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Speaker 1: Hello, and welcome back to movie Mike's movie Podcast. I

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Speaker 1: am your host Movie Mike. Today, I want to talk

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Speaker 1: about the highest paid actors with the lowest amount of

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Speaker 1: screen time. These are actors who spent a very little

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Speaker 1: time actually on set, but took home a huge payday.

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Speaker 1: A lot of drama went into this in the movie review.

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Speaker 1: Did they finally get it right with Fantastic Four? Is

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Speaker 1: the fourth time of charm? Yes? Even before the movies

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Speaker 1: we had in the two thousands, there was a failed

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Speaker 1: Fantastic four way back in the nineties. In the trailer park,

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Speaker 1: we'll talk about Mortal Kombat two and how this one

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Speaker 1: is finally going to feature of the tournament. Is it

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Speaker 1: gonna be a better version of the Mortal Kombat we

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Speaker 1: got in the nineties. Thank you for being here, Thank

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Speaker 1: you for being subscribed. Shout out to the Monday Morning

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Speaker 1: Movie crew. And now let's talk movies from the Dustville

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Speaker 1: Podcast Network. This is movie Mike's Movie Podcast. As actors

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Speaker 1: who took home a whole lot of money for very

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Speaker 1: little work, it is good work if you can get it.

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Speaker 1: Let's kick off the list, getting right into all of

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Speaker 1: this drama. I actually saw this first post on movie

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Speaker 1: facts on Instagram, which is a great follow and this

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Speaker 1: led me into diving into this entire topic. This story

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Speaker 1: about Marlon Brando on the first Superman movie in nineteen

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Speaker 1: seventy eight is wild because he was paid three point

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Speaker 1: seven million dollars plus eleven point seven five percent of

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Speaker 1: the profits for ten minutes of screen time. He ended

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Speaker 1: up making nineteen million dollars in total, which in today's

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Speaker 1: money would be ninety four million dollars for ten minutes

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Speaker 1: of screen time. Now, the theme we're gonna see throughout

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Speaker 1: this list is just because you're on screen for ten

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Speaker 1: minutes doesn't mean you go in and work for ten minutes. Obviously,

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Speaker 1: movies take a long time to make. A lot of

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Speaker 1: making movies is sitting around and waiting, So those ten

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Speaker 1: minutes you'll probably put a lot more time than that.

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Speaker 1: Some people here on this list are gonna be on

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Speaker 1: set for three to four days, some people two weeks.

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Speaker 1: Some people will be there the entire time. But when

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Speaker 1: you think about how much you pay an actor versus

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Speaker 1: how much they are actually featured on the screen, it

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Speaker 1: is wild to think about. But sometimes with a big

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Speaker 1: name like Marlon Brando, you put his name on the poster,

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Speaker 1: you put him in all the promotional materials, and that

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Speaker 1: is going to sell your movie. So sometimes you are

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Speaker 1: also paying for their name. We're also going to see

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Speaker 1: a lot of these people are really big names. But

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Speaker 1: not only that, Marlon Brando refused to memorize his lines.

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Speaker 1: So what did they do? They placed Q cards all

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Speaker 1: around the set. And on the other hand, Christopher Reeve,

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Speaker 1: who played Superman, was only paid two hundred and fifty

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Speaker 1: thousand dollars compared to what Marlon Brando got. Brando was

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Speaker 1: also deliberately late to set, and it was actually written

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Speaker 1: into his contract that he received additional compensation every time

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Speaker 1: the production went over schedule. So if he was late

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Speaker 1: and then the production still went over schedule, it was

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Speaker 1: a financial incentive for him to be late and do

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Speaker 1: whatever he wanted with his time because he just kept

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Speaker 1: making more and more money. He had an assistant at

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Speaker 1: the time who was sixteen years old, who reportedly went

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Speaker 1: with him on set to make sure he had a

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Speaker 1: full stomach, because whenever he was full, he supposedly acted better.

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Speaker 1: At this point in his career, he was just doing

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Speaker 1: whatever he wanted. Christopher Reeve even openly called out Brando

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Speaker 1: saying like, I'm not supporting that. Christopher Reeves said, by

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Speaker 1: the time that Marlon Branda was fifty three, he was

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Speaker 1: just done with everything. He didn't give a crap. So

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Speaker 1: Marlon Brando nineteen million dollars for ten minutes of screen time.

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Speaker 1: Up next Fantastic Beasts The Secrets of Dumbledore, which came

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Speaker 1: out in twenty twenty two. Johnny Depp was paid sixteen

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Speaker 1: million dollars. How much time was he on screen? Let

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Speaker 1: me think back to that movie. Oh, he's not in

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Speaker 1: it at all, zero screen time. He was actually dropped

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Speaker 1: from the third film because of all the controversy going

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Speaker 1: on in his personal life, because of all the court

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Speaker 1: stuff with Amber Heard. He was replaced in the movie,

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Speaker 1: but in his contract he had a pay or play clause,

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Speaker 1: meaning that he would receive his full salary regardless if

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Speaker 1: he was in the movie or not. He even had

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Speaker 1: a clause in there if they replaced him, he would

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Speaker 1: still get paid that sixteen million dollars from Warner Brothers.

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Speaker 1: So that is exactly what happened. So this was the

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Speaker 1: final film in that franchise, which I thought started out

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Speaker 1: really strong. I loved the first one. I enjoyed stepping

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Speaker 1: into that world with newt I thought Eddie Redmain did

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Speaker 1: a fantastic job. But I think historically those movies got

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Speaker 1: worse and worse and they ended up just becoming what

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Speaker 1: I would dub as an airplane movie. But that's wild

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Speaker 1: though that Johnny Depp only filmed one scene for this

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Speaker 1: movie before being asked to resign, but still he made

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Speaker 1: that sixteen million dollars wild. Next up, George Clooney and Gravity.

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Speaker 1: When I think about Gravity, I think of it as

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Speaker 1: a Sandra Bullock movie. Very limited cast. It's pretty much

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Speaker 1: her and George Clooney, and really from that, it's pretty

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Speaker 1: much her the entire time. Floating in space. I thought

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Speaker 1: that movie was great when it first came out. It

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Speaker 1: was very immersive, was still popular at the time as

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Speaker 1: far as being able to add depth to a movie

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Speaker 1: in a way that we hadn't really seen before. We

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Speaker 1: were really enamored with it in the twenty tens because

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Speaker 1: of Avatar, which came out in two thousand and nine,

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Speaker 1: and then everybody started utilizing that technology. But I love

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Speaker 1: space movies because they're always very isolated, and this movie

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Speaker 1: really made me feel like I was isolated in space

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Speaker 1: right there with Sandra Bullock. But George Clooney was in

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Speaker 1: this movie for only eighteen minutes, and it's pretty much

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Speaker 1: only in the beginning. We have a lot of George

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Speaker 1: Clooney's voice in the movie as well, and he was

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Speaker 1: paid twenty million dollars and that was just the upfront money,

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Speaker 1: because he also got fourteen million dollars from the box

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Speaker 1: office profits. So in just what was reported that he

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Speaker 1: made for this movie, that's thirty four million dollars right

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Speaker 1: there for eighteen minutes. But George Clooney is one of

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Speaker 1: those actors with that power in his name, and at

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Speaker 1: least with this one, it doesn't really feel to me

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Speaker 1: like his presence is not there. If you were to

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Speaker 1: ask me before I looked up this list, I would

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Speaker 1: have thought he was in it. More so, I guess

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Speaker 1: that doesn't really take away from it. Some of these

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Speaker 1: other people were going to get to. You can tell

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Speaker 1: that they were way overpaid for their amount of time,

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Speaker 1: because sometimes you can be on screen for a very

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Speaker 1: limited amount of time and have a big impact. We're

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Speaker 1: going to get to somebody on this list later who

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Speaker 1: won an oscar for a very limited time that they

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Speaker 1: were on screen. Still got paid a pretty decent amount,

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Speaker 1: But George Clooney eighteen minutes thirty four million dollars. This

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Speaker 1: next one is wild. Nicholas Cage was Superman. He was,

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Speaker 1: the movie was canceled. They only ever brought him back

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Speaker 1: in the Flash movie whenever they had all those random cameos.

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Speaker 1: But the movie was called Superman Libs. So total screen

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Speaker 1: time he ended up having was zero minutes because the

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Speaker 1: movie was never made. But if you ever google Nicholas

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Speaker 1: Cage Superman, you'll see a picture of him in the

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Speaker 1: Superman suit. Tim Burton was all gung ho about making

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Speaker 1: this movie. They didn't really even have a script. They

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Speaker 1: were kind of just piecing things together as they went along.

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Speaker 1: I don't know what would have happened with this movie,

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Speaker 1: tim Burton doing a Superman movie. I mean, he did

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Speaker 1: a really great job with Batman, but it kind of

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Speaker 1: seemed like this thing was under wraps for so long.

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Speaker 1: There was no clear plan but for those zero minutes.

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Speaker 1: Because the movie was never fully made, Nicholas Cage was

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Speaker 1: still paid twenty million dollars, which he went on to

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Speaker 1: spend on like a dinosaur skull or something, or the

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Speaker 1: blood of Dracula, but the movie was canceled in pre

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Speaker 1: production in the late nineties. But Nicholas Cage had what

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Speaker 1: we were talking about earlier, the pay or play contract,

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Speaker 1: meaning he still got paid even though the movie didn't

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Speaker 1: even shoot, so it wasn't even that the movie came

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Speaker 1: out and it wasn't in it. Even though the movie

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Speaker 1: never fully was finished, he still got paid those twenty

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Speaker 1: million dollars for basically wearing a weird wig and some

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Speaker 1: test footage and putting on the suit that doesn't really

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Speaker 1: look like it even fits his body. I'm not entirely

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Speaker 1: shit it was made and fitted to him because it

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Speaker 1: looks a little weird on him. But twenty million dollars

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Speaker 1: for doing a very limited amount of time on a

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Speaker 1: pre production set movie, not coming out, not having to

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Speaker 1: do press for it, I'll take it. Next up, we

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Speaker 1: have Denzel Washington, an American gangster from two thousand and seven.

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Speaker 1: This was a little bit different because the movie initially

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Speaker 1: got canceled back in two thousand and four by Universal,

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Speaker 1: and Denzel was really upset because he was set to

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Speaker 1: make twenty million dollars before that movie was canceled, so

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Speaker 1: he sued them for breach of contract and ended up

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Speaker 1: being paid twenty million dollars anyway, even though the movie

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Speaker 1: didn't come out. But then later in two thousand and seven,

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Speaker 1: famous director Ridley Scott revived the project still brought Denzel

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Speaker 1: Washington back for that role that he was initially supposed

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Speaker 1: to play, Frank Lucas. But then here's the part where

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Speaker 1: it makes this really lucrative for him when he signed

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Speaker 1: back on with the Ridley Scott version and he got

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Speaker 1: paid another twenty million dollars. So when all was said

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Speaker 1: and done for American Gangster Danzel Washington made forty million

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Speaker 1: dollars per that settlement and per that new deal. So

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Speaker 1: sometimes you gotta fight for what you're worth and you

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Speaker 1: gotta fight for the work that you've been promised. And

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Speaker 1: that's the thing not only with actors, but anybody in

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Speaker 1: a professional setting, especially people like independent contractors. If you

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Speaker 1: get hired to do a job that is gonna set

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Speaker 1: you for the rest of the year, maybe you're in

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Speaker 1: a point where like, oh, I just need to get

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Speaker 1: this next big job, this next big opportunity, no matter

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Speaker 1: what you do, and you're already accounting for that money.

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Speaker 1: It is as impactful to you as it is to

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Speaker 1: a Hollywood actor who maybe lives an entirely different lifestyle,

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Speaker 1: maybe sometimes lives in excess, but it impacts you the

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Speaker 1: same way. So when that gets taken away from you,

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Speaker 1: say that contract for building a new school goes away,

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Speaker 1: you're already counting for that money the same way Denzel

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Speaker 1: Washington was already accounting for that money to maybe build

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Speaker 1: a new wing in his house. So that is why

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Speaker 1: these actors fight for all this money. And also, like

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Speaker 1: we've been talking about recently in movie Math, is that

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Speaker 1: just because they are paid that twenty million dollars, that

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Speaker 1: greatly dwindles as they start to pay everybody, which is

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Speaker 1: going to be a reason that someone else on this

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Speaker 1: list took a role that was like, oh my gosh,

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Speaker 1: why are they even in this movie? Now we have

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Speaker 1: an answer. But Denzel forty million dollars when all was

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Speaker 1: said and done for American Gangster, Next up, this one

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Speaker 1: I felt and this one I felt a little bit

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Speaker 1: robbed by a little bit cheated by even Robert Downey Junior.

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Speaker 1: In Spider Man Homecoming from twenty seventeen, he was paid

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Speaker 1: ten million dollars. He was in that movie for about

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Speaker 1: eight minutes, and that was used in the poster that

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Speaker 1: was used in the trailer. This was at a time

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Speaker 1: when the MCU was just banking on everything. Robert Downey Junior,

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Speaker 1: he was carrying the MCU with all his cameos, with

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Speaker 1: all the Iron Man movies. He was holding up the

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Speaker 1: Avengers and he probably could have been for more. And

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Speaker 1: the only real gripe I have with the Tom Hall

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Speaker 1: and Spider Man movies is that they've always been attached

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Speaker 1: to the Avengers, especially this one, and really following the

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Speaker 1: aftermath of the movie that came before it in the MCU,

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Speaker 1: and that was exactly what happened with this movie. I

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Speaker 1: wish it wasn't so tied to Iron Man and we

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Speaker 1: only got eight minutes of him on screen. But the

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Speaker 1: difference between somebody like Robert Downey Jr. And a Marlon

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Speaker 1: Brando is when Robert Downey Junior shows up, he is there,

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Speaker 1: he is zoned in on his character, he is memorizing

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Speaker 1: his lines. You get full charisma Robert Downey Junior. So

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Speaker 1: I think you do get your money's worth for that

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Speaker 1: ten million dollars because he's going to give you the

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Speaker 1: best possible version of Tony Stark that he can do

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Speaker 1: in that role, so he's very pivotal. His presence was

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Speaker 1: needed at the time in this movie. But I'm so

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Speaker 1: glad now with the new Spider Man coming out that

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Speaker 1: they have revealed that Spider Man is going back to

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Speaker 1: street level crime where it's not gonna be in another universe.

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Speaker 1: It's not gonna be dealing with all these things. It's

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Speaker 1: gonna be Spider Man getting back to his roots fighting

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Speaker 1: just average criminals. We know that Frank Castle, aka the Punisher,

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Speaker 1: is going to be a part of this movie, so

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Speaker 1: that is what excites me because the change we started

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Speaker 1: to see in Tom Holland Spider Man because of all

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Speaker 1: the events of No Way Home is I feel like

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Speaker 1: he has that edge to him now he's lost somebody

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Speaker 1: important to him, he has gone through that trauma that

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Speaker 1: every Spider Man has to go through. So now taking

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Speaker 1: them back to the streets, Oh, that's gonna be good.

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Speaker 1: But we're not gonna have Robert Danny Junior in this one,

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Speaker 1: although he's probably gonna make a lot of money for

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Speaker 1: the next two Avengers movies playing Doctor Doom, but for

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Speaker 1: Spider Man Homecoming for eight minutes, he made ten million

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Speaker 1: dollars and speaking of actors really needing a quick payday

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Speaker 1: and not making as much money as you think when

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Speaker 1: all is said and done, that is the case with

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Speaker 1: the next person on this list, al Pacino in Jack

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Speaker 1: and Jill from twenty eleven, which is historically a bad

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Speaker 1: Adam Sandler movie, even though it is my mom's favorite

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Speaker 1: Adam Sandler movie. That is why I've seen this movie.

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Speaker 1: I would say at least three or four, maybe five times,

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Speaker 1: because she loves it so much. So yes, on paper,

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Speaker 1: it is a terrible movie, but the enjoyment I get

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Speaker 1: from watching it with my mom that is priceless. But

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Speaker 1: al Pacino in this is very out of pocket. I

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Speaker 1: wondered why he was even in this, but it turns

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Speaker 1: out he did this cameo which was a pretty short

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Speaker 1: amount of screen time, but he played himself. I would

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Speaker 1: imagine ten maybe fifteen minutes total will probably less than

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Speaker 1: that because it's pretty much a glorifying cameo, even though

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Speaker 1: he does a whole commercial for Duncan Donnut. Oh my gosh,

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Speaker 1: it's so ridiculous because in the movie there's a product

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Speaker 1: that Duncan Donuts is coming out, with this whole promotional thing,

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Speaker 1: and it's duncancino because he's al Pacino. Yeah, that is

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Speaker 1: the level of writing. We have Jack and Jill, But

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Speaker 1: my mom loves it all right, so back off. But

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Speaker 1: al Pacino said, what happened is he had a net

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Speaker 1: worth before this movie of about fifty million dollars. He

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Speaker 1: went from having that to having nothing. He wrote about

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Speaker 1: it in his memoir called Sonny Boy, saying that his

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Speaker 1: accountant screwed him over. And he was an accountant who

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Speaker 1: had a lot of celebrity clients. But I believe his

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Speaker 1: accountant ended up in jail. And even though al Pacino

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Speaker 1: had property, he didn't have any money, not only due

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Speaker 1: to the bad accountant, but also due to his overspending.

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Speaker 1: Because once you get to a level of uh, I'm

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Speaker 1: rich and famous, I can buy whatever I want. If

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Speaker 1: you have a bad accountant not telling you what you're spending,

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Speaker 1: or maybe even allegedly taking some money from you, you're

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Speaker 1: gonna go broke. And fifty million dollars sounds like a

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Speaker 1: lot of money until you're just spending an excess and

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Speaker 1: then not working a whole lot to make up for

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Speaker 1: all the money that you're spending. So that's what happened

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Speaker 1: to him, and then he said he took this movie

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Speaker 1: because it kind of just landed in his lap at

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Speaker 1: a time where he really needed the money. And of

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Speaker 1: those ten million dollars, he says, after you pay the lawyers,

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Speaker 1: the agents, the publicists, and the government, he got about

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Speaker 1: four point five million dollars of that ten million. So

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Speaker 1: what we've learned in movie math is that usually take

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Speaker 1: home about half, at most sixty percent of the money

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Speaker 1: that they are paid. But in this case, from that

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Speaker 1: ten million dollars, he got four point five And for

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Speaker 1: him and the lifestyle he was probably living, that was

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Speaker 1: probably like taking a cup of water and trying to

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Speaker 1: fill this empty tub. So it gave him a little

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Speaker 1: bit of money, but it's like, man, I got so

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Speaker 1: used to this lifestyle and he's at a point in

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Speaker 1: his life where he can't really take the roles he

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Speaker 1: was taken in the eighties and the nineties. He's just

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Speaker 1: not that type of actor anymore, being older in age.

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Speaker 1: And the crazy part is he even criticized this film afterwards.

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Speaker 1: He was like, it's not a funny film. He only

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Speaker 1: did it because he needed the money and he was

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Speaker 1: in such a tight spot. So if you ever see

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Speaker 1: one of your favorite actors or an actor from back

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Speaker 1: in the day end up in a movie and you're like,

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Speaker 1: why did they take this movie? There? Rich and famous,

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Speaker 1: they don't need this. They could actually probably really need it,

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Speaker 1: much like al Pacino needed Jack in jail. So The

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Speaker 1: Sandman saving legendary actors one bad movie at a time,

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Speaker 1: Jit a bit. Next up Dwayne the Rock Johnson in

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Speaker 1: The Other Guys. He is on screen for fourteen minutes

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Speaker 1: and he made nine million dollars. I do believe this

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Speaker 1: is an underappreciated movie which stars Mark Wahlberg and Will Ferrell,

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Speaker 1: which on paper it is just another dumb Will Ferrell

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Speaker 1: Mark Wahlberg comedy. But the fact that he was in

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Speaker 1: the movie, on screen for fourteen minutes and made nine

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Speaker 1: million dollars when Will Ferrell and Mark Wahlberg were in

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Speaker 1: the entire movie and they made twenty million dollars each

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Speaker 1: for it. At that time, Mark Wahlberg was one of

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Speaker 1: the highest paid actors in Hollywood, and because he ended

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Speaker 1: up on this list, I have to say the Rock

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Speaker 1: has to be probably the most overpaid actor. He is

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Speaker 1: one of the only actors I could imagine was probably

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Speaker 1: only on set for those fourteen minutes, and then he

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Speaker 1: was in out of there and had to go lift

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Speaker 1: weights or something, because unlike Robert Downey Jr. I don't

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Speaker 1: believe whenever you have the rock on set, you have

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Speaker 1: his full attention. Even though that story came out that

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Speaker 1: he would pee in bottles because he didn't want to

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Speaker 1: waste time on set, so he'd be filming pee in

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Speaker 1: a bottle, give it to like his assistant or a

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Speaker 1: PA or something, and then continue, I do just go

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Speaker 1: take a pee break. You were already hours and hours late,

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Speaker 1: basically adding on another data production. What's another two to

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Speaker 1: three minutes for you to go take a whiz where

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Speaker 1: we don't have to see your Johnson commadwayin. But nine

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Speaker 1: million dollars for fourteen minutes not bad. That is more

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Speaker 1: money than I'll ever make in my life. He could

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Speaker 1: just hit me with the rock bottom and make millions.

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Speaker 1: Next up, Jared Leto in Suicide Squad from twenty sixteen.

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Speaker 1: He was paid seven million dollars for seven minutes of

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Speaker 1: screen time, one million dollars a minute. And this movie

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Speaker 1: was really hurt due to the fact that he was

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Speaker 1: in it so little, because that was a big selling

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Speaker 1: point to Suicide Squad was the fact that the Joker

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Speaker 1: was going to be in it. We were supposed to

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Speaker 1: see more of him and Harley Quinn's story, and that

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00:18:07,359 --> 00:18:10,480
Speaker 1: entire relationship just wasn't fleshed out in Suicide Squad. It

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Speaker 1: was really just a quick villain origin story and then

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Speaker 1: he was kind of scattered in the movie. On the

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Speaker 1: other hand, Margot Robbie was paid seven hundred and sixty

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Speaker 1: thousand dollars for doing a much better job and being

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Speaker 1: in the movie, so much more than Jared Leto. I

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Speaker 1: am glad that Margot Robbie is getting paid now because

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Speaker 1: before that, for her role in The Wolf of Wall

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Speaker 1: Street she was paid three hundred and fifty thousand dollars.

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Speaker 1: But then for Barbie just a couple of years ago,

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Speaker 1: she made twelve point five million dollars. We still need

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Speaker 1: to get her in that twenty million dollar range. I

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Speaker 1: did see the trailer recently for a big, bold, beautiful

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Speaker 1: journey with her and Colin Ferrell. That looks fantastic. I

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Speaker 1: might have to talk about that one in the trailer

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Speaker 1: part because it looks really good. Let's get through a

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Speaker 1: handful more of these. Bill Murray was in Zombie Lane

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Speaker 1: for about five minutes in two thousand and nine. Pretty

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Speaker 1: much a cameo, but a very memorable cameo. I think

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Speaker 1: that is one of the funniest moments of the movie.

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Speaker 1: He plays himself, he dies on screen. He was paid

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Speaker 1: three million dollars for those five minutes, and that is

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Speaker 1: more money than he was paid for being the lead

375
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Speaker 1: in Groundhog Day. He even came back in Zombieland Double Tap,

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Speaker 1: which I thought was a little bit underwhelming. Still pretty good, decent,

377
00:19:18,960 --> 00:19:21,919
Speaker 1: but not as good as the original Zombie Land. But

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Speaker 1: it wasn't stated how much he made for that. But

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Speaker 1: three million dollars for five minutes, and you know, that

380
00:19:26,800 --> 00:19:30,080
Speaker 1: was an easy filming day one location. All he really

381
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Speaker 1: had to do was get into makeup and then hang

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Speaker 1: out with Woody Harrelson. He probably could have been convinced

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Speaker 1: he wasn't even making a movie and just hanging out

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Speaker 1: in some random rich person's house. I bet the hardest

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Speaker 1: thing about that was getting him just to show up

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Speaker 1: on set. Mark Hamill in Star Wars The Force Awakens,

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Speaker 1: which came out in twenty fifteen, he was paid an

388
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Speaker 1: estimated one to three million dollars screen time thirty seconds,

389
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Speaker 1: and the best part of those thirty seconds he speaks

390
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Speaker 1: no dialogue. So Disney reportedly had what is called a

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Speaker 1: legacy payscale for actors from that original Star Wars trilogy,

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Speaker 1: which is probably why he ended up being paid so much.

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Speaker 1: That it stated if those legacy actors do come back

394
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Speaker 1: in a Star Wars project like this, they get a

395
00:20:13,359 --> 00:20:15,840
Speaker 1: flat rate no matter how much they are in the movie.

396
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Speaker 1: They kept his cameo under wraps for a vast majority

397
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Speaker 1: of the time. I don't even think I knew about it,

398
00:20:22,560 --> 00:20:24,600
Speaker 1: or most people knew about it until we saw that

399
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Speaker 1: movie in theaters. That was an event. Seeing The Force

400
00:20:28,080 --> 00:20:32,240
Speaker 1: Awakens in theaters really made me love Star Wars and

401
00:20:32,280 --> 00:20:34,800
Speaker 1: get back into diving into all of those films. And

402
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Speaker 1: I know that's probably not the case with that trilogy.

403
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Speaker 1: A lot of people took that to get out all

404
00:20:40,160 --> 00:20:43,119
Speaker 1: their hate and their disdain for Disney taking over the

405
00:20:43,160 --> 00:20:46,560
Speaker 1: franchise and what most people say ruined it. Not for me,

406
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Speaker 1: those movies made me love Star Wars. I love Daisy

407
00:20:49,640 --> 00:20:52,199
Speaker 1: Ridley as Ray, I love Mark Hamill and those movies,

408
00:20:52,480 --> 00:20:54,200
Speaker 1: and I love the fact that he got three million

409
00:20:54,240 --> 00:20:56,919
Speaker 1: dollars for not saying anything I wish I could do

410
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Speaker 1: that I would make so much money to get paid

411
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Speaker 1: for not speaking. Next up, I referenced it earlier, but

412
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Speaker 1: Anthony Hopkins was in the Silence of the Lambs on

413
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Speaker 1: screen for just sixteen minutes. Now, he only made it

414
00:21:07,520 --> 00:21:09,800
Speaker 1: between one hundred and twenty five to one hundred and

415
00:21:09,800 --> 00:21:12,480
Speaker 1: seventy five thousand. That's why I put it lower on

416
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Speaker 1: the list. But the most impressive thing about those sixteen

417
00:21:16,000 --> 00:21:18,760
Speaker 1: minutes that he was on screen he ended up winning

418
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Speaker 1: the Oscar for Best Actor for this movie, and that

419
00:21:22,440 --> 00:21:24,800
Speaker 1: was enough to get him the record for having won

420
00:21:24,880 --> 00:21:27,720
Speaker 1: an Oscar with the least amount of screen time. That

421
00:21:27,840 --> 00:21:31,000
Speaker 1: is impressive, so that probably didn't push his net worth

422
00:21:31,040 --> 00:21:33,240
Speaker 1: to a crazy amount like some of the other people

423
00:21:33,280 --> 00:21:35,800
Speaker 1: on this list, But he's the only person on this

424
00:21:35,920 --> 00:21:38,440
Speaker 1: list to win an Oscar for being there for such

425
00:21:38,440 --> 00:21:41,439
Speaker 1: a little time on the screen. Juliet Roberts in Mother's

426
00:21:41,520 --> 00:21:46,040
Speaker 1: Day from twenty sixteen, she was paid three million dollars

427
00:21:46,080 --> 00:21:49,720
Speaker 1: for four minutes of screen time. But not only that,

428
00:21:49,840 --> 00:21:53,280
Speaker 1: she was only on set and filmed all of her

429
00:21:53,359 --> 00:21:57,919
Speaker 1: scenes in just four days, so that is almost a

430
00:21:58,040 --> 00:22:01,440
Speaker 1: million dollars a day to have Julia Roberts show up

431
00:22:01,480 --> 00:22:03,920
Speaker 1: on your set. So when all was said and done,

432
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Speaker 1: she made seven hundred and fifty thousand dollars per day.

433
00:22:08,240 --> 00:22:11,000
Speaker 1: And the movie wasn't even good. This was one of

434
00:22:11,080 --> 00:22:14,640
Speaker 1: those weird ensemble cast movies that they tried to make

435
00:22:14,680 --> 00:22:18,560
Speaker 1: for every holiday. None of them were good, but either way,

436
00:22:18,880 --> 00:22:21,800
Speaker 1: she got paid. Also for four days of work. Bruce

437
00:22:21,840 --> 00:22:24,399
Speaker 1: Willis made three million dollars for his work on The

438
00:22:24,440 --> 00:22:27,800
Speaker 1: Expendables two. He was on screen for about seven to

439
00:22:27,840 --> 00:22:30,800
Speaker 1: eight minutes. After that, they tried to get him for

440
00:22:30,880 --> 00:22:34,680
Speaker 1: Expendables three, but instead of three million dollars for four days,

441
00:22:34,720 --> 00:22:37,119
Speaker 1: he wanted to get three million dollars for three days.

442
00:22:37,119 --> 00:22:39,840
Speaker 1: And I know Bruce Willis is going through a lot

443
00:22:39,920 --> 00:22:42,080
Speaker 1: right now. If he saw the news that came out

444
00:22:42,160 --> 00:22:44,920
Speaker 1: about him last week. He is in bad spot right now.

445
00:22:44,960 --> 00:22:48,199
Speaker 1: He can no longer speak, read, or walk amid his

446
00:22:48,280 --> 00:22:51,879
Speaker 1: dementia decline. And I think what we saw is later

447
00:22:51,880 --> 00:22:55,080
Speaker 1: in his career, as what he was going through really

448
00:22:55,119 --> 00:22:58,400
Speaker 1: started to affect him. His time was just more precious.

449
00:22:58,760 --> 00:23:01,560
Speaker 1: So you may say and dollarge for four days of work.

450
00:23:02,119 --> 00:23:04,600
Speaker 1: I really think he was taking on roles later in

451
00:23:04,640 --> 00:23:09,080
Speaker 1: his career to really save more of his money to

452
00:23:09,119 --> 00:23:11,439
Speaker 1: be able to give to his kids, to have something

453
00:23:11,480 --> 00:23:14,600
Speaker 1: to pass along to them. Because if you look at

454
00:23:14,600 --> 00:23:17,320
Speaker 1: his filmography from the last ten years, some movies you

455
00:23:17,440 --> 00:23:20,440
Speaker 1: maybe haven't even heard of. He's just been consistently working.

456
00:23:20,960 --> 00:23:22,919
Speaker 1: I think with the time that maybe he thinks he

457
00:23:23,000 --> 00:23:25,679
Speaker 1: has left as far as just being able to be

458
00:23:25,960 --> 00:23:28,920
Speaker 1: in front of the camera. So in this case, I'm

459
00:23:28,920 --> 00:23:31,960
Speaker 1: okay with it. And finally, Shalene Woodley, who was in

460
00:23:32,000 --> 00:23:35,119
Speaker 1: The Amazing Spider Man two, except she wasn't. She was

461
00:23:35,160 --> 00:23:38,679
Speaker 1: supposed to play Mary Jane Watson in the sequel to

462
00:23:39,320 --> 00:23:42,480
Speaker 1: the movie with Andrew Garfield, and even though she actually

463
00:23:42,520 --> 00:23:45,080
Speaker 1: filmed all of her scenes, it ended up being cut

464
00:23:45,119 --> 00:23:48,120
Speaker 1: from the final film, which I just don't know how

465
00:23:48,320 --> 00:23:50,720
Speaker 1: would have even worked in there. I would be curious

466
00:23:50,760 --> 00:23:53,560
Speaker 1: to watch those scenes put into the movie just to

467
00:23:53,600 --> 00:23:56,480
Speaker 1: see that cut of it. But apparently director Mark Webb

468
00:23:56,560 --> 00:23:59,760
Speaker 1: shot three scenes with the actress, including her kind of

469
00:23:59,800 --> 00:24:03,880
Speaker 1: being the secondary love interest to Andrew Garfield. But why

470
00:24:03,960 --> 00:24:06,199
Speaker 1: he ended up cutting her out of the movie is

471
00:24:06,240 --> 00:24:09,479
Speaker 1: because the runtime was just getting too long, so in

472
00:24:09,680 --> 00:24:13,520
Speaker 1: order to sacrifice it just being more concisive a story,

473
00:24:14,000 --> 00:24:16,639
Speaker 1: they completely took that storyline out of this one, but

474
00:24:16,680 --> 00:24:18,720
Speaker 1: even though she was cut from the movie, she still

475
00:24:18,720 --> 00:24:21,640
Speaker 1: made about a half a million dollars, so not bad. Well,

476
00:24:21,680 --> 00:24:24,159
Speaker 1: come back and I'll give my spoiler free review of

477
00:24:24,240 --> 00:24:30,840
Speaker 1: The Fantastic Four first steps. Let's get into it now,

478
00:24:30,880 --> 00:24:34,560
Speaker 1: a spoiler free movie review of The Fantastic Four. I

479
00:24:34,800 --> 00:24:38,359
Speaker 1: was excited going into it, but really hesitant because historically

480
00:24:38,400 --> 00:24:40,480
Speaker 1: I have not been a fan of the films. I

481
00:24:40,480 --> 00:24:45,119
Speaker 1: can finally say they have done Marvel's first family justice

482
00:24:45,400 --> 00:24:48,640
Speaker 1: because I've always believed that the Fantastic Four are very

483
00:24:48,680 --> 00:24:52,760
Speaker 1: fascinating and interesting characters in the comics. If it wouldn't

484
00:24:52,760 --> 00:24:55,959
Speaker 1: have been for the success of the Fantastic Four, Marvel

485
00:24:56,000 --> 00:24:58,280
Speaker 1: would have folded way back in the day before we

486
00:24:58,359 --> 00:25:01,520
Speaker 1: got any of our favorite superheroes. They are what established

487
00:25:01,520 --> 00:25:04,399
Speaker 1: Marvel's identity. They were the first superheroes with problems. There

488
00:25:04,400 --> 00:25:07,399
Speaker 1: are so many things about Fantastic Four that really embody

489
00:25:07,760 --> 00:25:10,560
Speaker 1: Marvel and set itself apart from DC and everybody else

490
00:25:10,640 --> 00:25:13,560
Speaker 1: out there. But for some reason, when it comes to

491
00:25:13,600 --> 00:25:17,159
Speaker 1: their adaptation in film, it just hasn't worked. And although

492
00:25:17,240 --> 00:25:19,720
Speaker 1: I believe they're all great characters, they have really great

493
00:25:19,760 --> 00:25:24,360
Speaker 1: superpowers that look good inside the panels. Whenever you put

494
00:25:24,359 --> 00:25:27,040
Speaker 1: that into the big screen, I just feel like it's

495
00:25:27,040 --> 00:25:30,159
Speaker 1: hard to make that look just not completely childish. But

496
00:25:30,200 --> 00:25:33,840
Speaker 1: here they finally got their character designs right. The special

497
00:25:33,880 --> 00:25:36,800
Speaker 1: effects in this movie were great. I think Marvel finally

498
00:25:36,840 --> 00:25:39,879
Speaker 1: listened to all the people online saying that the special

499
00:25:39,880 --> 00:25:42,520
Speaker 1: effects have been trashed for the last two to three years.

500
00:25:43,160 --> 00:25:45,840
Speaker 1: They look great. There are moments where you're like, oh man,

501
00:25:45,840 --> 00:25:47,800
Speaker 1: that looks a little bit suss, but I still don't

502
00:25:47,840 --> 00:25:49,600
Speaker 1: believe it was enough to take you out of it.

503
00:25:49,680 --> 00:25:52,800
Speaker 1: Because all the characters felt like it was the silver

504
00:25:52,880 --> 00:25:55,560
Speaker 1: Rage comics coming to life, and that was something that

505
00:25:55,640 --> 00:25:58,560
Speaker 1: really made me excited about this movie. It felt to

506
00:25:58,640 --> 00:26:01,879
Speaker 1: me like one of the best comic book adaptations. It

507
00:26:01,880 --> 00:26:04,119
Speaker 1: felt like I was watching that silver age on the

508
00:26:04,200 --> 00:26:07,480
Speaker 1: silver screen, and that is what brought me the most enjoyment,

509
00:26:07,560 --> 00:26:10,640
Speaker 1: because being somebody who has read the comics and has

510
00:26:10,640 --> 00:26:13,480
Speaker 1: been fascinated with these stories and these characters for so long,

511
00:26:13,800 --> 00:26:16,320
Speaker 1: to finally have that vision that I've had just reading

512
00:26:16,320 --> 00:26:18,680
Speaker 1: them with my eyes, finally seeing them in live action

513
00:26:18,800 --> 00:26:21,240
Speaker 1: on the big screen, I think that was exciting for me,

514
00:26:22,119 --> 00:26:25,119
Speaker 1: just so that other people could finally see why people

515
00:26:25,160 --> 00:26:28,639
Speaker 1: love these characters so much, and it was almost like

516
00:26:28,680 --> 00:26:31,960
Speaker 1: erasing a lot of that history of these movies being

517
00:26:32,040 --> 00:26:35,479
Speaker 1: so bad because the costumes looked fantastic, not just the

518
00:26:35,480 --> 00:26:37,920
Speaker 1: best to Fantastic Four have ever looked, but I think

519
00:26:38,000 --> 00:26:41,280
Speaker 1: quite possibly the best superhero suits that we've had in

520
00:26:41,280 --> 00:26:44,280
Speaker 1: the last ten years, because there's no nanotechnology. They don't

521
00:26:44,359 --> 00:26:47,160
Speaker 1: hit a button and suddenly they're in their suit. These

522
00:26:47,200 --> 00:26:50,359
Speaker 1: suits have texture, these suits have style, they have bright

523
00:26:50,400 --> 00:26:53,760
Speaker 1: and vibrant color. They fit them so perfectly, and they

524
00:26:53,800 --> 00:26:57,240
Speaker 1: look so good on the screen, especially in Imax, which

525
00:26:57,400 --> 00:27:00,200
Speaker 1: I was so glad we went to see this movie

526
00:27:00,280 --> 00:27:02,520
Speaker 1: in Imax because I think seeing it on the biggest

527
00:27:02,520 --> 00:27:06,199
Speaker 1: screen possible allowed me to enter that world. And there

528
00:27:06,200 --> 00:27:09,280
Speaker 1: were so many moments that I was just engulfed in

529
00:27:09,359 --> 00:27:11,919
Speaker 1: the story simply due to the fact that I was

530
00:27:11,960 --> 00:27:15,120
Speaker 1: watching it on the biggest screen possible in IMAX format,

531
00:27:15,400 --> 00:27:17,920
Speaker 1: especially the moments with Galactus where he takes up the

532
00:27:18,080 --> 00:27:21,320
Speaker 1: entire screen. That was just my favorite part of the

533
00:27:21,480 --> 00:27:24,560
Speaker 1: entire experience that I got to see every little detail

534
00:27:24,600 --> 00:27:27,760
Speaker 1: come to life, and it made Galactus feel like that

535
00:27:27,920 --> 00:27:30,760
Speaker 1: much more of a threat when you see him taking

536
00:27:30,840 --> 00:27:34,719
Speaker 1: up an entire just wall in front of you. You

537
00:27:34,920 --> 00:27:37,760
Speaker 1: feel that threat and you see that contrast between these

538
00:27:37,840 --> 00:27:41,080
Speaker 1: characters of how huge Galactus is and how small the

539
00:27:41,160 --> 00:27:45,560
Speaker 1: Fantastic Four feel in comparison, And for that reason, for

540
00:27:45,640 --> 00:27:48,000
Speaker 1: the entire movie, I was worried for them, and for

541
00:27:48,080 --> 00:27:50,800
Speaker 1: the entire movie, I was thinking, like, how are they

542
00:27:50,840 --> 00:27:54,520
Speaker 1: going to even have a shot at this guy. I

543
00:27:54,600 --> 00:27:58,800
Speaker 1: will say that did lead me to my biggest criticism

544
00:27:58,880 --> 00:28:02,159
Speaker 1: with this movie is I never felt like all of

545
00:28:02,160 --> 00:28:06,400
Speaker 1: them had the perfect chemistry throughout, because all individually they

546
00:28:06,440 --> 00:28:09,400
Speaker 1: were really good. Pedro Pascal as read Richards, I got

547
00:28:09,400 --> 00:28:11,639
Speaker 1: the sense that he was playing a really smart character.

548
00:28:11,720 --> 00:28:14,800
Speaker 1: I understood the complexity of him wanting to do the

549
00:28:14,880 --> 00:28:18,160
Speaker 1: right thing and save the world and working through every

550
00:28:18,200 --> 00:28:20,800
Speaker 1: scenario in his brain. I think I identified a lot

551
00:28:20,800 --> 00:28:23,040
Speaker 1: with this character. Not saying that I'm as smart as him.

552
00:28:23,160 --> 00:28:27,960
Speaker 1: I'm not smart whatsoever, but I could understand him being

553
00:28:28,000 --> 00:28:31,479
Speaker 1: so logical and thinking things through much more like an

554
00:28:31,520 --> 00:28:35,080
Speaker 1: equation and taking the emotion out of it. I really

555
00:28:35,119 --> 00:28:37,040
Speaker 1: felt that in this character, and I think that is

556
00:28:37,040 --> 00:28:39,480
Speaker 1: something that is taken from the comics and put onto

557
00:28:39,520 --> 00:28:41,959
Speaker 1: the screen to develop this character. So I love that

558
00:28:42,320 --> 00:28:46,040
Speaker 1: Vanessa Kirby as Sue Storm. I think she stole the show.

559
00:28:46,200 --> 00:28:48,920
Speaker 1: I think this was her movie. She was the most

560
00:28:49,000 --> 00:28:52,960
Speaker 1: just emotionally driven throughout. It starts with her finding out

561
00:28:52,960 --> 00:28:56,640
Speaker 1: that she is pregnant, and it's a lot of read

562
00:28:56,720 --> 00:28:59,320
Speaker 1: Richard's reaction to that, but her just kind of being

563
00:28:59,360 --> 00:29:03,200
Speaker 1: the boss and dominating throughout this entire movie was my favorite.

564
00:29:03,480 --> 00:29:07,520
Speaker 1: Joseph Quinn as a much different Johnny Storm. Where the

565
00:29:07,600 --> 00:29:10,200
Speaker 1: Chris Evans version was just a hot head just wanted

566
00:29:10,240 --> 00:29:13,040
Speaker 1: to hook up with chicks and be famous. This was

567
00:29:13,120 --> 00:29:17,880
Speaker 1: so much more sophisticated. Joseph Quinn also looked so unique

568
00:29:17,880 --> 00:29:20,000
Speaker 1: on screen, where he just had this look to him.

569
00:29:20,360 --> 00:29:23,280
Speaker 1: The color in his eyes and when he was engulfed

570
00:29:23,280 --> 00:29:25,360
Speaker 1: in flames look perfect, which I think they got that

571
00:29:25,440 --> 00:29:29,400
Speaker 1: cgi down just so well because it looked believable. Aside

572
00:29:29,400 --> 00:29:32,640
Speaker 1: from Sue's Storm, I just love the Thing. Any big

573
00:29:32,680 --> 00:29:35,120
Speaker 1: Marvel character I'm just a huge fan of. That's why

574
00:29:35,400 --> 00:29:38,200
Speaker 1: I put the incredible Hulk in my top five. Evan

575
00:29:38,240 --> 00:29:41,680
Speaker 1: moss Backerack obviously I've loved him from the Bear, but

576
00:29:41,840 --> 00:29:44,960
Speaker 1: seeing him really take a different approach to the thing

577
00:29:45,200 --> 00:29:48,880
Speaker 1: to make him feel very lovable and soft and very comedic.

578
00:29:49,160 --> 00:29:51,080
Speaker 1: I thought that was the perfect way to capture the

579
00:29:51,200 --> 00:29:54,360
Speaker 1: essence of the Thing, because in the first movie from

580
00:29:54,400 --> 00:29:57,200
Speaker 1: two thousand and five, he very much feels trapped in

581
00:29:57,280 --> 00:30:00,160
Speaker 1: his body, like he's a freak, loses the love of

582
00:30:00,240 --> 00:30:03,440
Speaker 1: his life. But here he is so accepting of it,

583
00:30:03,920 --> 00:30:06,600
Speaker 1: and he's like, yeah, I'm the Thing. He embraces it. Yes,

584
00:30:06,640 --> 00:30:09,520
Speaker 1: he does get a little bit annoyed by some of

585
00:30:09,520 --> 00:30:12,720
Speaker 1: the public reaction as we see him struggle with people

586
00:30:13,120 --> 00:30:16,000
Speaker 1: wanting him to say his catchphrase it's clobber in time.

587
00:30:16,440 --> 00:30:19,160
Speaker 1: So he obviously has some struggles here he is trying

588
00:30:19,200 --> 00:30:22,800
Speaker 1: to form relationships outside of being a superhero. But I

589
00:30:22,840 --> 00:30:26,840
Speaker 1: love seeing him actually enjoy certain parts of it, whether

590
00:30:26,920 --> 00:30:29,640
Speaker 1: it's entertaining the kids on the street who are a

591
00:30:29,720 --> 00:30:31,800
Speaker 1: huge fan of him. And obviously they are four years

592
00:30:31,800 --> 00:30:34,560
Speaker 1: into being the Fantastic Four here, so maybe he's taken

593
00:30:34,600 --> 00:30:36,720
Speaker 1: some time to deal with it after coming back from

594
00:30:36,800 --> 00:30:40,680
Speaker 1: space and turning into the Thing and having your entire

595
00:30:40,720 --> 00:30:43,280
Speaker 1: life just completely changed and you can't go back to

596
00:30:43,360 --> 00:30:45,920
Speaker 1: how you were, which that was another thing I did

597
00:30:46,000 --> 00:30:48,920
Speaker 1: enjoy is they didn't do an origin story here, which

598
00:30:48,960 --> 00:30:51,240
Speaker 1: I think is something not only Marvel is doing, but

599
00:30:51,440 --> 00:30:54,280
Speaker 1: all superhero movies right now, saying we don't need to

600
00:30:54,320 --> 00:30:57,320
Speaker 1: do origin stories. People know these characters. I do think

601
00:30:57,360 --> 00:30:59,480
Speaker 1: some people are a little bit less familiar with the

602
00:30:59,480 --> 00:31:02,680
Speaker 1: Fantastic Four, so they did kind of condense it at

603
00:31:02,680 --> 00:31:05,480
Speaker 1: the very beginning because they go on a talk show

604
00:31:05,560 --> 00:31:07,360
Speaker 1: and they use that talk show as a way to

605
00:31:07,440 --> 00:31:10,920
Speaker 1: tell you how they got their superpowers. For maybe anybody

606
00:31:10,960 --> 00:31:13,720
Speaker 1: who didn't see the twenty fifteen version, doesn't remember the

607
00:31:13,760 --> 00:31:16,280
Speaker 1: two thousand and five version, or just has no idea

608
00:31:16,440 --> 00:31:19,680
Speaker 1: about these characters, which I think is something Marvel is

609
00:31:19,760 --> 00:31:23,360
Speaker 1: also showing us now, is that maybe all these movies

610
00:31:23,400 --> 00:31:26,240
Speaker 1: aren't going to connect as much, and they are going

611
00:31:26,320 --> 00:31:30,520
Speaker 1: for quality over quantity. Given that this movie is kicking

612
00:31:30,560 --> 00:31:33,720
Speaker 1: off a new phase in the MCU, you could just

613
00:31:33,800 --> 00:31:37,040
Speaker 1: go into this movie not have seen any Avengers movies,

614
00:31:37,120 --> 00:31:40,520
Speaker 1: not have seen any Marvel movie whatsoever, and you would

615
00:31:40,640 --> 00:31:44,840
Speaker 1: understand it completely. Well. It is obviously building too Avengers

616
00:31:44,840 --> 00:31:48,560
Speaker 1: Doomsday and Avengers Secret Wars. I just felt like, for

617
00:31:48,640 --> 00:31:51,240
Speaker 1: the first time, it felt like this was a completely

618
00:31:51,400 --> 00:31:55,360
Speaker 1: self contained movie, even though I love Thunderbolts, that was

619
00:31:55,360 --> 00:31:58,040
Speaker 1: still connected in all the remnants of the MCU, and

620
00:31:58,080 --> 00:32:01,120
Speaker 1: that was closing out that chapter. But it just felt

621
00:32:01,120 --> 00:32:03,960
Speaker 1: refreshing to me, much like Superman did a few weeks ago,

622
00:32:04,640 --> 00:32:08,280
Speaker 1: that we can have superhero stories like this that stand alone,

623
00:32:08,320 --> 00:32:12,000
Speaker 1: that establish themselves, that don't need to rely on what

624
00:32:12,120 --> 00:32:15,600
Speaker 1: now feels like AMCU gimmicks. There wasn't even I feel

625
00:32:16,400 --> 00:32:20,080
Speaker 1: the biggest emphasis on the post credit scenes. So I

626
00:32:20,120 --> 00:32:23,600
Speaker 1: think Marvel is listening to what people have been saying

627
00:32:23,600 --> 00:32:26,280
Speaker 1: about them for the last few years, that we just

628
00:32:26,400 --> 00:32:31,520
Speaker 1: want good, solid, standalone stories, good looking characters, great comic

629
00:32:31,560 --> 00:32:33,840
Speaker 1: book action, and that is what we got with The

630
00:32:33,880 --> 00:32:38,000
Speaker 1: Fantastic Four. Now where it ranks on all the Marvel

631
00:32:38,000 --> 00:32:41,560
Speaker 1: movies I've seen lately, it is really good. There's very

632
00:32:41,560 --> 00:32:44,480
Speaker 1: few things I can say that I didn't like about it.

633
00:32:44,880 --> 00:32:49,800
Speaker 1: That being said, I still didn't completely love it because

634
00:32:49,840 --> 00:32:53,040
Speaker 1: it looked good. It went by really quickly. It clocked

635
00:32:53,040 --> 00:32:55,920
Speaker 1: in right around an hour and forty four minutes. You

636
00:32:56,000 --> 00:32:58,040
Speaker 1: end up hitting that one hour in fifty five minutes

637
00:32:58,080 --> 00:33:00,680
Speaker 1: if you stay for the post credits scene and then

638
00:33:00,720 --> 00:33:03,640
Speaker 1: there's a second post credit scene. But it went by

639
00:33:03,720 --> 00:33:07,000
Speaker 1: really quickly. About the hour mark, I was like, I

640
00:33:07,000 --> 00:33:09,280
Speaker 1: don't want this movie to end, and by the time

641
00:33:09,320 --> 00:33:13,320
Speaker 1: it did end, I was wanting more, and I felt

642
00:33:13,680 --> 00:33:16,160
Speaker 1: that I kind of held that against the movie because

643
00:33:16,240 --> 00:33:18,760
Speaker 1: they were able to give us a bunch of interesting

644
00:33:18,880 --> 00:33:21,600
Speaker 1: characters that I just wanted to see more of, and

645
00:33:21,880 --> 00:33:25,640
Speaker 1: aside from just our superheroes, I was really invested in

646
00:33:25,720 --> 00:33:28,040
Speaker 1: both of these villains, which is something that excites me

647
00:33:28,080 --> 00:33:32,240
Speaker 1: as well as Marvel has just had historically forgettable villains,

648
00:33:32,400 --> 00:33:35,040
Speaker 1: and I wanted to see more of them fighting, and

649
00:33:35,080 --> 00:33:37,600
Speaker 1: I don't think this movie had enough of that. I

650
00:33:37,640 --> 00:33:40,800
Speaker 1: think they were really trying to establish this family story

651
00:33:41,240 --> 00:33:45,000
Speaker 1: and really shape them into the superhero family that we

652
00:33:45,120 --> 00:33:48,880
Speaker 1: need to carry on into the Avengers, where I wanted

653
00:33:48,880 --> 00:33:52,320
Speaker 1: them to prove a little bit more why they deserve

654
00:33:52,480 --> 00:33:55,320
Speaker 1: our trust, why I feel safe with them. And that

655
00:33:55,360 --> 00:33:56,920
Speaker 1: goes back to what I was saying is I never

656
00:33:56,960 --> 00:33:59,800
Speaker 1: really felt them fully become a team in this movie,

657
00:34:00,080 --> 00:34:03,480
Speaker 1: even though they were all great individual characters, I still

658
00:34:03,520 --> 00:34:05,880
Speaker 1: think they need to mesh together a little bit better.

659
00:34:06,040 --> 00:34:08,360
Speaker 1: I feel the fact that I'm also coming off of Superman,

660
00:34:08,760 --> 00:34:11,480
Speaker 1: which I think was just on another level, and I

661
00:34:11,520 --> 00:34:13,960
Speaker 1: know it's not the same world, it's not the same universe,

662
00:34:14,360 --> 00:34:17,759
Speaker 1: but it is the same genre of superhero movies, and

663
00:34:17,840 --> 00:34:21,040
Speaker 1: I just think the fun was captured a little bit

664
00:34:21,120 --> 00:34:24,600
Speaker 1: more in Superman. And it's kind of weird that both

665
00:34:24,640 --> 00:34:28,319
Speaker 1: of these movies have similar aesthetics, even though Superman is

666
00:34:28,400 --> 00:34:31,960
Speaker 1: set in modern day. They almost feel like twin films

667
00:34:31,960 --> 00:34:34,120
Speaker 1: to me, which is something that Marvel and DC have

668
00:34:34,200 --> 00:34:37,200
Speaker 1: gone back and forth on in their history. Where in

669
00:34:37,280 --> 00:34:41,520
Speaker 1: Superman everything was related to the number three, three years,

670
00:34:41,600 --> 00:34:45,879
Speaker 1: three minutes, here everything was related to four. I don't

671
00:34:45,920 --> 00:34:48,120
Speaker 1: know if that was on purpose of it being four

672
00:34:48,239 --> 00:34:51,080
Speaker 1: years later of the Fantastic Four, that could just be

673
00:34:51,160 --> 00:34:54,560
Speaker 1: a strange coincidence, but being the fact that they both

674
00:34:54,600 --> 00:34:57,319
Speaker 1: came out in July and they are both from the

675
00:34:57,440 --> 00:35:01,080
Speaker 1: two biggest superhero studios, I just kind of feel like

676
00:35:01,120 --> 00:35:03,840
Speaker 1: maybe they both knew what they were dealing with. Maybe

677
00:35:03,920 --> 00:35:07,160
Speaker 1: DC was trying to beat Fantastic four to the punch,

678
00:35:07,280 --> 00:35:09,440
Speaker 1: and in this case, I kind of think they did,

679
00:35:09,719 --> 00:35:12,000
Speaker 1: because after I watched Superman, I was like, oh, man,

680
00:35:12,120 --> 00:35:15,480
Speaker 1: I don't know how Fantastic four is gonna compete with that.

681
00:35:15,600 --> 00:35:18,279
Speaker 1: So maybe that influenced my score a little bit. If

682
00:35:18,320 --> 00:35:20,279
Speaker 1: this would have came out at a different time of

683
00:35:20,320 --> 00:35:23,800
Speaker 1: the year, if it had taken the Thunderbolt slot. Maybe

684
00:35:23,840 --> 00:35:25,960
Speaker 1: I would have rated it a little bit higher. This

685
00:35:26,040 --> 00:35:28,759
Speaker 1: movie had a lot going for it. It's good, it

686
00:35:28,800 --> 00:35:31,640
Speaker 1: could have been great, it could have been even more fantastic.

687
00:35:31,800 --> 00:35:35,040
Speaker 1: Really has me excited for the MCU overall, moving forward

688
00:35:35,080 --> 00:35:38,040
Speaker 1: into Doomsday, into Spider Man. Oh, I can't wait. I

689
00:35:38,080 --> 00:35:41,520
Speaker 1: am so in right now. Once we get to Secret Wars,

690
00:35:41,520 --> 00:35:44,120
Speaker 1: it's just I'm probably going to explode. So maybe I'm

691
00:35:44,160 --> 00:35:48,440
Speaker 1: holding my higher scores for those movies before the fantastic

692
00:35:48,520 --> 00:35:51,560
Speaker 1: four first steps. I give it four out of five

693
00:35:51,960 --> 00:36:00,800
Speaker 1: clobbering times. It's time to head down to movie mikes.

694
00:36:01,239 --> 00:36:04,920
Speaker 1: Mortal Kombat two, the sequel the Mortal Kombat, which came

695
00:36:04,920 --> 00:36:08,160
Speaker 1: out in twenty twenty one. It is the fourth movie

696
00:36:08,160 --> 00:36:10,400
Speaker 1: in the franchise. We got two of these movies in

697
00:36:10,440 --> 00:36:13,799
Speaker 1: the nineties, and after watching this trailer, I thought, Man,

698
00:36:13,960 --> 00:36:17,360
Speaker 1: why couldn't they just take this a little bit more serious?

699
00:36:18,120 --> 00:36:20,399
Speaker 1: Why does it have to be so comical and over

700
00:36:20,440 --> 00:36:24,080
Speaker 1: the top. Why did the characters have to look the

701
00:36:24,080 --> 00:36:26,759
Speaker 1: way they do? And then I really sat with that

702
00:36:26,840 --> 00:36:28,840
Speaker 1: and thought about that, because to me, that sounded like

703
00:36:28,880 --> 00:36:32,200
Speaker 1: somebody who wasn't a real fan of this video game,

704
00:36:32,200 --> 00:36:34,719
Speaker 1: which I was back in the day, But that's not

705
00:36:34,760 --> 00:36:38,000
Speaker 1: what this movie is. This franchise has grown so much

706
00:36:38,560 --> 00:36:41,400
Speaker 1: since that video game we played back in the nineties

707
00:36:41,400 --> 00:36:46,000
Speaker 1: on sns and in arcades, where the graphics were just very,

708
00:36:46,120 --> 00:36:50,200
Speaker 1: very early on. At the time, we thought this is

709
00:36:50,280 --> 00:36:54,000
Speaker 1: the best most advanced video game ever. The thing that

710
00:36:54,080 --> 00:36:57,960
Speaker 1: was so appealing about Mortal Kombat was the blood, the

711
00:36:58,000 --> 00:37:03,840
Speaker 1: blood splattering, you actually killing people, you falling down that tunnel.

712
00:37:04,120 --> 00:37:06,080
Speaker 1: If you played it in the arcades and it's counting

713
00:37:06,080 --> 00:37:08,800
Speaker 1: it down, like do you want to continue? That countdown

714
00:37:08,880 --> 00:37:10,959
Speaker 1: keeps going, You're like, where is the quarter? I need

715
00:37:10,960 --> 00:37:14,120
Speaker 1: the quarter? And then your guy or girl would hit

716
00:37:14,120 --> 00:37:17,040
Speaker 1: the spikes and it'd be game over. But that's not

717
00:37:17,200 --> 00:37:19,800
Speaker 1: what this video game is. Because we got those movies

718
00:37:19,800 --> 00:37:22,719
Speaker 1: in the nineties, which were charming at the time. I

719
00:37:22,840 --> 00:37:24,799
Speaker 1: love the first one in ninety five, but again, I

720
00:37:24,840 --> 00:37:27,120
Speaker 1: was four years old when that movie came out. Of

721
00:37:27,160 --> 00:37:29,560
Speaker 1: course I was going to love it. Didn't love the

722
00:37:29,680 --> 00:37:33,960
Speaker 1: follow up to that, Annihilation, that was an abomination. But

723
00:37:34,040 --> 00:37:38,040
Speaker 1: the franchise has grown so much since then and has

724
00:37:38,120 --> 00:37:43,120
Speaker 1: gone from generation to generation console, from the PlayStation to

725
00:37:43,200 --> 00:37:46,359
Speaker 1: the PS five now and I'm just not that in

726
00:37:46,440 --> 00:37:50,560
Speaker 1: tune with this fan base anymore, because after watching this trailer,

727
00:37:50,920 --> 00:37:52,960
Speaker 1: I see a lot of people excited about that that

728
00:37:53,040 --> 00:37:55,319
Speaker 1: it is giving the gamers what they want who have

729
00:37:55,480 --> 00:37:57,759
Speaker 1: been there with the franchise, and I think that is

730
00:37:57,800 --> 00:38:01,520
Speaker 1: smart for them making references using characters that you would

731
00:38:01,520 --> 00:38:04,279
Speaker 1: be familiar with if you'd played this game in the

732
00:38:04,360 --> 00:38:07,759
Speaker 1: last ten to fifteen years, which is where video game

733
00:38:07,840 --> 00:38:12,040
Speaker 1: movie adaptations have succeeded, most recently with Minecraft, but also

734
00:38:12,160 --> 00:38:15,760
Speaker 1: Sonic The Hedgehogs, Super Mario. I also watched this trailer

735
00:38:15,880 --> 00:38:18,680
Speaker 1: and set my expectations now because for some reason, I

736
00:38:18,760 --> 00:38:21,480
Speaker 1: kind of want a Mortal Kombat movie to have more

737
00:38:22,080 --> 00:38:25,120
Speaker 1: of a Game of Thrones vibe, because I think the

738
00:38:25,239 --> 00:38:28,640
Speaker 1: level of intensity is just it's at that level you

739
00:38:29,320 --> 00:38:31,880
Speaker 1: fight to the death in these situations. When I think

740
00:38:31,920 --> 00:38:34,560
Speaker 1: about fighting to the death, I think of every battle

741
00:38:34,560 --> 00:38:38,000
Speaker 1: and Game of Thrones. But that wouldn't make this movie fun.

742
00:38:38,080 --> 00:38:41,680
Speaker 1: It wouldn't create that same action. You have these very

743
00:38:41,800 --> 00:38:44,719
Speaker 1: just out of this world characters that would not fit

744
00:38:44,800 --> 00:38:47,759
Speaker 1: with that. So now that I kind of have put

745
00:38:47,800 --> 00:38:50,040
Speaker 1: myself in the mentality of if I was a fan

746
00:38:50,120 --> 00:38:53,200
Speaker 1: of this franchise, given what happened in the twenty twenty

747
00:38:53,200 --> 00:38:55,239
Speaker 1: one version, which you didn't even have the tournament in

748
00:38:55,320 --> 00:38:57,800
Speaker 1: that one. It was all a build up to this one.

749
00:38:57,840 --> 00:39:00,319
Speaker 1: I think this is where the good stuff if he's

750
00:39:00,360 --> 00:39:03,640
Speaker 1: going to be We have Carl Urban joining the cast.

751
00:39:03,680 --> 00:39:06,239
Speaker 1: Now he is going to be Johnny Cage. Before I

752
00:39:06,280 --> 00:39:09,720
Speaker 1: get into more about the Mortal Kombat two movie, here's

753
00:39:09,760 --> 00:39:12,080
Speaker 1: just a little bit of the trailer. Where the hell

754
00:39:12,120 --> 00:39:22,080
Speaker 1: am I? It's a fighting tournament to the death. That's

755
00:39:22,200 --> 00:39:25,000
Speaker 1: gotta be against the rules. You can't just go around

756
00:39:25,200 --> 00:39:30,960
Speaker 1: killing people. It's called Mortal Kombat for a reason. Are

757
00:39:31,000 --> 00:39:35,720
Speaker 1: you pretty? But you're not? Every prose it's just incredibly ass.

758
00:39:38,560 --> 00:39:41,640
Speaker 1: So that is who Johnny Cage is. Played by Carl Urban,

759
00:39:41,719 --> 00:39:43,680
Speaker 1: who you would be familiar with if you're a fan

760
00:39:43,800 --> 00:39:47,760
Speaker 1: of the Boys on Prime Video. He plays Billy Butcher

761
00:39:48,120 --> 00:39:51,400
Speaker 1: and he does a fantastic job there. He is very Australian,

762
00:39:51,719 --> 00:39:54,400
Speaker 1: really leaning into the character of Johnny Cage, who is

763
00:39:54,440 --> 00:39:58,040
Speaker 1: a pretty boy actor and in that movie he said

764
00:39:58,040 --> 00:40:00,480
Speaker 1: a lot and did a lot of cheesy things, phrases

765
00:40:00,560 --> 00:40:04,520
Speaker 1: like let's dance, hitting Gorol right in the junk, All right,

766
00:40:04,960 --> 00:40:13,520
Speaker 1: Let's dance. That is the kind of material that you

767
00:40:13,520 --> 00:40:16,279
Speaker 1: were working with in a Mortal Kombat movie. And they

768
00:40:16,320 --> 00:40:19,160
Speaker 1: even point out there that Johnny Cage has no powers.

769
00:40:19,480 --> 00:40:23,160
Speaker 1: He is just incredibly handsome. In this movie, you have

770
00:40:23,320 --> 00:40:26,680
Speaker 1: Shao Khan as the main big bad who showed up

771
00:40:26,719 --> 00:40:29,720
Speaker 1: at the very end of the original movie from nineteen

772
00:40:29,800 --> 00:40:32,560
Speaker 1: ninety five, And I thought this movie ending was so

773
00:40:32,640 --> 00:40:36,280
Speaker 1: intense and so impactful. And since then I've been fed

774
00:40:36,480 --> 00:40:40,040
Speaker 1: clips here and there on TikTok and one I realized

775
00:40:40,040 --> 00:40:42,640
Speaker 1: how bad the CGI was back in the day, like

776
00:40:42,680 --> 00:40:45,880
Speaker 1: we were a long way from doing that movie Justice.

777
00:40:45,920 --> 00:40:48,200
Speaker 1: So I think at the time I enjoyed it because

778
00:40:48,239 --> 00:40:50,600
Speaker 1: I was a kid. It did capture what the video

779
00:40:50,640 --> 00:40:53,960
Speaker 1: game franchise was at that time. They just didn't have

780
00:40:54,120 --> 00:40:57,040
Speaker 1: the technology to do it. And at that very end

781
00:40:57,080 --> 00:40:59,600
Speaker 1: scene where you do see this villain show up in

782
00:40:59,640 --> 00:41:03,319
Speaker 1: the sky, which goes from a bright blue background to

783
00:41:03,440 --> 00:41:06,640
Speaker 1: really dark and you see this image of this character

784
00:41:06,680 --> 00:41:10,359
Speaker 1: emerge behind this pyramid, and whenever he delivered this line,

785
00:41:10,360 --> 00:41:12,080
Speaker 1: as a kid, I thought that was the most intense

786
00:41:12,120 --> 00:41:16,280
Speaker 1: thing ever. It told you that they're gonna make a sequel,

787
00:41:16,360 --> 00:41:18,959
Speaker 1: which it felt so forced. You couldn't do this ending

788
00:41:19,040 --> 00:41:23,160
Speaker 1: now it would be utterly ridiculous. And if they do

789
00:41:23,239 --> 00:41:25,160
Speaker 1: something like this in twenty twenty five, it wouldn't be

790
00:41:25,200 --> 00:41:27,440
Speaker 1: at the very end of a movie. This is giving

791
00:41:27,520 --> 00:41:31,040
Speaker 1: more post credit scene. But here's that moment. Oh, it's

792
00:41:31,040 --> 00:41:42,319
Speaker 1: a little cringe. What is it, apathetic fools, I've come

793
00:41:42,400 --> 00:41:48,479
Speaker 1: for your souls? I don't think so. Oh theme song.

794
00:41:51,160 --> 00:41:53,359
Speaker 1: I love how they just get ready and who are

795
00:41:53,360 --> 00:41:55,680
Speaker 1: they doing that for? They go into like the fight emotion,

796
00:41:55,800 --> 00:41:57,759
Speaker 1: like they're about to fight him right now. But I

797
00:41:57,800 --> 00:42:00,840
Speaker 1: think that is what I am excited about this sequel,

798
00:42:01,160 --> 00:42:03,800
Speaker 1: that it's actually going to feature the tournament, which the

799
00:42:03,840 --> 00:42:06,160
Speaker 1: twenty twenty one version did not. It was a lot

800
00:42:06,200 --> 00:42:10,319
Speaker 1: of backstory on Sub Zero and Scorpion, and now we're

801
00:42:10,320 --> 00:42:12,360
Speaker 1: getting to the good stuff. Now we're gonna see what

802
00:42:12,400 --> 00:42:15,640
Speaker 1: we did see in that original nineteen ninety five movie.

803
00:42:15,960 --> 00:42:19,480
Speaker 1: But with today's technology and the thing about that and

804
00:42:19,600 --> 00:42:22,960
Speaker 1: watching this trailer, it looks to me obviously like they

805
00:42:23,000 --> 00:42:25,680
Speaker 1: couldn't film this movie on a real life set. These

806
00:42:25,760 --> 00:42:28,960
Speaker 1: places don't exist, all these crazy worlds that they go to.

807
00:42:29,440 --> 00:42:31,880
Speaker 1: Which was also a great thing about the Mortal Kombat

808
00:42:31,920 --> 00:42:34,600
Speaker 1: game back in the day is the different actual levels

809
00:42:34,600 --> 00:42:37,280
Speaker 1: you could play on. But movies like this are starting

810
00:42:37,280 --> 00:42:41,680
Speaker 1: to have this identity where they use these LED huge screens.

811
00:42:41,760 --> 00:42:44,680
Speaker 1: Maybe you've seen on socials recently James Gunn sharing behind

812
00:42:44,680 --> 00:42:47,960
Speaker 1: the scenes moments from Superman. Whenever they were filming the

813
00:42:48,040 --> 00:42:51,560
Speaker 1: flying scenes, they had what is called the volume, which

814
00:42:51,560 --> 00:42:55,080
Speaker 1: are just these giant LED screens. I think The Mandalorian

815
00:42:55,160 --> 00:42:57,240
Speaker 1: was one of the first TV shows to use them,

816
00:42:57,600 --> 00:43:00,000
Speaker 1: and now more and more movies have used them because

817
00:43:00,040 --> 00:43:05,560
Speaker 1: they're able to cast these really bright and vivid scenes

818
00:43:05,600 --> 00:43:08,600
Speaker 1: onto these LED screens where it looks like you're actually there,

819
00:43:08,600 --> 00:43:11,360
Speaker 1: and that's how they film it, so instead of filming

820
00:43:11,360 --> 00:43:13,920
Speaker 1: to nothing like a green screen, the characters or the

821
00:43:13,960 --> 00:43:17,520
Speaker 1: stunt performers can actually see something. I think it looks

822
00:43:17,560 --> 00:43:21,600
Speaker 1: a lot cooler when used right, But watching this trailer,

823
00:43:21,719 --> 00:43:24,000
Speaker 1: I feel that's what they used, even though I searched

824
00:43:24,040 --> 00:43:27,080
Speaker 1: and they didn't explicitly say that. They used the volume

825
00:43:27,080 --> 00:43:29,760
Speaker 1: to film a lot of Mortal Kombat. But it's starting

826
00:43:29,760 --> 00:43:31,880
Speaker 1: to have this kind of identity in a lot of

827
00:43:31,920 --> 00:43:34,480
Speaker 1: things that we see now on this level in certain

828
00:43:34,520 --> 00:43:38,000
Speaker 1: superhero movies where you can tell that they are using

829
00:43:38,040 --> 00:43:40,200
Speaker 1: it and you can tell that there's not this level

830
00:43:40,280 --> 00:43:44,279
Speaker 1: of depth between the characters and their environment, which in

831
00:43:44,320 --> 00:43:47,520
Speaker 1: the nineties, twenty even twenty tens, for the majority of

832
00:43:47,560 --> 00:43:49,880
Speaker 1: that time, it was just green screen and blue screen,

833
00:43:50,480 --> 00:43:53,000
Speaker 1: where I think this technology did have a lot of

834
00:43:53,040 --> 00:43:55,279
Speaker 1: benefits of making it feel a little bit more real.

835
00:43:55,920 --> 00:43:58,760
Speaker 1: But now it's kind of feeling a little bit more homogeneous,

836
00:43:58,880 --> 00:44:02,520
Speaker 1: where all these movies are kind of starting to look

837
00:44:02,560 --> 00:44:05,839
Speaker 1: the same, and the only thing that really stands out

838
00:44:05,840 --> 00:44:09,759
Speaker 1: from this trailer is the unique character designs, because this

839
00:44:09,840 --> 00:44:11,600
Speaker 1: movie does look like it's going to be a lot

840
00:44:11,600 --> 00:44:14,640
Speaker 1: of fun, which I think the twenty twenty one version

841
00:44:15,120 --> 00:44:18,040
Speaker 1: really wasn't that that. I remember watching that movie and

842
00:44:18,080 --> 00:44:19,960
Speaker 1: I was like, did I hit play on the right thing?

843
00:44:20,400 --> 00:44:24,120
Speaker 1: Because this doesn't feel like a Mortal Kombat movie. But

844
00:44:24,239 --> 00:44:26,680
Speaker 1: I think in order for this franchise to carry on,

845
00:44:26,760 --> 00:44:28,680
Speaker 1: because I assume they want to make a three, they

846
00:44:28,719 --> 00:44:31,719
Speaker 1: want to make a four, I think they're gonna lead

847
00:44:31,760 --> 00:44:35,239
Speaker 1: into the fun more and if that works, which overall

848
00:44:35,440 --> 00:44:37,640
Speaker 1: I really enjoyed the twenty twenty one version. Was it

849
00:44:37,719 --> 00:44:39,879
Speaker 1: my favorite movie of that year? No, but I gave

850
00:44:39,920 --> 00:44:42,560
Speaker 1: it a three out of five, which was pretty solid.

851
00:44:42,960 --> 00:44:45,600
Speaker 1: So we're seeing some new characters here, We're also seeing

852
00:44:45,680 --> 00:44:51,000
Speaker 1: characters return like Sonya, Blade Jacks, Lou Kang and Kano hero.

853
00:44:51,160 --> 00:44:55,080
Speaker 1: Yuki Sonata is back as Scorpion, which that guy has

854
00:44:55,200 --> 00:44:58,480
Speaker 1: incredible range. Whenever I saw him win the Emmy for

855
00:44:58,880 --> 00:45:02,040
Speaker 1: I believe it was Outstanding Lean Actor in a Drama

856
00:45:02,120 --> 00:45:05,640
Speaker 1: Series for his role in Showgun, I really felt for

857
00:45:05,680 --> 00:45:08,680
Speaker 1: that guy because he did that entire speech in Japanese.

858
00:45:09,000 --> 00:45:11,760
Speaker 1: He talked about how that show was a huge gamble

859
00:45:11,880 --> 00:45:14,680
Speaker 1: but now is a major success. And what he was

860
00:45:14,719 --> 00:45:17,160
Speaker 1: referencing in that show being a gamble was the fact

861
00:45:17,239 --> 00:45:20,359
Speaker 1: that it has a high percentage of Japanese dialogue. So

862
00:45:20,560 --> 00:45:22,920
Speaker 1: for no one else, I'm watching this movie for him.

863
00:45:23,040 --> 00:45:26,200
Speaker 1: It is coming out in theaters on October twenty fourth.

864
00:45:26,520 --> 00:45:29,680
Speaker 1: Geez said that was this week's edition of Movie Live

865
00:45:30,239 --> 00:45:32,239
Speaker 1: tram or Bar and that is going to do it

866
00:45:32,280 --> 00:45:34,839
Speaker 1: for another episode here of the podcast. But before I go,

867
00:45:34,920 --> 00:45:37,120
Speaker 1: I got to give my listeners shout out of the week.

868
00:45:37,520 --> 00:45:40,520
Speaker 1: For the last couple of episodes, it has been a

869
00:45:40,600 --> 00:45:44,160
Speaker 1: hater line on the shout out and I don't want

870
00:45:44,200 --> 00:45:47,000
Speaker 1: to do that again this week. I didn't dive back

871
00:45:47,040 --> 00:45:49,000
Speaker 1: into that well, even though I did get some of

872
00:45:49,000 --> 00:45:51,520
Speaker 1: that last week, but I'm actually going over to Facebook,

873
00:45:51,680 --> 00:45:55,880
Speaker 1: which has surprisingly been one of the more supportive places recently,

874
00:45:56,400 --> 00:45:59,600
Speaker 1: which is unusual for Facebook because normally it's just people

875
00:46:00,120 --> 00:46:03,280
Speaker 1: yelling at each other. Facebook is usually the place where

876
00:46:03,320 --> 00:46:08,720
Speaker 1: people comment on a video referencing me, not really understanding

877
00:46:08,800 --> 00:46:13,360
Speaker 1: that they're commenting on my page, so they're talking about me,

878
00:46:13,520 --> 00:46:15,239
Speaker 1: like I'm not going to read it. They're like this

879
00:46:15,320 --> 00:46:18,759
Speaker 1: guy is an idiot or this creator is stupid, and

880
00:46:18,800 --> 00:46:21,520
Speaker 1: I'm like, you're commenting on my video. You could say

881
00:46:21,560 --> 00:46:24,440
Speaker 1: that directly to me, and then I feel weird replying

882
00:46:24,480 --> 00:46:28,400
Speaker 1: to that, but Facebook has been surprisingly supportive. This week's

883
00:46:28,440 --> 00:46:30,680
Speaker 1: listener shat Out of the Week goes to jennifers Need,

884
00:46:31,000 --> 00:46:34,279
Speaker 1: who commented on my post about my I Know What

885
00:46:34,320 --> 00:46:37,240
Speaker 1: You Did Last Summer review and said, when you're rooting

886
00:46:37,280 --> 00:46:40,959
Speaker 1: for the Fishermen, you know it is bad. Which of

887
00:46:41,000 --> 00:46:43,520
Speaker 1: the people I did see that actually went to go

888
00:46:43,560 --> 00:46:45,799
Speaker 1: see I Know What You Did last summer? I don't

889
00:46:45,800 --> 00:46:49,680
Speaker 1: think anybody was happy with that, even bigger fans of

890
00:46:49,719 --> 00:46:52,200
Speaker 1: the original than I was, which I'm not the hugest

891
00:46:52,280 --> 00:46:54,560
Speaker 1: fan of it, but there were people I know went

892
00:46:54,600 --> 00:46:58,040
Speaker 1: to see that movie that loved the first one. They

893
00:46:58,120 --> 00:47:00,560
Speaker 1: still did not like this movie. The highest rating I

894
00:47:00,600 --> 00:47:03,360
Speaker 1: saw for it was a two point five out of five,

895
00:47:03,520 --> 00:47:06,000
Speaker 1: and that was from a big fan. I don't know

896
00:47:06,040 --> 00:47:08,520
Speaker 1: what happened here. I'm still trying to figure that one out.

897
00:47:08,560 --> 00:47:11,600
Speaker 1: So thank you Jennifer for commenting on that. Hopefully I

898
00:47:11,640 --> 00:47:15,160
Speaker 1: saved you from going to see that movie in theaters. Maybe,

899
00:47:15,400 --> 00:47:18,680
Speaker 1: just maybe I would say it's worthy of a stream. Yeah,

900
00:47:18,760 --> 00:47:21,440
Speaker 1: I'll give them that because it was entertaining enough for

901
00:47:21,560 --> 00:47:24,400
Speaker 1: me to stay till the very end. It does suck

902
00:47:24,440 --> 00:47:28,000
Speaker 1: you in in a really annoying way. So probably not

903
00:47:28,040 --> 00:47:30,640
Speaker 1: one you need to see in theaters at all, but

904
00:47:30,800 --> 00:47:33,279
Speaker 1: give it a stream maybe if it's been hanging on

905
00:47:33,320 --> 00:47:35,320
Speaker 1: a service for a while now and you have nothing

906
00:47:35,320 --> 00:47:37,640
Speaker 1: else to watch and just want to be sucked into

907
00:47:37,640 --> 00:47:41,239
Speaker 1: something really dumb, that is the only real indication. Or

908
00:47:41,280 --> 00:47:43,160
Speaker 1: if you get stuck on a plane, although they don't

909
00:47:43,160 --> 00:47:45,839
Speaker 1: really put horror movies on planes anymore, but if you're

910
00:47:45,840 --> 00:47:48,040
Speaker 1: stuck on a plane and you have nothing else to watch,

911
00:47:48,440 --> 00:47:50,520
Speaker 1: check out the new one. Know what you did last summer,

912
00:47:50,719 --> 00:47:52,640
Speaker 1: because that's where it's probably coming to you next. So

913
00:47:52,719 --> 00:47:55,880
Speaker 1: thank you for listening, Thank you for being subscribed. And

914
00:47:56,000 --> 00:47:59,120
Speaker 1: until next time, go out and watch good movies and

915
00:47:59,160 --> 00:48:01,000
Speaker 1: I will talk to you you later