WEBVTT - Turning Red with Rekha Shankar

0:00:00.960 --> 0:00:03.920
<v Speaker 1>On the Bell Cast, the questions asked if movies have

0:00:04.080 --> 0:00:07.960
<v Speaker 1>women inum, are all their discussions just boyfriends and husbands

0:00:08.000 --> 0:00:13.080
<v Speaker 1>or do they have individualism? The patriarchy? Zef invest start

0:00:13.200 --> 0:00:18.920
<v Speaker 1>changing it with the bec Del Cast. Jamie, Caitlyn, what's up?

0:00:19.440 --> 0:00:25.880
<v Speaker 1>I'm going through puberty. Who aren't you like thirty six? Yeah,

0:00:26.239 --> 0:00:28.840
<v Speaker 1>it didn't happen until now. Sorry, I didn't mean to

0:00:28.840 --> 0:00:33.520
<v Speaker 1>shame you. Yeah, rude, okay, Um, but there's another thing.

0:00:33.800 --> 0:00:38.279
<v Speaker 1>There's another player. Okay. When I go through puberty, I

0:00:38.360 --> 0:00:42.080
<v Speaker 1>turned into a cat. Oh yeah, well that sounds fun.

0:00:42.440 --> 0:00:44.560
<v Speaker 1>I love that. That's her friends Reactually they're like, yeah,

0:00:44.600 --> 0:00:48.599
<v Speaker 1>that's awesome. Well could you do it more? Actually, because

0:00:48.960 --> 0:00:51.720
<v Speaker 1>I think it's awesome. Yeah, and you can take pictures

0:00:51.720 --> 0:00:54.320
<v Speaker 1>with me, but you also you have to pay me. Okay, okay,

0:00:54.360 --> 0:01:01.280
<v Speaker 1>girl boss cat access. I think that was a solid

0:01:01.320 --> 0:01:07.920
<v Speaker 1>intro to end. No notes, won't take it a second time? Agree? Agree? Yeah,

0:01:08.720 --> 0:01:11.440
<v Speaker 1>So welcome to the Bechtel Cast. My name is Caitlin Dronte,

0:01:12.000 --> 0:01:15.119
<v Speaker 1>my name's Jamie Loftus, and this is our podcast where

0:01:15.200 --> 0:01:18.720
<v Speaker 1>we look at movies from an intersectional feminist lens and

0:01:18.840 --> 0:01:21.400
<v Speaker 1>uh and have a little fun and goof around and

0:01:21.720 --> 0:01:24.440
<v Speaker 1>you know, turn into the animal of your choice, and

0:01:24.440 --> 0:01:27.400
<v Speaker 1>it's metaphorical and if you get it, you get it,

0:01:27.440 --> 0:01:31.520
<v Speaker 1>and if you don't whatever, whatever I do. Okay, my

0:01:31.720 --> 0:01:33.920
<v Speaker 1>brain is in five places today. We're going to get

0:01:33.959 --> 0:01:36.240
<v Speaker 1>around to talk about the Bechtel test in just a second.

0:01:36.680 --> 0:01:39.920
<v Speaker 1>But I do think, Caitlin, that we should reiterate that

0:01:40.200 --> 0:01:44.000
<v Speaker 1>you noticed a correlation between turning red and despicable me.

0:01:44.680 --> 0:01:47.920
<v Speaker 1>That I do feel like is worth repeating at some

0:01:47.960 --> 0:01:50.160
<v Speaker 1>point in the episode, and I think I'll do it

0:01:50.240 --> 0:01:52.240
<v Speaker 1>during the recast. I should have said that off Mike,

0:01:52.440 --> 0:01:56.040
<v Speaker 1>but it's really it's important to be that because we

0:01:56.080 --> 0:01:58.120
<v Speaker 1>mentioned it. But there's a paywall, and I really feel

0:01:58.120 --> 0:02:00.240
<v Speaker 1>like this should be publicly accessible in for me ship

0:02:00.480 --> 0:02:03.480
<v Speaker 1>I agree, So there's a there's an opportune moment in

0:02:03.520 --> 0:02:06.480
<v Speaker 1>the recap that I will bring it up. I trust

0:02:06.520 --> 0:02:10.080
<v Speaker 1>you have rest assured. So anyways, Uh, we use the

0:02:10.080 --> 0:02:14.520
<v Speaker 1>Bechtel test as a jumping off point for discussion. But

0:02:14.680 --> 0:02:18.480
<v Speaker 1>but what is the Bechdel test? Kalin drawte. It is

0:02:18.480 --> 0:02:21.520
<v Speaker 1>a media metric created by Quirk cartoonists Alas and Bechtel,

0:02:21.639 --> 0:02:25.239
<v Speaker 1>sometimes called the Bechdel Wallace Test. There are many versions

0:02:25.240 --> 0:02:28.560
<v Speaker 1>of it. The one that we use is this, two

0:02:28.680 --> 0:02:33.640
<v Speaker 1>characters of a marginalized gender must have names, they must

0:02:33.760 --> 0:02:36.359
<v Speaker 1>speak to each other, and their conversation has to be

0:02:36.400 --> 0:02:40.600
<v Speaker 1>about something other than a man. And ideally it's two

0:02:40.639 --> 0:02:45.760
<v Speaker 1>lines or more of dialogue and a narratively meaningful conversation.

0:02:45.919 --> 0:02:51.920
<v Speaker 1>So it can't just be like, hows the weather? It's

0:02:52.120 --> 0:02:56.400
<v Speaker 1>good to shut up and that does pass, but it's

0:02:56.400 --> 0:03:00.480
<v Speaker 1>not important unless the movie is about whether you know

0:03:00.800 --> 0:03:05.440
<v Speaker 1>weather denial? Um, okay, well, not really an issue for

0:03:05.480 --> 0:03:09.160
<v Speaker 1>this movie, so we'll we'll circle back to that a

0:03:09.200 --> 0:03:12.440
<v Speaker 1>while from now. But today we're covering I think it's

0:03:12.480 --> 0:03:15.079
<v Speaker 1>been a little while since we've covered a recent release,

0:03:15.840 --> 0:03:19.119
<v Speaker 1>but a pretty new movie was released on i think

0:03:19.160 --> 0:03:22.640
<v Speaker 1>Disney Plus exclusively a couple of months ago, called Turning Red.

0:03:22.680 --> 0:03:26.840
<v Speaker 1>And we have an incredible guest with us today. We

0:03:26.880 --> 0:03:28.880
<v Speaker 1>sure do, so let's get her in here. She's a

0:03:28.919 --> 0:03:37.000
<v Speaker 1>writer for Grand Crew and Animaniacs. It's Raca Shankar. Hello, Yeah,

0:03:37.080 --> 0:03:41.400
<v Speaker 1>what's up? Hey, not freaking not freaking much? How about you, guys.

0:03:42.040 --> 0:03:46.440
<v Speaker 1>We're good, just hanging out. That's beautiful, it feels good,

0:03:46.440 --> 0:03:51.120
<v Speaker 1>feels right, hang out watching Pisar. It does feel good?

0:03:51.160 --> 0:03:54.440
<v Speaker 1>I kind of. I hadn't watched a new Pixar movie

0:03:55.080 --> 0:03:57.800
<v Speaker 1>in a bit. What was what a recent one I missed?

0:03:57.800 --> 0:04:01.040
<v Speaker 1>I still haven't seen Soul. I haven't seen Sol either. Yeah,

0:04:01.080 --> 0:04:04.080
<v Speaker 1>I saw Soul. Did you like it? I liked it?

0:04:04.120 --> 0:04:06.080
<v Speaker 1>I didn't love it. I liked it. Did it pass

0:04:06.120 --> 0:04:10.760
<v Speaker 1>the test? Oh gosh? I honestly never remember to even

0:04:10.760 --> 0:04:13.680
<v Speaker 1>pay attention. And that applies to movies that I am

0:04:13.720 --> 0:04:19.360
<v Speaker 1>watching for this podcast. I simply don't even pay attention anymore.

0:04:19.480 --> 0:04:23.240
<v Speaker 1>Whoop um. Look, sometimes you just gotta watch movies for fun,

0:04:23.360 --> 0:04:25.360
<v Speaker 1>and that's what we do whenever we're not getting ready

0:04:25.360 --> 0:04:27.400
<v Speaker 1>for the show. This movie, though I made, This movie

0:04:28.040 --> 0:04:30.160
<v Speaker 1>was Taylor made to be talked about on our show.

0:04:30.160 --> 0:04:33.919
<v Speaker 1>So I'm very very excited. And Sonny is chomping on

0:04:34.040 --> 0:04:37.920
<v Speaker 1>my recording table. So let's that's because he heard that

0:04:38.040 --> 0:04:41.359
<v Speaker 1>this movie was made for the backdel test, and he's like, oh,

0:04:41.400 --> 0:04:45.800
<v Speaker 1>I will say yeah for listeners. My dog's son. He

0:04:45.920 --> 0:04:49.919
<v Speaker 1>is over today and he really finds a subject matter

0:04:50.600 --> 0:04:55.000
<v Speaker 1>to quote him fucking nasty. So you might hear some

0:04:55.240 --> 0:04:58.279
<v Speaker 1>you know, some objections in the background. Please disregard them.

0:04:58.400 --> 0:05:01.039
<v Speaker 1>We're having him de ratipply. This is just taking longer

0:05:01.080 --> 0:05:05.920
<v Speaker 1>than expected. Classic Bad Dog, Sonny My horrible in Cell

0:05:06.080 --> 0:05:13.719
<v Speaker 1>Dog Rica. What's your history with this three month old movie? Yes? So,

0:05:14.000 --> 0:05:17.200
<v Speaker 1>um when it came out, I think it only seemed

0:05:17.240 --> 0:05:19.320
<v Speaker 1>like promotional arts, so I really didn't know what it

0:05:19.360 --> 0:05:23.880
<v Speaker 1>was about. But a friend of mine is Chinese American

0:05:24.160 --> 0:05:26.160
<v Speaker 1>and I am Indian American, and she was like, great, good,

0:05:26.160 --> 0:05:28.080
<v Speaker 1>You're got to see this movie. I was like why,

0:05:28.120 --> 0:05:30.320
<v Speaker 1>and she's like, I think it is tailor made for you.

0:05:30.760 --> 0:05:32.039
<v Speaker 1>So I went to her house and we watched. I

0:05:32.080 --> 0:05:33.719
<v Speaker 1>was like, oh, yeah, this is Taylor made for me.

0:05:33.880 --> 0:05:36.320
<v Speaker 1>I was fucking obsessed with boy bands as a kid.

0:05:36.440 --> 0:05:41.400
<v Speaker 1>I'm like, yeah, it was a great, great movie for me.

0:05:42.120 --> 0:05:45.680
<v Speaker 1>So that's my three month ish history where I didn't

0:05:45.680 --> 0:05:48.279
<v Speaker 1>know what it was, but then quickly afterwards I learned

0:05:48.320 --> 0:05:55.160
<v Speaker 1>what it was, and then I watched it it was

0:05:56.120 --> 0:05:59.880
<v Speaker 1>something else. Um. My history with this movie is the

0:06:00.240 --> 0:06:05.720
<v Speaker 1>I had seen this director's short film and really liked

0:06:05.760 --> 0:06:09.160
<v Speaker 1>it before Incredibles two. Um, she made the one of

0:06:09.200 --> 0:06:11.799
<v Speaker 1>the Pixar shorts about which I guess one an Oscar,

0:06:11.880 --> 0:06:14.400
<v Speaker 1>which is like awesome, But I remember really liking that

0:06:14.640 --> 0:06:17.880
<v Speaker 1>didn't realize that she was like writing and directing a feature.

0:06:18.600 --> 0:06:22.680
<v Speaker 1>And then I went to my cousin's wedding a month

0:06:22.720 --> 0:06:25.280
<v Speaker 1>and a half ago, and part of my um maid

0:06:25.360 --> 0:06:30.000
<v Speaker 1>of honor duties was to babysit the best man's nine

0:06:30.040 --> 0:06:33.120
<v Speaker 1>year old daughter for a couple of nights. And so

0:06:33.320 --> 0:06:36.440
<v Speaker 1>I actually have seen this movie three or four times

0:06:37.000 --> 0:06:41.680
<v Speaker 1>um because it was like she loved it. She was

0:06:41.839 --> 0:06:44.200
<v Speaker 1>horrified by the fact that I was alive in two

0:06:44.200 --> 0:06:47.080
<v Speaker 1>thousand and two and like knew what they were talking about.

0:06:47.120 --> 0:06:50.200
<v Speaker 1>Like it was so I had seen this movie with

0:06:50.279 --> 0:06:52.840
<v Speaker 1>the target audience and then also feel like we are

0:06:52.960 --> 0:06:57.080
<v Speaker 1>the target audience, which is awesome, and I was pretty

0:06:57.160 --> 0:06:59.760
<v Speaker 1>close to that. I was a little older in two

0:07:00.080 --> 0:07:03.359
<v Speaker 1>and two, but not far off. We were all there

0:07:03.400 --> 0:07:06.599
<v Speaker 1>like the it's yeah. So anyways, I've seen this movie

0:07:06.600 --> 0:07:08.520
<v Speaker 1>a couple of times now and it was fun to

0:07:08.680 --> 0:07:13.240
<v Speaker 1>like watch with the podcast in mind as well. So

0:07:13.640 --> 0:07:17.040
<v Speaker 1>I'm a fan, Caitlyn, What's your History? I saw it

0:07:17.120 --> 0:07:20.320
<v Speaker 1>a few days after it was released on Disney Plus.

0:07:20.480 --> 0:07:22.000
<v Speaker 1>There was quite a bit of hype about it, and

0:07:22.080 --> 0:07:23.960
<v Speaker 1>a lot of people were saying, this is the best

0:07:23.960 --> 0:07:27.320
<v Speaker 1>Pixar movie in ten years, and so I was really

0:07:27.320 --> 0:07:30.720
<v Speaker 1>excited to see it. I also love red pandas they're

0:07:30.720 --> 0:07:34.760
<v Speaker 1>my favorite wild animal. Cats are my favorite domestic animal.

0:07:34.920 --> 0:07:39.119
<v Speaker 1>But any video with a red panda, I'll just it

0:07:39.200 --> 0:07:43.160
<v Speaker 1>is the best movie I've ever seen. Um, So I

0:07:43.240 --> 0:07:45.240
<v Speaker 1>was excited to see it. I liked it a lot.

0:07:45.800 --> 0:07:49.520
<v Speaker 1>I humbly disagree with it being the best Pixar in

0:07:49.600 --> 0:07:54.760
<v Speaker 1>ten years, because what about cocaine. That's cars three? No, yeah,

0:07:55.200 --> 0:08:02.560
<v Speaker 1>Caitlin's closet cars three fan. She really once said, eat ship, Wally,

0:08:04.160 --> 0:08:06.960
<v Speaker 1>call me back with your cars three. Yeah. Yeah, yeah.

0:08:07.040 --> 0:08:09.360
<v Speaker 1>You might not be able to see Caitlin's room, but

0:08:09.400 --> 0:08:12.240
<v Speaker 1>it's sort of decked out in cars stuff. Yea. She

0:08:12.320 --> 0:08:15.960
<v Speaker 1>has a Lightning mc queen bed, which is which is

0:08:16.040 --> 0:08:19.000
<v Speaker 1>kind of disgusting, to be honest, but they make them

0:08:19.000 --> 0:08:22.200
<v Speaker 1>for queen size mattresses. That's kind of awesome. Yeah, I

0:08:22.520 --> 0:08:27.240
<v Speaker 1>had a custom made Oh my god, that's awesome. And

0:08:27.320 --> 0:08:29.280
<v Speaker 1>the bed part is not where you'd think. That's what's

0:08:29.320 --> 0:08:34.000
<v Speaker 1>kind of surprising. Yeah, it is like it's technically a bed,

0:08:34.040 --> 0:08:38.800
<v Speaker 1>but it's also very much a sex toy. Well, can't

0:08:38.880 --> 0:08:44.960
<v Speaker 1>believe you're blowing up my spot on um anyway, So

0:08:45.040 --> 0:08:48.320
<v Speaker 1>I I liked it a lot, but that's annoying that

0:08:48.360 --> 0:08:50.160
<v Speaker 1>it's like, oh, it has to be the best Pixar.

0:08:50.640 --> 0:08:52.840
<v Speaker 1>It's a it's a good Pixar, it's a great par

0:08:53.880 --> 0:08:57.559
<v Speaker 1>Just yeah. So I watched it with our mutual friend

0:08:57.760 --> 0:09:03.000
<v Speaker 1>Bryant Jamie and we had a nice time. And that's

0:09:03.040 --> 0:09:06.920
<v Speaker 1>my history with it. Amazing. Um. Yeah, I guess that

0:09:06.960 --> 0:09:09.160
<v Speaker 1>there's really not much work, but there I guess to

0:09:09.360 --> 0:09:13.200
<v Speaker 1>like before we start discussing like the plot of the movie.

0:09:13.360 --> 0:09:15.200
<v Speaker 1>I think the first I heard of this movie, I

0:09:15.640 --> 0:09:19.240
<v Speaker 1>maybe just like missed when it was like announced as

0:09:19.280 --> 0:09:23.280
<v Speaker 1>coming out, But the first time I heard about it

0:09:23.320 --> 0:09:26.400
<v Speaker 1>was when people were already like mad, They're like, why

0:09:26.480 --> 0:09:29.280
<v Speaker 1>is there a movie about periods? I feel freaking sick

0:09:29.440 --> 0:09:32.840
<v Speaker 1>right now. Like there was very much like a like

0:09:32.880 --> 0:09:34.800
<v Speaker 1>I mean, and it would it was not you know,

0:09:34.840 --> 0:09:37.240
<v Speaker 1>it was from the sources you would expect, but there

0:09:37.320 --> 0:09:41.120
<v Speaker 1>was like some columnists that more conservative papers that were

0:09:41.160 --> 0:09:43.600
<v Speaker 1>like why is this? Like you know, it was like

0:09:43.679 --> 0:09:48.320
<v Speaker 1>yet another like Disney has gone woke kind of vibe,

0:09:48.640 --> 0:09:50.680
<v Speaker 1>which did to be fair, I was like, oh, I

0:09:50.679 --> 0:09:53.480
<v Speaker 1>didn't know it was about puberty. I thought it was

0:09:53.520 --> 0:09:57.720
<v Speaker 1>just about pandas because that is kind of like. Originally

0:09:57.760 --> 0:09:59.600
<v Speaker 1>I was like, Oh, this seems cool and I really

0:09:59.640 --> 0:10:01.560
<v Speaker 1>like the or this director made, but there are so

0:10:01.600 --> 0:10:05.040
<v Speaker 1>many Disney movies about turning into a random animal that

0:10:05.080 --> 0:10:07.800
<v Speaker 1>I'm like, do I need to watch this? Yeah? I

0:10:07.840 --> 0:10:09.680
<v Speaker 1>also thought it was just about turning into an animal.

0:10:09.760 --> 0:10:11.600
<v Speaker 1>I thought it was like, oh, she has like a tick,

0:10:11.760 --> 0:10:15.280
<v Speaker 1>like anytime she's mad, she'll turn into this pandas so

0:10:15.360 --> 0:10:17.840
<v Speaker 1>the whole thing is like her releasing her anger or something.

0:10:17.920 --> 0:10:21.080
<v Speaker 1>I had no clue is about periods, right, And I

0:10:21.160 --> 0:10:23.400
<v Speaker 1>was like, Okay, this is actually like the first spin

0:10:23.480 --> 0:10:25.440
<v Speaker 1>on this in a long time that I'm like, oh,

0:10:25.480 --> 0:10:28.320
<v Speaker 1>this is really cool, and I'm like totally in. I

0:10:28.400 --> 0:10:31.719
<v Speaker 1>just remember feeling so Brave as a Pixar movie, right.

0:10:32.080 --> 0:10:34.440
<v Speaker 1>I was just so betrayed when Brave turned into like

0:10:34.520 --> 0:10:36.560
<v Speaker 1>why is my mommy a bear? And I'm like, why

0:10:36.720 --> 0:10:39.120
<v Speaker 1>is your mommy a bear? That's not what I thought

0:10:39.120 --> 0:10:42.760
<v Speaker 1>I was going to watch. Speaking of soul, and I'm hoping,

0:10:43.040 --> 0:10:47.360
<v Speaker 1>I hope I remember this correctly, but the guy who

0:10:47.480 --> 0:10:51.600
<v Speaker 1>ends up in the Afterlife goes back to Earth, but

0:10:51.679 --> 0:10:54.679
<v Speaker 1>then it's either his soul or someone else's soul ends

0:10:54.720 --> 0:10:57.440
<v Speaker 1>up in a cat so someone is a cat most

0:10:57.480 --> 0:11:01.679
<v Speaker 1>of the movie. So there's that one too. They just

0:11:01.760 --> 0:11:04.920
<v Speaker 1>love that. I mean it moves merch, I suppose, but

0:11:04.960 --> 0:11:08.800
<v Speaker 1>it's just me. There's a lot of it. Yeah. Anyways,

0:11:09.040 --> 0:11:13.120
<v Speaker 1>So anyway, should I do the recap? Yeah? And I

0:11:13.240 --> 0:11:15.040
<v Speaker 1>can feel free to jump in at any point in

0:11:15.080 --> 0:11:19.480
<v Speaker 1>the recap. It's a loose cap. I love it. Okay.

0:11:19.600 --> 0:11:23.840
<v Speaker 1>So it is two thousand two. We meet Maylan Lee,

0:11:24.320 --> 0:11:28.720
<v Speaker 1>a thirteen year old girl in Toronto. She goes to school.

0:11:29.080 --> 0:11:32.520
<v Speaker 1>We learned that she is very high achieving and smart.

0:11:33.000 --> 0:11:37.199
<v Speaker 1>We meet her best friends Miriam, Priya and Abby. Her

0:11:37.320 --> 0:11:41.280
<v Speaker 1>opening monologue is so cool, Like I was just like, yes, okay,

0:11:41.280 --> 0:11:44.640
<v Speaker 1>in good she's just like talking to camera, which I

0:11:44.640 --> 0:11:48.360
<v Speaker 1>don't think really ever happens again, but I loved it. Yeah,

0:11:48.360 --> 0:11:51.800
<v Speaker 1>there's like voice over sprinkled in and now, but yeah,

0:11:51.800 --> 0:11:55.400
<v Speaker 1>it's a fun opening montage. Whenever I see voice over

0:11:55.480 --> 0:11:57.920
<v Speaker 1>only in like two random places, and like, was this

0:11:58.000 --> 0:12:00.040
<v Speaker 1>a studio note or they're like they're not going to

0:12:00.120 --> 0:12:03.280
<v Speaker 1>understand unless you put in aggressive voice over here. That's like,

0:12:03.640 --> 0:12:06.360
<v Speaker 1>and this is a video of my mom and she's

0:12:06.360 --> 0:12:08.839
<v Speaker 1>standing next to my dad. They are married and they

0:12:08.880 --> 0:12:12.960
<v Speaker 1>are my parents or whatever, and I love them so much,

0:12:13.000 --> 0:12:18.400
<v Speaker 1>but it's complicated, Okay, movie starting like yeah, which is

0:12:18.480 --> 0:12:20.840
<v Speaker 1>kind of what's happening, but also it was like it's

0:12:20.880 --> 0:12:23.200
<v Speaker 1>done in a fun enough way. Yeah, I don't mind

0:12:23.240 --> 0:12:25.320
<v Speaker 1>it totally. Yeah, I didn't mind it at all. There's

0:12:25.320 --> 0:12:29.560
<v Speaker 1>definitely like more egregious examples of that and other things. Yeah,

0:12:29.800 --> 0:12:31.600
<v Speaker 1>I think do you remember that movie, Oh my god,

0:12:31.640 --> 0:12:38.479
<v Speaker 1>what was that movie that sucked about Fox News ladies? Oh, bombshell,

0:12:38.679 --> 0:12:42.679
<v Speaker 1>bombshell that movie. I think it's like the worst example

0:12:42.679 --> 0:12:44.839
<v Speaker 1>of that that I always think of, where like it

0:12:44.920 --> 0:12:47.319
<v Speaker 1>was so it might have even been like a reshoot

0:12:47.400 --> 0:12:49.640
<v Speaker 1>where there's just two times where Nicole kim and starts

0:12:49.679 --> 0:12:52.480
<v Speaker 1>addressing camera in like a three hour movie, and they're

0:12:52.480 --> 0:12:56.280
<v Speaker 1>really far apart and you're just like, this is really distracting.

0:12:57.240 --> 0:13:01.040
<v Speaker 1>That's so funny. I don't know, I am ragging bombshallow

0:13:01.040 --> 0:13:04.200
<v Speaker 1>movie nobody remembers five years later, but here I am.

0:13:04.240 --> 0:13:11.160
<v Speaker 1>I mean, it's not undeserved anyway. So May's friends have

0:13:11.320 --> 0:13:14.680
<v Speaker 1>a crush on this guy, Devon, who works at a

0:13:14.760 --> 0:13:19.040
<v Speaker 1>local convenience store, but May likes the members of this

0:13:19.120 --> 0:13:23.600
<v Speaker 1>boy band for Town, as do her friends. As well

0:13:23.760 --> 0:13:30.199
<v Speaker 1>and as we. I mean, that's where their song slab funny,

0:13:30.240 --> 0:13:34.760
<v Speaker 1>I mean could be the best Phineas Eilish right, a

0:13:34.880 --> 0:13:38.920
<v Speaker 1>song of all time Billie Eilish and Phineas My jaw

0:13:39.080 --> 0:13:42.040
<v Speaker 1>dropped the first time I watched the movie with my

0:13:42.120 --> 0:13:44.800
<v Speaker 1>nine year old friend Maya, and then like that who

0:13:44.800 --> 0:13:47.880
<v Speaker 1>wrote the songs? No wonder, I feel like we did

0:13:47.920 --> 0:13:51.840
<v Speaker 1>become friends. There was no one else for me to

0:13:51.840 --> 0:13:54.560
<v Speaker 1>talk to at the wedding, so we became buddies. But

0:13:54.600 --> 0:13:57.360
<v Speaker 1>like the first I was like, wait, billy like and

0:13:57.400 --> 0:14:00.200
<v Speaker 1>it makes so much sense because they're so fucking at

0:14:00.240 --> 0:14:03.400
<v Speaker 1>g and they're legitimately good. I can't stand when like

0:14:03.840 --> 0:14:08.480
<v Speaker 1>movie bands don't write a song that I actually love. Yes,

0:14:08.880 --> 0:14:12.640
<v Speaker 1>and this one's purpose one is great. I would listen

0:14:12.800 --> 0:14:18.040
<v Speaker 1>for fun and I will I have listened for fun um. Okay,

0:14:18.080 --> 0:14:19.920
<v Speaker 1>So they love for Town and they all want to

0:14:19.920 --> 0:14:22.400
<v Speaker 1>go to this upcoming concert, but the tickets are very

0:14:22.400 --> 0:14:27.000
<v Speaker 1>expensive and it doesn't seem feasible. May goes home after school.

0:14:27.640 --> 0:14:32.200
<v Speaker 1>Her parents own and operate a temple that honors their ancestors,

0:14:32.200 --> 0:14:37.080
<v Speaker 1>particularly their ancestor son Ye, who was a guardian of animals,

0:14:37.280 --> 0:14:43.760
<v Speaker 1>especially red pandas May helps her mom, Ming clean and

0:14:43.800 --> 0:14:47.280
<v Speaker 1>give tours of the temple, May works very hard to

0:14:47.800 --> 0:14:52.440
<v Speaker 1>impress and honor her family, to the point where there's

0:14:52.720 --> 0:14:57.400
<v Speaker 1>some concern from May and her friends that she is

0:14:57.440 --> 0:15:02.520
<v Speaker 1>not really her own person. Then one day May start

0:15:02.560 --> 0:15:09.520
<v Speaker 1>stoodling some flirty drawings of her I loved this secreence

0:15:09.600 --> 0:15:14.760
<v Speaker 1>son and that guy Devon from the convenience store, which

0:15:14.800 --> 0:15:18.120
<v Speaker 1>her mom finds and thinks that something is going on

0:15:18.240 --> 0:15:22.600
<v Speaker 1>between them. So Ming goes to the convenience store and

0:15:22.640 --> 0:15:28.920
<v Speaker 1>screams at Devon, which obviously absolutely mortifies May. So the

0:15:28.960 --> 0:15:34.280
<v Speaker 1>next morning, when May wakes up after some nightmares, she

0:15:34.360 --> 0:15:38.720
<v Speaker 1>has turned into a giant red panda. Okay, Kafka vibes.

0:15:39.800 --> 0:15:42.240
<v Speaker 1>That was me feeling like an absolutely genius writing down

0:15:42.320 --> 0:15:49.720
<v Speaker 1>Kafka vibes. Wow, Jamie, Yeah, it only took me on

0:15:49.760 --> 0:15:52.920
<v Speaker 1>my fourth watch to be like, oh, cofa vibes. I

0:15:53.040 --> 0:15:57.479
<v Speaker 1>forgot that Metamorphosis was also about periods in a big ways.

0:15:57.920 --> 0:16:00.640
<v Speaker 1>I think a close read would really like would reveal

0:16:00.640 --> 0:16:04.040
<v Speaker 1>all that this about getting your period for the first time.

0:16:04.520 --> 0:16:08.240
<v Speaker 1>Is that book series that was popular in like the

0:16:08.320 --> 0:16:14.040
<v Speaker 1>late Animal The Animals? Yeah, yeah, that's also the vibe.

0:16:14.320 --> 0:16:18.480
<v Speaker 1>They turned into animals if I evil like the York

0:16:19.280 --> 0:16:21.960
<v Speaker 1>the Yerks, they are coming into your ears, but they

0:16:22.000 --> 0:16:26.480
<v Speaker 1>couldn't always control when it happens get out of control

0:16:26.520 --> 0:16:30.120
<v Speaker 1>and turn into a sexy animal. Yes, and Tobias got

0:16:30.160 --> 0:16:36.320
<v Speaker 1>stuck as a hot Bias did get stuck as a

0:16:36.440 --> 0:16:40.760
<v Speaker 1>hot Wow. Thank you for outing yourself as someone who

0:16:40.760 --> 0:16:44.240
<v Speaker 1>knows the particulars of animals. I don't. I've never read

0:16:44.280 --> 0:16:49.480
<v Speaker 1>an animalph Sorry, Oh, it's never too late to start. Yeah.

0:16:49.840 --> 0:16:51.600
<v Speaker 1>I kind of wonder what it would be like to

0:16:51.640 --> 0:16:53.800
<v Speaker 1>read them now, because at the time I felt like

0:16:53.840 --> 0:16:56.280
<v Speaker 1>they were like, very horny coated. But I bet that

0:16:56.320 --> 0:17:00.920
<v Speaker 1>they're just horny right interesting, and I didn't enough information

0:17:00.960 --> 0:17:09.200
<v Speaker 1>to understand. Well, so good, Okay, So May has turned

0:17:09.200 --> 0:17:14.480
<v Speaker 1>into a red panda. She freaks out. Her mom is like, oh, no,

0:17:14.760 --> 0:17:18.680
<v Speaker 1>have you gotten your period? And May is like sort

0:17:18.720 --> 0:17:23.000
<v Speaker 1>of and we're like, yes, this is the metaphor, and

0:17:23.520 --> 0:17:26.480
<v Speaker 1>May sometimes you're like, what is the metaphor? The metaphor

0:17:26.480 --> 0:17:29.520
<v Speaker 1>has to change. Sometimes it's a few different things. I'm

0:17:29.520 --> 0:17:31.520
<v Speaker 1>always having fun, but sometimes I'm like, I forgot what

0:17:31.520 --> 0:17:36.760
<v Speaker 1>the metaphor was, right. So May tries to calm down

0:17:37.000 --> 0:17:40.520
<v Speaker 1>and take deep breaths, which turns her back into a human,

0:17:40.760 --> 0:17:45.040
<v Speaker 1>although now her hair is bright red. Yeah. She goes

0:17:45.119 --> 0:17:48.720
<v Speaker 1>to school as a human, trying to act calm, knowing

0:17:48.760 --> 0:17:52.560
<v Speaker 1>that that should keep the panda at bay. But this kid, Tyler,

0:17:52.800 --> 0:17:57.520
<v Speaker 1>is mocking May about the incident at the convenience store,

0:17:58.200 --> 0:18:01.479
<v Speaker 1>and she gets angry and humility aided, which makes her

0:18:01.520 --> 0:18:04.119
<v Speaker 1>start to turn back into the red panda. Tyler is

0:18:04.600 --> 0:18:09.320
<v Speaker 1>Tyler triggering, You're just I knew kids like that at

0:18:09.359 --> 0:18:12.320
<v Speaker 1>that age, and do you have any exit? Because I

0:18:12.359 --> 0:18:15.280
<v Speaker 1>was thinking of one specific kid named Jeffrey. Every time

0:18:15.320 --> 0:18:17.280
<v Speaker 1>Tyler was on screen, I was like, oh my god,

0:18:17.440 --> 0:18:20.120
<v Speaker 1>I can't. He used to be like, why is there

0:18:20.160 --> 0:18:22.280
<v Speaker 1>so much hair in your arms? And I was like,

0:18:22.359 --> 0:18:27.240
<v Speaker 1>because I'm Italian and and he's like, well, it's gross,

0:18:27.480 --> 0:18:29.960
<v Speaker 1>and then he would just want And mine was this

0:18:30.080 --> 0:18:33.040
<v Speaker 1>kid named Nick Delawya, So I can't be if you

0:18:33.160 --> 0:18:37.679
<v Speaker 1>full name dropped him. Yeah, and he's going to listen,

0:18:37.880 --> 0:18:44.119
<v Speaker 1>So anyway, okay, um. She has to stay calm so

0:18:44.160 --> 0:18:46.720
<v Speaker 1>that she doesn't turn into the red panda, but then

0:18:46.760 --> 0:18:50.080
<v Speaker 1>her mom shows up at school. Things spiral out of

0:18:50.119 --> 0:18:54.040
<v Speaker 1>control again and May turns back into the red panda

0:18:54.160 --> 0:18:59.679
<v Speaker 1>which her mom sees. Then May escapes from school and

0:19:00.240 --> 0:19:04.080
<v Speaker 1>through the neighborhood back home where she can hide, and

0:19:04.160 --> 0:19:08.600
<v Speaker 1>her mom arrives home. Here's a little thing. A friend

0:19:08.600 --> 0:19:11.560
<v Speaker 1>of mine cited this, like the mom showing up at

0:19:11.600 --> 0:19:14.800
<v Speaker 1>school as like an example of like I think she's

0:19:14.840 --> 0:19:18.199
<v Speaker 1>like the meanest Disney or Pixar villain, and I was

0:19:18.400 --> 0:19:22.960
<v Speaker 1>I could not believe he's like she mortified her daughter.

0:19:23.080 --> 0:19:26.280
<v Speaker 1>I was like, Okay, listen, this might be this might

0:19:26.320 --> 0:19:29.360
<v Speaker 1>be some cultural relativism. My mom didn't show up at

0:19:29.440 --> 0:19:32.560
<v Speaker 1>school with a pad, but she's done plenty of things

0:19:32.600 --> 0:19:36.119
<v Speaker 1>that were fucking absolutely mortifying, like calling looking up in

0:19:36.160 --> 0:19:39.639
<v Speaker 1>the directory every Indian family and then calling them like

0:19:39.680 --> 0:19:42.119
<v Speaker 1>I'm Raka's mom, like we should be friends. And that

0:19:42.240 --> 0:19:48.320
<v Speaker 1>absolutely killed me and mortified me, I know, And I

0:19:48.400 --> 0:19:51.480
<v Speaker 1>was like, I don't think she's the meanest villain in

0:19:51.600 --> 0:19:54.880
<v Speaker 1>all of Pixar for that. It just feels very like

0:19:55.040 --> 0:19:59.520
<v Speaker 1>she's just I don't know, she's just extra. That seems yeah,

0:19:59.640 --> 0:20:02.080
<v Speaker 1>that's the it was harsh I've seen I've seen some

0:20:02.160 --> 0:20:06.200
<v Speaker 1>criticism around her character. And then it's also like which

0:20:06.440 --> 0:20:08.960
<v Speaker 1>which will get to is of like her big a

0:20:09.040 --> 0:20:11.880
<v Speaker 1>character that like is like the Tiger mom Trumpe, which

0:20:11.880 --> 0:20:14.400
<v Speaker 1>is on the trup I've ever heard of? Oh interesting,

0:20:14.880 --> 0:20:18.679
<v Speaker 1>But but then I also like, whatever, we'll get there

0:20:18.720 --> 0:20:20.760
<v Speaker 1>in a little bit. But also like once I listened

0:20:20.840 --> 0:20:23.360
<v Speaker 1>to I watched a ton of interviews with the director

0:20:23.480 --> 0:20:26.159
<v Speaker 1>because I sort of just like, was like, I really

0:20:26.200 --> 0:20:29.680
<v Speaker 1>like her, and I kept just letting the videos play.

0:20:29.720 --> 0:20:32.719
<v Speaker 1>But the director DOMI she it sounds like this story

0:20:32.880 --> 0:20:37.160
<v Speaker 1>is like super particular to her specific life, and it's

0:20:37.240 --> 0:20:40.440
<v Speaker 1>like this is what her mom was like, and she's

0:20:40.440 --> 0:20:42.800
<v Speaker 1>not trying to imply that all Chinese Canadian moms are

0:20:42.880 --> 0:20:46.640
<v Speaker 1>like this totally, which is so fair. Yes, right, sorry,

0:20:46.680 --> 0:20:50.640
<v Speaker 1>I totally interrupted, simply I know that's why we're here.

0:20:50.720 --> 0:20:54.760
<v Speaker 1>Not meanest. The meanest Pixar villain would be who Randolph

0:20:55.080 --> 0:21:03.240
<v Speaker 1>from Monsters incorporating maybe climate change wallet true that we

0:21:03.320 --> 0:21:06.600
<v Speaker 1>can't forget. I would say, as a Car's three expert,

0:21:07.040 --> 0:21:09.520
<v Speaker 1>whoever the villain of Cars three is? I It was like,

0:21:09.720 --> 0:21:12.000
<v Speaker 1>I don't, I've never seen I was. I was gonna

0:21:12.000 --> 0:21:15.200
<v Speaker 1>say you, if you could name the villain of Cars

0:21:15.240 --> 0:21:16.719
<v Speaker 1>three off the top of your head, I'm like, you

0:21:16.800 --> 0:21:19.360
<v Speaker 1>might actually be the number one Cars three experts. Does

0:21:20.760 --> 0:21:23.720
<v Speaker 1>I would not Who is the villain in Cars one?

0:21:24.240 --> 0:21:30.959
<v Speaker 1>Fossil fuel? Honestly, I think the cars movies stink. Whoa hate? Okay,

0:21:31.240 --> 0:21:34.920
<v Speaker 1>you're gonna have to trash that here. See people say

0:21:34.920 --> 0:21:37.960
<v Speaker 1>that and then they see Lightning McQueen literally driving around

0:21:38.000 --> 0:21:41.000
<v Speaker 1>Disneyland and they lose their minds. Do you not get

0:21:41.040 --> 0:21:44.040
<v Speaker 1>thrilled when you see Lightning McQueen driving around? No one's

0:21:44.040 --> 0:21:46.159
<v Speaker 1>in the front seat. I have not seen this, so

0:21:46.240 --> 0:21:49.919
<v Speaker 1>I know. Okay, well, let me tell you. He is shirtless,

0:21:49.960 --> 0:21:54.680
<v Speaker 1>he is hot. It looks incredible, better than in the

0:21:54.880 --> 0:22:00.960
<v Speaker 1>animation Ripped. It is kind of like to like wax

0:22:01.000 --> 0:22:03.479
<v Speaker 1>poetic at this, but you're sort of like, this is

0:22:03.480 --> 0:22:07.119
<v Speaker 1>the coolest thing I've ever seen. And then sometimes help

0:22:07.200 --> 0:22:09.280
<v Speaker 1>park and you can take a picture with him, and

0:22:09.359 --> 0:22:13.080
<v Speaker 1>you can take a couple if it's not busy. Look, okay,

0:22:13.200 --> 0:22:15.520
<v Speaker 1>the movies. I don't couldn't tell you a single thing

0:22:15.520 --> 0:22:19.359
<v Speaker 1>that happens in the movies besides tractor tipping, which is hilarious.

0:22:20.800 --> 0:22:25.800
<v Speaker 1>Are those cows? Yeah, that's that's cars, cows, cars, cows, tractors.

0:22:26.359 --> 0:22:34.399
<v Speaker 1>That's interesting. Oh okay, so May's mom ming arrives home

0:22:34.720 --> 0:22:38.680
<v Speaker 1>and explains to May that this is happening, that she's

0:22:38.720 --> 0:22:43.200
<v Speaker 1>turning into a red panda because long ago, their ancestor

0:22:43.560 --> 0:22:47.240
<v Speaker 1>son Ye had asked the gods to turn her into

0:22:47.240 --> 0:22:50.080
<v Speaker 1>a red panda to be able to protect her family.

0:22:50.560 --> 0:22:54.560
<v Speaker 1>So she developed this ability to harness her emotions and

0:22:54.800 --> 0:22:59.159
<v Speaker 1>transform into a red panda, which she passed on to

0:22:59.520 --> 0:23:02.960
<v Speaker 1>her daughters, who passed it onto their daughters. But after

0:23:03.040 --> 0:23:08.000
<v Speaker 1>many generations, when the family decided to move to a

0:23:08.040 --> 0:23:12.160
<v Speaker 1>new place and you know they're living in this modern society,

0:23:12.720 --> 0:23:17.040
<v Speaker 1>this blessing became more of an inconvenience. But the good

0:23:17.080 --> 0:23:21.000
<v Speaker 1>news is there is a cure where on the next

0:23:21.080 --> 0:23:24.679
<v Speaker 1>Red Moon they can perform a ritual that will seal

0:23:25.200 --> 0:23:29.919
<v Speaker 1>May's red panda away. Um. For example, Ming's panda is

0:23:30.119 --> 0:23:34.119
<v Speaker 1>sealed in a necklace that she always wears. But the

0:23:34.160 --> 0:23:37.080
<v Speaker 1>thing is, this is where a few like plot things

0:23:37.160 --> 0:23:40.040
<v Speaker 1>get confusing for me. There are like and I like,

0:23:40.480 --> 0:23:44.040
<v Speaker 1>I'm not trying to be like Mrs Cinemason's here, but

0:23:44.080 --> 0:23:47.280
<v Speaker 1>they were like, I don't understand why Ming. It didn't

0:23:47.320 --> 0:23:49.480
<v Speaker 1>occur to Meng that this could have been what was

0:23:49.520 --> 0:23:53.680
<v Speaker 1>happening earlier, even though she plays it off like she's like, oh,

0:23:53.720 --> 0:23:55.840
<v Speaker 1>I just thought you were too young, but like she's thirteen.

0:23:56.280 --> 0:23:59.040
<v Speaker 1>I agree. I thought she was using that as a

0:23:59.160 --> 0:24:02.440
<v Speaker 1>cover first to be like like I thought she wasn't.

0:24:02.760 --> 0:24:06.000
<v Speaker 1>It was like not something known. It was like not

0:24:06.119 --> 0:24:08.960
<v Speaker 1>everyone in the family gets I don't know, like or

0:24:09.000 --> 0:24:10.520
<v Speaker 1>it was going to be a secret from her mom

0:24:10.760 --> 0:24:15.400
<v Speaker 1>really like skip certain people or like something like that. Yeah. Yeah,

0:24:15.400 --> 0:24:17.359
<v Speaker 1>I was just like she would have seen this coming.

0:24:17.560 --> 0:24:20.159
<v Speaker 1>She knows it's going to come. Which also makes me

0:24:20.200 --> 0:24:24.280
<v Speaker 1>wonder because it's a possibility that it could happen kind

0:24:24.320 --> 0:24:27.359
<v Speaker 1>of at any time. Why she would do something like

0:24:27.520 --> 0:24:30.919
<v Speaker 1>show up at her school with pads, which would did

0:24:30.960 --> 0:24:35.040
<v Speaker 1>she knew trigger her daughter into turning into the panda?

0:24:36.320 --> 0:24:39.800
<v Speaker 1>So yeah, that got a little I'm like, huh for me,

0:24:40.000 --> 0:24:42.840
<v Speaker 1>but it's fine, But you're like, man, it's it's a

0:24:43.160 --> 0:24:46.560
<v Speaker 1>it's a but I do have one more thing. Her

0:24:46.560 --> 0:24:48.439
<v Speaker 1>friends are about to show back up and they're like,

0:24:48.480 --> 0:24:50.280
<v Speaker 1>oh my god, you turned into a panda, and I'm like,

0:24:50.320 --> 0:24:53.080
<v Speaker 1>hold on, did not everyone at school see her turn

0:24:53.160 --> 0:24:57.080
<v Speaker 1>into a panda two hours ago? I watched this scene

0:24:57.200 --> 0:25:00.280
<v Speaker 1>very carefully a couple of times because what happens is

0:25:00.359 --> 0:25:03.840
<v Speaker 1>when when may turns into a panda in the classroom,

0:25:03.880 --> 0:25:09.960
<v Speaker 1>a burst like a plume of pink smoke obscures her.

0:25:11.000 --> 0:25:13.480
<v Speaker 1>But even though she lets out a pretty loud roar

0:25:14.359 --> 0:25:16.600
<v Speaker 1>and you you think you would be able to sense

0:25:16.600 --> 0:25:19.440
<v Speaker 1>the presence of a very large animal right behind you,

0:25:19.920 --> 0:25:23.240
<v Speaker 1>no one turns around to look, and everyone's attention is

0:25:23.280 --> 0:25:28.800
<v Speaker 1>still on ming outside. Okay, I feel better, so it

0:25:28.880 --> 0:25:33.719
<v Speaker 1>does sleep again. We do visually understand why no one sees,

0:25:34.040 --> 0:25:36.320
<v Speaker 1>although there's like maybe one or two girls, one or

0:25:36.320 --> 0:25:39.080
<v Speaker 1>two students at the school who sees her as a panda,

0:25:39.119 --> 0:25:43.439
<v Speaker 1>but most people don't anyway. So the thing with the

0:25:43.520 --> 0:25:48.879
<v Speaker 1>panda is that strong emotions release it, and the more

0:25:49.240 --> 0:25:52.200
<v Speaker 1>May releases the red Panda, the more difficult it will

0:25:52.200 --> 0:25:55.000
<v Speaker 1>be to steal it away come time for the ritual.

0:25:55.520 --> 0:25:58.520
<v Speaker 1>And it's also said that this is her only chance

0:25:58.640 --> 0:26:01.400
<v Speaker 1>to steal it away, But then later in the movie,

0:26:01.920 --> 0:26:04.480
<v Speaker 1>all the characters who have a red panda spirit steal

0:26:04.560 --> 0:26:07.720
<v Speaker 1>it away again, so it isn't ther only chance anyway.

0:26:08.280 --> 0:26:12.720
<v Speaker 1>It's because May May has triggered a societal collapse with

0:26:13.040 --> 0:26:17.000
<v Speaker 1>the sheer power of her panda. Right. I don't want

0:26:17.000 --> 0:26:19.639
<v Speaker 1>to be too nitpicky about a movie that I really like,

0:26:19.880 --> 0:26:23.680
<v Speaker 1>but I do have some little nitpicks, is all. Anyway,

0:26:23.800 --> 0:26:27.159
<v Speaker 1>So there's this one chance to seal the red Panda away,

0:26:27.240 --> 0:26:30.400
<v Speaker 1>which is the next Red moon, which is a month

0:26:30.400 --> 0:26:35.880
<v Speaker 1>away on May. And here's the Despicable Me connection. So

0:26:36.640 --> 0:26:41.080
<v Speaker 1>have you seen Despicable of Me? Unfortunately no, that's okay,

0:26:41.400 --> 0:26:45.119
<v Speaker 1>spoilers ahead, please, that's okay. I know that I know

0:26:45.200 --> 0:26:49.919
<v Speaker 1>my minions, but I haven't seen their origin story. That's okay,

0:26:50.119 --> 0:26:55.159
<v Speaker 1>that's okay. So in Despicable Me, the first one from

0:26:55.200 --> 0:27:00.760
<v Speaker 1>there's a plot point where Grew has to just whether

0:27:00.840 --> 0:27:05.439
<v Speaker 1>to go to his adopted daughter's dance recital or to

0:27:05.600 --> 0:27:08.320
<v Speaker 1>steal the moon, and both of these things need to

0:27:08.359 --> 0:27:14.719
<v Speaker 1>happen on May, which is very close to So I

0:27:14.760 --> 0:27:18.879
<v Speaker 1>just think it's I observed. I noticed this fascinating phenomenon

0:27:18.960 --> 0:27:22.320
<v Speaker 1>where in one movie there is a moon related event

0:27:22.560 --> 0:27:28.080
<v Speaker 1>that conflicts with the formative child dance recital, right, which

0:27:28.280 --> 0:27:32.320
<v Speaker 1>was also like music and dancing based. The same thing

0:27:32.359 --> 0:27:36.280
<v Speaker 1>happens in Turning Red, where on just one day before

0:27:37.000 --> 0:27:41.880
<v Speaker 1>there's a moon related event double booked with a dancing

0:27:42.160 --> 0:27:49.320
<v Speaker 1>singing concert performance coincidence, Despicable Me happens and you can't

0:27:49.359 --> 0:27:51.960
<v Speaker 1>really tell what year is happening. So if it's happening

0:27:52.040 --> 0:27:56.400
<v Speaker 1>in two thousand and two, May's ritual takes place on

0:27:56.440 --> 0:28:00.040
<v Speaker 1>like a Friday, Grew literally steals the moon on a

0:28:00.040 --> 0:28:04.520
<v Speaker 1>Saturday day. I was just going to say, could you

0:28:04.640 --> 0:28:07.199
<v Speaker 1>imagine for town had to bump the concert to the

0:28:07.280 --> 0:28:10.480
<v Speaker 1>next day. Oh my god, May goes to do this

0:28:10.520 --> 0:28:15.560
<v Speaker 1>moon ritual. Oh it got stolen by fucking Grew. What

0:28:15.640 --> 0:28:21.640
<v Speaker 1>if that's how they introduced the multiverse. They're like, wait,

0:28:21.640 --> 0:28:24.320
<v Speaker 1>oh my god, third act, no moon. No moon took

0:28:24.320 --> 0:28:28.639
<v Speaker 1>the moon, it grew. That's oh my god. That was

0:28:28.720 --> 0:28:32.000
<v Speaker 1>literally inches away from happening. It was literally inches away.

0:28:32.040 --> 0:28:34.439
<v Speaker 1>Actually it could have. And then and then you know,

0:28:34.480 --> 0:28:37.720
<v Speaker 1>if the days were switched or happened the same day,

0:28:37.760 --> 0:28:40.920
<v Speaker 1>all the events of Turning Red would be moot because

0:28:41.160 --> 0:28:43.920
<v Speaker 1>there would just be a massive weather event and everyone

0:28:43.920 --> 0:28:46.600
<v Speaker 1>would die. Yes, you can't not have the moon. This

0:28:46.720 --> 0:28:49.120
<v Speaker 1>is like the st Elsewhere universe. How like there's all

0:28:49.160 --> 0:28:53.360
<v Speaker 1>these shows that exist that couldn't exist in theory. Some

0:28:53.400 --> 0:28:55.440
<v Speaker 1>of the events of st. Elsewhere true. That's the that's

0:28:55.440 --> 0:29:05.560
<v Speaker 1>the group Grewniverse, the growniverse diverse. Oh okay, okay, so

0:29:05.720 --> 0:29:09.240
<v Speaker 1>back back to turning red. So the next red moon

0:29:09.480 --> 0:29:13.520
<v Speaker 1>is on, that's when this ritual will be. Then May's

0:29:13.720 --> 0:29:17.000
<v Speaker 1>friends Miriam, Priya, and Abby come over and discover May

0:29:17.120 --> 0:29:20.960
<v Speaker 1>as a red panda, but they are quick to understand

0:29:21.080 --> 0:29:24.800
<v Speaker 1>and embrace May as a red panda, and they tell

0:29:24.840 --> 0:29:28.640
<v Speaker 1>her that for Town is coming to Toronto for a

0:29:28.640 --> 0:29:34.479
<v Speaker 1>concert on of May, which is one day after my birthday. Okay,

0:29:34.560 --> 0:29:38.720
<v Speaker 1>that's kind of a coincidence they didn't really talk about, right, Okay,

0:29:40.680 --> 0:29:43.280
<v Speaker 1>so that's gonna, I mean, kind of jealous as an

0:29:43.320 --> 0:29:45.920
<v Speaker 1>August baby that you would get to sell rate your

0:29:45.920 --> 0:29:53.000
<v Speaker 1>birthday before the moon was shrunk right under the wire. Yeah. Um.

0:29:53.040 --> 0:29:57.120
<v Speaker 1>But so so May knows she won't be able to

0:29:57.160 --> 0:30:00.080
<v Speaker 1>go to the concert because she'll get so excited it

0:30:00.160 --> 0:30:02.640
<v Speaker 1>she will turn into a red panda in front of everyone.

0:30:03.240 --> 0:30:07.120
<v Speaker 1>But she discovers that being with her friends, or even

0:30:07.160 --> 0:30:09.719
<v Speaker 1>just thinking about being with her friends, has a very

0:30:09.840 --> 0:30:14.800
<v Speaker 1>calming effect on her and it neutralizes the panda, although

0:30:14.920 --> 0:30:18.560
<v Speaker 1>she tells her mom that what neutralizes the panda is

0:30:18.600 --> 0:30:22.840
<v Speaker 1>like her love for her parents, and we see this

0:30:22.840 --> 0:30:26.440
<v Speaker 1>scene where she does some like tests which would could

0:30:26.440 --> 0:30:29.360
<v Speaker 1>possibly kind of like release the panda, but She's able

0:30:29.400 --> 0:30:32.800
<v Speaker 1>to keep it at bay because she's thinking about her friends.

0:30:34.080 --> 0:30:36.160
<v Speaker 1>So she's like, all right, I can go to this concert.

0:30:36.200 --> 0:30:39.520
<v Speaker 1>But when May asks if she can go, her mom

0:30:39.600 --> 0:30:45.360
<v Speaker 1>says no. And then Ming's mother, May's grandmother calls and

0:30:45.400 --> 0:30:47.920
<v Speaker 1>says that she's going to be coming from Florida to

0:30:48.000 --> 0:30:51.880
<v Speaker 1>help with the ritual, which gives Ming an awful lot

0:30:51.920 --> 0:30:58.400
<v Speaker 1>of anxiety. Meanwhile, May's friends parents also do not let

0:30:58.480 --> 0:31:02.680
<v Speaker 1>them go to the con sert. But the girls, the girls.

0:31:03.080 --> 0:31:08.520
<v Speaker 1>Sorry to the girls, sorry to keep bringing up despicable. Sorry,

0:31:08.600 --> 0:31:13.000
<v Speaker 1>we're really it's for listeners. We are recording this the

0:31:13.000 --> 0:31:15.960
<v Speaker 1>released day of Rise of Grew, so we just kind

0:31:15.960 --> 0:31:20.360
<v Speaker 1>of have Grew on the brain. You gotta see the movie.

0:31:20.400 --> 0:31:24.200
<v Speaker 1>I mean it's streaming out. Okay. He has three daughters.

0:31:24.400 --> 0:31:28.760
<v Speaker 1>He calls them the girls. I was ant, solutely shocked

0:31:28.840 --> 0:31:33.680
<v Speaker 1>when you said any of these men had children. Stunned

0:31:33.720 --> 0:31:38.160
<v Speaker 1>beyond Bullie. Grew is a father, and make no mistake,

0:31:38.200 --> 0:31:40.400
<v Speaker 1>he's a bad one. Wait a minute, he Grew not

0:31:40.560 --> 0:31:43.920
<v Speaker 1>a minion. He's the man. He's the cruise. Steve Carrell,

0:31:44.200 --> 0:31:46.480
<v Speaker 1>Oh my god, I thought Grew was a minion this

0:31:46.560 --> 0:31:51.600
<v Speaker 1>whole time. Know the minions are Kevin, Stewart and Bob Oh.

0:31:51.760 --> 0:31:53.560
<v Speaker 1>I knew Kevin and Stewart. I thought the third one

0:31:53.640 --> 0:31:57.360
<v Speaker 1>was grew. Okay, that's interesting, So okay, see now you

0:31:57.400 --> 0:31:59.360
<v Speaker 1>can maybe see why I was shocked. I was like

0:32:00.920 --> 0:32:05.240
<v Speaker 1>one of the medians to have three daughters and has

0:32:05.320 --> 0:32:12.920
<v Speaker 1>to go to Honestly, it might be a better movie altogether, probably,

0:32:13.360 --> 0:32:16.600
<v Speaker 1>but I'm pretty sure that Minions cannot reproduce. But they

0:32:16.640 --> 0:32:19.320
<v Speaker 1>don't want to get into it franchise wise. It gets

0:32:19.360 --> 0:32:24.160
<v Speaker 1>too messy. Yeah. Kind of conspicuously absent from the series

0:32:24.320 --> 0:32:28.000
<v Speaker 1>is how they reproduce where all the six year olds

0:32:28.000 --> 0:32:31.240
<v Speaker 1>the movie is made for they need to know. I

0:32:31.280 --> 0:32:35.080
<v Speaker 1>don't want to know, they simply must. Yeah. Um okay.

0:32:35.160 --> 0:32:38.000
<v Speaker 1>So the girl, the friends, they are hell bent on

0:32:38.080 --> 0:32:42.520
<v Speaker 1>going to this Fourton concert, and then some classmates catch

0:32:42.760 --> 0:32:45.880
<v Speaker 1>May while she's in red panda form. But they think

0:32:45.880 --> 0:32:48.200
<v Speaker 1>it's really cool and they think she's so cute and

0:32:48.320 --> 0:32:52.200
<v Speaker 1>offer money to take pictures with her, And so the

0:32:52.440 --> 0:32:56.840
<v Speaker 1>friends and May in particular, devise a plan to earn

0:32:56.880 --> 0:32:58.960
<v Speaker 1>the eight hundred dollars they need to buy the concert

0:32:58.960 --> 0:33:04.000
<v Speaker 1>tickets by seting their classmates take pictures with panda. May

0:33:04.040 --> 0:33:07.080
<v Speaker 1>and like they start selling merch and we see this

0:33:07.120 --> 0:33:10.680
<v Speaker 1>whole montage and after a couple of weeks they've almost

0:33:10.760 --> 0:33:13.360
<v Speaker 1>earned enough money. They just need a hundred more dollars.

0:33:14.040 --> 0:33:18.840
<v Speaker 1>But that kid, Tyler threatens to tell May's mom that

0:33:18.960 --> 0:33:22.400
<v Speaker 1>she's been flaunting the panda all over school, but he

0:33:22.440 --> 0:33:25.840
<v Speaker 1>won't tell anyone if she comes to his birthday party

0:33:25.960 --> 0:33:28.680
<v Speaker 1>because if she comes, everyone will come. And he's like

0:33:28.720 --> 0:33:32.960
<v Speaker 1>trying to be popular. Uh, And May demands that he

0:33:33.080 --> 0:33:37.040
<v Speaker 1>pay her two hundred dollars for her appearance, and Tyler agrees,

0:33:37.240 --> 0:33:39.000
<v Speaker 1>And then you're like, where does Tyler going to get

0:33:39.040 --> 0:33:41.120
<v Speaker 1>two d And then you see his house, You're like, oh,

0:33:41.360 --> 0:33:46.280
<v Speaker 1>I guess it's around has very rich parents. But just

0:33:46.440 --> 0:33:48.840
<v Speaker 1>as May is heading out to go to Tyler's party,

0:33:49.320 --> 0:33:53.440
<v Speaker 1>her grandmother and Aunties show up and delay her, and

0:33:53.520 --> 0:33:58.040
<v Speaker 1>her grandmother warns Slash reminds May that the more she

0:33:58.120 --> 0:34:01.280
<v Speaker 1>lets this beast out, the harder it will be to

0:34:01.560 --> 0:34:04.520
<v Speaker 1>contain at the ritual. But May goes to the party

0:34:04.520 --> 0:34:07.920
<v Speaker 1>any anyway to let the panda out one last time.

0:34:08.800 --> 0:34:12.640
<v Speaker 1>And at the party, Miriam is like, well, what if

0:34:12.680 --> 0:34:14.880
<v Speaker 1>you don't do the ritual and you just keep the

0:34:14.920 --> 0:34:19.720
<v Speaker 1>Panda because her friends have noticed that May has started

0:34:19.760 --> 0:34:22.880
<v Speaker 1>to become more her own person and she's not constantly

0:34:22.920 --> 0:34:28.239
<v Speaker 1>bending over backwards to impress her mom. Meanwhile, oh no,

0:34:28.840 --> 0:34:32.560
<v Speaker 1>Ming finds out that May snuck out, and she discovers

0:34:32.600 --> 0:34:34.640
<v Speaker 1>all the money and the merch that they've been selling,

0:34:35.320 --> 0:34:38.759
<v Speaker 1>so she storms off. Then back at the party, the

0:34:38.800 --> 0:34:41.440
<v Speaker 1>girls discovered that they got the wrong date for the concert.

0:34:41.800 --> 0:34:44.840
<v Speaker 1>It is not May eighteen, the day after my birthday.

0:34:44.840 --> 0:34:48.400
<v Speaker 1>It's on May, the day before Grew is going to

0:34:48.520 --> 0:34:52.759
<v Speaker 1>steal the moon. Okay, it's really I thought the like

0:34:53.000 --> 0:34:56.400
<v Speaker 1>throwaway joke as to why Abby messed it up was

0:34:56.480 --> 0:35:00.839
<v Speaker 1>really funny every time, and she's like to lead it's

0:35:00.840 --> 0:35:05.600
<v Speaker 1>pretty good, pretty good. So the concert is on, which

0:35:05.640 --> 0:35:09.320
<v Speaker 1>is the same night as the ritual, so May freaks

0:35:09.320 --> 0:35:14.040
<v Speaker 1>out and ends up getting really aggressive towards Tyler, which

0:35:14.080 --> 0:35:17.359
<v Speaker 1>is the exact moment that May's mom shows up at

0:35:17.400 --> 0:35:21.040
<v Speaker 1>the party. So Ming be rates May's friends for being

0:35:21.040 --> 0:35:25.200
<v Speaker 1>a bad influence on May, and May doesn't challenge her

0:35:25.239 --> 0:35:28.319
<v Speaker 1>mom and throws her friends under the bus. But we

0:35:28.360 --> 0:35:31.880
<v Speaker 1>all we understand that it's because May is very freaked

0:35:31.880 --> 0:35:36.560
<v Speaker 1>out by her own aggressive behavior and she's still you know,

0:35:36.640 --> 0:35:40.759
<v Speaker 1>kind of I need my mom's approval. So we cut

0:35:40.800 --> 0:35:45.560
<v Speaker 1>to Ma. May's friends go without her to see four

0:35:45.640 --> 0:35:50.080
<v Speaker 1>Town while May reluctantly preps for the ritual. But then

0:35:50.800 --> 0:35:54.359
<v Speaker 1>May's dad Jin, who has been a character the whole time.

0:35:54.400 --> 0:35:56.040
<v Speaker 1>I just didn't know how to fit him into the

0:35:56.160 --> 0:36:01.359
<v Speaker 1>Record's dad. Yeah, he's like known for his cooking, and

0:36:01.440 --> 0:36:05.560
<v Speaker 1>he's nice, and he's very nice. He finds a cam

0:36:05.719 --> 0:36:08.120
<v Speaker 1>quarter and watch his footage of May and her friends

0:36:08.160 --> 0:36:11.359
<v Speaker 1>having fun. They're singing, they're dancing to Foretown, and he

0:36:11.480 --> 0:36:17.520
<v Speaker 1>has a heart to heart with May about her red panda.

0:36:17.680 --> 0:36:21.040
<v Speaker 1>Then it's time for the ritual, where her family gathers

0:36:21.080 --> 0:36:25.000
<v Speaker 1>around in a circle and sings from the heart, which

0:36:25.080 --> 0:36:30.120
<v Speaker 1>causes May to kind of project into this astral realm

0:36:30.280 --> 0:36:34.359
<v Speaker 1>where she kind of reflects on her experience with her

0:36:34.440 --> 0:36:37.839
<v Speaker 1>panda and decides to not let go of it and

0:36:37.920 --> 0:36:42.880
<v Speaker 1>to keep it, which enrages Ming, but May's like, I

0:36:42.920 --> 0:36:46.360
<v Speaker 1>don't care, I'm I'm leaving and I'm going to the concert.

0:36:47.400 --> 0:36:52.040
<v Speaker 1>And Ming, who's panda spirit again, lives in this like

0:36:52.320 --> 0:36:57.439
<v Speaker 1>necklace amulant thing breaks during this kind of altercation with

0:36:57.880 --> 0:37:06.400
<v Speaker 1>May and her panda is unleashed like a Godzilla situation. Yes. Meanwhile,

0:37:06.520 --> 0:37:09.400
<v Speaker 1>May gets to the concert, she apologizes to her friends,

0:37:09.560 --> 0:37:12.759
<v Speaker 1>they forgive her. They start having a great time at

0:37:12.760 --> 0:37:17.120
<v Speaker 1>the concert, but then Ming as her panda, which is

0:37:17.440 --> 0:37:23.640
<v Speaker 1>enormous and very scary, crashes the concert. So May and

0:37:24.000 --> 0:37:27.120
<v Speaker 1>Ming start fighting and yelling at each other and like

0:37:27.200 --> 0:37:31.360
<v Speaker 1>physically fighting, and May's family shows up to do the

0:37:31.440 --> 0:37:35.200
<v Speaker 1>ritual again so that they can contain Ming's panda, and

0:37:35.239 --> 0:37:40.080
<v Speaker 1>then Grandma and the Aunties all break their pieces of

0:37:40.160 --> 0:37:43.080
<v Speaker 1>jewelry that contain their panda spirits so they can help,

0:37:43.920 --> 0:37:46.560
<v Speaker 1>and they start doing the ritual, but they're singing isn't working.

0:37:46.920 --> 0:37:51.239
<v Speaker 1>So May's friends start singing four Town, and then four

0:37:51.320 --> 0:37:54.480
<v Speaker 1>Town shows back up and they start singing I Love

0:37:54.520 --> 0:37:57.640
<v Speaker 1>the four Town is like not really bothered by what

0:37:57.880 --> 0:38:03.080
<v Speaker 1>is happening. The power of music is too strong, truly.

0:38:03.480 --> 0:38:06.600
<v Speaker 1>They're just like kind of like cyborgs that have been

0:38:06.640 --> 0:38:10.239
<v Speaker 1>programmed by the music industry to like saying at opportune

0:38:10.280 --> 0:38:13.200
<v Speaker 1>moments and I love and oh god, that feels very real.

0:38:13.400 --> 0:38:17.880
<v Speaker 1>It's right, it's maybe it's commentary on boy band culture.

0:38:18.160 --> 0:38:23.400
<v Speaker 1>This is like lou Pearlman commentary. You know it did

0:38:23.560 --> 0:38:26.440
<v Speaker 1>all feel. I mean like, yeah, peek Loue, pearlmant God,

0:38:27.080 --> 0:38:29.880
<v Speaker 1>where's I think there was a loop Pearlman biopic in

0:38:30.320 --> 0:38:32.239
<v Speaker 1>production for a while. I don't know if it's going

0:38:32.320 --> 0:38:36.400
<v Speaker 1>to happen. I love to watch. But when like the

0:38:36.880 --> 0:38:39.000
<v Speaker 1>when the boy band all of a sudden had angel wings,

0:38:39.040 --> 0:38:42.080
<v Speaker 1>I was like, there was something like that was reawakened

0:38:42.080 --> 0:38:44.239
<v Speaker 1>in me that hadn't that had been sleeping for years.

0:38:44.280 --> 0:38:48.640
<v Speaker 1>We're like, oh, yeah, that used to be really it beautiful, Yeah,

0:38:48.800 --> 0:38:55.000
<v Speaker 1>matching outfits and wings. Yeah. So because the rituals was working,

0:38:55.040 --> 0:38:58.759
<v Speaker 1>now May finds herself in this astral realm again where

0:38:58.800 --> 0:39:01.920
<v Speaker 1>she encounters her mom when she was May's age, and

0:39:02.000 --> 0:39:05.080
<v Speaker 1>she's crying and talking about the pressure to be perfect

0:39:05.280 --> 0:39:09.280
<v Speaker 1>and to gain her mom's approval, and May is like, yeah,

0:39:09.400 --> 0:39:12.680
<v Speaker 1>I get it. I can relate, but it won't always

0:39:12.680 --> 0:39:17.520
<v Speaker 1>feel this way. And then May also tells her mom

0:39:17.680 --> 0:39:20.399
<v Speaker 1>that you know, I'm changing and I'm figuring myself out

0:39:20.480 --> 0:39:22.200
<v Speaker 1>and you just have to let me be my own person.

0:39:23.280 --> 0:39:28.600
<v Speaker 1>I like to gyrate. You're like, yeah, good for you.

0:39:29.520 --> 0:39:33.080
<v Speaker 1>We see some other tender moments between Ming and her mother,

0:39:33.840 --> 0:39:38.160
<v Speaker 1>between May and son Ye, and then the other women

0:39:38.200 --> 0:39:41.800
<v Speaker 1>in the family contain their red spirit, their red panda spirits,

0:39:41.840 --> 0:39:45.719
<v Speaker 1>but again May decides to keep hers, and that's the

0:39:45.719 --> 0:39:48.920
<v Speaker 1>big climax of the movie. Then we cut to the

0:39:49.000 --> 0:39:52.400
<v Speaker 1>aftermath of all of this, where May and her mother

0:39:53.320 --> 0:39:57.240
<v Speaker 1>still spend time together, and May brings out her panda

0:39:57.320 --> 0:40:02.000
<v Speaker 1>at the temple and it attracts and more crowds, but

0:40:02.280 --> 0:40:05.080
<v Speaker 1>May is also free to be herself and to be

0:40:05.160 --> 0:40:07.680
<v Speaker 1>with her friends more. And then the movie ends with

0:40:08.160 --> 0:40:11.480
<v Speaker 1>voiceover from May saying that we've all got an inner beast.

0:40:11.880 --> 0:40:14.840
<v Speaker 1>We've all got a messy, loud, weird part of ourselves

0:40:14.880 --> 0:40:17.479
<v Speaker 1>hidden away, and a lot of us never let it out,

0:40:17.960 --> 0:40:25.160
<v Speaker 1>but I did. How about you the end, Benny, and

0:40:25.400 --> 0:40:27.800
<v Speaker 1>get to hear the whole song and it's good and

0:40:27.880 --> 0:40:30.560
<v Speaker 1>it's okay. So that's a movie. Let's take a quick

0:40:30.560 --> 0:40:42.720
<v Speaker 1>break and we will come back to discuss. And we're back.

0:40:43.480 --> 0:40:47.400
<v Speaker 1>Where do we want to start here? There's like, there's

0:40:47.560 --> 0:40:55.560
<v Speaker 1>there's a lot to talk about. H I let's go home. Yeah, nope.

0:40:56.680 --> 0:40:59.720
<v Speaker 1>I mean this movie is doing a lot of things,

0:40:59.760 --> 0:41:03.160
<v Speaker 1>a lot to really cool things. It's subverting a lot

0:41:03.200 --> 0:41:06.680
<v Speaker 1>of tropes. There's a lot of like meaningful inclusion and

0:41:06.719 --> 0:41:13.480
<v Speaker 1>representation that historically we have not seen in major Hollywood films.

0:41:14.320 --> 0:41:19.600
<v Speaker 1>There's a lot of like interesting themes and metaphors being explored. Yeah,

0:41:19.640 --> 0:41:21.640
<v Speaker 1>I don't I don't know where to where to start.

0:41:21.840 --> 0:41:27.360
<v Speaker 1>Should we start with periods? Yeah, because that's like, okay.

0:41:27.440 --> 0:41:30.680
<v Speaker 1>The Panta represents a lot of things at different times.

0:41:30.719 --> 0:41:35.160
<v Speaker 1>It represents literally getting your period, it represents just general

0:41:35.239 --> 0:41:40.080
<v Speaker 1>puberty changes. It represents her connection and her isolation from

0:41:40.080 --> 0:41:43.200
<v Speaker 1>her culture. Like, it represents a lot of different things.

0:41:43.280 --> 0:41:46.799
<v Speaker 1>But as far as periods go. So I'm not gonna

0:41:46.880 --> 0:41:52.080
<v Speaker 1>like read you all of the whatever like ridiculous comments

0:41:52.080 --> 0:41:54.600
<v Speaker 1>that a bunch of people made. There's at least one

0:41:54.640 --> 0:41:57.279
<v Speaker 1>review when this movie came out where it was like,

0:41:57.760 --> 0:41:59.640
<v Speaker 1>I don't know, I feel like this doesn't really happen

0:41:59.760 --> 0:42:01.640
<v Speaker 1>very much anymore, but it did happen here where it

0:42:01.719 --> 0:42:04.200
<v Speaker 1>was like a white guy film critic that was like

0:42:04.239 --> 0:42:07.120
<v Speaker 1>I couldn't relate with this movie, and so, um, what

0:42:07.160 --> 0:42:11.000
<v Speaker 1>the heck? Uh? No stars. There was someone I don't

0:42:11.000 --> 0:42:12.480
<v Speaker 1>know if this is the same person that said, like

0:42:12.760 --> 0:42:16.240
<v Speaker 1>this seems way too specific to the director's experience. Yes,

0:42:17.000 --> 0:42:19.680
<v Speaker 1>which I mean, it is true that this movie is

0:42:19.800 --> 0:42:24.240
<v Speaker 1>very specific to the director's experience, but like that doesn't

0:42:24.239 --> 0:42:29.759
<v Speaker 1>make it unrelatable to other people. It's yeah, so fucking

0:42:29.800 --> 0:42:33.319
<v Speaker 1>boring to be like, oh, this is too specific to

0:42:33.400 --> 0:42:35.720
<v Speaker 1>an experience I've never had. I'm like, I've never had

0:42:36.520 --> 0:42:40.720
<v Speaker 1>any experience is in a movie? There is. The whole

0:42:40.760 --> 0:42:43.359
<v Speaker 1>point is like you see yourself in other people. Why

0:42:43.400 --> 0:42:47.879
<v Speaker 1>the funk are you watching movies? Are you stupid? That's

0:42:47.920 --> 0:42:51.759
<v Speaker 1>my unnuanced take. No, I mean, it's like it's ridiculous.

0:42:51.800 --> 0:42:54.720
<v Speaker 1>And it's also like if that take were true across

0:42:54.760 --> 0:42:57.399
<v Speaker 1>the board, then no one would watch movies at all,

0:42:57.440 --> 0:42:59.759
<v Speaker 1>because that's like what most of them are. Like, you

0:42:59.760 --> 0:43:01.680
<v Speaker 1>don't hear people say you should like that about sucking

0:43:01.800 --> 0:43:04.879
<v Speaker 1>licorice pizza, But like Paul Thomas Anderson has been making

0:43:04.920 --> 0:43:06.840
<v Speaker 1>movies about the three square blocks he's grown up on

0:43:06.920 --> 0:43:09.520
<v Speaker 1>for like decades. You know, it's like and no one

0:43:09.560 --> 0:43:11.480
<v Speaker 1>has a problem with it, and they are usually pretty

0:43:11.480 --> 0:43:13.840
<v Speaker 1>good movies, and it's like, yeah, I mean, you know

0:43:13.880 --> 0:43:17.920
<v Speaker 1>what the issue is here, but yeah, like, uh, all

0:43:17.960 --> 0:43:20.880
<v Speaker 1>that stuff is really frustrating. I mean, and we can

0:43:21.000 --> 0:43:23.560
<v Speaker 1>sort of get back to like how specific the movie

0:43:23.680 --> 0:43:28.000
<v Speaker 1>is to DOMI. She's experienced as a kid growing up

0:43:28.200 --> 0:43:32.120
<v Speaker 1>in like literally like she was born in n and

0:43:32.160 --> 0:43:36.840
<v Speaker 1>grew up in Canada with Chinese family. Like this is

0:43:36.880 --> 0:43:39.600
<v Speaker 1>her story, except I don't think she turned into a panda.

0:43:39.680 --> 0:43:41.760
<v Speaker 1>But also she could be burying the lead. We don't

0:43:42.200 --> 0:43:45.240
<v Speaker 1>don't know, we don't know, we might never know that. Yeah,

0:43:46.360 --> 0:43:49.760
<v Speaker 1>it's going to come out twenty years later. It's actually

0:43:49.760 --> 0:43:54.399
<v Speaker 1>a documentary turning around. Is is a biopic? Yeah, yeah,

0:43:54.560 --> 0:43:59.560
<v Speaker 1>it's gonna get the idiocracy treatment. Um, But like just

0:43:59.600 --> 0:44:01.279
<v Speaker 1>in gen I just wanted to do kind of like

0:44:01.320 --> 0:44:03.960
<v Speaker 1>a quick rundown of like, first of all, like this

0:44:04.000 --> 0:44:08.759
<v Speaker 1>movie does reference periods in a movie that's directed at

0:44:09.160 --> 0:44:14.279
<v Speaker 1>young audiences, and that never happens true, But even so

0:44:14.520 --> 0:44:17.360
<v Speaker 1>it's really not referenced that much, and the criticism that

0:44:17.480 --> 0:44:19.879
<v Speaker 1>is like pushed back against it makes it seem like

0:44:20.080 --> 0:44:23.000
<v Speaker 1>that is what the whole movie is about. Is basically

0:44:23.080 --> 0:44:26.280
<v Speaker 1>one scene and like maybe like kind of a winking

0:44:26.320 --> 0:44:30.279
<v Speaker 1>reference in the title, you could argue, but like it's

0:44:30.320 --> 0:44:34.799
<v Speaker 1>that one scene with Ming, you know, thinking that May

0:44:34.880 --> 0:44:36.880
<v Speaker 1>has gotten her period for the first time and bringing

0:44:36.880 --> 0:44:40.080
<v Speaker 1>in a bunch of different paths and like showing her

0:44:40.280 --> 0:44:43.759
<v Speaker 1>holding pads, which is a big deal. For movies. I mean,

0:44:43.800 --> 0:44:47.399
<v Speaker 1>I can't think of one where that would happen and

0:44:47.600 --> 0:44:49.960
<v Speaker 1>DOOMI She has done all these really cool interviews talking

0:44:50.000 --> 0:44:53.520
<v Speaker 1>about what she watched growing up. She references being like

0:44:53.560 --> 0:44:57.600
<v Speaker 1>a big Lizzie McGuire head, which I really appreciate, and

0:44:57.680 --> 0:45:01.000
<v Speaker 1>saying like, oh, I saw so many like experiences that

0:45:01.040 --> 0:45:03.040
<v Speaker 1>I had had in middle school on that show, but

0:45:03.200 --> 0:45:06.880
<v Speaker 1>they don't you know, you couldn't reference menstruation at all

0:45:07.000 --> 0:45:09.799
<v Speaker 1>on a show like that. In that era, you could

0:45:09.840 --> 0:45:14.319
<v Speaker 1>reference almost everything. But I feel like unless you found

0:45:14.360 --> 0:45:17.880
<v Speaker 1>your way to de grassy Um where it's in the pilot,

0:45:18.760 --> 0:45:21.719
<v Speaker 1>you wouldn't know. And so that that is a big deal,

0:45:21.800 --> 0:45:26.640
<v Speaker 1>especially because the way periods are shown in movies, at

0:45:26.719 --> 0:45:31.840
<v Speaker 1>least like very influentially, are usually really negative. Like the

0:45:32.280 --> 0:45:34.400
<v Speaker 1>Carrey scene is like the first thing that comes to

0:45:34.480 --> 0:45:40.120
<v Speaker 1>mind where it's like presented as traumatic and horrible and

0:45:40.560 --> 0:45:44.920
<v Speaker 1>sends you on the road to setting your classmates on fire. Um,

0:45:44.960 --> 0:45:49.640
<v Speaker 1>I mean accurate though, And then the other scene that

0:45:49.840 --> 0:45:51.759
<v Speaker 1>I was trying to I was like, Okay, what we're

0:45:51.880 --> 0:45:56.520
<v Speaker 1>like really influential movies with scenes that like directly mentioned periods,

0:45:56.960 --> 0:45:59.560
<v Speaker 1>and the only other movie I think of was super bad.

0:46:00.120 --> 0:46:02.800
<v Speaker 1>It's like, which is a scene that like, Still I

0:46:02.840 --> 0:46:04.720
<v Speaker 1>went back and rewatched him, Like, the scene still doesn't

0:46:04.760 --> 0:46:08.640
<v Speaker 1>make sense. No one would do this right. And of

0:46:08.680 --> 0:46:12.040
<v Speaker 1>course what was the grossed out by the period? A

0:46:12.120 --> 0:46:18.640
<v Speaker 1>girl leaks period onto like Jonah Hills pants or something

0:46:19.200 --> 0:46:23.520
<v Speaker 1>and he's horrified. Um. I just watched The Florida Project

0:46:23.520 --> 0:46:26.560
<v Speaker 1>for the first time, and there's a scene where the

0:46:27.320 --> 0:46:30.560
<v Speaker 1>mom she like wants to give like a big fuck

0:46:30.680 --> 0:46:34.600
<v Speaker 1>you gesture to someone, so she pulls her pad out

0:46:34.600 --> 0:46:37.200
<v Speaker 1>of her underwear and then sticks it to the window

0:46:37.920 --> 0:46:40.640
<v Speaker 1>of the people that she's saying fuck you too. Okay,

0:46:40.680 --> 0:46:45.400
<v Speaker 1>that's fun, that's representation. Yet no notes. I actually I

0:46:45.440 --> 0:46:48.440
<v Speaker 1>remember a scene in Niptuck that um we all loved

0:46:48.680 --> 0:46:52.839
<v Speaker 1>um that show, and it was the daughter was nine

0:46:52.920 --> 0:46:55.640
<v Speaker 1>years old and her older brother scared her by telling

0:46:55.640 --> 0:46:57.840
<v Speaker 1>her what a period was, so she thought she had

0:46:57.880 --> 0:46:59.880
<v Speaker 1>to put a tamp on and now she went and

0:47:00.000 --> 0:47:03.320
<v Speaker 1>put it in and left it in toxic got tss.

0:47:03.440 --> 0:47:07.160
<v Speaker 1>I remember this episode was convulsing and went to the hospital.

0:47:07.840 --> 0:47:10.759
<v Speaker 1>And I have never ever fucking forgot that because I'm like,

0:47:11.560 --> 0:47:13.960
<v Speaker 1>I'll never leave a tampon in for more than twenty

0:47:14.040 --> 0:47:20.560
<v Speaker 1>five sacands, I swear that's fearmongering from big tampon. Yes.

0:47:21.520 --> 0:47:23.319
<v Speaker 1>But all this to say that a lot of the

0:47:24.360 --> 0:47:29.040
<v Speaker 1>what very little representation of menstruation there is in media

0:47:29.239 --> 0:47:35.080
<v Speaker 1>has mostly been like, oh my god, it's horrible. It's horrible,

0:47:35.280 --> 0:47:39.200
<v Speaker 1>or there's some like weird like delicate flower kind of

0:47:39.239 --> 0:47:43.719
<v Speaker 1>like you have blossomed in to a woman kind of

0:47:43.760 --> 0:47:46.759
<v Speaker 1>weird ship as opposed to just like it's a thing

0:47:46.800 --> 0:47:51.919
<v Speaker 1>that happens when you're still a kid, and you still

0:47:51.960 --> 0:47:54.520
<v Speaker 1>react like a kid around it, and it doesn't make

0:47:54.560 --> 0:47:57.600
<v Speaker 1>you like a woman now necessarily, it just as a

0:47:57.680 --> 0:48:01.600
<v Speaker 1>bodily thing that happens. It's just a bottle function. Yeah,

0:48:01.680 --> 0:48:04.640
<v Speaker 1>Like and I and I really liked that, Like Ming

0:48:05.000 --> 0:48:07.839
<v Speaker 1>treated it like she's like anxious because she's like, oh,

0:48:07.960 --> 0:48:10.440
<v Speaker 1>I wasn't ready, But like she doesn't treat it like

0:48:10.920 --> 0:48:15.000
<v Speaker 1>it's you know, like scary. She tries to be calming

0:48:15.040 --> 0:48:18.000
<v Speaker 1>about it. It seems like maybe they've talked about it

0:48:18.080 --> 0:48:21.280
<v Speaker 1>before this scene, Like it just feels like it sets

0:48:21.320 --> 0:48:24.480
<v Speaker 1>a better precedent for people who get their period for

0:48:24.520 --> 0:48:27.279
<v Speaker 1>the first time, because yeah, I don't. I got my

0:48:27.360 --> 0:48:30.840
<v Speaker 1>period super late as a late bluemer in every single way,

0:48:31.040 --> 0:48:34.160
<v Speaker 1>and I thought I had shipped myself because we didn't

0:48:34.160 --> 0:48:37.319
<v Speaker 1>have sex that at my school. I love every time

0:48:37.320 --> 0:48:40.080
<v Speaker 1>you tell this story on the pod, which is I

0:48:40.120 --> 0:48:45.000
<v Speaker 1>think maybe ten times so many times. Look if there's

0:48:45.080 --> 0:48:47.480
<v Speaker 1>and if there's a perfect time for this story, this

0:48:47.560 --> 0:48:51.040
<v Speaker 1>is the episode. Yeah, but that was that was like

0:48:51.080 --> 0:48:54.680
<v Speaker 1>another criticism that I saw in this like first wave

0:48:54.840 --> 0:48:57.520
<v Speaker 1>of like you know, right leaning weirdos who were like

0:48:57.600 --> 0:49:00.360
<v Speaker 1>this is too much, where they were like, this is

0:49:00.400 --> 0:49:02.839
<v Speaker 1>too young an audience to be talking about periods too,

0:49:02.920 --> 0:49:04.839
<v Speaker 1>and which also got backlash because it's like you can

0:49:04.880 --> 0:49:07.080
<v Speaker 1>get your period as young as like eight years old.

0:49:07.400 --> 0:49:09.439
<v Speaker 1>My friend got it when she was nine, and it's

0:49:09.440 --> 0:49:14.200
<v Speaker 1>like if you are someone who menstruates, there's no rhymeries,

0:49:14.360 --> 0:49:18.600
<v Speaker 1>it's hormones, Like it just happens when it's going to happen. Yeah,

0:49:18.920 --> 0:49:20.920
<v Speaker 1>So so I'll have to say, like I think it

0:49:21.120 --> 0:49:24.040
<v Speaker 1>is like a huge deal. That's like a cool thing

0:49:24.040 --> 0:49:26.320
<v Speaker 1>that there's going to be a generation of kids growing

0:49:26.360 --> 0:49:29.480
<v Speaker 1>up knowing this of like all genders, because I do

0:49:29.560 --> 0:49:32.319
<v Speaker 1>feel like it's like addressing it even if you're if

0:49:32.360 --> 0:49:34.600
<v Speaker 1>you don't menstrate, it's just a way to be like, oh,

0:49:34.760 --> 0:49:37.320
<v Speaker 1>that's what that is. And I don't even think the

0:49:37.320 --> 0:49:39.080
<v Speaker 1>scene fully explains what that is. So I don't know

0:49:39.120 --> 0:49:41.480
<v Speaker 1>whatever it's so fucking mad about. If you like went

0:49:41.520 --> 0:49:43.480
<v Speaker 1>to the bathroom during that scene, you wouldn't be like,

0:49:43.520 --> 0:49:45.640
<v Speaker 1>this is a movie about like it's like just kind

0:49:45.640 --> 0:49:48.880
<v Speaker 1>of about like puberty in general exactly because the movie

0:49:49.280 --> 0:49:53.120
<v Speaker 1>is so much more about And yeah, you can map

0:49:53.200 --> 0:49:57.520
<v Speaker 1>on like going through puberty and getting your period onto

0:49:57.719 --> 0:50:00.360
<v Speaker 1>the red panda, Like that's a clear meta for but

0:50:00.400 --> 0:50:04.120
<v Speaker 1>there's also again a number of other metaphors or just

0:50:04.200 --> 0:50:08.120
<v Speaker 1>like themes that are driving this narrative far more than

0:50:08.280 --> 0:50:12.839
<v Speaker 1>the menstruation thing, such as I mean, there's this and

0:50:12.880 --> 0:50:16.600
<v Speaker 1>this is kind of connected to puberty in a way

0:50:16.640 --> 0:50:19.359
<v Speaker 1>that when you're going through puberty sometimes your emotions are

0:50:19.360 --> 0:50:23.560
<v Speaker 1>confusing and you don't really have the maturity to start

0:50:23.680 --> 0:50:27.920
<v Speaker 1>drawing people as mermaids, And you don't know why that

0:50:28.040 --> 0:50:30.800
<v Speaker 1>theme was really impactful. You know, there's a lot going

0:50:30.880 --> 0:50:33.680
<v Speaker 1>on in our development and a lot and you know

0:50:33.719 --> 0:50:36.560
<v Speaker 1>a lot of it is mental and emotional, and so

0:50:36.600 --> 0:50:40.640
<v Speaker 1>there's this kind of theme of emotions and like the

0:50:40.680 --> 0:50:45.240
<v Speaker 1>pressure to suppress emotions versus letting yourself feel the entire

0:50:45.440 --> 0:50:48.520
<v Speaker 1>range of your emotions, so like that's part of what

0:50:48.560 --> 0:50:51.839
<v Speaker 1>the movie is about. There's also a very strong, if

0:50:51.840 --> 0:50:55.440
<v Speaker 1>not the strongest theme of the movie, which is the

0:50:55.520 --> 0:51:00.800
<v Speaker 1>idea of honoring your family versus honoring yourself and finding

0:51:00.800 --> 0:51:03.680
<v Speaker 1>a healthy balance in that, where you can also kind

0:51:03.680 --> 0:51:08.279
<v Speaker 1>of extend that to a generational saying where kids coming

0:51:08.320 --> 0:51:11.400
<v Speaker 1>of age in a different cultural landscape than their parents,

0:51:11.440 --> 0:51:15.359
<v Speaker 1>and how that almost always creates generational conflict. And then

0:51:15.360 --> 0:51:20.240
<v Speaker 1>there's also the like aspect of Eastern and Western philosophies,

0:51:20.840 --> 0:51:25.120
<v Speaker 1>where you know, many Eastern philosophies prioritize family and community

0:51:25.160 --> 0:51:31.880
<v Speaker 1>over the individual, versus Western cultures tending to prioritize individuality.

0:51:31.960 --> 0:51:35.800
<v Speaker 1>And how May coming from a Chinese immigrant family, I

0:51:36.200 --> 0:51:42.960
<v Speaker 1>think she's second generation, if I'm understanding correctly, I think so. Um,

0:51:43.280 --> 0:51:46.120
<v Speaker 1>I think it might not be like explicitly stated, I

0:51:46.120 --> 0:51:47.960
<v Speaker 1>don't think. Yeah, it's a more just kind of like

0:51:48.000 --> 0:51:51.279
<v Speaker 1>basing it on, like who speaks with what accent kind

0:51:51.280 --> 0:51:54.480
<v Speaker 1>of thing. But even so, like her May growing up

0:51:54.520 --> 0:51:58.680
<v Speaker 1>in Toronto, where aside from her being at home with family,

0:51:59.120 --> 0:52:03.680
<v Speaker 1>she surrounded by Western ideology, and how that creates tension

0:52:03.960 --> 0:52:07.240
<v Speaker 1>between her and her family and also her and her friends,

0:52:07.280 --> 0:52:10.480
<v Speaker 1>because like she's being pulled at both ends in these

0:52:10.520 --> 0:52:13.720
<v Speaker 1>two different directions, and so like, that's what the movie

0:52:13.840 --> 0:52:19.160
<v Speaker 1>is about. That has to be relatable to so many

0:52:19.200 --> 0:52:22.080
<v Speaker 1>groups of people, exactly whether or not you have like

0:52:22.080 --> 0:52:25.239
<v Speaker 1>a familial obligations thing, just the idea of like, oh

0:52:25.280 --> 0:52:26.799
<v Speaker 1>I feel this way where my parents, in this way

0:52:26.840 --> 0:52:31.480
<v Speaker 1>where my friends. That's what being a teen exactly. And

0:52:31.800 --> 0:52:34.560
<v Speaker 1>I love that a huge focus of this movie is

0:52:34.680 --> 0:52:39.520
<v Speaker 1>on friendship, and specifically female friendship, and specifically like teenage

0:52:40.120 --> 0:52:43.799
<v Speaker 1>female friendship, because so few movies are about that. And

0:52:43.840 --> 0:52:47.920
<v Speaker 1>I love that this movie examines how your friends, especially

0:52:48.200 --> 0:52:51.719
<v Speaker 1>at an age like thirteen, which is like maybe the

0:52:51.760 --> 0:52:56.439
<v Speaker 1>worst age you can be. Like, how the people who

0:52:56.520 --> 0:52:58.600
<v Speaker 1>understand you the most and who can bring you the

0:52:58.640 --> 0:53:02.760
<v Speaker 1>most comfort as you come of age and navigate life

0:53:03.080 --> 0:53:06.440
<v Speaker 1>are your friends. Like that is such a relatable thing

0:53:06.600 --> 0:53:10.439
<v Speaker 1>for people, especially of that age. So I think that's

0:53:10.440 --> 0:53:13.319
<v Speaker 1>a great point too, because something this movie does that

0:53:13.400 --> 0:53:15.239
<v Speaker 1>I really liked was just like, oh, I was a

0:53:15.280 --> 0:53:17.680
<v Speaker 1>big boy band head, and that is kind of viewed

0:53:17.680 --> 0:53:22.440
<v Speaker 1>as like ditzy girl interests, you know, like not serious

0:53:22.600 --> 0:53:25.319
<v Speaker 1>fandom or whatever, and it's like this movie doesn't make

0:53:25.440 --> 0:53:27.640
<v Speaker 1>any political commentary on it, but it's kind of just

0:53:27.719 --> 0:53:32.160
<v Speaker 1>by virtue of existing, honoring the things a young kid

0:53:32.360 --> 0:53:36.360
<v Speaker 1>might care about without casting any judgment on it exactly.

0:53:36.400 --> 0:53:38.040
<v Speaker 1>And it's like, oh, she wants to sit in her

0:53:38.120 --> 0:53:40.440
<v Speaker 1>room and doodle, she wants to talk all day out

0:53:40.480 --> 0:53:43.000
<v Speaker 1>to her with her friends on the phone, and that's

0:53:43.120 --> 0:53:45.960
<v Speaker 1>might be seen in one way by like media, but

0:53:46.080 --> 0:53:48.279
<v Speaker 1>like you see that it is crucial for her like

0:53:48.400 --> 0:53:52.000
<v Speaker 1>development and her well being to do all that stuff right.

0:53:52.200 --> 0:53:54.920
<v Speaker 1>They talk about how going to this concert is going

0:53:54.960 --> 0:53:57.960
<v Speaker 1>to be a major milestone and it's going to basically

0:53:58.200 --> 0:54:02.480
<v Speaker 1>it's like symbolic of their step toward becoming women. Like

0:54:02.520 --> 0:54:05.239
<v Speaker 1>they're literally me and my cousin's going, Okay, I'm gonna

0:54:05.239 --> 0:54:08.359
<v Speaker 1>tell another story I've told the podcast. That was how

0:54:08.360 --> 0:54:09.920
<v Speaker 1>me and my cousins fault when we went to see

0:54:09.920 --> 0:54:14.440
<v Speaker 1>the Backstreet Boys the night before eleven, And then it

0:54:14.480 --> 0:54:17.600
<v Speaker 1>turns out that that was not the event that was

0:54:18.040 --> 0:54:22.080
<v Speaker 1>going to make headlines that week, but the one I

0:54:22.120 --> 0:54:26.239
<v Speaker 1>reflect on more frequently. Yes, but I really liked how

0:54:26.360 --> 0:54:29.000
<v Speaker 1>like this movie because we've talked about stuff like this

0:54:29.120 --> 0:54:34.840
<v Speaker 1>before where sometimes it's like in movies with like kids

0:54:34.840 --> 0:54:38.759
<v Speaker 1>and like young teens, and I'm like thinking non judgmentally

0:54:38.800 --> 0:54:41.560
<v Speaker 1>because they were important to me. But like with Mary

0:54:41.640 --> 0:54:44.400
<v Speaker 1>Kay and Nashley movies, it's like you have twelve or

0:54:44.440 --> 0:54:48.360
<v Speaker 1>thirteen year old kids and there's like they have romantic interests,

0:54:48.400 --> 0:54:50.359
<v Speaker 1>which does make sense for a kid of that age,

0:54:50.440 --> 0:54:52.640
<v Speaker 1>but it also like it becomes important to the plot

0:54:52.640 --> 0:54:56.120
<v Speaker 1>that they have a boyfriend by the end or whatever happens.

0:54:56.239 --> 0:54:58.480
<v Speaker 1>But this movie, I feel like, does something cool that

0:54:58.520 --> 0:55:01.360
<v Speaker 1>I've never that I can't really think of seeing at

0:55:01.440 --> 0:55:05.120
<v Speaker 1>least many times where it's like they are having like

0:55:05.200 --> 0:55:08.799
<v Speaker 1>a this weird awakening that a lot of kids had

0:55:08.840 --> 0:55:11.239
<v Speaker 1>when they saw boy bands, and now boy bands are

0:55:11.239 --> 0:55:14.680
<v Speaker 1>fully back, so it's happening again, but there's no like

0:55:14.880 --> 0:55:17.799
<v Speaker 1>romantic plot that's important to the movie. It's like they're

0:55:17.840 --> 0:55:20.080
<v Speaker 1>allowed to like I don't know, I feel like you

0:55:20.160 --> 0:55:23.400
<v Speaker 1>can't at least it like matched my experience kind of closely,

0:55:23.400 --> 0:55:27.440
<v Speaker 1>where it's like being thirteen and like not being ready

0:55:27.560 --> 0:55:31.120
<v Speaker 1>for an actual anything, but like projecting like a mad

0:55:31.239 --> 0:55:35.879
<v Speaker 1>person onto like every cute older boy or like boy

0:55:36.000 --> 0:55:38.440
<v Speaker 1>band or even like May May when she like has

0:55:38.480 --> 0:55:42.279
<v Speaker 1>a crush on the store clerk who's like clear, like

0:55:42.360 --> 0:55:44.480
<v Speaker 1>she doesn't think anything is going to happen, but it's

0:55:44.520 --> 0:55:46.279
<v Speaker 1>just like the idea of it. I don't know. It

0:55:46.360 --> 0:55:49.040
<v Speaker 1>reminds me of like summer camp counselor she has another

0:55:49.080 --> 0:55:55.080
<v Speaker 1>crush too on some kid named like Carter Michael Murphy

0:55:55.160 --> 0:55:59.279
<v Speaker 1>or I don't know, Chad Michael Murray, Michael Carter Michael Murphy.

0:55:59.280 --> 0:56:02.719
<v Speaker 1>It's something and every time she sees him she gets

0:56:02.719 --> 0:56:05.680
<v Speaker 1>all googlely eyed and like, yeah, that's a very relatable

0:56:05.680 --> 0:56:09.200
<v Speaker 1>experience because again, when you're like going through puberty and

0:56:09.200 --> 0:56:13.120
<v Speaker 1>your hormones are just like firing on all cylinders and

0:56:13.880 --> 0:56:17.799
<v Speaker 1>you're like horny is hell, And I like love that

0:56:17.840 --> 0:56:20.759
<v Speaker 1>this movie is about like teenage horny nous. Don't you

0:56:20.760 --> 0:56:23.520
<v Speaker 1>know how to do anything and you don't know what

0:56:23.560 --> 0:56:26.480
<v Speaker 1>it is right, You're just like what do I do

0:56:26.560 --> 0:56:29.240
<v Speaker 1>with this? But it's just there and it's consuming many

0:56:29.280 --> 0:56:32.600
<v Speaker 1>of your thoughts, which is again like seen as something

0:56:32.640 --> 0:56:37.200
<v Speaker 1>by society is like oh what team girls being horny?

0:56:37.360 --> 0:56:40.560
<v Speaker 1>That can't be a what that's horrifying or that can't

0:56:40.600 --> 0:56:43.120
<v Speaker 1>be a thing. But it's like a very real thing

0:56:43.400 --> 0:56:47.319
<v Speaker 1>that this movie handles very responsibly, And I just I

0:56:47.360 --> 0:56:49.520
<v Speaker 1>love to see it on screen. There's this bit called

0:56:49.600 --> 0:56:53.360
<v Speaker 1>Larger than Life by Maria Sherman, and it's like an

0:56:53.440 --> 0:56:57.640
<v Speaker 1>encyclopedia on boy bands through the ages and like what

0:56:57.840 --> 0:57:00.680
<v Speaker 1>purpose they serve and like why we have come back

0:57:00.760 --> 0:57:05.160
<v Speaker 1>to them after decades and decades, like there is always

0:57:05.160 --> 0:57:08.640
<v Speaker 1>some sort of boy band force. And one of the

0:57:08.719 --> 0:57:10.919
<v Speaker 1>things the author says that I found really interesting because

0:57:10.920 --> 0:57:13.400
<v Speaker 1>like boy band's being elemental and like figuring out your

0:57:13.400 --> 0:57:16.080
<v Speaker 1>sexuality or at least starting to think about it. And

0:57:16.080 --> 0:57:18.959
<v Speaker 1>it's like it's a safe avenue to do that because

0:57:19.040 --> 0:57:20.720
<v Speaker 1>so like what both of you are saying. It's like,

0:57:21.120 --> 0:57:25.280
<v Speaker 1>I'm not going to be with Ja C Chase, but

0:57:26.080 --> 0:57:28.960
<v Speaker 1>I can look at him and feel like he's talking

0:57:29.000 --> 0:57:30.760
<v Speaker 1>to me in a way I don't feel like the

0:57:30.800 --> 0:57:34.160
<v Speaker 1>boys in my school were. And that's my like safe

0:57:34.240 --> 0:57:39.200
<v Speaker 1>mental avenue to like figure out my ship a little bit.

0:57:39.440 --> 0:57:42.560
<v Speaker 1>It was also a jay Z girl, Thank you. I

0:57:42.600 --> 0:57:46.720
<v Speaker 1>have a poster of jac girls don't speak up enough. Yes,

0:57:47.120 --> 0:57:50.840
<v Speaker 1>we are hiding, we are hiding. We are afraid. It's

0:57:50.880 --> 0:57:53.640
<v Speaker 1>because his song. It's because his solo song. All day long,

0:57:53.640 --> 0:57:56.960
<v Speaker 1>I dream about sex. It's embarrassing. I used to wait,

0:57:57.080 --> 0:57:59.560
<v Speaker 1>here's my anecdote. I had that album which is called

0:57:59.600 --> 0:58:03.040
<v Speaker 1>schisip Nick, which is disgusting and horrible. But I used

0:58:03.040 --> 0:58:05.280
<v Speaker 1>to listen to that song and I would scream the

0:58:05.280 --> 0:58:08.640
<v Speaker 1>word cupcakes over the word sex because I didn't want

0:58:08.680 --> 0:58:14.440
<v Speaker 1>my parents stay here. That's so cute. Oh my gosh,

0:58:14.720 --> 0:58:17.160
<v Speaker 1>Well I love that. My friends and I would do

0:58:17.200 --> 0:58:21.560
<v Speaker 1>something similar with Nellie's hot in here. We'd be like,

0:58:21.640 --> 0:58:24.920
<v Speaker 1>so put on all your clothes, and then my mom

0:58:24.960 --> 0:58:30.040
<v Speaker 1>would be like, awesome, great her song. All the long,

0:58:30.080 --> 0:58:33.880
<v Speaker 1>I dream about cupcakes. He should release that might be coming,

0:58:34.160 --> 0:58:36.080
<v Speaker 1>and he hasn't released the second album, so that would

0:58:36.080 --> 0:58:38.280
<v Speaker 1>be what he has been working on. He's been working

0:58:38.320 --> 0:58:44.479
<v Speaker 1>on it for two days ago. Oh gosh. But yeah,

0:58:44.600 --> 0:58:48.480
<v Speaker 1>that's fascinating about like culturally, boy bands just being a

0:58:48.600 --> 0:58:54.360
<v Speaker 1>thing to help people be horny and figure out their

0:58:54.360 --> 0:58:59.080
<v Speaker 1>horny nous. Yeah, they're just projection boards. And I liked

0:58:59.120 --> 0:59:02.360
<v Speaker 1>I really like that San where May is like the

0:59:02.400 --> 0:59:04.520
<v Speaker 1>animation and that scene is so funny, like that where

0:59:04.560 --> 0:59:09.080
<v Speaker 1>she's drawing like these weird pictures of mermaid boys and

0:59:09.120 --> 0:59:12.080
<v Speaker 1>she's like, what's happening? What am I doing? And she's

0:59:12.160 --> 0:59:16.480
<v Speaker 1>like ashamed, but also like can't stop and you're like, yeah,

0:59:16.560 --> 0:59:19.040
<v Speaker 1>that's and there. So I watched there was like a

0:59:19.040 --> 0:59:22.800
<v Speaker 1>Disney Plus documentary about the making of this movie. I

0:59:22.840 --> 0:59:24.880
<v Speaker 1>really like went down the Domy Sheeth hole. I was like,

0:59:24.920 --> 0:59:28.360
<v Speaker 1>I want to be her friend, um, but she had

0:59:28.400 --> 0:59:30.920
<v Speaker 1>like notebooks like this, and then shows it on screen

0:59:31.000 --> 0:59:34.040
<v Speaker 1>of like anime pictures. She drew of her crush when

0:59:34.120 --> 0:59:37.480
<v Speaker 1>she was like in middle school and her mom kept it.

0:59:37.760 --> 0:59:40.600
<v Speaker 1>And there's like a scene where she's like zooming with

0:59:40.640 --> 0:59:42.080
<v Speaker 1>her mom and she's like, hey, do you still have

0:59:42.120 --> 0:59:43.960
<v Speaker 1>those sketch books? And her mom was like, I know

0:59:44.000 --> 0:59:46.440
<v Speaker 1>exactly what you're talking about, and then went to the

0:59:46.480 --> 0:59:48.440
<v Speaker 1>other room and grabbed it and was like two thousand

0:59:48.440 --> 0:59:51.840
<v Speaker 1>and two, and like there were all these like, you know,

0:59:52.120 --> 0:59:57.840
<v Speaker 1>very adolescent, weird drawings of like cute boys. I was like, wow,

0:59:58.760 --> 1:00:02.600
<v Speaker 1>I don't think my parents kept that stuff. I hope

1:00:02.680 --> 1:00:06.680
<v Speaker 1>they didn't, but it existed. I remember a crush of

1:00:06.760 --> 1:00:09.600
<v Speaker 1>mine got a wart on his thumb and this was

1:00:09.680 --> 1:00:13.840
<v Speaker 1>like kind of national news for me, and that became

1:00:13.920 --> 1:00:16.360
<v Speaker 1>like my fixation to draw, Like I wonder when this

1:00:16.400 --> 1:00:18.600
<v Speaker 1>will go down? And I would draw it like all

1:00:18.600 --> 1:00:20.760
<v Speaker 1>the time, and and like when I was in first

1:00:20.800 --> 1:00:27.640
<v Speaker 1>grade anyway humiliating for him. I used to have like

1:00:28.080 --> 1:00:31.640
<v Speaker 1>my like kid fantasies. I remember, like they would be

1:00:31.680 --> 1:00:34.440
<v Speaker 1>so specific that I would always appear in them exactly

1:00:34.520 --> 1:00:38.000
<v Speaker 1>as I was. Like. I didn't change anything about myself,

1:00:38.160 --> 1:00:40.400
<v Speaker 1>which would have made it easier, but I had like

1:00:40.440 --> 1:00:43.640
<v Speaker 1>a specific memory of like I would have the same

1:00:43.720 --> 1:00:47.400
<v Speaker 1>like fantasy about like talking to Daniel Radcliffe at like

1:00:48.320 --> 1:00:51.680
<v Speaker 1>basically a bridge retain party at night, and it was

1:00:51.720 --> 1:00:53.439
<v Speaker 1>like the same thing. It would just be my little

1:00:53.480 --> 1:00:56.040
<v Speaker 1>thought that would help me off to sleep. But there

1:00:56.080 --> 1:00:58.200
<v Speaker 1>was like one time where I had conjunctive itus and

1:00:58.280 --> 1:01:00.280
<v Speaker 1>my eyes were really gross and I had to defy

1:01:00.360 --> 1:01:02.280
<v Speaker 1>the fantasy. So he's like, I don't care that you

1:01:02.320 --> 1:01:09.600
<v Speaker 1>have conjunctively I still like you. Absolutely, yes, huge, huge,

1:01:09.640 --> 1:01:12.840
<v Speaker 1>And in that moment I felt truly seen, Yes, even

1:01:12.840 --> 1:01:14.960
<v Speaker 1>though I for I could not see. I had my

1:01:15.000 --> 1:01:20.600
<v Speaker 1>eyes full of crust. That is a beautiful story. Um,

1:01:21.640 --> 1:01:24.120
<v Speaker 1>let's take another quick break and then we will come

1:01:24.160 --> 1:01:34.080
<v Speaker 1>back for a more discussion. We're back, all right, And

1:01:34.280 --> 1:01:37.840
<v Speaker 1>what shall we talk about next? Should we talk about

1:01:38.440 --> 1:01:42.840
<v Speaker 1>May's relationship with her mom and the generational issues in

1:01:42.840 --> 1:01:45.440
<v Speaker 1>this movie? Yeah? Yeah, I mean we sort of started

1:01:45.480 --> 1:01:49.200
<v Speaker 1>talking talking about it already, But I like that. I mean,

1:01:49.280 --> 1:01:53.480
<v Speaker 1>it's rare for a Disney Pixar movie specifically to center

1:01:53.520 --> 1:01:56.560
<v Speaker 1>a mother daughter relationship, shocking that a mother and a

1:01:56.640 --> 1:02:01.960
<v Speaker 1>grandmother are alive. And I do like the connection that

1:02:02.240 --> 1:02:03.800
<v Speaker 1>May and her mom have. And I also like that

1:02:03.840 --> 1:02:06.840
<v Speaker 1>it's like established early on that they like each other

1:02:06.920 --> 1:02:09.520
<v Speaker 1>and they like spending time together, but there's like just

1:02:09.600 --> 1:02:13.400
<v Speaker 1>certain things they can't talk about. I felt like real

1:02:13.640 --> 1:02:17.840
<v Speaker 1>where like it's established, like like I really like working

1:02:17.840 --> 1:02:19.760
<v Speaker 1>at the temple with my mom, Like they have a

1:02:19.800 --> 1:02:22.400
<v Speaker 1>whole system of how they clean and how they host

1:02:22.440 --> 1:02:25.520
<v Speaker 1>and all this stuff. Um, but then there's like certain

1:02:25.560 --> 1:02:30.280
<v Speaker 1>topics that you can't go there. And it's like which

1:02:30.320 --> 1:02:32.600
<v Speaker 1>I thought was like a cool balance and and and

1:02:32.680 --> 1:02:36.560
<v Speaker 1>you don't see that in like big Disney movies very much, Right,

1:02:36.680 --> 1:02:41.320
<v Speaker 1>It's another thing that's relatable. And Yeah, I liked that

1:02:41.800 --> 1:02:44.880
<v Speaker 1>the relationships that are focused on, at least the familial

1:02:45.000 --> 1:02:49.560
<v Speaker 1>relationships that are focused on in the movie are mothers

1:02:49.600 --> 1:02:52.760
<v Speaker 1>and daughters going back generations and generations where they like

1:02:52.880 --> 1:02:58.440
<v Speaker 1>honor their ancestor son ye who like was this powerful

1:02:58.520 --> 1:03:02.160
<v Speaker 1>figure who like wanted to be a red panda because

1:03:02.360 --> 1:03:05.520
<v Speaker 1>she wanted to be able to protect herself and her

1:03:05.600 --> 1:03:10.760
<v Speaker 1>daughters during wartime, so she like asked for red panda

1:03:10.800 --> 1:03:13.400
<v Speaker 1>powers from the gods. And then which is like a

1:03:13.720 --> 1:03:17.919
<v Speaker 1>good idea to specifically idea. I can't say I would

1:03:17.920 --> 1:03:21.040
<v Speaker 1>have thought to do that, but now I've been like,

1:03:21.080 --> 1:03:24.560
<v Speaker 1>a weapon would be awesome. She's like, no, I want

1:03:24.560 --> 1:03:28.400
<v Speaker 1>to turn into the cutest animal imaginable, but also be

1:03:28.520 --> 1:03:31.160
<v Speaker 1>like very fierce because she was able to fend off

1:03:31.200 --> 1:03:34.400
<v Speaker 1>bandits and protect her village and save her family from ruin.

1:03:34.880 --> 1:03:37.640
<v Speaker 1>So I love that. That's like the origin story. And

1:03:37.680 --> 1:03:39.880
<v Speaker 1>then you know this gets passed down and then we

1:03:39.960 --> 1:03:44.400
<v Speaker 1>again focus in the movie on Ming and May and

1:03:44.800 --> 1:03:47.120
<v Speaker 1>how again there's yeah, there's just like kind of cultural

1:03:47.200 --> 1:03:50.400
<v Speaker 1>differences that are creating tension between them, the air generational

1:03:50.440 --> 1:03:55.320
<v Speaker 1>differences um that are again relatable for an awful lot

1:03:55.560 --> 1:03:58.480
<v Speaker 1>of people, but are all there, Like there are a

1:03:58.480 --> 1:04:00.920
<v Speaker 1>lot of like culturally specific things that get touched on

1:04:01.040 --> 1:04:03.960
<v Speaker 1>in the movie, but still there's a relationship that is

1:04:04.280 --> 1:04:08.800
<v Speaker 1>very universally relatable, which I thought was really cool and

1:04:09.560 --> 1:04:12.320
<v Speaker 1>not many movies pull it off very well, but I

1:04:12.360 --> 1:04:15.200
<v Speaker 1>thought this one did. Adding to that too, like as

1:04:15.240 --> 1:04:18.280
<v Speaker 1>someone who's grown up with two thousand aunties and uncles.

1:04:18.760 --> 1:04:22.240
<v Speaker 1>I've never seen aunties in a children's movie of any

1:04:22.280 --> 1:04:24.960
<v Speaker 1>kind in America, So it's really cool to see that

1:04:25.000 --> 1:04:27.360
<v Speaker 1>because your aunties are not necessarily related to you. They

1:04:27.440 --> 1:04:30.200
<v Speaker 1>might just be your family's friends, and like that bond

1:04:30.280 --> 1:04:33.600
<v Speaker 1>forms from like being the only people of your race

1:04:33.840 --> 1:04:36.560
<v Speaker 1>and that speak your language around and so they all

1:04:36.600 --> 1:04:38.880
<v Speaker 1>just become people like these are the people that are

1:04:38.880 --> 1:04:41.400
<v Speaker 1>away at my house, that they're all by Auntie or whatever.

1:04:42.040 --> 1:04:43.960
<v Speaker 1>So it's really cool to see that too as a

1:04:43.960 --> 1:04:47.520
<v Speaker 1>as an important relationship or something that mattered, Like you

1:04:47.560 --> 1:04:49.880
<v Speaker 1>needed all of them there to kind of do that

1:04:49.920 --> 1:04:52.840
<v Speaker 1>thing at the end. So I like that. Yeah, coming

1:04:52.880 --> 1:04:56.760
<v Speaker 1>together as family, Yeah, I thought that was beautiful. I

1:04:56.800 --> 1:04:58.720
<v Speaker 1>did see and I think we hinted at this, but

1:04:59.040 --> 1:05:02.040
<v Speaker 1>I saw a lot of critic ism about how people

1:05:02.120 --> 1:05:04.160
<v Speaker 1>a lot of people felt that this movie leaned into

1:05:04.280 --> 1:05:08.400
<v Speaker 1>the tiger mom stereotype. I read it one review in

1:05:08.440 --> 1:05:13.360
<v Speaker 1>particular by a fourteen year old film critic who it

1:05:13.480 --> 1:05:18.040
<v Speaker 1>was from teen Vook. The critics name is Tabitha Yun.

1:05:18.800 --> 1:05:21.800
<v Speaker 1>Her reviews entitled Turning Red made me feel understood as

1:05:21.840 --> 1:05:26.520
<v Speaker 1>a Chinese American teen um and Tabitha, you know, discusses

1:05:26.560 --> 1:05:28.920
<v Speaker 1>a lot of ways in which this movie, you know,

1:05:28.960 --> 1:05:31.880
<v Speaker 1>she feels very seen by it and specific scenes that

1:05:32.600 --> 1:05:37.040
<v Speaker 1>she really connected with. But she does call out the

1:05:37.160 --> 1:05:43.240
<v Speaker 1>use of the tiger mom stereotype um, which I certainly see,

1:05:43.440 --> 1:05:47.560
<v Speaker 1>but also because DOMI, she is very much pulling from

1:05:47.600 --> 1:05:50.919
<v Speaker 1>her own experience and her own family dynamics. I don't

1:05:50.920 --> 1:05:53.640
<v Speaker 1>think it's necessarily fair to criticize someone for playing into

1:05:53.680 --> 1:05:58.400
<v Speaker 1>tropes when that filmmaker is just retelling their own experience.

1:05:58.800 --> 1:06:01.640
<v Speaker 1>I watched this with my Chinese American friend and her

1:06:01.680 --> 1:06:04.600
<v Speaker 1>parents are immigrants. My parents are immigrants, and it was

1:06:04.600 --> 1:06:07.600
<v Speaker 1>funny because we were like, she's so much nicer than

1:06:07.680 --> 1:06:12.360
<v Speaker 1>my mom. Like, because like I do think there is

1:06:12.400 --> 1:06:16.560
<v Speaker 1>something like the tiger Mont's experience is definitely like a

1:06:16.560 --> 1:06:20.000
<v Speaker 1>watered down, very like myopic view of how an Asian

1:06:20.240 --> 1:06:23.760
<v Speaker 1>person parents, for sure, But there are just certain things

1:06:23.840 --> 1:06:26.960
<v Speaker 1>it was like that was relatable to me in some moments.

1:06:27.040 --> 1:06:30.160
<v Speaker 1>It's hard because it's like, this is some people's experience,

1:06:30.160 --> 1:06:33.080
<v Speaker 1>but it's not other people's experience. Like I protect my

1:06:33.120 --> 1:06:36.720
<v Speaker 1>parents are not strict, but they are like I cannot

1:06:36.800 --> 1:06:39.880
<v Speaker 1>talk about a huge swath of topics with my mom

1:06:39.920 --> 1:06:42.120
<v Speaker 1>because she will be co upset and so it's like

1:06:42.200 --> 1:06:44.200
<v Speaker 1>that part was so relatable to me. So it's like

1:06:44.200 --> 1:06:47.600
<v Speaker 1>I totally get what this young film critic is saying

1:06:48.160 --> 1:06:50.520
<v Speaker 1>where you don't want to lean on that stuff, but

1:06:50.520 --> 1:06:53.640
<v Speaker 1>it's so tough because also there's like no representation of

1:06:53.640 --> 1:06:56.320
<v Speaker 1>that in the Pixar universe to begin with. So it's

1:06:56.320 --> 1:06:58.400
<v Speaker 1>like if there were a bunch of movies with Asian

1:06:58.440 --> 1:07:01.320
<v Speaker 1>families and they were all doing that, it's like, okay,

1:07:01.560 --> 1:07:05.840
<v Speaker 1>it's like there's only one. Oh no. And again, I

1:07:05.880 --> 1:07:08.320
<v Speaker 1>do feel like her mom like kind of learned to

1:07:08.400 --> 1:07:11.520
<v Speaker 1>listen to her daughter and learn from her daughter, and

1:07:11.720 --> 1:07:15.800
<v Speaker 1>like that is sort of not part of that trope

1:07:16.040 --> 1:07:19.919
<v Speaker 1>so much. Uh yeah, that's just what I thought. Yeah, yeah,

1:07:19.960 --> 1:07:24.480
<v Speaker 1>I think it's more nuanced than just like the flat trope.

1:07:24.560 --> 1:07:27.960
<v Speaker 1>And I also feel like that, I mean, because the criticism,

1:07:28.120 --> 1:07:30.560
<v Speaker 1>Like I mean again, first of all, like I don't

1:07:30.560 --> 1:07:32.960
<v Speaker 1>really get to have an opinion from from a fu

1:07:33.160 --> 1:07:37.880
<v Speaker 1>Irish Italian family like there um, but I did feel

1:07:37.880 --> 1:07:41.440
<v Speaker 1>like the more I learned about how particular this story

1:07:41.680 --> 1:07:45.520
<v Speaker 1>is to dom she, its like I understand the criticism

1:07:45.520 --> 1:07:47.320
<v Speaker 1>and it is a valid criticism, and I feel like

1:07:47.320 --> 1:07:49.840
<v Speaker 1>it just speaks to a bigger problem than what this

1:07:49.880 --> 1:07:53.560
<v Speaker 1>movie is, because where you're saying like a lack of

1:07:54.080 --> 1:07:57.720
<v Speaker 1>representation in general, where it's like, well, Domi, she is

1:07:57.760 --> 1:08:00.960
<v Speaker 1>like telling people of her story, so you can't tell

1:08:01.040 --> 1:08:04.120
<v Speaker 1>her she's wrong to do it, and that puts a

1:08:04.120 --> 1:08:07.240
<v Speaker 1>lot of pressure on her as like one Chinese Canadian

1:08:07.240 --> 1:08:11.920
<v Speaker 1>filmmaker to represent every you know, first generation kit. So

1:08:11.960 --> 1:08:14.520
<v Speaker 1>it's like yeah, yeah, I feel like it just like

1:08:14.560 --> 1:08:18.519
<v Speaker 1>speaks to what a what a significant pressure there is

1:08:19.400 --> 1:08:24.519
<v Speaker 1>on her specifically, which isn't fair, right, And and Demmy,

1:08:24.640 --> 1:08:27.759
<v Speaker 1>she has spoken a lot about her intentions with this

1:08:28.400 --> 1:08:33.040
<v Speaker 1>movie and the way she characterized the mother daughter relationship.

1:08:33.439 --> 1:08:40.160
<v Speaker 1>Um she was speaking on immigrant children and specifically Asian children, quote,

1:08:40.200 --> 1:08:42.559
<v Speaker 1>they have to figure out what world they belong to,

1:08:42.600 --> 1:08:45.720
<v Speaker 1>how to honor their parents and their family's expectations, but

1:08:45.800 --> 1:08:48.519
<v Speaker 1>how to carve out this independent identity for themselves in

1:08:48.520 --> 1:08:52.120
<v Speaker 1>this new world that their family is not from. I think,

1:08:52.200 --> 1:08:55.120
<v Speaker 1>especially for immigrant kids, Asian kids, and for May in

1:08:55.120 --> 1:08:57.280
<v Speaker 1>the movie, I think she has to come to realize

1:08:57.280 --> 1:08:59.599
<v Speaker 1>that there is no perfect relationship with your parents, and

1:08:59.640 --> 1:09:02.439
<v Speaker 1>that is always going to be messy. We really wanted

1:09:02.479 --> 1:09:05.920
<v Speaker 1>to explore the nuances of Asian parent child relationships and

1:09:06.000 --> 1:09:10.200
<v Speaker 1>dealing with change and of intergenerational conflict and how it

1:09:10.240 --> 1:09:13.880
<v Speaker 1>can shape who we become unquote. So like that was

1:09:13.920 --> 1:09:18.439
<v Speaker 1>her intention. That's very clearly what comes through in the movie. Yes, yeah,

1:09:18.479 --> 1:09:21.439
<v Speaker 1>and I and like I agree that you're saying earlier

1:09:21.479 --> 1:09:24.320
<v Speaker 1>right there where it's like you get more context for

1:09:24.520 --> 1:09:29.200
<v Speaker 1>Ming's behavior than you ever would with like a truly

1:09:29.280 --> 1:09:31.680
<v Speaker 1>like distilled version of that troupe because you get like

1:09:31.680 --> 1:09:34.080
<v Speaker 1>a look at her relationship with her mom and how

1:09:34.200 --> 1:09:37.400
<v Speaker 1>like totally this is clearly like a generational trauma issue

1:09:37.479 --> 1:09:41.120
<v Speaker 1>that like doesn't exist in a void. And it's almost

1:09:41.160 --> 1:09:45.519
<v Speaker 1>a little like, oh, you're allowed to change traditions to

1:09:45.600 --> 1:09:48.880
<v Speaker 1>suit you. You're allowed. It's like a permission kind of thing,

1:09:48.920 --> 1:09:51.200
<v Speaker 1>because like I just do someone that was like, oh,

1:09:51.200 --> 1:09:53.040
<v Speaker 1>it's almost saying it was okay for her to be

1:09:53.080 --> 1:09:55.960
<v Speaker 1>mean to her daughter, because there was a long line

1:09:55.960 --> 1:09:59.360
<v Speaker 1>of that, like listen, first of all, I feel like

1:09:59.400 --> 1:10:01.320
<v Speaker 1>there's a different if you're being mean to your daughter

1:10:01.439 --> 1:10:07.000
<v Speaker 1>at being a strict parent. I don't know whatever, uh,

1:10:07.200 --> 1:10:09.559
<v Speaker 1>but yeah I thought that was like nice, Yeah, like

1:10:09.640 --> 1:10:14.280
<v Speaker 1>nice contact, nice backstory, nice like humanity given totally. Um.

1:10:14.320 --> 1:10:17.679
<v Speaker 1>Here's another quote from Domici that I wanted to share

1:10:17.680 --> 1:10:20.439
<v Speaker 1>about this. She was speaking about just kind of the

1:10:20.479 --> 1:10:23.200
<v Speaker 1>conception of the movie and how the idea for the

1:10:23.240 --> 1:10:27.080
<v Speaker 1>movie came from quote, wanting to make a movie for

1:10:27.200 --> 1:10:29.960
<v Speaker 1>that thirteen year old Tommy who was struggling with her

1:10:29.960 --> 1:10:32.599
<v Speaker 1>body and her emotions and fighting with her mom every

1:10:32.680 --> 1:10:35.280
<v Speaker 1>day and wanting to understand what was going on at

1:10:35.280 --> 1:10:38.960
<v Speaker 1>that time, but in a fun and unique and magical

1:10:39.240 --> 1:10:43.559
<v Speaker 1>way unquote. So it's like one. She executes this well

1:10:43.600 --> 1:10:48.599
<v Speaker 1>in the movie too. Again relatable because I was fighting

1:10:48.600 --> 1:10:52.519
<v Speaker 1>with my mom every day too when I was thirteens.

1:10:52.560 --> 1:10:56.000
<v Speaker 1>Simply what you do, It's just simply what happens. Yeah,

1:10:56.120 --> 1:11:02.120
<v Speaker 1>I just I'm my tireless Domi, she defender. After watching

1:11:02.160 --> 1:11:04.920
<v Speaker 1>that documentary, I like her so much and and I

1:11:04.960 --> 1:11:07.559
<v Speaker 1>like tell like the whatever at the climax of the movie,

1:11:07.640 --> 1:11:09.800
<v Speaker 1>like so much of stuff is like focused on like

1:11:09.880 --> 1:11:15.679
<v Speaker 1>how May is like struggling to balance her Chinese culture

1:11:15.800 --> 1:11:18.920
<v Speaker 1>with like her Canadian culture, and how there's like not

1:11:19.000 --> 1:11:22.320
<v Speaker 1>really one person that she can talk to about everything

1:11:22.479 --> 1:11:25.759
<v Speaker 1>and like that, and then it's like then you get

1:11:25.840 --> 1:11:31.480
<v Speaker 1>the ritual music syncopate with for town, you're like synergy

1:11:32.320 --> 1:11:36.640
<v Speaker 1>and you're like this is hot and ship this is

1:11:36.640 --> 1:11:43.439
<v Speaker 1>what I walked up a It's like it works and

1:11:43.479 --> 1:11:46.439
<v Speaker 1>it's yeah. I like that it's culturally specific and still

1:11:46.479 --> 1:11:52.479
<v Speaker 1>super relatable because that's like what good kids movies should be, right.

1:11:52.760 --> 1:11:55.200
<v Speaker 1>There are a lot of specific references to Chinese culture

1:11:55.439 --> 1:12:00.200
<v Speaker 1>that Hollywood movies have historically shied away from, and not

1:12:00.240 --> 1:12:02.839
<v Speaker 1>speaking just of like Chinese culture, but like any culture

1:12:02.840 --> 1:12:06.880
<v Speaker 1>that's not like white American Hollywood tends to shy away

1:12:06.960 --> 1:12:12.000
<v Speaker 1>from any stories or references of that nature because you know,

1:12:12.320 --> 1:12:16.360
<v Speaker 1>Mr Hollywood is afraid that it will alienate movie going

1:12:16.400 --> 1:12:22.639
<v Speaker 1>audiences who Mr. Hollywood perceives to be white men based

1:12:22.640 --> 1:12:26.400
<v Speaker 1>on the movies that Hollywood has historically turned out. So

1:12:26.600 --> 1:12:30.960
<v Speaker 1>you mean Mr Hollywood, Mr Hollywood is Sunny. Actually is Sunny.

1:12:30.960 --> 1:12:36.360
<v Speaker 1>That's he's rubbing his paws together. It makes me sick

1:12:36.439 --> 1:12:40.519
<v Speaker 1>to look at Sunny is actually running Paramount plus right now,

1:12:41.200 --> 1:12:43.840
<v Speaker 1>Oh my god. But yeah, it was just like very

1:12:43.920 --> 1:12:49.560
<v Speaker 1>refreshing to have this story with these specific cultural references

1:12:50.160 --> 1:12:54.360
<v Speaker 1>that a lot of people were able to see themselves in.

1:12:54.760 --> 1:12:58.720
<v Speaker 1>But the story overall is just very universally relatable, and

1:12:58.760 --> 1:13:01.320
<v Speaker 1>it does feel like more movie are, like like for kids,

1:13:01.320 --> 1:13:04.080
<v Speaker 1>are headed in this direction where it's like recently also

1:13:04.080 --> 1:13:07.719
<v Speaker 1>have like cocoa and um incanto, which, like every child

1:13:07.800 --> 1:13:10.880
<v Speaker 1>in the world is it's a trigger word for them.

1:13:11.000 --> 1:13:14.080
<v Speaker 1>They will. My mom sent me a video. My mom's

1:13:14.080 --> 1:13:16.400
<v Speaker 1>a second gardye teacher, and she sent me a video

1:13:16.439 --> 1:13:19.479
<v Speaker 1>of her just like saying the word incanto at school

1:13:19.680 --> 1:13:22.800
<v Speaker 1>and all the kids were like like they was like

1:13:22.880 --> 1:13:26.480
<v Speaker 1>they had just done a line of coke, Like, uh,

1:13:26.760 --> 1:13:29.240
<v Speaker 1>we will cover incanto of the show at upoint, Yes

1:13:29.320 --> 1:13:31.479
<v Speaker 1>we will. But I like that there's more space being

1:13:31.520 --> 1:13:35.559
<v Speaker 1>made for like culturally specific kids stories and also that

1:13:35.600 --> 1:13:38.519
<v Speaker 1>they're like doing really fucking well too. Like I do

1:13:38.600 --> 1:13:40.360
<v Speaker 1>wish that this I mean, I think it. I don't

1:13:40.360 --> 1:13:43.360
<v Speaker 1>know if this I don't really know, like production wise,

1:13:43.360 --> 1:13:45.600
<v Speaker 1>whether this movie was always intended to go straight to

1:13:45.640 --> 1:13:47.800
<v Speaker 1>streaming or if that was a COVID thing. I do

1:13:47.920 --> 1:13:50.880
<v Speaker 1>wish that this movie got a general release because I do.

1:13:51.000 --> 1:13:53.799
<v Speaker 1>I feel like I feel like maybe, with the exception

1:13:53.800 --> 1:13:57.400
<v Speaker 1>of Encanto, a lot of like Disney Kids movies at

1:13:57.479 --> 1:14:01.599
<v Speaker 1>least that like feature like non white protagonists go straight

1:14:01.680 --> 1:14:05.760
<v Speaker 1>to streaming and don't get the theatrical releases right, so, uh,

1:14:05.960 --> 1:14:08.240
<v Speaker 1>perhaps a bit of side either. I don't really know

1:14:08.680 --> 1:14:11.880
<v Speaker 1>um what the COVID situation is there, so I could

1:14:11.920 --> 1:14:14.400
<v Speaker 1>be wrong, but I was like, why didn't this movie

1:14:14.439 --> 1:14:17.280
<v Speaker 1>get a huge release? It would have done well. I'm

1:14:17.320 --> 1:14:19.719
<v Speaker 1>not sure what Also I have Tyler is the devil.

1:14:20.360 --> 1:14:22.599
<v Speaker 1>I don't think he should have gotten a redemption arc.

1:14:22.880 --> 1:14:26.800
<v Speaker 1>He should have gone to detention. I like that we

1:14:26.840 --> 1:14:30.120
<v Speaker 1>see and this one. I think also maybe the reason

1:14:30.240 --> 1:14:33.120
<v Speaker 1>that a lot of people had kind of perceived Ming

1:14:33.280 --> 1:14:35.840
<v Speaker 1>as a tiger mom. I think that might have been

1:14:35.880 --> 1:14:39.760
<v Speaker 1>sort of enhanced by the fact that May's dad Jin

1:14:40.040 --> 1:14:43.920
<v Speaker 1>was very like understanding, I'm cool and I'm nice, and

1:14:43.960 --> 1:14:47.920
<v Speaker 1>I'm like also sort of barely in the movie, but

1:14:47.960 --> 1:14:50.120
<v Speaker 1>when I am here, I'm super nice. But then the

1:14:50.160 --> 1:14:52.200
<v Speaker 1>flip side of that is like, when was the last

1:14:52.200 --> 1:14:54.679
<v Speaker 1>time you saw like a father talked to his daughter

1:14:54.760 --> 1:15:00.960
<v Speaker 1>about puberty and like accepting yourself. That is I'm edge alerting,

1:15:01.040 --> 1:15:03.960
<v Speaker 1>but I'm like, I think it's good. I think dad

1:15:03.960 --> 1:15:06.639
<v Speaker 1>being nice about Panda good. Actually, I like I really

1:15:06.640 --> 1:15:10.160
<v Speaker 1>liked that scene, like after he finds the video Kim, Yeah,

1:15:10.479 --> 1:15:12.800
<v Speaker 1>like the video camera footage. It's really cute. It makes

1:15:12.800 --> 1:15:14.960
<v Speaker 1>me cry. I like that you see him make dinner

1:15:15.640 --> 1:15:18.160
<v Speaker 1>for the family, Like how often do you see the

1:15:18.320 --> 1:15:23.439
<v Speaker 1>dad making dinner rather than the mom? Yeah, and then

1:15:23.439 --> 1:15:26.120
<v Speaker 1>that's that's another like fun thing about the story that's

1:15:26.160 --> 1:15:29.200
<v Speaker 1>like the food is really culturally specific and like, oh

1:15:29.280 --> 1:15:38.400
<v Speaker 1>my god, it maybe funk absolutely listen Pixar, should I

1:15:38.400 --> 1:15:41.559
<v Speaker 1>mean rat Tui too. Let's go do another food movie.

1:15:42.000 --> 1:15:49.840
<v Speaker 1>Come on, ra there we go where Guini has to

1:15:49.880 --> 1:15:53.280
<v Speaker 1>help the rat do something and he has to step

1:15:53.320 --> 1:15:57.439
<v Speaker 1>on the rat. Remy dies immediately. And maybe I also

1:15:57.479 --> 1:16:00.160
<v Speaker 1>do want to see the movie Raka Kuni with There's

1:16:00.160 --> 1:16:03.280
<v Speaker 1>a reference to anything everywhere all at once. Where's that

1:16:03.360 --> 1:16:10.320
<v Speaker 1>spin off? It's in the works. Let's talk about friendship

1:16:10.960 --> 1:16:14.640
<v Speaker 1>really quick. Um, we've kind of covered this already, but

1:16:14.720 --> 1:16:18.439
<v Speaker 1>I really liked May's relationship with her friends. Again, I

1:16:18.439 --> 1:16:21.920
<v Speaker 1>guess this is really really closely pulled from Domi She's

1:16:21.960 --> 1:16:26.679
<v Speaker 1>life and Miriam is basically an analog for her best

1:16:26.720 --> 1:16:30.639
<v Speaker 1>friend in Toronto growing up, and they were very close

1:16:30.720 --> 1:16:32.759
<v Speaker 1>and I guess they're still friends, which is really sweet.

1:16:32.800 --> 1:16:36.040
<v Speaker 1>And I liked that it's like they are so close

1:16:36.120 --> 1:16:37.840
<v Speaker 1>and like when I don't know when you're thirteen. Those

1:16:37.880 --> 1:16:41.880
<v Speaker 1>are like the people that, besides random boys you don't

1:16:41.920 --> 1:16:44.600
<v Speaker 1>actually know, the only people you think about. Like I

1:16:44.920 --> 1:16:48.080
<v Speaker 1>just I liked their closeness. I wish that you got

1:16:48.080 --> 1:16:50.360
<v Speaker 1>a little more of Priya and Abby because it did

1:16:50.360 --> 1:16:53.240
<v Speaker 1>sort of become like the Miriam Show in terms of

1:16:53.240 --> 1:16:56.439
<v Speaker 1>like friends stuff. I wish that they had more moments. Yes,

1:16:56.880 --> 1:17:01.880
<v Speaker 1>I agree, especially because I think specific being around. I

1:17:02.439 --> 1:17:04.320
<v Speaker 1>love that she had like a core group that had

1:17:04.360 --> 1:17:06.559
<v Speaker 1>a bunch of Asian friends in it. I think that rules.

1:17:06.640 --> 1:17:09.120
<v Speaker 1>That was what my friend group felt like too. It

1:17:09.160 --> 1:17:11.600
<v Speaker 1>was funny too because I think Abby is Jewish and

1:17:11.600 --> 1:17:13.719
<v Speaker 1>it was like all of my white friends were Jewish

1:17:13.760 --> 1:17:17.040
<v Speaker 1>and then all of my other friends were Asian. Oh

1:17:17.280 --> 1:17:24.680
<v Speaker 1>I thought Abby, Abby is Korean? Who Who's Miriam? Yes,

1:17:25.160 --> 1:17:29.120
<v Speaker 1>I should have said Plaid, Sorry, but I just love

1:17:29.479 --> 1:17:32.519
<v Speaker 1>I love that dynamic. But I felt like one of

1:17:32.560 --> 1:17:34.920
<v Speaker 1>my best friends growing up with Chinese American and we

1:17:34.960 --> 1:17:38.200
<v Speaker 1>could just talk for just forever about like my parents

1:17:38.200 --> 1:17:40.200
<v Speaker 1>doing this that's really similar to something might like. It

1:17:40.280 --> 1:17:42.559
<v Speaker 1>made me feel normal. I don't know what I would

1:17:42.600 --> 1:17:45.200
<v Speaker 1>have done without that experience, and I feel like that

1:17:45.320 --> 1:17:48.120
<v Speaker 1>is the benefit of having that that story wise, not

1:17:48.160 --> 1:17:50.760
<v Speaker 1>even just from the director's life, like that core group

1:17:50.880 --> 1:17:53.080
<v Speaker 1>is just like do you experience like how can we

1:17:53.120 --> 1:17:54.960
<v Speaker 1>talk to each other and make each other feel more

1:17:55.040 --> 1:17:58.519
<v Speaker 1>safe and normal? So I'm with you there. It would

1:17:58.560 --> 1:18:01.320
<v Speaker 1>have been cooler to see like more conversations like that

1:18:01.400 --> 1:18:03.439
<v Speaker 1>because I feel like they don't really they happen a

1:18:03.520 --> 1:18:05.160
<v Speaker 1>little bit of like my mom doesn't get me, but

1:18:05.200 --> 1:18:08.800
<v Speaker 1>it's mostly it's mostly for town in Panda. It would

1:18:08.800 --> 1:18:10.280
<v Speaker 1>be cool if they were talking to me about their

1:18:10.280 --> 1:18:12.639
<v Speaker 1>own parents. I think there would have been room two

1:18:12.720 --> 1:18:15.479
<v Speaker 1>to even if it was briefly just to like check

1:18:15.520 --> 1:18:19.439
<v Speaker 1>in with each of May's friends families and like just

1:18:19.479 --> 1:18:22.120
<v Speaker 1>to kind of see, yeah, what their families are like

1:18:22.200 --> 1:18:25.280
<v Speaker 1>and what their home life is like. But um, yeah,

1:18:25.360 --> 1:18:28.400
<v Speaker 1>I we we've talked before about because we've covered a

1:18:28.479 --> 1:18:31.920
<v Speaker 1>number of coming of age stories on the show, but

1:18:32.040 --> 1:18:37.280
<v Speaker 1>it's a genre that is so white historically and really

1:18:37.320 --> 1:18:41.280
<v Speaker 1>like upper class to others. It's like, what's this movie

1:18:41.280 --> 1:18:44.040
<v Speaker 1>does do? It's like fancy house party for thirteen year

1:18:44.080 --> 1:18:48.000
<v Speaker 1>old and yeah, sure, sure it happened, But yet to

1:18:48.040 --> 1:18:53.120
<v Speaker 1>have a coming of age story that focuses on character

1:18:53.160 --> 1:18:58.160
<v Speaker 1>of color. Most of her friends are of color, and

1:18:58.560 --> 1:19:02.400
<v Speaker 1>the movie doesn't center whiteness. Said all is really I

1:19:02.439 --> 1:19:05.519
<v Speaker 1>mean shouldn't be remarkable, that should just be a thing

1:19:05.560 --> 1:19:09.960
<v Speaker 1>that already exists. But as we've said, there is uh

1:19:10.160 --> 1:19:14.280
<v Speaker 1>severe lack. I mean, this is the first Pixar feature

1:19:14.320 --> 1:19:18.920
<v Speaker 1>film directed by an Asian woman, and the only Pixar

1:19:19.000 --> 1:19:22.760
<v Speaker 1>movie directed by one woman at all. I think that

1:19:22.800 --> 1:19:26.320
<v Speaker 1>there's been like a woman who co directed, but never

1:19:26.479 --> 1:19:30.559
<v Speaker 1>like because the director of Brave she got like fucked over.

1:19:31.080 --> 1:19:34.760
<v Speaker 1>Yeah she got ye, but I don't remember if she

1:19:34.840 --> 1:19:37.559
<v Speaker 1>ended up with soul director credit or not, or maybe

1:19:37.560 --> 1:19:41.920
<v Speaker 1>it was okay, yeah, no dummy. She is the first

1:19:42.600 --> 1:19:47.040
<v Speaker 1>in many categories. And also there's like a majority, um,

1:19:47.200 --> 1:19:49.640
<v Speaker 1>most of the people working in high positions on this

1:19:49.680 --> 1:19:53.280
<v Speaker 1>show are on this movie are also women. She co

1:19:53.439 --> 1:19:59.120
<v Speaker 1>wrote with Julia Cho who is a famous playwright. Um,

1:19:59.320 --> 1:20:04.720
<v Speaker 1>so they We're Together is produced by women. There was

1:20:04.920 --> 1:20:08.719
<v Speaker 1>like the if you're interested in learning more, it's all

1:20:08.760 --> 1:20:12.880
<v Speaker 1>covered in that forty five minute documentary that happens. If

1:20:12.920 --> 1:20:15.080
<v Speaker 1>you watch all of the credits of Turning Red, it

1:20:15.120 --> 1:20:18.760
<v Speaker 1>just starts, um, but it it covers like all of

1:20:18.800 --> 1:20:23.000
<v Speaker 1>these like women in high positions making this movie during COVID.

1:20:23.640 --> 1:20:25.960
<v Speaker 1>Some of them are like trying to raise young children.

1:20:26.040 --> 1:20:28.240
<v Speaker 1>They're talking about like how it's been This is like

1:20:28.280 --> 1:20:31.360
<v Speaker 1>a really unique project in animation to have so many

1:20:31.400 --> 1:20:33.760
<v Speaker 1>women at the top of a project. And I know

1:20:33.880 --> 1:20:37.240
<v Speaker 1>everything Disney makes is essentially propaganda, but this felt like

1:20:37.240 --> 1:20:43.120
<v Speaker 1>propaganda that I liked propaganda. Yeah, it was making me smile,

1:20:43.439 --> 1:20:46.400
<v Speaker 1>and so it was. Yeah, It's like it's it's a

1:20:46.600 --> 1:20:49.479
<v Speaker 1>rarity on so many fronts because Picks, I feel like Pixar,

1:20:49.920 --> 1:20:51.960
<v Speaker 1>there have been like public scandals that have to do

1:20:52.120 --> 1:20:55.720
<v Speaker 1>with like how few women or people color or a

1:20:55.840 --> 1:20:58.400
<v Speaker 1>Pixar and it's like caused huge issues in the past.

1:20:58.520 --> 1:21:01.519
<v Speaker 1>So totally it seems like Toomi, she is like the

1:21:01.640 --> 1:21:05.000
<v Speaker 1>new wave and I thought it was cool that her.

1:21:05.479 --> 1:21:12.200
<v Speaker 1>She says in the documentary that her mentor is my

1:21:12.320 --> 1:21:17.520
<v Speaker 1>favorite Picks are director Pete Doctor who did Monsters Incorporated.

1:21:19.080 --> 1:21:21.160
<v Speaker 1>So he's been her mentor for a long time and

1:21:21.200 --> 1:21:24.360
<v Speaker 1>she like pitched him the idea and she tells this

1:21:24.400 --> 1:21:26.960
<v Speaker 1>anecdote that's really cool where she was like, I don't know,

1:21:27.040 --> 1:21:29.519
<v Speaker 1>should it be less culturally specific or like, are they

1:21:29.600 --> 1:21:31.840
<v Speaker 1>less likely to choose this idea to be turned into

1:21:31.880 --> 1:21:35.160
<v Speaker 1>a feature if it's culturally specific, and he I guess

1:21:35.160 --> 1:21:38.400
<v Speaker 1>he was like, nope, double down and cool she did

1:21:38.720 --> 1:21:44.240
<v Speaker 1>and the movie got So that's awesome. Who love it? Um?

1:21:44.479 --> 1:21:48.680
<v Speaker 1>Does anyone else have anything they want to talk about? No?

1:21:48.800 --> 1:21:52.160
<v Speaker 1>I just can't believe that growstall the moon literally the

1:21:52.240 --> 1:21:55.200
<v Speaker 1>day after and it's not addressed. That's the ship that

1:21:55.240 --> 1:21:58.200
<v Speaker 1>they didn't want to put in the documentary. They're like,

1:21:58.400 --> 1:22:02.960
<v Speaker 1>it's too dangerous. The whole grow situation, the whole weird

1:22:03.200 --> 1:22:07.160
<v Speaker 1>how that was kind of left out? Okay, because I

1:22:07.240 --> 1:22:10.760
<v Speaker 1>heard that Steve Carrell was having public tantrums about the

1:22:10.760 --> 1:22:17.639
<v Speaker 1>whole situation, could not let it go. Kevin wouldn't leave

1:22:17.720 --> 1:22:23.439
<v Speaker 1>his trailerk Kevin's was being a complete diva about it.

1:22:23.800 --> 1:22:25.880
<v Speaker 1>He was like, just pushed the date by a week

1:22:26.000 --> 1:22:34.400
<v Speaker 1>and they said, no, oh my god, Kevin Kevin culture wild. Um,

1:22:34.439 --> 1:22:37.320
<v Speaker 1>So yeah, I think. I mean that's about all I

1:22:37.320 --> 1:22:39.160
<v Speaker 1>have to Oh the last thing that was just very

1:22:39.160 --> 1:22:42.519
<v Speaker 1>two thousand two specific. Also, this made me laugh where

1:22:42.920 --> 1:22:45.479
<v Speaker 1>there are so many things about this movie that are

1:22:45.520 --> 1:22:48.360
<v Speaker 1>a first for Disney Pixar, but there were a few

1:22:48.479 --> 1:22:51.639
<v Speaker 1>random internet articles that were like the first Disney movie

1:22:51.680 --> 1:22:54.320
<v Speaker 1>to take blaze in Canada, and you're like, all right,

1:22:54.400 --> 1:22:57.360
<v Speaker 1>like that's whore. That is cool, and it feels like

1:22:57.360 --> 1:23:00.280
<v Speaker 1>when people are like Trailblazer Jill Biden is the first

1:23:00.280 --> 1:23:03.320
<v Speaker 1>Italian American first lady, and you're kind of like great,

1:23:03.760 --> 1:23:06.720
<v Speaker 1>I get like that's awesome. I actually do think it's

1:23:06.760 --> 1:23:10.000
<v Speaker 1>cool because, like I mean, all of Hollywood and like

1:23:10.320 --> 1:23:15.680
<v Speaker 1>Disney Media is is like very America centric, So I'm like,

1:23:15.760 --> 1:23:19.480
<v Speaker 1>what about our friendly neighbors to the north. The denizens

1:23:19.520 --> 1:23:22.200
<v Speaker 1>of Toronto were thrilled, and I guess that they really

1:23:22.240 --> 1:23:24.719
<v Speaker 1>like nailed it in terms of like I guess, even

1:23:24.720 --> 1:23:27.040
<v Speaker 1>the name of the stadium they perform att used to

1:23:27.080 --> 1:23:29.280
<v Speaker 1>have a different name, and they did it correctly and

1:23:29.320 --> 1:23:33.120
<v Speaker 1>it was all nice. In conclusion, the best thing that

1:23:33.160 --> 1:23:35.960
<v Speaker 1>happens in this movie is may making a power point

1:23:35.960 --> 1:23:39.320
<v Speaker 1>presentation to get what she wants. Um I have done that.

1:23:39.520 --> 1:23:42.559
<v Speaker 1>I did that because I wanted to do something abroad

1:23:42.840 --> 1:23:46.160
<v Speaker 1>and my dad said no. The answer to the power

1:23:46.200 --> 1:23:50.960
<v Speaker 1>point I've It's never been yes, You've always I don't

1:23:50.960 --> 1:23:54.400
<v Speaker 1>know what what happens in your brain. That's like this

1:23:54.439 --> 1:23:56.920
<v Speaker 1>will show them I'm a professional. It's like, actually, you

1:23:56.960 --> 1:23:59.760
<v Speaker 1>just proved to your parents you're a fucking wheenie. So

1:24:00.840 --> 1:24:05.000
<v Speaker 1>that's all that happens. You just did homework for free

1:24:05.160 --> 1:24:07.840
<v Speaker 1>and for work, just like you do at school, like

1:24:07.880 --> 1:24:14.719
<v Speaker 1>a chump, and then like we should walk out today. Well, um,

1:24:14.840 --> 1:24:18.000
<v Speaker 1>as far as the Bechtel test goes, this movie passes

1:24:18.120 --> 1:24:21.960
<v Speaker 1>very very handily. Yeah, no question about it. Between a

1:24:22.080 --> 1:24:25.160
<v Speaker 1>number of different combinations of characters. Yeah, it's kind of

1:24:25.200 --> 1:24:26.920
<v Speaker 1>an easy one. We don't need to break it down.

1:24:26.920 --> 1:24:30.080
<v Speaker 1>It happens between almost Men don't play a big role

1:24:30.120 --> 1:24:33.519
<v Speaker 1>in this movie really, except for the I do think

1:24:33.680 --> 1:24:36.519
<v Speaker 1>for some reason, four Time passes the Bechtel test for

1:24:36.600 --> 1:24:40.360
<v Speaker 1>me personally. I think because they're talking about us, like

1:24:40.360 --> 1:24:44.120
<v Speaker 1>they're talking about like them, like girls, and you know

1:24:44.600 --> 1:24:46.960
<v Speaker 1>they're they're they're passing it for us, and I think

1:24:47.000 --> 1:24:49.800
<v Speaker 1>that's nice. Absolutely. I agree. Yeah, so let's do the

1:24:49.880 --> 1:24:52.640
<v Speaker 1>nipple scale. Nipple scales zero to five nipples based on

1:24:52.680 --> 1:24:57.000
<v Speaker 1>how the movie fares when examining it through an intersectional faminess.

1:24:57.080 --> 1:25:00.040
<v Speaker 1>Lens enjoyed watching rica s face onine. We said the

1:25:00.080 --> 1:25:07.560
<v Speaker 1>Nile nipple scale. I was like, oh, I'm sorry, do

1:25:07.560 --> 1:25:14.080
<v Speaker 1>you have questions? Pretty self explained? I think I first

1:25:14.080 --> 1:25:15.880
<v Speaker 1>thought it might be like a pie chart of like

1:25:16.000 --> 1:25:19.160
<v Speaker 1>one nipple and like how much of the nipple you

1:25:19.200 --> 1:25:22.000
<v Speaker 1>feel it? I mean, you can interpret it that way

1:25:22.040 --> 1:25:24.879
<v Speaker 1>if you want to. The nipple scale is quite fluid.

1:25:27.120 --> 1:25:30.840
<v Speaker 1>For me, I would give Turning red. I would give

1:25:30.880 --> 1:25:36.360
<v Speaker 1>it for half or maybe even maybe. I just need

1:25:36.400 --> 1:25:38.840
<v Speaker 1>to talk through this. I think all my grapes with

1:25:38.880 --> 1:25:41.440
<v Speaker 1>the movie are just kind of like a little tiny

1:25:41.720 --> 1:25:44.800
<v Speaker 1>plotty things that I had questions about. But as far

1:25:44.840 --> 1:25:49.080
<v Speaker 1>as like what we analyze on the show, I don't

1:25:49.080 --> 1:25:53.559
<v Speaker 1>really have any complaints. I like the hell, that's how

1:25:53.600 --> 1:25:57.040
<v Speaker 1>I have to frame it too, because there I love complaining.

1:25:58.560 --> 1:26:00.439
<v Speaker 1>Then give it a five already. I think it's a

1:26:00.479 --> 1:26:04.080
<v Speaker 1>five nipples. Yeah, five nipples, no reason not to. I'll

1:26:04.080 --> 1:26:10.040
<v Speaker 1>give one to May one two Ming, who's voiced by Sandro.

1:26:10.200 --> 1:26:12.519
<v Speaker 1>I don't think we mentioned that, So I shout out

1:26:13.240 --> 1:26:20.200
<v Speaker 1>Chinese Canadian legend, and then I'll split the other three.

1:26:21.120 --> 1:26:25.840
<v Speaker 1>I'll give one to each of May's friends. I'm gonna

1:26:25.880 --> 1:26:28.959
<v Speaker 1>do five to I. I like with the like astrosk

1:26:29.040 --> 1:26:32.400
<v Speaker 1>of like I understand the criticism around the Tiger Mom trope,

1:26:32.479 --> 1:26:35.519
<v Speaker 1>but because it's like this is Domy, She's story, and

1:26:35.560 --> 1:26:38.519
<v Speaker 1>she's been pretty explicit about it, and so like with

1:26:38.560 --> 1:26:40.320
<v Speaker 1>that in mind, it's like I think that that the

1:26:40.400 --> 1:26:42.799
<v Speaker 1>takeaway from that is like you just need more movies

1:26:42.840 --> 1:26:47.400
<v Speaker 1>about Chinese, American, Chinese, Canadian, etcetera families Like that is

1:26:47.840 --> 1:26:51.120
<v Speaker 1>the thing. Totally. Yeah, I love this movie so much.

1:26:51.520 --> 1:26:57.840
<v Speaker 1>Um I am now DOMI she stand and I'm going

1:26:57.920 --> 1:27:01.280
<v Speaker 1>to give it five nipples kind of that's just the beginning, middle,

1:27:01.320 --> 1:27:03.000
<v Speaker 1>and end. I would say it would have been cool

1:27:03.200 --> 1:27:06.920
<v Speaker 1>like in this movie too. It was like, I don't know,

1:27:06.920 --> 1:27:08.960
<v Speaker 1>I don't want to say that, like boy bands are

1:27:09.000 --> 1:27:13.000
<v Speaker 1>a hetero construction. They're not, but it would have been

1:27:13.040 --> 1:27:16.519
<v Speaker 1>cool to like see you know, like preteen queerness. Like

1:27:16.560 --> 1:27:19.360
<v Speaker 1>I think that that would have been Yeah, there was

1:27:19.439 --> 1:27:22.960
<v Speaker 1>room for it. Maybe there's the quietest suggestion because Tyler

1:27:23.040 --> 1:27:27.320
<v Speaker 1>is also at the concert. The quietest suggestion because we

1:27:27.320 --> 1:27:31.800
<v Speaker 1>don't that doesn't mean anything whatever. But I also wondered

1:27:32.040 --> 1:27:36.759
<v Speaker 1>if there's a moment at the party where Miriam and

1:27:37.320 --> 1:27:40.400
<v Speaker 1>there's like a kind of goth emo girl they have

1:27:40.479 --> 1:27:42.920
<v Speaker 1>a kind of that it was pri and the goth girl.

1:27:43.120 --> 1:27:45.679
<v Speaker 1>Oh sorry what did I say? You said? Miriam? Oh,

1:27:45.760 --> 1:27:47.559
<v Speaker 1>I think it's Pa and the goth girl were dancing,

1:27:47.560 --> 1:27:50.960
<v Speaker 1>and then the other three girls were like whoo, like, oh,

1:27:51.080 --> 1:27:53.920
<v Speaker 1>I didn't even Okay, that didn't I didn't notice that

1:27:54.000 --> 1:27:55.760
<v Speaker 1>I was talking about. I think there's a moment where

1:27:56.000 --> 1:27:59.240
<v Speaker 1>they're doing like charades, and then one of them is like,

1:27:59.600 --> 1:28:01.599
<v Speaker 1>I'm thinking of a different moment at the party. There's

1:28:01.600 --> 1:28:04.000
<v Speaker 1>a charades moment and that actually might be pre two

1:28:04.160 --> 1:28:07.240
<v Speaker 1>now I don't totally remember, but it's one of the

1:28:07.280 --> 1:28:10.479
<v Speaker 1>friends and then like the goths girl who like have

1:28:10.600 --> 1:28:13.559
<v Speaker 1>a little like moment. Yeah, I noticed that too, So

1:28:13.640 --> 1:28:17.759
<v Speaker 1>maybe that's a suggestion, but it could be certainly more overt.

1:28:18.120 --> 1:28:20.960
<v Speaker 1>That's such a Disney move of like Josh Gad touches

1:28:21.000 --> 1:28:25.439
<v Speaker 1>another man's hand and homophobia is solved. You're like, give

1:28:25.479 --> 1:28:28.880
<v Speaker 1>it a rest. Anyways, that said, like, that's like a

1:28:29.680 --> 1:28:31.840
<v Speaker 1>very very small gripe for a movie that is so

1:28:31.880 --> 1:28:34.719
<v Speaker 1>fucking great. So I'm gonna give it five nipples, give

1:28:35.320 --> 1:28:38.400
<v Speaker 1>one to May, three to the friends, and I'm going

1:28:38.439 --> 1:28:43.320
<v Speaker 1>to give the last one to Dad's cooking. Yeah, rka,

1:28:43.360 --> 1:28:46.439
<v Speaker 1>how about you. I will give just as someone who

1:28:46.439 --> 1:28:49.559
<v Speaker 1>hasn't given nipples before. I'll see Moore and a half

1:28:50.360 --> 1:28:52.479
<v Speaker 1>because I think everything you said was true. It like

1:28:52.560 --> 1:28:55.840
<v Speaker 1>really takes a lot of boxes without even having to

1:28:55.880 --> 1:28:59.160
<v Speaker 1>think about it. You're not scrounging your memory to remember

1:28:59.439 --> 1:29:03.360
<v Speaker 1>how it satisfies. Like two people from a marginalized gender

1:29:03.439 --> 1:29:07.840
<v Speaker 1>talking to each other. It happens the entire fucking movie. Um,

1:29:07.880 --> 1:29:10.920
<v Speaker 1>and I think that's really exciting and cool. And if

1:29:10.960 --> 1:29:14.160
<v Speaker 1>I have to give my nipples out, if I don't

1:29:14.160 --> 1:29:17.200
<v Speaker 1>get to keep poured them, um, I mean that's also

1:29:17.280 --> 1:29:20.080
<v Speaker 1>on the table. No, I should be generous. I'm gonna

1:29:20.120 --> 1:29:24.679
<v Speaker 1>give Okay, I'll give to to May because I think

1:29:24.680 --> 1:29:27.479
<v Speaker 1>she earned it. I think she did a lot of work. Um,

1:29:27.520 --> 1:29:30.160
<v Speaker 1>I'm gonna give one Toming because she's done a lot

1:29:30.200 --> 1:29:35.839
<v Speaker 1>of work too. I'm gonna give one to the friends,

1:29:36.680 --> 1:29:40.280
<v Speaker 1>and one and a half to the aunties and the grandma.

1:29:39.840 --> 1:29:44.320
<v Speaker 1>Hell yeah, oh yeah, we did sleep on. Look, the

1:29:44.400 --> 1:29:49.000
<v Speaker 1>elder generations need nipples as well. That's what I was saying.

1:29:49.240 --> 1:29:51.960
<v Speaker 1>It's true, It's true. Well, thank you so much for

1:29:52.000 --> 1:29:54.880
<v Speaker 1>coming on this show again. Thank you for bringing us

1:29:54.960 --> 1:29:58.439
<v Speaker 1>this movie today. Thank you, thank you guys for having me.

1:29:58.479 --> 1:30:01.760
<v Speaker 1>What a blast. Oh my gosh, where can people check

1:30:01.760 --> 1:30:06.400
<v Speaker 1>out your stuff? Follow you online? Plug away on Twitter.

1:30:06.560 --> 1:30:09.680
<v Speaker 1>I'm at ka l Shankar so R e k h

1:30:09.800 --> 1:30:13.040
<v Speaker 1>A L s h A n k A R And

1:30:13.360 --> 1:30:16.400
<v Speaker 1>on Instagram, I'm at RecA Underscore s R e k

1:30:16.560 --> 1:30:20.120
<v Speaker 1>J Underscore s and you know, hire me watch Grand

1:30:20.120 --> 1:30:24.160
<v Speaker 1>Crew on Hulu Anemaniacs next year. I was like when

1:30:24.200 --> 1:30:28.160
<v Speaker 1>to say, I was, okay, Yes, what a treat. Animation rocks.

1:30:29.120 --> 1:30:33.599
<v Speaker 1>It's great. We love innovation and you can follow us

1:30:33.640 --> 1:30:37.280
<v Speaker 1>on Twitter and Instagram. At betel Cast. You can subscribe

1:30:37.320 --> 1:30:41.800
<v Speaker 1>to our Matreon at patreon dot com slash backtel Cast,

1:30:41.880 --> 1:30:44.599
<v Speaker 1>where you get two bonus episodes every month, plus access

1:30:44.640 --> 1:30:47.519
<v Speaker 1>to the entire back catalog of bonuses, which is now

1:30:47.640 --> 1:30:50.760
<v Speaker 1>over one hundred. So if you're running out of main

1:30:50.880 --> 1:30:54.160
<v Speaker 1>feed episode, scoot on over to the Matreon and there's

1:30:54.200 --> 1:30:56.840
<v Speaker 1>a lot more. And if you're compelled by the whole

1:30:57.080 --> 1:31:01.880
<v Speaker 1>groove situation, it's Minions March on the Matreon this July.

1:31:02.240 --> 1:31:06.240
<v Speaker 1>And so we did cover Despicable Me, where this revelation

1:31:06.320 --> 1:31:10.200
<v Speaker 1>originally came to pass, amongst other things. So head over

1:31:10.240 --> 1:31:13.120
<v Speaker 1>there you don't want to miss good for you, yea.

1:31:13.840 --> 1:31:15.720
<v Speaker 1>You can also get our merch at public dot com

1:31:15.800 --> 1:31:20.559
<v Speaker 1>slash the Bechtel cast Um. All right, shall we how

1:31:20.560 --> 1:31:22.920
<v Speaker 1>do we close this episode? Go to the I have

1:31:23.120 --> 1:31:26.799
<v Speaker 1>to go to the Four Town Reunion concert in Vegas,

1:31:26.840 --> 1:31:28.439
<v Speaker 1>and oh my god, wait, one of the members of

1:31:28.479 --> 1:31:32.120
<v Speaker 1>four Town isn't Q and on Now that was my

1:31:32.160 --> 1:31:36.920
<v Speaker 1>Backstreet Foe experience. But Brian, Brian, Oh no, he was,

1:31:37.280 --> 1:31:40.880
<v Speaker 1>Brian was Brian and Nick were my boys. And then

1:31:41.000 --> 1:31:43.879
<v Speaker 1>Nick's a creep and then Brian's Q. He was on parlor.

1:31:45.000 --> 1:31:47.360
<v Speaker 1>We should have we should have gone with a J.

1:31:47.840 --> 1:31:50.240
<v Speaker 1>We see, we should have known. AJ has been through

1:31:50.280 --> 1:31:52.360
<v Speaker 1>some stuff and came at the other end. He is strong. Well,

1:31:52.520 --> 1:31:55.160
<v Speaker 1>Kevin has always been a father to the whole group.

1:31:55.200 --> 1:31:57.559
<v Speaker 1>How is my problem with him? Originally he's a father

1:31:57.720 --> 1:32:00.960
<v Speaker 1>to the whole group, I know. But also it's fun

1:32:00.960 --> 1:32:03.000
<v Speaker 1>to reflect on because I'm like, I really thought Kevin

1:32:03.160 --> 1:32:07.240
<v Speaker 1>was a senior citizen because he was twenty six years old. Yeah, absolutely,

1:32:07.560 --> 1:32:10.679
<v Speaker 1>all right, Four Time Reunion Company. Okay, well, yeah, let's

1:32:10.760 --> 1:32:12.719
<v Speaker 1>let's go to the concert. Bye bye,