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Speaker 1: It's the best Bits of the week with Morgan number two.

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Speaker 1: What is up? Y'all? It's the best bits of the week.

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Speaker 1: And I am Morgan otherwise yes known as Morgan number two,

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Speaker 1: but I just call myself Morgan. And in case this

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Speaker 1: is your first time listening, this is what I do

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Speaker 1: you know? On the podcast on the weekends, I count

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Speaker 1: down the best segments from our show this week, so

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Speaker 1: you guys can either relive them or live them for

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Speaker 1: the first time because you didn't get a catchut it

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Speaker 1: this week. But my favorite part of doing this is

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Speaker 1: that I get to bring on a show member and

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Speaker 1: we talk about a bunch of random things, right, all

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Speaker 1: the good things to talk about that you guys don't

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Speaker 1: get to see when it happens during the show. This weekend,

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Speaker 1: I am bringing on Abby What Up Hello? Otherwise known

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Speaker 1: as our phone screener. Abby. She may pick up the

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Speaker 1: phone when y'all call, but she's also an excellent singer.

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Speaker 1: Oh then, we had a lot to talk about with that.

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Speaker 1: Oh man, Okay, okay, so let's go. We're gonna get

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Speaker 1: started before I give anything away, So let's go. Girls.

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Speaker 1: Coming in at number seven this week, Bobby got served

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Speaker 1: What he calls a piece of humble pie. He went

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Speaker 1: to a big charity event with the Arkansas Governor and

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Speaker 1: the First Lady along with his wife Kaitlin, and while

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Speaker 1: something happened there, and he was like, man, that was

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Speaker 1: a big old piece of humble pie that got served

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Speaker 1: to me. And it's pretty funny to listen back to,

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Speaker 1: because well, why is this still happening? I have no idea,

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Speaker 1: but nonetheless it is. So listen up number seven, let's

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Speaker 1: do headlines from the weekend. I'll go first. Headline is

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Speaker 1: got served a big old piece of humble pie. Now

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Speaker 1: let me explain to you I had a pretty fantastic weekend.

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Speaker 1: Kaitlyn and I go back to Arkansas, which is where

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Speaker 1: I'm from, and we have a little cabin in central Arkansas.

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Speaker 1: We rarely get there. I probably work a little too much,

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Speaker 1: but we go back and we stay there for a

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Speaker 1: couple of days because the Governor and the First Lady

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Speaker 1: of Arkansas invited us to come to this dinner and

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Speaker 1: have dinner with them. It's little charity event, but we

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Speaker 1: sat with them, and we went up and spent some

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Speaker 1: time with them and you know, in the house for

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Speaker 1: a little bit, and went down to dinner together, ate

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Speaker 1: and talked just fantastic, and I can just show you

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Speaker 1: this on my phone, and it's you have to get

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Speaker 1: dressed up you're hanging out with the governor, you know.

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Speaker 1: And so Caitlyn's got on this, you know, really like

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Speaker 1: super hot bodied suit whatever she calls it. And I'm

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Speaker 1: in a nice little suit and tie and we sit

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Speaker 1: down at the table and at the table they have

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Speaker 1: everybody's name marked and it's like the seal of the governor.

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Speaker 1: It has your name under it had Caitlyn's name there,

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Speaker 1: the governor's name, it had his wife, you know, the

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Speaker 1: first lady. And I kid you not, there's the seal

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Speaker 1: on top amy and then what does it say? A month?

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Speaker 1: No way, it says Bobby Jones. No way. Dang, that's

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Speaker 1: a joke, right, No. But they did it on purpose,

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Speaker 1: like there was not a joke, and obviously the governor didn't.

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Speaker 1: And I showed him and he was like, and he

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Speaker 1: laughed a little bit, but I think a little bit

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Speaker 1: he was. It was pretty. I meant to take it

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Speaker 1: with me, but I took a picture of it, so

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Speaker 1: there I was so little, and I showed Caitlyn and

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Speaker 1: she laughed, and she's like, just when you think your

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Speaker 1: britches is getting a little just right, just getting a

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Speaker 1: little big, you know, this shows you you're getting a

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Speaker 1: little big for your britches. How did that pie taste?

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Speaker 1: It's pretty humble, yeah, like the whole pot. But it was.

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Speaker 1: It was a it was a fantastic night. We It

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Speaker 1: wasn't not political at all. I posted it on Instagram

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Speaker 1: and someone's like, I can't believe you would go to

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Speaker 1: dinner with the governor, Like why wouldn't not? I like

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Speaker 1: the guy. I don't have to. I don't agree with

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Speaker 1: everything anyone stands for. No, it's a crazy concept, it

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Speaker 1: really is. I don't agree with everything. Eddie stands for it.

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Speaker 1: He's my best friend, correct, the only person that I

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Speaker 1: agree with all the time. Men sometimes you don't, and

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Speaker 1: then sometimes I think I'm an idiot. But I really

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Speaker 1: enjoyed the governor. And it's for a kid that grew

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Speaker 1: up in a small town in Mountain Pine, Arkansas. I

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Speaker 1: never thought that I would get to even meet the governor,

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Speaker 1: much less have dinner with them, So it was fantastic.

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Speaker 1: And then if you go to my Instagram, mister Bobby

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Speaker 1: Bones post a picture of Kaitlin and I from that night,

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Speaker 1: and I'd like to read you one of the comments.

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Speaker 1: There are a lot like this, but it was kind

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Speaker 1: of indicative of after you look at that picture, if

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Speaker 1: you'll look at it, mister Bobby Bones. Someone wrote, any

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Speaker 1: beautiful blonde walking in any establishment in Arkansas usually turns

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Speaker 1: a lot of heads, more so when the other one

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Speaker 1: is not so hot talking about me? Why is it

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Speaker 1: necessary to put that one guys? I mean it was

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Speaker 1: not even like from a burner account or like a

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Speaker 1: no so I think someone just really drilling. Yeah, they're like, hey, yeah,

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Speaker 1: somebody pretty walked into the room. Heads turn, especially when

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Speaker 1: the person they're wits ugly. I had to be the

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Speaker 1: ugly one. Why am I the one? It's the best

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Speaker 1: Bits of the week with Morgan number two. We love

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Speaker 1: to talk about the nineties. The nineties make us all

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Speaker 1: so nostalgic. Don't ask me why, but we are all

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Speaker 1: just obsessed with the nineties recently. It's a great era.

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Speaker 1: I mean, I was born in the nineties, so I

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Speaker 1: can say that. This week we talked about our top

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Speaker 1: choices for the essential nineties country song after Nash News

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Speaker 1: wrote an article about it. Abby, what would be like

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Speaker 1: your top five nineties country artists these country artists. Yeah,

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Speaker 1: let's let's do like a collective list. Okay, I mean

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Speaker 1: Shania Yeah, obviously on this list. Yes, Okay, I'd say

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Speaker 1: Brooks and Done too for me, Maddie, Yeah, yes, I

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Speaker 1: love um what is it? Dirt road, Dirt Dirt. That's

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Speaker 1: like one of my favorite ones. I just so I

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Speaker 1: love it. Yes, okay, so we got Shania Brooks and

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Speaker 1: Done Garth of course, Garth iconic. Yes, Dixie chicksis known

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Speaker 1: as the Chicks. So the Chicks, their songs are so great.

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Speaker 1: I still listen to them, you know, and I'm like,

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Speaker 1: it just like brings you back. You're like, oh my gosh.

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Speaker 1: The best thing about all the nineties artists in songs

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Speaker 1: is that they'll play on the radio and I'll be like,

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Speaker 1: oh my gosh, I remember this, and it brings me

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Speaker 1: back to like a moment in time. Right. That's what

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Speaker 1: I love. And that's why that nostalgia is so like

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Speaker 1: happening right now, back whin like things were more simple,

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Speaker 1: the simple time wasn't crazy. We weren't in the middle

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Speaker 1: of a pandemic, right exactly. Okay, so we got four

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Speaker 1: one more. We're gonna we're gonna talk about a few.

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Speaker 1: H We got Jody Messina, we got George Strait could

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Speaker 1: be considered nineties. Tim McGraw would be considered nineties, Faith Hill,

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Speaker 1: Faith Hill, Oh man, I don't know one like that.

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Speaker 1: Let's see, Oh, Joe Diffy popular nineties country artists. Let's see.

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Speaker 1: Let's see. Make sure we're not missing anybody. Alan Jackson

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Speaker 1: did you say, Oh, yeah, definitely Alan Jackson, Reba. I

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Speaker 1: guess it's considered one as well. Martina m there's too many,

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Speaker 1: but we can Tricia Yearwe we can only choose one.

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Speaker 1: So far, we have the chicks, Shania Twain, Garth Brooks

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Speaker 1: and Brooks and done. Uh huh. One more, that's one more. Personally,

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Speaker 1: I would say Martina because she's a Kansas girl and

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Speaker 1: I like always sang all her songs like but that's

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Speaker 1: me Martina. And Alan Jackson isn't on this list, Oh,

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Speaker 1: but I do think he is. And honestly, I think

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Speaker 1: I would go with Alan Jackson, yeah, because I think

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Speaker 1: I know so many of his songs. I know a

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Speaker 1: lot of Martina, I know a lot of Jody Messina,

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Speaker 1: Faith Hill, Tim McGraw. Tim McGraw is still happening for me,

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Speaker 1: Like he's still out there, he's still like thriving, right,

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Speaker 1: And that's why it's hard for me to one hundred

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Speaker 1: percent consider him nineties country arts. It's also why it's

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Speaker 1: hard for me to consider Garth Brooks, because he's like

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Speaker 1: out touring doing all the things. I know. Yeah, they

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Speaker 1: all have been recently, but like Shani Twain, the Chicks,

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Speaker 1: Brooks and Done, they came back after like several years

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Speaker 1: away and even like groups though too, like Diamond Rio,

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Speaker 1: like they were so good. But I know we're just

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Speaker 1: talking about like they can totally add a group I

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Speaker 1: don't know, but like, yeah, they were like Shannondoah, all

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Speaker 1: those Oh I miss them. There's so many. Okay, Who's

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Speaker 1: who's our fifth one? Who are we gonna put on that?

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Speaker 1: You pick? You pick? Oh, Alan Jackson, Okay, I'll go

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Speaker 1: with that. I'm down. Yes. I mean when I think nineties,

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Speaker 1: I do think Alan so I love I just love

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Speaker 1: anything nineties. What's a song? What's like a song from

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Speaker 1: the nineties that you really love? Cowboy take Me Away?

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Speaker 1: That's an essential country like nineties country song. Yeah, I

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Speaker 1: would say that one Cowboy, take Me Away the Chicks. Yes,

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Speaker 1: not Goodbye Earl. Okay, that's a good one too. I

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Speaker 1: mean that for sure. I do feel like Goodbye Earl

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Speaker 1: is a very essential one because it made so much

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Speaker 1: of the nineties and it was controversial, right. It was

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Speaker 1: such a crazy song at the time. Right, And now

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Speaker 1: we all still sing it at the top of our lungs,

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Speaker 1: and it's still a controversial song. I know. It's so

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Speaker 1: fun to sing though, because I was like, Okay, you

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Speaker 1: wanna give me a little goodbye Earl? Oh my gosh, Wait,

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Speaker 1: how's okay? How does it go about? Some lyrics? Yeah? Waiting, okay, wait, ready,

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Speaker 1: we'll marry and Wanda we're the best of friends all

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Speaker 1: through their high school days, both members of the Forage

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Speaker 1: Club active in the FFA ago. After graduation, Marianne went

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Speaker 1: out looking for a bright new world, right, Yeah, and

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Speaker 1: I looked all around this town and all she founds

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Speaker 1: or I'm turning that down. I think we might have

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Speaker 1: blasted her. Sorry about that, Okay, Oh we are really

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Speaker 1: we had to bang it. How is it I'm turning

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Speaker 1: offind the lyrics? Okay, Well it wasn't terror. Weeks after

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Speaker 1: she got married thou on that started getting abused. She

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Speaker 1: put on dark glasses and long sleep glasses and makeup

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Speaker 1: to got her rubbers come on. Well, she finally got

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Speaker 1: the nerve to file for divorce. She let the low

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Speaker 1: take it from there. I don't know if we can

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Speaker 1: keep singing this. We probably have to stop. We're past

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Speaker 1: fifteen seconds. Oh shoot, we're gonna get coffee, right or

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Speaker 1: whatever it is. And that was really bad because I

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Speaker 1: can't even hear myself right now, So sorry about that.

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Speaker 1: But I mean honestly, we're you know, for for meat,

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Speaker 1: that was great. No, I think you degree right, but

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Speaker 1: like for me, that was like considered semi good. Oh yeah,

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Speaker 1: we have we have something to talk about because you're

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Speaker 1: an audition when when it makes it end this list,

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Speaker 1: it brought back some PTSD for me. Oh okay, yeah,

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Speaker 1: I want to hear this because I was not here.

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Speaker 1: I know, I don't think I knew about this, so

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Speaker 1: I'm excited to We got a lot of this, a

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Speaker 1: little bit to talk about, but here it is. This

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Speaker 1: is when we talk about our essential nineties country songs.

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Speaker 1: And you might want to have a pen and paper

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Speaker 1: because you should write these down and make a playlist

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Speaker 1: number six. That's good. There was a list on a

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Speaker 1: website called The Nash News and they put out their

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Speaker 1: top ten essential nineties country songs. Now, before I get

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Speaker 1: to their list, I'm want to go around the room

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Speaker 1: and have you guys put yours on the list. M

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Speaker 1: F three For a kind of different reasons. My number

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Speaker 1: one from nineteen ninety one is Brooks and Dune Neon Moon,

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Speaker 1: I've been most nine. That to me is pound for

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Speaker 1: pound the best Brooks and Dune song. Of course, I

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Speaker 1: mean Ronnie Dunna sing it at our wedding, and now

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Speaker 1: what's not a love song? But still I was like

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Speaker 1: singing at our wedding because that's the best song. So

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Speaker 1: I put that on there. I also put on from

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Speaker 1: nineteen ninety six Strawberry Wine. Gosh, I don't feel like

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Speaker 1: this is a top five song from the decade, but

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Speaker 1: nothing makes me feel like that decade more than Strawberry Wine.

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Speaker 1: Oh yeah, I can see the video. I know exactly

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Speaker 1: where I was, and that, to me is what the

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Speaker 1: essential nineties song means. And then finally, like you gotta

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Speaker 1: put an early Tim McGraw song on there, and I

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Speaker 1: picked Don't Take the Girl take Jimmy Jopson, Take Tommy Thompson,

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Speaker 1: take my best friend Bow. So if I'm starting the list,

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Speaker 1: those three go on that list. Amy, What is your

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Speaker 1: nineties country song essential? So? I feel like there's some

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Speaker 1: early nineties, some late nineties that are amazing, but I

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Speaker 1: decided to go with one right in the middle, and

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Speaker 1: it's George Strait carrying Your Love with Me some very

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Speaker 1: in West Virginian. What year was that? Ninety six? Was

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Speaker 1: it that either ninety five or ninety six? Georgia's songs

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Speaker 1: are all weird because he had some of the eighties too, Yes,

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Speaker 1: and for me it's kind of hard to figure out

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Speaker 1: what is where? But nineteen ninety seven carrying seven? Okay?

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Speaker 1: Well I knew I was old enough to drive because

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Speaker 1: I listened to this CD on a repeat in my

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Speaker 1: Bronco Eddie, what's your nineties essential essential? To me? I

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Speaker 1: mean it means you need this song and you can't

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Speaker 1: have nineties country without the goat Garth Brooks Friends in

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Speaker 1: Low Places. This is the reason I started wearing ropers,

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Speaker 1: got Wranglers and Mobetta shirts. Dude, this is it nineteen

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Speaker 1: ninety Garth Brooks Friends in Low Places. It barely made

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Speaker 1: the cup, but it definitely made the cut. It kind

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Speaker 1: of started nineties country absolutely, you know. Yeah, it's a

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Speaker 1: jam Morgan. Do you have at nine? Although Morgan was

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Speaker 1: born in the nineties, she can still have a favorite. No, No,

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Speaker 1: she absolutely can't, which is why I'm going to her.

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Speaker 1: But I'm saying it's got to be different for her

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Speaker 1: because we all experienced these as kids. You know. She

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Speaker 1: has to go and listen back and be like, what

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Speaker 1: were the best songs from before I was even listening

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Speaker 1: to music? Good point, Morigo, what is yours? Well? Thankfully

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Speaker 1: my parents like raised me on country music, so I

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Speaker 1: know a lot of nineties country because of them. But

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Speaker 1: it's always going to be Shania for me. Shania Twain. Man,

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Speaker 1: I feel like a woe Dian nineteen ninety sevens when

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Speaker 1: that song came out. All right, Raimundo, you had the

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Speaker 1: last one nineties essential, Yeah, the one that I always

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Speaker 1: remember hearing at those middle school dances. You had to

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Speaker 1: find the absolute hottest check for this song and it

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Speaker 1: was amazed. Lone Star I'm so love the Cusps nineteen

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Speaker 1: ninety nine right there. Yeah, so I have their list

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Speaker 1: and some of you guys has made their list. I

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Speaker 1: had number ten on this list from the Nash News

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Speaker 1: is nineteen ninety one. She's in Love with the Boy

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Speaker 1: Tricia Yearwood, which is the most played female song and

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Speaker 1: country music history. We talked about that maybe last week

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Speaker 1: and definitely needs to be on this list. I think

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Speaker 1: three what I mean Tricia year Wood, I mean this

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Speaker 1: is part of it. At number nine, boot Scoot and

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Speaker 1: Boogie by Brooks and Done nineteen ninety one. It's hard

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Speaker 1: not to have this as kind of the Brooks and

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Speaker 1: Done song because this is probably the song that defined

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Speaker 1: them more than any other song in the nineties. There

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Speaker 1: was a dance, there's a ever you know you go

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Speaker 1: electric cowboy, everybody's doing it. Number eight Martina McBride Independence Day.

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Speaker 1: Really great song. I don't know that how to put

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Speaker 1: that in my top ten, but it's as dirt song.

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Speaker 1: Amazed by Lone Star at seven, which Ray played Chattahoochie Yeah,

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Speaker 1: which was tough for me not to pick on my

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Speaker 1: top stre me too. At number six, Alan Jackson water

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Speaker 1: Man Men, how to Swim and I learnt a lot

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Speaker 1: of battling and a little battle. This Kiss by Faith

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Speaker 1: Hill at nineteen nineteen ninety eight yes, Shanai at four

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Speaker 1: man I feel like a woman, which Morgan had. By

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Speaker 1: the way, this is just some some writer's list. This

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Speaker 1: is not like based on nady data. Sounds like a

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Speaker 1: young writer. Check yes or no? By George Straight number

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Speaker 1: three on the list. Yes, really, I felt the same way.

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Speaker 1: There's like twenty George Straight too. I like it too,

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Speaker 1: but it's not Guy, It's just not it same thing

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Speaker 1: like Martina McBride. Really great song. I don't know that

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Speaker 1: I puts on the top ten. They could probably pick

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Speaker 1: five George Straight song and I put on the list before.

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Speaker 1: Check yes, this one's so good though, but would you

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Speaker 1: put I got some oh shit properties is it? Yeah? Yeah,

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Speaker 1: that's where I would have gone with it. So is

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Speaker 1: Amarilla About Morning? I knew Emarilla About Morning was all

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Speaker 1: my ex's eighties. Sure that was eighties, Yeah, forever and

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Speaker 1: ever eight man, Randy Travis eighties. Yeah yeah, number two

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Speaker 1: Friends in Low Places, Garth Brooks. Their number one song

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Speaker 1: is not the number one song. What is it? It's

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Speaker 1: a fine song, but it's not number one. It's Toby

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Speaker 1: Keats should have been a Cowboys that could have been

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Speaker 1: number eight on the list. I could even put it

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Speaker 1: on the list. Yeah, but that's not more nineties than

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Speaker 1: Friends in Low Places or Man. I feel like a

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Speaker 1: one was was Cowboy Take Me Away too much, too

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Speaker 1: late in the nineties to be in there, because I

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Speaker 1: feel like that's such a because Amaze was nineteen ninety nine. Okay,

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Speaker 1: well yeah, I think that was ninety nine. We get

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Speaker 1: mad at one person's list. It's just literally one person

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Speaker 1: who was their job too. It's only ten slots, so

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Speaker 1: it's the best bits of the week with Morgan number two.

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Speaker 1: We love a good interview and as most people know,

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Speaker 1: I am a huge Dan and Shay fan. I have

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Speaker 1: been one of their fans from the very beginning. Their

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Speaker 1: first album was epic to me and I just you know,

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Speaker 1: I can't say enough good things about Dan and Shay

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Speaker 1: and I was really excited that they came in this

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Speaker 1: week because they talked about their new album, which they

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Speaker 1: just dropped and I've had on repeat ever since it

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Speaker 1: came out. At midnight. Yes, I was up at midnight

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Speaker 1: Thursday night listening because I love them. But they came

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Speaker 1: in and they talked all about like the celebrities they

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Speaker 1: get to hang out with. Justin Bieber, Sean Mindes and

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Speaker 1: Ed Sheeran, Like, these guys are hanging out with everybody.

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Speaker 1: If you don't think Dan and Jay are a lister

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Speaker 1: country stars at this point, you are sadly, sadly mistaken.

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Speaker 1: They're killing the game and they talk all about it

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Speaker 1: and have such good stories. So listen back right now.

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Speaker 1: This is our interview with Dan and Jay number five,

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Speaker 1: The Friday Morning Conversation with Dan and Shay. Congratulations on

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Speaker 1: the new record today, Thank you man, feels good finally

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Speaker 1: out there. Does it feel good or does it feel

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Speaker 1: like a relief? I say both? Yeah, after three years, man,

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Speaker 1: it's been it's been too long, especially after it has

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Speaker 1: it been three years well, kind of like there's an

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Speaker 1: asterisk on it after the last year and a half

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Speaker 1: that we've all had. Sobet it has been three years

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Speaker 1: since the last album came out. I guess because we

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Speaker 1: continue to get music from you, one dose at a time,

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Speaker 1: it doesn't feel like three years. Yeah, meaning you guys

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Speaker 1: have been putting out songs, but then like a couple

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Speaker 1: of those songs, I should probably go to bed ten

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Speaker 1: thousand hours. Glad you exist. I guess we've been getting those,

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Speaker 1: so it doesn't feel like there's just been a whole deficient. Yeah,

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Speaker 1: and I feel like that definitely kind of you know,

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Speaker 1: helped people over and felt like they weren't getting something

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Speaker 1: because those songs were going up the chart. But it's

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Speaker 1: it's crazy to think that ten thousand hours was, you know,

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Speaker 1: the first song off this project. I want to play

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Speaker 1: a clip and I saw this on you guys social media.

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Speaker 1: This is Good Things. This is live from your show

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Speaker 1: in Iowa. This is seven days after it came out now,

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Speaker 1: which is wild to me because Good Things is not

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Speaker 1: a single, you know, right, no, not yet, Okay, So

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Speaker 1: you put it out and it's not like it's getting

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Speaker 1: played all over the radio, but you play it at

361
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Speaker 1: the show and this is what happens here, you go.

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Speaker 1: It sounds like there's there's like one little kid hitting

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Speaker 1: that high. We hired a children's choir to like overn

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Speaker 1: up the audio and make it sound like people knew

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Speaker 1: the words song that whole show though. New song. That's crazy.

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Speaker 1: That's crazy to me. And it's again, it's not even

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Speaker 1: one that was getting like played on radio stations anywhere

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Speaker 1: and they knew it all. But your fans do that.

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Speaker 1: We've got amazing fans man, we're so grateful. Do you

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Speaker 1: ever do that though? And they don't and you're like, oh,

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Speaker 1: they're gonna know this. It's one of my greatest fears. Like,

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Speaker 1: here we go, there's nothing more vulnerable than putting out

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Speaker 1: the mic because every when it's a hit, you know,

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Speaker 1: it's like if they don't know it and they're there

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Speaker 1: at the show, it's like, this is shame on you

376
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Speaker 1: for not knowing this song. But if anything else, it's

377
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Speaker 1: like with like an album track and you you give

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Speaker 1: it to them and you just fully commit. It's just

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Speaker 1: like and they don't say anything. That's my one of

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Speaker 1: my greatest fears. I would say, we're still pretty insecure

381
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Speaker 1: about it. No matter where we go. We could sell

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Speaker 1: out twenty thousand tickets and Tequilar speeches comes on and

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Speaker 1: I'm like, should we let us reason that's the only

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Speaker 1: reason they bought a ticket to this show? Play? This

385
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Speaker 1: is track one. This the album is called Good Things

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Speaker 1: Out Today. Here is Good Things from Dan and Shay

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Speaker 1: When Cher, when you have to do that, do you

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Speaker 1: have to get to that point or can you walk

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Speaker 1: into that? Like you asked me if I could do

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Speaker 1: it right now? I'm just saying it's early in the

391
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Speaker 1: morning now, but I'm right hit that again. When you

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Speaker 1: hear some good yeah right there? Yeah? Can you is that? Nat?

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Speaker 1: Is that there when you wake up? Sometimes? I mean usually,

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Speaker 1: and it's like it just kind of depends. That's definitely

395
00:21:02,119 --> 00:21:04,240
Speaker 1: so your voice out now, just give me a little

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Speaker 1: You tried it there about either hear it without this

397
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Speaker 1: song over it? When you kiss somebod, stop to say, sae,

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Speaker 1: that's me not warming up. That's how hard it is.

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Speaker 1: And that's why people here and tend. You try it, Bobby,

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Speaker 1: Now you Bobby, when you kiss somebody? That's all I

401
00:21:24,880 --> 00:21:27,040
Speaker 1: felt like I sounded right there. That sounded pretty good, dude.

402
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Speaker 1: So today, Still My Love is the song that we're playing.

403
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Speaker 1: It's the single. Here play me a clip of that. Raimundo.

404
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Speaker 1: Please nobody who steal my no, no, never, my heartiest whatever,

405
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Speaker 1: No one comes my money take it off? Ain't nobody.

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Speaker 1: How do you guys decide on what's what's the next

407
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Speaker 1: song to put out as a single, like why Still

408
00:21:58,640 --> 00:22:01,480
Speaker 1: My Love? That's a very difficult decision to make, but

409
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Speaker 1: we're proud of all the songs on the album. I

410
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Speaker 1: just feel like that was the one that everyone on.

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Speaker 1: I mean, it's tough. You don't really have any market data.

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Speaker 1: You haven't played it for the fans, and I guess

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Speaker 1: it's just kind of our team. That was the one

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Speaker 1: that everybody just reacted to unanimously, and we played it

415
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Speaker 1: for somebody. We played it for Espo at Warner you know,

416
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Speaker 1: he's the head of Warner Music Nashville, and we played

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Speaker 1: it for him for the first time and he got it.

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Speaker 1: I've got a video of it. Well, oh you got

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Speaker 1: out of the chair and started dancing, and we're like,

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Speaker 1: I mean, we can't take it back from him. Now.

421
00:22:26,119 --> 00:22:28,399
Speaker 1: It's got to be the single. So yeah, we're excited

422
00:22:28,440 --> 00:22:30,359
Speaker 1: about that one. Man. It's it's fun and it's you know,

423
00:22:30,720 --> 00:22:33,320
Speaker 1: dropping it late mid to late summer here. It feels

424
00:22:33,320 --> 00:22:35,040
Speaker 1: good and getting back on the road. It's going to

425
00:22:35,080 --> 00:22:36,720
Speaker 1: be a good one. At the show, I saw an

426
00:22:36,800 --> 00:22:39,080
Speaker 1: article Dan that for two weeks in a row you

427
00:22:39,160 --> 00:22:41,600
Speaker 1: had you are the biggest producer in country music. He

428
00:22:41,720 --> 00:22:44,919
Speaker 1: loved to see it. I'll take it, man, you produced it.

429
00:22:44,960 --> 00:22:48,000
Speaker 1: You produced every track on this album. Yeah, but I

430
00:22:48,280 --> 00:22:51,040
Speaker 1: think that's something that people may not know is that,

431
00:22:51,480 --> 00:22:54,520
Speaker 1: like you produced the stuff, and you right now you

432
00:22:54,560 --> 00:22:57,359
Speaker 1: are the biggest producer in country music. I haven't slept

433
00:22:57,400 --> 00:22:59,640
Speaker 1: in a long time. You finished the album, then it's

434
00:22:59,640 --> 00:23:01,399
Speaker 1: like cool, next day you're doing all kinds of you.

435
00:23:01,480 --> 00:23:03,159
Speaker 1: I'll let shoot a video for every song. Do we

436
00:23:03,200 --> 00:23:05,160
Speaker 1: have treatments? Now? Can you write him? All? Right? Here

437
00:23:05,200 --> 00:23:08,480
Speaker 1: we go. Well, word on the street is that you'd

438
00:23:08,480 --> 00:23:11,160
Speaker 1: never come out of the room. No. I mean it's

439
00:23:11,200 --> 00:23:14,000
Speaker 1: like you wake up and you go and then you

440
00:23:14,119 --> 00:23:17,119
Speaker 1: might briefly come down from the room and then you

441
00:23:17,400 --> 00:23:19,280
Speaker 1: go back into the room. Yeah, this is the first

442
00:23:19,320 --> 00:23:21,440
Speaker 1: I've seen him in a week. My wife's forgotten what

443
00:23:21,520 --> 00:23:23,399
Speaker 1: I look like. The only break was to come to

444
00:23:23,520 --> 00:23:27,399
Speaker 1: the wedding. Yeah, well that was the last time. She

445
00:23:27,800 --> 00:23:30,000
Speaker 1: was great. We got to see Ronnie Donne. I mean,

446
00:23:30,040 --> 00:23:35,080
Speaker 1: I think that's the main point. Well, obviously that was

447
00:23:35,240 --> 00:23:37,960
Speaker 1: I mean, y'all doing the first dance was so special,

448
00:23:38,280 --> 00:23:40,760
Speaker 1: like just as someone that was there witnessing it, and

449
00:23:40,920 --> 00:23:42,399
Speaker 1: I know that y'all put a lot of work into that,

450
00:23:42,480 --> 00:23:45,800
Speaker 1: so super special. Even recording Bobby and Caitlin, what do

451
00:23:45,800 --> 00:23:50,720
Speaker 1: you call it a say it Danna recorded or trash

452
00:23:52,560 --> 00:23:54,920
Speaker 1: recording them the track Like that's super special. But what

453
00:23:54,960 --> 00:23:58,360
Speaker 1: was it like for y'all, you know, making the decision

454
00:23:58,480 --> 00:24:01,119
Speaker 1: to do that? Was it an know brainer? Was getting

455
00:24:01,160 --> 00:24:03,320
Speaker 1: the text from Bobby awkward and you have to talk

456
00:24:03,359 --> 00:24:05,400
Speaker 1: about it or are you like, oh, yeah, for sure,

457
00:24:05,440 --> 00:24:07,680
Speaker 1: we're doing it. It was it was not even a discussion.

458
00:24:07,720 --> 00:24:10,240
Speaker 1: We both like, we're like, obviously it's a huge honor

459
00:24:10,280 --> 00:24:12,240
Speaker 1: to be able to do that, but it was also

460
00:24:12,320 --> 00:24:14,159
Speaker 1: just yeah, of course we're going to do that, man,

461
00:24:14,280 --> 00:24:16,120
Speaker 1: like we wouldn't you know, we wouldn't let you down.

462
00:24:16,200 --> 00:24:17,879
Speaker 1: It was awkward for me to have I don't want

463
00:24:17,920 --> 00:24:20,479
Speaker 1: I can imagine that though. I felt for you, like

464
00:24:20,520 --> 00:24:23,400
Speaker 1: because asking that it is always just kind of uncomfortable

465
00:24:23,600 --> 00:24:25,680
Speaker 1: where it's like, you know that like we're not gonna

466
00:24:25,680 --> 00:24:27,960
Speaker 1: say no, but it's also like it's just a weird

467
00:24:28,000 --> 00:24:30,240
Speaker 1: thing to like it's not weird thing to ask somebody

468
00:24:30,600 --> 00:24:32,840
Speaker 1: your friend, but it's a very difficult thing to ask

469
00:24:32,880 --> 00:24:35,600
Speaker 1: your buddy, I say anything because and here's why I

470
00:24:35,640 --> 00:24:38,800
Speaker 1: the you guys to relate in the industry. You don't

471
00:24:38,840 --> 00:24:42,600
Speaker 1: want to ask your friends to do industry things. But

472
00:24:42,720 --> 00:24:46,160
Speaker 1: I felt like this was a personal thing. But you're

473
00:24:46,200 --> 00:24:50,080
Speaker 1: doing what you do for the industry. Like I would say, like,

474
00:24:50,680 --> 00:24:52,439
Speaker 1: you know, dance cover the house for dinner. That I

475
00:24:52,480 --> 00:24:55,760
Speaker 1: have no problem with going, Hey you Abby come to

476
00:24:55,760 --> 00:24:58,959
Speaker 1: the house sure, all day every day. But to be like, hey,

477
00:24:58,960 --> 00:25:01,000
Speaker 1: will you guys do what you're real good at at

478
00:25:01,000 --> 00:25:04,240
Speaker 1: my house was like that felt a lot, but you guys,

479
00:25:04,440 --> 00:25:05,879
Speaker 1: it didn't feel that way to us at all. It

480
00:25:05,960 --> 00:25:09,560
Speaker 1: was it's clearly we're doing this not as an industry thing,

481
00:25:09,560 --> 00:25:12,399
Speaker 1: but we are doing this because you know, we're friends.

482
00:25:12,640 --> 00:25:14,840
Speaker 1: How how fun is it to be out singing again

483
00:25:14,840 --> 00:25:18,680
Speaker 1: in public? Shay like you're doing shows again. It's hard

484
00:25:18,680 --> 00:25:23,320
Speaker 1: to describe a little bit because speech, but no, it

485
00:25:23,359 --> 00:25:25,720
Speaker 1: really is. Man, it's a It's something that you don't

486
00:25:25,760 --> 00:25:28,960
Speaker 1: realize how much you miss until it's gone. And it's

487
00:25:29,040 --> 00:25:31,159
Speaker 1: that moment where for the first little bit it's like, man,

488
00:25:31,200 --> 00:25:32,600
Speaker 1: this is awesome. I get a little bit of a

489
00:25:32,640 --> 00:25:35,720
Speaker 1: break of not having to stress about you know, remembering

490
00:25:35,760 --> 00:25:38,160
Speaker 1: the words that you wrote are like being out there

491
00:25:38,160 --> 00:25:41,240
Speaker 1: and being an entertainer, but that's taken away from you. Honestly,

492
00:25:41,280 --> 00:25:42,960
Speaker 1: for me, it was like it took four days to

493
00:25:43,000 --> 00:25:45,959
Speaker 1: be like, dang this this really sucks to not have

494
00:25:46,000 --> 00:25:48,000
Speaker 1: to not get to be up there on the stage.

495
00:25:48,040 --> 00:25:50,520
Speaker 1: And after we had like those first couple shows, it

496
00:25:50,600 --> 00:25:52,720
Speaker 1: was like, man, this is this is what I was

497
00:25:52,720 --> 00:25:54,280
Speaker 1: born to do. You know, I'm born to be up

498
00:25:54,320 --> 00:25:56,199
Speaker 1: here singing. And when you don't get to do that

499
00:25:56,240 --> 00:25:59,000
Speaker 1: for a second, you're kind of reminded of how blessed

500
00:25:59,000 --> 00:26:01,280
Speaker 1: you are to be in the such and get to

501
00:26:01,320 --> 00:26:03,600
Speaker 1: do that, because it's a pretty indescribable feeling to be

502
00:26:03,680 --> 00:26:06,080
Speaker 1: up there on the stage and hear people singing back

503
00:26:06,080 --> 00:26:07,720
Speaker 1: the words to songs that you wrote is just a

504
00:26:08,119 --> 00:26:10,600
Speaker 1: it's a crazy feeling. So it feels good. If I

505
00:26:10,680 --> 00:26:12,320
Speaker 1: were to play one note, I'm gonna do this with

506
00:26:12,359 --> 00:26:13,800
Speaker 1: a few of your songs. Can you name the song

507
00:26:13,840 --> 00:26:16,359
Speaker 1: in one note of our songs? Yeah, we like to

508
00:26:16,359 --> 00:26:17,760
Speaker 1: play name that doing that day game at the house,

509
00:26:17,840 --> 00:26:20,120
Speaker 1: named that tune? All right, here is one note? Can

510
00:26:20,160 --> 00:26:26,040
Speaker 1: you name It's easy tequila? That's the easiest one. Yeah.

511
00:26:26,119 --> 00:26:27,840
Speaker 1: I feel like Dan's gonna get all these yeah, because

512
00:26:27,880 --> 00:26:30,399
Speaker 1: Dan's like, yeah, we're trying to We're trying to get

513
00:26:30,400 --> 00:26:32,520
Speaker 1: it quicker. Are we waiting? You can just do? Okay?

514
00:26:32,520 --> 00:26:34,880
Speaker 1: All yah? Yeah, yes here, Okay, Ray is that tequila?

515
00:26:35,119 --> 00:26:37,000
Speaker 1: It's a race between the two of you. Okay, there

516
00:26:37,000 --> 00:26:39,080
Speaker 1: we go that one million dollars does to get Okay,

517
00:26:39,119 --> 00:26:48,800
Speaker 1: here we go, Show you Off? Okay, that good? Why?

518
00:26:49,359 --> 00:26:51,600
Speaker 1: Oh we're kidding. We're kidding, you know what. Let's move on.

519
00:26:51,640 --> 00:26:54,320
Speaker 1: Bobby number two brought up. We were doing a segment

520
00:26:54,640 --> 00:26:57,840
Speaker 1: on yesterday's show, Hold On, Hold On. Morgan number two

521
00:26:57,840 --> 00:26:59,840
Speaker 1: brought up, we were talking about albums that don't have

522
00:26:59,840 --> 00:27:02,439
Speaker 1: a single bad song on it country country albums, and

523
00:27:02,520 --> 00:27:05,840
Speaker 1: I'd pick Casey Musgrave, same trailer, different part, definitely, because

524
00:27:05,880 --> 00:27:08,760
Speaker 1: all the way through Amy had picked Old Dominion, Party Endings,

525
00:27:08,760 --> 00:27:12,040
Speaker 1: Happy Endings. Morgan had to tell them I picked here Guys'

526
00:27:12,200 --> 00:27:14,640
Speaker 1: first album where it all began. I mean, I love

527
00:27:14,840 --> 00:27:17,800
Speaker 1: every single song on that album, and you guys just

528
00:27:17,840 --> 00:27:19,800
Speaker 1: did show you Off, which is one of my favorites.

529
00:27:19,880 --> 00:27:21,960
Speaker 1: That's awesome. I'd love to hear that, because I feel

530
00:27:22,000 --> 00:27:24,640
Speaker 1: like there's songs throughout your career that you do one

531
00:27:24,720 --> 00:27:27,320
Speaker 1: hundred million times where you're just like, God, I hate

532
00:27:27,320 --> 00:27:29,320
Speaker 1: that song, but not that you're not proud of it.

533
00:27:29,320 --> 00:27:31,840
Speaker 1: But when you sing something every single day, it's just

534
00:27:32,000 --> 00:27:33,800
Speaker 1: that's just how it is. We're proud of every single

535
00:27:33,840 --> 00:27:35,040
Speaker 1: one of them because they put a lot of hard

536
00:27:35,080 --> 00:27:36,879
Speaker 1: work into that, but you just get kind of like

537
00:27:36,960 --> 00:27:39,000
Speaker 1: you sing something enough and you're like, all right, I

538
00:27:39,000 --> 00:27:40,879
Speaker 1: could maybe never sing that again. Show You Off is

539
00:27:40,880 --> 00:27:43,040
Speaker 1: not necessarily one of those songs, but there's definitely been

540
00:27:43,040 --> 00:27:46,320
Speaker 1: songs that's when y'all don't like or what what was

541
00:27:46,359 --> 00:27:51,800
Speaker 1: that you had a question. I don't know what Its

542
00:27:51,800 --> 00:27:55,560
Speaker 1: funny because my wife happy and like everybody was like,

543
00:27:56,000 --> 00:27:57,520
Speaker 1: nothing like You should be the first single on the

544
00:27:57,520 --> 00:27:59,840
Speaker 1: first album. It should be the first. Well, everybody loved nineteen.

545
00:28:00,119 --> 00:28:01,320
Speaker 1: It was a thing. It was a big song for

546
00:28:01,400 --> 00:28:03,960
Speaker 1: us a couple of times. Platinum did its thing put

547
00:28:04,040 --> 00:28:05,800
Speaker 1: us on the map. But she was like, nothing like You.

548
00:28:05,840 --> 00:28:07,920
Speaker 1: That's the hit, and we're like, we're gonna go show

549
00:28:07,920 --> 00:28:10,280
Speaker 1: you off next didn't work out. I mean I think

550
00:28:10,280 --> 00:28:12,440
Speaker 1: it got maybe top twenty five, and sure enough, Nothing

551
00:28:12,480 --> 00:28:14,080
Speaker 1: Like You was the first number one. She was right

552
00:28:14,119 --> 00:28:17,800
Speaker 1: all along. Do you guys those wives way in on

553
00:28:17,840 --> 00:28:20,119
Speaker 1: what songs? Maybe they don't like more than what they

554
00:28:20,200 --> 00:28:27,199
Speaker 1: do Anyway, I can't quite hear you cut out. No,

555
00:28:27,400 --> 00:28:29,879
Speaker 1: I would say my wife has said songs that she

556
00:28:30,080 --> 00:28:31,679
Speaker 1: that she doesn't like as much, but it's not like

557
00:28:31,720 --> 00:28:33,280
Speaker 1: I hate this song and she's like I like this

558
00:28:33,320 --> 00:28:36,399
Speaker 1: one better. Probably would be how Hannah does with it.

559
00:28:36,520 --> 00:28:38,840
Speaker 1: The new records out today, so you guys check out

560
00:28:38,920 --> 00:28:42,040
Speaker 1: Good Things. It is twelve tracks, and I was looking

561
00:28:42,080 --> 00:28:44,719
Speaker 1: at the songwriter. It's always interested me who writes on

562
00:28:44,760 --> 00:28:47,280
Speaker 1: some of these songs? And there was one I saw

563
00:28:47,120 --> 00:28:51,320
Speaker 1: two actually one had Bill Withers um track seven. Lying

564
00:28:51,640 --> 00:29:01,200
Speaker 1: plays number seven, right, this is lying I Don't Love You.

565
00:29:09,480 --> 00:29:11,600
Speaker 1: So how does Bill Weather's get on this song. It's

566
00:29:11,600 --> 00:29:13,800
Speaker 1: a long story. Well, we were actually we're in the

567
00:29:13,800 --> 00:29:15,560
Speaker 1: middle of no where. We were playing like a county

568
00:29:15,600 --> 00:29:17,520
Speaker 1: fair or something a couple of years back, and we

569
00:29:17,520 --> 00:29:20,440
Speaker 1: had our buddies out, Jordan Reynolds and Andy Albert. We're

570
00:29:20,480 --> 00:29:23,040
Speaker 1: hanging out. Jordan plays this little thing on piano. We

571
00:29:23,040 --> 00:29:25,760
Speaker 1: weren't even thinking about it. We kind of just freestyled

572
00:29:25,760 --> 00:29:27,720
Speaker 1: the chorus of that song. We wrote the song, we

573
00:29:27,760 --> 00:29:30,080
Speaker 1: demoed the song, and we're kind of listening back. We're

574
00:29:30,080 --> 00:29:32,560
Speaker 1: like that kind of like sound that piano sounds. That's

575
00:29:32,560 --> 00:29:34,600
Speaker 1: the one, two, three, four, four through two one. It's

576
00:29:34,640 --> 00:29:36,360
Speaker 1: like it's the lean on Me sort of thing. We

577
00:29:36,360 --> 00:29:38,200
Speaker 1: weren't thinking about it when we wrote it, but you know,

578
00:29:38,200 --> 00:29:40,440
Speaker 1: it's obviously like one of the best songs ever written,

579
00:29:40,720 --> 00:29:43,560
Speaker 1: one of the biggest, like most recognizable, familiar songs, and

580
00:29:43,600 --> 00:29:45,320
Speaker 1: we're like, you know what or something in the back

581
00:29:45,360 --> 00:29:48,880
Speaker 1: of our minds, we were subconsciously maybe inspired by that

582
00:29:49,240 --> 00:29:51,000
Speaker 1: or motivated by that, and that's maybe that's why we

583
00:29:51,040 --> 00:29:53,840
Speaker 1: connected with the song or the piano riff. So we're like,

584
00:29:53,840 --> 00:29:56,160
Speaker 1: you know what, you know, if if that inspired us

585
00:29:56,200 --> 00:29:57,880
Speaker 1: to write this song, which the top line of the

586
00:29:57,920 --> 00:29:59,960
Speaker 1: song the song itself isn't you know a lot of

587
00:30:00,120 --> 00:30:02,640
Speaker 1: lee on that song, but something about the piano chord.

588
00:30:02,720 --> 00:30:04,840
Speaker 1: So we reached out and we gave him publishing on

589
00:30:04,880 --> 00:30:06,720
Speaker 1: that song. That's pretty cool. By the way, Bill Weather

590
00:30:06,920 --> 00:30:14,320
Speaker 1: lean on me Ain't no Sunshine, um lovely day like great,

591
00:30:14,560 --> 00:30:16,320
Speaker 1: but he's also dead and so when I saw him

592
00:30:16,360 --> 00:30:19,000
Speaker 1: on the song, but well, I hear it in that

593
00:30:19,080 --> 00:30:23,280
Speaker 1: played again ray no no here, take him off. You're

594
00:30:23,280 --> 00:30:26,160
Speaker 1: all ahead, take him off, We'll cut you in. Bob

595
00:30:26,200 --> 00:30:28,240
Speaker 1: is gonna go. He's gonna get his lawyer fight against this.

596
00:30:28,480 --> 00:30:32,040
Speaker 1: I saw Sean Mendez on a song, yeah, body language

597
00:30:32,080 --> 00:30:35,920
Speaker 1: that you Shay Scott Harris, Sean Mendez, and Jordan Reynolds

598
00:30:35,960 --> 00:30:40,480
Speaker 1: wrote now similar or was in a room This was

599
00:30:40,560 --> 00:30:44,280
Speaker 1: we were in the room together. You met Sean Mendes.

600
00:30:44,480 --> 00:30:47,480
Speaker 1: That's what we geek out about. Yeah, I love the

601
00:30:47,520 --> 00:30:49,800
Speaker 1: things like us in the Nashville world, like geek out

602
00:30:49,840 --> 00:30:52,480
Speaker 1: of the same. Like we met Sean Mendes and we're like, hey, dude,

603
00:30:52,520 --> 00:30:54,720
Speaker 1: what's going on? Got touch your hair anyways? Will you?

604
00:30:54,960 --> 00:30:56,560
Speaker 1: So you wrote this with him? We did Yeah and

605
00:30:56,680 --> 00:30:59,200
Speaker 1: Nashville at Jordan's studio and it was it was really

606
00:30:59,200 --> 00:31:00,920
Speaker 1: fun to write that one dude, just kind of being

607
00:31:00,960 --> 00:31:02,560
Speaker 1: there with him. A lot of people you kind of

608
00:31:02,560 --> 00:31:05,040
Speaker 1: wonder in the pop world of like is he truly

609
00:31:05,080 --> 00:31:07,400
Speaker 1: as talented as I want him to be? You know,

610
00:31:07,440 --> 00:31:09,120
Speaker 1: I kind of this this pedestal that I put him on,

611
00:31:09,120 --> 00:31:11,200
Speaker 1: and he was every bit as talented and every bit

612
00:31:11,240 --> 00:31:13,640
Speaker 1: as nice, one of the nicest human beings in the world.

613
00:31:13,680 --> 00:31:15,600
Speaker 1: That was one of my favorite sessions. What a guy.

614
00:31:15,640 --> 00:31:17,320
Speaker 1: I mean, he's an incredible person. I mean, he's a

615
00:31:17,360 --> 00:31:21,240
Speaker 1: tremendously successful, sells out arenas and stadiums, most humble, sweetest

616
00:31:21,280 --> 00:31:25,280
Speaker 1: kid I mean, and insanely talented. What's Camilla with him? No,

617
00:31:25,720 --> 00:31:27,720
Speaker 1: she was not. We all put our heads down, like

618
00:31:29,120 --> 00:31:31,920
Speaker 1: the story got worse. They're like, oh god, that could

619
00:31:31,920 --> 00:31:34,520
Speaker 1: have been such a great story. Here is a clip

620
00:31:34,600 --> 00:31:40,400
Speaker 1: of of that song here. This is body language. Language

621
00:31:40,880 --> 00:31:46,600
Speaker 1: is kidding away, Yeah, shaking because you don't want to

622
00:31:46,640 --> 00:31:54,360
Speaker 1: say that. You don't say yeah, you fine language, He's

623
00:31:54,520 --> 00:32:03,200
Speaker 1: gidding way. Can you imagine slow dancing with Sean Mendez

624
00:32:03,200 --> 00:32:05,480
Speaker 1: to that song? Is that what you guys did? Yeah,

625
00:32:05,480 --> 00:32:08,280
Speaker 1: as you're writing it, that's what the song was. We're like, dude,

626
00:32:08,280 --> 00:32:09,480
Speaker 1: I don't know what to write and like, you guys

627
00:32:09,480 --> 00:32:12,080
Speaker 1: want to dance? Like, who's the coolest famous person? You

628
00:32:12,080 --> 00:32:13,640
Speaker 1: guys have got to spend time with because you it's

629
00:32:13,680 --> 00:32:15,600
Speaker 1: it's every time I'll look, you're with somebody even cooler.

630
00:32:15,640 --> 00:32:17,520
Speaker 1: I mean, you went to Biber's wedding, you got to

631
00:32:17,560 --> 00:32:19,880
Speaker 1: hang out with Sean Mendez. You and Bill Withers are

632
00:32:19,920 --> 00:32:24,840
Speaker 1: just chilling, you know, but move from you guys, did

633
00:32:24,920 --> 00:32:26,520
Speaker 1: do you walk away from and go? Well? That was

634
00:32:26,560 --> 00:32:28,720
Speaker 1: a bit surreal Because we're just a couple of guys

635
00:32:28,720 --> 00:32:31,720
Speaker 1: in Nashville that have been writing songs. This is kind

636
00:32:31,720 --> 00:32:33,360
Speaker 1: of a different perspective on that. But I would say

637
00:32:33,400 --> 00:32:36,160
Speaker 1: the most interesting scenario is Ed Shearing. We all know

638
00:32:36,280 --> 00:32:38,880
Speaker 1: Ed Shearing. You guys have hung out and he is

639
00:32:38,920 --> 00:32:41,320
Speaker 1: probably the biggest superstar on the planet. He there's no

640
00:32:41,360 --> 00:32:43,080
Speaker 1: one more down on earth or humble than that guy.

641
00:32:43,360 --> 00:32:45,320
Speaker 1: He walks into a session or walks. I mean, we

642
00:32:45,320 --> 00:32:46,800
Speaker 1: were hanging out with him. We were we had a

643
00:32:46,840 --> 00:32:49,360
Speaker 1: show and day off. We were in Boston at the

644
00:32:49,360 --> 00:32:52,880
Speaker 1: Garden and he's about to go on. Thousands of screaming fans,

645
00:32:52,960 --> 00:32:55,640
Speaker 1: multiple nights sold out camp. These fans are camped out

646
00:32:55,680 --> 00:32:58,080
Speaker 1: like eight am for the show. We're hanging He's on

647
00:32:58,080 --> 00:32:59,960
Speaker 1: at eight thirty. It's like eight twenty eight. We're just

648
00:33:00,040 --> 00:33:03,320
Speaker 1: showing listening to demos. Backstage, he's into T shirt jeans

649
00:33:03,440 --> 00:33:05,360
Speaker 1: or like, yo, man, he want us to like they

650
00:33:05,360 --> 00:33:07,680
Speaker 1: also you can, you know, get in your zone. He's like, no, no,

651
00:33:07,720 --> 00:33:10,479
Speaker 1: it's so good. Let's keep hanging. Eight twenty nine, He's like, yo, man,

652
00:33:10,560 --> 00:33:11,640
Speaker 1: you guys want to meet me back here in like

653
00:33:11,680 --> 00:33:14,200
Speaker 1: an hour and a half. Sure, literally walks right from

654
00:33:14,240 --> 00:33:16,040
Speaker 1: that room to the stage like we didn't know, like

655
00:33:16,080 --> 00:33:17,400
Speaker 1: we didn't know what he was going to do, Like

656
00:33:17,400 --> 00:33:19,360
Speaker 1: I gotta I gotta take care of something. I'll be

657
00:33:19,360 --> 00:33:23,480
Speaker 1: back okay. And you know how like most people kind

658
00:33:23,480 --> 00:33:25,440
Speaker 1: of have their their entourage, like a lot of these

659
00:33:25,640 --> 00:33:27,840
Speaker 1: very famous people like it walks around and they walk

660
00:33:27,880 --> 00:33:29,600
Speaker 1: as a unit where it's like it feels like a

661
00:33:29,640 --> 00:33:32,480
Speaker 1: Transformers machine with all these guys around him, and it's

662
00:33:32,520 --> 00:33:34,200
Speaker 1: like a he walked in there like he might have

663
00:33:34,200 --> 00:33:35,840
Speaker 1: just come from like oh hey guys, like it was

664
00:33:35,880 --> 00:33:38,200
Speaker 1: he was the only guy backstage, like I saw no

665
00:33:38,360 --> 00:33:40,640
Speaker 1: because he didn't have a band. It's just him up there,

666
00:33:40,960 --> 00:33:42,800
Speaker 1: so which you know, he was probably stoked that we

667
00:33:42,800 --> 00:33:44,360
Speaker 1: were there because he's like, did You're the first people

668
00:33:44,360 --> 00:33:47,240
Speaker 1: will seeing in months? It was so glad he came here.

669
00:33:47,480 --> 00:33:49,280
Speaker 1: It was not to keep bringing up the wedding. But

670
00:33:49,320 --> 00:33:51,800
Speaker 1: there's a presence about Ronnie Dunn there is there's just

671
00:33:51,800 --> 00:33:54,400
Speaker 1: this presence. His voice first of all, is incredible, I

672
00:33:54,400 --> 00:33:56,680
Speaker 1: mean just unreal. But when he walks in the room,

673
00:33:56,720 --> 00:33:58,560
Speaker 1: there's just some sort of presence there, there's like an

674
00:33:58,600 --> 00:34:01,560
Speaker 1: error around him. Do you feel that you're him? We are?

675
00:34:01,640 --> 00:34:04,400
Speaker 1: So he Ronnie. That's a good one, right, Like I

676
00:34:04,440 --> 00:34:06,280
Speaker 1: can't believe when I get to spend time with Ronnie

677
00:34:06,320 --> 00:34:08,719
Speaker 1: Dune because Brooks and Dunne was such a big part

678
00:34:08,760 --> 00:34:12,840
Speaker 1: of my childhood and the fact that and I didn't.

679
00:34:13,080 --> 00:34:14,400
Speaker 1: The thing with Ronnie was like hey, he's like, hey,

680
00:34:14,440 --> 00:34:16,200
Speaker 1: what do you want as a gift he asked. He

681
00:34:16,280 --> 00:34:17,920
Speaker 1: was like, I don't know what to get you. And

682
00:34:18,040 --> 00:34:21,040
Speaker 1: I was like, I don't know, why don't just show up?

683
00:34:21,600 --> 00:34:23,799
Speaker 1: And he's like, how about a song? And I was like,

684
00:34:23,920 --> 00:34:26,000
Speaker 1: oh my goodness, Like you didn't even want to like

685
00:34:26,080 --> 00:34:28,480
Speaker 1: ask that like that. I wasn't going to ask that,

686
00:34:29,160 --> 00:34:31,720
Speaker 1: you know, I wasn't. And I was like, that sounds

687
00:34:31,719 --> 00:34:33,839
Speaker 1: a great because which one? And then I was like, well,

688
00:34:33,880 --> 00:34:35,200
Speaker 1: if I ask for Neil on Moon, that's not a

689
00:34:35,200 --> 00:34:36,960
Speaker 1: love song, but that's the greatest song in my opinion.

690
00:34:37,280 --> 00:34:39,640
Speaker 1: And I was like Neil, He's like, okay, cool, no problem,

691
00:34:39,680 --> 00:34:42,120
Speaker 1: I see there. It was. That was one of the

692
00:34:42,120 --> 00:34:44,480
Speaker 1: coolest moments in my life. Dude, What was the best

693
00:34:44,560 --> 00:34:49,200
Speaker 1: night of your life? The wedding Bobby's wedding, Like, oh, yeah, no,

694
00:34:49,280 --> 00:34:51,360
Speaker 1: you're wedding his verse. I didn't say that. There was

695
00:34:51,400 --> 00:34:56,200
Speaker 1: actually someone else's. The Friday morning conversation and shake you

696
00:34:56,200 --> 00:34:59,279
Speaker 1: guys don't come off the road, which is a bit

697
00:34:59,320 --> 00:35:02,920
Speaker 1: weird for a now. I Shaville touring the organization, you know, you,

698
00:35:02,920 --> 00:35:05,319
Speaker 1: your band, your group. I mean you do like rock

699
00:35:05,360 --> 00:35:07,920
Speaker 1: star touring where it's not you're just gone on Friday,

700
00:35:07,960 --> 00:35:10,080
Speaker 1: Saturday and come back, you stay out on the road.

701
00:35:10,480 --> 00:35:12,600
Speaker 1: But you guys have always done that pretty much. Yeah,

702
00:35:12,640 --> 00:35:14,440
Speaker 1: I mean we've we've kind of came up doing like

703
00:35:14,719 --> 00:35:16,160
Speaker 1: there was one year I remember we did like two

704
00:35:16,280 --> 00:35:18,799
Speaker 1: hundred and seventy shows or something, and I look, I

705
00:35:18,880 --> 00:35:20,239
Speaker 1: saw that on paper, and I was like, you gotta

706
00:35:20,239 --> 00:35:22,799
Speaker 1: be kidding me, dude. We're out of our minds, man.

707
00:35:23,120 --> 00:35:25,560
Speaker 1: And that's you know, obviously, the bigger you get, the

708
00:35:25,600 --> 00:35:27,400
Speaker 1: more songs that you have out there. You don't have

709
00:35:27,440 --> 00:35:29,920
Speaker 1: to do two hundred and seventy because that's crazy and

710
00:35:29,920 --> 00:35:32,160
Speaker 1: we would be able to have families. But it is, man,

711
00:35:32,200 --> 00:35:34,200
Speaker 1: we like to get out there. We have the opportunity

712
00:35:34,200 --> 00:35:37,960
Speaker 1: to go, you know, fingers crossed this year again to

713
00:35:38,000 --> 00:35:39,319
Speaker 1: be able to be out there on the road, and

714
00:35:39,680 --> 00:35:41,200
Speaker 1: that's a huge deal. Man. That's kind of the full

715
00:35:41,239 --> 00:35:43,359
Speaker 1: circle moment of what you get to do. It's kind

716
00:35:43,360 --> 00:35:45,600
Speaker 1: of the final step of you write the song, he

717
00:35:45,640 --> 00:35:48,080
Speaker 1: gets on the radio and people hear it and consume it,

718
00:35:48,080 --> 00:35:50,840
Speaker 1: and then you actually get to You can't ever judge

719
00:35:50,880 --> 00:35:54,120
Speaker 1: the response of the passion of a song until you

720
00:35:54,160 --> 00:35:55,959
Speaker 1: get out on the road, which is something we didn't

721
00:35:56,000 --> 00:35:57,520
Speaker 1: have with I should probably go to bed that song

722
00:35:57,560 --> 00:36:00,319
Speaker 1: went up the charts without us playing a single show,

723
00:36:00,320 --> 00:36:02,080
Speaker 1: which was kind of crazy. And you can always tell

724
00:36:02,360 --> 00:36:04,200
Speaker 1: when the song is climbing up the radio charts when

725
00:36:04,200 --> 00:36:05,759
Speaker 1: you're on the road and they start to kind of

726
00:36:05,760 --> 00:36:08,200
Speaker 1: sing it back louder and louder, But you can't really,

727
00:36:08,440 --> 00:36:10,759
Speaker 1: you know, you can't judge that based on just sing

728
00:36:10,760 --> 00:36:12,560
Speaker 1: it go up the chart. You're just like a hope

729
00:36:12,560 --> 00:36:14,800
Speaker 1: that people like the song and know the song, and

730
00:36:14,840 --> 00:36:17,000
Speaker 1: that's like the final step of being out there and

731
00:36:17,040 --> 00:36:19,920
Speaker 1: being able to experience the fans like passion for a

732
00:36:19,960 --> 00:36:22,160
Speaker 1: particular song. How was that song when you guys played it,

733
00:36:22,160 --> 00:36:24,960
Speaker 1: I'm assuming it killed tribal Dude, It's crazy. I couldn't.

734
00:36:24,960 --> 00:36:27,640
Speaker 1: Absolutely insane. It was like when Tequila was at its peak.

735
00:36:27,680 --> 00:36:30,480
Speaker 1: It was insane. We I mean we teed it up

736
00:36:30,520 --> 00:36:32,000
Speaker 1: right at the top of the encore. We come out,

737
00:36:32,040 --> 00:36:33,640
Speaker 1: it's a whole thing, but it was, I mean, it

738
00:36:33,680 --> 00:36:36,080
Speaker 1: was like, it was crazy. Will you ever not do

739
00:36:36,120 --> 00:36:39,839
Speaker 1: an encore let's say the crowd sucks. Yeah, we've done

740
00:36:39,840 --> 00:36:42,680
Speaker 1: that before, because you don't owe that an encore, you

741
00:36:42,760 --> 00:36:45,480
Speaker 1: really don't. I saw we usually put Tequila in the

742
00:36:45,560 --> 00:36:48,240
Speaker 1: encore because so they're like they'd be pretty pretty ticked

743
00:36:48,239 --> 00:36:50,799
Speaker 1: off if we didn't do an encore or didn't Is

744
00:36:50,800 --> 00:36:53,240
Speaker 1: that a conversation like, hey, do you under the encore?

745
00:36:53,320 --> 00:36:54,920
Speaker 1: Or is it more of a conversation like, hey, I

746
00:36:54,920 --> 00:36:57,640
Speaker 1: don't feel like doing the encore? The encore is a

747
00:36:57,680 --> 00:37:00,200
Speaker 1: tough thing. It's it's a little goofy to go off stage.

748
00:37:00,000 --> 00:37:02,000
Speaker 1: It's like a little bit you're boosting yourself on too

749
00:37:02,080 --> 00:37:04,239
Speaker 1: much of a pedestal. But it's just part of the gig,

750
00:37:04,280 --> 00:37:06,000
Speaker 1: you know what I mean. I think you kind of

751
00:37:06,040 --> 00:37:07,160
Speaker 1: have to do it. It It adds a little bit of

752
00:37:07,239 --> 00:37:10,880
Speaker 1: drama to the show that we go off stage. They're chanting,

753
00:37:10,920 --> 00:37:13,799
Speaker 1: and we're back there like, okay, changing our sweaty clothes.

754
00:37:13,880 --> 00:37:15,480
Speaker 1: They know who we are, all right, great, it's great.

755
00:37:15,520 --> 00:37:17,399
Speaker 1: What if they don't chant though? That would be mine? Yeah,

756
00:37:17,680 --> 00:37:19,480
Speaker 1: Well then you sprint to the bathroom and you never

757
00:37:19,560 --> 00:37:21,960
Speaker 1: come back there again. Do you know? There have been

758
00:37:22,000 --> 00:37:24,320
Speaker 1: a couple of shows where, you know, we would do

759
00:37:24,360 --> 00:37:26,319
Speaker 1: our little dopey thing, but they would turn the lights

760
00:37:26,320 --> 00:37:29,359
Speaker 1: on immediately thinking that what you were done? We were done? Yeah,

761
00:37:29,400 --> 00:37:31,359
Speaker 1: and so you don't but I'm missing me. You guys

762
00:37:31,400 --> 00:37:33,160
Speaker 1: run the light guys too, now, at this point it's

763
00:37:33,160 --> 00:37:35,120
Speaker 1: a whole thing. I mean, it's it's definitely like it's

764
00:37:35,160 --> 00:37:38,520
Speaker 1: pretty clear that like we're not done. We haven't played

765
00:37:38,600 --> 00:37:41,480
Speaker 1: like some of our biggest songs. So like unless there's

766
00:37:41,480 --> 00:37:43,200
Speaker 1: like one guy like, well, I guess that's it. If

767
00:37:43,239 --> 00:37:46,320
Speaker 1: you see, it's like we have some like some undertones

768
00:37:46,360 --> 00:37:48,400
Speaker 1: of like I don't think like we can't see you

769
00:37:48,440 --> 00:37:50,120
Speaker 1: to get out here, Like some people might want to leave,

770
00:37:50,160 --> 00:37:52,560
Speaker 1: but they're like I literally can't see anything right now.

771
00:37:52,600 --> 00:37:54,480
Speaker 1: So the key is to finish the first part of

772
00:37:54,520 --> 00:37:56,960
Speaker 1: the set with the song that nobody likes. Clearly they're

773
00:37:57,000 --> 00:38:03,759
Speaker 1: not gonna end with it. I'm not gonna say yeah,

774
00:38:03,800 --> 00:38:08,759
Speaker 1: all right, name this song in one note from the

775
00:38:08,800 --> 00:38:12,520
Speaker 1: ground up? Nice wow, name this song in one note?

776
00:38:14,800 --> 00:38:16,400
Speaker 1: Glad you exists? Oh that was glad you? Because I

777
00:38:16,400 --> 00:38:18,960
Speaker 1: almost said, can't say no for a second? Exist? All right,

778
00:38:18,960 --> 00:38:20,600
Speaker 1: you've now been banished from the room. Shay. Well, hey,

779
00:38:20,600 --> 00:38:21,719
Speaker 1: I'll be kind of talk to you in the kitchen

780
00:38:21,719 --> 00:38:24,040
Speaker 1: real quick. Hey, glad you existing me number one? This week?

781
00:38:24,239 --> 00:38:27,319
Speaker 1: Let's go angers cross your How does that get timed

782
00:38:27,320 --> 00:38:30,399
Speaker 1: out like this? Let's how does it get timed out

783
00:38:30,400 --> 00:38:32,960
Speaker 1: that the week you put out a record song goes

784
00:38:33,040 --> 00:38:35,480
Speaker 1: number one, it's almost like goes is that you guys

785
00:38:35,640 --> 00:38:37,240
Speaker 1: kind I mean, you try to plan it, You try

786
00:38:37,239 --> 00:38:38,920
Speaker 1: it the best you can. You you kind of forecast

787
00:38:38,960 --> 00:38:40,400
Speaker 1: the chart, you look at it, you see, well, this

788
00:38:40,480 --> 00:38:42,920
Speaker 1: is probably gonna go. You know, Luke Combs will probably

789
00:38:42,920 --> 00:38:44,440
Speaker 1: get a few in there before we get this one

790
00:38:44,440 --> 00:38:49,239
Speaker 1: all the way up there. You know, yeah for sure,

791
00:38:49,400 --> 00:38:50,920
Speaker 1: but you know, you try to plan it the best

792
00:38:50,960 --> 00:38:52,760
Speaker 1: you can, but you never know. But we we're grateful

793
00:38:52,760 --> 00:38:54,560
Speaker 1: for the support of country radio, for you guys playing

794
00:38:54,560 --> 00:38:57,000
Speaker 1: the music and getting there, because at any given points,

795
00:38:57,000 --> 00:38:58,840
Speaker 1: somebody could be like, yeah, I don't like glad you exist,

796
00:38:59,160 --> 00:39:01,759
Speaker 1: I'm pulling it and then foils the whole plan. But

797
00:39:01,800 --> 00:39:03,880
Speaker 1: I mean, the timing is absolutely perfect on this, So

798
00:39:04,080 --> 00:39:06,360
Speaker 1: hats off to you guys and to our team for

799
00:39:06,440 --> 00:39:08,120
Speaker 1: making I mean, it's it's tough to line that up

800
00:39:08,160 --> 00:39:10,399
Speaker 1: because it could have very easily been like the week

801
00:39:10,440 --> 00:39:12,880
Speaker 1: after or either week before, because you really don't know

802
00:39:12,920 --> 00:39:15,320
Speaker 1: if you go earlier or you happen to get jumped.

803
00:39:15,400 --> 00:39:17,600
Speaker 1: There's not really and it's not you're gonna move the album,

804
00:39:18,000 --> 00:39:20,920
Speaker 1: you know, three weeks you know before the album, like

805
00:39:20,960 --> 00:39:23,719
Speaker 1: all right, we're gonna move it. It's a tough conversation too. Strategically,

806
00:39:23,760 --> 00:39:25,720
Speaker 1: if we're still in Glad you exist and we're pushing

807
00:39:25,760 --> 00:39:27,600
Speaker 1: that for eight more weeks, then you kind of lose

808
00:39:27,680 --> 00:39:30,520
Speaker 1: the initial hype of a new single, new album, that

809
00:39:30,719 --> 00:39:33,439
Speaker 1: kind of impact moment. So the timing is really good

810
00:39:33,440 --> 00:39:36,160
Speaker 1: on this one controversial opinion that I'm going to say,

811
00:39:36,200 --> 00:39:37,279
Speaker 1: and you guess can tell me if you agree with

812
00:39:37,320 --> 00:39:39,840
Speaker 1: it or not. And it may be not controversial to

813
00:39:40,000 --> 00:39:44,760
Speaker 1: you guys privately, but I'm feeling like at some point

814
00:39:44,920 --> 00:39:46,920
Speaker 1: you have to start to be considered even as a

815
00:39:47,000 --> 00:39:51,160
Speaker 1: duo for Entertainer of the Year. Thank you for saying that.

816
00:39:51,200 --> 00:39:54,720
Speaker 1: Thank you that is It's just it's hard to deny

817
00:39:54,920 --> 00:39:59,360
Speaker 1: the success that you guys have, not just in number ones,

818
00:40:00,040 --> 00:40:03,000
Speaker 1: but also in touring and also in what you do

819
00:40:03,040 --> 00:40:06,120
Speaker 1: on social media, and it's what the entertainer category should be.

820
00:40:06,520 --> 00:40:08,560
Speaker 1: I would say you do that as well, if not

821
00:40:08,680 --> 00:40:12,200
Speaker 1: better than anyone. You know. The only other person I

822
00:40:12,200 --> 00:40:14,359
Speaker 1: would argue should for sure be on there being there

823
00:40:14,360 --> 00:40:16,319
Speaker 1: you mentioned was Luke Combs. I voted for him, right,

824
00:40:16,360 --> 00:40:18,279
Speaker 1: I voted for him. I pulled up a thing, didn't

825
00:40:18,320 --> 00:40:20,000
Speaker 1: see our name on it and voted for Luke Combs.

826
00:40:20,600 --> 00:40:23,520
Speaker 1: But and it maybe awkward for you to answer this,

827
00:40:23,560 --> 00:40:26,120
Speaker 1: but why do you guys think you're not considered in

828
00:40:26,120 --> 00:40:28,759
Speaker 1: this category that I feel you should be one of

829
00:40:28,760 --> 00:40:31,600
Speaker 1: the top two in this category? I don't. I don't

830
00:40:31,600 --> 00:40:33,520
Speaker 1: know why. I mean, I feel like it's, you know,

831
00:40:33,600 --> 00:40:35,279
Speaker 1: not just like fighting for ourselves. But I do think

832
00:40:35,280 --> 00:40:37,879
Speaker 1: that it should be talked about, not like for our sake,

833
00:40:37,960 --> 00:40:41,040
Speaker 1: but for the coming duos in groups in the in

834
00:40:41,080 --> 00:40:44,640
Speaker 1: the future of you know, of that being a category.

835
00:40:44,640 --> 00:40:46,239
Speaker 1: I don't know that's something that should be talked about.

836
00:40:46,239 --> 00:40:48,600
Speaker 1: Probably do you think it's the duo part? No, I

837
00:40:48,640 --> 00:40:50,600
Speaker 1: don't think it's a duo part. I mean it's it's tough.

838
00:40:50,600 --> 00:40:53,000
Speaker 1: The award shows are all tough. It's the criteria for

839
00:40:53,040 --> 00:40:56,000
Speaker 1: award shows is we've we've lost a lot of awards

840
00:40:56,040 --> 00:40:58,120
Speaker 1: more than we've won. We've been lucky to win a few,

841
00:40:58,160 --> 00:41:00,160
Speaker 1: and we're grateful for that. We're so grateful. It's it's

842
00:41:00,160 --> 00:41:01,959
Speaker 1: a huge moment for us, big win for the team.

843
00:41:02,040 --> 00:41:04,880
Speaker 1: But you can't you can't live and die by an award.

844
00:41:04,920 --> 00:41:06,880
Speaker 1: I think the real win for us, and I'm not

845
00:41:07,080 --> 00:41:09,480
Speaker 1: saying this is being able to come in here, talk

846
00:41:09,480 --> 00:41:11,240
Speaker 1: to you. Guys. Have a song that gets on the radio,

847
00:41:11,400 --> 00:41:14,000
Speaker 1: be able to go out play shows, have people show

848
00:41:14,120 --> 00:41:16,279
Speaker 1: up sing the words back after the song has been

849
00:41:16,280 --> 00:41:18,840
Speaker 1: out for six days or whatever it is, or you

850
00:41:19,040 --> 00:41:20,480
Speaker 1: just do music for a living man. I mean, that's

851
00:41:20,480 --> 00:41:22,040
Speaker 1: what we dreamed of our entire lives. And to be

852
00:41:22,080 --> 00:41:24,239
Speaker 1: able to support our families to do what we love

853
00:41:24,239 --> 00:41:26,600
Speaker 1: every single day. That's that's a huge win. And the

854
00:41:26,600 --> 00:41:28,759
Speaker 1: awards shows are tough. It's like, you know, it's there's

855
00:41:28,760 --> 00:41:30,879
Speaker 1: always going to be somebody who you think deserves to win.

856
00:41:30,960 --> 00:41:33,840
Speaker 1: Even you know, if Luke Combs wins that, you still

857
00:41:33,880 --> 00:41:37,080
Speaker 1: got Garth out there, who was you know, or Chesney

858
00:41:37,200 --> 00:41:39,600
Speaker 1: or Eric Church or Keith or any of these folks

859
00:41:39,640 --> 00:41:42,719
Speaker 1: out there Blake who were selling arenas or stadiums out

860
00:41:42,760 --> 00:41:45,000
Speaker 1: every single night. And it's like so many people deserve

861
00:41:45,040 --> 00:41:46,719
Speaker 1: to win that, and only one person can win, or

862
00:41:46,800 --> 00:41:49,320
Speaker 1: only five can be nominated, and there's always going to

863
00:41:49,360 --> 00:41:51,359
Speaker 1: be a sixth person doesn't get in there, and it's

864
00:41:51,360 --> 00:41:53,560
Speaker 1: always going to be controversy about that. But yeah, I

865
00:41:53,600 --> 00:41:55,320
Speaker 1: don't know. And the worst thing that can happen to

866
00:41:55,400 --> 00:41:57,600
Speaker 1: you is that the people that think that you deserve

867
00:41:57,719 --> 00:41:59,600
Speaker 1: to think that in their minds, and that's still a

868
00:41:59,600 --> 00:42:02,759
Speaker 1: win that you have people who advocate for you for that,

869
00:42:02,800 --> 00:42:05,239
Speaker 1: which is like like Dan said, that is you can't

870
00:42:05,280 --> 00:42:06,960
Speaker 1: live and die by it, you know, but it's we're

871
00:42:06,960 --> 00:42:09,480
Speaker 1: are very thankful, but it's just, yeah, we're thankful that

872
00:42:09,520 --> 00:42:13,000
Speaker 1: people like you would even say that. I listen, I know,

873
00:42:13,040 --> 00:42:15,919
Speaker 1: you guys a cute answer, but here's the thing. You're cute, yes,

874
00:42:16,320 --> 00:42:18,880
Speaker 1: I just I know that I would be disappointed if

875
00:42:18,920 --> 00:42:22,480
Speaker 1: I was crushing everything and not it wasn't coming back

876
00:42:22,520 --> 00:42:25,040
Speaker 1: even partially coming back to me. So I'll say that.

877
00:42:25,040 --> 00:42:26,440
Speaker 1: You guys want to say, you can smile and say

878
00:42:26,480 --> 00:42:29,759
Speaker 1: the political answer. It's all good like smiling. But I

879
00:42:29,800 --> 00:42:32,200
Speaker 1: think I think that there's an injustice with a few

880
00:42:32,280 --> 00:42:36,600
Speaker 1: artists because I think our format holds onto legendary acts

881
00:42:36,640 --> 00:42:39,320
Speaker 1: longer than they should and keep some in current positions.

882
00:42:39,960 --> 00:42:42,160
Speaker 1: There should be like a category of like, hey, you're

883
00:42:42,160 --> 00:42:44,040
Speaker 1: old and still cool. How do we not have that?

884
00:42:44,040 --> 00:42:46,560
Speaker 1: For sure? I think it. I think that is very

885
00:42:46,560 --> 00:42:48,480
Speaker 1: true because the reality of it is is that we're

886
00:42:48,480 --> 00:42:50,520
Speaker 1: going to be there one day and I will have

887
00:42:50,560 --> 00:42:52,440
Speaker 1: the same stance then of just like there always has

888
00:42:52,480 --> 00:42:55,520
Speaker 1: to be something fresh that is coming out, and so

889
00:42:55,680 --> 00:42:58,680
Speaker 1: it's a conversation that always has to be ever changing. Enough,

890
00:42:58,840 --> 00:43:02,480
Speaker 1: Like these conversations haven't and haven't happened because they're you know,

891
00:43:02,680 --> 00:43:05,080
Speaker 1: they just haven't happened, and I feel like they probably

892
00:43:05,120 --> 00:43:07,840
Speaker 1: need to. I do want to talk about dancing for

893
00:43:07,880 --> 00:43:10,040
Speaker 1: a second, because I was an awkward dancer and I

894
00:43:10,040 --> 00:43:12,239
Speaker 1: did a whole dance show. We've got we've all got

895
00:43:12,239 --> 00:43:15,360
Speaker 1: that in common. But but I watch both of you dance,

896
00:43:15,920 --> 00:43:18,799
Speaker 1: and right, none of us are trained dancers, nor do

897
00:43:18,840 --> 00:43:22,239
Speaker 1: we claim to be. But in the video, I feel like, Dan,

898
00:43:22,360 --> 00:43:25,719
Speaker 1: you're a bit reluctant, and Shay you are you love it.

899
00:43:26,560 --> 00:43:28,160
Speaker 1: I was born for that, That's what I say. I

900
00:43:28,160 --> 00:43:30,040
Speaker 1: feel like when I watch you like you feel like

901
00:43:30,280 --> 00:43:33,040
Speaker 1: you are you. You're just waiting for your shot to dance.

902
00:43:33,160 --> 00:43:36,920
Speaker 1: You know. I've been sitting in the wings, dancing at home,

903
00:43:37,040 --> 00:43:40,319
Speaker 1: spending seventeen hours a day dance in the studio. I'm

904
00:43:40,360 --> 00:43:42,360
Speaker 1: also in the studio, but of a different kind. But

905
00:43:42,440 --> 00:43:45,880
Speaker 1: do you like dancing, Shane, No, I've I honestly, my

906
00:43:45,960 --> 00:43:48,520
Speaker 1: sister danced. Gabby danced a lot like as we were

907
00:43:48,520 --> 00:43:51,160
Speaker 1: growing up. She like would do choreography and stuff, and

908
00:43:51,200 --> 00:43:53,080
Speaker 1: I'm not gonna lie like there was like some a

909
00:43:53,440 --> 00:43:56,080
Speaker 1: point there for probably like a good six months where

910
00:43:56,120 --> 00:43:58,120
Speaker 1: I was like maybe a ten or eleven where I'd

911
00:43:58,160 --> 00:43:59,239
Speaker 1: sit in front of the mirror and just be like

912
00:44:00,239 --> 00:44:02,520
Speaker 1: and it was horrible, But I felt I always kind

913
00:44:02,520 --> 00:44:04,120
Speaker 1: of like to move and dance and do that kind

914
00:44:04,120 --> 00:44:07,080
Speaker 1: of stuff. So yeah, I don't know. I feel I

915
00:44:07,080 --> 00:44:08,640
Speaker 1: feel like I'm not great at it, but I feel

916
00:44:08,640 --> 00:44:11,280
Speaker 1: like I could maybe get better. I feel like I'm training.

917
00:44:11,360 --> 00:44:13,560
Speaker 1: I can see in your eyes you like to dance. Yeah,

918
00:44:13,760 --> 00:44:15,440
Speaker 1: you could have put those on me, aren't you. I

919
00:44:15,520 --> 00:44:18,319
Speaker 1: just like, dude, you are a dancing that's it. If

920
00:44:18,320 --> 00:44:20,280
Speaker 1: you don't like it, you could get out. But Bobby,

921
00:44:20,320 --> 00:44:22,279
Speaker 1: after working with professional dance, do you have a new

922
00:44:22,280 --> 00:44:24,440
Speaker 1: founder appreciation for when you see it on TV or

923
00:44:24,480 --> 00:44:28,040
Speaker 1: a movie ors? I mean, those pro it's nuts, crazy

924
00:44:28,440 --> 00:44:30,239
Speaker 1: what I'm saying. I did Dance with the Stars. First

925
00:44:30,280 --> 00:44:32,520
Speaker 1: day I saw Shanna dance, I was like, oh yeah,

926
00:44:32,600 --> 00:44:35,080
Speaker 1: because she like one World Championships and I was like, oh,

927
00:44:35,120 --> 00:44:36,799
Speaker 1: you're like a world class printer, or you're like a

928
00:44:36,800 --> 00:44:39,120
Speaker 1: baseball player or like insane. We just have not been

929
00:44:39,120 --> 00:44:40,880
Speaker 1: exposed how hard it is to do that. Yeah, and

930
00:44:40,960 --> 00:44:43,080
Speaker 1: the mental capacity of it too, to memorize every step.

931
00:44:43,120 --> 00:44:45,239
Speaker 1: You miss one step and you're tripping on somebody or

932
00:44:45,320 --> 00:44:47,319
Speaker 1: I did that a lot, especially with a group with

933
00:44:47,400 --> 00:44:50,000
Speaker 1: a group of people. Whenever you watch those like big

934
00:44:50,080 --> 00:44:52,600
Speaker 1: dances and they're doing these really intricate things and there's

935
00:44:52,640 --> 00:44:55,400
Speaker 1: one person that you're like, they're doing a flip. It's like,

936
00:44:55,400 --> 00:44:58,239
Speaker 1: if you're an inch too close, you're getting a foot

937
00:44:58,280 --> 00:45:00,520
Speaker 1: to the face. And it's pretty one person. If you

938
00:45:00,520 --> 00:45:02,040
Speaker 1: messed up, you gotta do it all over again. Yeah,

939
00:45:02,040 --> 00:45:04,000
Speaker 1: I can say this here because you know, I'm just

940
00:45:04,040 --> 00:45:06,600
Speaker 1: gonna say. We got a video coming out next week,

941
00:45:06,880 --> 00:45:09,680
Speaker 1: the Steel My Love music video. It's insane, the craziest

942
00:45:09,760 --> 00:45:12,640
Speaker 1: video we've ever done. A lot of choreography, dancers, the

943
00:45:12,640 --> 00:45:14,560
Speaker 1: whole deal. There was a guy doing a flip in

944
00:45:14,600 --> 00:45:16,879
Speaker 1: the front right. He's got this like briefcase thing. It's

945
00:45:16,880 --> 00:45:19,640
Speaker 1: a whole dramatic scene and he does this like flying

946
00:45:19,680 --> 00:45:22,239
Speaker 1: front flip and you're literally like six inches from this guy.

947
00:45:22,560 --> 00:45:24,799
Speaker 1: You take one wrong misstep, he's taken out. Well. I

948
00:45:24,840 --> 00:45:27,040
Speaker 1: did that was a personal story. I took it like

949
00:45:27,120 --> 00:45:29,279
Speaker 1: to the chest, full on and I had to act

950
00:45:29,280 --> 00:45:31,319
Speaker 1: like it was because there's all these people around, you know,

951
00:45:31,320 --> 00:45:32,960
Speaker 1: and they're dancing like we're dancers, and I was, let

952
00:45:33,000 --> 00:45:36,520
Speaker 1: me do it. And I got like two close and

953
00:45:36,560 --> 00:45:38,239
Speaker 1: this guy's doing a full on flip and he had

954
00:45:38,280 --> 00:45:40,600
Speaker 1: done it like six times already, and he flipped and

955
00:45:40,640 --> 00:45:42,400
Speaker 1: his leg came and it was like a karad like

956
00:45:42,440 --> 00:45:44,359
Speaker 1: when you see them flip and you see the people

957
00:45:44,360 --> 00:45:46,600
Speaker 1: were like whoa and they get kicked in the karate movies.

958
00:45:46,880 --> 00:45:48,560
Speaker 1: I felt like that because it smacked me right in

959
00:45:48,600 --> 00:45:50,480
Speaker 1: the chest and he landed it and like acted like

960
00:45:50,520 --> 00:45:52,200
Speaker 1: nothing would happen, and so I like stand there. I'm

961
00:45:52,200 --> 00:45:55,560
Speaker 1: like you do like the Olympic athlete thing where they

962
00:45:55,560 --> 00:45:58,640
Speaker 1: stick the landing and they're just like and I done that.

963
00:45:58,719 --> 00:46:00,560
Speaker 1: I was like, I may die. I was go looking

964
00:46:00,560 --> 00:46:02,719
Speaker 1: down as be a whole bunch. I mean it was.

965
00:46:03,040 --> 00:46:05,279
Speaker 1: It was crazy, but I mean me being a dancer,

966
00:46:05,320 --> 00:46:06,719
Speaker 1: it's what you got to do with in my line

967
00:46:06,719 --> 00:46:09,479
Speaker 1: of work. The new records out today, Good Things. It's

968
00:46:09,520 --> 00:46:12,000
Speaker 1: their fourth studio album. I'm Glad You Exist will be

969
00:46:12,080 --> 00:46:14,359
Speaker 1: number one this week. Everything's coming up Dan and Shay

970
00:46:14,440 --> 00:46:17,000
Speaker 1: for sure right now out on the road. I mean

971
00:46:17,080 --> 00:46:19,439
Speaker 1: I looked at the tour dates, and I mean it's

972
00:46:19,520 --> 00:46:21,720
Speaker 1: it's most days you guys are gone a lot, It's

973
00:46:21,719 --> 00:46:23,600
Speaker 1: it is a last a lot. Well as I always

974
00:46:23,640 --> 00:46:26,560
Speaker 1: say to you guys, and only to you guys, I

975
00:46:26,680 --> 00:46:30,520
Speaker 1: like you for I don't say that to anybody. Hey,

976
00:46:30,520 --> 00:46:33,960
Speaker 1: remember with John Stamos commented on you guys videos unreal Ran,

977
00:46:34,040 --> 00:46:35,480
Speaker 1: I was in the studio, I ran, and I was like,

978
00:46:35,480 --> 00:46:37,640
Speaker 1: have you gonna check this out? Crazy me too. I

979
00:46:37,680 --> 00:46:40,040
Speaker 1: was like, John Stamos is coming on my Twitter about

980
00:46:40,120 --> 00:46:41,839
Speaker 1: Dan and Jay saying it wasn't even about me at all.

981
00:46:42,160 --> 00:46:44,040
Speaker 1: They were They was like, man, this is giving me goosebumps.

982
00:46:44,040 --> 00:46:45,920
Speaker 1: And also he knows who we are. This is insane,

983
00:46:46,160 --> 00:46:49,719
Speaker 1: all right, Partner follow them at Dan and Shay go

984
00:46:49,760 --> 00:46:51,640
Speaker 1: see them on the road. They are fantastic. The new

985
00:46:51,680 --> 00:46:53,799
Speaker 1: records out today. Thank you guys for coming in. Thank you,

986
00:46:53,800 --> 00:46:57,200
Speaker 1: We'll see you soon. It's the best bits of the

987
00:46:57,239 --> 00:47:02,480
Speaker 1: week with Morgan number two. This week, we talked about

988
00:47:02,520 --> 00:47:06,040
Speaker 1: the songs that got released each year the show members

989
00:47:06,080 --> 00:47:09,239
Speaker 1: got their driver's license, so this was from nineteen ninety

990
00:47:09,239 --> 00:47:11,399
Speaker 1: five to two thousand and nine, all across the board.

991
00:47:11,440 --> 00:47:14,200
Speaker 1: Because we're all different ages, right, Eddie's the oldest. I'm

992
00:47:14,239 --> 00:47:17,320
Speaker 1: the youngest. So we talked about a lot of these songs.

993
00:47:17,360 --> 00:47:19,560
Speaker 1: And for my year, which was two thousand and nine

994
00:47:19,600 --> 00:47:22,480
Speaker 1: and I was fifteen when I got my like driver's permit,

995
00:47:22,920 --> 00:47:25,000
Speaker 1: and the song was I Got a Feeling by Black

996
00:47:25,040 --> 00:47:29,400
Speaker 1: Eyed Peace. That's a good yes. But one of my

997
00:47:29,440 --> 00:47:31,839
Speaker 1: favorite things to do is like jam in the car,

998
00:47:32,120 --> 00:47:34,040
Speaker 1: especially when I'm like going through something, I just want

999
00:47:34,040 --> 00:47:36,719
Speaker 1: to jam in the car. What do you think is

1000
00:47:36,719 --> 00:47:41,520
Speaker 1: like such a good car jam song? Oh? Man, one

1001
00:47:41,640 --> 00:47:45,000
Speaker 1: right now is Olivia Rodriguez. Good for you? Oh? I

1002
00:47:45,120 --> 00:47:47,319
Speaker 1: just like blast that and I'm like, well, good for you.

1003
00:47:48,800 --> 00:47:53,600
Speaker 1: It's so good as I need to share. No, I won't.

1004
00:47:54,840 --> 00:47:58,440
Speaker 1: Oh that means you do. I'm looking at you. I

1005
00:47:58,560 --> 00:48:02,120
Speaker 1: see you're you're not making an eye contact with me. Well,

1006
00:48:02,120 --> 00:48:04,120
Speaker 1: I think we talked about it last time, but how

1007
00:48:04,120 --> 00:48:06,799
Speaker 1: I was kind of talking to a guy. Do you

1008
00:48:06,840 --> 00:48:10,320
Speaker 1: want to update this or do you want to keep it? Nah? Okay,

1009
00:48:10,400 --> 00:48:15,160
Speaker 1: I will. It's just no longer. It's dang it. I know,

1010
00:48:15,400 --> 00:48:18,319
Speaker 1: it's just every it always fizzles. And That's where I'm at.

1011
00:48:18,360 --> 00:48:21,360
Speaker 1: I'm like, I'm kind of wondering why it just never

1012
00:48:21,400 --> 00:48:23,440
Speaker 1: really goes anywhere, you know, it's just kind of like

1013
00:48:23,480 --> 00:48:25,640
Speaker 1: a little fizzle. I do feel like we're in this

1014
00:48:25,800 --> 00:48:31,640
Speaker 1: very unfortunate age for the generation now that's like dating,

1015
00:48:31,719 --> 00:48:36,160
Speaker 1: which is millennials and millennials, right, Is that just people

1016
00:48:36,200 --> 00:48:39,320
Speaker 1: don't want to commit? Yeah, Like it's very difficult. After

1017
00:48:39,360 --> 00:48:41,600
Speaker 1: seeing social media and you see all the things that

1018
00:48:41,640 --> 00:48:43,680
Speaker 1: are out there in the world, whether it's a job,

1019
00:48:43,760 --> 00:48:46,959
Speaker 1: whether it's a person a house, you get to see

1020
00:48:47,040 --> 00:48:48,920
Speaker 1: like these perfect things all over the place. Why are

1021
00:48:48,960 --> 00:48:52,520
Speaker 1: you going to commit to anything? Right exactly? Yeah, And

1022
00:48:52,600 --> 00:48:55,080
Speaker 1: that's even what I did, because I was upfront and

1023
00:48:55,120 --> 00:48:56,360
Speaker 1: honest and I was just like, just so you know,

1024
00:48:56,400 --> 00:48:58,400
Speaker 1: I am looking for a relationship. And I think that

1025
00:48:58,640 --> 00:49:01,319
Speaker 1: scared him off. So then what did he say to that?

1026
00:49:01,480 --> 00:49:02,880
Speaker 1: He was I was like, do you even know what

1027
00:49:02,920 --> 00:49:04,520
Speaker 1: you want right now? And he was like no, I

1028
00:49:04,520 --> 00:49:07,440
Speaker 1: mean I don't really know right now. And I was like, okay, well,

1029
00:49:07,719 --> 00:49:10,359
Speaker 1: I guess we're not on the same page. So well.

1030
00:49:10,400 --> 00:49:12,960
Speaker 1: And I and I think it's hard too because for

1031
00:49:12,960 --> 00:49:15,480
Speaker 1: for a long time, I would like date a guy,

1032
00:49:15,560 --> 00:49:19,120
Speaker 1: and I would make my intentions very clear right what

1033
00:49:19,239 --> 00:49:21,840
Speaker 1: I wanted. I wanted a relationship, and all these things,

1034
00:49:22,320 --> 00:49:25,759
Speaker 1: But then it always like happened that they make the

1035
00:49:25,840 --> 00:49:28,279
Speaker 1: excuse like I'm not ready right now. And I've made

1036
00:49:28,320 --> 00:49:30,880
Speaker 1: that excuse before when I'm dating a guy, I'm like,

1037
00:49:30,920 --> 00:49:34,319
Speaker 1: I'm not ready right now, but I think too, that's

1038
00:49:34,360 --> 00:49:37,839
Speaker 1: like the natural, easy way to let somebody down, yeah,

1039
00:49:38,040 --> 00:49:41,560
Speaker 1: without like bringing attention onto you, to be like, okay,

1040
00:49:41,560 --> 00:49:45,839
Speaker 1: well why because the few times that I've been very

1041
00:49:45,880 --> 00:49:48,960
Speaker 1: brutally honest with men and been like I'm not into this,

1042
00:49:49,440 --> 00:49:52,399
Speaker 1: I don't want this, you know, in a nice way,

1043
00:49:53,480 --> 00:49:55,120
Speaker 1: they've come back at me and been like, well, why

1044
00:49:55,800 --> 00:49:57,600
Speaker 1: you were you were flirting with me, you were talking

1045
00:49:57,600 --> 00:50:01,200
Speaker 1: to me. I'm like, because I showed you attention. Yeah,

1046
00:50:01,239 --> 00:50:04,080
Speaker 1: that means I wanted to be married to you. I'm

1047
00:50:04,160 --> 00:50:08,680
Speaker 1: not quite sure that connects. So I think we've kind

1048
00:50:08,760 --> 00:50:12,160
Speaker 1: of had to resort to like saying, hey, I'm not

1049
00:50:12,280 --> 00:50:15,239
Speaker 1: ready right now, because it's the easiest way to let

1050
00:50:15,239 --> 00:50:17,239
Speaker 1: somebody down so they don't yell at you yeah, because

1051
00:50:17,600 --> 00:50:19,960
Speaker 1: they'll just be like, Okay, I understand then thank yeah,

1052
00:50:19,960 --> 00:50:22,279
Speaker 1: because you can't force someone to be ready for anything, right.

1053
00:50:22,640 --> 00:50:25,799
Speaker 1: But the reality is, when it's the right person, you

1054
00:50:25,840 --> 00:50:29,919
Speaker 1: are ready. You will always be ready, and it took

1055
00:50:29,960 --> 00:50:32,200
Speaker 1: me a long time to learn that and to like

1056
00:50:32,360 --> 00:50:34,279
Speaker 1: really like sort through that because it would make me

1057
00:50:34,320 --> 00:50:39,160
Speaker 1: so mad. Like I remember dating a guy and we

1058
00:50:39,320 --> 00:50:42,359
Speaker 1: dated for like a few months and at the end,

1059
00:50:42,880 --> 00:50:45,800
Speaker 1: you know, we acted boyfriend girlfriend like it was all there,

1060
00:50:46,520 --> 00:50:47,920
Speaker 1: and then three months he's like, yeah, I'm just not

1061
00:50:48,000 --> 00:50:51,439
Speaker 1: ready for anything serious man. And I do think part

1062
00:50:51,440 --> 00:50:54,040
Speaker 1: of it is he wasn't like dude was a mature

1063
00:50:54,280 --> 00:50:57,400
Speaker 1: But then like three months later he has a girlfriend.

1064
00:50:57,960 --> 00:51:00,800
Speaker 1: See that's the thing. Yeah, And I'm like, you were ready,

1065
00:51:01,000 --> 00:51:05,120
Speaker 1: I just wasn't it. And that's okay. But like for me,

1066
00:51:05,320 --> 00:51:08,919
Speaker 1: for some people, like they need that honesty, Like, hey,

1067
00:51:08,920 --> 00:51:11,160
Speaker 1: this just doesn't work for me, right, I would so

1068
00:51:11,280 --> 00:51:13,719
Speaker 1: much other have that. Yeah, That's what I've always said.

1069
00:51:13,760 --> 00:51:16,000
Speaker 1: I'm like, I would just I don't care if you

1070
00:51:16,080 --> 00:51:18,600
Speaker 1: hurt my feelings and say you're not though I don't

1071
00:51:18,640 --> 00:51:21,480
Speaker 1: see this, or you're annoying whatever it is, Like, I

1072
00:51:21,480 --> 00:51:23,440
Speaker 1: would rather you just be honest than to just like

1073
00:51:23,640 --> 00:51:25,840
Speaker 1: be weird and just kind of let it fizzle. You know.

1074
00:51:25,840 --> 00:51:28,239
Speaker 1: It's like but on that flip side, it's because there's

1075
00:51:28,239 --> 00:51:30,239
Speaker 1: fifty percent of people who will flip out on you

1076
00:51:30,480 --> 00:51:33,000
Speaker 1: for you not being the right person. Yes, that's true.

1077
00:51:33,120 --> 00:51:35,920
Speaker 1: So like I get it and I understand where it

1078
00:51:35,960 --> 00:51:37,640
Speaker 1: comes from. But then I'm like, why don't you just

1079
00:51:37,719 --> 00:51:40,120
Speaker 1: tell me that I know, so I can go figure

1080
00:51:40,160 --> 00:51:41,880
Speaker 1: myself out some more. Let me just go work on

1081
00:51:41,920 --> 00:51:44,480
Speaker 1: it a little bit more, Okay, yeah, right, And like

1082
00:51:44,840 --> 00:51:47,120
Speaker 1: even like usually if we are in the talking stage,

1083
00:51:47,160 --> 00:51:50,200
Speaker 1: I always say that, I'm like, look, if down the road,

1084
00:51:50,320 --> 00:51:51,839
Speaker 1: like I want you to be honest with me one

1085
00:51:51,880 --> 00:51:54,279
Speaker 1: hundred percent. If you're not feeling it, just please tell me.

1086
00:51:54,440 --> 00:51:56,839
Speaker 1: They're like, okay, well I'll be completely honest, and then

1087
00:51:56,840 --> 00:51:59,680
Speaker 1: they don't. So I'm like, I don't know. People always

1088
00:52:00,000 --> 00:52:03,040
Speaker 1: our and very vulnerable situations, Yeah, they're not ever going

1089
00:52:03,080 --> 00:52:04,880
Speaker 1: to be one hundred percent honest because it takes a

1090
00:52:05,000 --> 00:52:07,200
Speaker 1: lot of confidence to be that honest and be like

1091
00:52:07,400 --> 00:52:11,160
Speaker 1: brutal and your convictions that that takes a lot to

1092
00:52:11,160 --> 00:52:13,600
Speaker 1: get there. I don't think that quite hits everybody until

1093
00:52:13,640 --> 00:52:16,719
Speaker 1: they're in their thirties, where it's like very brutally conviction.

1094
00:52:16,800 --> 00:52:19,040
Speaker 1: Even though you are in your thirties, I know this.

1095
00:52:19,160 --> 00:52:20,880
Speaker 1: It's the guy in the thirties, Yes, he was like

1096
00:52:20,880 --> 00:52:22,560
Speaker 1: that still don't have it, So maybe I need to

1097
00:52:22,680 --> 00:52:25,480
Speaker 1: push that age back to like thirty five, right, he

1098
00:52:25,600 --> 00:52:30,279
Speaker 1: was over thirty five, so maybe forty. Yeah, I don't know,

1099
00:52:30,520 --> 00:52:34,719
Speaker 1: but you know, wasn't the right one. I'm sorry, No,

1100
00:52:34,800 --> 00:52:37,200
Speaker 1: it's fine. So are you getting yourself back on dating apps?

1101
00:52:37,480 --> 00:52:40,239
Speaker 1: I actually am? Yeah? Yeah, what dating naps are you on? For?

1102
00:52:40,239 --> 00:52:41,520
Speaker 1: For all the people that are looking to be on

1103
00:52:41,600 --> 00:52:43,719
Speaker 1: dating apps? Which ones do you like? Yeah? So I

1104
00:52:43,760 --> 00:52:46,279
Speaker 1: really like Hinge, um, but I just kind of wasn't

1105
00:52:46,320 --> 00:52:48,799
Speaker 1: really having luck with that. Um so I switched to

1106
00:52:48,840 --> 00:52:51,920
Speaker 1: Bumble just to see, you know, and had some more

1107
00:52:52,000 --> 00:52:54,560
Speaker 1: lunk with going out with people on Bubble but obviously

1108
00:52:54,600 --> 00:52:57,279
Speaker 1: not Yeah, not really. But I like Hinge because you

1109
00:52:57,280 --> 00:53:00,960
Speaker 1: can like have conversations based on like a you know,

1110
00:53:01,000 --> 00:53:02,400
Speaker 1: it'll say what's your favorite thing to do you a

1111
00:53:02,480 --> 00:53:04,600
Speaker 1: prompt yes, or like two truths in a line. You

1112
00:53:04,600 --> 00:53:06,880
Speaker 1: can respond to it, and so that kind of is

1113
00:53:06,960 --> 00:53:09,840
Speaker 1: like better icebreaker to do it that way. Bumble started

1114
00:53:09,840 --> 00:53:12,880
Speaker 1: doing that too, Oh did they Yeah? Okay, oh actually

1115
00:53:12,920 --> 00:53:14,839
Speaker 1: they did, but I think it's still the girl has

1116
00:53:14,880 --> 00:53:17,239
Speaker 1: to initiate yes, which I don't always like to say. Okay,

1117
00:53:17,239 --> 00:53:19,680
Speaker 1: so you don't like to be the initiator. You like

1118
00:53:19,760 --> 00:53:22,360
Speaker 1: the guys to initiate. Yes, okay, I have this is

1119
00:53:22,360 --> 00:53:24,600
Speaker 1: a This is an interesting thing because I have another

1120
00:53:24,640 --> 00:53:27,840
Speaker 1: girlfriend that's like that, really, and I'm the opposite. I

1121
00:53:27,960 --> 00:53:30,640
Speaker 1: like to be the girl that initiates. Okay. I did

1122
00:53:30,760 --> 00:53:35,239
Speaker 1: find more success in that. Yeah, but I'll preface this.

1123
00:53:36,040 --> 00:53:39,359
Speaker 1: I had more success in it because, like, guys love

1124
00:53:39,440 --> 00:53:42,399
Speaker 1: the idea of a confident woman, but they can't put

1125
00:53:42,480 --> 00:53:44,480
Speaker 1: up with a confident woman, Like when it comes down

1126
00:53:44,520 --> 00:53:48,480
Speaker 1: to it, I don't go but you, because so many

1127
00:53:48,520 --> 00:53:49,960
Speaker 1: times I would reach out to guys, but like as

1128
00:53:50,000 --> 00:53:52,960
Speaker 1: soon as I even continued on that confidence track, it

1129
00:53:53,080 --> 00:53:56,760
Speaker 1: was like immediate, like blood blubbering, and like couldn't handle

1130
00:53:57,480 --> 00:54:00,799
Speaker 1: somebody being more confident for them. I found that more

1131
00:54:00,800 --> 00:54:05,480
Speaker 1: people would respond, but less guys could deal with that.

1132
00:54:05,880 --> 00:54:07,759
Speaker 1: Does that make sense or do you think I just

1133
00:54:07,800 --> 00:54:11,600
Speaker 1: said the one thing race that he hates makes sense?

1134
00:54:12,440 --> 00:54:16,400
Speaker 1: I'm not sure. You finally said at one time, so

1135
00:54:16,400 --> 00:54:21,400
Speaker 1: that's okay, But I mean, so are you saying like

1136
00:54:21,440 --> 00:54:24,600
Speaker 1: you think sometimes guys are intimidated by confidence by girls

1137
00:54:24,640 --> 00:54:27,719
Speaker 1: confidence like shy away and yeah, I mean obviously the

1138
00:54:27,760 --> 00:54:29,440
Speaker 1: boyfriend I have now that is not the case. He

1139
00:54:29,719 --> 00:54:31,920
Speaker 1: is literally not intimidated by me at all, and I

1140
00:54:32,239 --> 00:54:35,160
Speaker 1: love it. That means he's confident, right, yes, very secure

1141
00:54:35,160 --> 00:54:37,879
Speaker 1: in himself. Huh. And I think that right there, Like,

1142
00:54:38,120 --> 00:54:40,879
Speaker 1: That's what I've struggled with, is I kind of just

1143
00:54:40,960 --> 00:54:43,880
Speaker 1: tend to find the guys that aren't that secure, you know,

1144
00:54:43,920 --> 00:54:46,640
Speaker 1: and so it kind of they they kind of put

1145
00:54:46,640 --> 00:54:49,439
Speaker 1: it on to me. I guess they're insecurities. So yeah,

1146
00:54:49,600 --> 00:54:51,839
Speaker 1: when I think for a relationship to work anyway, like both,

1147
00:54:51,920 --> 00:54:53,880
Speaker 1: y'all have to be secure in yourselves before you can

1148
00:54:53,920 --> 00:54:58,120
Speaker 1: be like secure as a couple. I think that's very real. Yeah,

1149
00:54:58,160 --> 00:55:02,359
Speaker 1: but more often than not, because of the maturity rate

1150
00:55:02,400 --> 00:55:06,560
Speaker 1: of women, they tend to be more confident first, unless

1151
00:55:06,600 --> 00:55:09,240
Speaker 1: a guy just figured it out, you know what I mean. Yeah,

1152
00:55:09,239 --> 00:55:11,360
Speaker 1: And there's not a lot of them. I found a unicorn.

1153
00:55:11,600 --> 00:55:13,919
Speaker 1: For so long, I was like, I have to find

1154
00:55:13,960 --> 00:55:16,480
Speaker 1: a unicorn, and I found a unicorn looking for that

1155
00:55:16,560 --> 00:55:20,400
Speaker 1: unicorn in Nashville. It's there. They exist, I truly, I

1156
00:55:20,440 --> 00:55:22,200
Speaker 1: do believe because most of my friends are all with

1157
00:55:22,320 --> 00:55:25,920
Speaker 1: great guys that I love and approve of and they're amazing.

1158
00:55:26,000 --> 00:55:27,759
Speaker 1: So I mean I know they are. I just I'm

1159
00:55:27,800 --> 00:55:31,560
Speaker 1: not finding them yet. Well, dating apps, are you are

1160
00:55:31,600 --> 00:55:34,520
Speaker 1: you actively like pursuing when you're out in public. See,

1161
00:55:34,520 --> 00:55:36,319
Speaker 1: that's kind of the hard thing too, Like, I mean,

1162
00:55:36,400 --> 00:55:38,600
Speaker 1: during a pandemic, you really want to be careful, you know,

1163
00:55:38,640 --> 00:55:40,320
Speaker 1: you know, I just want to go on all these dates.

1164
00:55:40,400 --> 00:55:42,239
Speaker 1: I don't know, but I mean I don't really go

1165
00:55:42,280 --> 00:55:44,840
Speaker 1: out that much right now with all the it's starting

1166
00:55:44,840 --> 00:55:47,239
Speaker 1: to open up more, I guess. But but where do

1167
00:55:47,280 --> 00:55:51,399
Speaker 1: you meet them other than work classes or something. Where

1168
00:55:51,440 --> 00:55:54,280
Speaker 1: do you meet guys really in dating side? I thought

1169
00:55:54,280 --> 00:55:57,239
Speaker 1: of this, and I think it's happy hours and men

1170
00:55:57,360 --> 00:55:59,279
Speaker 1: if you're listening to this and you're like, hey, this

1171
00:55:59,320 --> 00:56:01,440
Speaker 1: is where you can like a lot of guys at

1172
00:56:01,800 --> 00:56:04,520
Speaker 1: but I'm pretty sure it's happy hours because like guys

1173
00:56:04,640 --> 00:56:07,560
Speaker 1: like maybe the really like mature guys are gonna go

1174
00:56:07,640 --> 00:56:09,600
Speaker 1: have drinks with their friends for happy hours, but they're

1175
00:56:09,600 --> 00:56:10,960
Speaker 1: not going to be at a bar on Friday and

1176
00:56:11,000 --> 00:56:15,000
Speaker 1: Saturday night. Yes, yeah, I can say that. Yeah, getting

1177
00:56:15,040 --> 00:56:17,520
Speaker 1: off it theory. It's a very big theory. I'm not

1178
00:56:17,560 --> 00:56:20,480
Speaker 1: sure if it's a correct theory, but it's a theory

1179
00:56:20,520 --> 00:56:25,200
Speaker 1: of mine. I like that. I mean before the pandemic,

1180
00:56:25,280 --> 00:56:27,239
Speaker 1: pre pandemic, when I would go out to the bars

1181
00:56:27,280 --> 00:56:28,920
Speaker 1: all the time, I would see the same guys over

1182
00:56:28,960 --> 00:56:32,080
Speaker 1: and over again. There weren't more like new ones happening

1183
00:56:32,920 --> 00:56:35,640
Speaker 1: unless they didn't live here, right, Oh, you mean at

1184
00:56:35,719 --> 00:56:38,200
Speaker 1: night when you went out, they are the same guys

1185
00:56:38,239 --> 00:56:40,400
Speaker 1: over and over and I'm like, Okay, there has to

1186
00:56:40,440 --> 00:56:42,080
Speaker 1: be more men in this town than what I'm seeing.

1187
00:56:42,280 --> 00:56:44,080
Speaker 1: That's why I don't go out. Yeah, I don't go

1188
00:56:44,080 --> 00:56:47,040
Speaker 1: out and expecting to find someone. Yeah, you know it's

1189
00:56:47,280 --> 00:56:50,040
Speaker 1: roof on Friday night. But so that's my theory. Happy hours.

1190
00:56:50,280 --> 00:56:52,239
Speaker 1: I think you should just some some happy hours to

1191
00:56:52,360 --> 00:56:54,680
Speaker 1: start doing that in Nashville or in whatever city y'all

1192
00:56:54,680 --> 00:56:56,600
Speaker 1: are in, do a happy hour if you're trying to

1193
00:56:56,600 --> 00:56:58,879
Speaker 1: meet a man. I feel like I feel like that's

1194
00:56:58,880 --> 00:57:00,480
Speaker 1: a solid theory because I also I don't think they're

1195
00:57:00,480 --> 00:57:03,399
Speaker 1: at brunch. Guys do not brunch like women brunch. That's

1196
00:57:03,520 --> 00:57:06,359
Speaker 1: that is true, Huh. I think I know where guys

1197
00:57:06,400 --> 00:57:10,160
Speaker 1: can meet a woman A Target. Oh yeah, darn, I

1198
00:57:10,160 --> 00:57:12,640
Speaker 1: always see that online. You know. It's like if you

1199
00:57:12,680 --> 00:57:16,120
Speaker 1: want to find like, go to Target. The ratio there

1200
00:57:17,000 --> 00:57:20,479
Speaker 1: women a lot of women, like probably nine to one yes,

1201
00:57:21,200 --> 00:57:23,320
Speaker 1: and it maybe go sit at a coffee shop. That

1202
00:57:23,400 --> 00:57:25,400
Speaker 1: might be an option. I just don't do that. That's

1203
00:57:25,400 --> 00:57:28,400
Speaker 1: not my I can't go sit somewhere, I mean neither.

1204
00:57:28,720 --> 00:57:30,240
Speaker 1: I'll be like eating food and then I don't look

1205
00:57:30,280 --> 00:57:33,080
Speaker 1: very pretty because I'm stuffing in my face. Is not

1206
00:57:33,080 --> 00:57:36,520
Speaker 1: how that works for me. Okay, well I'll try some

1207
00:57:36,560 --> 00:57:39,200
Speaker 1: of these. Thank you for suggestion that there's your dating update.

1208
00:57:39,200 --> 00:57:43,160
Speaker 1: I'm very sad for you. I don't want to sharing

1209
00:57:43,400 --> 00:57:47,280
Speaker 1: you on from the sideline. Thank you. He didn't deserve you. Oh,

1210
00:57:47,320 --> 00:57:48,640
Speaker 1: I'm just kind. I don't like to be that way,

1211
00:57:48,640 --> 00:57:52,160
Speaker 1: but yeah, yeah, well you didn't know. He's a great guy.

1212
00:57:52,160 --> 00:57:55,200
Speaker 1: I'm sure he doesn't deserve you in this space of

1213
00:57:55,240 --> 00:57:58,880
Speaker 1: your life. You deserve somebody that wants you, not a

1214
00:57:58,920 --> 00:58:02,880
Speaker 1: bad thing. That's true, right exactly. Yeah, because I'm with you.

1215
00:58:03,000 --> 00:58:05,040
Speaker 1: We don't need to talk down about him. They had

1216
00:58:05,080 --> 00:58:08,760
Speaker 1: something else going on, but you deserve somebody that wants

1217
00:58:08,800 --> 00:58:12,760
Speaker 1: you one hundred percent. Okay, he's out there. Yeah, I

1218
00:58:12,800 --> 00:58:15,000
Speaker 1: believe it. I don't even remember what we're talking about.

1219
00:58:15,040 --> 00:58:17,800
Speaker 1: What were we talking about? Yeah, yeah, well we never

1220
00:58:17,840 --> 00:58:19,760
Speaker 1: talked about the songs that we jammed two in the car.

1221
00:58:19,920 --> 00:58:21,680
Speaker 1: Oh that's the point of yeah, that was it was

1222
00:58:21,800 --> 00:58:24,920
Speaker 1: good for you. I guess that was mine was like

1223
00:58:25,200 --> 00:58:27,320
Speaker 1: and then the Paramore song. The kind of thing goes

1224
00:58:27,320 --> 00:58:32,120
Speaker 1: along with them, I will say, like alternative two thousands

1225
00:58:32,680 --> 00:58:37,720
Speaker 1: pop rock. I've almost had pop ronk pop rock songs

1226
00:58:38,480 --> 00:58:41,000
Speaker 1: so good to jam out to the car. I put

1227
00:58:41,040 --> 00:58:45,080
Speaker 1: some Stacy's mom Oh, or like Sadie Hawkins Dance, or

1228
00:58:45,880 --> 00:58:49,040
Speaker 1: like Blink one eighty two. I mean, I'm naming songs

1229
00:58:49,040 --> 00:58:51,120
Speaker 1: fan artists here, and they're all mixed, but there is

1230
00:58:51,120 --> 00:58:54,120
Speaker 1: like playlists out there of those and their epic. That

1231
00:58:54,280 --> 00:58:56,400
Speaker 1: is the best thing ever to just drive in your

1232
00:58:56,400 --> 00:59:00,040
Speaker 1: car and like just jam out. You just like it

1233
00:59:00,200 --> 00:59:02,360
Speaker 1: in the zone. I'm trying to think about other ones

1234
00:59:03,200 --> 00:59:05,200
Speaker 1: or nineties country, I'll put on nineties card. I just

1235
00:59:05,240 --> 00:59:07,520
Speaker 1: know songs. When I'm in the car and i'm jamming out,

1236
00:59:07,520 --> 00:59:08,960
Speaker 1: I need songs that I can sing them along too,

1237
00:59:09,720 --> 00:59:11,520
Speaker 1: especially if I'm on like a road trip that I

1238
00:59:11,640 --> 00:59:14,400
Speaker 1: just went on a road trip. I need songs I

1239
00:59:14,400 --> 00:59:15,960
Speaker 1: can sing too. That's the only way I stay a week,

1240
00:59:16,160 --> 00:59:19,280
Speaker 1: I know. Yeah, I drove back home to Kansas. It

1241
00:59:19,320 --> 00:59:21,959
Speaker 1: was like a twelve hour drive. Yes, such a long drive.

1242
00:59:22,440 --> 00:59:23,720
Speaker 1: That's what I had to do. The whole time. I

1243
00:59:23,760 --> 00:59:27,000
Speaker 1: just blasted the radio. Why did you drive? Why did

1244
00:59:27,000 --> 00:59:29,400
Speaker 1: I? I I guess it was during the pandemic and the

1245
00:59:29,920 --> 00:59:32,160
Speaker 1: like no one was flying. Yeah, it was like right

1246
00:59:32,200 --> 00:59:34,760
Speaker 1: when it started and we were all shut down. I

1247
00:59:34,840 --> 00:59:36,560
Speaker 1: was like, dang, I mean I might have to drive

1248
00:59:36,560 --> 00:59:38,760
Speaker 1: because of my dog, but I was like, why did

1249
00:59:38,800 --> 00:59:41,800
Speaker 1: you drive? Yeah? That was it was. It was fun

1250
00:59:41,840 --> 00:59:44,160
Speaker 1: because it was just like I was just singing the

1251
00:59:44,200 --> 00:59:46,280
Speaker 1: whole time, Like my voice was hoarse when I got there.

1252
00:59:46,280 --> 00:59:49,720
Speaker 1: It was crazy because I just like singing. I need

1253
00:59:49,720 --> 00:59:53,680
Speaker 1: the karaoke jam session addition from Abby. I think that's

1254
00:59:53,680 --> 00:59:58,000
Speaker 1: what we need. Next we do Yeah, okay, coming up

1255
00:59:58,200 --> 01:00:00,720
Speaker 1: on another podcast, another one. I was like, let's go, okay,

1256
01:00:00,960 --> 01:00:02,240
Speaker 1: I'll do it. I'm not gonna put you on the

1257
01:00:02,240 --> 01:00:04,880
Speaker 1: spot for like an eighteen million times this week, I know.

1258
01:00:05,160 --> 01:00:07,760
Speaker 1: And there's no background music and I really need that.

1259
01:00:07,960 --> 01:00:11,080
Speaker 1: I feel you. I mean, we just openly karaoke a

1260
01:00:11,200 --> 01:00:13,240
Speaker 1: few bits back. So it's fine. I'm sorry about that.

1261
01:00:13,640 --> 01:00:17,720
Speaker 1: I'm sorry for your bleeding years. I know. Well, anyways,

1262
01:00:17,720 --> 01:00:19,840
Speaker 1: these are the songs that got released each year that

1263
01:00:19,960 --> 01:00:22,680
Speaker 1: we all got our driver's license, and it's pretty funny

1264
01:00:22,800 --> 01:00:25,160
Speaker 1: to watch the difference in all the different years. So

1265
01:00:25,360 --> 01:00:27,960
Speaker 1: here we Go number four. Last night, Caitlin and I

1266
01:00:28,040 --> 01:00:30,200
Speaker 1: were looking up to songs that when we were born

1267
01:00:30,400 --> 01:00:32,680
Speaker 1: was number one. Mine was Pink Floyd Another Brick in

1268
01:00:32,720 --> 01:00:34,480
Speaker 1: the Wall in nineteen eighty, which I thought that was

1269
01:00:34,480 --> 01:00:37,080
Speaker 1: a seventy song that was number one. Hers was Michael

1270
01:00:37,120 --> 01:00:39,840
Speaker 1: Jackson Black or White Wow, And she was like, I

1271
01:00:39,880 --> 01:00:42,800
Speaker 1: don't even know that song. I was like, that's a jam. Yeah,

1272
01:00:42,840 --> 01:00:45,120
Speaker 1: that's a great one. But then the day we got

1273
01:00:45,120 --> 01:00:48,400
Speaker 1: our driver's license, what was the number one song? So

1274
01:00:48,440 --> 01:00:50,640
Speaker 1: I pulled up the number one songs? Rememberbody here? I

1275
01:00:50,800 --> 01:00:54,160
Speaker 1: going back the farthest is producer ready? Yeah? The oldest

1276
01:00:54,400 --> 01:00:57,360
Speaker 1: March twenty first, nineteen ninety five. Yeah, when you got

1277
01:00:57,400 --> 01:00:59,720
Speaker 1: your driver's license, when you got in the car for

1278
01:00:59,760 --> 01:01:02,480
Speaker 1: the first time, I went driving down that highway down

1279
01:01:02,520 --> 01:01:06,880
Speaker 1: in the valley. Yeah. McAllen, McCallen, Texas. Do you remember

1280
01:01:06,920 --> 01:01:13,240
Speaker 1: hearing this song? Do you know what to say this? No?

1281
01:01:13,600 --> 01:01:16,200
Speaker 1: What is this crap? My donna take a bow? No,

1282
01:01:16,360 --> 01:01:17,720
Speaker 1: I don't know this song. I've never heard this in

1283
01:01:17,760 --> 01:01:24,720
Speaker 1: my life. It's pretty good. God. Yeah, and then he

1284
01:01:24,760 --> 01:01:29,800
Speaker 1: goes there, he goes, oh, yeah, you mean you didn't

1285
01:01:29,800 --> 01:01:31,600
Speaker 1: have this in tape play oh, man, I wouldn't listen

1286
01:01:31,600 --> 01:01:33,960
Speaker 1: to this crap when I was driving a sixteen. What

1287
01:01:34,160 --> 01:01:36,600
Speaker 1: was your first car? It's a Jeep Wrangler nineteen eighty nine,

1288
01:01:36,680 --> 01:01:39,640
Speaker 1: Jeep Wrangler. I got it for my sixteenth birthday. Wow. Yes,

1289
01:01:39,760 --> 01:01:41,240
Speaker 1: but I didn't really get to drive it to like

1290
01:01:41,600 --> 01:01:44,920
Speaker 1: every day till I was like eighteen mine April second,

1291
01:01:45,080 --> 01:01:50,400
Speaker 1: nineteen ninety six. I'd be I added nineteen nineteen eighty nine,

1292
01:01:50,520 --> 01:01:54,200
Speaker 1: Subar Route that I'm basically mode yards to buy. Bought

1293
01:01:54,240 --> 01:01:56,080
Speaker 1: it for just a couple hundred blucks. It was a

1294
01:01:56,200 --> 01:02:02,440
Speaker 1: piece driving down the road. The number one song Celindi

1295
01:02:02,760 --> 01:02:06,120
Speaker 1: because you Love Me man Our solves kind of weren't good.

1296
01:02:06,160 --> 01:02:07,920
Speaker 1: Now were you jamming this while you were driving? What

1297
01:02:07,960 --> 01:02:10,960
Speaker 1: do you mean? Were I still answer? I'm still and

1298
01:02:11,160 --> 01:02:17,160
Speaker 1: I could you? It was me? Amy's was pretty good.

1299
01:02:17,720 --> 01:02:20,120
Speaker 1: March eighteenth, nineteen ninety seven. This was the number one song.

1300
01:02:24,840 --> 01:02:29,520
Speaker 1: What is your First Car? Nineteen eighty five, Ford Bronco.

1301
01:02:29,880 --> 01:02:32,840
Speaker 1: Oh but that's pretty cool. Yeah, I loved it. Lunchbox

1302
01:02:33,000 --> 01:02:36,400
Speaker 1: nineteen ninety seven, July twenty fifth, Ears might be the

1303
01:02:36,480 --> 01:02:38,800
Speaker 1: best of all. When you turn sixteen you got your

1304
01:02:38,840 --> 01:02:41,360
Speaker 1: driver's license. This was the number one song, It's kind

1305
01:02:41,400 --> 01:02:46,160
Speaker 1: of know you in heaven, shotting down watching us, But

1306
01:02:46,320 --> 01:02:49,240
Speaker 1: we prayed for you every day. We prayed for you

1307
01:02:49,840 --> 01:02:54,439
Speaker 1: till the day we meet again. Keeping I'll be Missing

1308
01:02:54,520 --> 01:02:57,680
Speaker 1: You by Puff Daddy and Faith Evans Jam. But that's

1309
01:02:57,720 --> 01:03:02,520
Speaker 1: a sample of what song watch box just can't. I

1310
01:03:02,720 --> 01:03:07,000
Speaker 1: have no idea the police, every breath you take, every movie.

1311
01:03:07,520 --> 01:03:08,960
Speaker 1: I didn't know that. You didn't know that at all,

1312
01:03:09,160 --> 01:03:13,080
Speaker 1: No idea. First car, a nineteen eighty five Mazda RX

1313
01:03:13,240 --> 01:03:17,160
Speaker 1: seven red two seater, no power steering, no air conditioning.

1314
01:03:17,840 --> 01:03:21,080
Speaker 1: It was rough. September fifth, two thousand and three, Raimondo

1315
01:03:21,200 --> 01:03:23,680
Speaker 1: turned sixteen years old, and here is the number one

1316
01:03:23,720 --> 01:03:32,160
Speaker 1: song when Ray turned sixteen. First Ride It was actually nice.

1317
01:03:32,200 --> 01:03:33,640
Speaker 1: I shared it with my twin brother. It was a

1318
01:03:33,720 --> 01:03:38,120
Speaker 1: Grand Prix GT Supercharge that did get best Ride. Dang, Yeah,

1319
01:03:38,240 --> 01:03:41,440
Speaker 1: it got best Ride Senior Superlative. A couple of years later,

1320
01:03:41,640 --> 01:03:46,320
Speaker 1: you guys got best Ride in that yearbook. Yeah. And

1321
01:03:46,400 --> 01:03:52,000
Speaker 1: then finally Morgan, who turned sixteen yesterday in two thousand

1322
01:03:52,000 --> 01:03:55,200
Speaker 1: and nine. Here was the number one song from Morgan's years.

1323
01:03:56,480 --> 01:04:00,640
Speaker 1: Good remember that one. I remember that one social jam.

1324
01:04:01,400 --> 01:04:03,680
Speaker 1: You seem like were you a jeep? Girl at sixteen two,

1325
01:04:03,920 --> 01:04:07,440
Speaker 1: I wasn't. I got my mom's Volvo XC ninety. I

1326
01:04:07,520 --> 01:04:10,160
Speaker 1: was black. It was like the car in Twilight, so

1327
01:04:10,320 --> 01:04:12,000
Speaker 1: I did like that. I don't even know that reference,

1328
01:04:12,080 --> 01:04:15,560
Speaker 1: so no clue. She's like, you know the car from

1329
01:04:15,640 --> 01:04:19,320
Speaker 1: Kissing Booth two and like, guys, we were professionals on

1330
01:04:19,400 --> 01:04:20,920
Speaker 1: this line. I mean you were playing this long on

1331
01:04:20,960 --> 01:04:24,520
Speaker 1: the radio two thousand and nine. Yeah, Morgan was sixteen

1332
01:04:24,640 --> 01:04:26,640
Speaker 1: driving his goal. I'm twenty nine as he listened to

1333
01:04:26,680 --> 01:04:29,880
Speaker 1: the show that weird Bobby was a professional open Grave

1334
01:04:30,000 --> 01:04:33,040
Speaker 1: turned sixteen. That's true, right when did you started sixteen?

1335
01:04:33,080 --> 01:04:37,480
Speaker 1: Two thousand three. Oh yeah, yeah, that's true. But to

1336
01:04:37,600 --> 01:04:40,440
Speaker 1: be fair, I started on our seventeen, like I had

1337
01:04:40,520 --> 01:04:42,720
Speaker 1: my driver's license. A year later, I was working in radio.

1338
01:04:44,200 --> 01:04:47,920
Speaker 1: It's the best bits of the week with Morgan number two.

1339
01:04:49,880 --> 01:04:52,560
Speaker 1: We found out this week that Lunchbox kind of skipped

1340
01:04:52,640 --> 01:04:55,120
Speaker 1: work because of jury duty or so he blames it

1341
01:04:55,240 --> 01:04:57,560
Speaker 1: on and it was a whole thing. Everybody was really

1342
01:04:57,680 --> 01:05:02,160
Speaker 1: like making sure he got punished for you know, no call,

1343
01:05:02,280 --> 01:05:05,280
Speaker 1: no show to work or whatever. Anyways, we're not gonna

1344
01:05:05,320 --> 01:05:06,800
Speaker 1: get on next You're gonna hear all about that in

1345
01:05:06,840 --> 01:05:08,120
Speaker 1: the bit and you hear us to kind of yell

1346
01:05:08,120 --> 01:05:12,120
Speaker 1: at each other. Have you ever skip work and lied

1347
01:05:12,120 --> 01:05:15,240
Speaker 1: about it? Abby? I actually don't think so. No, I'm

1348
01:05:15,240 --> 01:05:17,120
Speaker 1: pretty good when it comes to work. I like take

1349
01:05:17,160 --> 01:05:20,120
Speaker 1: it very seriously. Do you ever? Yeah, I'm with you,

1350
01:05:20,400 --> 01:05:23,400
Speaker 1: you know, Yeah, I've never I've never even skipped work.

1351
01:05:23,400 --> 01:05:28,280
Speaker 1: I don't think I've ever missed a day of this job. Wow. Really, okay,

1352
01:05:28,440 --> 01:05:32,960
Speaker 1: that's amazing. Look at you. I mean because even when

1353
01:05:33,000 --> 01:05:35,240
Speaker 1: like I had to be home because of pandemic and stuff,

1354
01:05:35,240 --> 01:05:38,400
Speaker 1: I was still working right exactly. Yeah. Yeah, So you've

1355
01:05:38,440 --> 01:05:41,040
Speaker 1: never actually like taken a personal day nor vacation, a

1356
01:05:41,120 --> 01:05:44,240
Speaker 1: personal vacation, which is hard for us to do. Have

1357
01:05:44,320 --> 01:05:46,640
Speaker 1: you ever lied when your friends ask you about plans

1358
01:05:46,680 --> 01:05:49,520
Speaker 1: and you're like, nah, I don't feel good. Oh I'm

1359
01:05:49,520 --> 01:05:53,200
Speaker 1: gonna stay home. Yeah? Yes, have done that? I mean

1360
01:05:53,280 --> 01:05:56,280
Speaker 1: haven't we all? Haven't we all done that? I really

1361
01:05:56,320 --> 01:05:59,200
Speaker 1: want to do that, like recently, do you? I can't

1362
01:05:59,200 --> 01:06:01,439
Speaker 1: tell if this is like pandemic related or if I'm

1363
01:06:01,520 --> 01:06:05,120
Speaker 1: just like getting old, but I'm just tired all the time.

1364
01:06:05,560 --> 01:06:08,160
Speaker 1: I yawned like four times right before I came in.

1365
01:06:08,240 --> 01:06:10,080
Speaker 1: I'm like, what is that? What's the deal. Yes, Like

1366
01:06:10,320 --> 01:06:12,640
Speaker 1: why and maybe it's because you know, like the early

1367
01:06:12,680 --> 01:06:16,880
Speaker 1: weekend or whatever. I don't know. But you're not even

1368
01:06:16,960 --> 01:06:19,680
Speaker 1: thirty yet. I'm like, how are you so tired? You know,

1369
01:06:19,880 --> 01:06:23,880
Speaker 1: like I'm thirty. Everybody that's tired into me. Yeah, everybody

1370
01:06:23,920 --> 01:06:27,560
Speaker 1: says that, But I'm not alone. You're tired? Oh I always? Yeah?

1371
01:06:27,600 --> 01:06:29,360
Speaker 1: Every day? Uh huh. I just feel like I never

1372
01:06:29,400 --> 01:06:31,520
Speaker 1: get enough sleep. I know how though, I get like

1373
01:06:31,560 --> 01:06:33,840
Speaker 1: seven hours? Oh do you really? Yeah? Oh? I get

1374
01:06:33,880 --> 01:06:36,360
Speaker 1: like five. Dang. What time do you go to bed? Oh? Man,

1375
01:06:36,520 --> 01:06:39,680
Speaker 1: like super late? Are you a night owl? Oh? Yeah? Okay,

1376
01:06:39,800 --> 01:06:42,840
Speaker 1: See that's what's annoying. I get my most energy like

1377
01:06:42,920 --> 01:06:46,080
Speaker 1: at night. Like I'm tired throughout the afternoon. So then

1378
01:06:46,080 --> 01:06:48,920
Speaker 1: I get coffee at like two, and then I'm just like,

1379
01:06:49,320 --> 01:06:53,280
Speaker 1: let's go for like midnight. It's so weird, you know.

1380
01:06:53,400 --> 01:06:56,400
Speaker 1: I get like my second windy at like ten o'clock,

1381
01:06:56,520 --> 01:06:58,160
Speaker 1: and I'm like, I don't want to be this hyper

1382
01:06:58,320 --> 01:07:01,480
Speaker 1: and alert. Right? Did you drink coffee in the morning

1383
01:07:01,600 --> 01:07:04,480
Speaker 1: for work? Huh? I actually don't anymore? Wait, so why

1384
01:07:04,520 --> 01:07:05,720
Speaker 1: do you do? Why do you Why do you drink

1385
01:07:05,720 --> 01:07:07,720
Speaker 1: it in the afternoon? Then I get my life, you know,

1386
01:07:07,800 --> 01:07:10,160
Speaker 1: like the afternoon slump you get, don't you get? Like

1387
01:07:10,240 --> 01:07:11,800
Speaker 1: at two in the afternoon, we were just like, oh,

1388
01:07:11,880 --> 01:07:13,600
Speaker 1: I hit a wall. I'm really tired. I mean, yes,

1389
01:07:13,680 --> 01:07:16,760
Speaker 1: but normally at that point I'm home because we worked

1390
01:07:16,800 --> 01:07:18,760
Speaker 1: it early in the morning. So why are you drinking

1391
01:07:18,840 --> 01:07:21,000
Speaker 1: coffee at two after I don't know, so I can

1392
01:07:21,080 --> 01:07:23,160
Speaker 1: be productive for the rest of the evening and not

1393
01:07:23,400 --> 01:07:27,120
Speaker 1: just here are you working still at that point? Huh? Okay, Yeah,

1394
01:07:27,440 --> 01:07:29,040
Speaker 1: that's one of it is. I was like, are you

1395
01:07:29,080 --> 01:07:31,520
Speaker 1: are you at home? I mean, because some of us

1396
01:07:31,640 --> 01:07:34,520
Speaker 1: have work that we take home, right and some stay

1397
01:07:34,600 --> 01:07:37,280
Speaker 1: here and work. Yeah, I like split it, okay, So

1398
01:07:37,440 --> 01:07:39,280
Speaker 1: I like kind of take the afternoon and then I

1399
01:07:39,400 --> 01:07:42,640
Speaker 1: start working again at like four or five. So yeah,

1400
01:07:42,840 --> 01:07:44,640
Speaker 1: so it's kind of like my second shift and I

1401
01:07:44,760 --> 01:07:46,480
Speaker 1: need to be ready to go or if I want

1402
01:07:46,520 --> 01:07:48,800
Speaker 1: to go to the gym or you know, get stuff

1403
01:07:48,800 --> 01:07:50,520
Speaker 1: done around the house, laundry and stuff. I'm like, I

1404
01:07:50,640 --> 01:07:53,200
Speaker 1: need to get my coffee and get It's weird, you

1405
01:07:53,320 --> 01:07:55,320
Speaker 1: heard it here. Abby likes to drink coffee to go

1406
01:07:55,360 --> 01:07:57,560
Speaker 1: to the gym and get her laundry done. Sometimes I

1407
01:07:57,640 --> 01:08:01,560
Speaker 1: get times I get coffee at like eight or nine

1408
01:08:01,600 --> 01:08:04,840
Speaker 1: at night. I just love it way you're in night all.

1409
01:08:05,000 --> 01:08:07,120
Speaker 1: I know you're all genery at night for no reason.

1410
01:08:09,200 --> 01:08:11,720
Speaker 1: I don't do it very often. No, I don't blame

1411
01:08:11,760 --> 01:08:13,680
Speaker 1: the coffee. I don't know. I've always been that all.

1412
01:08:14,080 --> 01:08:16,160
Speaker 1: But you don't. And you're like you're you're like wide

1413
01:08:16,200 --> 01:08:19,479
Speaker 1: awake at night? Oh yeah, yeah are you not? That

1414
01:08:19,600 --> 01:08:24,320
Speaker 1: has to be coffee, Abbey, Like there's literally like, are

1415
01:08:24,320 --> 01:08:26,559
Speaker 1: you drinking it that late at night? Yes? Well yeah,

1416
01:08:26,560 --> 01:08:28,439
Speaker 1: I when I get it at nine o'clock. Yeah, but

1417
01:08:28,680 --> 01:08:30,559
Speaker 1: if I get it at three, it should be worn

1418
01:08:30,600 --> 01:08:34,400
Speaker 1: off by then technically according to studies. But you know

1419
01:08:34,520 --> 01:08:36,880
Speaker 1: how studies go on the internet, come out, and I'll

1420
01:08:36,880 --> 01:08:39,519
Speaker 1: come out another way. I'm like, okay, yeah, no, No,

1421
01:08:39,560 --> 01:08:41,400
Speaker 1: I don't drink any coffee. I never got into that.

1422
01:08:42,120 --> 01:08:44,400
Speaker 1: How do you have so much energy all the time? Then?

1423
01:08:44,520 --> 01:08:47,720
Speaker 1: What is your source of energy? I don't know. I'm

1424
01:08:47,880 --> 01:08:50,559
Speaker 1: working out. I think I really do think like working

1425
01:08:50,600 --> 01:08:53,760
Speaker 1: out kind of boost me each day. Yeah, um, because

1426
01:08:53,760 --> 01:08:56,920
Speaker 1: I typically do that after work, But I don't know.

1427
01:08:57,000 --> 01:09:00,360
Speaker 1: I drink me O, which so people all makes fun

1428
01:09:00,400 --> 01:09:03,519
Speaker 1: of my blue water, but it's Meo and it is

1429
01:09:03,600 --> 01:09:10,000
Speaker 1: caffeinated okay, and it has um vitamin be in it gotcha,

1430
01:09:10,240 --> 01:09:12,320
Speaker 1: so like it's giving me like a burst, so it's

1431
01:09:12,640 --> 01:09:16,920
Speaker 1: it's like pushing me through. It is caffeine, caffeine, caffeine.

1432
01:09:18,520 --> 01:09:21,880
Speaker 1: I've also realized this, I say so many words wrong

1433
01:09:22,400 --> 01:09:25,880
Speaker 1: so often, you do so often, Like what what's I

1434
01:09:26,000 --> 01:09:27,599
Speaker 1: don't I don't know if it's just like my brain's

1435
01:09:27,640 --> 01:09:30,280
Speaker 1: moving too fast and I'm not talking, but like, yes,

1436
01:09:30,600 --> 01:09:34,160
Speaker 1: I was shooting like this video for Circle. Now we're

1437
01:09:34,160 --> 01:09:35,960
Speaker 1: doing some cooking videos, which would be really cool when

1438
01:09:35,960 --> 01:09:38,400
Speaker 1: they come out. Oh that's fun. Yeah, that's perfect. You

1439
01:09:38,520 --> 01:09:41,200
Speaker 1: love cooking. I love and it was so much fun,

1440
01:09:41,560 --> 01:09:43,599
Speaker 1: so cool, so be on the like out for those.

1441
01:09:43,720 --> 01:09:48,680
Speaker 1: But during it, I'm like talking about cocoa in this recipe, right,

1442
01:09:49,479 --> 01:09:50,479
Speaker 1: do you want to know what I called it the

1443
01:09:50,520 --> 01:09:53,920
Speaker 1: whole time? I do coca the whole time, the whole time.

1444
01:09:54,000 --> 01:09:55,720
Speaker 1: To finally they and I was like, I have been

1445
01:09:55,760 --> 01:09:57,479
Speaker 1: saying this wrong the whole time. Did they have to

1446
01:09:57,520 --> 01:09:59,800
Speaker 1: say something? Oh? Yeah? Are they like? And I like

1447
01:10:00,200 --> 01:10:02,720
Speaker 1: I didn't realize it. They did. They're like, hey, by

1448
01:10:02,800 --> 01:10:06,479
Speaker 1: the way, it's cocoa. You know. It's just like the

1449
01:10:06,560 --> 01:10:11,880
Speaker 1: time that I said Nestley was a Nestle. Yeah, oh

1450
01:10:11,960 --> 01:10:14,160
Speaker 1: my gosh, oh yeah, and my parents were I mean,

1451
01:10:14,320 --> 01:10:16,760
Speaker 1: I don't know that I should emit this out loud,

1452
01:10:17,000 --> 01:10:20,000
Speaker 1: but my parents and my sister to this day roast

1453
01:10:20,080 --> 01:10:22,960
Speaker 1: me for this one. When I was in high school,

1454
01:10:24,280 --> 01:10:29,880
Speaker 1: I thought resume was resume. I did. I did, and

1455
01:10:30,000 --> 01:10:31,640
Speaker 1: then they told me, and my mom told me, but

1456
01:10:31,720 --> 01:10:34,280
Speaker 1: then everybody heard it at home, and so like, I've

1457
01:10:34,400 --> 01:10:36,800
Speaker 1: never lived that down. You're like, so, how do I

1458
01:10:36,960 --> 01:10:40,680
Speaker 1: write a resume? The little accent letters get me? Man?

1459
01:10:41,320 --> 01:10:43,960
Speaker 1: Yeah he did. And it's so funny though, because I

1460
01:10:44,360 --> 01:10:47,360
Speaker 1: almost I'm one credit away from having a minor in French.

1461
01:10:47,840 --> 01:10:50,960
Speaker 1: So explain that to me. Okay, shouldn't that be the

1462
01:10:51,000 --> 01:10:53,639
Speaker 1: first thing you noticed? You would think? I'm sure resume

1463
01:10:53,840 --> 01:10:56,759
Speaker 1: is French, isn't it. Everything with an accent is typically

1464
01:10:56,800 --> 01:11:01,840
Speaker 1: coming from another language. Yeah, so yeah, resume. That hilarious.

1465
01:11:01,960 --> 01:11:03,640
Speaker 1: And I did really good in fringe, but I just

1466
01:11:03,800 --> 01:11:07,960
Speaker 1: suck it words. Apparently, it's probably just your brain is

1467
01:11:08,000 --> 01:11:09,880
Speaker 1: moving too fast. You haven't ask Can you give me

1468
01:11:09,960 --> 01:11:12,120
Speaker 1: something to make me feel? I have like so many?

1469
01:11:12,280 --> 01:11:16,479
Speaker 1: Are you serious? Okay? No, you do not? I do

1470
01:11:16,880 --> 01:11:20,799
Speaker 1: it wonderful, just as you are abby. My skin is terrible.

1471
01:11:21,560 --> 01:11:24,200
Speaker 1: I can say that your skin. Yeah, I don't like it.

1472
01:11:24,640 --> 01:11:29,320
Speaker 1: It's very um it's cult. What is it? Melasma? Well, no, no,

1473
01:11:29,520 --> 01:11:35,840
Speaker 1: that's not good. Melan melanoma, melasmama. This is where I

1474
01:11:35,880 --> 01:11:37,360
Speaker 1: go back to doing words. Then it will say the

1475
01:11:37,400 --> 01:11:43,040
Speaker 1: wrong thinglasa melasma. I'm pretty sure it's it's like hyper pigmentation. Mo. Wait,

1476
01:11:43,080 --> 01:11:49,120
Speaker 1: how do you spell this? You know melasma? Can't spell

1477
01:11:49,160 --> 01:11:52,120
Speaker 1: th elasma. It's a skin condition characterized by brown or

1478
01:11:52,160 --> 01:11:55,080
Speaker 1: blue gray patches or freckle like spots. Yeah. Just because

1479
01:11:55,080 --> 01:11:57,280
Speaker 1: I used to sit in the sun all the time. Um,

1480
01:11:57,400 --> 01:11:59,479
Speaker 1: and I'm very self conscious of it, and there's really

1481
01:11:59,560 --> 01:12:02,200
Speaker 1: no treatment for it because it always comes back, like

1482
01:12:02,320 --> 01:12:06,040
Speaker 1: with heat or any amount of sun. So so it's

1483
01:12:06,080 --> 01:12:10,360
Speaker 1: like your sun patches. Yes, yeah, no, he just like

1484
01:12:10,479 --> 01:12:12,840
Speaker 1: and I'm like their kisses from the sound love it.

1485
01:12:14,640 --> 01:12:17,439
Speaker 1: Thank you. I mean I wouldn't have noticed if he

1486
01:12:17,479 --> 01:12:19,560
Speaker 1: does anything to me, oh my gosh. No. But but

1487
01:12:19,720 --> 01:12:23,479
Speaker 1: one time in an interview speaking of like flaws or anything, so, um,

1488
01:12:23,920 --> 01:12:25,560
Speaker 1: I remember I was being interviewed and she was like,

1489
01:12:25,640 --> 01:12:27,599
Speaker 1: what are your strengths? And I came up with like five,

1490
01:12:27,840 --> 01:12:29,720
Speaker 1: Like no, problem, and she was like, Okay, what are

1491
01:12:29,720 --> 01:12:32,760
Speaker 1: your weaknesses? And I just like drew a blank, like

1492
01:12:32,920 --> 01:12:35,720
Speaker 1: I know I have a hundred weaknesses obviously, but I

1493
01:12:35,800 --> 01:12:37,400
Speaker 1: couldn't even think of any And I was like, I

1494
01:12:37,520 --> 01:12:40,040
Speaker 1: literally can't think of one. She's like, you really can't

1495
01:12:40,040 --> 01:12:42,200
Speaker 1: even come up with one. I was like, no, I'm sorry,

1496
01:12:42,280 --> 01:12:45,560
Speaker 1: coming move on. And so later I called her and

1497
01:12:45,600 --> 01:12:47,360
Speaker 1: I left a voicemail. I was like, Hi, here are

1498
01:12:47,400 --> 01:12:51,800
Speaker 1: my weaknesses. I got the job. Yeah, but like that

1499
01:12:52,560 --> 01:12:54,760
Speaker 1: right there was really funny. Oh yeah, that's very It's

1500
01:12:54,880 --> 01:12:57,240
Speaker 1: very important to share your weaknesses in an interview, Like

1501
01:12:57,400 --> 01:12:59,080
Speaker 1: it's probably more important to be able to share your

1502
01:12:59,120 --> 01:13:02,479
Speaker 1: weaknesses than it is your strength, right, because everybody can

1503
01:13:02,520 --> 01:13:06,439
Speaker 1: talk confidently about themselves, especially in an interview, right, you're

1504
01:13:06,439 --> 01:13:09,120
Speaker 1: prepared for that, but it's very difficult to share your

1505
01:13:09,160 --> 01:13:12,880
Speaker 1: flaws with somebody that could be a hiring manager. So

1506
01:13:13,080 --> 01:13:15,400
Speaker 1: props to you for going out of your wife to

1507
01:13:15,479 --> 01:13:17,840
Speaker 1: be like, yeah, here's what I suck. As like a

1508
01:13:17,960 --> 01:13:20,800
Speaker 1: five minute voicemail. Here you go. I wrote a list.

1509
01:13:21,920 --> 01:13:25,200
Speaker 1: Oh god man, Okay, yeah that was good. Okay, do

1510
01:13:25,240 --> 01:13:27,000
Speaker 1: you have any jury duty stories? That's what this is

1511
01:13:27,080 --> 01:13:29,840
Speaker 1: kind of about, because it's about giving work. Lunchbox is

1512
01:13:29,880 --> 01:13:32,679
Speaker 1: giving work, but it's also about like because of jury dutty.

1513
01:13:32,880 --> 01:13:35,160
Speaker 1: Did you ever have you ever had to serve jurryditty? No,

1514
01:13:35,439 --> 01:13:38,360
Speaker 1: I think it'd be fun. But my mom did, and

1515
01:13:38,439 --> 01:13:40,519
Speaker 1: she got called in for when it was six weeks,

1516
01:13:41,120 --> 01:13:42,720
Speaker 1: so she was on like a murder show. Huh, No,

1517
01:13:42,800 --> 01:13:44,960
Speaker 1: it wasn't. It was nothing important. It was I don't

1518
01:13:44,960 --> 01:13:46,599
Speaker 1: even remember what it was or if she can talk

1519
01:13:46,600 --> 01:13:49,240
Speaker 1: about it. It was the dumbest thing ever. It was

1520
01:13:49,360 --> 01:13:51,880
Speaker 1: like between a family, like a brother suing a brother

1521
01:13:52,080 --> 01:13:55,920
Speaker 1: for something so small, like less than ten thousand dollars.

1522
01:13:55,960 --> 01:13:58,519
Speaker 1: And I was like, you took all these juries, these

1523
01:13:58,600 --> 01:14:01,240
Speaker 1: people's time, like someone was a teacher, someone was a surgeon,

1524
01:14:01,800 --> 01:14:04,479
Speaker 1: you know, and for six weeks, six weeks they had

1525
01:14:04,520 --> 01:14:07,000
Speaker 1: to go there and just sit there. That's wild. Yeah,

1526
01:14:07,120 --> 01:14:09,240
Speaker 1: isn't that crazy? Feel like six weeks would definitely be

1527
01:14:09,360 --> 01:14:11,400
Speaker 1: something bad more than like a family. Are you But

1528
01:14:11,479 --> 01:14:14,599
Speaker 1: I thought, imagine if Lunchbox has gone six weeks, Oh

1529
01:14:14,680 --> 01:14:17,280
Speaker 1: my gosh, I can't even imagine that. The only relation

1530
01:14:17,320 --> 01:14:18,920
Speaker 1: I have to Jerry Duty is like on the show

1531
01:14:19,000 --> 01:14:21,479
Speaker 1: New Girl. Have you watched New Girl? And I've asked

1532
01:14:21,520 --> 01:14:23,000
Speaker 1: you that for him. You can ask me like have

1533
01:14:23,120 --> 01:14:25,240
Speaker 1: you seen this show? And I'm probably gonna be like, yeah, yes,

1534
01:14:25,280 --> 01:14:27,960
Speaker 1: as we talked about this. Yeah, I'm the only human

1535
01:14:28,040 --> 01:14:30,800
Speaker 1: that barely watches TV. But well, Jess, like Jess on

1536
01:14:30,880 --> 01:14:33,519
Speaker 1: New Girl, she has dirry duty, and like all you

1537
01:14:33,640 --> 01:14:36,800
Speaker 1: can't talk to them. They get like sequestered again. In

1538
01:14:36,920 --> 01:14:41,920
Speaker 1: other words, I cannot pronounce sequestered yea. And you can't

1539
01:14:41,960 --> 01:14:43,479
Speaker 1: like talk to him for that long. So if it

1540
01:14:43,720 --> 01:14:46,280
Speaker 1: is like a very intense trial, you're not allowed to

1541
01:14:46,280 --> 01:14:47,400
Speaker 1: talk to him. They're supposed to be like in a

1542
01:14:47,439 --> 01:14:48,920
Speaker 1: hotel or whatever. I don't know if that's still the

1543
01:14:48,960 --> 01:14:51,880
Speaker 1: case though, oh maybe. But I would love to talk

1544
01:14:51,920 --> 01:14:55,360
Speaker 1: to somebody who's been sequestered from everything I know. I

1545
01:14:55,560 --> 01:14:57,800
Speaker 1: really come out. Yeah, I really want to do it.

1546
01:14:57,880 --> 01:14:59,600
Speaker 1: Though it would be fun for a few days. I

1547
01:14:59,640 --> 01:15:02,919
Speaker 1: don't have six weeks, but it would be so interesting,

1548
01:15:03,320 --> 01:15:05,920
Speaker 1: not because like are they are the movies real? Where

1549
01:15:05,960 --> 01:15:10,000
Speaker 1: like sometimes the jury gets killed Oh oh yeah, because

1550
01:15:10,000 --> 01:15:11,920
Speaker 1: you want to keep your identity. Yeah, well but like

1551
01:15:11,960 --> 01:15:14,120
Speaker 1: I don't want to tell them, well that but like yeah,

1552
01:15:14,200 --> 01:15:16,880
Speaker 1: but like the the guilty party like finds out who

1553
01:15:16,880 --> 01:15:19,400
Speaker 1: the jury is and like either bribes them or they

1554
01:15:19,479 --> 01:15:21,360
Speaker 1: die kind of thing. I mean, that's what happens in movies. Yeah,

1555
01:15:21,360 --> 01:15:23,040
Speaker 1: I don't like that. I want to wait too many movies.

1556
01:15:24,760 --> 01:15:26,759
Speaker 1: I wouldn't want that to happen. And I mean someone's

1557
01:15:26,800 --> 01:15:30,080
Speaker 1: life is kind of in your hands, basically their future.

1558
01:15:30,560 --> 01:15:33,240
Speaker 1: You have to seriously be like, Okay, are they guilty

1559
01:15:33,320 --> 01:15:35,960
Speaker 1: or are they not? That would be a really big decision.

1560
01:15:37,000 --> 01:15:38,639
Speaker 1: I did, But I do want to see like the system,

1561
01:15:38,760 --> 01:15:41,000
Speaker 1: because the system I think is a little bit flawed

1562
01:15:41,080 --> 01:15:42,600
Speaker 1: in different ways. You kind of want to see how

1563
01:15:42,600 --> 01:15:47,000
Speaker 1: it works. Yeah, why it's working that way? It's very interesting. Yeah, yeah,

1564
01:15:47,040 --> 01:15:49,880
Speaker 1: I don't. I'm not okay, I'm done jury duty neither

1565
01:15:50,000 --> 01:15:52,120
Speaker 1: by maybe someday we both will. So maybe we're on

1566
01:15:52,200 --> 01:15:55,719
Speaker 1: the same jury, same trial. What that'd be crazy. I'd

1567
01:15:55,720 --> 01:15:57,880
Speaker 1: be like, I know her. And then they went, let

1568
01:15:58,080 --> 01:16:02,760
Speaker 1: I don't be like here without no oh man, Okay,

1569
01:16:02,800 --> 01:16:04,960
Speaker 1: Well here is the moment that we found out lunch

1570
01:16:05,040 --> 01:16:08,200
Speaker 1: Box didn't get picked for Jerry duty and he skipped

1571
01:16:08,200 --> 01:16:12,920
Speaker 1: work because he was stressed. Number three, what's having a friends?

1572
01:16:13,240 --> 01:16:16,120
Speaker 1: Lunchbox is out yesterday for Jerry duty, and so I

1573
01:16:16,160 --> 01:16:18,160
Speaker 1: want to play you a couple of clips here, but

1574
01:16:18,160 --> 01:16:20,080
Speaker 1: we'll talk about did he get picked? Was it a

1575
01:16:20,120 --> 01:16:22,400
Speaker 1: big trial? The thing is it could have been a

1576
01:16:22,439 --> 01:16:24,880
Speaker 1: big trial, because you're back today, right, Yeah, it wasn't

1577
01:16:24,880 --> 01:16:28,519
Speaker 1: a big trial. So you leave, you go, and then

1578
01:16:28,640 --> 01:16:32,360
Speaker 1: yesterday all yesterday, you're gone. I'm gone. Can you talk

1579
01:16:32,400 --> 01:16:34,599
Speaker 1: about what happened? I mean I can talk about it. Yeah,

1580
01:16:34,600 --> 01:16:36,679
Speaker 1: I mean, now that everything's over, I can. I wasn't

1581
01:16:36,680 --> 01:16:39,000
Speaker 1: allowed to go on social media during the trial or

1582
01:16:39,120 --> 01:16:41,760
Speaker 1: when I was there, but once I left and it's over,

1583
01:16:41,880 --> 01:16:43,280
Speaker 1: I can do whatever I want. I can speak to

1584
01:16:43,360 --> 01:16:45,479
Speaker 1: the press. I mean, there was news vehicles out front,

1585
01:16:45,840 --> 01:16:48,640
Speaker 1: there's everything. Here is the first clip. This is you

1586
01:16:48,760 --> 01:16:50,760
Speaker 1: going through security on the day that you showed up. Yeah,

1587
01:16:50,760 --> 01:16:53,920
Speaker 1: there's me at the metal detectors Monday, Yeah, Monday. Hello,

1588
01:16:54,760 --> 01:17:00,679
Speaker 1: I'm reporting for the whole so help me. God. Yeah,

1589
01:17:00,920 --> 01:17:11,479
Speaker 1: I'm thank you, ma'am. I'm here to serve the judge. Wave.

1590
01:17:12,080 --> 01:17:14,760
Speaker 1: Did you swear into the security guard? Yeah? I swore in.

1591
01:17:16,040 --> 01:17:18,360
Speaker 1: Not necessary. I thought that's what you were supposed to do,

1592
01:17:18,560 --> 01:17:20,800
Speaker 1: because I see that on the TV when they swear

1593
01:17:20,880 --> 01:17:22,920
Speaker 1: in and she had a plexiglass thing in front of her,

1594
01:17:23,000 --> 01:17:24,720
Speaker 1: kind of like she was a judge, and so I

1595
01:17:24,800 --> 01:17:26,720
Speaker 1: felt like it was appropriate. Everybody in line behind me

1596
01:17:26,880 --> 01:17:28,559
Speaker 1: was like, can you just hurry up because some people,

1597
01:17:28,640 --> 01:17:30,280
Speaker 1: like someone I'm in line with the criminals that are

1598
01:17:30,280 --> 01:17:31,920
Speaker 1: going into court, you know, they got to get there. Well,

1599
01:17:31,920 --> 01:17:33,519
Speaker 1: they're not our criminals. Some people to go to court

1600
01:17:33,560 --> 01:17:36,200
Speaker 1: are found not guilty. Well, I'm saying some of the

1601
01:17:36,280 --> 01:17:38,200
Speaker 1: people in line, they're like, man, come on, guys, we

1602
01:17:38,280 --> 01:17:41,000
Speaker 1: got we gotta get courtre You're holding up the whole line.

1603
01:17:41,040 --> 01:17:42,559
Speaker 1: So you go through. Then what do you do. You're

1604
01:17:42,560 --> 01:17:44,360
Speaker 1: going into a room. So I go into a room

1605
01:17:44,800 --> 01:17:46,880
Speaker 1: and I check in, they give me a little badge,

1606
01:17:46,880 --> 01:17:48,559
Speaker 1: and I sit down with a bunch of people. There's

1607
01:17:48,560 --> 01:17:50,720
Speaker 1: probably about one hundred and fifty people in there. And

1608
01:17:50,840 --> 01:17:53,000
Speaker 1: these guys come up and they start talking about, hey,

1609
01:17:53,040 --> 01:17:56,200
Speaker 1: we got six trials that are starting today. So we're gonna,

1610
01:17:56,280 --> 01:17:57,960
Speaker 1: you know, select thirty of you. You're gonna go to

1611
01:17:58,080 --> 01:18:01,479
Speaker 1: this courtroom and they'll judge picked the jurors from that.

1612
01:18:02,000 --> 01:18:04,280
Speaker 1: So they call it, you know, sixty people for two

1613
01:18:04,320 --> 01:18:06,760
Speaker 1: of the trials. Then they come and say, good news,

1614
01:18:06,880 --> 01:18:09,280
Speaker 1: two of the trials got canceled. So we're down to

1615
01:18:09,400 --> 01:18:12,760
Speaker 1: two trials. And I'm like oh man, I'm here. Here

1616
01:18:12,800 --> 01:18:14,519
Speaker 1: we go, Here we go, here we go. And then

1617
01:18:14,560 --> 01:18:17,000
Speaker 1: they come back in they say, guess what, another trial

1618
01:18:17,120 --> 01:18:20,200
Speaker 1: got canceled. And I'm like, oh man, this means my

1619
01:18:20,320 --> 01:18:22,679
Speaker 1: odds are dwindling of getting picked to be a juror.

1620
01:18:23,760 --> 01:18:25,320
Speaker 1: And they said, but they're not ready for us in

1621
01:18:25,360 --> 01:18:27,920
Speaker 1: this one trial. But we're gonna We're gonna call the

1622
01:18:28,120 --> 01:18:29,920
Speaker 1: thirty two people that you know are gonna be in

1623
01:18:29,960 --> 01:18:33,880
Speaker 1: the jury pool, and then everybody else you're free to go. Okay,

1624
01:18:34,320 --> 01:18:36,360
Speaker 1: is that well, let's clip is this no? No no,

1625
01:18:36,720 --> 01:18:39,360
Speaker 1: So they call out the thirty two names and I

1626
01:18:39,439 --> 01:18:42,000
Speaker 1: am not one of the people, so I am free

1627
01:18:42,400 --> 01:18:45,919
Speaker 1: to go. And this is me saying bye to everybody

1628
01:18:46,000 --> 01:18:49,040
Speaker 1: that got picked. Bye, guys, good luck, bye bye ba

1629
01:18:49,160 --> 01:18:51,720
Speaker 1: ba by. I think I'm gonna take a nap. Guys.

1630
01:18:51,760 --> 01:18:54,920
Speaker 1: You guys have a good day. Yeah, enjoy it. Yeah,

1631
01:18:55,120 --> 01:18:58,479
Speaker 1: be a good jury. You guys, be good. We're out

1632
01:18:58,520 --> 01:19:00,720
Speaker 1: of here. So you didn't get picked for Jerry doot

1633
01:19:00,720 --> 01:19:03,960
Speaker 1: it at all? I didn't get picked. I wonder why,

1634
01:19:04,200 --> 01:19:06,320
Speaker 1: Oh no, no, no, no. He wasn't at work yesterday,

1635
01:19:06,640 --> 01:19:09,280
Speaker 1: like this happened on Monday, and then he wasn't here

1636
01:19:09,439 --> 01:19:11,960
Speaker 1: yesterday at all because we thought you were on jerry duty. Well, well,

1637
01:19:12,040 --> 01:19:15,599
Speaker 1: here's the thing, the stress of going to jury duty,

1638
01:19:16,200 --> 01:19:20,200
Speaker 1: the emotional toll it took on me because I had

1639
01:19:20,280 --> 01:19:23,479
Speaker 1: someone's life in my hands, like I had to decide

1640
01:19:23,520 --> 01:19:25,760
Speaker 1: if they were gonna be guilty or not guilty. And

1641
01:19:26,320 --> 01:19:28,280
Speaker 1: I never got to make that decision, but just the

1642
01:19:28,400 --> 01:19:30,160
Speaker 1: thought of it, it just wore me out, and so

1643
01:19:31,280 --> 01:19:33,439
Speaker 1: I needed a day to kind of, you know, get

1644
01:19:33,520 --> 01:19:36,439
Speaker 1: myself right. And it's traumatizing. You guys have never been

1645
01:19:36,520 --> 01:19:39,160
Speaker 1: on a jury Yes, I had. I've been in jerry duty,

1646
01:19:39,160 --> 01:19:40,439
Speaker 1: and then I got picked for the jerry pool and

1647
01:19:40,439 --> 01:19:42,400
Speaker 1: then I came to work later that day once I

1648
01:19:42,479 --> 01:19:46,120
Speaker 1: got cut. But it's very traumatizing to realize that the

1649
01:19:46,240 --> 01:19:49,000
Speaker 1: pressure you have on you to make a decision if

1650
01:19:49,040 --> 01:19:51,040
Speaker 1: someone is going to go to prison for the rest

1651
01:19:51,040 --> 01:19:55,080
Speaker 1: of their life. You're also inserting some trial about lifetime sentences,

1652
01:19:55,960 --> 01:19:57,600
Speaker 1: but you have no idea if hey, Scuba Steve, he

1653
01:19:57,640 --> 01:19:59,280
Speaker 1: didn't show up to work at all yesterday, he was

1654
01:19:59,320 --> 01:20:01,120
Speaker 1: not doing jerry ut at all. No, he did not.

1655
01:20:01,240 --> 01:20:03,800
Speaker 1: He didn't hit me up, no coordination, no contact, nothing.

1656
01:20:04,160 --> 01:20:05,800
Speaker 1: It's almost like a no call, no show, cut no, no,

1657
01:20:06,400 --> 01:20:08,559
Speaker 1: did you not hear me? I was at jury duty,

1658
01:20:08,840 --> 01:20:10,760
Speaker 1: Like when I walked in the room, like and when

1659
01:20:10,800 --> 01:20:13,920
Speaker 1: I walked into that jury room, cell phones came off

1660
01:20:13,920 --> 01:20:15,559
Speaker 1: and people started filming me like they were like, oh,

1661
01:20:15,640 --> 01:20:18,600
Speaker 1: celebrity in the building. Like it was a lot to

1662
01:20:18,720 --> 01:20:20,840
Speaker 1: deal with. He said in the audio clip that he's

1663
01:20:20,840 --> 01:20:23,880
Speaker 1: gonna go take a nap. Yeah, like he told her

1664
01:20:23,880 --> 01:20:27,639
Speaker 1: about And that was month and that was Monday. Because

1665
01:20:27,680 --> 01:20:30,760
Speaker 1: it was exhaustterday's show. He had nothing to do, no

1666
01:20:31,000 --> 01:20:33,600
Speaker 1: jerry duty. He knew that he had us thinking he

1667
01:20:33,760 --> 01:20:35,920
Speaker 1: was a jury duty. I thought you were literally on

1668
01:20:36,040 --> 01:20:38,519
Speaker 1: jurryduty yesterday, man, But I was I was like, what

1669
01:20:38,640 --> 01:20:40,240
Speaker 1: if they called me back? What if they say, you

1670
01:20:40,280 --> 01:20:41,680
Speaker 1: know what, we made a mistake and we need you

1671
01:20:41,800 --> 01:20:44,200
Speaker 1: on the jury. So yesterday you were on call? He

1672
01:20:44,280 --> 01:20:45,560
Speaker 1: felt like, Yeah, I mean I felt like I was

1673
01:20:45,600 --> 01:20:48,200
Speaker 1: on call, man. I was who it was rough. I

1674
01:20:48,280 --> 01:20:50,200
Speaker 1: had my phone laying right by me just in case

1675
01:20:50,240 --> 01:20:53,320
Speaker 1: they did call. I never called. So who if Eddie,

1676
01:20:53,360 --> 01:20:54,960
Speaker 1: if you had taken a day off extra and didn't

1677
01:20:54,960 --> 01:20:56,600
Speaker 1: say anything about it, what would happen? What do you

1678
01:20:56,640 --> 01:20:58,880
Speaker 1: mean you had be in trouble? You would totally get

1679
01:20:59,040 --> 01:21:02,439
Speaker 1: upset at me, so get upset at him. I don't

1680
01:21:02,479 --> 01:21:06,160
Speaker 1: know what he's thinking. I need a day. I need

1681
01:21:06,200 --> 01:21:09,880
Speaker 1: a day to figure out because I feel like he

1682
01:21:10,000 --> 01:21:12,080
Speaker 1: just stole a day off. I need a day to

1683
01:21:12,120 --> 01:21:14,200
Speaker 1: figure out the puny. Oh my god. And let me

1684
01:21:14,280 --> 01:21:15,720
Speaker 1: know if you ever get called for jury duty, how

1685
01:21:15,720 --> 01:21:16,880
Speaker 1: you feel at the end of the day. Eddy, You're

1686
01:21:16,880 --> 01:21:18,640
Speaker 1: gonna need a day. I'm telling you. Okay, Amy, what

1687
01:21:18,680 --> 01:21:19,840
Speaker 1: would you do if you were me? I mean, I

1688
01:21:19,960 --> 01:21:21,880
Speaker 1: think that he just goes in and takes it as

1689
01:21:21,920 --> 01:21:25,040
Speaker 1: an actual because we have well we did just take vacation,

1690
01:21:25,120 --> 01:21:26,800
Speaker 1: so I have no idea if he has any vacation left.

1691
01:21:26,840 --> 01:21:28,760
Speaker 1: But you're saying, use a vacation day on Well, there's

1692
01:21:28,800 --> 01:21:33,120
Speaker 1: like we have personal days, we have sick days, brievement,

1693
01:21:34,200 --> 01:21:38,000
Speaker 1: what about jury duty days? I don't know, vacation he

1694
01:21:38,080 --> 01:21:39,920
Speaker 1: has to take it. Yeah, it's like docked out of

1695
01:21:40,080 --> 01:21:43,719
Speaker 1: his like his allotment. Genius. Well, let the listeners decide.

1696
01:21:43,720 --> 01:21:46,720
Speaker 1: Morgan posted on Facebook. Whatever they decide, put a pole up,

1697
01:21:46,720 --> 01:21:51,160
Speaker 1: whatever they deciden't happen. Okay, it's the best bits of

1698
01:21:51,240 --> 01:21:55,920
Speaker 1: the week with Morgan. Number two. This was a super

1699
01:21:56,040 --> 01:21:58,280
Speaker 1: fun one and all of the show members got to

1700
01:21:58,360 --> 01:22:01,839
Speaker 1: compete against each other in a commercial read. So Bobby

1701
01:22:01,960 --> 01:22:04,160
Speaker 1: needed to find somebody else on the show besides him

1702
01:22:04,240 --> 01:22:06,960
Speaker 1: or Amy that could do some commercial reads for a client.

1703
01:22:07,560 --> 01:22:10,280
Speaker 1: And instead of just choosing someone, he made us all

1704
01:22:10,280 --> 01:22:12,640
Speaker 1: compete against each other. And I'm not gonna lie. I

1705
01:22:12,760 --> 01:22:18,000
Speaker 1: did pretty good. Um, okay, you are an absolute pro. Like,

1706
01:22:18,200 --> 01:22:21,160
Speaker 1: how do you even do that? It sounds like were

1707
01:22:21,240 --> 01:22:23,559
Speaker 1: you timing yourself too? I was timing myself oay, because

1708
01:22:23,560 --> 01:22:24,840
Speaker 1: I was gonna be like if that was in your head,

1709
01:22:24,840 --> 01:22:28,479
Speaker 1: I mean, whoa, but you just think myself? But no, zone,

1710
01:22:28,720 --> 01:22:31,000
Speaker 1: I was nervous. I don't. I think you can hear

1711
01:22:31,040 --> 01:22:32,560
Speaker 1: it in my voice a little bit, but I was

1712
01:22:32,640 --> 01:22:36,120
Speaker 1: super nervous. Whenever I get put on the spot in anything,

1713
01:22:36,600 --> 01:22:39,080
Speaker 1: particularly on the show. When I get put on this,

1714
01:22:39,640 --> 01:22:42,920
Speaker 1: my heart starts racing and like, my whole body is shaking.

1715
01:22:43,120 --> 01:22:47,280
Speaker 1: And I am never a nervous person. Oh really, you're not? Ever? No, well,

1716
01:22:47,360 --> 01:22:51,479
Speaker 1: that's this particular like scenario and setting. I get nervous.

1717
01:22:51,680 --> 01:22:53,320
Speaker 1: I honestly could not hear it at all because I

1718
01:22:53,439 --> 01:22:55,920
Speaker 1: was listening like very well, and I was like, how

1719
01:22:55,960 --> 01:22:57,920
Speaker 1: did she say? I thought it went to a commercial

1720
01:22:58,360 --> 01:23:00,479
Speaker 1: and they like put it in there. No, it doesn't

1721
01:23:00,520 --> 01:23:02,559
Speaker 1: sound shaky at all. But you did good. You did

1722
01:23:02,760 --> 01:23:05,200
Speaker 1: that was your first ever read you did during this

1723
01:23:05,479 --> 01:23:08,120
Speaker 1: it was and after you got out, like I don't

1724
01:23:08,200 --> 01:23:09,880
Speaker 1: know how many times I can tell you that I've

1725
01:23:09,960 --> 01:23:13,320
Speaker 1: messed up in things, and like natural reading, I messed

1726
01:23:13,400 --> 01:23:15,360
Speaker 1: up all the time. Okay, Yeah, like I said, I

1727
01:23:15,400 --> 01:23:17,080
Speaker 1: messed up my words all the time. And you did

1728
01:23:17,120 --> 01:23:19,519
Speaker 1: great after you got over, like your little like, oh wait,

1729
01:23:19,560 --> 01:23:25,040
Speaker 1: can I mess up? I do? Thanks, But you just

1730
01:23:25,120 --> 01:23:27,360
Speaker 1: have to keep doing it over and over again. That's

1731
01:23:27,360 --> 01:23:30,200
Speaker 1: a lot of talk to practice. I know you did good.

1732
01:23:30,240 --> 01:23:33,040
Speaker 1: I feel like everybody honestly did good. The hard thing

1733
01:23:33,080 --> 01:23:36,160
Speaker 1: with commercial though, is that everybody has their personality and

1734
01:23:36,200 --> 01:23:38,000
Speaker 1: you want to show your personality. That's a whole point

1735
01:23:38,040 --> 01:23:40,960
Speaker 1: of it. But like in this instance, we had thirty

1736
01:23:41,000 --> 01:23:43,600
Speaker 1: seconds and like you had to get this huge paragraph

1737
01:23:43,680 --> 01:23:46,479
Speaker 1: in and you couldn't get your personality across. Yeah, and

1738
01:23:46,640 --> 01:23:48,840
Speaker 1: it's like it was very wordy and a lot of f's.

1739
01:23:49,120 --> 01:23:51,200
Speaker 1: It was like, or like it was a lot of numbers,

1740
01:23:51,320 --> 01:23:55,320
Speaker 1: bones fourteen, Yeah, good that we had to read. Yeah,

1741
01:23:55,600 --> 01:23:57,760
Speaker 1: and it's weird when they write it out they spell

1742
01:23:57,800 --> 01:24:00,200
Speaker 1: out dot com it's not just like a dot. And

1743
01:24:00,280 --> 01:24:01,920
Speaker 1: so then I was like, I don't know, it was

1744
01:24:01,960 --> 01:24:04,320
Speaker 1: just a lot. Like you're reading a lot of words

1745
01:24:04,760 --> 01:24:08,320
Speaker 1: and you only have thirteen or about thirty seconds. Yet

1746
01:24:08,640 --> 01:24:11,880
Speaker 1: sometimes fifteen seconds, sometimes thirty. This is like a full

1747
01:24:11,920 --> 01:24:13,479
Speaker 1: on behind the scenes that y'all are getting right now.

1748
01:24:13,479 --> 01:24:17,679
Speaker 1: But yeah, sometimes are our commercials our fifteen seconds, thirty

1749
01:24:17,720 --> 01:24:21,000
Speaker 1: seconds or a minute. They can range and most of

1750
01:24:21,080 --> 01:24:22,360
Speaker 1: the time you get a script that you have to

1751
01:24:22,400 --> 01:24:26,200
Speaker 1: stick to. Sometimes you get a script that you can't

1752
01:24:26,280 --> 01:24:29,360
Speaker 1: go off of, and sometimes you'll just get bullet points

1753
01:24:29,400 --> 01:24:31,679
Speaker 1: and you have to make up the script. It depends

1754
01:24:31,720 --> 01:24:34,200
Speaker 1: one hundred percent on the client and what they request.

1755
01:24:34,840 --> 01:24:36,120
Speaker 1: Is that hard for you when they say, oh, just

1756
01:24:36,240 --> 01:24:39,280
Speaker 1: make up a story if it's one that I'm connected to,

1757
01:24:39,560 --> 01:24:42,200
Speaker 1: Like I've done some for Invisiligne, and I've done some

1758
01:24:42,400 --> 01:24:45,719
Speaker 1: for lay Sick in all of which I've had personal experience.

1759
01:24:45,800 --> 01:24:47,560
Speaker 1: That's the whole point that we did the partnership with

1760
01:24:47,640 --> 01:24:51,160
Speaker 1: a client. Those aren't because I have the personal story

1761
01:24:51,280 --> 01:24:53,880
Speaker 1: to share, but like combining that down into one minute

1762
01:24:53,920 --> 01:24:56,640
Speaker 1: is very difficult. Oh, I bet like I'm trying to

1763
01:24:56,720 --> 01:24:58,439
Speaker 1: tell a personal story. But by the way, I have

1764
01:24:58,520 --> 01:25:02,240
Speaker 1: a minute to do, I know, which is difficult, but

1765
01:25:02,360 --> 01:25:04,479
Speaker 1: like I like those because those allow you to show

1766
01:25:04,520 --> 01:25:07,840
Speaker 1: your personality more right. I just love how you get

1767
01:25:07,880 --> 01:25:11,120
Speaker 1: in the zone, like you just put your game face on.

1768
01:25:11,320 --> 01:25:16,200
Speaker 1: You're like, that was amazing, It was awesome. Which we're

1769
01:25:16,240 --> 01:25:18,519
Speaker 1: about to talk about a moment that you put your

1770
01:25:18,560 --> 01:25:20,240
Speaker 1: game pase on. And there was a moment that I

1771
01:25:20,320 --> 01:25:22,280
Speaker 1: didn't put my game base on. Oh I can't wait

1772
01:25:22,320 --> 01:25:24,679
Speaker 1: here this yeah, I really can't care well here before

1773
01:25:24,720 --> 01:25:27,320
Speaker 1: we get to the final number one moment. Here is

1774
01:25:27,520 --> 01:25:31,760
Speaker 1: Eddie Lunchbox, myself, Abby and Raymundo all competing against each

1775
01:25:31,760 --> 01:25:36,200
Speaker 1: other in this commercial competition number two. Some of our

1776
01:25:36,240 --> 01:25:38,800
Speaker 1: sales asked me to recommend somebody to read some commercials

1777
01:25:38,880 --> 01:25:41,519
Speaker 1: and that what that comes money? And they're like, hey,

1778
01:25:41,600 --> 01:25:43,360
Speaker 1: not you were Amy, could you gather book? But who

1779
01:25:43,360 --> 01:25:46,000
Speaker 1: would you recommend? And I didn't want to just blankly

1780
01:25:46,280 --> 01:25:48,000
Speaker 1: pick somebody throw it out there. So we have a

1781
01:25:48,000 --> 01:25:51,280
Speaker 1: little competition here, little commercial reading competition. Not only that,

1782
01:25:51,640 --> 01:25:53,640
Speaker 1: I'll give the one or fifty bucks too. Yes, so

1783
01:25:53,760 --> 01:25:55,960
Speaker 1: there is a prize. It's a prize and it's a

1784
01:25:56,040 --> 01:25:58,800
Speaker 1: recommendation for more commercials. I love it and we can

1785
01:25:58,840 --> 01:26:01,479
Speaker 1: tell us who the worst was to Well, we're gonna me.

1786
01:26:01,600 --> 01:26:03,120
Speaker 1: Amy and Steve are gonna be the ones that hold

1787
01:26:03,160 --> 01:26:05,800
Speaker 1: up cart like okay, God, you're gonna score it. Live

1788
01:26:05,880 --> 01:26:07,960
Speaker 1: gotch So I've got a number one through one hundred.

1789
01:26:08,000 --> 01:26:10,800
Speaker 1: Whoever picks closest to the number gets to go, gets

1790
01:26:10,800 --> 01:26:13,080
Speaker 1: to pick their spot in the order. Lunchbox fifty, Eddie

1791
01:26:13,200 --> 01:26:19,880
Speaker 1: twenty one, Morgan seventy, Ray gotta go twenty. Abby Abby

1792
01:26:20,240 --> 01:26:23,120
Speaker 1: picked seventy seven. The numbers eighty three. Oh Abby, you

1793
01:26:23,160 --> 01:26:24,840
Speaker 1: can go wherever you want. You can go first, you

1794
01:26:24,840 --> 01:26:28,559
Speaker 1: can go last, whatever you want. I'll go first. Oh wow,

1795
01:26:29,000 --> 01:26:31,479
Speaker 1: she's going first. Okay, okay. She will read a thirty

1796
01:26:31,520 --> 01:26:33,960
Speaker 1: second commercial. Now, this is a commercial that I do

1797
01:26:34,040 --> 01:26:35,880
Speaker 1: for Hello Fresh. By the way, all this is current,

1798
01:26:36,320 --> 01:26:38,000
Speaker 1: so Hello Fresh, You're gonna get a heck of a deal. Here.

1799
01:26:38,240 --> 01:26:41,200
Speaker 1: I's reading their commercial over and over. Um, Abby, are

1800
01:26:41,280 --> 01:26:43,320
Speaker 1: you ready? I am? Can I say I've never done

1801
01:26:43,360 --> 01:26:46,400
Speaker 1: a commercial, so this might be really funny, more fantastic.

1802
01:26:46,640 --> 01:26:49,880
Speaker 1: Oh say that word a lot? How to get out

1803
01:26:49,920 --> 01:26:53,439
Speaker 1: of there? All right, but I do recognize it, ready, Abby? Yes,

1804
01:26:53,840 --> 01:26:57,000
Speaker 1: And you have thirty seconds and whenever you start, I

1805
01:26:57,080 --> 01:26:59,920
Speaker 1: will hit the button. Okay, there's a lot of exciting

1806
01:27:00,040 --> 01:27:02,759
Speaker 1: things happening this fall. I want to focus on what's important,

1807
01:27:02,960 --> 01:27:06,800
Speaker 1: not what's for dinner. Luckily, Hello Fresh delivers everything I

1808
01:27:06,920 --> 01:27:09,880
Speaker 1: need and it's thirty percent cheaper than grocery shopping. The

1809
01:27:10,040 --> 01:27:13,439
Speaker 1: quick and easy recipes are perfect for weeknights. With Hello Fresh,

1810
01:27:13,520 --> 01:27:16,000
Speaker 1: I actually have time to enjoy my meals. Go to

1811
01:27:16,080 --> 01:27:19,160
Speaker 1: Hello Fresh dot com slash bones fourteen and you use

1812
01:27:19,640 --> 01:27:22,519
Speaker 1: code bones fourteen for up to fourteen free meals plus

1813
01:27:22,600 --> 01:27:25,800
Speaker 1: free shipping. That's code bones fourteen for fourteen free meals

1814
01:27:25,840 --> 01:27:29,280
Speaker 1: at Hello Fresh dot com slash bones fourteen. Nice job

1815
01:27:30,960 --> 01:27:33,560
Speaker 1: sounded good? Comfortable? Oh thank you? Okay, I mean I

1816
01:27:33,640 --> 01:27:36,840
Speaker 1: just bought someone already, get it? Okay. Let write your

1817
01:27:36,880 --> 01:27:41,439
Speaker 1: scores down, guys, from one to ten. Yeah, all right.

1818
01:27:41,439 --> 01:27:43,920
Speaker 1: Going to first to our executive producer Scooba, Steve. Scooba, Steve,

1819
01:27:43,920 --> 01:27:46,360
Speaker 1: what do you write that performance I've given that. I

1820
01:27:46,520 --> 01:27:48,439
Speaker 1: know this is our first time doing it, rip and read.

1821
01:27:48,720 --> 01:27:51,240
Speaker 1: I'll give her a seven. Okay, Amy, that's exactly what

1822
01:27:51,320 --> 01:27:52,920
Speaker 1: I have. Seven And it is exactly what I have.

1823
01:27:53,000 --> 01:27:56,040
Speaker 1: A seven. Oh so John Abby with a total score

1824
01:27:56,080 --> 01:28:00,240
Speaker 1: of twenty one and her first ever commercial ready the

1825
01:28:00,280 --> 01:28:05,920
Speaker 1: way she's performing at Bobby Fest at her Um. Okay,

1826
01:28:06,680 --> 01:28:11,080
Speaker 1: Next up is lunchbox. Oh, same commercial, lunchbox. You'll have

1827
01:28:11,320 --> 01:28:16,519
Speaker 1: thirty seconds, are you I don't know why you're laughing?

1828
01:28:16,680 --> 01:28:18,600
Speaker 1: Do you go over? It's like price is right, you

1829
01:28:18,640 --> 01:28:21,720
Speaker 1: can say under, just don't go over. Oh okay, here

1830
01:28:21,800 --> 01:28:24,320
Speaker 1: we go. You have thirty seconds. Now we'll start whenever

1831
01:28:24,360 --> 01:28:27,840
Speaker 1: you're ready. Yeah, whenever I'm ready. All right, Okay, there's

1832
01:28:27,840 --> 01:28:30,479
Speaker 1: a lot of exciting things happening this fall. I want

1833
01:28:30,479 --> 01:28:33,960
Speaker 1: to focus on what's important, not what's for dinner. Luckily,

1834
01:28:34,040 --> 01:28:37,639
Speaker 1: Hello Fresh delivers everything I need and it's thirty percent

1835
01:28:37,800 --> 01:28:40,960
Speaker 1: cheaper than grocery shopping. The quick and easy recipes are

1836
01:28:41,040 --> 01:28:44,200
Speaker 1: perfect for weeknights with Hello Fresh, I actually have time

1837
01:28:44,280 --> 01:28:47,240
Speaker 1: to enjoy my meals. Go to Hello Fresh dot com

1838
01:28:47,600 --> 01:28:51,759
Speaker 1: slash bones fourteen and use code bones fourteen to fourteen

1839
01:28:51,880 --> 01:28:55,960
Speaker 1: free meals plus free shipping. That's code bones fourteen for

1840
01:28:56,120 --> 01:29:00,559
Speaker 1: fourteen free meals at Hello Fresh dot com slash bones fourteen.

1841
01:29:00,960 --> 01:29:03,479
Speaker 1: Good job, you have thirty three seconds. Now. He's not

1842
01:29:03,560 --> 01:29:06,680
Speaker 1: just qualified, but there'll be a slight No no no, no,

1843
01:29:06,840 --> 01:29:08,760
Speaker 1: no no no no no, excuse me. I didn't hear

1844
01:29:08,920 --> 01:29:11,760
Speaker 1: about time Abby had twenty eight. I didn't hear that

1845
01:29:11,840 --> 01:29:14,280
Speaker 1: under it, um, so just know that he went over

1846
01:29:14,400 --> 01:29:16,080
Speaker 1: three seconds. And I did say before he read he

1847
01:29:16,120 --> 01:29:18,800
Speaker 1: can't go over. He always goes over. That he does

1848
01:29:19,280 --> 01:29:22,439
Speaker 1: all the time. That's more airtime for the client. No,

1849
01:29:26,280 --> 01:29:29,479
Speaker 1: that means Steve has to edit it down somehow, unless

1850
01:29:29,520 --> 01:29:31,920
Speaker 1: you're doing it live, which a lot of times you did,

1851
01:29:32,080 --> 01:29:39,599
Speaker 1: Envy Nail. You did a great read, Nail, okay, Um Scooba. Steve, Yes,

1852
01:29:39,960 --> 01:29:41,880
Speaker 1: he did a great job, but he did go over.

1853
01:29:42,000 --> 01:29:43,439
Speaker 1: So for that at the dock him and I'm gonna

1854
01:29:43,439 --> 01:29:45,880
Speaker 1: give him a seven for the read. Amy, Oh wow,

1855
01:29:45,880 --> 01:29:48,840
Speaker 1: I have nine? Oh wow? Did you give him a

1856
01:29:48,880 --> 01:29:53,000
Speaker 1: ten until you docked him him? I'm not. I guess

1857
01:29:53,080 --> 01:29:54,840
Speaker 1: I'm not docking him for the time because he said

1858
01:29:54,880 --> 01:29:57,320
Speaker 1: he didn't know or whatever. I just said it to

1859
01:29:57,439 --> 01:29:59,040
Speaker 1: him right before we went on the air with anyway

1860
01:29:59,080 --> 01:30:01,720
Speaker 1: he thought, I guess his mind for the last sixteen

1861
01:30:01,880 --> 01:30:05,600
Speaker 1: seventeen years. He spot he could go on, but you

1862
01:30:05,760 --> 01:30:07,760
Speaker 1: have to dock him though, right is that the rule?

1863
01:30:07,880 --> 01:30:11,800
Speaker 1: Oh okay, I'm nine. Okay boy, then I'll dock him too.

1864
01:30:15,200 --> 01:30:19,040
Speaker 1: What is this? What is this I'm just kidding. I'm

1865
01:30:19,080 --> 01:30:21,360
Speaker 1: just kidding. Only dock him one seven, I give a

1866
01:30:21,479 --> 01:30:24,960
Speaker 1: seven two, So nine to two seven twenty five is

1867
01:30:25,000 --> 01:30:32,120
Speaker 1: all right, guys, don't ask guys now, I'm just twenty three.

1868
01:30:32,240 --> 01:30:35,720
Speaker 1: Thank you? See all right? Next up will be our

1869
01:30:35,800 --> 01:30:38,840
Speaker 1: producer Eddie. Now you'll if you go over thirty seconds,

1870
01:30:38,840 --> 01:30:41,240
Speaker 1: you'll get doctor point bitch person except for Amy my bonus.

1871
01:30:42,040 --> 01:30:45,240
Speaker 1: Thank you, Amy, Eddie. Are you ready? I guess I'm

1872
01:30:45,280 --> 01:30:46,920
Speaker 1: not good at this. Here's Eddie's reid. Go ahead, here

1873
01:30:46,960 --> 01:30:50,360
Speaker 1: we go. There's a lot of exciting things happening this fall,

1874
01:30:50,400 --> 01:30:52,920
Speaker 1: and I want to focus on what's important, not what's

1875
01:30:52,960 --> 01:30:55,840
Speaker 1: for dinner. Luckily, Hello Fresh delivers everything I need and

1876
01:30:55,920 --> 01:30:59,559
Speaker 1: it's thirty percent cheaper than grocery shopping. It's quick, it's easy,

1877
01:31:00,000 --> 01:31:02,920
Speaker 1: and recipes are perfect for weeknights. With Hello Fresh, I

1878
01:31:02,960 --> 01:31:05,320
Speaker 1: actually have time to enjoy my meals. Go to Hello

1879
01:31:05,400 --> 01:31:08,240
Speaker 1: Fresh dot com slash bones fourteen and use the code

1880
01:31:08,280 --> 01:31:11,240
Speaker 1: bones fourteen for up to fourteen free meals plus free shipping.

1881
01:31:11,280 --> 01:31:13,960
Speaker 1: That's code bones fourteen for fourteen free meals at Hello

1882
01:31:14,000 --> 01:31:17,840
Speaker 1: Fresh dot com slash bones fourteen twenty eight seconds. Who

1883
01:31:20,000 --> 01:31:21,920
Speaker 1: so do I get doc for going under. You don't

1884
01:31:21,920 --> 01:31:23,840
Speaker 1: get no, no, no, no, no no, you just get doctor.

1885
01:31:23,920 --> 01:31:25,479
Speaker 1: Sounded like you were rushing. I mean you sound like

1886
01:31:25,560 --> 01:31:26,920
Speaker 1: you were in a real hurry. I didn't want to

1887
01:31:26,960 --> 01:31:29,680
Speaker 1: go that critique. You stop with the critiquing. He did

1888
01:31:30,760 --> 01:31:34,680
Speaker 1: dot um scuba, Steve, there's Eddie. Go ahead. Yeah, he

1889
01:31:34,960 --> 01:31:37,040
Speaker 1: did sound rushed. Lunchbox was correct. He was a little

1890
01:31:37,080 --> 01:31:39,479
Speaker 1: nervous sounding, and he added award in there. But you

1891
01:31:39,520 --> 01:31:41,960
Speaker 1: can add words words addwards all the time. Okay. Well,

1892
01:31:42,000 --> 01:31:43,280
Speaker 1: some of these dudes say you have to read a

1893
01:31:43,360 --> 01:31:45,280
Speaker 1: verbat him, and this one does have that at the top,

1894
01:31:45,400 --> 01:31:49,360
Speaker 1: and I don't. I don't listen. Yeah, but he did

1895
01:31:49,439 --> 01:31:50,960
Speaker 1: a great job and I like it. I did like

1896
01:31:51,240 --> 01:31:57,559
Speaker 1: how he sounded. So I'm gonna give him a eight. Yeah, okay, Amy,

1897
01:31:58,080 --> 01:32:04,000
Speaker 1: Oh okay, I give Eddie a nine. Yeah, your mind

1898
01:32:04,040 --> 01:32:07,360
Speaker 1: if you think he's as good as I gave him

1899
01:32:07,400 --> 01:32:09,880
Speaker 1: a better score. But you score if you'd had it

1900
01:32:09,920 --> 01:32:11,880
Speaker 1: within time, but you were, you were over, so I

1901
01:32:12,280 --> 01:32:15,360
Speaker 1: you okay, but a point. He was rushed, he changed

1902
01:32:15,439 --> 01:32:19,519
Speaker 1: words and they got nine a game a higher score.

1903
01:32:19,600 --> 01:32:25,559
Speaker 1: That's ridiculous, Scooba. Okay, Yeah, it was a little rushed,

1904
01:32:25,680 --> 01:32:29,200
Speaker 1: but let's going to give you. Come on, what I

1905
01:32:29,320 --> 01:32:32,240
Speaker 1: gave Lunchbox as a seven. He would have gotten eight

1906
01:32:32,320 --> 01:32:33,760
Speaker 1: for me hadn't I been docked. I'm giving you a

1907
01:32:33,840 --> 01:32:37,320
Speaker 1: seven as well. Ridiculos docked seven. Okay, so that puts

1908
01:32:37,360 --> 01:32:41,759
Speaker 1: me where twenty four. You're in the league. Okay, let's go. Okay,

1909
01:32:42,360 --> 01:32:44,800
Speaker 1: absolutely insane. We're about to get crushed, though Morgan number

1910
01:32:44,800 --> 01:32:48,559
Speaker 1: two can read. I feel like Ray's the best commercial person.

1911
01:32:52,280 --> 01:32:55,920
Speaker 1: Wait for it, Okay, Morean number two. You have thirty seconds. Okay,

1912
01:32:56,000 --> 01:32:57,760
Speaker 1: there are two people left. You're competing for fifty bucks

1913
01:32:57,800 --> 01:33:00,600
Speaker 1: and your recommendation for sales to do spots. All right,

1914
01:33:00,600 --> 01:33:02,960
Speaker 1: here we go, and whenever you're ready. There's a lot

1915
01:33:03,040 --> 01:33:06,000
Speaker 1: of exciting things happening this fall. I want to focus

1916
01:33:06,080 --> 01:33:09,760
Speaker 1: on what's important, not what's for dinner. Luckily, Hello Fresh

1917
01:33:09,880 --> 01:33:12,840
Speaker 1: delivers everything I need and it's thirty percent cheaper than

1918
01:33:12,920 --> 01:33:16,680
Speaker 1: grocery shopping. The quick and easy recipes are perfect for weeknights.

1919
01:33:16,960 --> 01:33:20,000
Speaker 1: With Hello Fresh, I actually have time to enjoy my meals.

1920
01:33:20,320 --> 01:33:23,080
Speaker 1: Go to Hello Fresh dot com slash bones fourteen and

1921
01:33:23,240 --> 01:33:26,519
Speaker 1: use code bones fourteen for up to fourteen free meals

1922
01:33:26,760 --> 01:33:30,680
Speaker 1: plus free shipping. That's code Bones fourteen for fourteen free

1923
01:33:30,760 --> 01:33:35,559
Speaker 1: meals at Hello Fresh dot com. Slash Bones fourteen Wow

1924
01:33:36,840 --> 01:33:44,920
Speaker 1: twenty point six five Ian Morgan, number two, head of

1925
01:33:45,040 --> 01:33:47,920
Speaker 1: digital doing a commercial here Scuoga, What do you have?

1926
01:33:48,320 --> 01:33:50,400
Speaker 1: I have a nine that was great pacing, sounded wonderful

1927
01:33:50,439 --> 01:33:55,240
Speaker 1: and right on time. Amy ten, I'm buying it. Fourteen

1928
01:33:55,439 --> 01:33:58,880
Speaker 1: Hello Fresh, Good job, Morgan, I give you eight. Whoa Wow,

1929
01:33:59,120 --> 01:34:01,599
Speaker 1: you're a stickler. That's the highest score I've given anybody.

1930
01:34:01,640 --> 01:34:05,320
Speaker 1: Oh but I mean bettertting. Yeah, that's why she got

1931
01:34:05,360 --> 01:34:12,559
Speaker 1: a better score. You know that's right. Okay, okay, okay, okay.

1932
01:34:12,720 --> 01:34:16,479
Speaker 1: Next up, last one, Raymundo, our audio producer. Yep, how

1933
01:34:16,520 --> 01:34:18,600
Speaker 1: you feeling? I feel good. I gotta pretty much go

1934
01:34:18,720 --> 01:34:20,479
Speaker 1: perfect here on this one. You do? Yeah? Okay. The

1935
01:34:20,560 --> 01:34:23,639
Speaker 1: high scores twenty seven Morgan number two, competing for fifty bucks,

1936
01:34:23,880 --> 01:34:26,360
Speaker 1: and also the big recommendation to the big man upstairs.

1937
01:34:26,360 --> 01:34:29,120
Speaker 1: I'm talking about Jesus. I'm talking about literally the people

1938
01:34:29,240 --> 01:34:33,160
Speaker 1: upstairs as your martial readers. Here we go. There's a

1939
01:34:33,280 --> 01:34:35,600
Speaker 1: lot of exciting things happening this fall. I want to

1940
01:34:35,640 --> 01:34:39,519
Speaker 1: focus on what's important. What's for dinner? Luckily, Hello Fresh

1941
01:34:39,600 --> 01:34:42,519
Speaker 1: delivers anything I need, and it's thirty percent cheaper than

1942
01:34:42,560 --> 01:34:46,000
Speaker 1: grocery shopping. The quick and easy recipes are perfect for

1943
01:34:46,080 --> 01:34:48,840
Speaker 1: wheat nights with Hello Fresh, I actually have time to

1944
01:34:49,040 --> 01:34:52,400
Speaker 1: enjoy my meals. Go to Hello fresh dot com slash

1945
01:34:52,479 --> 01:34:55,320
Speaker 1: bones fourteen use the code bones fourteen for up to

1946
01:34:55,439 --> 01:34:59,439
Speaker 1: fourteen free meals plus free shipping. That's code bones fourteen

1947
01:34:59,680 --> 01:35:02,280
Speaker 1: for fourteen free meals at Hello fresh dot com slash

1948
01:35:02,320 --> 01:35:07,880
Speaker 1: phones fourteen. Exactly exactly. I mean with that little run

1949
01:35:08,040 --> 01:35:11,719
Speaker 1: you got in a time, were you timing it in there? Yes? Yeah,

1950
01:35:11,880 --> 01:35:14,559
Speaker 1: I was like, he's great, fin, he's great, fin huh

1951
01:35:15,080 --> 01:35:19,200
Speaker 1: huh wow, right, you were killing it. You were on

1952
01:35:19,360 --> 01:35:21,360
Speaker 1: pace to set a record. You were on pace. And

1953
01:35:21,439 --> 01:35:23,439
Speaker 1: then he turned into like a car salesman at the

1954
01:35:23,560 --> 01:35:29,840
Speaker 1: end scuba shoot, I had to give him a nine.

1955
01:35:29,880 --> 01:35:31,040
Speaker 1: That was great, But there were some things that had

1956
01:35:31,120 --> 01:35:34,000
Speaker 1: dock him for a nine was pretty good. Wow? And nine?

1957
01:35:34,160 --> 01:35:38,000
Speaker 1: What in the world what they like each other? This

1958
01:35:38,160 --> 01:35:44,040
Speaker 1: is ridiculous room love or something? I agree with you? Ay,

1959
01:35:44,479 --> 01:35:47,200
Speaker 1: I mean I was so ready to give that a ten,

1960
01:35:47,439 --> 01:35:50,320
Speaker 1: but in the end, so I gotta give him a nine.

1961
01:35:51,680 --> 01:35:57,679
Speaker 1: That's ridiculous, right, what is happening? Well? I was wrong

1962
01:35:57,760 --> 01:36:00,519
Speaker 1: with that. Besides the end, it was exactly. That was

1963
01:36:00,600 --> 01:36:02,760
Speaker 1: like half. I mean that's a quarter of the whole thing.

1964
01:36:03,200 --> 01:36:07,360
Speaker 1: Was like in the last second. If you heard that

1965
01:36:07,439 --> 01:36:08,760
Speaker 1: in the radio, would you be like, oh wait, wait,

1966
01:36:08,800 --> 01:36:17,840
Speaker 1: would be like someone didn't sound right? Yeah? Uh, ray,

1967
01:36:18,000 --> 01:36:25,040
Speaker 1: I can't give you a ten, so dope, I would

1968
01:36:25,080 --> 01:36:27,960
Speaker 1: have given you a ten if you did not sped up.

1969
01:36:28,720 --> 01:36:31,280
Speaker 1: I'm gonna give you an eight. Say yet, I know.

1970
01:36:31,439 --> 01:36:33,400
Speaker 1: I'll tell you though. Wait, so does that? Where does

1971
01:36:33,439 --> 01:36:35,600
Speaker 1: that put him? That puts them in second place? With

1972
01:36:35,680 --> 01:36:41,800
Speaker 1: our winner being more than fifty bucks and the recommendation

1973
01:36:41,880 --> 01:36:45,400
Speaker 1: to the big man upstairs? She was good. You two.

1974
01:36:45,600 --> 01:36:48,639
Speaker 1: Lunchbox and Eddie hate each other so much. They only

1975
01:36:48,720 --> 01:36:50,920
Speaker 1: didn't want each other to win. That's all that was.

1976
01:36:51,040 --> 01:36:53,960
Speaker 1: But there's a lot of fight right here. But Eddie

1977
01:36:54,000 --> 01:36:57,280
Speaker 1: did beat lunch Box in the commercial. I mean, whatever,

1978
01:36:57,600 --> 01:36:59,840
Speaker 1: if you want to judge it by you, guys, that's terrible.

1979
01:37:00,040 --> 01:37:02,799
Speaker 1: I mean, what do you mean, guys? I don't understand

1980
01:37:02,800 --> 01:37:05,479
Speaker 1: how you gave Eddie a higher score than me. You

1981
01:37:05,680 --> 01:37:09,960
Speaker 1: went over the time. That's what Eddie sounded like. He

1982
01:37:10,080 --> 01:37:12,559
Speaker 1: sounds like a sped up energizer. Bunny. I mean, it's

1983
01:37:12,640 --> 01:37:16,760
Speaker 1: ridiculously bad. Morgan, congratulations, thank you so much. I don't

1984
01:37:16,800 --> 01:37:17,960
Speaker 1: know what you're gonna do with all your money. You

1985
01:37:18,000 --> 01:37:20,320
Speaker 1: can't rolling in, but that'd I mean, maybe I'm gonna

1986
01:37:20,320 --> 01:37:22,720
Speaker 1: go buy some Hello Rush. There you go, Hello Fresh.

1987
01:37:22,720 --> 01:37:26,760
Speaker 1: You get like ten million dollars advertising right there. It's

1988
01:37:26,840 --> 01:37:30,320
Speaker 1: the best bits of the week with Morgan number two

1989
01:37:31,720 --> 01:37:34,759
Speaker 1: coming in hot. In the number one spot is Abby.

1990
01:37:35,160 --> 01:37:38,920
Speaker 1: She performed for the show to determine if she could

1991
01:37:38,960 --> 01:37:42,240
Speaker 1: perform at Bobby Fest in Wichita, Kansas, which is both

1992
01:37:42,320 --> 01:37:45,800
Speaker 1: of our own downs on her birthday. That is right,

1993
01:37:46,439 --> 01:37:49,080
Speaker 1: isn't that crazy? You did that this week? Okay, so

1994
01:37:49,320 --> 01:37:53,320
Speaker 1: how are you feeling like today? Everything's already happened where

1995
01:37:53,400 --> 01:37:57,560
Speaker 1: we're not you know what. Spoiler alert if you have

1996
01:37:57,640 --> 01:37:59,320
Speaker 1: not heard this segment, fast forward and then come back

1997
01:37:59,360 --> 01:38:01,920
Speaker 1: to this. I want to talk about this. You are

1998
01:38:02,000 --> 01:38:05,720
Speaker 1: going to Bobby Fest. Yes, so I can't believe it. Yes,

1999
01:38:06,040 --> 01:38:09,320
Speaker 1: you made it through you audition all and you got

2000
01:38:09,560 --> 01:38:14,800
Speaker 1: four out of five people. Lunch Lunchbox said, no, I surprise. Yeah,

2001
01:38:14,800 --> 01:38:16,920
Speaker 1: So let's talk about that for a minute. When Lunchbox

2002
01:38:17,040 --> 01:38:18,760
Speaker 1: was talking back to you, he's like the only one

2003
01:38:18,840 --> 01:38:22,880
Speaker 1: that didn't necessarily give you the best feedback. Yeah, how

2004
01:38:22,960 --> 01:38:25,280
Speaker 1: did you feel from that, because I think people would

2005
01:38:25,320 --> 01:38:27,559
Speaker 1: like to know that. Okay, Well, when I was singing,

2006
01:38:27,720 --> 01:38:29,519
Speaker 1: I was like, oh my gosh, I could hear the

2007
01:38:29,600 --> 01:38:32,519
Speaker 1: shakiness in my voice. Like I already do get kind

2008
01:38:32,560 --> 01:38:34,080
Speaker 1: of nervous when I'm singing in front of just like

2009
01:38:34,120 --> 01:38:35,840
Speaker 1: a small group. Like even if I was singing in

2010
01:38:35,880 --> 01:38:37,519
Speaker 1: front of you right now, I'd just probably be a

2011
01:38:37,560 --> 01:38:40,040
Speaker 1: little nervous, just because it's different than a big crowd.

2012
01:38:40,120 --> 01:38:42,479
Speaker 1: When it's a bigger crowd, they're you know, they're not

2013
01:38:42,520 --> 01:38:44,920
Speaker 1: paying attention all the way. They're just they're having fun,

2014
01:38:45,040 --> 01:38:49,040
Speaker 1: they're drinking, and so being in that studio is very intimidating.

2015
01:38:49,360 --> 01:38:51,200
Speaker 1: So I knew I was like shaky, and I was like, oh,

2016
01:38:51,280 --> 01:38:54,760
Speaker 1: this is not my best Like, so I kind of

2017
01:38:54,840 --> 01:38:56,720
Speaker 1: knew that something like that was going to be coming

2018
01:38:56,800 --> 01:39:00,160
Speaker 1: from somebody. And then when Lunchbox was saying it, I mean,

2019
01:39:00,280 --> 01:39:03,080
Speaker 1: not her, it did like that was wow, because he's

2020
01:39:03,120 --> 01:39:05,400
Speaker 1: just like, just give up, this is not your thing.

2021
01:39:05,680 --> 01:39:08,719
Speaker 1: It's like, oh yeah. It wasn't even like an easy letdown.

2022
01:39:08,720 --> 01:39:11,519
Speaker 1: It was a brutal letdown. Yeah, it wasn't just like, uh,

2023
01:39:11,960 --> 01:39:14,800
Speaker 1: maybe try again another time. It was just like absolutely not.

2024
01:39:15,040 --> 01:39:19,880
Speaker 1: That was like terrible. But I mean, you know, there's

2025
01:39:19,880 --> 01:39:22,880
Speaker 1: always gonna be somebody that doesn't like what you're doing.

2026
01:39:23,120 --> 01:39:26,120
Speaker 1: This is true. This is true. Have you guys spoken

2027
01:39:26,160 --> 01:39:29,240
Speaker 1: to each other's does everything? Okay? Um, it's it's fine,

2028
01:39:30,360 --> 01:39:31,800
Speaker 1: But it's always going to be a little stamp on

2029
01:39:31,840 --> 01:39:33,880
Speaker 1: your heart. Yeah, a little. I'm just gonna be like,

2030
01:39:34,000 --> 01:39:35,880
Speaker 1: you know what, you don't get that vacation day or

2031
01:39:35,960 --> 01:39:40,200
Speaker 1: whatever from his jury thing. I'm like, payback is coming, yes, okay,

2032
01:39:40,360 --> 01:39:43,640
Speaker 1: some day it's coming. Okay there, but but you you

2033
01:39:43,720 --> 01:39:46,040
Speaker 1: didn't make it through for lack of a better term

2034
01:39:46,080 --> 01:39:49,200
Speaker 1: than through, and you are gonna play in which song on?

2035
01:39:49,280 --> 01:39:51,639
Speaker 1: How are you feeling about that? And yes, I can't

2036
01:39:51,640 --> 01:39:53,800
Speaker 1: even believe it because like my family's gonna be there,

2037
01:39:53,880 --> 01:39:55,680
Speaker 1: and now my friends because I told them about it,

2038
01:39:55,760 --> 01:39:58,920
Speaker 1: so they're getting tickets. And I'm just like, like I

2039
01:39:59,080 --> 01:40:01,640
Speaker 1: grew up singing, and I sang more in Kansas, you know,

2040
01:40:01,720 --> 01:40:03,240
Speaker 1: and then when I moved here, I kind of stopped

2041
01:40:03,280 --> 01:40:05,720
Speaker 1: because you know, in Kansas it's less of a thing.

2042
01:40:05,840 --> 01:40:08,519
Speaker 1: There's not many singers, I guess, and so I did

2043
01:40:08,600 --> 01:40:11,120
Speaker 1: like competitions and talent shows and all that, and so

2044
01:40:11,800 --> 01:40:14,160
Speaker 1: that was always just so much fun. And then I

2045
01:40:14,240 --> 01:40:15,880
Speaker 1: moved here and I don't sing much, and so just

2046
01:40:16,000 --> 01:40:19,120
Speaker 1: getting to go back and sing in front of a crowd, like,

2047
01:40:19,160 --> 01:40:22,120
Speaker 1: I can't believe he even let me do that. You know,

2048
01:40:22,200 --> 01:40:24,439
Speaker 1: I was just asking. I was like, okay, I'll just

2049
01:40:24,520 --> 01:40:27,040
Speaker 1: ask why not and see what he says. And I

2050
01:40:27,080 --> 01:40:29,479
Speaker 1: thought he'd just be like no, no, but he gave

2051
01:40:29,560 --> 01:40:32,760
Speaker 1: me a chance. And so why is it too that,

2052
01:40:32,880 --> 01:40:34,479
Speaker 1: Like when you moved to Nashville. I know you kind

2053
01:40:34,479 --> 01:40:37,600
Speaker 1: of said it's because there's more people here pursuing that,

2054
01:40:38,400 --> 01:40:39,840
Speaker 1: but you did want to be an artist and you

2055
01:40:39,880 --> 01:40:41,680
Speaker 1: did want to be a singer. What happened? Why did

2056
01:40:41,760 --> 01:40:45,080
Speaker 1: you not keep pursuing it? I know, so when you

2057
01:40:45,400 --> 01:40:47,960
Speaker 1: an artist, I am a singer. But when you think

2058
01:40:47,960 --> 01:40:49,680
Speaker 1: of an artist, you're thinking of someone that has the

2059
01:40:49,880 --> 01:40:52,879
Speaker 1: entire package, right, you know, like Kelsey Ballerini or Carrie Underwood.

2060
01:40:53,080 --> 01:40:55,600
Speaker 1: They're doing interviews all the time, they're showing up to

2061
01:40:55,680 --> 01:40:57,680
Speaker 1: red carpets. And I was like, I don't know if

2062
01:40:58,200 --> 01:41:00,439
Speaker 1: as an individual artist, if that's something thing I could do.

2063
01:41:00,439 --> 01:41:03,880
Speaker 1: If you think realistically, like I do, get anxious. It's

2064
01:41:03,880 --> 01:41:05,760
Speaker 1: singing in front of small crowds like this, and they

2065
01:41:05,840 --> 01:41:09,080
Speaker 1: go on radio tours, you know, and it is it's

2066
01:41:09,120 --> 01:41:11,000
Speaker 1: so much more than just saying, oh, I sing so

2067
01:41:11,880 --> 01:41:13,840
Speaker 1: And then I just started working in the business and

2068
01:41:13,920 --> 01:41:16,240
Speaker 1: like in the radio side of it and like events

2069
01:41:16,920 --> 01:41:18,960
Speaker 1: and you know, you got to put your one hundred

2070
01:41:18,960 --> 01:41:20,760
Speaker 1: percent and everything you do, and so I just kind

2071
01:41:20,800 --> 01:41:25,439
Speaker 1: of chose the the business side of it, and that's

2072
01:41:25,520 --> 01:41:29,519
Speaker 1: kind of where I ended up, you know. So I

2073
01:41:29,600 --> 01:41:31,439
Speaker 1: don't know. I guess I don't really have a good answer,

2074
01:41:31,439 --> 01:41:32,960
Speaker 1: because I do love to sing, but I think it'd

2075
01:41:33,000 --> 01:41:36,000
Speaker 1: be fun maybe like to be a demo singer, you know,

2076
01:41:36,160 --> 01:41:37,960
Speaker 1: where you could do that. So I've thought about doing

2077
01:41:38,080 --> 01:41:41,360
Speaker 1: that maybe, or I always thought my dream would be

2078
01:41:41,439 --> 01:41:43,800
Speaker 1: like in a group like lady A, okay do that

2079
01:41:43,960 --> 01:41:46,880
Speaker 1: so so not a solo artist, right, but yeah, a

2080
01:41:47,040 --> 01:41:49,800
Speaker 1: group potentially or doing some other kind of thing in

2081
01:41:49,840 --> 01:41:53,040
Speaker 1: the industry kind of ties you to it. Yeah, but

2082
01:41:53,160 --> 01:41:54,800
Speaker 1: it is hard. I mean, when you're in a current

2083
01:41:54,920 --> 01:41:58,680
Speaker 1: job that you really love, it's a big leap to

2084
01:42:00,080 --> 01:42:01,760
Speaker 1: kind of I don't know if I can do both

2085
01:42:02,240 --> 01:42:05,040
Speaker 1: to kind of give that up for something else, you know,

2086
01:42:05,560 --> 01:42:07,120
Speaker 1: And I think a lot of people can relate to

2087
01:42:07,439 --> 01:42:09,760
Speaker 1: even if you have a great job now, but you

2088
01:42:09,840 --> 01:42:13,120
Speaker 1: want to switch industries, like it's a big deal to

2089
01:42:13,240 --> 01:42:17,400
Speaker 1: just completely Yeah, yeah, you know. And so I'm like,

2090
01:42:17,880 --> 01:42:19,240
Speaker 1: I want to do both. I want to do what

2091
01:42:19,280 --> 01:42:21,640
Speaker 1: I'm doing now and I want to sing. So I

2092
01:42:21,720 --> 01:42:24,080
Speaker 1: don't know, it's hard, so trying to figure out maybe

2093
01:42:24,120 --> 01:42:26,400
Speaker 1: that middle ground is what it sounds like that's happening

2094
01:42:26,520 --> 01:42:28,960
Speaker 1: for you right now? Yeah, just how I can sing

2095
01:42:29,000 --> 01:42:31,479
Speaker 1: because I love to sing, you know, And so I

2096
01:42:31,600 --> 01:42:34,880
Speaker 1: think the demo thing or maybe you know where it means,

2097
01:42:34,880 --> 01:42:36,880
Speaker 1: like a songwriter could come to me and they wrote

2098
01:42:36,920 --> 01:42:40,040
Speaker 1: the song, but I could sing the demo, you know,

2099
01:42:40,200 --> 01:42:42,400
Speaker 1: just something to use my voice when it sounds like

2100
01:42:42,479 --> 01:42:45,920
Speaker 1: too that you're definitely more of the musician side of that,

2101
01:42:46,120 --> 01:42:49,560
Speaker 1: like not the instrumental but your voice. But like what

2102
01:42:49,680 --> 01:42:51,880
Speaker 1: actually comes with being an artist, You're like, I'm not

2103
01:42:52,040 --> 01:42:57,320
Speaker 1: sure that's for me. Yeah, Like the performance, the aspect

2104
01:42:57,400 --> 01:43:04,640
Speaker 1: of interacting with people constantly, fans to radio to interviews

2105
01:43:04,760 --> 01:43:07,960
Speaker 1: to everything, like very constantly being on There is that

2106
01:43:08,120 --> 01:43:12,000
Speaker 1: element that I think artists have to have, Yeah, that

2107
01:43:12,120 --> 01:43:14,120
Speaker 1: you don't think about when like you're like, I mean

2108
01:43:14,560 --> 01:43:17,040
Speaker 1: I know when when I wanted to be a singer

2109
01:43:17,120 --> 01:43:20,479
Speaker 1: and I was like five. Again, when I was like five,

2110
01:43:22,600 --> 01:43:24,559
Speaker 1: you don't think about any of that. All you're thinking

2111
01:43:24,600 --> 01:43:26,000
Speaker 1: about is I want to be on stage and I

2112
01:43:26,040 --> 01:43:29,120
Speaker 1: want to perform. But you don't actually think about what

2113
01:43:29,439 --> 01:43:33,120
Speaker 1: goes into all of that for those people, right until

2114
01:43:33,160 --> 01:43:37,040
Speaker 1: you get in it and you're like, holy cow, this

2115
01:43:37,280 --> 01:43:39,360
Speaker 1: is a whole thing. This is a whole production that

2116
01:43:39,479 --> 01:43:42,840
Speaker 1: people don't even see, right, And you see all that

2117
01:43:42,880 --> 01:43:45,800
Speaker 1: and you're like, wow, that's a lot, and like you

2118
01:43:46,120 --> 01:43:48,960
Speaker 1: applaud them and people, you know, people like do realize

2119
01:43:49,040 --> 01:43:50,840
Speaker 1: now a little bit more with social media, we've given

2120
01:43:50,880 --> 01:43:54,559
Speaker 1: like more insight into things. But yeah, I mean I've

2121
01:43:54,600 --> 01:43:56,920
Speaker 1: never even really thought about that as like a reason

2122
01:43:57,000 --> 01:44:00,280
Speaker 1: why somebody wouldn't pursue that, right because I mean, because,

2123
01:44:00,320 --> 01:44:02,280
Speaker 1: like I said, you want to put one hundred percent

2124
01:44:02,560 --> 01:44:05,040
Speaker 1: into what you do right to be the best you

2125
01:44:05,120 --> 01:44:08,040
Speaker 1: can be, and which I don't want to say I'm

2126
01:44:08,120 --> 01:44:11,240
Speaker 1: giving up on my dream, but I just I don't

2127
01:44:11,560 --> 01:44:14,680
Speaker 1: see like myself being like a solo artist like that,

2128
01:44:15,280 --> 01:44:17,920
Speaker 1: you know, I just I don't know. I love too

2129
01:44:18,040 --> 01:44:20,559
Speaker 1: but making it a career in singing it in front

2130
01:44:20,600 --> 01:44:24,960
Speaker 1: of thousands or you know, like yeah, every day, it's

2131
01:44:25,000 --> 01:44:27,400
Speaker 1: just a lot. But if I can do something where

2132
01:44:27,439 --> 01:44:30,040
Speaker 1: I can at least utilize my voice. But I also

2133
01:44:30,160 --> 01:44:33,479
Speaker 1: like how music touches people, and that's I think why

2134
01:44:33,520 --> 01:44:35,799
Speaker 1: a lot of artists do what they do, ye because

2135
01:44:36,560 --> 01:44:38,800
Speaker 1: you know, so many songs have like changed my life

2136
01:44:38,840 --> 01:44:41,120
Speaker 1: and help me get through really hard times. And that's

2137
01:44:41,479 --> 01:44:43,800
Speaker 1: why I work in Radio two because we have a

2138
01:44:43,840 --> 01:44:46,320
Speaker 1: platform to do that. So that's why I'm like, there's

2139
01:44:46,320 --> 01:44:49,040
Speaker 1: so much I want to do in this life. You know,

2140
01:44:49,120 --> 01:44:52,920
Speaker 1: I love everythings, never enough days. Yeah, I hear you,

2141
01:44:53,080 --> 01:44:55,080
Speaker 1: and so I am happy with where I am now,

2142
01:44:55,200 --> 01:44:57,680
Speaker 1: but I want to do something on the side, and

2143
01:44:57,800 --> 01:45:01,479
Speaker 1: you should. You absolutely should. You'll you'll make your life

2144
01:45:01,479 --> 01:45:04,519
Speaker 1: a little more stressful. But it's worth it. Yeah, it's

2145
01:45:04,560 --> 01:45:07,360
Speaker 1: worth it to do more fun things. Right. I was thinking,

2146
01:45:07,439 --> 01:45:08,920
Speaker 1: like a I thought i'd be fun to do like

2147
01:45:08,960 --> 01:45:11,880
Speaker 1: a wedding band or something, you know where you play

2148
01:45:11,960 --> 01:45:15,200
Speaker 1: weddings on the weekend. You're just like singing the cover songs,

2149
01:45:15,240 --> 01:45:17,719
Speaker 1: like yeah, something like that. So I'm kind of looking

2150
01:45:17,760 --> 01:45:20,200
Speaker 1: into things. So okay, good, Well maybe this is just

2151
01:45:20,320 --> 01:45:23,200
Speaker 1: the push you need to Yeah, okay, well but before

2152
01:45:23,240 --> 01:45:28,920
Speaker 1: we go your story, please tell me. Oh my god,

2153
01:45:28,960 --> 01:45:36,080
Speaker 1: we're gonna talk about why this game me PTSD just sing, yeah,

2154
01:45:36,479 --> 01:45:41,080
Speaker 1: because I also got forced to sing, not chose, you

2155
01:45:41,160 --> 01:45:44,200
Speaker 1: were forced. This is what happened. I went back home

2156
01:45:44,439 --> 01:45:46,760
Speaker 1: with the Raging Idiots for one of their shows. It

2157
01:45:46,880 --> 01:45:53,320
Speaker 1: was in Hutches for the State Fair. And this was, gosh,

2158
01:45:54,240 --> 01:45:56,680
Speaker 1: two and a half three years ago. This is one

2159
01:45:56,680 --> 01:45:58,640
Speaker 1: of my first years I'm working for the show. But

2160
01:45:58,920 --> 01:46:02,559
Speaker 1: Eddie was talking to my parents and my mother decided

2161
01:46:02,600 --> 01:46:04,600
Speaker 1: to tell him that at one point I wanted to

2162
01:46:04,640 --> 01:46:06,840
Speaker 1: be a singer, and I like made a whole fit

2163
01:46:06,920 --> 01:46:09,839
Speaker 1: about not getting to audition for American Idol because my parents,

2164
01:46:10,479 --> 01:46:13,600
Speaker 1: in that movement movement, in that moment, knew what was

2165
01:46:13,680 --> 01:46:16,600
Speaker 1: best for me and that I wasn't really talented in

2166
01:46:16,680 --> 01:46:18,880
Speaker 1: that area. Like I could sing and I can hold

2167
01:46:18,920 --> 01:46:24,839
Speaker 1: a tune, but like I cannot genuinely sing alone. Okay,

2168
01:46:26,120 --> 01:46:32,320
Speaker 1: I don't know. I think it's just not like because

2169
01:46:32,320 --> 01:46:34,240
Speaker 1: I wasn't here for this, so I really haven't heard

2170
01:46:34,280 --> 01:46:36,920
Speaker 1: you saying, but okay, it's not awful. Again. I can

2171
01:46:37,000 --> 01:46:39,360
Speaker 1: carry a tune and I can match people, but like

2172
01:46:39,640 --> 01:46:42,360
Speaker 1: on myself, like I can't do it by myself, Okay,

2173
01:46:42,600 --> 01:46:47,439
Speaker 1: I would need to match somebody else. And so he

2174
01:46:47,880 --> 01:46:50,519
Speaker 1: of course brought that to the show, because everything gets

2175
01:46:50,560 --> 01:46:52,559
Speaker 1: brought to the show, and they're like, oh, well, then

2176
01:46:52,640 --> 01:46:55,160
Speaker 1: let's have Morgan try out for the radio show. Oh

2177
01:46:55,240 --> 01:46:56,960
Speaker 1: my gosh. And I'm like, guys, no, like this is

2178
01:46:57,000 --> 01:46:59,680
Speaker 1: a dream like fifteen years ago, and I'm clearly never

2179
01:47:00,040 --> 01:47:05,400
Speaker 1: do that. And so you know how it goes. It happened,

2180
01:47:05,720 --> 01:47:09,439
Speaker 1: you know, right, like it's happening, whether whether you're ready

2181
01:47:09,479 --> 01:47:12,160
Speaker 1: for it or not. And what'd you sing? I sang

2182
01:47:12,400 --> 01:47:16,280
Speaker 1: the Chicks Cowboy taking Away, which is such a hard song.

2183
01:47:16,560 --> 01:47:19,360
Speaker 1: Oh my gosh. It is, like, don't ask me why.

2184
01:47:19,479 --> 01:47:21,400
Speaker 1: I had like twenty four hours to prepare something, and

2185
01:47:21,479 --> 01:47:23,799
Speaker 1: I obviously hadn't prepared anything because I don't sing anymore,

2186
01:47:24,200 --> 01:47:26,479
Speaker 1: right right, So I'm like doing karaoke on my computer.

2187
01:47:26,600 --> 01:47:29,880
Speaker 1: I'm like, oh my gosh, what am I doing? And yeah,

2188
01:47:30,000 --> 01:47:32,639
Speaker 1: so I sang that and I cried in the hallway

2189
01:47:32,680 --> 01:47:34,040
Speaker 1: before I went on to perform, because I was like,

2190
01:47:34,040 --> 01:47:36,040
Speaker 1: I know this is gonna be bad, did you really? Yeah?

2191
01:47:36,240 --> 01:47:37,960
Speaker 1: Oh my god, Well I knew. I knew it was

2192
01:47:37,960 --> 01:47:40,519
Speaker 1: gonna be bad because I'm like I'm such a bad singer,

2193
01:47:40,640 --> 01:47:43,519
Speaker 1: Like that is just not That's not what came to

2194
01:47:43,600 --> 01:47:46,960
Speaker 1: fruition in my life. I'm twenty at the time, like

2195
01:47:47,000 --> 01:47:51,000
Speaker 1: twenty five, twenty six years old, and that was when

2196
01:47:51,000 --> 01:47:54,400
Speaker 1: I was seven that I had that dream, right, Yeah,

2197
01:47:55,120 --> 01:47:57,120
Speaker 1: so now you have nightmares about that? Oh yeah, because

2198
01:47:57,120 --> 01:47:58,599
Speaker 1: the video is still live on the internet and I'll

2199
01:47:58,640 --> 01:48:01,240
Speaker 1: pull it back up. Yeah. How did they react? How

2200
01:48:01,280 --> 01:48:03,080
Speaker 1: did they respond on the show? When you're saying I

2201
01:48:03,200 --> 01:48:06,280
Speaker 1: had most people being nice, okay, a lot like yours.

2202
01:48:06,360 --> 01:48:07,960
Speaker 1: Most people being nice, but there was people that were

2203
01:48:08,000 --> 01:48:10,640
Speaker 1: being honest, which is fair. Like again, I did not.

2204
01:48:13,439 --> 01:48:16,680
Speaker 1: And that's the thing with those comments. You're like, okay, well,

2205
01:48:16,760 --> 01:48:20,080
Speaker 1: thank you. I mean I already admitted that that I

2206
01:48:20,160 --> 01:48:22,760
Speaker 1: don't want to be a singer. Yeah, you don't need

2207
01:48:22,800 --> 01:48:24,240
Speaker 1: to tell me. Yeah, but they still want to share

2208
01:48:24,240 --> 01:48:25,680
Speaker 1: it anyway. So when I was watching it, I was

2209
01:48:25,720 --> 01:48:27,840
Speaker 1: like I was just hoping and crossing my fingers at

2210
01:48:27,880 --> 01:48:29,760
Speaker 1: everything went so well for you, because I was like,

2211
01:48:29,800 --> 01:48:32,360
Speaker 1: I do not want this for anybody else. Oh man.

2212
01:48:32,600 --> 01:48:36,160
Speaker 1: But I was so shaky. I was not. It didn't

2213
01:48:36,200 --> 01:48:38,639
Speaker 1: sound good. I heard. I listened again, like I said,

2214
01:48:39,000 --> 01:48:41,559
Speaker 1: and I'm overly critical. I think we all are times

2215
01:48:41,600 --> 01:48:43,840
Speaker 1: of ourselves. We already don't like listening to ourselves. Yes,

2216
01:48:44,080 --> 01:48:46,360
Speaker 1: I don't listen back to any podcast because I don't

2217
01:48:46,360 --> 01:48:49,320
Speaker 1: want to hear my voice. I mean neither like you've

2218
01:48:49,320 --> 01:48:51,200
Speaker 1: been wearing like headphones when I'm listening to it, I'm like,

2219
01:48:51,320 --> 01:48:57,040
Speaker 1: what they're like literally only listening so the audio doesn't

2220
01:48:57,120 --> 01:49:00,720
Speaker 1: like back up or something. So part of it too.

2221
01:49:00,960 --> 01:49:03,120
Speaker 1: We don't like listening to ourselves. But yeah, I just

2222
01:49:03,600 --> 01:49:06,320
Speaker 1: I was very nervous that you could tell. But I'm like, Okay,

2223
01:49:06,560 --> 01:49:09,640
Speaker 1: I won't be this way that, Bobby. You have a

2224
01:49:09,680 --> 01:49:11,880
Speaker 1: lot of time to breakfast. I have a lot of

2225
01:49:11,920 --> 01:49:14,920
Speaker 1: time to do things and get prepared for that moment.

2226
01:49:15,439 --> 01:49:18,240
Speaker 1: I mean I would say, just keep just keep singing

2227
01:49:18,439 --> 01:49:21,360
Speaker 1: every day, Okay, Yeah, I need to get yourself ready

2228
01:49:21,400 --> 01:49:23,760
Speaker 1: to go. WHOA. The only thing that matters in that

2229
01:49:23,880 --> 01:49:26,120
Speaker 1: moment is your confidence, because as long as you have

2230
01:49:26,200 --> 01:49:27,960
Speaker 1: that confidence in yourself when you're going on that stage,

2231
01:49:28,000 --> 01:49:31,320
Speaker 1: is all that matters. Right, That's true, it really does.

2232
01:49:31,520 --> 01:49:33,720
Speaker 1: I mean, and what you tell yourself in your head too,

2233
01:49:34,960 --> 01:49:36,599
Speaker 1: gonna tell yourself you're gonna mess up, and you tell

2234
01:49:36,600 --> 01:49:38,120
Speaker 1: yourself that like this is not gonna go good, then

2235
01:49:38,160 --> 01:49:42,559
Speaker 1: it's not going to which is literally what I did, right,

2236
01:49:43,360 --> 01:49:45,479
Speaker 1: learn from me. I gotta tell you. When I was

2237
01:49:45,640 --> 01:49:47,800
Speaker 1: driving in the morning of the audition, I was so

2238
01:49:48,040 --> 01:49:51,799
Speaker 1: nervous and I was playing the song by Lauren Elena

2239
01:49:51,880 --> 01:49:53,960
Speaker 1: called three. Have you heard it? I don't think so,

2240
01:49:54,400 --> 01:49:57,760
Speaker 1: and she's like, um, you know my parents they say

2241
01:49:57,760 --> 01:49:59,120
Speaker 1: I'm going to be a star. All you gotta do

2242
01:49:59,240 --> 01:50:01,280
Speaker 1: is sing your heart out out And it was like

2243
01:50:01,400 --> 01:50:03,600
Speaker 1: that one line. I was like, that's all you gotta do, right, Like,

2244
01:50:03,720 --> 01:50:06,360
Speaker 1: you can't overthink it, Like, just sing your heart that's

2245
01:50:06,400 --> 01:50:08,560
Speaker 1: all you you know, that's what you love to do,

2246
01:50:08,760 --> 01:50:11,040
Speaker 1: Just sing. And that was that's what I was like

2247
01:50:11,160 --> 01:50:13,519
Speaker 1: saying in my head on the way. And now you're

2248
01:50:13,560 --> 01:50:15,600
Speaker 1: going to Bobby Face and you're performing and from a

2249
01:50:15,680 --> 01:50:18,920
Speaker 1: hometown crowd. Yes, I can't believe it. I really can't.

2250
01:50:19,160 --> 01:50:22,040
Speaker 1: It's crazy. I mean, I'm glad that the nerves started

2251
01:50:22,080 --> 01:50:23,880
Speaker 1: to work themselves out so you could do it. I

2252
01:50:24,000 --> 01:50:27,080
Speaker 1: do think you sing beautifully well, thank you, And I

2253
01:50:27,200 --> 01:50:31,160
Speaker 1: do think Jody Messina killed that version. You didn't like

2254
01:50:31,760 --> 01:50:36,880
Speaker 1: I said that in the backward way you killed, But

2255
01:50:37,000 --> 01:50:38,640
Speaker 1: that's also because it was the second one like you

2256
01:50:38,800 --> 01:50:41,559
Speaker 1: had to like warm up, there is that thing where

2257
01:50:41,600 --> 01:50:45,519
Speaker 1: you have to like get going right like that's for everybody.

2258
01:50:46,800 --> 01:50:49,439
Speaker 1: I must say, the B team is amazing. They've been

2259
01:50:49,600 --> 01:50:52,639
Speaker 1: so nice though, so thank you. And then there's people

2260
01:50:52,680 --> 01:50:55,280
Speaker 1: on Facebook and Instagram. I know what you're going through

2261
01:50:55,840 --> 01:50:58,720
Speaker 1: when when you look at the comments, don't look at them.

2262
01:50:58,840 --> 01:51:01,800
Speaker 1: I know that I shouldn't. Don't look at them. That's

2263
01:51:01,880 --> 01:51:05,720
Speaker 1: my job. I'm sorry, and I choose to delete a

2264
01:51:05,760 --> 01:51:08,200
Speaker 1: lot of things. There's not a lot I can delete

2265
01:51:08,240 --> 01:51:10,800
Speaker 1: by that one I can I do. I mean, it's

2266
01:51:10,800 --> 01:51:15,040
Speaker 1: gonna hate, right, don't look at like okay, well yesterday

2267
01:51:15,120 --> 01:51:19,320
Speaker 1: looking but why I'd love to do that to myself.

2268
01:51:19,960 --> 01:51:21,920
Speaker 1: This is for you and for everybody out there listening.

2269
01:51:22,040 --> 01:51:26,840
Speaker 1: Stop looking at the comments on anything any post. Do

2270
01:51:27,000 --> 01:51:28,800
Speaker 1: not look at the comments, right you do? You want

2271
01:51:28,800 --> 01:51:31,360
Speaker 1: to make a comment, comment and then run away. M hmm,

2272
01:51:31,560 --> 01:51:35,680
Speaker 1: that's what I do a nice comments. Yeah, I'll leave

2273
01:51:35,760 --> 01:51:37,400
Speaker 1: nice comments and I'll run away. I will not look

2274
01:51:37,400 --> 01:51:41,919
Speaker 1: at any other comments. I will run away and besides

2275
01:51:42,000 --> 01:51:45,400
Speaker 1: mine and our socials because I have to, but smart,

2276
01:51:45,600 --> 01:51:47,920
Speaker 1: you don't have to, Okay, I will not look at

2277
01:51:47,960 --> 01:51:51,519
Speaker 1: them from now on. Deal you did great, and I'm

2278
01:51:51,600 --> 01:51:53,880
Speaker 1: very proud of you. Thank you, Thanks for your for

2279
01:51:54,400 --> 01:51:56,320
Speaker 1: I know you would have said yes too. Yes, and

2280
01:51:56,479 --> 01:51:58,200
Speaker 1: all my watch shop people. You better go out and

2281
01:51:58,240 --> 01:52:00,719
Speaker 1: see out. Let's get the right an idiot. It's gonna

2282
01:52:00,720 --> 01:52:03,479
Speaker 1: be awesome time. But definitely go author and yell for Abby.

2283
01:52:03,760 --> 01:52:06,280
Speaker 1: Yes please, she wants it. I need all the cheers

2284
01:52:06,680 --> 01:52:09,439
Speaker 1: you no booze yes, but yeah, Bobby Fat tickets if

2285
01:52:09,439 --> 01:52:11,519
Speaker 1: you want to go to that. They're out raising idiots

2286
01:52:11,560 --> 01:52:14,360
Speaker 1: dot com so you can go see them September fifth. Yes,

2287
01:52:14,760 --> 01:52:19,000
Speaker 1: that's because birthday, my birthday. Yeah, okay, well thanks for

2288
01:52:19,080 --> 01:52:21,479
Speaker 1: hanging out with me. Thank you, Oh thanks for having me. Well,

2289
01:52:21,560 --> 01:52:23,600
Speaker 1: well we'll wrap it up one more time. But for

2290
01:52:23,760 --> 01:52:26,280
Speaker 1: now we're gonna let them listen back to your audition

2291
01:52:26,880 --> 01:52:29,720
Speaker 1: number one in studio with a microphone in her hand.

2292
01:52:29,840 --> 01:52:32,400
Speaker 1: Right now is our phone screen or Abby? If you

2293
01:52:32,479 --> 01:52:35,599
Speaker 1: call the show, she answers, sometimes she puts through, sometimes

2294
01:52:35,640 --> 01:52:37,639
Speaker 1: she doesn't, but she's always very nice. And she wanted

2295
01:52:37,640 --> 01:52:39,240
Speaker 1: to be a singer. You moved to Nashville to be

2296
01:52:39,280 --> 01:52:41,960
Speaker 1: a singer? I did at one point, yes, your Twitter,

2297
01:52:42,160 --> 01:52:43,920
Speaker 1: and it was like Abby singing or something. It's like

2298
01:52:44,000 --> 01:52:46,559
Speaker 1: singing Abby, Yeah, sing. That's what my Instagram was too,

2299
01:52:46,600 --> 01:52:48,560
Speaker 1: and then I changed it. So she wanted to be

2300
01:52:48,640 --> 01:52:50,600
Speaker 1: a singer. It didn't work out though, today O not

2301
01:52:50,760 --> 01:52:53,719
Speaker 1: R Scott doing other things in the business, I guess,

2302
01:52:53,840 --> 01:52:55,800
Speaker 1: and I don't play guitar, and I felt like I

2303
01:52:55,960 --> 01:52:59,000
Speaker 1: was like at a disadvantage. So she has asked that

2304
01:52:59,160 --> 01:53:03,960
Speaker 1: on September at Bobby Fest in Wichita, Kansas, her hometown,

2305
01:53:04,560 --> 01:53:07,720
Speaker 1: her birthday, that she come up on stage, why are

2306
01:53:07,720 --> 01:53:13,519
Speaker 1: you telling me? Lunchlux is already laughing. It's he didn't

2307
01:53:13,560 --> 01:53:15,920
Speaker 1: even look at her, and it's making it awkward. You

2308
01:53:16,000 --> 01:53:18,760
Speaker 1: can't look at her. I can't laugh because he can't.

2309
01:53:20,000 --> 01:53:22,240
Speaker 1: It's her hometown, it's gonna be her birthday, and there's

2310
01:53:22,240 --> 01:53:25,160
Speaker 1: gonna be thousands of people. Yes, Like, I don't think

2311
01:53:25,240 --> 01:53:27,759
Speaker 1: she understands the gravity of the situation because she's nervous

2312
01:53:27,800 --> 01:53:29,519
Speaker 1: and there's always like six of us in the here,

2313
01:53:29,800 --> 01:53:33,720
Speaker 1: and she's shaking, and I'm like, oh my god, I

2314
01:53:33,800 --> 01:53:35,639
Speaker 1: think it's easier to sing in front of more people

2315
01:53:36,080 --> 01:53:39,280
Speaker 1: than a few people. There are millions listening right now.

2316
01:53:39,400 --> 01:53:44,800
Speaker 1: Oh that makes her feel so much better. So if

2317
01:53:44,920 --> 01:53:47,040
Speaker 1: we go four or five and we all say it's okay,

2318
01:53:47,080 --> 01:53:50,200
Speaker 1: she will perform with Eddie and I's group, the Raging Idiots.

2319
01:53:50,720 --> 01:53:52,880
Speaker 1: Oh so she don't get a solo spot. No no, no, no, no,

2320
01:53:53,040 --> 01:53:54,800
Speaker 1: she'll sing by herself. We'll just be her backing band,

2321
01:53:54,880 --> 01:54:00,519
Speaker 1: got it? Yeah? Wow, whole song? Yeah she was gonna

2322
01:54:00,560 --> 01:54:03,639
Speaker 1: sing with them. No no, no, no, whole song we're playing.

2323
01:54:03,680 --> 01:54:07,479
Speaker 1: It's all okay, okay, okay, okay. So she's going to

2324
01:54:07,560 --> 01:54:10,240
Speaker 1: perform for us. Now you're holding you're you've chosen not

2325
01:54:10,360 --> 01:54:12,400
Speaker 1: to go, Mike, stand right. I gotta get into it.

2326
01:54:12,880 --> 01:54:14,720
Speaker 1: I can't just hold this is good. I gotta hold it. Yeah,

2327
01:54:14,720 --> 01:54:16,720
Speaker 1: it's gonna to me. It's already a good decision to

2328
01:54:16,800 --> 01:54:19,639
Speaker 1: hold it, because because we get to see her stage

2329
01:54:19,680 --> 01:54:21,840
Speaker 1: presence here right, and she is standing on the stage

2330
01:54:21,840 --> 01:54:24,720
Speaker 1: in our studio, and you have chosen Vonnie rate, let's

2331
01:54:24,720 --> 01:54:27,519
Speaker 1: give him something to talk about, which for those at home,

2332
01:54:27,640 --> 01:54:29,200
Speaker 1: here's a clip or in their car, here's a clip

2333
01:54:29,240 --> 01:54:37,880
Speaker 1: of the song tut So we're gonna let you sing

2334
01:54:37,960 --> 01:54:41,040
Speaker 1: this for like a minute and a minute and a half, okay, okay,

2335
01:54:41,920 --> 01:54:45,520
Speaker 1: and then we'll judge. If you guys want tickets, you

2336
01:54:45,560 --> 01:54:48,040
Speaker 1: want to come to Bobbyfest in Kansas, we'd love to

2337
01:54:48,080 --> 01:54:50,800
Speaker 1: have you get tickets at Raging idiots dot com. This

2338
01:54:50,920 --> 01:54:55,120
Speaker 1: one will be September fifth that Abby's trying to perform at. Okay, Abby,

2339
01:54:55,160 --> 01:54:57,440
Speaker 1: are you ready? I'm ready? Right? Can I hear the instrumental?

2340
01:54:57,480 --> 01:55:01,680
Speaker 1: Don't sing yet? Abby? Can I hear the instrumental? Did

2341
01:55:01,720 --> 01:55:04,920
Speaker 1: you clear this instrumental? Is it in your key? Uh? Huh? Yeah?

2342
01:55:05,280 --> 01:55:07,480
Speaker 1: So you feel good about it? Yeah, you're already tapping

2343
01:55:07,520 --> 01:55:11,160
Speaker 1: your foot. I am did thing. We want to give

2344
01:55:11,160 --> 01:55:13,800
Speaker 1: you the proper room. Do you know how to come in? Abby? Yeah?

2345
01:55:13,840 --> 01:55:16,560
Speaker 1: I do. I'm ready already. What was the height of

2346
01:55:16,640 --> 01:55:21,360
Speaker 1: your singing career, Abbey? Like, where did you feel most accomplished? Um?

2347
01:55:21,680 --> 01:55:25,400
Speaker 1: When I won bowing idol in Wichita? What's bow like

2348
01:55:25,480 --> 01:55:28,920
Speaker 1: the company? Yeah? They did, like this American Idol version?

2349
01:55:29,080 --> 01:55:32,680
Speaker 1: And I want to you wan, that's pretty cool? And

2350
01:55:32,760 --> 01:55:34,720
Speaker 1: so what do you win when you win? I did

2351
01:55:34,760 --> 01:55:37,640
Speaker 1: I win? Like one hundred dollars? I think? Yeah? What

2352
01:55:37,720 --> 01:55:39,680
Speaker 1: did you sing a bowing idol? Oh? My gosh, I

2353
01:55:39,720 --> 01:55:42,760
Speaker 1: don't even remember. Okay, but I really don't remember. You

2354
01:55:42,880 --> 01:55:45,840
Speaker 1: have her audition for any of the other singing competitions

2355
01:55:45,880 --> 01:55:50,040
Speaker 1: that are like like on TV. What Delta IDOL or

2356
01:55:50,440 --> 01:55:55,600
Speaker 1: American Airlines Idol, well other than American Idol. Know, okay,

2357
01:55:55,880 --> 01:55:57,560
Speaker 1: you did you, but you did for American Idol and

2358
01:55:57,640 --> 01:56:01,800
Speaker 1: they didn't. Also, isn't no, that was an absolute no.

2359
01:56:04,240 --> 01:56:12,440
Speaker 1: Here is your bowing Idol winter kind of win spot

2360
01:56:12,720 --> 01:56:17,760
Speaker 1: at Bobby Fest. Here is Abby. Oh yeah, everybody, we'll

2361
01:56:17,800 --> 01:56:25,960
Speaker 1: put your hands together. Oh I got you, thank yo.

2362
01:56:26,600 --> 01:56:35,080
Speaker 1: Come on, munch. People are talking talking about people. I

2363
01:56:35,360 --> 01:56:41,720
Speaker 1: hear them whisper. Yeah, I'll believe that. They think we're lovers. Yeah,

2364
01:56:42,080 --> 01:56:47,920
Speaker 1: kept under cover. I just ignore it. But they keep saying,

2365
01:56:48,200 --> 01:56:54,080
Speaker 1: we love just a little too loved, we stand just

2366
01:56:54,440 --> 01:57:02,520
Speaker 1: a little too close, we stand just a little to love. Yeah.

2367
01:57:03,280 --> 01:57:12,760
Speaker 1: Maybe this set give them something to talk about. Let

2368
01:57:12,960 --> 01:57:17,880
Speaker 1: give us something to talk about. Yeah, so let give

2369
01:57:18,000 --> 01:57:29,800
Speaker 1: us something to talk about. Hell abound. She is okay.

2370
01:57:30,240 --> 01:57:32,360
Speaker 1: Now the room and everybody looks there from Launch's head

2371
01:57:32,440 --> 01:57:36,800
Speaker 1: is hanging down. I mean, it's okay, looking at her,

2372
01:57:37,000 --> 01:57:39,560
Speaker 1: me too, Okay. How do you How do you feel

2373
01:57:39,560 --> 01:57:41,840
Speaker 1: about that performance? It was okay? My mouth is a

2374
01:57:41,840 --> 01:57:44,200
Speaker 1: little dry. Did you feel that you were warm enough?

2375
01:57:44,280 --> 01:57:46,360
Speaker 1: Did you feel like you were in the groove? Not really,

2376
01:57:46,400 --> 01:57:49,400
Speaker 1: I'm a little shaky but it wears off when I'm

2377
01:57:49,440 --> 01:57:51,760
Speaker 1: in front of more people, when you're in front of

2378
01:57:51,840 --> 01:57:53,920
Speaker 1: like a crowd, you know, do you look at my mouth?

2379
01:57:53,960 --> 01:57:56,480
Speaker 1: It's a dry talk. Water do you want? Do you

2380
01:57:56,520 --> 01:57:58,840
Speaker 1: want the judgment now? Or do you want to give

2381
01:57:58,920 --> 01:58:00,800
Speaker 1: us a little something else? I can do a little

2382
01:58:00,840 --> 01:58:03,840
Speaker 1: something else. Oh, you have the heads, Carolina tells California

2383
01:58:03,880 --> 01:58:06,280
Speaker 1: by Jody Messina, cute up that she also let's go

2384
01:58:06,480 --> 01:58:08,920
Speaker 1: picked us a backup. Yeah, maybe get some water because

2385
01:58:08,920 --> 01:58:11,640
Speaker 1: there was some what you can hear them drying us.

2386
01:58:11,800 --> 01:58:15,520
Speaker 1: I know, all right, sorry about that. He's more time.

2387
01:58:18,600 --> 01:58:20,200
Speaker 1: But she didn't say put your hands together. One, I'm

2388
01:58:20,200 --> 01:58:36,320
Speaker 1: sorry baby. One s we just get lost, leave this

2389
01:58:36,520 --> 01:58:42,960
Speaker 1: one horse town like two ribbles without a con. I

2390
01:58:43,160 --> 01:58:47,240
Speaker 1: got people in Boston, and you're Danny still and to Mond.

2391
01:58:49,880 --> 01:58:54,160
Speaker 1: We can pack up tomorrow tonight. Let's flip a con.

2392
01:58:56,000 --> 01:59:02,000
Speaker 1: Come on, he's Carolina's tails. The fun of somewhere green

2393
01:59:02,240 --> 01:59:07,320
Speaker 1: or somewhere warmer up in the mountains, dawn bunny or

2394
01:59:07,400 --> 01:59:11,080
Speaker 1: should wear it don't matter as long as been going

2395
01:59:11,400 --> 01:59:21,360
Speaker 1: somewhere together. I've got a corner, he Carolina tells California. Okay,

2396
01:59:21,880 --> 01:59:25,720
Speaker 1: all right, Eddie, yes or no is she in At

2397
01:59:25,800 --> 01:59:28,040
Speaker 1: first bones, I was like, oh, the birthday thing. I mean,

2398
01:59:28,080 --> 01:59:29,880
Speaker 1: this has nothing to do with it, but I'm watching

2399
01:59:29,960 --> 01:59:32,880
Speaker 1: it as a whole. I would love to see Abby

2400
01:59:33,040 --> 01:59:35,760
Speaker 1: on stage in which on her birthday. She's got a

2401
01:59:35,800 --> 01:59:41,760
Speaker 1: great voice, dude, I say yes, yes, okay, okay, yes,

2402
01:59:42,880 --> 01:59:47,640
Speaker 1: oh Amy. I loved it, Abby, and I too would

2403
01:59:47,680 --> 01:59:50,640
Speaker 1: love to see you on stage in your hometown, of

2404
01:59:50,720 --> 01:59:53,880
Speaker 1: which at all, singing to all the people, especially because

2405
01:59:53,880 --> 01:59:55,360
Speaker 1: it's gonna be better because there's gonna be a lot

2406
01:59:55,400 --> 01:59:58,280
Speaker 1: of people. Oh my gosh. Yeah, you're like even better.

2407
01:59:58,440 --> 02:00:00,040
Speaker 1: So I'm very proud of you and I love of

2408
02:00:00,080 --> 02:00:04,360
Speaker 1: your stage presence. And you vote two yeah, four out

2409
02:00:04,400 --> 02:00:05,920
Speaker 1: of five? You need four out of five. I want

2410
02:00:05,960 --> 02:00:10,880
Speaker 1: to cry, let's go get that. I know. Sorry, okay,

2411
02:00:11,880 --> 02:00:16,120
Speaker 1: who else is doing it? Me? Lunchbox cho and Ray okay, Ray,

2412
02:00:16,880 --> 02:00:19,600
Speaker 1: oh Ray, we have the same birthday. Come on, come on, buddy,

2413
02:00:19,680 --> 02:00:24,000
Speaker 1: were buds? Her voice shockingly good. I liked what she

2414
02:00:24,080 --> 02:00:27,480
Speaker 1: did with the choruses. I enjoy listening to her sing

2415
02:00:27,920 --> 02:00:31,120
Speaker 1: and her story paired with the voice gets her on

2416
02:00:31,160 --> 02:00:34,680
Speaker 1: the stage in which you talk. Wow, you vote yes, yes,

2417
02:00:37,640 --> 02:00:40,960
Speaker 1: one more yes, Lunchbox, I mean do yourself a favor.

2418
02:00:41,160 --> 02:00:45,320
Speaker 1: I'll never sing that Bonnie Rate song again. No, no, no, no,

2419
02:00:45,520 --> 02:00:50,120
Speaker 1: it was it was awful, yeah, Rate. I don't know why,

2420
02:00:50,160 --> 02:00:51,920
Speaker 1: because you tried to sing it and it sounded terrible.

2421
02:00:51,960 --> 02:00:53,800
Speaker 1: That's why I don't. I don't know what else to

2422
02:00:53,920 --> 02:00:55,960
Speaker 1: tell you. Okay, thank you. I mean I'll take it.

2423
02:00:56,440 --> 02:00:58,440
Speaker 1: I'm just telling you, like, put that one out, and

2424
02:00:59,040 --> 02:01:00,800
Speaker 1: it's your birthday and you want to do it in

2425
02:01:00,880 --> 02:01:02,880
Speaker 1: front of your crowd of your hometown. But I don't

2426
02:01:02,920 --> 02:01:06,280
Speaker 1: want you to get booed on your birthday. So you

2427
02:01:06,400 --> 02:01:09,080
Speaker 1: need to change your Twitter handle to Abby can't seeing

2428
02:01:12,680 --> 02:01:17,400
Speaker 1: okay too far, too far or it's a no, okay,

2429
02:01:19,200 --> 02:01:22,240
Speaker 1: thank you. You cannot tell me that that Oh it's

2430
02:01:22,320 --> 02:01:25,040
Speaker 1: better than okay, Abby, it's up to me. I've heard

2431
02:01:25,160 --> 02:01:33,200
Speaker 1: professional singers and here awards and that go ahead, blow up. Abby.

2432
02:01:33,560 --> 02:01:36,280
Speaker 1: Um So, by the way, if you're listening and you

2433
02:01:36,360 --> 02:01:37,880
Speaker 1: want to go to this too, you can. We're giving

2434
02:01:37,880 --> 02:01:39,720
Speaker 1: away a free trip at Bobby bones dot com. You

2435
02:01:39,800 --> 02:01:41,200
Speaker 1: just go sign up over there and you can come

2436
02:01:41,240 --> 02:01:44,000
Speaker 1: and watch the show. We get round trip airfair hotel

2437
02:01:44,360 --> 02:01:47,800
Speaker 1: tickets to the festival. I mean, it'd be a big,

2438
02:01:48,000 --> 02:01:50,360
Speaker 1: big deal. In which ta thousands of people who already

2439
02:01:50,360 --> 02:01:53,280
Speaker 1: buy tickets. Russell, I mean Russell Dex's playing right before us,

2440
02:01:53,880 --> 02:01:56,000
Speaker 1: Maddie and Tay all their fans are going to be there.

2441
02:01:56,680 --> 02:01:58,040
Speaker 1: I know you're gonna get up there and you're gonna

2442
02:01:58,040 --> 02:01:59,880
Speaker 1: be stressed out a little bit. No, I would not.

2443
02:02:00,160 --> 02:02:02,040
Speaker 1: You don't think you've dressed no, no, no, no no.

2444
02:02:02,840 --> 02:02:05,600
Speaker 1: I've sang on stages in front a lot of people, companies,

2445
02:02:05,600 --> 02:02:07,760
Speaker 1: a lot like Bowe has, like what fifty people? No,

2446
02:02:07,880 --> 02:02:11,760
Speaker 1: there were tons, hundred, said and aplanes. I thought the

2447
02:02:11,840 --> 02:02:13,080
Speaker 1: Bonnie right, I could hear you. I can hear you

2448
02:02:13,120 --> 02:02:16,760
Speaker 1: struggle a little bit there, but I gave it to nerves. Yeah, yeah,

2449
02:02:17,040 --> 02:02:18,880
Speaker 1: there was some note she hit at the end where

2450
02:02:18,920 --> 02:02:24,800
Speaker 1: she kind of did a few little runs. Okay, Abby,

2451
02:02:24,880 --> 02:02:29,640
Speaker 1: I have to say, no chance you're gonna miss it. Yea.

2452
02:02:34,480 --> 02:02:37,440
Speaker 1: Oh my gosh, that's like a serious that's like a

2453
02:02:37,520 --> 02:02:39,520
Speaker 1: dream come true. That's like literally like a dream come

2454
02:02:39,520 --> 02:02:43,760
Speaker 1: true because I've been singing forever and yeah, gosh, I'm serious.

2455
02:02:43,800 --> 02:02:45,960
Speaker 1: That's not real. It's real. ID be like, I'm just

2456
02:02:46,000 --> 02:02:47,960
Speaker 1: kidding you. No, I'm not just kidding. So you'll have

2457
02:02:48,040 --> 02:02:50,080
Speaker 1: to tell the band what's all you want to sing? Right,

2458
02:02:51,040 --> 02:02:53,400
Speaker 1: we'll learn it. I mean the heads Carolina was good. Right,

2459
02:02:53,560 --> 02:02:55,760
Speaker 1: we'll learn it. And then you get up on stage

2460
02:02:55,920 --> 02:02:57,520
Speaker 1: in which it all a bobby fest and saying what

2461
02:02:57,560 --> 02:02:59,440
Speaker 1: are you thinking right now? I'm really gonna cry. That's

2462
02:02:59,600 --> 02:03:03,800
Speaker 1: that's nice. I can't believe it. Thank you. But it's

2463
02:03:04,040 --> 02:03:06,160
Speaker 1: like I know, like my family and friends are going too,

2464
02:03:06,320 --> 02:03:09,960
Speaker 1: and like I can't even that's amazing. She will be

2465
02:03:10,040 --> 02:03:12,640
Speaker 1: performing bones. What did you see? Like? What did you

2466
02:03:12,760 --> 02:03:15,800
Speaker 1: see to to? I see, I saw someone who probably

2467
02:03:15,920 --> 02:03:17,440
Speaker 1: used to be a lot better, but it hasn't practiced,

2468
02:03:17,720 --> 02:03:20,160
Speaker 1: but hasn't just gotten in singing shape yet. But also

2469
02:03:20,200 --> 02:03:22,000
Speaker 1: see someone who really enjoys it. That's what we do.

2470
02:03:22,080 --> 02:03:25,360
Speaker 1: We have fun. Yeah, and who can sing. She just

2471
02:03:25,480 --> 02:03:27,720
Speaker 1: hasn't been working at it for a while, and we're

2472
02:03:27,760 --> 02:03:30,760
Speaker 1: gonna give her some time. You'll have till September fifth, Yes, okay,

2473
02:03:30,840 --> 02:03:32,960
Speaker 1: so now you can practice every day. I think she

2474
02:03:33,040 --> 02:03:36,440
Speaker 1: needs to go like smoking mics and like open mic

2475
02:03:37,440 --> 02:03:40,480
Speaker 1: the open mic nights. No, Abbie, just come, you'll be

2476
02:03:40,520 --> 02:03:42,640
Speaker 1: a great you're a little nervous, you'll kill it. Okay, Okay,

2477
02:03:42,680 --> 02:03:46,520
Speaker 1: all right, there she is. It's the Best Bits of

2478
02:03:46,640 --> 02:03:52,040
Speaker 1: the Week with Morgan number two. All Right, y'all, that's it. Abby,

2479
02:03:52,120 --> 02:03:53,480
Speaker 1: Thank you so much for hanging out with me. This

2480
02:03:53,520 --> 02:03:55,560
Speaker 1: has been fun. I know it has been I love it.

2481
02:03:55,960 --> 02:03:59,160
Speaker 1: Always fun dating life. We talked about our jams, we

2482
02:03:59,280 --> 02:04:04,040
Speaker 1: talked about your singing career, all the things. We talked

2483
02:04:04,040 --> 02:04:08,080
Speaker 1: about a lot. I know we did. I know perfect one. Yeah,

2484
02:04:08,080 --> 02:04:09,520
Speaker 1: I love we go off and I was like, what

2485
02:04:09,640 --> 02:04:11,760
Speaker 1: were we even talking about to begin with? I think

2486
02:04:11,840 --> 02:04:13,960
Speaker 1: there is nothing better than conversations that go off on

2487
02:04:14,000 --> 02:04:17,160
Speaker 1: different tangents. So I loved it me too well. And

2488
02:04:17,240 --> 02:04:18,880
Speaker 1: if you guys want to watch any of the videos

2489
02:04:18,920 --> 02:04:21,520
Speaker 1: from any of these segments, particularly the one where Abby sings,

2490
02:04:21,560 --> 02:04:23,720
Speaker 1: because she's got quite the stage presence. I mean, she

2491
02:04:23,880 --> 02:04:27,920
Speaker 1: was rocking it. I'm serious. I'm not making fun of us, sorry,

2492
02:04:28,680 --> 02:04:31,680
Speaker 1: I mean I took the photos and like you were,

2493
02:04:31,880 --> 02:04:34,280
Speaker 1: you're ready, you did, you were taking some good pictures.

2494
02:04:34,360 --> 02:04:36,560
Speaker 1: She was like front row down there taking us picts.

2495
02:04:36,640 --> 02:04:38,400
Speaker 1: I was like, oh, I was a number one fans

2496
02:04:38,480 --> 02:04:41,080
Speaker 1: in a row. But yeah, you can watch the videos,

2497
02:04:41,120 --> 02:04:44,280
Speaker 1: see pictures, all that good stuff from Dan and Shay Abby.

2498
02:04:44,480 --> 02:04:46,320
Speaker 1: You know our songs that got released each year for

2499
02:04:46,440 --> 02:04:49,040
Speaker 1: driver's license. It's all up there at Bobby Bones dot com.

2500
02:04:49,520 --> 02:04:51,600
Speaker 1: And thank you guys for hanging out. M Abby, what

2501
02:04:51,680 --> 02:04:55,240
Speaker 1: can they follow you on Instagram is Abby dot Anderson

2502
02:04:55,360 --> 02:04:59,400
Speaker 1: one underscore. That's the worst name on her. I know

2503
02:05:00,040 --> 02:05:01,960
Speaker 1: it was sing an Abby, which is what my Twitter is,

2504
02:05:02,560 --> 02:05:05,000
Speaker 1: sing an Abby with no G so I should just

2505
02:05:05,800 --> 02:05:08,960
Speaker 1: go back back. I guess yes, I like it okay,

2506
02:05:09,000 --> 02:05:11,600
Speaker 1: and you can follow me at web Girl Morgan Twitter, Instagram,

2507
02:05:11,680 --> 02:05:14,360
Speaker 1: TikTok All the things. Got a new dance up there

2508
02:05:14,400 --> 02:05:18,160
Speaker 1: with Lunchbox. It's Dan and Chay's lying dance, appropriately as

2509
02:05:18,240 --> 02:05:21,640
Speaker 1: they just dropped their album, Yes Yes, and follow out

2510
02:05:21,640 --> 02:05:25,200
Speaker 1: Bobby boneshow Instagram, Facebook, Twitter, YouTube, all of the things.

2511
02:05:25,320 --> 02:05:27,600
Speaker 1: We have so much content up there. I work very

2512
02:05:27,640 --> 02:05:28,840
Speaker 1: hard to put that all up for y'all, so I

2513
02:05:28,920 --> 02:05:30,760
Speaker 1: hope you go check it out. Thank you guys so

2514
02:05:30,880 --> 02:05:34,200
Speaker 1: much again for hanging out with us. Have a fabulous weekend.

2515
02:05:34,360 --> 02:05:36,240
Speaker 1: I love y'all. Bye bye,