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Speaker 1: Are hello. Oh my god, Sam high wait, I didn't

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Speaker 1: see you there, Gege, what are you doing in the studio?

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Speaker 1: This is so crazy. I was actually going to record

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Speaker 1: a podcast. That's crazy because I was thinking about starting

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Speaker 1: and recording one today. Also, I want to just do

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Speaker 1: it together and see how it goes. That could be nice. Okay, sure,

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Speaker 1: you know so weird. I wonder if like our dynamics

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Speaker 1: would go well together. And I feel like we have

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Speaker 1: very different styles of common And what's crazy is I

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Speaker 1: think they're so different and yet they might be complimented.

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Speaker 1: That is so true. And sometimes when things are different

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Speaker 1: and you put them together, they actually mix well, and

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Speaker 1: other times they make poorly. Yes, and sometimes you can't

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Speaker 1: tell until it's happening, until it's released. Um, do you

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Speaker 1: think we'll ever release any episodes or and you know,

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Speaker 1: thank you for asking. I think releasing them to me

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Speaker 1: seems obvious, Like every podcast I know has been released. Yeah,

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Speaker 1: it's sort of a new and inventive to sort of

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Speaker 1: just keep it locked away. Don't hear about podcasts that

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Speaker 1: go unreleased? And and that's so messed up. It's weird

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Speaker 1: because they're just as relevant, they're just as like the

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Speaker 1: fact that it's almos. It's like this weird prejudice that

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Speaker 1: something has to be uh you know, created and put

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Speaker 1: out there for it to matter. Bigotry exists in so

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Speaker 1: many different in some ways. I haven't written anything new

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Speaker 1: in decades, but that doesn't mean I am not a

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Speaker 1: prolific comedian and writer. Here's something I've been thinking about.

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Speaker 1: It's crazy that technically I am not on the show

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Speaker 1: search party, because technically I am a cast member of

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Speaker 1: the show's search part. That makes That's how I feel

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Speaker 1: about High Maintenance. Yeah, it's like I'm not on it,

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Speaker 1: but you know I'm I'm in it and you write

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Speaker 1: for it. Yeah, I pretty much created it. Sure, I'm

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Speaker 1: not in it, never touched it, and I play the

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Speaker 1: guy on him. But it does. It looks very you

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Speaker 1: wouldn't tell you, you can't tell, couldn't tell. In fact,

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Speaker 1: it almost sounds like I'm fully just making it. The

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Speaker 1: fact that you have to have a job in TV

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Speaker 1: writing to be a TV writer is insane. Like I

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Speaker 1: just am a TV writer. I have won many awards,

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Speaker 1: a w G a award for actually acting as the

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Speaker 1: guy in High Maintenance. When I see the w J,

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Speaker 1: I say that's my guild. I say, I'm not. I

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Speaker 1: don't need the membership. That's my guild. You know the

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Speaker 1: g A stands for tag gart. Wow, this is write

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Speaker 1: that down. This is our podcast. It's called We Think Yeah,

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Speaker 1: and it is where we unpack the rich tapestry that

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Speaker 1: is straight culture. Even as I'm saying that, I'm like, Okay,

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Speaker 1: we're past it. I know. It's like, why we have

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Speaker 1: to keep saying this. If you're if you're listening to

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Speaker 1: this point, you've heard it all. If you're listening to

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Speaker 1: this episode that will never be released, then you've already

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Speaker 1: heard all the other unreleased episodes, and you're like, enough,

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Speaker 1: we get it, we get it, we get the whole thing,

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Speaker 1: we get your stick. Maybe just move on. What's cool

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Speaker 1: about our podcast is that we every episode subvert the

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Speaker 1: premise without at any point establishing it in the first place. Yeah,

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Speaker 1: can you subvert something that hasn't been established? It's one

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Speaker 1: of those things. But it's sort of like maybe we

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Speaker 1: were just sort of confident in our idea that it

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Speaker 1: would just sort of we wouldn't need to do all

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Speaker 1: this song and dance. But we're so insecure that we

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Speaker 1: just undercut and undercut before there's even anything exactly. I mean,

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Speaker 1: who even is confidently I feel okay, am I like

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Speaker 1: a football player, you know, like, yeah, I don't think so, honey,

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Speaker 1: And that brings us our first segment. I don't think so.

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Speaker 1: Welcome to the Slate culture. Gather the Slate culture best.

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Speaker 1: I'm Danna Stevens and I'm Matt Rogers and Bowen Yang.

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Speaker 1: I have a question for you. How have you been? Oh,

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Speaker 1: I've been incredible. I went out last night classic way. Um,

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Speaker 1: I did Molly for the first time for the first time.

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Speaker 1: That is shocking to me. Am, I bad. That's just

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Speaker 1: crazy because our dynamic, I would say, is that I'm

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Speaker 1: the more. Um. I don't want to say straight edge,

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Speaker 1: but yeah, buttoned up, buttoned up one ye uh. But

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Speaker 1: in fact, I'll say it. I've done Molly many times.

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Speaker 1: I couldn't even can even tell you how many times

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Speaker 1: I've done it, at at least three music festivals. Yeah,

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Speaker 1: I mean that's crazy. I I love it. Yeah, I'm addicted. Okay,

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Speaker 1: question for does that play fuller? I'm addicted to drugs.

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Speaker 1: Do you feel awful today? Do I feel awful today?

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Speaker 1: It's hard to tell. I feel slower. For sure, I

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Speaker 1: feel I don't trust my ideas. Um I I start

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Speaker 1: saying words and I'm like, okay, maybe this will check

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Speaker 1: out when it's out of my mouth. That so far,

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Speaker 1: no such luck. But go on. So I feel um medium,

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Speaker 1: you know, Okay, I feel a little honestly, I feel

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Speaker 1: a little irresponsible, interesting because that's not where I was going.

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Speaker 1: I for me, the reason I can I no longer

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Speaker 1: do um those kinds of drugs is because I have

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Speaker 1: a come down that lasts like three days where I

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Speaker 1: am fully for like truly three days and I have

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Speaker 1: like a massive headache. My body feels like it's been

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Speaker 1: like emptied out somehow that I do have a headache. Okay, yeah,

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Speaker 1: So how was the party otherwise? It was really fun.

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Speaker 1: It was heaven on Earth. Oh, I feel like this

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Speaker 1: is something I should talk about off like, okay, well

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Speaker 1: then we don't have to talk about her. Well, I

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Speaker 1: just know Zachary Quinto was there. Okay. You know what's

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Speaker 1: crazy is that I was also an event with Zachary

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Speaker 1: Quinto exactly a week ago tonight. Okay, Well you know

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Speaker 1: where the event was a week ago tonight? It was

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Speaker 1: a Saturday Night Live Saturday Night Live. It was a

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Speaker 1: Saturday Night Live after party, okay. And what's interesting is

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Speaker 1: that in addition to being the star of High Maintenance,

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Speaker 1: I also created Saturday Night Live. Well, we're definitely frequent

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Speaker 1: hosts of that show. Yes, frequent hosts. I personally am

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Speaker 1: more of a musical guest. I always do my rap

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Speaker 1: um the same song every time. People freak for, absolutely

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Speaker 1: freak for Zachary Quinto. Did you talk to him? No, I,

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Speaker 1: And truly it was like he passed by me. It

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Speaker 1: was a split second, and then I never and then

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Speaker 1: I was talking to someone else who works in Fat

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Speaker 1: and Brag and I was like, oh, yeah, zachar Quinton

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Speaker 1: was at a party I was at, and then he goes, okay,

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Speaker 1: so you went to a fashion show at New York

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Speaker 1: Fashion Week and I was like, wow, No, I actually

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Speaker 1: didn't like as though it. I guess the implication was that, like,

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Speaker 1: he's such a fixture at fashion events that like I

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Speaker 1: should it isn't exciting to see him somewhere. But I'm like, yeah,

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Speaker 1: but I don't go to a fashion event, and so

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Speaker 1: it actually is new for me to see Zachary Quento.

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Speaker 1: That's like that'd be like us like shooting on someone

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Speaker 1: being like I saw Jeanine Garofalo and be like, Okay,

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Speaker 1: so you're at a bar, yeah exactly. Yeah. Well what's

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Speaker 1: going on with me is that I am doc sitting

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Speaker 1: this weekend. Um, and it has been good, although the

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Speaker 1: dog is getting older and it's like while you're watching it, Yeah,

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Speaker 1: it has Benjamin Button syndrome. Oh my god, that's really rough.

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Speaker 1: It's really hard. Um. But something that I teased earlier

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Speaker 1: off Mike that I want to really get into right

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Speaker 1: now is that So I'm staying at my friend apartment,

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Speaker 1: so I don't know where a lot of things are,

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Speaker 1: and I am stupidly wearing shoes that are that hurt

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Speaker 1: a lot and they need to break in. So I

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Speaker 1: was looking for a band aid to put on my ankle,

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Speaker 1: couldn't find one. So I have been rocking a panty

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Speaker 1: liner that I have taped to the back of my ankle.

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Speaker 1: How do we feel about that? I think it's inventive.

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Speaker 1: I think it's York. Wait have I told you about

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Speaker 1: I shouldn't say the stomach, but there where in a

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Speaker 1: difference to where I was to comedy, there was famously

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Speaker 1: a comedian who used to live in New York and

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Speaker 1: would constantly say that things were so New York. But

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Speaker 1: it would always be something that made and know. It

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Speaker 1: was like I went to a Starbucks, so New York.

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Speaker 1: It's like, no, there were Starbucks everywhere, or no it wasn't.

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Speaker 1: It was like, yeah, I know. It's it's sad when

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Speaker 1: people don't have like taste. I know, I know it hurts.

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Speaker 1: It's like, I'm not everyone can be as inventive and

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Speaker 1: fashionable enough to put Panti liner on the ankle to

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Speaker 1: break in their new Duc Martin's, Um, do you get

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Speaker 1: scared that when we release this podcast, um, people will

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Speaker 1: be mad at us constantly? I would say that is

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Speaker 1: the number one motivating factor for for so far not

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Speaker 1: releasing any of the things we have recorded. Last week

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Speaker 1: when we left, I was like, people are going to

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Speaker 1: be mad at us. Yeah, well we said a lot

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Speaker 1: of really kind of racist, misogynistic, homophobic things. We did

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Speaker 1: endorse writing in Ted Cruz for president. He just has

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Speaker 1: some really good ideas ideas and he's not running, but

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Speaker 1: like he should drain the swamps. Oh wow, and you

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Speaker 1: know what what that we should bring in our guests.

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Speaker 1: I think I think we should Okay, I'm honestly, here's

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Speaker 1: the thing. I'm going to rev up. As soon as

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Speaker 1: the guest is in here, I'm going to be absolutely

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Speaker 1: rev up with you. I can let my hair down

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Speaker 1: and just sort of be like and I'll put it

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Speaker 1: back up. Okay, I'm tying it in a tight, tight,

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Speaker 1: tight tight bun. Too tight? No, that's just right. Do

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Speaker 1: you know what's crazy? What is that? I just took

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Speaker 1: a pause because I wanted to just make a very

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Speaker 1: simple pop culture references someone that has a tight bun.

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Speaker 1: I wanted to be like, you know, yeah, you know

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Speaker 1: so and so vibes and everyone kind of like, have

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Speaker 1: a very polite laughing. We'd move on. Couldn't think of

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Speaker 1: a fucking single person character, fictional character with a trip

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Speaker 1: with a tight but has anyone ever had a tight but?

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Speaker 1: I honestly can't. I can't even see a bun on

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Speaker 1: has What is we invent the buns right now? Movent

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Speaker 1: tight buns? I want to say. My mind immediately went

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Speaker 1: to the movie Matilda, But no one in that movie

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Speaker 1: has it? Doesn't the yeah, the head mistress does she

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Speaker 1: have a tight bun? What's her name? It's like Dr

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Speaker 1: Pig or like Olga, she's got she she has a

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Speaker 1: type on. I guess she has a type on. But

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Speaker 1: that's not really what I wanted. I wanted the chic

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Speaker 1: type exactly. Yeah. It's like who wears like I'm honestly

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Speaker 1: thinking tailor like a pencil skirt and is like going

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Speaker 1: into the office and has a tight butt Like I'm like,

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Speaker 1: obviously it's not but like a Jessica Chess state, like

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Speaker 1: has she ever put her hair in a button? I

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Speaker 1: actually don't think we live in a world in with

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Speaker 1: Jessica chest and has put her hair in a bun? Okay,

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Speaker 1: so that's at off the table. I mean, I guess

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Speaker 1: if there's any creators out there listening, um, let this

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Speaker 1: moment inspire you go out there and make something with

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Speaker 1: a woman in a tight and we're talking tight circulation

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Speaker 1: is cut, hairs are snapping like a being pulled out

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Speaker 1: out of her head because of how tight this bun is. Anyway,

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Speaker 1: well with that, you put your hair back up so

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Speaker 1: that we can introduce our guests in a tight bun.

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Speaker 1: It's up reference TVD and now it's time to please

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Speaker 1: welcome last Yum that voice gorgeous another music recurring musical

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Speaker 1: guests on Saturday Night Live the early days? What are

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Speaker 1: you on that you're not actually on Hi maintenance as well?

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Speaker 1: Um the news. I'm Mark Ruffalo and please give it

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Speaker 1: up one more time for Celeste yum, thank you. Wow.

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Speaker 1: What's the band that you think of when you think

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Speaker 1: of a band being on S and L mines? Imagine Dragons,

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Speaker 1: food Fighters? Okay, this is so wrong, but minus Fallout Boy,

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Speaker 1: and that's wrong. That's what came to mind. Someone was

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Speaker 1: saying the other day, um god, what is that band?

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Speaker 1: Oh my god? Like the Tight but talking that I

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Speaker 1: will look up this text someone texting, someone texting me.

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Speaker 1: The perfect like combination of um ah of like host

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Speaker 1: and musical guests would be for like a bad week.

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Speaker 1: I'm SML, but I can't remember what it was so

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Speaker 1: excited for. When you finally get it's going to be

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Speaker 1: really really, really good. So what's up with you? Like? Well,

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Speaker 1: George's researching, so are are you? Do you think that?

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Speaker 1: Remember when you were talking about Molly and George was

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Speaker 1: telling you that you're about to descend into depression for

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Speaker 1: three days and fears are to set into your eye.

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Speaker 1: But what do you think about that? I am going

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Speaker 1: to pretend like it's not going to happen to me.

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Speaker 1: I'm gonna I like to do that thing where I'm like,

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Speaker 1: well I'm different and um like like earlier when uh

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Speaker 1: I said I couldn't hear myself in the mic and

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Speaker 1: Life said it was scientifically impossible. Wait, I found it.

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Speaker 1: Wait I found Okay, you're ready. This this courtesy of

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Speaker 1: Charlie Bard, a friend, friend of the pod, friend of

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Speaker 1: the pot. He goes, he goes. I feel like every

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Speaker 1: other week they basically have My Morning Jacket and Eli Manning,

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Speaker 1: which is the perfect combination of it, and that would happen.

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Speaker 1: Do you ever being forced to like My Morning Jacket?

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Speaker 1: Here's the thing I've literally I couldn't tell you a

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Speaker 1: single song I know them. I know that name because

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Speaker 1: it's so memorable and I remember like listening to see

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Speaker 1: and then being like, that's the new song from my

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Speaker 1: Morning Jacket. But I couldn't tell you a single song

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Speaker 1: of the other kind of band that if you told

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Speaker 1: me that they were Christian, yeah, I would say yes.

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Speaker 1: There would be no moment of surprising what kind of

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Speaker 1: music is it? In my mind and this is probably wrong,

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Speaker 1: but in my mind associated with like all American regiont

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Speaker 1: no no, so no, I feel like it was like

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Speaker 1: cool southern rock almost. You know, I have no answers

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Speaker 1: for you. Okay, this is actually also the messages. Maybe

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Speaker 1: Charlie said, Charlie phone a friend, Charlie, how would you

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Speaker 1: describe my morning tack? Also, while you have him, can

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Speaker 1: you ask if he knows anyone with a tight tight

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Speaker 1: but we really need Charlie. Wait, what were you guys

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Speaker 1: talking about as I looked for the depression that's about

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Speaker 1: to sink into my life because of well, Sam is

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Speaker 1: like telling you about his fun, fun night because of that.

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Speaker 1: You know what happens to me when I have that?

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Speaker 1: You have had me? Do you have that experience? Yes? Yeah,

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Speaker 1: but it's not specific. I think that it's like when

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Speaker 1: I'm tired, when I'm really tired, start thinking about all

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Speaker 1: the things I don't want to think about. So just

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Speaker 1: don't get tired to that. Okay, crank, and you know

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Speaker 1: that is actually the solution of depression is just constantly sleeping,

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Speaker 1: and that way you're never tired and um or kind

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Speaker 1: of alert. Okay, okay, wait, do you guys remember that

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Speaker 1: period of time when people were like, there's this like

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Speaker 1: band that's like really going to be good and they're

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Speaker 1: called Kings of Leon. Yeah, and everyone's like no, they're

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Speaker 1: like really gonna be good. That's exactly like people are like,

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Speaker 1: you know what will help your depression? Listen Kings of Leon.

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Speaker 1: And now we replaced that with sleep is the Sleep

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Speaker 1: of bands? Yes? Yes, do you remember when Beyonce covered

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Speaker 1: sex on Fire? No? Okay, that's insane. I can't believe

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Speaker 1: this ever happened. Are you sure this is some sort

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Speaker 1: of Charlie Bardat tweets Charlie. Everything I'm saying is just

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Speaker 1: like directly quoting weird bits that Charlie did that I

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Speaker 1: didn't realize. We're jokes. My Morning Jacket is actually not

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Speaker 1: even a real band. It's just like something Charlie made up.

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Speaker 1: Hanging out with Charlie's just him just doing his set.

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Speaker 1: I love that Charlie's like the fourth person on the spot. Yeah,

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Speaker 1: I'll be really happy to find out that he was

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Speaker 1: not asked to be on the Pot but talked about

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Speaker 1: the round. Actually I didn't want to say this, but

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Speaker 1: yesterday he was. He was literally at my house last

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Speaker 1: night and he was like, oh, I'm going to do

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Speaker 1: a podcast borrow and because you guys were like booking

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Speaker 1: and you had given me two times, I was like, oh,

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Speaker 1: George Sam's and he was like no, and I was like,

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Speaker 1: you're totally going to go on it soon maybe definitely chartally,

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Speaker 1: keep working if you're listening, Um, you have so much

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Speaker 1: potential to keep thinking about, let you know, in tight buns.

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Speaker 1: And if you come with us with a good enough example,

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Speaker 1: we'll even give you kind of a guest spot on

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Speaker 1: the podcast. I can't promise a full um, sort of

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Speaker 1: a quick bite. Maybe a quick bite, a quick maybe

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Speaker 1: you can come in and do a little segment. We'd

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Speaker 1: love to see more of your work. Send us a

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Speaker 1: one page yes, send us a packet. We well, we

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Speaker 1: were so informal, like just send us the idea, like

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Speaker 1: in full packet form and like that would be perfect.

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Speaker 1: And then we'll do kind of an interview process that

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Speaker 1: shouldn't last more than one to casual casual meeting months,

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Speaker 1: and then once that's over, we'll do a trial run

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Speaker 1: unpaid of you coming in and it starts with kind

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Speaker 1: of like you know, just simple things like getting us coffee,

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Speaker 1: doing script analysis, UM, picking out our clothes, buying them

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Speaker 1: with your own money, and then once that's over, we

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Speaker 1: can start our conversation about you potentially at one point

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Speaker 1: working on the podcast, which again will never be released,

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Speaker 1: especially especially if you do it. So Charlie, let us know.

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Speaker 1: Definitely shoot us an email, babe. The handle is at

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Speaker 1: quimby at quimby, that's actually at quickly and type, and

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Speaker 1: you'll reach out and do not front. We will be

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Speaker 1: your sponding. Yeah, here's the thing. And I am worried

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Speaker 1: about cutting off our momentum off the bat, but I

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Speaker 1: do which you've already, which I have already done. It's

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Speaker 1: come to a complete halt just servingleding it. My interption

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Speaker 1: is constant, including right now that I just did that.

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Speaker 1: But I was thinking, what if we go right into

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Speaker 1: straight shooters. How do you feel about that? I think

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Speaker 1: that could be so powerful, powerful for people at home listening.

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Speaker 1: I'm imagining sort of the perfect family sitting around the

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Speaker 1: radio listening to this say that and genders. I do

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Speaker 1: not care about age. I'm picturing sort of like an

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Speaker 1: L L being ad Okay, so it makes it so white,

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Speaker 1: straight plaid, but but all of them secretly into weird

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Speaker 1: sex stuff. Yes, that's the perfect family, the perfect family.

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Speaker 1: You haven't named a number of people. It's it's it's

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Speaker 1: for or five or five actually really similar? Yeah, well

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Speaker 1: they're actually no, two numbers can be more similar than four.

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Speaker 1: So wait, what were we talking about where before we

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Speaker 1: talked about the and I haven't I have an answer

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Speaker 1: to that. It was who do you imagine listening to

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Speaker 1: the podcast? So, but here's my thing. You imagine a

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Speaker 1: perfect family in your own kind of like you know,

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Speaker 1: racialized way for sure. Now what I imagine someone listening

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Speaker 1: to this podcast? Here's what I imagine? Are you ready?

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Speaker 1: Like imagine just like the coolest girl who's like twenty three,

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Speaker 1: Oh my god, you to the city. Very cool. Uh,

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Speaker 1: just graduated from not n y U where but like

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Speaker 1: um Bard Punk. Their name is Charlie bar Day. And

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Speaker 1: so she is like, uh, she lives with roommates, but

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Speaker 1: they're they're not there at this point. So she's like

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Speaker 1: excited because she has the house to herself. So she

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Speaker 1: puts on the podcast on her Bluetooth speaker and it's like,

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Speaker 1: I'm going to make the new Alison Roman soup. And

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Speaker 1: so she is like cooking a soup for herself that

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Speaker 1: she's gonna meal prep and listening to this podcast. That's

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Speaker 1: so cool, right, And what's her race? Thank you for asking.

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Speaker 1: She is from Hawaii? Okay, pop out, but she is

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Speaker 1: white and actually that you swung it and now it's

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Speaker 1: powerful and helpful. And her name is Angela. It's angel Emma,

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Speaker 1: Angel Emma. Her last name is Emma. Her last name

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Speaker 1: is Emma. She goes by mixed Emma. Yeah, she goes

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Speaker 1: by mixed Emma. Emma. Wow, so should we do straight shooters?

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Speaker 1: So let's do straight shooters? Mix. Emma's like, this is

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Speaker 1: insane that they're talking about everything right, and she's like

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Speaker 1: she's like reaching out for the only do I have

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Speaker 1: my degree here from bard Oday? Um? I? So straight

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Speaker 1: Shooters is the is the segment we started every episode

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Speaker 1: with where we kind of give you a series of

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Speaker 1: are we at the start of this episode? Yeah, it

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Speaker 1: was warm up. We actually when we tell people to

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Speaker 1: hit play, we tell them to hit play. Now. Does

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Speaker 1: that make sense they had to hit play already? Yeah,

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Speaker 1: so I have mixed and then I have they know

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Speaker 1: they're listening, and then they know when to hit play.

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Speaker 1: Now you would think, how is that possible if they're

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Speaker 1: already listening? You're underthinking it and overthinking yes, thank you.

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Speaker 1: So this is the segment. Welcome to the podcast. Hello,

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Speaker 1: our guest is Celestia, and thank you for pressing play.

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Speaker 1: This is okay. I'm George Sam and this is Oh

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Speaker 1: my god. They don't care all that you can hear

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Speaker 1: my inner monologue in this podcast. Oh my god, they

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Speaker 1: don't give the funk that I've come all the way here.

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Speaker 1: Everyone is doing their inner No one has actually opened

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Speaker 1: their mouth. I think that we're actually finding something really

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Speaker 1: interesting about us, is that I'm like, wait, we're rude.

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Speaker 1: We're like very rude to our guests. Yeah, and often

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Speaker 1: to each other. Yes, people don't talk about that. I'm

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Speaker 1: spoking about it with Charlie far Day. And in fact,

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Speaker 1: you and Charlie host a recap podcast that is that

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Speaker 1: recaps our unreleased podcast. Neither of them will ever be released.

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Speaker 1: But all of us are making so much money. We're

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Speaker 1: rich just through and it's easy and also family walks.

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Speaker 1: So straight Shooters is the Wow, it's a segment. Even

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Speaker 1: it's a seg It's a segment. What is answered by

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Speaker 1: spud Spot sponsored by Podcasts. I'm dead, I'm officially dead,

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Speaker 1: locked me up, throwing the key em like I thought

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Speaker 1: these games were cool, they actually fighting bad. But I

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Speaker 1: have a question. Do you mean mix Emma as in

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Speaker 1: like MX period, like the gender neutral? What did you thinking? Okay,

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Speaker 1: I was picturing that she decided to be I was

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Speaker 1: picturing she decided to go by the name mix and

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Speaker 1: my excellent that's her DJ name, Like she dropped a

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Speaker 1: little from yeah exactly because because then you kept using uh,

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Speaker 1: female pronouns, you were like, it goes by Emma would

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Speaker 1: be very strange. Remember, although the thing is there are

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Speaker 1: people that, um, I mean that I personally know that

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Speaker 1: that you know that would be like gender queer. But

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Speaker 1: I go by either she her or they them, So

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Speaker 1: maybe she is one of those people, right, That's what

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Speaker 1: I'm picturing. Okay. The fact that we're trying to put

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Speaker 1: mix Emma in a box is so crazy. Speaks volumes,

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Speaker 1: hum and really have an entire episode about our blind

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Speaker 1: spots when it comes to gender. Yes, I'm talking talking

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Speaker 1: Radio Lab, which you can find a download on spodcasts.

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Speaker 1: I really was like, what is the word for Spotify?

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Speaker 1: And I was like, spa. You just thought of the

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Speaker 1: like that would be like if you went to go

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Speaker 1: see a movie and you were like, what's that place

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Speaker 1: where you go? It's a movie movie feed movies. Do

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Speaker 1: you think the word theater is movies? Movies, movies, movies.

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Speaker 1: This is a rough day. No, it's happening. It's happening.

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Speaker 1: Started when we started recording three days of very sad sadness. No, no, no,

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Speaker 1: not me never no. So lest you're from Canada, let's

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Speaker 1: don't talk that. Wait should we even do the second?

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Speaker 1: This is crazy? Really hold up, a hold on, holding up? Okay,

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Speaker 1: both of your your fingers and there are both palaces. Yes, yes,

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Speaker 1: every finger as a palace. As soon as I heard

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Speaker 1: that mixed Emma might potentially not identify with the gender binary,

422
00:26:28,720 --> 00:26:32,160
Speaker 1: I immediately got my palace out your finger on reflex

423
00:26:33,040 --> 00:26:38,280
Speaker 1: out of your No, you have to choose, you know

424
00:26:38,359 --> 00:26:40,200
Speaker 1: what people are going to choose for you, so you

425
00:26:40,320 --> 00:26:43,880
Speaker 1: better choose yourself. Question, do you feel like so far

426
00:26:44,080 --> 00:26:47,200
Speaker 1: we have not been letting you speaking up and be

427
00:26:47,359 --> 00:26:50,720
Speaker 1: completely honest, be honest, I would say the option to speak. Well,

428
00:26:50,760 --> 00:26:53,000
Speaker 1: first of all, you did tell me do not speak

429
00:26:53,080 --> 00:26:56,520
Speaker 1: until we introduce you, which we did, which I did follow,

430
00:26:57,480 --> 00:27:00,320
Speaker 1: which was real, but it was also indicated by a finger.

431
00:27:00,400 --> 00:27:03,600
Speaker 1: As i've said, and it was a very similar gesture

432
00:27:03,640 --> 00:27:06,200
Speaker 1: to the one you have just done recently, which I

433
00:27:06,280 --> 00:27:10,119
Speaker 1: have just mentioned audibly a minor thought microphone. So I

434
00:27:10,160 --> 00:27:16,920
Speaker 1: would say yes. And furthermore, even without gesture, I do

435
00:27:17,119 --> 00:27:21,840
Speaker 1: not feel safe to speak here. I have a question, Um,

436
00:27:22,240 --> 00:27:24,560
Speaker 1: would you say that it is more George's fault than

437
00:27:24,640 --> 00:27:29,280
Speaker 1: my fault? Ki? George hears right now? No, I turned

438
00:27:29,320 --> 00:27:35,640
Speaker 1: his headphones off. Yes, right, I could actually feel that. Okay,

439
00:27:35,680 --> 00:27:40,280
Speaker 1: I'm putting my headphones. What were you Sorry? I couldn't

440
00:27:40,320 --> 00:27:42,159
Speaker 1: hear it before, But I think are we ready to

441
00:27:42,400 --> 00:27:44,479
Speaker 1: go into the were just asking if if you've been

442
00:27:44,480 --> 00:27:46,440
Speaker 1: hanging out Wich Harley lately, and if he's told you

443
00:27:46,520 --> 00:27:52,960
Speaker 1: anything about Sam and so so I said, yes, Okay, cool. Wow.

444
00:27:54,280 --> 00:27:58,000
Speaker 1: So straight Shooters is a segment we like to do

445
00:27:58,640 --> 00:28:03,000
Speaker 1: first podcast. The energy feels off, but I guess I'll

446
00:28:03,000 --> 00:28:06,440
Speaker 1: go with it. This is my eneral monologue. Okay, wait,

447
00:28:06,480 --> 00:28:09,040
Speaker 1: are we literally doing three mikes by Neil Brennan? Oh

448
00:28:09,119 --> 00:28:12,760
Speaker 1: my god? Okay, wait, which one? Who's who? I haven't

449
00:28:12,800 --> 00:28:17,240
Speaker 1: seen it? Don't tell anyone? Wait what is it? One liners? Wait? Right? Yeah?

450
00:28:17,440 --> 00:28:23,160
Speaker 1: Like one liners? Like stories her sex stories? I haven't

451
00:28:23,160 --> 00:28:27,640
Speaker 1: seen it. But okay, so it's that Charlie. If you're

452
00:28:27,680 --> 00:28:32,159
Speaker 1: listening and you can call in and you Charlie has

453
00:28:32,200 --> 00:28:36,520
Speaker 1: seen it. I'm willing to be I'm how much twenty

454
00:28:36,840 --> 00:28:44,840
Speaker 1: dollars million? Yen? Oh my goodness the international implications that has,

455
00:28:45,360 --> 00:28:54,680
Speaker 1: Oh my god, that's for you mix. Okay, wait, you

456
00:28:54,720 --> 00:28:58,080
Speaker 1: think this is crazy? Is on Twitter? Yes, but not

457
00:28:59,600 --> 00:29:04,720
Speaker 1: they don't have a like a regular handle, you know,

458
00:29:04,880 --> 00:29:10,840
Speaker 1: it's like x manic girl and girl girl. But actually,

459
00:29:10,880 --> 00:29:15,120
Speaker 1: so one time, I M a comedian from Toronto messaged

460
00:29:15,160 --> 00:29:17,880
Speaker 1: me and said, like, I think I did him a

461
00:29:17,920 --> 00:29:20,160
Speaker 1: favor of some kind and he said, he said thanks girl,

462
00:29:20,560 --> 00:29:23,600
Speaker 1: and like, I'm not a girl because I've told, like

463
00:29:23,800 --> 00:29:25,680
Speaker 1: sort of said that to him many times and he

464
00:29:25,920 --> 00:29:28,760
Speaker 1: and he doubled down and said, oh sorry, I meant

465
00:29:29,520 --> 00:29:37,200
Speaker 1: star g u r l MS. Sorry, I meant girl.

466
00:29:39,280 --> 00:29:41,240
Speaker 1: You know. I was like, yeah, that's the thing. And

467
00:29:41,720 --> 00:29:43,800
Speaker 1: I hate to say this, but that is an issue

468
00:29:43,840 --> 00:29:47,640
Speaker 1: I have also run into of like using either girl

469
00:29:47,800 --> 00:29:51,800
Speaker 1: or she colloquially. In fact, recently, I actually can't remember

470
00:29:51,800 --> 00:29:54,800
Speaker 1: who it was, but there is someone that did something

471
00:29:55,040 --> 00:29:58,600
Speaker 1: on I want to say Instagram and then I commented

472
00:29:58,640 --> 00:30:01,720
Speaker 1: something along the lines of like she's running or something

473
00:30:01,800 --> 00:30:06,320
Speaker 1: like that, and then literally deleted it because I was like, yeah,

474
00:30:07,160 --> 00:30:09,000
Speaker 1: but it's like I should be able to say that,

475
00:30:10,920 --> 00:30:15,320
Speaker 1: she should have actually commented. Actually, wait, no, I actually

476
00:30:15,440 --> 00:30:17,120
Speaker 1: a friend generate be like, I didn't mean she. I

477
00:30:17,160 --> 00:30:20,440
Speaker 1: meant like in the sense people love that. Yeah, people

478
00:30:20,560 --> 00:30:23,360
Speaker 1: really like love it when people miss gender them and

479
00:30:23,400 --> 00:30:25,640
Speaker 1: then go into a full freak out and start making

480
00:30:25,680 --> 00:30:28,720
Speaker 1: it about that. Yes, and corrected themselves with the exact

481
00:30:28,800 --> 00:30:31,120
Speaker 1: same thing, and then do kind of a one person

482
00:30:31,200 --> 00:30:40,280
Speaker 1: show about them miss gendering someone three That would actually

483
00:30:40,280 --> 00:30:46,320
Speaker 1: be really punk. M we figure out what the three

484
00:30:46,360 --> 00:30:49,360
Speaker 1: mics are. No, because Charlie's not here, and that's on you.

485
00:30:52,000 --> 00:30:54,800
Speaker 1: Do you guys have a booking agent for that Charlie

486
00:30:57,560 --> 00:31:01,040
Speaker 1: you can't book himself. You can't book yourself. How about

487
00:31:01,080 --> 00:31:05,960
Speaker 1: hell else? Wait? Can you believe the beginning of your

488
00:31:06,040 --> 00:31:07,880
Speaker 1: I heard that forgivening of what you were going to say?

489
00:31:08,320 --> 00:31:11,360
Speaker 1: This is RuPaul's reference, and I didn't care for it,

490
00:31:11,440 --> 00:31:13,080
Speaker 1: And I said, what straight shooters in the middle of

491
00:31:14,720 --> 00:31:17,560
Speaker 1: all Right, let's this is one of our more toxic episodes.

492
00:31:18,520 --> 00:31:21,840
Speaker 1: There's an evil energy here today. Yeah, and you've listened

493
00:31:21,840 --> 00:31:24,080
Speaker 1: to I would say, are the second most toxic episode,

494
00:31:24,120 --> 00:31:26,760
Speaker 1: so you can attest to that's crazy. Really thought this

495
00:31:26,760 --> 00:31:30,360
Speaker 1: wouldn't be so toxic really because of my personality. Yeah,

496
00:31:30,600 --> 00:31:32,240
Speaker 1: I was like, this is gonna be a little frolic.

497
00:31:32,360 --> 00:31:34,600
Speaker 1: You thought I was going to pull you up right,

498
00:31:34,720 --> 00:31:36,920
Speaker 1: But in fact, the weight of my joy so hugely

499
00:31:37,000 --> 00:31:40,840
Speaker 1: is all of us out. Sometimes joy can be oppressive, Yes,

500
00:31:41,560 --> 00:31:44,600
Speaker 1: in fact, I would say more often than not it is. Yes,

501
00:31:44,680 --> 00:31:47,080
Speaker 1: what weighs heavy on me is doubt, but more than

502
00:31:47,160 --> 00:31:52,160
Speaker 1: that joy. What straight shooting mean? Well, that's crazy that

503
00:31:52,280 --> 00:31:55,440
Speaker 1: you ask, Yeah, what do you think is it? When?

504
00:31:56,000 --> 00:31:59,480
Speaker 1: Is it from um? Is it when you have um

505
00:32:00,320 --> 00:32:02,840
Speaker 1: a shot at town and making it to the big

506
00:32:02,920 --> 00:32:07,400
Speaker 1: times and you you take it? You take it really good? Well,

507
00:32:07,960 --> 00:32:11,240
Speaker 1: when it's so crazy. In our pitch document it says

508
00:32:11,320 --> 00:32:12,880
Speaker 1: it's when you have a shot at the good times

509
00:32:12,960 --> 00:32:17,560
Speaker 1: and you take it good. Okay, So so we actually

510
00:32:17,560 --> 00:32:22,880
Speaker 1: don't need Charlie here today. Yeah, we actually don't. I'm

511
00:32:22,880 --> 00:32:25,760
Speaker 1: gonna fully take initiative and do straight Shooters. I think

512
00:32:25,880 --> 00:32:27,800
Speaker 1: it has come to me and I just need to

513
00:32:28,000 --> 00:32:31,240
Speaker 1: fucking go there. Trap Shooters is a segment where we

514
00:32:32,640 --> 00:32:39,080
Speaker 1: ah gauge our guests familiarity with straight culture by asking

515
00:32:39,120 --> 00:32:43,080
Speaker 1: a series of rapid fire multiple choice to choice in

516
00:32:43,160 --> 00:32:47,760
Speaker 1: fact questions, and there's no right way to do it.

517
00:32:47,880 --> 00:32:51,080
Speaker 1: It's just like we ask you something and then the

518
00:32:51,800 --> 00:32:53,960
Speaker 1: thing that seems most right to you is the answer.

519
00:32:55,120 --> 00:33:00,600
Speaker 1: So I can in fact demonstrate with Sam really quickly,

520
00:33:00,760 --> 00:33:08,680
Speaker 1: Sam Rugrats or SpongeBob, SpongeBob, and there you go. Okay,

521
00:33:08,720 --> 00:33:16,120
Speaker 1: I think I get it. Okay, Okay, Nissan Ultimate hot

522
00:33:16,200 --> 00:33:19,080
Speaker 1: Dogs or corn Dogs hot dogs, but I like corn

523
00:33:19,120 --> 00:33:24,000
Speaker 1: dogs better? See that pointection you have to answer the

524
00:33:24,080 --> 00:33:28,400
Speaker 1: question clam chowder or cream of broccoli, clam chowder. Shoots

525
00:33:28,400 --> 00:33:32,560
Speaker 1: and ladders are just normal ladders, normal ladders, low rise

526
00:33:32,680 --> 00:33:38,080
Speaker 1: jeans or khaki capris, khaki freeze chicks or co eds

527
00:33:38,400 --> 00:33:42,040
Speaker 1: co eds. A living room furnished an all West elm

528
00:33:42,640 --> 00:33:45,760
Speaker 1: or a bathroom with like a weird nautical theme West

529
00:33:45,840 --> 00:33:53,040
Speaker 1: Town Buddy or my guy Buddy, skateboarding or roller bleeding skateboarding,

530
00:33:54,600 --> 00:33:57,760
Speaker 1: Panic at the Disco or Fallout Boy, fall that boy

531
00:33:58,480 --> 00:34:01,479
Speaker 1: drinking and driving or texting and driving, texting and driving

532
00:34:02,400 --> 00:34:07,600
Speaker 1: life or death death. That is a game of what

533
00:34:07,800 --> 00:34:12,719
Speaker 1: I remember you saying, that's a game. That's that game

534
00:34:12,760 --> 00:34:15,520
Speaker 1: should be called what do you remember? Wait? Can I

535
00:34:15,600 --> 00:34:20,040
Speaker 1: tell you something absolutely crazy? Okay, Okay, I've been thinking

536
00:34:20,040 --> 00:34:22,920
Speaker 1: a lot about how it's crazy that we're just supposed

537
00:34:22,920 --> 00:34:26,600
Speaker 1: to remember stuff, like so many times we actually have

538
00:34:26,719 --> 00:34:29,120
Speaker 1: to just remember things. Okay, have you guys seen that

539
00:34:29,239 --> 00:34:31,719
Speaker 1: thing of that is going around Twitter? I don't know

540
00:34:31,719 --> 00:34:35,520
Speaker 1: if yours are on Twitter? Mixed center to me, there's

541
00:34:35,560 --> 00:34:39,759
Speaker 1: like five heads, like a silhouette of heads, and each

542
00:34:39,800 --> 00:34:44,040
Speaker 1: one has a different variation of um, the image of

543
00:34:44,080 --> 00:34:48,160
Speaker 1: an apple. Truly have zero ideas here, I have not.

544
00:34:49,160 --> 00:34:52,520
Speaker 1: There's like five different images of head and like the

545
00:34:52,560 --> 00:34:54,960
Speaker 1: first one is like, um, inside the silhonde of a head,

546
00:34:55,040 --> 00:34:56,960
Speaker 1: like a very crisp image of an apple, and the

547
00:34:57,000 --> 00:34:59,160
Speaker 1: second one is like a little bit distorted if third

548
00:34:59,160 --> 00:35:03,120
Speaker 1: one is like you know, um, it's there's no like detail,

549
00:35:03,200 --> 00:35:04,600
Speaker 1: but it's like the shape of an apple. And the

550
00:35:04,640 --> 00:35:06,240
Speaker 1: fourth one is like it's just like a black apple.

551
00:35:06,320 --> 00:35:09,480
Speaker 1: Fifth one blank, absolutely blank. You can't picture anything. And

552
00:35:09,560 --> 00:35:13,279
Speaker 1: those are supposed to be the different um stages or

553
00:35:13,320 --> 00:35:18,240
Speaker 1: like the different um like minds, different types of minds,

554
00:35:18,400 --> 00:35:20,400
Speaker 1: like in terms of in terms of being able to

555
00:35:20,560 --> 00:35:24,400
Speaker 1: envision things. And the fifth one, first of all, is hilarious,

556
00:35:24,719 --> 00:35:27,080
Speaker 1: which is like, you can't see anything. You don't know

557
00:35:27,120 --> 00:35:30,960
Speaker 1: what apples are. Like, fifth one, can you picture what

558
00:35:31,040 --> 00:35:37,120
Speaker 1: I'm saying? Okay, so you're five. You can't like when

559
00:35:37,160 --> 00:35:39,200
Speaker 1: you picture you literally don't even know what apples. I

560
00:35:39,320 --> 00:35:44,800
Speaker 1: don't know what apples. Yeah, you're five. The idea of

561
00:35:44,840 --> 00:35:47,360
Speaker 1: combining those three things. I've been thinking about this so

562
00:35:47,480 --> 00:35:49,920
Speaker 1: much and I can't. I kind of can't fairly if

563
00:35:49,960 --> 00:35:53,080
Speaker 1: I can picture things in my head. Oh, it's about

564
00:35:53,160 --> 00:35:55,720
Speaker 1: how you picture things in your head. Yes, it's about

565
00:35:55,840 --> 00:35:59,799
Speaker 1: like whether like if you think right now of like, oh,

566
00:36:00,719 --> 00:36:03,080
Speaker 1: you know, like, for instance, I cannot like flip a

567
00:36:03,120 --> 00:36:05,040
Speaker 1: couch in my head. You know, if I'm like trying

568
00:36:05,040 --> 00:36:07,680
Speaker 1: to picture in my living room where my couch should go,

569
00:36:08,000 --> 00:36:13,680
Speaker 1: I cannot do that. Okay, if you're trying to picture

570
00:36:13,719 --> 00:36:15,920
Speaker 1: your living room but have the couch being a different

571
00:36:15,960 --> 00:36:20,440
Speaker 1: location than it currently is, you can't do that. That's interesting. Um,

572
00:36:20,640 --> 00:36:23,000
Speaker 1: this is tan gentially related to what you said, but

573
00:36:23,040 --> 00:36:25,239
Speaker 1: it's something I've been thinking about so much. No, we

574
00:36:25,320 --> 00:36:27,279
Speaker 1: actually wanted to touch on this. Thank you for bringing

575
00:36:27,320 --> 00:36:29,600
Speaker 1: it up. You wanted to touch on I mean that

576
00:36:29,680 --> 00:36:31,799
Speaker 1: you've never seen on Twitter that isn't funny that it's

577
00:36:31,880 --> 00:36:37,040
Speaker 1: just about memory and how you've been here and he's

578
00:36:37,360 --> 00:36:39,920
Speaker 1: written on your note. Yeah, yeah, well Charlie pitched it.

579
00:36:41,560 --> 00:36:52,880
Speaker 1: That's why it's bombing. Yeah, Charlie, Charlie is actually Charlie

580
00:36:53,040 --> 00:36:56,160
Speaker 1: is mix. Emma is listening to this episode while making

581
00:36:56,200 --> 00:36:59,080
Speaker 1: soup and just like crying into the soup. Like, wait,

582
00:36:59,120 --> 00:37:01,320
Speaker 1: I thought to joke, but do they actually not like me?

583
00:37:02,120 --> 00:37:04,480
Speaker 1: This is crazy. I think this is an unprecedented amount.

584
00:37:04,520 --> 00:37:08,680
Speaker 1: I'm mentioning a person who's not there, who's never been on.

585
00:37:09,080 --> 00:37:13,120
Speaker 1: He's actually right outside. I said, you're not fucking coming

586
00:37:13,200 --> 00:37:14,719
Speaker 1: with me. If you think for a second that you are,

587
00:37:14,760 --> 00:37:18,240
Speaker 1: you're stupid that I fucking thought. Wait, do you remember

588
00:37:18,280 --> 00:37:23,120
Speaker 1: when you said that about me once? I thought it

589
00:37:23,200 --> 00:37:24,680
Speaker 1: was the funniest thing ever. We were supposed to go

590
00:37:24,680 --> 00:37:27,000
Speaker 1: to a show together, and I was like, we should

591
00:37:27,040 --> 00:37:31,560
Speaker 1: get there earliest I get a scene. You said, um, yeah,

592
00:37:31,640 --> 00:37:33,600
Speaker 1: I'll get there fifty minutes early. Because if you think

593
00:37:33,680 --> 00:37:35,520
Speaker 1: I'm going to go to this show and stand, then

594
00:37:35,560 --> 00:37:40,520
Speaker 1: you're stupider than I fucking thought. And then we were

595
00:37:40,920 --> 00:37:46,480
Speaker 1: sure enough we were on the side. Yes, So I

596
00:37:46,520 --> 00:37:49,279
Speaker 1: guess you weren't in that moment stupid, then I thought,

597
00:37:51,400 --> 00:37:54,719
Speaker 1: the possibility always remains. Do you say that a lot?

598
00:37:54,840 --> 00:37:58,040
Speaker 1: Is that like one of your cant I definitely, I

599
00:37:58,280 --> 00:38:02,160
Speaker 1: love to say it, but I wouldn't use it liberally.

600
00:38:03,600 --> 00:38:09,920
Speaker 1: Only conservative can hardly Do you think do you have

601
00:38:09,960 --> 00:38:14,279
Speaker 1: a do you consciously kind of take advantage of people's

602
00:38:15,160 --> 00:38:18,080
Speaker 1: first impressions of you, which are probably like, oh, this

603
00:38:18,280 --> 00:38:22,680
Speaker 1: is like a very like positive, smiley, happy person, and

604
00:38:22,840 --> 00:38:25,719
Speaker 1: then get off on subverting them. Do you get off

605
00:38:25,760 --> 00:38:28,640
Speaker 1: on that? Do you feel that that's what I've done

606
00:38:28,680 --> 00:38:30,279
Speaker 1: with this point? No? No, I don't at all, But

607
00:38:30,360 --> 00:38:33,680
Speaker 1: I think that relationship that is why you saying, then

608
00:38:33,680 --> 00:38:37,600
Speaker 1: you're stupider than I thought? Is so funny. Oh I see,

609
00:38:37,640 --> 00:38:40,840
Speaker 1: so you're saying, do I see do I leverage that

610
00:38:41,640 --> 00:38:44,200
Speaker 1: the perception that I know is true about me that

611
00:38:44,280 --> 00:38:51,800
Speaker 1: and it's really happy, gorgeous, generous, smart, nice person to

612
00:38:52,080 --> 00:38:56,600
Speaker 1: then make some to the tickle my audience? Yeah, with

613
00:38:56,840 --> 00:39:02,520
Speaker 1: a with a really rude, disgusting thing. Yeah that's gross. Okay, okay, cool,

614
00:39:02,600 --> 00:39:04,960
Speaker 1: all right, well, thank your friends, and if you do,

615
00:39:05,040 --> 00:39:13,920
Speaker 1: then you're stupider than I. Oh R, what was the

616
00:39:13,960 --> 00:39:18,560
Speaker 1: alarm we had? Last? Going off? Going off? Alart, that's

617
00:39:18,600 --> 00:39:20,120
Speaker 1: a good idea. What do you think it sounds like

618
00:39:20,440 --> 00:39:30,160
Speaker 1: sam at least the massinative possible sound okay literally literally

619
00:39:30,440 --> 00:39:34,719
Speaker 1: you remember and you're like a lot. Okay, you guys

620
00:39:34,960 --> 00:39:36,960
Speaker 1: are putting me on the spot. You made me say

621
00:39:37,080 --> 00:39:41,600
Speaker 1: what I came up with spodcast because I couldn't think

622
00:39:41,640 --> 00:39:44,279
Speaker 1: of a word. You know, I'm having a tough day

623
00:39:44,800 --> 00:39:48,920
Speaker 1: and the fact that you are attacked. I do want

624
00:39:48,960 --> 00:39:54,000
Speaker 1: to go back to your point about remembering? Yes, do

625
00:39:54,560 --> 00:39:56,680
Speaker 1: you want to know where it came from? Well, I

626
00:39:56,800 --> 00:40:00,480
Speaker 1: was like playing a video game video for Chidren. I

627
00:40:00,600 --> 00:40:05,040
Speaker 1: was playing Pokemon for Little Role Babies, and I was like,

628
00:40:05,080 --> 00:40:07,200
Speaker 1: wait a minute, I actually don't know where I'm supposed

629
00:40:07,200 --> 00:40:08,560
Speaker 1: to be going or what I'm supposed to be doing.

630
00:40:08,719 --> 00:40:11,560
Speaker 1: And it was like because you have to remember. And

631
00:40:11,680 --> 00:40:14,160
Speaker 1: I'm like, this is an easy video game. Why aren't

632
00:40:14,160 --> 00:40:16,520
Speaker 1: they just telling me where to go? And it was like,

633
00:40:16,600 --> 00:40:19,920
Speaker 1: you have actually have to remember. And then I had

634
00:40:20,000 --> 00:40:23,319
Speaker 1: someone dogs it for me, and Drew Anderson shout out

635
00:40:25,600 --> 00:40:30,040
Speaker 1: and he makes feelings Aboutdrew go on, and uh, I

636
00:40:30,200 --> 00:40:32,200
Speaker 1: was like, wait, I just have to like leave the

637
00:40:32,320 --> 00:40:36,320
Speaker 1: house and just like believe he'll be there. It's crazy

638
00:40:37,280 --> 00:40:41,759
Speaker 1: in the game, Oh the dog, Like I just have

639
00:40:41,880 --> 00:40:43,799
Speaker 1: to believe that it's fine, you know what I mean?

640
00:40:43,960 --> 00:40:47,920
Speaker 1: Like I actually don't. I was, And then as soon

641
00:40:47,960 --> 00:40:49,719
Speaker 1: as you said he will be, I was like, he

642
00:40:49,800 --> 00:40:51,960
Speaker 1: could be referring to like he could chew in the game.

643
00:40:52,080 --> 00:40:54,280
Speaker 1: He could be referring to Drew. He could be referring

644
00:40:54,360 --> 00:40:57,520
Speaker 1: to I literally need to delete what we've recorded so

645
00:40:57,640 --> 00:41:00,360
Speaker 1: far and then restart. Sorry, as you were saying that,

646
00:41:00,480 --> 00:41:05,759
Speaker 1: Celeste did show me. Can we restart? We have been restarting.

647
00:41:07,680 --> 00:41:10,479
Speaker 1: Can we restart the whole up? That would be nice?

648
00:41:11,880 --> 00:41:15,720
Speaker 1: Should we start? Let's start? Okay, if you're listening, forget

649
00:41:16,000 --> 00:41:19,239
Speaker 1: all that this is the start. Okay, press play mix.

650
00:41:20,280 --> 00:41:25,760
Speaker 1: I finally understand what happens with us, and you audience

651
00:41:25,760 --> 00:41:27,759
Speaker 1: to listen. Well, it's not to start, audience, it's that

652
00:41:29,000 --> 00:41:31,600
Speaker 1: what has happened without fail, and every episode is at

653
00:41:31,640 --> 00:41:33,759
Speaker 1: some point approximately three fourths of the way, and the

654
00:41:33,880 --> 00:41:36,320
Speaker 1: guests will have a realization like, oh, I think I

655
00:41:36,400 --> 00:41:39,640
Speaker 1: get what this podcast is about, and that hasn't happened

656
00:41:39,719 --> 00:41:44,960
Speaker 1: yet with you. I am not there yet. One time

657
00:41:45,000 --> 00:41:47,440
Speaker 1: I was at a like panel for this Great Students

658
00:41:47,480 --> 00:41:49,879
Speaker 1: documentary and um, one of the Panels is talking about

659
00:41:49,920 --> 00:41:51,960
Speaker 1: how like we have no icons anymore, there we have,

660
00:41:52,120 --> 00:41:54,320
Speaker 1: we don't. Our generation does not have any icons. And

661
00:41:54,400 --> 00:41:57,520
Speaker 1: somebody said, like, what about Janelle Monet? And this person said,

662
00:41:57,719 --> 00:42:00,440
Speaker 1: she's not there yet, And I think I say that

663
00:42:00,600 --> 00:42:04,440
Speaker 1: all the time. It's just a reference my own sorry

664
00:42:05,960 --> 00:42:09,440
Speaker 1: that she's not there yet. Anyways, that's me about the

665
00:42:10,120 --> 00:42:14,640
Speaker 1: concept of being here. The very idea of you asking

666
00:42:14,719 --> 00:42:20,800
Speaker 1: me she's not there yet incredible, like solo show title album.

667
00:42:23,239 --> 00:42:27,239
Speaker 1: It's really it implies so much. She's not there yet,

668
00:42:27,440 --> 00:42:31,400
Speaker 1: she's not she's not there yet and not she like

669
00:42:31,560 --> 00:42:34,839
Speaker 1: about gender exactly, and it's the word and that's why,

670
00:42:34,960 --> 00:42:37,680
Speaker 1: and that's I like, I had that thought. I was like, no,

671
00:42:37,840 --> 00:42:41,680
Speaker 1: you know what I'm gonna I'm going to trust her

672
00:42:41,719 --> 00:42:44,160
Speaker 1: audience that they get what I say when I say.

673
00:42:44,640 --> 00:42:48,440
Speaker 1: Having listened to forty minutes for the episode even starts,

674
00:42:49,320 --> 00:42:55,680
Speaker 1: they remember she's not she's not there yet. So she's

675
00:42:55,680 --> 00:42:57,520
Speaker 1: not there yet. She's not there. He's not there yet,

676
00:42:58,200 --> 00:43:01,879
Speaker 1: Oh my god. And that's okay. We don't have icons. Yeah,

677
00:43:02,000 --> 00:43:04,040
Speaker 1: it's kind of it's like, how hard is it? Like,

678
00:43:04,560 --> 00:43:07,040
Speaker 1: why is it so hard? Yes, somebody do it just

679
00:43:07,160 --> 00:43:10,880
Speaker 1: somebody like, be timeless and be timeless, Like, how is

680
00:43:10,920 --> 00:43:13,759
Speaker 1: that hard? All you have to do is be timeless

681
00:43:13,920 --> 00:43:18,400
Speaker 1: and like iconic, like just like my definition, your image

682
00:43:18,440 --> 00:43:21,120
Speaker 1: has to refer to that. Yeah, like just do that?

683
00:43:21,960 --> 00:43:24,760
Speaker 1: Like how there are so many icons that we've already

684
00:43:24,800 --> 00:43:26,880
Speaker 1: had to just do what they did, but completely different

685
00:43:26,880 --> 00:43:30,440
Speaker 1: and in no way referencing them. It seems obvious. I

686
00:43:30,560 --> 00:43:33,520
Speaker 1: just wish somebody would. Yeah I would, I could, I could,

687
00:43:34,600 --> 00:43:37,160
Speaker 1: and friends who could, and that's what they like and

688
00:43:37,200 --> 00:43:39,960
Speaker 1: they work so hard. Yeah yeah, and none of them

689
00:43:39,960 --> 00:43:44,839
Speaker 1: are there. None of them are even close. Oh she's

690
00:43:44,880 --> 00:43:50,000
Speaker 1: not there yet. She's not there yet. Damn Okay. But

691
00:43:50,080 --> 00:43:52,680
Speaker 1: back to memory. I think the idea of remember it's

692
00:43:52,719 --> 00:43:55,840
Speaker 1: interesting because what is memory if not knowledge? Like that

693
00:43:56,120 --> 00:43:58,080
Speaker 1: is what for someone to be smart or to be

694
00:43:58,160 --> 00:44:01,040
Speaker 1: like well read, or to be and tellectual. It is

695
00:44:01,160 --> 00:44:04,040
Speaker 1: essentially just like how many things do you remember? Right?

696
00:44:04,680 --> 00:44:10,040
Speaker 1: And also like cognitively, memory is only um, you were

697
00:44:10,120 --> 00:44:14,600
Speaker 1: calling your last memory of something, I'm lost. When you

698
00:44:14,760 --> 00:44:18,080
Speaker 1: are remembering something, you're remembering the last memory that you

699
00:44:18,160 --> 00:44:20,920
Speaker 1: had of that, not not memory itself. That is, so

700
00:44:21,320 --> 00:44:23,480
Speaker 1: your memory is only as good as something you have

701
00:44:23,640 --> 00:44:29,960
Speaker 1: made up before my recently having that experience, because so

702
00:44:30,239 --> 00:44:33,440
Speaker 1: I what am I if not the first time I

703
00:44:34,160 --> 00:44:40,480
Speaker 1: had any suspicion that I was attracted demand was I

704
00:44:40,760 --> 00:44:43,840
Speaker 1: was watching I was in theaters watching the movie as

705
00:44:43,880 --> 00:44:46,640
Speaker 1: Good as It gets? Have you seen with Jack Nicholson

706
00:44:46,680 --> 00:44:50,800
Speaker 1: and Helen Hunt? Of course? And Greg Knear plays a

707
00:44:50,840 --> 00:44:54,160
Speaker 1: gay character in that film, and I am pretty I

708
00:44:54,160 --> 00:44:55,839
Speaker 1: haven't seen it in a while. I'm pretty sure it's

709
00:44:55,880 --> 00:44:58,200
Speaker 1: either him or whoever plays his boyfriend, but one of them.

710
00:44:58,480 --> 00:45:01,319
Speaker 1: There's a scene where, like you see there ass nice

711
00:45:01,719 --> 00:45:05,680
Speaker 1: and I distinctly remember first of all being turned on

712
00:45:05,760 --> 00:45:08,600
Speaker 1: in some capacity, but then also telling my mom. Because

713
00:45:08,600 --> 00:45:10,400
Speaker 1: I was so young, I didn't it didn't occur to

714
00:45:10,480 --> 00:45:12,520
Speaker 1: me that it would it's gay or straight or whatever

715
00:45:13,160 --> 00:45:16,520
Speaker 1: some version of. When I saw that Maked Man, it

716
00:45:16,640 --> 00:45:20,239
Speaker 1: made me want to peek, and it was like it

717
00:45:20,320 --> 00:45:23,120
Speaker 1: was like, clearly I felt something you couldn't articulate. I

718
00:45:23,160 --> 00:45:25,560
Speaker 1: couldn't articulate what it was, but it was like all

719
00:45:25,600 --> 00:45:28,759
Speaker 1: I know how to do with my penis. But you know,

720
00:45:28,840 --> 00:45:32,759
Speaker 1: but truly, now that you mentioned that, I've always had

721
00:45:32,880 --> 00:45:34,640
Speaker 1: that memory has always been so vague to me, and

722
00:45:34,719 --> 00:45:36,759
Speaker 1: I know there was something I don't know if I

723
00:45:36,840 --> 00:45:39,120
Speaker 1: actually said that, but I've always thought that I said that,

724
00:45:39,239 --> 00:45:41,520
Speaker 1: and I always found that I didn't actually say that.

725
00:45:41,840 --> 00:45:45,719
Speaker 1: I will be so upset because that means you're not

726
00:45:45,800 --> 00:45:47,680
Speaker 1: only lied to me and Celeste, but you lied to

727
00:45:47,840 --> 00:45:50,720
Speaker 1: all of our listeners. And I did and I felt

728
00:45:50,760 --> 00:45:53,000
Speaker 1: that you were maybe doing that, And I could kind

729
00:45:53,000 --> 00:45:54,600
Speaker 1: of feel that too, because that story was a little

730
00:45:54,640 --> 00:45:58,680
Speaker 1: too because you're gay and you've seen movies, so that

731
00:45:58,800 --> 00:46:01,840
Speaker 1: it was It's so relevant. Guess who just texted me?

732
00:46:02,000 --> 00:46:06,000
Speaker 1: If you say, Charlie bar Day, I'm going to sound

733
00:46:06,480 --> 00:46:11,560
Speaker 1: very literal how to message us through at Quimby even

734
00:46:11,560 --> 00:46:14,520
Speaker 1: though we had just we hadn't even aired that, not

735
00:46:14,640 --> 00:46:17,080
Speaker 1: even aired it. In terms of releasing up sometimes an

736
00:46:17,160 --> 00:46:22,200
Speaker 1: unreleased podcast is actually easier to hear than a released podcast.

737
00:46:22,280 --> 00:46:26,839
Speaker 1: Does that make any sense at all? Yes? Yes? If

738
00:46:26,880 --> 00:46:29,560
Speaker 1: I stopped making sense, feel free to absolutely punch me

739
00:46:29,680 --> 00:46:31,800
Speaker 1: in the face because what I'm saying right now, what

740
00:46:31,920 --> 00:46:38,040
Speaker 1: did he say? No? No, what is it about us? No,

741
00:46:38,200 --> 00:46:41,840
Speaker 1: it is about podcast? He is recording right, No no

742
00:46:42,040 --> 00:46:44,000
Speaker 1: no no no no no no no no no no

743
00:46:44,239 --> 00:46:47,759
Speaker 1: no no no. That's the scene from get Out where

744
00:46:47,800 --> 00:46:56,120
Speaker 1: she's like, no, no, you find that podcast podcast. Oh

745
00:46:56,239 --> 00:47:03,879
Speaker 1: my god, how embarrassing. So Celeste George Sam, Celeste, Wait,

746
00:47:03,960 --> 00:47:06,000
Speaker 1: we're forty five minutes into this pot and we literally

747
00:47:06,000 --> 00:47:07,880
Speaker 1: haven't even gone to the topic. You know what, I

748
00:47:08,000 --> 00:47:09,920
Speaker 1: just remember that when we were doing straight Shooters, I

749
00:47:10,000 --> 00:47:12,920
Speaker 1: wanted to end with you know how we have like

750
00:47:12,960 --> 00:47:14,640
Speaker 1: two options for each one. I wanted the last one

751
00:47:14,680 --> 00:47:19,399
Speaker 1: to just be how would I know that. You looked

752
00:47:19,440 --> 00:47:21,440
Speaker 1: at me and you said, you know how, we have

753
00:47:21,760 --> 00:47:24,640
Speaker 1: this very specific segment that we haven't done yet, that

754
00:47:28,320 --> 00:47:31,720
Speaker 1: two options for each question. You mean remember this, Remember

755
00:47:31,880 --> 00:47:36,360
Speaker 1: that I said, Remember the game is Remember what I

756
00:47:36,480 --> 00:47:44,480
Speaker 1: just said, That's what Remember what I just said. That

757
00:47:44,480 --> 00:47:51,960
Speaker 1: would actually be a really challenging It isn't been very difficult, No,

758
00:47:52,160 --> 00:47:53,960
Speaker 1: But what I at straight Shooters where we were like,

759
00:47:54,000 --> 00:47:56,520
Speaker 1: you know, extra y whatever. I wanted to end with

760
00:47:56,680 --> 00:48:00,319
Speaker 1: just Canada as the last question with my second option, right,

761
00:48:00,719 --> 00:48:04,640
Speaker 1: did you expect like a big big as a way

762
00:48:04,680 --> 00:48:06,440
Speaker 1: to get into the fact that you're from Canada, which

763
00:48:06,440 --> 00:48:10,280
Speaker 1: we have an addressed. Despite the fact that you alluded

764
00:48:10,320 --> 00:48:14,879
Speaker 1: to knowing people from Toronto, you actually did. You did

765
00:48:16,880 --> 00:48:20,719
Speaker 1: another round of remember what I guess has passed me

766
00:48:20,960 --> 00:48:31,480
Speaker 1: by with no victory, not even an opportunity for any gain. Wow. Wow,

767
00:48:32,280 --> 00:48:34,840
Speaker 1: So this thing is traditionally there is a topic in

768
00:48:34,920 --> 00:48:37,560
Speaker 1: each episode. Yeah, that's sort of the whole porems, I guess.

769
00:48:37,680 --> 00:48:39,840
Speaker 1: All right, so let's should we start recording? Yeah? I

770
00:48:39,920 --> 00:48:44,439
Speaker 1: think we hit record right now, and you're head play

771
00:48:45,440 --> 00:48:48,080
Speaker 1: all right, that will signal the machine to play, and

772
00:48:48,120 --> 00:48:50,040
Speaker 1: we're running out of time, so let's skip. Remember what

773
00:48:50,120 --> 00:48:53,360
Speaker 1: I just said this time? Even though it's our most popular,

774
00:48:53,600 --> 00:48:56,239
Speaker 1: it's almost popular segment. People tweet. It's like we say,

775
00:48:56,320 --> 00:48:58,320
Speaker 1: remember what I just said, and then it's like at midnight,

776
00:48:58,360 --> 00:49:01,040
Speaker 1: everyone's tweeting at what I remember I just So that

777
00:49:01,320 --> 00:49:04,160
Speaker 1: is such an like NPR title, like wait, wait, don't

778
00:49:04,200 --> 00:49:06,680
Speaker 1: tell me, like I remember what I just said? Like

779
00:49:06,840 --> 00:49:09,200
Speaker 1: that that my dad would be listening to that. You know,

780
00:49:09,520 --> 00:49:13,520
Speaker 1: she's not there yet? Is there yet? I love that.

781
00:49:13,760 --> 00:49:15,600
Speaker 1: I love she's not there. I'm really addicted to it.

782
00:49:15,880 --> 00:49:18,960
Speaker 1: In fact, I would easily see she's not there yet,

783
00:49:19,040 --> 00:49:23,400
Speaker 1: being like the final segment just kind of like giguous

784
00:49:23,520 --> 00:49:26,600
Speaker 1: and ambiguous, like because usually a final segment and ours

785
00:49:26,640 --> 00:49:31,120
Speaker 1: is similar to this is either endorsing something or uh,

786
00:49:31,800 --> 00:49:34,800
Speaker 1: you know, in some way not endorsing something. So I

787
00:49:34,880 --> 00:49:38,040
Speaker 1: think traditional things like you know, in the in the

788
00:49:38,200 --> 00:49:39,960
Speaker 1: Slate culture gap Fest that Sam and I listened to,

789
00:49:40,040 --> 00:49:43,680
Speaker 1: they literally do endorsements, or in our friends Bowen and

790
00:49:43,719 --> 00:49:46,040
Speaker 1: Matt's podcast Last Cultures, this they do I don't Think

791
00:49:46,080 --> 00:49:50,279
Speaker 1: So Honey, which is you should definitely check it out.

792
00:49:50,560 --> 00:49:53,759
Speaker 1: Check it out. I really think you would. Well, it's

793
00:49:53,800 --> 00:49:57,600
Speaker 1: cool because it tackles like yeah, from a cultural lens.

794
00:49:57,960 --> 00:49:59,600
Speaker 1: So they do a segment called I don't Think so

795
00:49:59,640 --> 00:50:01,319
Speaker 1: honeyway she is like not liking something. But the thing

796
00:50:01,360 --> 00:50:03,160
Speaker 1: that she's not there yet is that it's ambiguous and

797
00:50:03,280 --> 00:50:06,800
Speaker 1: that you are simultaneously you like it. You like something

798
00:50:07,120 --> 00:50:10,239
Speaker 1: but it's not perfect. But it's not perfect, it's it's

799
00:50:10,640 --> 00:50:13,120
Speaker 1: it's kind of genius. It is kind of it's kind

800
00:50:13,160 --> 00:50:15,440
Speaker 1: of gene It is kind of genius. And I think,

801
00:50:15,640 --> 00:50:19,000
Speaker 1: in a weird way, Geno Mane is the perfect example

802
00:50:19,440 --> 00:50:21,720
Speaker 1: of someone who is not there yet. It's a similar

803
00:50:21,960 --> 00:50:26,200
Speaker 1: thing of like we're all rooting for you, like you're

804
00:50:26,280 --> 00:50:29,399
Speaker 1: not there, and often that's even more frustrating than someone

805
00:50:29,400 --> 00:50:32,600
Speaker 1: who's just bad. Yeah, I'm more mad at Jenelle Mane

806
00:50:32,719 --> 00:50:37,920
Speaker 1: than I am at bb Rex, a friend of the podas. Okay,

807
00:50:37,960 --> 00:50:41,720
Speaker 1: so I so George had sent me um Max's episode

808
00:50:41,760 --> 00:50:43,399
Speaker 1: to listen to, I guess as a as a way

809
00:50:43,440 --> 00:50:46,000
Speaker 1: of scaring me for what I was about to experience,

810
00:50:46,800 --> 00:50:49,359
Speaker 1: and I listened to it as sort of self harm

811
00:50:50,280 --> 00:50:52,319
Speaker 1: and in order to get mad at my good friend

812
00:50:52,400 --> 00:50:57,000
Speaker 1: Max and my correct that he didn't he thought baby

813
00:50:57,080 --> 00:51:00,560
Speaker 1: rexel War is made up. That word. He has never

814
00:51:00,680 --> 00:51:03,319
Speaker 1: seen any film by No bomb back, and in fact

815
00:51:03,440 --> 00:51:07,200
Speaker 1: was offended at the mirror idea that he could ever say. Okay, wait,

816
00:51:07,239 --> 00:51:09,400
Speaker 1: we're literally do I remember what I just said? Remember

817
00:51:09,400 --> 00:51:20,920
Speaker 1: what I just said two weeks ago? Yeah? Absolutely in

818
00:51:21,080 --> 00:51:23,640
Speaker 1: my mind in fact, and this is obviously an off

819
00:51:23,719 --> 00:51:25,840
Speaker 1: my conversation, but in my mind this episode will be

820
00:51:25,920 --> 00:51:29,400
Speaker 1: released before Max's, which actually makes it even better that

821
00:51:29,560 --> 00:51:31,839
Speaker 1: we are doing a predictive remember what I just said,

822
00:51:32,400 --> 00:51:35,279
Speaker 1: Like remember what it is about to be said a

823
00:51:35,400 --> 00:51:37,719
Speaker 1: certain number of weeks from now. I like that too.

824
00:51:37,960 --> 00:51:41,640
Speaker 1: I like the teasing of this toxic remember what I

825
00:51:41,719 --> 00:51:44,239
Speaker 1: will say, more of a threat, I would say. A

826
00:51:44,320 --> 00:51:48,120
Speaker 1: lot of the podcast is teasing. There's no the center

827
00:51:48,160 --> 00:51:52,160
Speaker 1: will not hold, like it is teasing for something that

828
00:51:52,280 --> 00:51:56,880
Speaker 1: never hing, Yes, which is kind of what being like

829
00:51:57,040 --> 00:52:02,680
Speaker 1: a tease, is right. It's like implying something will happen

830
00:52:02,800 --> 00:52:08,640
Speaker 1: and then that thing never happens. From Canada, Okay, interesting,

831
00:52:08,960 --> 00:52:15,239
Speaker 1: you were saying about Max, I hate is fucking gut. Yeah.

832
00:52:16,320 --> 00:52:20,359
Speaker 1: Do you think Max is there yet? Weirdly I think

833
00:52:20,400 --> 00:52:23,520
Speaker 1: he might be. Yeah, Max is a very Yeah, it's

834
00:52:23,560 --> 00:52:25,680
Speaker 1: hard to say a bad thing about him. Yeah, I

835
00:52:25,719 --> 00:52:32,960
Speaker 1: mean you didn't you literally hate him? I just said. See. Okay, Wait,

836
00:52:33,120 --> 00:52:35,160
Speaker 1: saying that you hate somebody is not saying a bad

837
00:52:35,200 --> 00:52:36,800
Speaker 1: thing about Okay. Wait, can we all go around the

838
00:52:36,840 --> 00:52:38,400
Speaker 1: table and say people that we all know personally that

839
00:52:38,440 --> 00:52:43,600
Speaker 1: we hate? Yes, Charlie Barde Okay, was going to be

840
00:52:43,760 --> 00:52:54,080
Speaker 1: Charlie Bardet. Okay, what's the same called Charlie? And now

841
00:52:54,160 --> 00:52:55,919
Speaker 1: we and now we're doing remember what I just said

842
00:52:55,920 --> 00:52:57,960
Speaker 1: again where we each go and talk about how we

843
00:52:58,000 --> 00:53:02,800
Speaker 1: hate the David. The segment is say who you hate

844
00:53:02,960 --> 00:53:06,399
Speaker 1: and the answer is Charlie body the full name. Oh

845
00:53:06,560 --> 00:53:11,120
Speaker 1: my god, we're gonna have to rerecord this, like can

846
00:53:11,200 --> 00:53:13,440
Speaker 1: we actually delete everything that's been said so far? I

847
00:53:13,560 --> 00:53:18,400
Speaker 1: think should we start? I think we should start fort alright,

848
00:53:18,520 --> 00:53:22,839
Speaker 1: first play if you're listening, Okay, alright, So soles all

849
00:53:22,920 --> 00:53:28,239
Speaker 1: about you. Well, I know, let's introduce our topic. Um. Oh,

850
00:53:28,360 --> 00:53:31,720
Speaker 1: that's a good idea. And so as you really wanted

851
00:53:31,719 --> 00:53:34,439
Speaker 1: to talk about something very dear to your heart, something

852
00:53:34,480 --> 00:53:39,560
Speaker 1: you personally believe in, something that's guided you throughout your

853
00:53:41,680 --> 00:53:44,759
Speaker 1: I didn't come with anything preparing. So tell us what

854
00:53:44,920 --> 00:53:46,759
Speaker 1: you were going to tell us about. What did your

855
00:53:46,800 --> 00:53:53,640
Speaker 1: our topic today? Christianity? I did not come to talk

856
00:53:54,239 --> 00:54:02,000
Speaker 1: about that. In our pre interview, you said you wanted

857
00:54:02,040 --> 00:54:05,120
Speaker 1: to talk about Please, please, please, George, do not mention

858
00:54:05,239 --> 00:54:08,279
Speaker 1: that odd air you wanted to talk about Christianity. No,

859
00:54:08,640 --> 00:54:12,680
Speaker 1: I said specifically, if you bring up Christianity, I'm going

860
00:54:12,719 --> 00:54:15,360
Speaker 1: to be so deeply hurt. But I will do it

861
00:54:15,560 --> 00:54:18,399
Speaker 1: for the industry reasons. And that's interesting because you want

862
00:54:18,440 --> 00:54:20,800
Speaker 1: and and and correct me if I'm wrong. Your topic

863
00:54:21,320 --> 00:54:24,360
Speaker 1: that email was Christianity. No I didn't. I said the

864
00:54:24,440 --> 00:54:26,799
Speaker 1: subject line was please. If there's one thing I don't

865
00:54:26,840 --> 00:54:31,040
Speaker 1: want to talk about, it's body Christianity. I have this

866
00:54:31,160 --> 00:54:33,120
Speaker 1: bug in Gmail where I can only see the body

867
00:54:33,160 --> 00:54:36,360
Speaker 1: of it. Your quimby Gmail. Yeah, yeah, they have really

868
00:54:36,400 --> 00:54:41,239
Speaker 1: bad internal systems. So Celeste, do you feel that God

869
00:54:41,360 --> 00:54:45,439
Speaker 1: is in the room right now? Charlie, do you think

870
00:54:45,640 --> 00:54:50,120
Speaker 1: three mics are father, Son and the Holy Ghost. I

871
00:54:50,239 --> 00:54:52,319
Speaker 1: think that there is three of a lot of things.

872
00:54:52,560 --> 00:54:53,839
Speaker 1: Do you think it'd be funny to have a show

873
00:54:53,880 --> 00:54:55,440
Speaker 1: called four Mikes and each mic is one of the

874
00:54:55,480 --> 00:55:01,640
Speaker 1: Sex and the City girls? Okay, Who's who? Okay? Of

875
00:55:01,840 --> 00:55:09,000
Speaker 1: us and Charlie. Charlie's Miranda and carry Wow? Wow? All

876
00:55:09,040 --> 00:55:10,839
Speaker 1: right for someone who hates him, you really gave him

877
00:55:11,200 --> 00:55:13,880
Speaker 1: the two best roles to the two I could think of.

878
00:55:14,239 --> 00:55:16,400
Speaker 1: They must remember that was a game of remember what

879
00:55:16,520 --> 00:55:21,640
Speaker 1: I just said based on sex and Okay, well then

880
00:55:21,719 --> 00:55:25,160
Speaker 1: that was four Mike's. Let's go through all the segments

881
00:55:25,200 --> 00:55:28,440
Speaker 1: that we've come up with. She's not remember what I

882
00:55:28,600 --> 00:55:33,040
Speaker 1: just said? For my name? Who you hate? The parday?

883
00:55:36,520 --> 00:55:41,399
Speaker 1: Oh my god, it's so funny. Um. So the last

884
00:55:41,440 --> 00:55:44,560
Speaker 1: you went to Bible camp I did in Canada? Right?

885
00:55:45,200 --> 00:55:52,040
Speaker 1: Did you are the friends you made? Their lifelong friends? No? Okay, okay,

886
00:55:54,960 --> 00:55:59,800
Speaker 1: I would say that I they I would say that

887
00:56:00,040 --> 00:56:03,160
Speaker 1: they are all still friends. Oh you're the one that

888
00:56:03,239 --> 00:56:05,239
Speaker 1: got away. I have a question for you. Did you

889
00:56:05,520 --> 00:56:13,960
Speaker 1: ever really like h really believe like really okay, really yes?

890
00:56:14,560 --> 00:56:18,720
Speaker 1: I think that I was like young and um really

891
00:56:19,239 --> 00:56:22,680
Speaker 1: wanted a community of people who I felt really cared

892
00:56:22,680 --> 00:56:25,120
Speaker 1: about me and understood me. And for a lot of

893
00:56:25,160 --> 00:56:29,719
Speaker 1: people that is stand up comedy, and for me at fourteen,

894
00:56:29,840 --> 00:56:34,000
Speaker 1: it was my friends from my Christian summercount stand up

895
00:56:34,040 --> 00:56:39,000
Speaker 1: comedies based on Christian Christianity. Yeah, I can definitely feel that.

896
00:56:39,080 --> 00:56:43,280
Speaker 1: I would say I went through. Um, thanks for asking,

897
00:56:43,640 --> 00:56:47,560
Speaker 1: I would say I also, I was not raised extremely religiously,

898
00:56:47,680 --> 00:56:49,400
Speaker 1: but I did have a phase where I was like

899
00:56:49,760 --> 00:56:53,120
Speaker 1: really into prayer, Like I would pray before bed every night. Yeah, really,

900
00:56:53,239 --> 00:56:58,279
Speaker 1: like just for your own personality game. Okay, so about

901
00:56:58,320 --> 00:57:01,680
Speaker 1: other people or were you just what you want what

902
00:57:01,840 --> 00:57:04,400
Speaker 1: you were thinking about? Yeah, I would say maybe that

903
00:57:04,520 --> 00:57:06,440
Speaker 1: was I would say like late elementary school, like through

904
00:57:06,520 --> 00:57:11,040
Speaker 1: maybe like fourth that's really nice. There's something very meditative

905
00:57:11,080 --> 00:57:13,719
Speaker 1: about that, just like reflecting. Yeah, I mean that's the

906
00:57:13,800 --> 00:57:17,200
Speaker 1: thing that everyone like abandons it and then all you

907
00:57:17,320 --> 00:57:19,200
Speaker 1: do the rest of your life is look for replacements

908
00:57:21,320 --> 00:57:24,600
Speaker 1: for prayer, no, for all aspects of religion, whether that's

909
00:57:24,640 --> 00:57:27,560
Speaker 1: like community building, whether that's like some kind of meditation

910
00:57:27,760 --> 00:57:31,080
Speaker 1: that emulates prayer, whether that's like an authority figure that

911
00:57:31,640 --> 00:57:36,240
Speaker 1: you find to be ah you know that used to

912
00:57:36,360 --> 00:57:39,720
Speaker 1: come to which is that not true. Did I snap?

913
00:57:40,840 --> 00:57:47,840
Speaker 1: Is the going awfularm? Bringing this? Okay? My alarm was

914
00:57:47,880 --> 00:57:50,720
Speaker 1: really literal. I'm so sorry. Like, I guess an alarm

915
00:57:50,760 --> 00:57:53,080
Speaker 1: should sound like an alarm, like something, I'm a loser

916
00:57:53,440 --> 00:57:55,560
Speaker 1: because an alarm sounds like an alarm. Like you ask

917
00:57:56,320 --> 00:57:58,080
Speaker 1: that you have a background and shore from comedy. I

918
00:57:58,200 --> 00:58:00,160
Speaker 1: thought so when I ask you a very big as

919
00:58:00,560 --> 00:58:02,720
Speaker 1: a call and respond question and answer, well, it's just

920
00:58:02,760 --> 00:58:04,400
Speaker 1: like I expect to laugh, laugh, laugh. I mean for

921
00:58:04,520 --> 00:58:07,200
Speaker 1: this to be for this podcast to be so uh,

922
00:58:07,480 --> 00:58:09,440
Speaker 1: you know, subversive, and then for us to be like

923
00:58:09,520 --> 00:58:11,080
Speaker 1: what does an alarm sound like? For you to literally

924
00:58:11,160 --> 00:58:13,920
Speaker 1: just do an alarm sound? Well, it's just like like

925
00:58:14,160 --> 00:58:16,400
Speaker 1: what my comedy is. My comedy is truth, and my

926
00:58:16,440 --> 00:58:18,440
Speaker 1: comedy is grounded, And if you ask me what an

927
00:58:18,440 --> 00:58:20,720
Speaker 1: alarm is, I'm going to do an alarm because the people,

928
00:58:21,520 --> 00:58:23,680
Speaker 1: the people at home will respect that honesty. Do you

929
00:58:23,720 --> 00:58:27,280
Speaker 1: know I've always said comedy is rooted in truth. I've

930
00:58:27,400 --> 00:58:30,560
Speaker 1: actually always thought that. Yeah, it's so funny. Actually just

931
00:58:30,600 --> 00:58:33,080
Speaker 1: made that up. I've never said that before. That's crazy. Yeah,

932
00:58:33,920 --> 00:58:37,480
Speaker 1: I don't think there's anything wrong with telling the truth. Boys. Wow,

933
00:58:38,200 --> 00:58:42,600
Speaker 1: that's a new segment. I don't think there's anything wrong

934
00:58:42,720 --> 00:58:49,360
Speaker 1: with telling the truth boys all of the things. That's

935
00:58:49,400 --> 00:58:51,280
Speaker 1: what got me. And the two wait, the two parts

936
00:58:51,280 --> 00:58:53,880
Speaker 1: of that sigment, we're amazing, I alarm, sound like we

937
00:58:54,040 --> 00:58:58,560
Speaker 1: you And then George going off about Christianity and it's

938
00:58:58,680 --> 00:59:01,240
Speaker 1: and it's structural in packed on our culture. I thought

939
00:59:01,280 --> 00:59:03,960
Speaker 1: I was being pretty insightful. I think that's really true.

940
00:59:04,120 --> 00:59:09,400
Speaker 1: I didn't have anything great cool, So we actually tackled

941
00:59:09,520 --> 00:59:12,720
Speaker 1: Christianity in all of ten minutes of talking about I'd

942
00:59:12,760 --> 00:59:15,880
Speaker 1: want to say that. Um, George was like, do you

943
00:59:16,000 --> 00:59:18,160
Speaker 1: have anything to bring up? And I had said, like,

944
00:59:19,560 --> 00:59:20,840
Speaker 1: he was like, you don't. Do you have anything like

945
00:59:21,040 --> 00:59:24,160
Speaker 1: a frat like in your past? We're talking about like

946
00:59:24,240 --> 00:59:29,880
Speaker 1: possible topics, straight topics, possible straight topics. So I brought up,

947
00:59:30,120 --> 00:59:32,840
Speaker 1: as the most cliche possible straight topic, fraternities. And you're

948
00:59:32,880 --> 00:59:35,440
Speaker 1: being so nice and you said, oh, you don't have

949
00:59:35,480 --> 00:59:36,720
Speaker 1: to talk about you don't have to talking about and

950
00:59:36,720 --> 00:59:38,240
Speaker 1: I said, you know, it's okay, but I'd rather talk

951
00:59:38,280 --> 00:59:43,800
Speaker 1: about basketball. And then the first thing you brought was christiated. Wow, okay,

952
00:59:43,880 --> 00:59:45,960
Speaker 1: this is actually remember what I just said moment, because

953
00:59:46,120 --> 00:59:49,200
Speaker 1: in my mind, I didn't realize you'd rather talk about basketball.

954
00:59:49,240 --> 00:59:52,560
Speaker 1: I thought you were just like brainstorming other ideas. I

955
00:59:52,640 --> 00:59:55,080
Speaker 1: did not. This is another remember what I just said?

956
00:59:56,960 --> 01:00:00,600
Speaker 1: You're right, okay, this whole episode not to remember what

957
01:00:00,640 --> 01:00:02,320
Speaker 1: I just said. It truly is the fact that we

958
01:00:02,360 --> 01:00:04,360
Speaker 1: have to remember what each other is saying and then

959
01:00:04,440 --> 01:00:09,080
Speaker 1: like respond to it post the thing being said, in

960
01:00:09,200 --> 01:00:11,600
Speaker 1: the sense that you'll remember. It's not like you have

961
01:00:11,680 --> 01:00:15,360
Speaker 1: to say it here it right, and then remember that. Yeah,

962
01:00:15,480 --> 01:00:17,600
Speaker 1: and you never know when you will be called upon

963
01:00:17,720 --> 01:00:19,680
Speaker 1: to remember it. It might not even be right after

964
01:00:19,760 --> 01:00:22,480
Speaker 1: it said. And this is the end of a segment

965
01:00:22,600 --> 01:00:25,360
Speaker 1: we like to call I don't think there's anything wrong

966
01:00:25,600 --> 01:00:32,360
Speaker 1: with telling the truth. Boy, here's the thing. We truly

967
01:00:32,400 --> 01:00:36,920
Speaker 1: have three minutes. So let's has a heart out. Do

968
01:00:37,000 --> 01:00:39,800
Speaker 1: you want to extremely quickly try to do our final segment?

969
01:00:39,880 --> 01:00:41,880
Speaker 1: I actually think we have to. I want to say,

970
01:00:41,920 --> 01:00:43,960
Speaker 1: it's not a heart out. We can make it soft.

971
01:00:44,560 --> 01:00:53,280
Speaker 1: We do. We have a media. But just like liberate

972
01:00:53,360 --> 01:01:01,640
Speaker 1: Yourself has segment Liberate yourself all right, all right, this

973
01:01:01,840 --> 01:01:04,200
Speaker 1: is the segment where each of us chooses a label

974
01:01:05,240 --> 01:01:09,240
Speaker 1: to liberate ourselves from. Oh cool, I love that has

975
01:01:09,280 --> 01:01:18,160
Speaker 1: an idea yeah, yeah, yeah. We have to perceptions of

976
01:01:18,280 --> 01:01:20,840
Speaker 1: us based on what we think our biggest insecurities are.

977
01:01:21,360 --> 01:01:23,200
Speaker 1: We have to be labeled based on what we've heard

978
01:01:23,240 --> 01:01:26,040
Speaker 1: through other people gossiping about one another. You know, this

979
01:01:26,680 --> 01:01:30,520
Speaker 1: is a shockingly mean podcast. It is that we're actually

980
01:01:30,560 --> 01:01:34,760
Speaker 1: gonna have to um like repent, I think, and that

981
01:01:35,080 --> 01:01:38,480
Speaker 1: brings us right back to Christianity. Do you think that

982
01:01:38,520 --> 01:01:41,680
Speaker 1: you're a mean person? Um? I think I have the

983
01:01:41,760 --> 01:01:46,200
Speaker 1: capabilities to be mean, but I lean nice. George, do

984
01:01:46,240 --> 01:01:50,400
Speaker 1: you think Sam's a mean person? Ah? I think that

985
01:01:52,560 --> 01:02:02,040
Speaker 1: Sam's negativity comes from a place Oh my god, they

986
01:02:02,160 --> 01:02:07,440
Speaker 1: just played that sound over you. Comes from a place

987
01:02:07,720 --> 01:02:16,560
Speaker 1: of actually being someone who has good morals and believes

988
01:02:16,600 --> 01:02:18,600
Speaker 1: in the good in the world. Oh yeah, it's a

989
01:02:18,680 --> 01:02:21,200
Speaker 1: deep care for the world, and it's it's a frustration

990
01:02:21,280 --> 01:02:24,680
Speaker 1: with the fact that it's not better exactly. That's beautiful.

991
01:02:25,080 --> 01:02:27,040
Speaker 1: I only asked because I think that Sam, you're such

992
01:02:27,040 --> 01:02:29,880
Speaker 1: a bubblic like It's obvious that George your mean person,

993
01:02:32,120 --> 01:02:35,640
Speaker 1: but Sam sort of culturally is a nicer, fancy, bubbly

994
01:02:36,320 --> 01:02:40,600
Speaker 1: like light. You know. You asked him, do you think

995
01:02:40,600 --> 01:02:42,280
Speaker 1: you're going to be depressed for three days? And he

996
01:02:42,360 --> 01:02:46,440
Speaker 1: says no, no, my head hurts a little. Meanwhile, I'm like, like,

997
01:02:46,640 --> 01:02:50,439
Speaker 1: you will be having a headache. You will be having

998
01:02:50,480 --> 01:02:53,800
Speaker 1: said this three days a long time. No, not me,

999
01:02:54,800 --> 01:02:57,800
Speaker 1: not on the weekend? All right? Cool? Well, oh, should

1000
01:02:57,800 --> 01:03:00,280
Speaker 1: we do our final segment? I guess I guess. I

1001
01:03:00,400 --> 01:03:03,560
Speaker 1: guess you have to go first, do I. Okay, So

1002
01:03:03,640 --> 01:03:06,200
Speaker 1: our final segment it's called shout outs. Um, you know,

1003
01:03:06,280 --> 01:03:09,640
Speaker 1: we like to give shout outs to anything that we like.

1004
01:03:10,120 --> 01:03:13,160
Speaker 1: This segment is kind of Sam's baby. Shut up. I'm

1005
01:03:13,440 --> 01:03:16,960
Speaker 1: so down to delete this segment and I'm sot to

1006
01:03:17,000 --> 01:03:19,920
Speaker 1: delete the segment forever. Like, actually, if you want to

1007
01:03:19,960 --> 01:03:22,720
Speaker 1: stop recording and we can just sort of end it

1008
01:03:22,920 --> 01:03:26,200
Speaker 1: right here, how about we do a fake ending right

1009
01:03:26,280 --> 01:03:28,960
Speaker 1: now and then we do the segment and then we

1010
01:03:29,000 --> 01:03:30,760
Speaker 1: decided later if you just literally want to cut out

1011
01:03:30,760 --> 01:03:33,280
Speaker 1: the last three minutes. So thank you so much for

1012
01:03:33,360 --> 01:03:37,160
Speaker 1: listening to this episode. I do it. Let's do it.

1013
01:03:37,280 --> 01:03:39,200
Speaker 1: I actually do want to do it. Okay, you literally

1014
01:03:39,240 --> 01:03:42,280
Speaker 1: just said you want to delete it anything. Boys, Wait,

1015
01:03:42,360 --> 01:03:45,560
Speaker 1: this is and in fact, remember what I just said.

1016
01:03:45,680 --> 01:03:47,240
Speaker 1: Sam said he didn't want to do this segment, but

1017
01:03:47,320 --> 01:03:49,200
Speaker 1: now he changed his mind. Well, I didn't want to

1018
01:03:49,200 --> 01:03:50,280
Speaker 1: do it, and then I thought for a second, and

1019
01:03:50,320 --> 01:03:53,280
Speaker 1: I was about to do it despite like I just

1020
01:03:53,520 --> 01:03:55,560
Speaker 1: naturally started to give a shout out and I was like,

1021
01:03:55,600 --> 01:04:00,440
Speaker 1: wait a minute, Okay, what's up, listen. I just want

1022
01:04:00,480 --> 01:04:03,360
Speaker 1: to give a quick shout out to Brooklyn comedians Charlie Farday.

1023
01:04:03,800 --> 01:04:06,440
Speaker 1: We're really torn you to shreds Batch and guess what,

1024
01:04:06,720 --> 01:04:09,120
Speaker 1: we didn't mean it. We love you. You're a speaking

1025
01:04:09,200 --> 01:04:16,280
Speaker 1: of light. Okay, fine, hey listeners, what's up? I just

1026
01:04:16,320 --> 01:04:17,960
Speaker 1: want to give a shout out to Bow the dog.

1027
01:04:18,040 --> 01:04:21,400
Speaker 1: I'm dog sitting. He peed in the house twice since

1028
01:04:21,560 --> 01:04:24,360
Speaker 1: I have started living there, and one time I stepped

1029
01:04:24,400 --> 01:04:28,560
Speaker 1: on it in clean socks and then in fact I

1030
01:04:28,680 --> 01:04:30,200
Speaker 1: left the house to come here and did not clean

1031
01:04:30,240 --> 01:04:35,760
Speaker 1: it up. Shout out about hey, listeners, it's me select.

1032
01:04:35,960 --> 01:04:38,560
Speaker 1: I am a guest on a podcast that asked me

1033
01:04:38,640 --> 01:04:42,400
Speaker 1: to come here to I guess speak over the people

1034
01:04:42,440 --> 01:04:45,120
Speaker 1: who are here constantly. He despite the fact that I'm

1035
01:04:45,160 --> 01:04:47,240
Speaker 1: not always here and I don't always get to say

1036
01:04:47,280 --> 01:04:49,640
Speaker 1: what I want to say, and you know that, it

1037
01:04:49,760 --> 01:04:51,440
Speaker 1: brings me to another shoutow that I would like to

1038
01:04:51,480 --> 01:04:53,480
Speaker 1: give a shout out too, which is not always having

1039
01:04:53,520 --> 01:04:56,480
Speaker 1: to say what you came here to say. Sometimes you

1040
01:04:56,560 --> 01:04:59,120
Speaker 1: don't need to talk about anything interesting. Sometimes you do

1041
01:04:59,280 --> 01:05:00,960
Speaker 1: need to be funny. Sometime you don't need to be

1042
01:05:01,320 --> 01:05:04,720
Speaker 1: um to a to impress those who have not heard

1043
01:05:04,840 --> 01:05:09,160
Speaker 1: your voice ever before. Sometimes the first impression doesn't need

1044
01:05:09,200 --> 01:05:11,920
Speaker 1: to be at all compelling. And I want to give

1045
01:05:11,920 --> 01:05:14,560
Speaker 1: a shout out to the fact that I have done

1046
01:05:14,760 --> 01:05:17,479
Speaker 1: that here to day. I want to give a shout

1047
01:05:17,480 --> 01:05:20,640
Speaker 1: out to I do not think that there's anything wrong

1048
01:05:20,680 --> 01:05:24,600
Speaker 1: with telling the truth boys Number one, Number two, name

1049
01:05:24,680 --> 01:05:27,640
Speaker 1: with somebody you hate and the answer is Charlie Barday.

1050
01:05:28,080 --> 01:05:32,200
Speaker 1: Number three. Remember what I just said? Number four Straight

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Speaker 1: Shooters and number five Stradio Lab podcast available exclusively on podcasts.

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01:05:44,360 --> 01:05:50,680
Speaker 1: Any questions please reach outs. Remember what I just said

1053
01:05:50,800 --> 01:05:54,040
Speaker 1: I've ever seen? Do you want to remember literally everything

1054
01:05:54,160 --> 01:05:57,040
Speaker 1: that was? Do you know what I thought of when

1055
01:05:57,080 --> 01:06:00,280
Speaker 1: you were talking about first impressions? A first impress is

1056
01:06:00,280 --> 01:06:04,800
Speaker 1: the ultimate. Remember what I just said? Speechless? I mean,

1057
01:06:05,040 --> 01:06:06,919
Speaker 1: I actually, I'm not even gonna described I'm not gonna

1058
01:06:06,920 --> 01:06:09,760
Speaker 1: explain what I just said of this suff the alarm

1059
01:06:10,920 --> 01:06:16,520
Speaker 1: and they cut off, all right, And with that going

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01:06:16,560 --> 01:06:24,880
Speaker 1: off alarm take us out. Oh great,