?

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<v Speaker 1>No, I'm not.

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<v Speaker 3>They don't think that way, all right. That makes that

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<v Speaker 3>makes five years.

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<v Speaker 1>Five years, yes, And you know I eventually I didn't

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<v Speaker 1>get fined. I had to leave because my landlord was

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<v Speaker 1>also my boss, the head of the detective agency. It

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<v Speaker 1>was also my landlord.

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<v Speaker 3>You dropped a bomb right before we started going.

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<v Speaker 4>Saying I was talking to you and we were talking

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<v Speaker 4>about weight loss and character and can you keep a job?

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<v Speaker 3>Do people hire you once you look because they think

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<v Speaker 3>you're not funny? And you said, my first job ever

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<v Speaker 3>was on Broadway wearing a fat suit.

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<v Speaker 1>Yeah, I think I saw this, was that Gemino? Yeah, yeah,

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<v Speaker 1>I was in a fat suit padded to a fifty

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<v Speaker 1>four inch waist. At the time, I had like a

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<v Speaker 1>thirty six inch wiste. I had to eat a plate

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<v Speaker 1>of spaghetti and jelly donut eight times a week. And

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<v Speaker 1>the prop man on the show was a psychopath. And

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<v Speaker 1>what he would do is not cook the spaghetti and

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<v Speaker 1>arrange it so that it looked cooked and then like

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<v Speaker 1>put some hot sauce under it. So this besteam come

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<v Speaker 1>and you'll be like and stale donuts. And I would

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<v Speaker 1>have to like bring him gifts and beg that he'd

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<v Speaker 1>be nice to me because they wouldn't fire him.

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<v Speaker 4>You didn't have an equity rep because I know they're

0:12:20.160 --> 0:12:25.480
<v Speaker 4>so effective. Oh, they're terribly effective. Yes, Well, I I

0:12:25.520 --> 0:12:28.640
<v Speaker 4>don't think he liked me. Because I was on stage.

0:12:29.559 --> 0:12:31.079
<v Speaker 3>And he was so how long did that role?

0:12:31.160 --> 0:12:31.280
<v Speaker 6>Though?

0:12:35.320 --> 0:12:37.720
<v Speaker 3>But I guess that that jumps to the question, Wait a.

0:12:37.720 --> 0:12:40.560
<v Speaker 4>Minute, hold on, I can't let that go by. You

0:12:40.600 --> 0:12:44.240
<v Speaker 4>did that show for three years, three years over a

0:12:44.280 --> 0:12:49.520
<v Speaker 4>thousand performers. Hi, Now that's unfathomable to me. I know

0:12:49.559 --> 0:12:51.920
<v Speaker 4>people do it, and they there are records that go

0:12:52.040 --> 0:12:55.600
<v Speaker 4>far beyond that for being sad people. But my god,

0:12:55.679 --> 0:12:58.240
<v Speaker 4>how did you not lose your mind? I did I

0:12:58.320 --> 0:13:00.880
<v Speaker 4>do six months? I go, please this to another act?

0:13:00.960 --> 0:13:03.360
<v Speaker 1>Oh well, wait a minute, you're talking about the producers.

0:13:03.360 --> 0:13:05.600
<v Speaker 1>For christ sakes, did that for a week?

0:13:05.720 --> 0:13:07.800
<v Speaker 3>No? When I was in the well, yeah, we could go.

0:13:08.040 --> 0:13:11.079
<v Speaker 4>But when I was in Broadway Bound, yeah, right, Broadway bound,

0:13:11.080 --> 0:13:12.640
<v Speaker 4>I had a fourteen month contract.

0:13:12.679 --> 0:13:16.079
<v Speaker 1>At the ten month mark, I knew I was not No,

0:13:17.320 --> 0:13:21.160
<v Speaker 1>I lost my mind. And and what's interesting is I

0:13:21.240 --> 0:13:24.680
<v Speaker 1>learned how to act and at the same time I

0:13:24.880 --> 0:13:29.040
<v Speaker 1>reached the threshold of my tolerance. I had to come

0:13:29.080 --> 0:13:32.560
<v Speaker 1>to a new way of doing the show, and I

0:13:32.640 --> 0:13:35.920
<v Speaker 1>did in a work for me instead of doing a show,

0:13:36.440 --> 0:13:40.439
<v Speaker 1>I was doing a decatalon and each of these scenes

0:13:40.480 --> 0:13:44.000
<v Speaker 1>became events, and I was trying to score tens on

0:13:44.080 --> 0:13:48.680
<v Speaker 1>each event, and it came not about the audience. It

0:13:48.720 --> 0:13:52.120
<v Speaker 1>became about me that I knew what a ten was

0:13:52.640 --> 0:13:54.880
<v Speaker 1>and I'm going for it, and if the audience don't

0:13:54.920 --> 0:13:57.120
<v Speaker 1>like it, that's their problem. But if I hit a ten,

0:13:57.160 --> 0:13:57.680
<v Speaker 1>it's a ten.

0:13:58.160 --> 0:14:01.600
<v Speaker 3>That help reframing it that way It.

0:14:01.600 --> 0:14:05.479
<v Speaker 1>Did because I could get out clean from a performance

0:14:05.679 --> 0:14:09.040
<v Speaker 1>no matter what. I never had a bad It wasn't like, ah,

0:14:09.080 --> 0:14:12.199
<v Speaker 1>that the bunch of idiots, they're crazy, you know, That's

0:14:12.240 --> 0:14:14.040
<v Speaker 1>what happens in the long run. And the long run

0:14:14.080 --> 0:14:18.240
<v Speaker 1>people talk about how bad the audience is, right, uh,

0:14:18.480 --> 0:14:20.720
<v Speaker 1>you know, and I said, I'm gonna give that up

0:14:20.880 --> 0:14:24.080
<v Speaker 1>because I don't think that's beneficial to you. Wow, you know,

0:14:24.600 --> 0:14:25.280
<v Speaker 1>I know what you mean.

0:14:25.520 --> 0:14:28.680
<v Speaker 4>I remember doing same play Broadway Bound, and you know,

0:14:29.320 --> 0:14:31.640
<v Speaker 4>the first six months you're going, oh, I hope they laugh,

0:14:31.680 --> 0:14:33.560
<v Speaker 4>Oh I hope they left. After six months you go

0:14:33.600 --> 0:14:36.880
<v Speaker 4>to last who care they laugh at anything?

0:14:38.960 --> 0:14:41.120
<v Speaker 1>I know that that was used to laugh.

0:14:43.160 --> 0:14:45.480
<v Speaker 3>So you do get demented, it does. It does happen.

0:14:45.600 --> 0:14:47.280
<v Speaker 1>Well, not even that, but I was working with and

0:14:47.320 --> 0:14:50.960
<v Speaker 1>you know, uh, this woman who is insane, who used

0:14:51.000 --> 0:14:55.080
<v Speaker 1>to she used to hawk into a curtain before she

0:14:55.160 --> 0:14:59.040
<v Speaker 1>went on stage, here we go, you know, and that

0:14:59.160 --> 0:15:02.880
<v Speaker 1>she would go, I'm like, ah, And so there was

0:15:02.920 --> 0:15:06.240
<v Speaker 1>a curtain with stalactites and stalagmites hanging off of it

0:15:06.520 --> 0:15:08.000
<v Speaker 1>that I would have to push out of the way

0:15:08.040 --> 0:15:15.000
<v Speaker 1>to get on stage. Oh my oh. We had a replacement.

0:15:15.040 --> 0:15:16.920
<v Speaker 1>One time. We had a guy who was replacing for

0:15:16.960 --> 0:15:19.680
<v Speaker 1>the father. He went on stage. He was wearing his

0:15:19.840 --> 0:15:24.400
<v Speaker 1>jacket inside out. I said to him, schmuck, you got

0:15:24.440 --> 0:15:35.520
<v Speaker 1>your jacket on his side out? He said, it's been established. Wait,

0:15:35.800 --> 0:15:41.480
<v Speaker 1>oh my god. So speaking of weight, was this the

0:15:41.560 --> 0:15:45.640
<v Speaker 1>show that you left college? One credit shy for what

0:15:46.320 --> 0:15:49.560
<v Speaker 1>happened is you know, I went to New York. I

0:15:49.600 --> 0:15:53.320
<v Speaker 1>had a you know, I'm waiting tables. I'm waiting tables

0:15:53.320 --> 0:15:57.640
<v Speaker 1>at Wolf's Deli across from Lincoln Center. The worst, Oh god,

0:15:57.720 --> 0:15:59.960
<v Speaker 1>I hate it. I had to wear a stupid little jacket,

0:16:00.000 --> 0:16:02.800
<v Speaker 1>and I had the cater to all these old women

0:16:02.840 --> 0:16:05.000
<v Speaker 1>who are like, I want it on the side, and

0:16:05.640 --> 0:16:07.280
<v Speaker 1>you know, it's like, yes, I'm not lean and on

0:16:07.360 --> 0:16:11.000
<v Speaker 1>the side. Okay, fine, So that's where when I get

0:16:11.000 --> 0:16:13.960
<v Speaker 1>the cold. But I got the job. I am wearing

0:16:13.960 --> 0:16:16.160
<v Speaker 1>the stupid little jacket. I go, excuse me, just a

0:16:16.200 --> 0:16:18.800
<v Speaker 1>moment I went out into the street through the jacket

0:16:18.800 --> 0:16:22.440
<v Speaker 1>into the street, never went back, just walked out of there,

0:16:22.840 --> 0:16:24.600
<v Speaker 1>thinking I'll never wait tables again.

0:16:24.840 --> 0:16:27.520
<v Speaker 3>Not so okay before so we'll go to the wait

0:16:27.560 --> 0:16:29.800
<v Speaker 3>thing in a minute. But and this I think is

0:16:29.800 --> 0:16:31.960
<v Speaker 3>a really no really if I got this correct, and

0:16:32.000 --> 0:16:34.640
<v Speaker 3>you before, what are you ringing before you it's a

0:16:34.640 --> 0:16:38.720
<v Speaker 3>preparatory really no, really, So I read and I think

0:16:38.760 --> 0:16:40.360
<v Speaker 3>I got it right that you were doing a sketrow

0:16:40.400 --> 0:16:44.520
<v Speaker 3>in England with Emma Thompson. Yes, Emma Thompson is ultimately

0:16:44.720 --> 0:16:46.560
<v Speaker 3>kind of responsible for a lot of things in your life,

0:16:46.560 --> 0:16:49.080
<v Speaker 3>and that she turned you on to Kenneth Browna, yes,

0:16:49.560 --> 0:16:50.440
<v Speaker 3>who gave you a game.

0:16:50.360 --> 0:16:54.400
<v Speaker 1>And I tried to turn her off. So Kenneth I

0:16:54.400 --> 0:16:56.400
<v Speaker 1>told him, I said, I look, if you're going to

0:16:56.440 --> 0:17:00.520
<v Speaker 1>marry him, marry him like a black widow spider and

0:17:00.560 --> 0:17:04.080
<v Speaker 1>then eat his head, which is so sweet.

0:17:04.560 --> 0:17:07.440
<v Speaker 3>So Kenneth Brona puts you in something and which got

0:17:07.440 --> 0:17:09.960
<v Speaker 3>you to Oliver Stone, which got you to Paul Verhoven,

0:17:10.240 --> 0:17:11.440
<v Speaker 3>which got you to Spielberg.

0:17:12.000 --> 0:17:15.320
<v Speaker 1>Yeah, well not necessarily in that order. How it how

0:17:15.359 --> 0:17:20.639
<v Speaker 1>it begins is I I got to Oliver Stone from

0:17:20.800 --> 0:17:23.960
<v Speaker 1>Lincoln Center and from other things, uh, from recent Brayman

0:17:24.240 --> 0:17:28.359
<v Speaker 1>and being seen, you know uh. And I remember auditioning

0:17:28.480 --> 0:17:35.800
<v Speaker 1>for Oliver for JFK and them saying, uh, don't be theatrical.

0:17:36.200 --> 0:17:42.159
<v Speaker 1>Whatever you do, don't be theatrical. He hates theatrical. What

0:17:42.200 --> 0:17:46.520
<v Speaker 1>do you expect me to do? Oh? Do you do?

0:17:48.880 --> 0:17:51.040
<v Speaker 1>But in any case, I went in and I gave

0:17:51.119 --> 0:17:55.679
<v Speaker 1>this Georgia kicker, kind of like accident, because I know

0:17:55.720 --> 0:17:58.359
<v Speaker 1>that I was looking for somebody and I growed up

0:17:58.440 --> 0:18:00.800
<v Speaker 1>in Bartokay and the Georgia. I had to do it.

0:18:01.320 --> 0:18:04.200
<v Speaker 1>So I did that accent and Oliver loved it, loved it.

0:18:04.400 --> 0:18:07.800
<v Speaker 1>That is not the actual, thank you very much. So

0:18:08.240 --> 0:18:11.359
<v Speaker 1>then I get to New Orleans to do JFK, and

0:18:11.600 --> 0:18:15.000
<v Speaker 1>I'm playing a real guy, this guy Numa Bertell, and

0:18:15.160 --> 0:18:20.040
<v Speaker 1>he's from the French Quarter. He's from the you know, hey,

0:18:20.119 --> 0:18:24.320
<v Speaker 1>tod Lock Hey comes from Choppatolas. He's got that kind

0:18:24.359 --> 0:18:27.159
<v Speaker 1>of the wall on stand, different kind of accent than

0:18:27.160 --> 0:18:29.439
<v Speaker 1>the when I was doing. And so I'm trying to

0:18:29.680 --> 0:18:31.000
<v Speaker 1>so I'm going to do that for me, Goes, I

0:18:31.000 --> 0:18:34.480
<v Speaker 1>don't want that, but I want what you did in

0:18:34.520 --> 0:18:37.080
<v Speaker 1>the audition, I go. But that's wrong. That's not the

0:18:37.280 --> 0:18:41.679
<v Speaker 1>accurate accent for this guy. I don't care I go,

0:18:41.960 --> 0:18:42.439
<v Speaker 1>but I do.

0:18:43.480 --> 0:18:43.960
<v Speaker 3>Oh.

0:18:45.840 --> 0:18:49.120
<v Speaker 1>And he hated me for the rest of the picture

0:18:49.720 --> 0:18:51.680
<v Speaker 1>and so he would say things to me. He would

0:18:51.680 --> 0:18:54.600
<v Speaker 1>taunt me, he would be mean to me. We would

0:18:54.600 --> 0:18:56.840
<v Speaker 1>be doing a scene because you have dialogue in this scene,

0:18:56.880 --> 0:18:58.080
<v Speaker 1>you think it can handle it.

0:18:59.520 --> 0:19:01.480
<v Speaker 3>So is this an accurate quote? When asked what it

0:19:01.560 --> 0:19:14.639
<v Speaker 3>was like working on Jake FK, you said, so, is

0:19:14.680 --> 0:19:16.920
<v Speaker 3>this an accurate quote? When asked what was like working

0:19:17.000 --> 0:19:21.000
<v Speaker 3>on Jake FK, you said, it's like being held hostage

0:19:21.000 --> 0:19:25.880
<v Speaker 3>in a bank. All did I say? That? Is it?

0:19:28.920 --> 0:19:30.240
<v Speaker 1>But it was dalk day afternoon.

0:19:30.240 --> 0:19:34.119
<v Speaker 3>It was a good picture. Oh my god. Wow. No.

0:19:34.280 --> 0:19:36.880
<v Speaker 1>So uh. And on the last day he's going, uh,

0:19:37.359 --> 0:19:39.280
<v Speaker 1>you know to Laurie Metcheff, you're going to miss me.

0:19:39.359 --> 0:19:40.960
<v Speaker 1>When he looked at me and he goes, You're not

0:19:40.960 --> 0:19:41.480
<v Speaker 1>going to miss me.

0:19:41.760 --> 0:19:46.280
<v Speaker 3>No, uh, let me just let's me finish this area. Yes, yes, Verhoven.

0:19:46.280 --> 0:19:48.680
<v Speaker 3>You go to Verhoven and you're in the famous movie

0:19:48.720 --> 0:19:50.639
<v Speaker 3>which is of the Shawn some basic incident.

0:19:50.880 --> 0:19:53.560
<v Speaker 1>Yes, well, how that happened is it is simply an

0:19:53.560 --> 0:19:57.640
<v Speaker 1>audition going into the like you're going to meet Paul Verhoven.

0:19:57.960 --> 0:20:00.440
<v Speaker 1>You're going to meet him in a hotel room. It's

0:20:01.080 --> 0:20:03.760
<v Speaker 1>one of those I'm like, oh great, okay, all right, So,

0:20:04.240 --> 0:20:07.000
<v Speaker 1>like you know, I go up the stairs and waiting

0:20:07.000 --> 0:20:09.560
<v Speaker 1>at the door, and the door open and he's there

0:20:09.560 --> 0:20:15.200
<v Speaker 1>with a camera. Hello, Yes you're coming, come in, Come in.

0:20:15.600 --> 0:20:19.280
<v Speaker 1>All right, okay, look into the camera. Okay, okay, all right,

0:20:20.440 --> 0:20:24.800
<v Speaker 1>look closer. Okay. Now maybe you do a.

0:20:24.880 --> 0:20:31.520
<v Speaker 7>Lick with your lips. Okay, you do a lick, but good, good, good,

0:20:31.560 --> 0:20:35.359
<v Speaker 7>good good. Maybe you do another lick, maybe the lick lick.

0:20:35.960 --> 0:20:40.919
<v Speaker 6>Then I go lick lick mm hmmm, yes, but now

0:20:41.040 --> 0:20:44.040
<v Speaker 6>maybe you do a third lick lick, click, dick, and

0:20:44.160 --> 0:20:46.959
<v Speaker 6>I go like, lick go no, too many licks.

0:20:48.840 --> 0:20:53.159
<v Speaker 3>And this was your reaction and you supposed to be

0:20:53.560 --> 0:20:56.520
<v Speaker 3>you looking at her in that famous scene. Now is

0:20:56.560 --> 0:20:58.760
<v Speaker 3>it true? Because I know people probably asking then times

0:20:58.760 --> 0:21:01.480
<v Speaker 3>what did you see? You had you were looking into it?

0:21:01.760 --> 0:21:02.359
<v Speaker 3>I was looking.

0:21:02.440 --> 0:21:05.320
<v Speaker 1>I saw the mac box, I mean the camera. I

0:21:05.400 --> 0:21:08.240
<v Speaker 1>got a panavision camera like an inch from my face,

0:21:08.920 --> 0:21:11.280
<v Speaker 1>you know, and everybody else is going we and I'm

0:21:11.320 --> 0:21:13.520
<v Speaker 1>just like, hey, you know, I don't see nothing.

0:21:13.560 --> 0:21:16.040
<v Speaker 3>So you didn't see nothing, but you sweated like was she.

0:21:16.040 --> 0:21:18.920
<v Speaker 4>Even on the set when you were doing no No?

0:21:19.680 --> 0:21:22.560
<v Speaker 3>So there's there's that yes. And then because of all the.

0:21:23.000 --> 0:21:25.720
<v Speaker 1>Can you imagine this sense memory it took to come up.

0:21:25.600 --> 0:21:29.760
<v Speaker 3>With that sweat to really feel like you were looking

0:21:29.800 --> 0:21:33.040
<v Speaker 3>at me. Yes, Spielberg saw your sweating and you were

0:21:33.040 --> 0:21:34.600
<v Speaker 3>the first one cast in the Jurassic Park.

0:21:35.400 --> 0:21:37.399
<v Speaker 1>This is this is what I was told that he

0:21:37.760 --> 0:21:40.640
<v Speaker 1>like he saw me in in basic instinct and thought,

0:21:40.840 --> 0:21:43.119
<v Speaker 1>what if that were a dinosaur instead of a you know,

0:21:43.200 --> 0:21:49.600
<v Speaker 1>a wide open vagina? And uh and so no, literally

0:21:49.760 --> 0:21:53.199
<v Speaker 1>I got cast. I had an agent at Gersha at

0:21:53.240 --> 0:21:58.480
<v Speaker 1>the time, who said, are you sitting down? I said no, no,

0:21:58.720 --> 0:22:04.239
<v Speaker 1>but I will if you'd like cases Steven Spielberg and

0:22:04.280 --> 0:22:09.240
<v Speaker 1>I'm like, okay, uh, why is that so startling to do?

0:22:16.720 --> 0:22:20.240
<v Speaker 1>But but literally I am I not met Spielberg. I've

0:22:20.280 --> 0:22:25.320
<v Speaker 1>gotten cast. I was flown to Kawhi. They took me

0:22:25.359 --> 0:22:28.119
<v Speaker 1>in a in a bus up a cane road covered

0:22:28.119 --> 0:22:30.879
<v Speaker 1>in mud and it's rocking and whatever. We get to

0:22:30.960 --> 0:22:34.360
<v Speaker 1>the top of the cane road to blue Hole in Kawhi,

0:22:34.440 --> 0:22:37.720
<v Speaker 1>the rainiest place in the United in the world three

0:22:37.760 --> 0:22:39.959
<v Speaker 1>hundred and sixty days a year it rains there, but

0:22:39.960 --> 0:22:44.760
<v Speaker 1>they had rain machines in case, uh, and they used them.

0:22:44.840 --> 0:22:47.960
<v Speaker 1>So we get there to the gates of Jurassic Park.

0:22:48.000 --> 0:22:50.119
<v Speaker 1>We pull up to the gates of Jurassic Park, and

0:22:50.160 --> 0:22:52.479
<v Speaker 1>at the bottom of the gates of Jurassic Park is

0:22:52.520 --> 0:22:57.199
<v Speaker 1>Spielberg with you know, and I walk up to him

0:22:57.200 --> 0:22:59.960
<v Speaker 1>and I go, I hope I'm the guy you wanted.

0:23:00.359 --> 0:23:04.600
<v Speaker 1>He is this the other one? Wow? Did you enjoy it?

0:23:04.880 --> 0:23:06.960
<v Speaker 3>Like that? Movie must have been tough to do. I mean,

0:23:06.960 --> 0:23:07.639
<v Speaker 3>you might it was.

0:23:08.119 --> 0:23:10.760
<v Speaker 1>I was soaking wet. I was as fat as a

0:23:10.840 --> 0:23:14.840
<v Speaker 1>human can be. I mean most of the time while

0:23:14.840 --> 0:23:17.000
<v Speaker 1>I was on the picture, people are going, He's gonna blow,

0:23:17.200 --> 0:23:21.080
<v Speaker 1>you know, And I'm like, no, I'm all right, I'm

0:23:21.200 --> 0:23:24.080
<v Speaker 1>soaking wet. And they've got like this kind of like

0:23:24.359 --> 0:23:27.120
<v Speaker 1>a polo shirt that's not very stretchy that goes over.

0:23:27.119 --> 0:23:29.320
<v Speaker 1>I mean that I have to while wet put on

0:23:29.480 --> 0:23:31.400
<v Speaker 1>take on, take off, take on, take off.

0:23:31.440 --> 0:23:31.600
<v Speaker 3>You know.

0:23:32.200 --> 0:23:32.760
<v Speaker 1>Uh.

0:23:32.960 --> 0:23:35.320
<v Speaker 3>No, it was not an iconic scene. And then the

0:23:35.400 --> 0:23:37.840
<v Speaker 3>last question about that, is this true or false? Because

0:23:37.840 --> 0:23:40.199
<v Speaker 3>the rumor is one night, I guess you were filming

0:23:40.240 --> 0:23:43.520
<v Speaker 3>here and this spit or that that dinosaur spit in

0:23:43.560 --> 0:23:46.239
<v Speaker 3>your face and it was a purple dye. Yeah, they

0:23:46.440 --> 0:23:48.960
<v Speaker 3>had to go to Seinfeld and her face was purple.

0:23:49.040 --> 0:23:52.840
<v Speaker 1>The problem with this is the guy who's like, I

0:23:53.000 --> 0:23:55.760
<v Speaker 1>was shot in the face with a h an air

0:23:55.880 --> 0:24:00.359
<v Speaker 1>rifle filled with dyed black k white jelly. There is

0:24:01.720 --> 0:24:04.720
<v Speaker 1>a guy who was shooting me with the thing. He's

0:24:04.760 --> 0:24:11.240
<v Speaker 1>looking at me disdainfully. Should I find troubling? And he said, uh,

0:24:12.400 --> 0:24:18.120
<v Speaker 1>don't blink or I'll have to do it again. I'm like, okay,

0:24:18.280 --> 0:24:21.080
<v Speaker 1>so you have to turn the camera and without blinking,

0:24:21.160 --> 0:24:23.200
<v Speaker 1>I'm going to shoot you between the eyes with this

0:24:23.400 --> 0:24:25.560
<v Speaker 1>with this gun.

0:24:25.000 --> 0:24:27.000
<v Speaker 3>And if you blink, I'm going to do it again.

0:24:28.640 --> 0:24:32.239
<v Speaker 1>It took two takes. I couldn't the first day. But

0:24:32.440 --> 0:24:36.040
<v Speaker 1>that guy now lives across the street from me and

0:24:36.040 --> 0:24:41.480
<v Speaker 1>he has a better house than I do. All right,

0:24:41.840 --> 0:24:42.520
<v Speaker 1>I hit the bells.

0:24:43.040 --> 0:24:46.040
<v Speaker 3>Oh my gosh. So there. Now you were three, like

0:24:46.080 --> 0:24:47.720
<v Speaker 3>three sixty at that point, right.

0:24:47.880 --> 0:24:51.200
<v Speaker 1>Oh no, not that. I was like three twenty seven

0:24:51.240 --> 0:24:51.720
<v Speaker 1>and a half.

0:24:53.320 --> 0:24:56.000
<v Speaker 3>I read that when you lost away with the fear

0:24:56.119 --> 0:24:58.520
<v Speaker 3>became the doctor saying to you and it was doing

0:24:58.600 --> 0:25:00.840
<v Speaker 3>a signful episode that you were complicating or something you

0:25:00.960 --> 0:25:01.240
<v Speaker 3>know what.

0:25:01.200 --> 0:25:06.400
<v Speaker 1>Happened is there. It was the episode where the farmer's

0:25:06.480 --> 0:25:08.800
<v Speaker 1>daughter and and and the farmer and and they and

0:25:08.840 --> 0:25:14.600
<v Speaker 1>they bringing the bottle deposit. So I got Rance Howard

0:25:14.800 --> 0:25:17.200
<v Speaker 1>firing a gun over my head and my running through

0:25:17.200 --> 0:25:21.080
<v Speaker 1>the field, and this girl is yelling lying goodbye Norman.

0:25:21.600 --> 0:25:24.800
<v Speaker 1>She didn't know the name Newman. She literally was too

0:25:24.800 --> 0:25:27.240
<v Speaker 1>stupid to figure out that it was Newman, not Norman.

0:25:27.440 --> 0:25:30.000
<v Speaker 1>And we kept it in. So I'm running back and

0:25:30.040 --> 0:25:33.160
<v Speaker 1>forth in this fake cornfield with my pants down, and

0:25:33.160 --> 0:25:36.800
<v Speaker 1>and I'm known for being able to run quickly. Don't

0:25:37.000 --> 0:25:40.560
<v Speaker 1>don't blow by that. I remember watching him and going,

0:25:41.040 --> 0:25:45.840
<v Speaker 1>this guy can move not anymore. I was fast, and

0:25:45.880 --> 0:25:47.680
<v Speaker 1>now I'm going to have back surgery in a couple

0:25:47.720 --> 0:25:52.200
<v Speaker 1>of weeks. Uh. But in any case, So I'm running

0:25:52.200 --> 0:25:54.040
<v Speaker 1>back forth, runningack forth, running back for We're doing it

0:25:54.040 --> 0:25:56.159
<v Speaker 1>over and over again, and I'm getting what feels like

0:25:56.200 --> 0:26:01.240
<v Speaker 1>angina paints. So I go immediately to cardiologist and I say,

0:26:01.359 --> 0:26:03.280
<v Speaker 1>I any think I'm gonna And he's like, yeah, you

0:26:03.320 --> 0:26:05.560
<v Speaker 1>got hardening of the heart on one side from blood

0:26:05.560 --> 0:26:08.440
<v Speaker 1>pressure changes and this, and then if you don't change

0:26:08.440 --> 0:26:10.840
<v Speaker 1>your life.

0:26:09.960 --> 0:26:10.720
<v Speaker 3>You're going to die.

0:26:10.760 --> 0:26:14.120
<v Speaker 1>And I'm like, I don't want to die, Okay, So

0:26:14.640 --> 0:26:19.159
<v Speaker 1>I went to a trainer, started the whole process and began,

0:26:19.520 --> 0:26:23.200
<v Speaker 1>you know, everything I could think of to lose the weight.

0:26:24.960 --> 0:26:27.560
<v Speaker 1>And I did lose you know, a good portion of it.

0:26:27.760 --> 0:26:32.200
<v Speaker 1>During Seinfeld there was you could see some loss. Yes,

0:26:32.240 --> 0:26:34.040
<v Speaker 1>as you were coming down. I was going up. Yeah,

0:26:34.040 --> 0:26:35.760
<v Speaker 1>and then and then I laughed, and you know who

0:26:35.840 --> 0:26:38.240
<v Speaker 1>the hell knows, but I mean it was. This has

0:26:38.280 --> 0:26:41.600
<v Speaker 1>been the lifelong thing. You know, you go down, I've

0:26:41.600 --> 0:26:43.919
<v Speaker 1>got like forty eight different pairs of pants. You know,

0:26:44.359 --> 0:26:46.240
<v Speaker 1>Oh it's Tuesday. I'll wear those you.

0:26:46.560 --> 0:26:47.800
<v Speaker 3>And I got for the both of you because I

0:26:47.800 --> 0:26:49.280
<v Speaker 3>know you had a weight thing. Can I go down

0:26:49.359 --> 0:26:50.919
<v Speaker 3>the list of stuff to see if you if you

0:26:51.080 --> 0:26:52.320
<v Speaker 3>used it to lose weight? Ready?

0:26:52.400 --> 0:26:55.280
<v Speaker 1>Yeah, but then I want to come back to fen fit.

0:26:55.840 --> 0:27:00.480
<v Speaker 3>Yes, no verbal light no, no atkins yes, and.

0:27:01.000 --> 0:27:03.399
<v Speaker 1>Gave me kidney stones all right, thank you.

0:27:03.440 --> 0:27:07.440
<v Speaker 3>Beverly Hills diet no, my wife though the zone yes, yes,

0:27:07.560 --> 0:27:12.639
<v Speaker 3>palio yes, gastric sleeve no yes, gastric bypass, no, LiPo,

0:27:13.359 --> 0:27:18.040
<v Speaker 3>no stomach stapling, no, grapefood diet, no Master cleans. Yes.

0:27:18.440 --> 0:27:20.359
<v Speaker 1>In fact, you were there. I was on it for

0:27:20.400 --> 0:27:21.040
<v Speaker 1>sixteen days?

0:27:21.040 --> 0:27:21.560
<v Speaker 3>Were there?

0:27:21.960 --> 0:27:22.080
<v Speaker 5>Hell?

0:27:22.119 --> 0:27:22.480
<v Speaker 3>Were you there?

0:27:23.400 --> 0:27:25.320
<v Speaker 4>You were working on a on a show that we

0:27:25.320 --> 0:27:27.560
<v Speaker 4>had developed together. And I'm in the writer's room on

0:27:27.680 --> 0:27:29.359
<v Speaker 4>day sixteen of The Men, I feel great.

0:27:29.720 --> 0:27:31.560
<v Speaker 1>Day six tewn, I'm never gonna eat again. Day sixteen

0:27:31.600 --> 0:27:31.840
<v Speaker 1>of the.

0:27:31.800 --> 0:27:35.720
<v Speaker 4>Master Glenns And somebody pitches me an idea and I go, yeah,

0:27:35.800 --> 0:27:37.000
<v Speaker 4>what was that?

0:27:37.080 --> 0:27:41.160
<v Speaker 3>My brain just shut down, just stopped work. Jenny Craig, Yes,

0:27:41.320 --> 0:27:44.560
<v Speaker 3>wait watchers, Yes, any kind of food delivery service. Yes,

0:27:44.680 --> 0:27:47.640
<v Speaker 3>so you Wow, this shows you how hard it is

0:27:48.880 --> 0:27:51.639
<v Speaker 3>to change behavior and your patterns.

0:27:51.960 --> 0:27:55.840
<v Speaker 1>Yeah, but no, you and I also I went to

0:27:55.880 --> 0:27:57.840
<v Speaker 1>the place we don't talk about, you know, we were

0:27:58.040 --> 0:27:59.640
<v Speaker 1>the twelve step place we don't talk about.

0:27:59.680 --> 0:27:59.720
<v Speaker 2>It.

0:27:59.800 --> 0:28:03.960
<v Speaker 1>Went there as well, and that was actually quite beneficial

0:28:04.040 --> 0:28:08.320
<v Speaker 1>for me. Yeah, but I don't and I have never

0:28:08.400 --> 0:28:14.800
<v Speaker 1>used it because of the fear of you know, not

0:28:14.920 --> 0:28:17.320
<v Speaker 1>being like I see people who take the ozmpacause I

0:28:17.400 --> 0:28:20.280
<v Speaker 1>can't stop. I can't stop. You know you're looking at

0:28:20.359 --> 0:28:23.960
<v Speaker 1>at Sharon Osborne and whatever, and she's I wanted to

0:28:23.960 --> 0:28:25.760
<v Speaker 1>gain back in your life.

0:28:26.040 --> 0:28:28.639
<v Speaker 3>Well, you're starting to find some stuff long term that

0:28:28.760 --> 0:28:31.320
<v Speaker 3>may happen from that. I know that you can't have surgery.

0:28:31.320 --> 0:28:35.880
<v Speaker 3>You got to tell your antiesthesiologies because they confect your surgery. Anesthesia.

0:28:36.080 --> 0:28:38.400
<v Speaker 3>There's something to do when you're on it, and they

0:28:38.440 --> 0:28:41.800
<v Speaker 3>give you the different ways.

0:28:41.840 --> 0:28:43.440
<v Speaker 4>So you know, you left that one that I actually

0:28:43.480 --> 0:28:45.360
<v Speaker 4>did try as well, and that was hypnotherapy.

0:28:45.840 --> 0:28:48.120
<v Speaker 3>And you're looking at me.

0:28:50.280 --> 0:28:53.600
<v Speaker 4>But Wayne, at one point you and I had discussed

0:28:53.600 --> 0:28:56.520
<v Speaker 4>and this this was because because we're show is always

0:28:56.520 --> 0:28:58.880
<v Speaker 4>about things that really kind of boggle our mind and

0:28:58.920 --> 0:29:00.000
<v Speaker 4>make us go, what could that be about?

0:29:00.040 --> 0:29:00.160
<v Speaker 3>Uh?

0:29:00.600 --> 0:29:02.280
<v Speaker 4>But I remember you telling me at one point you

0:29:02.280 --> 0:29:05.680
<v Speaker 4>would you would. I remember seeing you you looked, not

0:29:05.800 --> 0:29:09.800
<v Speaker 4>that you know, being thinner is necessarily the thing.

0:29:09.720 --> 0:29:10.800
<v Speaker 3>But you you were.

0:29:11.160 --> 0:29:13.280
<v Speaker 4>You were really pretty trim, and you look really fit,

0:29:13.360 --> 0:29:15.040
<v Speaker 4>and you had lost I think you said close to

0:29:15.080 --> 0:29:18.920
<v Speaker 4>one hundred pounds and work sort of dry it up.

0:29:19.040 --> 0:29:21.200
<v Speaker 1>Nobody knew really what to.

0:29:21.200 --> 0:29:24.240
<v Speaker 4>Do, and you're nobody really say you look like a

0:29:24.320 --> 0:29:24.880
<v Speaker 4>leading man.

0:29:25.040 --> 0:29:27.880
<v Speaker 1>I mean, that's the worst possible thing that could have happened.

0:29:28.040 --> 0:29:30.800
<v Speaker 1>I understand. I mean like people are going, what I

0:29:30.920 --> 0:29:36.800
<v Speaker 1>need is a really attractive looking wing night. No, that's

0:29:36.840 --> 0:29:39.880
<v Speaker 1>not what people want. I want someone I can safely

0:29:39.960 --> 0:29:43.200
<v Speaker 1>ridicule and kick if if if I can't ridicule you.

0:29:43.240 --> 0:29:45.360
<v Speaker 1>What the hell do I want you for now? But

0:29:47.200 --> 0:29:49.520
<v Speaker 1>so what do you how do you get around? What

0:29:49.600 --> 0:29:50.440
<v Speaker 1>do you do with that?

0:29:50.920 --> 0:29:53.160
<v Speaker 4>I mean, well the way I mean the way you

0:29:53.000 --> 0:29:55.960
<v Speaker 4>do blessed career, but what well, the best.

0:29:55.720 --> 0:29:59.600
<v Speaker 1>Thing that happened to me was doing art on Broadway.

0:30:00.880 --> 0:30:04.920
<v Speaker 1>It didn't really lead to other things in that direct way,

0:30:05.520 --> 0:30:09.480
<v Speaker 1>but I got a little review as the Times was

0:30:09.520 --> 0:30:12.479
<v Speaker 1>looking at the people who'd replaced and whatnot, and they

0:30:12.520 --> 0:30:14.360
<v Speaker 1>said something nice like, by the end of the play,

0:30:14.360 --> 0:30:17.440
<v Speaker 1>you forgot that Newman ever existed. And that was to

0:30:17.560 --> 0:30:19.720
<v Speaker 1>me one of the greatest things that anybody could say

0:30:19.760 --> 0:30:23.760
<v Speaker 1>to me, you know. I mean, I'm very proud of

0:30:23.760 --> 0:30:25.800
<v Speaker 1>of Newman, and I'm very proud of the characters that

0:30:25.800 --> 0:30:30.440
<v Speaker 1>I've done. I give them full intent, I go all

0:30:30.520 --> 0:30:34.120
<v Speaker 1>the way, you know. But I also started out doing

0:30:34.240 --> 0:30:38.320
<v Speaker 1>straight film and comedy television. I didn't do comedy in film.

0:30:38.400 --> 0:30:42.120
<v Speaker 1>It was weird, you know. It allowed me kind of

0:30:42.160 --> 0:30:46.080
<v Speaker 1>back and forth until Seinfeld happened, and then you know

0:30:46.200 --> 0:30:49.280
<v Speaker 1>you're who you are. You want to look. There's so

0:30:49.360 --> 0:30:51.800
<v Speaker 1>many things that come from being famous, and there's so

0:30:51.800 --> 0:30:54.480
<v Speaker 1>many negative things that come from being famous. You got

0:30:54.480 --> 0:30:56.240
<v Speaker 1>to take the good with the band. You know what

0:30:56.320 --> 0:30:57.160
<v Speaker 1>I mean for you?

0:30:57.480 --> 0:31:02.080
<v Speaker 4>Was Newman a net neutral or a net positive?

0:31:03.400 --> 0:31:07.360
<v Speaker 1>I think I think it's a net positive because you know,

0:31:07.440 --> 0:31:11.680
<v Speaker 1>there's so many things. It gives you credibility in a

0:31:11.720 --> 0:31:14.560
<v Speaker 1>way that you can't get otherwise. I mean, you know,

0:31:14.800 --> 0:31:18.160
<v Speaker 1>you delivered, and you delivered on a show that I

0:31:18.200 --> 0:31:21.080
<v Speaker 1>believe delivered for me, so I will look at you.

0:31:21.160 --> 0:31:23.840
<v Speaker 1>Let's come on in, right, So I think that that

0:31:24.320 --> 0:31:25.520
<v Speaker 1>gives entree in a way.

0:31:25.680 --> 0:31:28.440
<v Speaker 4>So for me, you know, it's we talked about it

0:31:28.440 --> 0:31:30.560
<v Speaker 4>before we started taping. You know, there were two years

0:31:30.560 --> 0:31:35.640
<v Speaker 4>where I blatantly and without trying to hide it, wor

0:31:35.680 --> 0:31:39.080
<v Speaker 4>to pay because I had I had lost so many

0:31:39.200 --> 0:31:42.360
<v Speaker 4>roles to producers who said, well, I don't want the.

0:31:42.280 --> 0:31:43.800
<v Speaker 1>Audience to think of you as George.

0:31:43.880 --> 0:31:44.000
<v Speaker 3>Right.

0:31:44.120 --> 0:31:47.320
<v Speaker 4>You know, my theater career was more often than not,

0:31:47.360 --> 0:31:50.080
<v Speaker 4>playing fifteen people a night. I'm a little bit of

0:31:50.080 --> 0:31:55.560
<v Speaker 4>a chameleon, and you know I desperately tried to create

0:31:55.600 --> 0:32:00.320
<v Speaker 4>a different impression. So I feel blessed and there's never

0:32:00.400 --> 0:32:03.440
<v Speaker 4>a day that I don't thank God Almighty and Jerys.

0:32:03.520 --> 0:32:06.080
<v Speaker 4>I felt Larry David for giving me the life that

0:32:06.120 --> 0:32:10.200
<v Speaker 4>I have. But but George has opened a lot of doors.

0:32:10.240 --> 0:32:12.240
<v Speaker 4>George has closed a lot of doors for me that

0:32:12.320 --> 0:32:14.280
<v Speaker 4>are not going to open it. But I at least

0:32:14.880 --> 0:32:16.280
<v Speaker 4>and I don't I don't mean to put it in

0:32:16.320 --> 0:32:19.800
<v Speaker 4>these terms, but it's it's a reality. I was compensated

0:32:19.840 --> 0:32:23.000
<v Speaker 4>for that in an extraordinary.

0:32:22.120 --> 0:32:25.800
<v Speaker 1>This is exactly the problem. Yeah, it is exactly the problem,

0:32:26.320 --> 0:32:33.200
<v Speaker 1>because if you were not, then all what you get afterwards,

0:32:33.840 --> 0:32:36.440
<v Speaker 1>you are not being compensated for in terms of the

0:32:36.560 --> 0:32:41.080
<v Speaker 1>time lost, right and then and what what I didn't

0:32:41.120 --> 0:32:44.000
<v Speaker 1>understand too, is that there are opportunities that come at

0:32:44.040 --> 0:32:47.080
<v Speaker 1>the end of a show, and if those opportunities don't hit,

0:32:47.920 --> 0:32:52.200
<v Speaker 1>then you're back at sea, right, you know, And you think, well,

0:32:52.200 --> 0:32:54.760
<v Speaker 1>this is just the beginnings of you know, the opportunities

0:32:54.800 --> 0:32:58.000
<v Speaker 1>that will come from having done this, But you don't

0:32:58.000 --> 0:33:00.760
<v Speaker 1>know that, and you don't understand that. And uh, I

0:33:00.800 --> 0:33:03.400
<v Speaker 1>have a much better view of the business now than

0:33:03.400 --> 0:33:06.640
<v Speaker 1>I did when I was young. And it's, you know,

0:33:06.880 --> 0:33:10.160
<v Speaker 1>just commodities broken, it's it's just you know what's hot

0:33:10.200 --> 0:33:11.080
<v Speaker 1>at the moment.

0:33:11.120 --> 0:33:14.360
<v Speaker 3>Right, A lot of pictures for your own sitcom right

0:33:14.360 --> 0:33:15.720
<v Speaker 3>after timefa.

0:33:15.920 --> 0:33:20.320
<v Speaker 1>Well, I actually Larry Charles wrote, uh a sitcom for me,

0:33:20.400 --> 0:33:28.800
<v Speaker 1>and to which you know, Jerry said, Larry anyway, he said,

0:33:29.080 --> 0:33:32.880
<v Speaker 1>I understand an insane monologue, but an entire sit gun

0:33:33.000 --> 0:33:33.680
<v Speaker 1>in a pilot.

0:33:34.360 --> 0:33:34.560
<v Speaker 3>Uh.

0:33:34.640 --> 0:33:37.160
<v Speaker 1>And and we were we were pitching it, you know,

0:33:37.320 --> 0:33:41.440
<v Speaker 1>uh to Jamie Tarsus and and uh was it war

0:33:42.240 --> 0:33:45.360
<v Speaker 1>Warren and Warren and and Jamie and and uh they

0:33:45.400 --> 0:33:48.680
<v Speaker 1>were eating, uh a sandwich at the time. And they

0:33:48.720 --> 0:33:52.479
<v Speaker 1>were both having sandwiches at the time, and uh, and

0:33:52.560 --> 0:33:56.400
<v Speaker 1>Larry had come in. Larry Charles had come in wearing pajamas.

0:33:56.720 --> 0:33:59.440
<v Speaker 1>And I'm like, you couldn't wear a sweater, like, maybe

0:33:59.480 --> 0:34:02.920
<v Speaker 1>pretend you engulfed once, you know, I mean we're meeting

0:34:02.960 --> 0:34:05.880
<v Speaker 1>network people. It's they'd like that kind of thing. And

0:34:05.880 --> 0:34:08.279
<v Speaker 1>and the first thing he talked about was this, you know,

0:34:08.280 --> 0:34:12.840
<v Speaker 1>it's very much like Hamlet's Ghost, you know, when Hamlet's

0:34:12.840 --> 0:34:15.440
<v Speaker 1>Ghost comes in and Hamlet and I'm like, my eyes

0:34:15.440 --> 0:34:17.440
<v Speaker 1>are spinning up in my head and I'm thinking, this

0:34:17.600 --> 0:34:18.239
<v Speaker 1>is the end of.

0:34:18.239 --> 0:34:23.800
<v Speaker 3>My grid right now. And it was you had agreed

0:34:23.840 --> 0:34:26.520
<v Speaker 3>that going in, Well, no, I me just.

0:34:26.480 --> 0:34:29.360
<v Speaker 1>Did I understand. It was a great show. It was

0:34:29.400 --> 0:34:32.239
<v Speaker 1>a great show. It was about a vegetarian butcher in

0:34:32.280 --> 0:34:39.520
<v Speaker 1>Brooklyn has to come home to save the butcher shop

0:34:39.560 --> 0:34:42.719
<v Speaker 1>because his father has died, and you know, on the

0:34:42.719 --> 0:34:43.839
<v Speaker 1>street it was all good.

0:34:43.880 --> 0:34:47.360
<v Speaker 4>But you know it's just the wasn't Newmansk or was

0:34:47.400 --> 0:34:49.560
<v Speaker 4>it a different a whole different kind of character.

0:34:49.800 --> 0:34:54.799
<v Speaker 1>I you know, I'm sure it was uh Newmanesque in

0:34:54.880 --> 0:35:00.279
<v Speaker 1>some ways, because you know at the time, I you

0:35:00.280 --> 0:35:03.600
<v Speaker 1>know what happens is you've become successful at something and

0:35:03.640 --> 0:35:08.200
<v Speaker 1>then immediately you say, well, I must repudiate that, right,

0:35:08.840 --> 0:35:11.279
<v Speaker 1>Why why would you do that? It's like I wanted

0:35:11.280 --> 0:35:15.120
<v Speaker 1>to play only serious roles of Nordic men with blonde hair,

0:35:15.280 --> 0:35:18.279
<v Speaker 1>and I was like, come on, you know, it's just.

0:35:18.239 --> 0:35:21.600
<v Speaker 3>Like I was talking to William Macy interviewing William Macy,

0:35:21.840 --> 0:35:24.319
<v Speaker 3>and he said, when I was in my twenties, it

0:35:24.440 --> 0:35:26.680
<v Speaker 3>was all about can I change make a difference with it?

0:35:27.040 --> 0:35:29.440
<v Speaker 3>He said, in my forties it was about to catch

0:35:29.640 --> 0:35:31.360
<v Speaker 3>and now at my age it do I have to

0:35:31.360 --> 0:35:31.840
<v Speaker 3>get wet?

0:35:32.080 --> 0:35:42.000
<v Speaker 5>Yeah, which is exactly where you're It's just it's just

0:35:42.360 --> 0:35:43.080
<v Speaker 5>that different.

0:35:43.120 --> 0:35:45.400
<v Speaker 3>But you were looking back, you would have Doneman. By

0:35:45.440 --> 0:35:47.080
<v Speaker 3>the way, Jason hit me with the line, we were

0:35:47.120 --> 0:35:49.879
<v Speaker 3>both so excited when you're coming in and you got.

0:35:49.920 --> 0:35:51.240
<v Speaker 3>I just laughed out loud.

0:35:51.000 --> 0:35:52.800
<v Speaker 4>Because he asked me, what, you know, what would the

0:35:52.960 --> 0:35:55.000
<v Speaker 4>iconic moments? And I said, well, Wayne had two lines

0:35:55.000 --> 0:35:58.120
<v Speaker 4>that you know, basically shut me and everybody else down.

0:35:58.239 --> 0:35:59.759
<v Speaker 1>One of them I think you had libbed. The other

0:35:59.800 --> 0:36:00.799
<v Speaker 1>moment scripted, but.

0:36:01.080 --> 0:36:04.080
<v Speaker 3>And it sounds like an ad lib from you. He

0:36:04.080 --> 0:36:07.480
<v Speaker 3>he who controls the mail, controls information.

0:36:09.040 --> 0:36:12.000
<v Speaker 1>I don't know the one the one ad lib was.

0:36:12.480 --> 0:36:17.480
<v Speaker 1>And then it's, uh, the barcode reader breaks and it's

0:36:17.480 --> 0:36:19.439
<v Speaker 1>publishers clearing out sweets takes day.

0:36:21.000 --> 0:36:23.120
<v Speaker 4>But I think didn't you also? Was it the one

0:36:23.120 --> 0:36:25.400
<v Speaker 4>that killed me? I thought it was an AdLib? Is

0:36:25.400 --> 0:36:27.200
<v Speaker 4>when you're driving the mail truck and it burst in

0:36:27.280 --> 0:36:37.480
<v Speaker 4>the flames and you went, oh.

0:36:33.040 --> 0:36:34.440
<v Speaker 3>You know. The cool thing was I used to go

0:36:34.560 --> 0:36:39.120
<v Speaker 3>visit him on the set and watching everybody do this constantly,

0:36:39.200 --> 0:36:41.120
<v Speaker 3>the joy on that set was just something.

0:36:41.239 --> 0:36:43.000
<v Speaker 4>Well, let me, can I ask you a question about that.

0:36:43.080 --> 0:36:48.360
<v Speaker 4>I wasn't thinking about this, but so recently I've seen, Uh,

0:36:48.520 --> 0:36:50.680
<v Speaker 4>there was an actor named Armand Shimmerman who did an

0:36:50.719 --> 0:36:53.680
<v Speaker 4>episode of our show, and I saw something about Keith

0:36:53.680 --> 0:36:56.840
<v Speaker 4>her Nandez, both of which Armand said that our cast

0:36:56.960 --> 0:37:01.040
<v Speaker 4>was was very unwelcoming, unwell coming to him. He felt

0:37:01.080 --> 0:37:04.840
<v Speaker 4>like he was not appreciated at all. Keith Nanda said, I,

0:37:05.040 --> 0:37:08.560
<v Speaker 4>in particular was I think the word was standoffish. I

0:37:08.600 --> 0:37:10.680
<v Speaker 4>always thought we were and I'm not looking for a

0:37:10.680 --> 0:37:14.240
<v Speaker 4>compliment here. I thought we were kind of a welcoming set.

0:37:14.320 --> 0:37:16.000
<v Speaker 4>We were excited about people.

0:37:16.239 --> 0:37:17.720
<v Speaker 1>Have you ever been on another show?

0:37:18.239 --> 0:37:18.520
<v Speaker 3>Yeah?

0:37:18.880 --> 0:37:23.000
<v Speaker 1>Well then, and you still think that anyway? We were

0:37:23.080 --> 0:37:26.399
<v Speaker 1>we now? Were we cold? Were we welcoming? Were we warm?

0:37:26.440 --> 0:37:31.400
<v Speaker 1>Were we were professional? Huh? And you were the top

0:37:31.680 --> 0:37:35.800
<v Speaker 1>show on television and it was like, this is opening

0:37:35.880 --> 0:37:38.840
<v Speaker 1>night on Broadway, don't fuck it up? Is that the

0:37:38.920 --> 0:37:39.440
<v Speaker 1>vibe before?

0:37:39.560 --> 0:37:39.799
<v Speaker 3>Wow?

0:37:40.320 --> 0:37:43.319
<v Speaker 1>The vibe is that everybody was thrilled to be there

0:37:43.960 --> 0:37:49.280
<v Speaker 1>and they and they understood the nature of this beast.

0:37:49.960 --> 0:37:55.200
<v Speaker 1>And Jerry was very was welcoming, a friendly and Larry

0:37:55.280 --> 0:37:59.240
<v Speaker 1>was scary as hell because he was too relaxed seeming,

0:38:00.239 --> 0:38:03.799
<v Speaker 1>and you couldn't like, how could somebody so laconic and loose.

0:38:04.719 --> 0:38:06.719
<v Speaker 3>Be scary right right right right?

0:38:06.800 --> 0:38:07.080
<v Speaker 1>Right?

0:38:07.840 --> 0:38:07.960
<v Speaker 3>Uh?

0:38:08.000 --> 0:38:08.080
<v Speaker 8>No?

0:38:08.200 --> 0:38:12.839
<v Speaker 1>I think that. No. I think that I enjoyed being

0:38:12.880 --> 0:38:18.120
<v Speaker 1>on the show because every time you started a scene,

0:38:18.200 --> 0:38:22.520
<v Speaker 1>you knew it delivered. You just had to not be

0:38:22.600 --> 0:38:25.279
<v Speaker 1>in the way of it right, find the joke, hit

0:38:25.320 --> 0:38:28.680
<v Speaker 1>the joke, the joke is there. So I mean the

0:38:28.760 --> 0:38:30.960
<v Speaker 1>number of shows I've been on where you know, you

0:38:31.040 --> 0:38:34.520
<v Speaker 1>go on an expedition to find the joke right. This

0:38:34.719 --> 0:38:37.800
<v Speaker 1>was not that the material was it was always good.

0:38:38.040 --> 0:38:40.400
<v Speaker 4>It's you know, it's just really interesting to me because

0:38:40.440 --> 0:38:43.399
<v Speaker 4>I always I knew that Jerry, for the most part,

0:38:43.480 --> 0:38:45.440
<v Speaker 4>was a warm host for people.

0:38:45.920 --> 0:38:49.400
<v Speaker 1>I thought, you know, I I hoped that I was.

0:38:49.680 --> 0:38:50.920
<v Speaker 1>I felt like Julia was.

0:38:51.000 --> 0:38:53.080
<v Speaker 4>I know, Michael was off and off working on his

0:38:53.080 --> 0:38:55.080
<v Speaker 4>own on stuff, but I thought we were all kind

0:38:55.080 --> 0:38:58.320
<v Speaker 4>of gracious. But I have been on enough other shows

0:38:58.360 --> 0:39:02.040
<v Speaker 4>to know where the warm ones, Like working on MASL

0:39:02.120 --> 0:39:04.239
<v Speaker 4>and working on Young Sheldon. I went, oh, this is

0:39:04.280 --> 0:39:06.920
<v Speaker 4>I feel like I've been here for a long time.

0:39:06.960 --> 0:39:08.640
<v Speaker 4>I feel like I'm part of the family walking right.

0:39:08.680 --> 0:39:10.360
<v Speaker 4>And there are other shows and you're walking into a

0:39:10.440 --> 0:39:11.879
<v Speaker 4>very dysfunctional family.

0:39:11.719 --> 0:39:15.279
<v Speaker 1>Or doesn't feel you can hear the wind blowing, you know,

0:39:16.280 --> 0:39:20.000
<v Speaker 1>there aren't conversations going on where people are playing with

0:39:20.120 --> 0:39:23.319
<v Speaker 1>each other and then they're doing the show. Third Rock

0:39:23.640 --> 0:39:27.960
<v Speaker 1>was the most friendly show I had ever been on

0:39:28.320 --> 0:39:33.200
<v Speaker 1>because John Lifgo's father was ran a Shakespeare theater, and

0:39:33.280 --> 0:39:35.800
<v Speaker 1>so he knew how to be the captain of a ship.

0:39:37.320 --> 0:39:40.840
<v Speaker 1>It was ingrained in him how to take care of people,

0:39:40.880 --> 0:39:43.600
<v Speaker 1>to be gracious, to make sure that everybody was together,

0:39:43.920 --> 0:39:46.919
<v Speaker 1>to keep it, you know, moving. And by the way,

0:39:46.960 --> 0:39:49.120
<v Speaker 1>we didn't get to it. But back to the fat

0:39:49.320 --> 0:39:51.439
<v Speaker 1>the fact that you know, just in researching, it's really

0:39:51.480 --> 0:39:53.680
<v Speaker 1>interesting because I was a chubby kid. You know, I

0:39:53.680 --> 0:39:55.920
<v Speaker 1>went to the husky shop, you know where you couldn't Yes.

0:39:58.640 --> 0:40:03.880
<v Speaker 4>Like I'm leading the pack at the next I did.

0:40:00.280 --> 0:40:03.520
<v Speaker 1>A husky Where did they.

0:40:03.360 --> 0:40:08.239
<v Speaker 3>Come over the high right? Yeah? Yeah, picture of a

0:40:08.280 --> 0:40:11.480
<v Speaker 3>Siberian husky's head in a three piece suit was so low. Yeah,

0:40:11.600 --> 0:40:14.799
<v Speaker 3>I went, mom, really, so I have to go to the.

0:40:14.760 --> 0:40:16.600
<v Speaker 1>Place for wide shoes. I had to go to the

0:40:16.600 --> 0:40:18.280
<v Speaker 1>place with wide clothes.

0:40:18.400 --> 0:40:22.160
<v Speaker 4>Every freaking thing on me was wide whale corduroy, and

0:40:22.200 --> 0:40:26.120
<v Speaker 4>I went, that's great, right into the name.

0:40:26.600 --> 0:40:28.520
<v Speaker 1>But then you also have the chafing in the other.

0:40:30.040 --> 0:40:31.839
<v Speaker 3>Ye actually just sticks together.

0:40:31.600 --> 0:40:34.600
<v Speaker 1>On d royal corduroy on a fat person is just

0:40:34.719 --> 0:40:36.640
<v Speaker 1>a way of starting a fire in the woods.

0:40:36.680 --> 0:40:40.160
<v Speaker 3>Absolutely, So to that point though, it's it's with these

0:40:40.280 --> 0:40:42.920
<v Speaker 3>there's ozembic shaming now which is fascinating people going, oh,

0:40:42.960 --> 0:40:44.360
<v Speaker 3>she probably took it, Oh he didn't take it. I

0:40:44.400 --> 0:40:44.879
<v Speaker 3>can lie.

0:40:44.960 --> 0:40:46.160
<v Speaker 1>Why do you have to do it hard?

0:40:46.600 --> 0:40:49.000
<v Speaker 3>Or well, why should you judge who's doing it? But

0:40:49.040 --> 0:40:51.600
<v Speaker 3>I never realized to the extent because when you get

0:40:51.600 --> 0:40:54.040
<v Speaker 3>into the medical area, and I don't know if you've

0:40:54.080 --> 0:40:56.080
<v Speaker 3>ever experienced it, when you're heavy to doctors, when you

0:40:56.120 --> 0:40:59.320
<v Speaker 3>talk to them, they're listening to you about whatever you're saying.

0:40:59.320 --> 0:41:01.800
<v Speaker 3>But it's really, you know what, lose forty pounds is

0:41:01.840 --> 0:41:04.000
<v Speaker 3>the beginning to do it the right right, that's what

0:41:04.080 --> 0:41:06.800
<v Speaker 3>you have. And I didn't realize with the fat shaming,

0:41:07.000 --> 0:41:08.440
<v Speaker 3>how many people don't want to go to the doctor,

0:41:08.440 --> 0:41:10.280
<v Speaker 3>how many people are emparised to go to a hospital

0:41:10.600 --> 0:41:14.640
<v Speaker 3>because the way you're treated, and it's a big I've.

0:41:14.480 --> 0:41:16.759
<v Speaker 1>Got to go. I've got to go have surgery on

0:41:16.800 --> 0:41:21.240
<v Speaker 1>my back from you know, just being obese, and also

0:41:21.760 --> 0:41:26.000
<v Speaker 1>thinking that my job was to do falls. Oh I

0:41:26.080 --> 0:41:30.000
<v Speaker 1>did falls for so many years. I started in college

0:41:30.080 --> 0:41:33.840
<v Speaker 1>falling down concrete stairs, doing falls left and yeah. And

0:41:33.920 --> 0:41:36.120
<v Speaker 1>so I'm on the last show I'm doing I'm practicing

0:41:36.160 --> 0:41:39.319
<v Speaker 1>this fall like eighteen times before we shoot it. Because

0:41:39.320 --> 0:41:41.080
<v Speaker 1>I wanted to be just right, and I'm like, what

0:41:41.120 --> 0:41:44.560
<v Speaker 1>are you an idiot? You know, so I've totally wrecked myself.

0:41:44.600 --> 0:41:47.400
<v Speaker 1>But in going to the doctor, because my legs are

0:41:47.400 --> 0:41:49.480
<v Speaker 1>all beat up from all the I don't want to go,

0:41:49.600 --> 0:41:51.360
<v Speaker 1>and I want them to see that when I was

0:41:51.400 --> 0:41:55.360
<v Speaker 1>doing Jurassic Park, I was, you know, eighteen zillion pounds,

0:41:55.719 --> 0:41:59.560
<v Speaker 1>and my leg kept hitting the jeep in trying to

0:41:59.680 --> 0:42:03.040
<v Speaker 1>open the gates and I couldn't get in and out

0:42:03.080 --> 0:42:04.840
<v Speaker 1>of the jeep fast enough. The thing is ripping the

0:42:04.880 --> 0:42:08.200
<v Speaker 1>skin off my leg. And so I'm in kawhi. Everybody

0:42:08.239 --> 0:42:10.400
<v Speaker 1>else is swimming and whatever. I've got a giant, gaping

0:42:10.520 --> 0:42:12.600
<v Speaker 1>wound on my leg. I don't go to the doctor

0:42:13.640 --> 0:42:16.439
<v Speaker 1>because I'm afraid that they'll tell me I'm gonna die.

0:42:16.440 --> 0:42:19.719
<v Speaker 1>I'm fat, so I don't want to hear it. My

0:42:19.880 --> 0:42:21.040
<v Speaker 1>doctor does the same.

0:42:21.440 --> 0:42:23.120
<v Speaker 3>It's a very serious thing for me.

0:42:23.160 --> 0:42:25.680
<v Speaker 1>He does the same rap every time. I was just there.

0:42:25.760 --> 0:42:30.759
<v Speaker 4>I was just there and he's a wonderful guy, and

0:42:30.800 --> 0:42:33.600
<v Speaker 4>he does the whole checkup. You go in the office

0:42:33.600 --> 0:42:35.000
<v Speaker 4>and this is his rap every time.

0:42:35.080 --> 0:42:35.239
<v Speaker 1>Good.

0:42:35.280 --> 0:42:37.319
<v Speaker 4>First of all, God bless your mom and dad. The

0:42:37.360 --> 0:42:40.319
<v Speaker 4>netics day've handed you. You are such a healthy guy.

0:42:40.360 --> 0:42:43.000
<v Speaker 4>Your blood work is perfect, your lungs are clear, your

0:42:43.000 --> 0:42:46.080
<v Speaker 4>heart is good, You've got no plaque, your cholesterol is great,

0:42:46.200 --> 0:42:49.560
<v Speaker 4>blah blah blah. Your liver function, your kidney function, terrific.

0:42:49.600 --> 0:42:51.879
<v Speaker 4>God bless you. You should live to be one hundred

0:42:51.920 --> 0:42:56.400
<v Speaker 4>and ten. Pause pause, What the do I have to

0:42:56.440 --> 0:43:00.759
<v Speaker 4>do to get twenty five pounds up? Always comes down

0:43:00.760 --> 0:43:03.279
<v Speaker 4>to that, And honestly, it makes me go, I don't

0:43:03.280 --> 0:43:03.719
<v Speaker 4>want to go.

0:43:03.920 --> 0:43:06.680
<v Speaker 1>I know what he's gonna know, I say to him is, look,

0:43:06.800 --> 0:43:09.440
<v Speaker 1>I don't want to shame my children by living to

0:43:09.480 --> 0:43:12.600
<v Speaker 1>be one hundred and thirty. Let me die in one

0:43:12.640 --> 0:43:14.759
<v Speaker 1>hundred and ten. But it is shit, you know, And

0:43:14.800 --> 0:43:16.520
<v Speaker 1>I told you you never And this is true.

0:43:18.200 --> 0:43:21.399
<v Speaker 4>People who I've known who are really battling weight, who

0:43:21.400 --> 0:43:22.760
<v Speaker 4>haven't have an eating problem.

0:43:23.120 --> 0:43:25.400
<v Speaker 1>I never seen the meat. No, they don't eat, they

0:43:25.400 --> 0:43:28.200
<v Speaker 1>don't need, they don't need. They only eat like when

0:43:28.960 --> 0:43:33.240
<v Speaker 1>if there's a blackout, you know, and people are looting, they're.

0:43:33.000 --> 0:43:39.359
<v Speaker 4>Eating right, And I'd have the most delicate, little low

0:43:39.360 --> 0:43:41.279
<v Speaker 4>calorie meal and go home and eat a gallon and

0:43:41.320 --> 0:43:42.319
<v Speaker 4>a half of hogging doze.

0:43:42.400 --> 0:43:44.360
<v Speaker 1>I mean it, just so there's.

0:43:44.200 --> 0:43:46.359
<v Speaker 3>There's a new study. This is really interesting. This just

0:43:46.400 --> 0:43:48.560
<v Speaker 3>came out. Brain changes could be the reason it's hard

0:43:48.560 --> 0:43:51.799
<v Speaker 3>to lose weight. Oh zemping and these similar drubs mimic

0:43:51.880 --> 0:43:53.880
<v Speaker 3>the effects of a type of foremone in the body.

0:43:54.280 --> 0:43:57.040
<v Speaker 3>It impacts everything from the brain to muscles, to the pancreas,

0:43:57.080 --> 0:44:00.000
<v Speaker 3>the stomach, in the liver. Without taking something to change

0:44:00.160 --> 0:44:03.040
<v Speaker 3>the hormonal levels in the body, people with certain genetics

0:44:03.040 --> 0:44:05.160
<v Speaker 3>simply cannot lose weight and keep it off. When we

0:44:05.200 --> 0:44:08.600
<v Speaker 3>try to lose weight with diet exercise alone, the hunger

0:44:08.640 --> 0:44:14.040
<v Speaker 3>hormone skyrocket, the satiety hormones drop, and it's almost impossible

0:44:14.040 --> 0:44:16.719
<v Speaker 3>to keep the weight off. They're powerful hormonal forces that

0:44:16.760 --> 0:44:19.360
<v Speaker 3>are pushing the body to gain weight. So they're finding

0:44:19.440 --> 0:44:23.279
<v Speaker 3>there's stuff going on that's not so simplistic, which is

0:44:23.360 --> 0:44:25.160
<v Speaker 3>cut this out, cut this out, which is why the

0:44:25.200 --> 0:44:28.400
<v Speaker 3>list of diets we talked about don't work for a

0:44:28.480 --> 0:44:30.640
<v Speaker 3>lot of people. And they just say it's behavioral changes.

0:44:30.680 --> 0:44:32.640
<v Speaker 3>But now there may be hormonal changes where your body

0:44:32.680 --> 0:44:35.120
<v Speaker 3>is trying to push. Well, what are the.

0:44:35.080 --> 0:44:39.680
<v Speaker 1>Things like from I don't know, there's some aglutides the

0:44:40.719 --> 0:44:43.719
<v Speaker 1>or what the word is for what ozembic is and

0:44:43.719 --> 0:44:50.480
<v Speaker 1>what all those type of GEO one year antagonists. You know,

0:44:50.840 --> 0:44:56.320
<v Speaker 1>in terms of it can affect how you can drink,

0:44:56.880 --> 0:45:01.120
<v Speaker 1>how you can take sweets. How uh, because us the

0:45:01.160 --> 0:45:07.439
<v Speaker 1>things that give you serotonin based on eating, it cuts off.

0:45:07.920 --> 0:45:11.720
<v Speaker 1>So the chocolate that would work for you or alcohol

0:45:11.760 --> 0:45:13.560
<v Speaker 1>that would work for you might not work for you.

0:45:13.600 --> 0:45:17.279
<v Speaker 3>I've heard, I've heard in several cases so far the

0:45:17.320 --> 0:45:20.080
<v Speaker 3>same thing where somebody who had an alcoholic problem, right,

0:45:20.480 --> 0:45:23.040
<v Speaker 3>it helped with all the addiction at the same time

0:45:23.520 --> 0:45:26.480
<v Speaker 3>because it's hitting whatever this the nerve center is or

0:45:26.560 --> 0:45:30.760
<v Speaker 3>the receptors for that, for society and for releasing the drugs.

0:45:31.120 --> 0:45:33.640
<v Speaker 1>Except if you want to hit someone with a ballpeen hammer,

0:45:33.920 --> 0:45:38.279
<v Speaker 1>that still is there. Okay, thank god, thank god the

0:45:38.560 --> 0:45:39.320
<v Speaker 1>classics system.

0:45:39.440 --> 0:45:42.160
<v Speaker 3>Yes, the balpeen hammer diet has not been No dis

0:45:42.480 --> 0:45:43.080
<v Speaker 3>I tried.

0:45:42.840 --> 0:45:45.640
<v Speaker 1>The ball peen hammer diet and it was startling.

0:45:45.680 --> 0:45:48.600
<v Speaker 3>Congratulating you're in the.

0:45:48.800 --> 0:45:50.840
<v Speaker 4>As we wrap up? Yes, what do we with the bookie?

0:45:50.880 --> 0:45:51.919
<v Speaker 4>Is your is your new show?

0:45:51.960 --> 0:45:52.160
<v Speaker 3>Yes?

0:45:52.480 --> 0:45:55.080
<v Speaker 1>And also I have a series coming out this year

0:45:55.920 --> 0:46:00.600
<v Speaker 1>called Them On on Amazon. Is that thing?

0:46:00.840 --> 0:46:01.680
<v Speaker 3>No? It is.

0:46:01.880 --> 0:46:05.320
<v Speaker 1>Actually it takes place in Los Angeles during the days

0:46:05.320 --> 0:46:09.200
<v Speaker 1>of Darryl Gates and I play a police detective and

0:46:09.239 --> 0:46:13.120
<v Speaker 1>it is a one of these kind of horror shows

0:46:13.160 --> 0:46:17.839
<v Speaker 1>about race. But I'm not a bad guy.

0:46:18.920 --> 0:46:25.160
<v Speaker 4>Not theatrical ladies and gentlemen, our friend Wayne Knight, actor

0:46:25.239 --> 0:46:28.000
<v Speaker 4>extraordin there. Thank you for coming, thank you for hanging

0:46:28.040 --> 0:46:31.080
<v Speaker 4>out a pleasure, the joy of your company for all this.

0:46:31.280 --> 0:46:33.520
<v Speaker 1>No, I barely know about the show. But you got

0:46:33.560 --> 0:46:36.640
<v Speaker 1>all the merchan.

0:46:35.800 --> 0:46:36.960
<v Speaker 3>We have the one we have one.

0:46:37.040 --> 0:46:39.439
<v Speaker 1>It's I got a shirt that Peter refuses to wear.

0:46:39.640 --> 0:46:41.719
<v Speaker 4>He has a cup that he gave it to me,

0:46:41.760 --> 0:46:44.759
<v Speaker 4>and it didn't last. He didn't get through the dishwasher

0:46:44.920 --> 0:46:46.840
<v Speaker 4>one cycle. Didn't even get through the dishwasher.

0:46:47.000 --> 0:46:48.680
<v Speaker 1>I think a do rag is the next thing.

0:46:53.080 --> 0:46:56.880
<v Speaker 3>All right, you're now our merchandise director, god.

0:46:56.719 --> 0:47:10.839
<v Speaker 9>Bless really no, really, gentlemen, all right, David, I think

0:47:10.880 --> 0:47:13.120
<v Speaker 9>we know my buddy Wayne Knight pretty well, but perhaps

0:47:13.120 --> 0:47:14.799
<v Speaker 9>we skipped something important.

0:47:14.840 --> 0:47:16.839
<v Speaker 1>What might we have not known?

0:47:17.480 --> 0:47:19.640
<v Speaker 3>You know, you covered it pretty well.

0:47:19.800 --> 0:47:23.319
<v Speaker 10>I think Wayne's filmography, the ups and downs. But you know,

0:47:23.520 --> 0:47:26.640
<v Speaker 10>as we saw, Wayne has lost a lot of waite,

0:47:26.719 --> 0:47:29.680
<v Speaker 10>and we were saying that, you know, he might have

0:47:29.840 --> 0:47:34.719
<v Speaker 10>lost out on a bunch of roles and perhaps some

0:47:34.960 --> 0:47:37.640
<v Speaker 10>role he could wear, and he actually wouldn't be the

0:47:37.680 --> 0:47:43.319
<v Speaker 10>first one to do this where a yes, yes, right now,

0:47:43.480 --> 0:47:47.440
<v Speaker 10>this is a very controversial piece of costume, right, A

0:47:47.480 --> 0:47:48.600
<v Speaker 10>lot of people.

0:47:48.560 --> 0:47:52.319
<v Speaker 8>Object that it exists. I think you should cast the

0:47:53.239 --> 0:47:57.959
<v Speaker 8>Brendan Fraser. Of course, remember in twenty twenty two One

0:47:58.120 --> 0:48:02.959
<v Speaker 8>Best Actor for the Well where he played a a.

0:48:02.960 --> 0:48:04.799
<v Speaker 1>Man of great size.

0:48:05.080 --> 0:48:09.480
<v Speaker 8>So there are other films out there that also used

0:48:09.600 --> 0:48:12.480
<v Speaker 8>a actor that was not on the same size. We

0:48:12.560 --> 0:48:17.080
<v Speaker 8>have the thing about Pam with renee Zelwigger who played Pam.

0:48:17.200 --> 0:48:20.759
<v Speaker 3>Hop Colin Farrell, right, he was in the Latest.

0:48:20.560 --> 0:48:23.560
<v Speaker 1>As the Penguinaman, May.

0:48:23.480 --> 0:48:25.319
<v Speaker 3>I just stop everybody for a second, say Jason would

0:48:25.360 --> 0:48:26.120
<v Speaker 3>love to do that role?

0:48:26.560 --> 0:48:28.560
<v Speaker 4>Every No, you know what I mean. Here's what we

0:48:28.600 --> 0:48:31.040
<v Speaker 4>said in my group. They we saw Colin Farrell as

0:48:31.040 --> 0:48:33.200
<v Speaker 4>the penguin, we went so they made him look like

0:48:33.320 --> 0:48:37.360
<v Speaker 4>Richard Khin. Why don't they just hire Richard Kahan. I mean, honestly,

0:48:37.400 --> 0:48:40.520
<v Speaker 4>he wasn't affecting Richard Kaine, but but he kind of

0:48:40.960 --> 0:48:44.040
<v Speaker 4>what they did to him facially sort of example.

0:48:43.800 --> 0:48:48.080
<v Speaker 1>Rich that's what you're going for? Richardson flat was actor.

0:48:47.960 --> 0:48:50.480
<v Speaker 3>Hi Richard have the Penguin? Talking about Richard kain.

0:48:52.200 --> 0:48:54.680
<v Speaker 1>O Batman Batman, I'm coming to get you.

0:48:55.600 --> 0:48:58.319
<v Speaker 3>I'm not why why? Why? Why not go.

0:48:58.320 --> 0:49:02.399
<v Speaker 4>After the Riddler? And Richard has a very distinct voice,

0:49:02.400 --> 0:49:04.759
<v Speaker 4>but you can change it. He's a Constantine, all right.

0:49:04.840 --> 0:49:05.080
<v Speaker 3>Yes.

0:49:06.320 --> 0:49:09.720
<v Speaker 10>You also have the great actor Jared Lado, who played

0:49:09.960 --> 0:49:13.240
<v Speaker 10>Polo Gucci in the twenty one House of Gucci.

0:49:13.360 --> 0:49:14.520
<v Speaker 3>That was a.

0:49:14.239 --> 0:49:18.359
<v Speaker 4>Bizarre that was That was one of those things where

0:49:18.360 --> 0:49:21.840
<v Speaker 4>I went unless that guy, the guy he's playing, sounded

0:49:21.880 --> 0:49:23.200
<v Speaker 4>like it really sounded like that.

0:49:23.200 --> 0:49:24.000
<v Speaker 3>That's a weird choice.

0:49:24.080 --> 0:49:27.879
<v Speaker 4>Somebody went down an awfully strange road and nobody put

0:49:27.960 --> 0:49:29.120
<v Speaker 4>up a stobs vert.

0:49:29.160 --> 0:49:32.759
<v Speaker 3>And he also did Mark David Shapman didn't, he didn't

0:49:32.760 --> 0:49:34.600
<v Speaker 3>play Jared Leno played Chapman. I think so.

0:49:36.160 --> 0:49:38.319
<v Speaker 4>Finis Why do you forget the one that's gonna hit

0:49:38.360 --> 0:49:39.000
<v Speaker 4>me right in that herd?

0:49:39.320 --> 0:49:40.000
<v Speaker 3>I know?

0:49:40.520 --> 0:49:42.160
<v Speaker 1>Yeah.

0:49:42.200 --> 0:49:42.839
<v Speaker 3>We have the.

0:49:43.080 --> 0:49:47.160
<v Speaker 8>Wonderful Sarah Paulson who don de fat suit to play

0:49:47.200 --> 0:49:48.800
<v Speaker 8>the infamous Linda Trip.

0:49:48.960 --> 0:49:50.560
<v Speaker 1>Oh, yes, that's right, the trip.

0:49:50.600 --> 0:49:51.000
<v Speaker 3>That's right.

0:49:51.120 --> 0:49:51.879
<v Speaker 1>Yes, yep.

0:49:52.560 --> 0:49:56.000
<v Speaker 8>We have hair Spray, the theatrical version, where we have

0:49:56.120 --> 0:50:01.440
<v Speaker 8>John Travolta playing Edna Turnplast was an interesting choice. Another

0:50:01.520 --> 0:50:02.759
<v Speaker 8>one very controversial.

0:50:02.800 --> 0:50:04.440
<v Speaker 3>In the Elvis biopic.

0:50:04.520 --> 0:50:09.319
<v Speaker 1>We have Tom Hanks wearing the Colonel, The Colonel.

0:50:10.560 --> 0:50:11.239
<v Speaker 3>David thank you.

0:50:11.239 --> 0:50:12.799
<v Speaker 4>Well wait he didn't get to the one that's gonna

0:50:12.840 --> 0:50:15.560
<v Speaker 4>hit me right, God go ahead.

0:50:15.280 --> 0:50:18.720
<v Speaker 1>Throw it at one.

0:50:18.880 --> 0:50:24.759
<v Speaker 10>Yeah, yeah, starring Gwyneth Falton Paltrow who played Rosebery, and

0:50:24.880 --> 0:50:26.440
<v Speaker 10>of course Shallow.

0:50:26.080 --> 0:50:28.200
<v Speaker 1>House right and boy that we got.

0:50:28.360 --> 0:50:32.719
<v Speaker 4>There were people outside that theaters also.

0:50:32.760 --> 0:50:34.680
<v Speaker 3>There were all these people there who had tails who

0:50:34.680 --> 0:50:36.520
<v Speaker 3>were really upset about Jason getting that part.

0:50:36.840 --> 0:50:39.320
<v Speaker 1>You know, you always diminish, you have to diminish.

0:50:41.680 --> 0:50:44.560
<v Speaker 3>I know what it was who made the tail. You

0:50:44.600 --> 0:50:49.000
<v Speaker 3>were another guy I don't even know where the cables were.

0:50:48.840 --> 0:50:52.279
<v Speaker 4>But ran down to clean him. Well, that tail was

0:50:52.360 --> 0:50:55.640
<v Speaker 4>they They came one night. It wasn't in the script,

0:50:55.719 --> 0:50:57.880
<v Speaker 4>by the way. So we're in the middle shooting and

0:50:57.920 --> 0:50:59.920
<v Speaker 4>I'm in the hotel. One night after the shooting, got

0:50:59.920 --> 0:51:01.160
<v Speaker 4>a call from Peter Farreley.

0:51:01.360 --> 0:51:02.040
<v Speaker 1>You in tonight?

0:51:02.160 --> 0:51:03.640
<v Speaker 3>You in? Yeah?

0:51:03.920 --> 0:51:05.279
<v Speaker 4>Is a guy coming over to take a mold of

0:51:05.320 --> 0:51:09.080
<v Speaker 4>your ass? I went, uh, huh is this uh film

0:51:09.120 --> 0:51:13.239
<v Speaker 4>related or is this just for your personal use? And

0:51:13.800 --> 0:51:16.160
<v Speaker 4>he comes over and he does it, and now they

0:51:16.160 --> 0:51:19.200
<v Speaker 4>make a they make like a girdle, a latex girdle

0:51:19.680 --> 0:51:23.400
<v Speaker 4>that has the tail apparatus and a spring inside of

0:51:23.440 --> 0:51:26.000
<v Speaker 4>it with a wire that goes down the bottom of

0:51:26.040 --> 0:51:27.279
<v Speaker 4>it out in my leg and I.

0:51:27.239 --> 0:51:32.120
<v Speaker 1>Got two guys five feet no.

0:51:32.239 --> 0:51:35.000
<v Speaker 4>Apparently somebody that I met recently I can't remember who

0:51:35.000 --> 0:51:37.719
<v Speaker 4>says they have it, that it was auctioned off, and

0:51:37.760 --> 0:51:38.400
<v Speaker 4>that they have it.

0:51:40.200 --> 0:51:42.480
<v Speaker 1>If you, if you hear this and you're that person.

0:51:42.200 --> 0:51:44.800
<v Speaker 3>Let us learn. But yeah, yeah, well David, thank you,

0:51:44.840 --> 0:51:47.319
<v Speaker 3>thank you, Laurie, thank you, Jason, thank you.

0:51:47.360 --> 0:51:54.640
<v Speaker 1>Wayne.

0:51:52.800 --> 0:51:58.120
<v Speaker 2>Yeah, now really has another episode of Really No Really

0:51:58.200 --> 0:52:00.840
<v Speaker 2>comes to a close. I know you're wondering did anyone

0:52:00.880 --> 0:52:03.960
<v Speaker 2>else ever play the role of Newman on Seinfeld? That

0:52:04.120 --> 0:52:06.319
<v Speaker 2>answer in a moment, But first let's thank our guest,

0:52:06.440 --> 0:52:09.000
<v Speaker 2>the wonderful mister Wayne Knight. You can follow him on

0:52:09.280 --> 0:52:13.840
<v Speaker 2>x where he is at eye Wayne Knight. Our little

0:52:13.840 --> 0:52:17.279
<v Speaker 2>show hangs out on Instagram, TikTok, YouTube, and threads at

0:52:17.320 --> 0:52:20.280
<v Speaker 2>Really No Really podcast, And of course you can share

0:52:20.320 --> 0:52:23.840
<v Speaker 2>your thoughts and feedback with us online at reallynoreally dot com.

0:52:24.120 --> 0:52:27.240
<v Speaker 2>If you have a really some amazing fact or story

0:52:27.239 --> 0:52:30.080
<v Speaker 2>that boggles your mind, share it with us, and if

0:52:30.080 --> 0:52:32.600
<v Speaker 2>we use it, we will send you a little gift.

0:52:32.920 --> 0:52:35.880
<v Speaker 2>Nothing life changing, obviously, but it's the thought that counts.

0:52:36.520 --> 0:52:39.160
<v Speaker 2>Check out our full episodes on YouTube, hit that subscribe

0:52:39.160 --> 0:52:41.400
<v Speaker 2>button and take that bell so you're updated when we

0:52:41.440 --> 0:52:44.719
<v Speaker 2>release new videos and episodes, which we do each Tuesday.

0:52:44.960 --> 0:52:48.839
<v Speaker 2>So listen and follow us on the iHeartRadio app, Apple podcasts,

0:52:49.040 --> 0:52:52.280
<v Speaker 2>or wherever you get your podcasts. And now the answer

0:52:52.320 --> 0:52:55.960
<v Speaker 2>to the question, did anyone else ever play Newman on Seinfeld?

0:52:56.000 --> 0:52:57.279
<v Speaker 3>Technically yes.

0:52:57.640 --> 0:52:59.960
<v Speaker 2>The first reference to the Newman character was in a

0:53:00.120 --> 0:53:04.000
<v Speaker 2>second season episode entitled The Revenge. In that episode, we

0:53:04.040 --> 0:53:07.040
<v Speaker 2>only hear the voice of an Upscarirs neighbor in Jerry's building,

0:53:07.120 --> 0:53:08.120
<v Speaker 2>who is named Newman.

0:53:08.320 --> 0:53:10.520
<v Speaker 3>We never see the character appear on screen.

0:53:10.800 --> 0:53:13.239
<v Speaker 2>Newman is threatening to jump from the fire escape and

0:53:13.280 --> 0:53:16.319
<v Speaker 2>he briefly engages in a verbal exchange with Kramer, who

0:53:16.360 --> 0:53:19.360
<v Speaker 2>is yelling to him from a window. However, in that episode,

0:53:19.400 --> 0:53:22.440
<v Speaker 2>Seinfeld co creator Larry David voiced the role of Newman,

0:53:22.640 --> 0:53:25.120
<v Speaker 2>technically making him the originator of the role.

0:53:25.280 --> 0:53:26.960
<v Speaker 3>One season later, Newman.

0:53:26.680 --> 0:53:30.200
<v Speaker 2>Made his first appearance on screen in an episode ironically

0:53:30.280 --> 0:53:33.280
<v Speaker 2>titled The Suicide. And it was Wayne Knight who walked

0:53:33.320 --> 0:53:35.880
<v Speaker 2>through that door. And after that Newman would never be

0:53:36.040 --> 0:53:37.160
<v Speaker 2>anyone but Wayne.

0:53:37.239 --> 0:53:39.720
<v Speaker 11>In fact, before the series wrapped up its ninth season,

0:53:39.920 --> 0:53:42.640
<v Speaker 11>the producers decided to have Wayne record the lines that

0:53:42.760 --> 0:53:44.920
<v Speaker 11>Larry David had done in The Revenge, So if you

0:53:44.960 --> 0:53:47.799
<v Speaker 11>watch that episode now, it is Wayne's voicey here, and

0:53:47.880 --> 0:53:50.759
<v Speaker 11>with that we say goodbye Newman too.

0:53:50.760 --> 0:53:52.480
<v Speaker 3>That they couldn't afford to give you a first name.

0:53:52.840 --> 0:54:00.320
<v Speaker 2>No Really, Billie, No Really, is a production of iHeart

0:54:00.440 --> 0:54:02.040
<v Speaker 2>Radio and Plausa Entertainment

0:54:06.239 --> 0:54:06.600
<v Speaker 1>MHM