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Speaker 1: Hi, I'm Jay Farner, CEO of Quicken Loans. Thirty percent

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Speaker 1: of Americans who are planning home improvements of five thousand

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Speaker 1: dollars or more. We'll pay for those renovations with a

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Speaker 1: high interest credit card. That may not be a great idea.

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Speaker 1: A better idea maybe to take cash out of your

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Speaker 1: home with a Quicken Loans thirty year fixed rate mortgage.

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Speaker 1: The rate today in our thirty year fixed rate mortgage

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Speaker 1: is four and a half percent a p R four

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Speaker 1: point seven eight percent. Call us today at eight hundred

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Speaker 1: Quicken or go to Rocket Mortgage dot com. Rate something

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Speaker 1: to change eight two percent feed receive this disconnt rate

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Speaker 1: called for cost Information and Conditions equal housing landerlace in

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Speaker 1: a fifty states and the last number thirty. Yes, indeed,

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Speaker 1: I go by the name of DJ butch Rock represent

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Speaker 1: for Doug Down Militainment. You're now tuned into the number

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Speaker 1: one podcast in the motherfucking world, the Drink Champs. My

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Speaker 1: brother's in the y E and d J e FN.

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Speaker 1: But before we get into that, I want to blast

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Speaker 1: this record off, the Drink Champs Anthem. That's right, The

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Speaker 1: Drink Champs Anthem, produced by the Homie Swiss beats. This

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Speaker 1: record is so motherfucking New York. Listen, what what what what? What? What? What? What? What? What? What?

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Speaker 1: Got do it broke? Everybody to the left door, him

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Speaker 1: oh man now left the gun blow suicide door and

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Speaker 1: reverse stone water Swizzy tell him lie. Everybody to the

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Speaker 1: show now picking up now, tip downtown, who see me?

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Speaker 1: I gotta hunt his life, my super dog life. I

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Speaker 1: bring it back life. Hold up, hold up? What what? What? What? What?

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Speaker 1: What shout to the drink? Chance on me? What shout

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Speaker 1: to the whole team? What hazard it sounds without? I

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Speaker 1: don't everybody to the left door, him rich block go

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Speaker 1: without gun blow suicide, the drain nigg without reverse stone water,

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Speaker 1: Mr Lee, where you are? Everybody to the show now

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Speaker 1: picking up now, tip down to see me. I gotta

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Speaker 1: hun the round Pope link clink Chance said, I ain't

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Speaker 1: to kick before it on me. They can't think a

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Speaker 1: lot down drink chin because you could he keep me

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Speaker 1: on thinking think want to drink, checking them on, keep

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Speaker 1: before they on me? Thinking where you at? Hit before

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Speaker 1: they on? What's rock? Niggers? Ain't tell the wall. Let's

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Speaker 1: go yo. We have about some new ship. Yeah, about

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Speaker 1: some new ship, talking like your killers, but you won't

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Speaker 1: ever do ship. I told my niggers, switch your back

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Speaker 1: at it. They slept on slide. Get on my craft

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Speaker 1: at it used to south crack. Ain't drink a lot,

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Speaker 1: ain't gonna when the winter time. See me you want

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Speaker 1: to make a lot. I made to drink chance, because

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Speaker 1: a drink a lot. I used to keep that glock

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Speaker 1: on me. I ain't think a lot by looking like

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Speaker 1: now pick it up now to check it downtown. Send

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Speaker 1: me in my god. That right t the clink chance

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Speaker 1: because that we could. Used to keep the forty on me.

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Speaker 1: Ain't picking yesterday on the drip wild, pick the left

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Speaker 1: ray my nigger d cts win one time. Come on,

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Speaker 1: drinks a drier, keep think yes, hit the fort on.

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Speaker 1: Shout to my nigger sunny d b T. Let's go.

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Speaker 1: I see. All I want to do is be successful.

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Speaker 1: Think about the money. Second, that ship is stressful to

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Speaker 1: think about the fair love is that shit is spressful.

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Speaker 1: Did it for a long time? You never changed doing

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Speaker 1: You don't still wore timberlance. Never change on you. My

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Speaker 1: friends still Domandican man. I did it my way acts

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Speaker 1: for no permissions. The only du smoking on trees and

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Speaker 1: no commission. Everybody show now get up now keeping downtown

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Speaker 1: Cliff super dog like hit me on the drink change

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Speaker 1: because I pick the luf to keep the forty on me.

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Speaker 1: Ain't thinkers where you at on the drink whildet the

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Speaker 1: lord drinking the keep the forty on rock, Come on,

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Speaker 1: we want to drink, James. It's a drink a lot

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Speaker 1: for Nick. Laugh drink hick forty on me. Sis got

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Speaker 1: the boocardi. I got some rocks, So we're gonna get drunk,

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Speaker 1: have fun, take more shots. You see, I celebrate life.

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Speaker 1: I could have been to jail and had life. Nigger. Yeah,

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Speaker 1: that's what I'm here for a reason. So I'm gonna celebrate.

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Speaker 1: Drink more for no breezing rose that this is drink

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Speaker 1: tip season to gonna have a drink. Go ahead and

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Speaker 1: enjoy your eating. Hello everybody too, Now up, No damn,

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Speaker 1: I gotta like me where you act on the drink

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Speaker 1: wine because Nick al kick the forty on me. Ain't

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Speaker 1: kick a lap on the drink. Chip keep the colly

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Speaker 1: on me. That's a jeer. Want to drink. It's a

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Speaker 1: trick a lot. Keep the phone off that trunk. I

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Speaker 1: can laugh for to keep on me drunk on what Yes?

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Speaker 1: It did? Yea so New York damn drug? Dan Buttery

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Speaker 1: Cow was so y'all is going on? Ready? He's a

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Speaker 1: legendary Queen's rapper. Hangs like, is your boy in nor?

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Speaker 1: He's a Miami hip hop pioneer. What up is d

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Speaker 1: J e f N? Together? They drink it up with

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Speaker 1: some of the biggest players in music and sports. You know,

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Speaker 1: I mean the most professional, unprofessional podcast and your number

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Speaker 1: one source for drunk facts. This is drinks Chap ready

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Speaker 1: to every day is New Year's Eve. Just round. Let's

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Speaker 1: get into. Let's get into the realest real whatever you

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Speaker 1: feel is the realest realist, realist ever ever ever. I'm

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Speaker 1: here for that. I want to get into the rough

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Speaker 1: Rider Rockefeller beef. What happened? Everybody pussing him? Know what?

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Speaker 1: I got that? Left right? Left right? I wasn't you know,

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Speaker 1: it wasn't really no beef. I know it like beef

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Speaker 1: for something you don't talk about now you don't want

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Speaker 1: to get into because that's that's what that was? Why

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Speaker 1: well the freeway Cassidy like that was that when you

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Speaker 1: signed casts. I had casts for my dad's signed cast

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Speaker 1: because what happened? Like Hove called you and said, I

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Speaker 1: remember the conversation. Let's talk about it. He hold, you

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Speaker 1: know about Cassidy. They just they just rocket Feller just

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Speaker 1: went crazy and handy seven and I was like, yo,

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Speaker 1: I got cast in the studio. He was like, you

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Speaker 1: don't hear what we've done on the radio. I was like, yeah,

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Speaker 1: whole talking to h O, I said, yeah, I do

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Speaker 1: on the radio. He was like name and he was

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Speaker 1: like A still on that okay. H He was like, yeah,

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Speaker 1: I'm at the studio. Bring him. I was like, I.

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Speaker 1: I was like, I'm in the studio with Cassidy. I

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Speaker 1: heard what you did. I heard what you did, but

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Speaker 1: I'm in the studio with Cassie about that life. He's like,

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Speaker 1: I had to bring him. I bring him to the studio.

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Speaker 1: We go upstairs, a lot of them a lot of

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Speaker 1: the minute. But I got a bunch of goons on

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Speaker 1: me as Sony. So I'm like, yeah and yeah, I

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Speaker 1: just had this is the DMX battle against Rocket Feller.

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Speaker 1: That's a long time ago, and that's what I'm doing.

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Speaker 1: What I'm saying, But like, are you thinking about that battle?

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Speaker 1: About nothing but Cassie biting the nigger's heads on. I

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Speaker 1: forgot we did all that, but you don't. You don't

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Speaker 1: know Freeway at this time. Now, I don't know if

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Speaker 1: we were had to tell. I know I heard of him,

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Speaker 1: but I don't I didn't physically. Uh, get me a STU,

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Speaker 1: sit down this historical I didn't know Fruit at the

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Speaker 1: time I heard of him. I heard it was nice

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Speaker 1: and I respected that. Hope. It's like, yo, I got

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Speaker 1: we over here. We ready year, we didn't radio. It's okay.

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Speaker 1: When on my way come up with they really like

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Speaker 1: me and Cassidy. I see the room, it's like this

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Speaker 1: right here. I make a phone call the Sony studio. Yo,

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Speaker 1: we're in here, showtime. So we got to eat and

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Speaker 1: made the room equal, all right, and coming there to

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Speaker 1: my rough riders invade the studio. Rough riders coming in.

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Speaker 1: Let's think our fans are stupid. I think it was

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Speaker 1: an equal balance, balance and leg for our fans. The

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Speaker 1: riders read this, so equal balance. So now we got

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Speaker 1: Googles on deck, heavy and want cut it. It was

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Speaker 1: meant for whatever, you know, we could fight rap wall, heaven, whatever,

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Speaker 1: but it was good vibes. Um Cash and Freeway started

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Speaker 1: battling because who was this set? Who wasn't it set?

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Speaker 1: Put it on the beat? I like free you know,

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Speaker 1: you know what, Freeway turned out to be a good person.

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Speaker 1: He was on his he's on his dan. Everybody's good persons.

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Speaker 1: We're not talking about a good person part. So about

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Speaker 1: this part right here? Freeway said, put on the beat?

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Speaker 1: I mean, what areyway? You know? You said put on

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Speaker 1: the beat? God damn it. So I think I ain't

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Speaker 1: haven be ready. So but because I forget, I remember

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Speaker 1: what I forget. So was there Bars? That was acapella

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Speaker 1: at first? And then I think, like, you know, acapella

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Speaker 1: the whole beat for the acapella didn't And I don't

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Speaker 1: know what he thought in his mind, because it was

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Speaker 1: a cappella. You could hear every verse that be lying

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Speaker 1: to me punchline. It was very it was it was

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Speaker 1: very uh serious, and that man thought of whatever he

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Speaker 1: thought in his head. He said, put on the beat.

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Speaker 1: I said, nah, straight, Bars, when a you're putting on

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Speaker 1: the beat, put some beat on that joint. Nah, we

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Speaker 1: ain't putting no beat on. It was there as well.

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Speaker 1: For everybody's dead living the room, very silent, leaving the room.

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Speaker 1: He's left the room. It's what it is. I have

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Speaker 1: left the room to up. Sorry, we went way too fast. Everybody,

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Speaker 1: a lot of people was leaving the room. Beanie seal

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Speaker 1: Cove and everybody else that plays bets on the table.

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Speaker 1: It is what it is. Listen, stary hip hop. I

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Speaker 1: ain't gonna lie. See this is drink champ. Sometimes it's

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Speaker 1: like I sit back and think I tell the story tonight,

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Speaker 1: give me some more. I'm going in. I'm not at stip.

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Speaker 1: Don't sit back and think I know a story. I

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Speaker 1: know a story because I'm close to everybody. And then,

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Speaker 1: you know, I realized that I don't really know ship.

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Speaker 1: That's the reason why we started this goddamn got party.

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Speaker 1: But the way I'm drinking rock twain give give. Okay,

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Speaker 1: this is my shotguns. Come on, I ain't got I

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Speaker 1: just probably I was just going to take it in

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Speaker 1: our mind to take it. No, I'm gonna take it.

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Speaker 1: I'm gonna take it. I'll never pretend to take on

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Speaker 1: the other fucking shot in my life. I got your

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Speaker 1: dog because I have a Kardi team selling at to night.

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Speaker 1: It's a Bocardi team. They ain't never been We're taking shots. Okay,

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Speaker 1: you made a goddamn shot. Okay, one by one, one

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Speaker 1: by one, God has Mike. Okay, come over in and

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Speaker 1: and and you let you from Queens the boiler room. Hey,

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Speaker 1: then you say you live downstairs from nor Yeah, yeah,

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Speaker 1: come on, he knows that big there. Yeah. Nobody called

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Speaker 1: me big in my life, so you definitely don't know me,

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Speaker 1: but you still my friend. And then we recalled. But ahead,

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Speaker 1: So where you from? From? Miami? Actually Miami. Let's make

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Speaker 1: similars to Miami. Got there? Welcome WHI back from Yeah?

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Speaker 1: Everybody listen recording you get no open open over isn't cold.

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Speaker 1: We Swiss. We gotta get back. You gotta get from

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Speaker 1: the dream chat man right here, Street Chaps dot com

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Speaker 1: dot go. This's like three bags yeah yeah, yeah, because

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Speaker 1: it's it's it's street Champs and eight and nine. Where

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Speaker 1: we at right now? The people who lost us. I'm

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Speaker 1: going to take this in oak. Yes, now, I can't

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Speaker 1: believe I'm on this show. Okay, Wilson Trumna is that straight? Yeah?

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Speaker 1: This is stas fun? Yeah on you. I want that dance.

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Speaker 1: I want that so I'm young. That album not going anywhere,

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Speaker 1: you know. M Kanye West so dupe, but he said,

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Speaker 1: teaching of the Uh, what's so? What about? What's bro?

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Speaker 1: What are you looking young? Little mixing? And I lived

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Speaker 1: my life by a little mix Yeah, yeah, ok. He

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Speaker 1: did the videos on the six Rammys nominations Shift for

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Speaker 1: no reason. Okay, already season that season? But are we

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Speaker 1: sampling that? I'm yell right there? What was that session? Like?

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Speaker 1: This is crazy? I did forty beats in that session,

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Speaker 1: forty beating back to the nineties Swiss, Yeah, I did,

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Speaker 1: I did. I did a lot of songs on that album.

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Speaker 1: Famous was one of them, um and four more other songs,

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Speaker 1: and that was one of the stick with famous for

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Speaker 1: right now? Famous? How did that? You shout the prodigy?

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Speaker 1: You know prodigy? He laid out the drum vibes, he

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Speaker 1: laid out havoc I was about, Yeah, I got confused

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Speaker 1: and the Baccardi eight Hi and me so I'm keeping

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Speaker 1: it straight. He was on the right of that though,

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Speaker 1: having to hav it. He talked about it on our podcast,

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Speaker 1: saying he was a big part of that. All I

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Speaker 1: did it was just like I felt an ice cream

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Speaker 1: on on you know, I just feeling the you know,

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Speaker 1: the ice and to be honest, and she was already fresh.

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Speaker 1: Can you want me to do my vocals? And had

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Speaker 1: a couple of sounds and different things to it, and

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Speaker 1: we made famous, which is famous, and it was already

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Speaker 1: famous just on top of famous. Now, who's your favorite CEO?

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Speaker 1: You have a work with Claim Davis? Wow, I was fast?

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Speaker 1: Was the fast Clive Davids and Jimmy Iven because they

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Speaker 1: both invested in my earliest goat. Yeah. You know when

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Speaker 1: I did all that first rough iron music, that was

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Speaker 1: Jimmy ivin. You know he was already following that from

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Speaker 1: death Row right, and so the closest thing to death

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Speaker 1: Rows rough Riders. Understand, you know, we might have been

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Speaker 1: a little bit dangerous to death Row, but the music

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Speaker 1: spoke for itself. And then Clyde Davis getting my first label,

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Speaker 1: so uh, full surface was with casting on some Bone

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Speaker 1: and everybody was at Clid David j Records. You know,

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Speaker 1: both of those my mentors, you know, bussons to them

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Speaker 1: played some motherfuck annoying and I got there. That's like

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Speaker 1: I said, that's for you to definitely edge on this

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Speaker 1: shout step off. Do you know me round? That'sh's dumb.

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Speaker 1: Now I'm just handing this out. That's row keep talking

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Speaker 1: so they get so I would love the Axtra Swiss,

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Speaker 1: I'm gonna do that. I fucking that studio in Circle House.

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Speaker 1: I'm book that has it it sound, that has it

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Speaker 1: it sounds, I got the guns. Don't you want to

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Speaker 1: do that has a little what? No, no, no, no,

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Speaker 1: I'm just playing. It isn't haiti for real? Like where's

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Speaker 1: my hat? Yeah? Exactly, so we have had it sound.

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Speaker 1: I walked through city so late and say Swiss walked

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Speaker 1: through city so late four hours in a day and no, true, no, no,

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Speaker 1: I was really you know I went there too. How

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Speaker 1: many people got when we TV? Yeah, he's seen it.

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Speaker 1: I met a documentary I went there s yeah yeah, yeah,

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Speaker 1: so Swiss, you've done everything you had to do in

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Speaker 1: the music business. And then I recently seen the Hot

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Speaker 1: Sauce over and drink Champs Hot Sue where the hot

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Speaker 1: suse boss, give me some wings or something? Eight and nine.

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Speaker 1: We got to invest he had drink everything else. Yeah.

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Speaker 1: The website was the seod Yeah We're not ready. Yeah,

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Speaker 1: I wasn't taking Yeah, av Twiss, how can you remain

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Speaker 1: so humble? Well, all the accolades you made, I ain't

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Speaker 1: gonna front. Earlier you said you had art. I've seen

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Speaker 1: art that's bigger than that tree in your house. We

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Speaker 1: got big mouse sculpture booking museum. Yeah, but you're still humble.

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Speaker 1: You still came here as a humble person. How can

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Speaker 1: how can a person succeed so much and then still

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Speaker 1: be as humble as as that? Um Just knowing where

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Speaker 1: you come from, just knowing that you know, Roman News,

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Speaker 1: you should be my dinner every day, you know, just

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Speaker 1: around the studio Roman News, you know, you know, just

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Speaker 1: knowing that a dollar of French fries was was he

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Speaker 1: was famous? Uh ribbed from the Chinese store. You was

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Speaker 1: extra famous. Cheese pizza with extra cheese, use extra extra famous.

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Speaker 1: Be understanding and just knowing that we all come from

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Speaker 1: the bottom, and you know it's a blessing for us

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Speaker 1: to be here today. That's us just waking up this morning.

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Speaker 1: You know, we die in not sleep. How do we

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Speaker 1: know what what what life is? Recipes recipes Q. But

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Speaker 1: you know what, you know what's interesting about life? Before

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Speaker 1: they finished the ship that they doing in the background,

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Speaker 1: that's right here. You know, in your dream you can

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Speaker 1: use your brain, but in life you can use five

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Speaker 1: percent of your brain. You understand, like in your dream

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Speaker 1: you can overcome every obstacle, you could fly everything right,

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Speaker 1: but life right here you just so bounded and strapped down.

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Speaker 1: So it's just a dream? Is this life? And that's

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Speaker 1: one thing that we got to batter with every day.

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Speaker 1: And I wake up in the morning, I'm like, man,

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Speaker 1: I just had to dream of me flying and I'm

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Speaker 1: in earth and life and I can't fly. So is

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Speaker 1: that a dreamer? Is that reality? Again? I'm saying, So

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Speaker 1: we gotta figure out what side of the defense we

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Speaker 1: You know, this is a movie. We're not the directors.

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Speaker 1: But before we get up out here whatever, like you know,

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Speaker 1: because I just remember ten hard years of Swiss just

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Speaker 1: controlling it. But whatever producer that you said, damn, this

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Speaker 1: guy might got me all this guy's might come in

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Speaker 1: for the next year. Whatever do to use? Like yo,

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Speaker 1: my step man game up a lot of songs. You know,

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Speaker 1: I wish I produced the Benjamin's And about the Benjamin's

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Speaker 1: who produced that, that's the Derek Engel. I didn't hit

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Speaker 1: me inunderstand, you know, I wish I produce. They want

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Speaker 1: to affect that as fact. They want to because you

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Speaker 1: might they actually pull back the intro. I was like, damn.

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Speaker 1: You know, this is before I became on and I

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Speaker 1: was like, damn, imagine if I did something like that,

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Speaker 1: where would I be? You know, um, just to get

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Speaker 1: a rep gang star. So so with the same mind frame,

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Speaker 1: what producers influenced you? The ones I'm talking about right right?

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Speaker 1: Is it specifically like you're saying the song? But is

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Speaker 1: there any star right right? You know, I don't. I

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Speaker 1: don't know who the producer was for. That's a fact

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Speaker 1: at that time, you know, you know, but I wasn't

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Speaker 1: inspired by producers, you understand. I never I never even

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Speaker 1: knew what the producer. No. I was inspired by DJs.

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Speaker 1: I was inspired by Ron G. I was inspired by

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Speaker 1: Kick Kaprie. I was inspired by doo Wo. I was

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Speaker 1: inspired by this ass and surprising my you know, uh

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Speaker 1: s and s you know what I'm saying. I was

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Speaker 1: inspired by yuh, DJ, red Alert to Touch Tony Touch Flex,

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Speaker 1: you know all these DJ's clue you know. I was

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Speaker 1: inspired by DJ and I became a producer by default,

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Speaker 1: probably became a producer by just making instruments DJ. Yeah,

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Speaker 1: and then I as J West Indies or something like that.

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Speaker 1: It was like Atlanta I thought, I thought you went

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Speaker 1: to Atlanta and the West Indies and he came back

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Speaker 1: or something like that. I grew up in the Bronx.

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Speaker 1: I grew up. I grew up in Boston Road, which

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Speaker 1: was like the West Indies. So I was the first

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Speaker 1: youngest producer DC. And at the start us you know,

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Speaker 1: the Slick Rick had his incident outside. You know, I'm

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Speaker 1: saying I was there for those different things, and the

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Speaker 1: super Cat had his incidenta side, right, I was there

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Speaker 1: for those incidents, and um I was a producer. I

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Speaker 1: used to d d with Renaissance Waggy T. I'm saying,

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Speaker 1: you know, Stone love All, I was the hip hop

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Speaker 1: producer for the for those DJs at that particular time,

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Speaker 1: young deb in the club at that time understanding. I

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Speaker 1: was just out there thinking that you know what I'm

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Speaker 1: saying that what what what? What? What? You know what

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Speaker 1: I'm saying like you are you know what I mean?

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Speaker 1: And your favorite hip hop hass musician, no period, just

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Speaker 1: just my favorite hip hop and just keep it real

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Speaker 1: clean and simple as d m X. Because I was

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Speaker 1: able to witness that movie in the front row seat.

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Speaker 1: But there's different eras of DMX, so can we labor

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Speaker 1: it down my era of DMX, the era of d

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Speaker 1: m X, and then the return of dm X, which

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00:24:54,240 --> 00:24:56,600
Speaker 1: we haven't been able to see yet because written, yeah

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Speaker 1: it's written, but it's unpublished yet. Okay, it might be perfectly,

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Speaker 1: you understand. And so you know, I might have been

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Speaker 1: a fan of a lot of other people, but you

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Speaker 1: know what I wasn't able to. You know a lot

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Speaker 1: of people that we think that's real, it's not really real,

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Speaker 1: you understand, Like their music might be real, but they

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Speaker 1: might currunto that pressure. They tell them tuck unto their

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Speaker 1: ass that pressure you understanding. Like you know, with the dog,

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Speaker 1: you ain't never ever seen a dog talk about no

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Speaker 1: other labels than my family label. Let's excuse me saying again,

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Speaker 1: right thing. The thing that I respect about dogs is

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Speaker 1: you never seen him flipping flopping through labels since he started.

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Speaker 1: He might have had bloodline. It was always a rough

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Speaker 1: ride somewhere around him. At people tried to buy him

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Speaker 1: out from way more money than we could afford at

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Speaker 1: those times, and the dog always kept one thousand. And

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Speaker 1: that's why in this current time people want to be

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Speaker 1: able to see his movement. Can God speed? You know,

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Speaker 1: I'm sad that make and lots that Swiss hoss is

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Speaker 1: good though, yeah, yea yea close it there already Swiss

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Speaker 1: to two shots of hot sauce dot com coming soon.

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Speaker 1: The ho she Swiss took two shot looks good. Never

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Speaker 1: know what they're gonna street chaps dot com, drink champs

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Speaker 1: dot com to location working just talking about talking about

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00:27:01,760 --> 00:27:13,080
Speaker 1: the shot they're doing is a switch shot let this? Yeah? Yeah,

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Speaker 1: So how does a kid for the Bronx? Right? You

379
00:27:23,400 --> 00:27:27,760
Speaker 1: speak to your uncle, they may or may not believe you.

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00:27:27,760 --> 00:27:33,439
Speaker 1: You come to the studio with me, we make a classic.

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00:27:33,560 --> 00:27:37,200
Speaker 1: But at that moment, remember remember he took another shot?

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00:27:38,800 --> 00:27:44,200
Speaker 1: He I don't remember, But back then we would call

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Speaker 1: the record in ninety seven, it don't drop to how

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00:27:50,720 --> 00:27:55,280
Speaker 1: how do you maintain to say your I'm the guy

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00:27:55,480 --> 00:27:58,000
Speaker 1: these records that come out that next year because we

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Speaker 1: had to record it in ninety seven, because I mean,

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00:28:01,000 --> 00:28:04,919
Speaker 1: that's just how the climat matched up. Am I correct

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00:28:05,000 --> 00:28:07,520
Speaker 1: or maybe you know what I'm saying, Because you have

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00:28:07,640 --> 00:28:10,280
Speaker 1: to record it a year earlier, everything was too you

390
00:28:10,320 --> 00:28:12,440
Speaker 1: know what I'm saying, Like I mean, I might be

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00:28:12,560 --> 00:28:19,000
Speaker 1: funked up because correcting me too, But so but how

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00:28:19,040 --> 00:28:22,359
Speaker 1: do you main dreams? I say, I know what I

393
00:28:22,640 --> 00:28:26,719
Speaker 1: did is this and let me continue to go. Um.

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00:28:26,920 --> 00:28:29,280
Speaker 1: You know, the blessing that I had was I was

395
00:28:29,320 --> 00:28:32,399
Speaker 1: always in control of my destiny. You know, I never

396
00:28:32,520 --> 00:28:35,200
Speaker 1: had somebody predict or tell me what I need to

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Speaker 1: do from a creative standpoint. Now I did have to

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00:28:38,800 --> 00:28:43,600
Speaker 1: answer to my uncle's on ethical standpoint, and that's respect

399
00:28:43,680 --> 00:28:47,720
Speaker 1: protocol standpoint. You know I can never um to this

400
00:28:47,880 --> 00:28:50,959
Speaker 1: day still I gotta answer those questions respect. I can

401
00:28:51,040 --> 00:28:55,680
Speaker 1: never be in a problem today and then presented uh,

402
00:28:56,560 --> 00:29:01,200
Speaker 1: presented in front of the board. He might have a

403
00:29:01,280 --> 00:29:03,840
Speaker 1: problem with me and I might feel the type of

404
00:29:03,880 --> 00:29:07,920
Speaker 1: way I can't move on him until the teams say

405
00:29:09,360 --> 00:29:13,040
Speaker 1: we have not a choice or you know what that's

406
00:29:13,080 --> 00:29:16,600
Speaker 1: because of this, this and this, let's help him instead

407
00:29:16,640 --> 00:29:20,280
Speaker 1: of that, you know, hurt him. There's rules to this

408
00:29:20,760 --> 00:29:22,120
Speaker 1: and a lot and I think like a lot of

409
00:29:22,200 --> 00:29:25,280
Speaker 1: these youth without here, they don't understand the protocols and

410
00:29:25,800 --> 00:29:29,560
Speaker 1: in a different ways that you gotta go about handling

411
00:29:29,680 --> 00:29:33,600
Speaker 1: things understanding. Because a lot of people talk about a

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00:29:33,600 --> 00:29:37,120
Speaker 1: lot of colors, blood, cripts, race just that in the

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00:29:37,200 --> 00:29:41,480
Speaker 1: third that thing we bleed is the same color. It's

414
00:29:41,560 --> 00:29:47,360
Speaker 1: literally the same color. And so you know, I don't

415
00:29:47,400 --> 00:29:49,000
Speaker 1: go to the clubs. You ain't never seen me in

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00:29:49,080 --> 00:29:52,720
Speaker 1: the clubs popping bottles, stunting on people doing this in

417
00:29:52,760 --> 00:29:55,640
Speaker 1: the third people might think I'm stunning, but I like

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00:29:55,840 --> 00:29:58,920
Speaker 1: nice things that I work. You're testing the record, I'll

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00:29:58,920 --> 00:30:01,560
Speaker 1: be seeing you in the club. That's it. That's hard.

420
00:30:01,640 --> 00:30:03,240
Speaker 1: You know what I'm saying, like, I don't, I don't

421
00:30:03,320 --> 00:30:05,840
Speaker 1: I see you do that with me Early I went

422
00:30:05,920 --> 00:30:07,720
Speaker 1: to the studio with you and you went to He

423
00:30:07,800 --> 00:30:10,120
Speaker 1: went to the club and played back with TV the

424
00:30:10,160 --> 00:30:17,040
Speaker 1: club Show of Good when everywhere we're crazy, you know

425
00:30:17,200 --> 00:30:24,560
Speaker 1: before anyway a little if you notice he knew every

426
00:30:24,680 --> 00:30:28,920
Speaker 1: story for every artist. So he's been doing that since then.

427
00:30:29,360 --> 00:30:32,960
Speaker 1: He was a d and he took from TV and

428
00:30:33,160 --> 00:30:35,240
Speaker 1: I went to the club and I was like, I'm

429
00:30:35,280 --> 00:30:41,800
Speaker 1: not sure this Naty Nay seven, but that was I

430
00:30:41,960 --> 00:30:44,959
Speaker 1: felt that the people in the club, if you can

431
00:30:45,040 --> 00:30:48,840
Speaker 1: play a Nordy record after the biggest record at that time,

432
00:30:48,960 --> 00:30:52,600
Speaker 1: we had something, you know, I'm staying. I remember bringing

433
00:30:52,920 --> 00:30:56,040
Speaker 1: Dr Dre to the club and he hadn't been to

434
00:30:56,040 --> 00:30:57,880
Speaker 1: the clubbing in a long time, and he had a

435
00:30:57,920 --> 00:31:01,520
Speaker 1: hard time being in that club. But when he heard

436
00:31:01,560 --> 00:31:05,680
Speaker 1: his music, I've seen his life because I've seen his

437
00:31:05,800 --> 00:31:10,040
Speaker 1: life like embracing love and saying you know, and then

438
00:31:11,080 --> 00:31:12,880
Speaker 1: all my records. I remember when I brought hold to

439
00:31:12,920 --> 00:31:16,640
Speaker 1: the club for uh onto the next one, he was like, yo,

440
00:31:16,760 --> 00:31:19,760
Speaker 1: you leave that ship. I want my my ship. He

441
00:31:19,920 --> 00:31:21,280
Speaker 1: was over there in the v I P. I was

442
00:31:21,320 --> 00:31:24,000
Speaker 1: in the DJ booth and that motherfucking Onto the next

443
00:31:24,040 --> 00:31:25,960
Speaker 1: one came when them people felt some type of way

444
00:31:26,240 --> 00:31:27,880
Speaker 1: and they looked at me and through that drinking and

445
00:31:27,960 --> 00:31:32,280
Speaker 1: he ordered all this type sure because we was on

446
00:31:32,440 --> 00:31:34,720
Speaker 1: to the next one. You know what I'm saying. But

447
00:31:34,840 --> 00:31:39,520
Speaker 1: it's like, you know what, in life, it's what we

448
00:31:39,600 --> 00:31:43,960
Speaker 1: got to celebrate. There's no big eyes. I'm little use

449
00:31:44,080 --> 00:31:45,640
Speaker 1: like a lot of people like to make a lot

450
00:31:45,720 --> 00:31:50,520
Speaker 1: of categories of who's who and what's what. The The

451
00:31:50,640 --> 00:31:54,160
Speaker 1: war in as well is between good and bad, good

452
00:31:54,200 --> 00:31:58,000
Speaker 1: and evil, you evil, a good person or not. It

453
00:31:58,040 --> 00:32:01,800
Speaker 1: ain't about no race, religion, and about none of that politics,

454
00:32:01,920 --> 00:32:05,120
Speaker 1: political politics, ship that they put in front of us.

455
00:32:05,840 --> 00:32:08,600
Speaker 1: You even real or you faith, you're even good or

456
00:32:08,640 --> 00:32:11,120
Speaker 1: you bad. That's the way that we're fighting in this

457
00:32:11,280 --> 00:32:14,600
Speaker 1: world today. So pick your side you even really you

458
00:32:14,720 --> 00:32:18,240
Speaker 1: fake a lot of fake niggas, a lot of real niggas.

459
00:32:18,520 --> 00:32:20,920
Speaker 1: You've a good at your bad, a lot of good motherfucker's,

460
00:32:21,160 --> 00:32:23,880
Speaker 1: a lot of bad motherfucker's. And that's what the war

461
00:32:24,000 --> 00:32:29,000
Speaker 1: is about, from our presidency to streets, top politics, top

462
00:32:29,080 --> 00:32:32,000
Speaker 1: brotherhood to everything. You've got a good cousin or a

463
00:32:32,080 --> 00:32:34,400
Speaker 1: good brother or a bad brother or fuck you brother,

464
00:32:34,680 --> 00:32:36,160
Speaker 1: Like you know what I'm saying, Like a lot of

465
00:32:36,240 --> 00:32:41,640
Speaker 1: people in our family, they might get it too, you

466
00:32:41,640 --> 00:32:46,080
Speaker 1: know what I'm saying, because like, can't nobody get you

467
00:32:47,120 --> 00:32:50,080
Speaker 1: except for a person that's coached you. A stranger can't

468
00:32:50,080 --> 00:32:55,080
Speaker 1: get you. A stranger gotta be his intel, gotta be

469
00:32:55,240 --> 00:32:59,640
Speaker 1: so precise to get to you. That is still personal.

470
00:33:00,440 --> 00:33:03,480
Speaker 1: Let me ask you a question right with because you

471
00:33:05,240 --> 00:33:08,960
Speaker 1: you like I know you from the hood, I know

472
00:33:09,080 --> 00:33:12,400
Speaker 1: you from you want me to follow you up for you?

473
00:33:12,440 --> 00:33:19,280
Speaker 1: All right? Cool? But now you're part of this Kanye

474
00:33:19,440 --> 00:33:24,880
Speaker 1: West record right again? No? No, no, because this record

475
00:33:24,960 --> 00:33:28,840
Speaker 1: is very controversy because it's the famous record because when

476
00:33:28,920 --> 00:33:32,920
Speaker 1: he did you know, the video with the nect people,

477
00:33:34,200 --> 00:33:38,120
Speaker 1: they fucking way he made him look good and nasty

478
00:33:38,240 --> 00:33:51,280
Speaker 1: motherfucker to get But what go back time funk everybody

479
00:33:51,600 --> 00:33:55,400
Speaker 1: what no, no, so, but and then now let's tell

480
00:33:55,480 --> 00:34:00,640
Speaker 1: us where controversy comes out and because it was you know,

481
00:34:00,880 --> 00:34:02,720
Speaker 1: let's just be honest, like I know you as a

482
00:34:02,760 --> 00:34:05,480
Speaker 1: hood nick like you're my nigger, but at the end

483
00:34:05,520 --> 00:34:09,640
Speaker 1: of the day, your wife is a very prominent Taylor Swift.

484
00:34:11,640 --> 00:34:16,239
Speaker 1: That's not my wife. No, not tell Swift, you know

485
00:34:16,280 --> 00:34:19,400
Speaker 1: what I'm saying. But I'm saying, like, how do you stand?

486
00:34:19,680 --> 00:34:23,920
Speaker 1: Like you heard the vocals where he was like, like

487
00:34:24,040 --> 00:34:28,120
Speaker 1: me and tell her. You know, I didn't really go

488
00:34:28,239 --> 00:34:31,279
Speaker 1: into this thing about any artists. You know, I went

489
00:34:31,320 --> 00:34:34,520
Speaker 1: and I went into this because I got an invite

490
00:34:34,520 --> 00:34:38,120
Speaker 1: from my brother ya. He wanted to be creative, and

491
00:34:38,680 --> 00:34:42,640
Speaker 1: we spent more than forty eight hours with no sleep

492
00:34:42,680 --> 00:34:45,959
Speaker 1: in the studio just doing everything that we felt was good.

493
00:34:47,040 --> 00:34:50,240
Speaker 1: And whatever he kept, I was good with it because

494
00:34:50,600 --> 00:34:52,720
Speaker 1: I know that we spent that time in that studio

495
00:34:53,120 --> 00:34:55,160
Speaker 1: and I even posted pictures of us sleeping on the

496
00:34:55,320 --> 00:34:57,680
Speaker 1: couch you know, for a couple of hours that we

497
00:34:57,760 --> 00:35:01,200
Speaker 1: did sleep at nine in the morning. You know, Um,

498
00:35:02,040 --> 00:35:04,759
Speaker 1: I respected every part of that craft, and you know,

499
00:35:04,800 --> 00:35:07,560
Speaker 1: I was happy to have fun with him because you know, yeah,

500
00:35:07,560 --> 00:35:10,080
Speaker 1: it's in the space where you know, are you really

501
00:35:10,160 --> 00:35:12,600
Speaker 1: there for for the fun or the fame, or the

502
00:35:12,760 --> 00:35:17,080
Speaker 1: fortune or the pain? You understand, I ain't never asked

503
00:35:17,120 --> 00:35:18,799
Speaker 1: that man from I don't even get it. I don't

504
00:35:18,840 --> 00:35:23,359
Speaker 1: even get easy for free. We gotta stop this right now.

505
00:35:23,480 --> 00:35:30,000
Speaker 1: We gotta stock in easy free. Let's make I paid

506
00:35:30,120 --> 00:35:35,800
Speaker 1: my son, my son. My son was really into this

507
00:35:35,960 --> 00:35:39,440
Speaker 1: fashion shop. I paid like a pair of sneakers. That

508
00:35:39,640 --> 00:35:42,440
Speaker 1: are we gotta stop this right now. I could violate

509
00:35:42,560 --> 00:35:44,719
Speaker 1: niggers like, don't make me get don't make me feel

510
00:35:44,760 --> 00:35:46,920
Speaker 1: funny about it. I was like, you know what, I'm

511
00:35:46,920 --> 00:35:50,600
Speaker 1: gonna support him. You got the rebox it too, Yeah,

512
00:35:50,719 --> 00:35:55,479
Speaker 1: Rebo it was a fan. We need some drunk box. Listen.

513
00:35:56,040 --> 00:35:59,440
Speaker 1: Everybody got to get their mind right. Reboke this that

514
00:35:59,600 --> 00:36:02,920
Speaker 1: and the you got about the culture? Are you not

515
00:36:03,080 --> 00:36:05,560
Speaker 1: about the culture? I don't care about no position, and

516
00:36:05,680 --> 00:36:10,600
Speaker 1: just that in the third, I'm not shotting nobody there,

517
00:36:10,640 --> 00:36:13,880
Speaker 1: and I ain't shotting over fires because I walked into building.

518
00:36:13,960 --> 00:36:17,040
Speaker 1: Will do that and you'll read about it. Understand. I'm

519
00:36:17,120 --> 00:36:19,560
Speaker 1: just saying, it is like that ball store. It is

520
00:36:19,640 --> 00:36:21,960
Speaker 1: what it is. You even with us for you now,

521
00:36:23,080 --> 00:36:28,359
Speaker 1: don't don't huh. That's my name names right there, that's

522
00:36:28,400 --> 00:36:32,960
Speaker 1: my name, my fence over. I haven't had a pair.

523
00:36:33,040 --> 00:36:34,960
Speaker 1: I don't even wore a pair of ninkers on my

524
00:36:35,080 --> 00:36:37,960
Speaker 1: feet in nine years. I don't even know what a

525
00:36:38,080 --> 00:36:42,080
Speaker 1: nikee feel like. But if Reebok is going to embrace

526
00:36:42,160 --> 00:36:47,120
Speaker 1: the culture, embrace the culture to this something a cam

527
00:36:47,280 --> 00:36:52,640
Speaker 1: right the pink, embrace the culture, embrace the culture all

528
00:36:52,719 --> 00:36:58,520
Speaker 1: the way. That's not no Chris. Whatever I say here,

529
00:36:58,560 --> 00:37:00,560
Speaker 1: I tell it to them too, in front of the boardroom,

530
00:37:01,080 --> 00:37:02,600
Speaker 1: in front of whoever they want to talk to you,

531
00:37:03,160 --> 00:37:07,120
Speaker 1: because I gave my all. I gave my all. I remember,

532
00:37:07,160 --> 00:37:10,120
Speaker 1: I couldn't mentor a person a pair of reebox it

533
00:37:10,719 --> 00:37:13,360
Speaker 1: them back to me. You had to be from New Orleans.

534
00:37:13,800 --> 00:37:16,200
Speaker 1: If you're from New Orleans, they'll love your we box.

535
00:37:18,480 --> 00:37:22,279
Speaker 1: You know what, you know? I think the reason why

536
00:37:22,360 --> 00:37:27,000
Speaker 1: you if you look at UFC, if you look at

537
00:37:27,040 --> 00:37:29,920
Speaker 1: the UFC right now, you see a Reboke in that ring,

538
00:37:31,560 --> 00:37:36,399
Speaker 1: the Swiss beats and a white Lorenzo Fatita signed that deal.

539
00:37:36,560 --> 00:37:39,000
Speaker 1: I brought that deal to the table to and I said,

540
00:37:39,280 --> 00:37:45,360
Speaker 1: I'm the reason why Reboke is in UFC every uniform.

541
00:37:45,440 --> 00:37:51,200
Speaker 1: I uniformed UFC. They was having Slim Jim and all

542
00:37:51,239 --> 00:37:54,799
Speaker 1: these brands on these uniforms list and you know football

543
00:37:54,880 --> 00:37:57,560
Speaker 1: and NBA don't do this. Let's come up the sport

544
00:37:58,920 --> 00:38:02,000
Speaker 1: brought reboke to the table. They was going to another brand.

545
00:38:03,400 --> 00:38:05,120
Speaker 1: Got the track. You got to tell you, Wilson train

546
00:38:06,400 --> 00:38:09,560
Speaker 1: shot up, shot up to all that right there. That

547
00:38:10,800 --> 00:38:12,799
Speaker 1: a special time. But you did wrap rad Off couple

548
00:38:12,800 --> 00:38:15,399
Speaker 1: of time, like I like wrap Radar. This is their

549
00:38:15,480 --> 00:38:18,240
Speaker 1: trading acts. This is no no I do like Elliott

550
00:38:18,239 --> 00:38:22,360
Speaker 1: Wilson have the content that we spoke about. This is

551
00:38:22,440 --> 00:38:34,640
Speaker 1: another type of five's toely different. You never I never

552
00:38:34,800 --> 00:38:40,560
Speaker 1: did this on TV. Never on the Chances by kid.

553
00:38:40,840 --> 00:38:54,200
Speaker 1: You talking out oh yeah ye the kids? How many

554
00:38:54,280 --> 00:38:58,440
Speaker 1: kids need this ship that we ain't the problems with

555
00:38:58,520 --> 00:39:08,520
Speaker 1: the kid. Welcome to play a new podcast network featuring

556
00:39:08,640 --> 00:39:13,080
Speaker 1: radio and TV personalities talking business, sports, tech, entertainment, and more.

557
00:39:13,440 --> 00:39:17,760
Speaker 1: Play it at play dot It. We're back to Drink

558
00:39:17,840 --> 00:39:25,000
Speaker 1: Chaps Radio with Rapper and R and d J. Then, so,

559
00:39:25,200 --> 00:39:29,400
Speaker 1: what was what was your most amazing session? Like, I

560
00:39:29,560 --> 00:39:34,160
Speaker 1: know you gotta have Michael Jackson stories, you gotta have Maria.

561
00:39:37,600 --> 00:39:46,200
Speaker 1: What's that that's big? You switch to that when we

562
00:39:46,280 --> 00:39:49,800
Speaker 1: without telling me that we all the question to we

563
00:39:51,719 --> 00:39:57,560
Speaker 1: just you ain't tell me that was y Let me know,

564
00:40:01,880 --> 00:40:04,360
Speaker 1: So what was your most amazing session where he was

565
00:40:04,440 --> 00:40:13,960
Speaker 1: like damn um this nigga, um chicot the ball, the

566
00:40:16,239 --> 00:40:19,440
Speaker 1: son then nigga he was on n R e O.

567
00:40:20,880 --> 00:40:23,840
Speaker 1: My most amazing session was and had ship to do

568
00:40:24,000 --> 00:40:29,520
Speaker 1: with me. It was Michael Jackson Sony Studios. He had

569
00:40:29,560 --> 00:40:34,920
Speaker 1: that motherfucker looking like Playland toys legos. I went to

570
00:40:35,080 --> 00:40:37,440
Speaker 1: the studio him and tell you around in there laughing

571
00:40:37,520 --> 00:40:46,520
Speaker 1: and uh's what's the producer? You know? Um Ronnie Jerkins.

572
00:40:47,680 --> 00:40:51,560
Speaker 1: I was about to say some ship say you can say, well,

573
00:40:51,640 --> 00:40:58,080
Speaker 1: don't don't. Don't say because people here, you know it

574
00:40:58,280 --> 00:41:01,240
Speaker 1: is what it is, This is running. They don't even notice.

575
00:41:02,480 --> 00:41:05,719
Speaker 1: But you know, New York City is our town. You

576
00:41:05,760 --> 00:41:07,800
Speaker 1: know a lot of people can play around with it,

577
00:41:07,920 --> 00:41:10,480
Speaker 1: but you ain't never heard nobody disrespect our family and

578
00:41:10,560 --> 00:41:15,000
Speaker 1: our town. Rough riders Who what, where? How? When? And

579
00:41:15,400 --> 00:41:17,160
Speaker 1: when you heard about it? We carried it out all

580
00:41:17,200 --> 00:41:22,600
Speaker 1: the way, uh blessing. So all unfortunates, right, But I

581
00:41:22,719 --> 00:41:24,560
Speaker 1: used to I had a rule that none of the

582
00:41:24,640 --> 00:41:29,200
Speaker 1: producers can get robbed. So Ronnie Jerkins would pull up

583
00:41:29,800 --> 00:41:32,440
Speaker 1: am injury. This one for real, this one. I had one,

584
00:41:32,880 --> 00:41:36,759
Speaker 1: And I used to see people like really planning on them,

585
00:41:37,239 --> 00:41:40,120
Speaker 1: and I like, if y'all, if y'all do that to him,

586
00:41:40,120 --> 00:41:42,840
Speaker 1: that's that's a validation. That means that's open season for me.

587
00:41:43,440 --> 00:41:45,960
Speaker 1: You might not be around me, Um, you might not

588
00:41:46,040 --> 00:41:48,400
Speaker 1: be around me all these different days. I might be

589
00:41:48,480 --> 00:41:51,600
Speaker 1: in another space and somebody might feel like the produces

590
00:41:51,640 --> 00:41:54,400
Speaker 1: an open season. I can't be a part of that,

591
00:41:55,160 --> 00:41:57,440
Speaker 1: you know what I'm saying. So my own fellow membership

592
00:41:58,239 --> 00:42:01,320
Speaker 1: convaluate those those traits. So if the producer came in,

593
00:42:01,800 --> 00:42:03,400
Speaker 1: I don't care what do he had on he was

594
00:42:03,480 --> 00:42:08,440
Speaker 1: protected by the law of um kind of what I created.

595
00:42:08,960 --> 00:42:11,360
Speaker 1: You're a lot of out of respect, you know, and

596
00:42:11,560 --> 00:42:16,200
Speaker 1: and and it's saved their lives. Like literally, like I'm

597
00:42:16,320 --> 00:42:20,719
Speaker 1: listening to people, I'm like, y'all can't do that to him.

598
00:42:22,520 --> 00:42:24,800
Speaker 1: That's like if I'm over here, they're gonna feel like

599
00:42:24,840 --> 00:42:29,000
Speaker 1: they could do that to me. Insane And they don't

600
00:42:29,040 --> 00:42:36,440
Speaker 1: even like those producers, they don't even know definitely, they

601
00:42:36,480 --> 00:42:39,840
Speaker 1: don't know. Trust me. It was the heights. It was

602
00:42:39,920 --> 00:42:43,480
Speaker 1: too easy. Your security not cut like that. You're not

603
00:42:43,640 --> 00:42:46,239
Speaker 1: cut like that, and your managers not cut like that.

604
00:42:47,520 --> 00:42:50,840
Speaker 1: That's whatever. Like it was, it was food, and I

605
00:42:50,880 --> 00:42:53,759
Speaker 1: wouldn't let nobody eat if the producers play you know

606
00:42:53,840 --> 00:42:57,480
Speaker 1: it was. I just wantn't letting nobody do that. Sweat Scott,

607
00:43:02,280 --> 00:43:06,600
Speaker 1: What do you love about the New School? Let let's

608
00:43:06,640 --> 00:43:09,960
Speaker 1: praise what's happening now? Well, I love about the New

609
00:43:10,040 --> 00:43:13,160
Speaker 1: School is that we can't relate to it. That's what

610
00:43:13,239 --> 00:43:17,239
Speaker 1: you love about You can't. You can't, That's what you

611
00:43:17,360 --> 00:43:19,520
Speaker 1: love about. I love that about that because because it's

612
00:43:19,920 --> 00:43:25,080
Speaker 1: me that we we But I'm sorry how many people

613
00:43:26,920 --> 00:43:30,520
Speaker 1: was comfortable in their ways couldn't relate to our Absolutely

614
00:43:30,600 --> 00:43:33,520
Speaker 1: at that particular time, they couldn't relate to it. They

615
00:43:33,560 --> 00:43:35,560
Speaker 1: can relate to them makes to can relate to hope.

616
00:43:35,840 --> 00:43:38,520
Speaker 1: They were stuck in their old ways. I love that

617
00:43:38,600 --> 00:43:40,440
Speaker 1: I can't relate to in it, And and it's a

618
00:43:40,560 --> 00:43:46,160
Speaker 1: constant reminder and builder of what we need to have

619
00:43:46,239 --> 00:43:49,440
Speaker 1: a little bit more patience with. We might not understand,

620
00:43:49,800 --> 00:43:52,239
Speaker 1: but the youth might understand. And at that time when

621
00:43:52,280 --> 00:43:55,680
Speaker 1: Nor was coming to youth understood that. And then the

622
00:43:55,800 --> 00:43:58,960
Speaker 1: o g s at that time their particular team couldn't

623
00:43:59,040 --> 00:44:02,160
Speaker 1: understand him. I remember when they couldn't understand me. I

624
00:44:02,239 --> 00:44:04,880
Speaker 1: did money cash hold. I slipped my hand across the keyboard.

625
00:44:05,239 --> 00:44:07,560
Speaker 1: They thought it was a sin. It turned up to

626
00:44:07,640 --> 00:44:12,560
Speaker 1: be a win. You understand the same thing man from TV,

627
00:44:12,640 --> 00:44:15,560
Speaker 1: the same money cast hole said that one time just

628
00:44:15,640 --> 00:44:21,560
Speaker 1: had to cross the creek across the crest board. They

629
00:44:21,600 --> 00:44:23,799
Speaker 1: didn't think I was win. They think they didn't think

630
00:44:23,840 --> 00:44:26,440
Speaker 1: I was win. They didn't think I would win. They

631
00:44:26,480 --> 00:44:28,480
Speaker 1: thought it was a sin because the ship was too

632
00:44:28,560 --> 00:44:47,040
Speaker 1: easy to begin. Think about that. Man, make me make

633
00:44:47,120 --> 00:44:57,520
Speaker 1: a beat out that was all Swiss. That was da

634
00:44:58,800 --> 00:45:06,040
Speaker 1: because so now, because this is what I said, I've

635
00:45:06,120 --> 00:45:09,160
Speaker 1: never been disappointed in hair hip hop, even when I'm

636
00:45:09,960 --> 00:45:12,200
Speaker 1: hip hop. That's a big statement. All right, let me

637
00:45:13,719 --> 00:45:18,600
Speaker 1: I've been. I've been. I've been. What you're saying, I

638
00:45:18,680 --> 00:45:22,400
Speaker 1: ain't never heard that very clear on what you mean.

639
00:45:22,480 --> 00:45:24,880
Speaker 1: You ain't never been disappointing in the hand hip hop. No.

640
00:45:25,200 --> 00:45:28,560
Speaker 1: If I said rap both, y'all, no no, no, no

641
00:45:29,200 --> 00:45:33,319
Speaker 1: wrap his hip hop hip hop rap two, you ain't

642
00:45:33,400 --> 00:45:36,279
Speaker 1: never been disappointed in hand rap. No, no, no, I've

643
00:45:36,320 --> 00:45:38,839
Speaker 1: been disappointed this hand wrapped a long time rap could

644
00:45:38,840 --> 00:45:42,279
Speaker 1: be bad hip hop, don't matter what I'm saying hip hop.

645
00:45:43,800 --> 00:45:47,200
Speaker 1: I think that hip hop can can continue to exist

646
00:45:48,239 --> 00:45:53,239
Speaker 1: as I think streaming lowered the playing failed. And that's

647
00:45:53,239 --> 00:45:54,960
Speaker 1: what you need to get into. Let's get into that,

648
00:45:55,200 --> 00:45:58,960
Speaker 1: because into that, what I'm trying to say is it's streaming.

649
00:45:59,040 --> 00:46:03,440
Speaker 1: Let's moves whatever whoever you are. But as long as

650
00:46:03,480 --> 00:46:08,279
Speaker 1: you promote when you're streaming ship you could level the

651
00:46:08,400 --> 00:46:12,960
Speaker 1: playing field. Whoever who asked people who are spending millions

652
00:46:13,000 --> 00:46:16,320
Speaker 1: of dollars and these promotional dollars, Oh no, I'm my

653
00:46:16,440 --> 00:46:20,560
Speaker 1: budget now, um, and it's changing now. You know what.

654
00:46:20,760 --> 00:46:25,360
Speaker 1: The reason why I like streaming is because the streamers

655
00:46:25,400 --> 00:46:28,440
Speaker 1: are getting their props. You know, they may not have

656
00:46:29,760 --> 00:46:33,480
Speaker 1: the hundreds and thousands in the first week, but the

657
00:46:33,560 --> 00:46:38,640
Speaker 1: streaming accounts for those different votes that that wouldn't be

658
00:46:38,680 --> 00:46:41,840
Speaker 1: accounted for. So it's like, you know what, if you're independent,

659
00:46:43,719 --> 00:46:48,240
Speaker 1: excuse me, in your in your streaming, in your digital

660
00:46:48,760 --> 00:46:51,759
Speaker 1: component is connected, you're winning it. You know, if you

661
00:46:51,840 --> 00:46:55,279
Speaker 1: look at if you look at Drake and all of

662
00:46:55,360 --> 00:46:58,839
Speaker 1: the batteries that he broke this year, it wasn't really

663
00:46:58,920 --> 00:47:06,520
Speaker 1: based on physical It's like, let's talk about physical existing. Now,

664
00:47:06,680 --> 00:47:09,800
Speaker 1: what was the never fancy video? Oh, there was a

665
00:47:09,880 --> 00:47:14,040
Speaker 1: fancy video I shot that we shot that. I was

666
00:47:14,080 --> 00:47:17,880
Speaker 1: in that. Um, the reason why I wasn't approved is unknown.

667
00:47:18,480 --> 00:47:20,080
Speaker 1: Let me keep my hands on it. I will leave it.

668
00:47:21,080 --> 00:47:23,600
Speaker 1: It was fun. We had a good time. The same

669
00:47:23,640 --> 00:47:27,919
Speaker 1: thing was t I swing your rags. I know, because

670
00:47:27,960 --> 00:47:30,279
Speaker 1: Gucci didn't when we had swinging Gucci right, they were

671
00:47:30,360 --> 00:47:32,399
Speaker 1: they want to play all them rags in that video

672
00:47:34,200 --> 00:47:40,160
Speaker 1: saying like I got stories whever, let's go. I'm here

673
00:47:40,200 --> 00:47:43,520
Speaker 1: to talk. That talk and you and Drake you never

674
00:47:43,560 --> 00:47:47,120
Speaker 1: really worked together since then? Right, Um, we worked together

675
00:47:47,160 --> 00:47:50,279
Speaker 1: on my on my wife's album. You know, I think, uh,

676
00:47:50,640 --> 00:47:53,759
Speaker 1: Drake is a creative guy. I'm gonna just leave that

677
00:47:53,880 --> 00:47:58,120
Speaker 1: at that because you don't want me to go. I mean,

678
00:47:58,640 --> 00:48:00,759
Speaker 1: we're here to talk. But it got a little word.

679
00:48:01,000 --> 00:48:06,040
Speaker 1: I'm sorry. No, no, I'm not. I'm not a weird guy. Me.

680
00:48:08,360 --> 00:48:12,000
Speaker 1: Both of you guys have been weird. Right now. I

681
00:48:12,239 --> 00:48:18,640
Speaker 1: agree that alight, you know what you know what you

682
00:48:18,719 --> 00:48:23,320
Speaker 1: know what you know what you know. Let's talk, Swiss.

683
00:48:24,160 --> 00:48:26,239
Speaker 1: Nobody listening to us anywhere. I think, like you know,

684
00:48:26,560 --> 00:48:30,239
Speaker 1: there's no rules to fame, there's no rules to that

685
00:48:30,920 --> 00:48:32,960
Speaker 1: when you came in this game, anybody that you know

686
00:48:33,040 --> 00:48:35,520
Speaker 1: that's famous, let me know the guy that they had

687
00:48:35,560 --> 00:48:39,440
Speaker 1: to lead into it. You understand, especially coming from the streets,

688
00:48:39,840 --> 00:48:42,239
Speaker 1: were coming from the streets. We don't even know we

689
00:48:42,360 --> 00:48:47,280
Speaker 1: could be amongst the names of famous. W was nameless.

690
00:48:48,360 --> 00:48:52,239
Speaker 1: You understand, people look past us. Ain't nobody look at us?

691
00:48:52,360 --> 00:48:54,640
Speaker 1: And nobody look at and O, and nobody look at

692
00:48:54,680 --> 00:48:57,520
Speaker 1: nobody in this room. Or better yet, any artist that's

693
00:48:57,520 --> 00:48:59,640
Speaker 1: playing on this radio that came from the bottom and

694
00:48:59,719 --> 00:49:04,799
Speaker 1: to something you understand. So you know, when I look

695
00:49:04,840 --> 00:49:07,279
Speaker 1: at different things, I have to gauge it on a

696
00:49:07,360 --> 00:49:10,200
Speaker 1: different level, and I have to gauge on where we

697
00:49:10,320 --> 00:49:14,520
Speaker 1: come from. Drake, body has disappointed you that he wanted

698
00:49:14,520 --> 00:49:19,359
Speaker 1: to say something. You just Drake come from a different Uh.

699
00:49:19,560 --> 00:49:22,680
Speaker 1: He come from a different lineage of where we come from.

700
00:49:23,560 --> 00:49:26,560
Speaker 1: This is a person that is our biggest fan turned

701
00:49:26,600 --> 00:49:33,400
Speaker 1: into his biggest man. Came from our biggest fan, turned

702
00:49:33,440 --> 00:49:37,200
Speaker 1: into his biggest man. He know about more about us

703
00:49:37,280 --> 00:49:41,560
Speaker 1: than we know about us because he's just tapped into

704
00:49:41,640 --> 00:49:45,400
Speaker 1: that different He just tapped into a different zone and

705
00:49:45,440 --> 00:49:48,480
Speaker 1: then he figured out how to make great music. You know, Um,

706
00:49:51,040 --> 00:49:53,560
Speaker 1: I just I'm not even like, for real, I don't

707
00:49:53,560 --> 00:49:55,800
Speaker 1: even want to play with these people because when of

708
00:49:55,880 --> 00:49:57,879
Speaker 1: the man's want to jump out of the line, I'm

709
00:49:58,280 --> 00:50:02,200
Speaker 1: you know, I just respect all the blessings that came

710
00:50:02,280 --> 00:50:06,000
Speaker 1: to a person from from being creative. Mr North through

711
00:50:06,040 --> 00:50:13,319
Speaker 1: that goddamnit pissed with a Nike off. It's private play.

712
00:50:15,840 --> 00:50:18,480
Speaker 1: Come on, are we taking the guy? Feel like we're

713
00:50:18,480 --> 00:50:25,640
Speaker 1: taking a shot? Are you want to shut up shot that? Yeah?

714
00:50:26,440 --> 00:50:32,080
Speaker 1: My glass has been on that, my friend, I really

715
00:50:32,200 --> 00:50:35,720
Speaker 1: say that ship. I'm not even scared of these niggas

716
00:50:35,800 --> 00:50:38,560
Speaker 1: like that. Like to be honest, how don't they want

717
00:50:38,600 --> 00:50:40,680
Speaker 1: to cut the cake? It's not birthday? Every day is

718
00:50:40,719 --> 00:50:43,760
Speaker 1: your birthday. Every day is your birthday. Every days your birthday.

719
00:50:43,760 --> 00:50:46,640
Speaker 1: When you wake up, Chance, when you wake up New

720
00:50:46,760 --> 00:50:50,200
Speaker 1: Year's Eve birthday and New Ye's evil drinke Chance, every

721
00:50:50,280 --> 00:50:54,680
Speaker 1: every night you died in your God, when God woke

722
00:50:55,000 --> 00:50:59,160
Speaker 1: with whoever you believe you gotta go to woke you

723
00:50:59,280 --> 00:51:03,880
Speaker 1: up that morning, it's your blessing, that's your new start.

724
00:51:04,760 --> 00:51:07,600
Speaker 1: The fact that you're breathing and seeing light as a plus.

725
00:51:08,160 --> 00:51:14,040
Speaker 1: Who's that bathroom back there? I come on, Swiss, don't

726
00:51:14,040 --> 00:51:15,960
Speaker 1: worry about it. They never didn't never pick up on

727
00:51:16,040 --> 00:51:19,719
Speaker 1: the mic anyway. Yeah, No, I hearing everything right, I'm

728
00:51:19,719 --> 00:51:23,320
Speaker 1: gonna keep it. Oh you fluting on the show. Definitely

729
00:51:24,360 --> 00:51:26,920
Speaker 1: hearing things down here. I'm tuning the fun. Don't hear everything.

730
00:51:27,200 --> 00:51:31,560
Speaker 1: That's something now. I'm here for us, Here for us.

731
00:51:31,719 --> 00:51:36,680
Speaker 1: It's DMX and jay z bat. Yeah. This happen back

732
00:51:36,880 --> 00:51:40,759
Speaker 1: like just now we're getting to that you were there, No,

733
00:51:40,960 --> 00:51:45,279
Speaker 1: I wasn't. Okay, I was late, right, I've been late

734
00:51:45,600 --> 00:51:48,359
Speaker 1: because he was late today. Slap. They called me suss

735
00:51:48,400 --> 00:51:50,960
Speaker 1: Beast demonsica, and I never slept. So that's how I

736
00:51:51,000 --> 00:51:55,719
Speaker 1: got them. You were late today, but I was later?

737
00:51:58,760 --> 00:52:00,839
Speaker 1: What time I got you? Here? The you gotta get

738
00:52:00,920 --> 00:52:04,440
Speaker 1: like forty five minutes later? Thirty? What time did I get?

739
00:52:04,600 --> 00:52:11,520
Speaker 1: Supposed to? Nine? Nine lates? What time did I get

740
00:52:12,719 --> 00:52:20,040
Speaker 1: and a half? It's like, motherfucker, Okay, so got a

741
00:52:20,080 --> 00:52:23,360
Speaker 1: show because he got a dance. You want him to

742
00:52:23,440 --> 00:52:32,319
Speaker 1: dance coming out later? One second. Let me tell you something.

743
00:52:33,000 --> 00:52:37,319
Speaker 1: I've been in meetings globally with a lot of people

744
00:52:37,320 --> 00:52:41,040
Speaker 1: don't know my position at this brand that we're drinking um.

745
00:52:41,239 --> 00:52:42,920
Speaker 1: They don't know where it comes from, they don't know

746
00:52:42,960 --> 00:52:46,480
Speaker 1: how it happened. I never even talked about it. I'm

747
00:52:46,520 --> 00:52:52,480
Speaker 1: in control of three hundred brands that people drink from

748
00:52:52,560 --> 00:53:00,600
Speaker 1: bay ship. You do say it's I said, I can't

749
00:53:00,600 --> 00:53:05,879
Speaker 1: start WITHCARDI great goose, BRICCARDI ate all of the bricartis?

750
00:53:08,239 --> 00:53:10,319
Speaker 1: Can I get in on half of all of this ship?

751
00:53:11,320 --> 00:53:19,640
Speaker 1: And I flew from Kyland, New y'all stop cupping Dubai,

752
00:53:22,040 --> 00:53:28,360
Speaker 1: New y'all stop cuping in Texas, up in Atlanta, Miami

753
00:53:28,880 --> 00:53:35,960
Speaker 1: didn't help anything. Those are all of that land landon

754
00:53:36,040 --> 00:53:49,359
Speaker 1: Miami and being a meeting night. Let's make the I'm

755
00:53:49,400 --> 00:53:51,560
Speaker 1: not gonna lie. I'm trying to get all these bottles.

756
00:53:51,600 --> 00:53:55,640
Speaker 1: Bacardi on the table with a chick'll be so happy.

757
00:53:55,760 --> 00:53:58,960
Speaker 1: I'm not gonna lie my passport, like if my passport

758
00:53:59,000 --> 00:54:02,400
Speaker 1: stepped up. Then he said, like more custom pass What

759
00:54:02,560 --> 00:54:07,200
Speaker 1: you said, it's over my passport? You really been an

760
00:54:07,239 --> 00:54:10,839
Speaker 1: old these many countries. Listen, go back to what he said.

761
00:54:11,040 --> 00:54:21,600
Speaker 1: Bacardi on the table. All Bacardi said, card you know

762
00:54:24,760 --> 00:54:27,960
Speaker 1: sex I was posting, you know puff hit me right,

763
00:54:28,040 --> 00:54:31,000
Speaker 1: That's that's my old g The reason why I started

764
00:54:31,040 --> 00:54:34,880
Speaker 1: as because of Puff, the reason why you got showtime

765
00:54:35,000 --> 00:54:39,320
Speaker 1: got damnage. All those hypes came from Puff from Daddy.

766
00:54:40,600 --> 00:54:44,360
Speaker 1: I didn't know about that ship until Puff Daddy. Just

767
00:54:44,560 --> 00:54:48,160
Speaker 1: from my niggers though special delivery. God, yeah, I like

768
00:54:48,480 --> 00:54:55,279
Speaker 1: and gentlemen, that's Puff Daddy factual TV hit build it

769
00:54:58,080 --> 00:55:04,279
Speaker 1: on TV. Puff hit me and was like Swiss, God

770
00:55:04,480 --> 00:55:08,320
Speaker 1: damn it. Whoa do you really like Great Goose like that?

771
00:55:09,200 --> 00:55:11,520
Speaker 1: I said, it's under the arm. Brother, I run three

772
00:55:11,600 --> 00:55:14,160
Speaker 1: hundred of the brands. He said, get your money, nigga,

773
00:55:15,680 --> 00:55:19,319
Speaker 1: I said, as I will. I said, but we're going

774
00:55:19,480 --> 00:55:23,680
Speaker 1: with rum I'm Cardi eight. And the fact that like

775
00:55:24,120 --> 00:55:26,879
Speaker 1: he didn't downplay me, He didn't diss me, He didn't

776
00:55:26,920 --> 00:55:31,040
Speaker 1: even put me in like a compromising situation. He didn't.

777
00:55:31,080 --> 00:55:34,240
Speaker 1: He just didn't know that we owned all those different

778
00:55:34,280 --> 00:55:37,719
Speaker 1: particular brands. So he he was like, you know, uh,

779
00:55:39,160 --> 00:55:42,680
Speaker 1: I'm SI Rock. What are you talking about? Great Goole?

780
00:55:42,880 --> 00:55:47,040
Speaker 1: You like Great Goose like that? You sleep in my house?

781
00:55:47,800 --> 00:55:52,400
Speaker 1: Oh my brother, this is not personal. This is business.

782
00:55:53,000 --> 00:55:55,759
Speaker 1: And he said, get your money. That's that's that's a

783
00:55:55,880 --> 00:56:00,960
Speaker 1: real hustler to another hustle, because we have to encourage

784
00:56:01,000 --> 00:56:03,120
Speaker 1: each other to go to the next level. I would

785
00:56:03,200 --> 00:56:08,920
Speaker 1: never talk down to Paccardi about I drink rock right now,

786
00:56:09,040 --> 00:56:14,920
Speaker 1: Let's do it. Let's go because like like like you

787
00:56:15,000 --> 00:56:29,640
Speaker 1: know what, we all no you sprocket surround that guy

788
00:56:29,840 --> 00:56:33,719
Speaker 1: him and your ball. They do math pull up. That

789
00:56:34,040 --> 00:56:37,920
Speaker 1: is the bomb. Rock is My banders rock is, and

790
00:56:38,040 --> 00:56:41,440
Speaker 1: I'm so boss to drink. I'm not firing me. Let's

791
00:56:41,480 --> 00:56:47,200
Speaker 1: go find me whatever. You know, we can't fir switchccarti

792
00:56:47,320 --> 00:56:50,160
Speaker 1: fired me. I'm drinking sack. Do what you want to do?

793
00:56:50,640 --> 00:56:53,080
Speaker 1: You really want to do it for the coach. We

794
00:56:53,160 --> 00:56:56,279
Speaker 1: don't go against down. You know what I'm saying. I

795
00:56:56,400 --> 00:56:59,080
Speaker 1: have puff with a mccarti eight bottle in his hand.

796
00:56:59,800 --> 00:57:03,880
Speaker 1: Do us bands the puffy now? Because you know what,

797
00:57:04,440 --> 00:57:06,800
Speaker 1: there's no big eyes, a little you. A lot of

798
00:57:06,880 --> 00:57:09,880
Speaker 1: people want to put us against each other, but we

799
00:57:10,120 --> 00:57:13,040
Speaker 1: all when you talk about music, we all under that

800
00:57:13,200 --> 00:57:19,040
Speaker 1: category high, a little low wrap. Nori is under the

801
00:57:19,160 --> 00:57:23,520
Speaker 1: same umbrella. It's hove. Hove is under the same umbrella.

802
00:57:23,960 --> 00:57:26,560
Speaker 1: Is a little Boots. Whether you like it or not

803
00:57:27,440 --> 00:57:30,960
Speaker 1: or whoever, we all fall under these genres of music.

804
00:57:31,280 --> 00:57:35,200
Speaker 1: Nobody like the way that we think that they separated, separated.

805
00:57:35,400 --> 00:57:39,280
Speaker 1: They don't. They're gonna put Nellie with whoever is out

806
00:57:39,360 --> 00:57:43,320
Speaker 1: right now, because it's mainstream in the last form that

807
00:57:43,440 --> 00:57:46,800
Speaker 1: they that they understood. That's why they can go out

808
00:57:47,280 --> 00:57:51,600
Speaker 1: to uh Fashion Week literally this week and perform and

809
00:57:51,840 --> 00:57:57,280
Speaker 1: to be a smash head, smash hit Nellie Bang fashion Week,

810
00:57:57,360 --> 00:58:03,040
Speaker 1: Paris Nellie Drake, right now, did you see that? I

811
00:58:03,120 --> 00:58:07,200
Speaker 1: didn't see that? Yeah, something easy, Drake, right now, I'm

812
00:58:07,240 --> 00:58:10,400
Speaker 1: the one to see that. You know. He's like, all right,

813
00:58:10,560 --> 00:58:20,560
Speaker 1: you drink right now, Drake, Drake, you know, oh, you

814
00:58:20,560 --> 00:58:30,960
Speaker 1: don't need to take a sign. You're going? Is that

815
00:58:31,120 --> 00:58:35,320
Speaker 1: pep and the cup? Is that? Come on? Bro bad?

816
00:58:35,440 --> 00:58:38,240
Speaker 1: Was the rocket? Max's good? I like that one? This

817
00:58:38,400 --> 00:58:42,400
Speaker 1: is where I go. I like that one. Brother Sack

818
00:58:42,520 --> 00:59:07,840
Speaker 1: mccardi at ya, don't make it. That's the next week.

819
00:59:07,960 --> 00:59:09,760
Speaker 1: Could I have to tell you the story? You know,

820
00:59:10,600 --> 00:59:14,520
Speaker 1: the realist? Give me the realist? What the question? Your body?

821
00:59:14,680 --> 00:59:19,960
Speaker 1: Him and his friends shared the condor this guy. First

822
00:59:20,000 --> 00:59:23,360
Speaker 1: of all, I wasn't my friend. I love one number one.

823
00:59:23,720 --> 00:59:27,560
Speaker 1: You didn't feel me way to funk. I was about

824
00:59:27,560 --> 00:59:30,160
Speaker 1: to give me the ship, to give you the real ship. Ever,

825
00:59:30,720 --> 00:59:39,280
Speaker 1: you came with a drunk fact happened you? Really? That's

826
00:59:39,320 --> 00:59:42,600
Speaker 1: like you know what, you know what you live? One

827
00:59:42,640 --> 00:59:54,120
Speaker 1: time at least she was half way protective. You want

828
00:59:54,120 --> 00:59:56,280
Speaker 1: to get down because we didn't get off the puff episode.

829
00:59:56,320 --> 01:00:02,240
Speaker 1: That's what these niggas and ship in things. We gotta

830
01:00:02,360 --> 01:00:06,720
Speaker 1: have the public episode. But the episode hold up, they're

831
01:00:06,720 --> 01:00:11,600
Speaker 1: gonna held me. No, no, no, we're just playing because

832
01:00:11,680 --> 01:00:15,600
Speaker 1: I'm just saying you just play. You say something, bro,

833
01:00:15,760 --> 01:00:21,800
Speaker 1: I haven't come at you play something. No, no, come

834
01:00:21,840 --> 01:00:27,440
Speaker 1: at me. I'm the guest. Let's tell you something I

835
01:00:27,480 --> 01:00:29,800
Speaker 1: asked me to really ship? You want to fucking no

836
01:00:29,960 --> 01:00:37,400
Speaker 1: to you're talking about whoever? Whatever? It's hope, everybody's fool.

837
01:00:40,000 --> 01:00:44,080
Speaker 1: I'll be going for not a new who you want

838
01:00:44,120 --> 01:00:46,520
Speaker 1: to do? Who? What? Wind? Talk to me about? Whatever

839
01:00:46,560 --> 01:00:49,800
Speaker 1: you want to tell you whoever whatever, I'm gonna let's

840
01:00:49,840 --> 01:00:55,320
Speaker 1: go producer ship No producing producers is pussy let what

841
01:00:55,720 --> 01:00:58,600
Speaker 1: Obviously you know there's things that we don't know what

842
01:00:58,720 --> 01:01:01,960
Speaker 1: to ask you please tell us what to ask me?

843
01:01:02,400 --> 01:01:06,560
Speaker 1: You tell us something? Um, obviously you know because you

844
01:01:06,640 --> 01:01:09,200
Speaker 1: know there's a lot left on the table. You know

845
01:01:09,480 --> 01:01:11,320
Speaker 1: I can't tell you what to ask of me that

846
01:01:13,200 --> 01:01:17,720
Speaker 1: I'm doing. Producer. Hasn't it sounds gonna have something that's

847
01:01:17,760 --> 01:01:24,040
Speaker 1: our producer wright production now. But the producer thing is easy.

848
01:01:25,440 --> 01:01:28,960
Speaker 1: That's you know we we didn't. We didn't. If I

849
01:01:29,080 --> 01:01:32,480
Speaker 1: recap on what we did, we didn't shed light on

850
01:01:32,480 --> 01:01:36,440
Speaker 1: a lot of different things. Now let's get into like, um,

851
01:01:37,520 --> 01:01:41,600
Speaker 1: personal life things. You want to, go ahead, I'm gonna

852
01:01:41,600 --> 01:01:44,600
Speaker 1: respect you. The first thing I a'most say is that

853
01:01:45,560 --> 01:01:50,520
Speaker 1: I've seen and like New Year's Eve, you had your

854
01:01:50,560 --> 01:01:54,320
Speaker 1: ex wife and new wife. Absolutely get the end the crib,

855
01:01:55,120 --> 01:02:02,160
Speaker 1: the big statue with the cat, the cause that that

856
01:02:02,400 --> 01:02:05,880
Speaker 1: that's hard. You had your ex wife. Yeah, yeah, that

857
01:02:05,960 --> 01:02:09,560
Speaker 1: means that good relationships there. No, I can't do that.

858
01:02:09,760 --> 01:02:18,760
Speaker 1: But it wasn't it's not people. It's really good and

859
01:02:18,920 --> 01:02:22,120
Speaker 1: she could talked to my ex wife. But you know

860
01:02:22,560 --> 01:02:26,160
Speaker 1: both me your ex wife is like sucking people on TV.

861
01:02:28,120 --> 01:02:33,440
Speaker 1: My ex wife, my wife, both beautiful people, but they

862
01:02:33,520 --> 01:02:36,640
Speaker 1: just wasn't on TV. And you are like, you know

863
01:02:36,640 --> 01:02:39,920
Speaker 1: what I got at the end of the day, we

864
01:02:40,040 --> 01:02:44,480
Speaker 1: got on my marriage currently in my ex marriage. Um,

865
01:02:45,280 --> 01:02:47,760
Speaker 1: me and my ex wife, we were young when we

866
01:02:47,880 --> 01:02:50,600
Speaker 1: was dealing what we was dealing with. I went there,

867
01:02:50,680 --> 01:02:53,600
Speaker 1: where do you remember? Yes, I do. He said that

868
01:02:53,720 --> 01:02:56,560
Speaker 1: I was late as a month. I remember there. You

869
01:02:56,600 --> 01:02:59,600
Speaker 1: know what I'm saying. And I was smoking years ago,

870
01:03:04,520 --> 01:03:11,400
Speaker 1: spoken years ago. To go for it, keep going now,

871
01:03:11,520 --> 01:03:19,280
Speaker 1: to understand the language people. People could plot and plan,

872
01:03:20,080 --> 01:03:26,960
Speaker 1: but people could ply with right, I'm sorry, sorry about that.

873
01:03:28,800 --> 01:03:30,720
Speaker 1: People could plyt and plan. But God is the best

874
01:03:30,800 --> 01:03:37,240
Speaker 1: of planets, allows the best of planets. Right, And you

875
01:03:37,400 --> 01:03:41,320
Speaker 1: act not sorry to cut you off. Are you active Muslim? No,

876
01:03:41,480 --> 01:03:45,080
Speaker 1: I'm not. But I believe in the most high I

877
01:03:45,200 --> 01:03:48,440
Speaker 1: believe in multiple religions. I believe in the things that

878
01:03:48,560 --> 01:03:52,280
Speaker 1: relate to me. I'm just saying Muslim things. So yeah,

879
01:03:53,560 --> 01:03:56,760
Speaker 1: I go on on and off a couple of times,

880
01:03:57,560 --> 01:04:00,440
Speaker 1: just because it's just my grandfather. I I grew up

881
01:04:00,480 --> 01:04:03,800
Speaker 1: in Oh that's right. My name is kind of seemed out,

882
01:04:03,840 --> 01:04:07,560
Speaker 1: which I'm see, like have a fool or some name, right, Um,

883
01:04:08,960 --> 01:04:11,200
Speaker 1: I went to with some school I speak to with

884
01:04:11,320 --> 01:04:14,520
Speaker 1: some language. That's that's what I grew with. None of

885
01:04:14,560 --> 01:04:17,200
Speaker 1: my uncle's smoke or drink. To this date today in

886
01:04:17,280 --> 01:04:23,560
Speaker 1: two seventeen watching, none of them ever had an They

887
01:04:23,680 --> 01:04:27,400
Speaker 1: never did. No, we never The thing that made rough

888
01:04:27,520 --> 01:04:30,760
Speaker 1: Rider strong was did you hear this? They never drink,

889
01:04:30,920 --> 01:04:34,960
Speaker 1: they never smoked, and they never messed with women. You know,

890
01:04:35,000 --> 01:04:38,240
Speaker 1: I'm saying nobody ever, you know, So a female couldn't

891
01:04:38,280 --> 01:04:41,640
Speaker 1: interject into the system. Drugs couldn't interject in the system.

892
01:04:42,200 --> 01:04:47,040
Speaker 1: Protocols couldn't introject. Said, it was real protocol then, and

893
01:04:47,560 --> 01:04:52,120
Speaker 1: I'm I'm bred from that. I started drinking smoking at

894
01:04:52,240 --> 01:04:57,960
Speaker 1: thirty later in life and saying I'm thirty eight right now.

895
01:04:58,040 --> 01:05:03,280
Speaker 1: I had to think that lying all the type of ages, right,

896
01:05:03,760 --> 01:05:06,960
Speaker 1: I'm thirty eight right now, and I don't even drinking

897
01:05:06,960 --> 01:05:09,200
Speaker 1: and smoker for eight years because it was a violation.

898
01:05:10,880 --> 01:05:14,520
Speaker 1: What made you start drinking and smoking? Um? When I

899
01:05:14,560 --> 01:05:16,400
Speaker 1: say drinking and smoking, I don't I don't mean like

900
01:05:16,600 --> 01:05:18,240
Speaker 1: I have to have it. I don't know, but what

901
01:05:18,440 --> 01:05:20,760
Speaker 1: I just felt it. You know what, at the end

902
01:05:20,800 --> 01:05:24,880
Speaker 1: of the day, I just wanted to be rebellious, you know, understanding,

903
01:05:25,760 --> 01:05:27,840
Speaker 1: I mean, I'm just I'm just saying because I was

904
01:05:27,960 --> 01:05:31,280
Speaker 1: trapped and all of the ages, my twenties and my

905
01:05:31,400 --> 01:05:34,680
Speaker 1: teens before that, I was trapped into this thing that

906
01:05:34,840 --> 01:05:37,920
Speaker 1: was very militant. Understand So when I had my freedom

907
01:05:37,960 --> 01:05:39,959
Speaker 1: and I had my money, and I had a little

908
01:05:39,960 --> 01:05:41,520
Speaker 1: bit of fame, like I do what I want, I

909
01:05:41,600 --> 01:05:44,400
Speaker 1: wanted to be grown. So I smoked a little weed,

910
01:05:44,480 --> 01:05:46,880
Speaker 1: I smoked a cigar, I drink a little drink, and

911
01:05:47,280 --> 01:05:51,760
Speaker 1: I literally, uh started that life at thirty, understand And

912
01:05:53,040 --> 01:05:55,360
Speaker 1: you know, uh, I can't say it was the best

913
01:05:55,440 --> 01:05:58,360
Speaker 1: decision that I made. I can't say it was the

914
01:05:58,400 --> 01:06:01,520
Speaker 1: worst test. It is like, you gotta do what the

915
01:06:01,600 --> 01:06:04,640
Speaker 1: funk you want to do and live your life. I

916
01:06:04,680 --> 01:06:08,800
Speaker 1: don't like, I've never been like a scared person. I

917
01:06:08,840 --> 01:06:12,000
Speaker 1: could have been dead ten times. You understand that I've

918
01:06:12,000 --> 01:06:14,200
Speaker 1: been shot at a bunch of times. I've been in

919
01:06:14,240 --> 01:06:17,800
Speaker 1: situations a bunch of times, you know. But one thing

920
01:06:17,920 --> 01:06:20,920
Speaker 1: that I knew was honor and protocol. And I know

921
01:06:21,040 --> 01:06:23,560
Speaker 1: that a lot of people in this industry that we

922
01:06:23,680 --> 01:06:27,160
Speaker 1: come from, they don't know the basics. They don't know

923
01:06:27,600 --> 01:06:30,400
Speaker 1: they're on the math, they don't know the knowledge, so

924
01:06:30,960 --> 01:06:35,320
Speaker 1: they do different things. That's like temperamental, right. They don't

925
01:06:35,320 --> 01:06:41,000
Speaker 1: do different things that represent the culture or themselves or

926
01:06:41,040 --> 01:06:43,919
Speaker 1: their families. You know, you look at how many rats

927
01:06:43,960 --> 01:06:47,000
Speaker 1: that we got today. Ain't never been an extermination plan

928
01:06:47,120 --> 01:06:51,560
Speaker 1: like we need today. You understand, back then, you knew

929
01:06:51,560 --> 01:06:55,040
Speaker 1: what you're doing and you knew what not to do. Nowadays,

930
01:06:55,480 --> 01:06:58,360
Speaker 1: people don't even know what not to do. And you

931
01:06:58,440 --> 01:07:00,600
Speaker 1: know what I said, You know what, I can't even

932
01:07:00,640 --> 01:07:03,720
Speaker 1: blame him because they had a knowledge, but an influence

933
01:07:04,040 --> 01:07:06,520
Speaker 1: for the team of the structure that we had for

934
01:07:06,600 --> 01:07:12,480
Speaker 1: that guidance. So they lost they lost ones. Understand we

935
01:07:12,680 --> 01:07:17,440
Speaker 1: wasn't lost ones. You know, we came up with protocol, obedience, discipline,

936
01:07:17,800 --> 01:07:22,280
Speaker 1: repercussions and different things that went against that violation. So

937
01:07:22,480 --> 01:07:26,800
Speaker 1: let me ask yourself before you good about I'm not

938
01:07:26,880 --> 01:07:33,959
Speaker 1: going nowhere to right my book in this motifire because

939
01:07:34,000 --> 01:07:38,080
Speaker 1: there was two different raws. Right when you say we

940
01:07:38,600 --> 01:07:43,080
Speaker 1: speak about when we speak about Jay Leave spe about acts, Right,

941
01:07:43,680 --> 01:07:47,040
Speaker 1: there's two different conversations exactly this this is what I'm

942
01:07:47,080 --> 01:07:55,120
Speaker 1: trying to say, and then we speak about X. That

943
01:07:55,280 --> 01:07:59,360
Speaker 1: was a certain that that was a certain that was

944
01:08:00,000 --> 01:08:06,440
Speaker 1: either behind or before what? What? What? What did you visualize?

945
01:08:07,040 --> 01:08:11,520
Speaker 1: What the average that was? That you know, X put

946
01:08:11,600 --> 01:08:18,160
Speaker 1: his drug habits, his hard times, his inconvenience to life,

947
01:08:19,800 --> 01:08:23,519
Speaker 1: its um it's unchosen parts of life on its on

948
01:08:23,640 --> 01:08:28,120
Speaker 1: its front sleeve, and they'll disrespect the whole. I'm working

949
01:08:28,160 --> 01:08:30,920
Speaker 1: on him on his music right now. But he put

950
01:08:30,960 --> 01:08:35,519
Speaker 1: all those things under the mansion, executing the sleeve, which

951
01:08:35,600 --> 01:08:38,120
Speaker 1: is the reason why Extra pray with people on their

952
01:08:38,200 --> 01:08:43,760
Speaker 1: stage blood cripts, bloods, gang bangers, drug dealers, whoever you

953
01:08:43,920 --> 01:08:47,679
Speaker 1: named it, their crown on stage for X. It's hard

954
01:08:47,760 --> 01:08:51,519
Speaker 1: to follow with X with can I get a or whatever?

955
01:08:51,600 --> 01:08:56,639
Speaker 1: These songs were understand. So that's why that uh task

956
01:08:56,680 --> 01:09:00,200
Speaker 1: had to reverse on that on that physical stage. H

957
01:09:01,120 --> 01:09:03,519
Speaker 1: But you know, Hoving is a genius. He's a smart guy,

958
01:09:04,360 --> 01:09:11,280
Speaker 1: and he might have and he I have no doubt

959
01:09:11,360 --> 01:09:13,280
Speaker 1: that he's going to have like the long term effect

960
01:09:14,640 --> 01:09:20,400
Speaker 1: that might out long outlast DMX. But he knew what

961
01:09:20,520 --> 01:09:24,360
Speaker 1: his uh, you know what his best challenges was NICs,

962
01:09:24,840 --> 01:09:27,920
Speaker 1: d m X maybe the two out of a few,

963
01:09:28,439 --> 01:09:31,240
Speaker 1: you know I'm saying. And he respect those things. He

964
01:09:31,360 --> 01:09:34,960
Speaker 1: respect d m X, He respecting nice, and he respect himself.

965
01:09:35,400 --> 01:09:38,120
Speaker 1: And I've never ever seen him disrespect those things, you

966
01:09:38,120 --> 01:09:39,679
Speaker 1: know what I'm saying, as much as those people felt

967
01:09:39,720 --> 01:09:43,840
Speaker 1: disrespected in those times. I've been with Hoving a lot

968
01:09:43,920 --> 01:09:48,599
Speaker 1: of real personal moments, and I witnessed him listen to Nice.

969
01:09:49,000 --> 01:09:51,960
Speaker 1: I witnessed him given him prop some respect to d

970
01:09:52,120 --> 01:09:54,800
Speaker 1: m X, which is the reason why I'm happy with

971
01:09:55,000 --> 01:09:57,360
Speaker 1: him and d m X communicate on the phone right now.

972
01:09:57,520 --> 01:10:05,640
Speaker 1: You know. Uh, now if DMX, what of it not

973
01:10:05,960 --> 01:10:11,439
Speaker 1: to rock Nation recently? Why do you want to do

974
01:10:11,520 --> 01:10:17,640
Speaker 1: that to me? Gad No, but I'm asking you. But

975
01:10:18,600 --> 01:10:21,760
Speaker 1: I've seen your statement. I've personally seen your statement. He

976
01:10:21,880 --> 01:10:25,840
Speaker 1: was like, Yo, I don't mind that the locks is

977
01:10:25,880 --> 01:10:29,439
Speaker 1: that rock Nation boxes, don't I never do? You know?

978
01:10:29,680 --> 01:10:35,640
Speaker 1: I thought that that rock Side. Okay, UM would the

979
01:10:36,080 --> 01:10:40,280
Speaker 1: same way about I don't think dog Dog ain't throwing

980
01:10:40,320 --> 01:10:43,720
Speaker 1: them north Side at least, you know, but you know,

981
01:10:43,800 --> 01:10:46,000
Speaker 1: what sell you something? I've seen the dog in Vegas.

982
01:10:46,080 --> 01:10:50,080
Speaker 1: I said, it's your dog. He said, Yo, your podcast school? Right?

983
01:10:51,720 --> 01:10:59,479
Speaker 1: I need you one more time? I forgot to I

984
01:10:59,520 --> 01:11:13,600
Speaker 1: don't the dog the dogs? You know? Um, if the

985
01:11:13,720 --> 01:11:16,760
Speaker 1: dog was to do a deal with rock Nation and

986
01:11:17,040 --> 01:11:19,800
Speaker 1: was taking his kids to the next level, because that's

987
01:11:19,840 --> 01:11:22,639
Speaker 1: our main focus on this new album, and even about

988
01:11:22,720 --> 01:11:25,960
Speaker 1: him me, it's about his kids and his family because

989
01:11:26,720 --> 01:11:29,000
Speaker 1: that's what we worked hard for. We don't have all

990
01:11:29,080 --> 01:11:33,599
Speaker 1: the fun, we don't have fund Since you understand, it's

991
01:11:33,600 --> 01:11:36,920
Speaker 1: two thousand seventeen and so it's bigger than me him.

992
01:11:37,439 --> 01:11:42,439
Speaker 1: It's about our kids years, I'm your lot. You understanding,

993
01:11:43,160 --> 01:11:47,040
Speaker 1: you know it's about dogs kids, and I really, I

994
01:11:47,120 --> 01:11:50,600
Speaker 1: really feel a type of way about that, and I

995
01:11:50,720 --> 01:11:52,240
Speaker 1: know that he feel a type of way about that.

996
01:11:52,640 --> 01:11:55,519
Speaker 1: And we can't elevate the kids, then what we was

997
01:11:55,640 --> 01:11:59,719
Speaker 1: put on here on earth to do was wasted, you understanding.

998
01:12:00,240 --> 01:12:03,519
Speaker 1: I believe in no waste of time on this limited

999
01:12:03,640 --> 01:12:06,479
Speaker 1: time that we call life. There's only twenty eight thousand

1000
01:12:06,600 --> 01:12:09,720
Speaker 1: days to this thing that we call life. I don't

1001
01:12:09,760 --> 01:12:12,519
Speaker 1: live fourteen thousands of my days and I'm thirty eight.

1002
01:12:12,760 --> 01:12:15,720
Speaker 1: So imagine where everybody else stands in this world by time,

1003
01:12:15,800 --> 01:12:18,000
Speaker 1: you know, the time that you spent on this world.

1004
01:12:18,280 --> 01:12:21,040
Speaker 1: This ship is almost sucking over and then they can

1005
01:12:21,120 --> 01:12:23,519
Speaker 1: hit you with some more other ship, you understand. So

1006
01:12:24,880 --> 01:12:29,000
Speaker 1: I just admire the protocols and and and and the

1007
01:12:29,120 --> 01:12:31,880
Speaker 1: factors that that that that with. That's the best within

1008
01:12:32,439 --> 01:12:35,840
Speaker 1: you know. As far as dogs, you know you're ready

1009
01:12:35,920 --> 01:12:39,200
Speaker 1: or you're not ready, you understand. I look at him

1010
01:12:39,200 --> 01:12:43,160
Speaker 1: in his eyes, I'll fight him. We get into it.

1011
01:12:43,280 --> 01:12:48,439
Speaker 1: We didn't. We didn't scribe many of times awful love. Yes,

1012
01:12:48,640 --> 01:12:51,680
Speaker 1: me and me and dogs strapped million times like we

1013
01:12:51,920 --> 01:13:00,679
Speaker 1: fight physical hands, knuckles, black eyes, and then we shoot

1014
01:13:00,720 --> 01:13:04,160
Speaker 1: out for each other for survival too that's in his book.

1015
01:13:04,560 --> 01:13:06,920
Speaker 1: I protected his like many of times, you know, saying

1016
01:13:07,040 --> 01:13:12,479
Speaker 1: like it was just nature. You're not gonna do nothing

1017
01:13:12,520 --> 01:13:17,040
Speaker 1: at him. That's my brother, and I'm saying, and when

1018
01:13:17,080 --> 01:13:20,000
Speaker 1: they gotta tell you about dog, he's the most generous

1019
01:13:20,040 --> 01:13:22,599
Speaker 1: person I met. If you look at all these crimes

1020
01:13:22,640 --> 01:13:24,639
Speaker 1: that they talk about, and it ain't never been about

1021
01:13:24,680 --> 01:13:30,160
Speaker 1: no real crimes and been about governmental crime crime, him

1022
01:13:30,280 --> 01:13:32,720
Speaker 1: joking with police this time. You ain't never seen no

1023
01:13:32,880 --> 01:13:35,600
Speaker 1: news and with exced about him hurting a person or

1024
01:13:36,040 --> 01:13:39,679
Speaker 1: doing bodily harm or doing something really disrespectful to anybody.

1025
01:13:40,040 --> 01:13:43,760
Speaker 1: It's been about small things, understanding for him to be

1026
01:13:43,840 --> 01:13:48,439
Speaker 1: able to maintain his capabilities and his music industry to

1027
01:13:48,600 --> 01:13:51,640
Speaker 1: be small things, but the media want to backlash on

1028
01:13:51,760 --> 01:13:54,160
Speaker 1: them for big things and for him to have his

1029
01:13:54,280 --> 01:13:58,479
Speaker 1: stride and to be focused today. Man, that man. He

1030
01:13:58,960 --> 01:14:04,160
Speaker 1: got a song called can't Survivors Rights about say where

1031
01:14:04,200 --> 01:14:08,400
Speaker 1: the because I'm about s This is about this is

1032
01:14:08,439 --> 01:14:15,519
Speaker 1: about not smoking fu sais cancer survivors. Cancer he's talking about.

1033
01:14:16,080 --> 01:14:18,639
Speaker 1: He was talking about his grandmother that died from cancer.

1034
01:14:19,439 --> 01:14:22,559
Speaker 1: And the cancer survivors really are the people that survived

1035
01:14:22,880 --> 01:14:26,519
Speaker 1: from people that lost ones to cancer. But also the

1036
01:14:26,600 --> 01:14:32,320
Speaker 1: people that survive cancer that's still living in regretsive cancer.

1037
01:14:33,200 --> 01:14:36,800
Speaker 1: I understanding. He got a song called fools gold Well,

1038
01:14:36,880 --> 01:14:39,800
Speaker 1: many of these guys are poor King's big mansions. Yeah,

1039
01:14:40,160 --> 01:14:43,120
Speaker 1: the statutory have to have everything to have nothing. He

1040
01:14:43,280 --> 01:14:45,720
Speaker 1: talks about that, and he got he got a song

1041
01:14:45,800 --> 01:14:49,280
Speaker 1: called Letter to My Son that's gonna make every father

1042
01:14:50,280 --> 01:14:55,160
Speaker 1: in the industry change their life, I promise you. And

1043
01:14:56,360 --> 01:14:59,439
Speaker 1: we're gonna go gutter. We're gonna go bang this back

1044
01:15:00,000 --> 01:15:02,960
Speaker 1: and go all that ship. But that grammy that he's

1045
01:15:02,960 --> 01:15:05,120
Speaker 1: gonna get on that stage, and I promise you, everybody

1046
01:15:05,160 --> 01:15:08,960
Speaker 1: in this room, it's gonna be because of these songs

1047
01:15:09,040 --> 01:15:11,760
Speaker 1: with substance that's going to be able to connect back

1048
01:15:11,760 --> 01:15:14,320
Speaker 1: to culture. I would make some noise for that line.

1049
01:15:28,960 --> 01:15:32,439
Speaker 1: Welcome to play a new podcast network featuring radio and

1050
01:15:32,479 --> 01:15:37,000
Speaker 1: TV personalities talking business, sports, tech, entertainment, and more. Play

1051
01:15:37,080 --> 01:15:41,439
Speaker 1: it at play dot It. We're back to Drink Champs

1052
01:15:41,560 --> 01:15:44,880
Speaker 1: Radio with Rapper and R and d J f N.

1053
01:15:47,400 --> 01:15:49,479
Speaker 1: Are we taking on this show? Let's go. I like

1054
01:15:49,600 --> 01:15:51,800
Speaker 1: that you nice. I like that you're not even had,

1055
01:15:51,880 --> 01:15:58,880
Speaker 1: but you're I've been here for a long time here

1056
01:15:59,760 --> 01:16:10,160
Speaker 1: in a physical within the mentor if we did. Ok

1057
01:16:14,320 --> 01:16:17,240
Speaker 1: are we are we taking one more shot? Say one

1058
01:16:17,280 --> 01:16:23,240
Speaker 1: more shot? You hear the shot? I can't believe you're

1059
01:16:23,280 --> 01:16:28,320
Speaker 1: here twin twenty times. Let me take something. I was

1060
01:16:28,400 --> 01:16:32,960
Speaker 1: just beat on with your freestyles. Something this guy right here, right,

1061
01:16:33,720 --> 01:16:36,960
Speaker 1: twin and left. We're not going to talk about what

1062
01:16:37,080 --> 01:16:39,800
Speaker 1: happened will happen when I but we love this guy.

1063
01:16:40,120 --> 01:16:42,760
Speaker 1: He didn't believe he's here. A handsome guy. Your shot.

1064
01:16:43,160 --> 01:16:47,320
Speaker 1: He swagged that on me. What are you doing my purple?

1065
01:16:48,880 --> 01:16:57,519
Speaker 1: It's your fault. Brou Is is your fault, bro? What

1066
01:16:57,600 --> 01:17:01,360
Speaker 1: happens bron? Dream chance Bro? Drink drink Chap that makes

1067
01:17:01,720 --> 01:17:08,479
Speaker 1: for drink Tramps. This give you that one more time

1068
01:17:08,520 --> 01:17:11,960
Speaker 1: so we get example that one time. We're gonna do

1069
01:17:12,040 --> 01:17:29,439
Speaker 1: that for drink Champ shop. I needed to be the

1070
01:17:29,520 --> 01:17:34,519
Speaker 1: ellest interview. Do not let me leave unless it's you've

1071
01:17:34,520 --> 01:17:38,800
Speaker 1: already hands down. Do not trust us, trust us, brother,

1072
01:17:38,960 --> 01:17:45,920
Speaker 1: trust throw like seriously, trust us. Whoever young ro choses

1073
01:17:46,000 --> 01:17:49,160
Speaker 1: us to be the best fucking interview on drink Champ

1074
01:17:53,280 --> 01:17:57,479
Speaker 1: get him. I love him. I love him man, and

1075
01:17:57,560 --> 01:18:00,880
Speaker 1: I love y'all because you love y'all. But I started

1076
01:18:01,200 --> 01:18:03,360
Speaker 1: loving him, teach you. I want this to be the

1077
01:18:03,560 --> 01:18:07,240
Speaker 1: most rated, actually going to be like the gold Blood.

1078
01:18:07,720 --> 01:18:10,920
Speaker 1: This is how you started. No seriously at me, like

1079
01:18:11,080 --> 01:18:13,600
Speaker 1: the gold Blood. Whatever y'all want to it's trashic to me.

1080
01:18:13,960 --> 01:18:17,800
Speaker 1: Whatever you whatever y'all want to, get the HEROD give

1081
01:18:17,920 --> 01:18:24,760
Speaker 1: the herold most controversary ship tonight, I'm right away from

1082
01:18:24,800 --> 01:18:27,280
Speaker 1: me is the first episode came back to the Swiss.

1083
01:18:27,760 --> 01:18:32,360
Speaker 1: This is my yo, yo, this is that. Now you

1084
01:18:32,400 --> 01:18:36,160
Speaker 1: ain't got so, bro, can we tell you something? Don't

1085
01:18:36,200 --> 01:18:43,679
Speaker 1: you did? Try to stand outlass moving forward? It's like listen,

1086
01:18:43,960 --> 01:18:47,320
Speaker 1: listen Swiss. So that's brother right here. No, no, let

1087
01:18:47,360 --> 01:18:52,800
Speaker 1: me keep man for I'm gonna world two. Damn bro,

1088
01:18:54,040 --> 01:18:57,760
Speaker 1: I didn't mean to get emotional. I'm sucking emotional. Let

1089
01:18:57,800 --> 01:19:00,040
Speaker 1: me let me break it down since the begin and

1090
01:19:00,080 --> 01:19:04,519
Speaker 1: then we started this show. Twain came with me. That's

1091
01:19:04,680 --> 01:19:07,360
Speaker 1: my little man. When she started the show. We started

1092
01:19:07,400 --> 01:19:10,960
Speaker 1: this show. We started this show, not me. We started

1093
01:19:11,040 --> 01:19:13,280
Speaker 1: this show. I'm gonna tell you something you do, let

1094
01:19:13,320 --> 01:19:22,679
Speaker 1: me finish. Let me finish. And what is it down town? Yeah?

1095
01:19:22,960 --> 01:19:28,400
Speaker 1: In my office? Tell him it was a biscay. Yeah, alright,

1096
01:19:28,439 --> 01:19:33,080
Speaker 1: by bayside. I can finish the We did the first

1097
01:19:33,160 --> 01:19:36,800
Speaker 1: two shows Kenny Anderson and Fat Joe. Kenny Anderson were first,

1098
01:19:37,400 --> 01:19:41,880
Speaker 1: Fat Joe was second. Fat Joe came out first, and

1099
01:19:42,560 --> 01:19:45,599
Speaker 1: my man was there the whole time. I'm gonna tell

1100
01:19:45,600 --> 01:19:51,880
Speaker 1: you something. From this night on, we dedicate five of

1101
01:19:52,000 --> 01:20:01,200
Speaker 1: the show to this brother. Let's do it like like

1102
01:20:01,439 --> 01:20:04,960
Speaker 1: like if he meant that to us. Yea, And I

1103
01:20:05,080 --> 01:20:07,800
Speaker 1: know who he is in two point one second. I

1104
01:20:08,160 --> 01:20:09,920
Speaker 1: knew that before we even did it. But we did

1105
01:20:10,000 --> 01:20:17,000
Speaker 1: over there. You know, we all we got, we all

1106
01:20:17,080 --> 01:20:23,240
Speaker 1: we got, and we can't expect for somebody to recognize us. Yeah,

1107
01:20:23,439 --> 01:20:27,040
Speaker 1: because let me see can I see you? So they

1108
01:20:27,120 --> 01:20:34,599
Speaker 1: started to go fund me. That's relaxed, slo I got

1109
01:20:34,680 --> 01:20:41,519
Speaker 1: my niggas. I got my niggas. Relax that. I don't

1110
01:20:41,520 --> 01:20:45,960
Speaker 1: know the song I want to go fund me? You

1111
01:20:46,000 --> 01:20:49,240
Speaker 1: can call me. You ain't got no fucking good again,

1112
01:20:49,400 --> 01:20:53,479
Speaker 1: exactly give me five. We don't do to go fund

1113
01:20:53,680 --> 01:21:00,680
Speaker 1: what I'm saying, slum you me, slim, we don't do that.

1114
01:21:02,080 --> 01:21:07,519
Speaker 1: Wake up. We got the recovery doesn't matter if I

1115
01:21:07,640 --> 01:21:16,439
Speaker 1: go broke, It's okay together, her Las, I didn't like it.

1116
01:21:18,720 --> 01:21:23,759
Speaker 1: What you want me forever? Scud you drink chance fucking

1117
01:21:24,000 --> 01:21:35,760
Speaker 1: army brog right, Ali, We're gonna We're gonna make sure

1118
01:21:36,360 --> 01:21:41,960
Speaker 1: say did it's taking care We're because because listen, if

1119
01:21:42,000 --> 01:21:44,640
Speaker 1: I if I, if I've been too nice to you

1120
01:21:44,840 --> 01:21:49,360
Speaker 1: the fans, and I gonna like it, come on, say

1121
01:21:49,400 --> 01:21:53,000
Speaker 1: song you know you know you know we got you

1122
01:21:53,160 --> 01:21:59,000
Speaker 1: to him, we don't. I believe in this show since

1123
01:21:59,120 --> 01:22:03,080
Speaker 1: day one. I told Slim there's gonna be millions of subscribers,

1124
01:22:03,160 --> 01:22:06,519
Speaker 1: and I said it an episode eleven, and as an

1125
01:22:06,560 --> 01:22:10,439
Speaker 1: outside of perspective, I knew this. When I saw Slim

1126
01:22:10,560 --> 01:22:12,320
Speaker 1: talking to Fat Joe, I was like, Yo, this is

1127
01:22:12,400 --> 01:22:17,280
Speaker 1: not an interview. This is a conversation of hip hop.

1128
01:22:17,680 --> 01:22:20,400
Speaker 1: Like this is inside, this is deep, this is raw

1129
01:22:21,200 --> 01:22:24,600
Speaker 1: until people really want to know. So that's why I

1130
01:22:24,720 --> 01:22:27,920
Speaker 1: was snapchatting the whole ship and I was like, yo,

1131
01:22:28,080 --> 01:22:31,840
Speaker 1: twin on Snapchat. I got him in trouble, y'all stepchat

1132
01:22:31,960 --> 01:22:35,680
Speaker 1: duties when you crack, was like, YO, stop bullying my

1133
01:22:35,720 --> 01:22:40,600
Speaker 1: little man or whatever. It's crazy that it came on reting.

1134
01:22:42,080 --> 01:22:46,080
Speaker 1: I just knew, how were you from my I'm from

1135
01:22:46,080 --> 01:22:49,479
Speaker 1: the Dominican Republic my nationality, but my parents are my

1136
01:22:49,640 --> 01:22:52,720
Speaker 1: dad's from you know, Washington Heights and my mother. My

1137
01:22:52,840 --> 01:22:58,400
Speaker 1: mother's from Sound. You know, Santiago miss you. That's right.

1138
01:22:59,240 --> 01:23:01,720
Speaker 1: He's been here the day wanted since we started this,

1139
01:23:02,520 --> 01:23:06,360
Speaker 1: and and and the fans they missed you. So keep

1140
01:23:06,439 --> 01:23:09,000
Speaker 1: talking to him for as my as my pride and joy. Man.

1141
01:23:09,439 --> 01:23:11,640
Speaker 1: I've seen I did this out of heart, you know

1142
01:23:11,680 --> 01:23:14,720
Speaker 1: what I mean, like just the whole supporting it. I've

1143
01:23:14,760 --> 01:23:17,680
Speaker 1: seen that. I've seen the bigger picture I saw. I

1144
01:23:17,720 --> 01:23:23,880
Speaker 1: saw the episode one. I saw the bigger picture. I

1145
01:23:23,960 --> 01:23:30,320
Speaker 1: still want to come. He's about to make Let's talk

1146
01:23:30,360 --> 01:23:32,960
Speaker 1: about somebody. Let's took much. Your cousin's thicking your finger

1147
01:23:33,000 --> 01:23:45,240
Speaker 1: in your ass. Some girls shoot out cousin that it's

1148
01:23:45,280 --> 01:23:56,160
Speaker 1: called called digital stimulations. A girl, no, because you know,

1149
01:23:56,360 --> 01:24:00,160
Speaker 1: when keep real when you are, when you're perplegic her

1150
01:24:00,280 --> 01:24:03,240
Speaker 1: lize weighs down. You know you do. You have no

1151
01:24:03,400 --> 01:24:06,320
Speaker 1: controls over your your ship or your piss. So I

1152
01:24:06,400 --> 01:24:08,679
Speaker 1: want I gotta take out my p every certain amount

1153
01:24:08,680 --> 01:24:11,880
Speaker 1: of hours, and I gotta you know, I got ship

1154
01:24:11,960 --> 01:24:14,680
Speaker 1: a certain amount of day. So you know, since your

1155
01:24:14,680 --> 01:24:17,960
Speaker 1: body is not moving as much, you know, you get constipated.

1156
01:24:18,040 --> 01:24:27,840
Speaker 1: So it's called digital stimulation because I don't feel it though,

1157
01:24:28,400 --> 01:24:30,400
Speaker 1: ship as long as that when I start feeling that shot,

1158
01:24:30,479 --> 01:24:33,479
Speaker 1: do not want none of that ship. Listen, listen little

1159
01:24:34,200 --> 01:24:40,760
Speaker 1: we got you at drink, we got big d And

1160
01:24:40,920 --> 01:24:43,680
Speaker 1: if people are listening, and then and you want to

1161
01:24:43,840 --> 01:24:49,559
Speaker 1: you know whatever, but listen when I you're you're my family.

1162
01:24:50,320 --> 01:24:52,519
Speaker 1: And I told him, I said, no, start, no gun,

1163
01:24:53,000 --> 01:24:58,000
Speaker 1: no none of that dumb ship. I told him. I said,

1164
01:24:58,000 --> 01:25:00,960
Speaker 1: I don't because because because you know, I got you. Yeah,

1165
01:25:01,560 --> 01:25:20,639
Speaker 1: and I could care less. Oh conversation, Yeah, I understand

1166
01:25:20,720 --> 01:25:32,640
Speaker 1: what he's saying. But then then then but laugh, I'm relaxed. Man,

1167
01:25:32,760 --> 01:25:35,200
Speaker 1: this is it is a blessing. You know, you know

1168
01:25:35,360 --> 01:25:39,479
Speaker 1: why there's nobody else in this world? Did I see

1169
01:25:39,960 --> 01:25:43,640
Speaker 1: everybody love as much as they love you twin. And

1170
01:25:43,720 --> 01:25:48,840
Speaker 1: we're gonna continue to support that. You know why you're

1171
01:25:48,880 --> 01:25:52,360
Speaker 1: fucking ship And I don't give a funk. I'll go.

1172
01:25:52,720 --> 01:25:57,280
Speaker 1: I'm gonna go, boke, No, I'm gonna make sure my

1173
01:25:57,439 --> 01:26:05,200
Speaker 1: family's okay for everything you left, everything you left, I'm

1174
01:26:05,240 --> 01:26:10,240
Speaker 1: gonna make sure the Twin is okay. Yeah, and we

1175
01:26:10,400 --> 01:26:14,760
Speaker 1: goes and we are well, We're gonna make sure DC

1176
01:26:14,960 --> 01:26:19,439
Speaker 1: Twin is okay. Of course. Good you started with us,

1177
01:26:19,680 --> 01:26:22,040
Speaker 1: and you're gonna end with us, and we seem to

1178
01:26:22,160 --> 01:26:38,519
Speaker 1: stand up. What's what's the guy? Tell relax ad because

1179
01:26:38,600 --> 01:26:42,080
Speaker 1: we're gonna make sure you continue to walk. So you

1180
01:26:42,120 --> 01:26:44,680
Speaker 1: want to talk to them, to mic, say something to

1181
01:26:44,800 --> 01:26:48,000
Speaker 1: the people, snow, man, I do everything out of heart.

1182
01:26:48,840 --> 01:26:51,639
Speaker 1: When you do, everything's out of heart, and everything plays

1183
01:26:51,680 --> 01:26:55,360
Speaker 1: all right, and sometimes things happen, But you can't question

1184
01:26:55,400 --> 01:26:59,200
Speaker 1: the man upstairs at the end of the days. There's

1185
01:26:59,240 --> 01:27:04,320
Speaker 1: a reason behind and his faith is energy and God

1186
01:27:04,439 --> 01:27:07,479
Speaker 1: is a creative science. That's so I'm going to funk

1187
01:27:07,520 --> 01:27:10,880
Speaker 1: with them. Doctors told me, you know what I'm saying whatever,

1188
01:27:12,600 --> 01:27:15,240
Speaker 1: and I'm like I said, I'm prepared for whatever. But

1189
01:27:15,360 --> 01:27:17,280
Speaker 1: I know I got a good team behind me. You know,

1190
01:27:17,560 --> 01:27:20,479
Speaker 1: I got a great family, like you know, my drink

1191
01:27:20,560 --> 01:27:24,200
Speaker 1: Chance family, like you know, to your fair because every

1192
01:27:24,280 --> 01:27:28,360
Speaker 1: time you see how many fans you got, Mann shout

1193
01:27:28,360 --> 01:27:35,479
Speaker 1: o Niggas from Pakistan, New Zealand, Nigga's man, shout out London,

1194
01:27:35,640 --> 01:27:40,920
Speaker 1: Man UK, Everybody's loyal dog, West Coast Man, just everybody man,

1195
01:27:41,040 --> 01:27:44,040
Speaker 1: just just switz ship. I told to break it down.

1196
01:27:44,520 --> 01:27:47,040
Speaker 1: You know, when we started this ship, we just wanted

1197
01:27:47,560 --> 01:27:49,920
Speaker 1: we just it was just like a cool one. Just

1198
01:27:51,000 --> 01:27:55,280
Speaker 1: we're tardedly because you know we're tarded. And then it

1199
01:27:55,479 --> 01:27:59,680
Speaker 1: just kept blowing. Blow Man Twin was a part of

1200
01:27:59,760 --> 01:28:04,000
Speaker 1: the first episode. In fact, Joe called me, this is

1201
01:28:04,040 --> 01:28:07,679
Speaker 1: how I knew it was retarded. That's fact. Joe called

1202
01:28:07,680 --> 01:28:10,599
Speaker 1: me and said, why you bet? He said, you're mad,

1203
01:28:11,400 --> 01:28:17,880
Speaker 1: you'd be mean to this nigger. Pick that out, and

1204
01:28:18,080 --> 01:28:24,360
Speaker 1: I'm like, damn, But everybody has duties, that's what you said.

1205
01:28:25,360 --> 01:28:27,920
Speaker 1: Everybody and our crew has duties, whether you big, everybody

1206
01:28:28,040 --> 01:28:31,360
Speaker 1: now cool, gotta do this fact and we all got

1207
01:28:31,479 --> 01:28:36,800
Speaker 1: to stick together and Swiss beach, we're gonna let's let's

1208
01:28:36,800 --> 01:28:46,200
Speaker 1: all everybody, everybody and all right, man from TV for Life,

1209
01:28:48,000 --> 01:28:50,280
Speaker 1: you gotta we gotta pick you up as a father

1210
01:28:50,520 --> 01:28:54,120
Speaker 1: right now, Thank you man. As a father. My kids

1211
01:28:54,160 --> 01:28:57,360
Speaker 1: shame my life. You know. My kids made me put

1212
01:28:57,439 --> 01:28:59,519
Speaker 1: boundaries on what I would do and what I won't do.

1213
01:29:00,520 --> 01:29:02,760
Speaker 1: You know, our kids staying, none of them I asked

1214
01:29:02,800 --> 01:29:06,560
Speaker 1: to be here. Understand, we might have been our we

1215
01:29:06,680 --> 01:29:09,479
Speaker 1: might be in that situation while we're here, but when

1216
01:29:09,520 --> 01:29:11,920
Speaker 1: these kids come, they asks to be here. We have

1217
01:29:12,000 --> 01:29:14,880
Speaker 1: to protect them from all the different things that we

1218
01:29:14,960 --> 01:29:17,640
Speaker 1: didn't even prepare for you know, I had phone with

1219
01:29:17,720 --> 01:29:21,080
Speaker 1: my kids. I'm a class clann with my kids. You

1220
01:29:21,120 --> 01:29:23,760
Speaker 1: know what I'm saying. My dad wasn't you know, most

1221
01:29:23,760 --> 01:29:26,240
Speaker 1: of our dads wasn't there for us. You know, we

1222
01:29:26,320 --> 01:29:28,479
Speaker 1: gotta spend more time to come up with less excuse

1223
01:29:28,560 --> 01:29:39,559
Speaker 1: us in stand That's that's like I would yeah, yeah, yeah.

1224
01:29:40,320 --> 01:29:46,320
Speaker 1: That was purchased from the Brooklyn Museums name cars. You

1225
01:29:46,400 --> 01:29:49,479
Speaker 1: know that that was his biggest, uh sculpture he did

1226
01:29:49,520 --> 01:29:54,040
Speaker 1: at that particular time. I decided to drop the drink.

1227
01:29:55,840 --> 01:30:01,080
Speaker 1: Was that that wasn't Verna. You know, I live in Jersey, Verona,

1228
01:30:01,160 --> 01:30:10,479
Speaker 1: New Jersey. That's Eddie Murphy, Eddie Murphy Old. That's not Yeah,

1229
01:30:10,720 --> 01:30:14,720
Speaker 1: that's not it. That's not Pomona. That's that's that's life

1230
01:30:14,760 --> 01:30:19,080
Speaker 1: after Promona. That's Eddie murphyel Old crib with the forty

1231
01:30:19,160 --> 01:30:22,240
Speaker 1: ft that's the forty ft sculpture in the house. And

1232
01:30:22,280 --> 01:30:25,160
Speaker 1: the reason why I bought that was because I've seen

1233
01:30:25,160 --> 01:30:27,880
Speaker 1: a lot of people in our culture not really um

1234
01:30:29,000 --> 01:30:31,759
Speaker 1: giving it up. So you know, the forty feet candy

1235
01:30:31,840 --> 01:30:33,960
Speaker 1: while he ass in the house, come to the book

1236
01:30:33,960 --> 01:30:37,320
Speaker 1: of museum and I just want to inspire people that

1237
01:30:37,439 --> 01:30:41,799
Speaker 1: come to the crib to understand the art is a blessing.

1238
01:30:42,400 --> 01:30:44,160
Speaker 1: And when they walked through the crib they see everything

1239
01:30:44,240 --> 01:30:48,519
Speaker 1: from that forty ft to twelve by twelve, you know,

1240
01:30:48,640 --> 01:30:51,439
Speaker 1: so it's entry point. You can afford this and you

1241
01:30:51,520 --> 01:30:54,479
Speaker 1: can work your way up to that ins But I've

1242
01:30:54,479 --> 01:30:57,160
Speaker 1: seen a lot of my peers they put you know,

1243
01:30:57,240 --> 01:31:03,120
Speaker 1: a different uh high branded artists in their house that

1244
01:31:03,280 --> 01:31:06,960
Speaker 1: never connected to them. Everybody they didn't collection. I know personally,

1245
01:31:07,800 --> 01:31:11,360
Speaker 1: I'm saying, I started the collection as a personal gallery

1246
01:31:11,439 --> 01:31:14,479
Speaker 1: for my family, and then I've seen how many lives

1247
01:31:14,560 --> 01:31:16,800
Speaker 1: I was changing from the things I was buying. Then

1248
01:31:16,840 --> 01:31:19,800
Speaker 1: I started, I gave my I gave my social media

1249
01:31:19,880 --> 01:31:23,560
Speaker 1: platform totals up and coming artists, which started no commissions.

1250
01:31:25,439 --> 01:31:27,760
Speaker 1: Let me ask you one thing before you get about it.

1251
01:31:30,960 --> 01:31:34,160
Speaker 1: So on that cash Oney Tall, it was like it

1252
01:31:34,280 --> 01:31:39,840
Speaker 1: was like fresh getting fresh, like I mean because I

1253
01:31:39,960 --> 01:31:46,960
Speaker 1: mean the comparisons. So on that cash Money Tour tour,

1254
01:31:47,280 --> 01:31:53,519
Speaker 1: that was the first. So what happened, ain't nothing happened?

1255
01:31:53,720 --> 01:32:01,599
Speaker 1: What was happening? I ain't gonna I gotta take a piss,

1256
01:32:02,080 --> 01:32:08,360
Speaker 1: like that's why I bought your pamper that you have

1257
01:32:09,439 --> 01:32:21,439
Speaker 1: the paper on the cash when the tour. Yeah, it's

1258
01:32:21,560 --> 01:32:29,479
Speaker 1: you guys, it's you guys. I'm tuned in because they guys,

1259
01:32:30,280 --> 01:32:36,800
Speaker 1: yeah yeah, ah ex guy the hottest record in the

1260
01:32:36,920 --> 01:32:40,840
Speaker 1: East Coast at that particular time. And then juven now

1261
01:32:42,800 --> 01:32:47,760
Speaker 1: and cash they got the hottest. They killed who was closing?

1262
01:32:49,160 --> 01:32:54,920
Speaker 1: Who was closed? This is a tour cashing Maine tour

1263
01:32:55,000 --> 01:32:58,000
Speaker 1: is very easy. Some nice they closed out, some nice

1264
01:32:58,040 --> 01:33:02,800
Speaker 1: week clothes out. Depend on the region. Yeah, it wasn't.

1265
01:33:02,880 --> 01:33:07,800
Speaker 1: It wasn't like uh rough Riders Rockefeller Tour and saying

1266
01:33:09,200 --> 01:33:11,680
Speaker 1: rough Ride of Cash Money tour was different. The only

1267
01:33:11,760 --> 01:33:13,360
Speaker 1: thing is that, you know, we had to give a

1268
01:33:13,400 --> 01:33:19,040
Speaker 1: lot of chapters to them, a personal beefs choppers and yeah,

1269
01:33:19,600 --> 01:33:22,559
Speaker 1: chap We had to give a lot of choppers, yeah

1270
01:33:25,120 --> 01:33:27,240
Speaker 1: plus and that all them things. We had to get

1271
01:33:27,320 --> 01:33:30,920
Speaker 1: choppers to them to get them the personal situation that

1272
01:33:31,000 --> 01:33:35,360
Speaker 1: they had because of the jealousy of the South that

1273
01:33:35,479 --> 01:33:38,960
Speaker 1: the South had between them at that particular time. That

1274
01:33:39,080 --> 01:33:42,400
Speaker 1: we understand, you know what I'm saying. So we got

1275
01:33:42,520 --> 01:33:47,960
Speaker 1: tired of going out, going out after showing dancing to like,

1276
01:33:48,040 --> 01:33:51,360
Speaker 1: you know what, hal your work. We gotta work, you

1277
01:33:51,400 --> 01:33:54,280
Speaker 1: know what I'm saying. Everybody man for theirself and they

1278
01:33:54,360 --> 01:33:57,160
Speaker 1: just gotta go. You know, a shout out to the

1279
01:33:57,800 --> 01:34:00,720
Speaker 1: entire cash money. I funk with them all they are.

1280
01:34:00,960 --> 01:34:04,160
Speaker 1: They are all very talented and we had a lot

1281
01:34:04,200 --> 01:34:18,760
Speaker 1: of fun. Uh huh right there I got dammit. Yeah,

1282
01:34:19,160 --> 01:34:32,320
Speaker 1: imagine that up here. Yeah, that's going there. I don't

1283
01:34:32,360 --> 01:34:35,800
Speaker 1: want to because Swiss don't want to end. Next time.

1284
01:34:35,800 --> 01:34:38,160
Speaker 1: I'm so ready whatever. You know, everyone want to go.

1285
01:34:38,439 --> 01:34:42,240
Speaker 1: It's still, but I gotta take a piss. Yeah, people,

1286
01:34:42,439 --> 01:34:47,880
Speaker 1: right now, I'm going to the second one. Look at

1287
01:34:47,920 --> 01:34:55,760
Speaker 1: the Look at the white people, palm I'm respected. Yeah,

1288
01:34:55,840 --> 01:34:59,320
Speaker 1: you see them. You see they pull more drunks the

1289
01:34:59,400 --> 01:35:05,320
Speaker 1: white people. We littleminaty you bought, accepted this at this proment?

1290
01:35:05,920 --> 01:35:13,840
Speaker 1: No me and you do NOMINAI yeah, I'm definitely not

1291
01:35:15,720 --> 01:35:22,040
Speaker 1: out here. That's the problem. I'm not accepting it. You

1292
01:35:22,120 --> 01:35:25,960
Speaker 1: want to get the nominati and you mean you've been

1293
01:35:26,479 --> 01:35:31,880
Speaker 1: You're stupid, funk out of here. I'm not gonna out here, dude.

1294
01:35:32,080 --> 01:35:35,479
Speaker 1: I'll see the text. You cast bro, same checks, you

1295
01:35:35,720 --> 01:35:42,240
Speaker 1: cash man, You get what the funk are you talking about?

1296
01:35:43,160 --> 01:35:47,760
Speaker 1: Get it hurt? I get what first? Jex? Oh, she

1297
01:35:48,040 --> 01:35:52,920
Speaker 1: blaming me for zim. That's crazy telling you no, no,

1298
01:35:56,439 --> 01:35:59,400
Speaker 1: hey you manaughty? Fuck you and funk? Where the funk

1299
01:35:59,439 --> 01:36:05,000
Speaker 1: you came? Wrong? Whoa that was he? A fan? Yes

1300
01:36:08,800 --> 01:36:11,880
Speaker 1: a white people, I'm a Cuban motherfucking fuck y'all man,

1301
01:36:14,160 --> 01:36:19,720
Speaker 1: respect that you respect that ship? God damnit Swiss is like,

1302
01:36:19,840 --> 01:36:23,840
Speaker 1: what's going on? That lost me with that ship? This

1303
01:36:24,040 --> 01:36:26,960
Speaker 1: guy just came with some crazy ship. Don't don't blame

1304
01:36:27,000 --> 01:36:29,840
Speaker 1: it on Yeah, I'm blaming it on you. Listen to

1305
01:36:30,160 --> 01:36:33,760
Speaker 1: wrong THEE. I ain't got the check here, bro, you're

1306
01:36:33,760 --> 01:36:36,840
Speaker 1: getting mad because that was six D same thing we

1307
01:36:36,960 --> 01:36:45,560
Speaker 1: talked about. Check. That's you, that's your fault. What's like that?

1308
01:36:46,840 --> 01:36:51,120
Speaker 1: It's hot sauce. I promised you that's pipe socks. That's

1309
01:36:51,960 --> 01:36:58,280
Speaker 1: your favorite Swiss damn DMX Yeah if it was cr

1310
01:36:59,720 --> 01:37:06,679
Speaker 1: quick man, you're backwards. I'm gonna go six six six

1311
01:37:06,800 --> 01:37:10,880
Speaker 1: degrees of Okay. Who's your favorite new nigga all times?

1312
01:37:11,920 --> 01:37:16,759
Speaker 1: And how new nigg is gonna be all time all time?

1313
01:37:18,560 --> 01:37:21,960
Speaker 1: Right now? Kendrick, that gonna be Kendrick. I'm just saying,

1314
01:37:23,600 --> 01:37:27,040
Speaker 1: Who's who's snorted like that? My favorite new person? Ye

1315
01:37:27,240 --> 01:37:38,040
Speaker 1: new birds? I meet him at Okay. I wasn't ready

1316
01:37:39,400 --> 01:37:50,680
Speaker 1: then it would okay, it was a new part. That's horrible, man,

1317
01:37:51,040 --> 01:37:56,719
Speaker 1: I sort of God, we gotta shot. Separation that's happened

1318
01:37:56,760 --> 01:38:02,439
Speaker 1: in the nam Me me trying to restaurant the I

1319
01:38:02,560 --> 01:38:05,360
Speaker 1: mean some Chinese. I'm wanting wings right now because I'm

1320
01:38:05,360 --> 01:38:08,400
Speaker 1: good to hear some dumplings on that ship snacks. Find

1321
01:38:08,439 --> 01:38:12,120
Speaker 1: out what the wings that I'm going Pepper, lemon peppera

1322
01:38:12,240 --> 01:38:19,080
Speaker 1: panga panca like a panga panga tanks me talk to

1323
01:38:19,200 --> 01:38:24,479
Speaker 1: me right now. It's having months. I had to say

1324
01:38:25,760 --> 01:38:31,760
Speaker 1: we wanted to do the stoute. I'm no more shot.

1325
01:38:32,320 --> 01:38:38,400
Speaker 1: I think no bonus. I shot that shows. Bro, Listen,

1326
01:38:38,439 --> 01:38:40,800
Speaker 1: I gotta go to bed. I can't be all I

1327
01:38:40,880 --> 01:38:44,280
Speaker 1: have to. We're all human being. I'm in city by myself.

1328
01:38:44,680 --> 01:38:48,000
Speaker 1: The same wordy you you made that point. Oh put

1329
01:38:48,080 --> 01:38:51,160
Speaker 1: too much one. Give me your shot, buddy, I'll take it.

1330
01:38:52,080 --> 01:38:55,160
Speaker 1: You take this one, Give me your a little bit

1331
01:38:55,400 --> 01:38:59,479
Speaker 1: each wings makes wait wait, wait, munch the last, but

1332
01:39:00,040 --> 01:39:06,799
Speaker 1: give me the fucking shotlass shout for shot glass guiding.

1333
01:39:06,840 --> 01:39:08,680
Speaker 1: I could take it. You take your shot or your

1334
01:39:08,720 --> 01:39:17,080
Speaker 1: shot glass Swiss, Swiss, he's good tag. This is no

1335
01:39:17,240 --> 01:39:22,720
Speaker 1: I'm not giving I'm just bro, why would you do?

1336
01:39:23,920 --> 01:39:29,280
Speaker 1: You go? Now? You goodad? No, that's good? Wait bro,

1337
01:39:35,560 --> 01:39:48,320
Speaker 1: you're out of here? Okay, okay, that's Jackson shot off

1338
01:39:48,439 --> 01:39:52,080
Speaker 1: that bitch ship. All right, I'm out of here. Bro.

1339
01:39:52,560 --> 01:39:57,760
Speaker 1: What is a dope out of here? Yeah? Peace, you're

1340
01:39:57,800 --> 01:40:00,880
Speaker 1: gonna give me fine? Can ask for the to real quickly.

1341
01:40:02,720 --> 01:40:06,519
Speaker 1: One of the one of the duples instagrams I've ever

1342
01:40:06,640 --> 01:40:11,320
Speaker 1: seen Instagram. Huh was when he was with your ex wife?

1343
01:40:11,640 --> 01:40:15,920
Speaker 1: And you know what? Yeah that was dope. You know, Um,

1344
01:40:17,280 --> 01:40:20,200
Speaker 1: progress is to keep life well, I know a lot

1345
01:40:20,240 --> 01:40:23,679
Speaker 1: of people it's my fucking ships are excuse me, Swiss

1346
01:40:24,280 --> 01:40:30,960
Speaker 1: Tiger Bone just sucked me up. You know, my divorce

1347
01:40:31,080 --> 01:40:34,320
Speaker 1: was a very hard time in my life. And to

1348
01:40:34,439 --> 01:40:36,599
Speaker 1: be able to have my ex wife and my current

1349
01:40:36,680 --> 01:40:41,360
Speaker 1: wife and great standards, great farm due to our kids

1350
01:40:41,439 --> 01:40:44,400
Speaker 1: and people that our kids first, you know, I was

1351
01:40:44,520 --> 01:40:49,000
Speaker 1: like one of my biggest highlights ever in life. Yeah,

1352
01:40:49,040 --> 01:40:54,160
Speaker 1: it's something like serious everything for for that beads like

1353
01:40:54,760 --> 01:40:56,680
Speaker 1: a lot of the gossip, A lot of people that

1354
01:40:57,080 --> 01:40:59,360
Speaker 1: you know the reason why I don't care about gossip.

1355
01:40:59,560 --> 01:41:01,840
Speaker 1: But I'm to tell you something. The reason why I

1356
01:41:01,960 --> 01:41:05,000
Speaker 1: was able to handle even got some different was because

1357
01:41:05,400 --> 01:41:09,840
Speaker 1: I understood why people hate people hate you. People hate

1358
01:41:11,360 --> 01:41:15,120
Speaker 1: to use it as a cure for the insecurities, to

1359
01:41:15,320 --> 01:41:19,360
Speaker 1: use hate, to use it as a phone for them

1360
01:41:19,439 --> 01:41:24,320
Speaker 1: to live from their problems. I was like, that's why

1361
01:41:24,400 --> 01:41:28,080
Speaker 1: I hate it so popular. That's why I nevers. It's

1362
01:41:28,160 --> 01:41:34,440
Speaker 1: better than good news because it's secure to people's insecurities

1363
01:41:34,479 --> 01:41:36,320
Speaker 1: that they got to deal with every day. So if

1364
01:41:36,320 --> 01:41:37,920
Speaker 1: you can look at a Swiss to beat some LEAs

1365
01:41:38,120 --> 01:41:42,040
Speaker 1: keys life and it's not uh perfect, and you can

1366
01:41:42,080 --> 01:41:45,240
Speaker 1: pull yourself from that for two minutes, that's the view,

1367
01:41:45,960 --> 01:41:51,240
Speaker 1: um that you're inclined to have to feel better about

1368
01:41:51,320 --> 01:41:54,280
Speaker 1: yourself that day, even though you ain't did ship about

1369
01:41:54,360 --> 01:41:57,840
Speaker 1: yourself that day. You're understand. So for my ex wife

1370
01:41:58,320 --> 01:42:01,800
Speaker 1: and my current wife to come to standards because the kids,

1371
01:42:01,920 --> 01:42:05,720
Speaker 1: and forget about the fame and the publicity, you know

1372
01:42:05,720 --> 01:42:07,599
Speaker 1: what I'm saying, That was the greatest time in my life.

1373
01:42:08,160 --> 01:42:17,519
Speaker 1: And we got chapters for that coming that that wasn't

1374
01:42:18,120 --> 01:42:23,960
Speaker 1: that was the beginning, you know, mother, I remember that.

1375
01:42:25,439 --> 01:42:30,200
Speaker 1: Thank you, you know what, you know what, because we

1376
01:42:30,400 --> 01:42:32,560
Speaker 1: appreciate you for coming. I just want to give you

1377
01:42:32,640 --> 01:42:36,200
Speaker 1: the best interview ever. You give way more than that,

1378
01:42:36,640 --> 01:42:42,960
Speaker 1: because like I know him, I know him. I'm not

1379
01:42:43,160 --> 01:42:48,120
Speaker 1: here for no other reason but to contribute to what

1380
01:42:48,280 --> 01:42:51,640
Speaker 1: you guys have going on being great. So that's what

1381
01:42:51,720 --> 01:42:55,719
Speaker 1: I'm like, asking me whatever, handle whatever, Like I don't

1382
01:42:55,920 --> 01:42:58,040
Speaker 1: I don't feel I got to talk to anybody. I

1383
01:42:58,120 --> 01:43:00,880
Speaker 1: don't owe and I don't owe anybody an explanation of

1384
01:43:01,439 --> 01:43:04,120
Speaker 1: any of my past present or what I'm about to

1385
01:43:04,200 --> 01:43:08,439
Speaker 1: do because I ground really hard for that. But you know,

1386
01:43:08,640 --> 01:43:12,200
Speaker 1: I'm like, ye, I'm on my brother's show, and whatever

1387
01:43:12,280 --> 01:43:15,760
Speaker 1: he wants for me, I'm gonna give it to him. Problems,

1388
01:43:15,880 --> 01:43:18,360
Speaker 1: no problems or whatever. After that, we just got to

1389
01:43:18,400 --> 01:43:20,360
Speaker 1: deal with. We went then with that ship on our

1390
01:43:20,439 --> 01:43:26,280
Speaker 1: life's nothing. This man that created a platform and figure

1391
01:43:26,360 --> 01:43:29,840
Speaker 1: that out as bigger than music. But I'm happy to

1392
01:43:29,920 --> 01:43:33,080
Speaker 1: see him shunning in two thousand seventeen and beyond, and

1393
01:43:33,439 --> 01:43:36,040
Speaker 1: I'm happy. I'm really happy to be here, Like for real,

1394
01:43:36,840 --> 01:43:39,800
Speaker 1: think I came here with a bunch of corporate people.

1395
01:43:40,600 --> 01:43:50,080
Speaker 1: We love him, cover, we got Zuma, We're going to

1396
01:43:50,160 --> 01:43:53,439
Speaker 1: Norrish show. Let's go, We're going to zoom one in

1397
01:43:53,520 --> 01:44:04,040
Speaker 1: the morning. What's what's the till eleven? That bed? Shouldn't

1398
01:44:04,080 --> 01:44:08,320
Speaker 1: they get tired from the goddamn Texas do by Thailand life.

1399
01:44:08,960 --> 01:44:13,240
Speaker 1: You know what Swiss than his tan? Like, what the

1400
01:44:13,920 --> 01:44:22,040
Speaker 1: are you used on his tan? They can do what

1401
01:44:22,200 --> 01:44:27,000
Speaker 1: they use on the time. It's a great great everybody,

1402
01:44:28,880 --> 01:44:35,519
Speaker 1: Fabio Fabio, you know, I come on, let me tell

1403
01:44:35,520 --> 01:44:39,479
Speaker 1: you something that went besides you. Fabulary is a good guy.

1404
01:44:39,680 --> 01:44:44,000
Speaker 1: You know that shaped my bar clean don't know just

1405
01:44:44,280 --> 01:44:49,599
Speaker 1: his you know those guys have a pepper appeal, fabular family.

1406
01:44:53,360 --> 01:44:55,320
Speaker 1: But but but you know he come in with a

1407
01:44:55,439 --> 01:44:59,400
Speaker 1: mink code. We kill out him a fucking nort Aga.

1408
01:45:01,920 --> 01:45:06,479
Speaker 1: You know, five years harder than Fabios. He needed. He's

1409
01:45:06,560 --> 01:45:10,080
Speaker 1: on the ground. The show I got written for Fabio

1410
01:45:10,280 --> 01:45:15,080
Speaker 1: is disrespect from crazy Fabio is a problem on fail.

1411
01:45:15,120 --> 01:45:17,519
Speaker 1: Look at Fatio, show up man. We'd be like fab

1412
01:45:18,680 --> 01:45:24,080
Speaker 1: He's looking at her looking like he went in on

1413
01:45:24,200 --> 01:45:32,799
Speaker 1: the Fabulous Fatio five bill us Fatio, Fabio, Fabio, Fabio, Fatio,

1414
01:45:32,960 --> 01:45:41,000
Speaker 1: stop stressing up. Juice press juice, press juice, and we

1415
01:45:41,120 --> 01:45:43,280
Speaker 1: got the Boccarti. People look at it, look at my man.

1416
01:45:43,600 --> 01:45:50,679
Speaker 1: Boiler room people don't fade out of the left. I'm like, hold,

1417
01:45:51,120 --> 01:45:55,880
Speaker 1: he's from boiler room. Tom tem Nori what's your love

1418
01:45:55,960 --> 01:45:59,360
Speaker 1: and hip hop? How do you know him? From boiler room?

1419
01:45:59,520 --> 01:46:04,880
Speaker 1: Tell him serious? Tell him? Come? Tell them? How you

1420
01:46:06,280 --> 01:46:09,519
Speaker 1: tell them? How you know? No Oriegon, he's from boiler room.

1421
01:46:09,760 --> 01:46:16,040
Speaker 1: No talk to us my boiler room microphone. I grew

1422
01:46:16,160 --> 01:46:23,559
Speaker 1: up in Miami in the eighties. Okay, I good. Listen

1423
01:46:23,600 --> 01:46:26,120
Speaker 1: to listen to him? Listen to him? What do you say?

1424
01:46:26,880 --> 01:46:29,960
Speaker 1: I grew up in Miami and eighties? And how do

1425
01:46:30,000 --> 01:46:35,120
Speaker 1: you know Noriega? Well? I was in the nineties when

1426
01:46:35,160 --> 01:46:37,559
Speaker 1: I really heard you? Who was the best? You knew

1427
01:46:37,560 --> 01:46:41,240
Speaker 1: about him? Thanks for putting me on the spot? What

1428
01:46:41,439 --> 01:46:50,920
Speaker 1: what to say? World War on? Super super I give

1429
01:46:50,960 --> 01:47:06,639
Speaker 1: you your fail I'm here. I had to the best

1430
01:47:07,000 --> 01:47:13,080
Speaker 1: play ever. Let's come. Yeah, you can cut the black

1431
01:47:15,200 --> 01:47:18,160
Speaker 1: as him. Okay. Asked me the realist fucking question? You

1432
01:47:18,280 --> 01:47:20,640
Speaker 1: ever thought about that? You know we're gonna end this

1433
01:47:21,040 --> 01:47:25,000
Speaker 1: show right now, as in this show we never end

1434
01:47:25,080 --> 01:47:28,360
Speaker 1: the show. I want to I want asked me the

1435
01:47:28,520 --> 01:47:32,120
Speaker 1: realist question you ever wanted to ask me in your life?

1436
01:47:33,000 --> 01:47:37,720
Speaker 1: Let's go, this is this is drink question. What's your question? That?

1437
01:47:38,160 --> 01:47:43,160
Speaker 1: The realist? Realist question? God haven't wanted me to answer

1438
01:47:43,560 --> 01:47:46,519
Speaker 1: in my life? Who wanted them bottle between jam DX.

1439
01:47:47,160 --> 01:47:51,439
Speaker 1: You gotta scared Max jump to thee. It's too easy.

1440
01:47:51,600 --> 01:47:55,960
Speaker 1: Ship and I know you heard know you're her. I

1441
01:47:56,080 --> 01:47:58,479
Speaker 1: know you need her when you did that video when

1442
01:47:58,560 --> 01:48:01,960
Speaker 1: he told you it gonna be about dude, Do you

1443
01:48:02,080 --> 01:48:10,360
Speaker 1: know what you're gonna do it? I love your motherfucking

1444
01:48:10,439 --> 01:48:22,719
Speaker 1: shot that joff? The realist question? What's the ball? Drink? Drink?

1445
01:48:25,640 --> 01:48:28,960
Speaker 1: Maybe cough on everybody, give me the realist question. You

1446
01:48:29,080 --> 01:48:34,360
Speaker 1: want to ask me tonight on days give me I

1447
01:48:34,439 --> 01:48:38,960
Speaker 1: gotta sat by say hat on. Let's go ask me

1448
01:48:39,080 --> 01:48:41,920
Speaker 1: the realist question tonight while you're on drink Champs so

1449
01:48:42,040 --> 01:48:49,719
Speaker 1: we can get these breaks out questions. Question a question,

1450
01:48:49,800 --> 01:49:12,040
Speaker 1: real quick question. It's a normal question. Good do you eat? Yes? Bro,

1451
01:49:17,120 --> 01:49:24,000
Speaker 1: I'm completely confused. Grand do you read a damn my

1452
01:49:24,160 --> 01:49:33,599
Speaker 1: fucking like, why the funk would I eat? Ass ain't

1453
01:49:33,640 --> 01:49:40,439
Speaker 1: gonna that's drunk talking about it's my brother? What's up?

1454
01:49:40,920 --> 01:49:43,960
Speaker 1: How does it feel to be murried? Said? At least

1455
01:49:44,000 --> 01:49:47,840
Speaker 1: your keeps? That was your question? I know your idea.

1456
01:49:48,680 --> 01:49:54,160
Speaker 1: Do you forget sometimes? Like you know? Like, um, you

1457
01:49:54,240 --> 01:49:57,080
Speaker 1: know my wife is a special person, beautiful, that's she

1458
01:49:57,560 --> 01:50:05,880
Speaker 1: that makes I could say you know. She she woke

1459
01:50:06,000 --> 01:50:10,000
Speaker 1: up a seven six am in the morning, said she's

1460
01:50:10,040 --> 01:50:17,160
Speaker 1: going to the women's march. I was tired the women's mother,

1461
01:50:18,960 --> 01:50:20,760
Speaker 1: come with you, said, no, this is the women's much. Okay,

1462
01:50:20,920 --> 01:50:24,360
Speaker 1: go to the wind's much take them shooters with you,

1463
01:50:24,600 --> 01:50:27,200
Speaker 1: you know, and take them back as long as you're

1464
01:50:27,240 --> 01:50:30,320
Speaker 1: protecting them. Good. But she's really about that life, and

1465
01:50:30,439 --> 01:50:35,320
Speaker 1: she's been about that life way more than uh, way

1466
01:50:35,400 --> 01:50:38,200
Speaker 1: more than publicized. You know, I went. I remember going

1467
01:50:38,280 --> 01:50:42,000
Speaker 1: to Africa where her and going to like four hospitals

1468
01:50:42,560 --> 01:50:44,680
Speaker 1: and seeing her face in these hospitals, and the last

1469
01:50:44,720 --> 01:50:48,080
Speaker 1: times where I was like, Babe, why do you got

1470
01:50:48,120 --> 01:50:52,040
Speaker 1: your face in me in these hospitals? She said, um,

1471
01:50:52,960 --> 01:50:56,320
Speaker 1: these are my hospitals. I said, whoa you own these hospitals.

1472
01:50:56,680 --> 01:50:59,680
Speaker 1: I'm married to her. She didn't even tell me all

1473
01:50:59,720 --> 01:51:02,800
Speaker 1: these she went to, she built them ships, she owned

1474
01:51:02,840 --> 01:51:05,679
Speaker 1: them hospitals. She didn't even tell me, as her husband,

1475
01:51:05,880 --> 01:51:08,840
Speaker 1: that she owned those hospitals, like it didn't mean nothing

1476
01:51:08,920 --> 01:51:12,360
Speaker 1: to her because the gift that she was giving back

1477
01:51:12,479 --> 01:51:15,960
Speaker 1: meant so much more. You understand, That's what I'm dealing with.

1478
01:51:16,439 --> 01:51:21,200
Speaker 1: She's another time zone. I ain't never seen nobody aberating

1479
01:51:21,240 --> 01:51:29,280
Speaker 1: on this angel from Seriously, we in Africa and the trenches.

1480
01:51:29,360 --> 01:51:32,160
Speaker 1: I'm not talking about half the guy. I'm talking about

1481
01:51:32,240 --> 01:51:36,280
Speaker 1: Alfrica right different. It's two different tones of that ship

1482
01:51:37,920 --> 01:51:42,400
Speaker 1: Manhattan the Brons, like, it's two different zonns to that.

1483
01:51:42,880 --> 01:51:46,200
Speaker 1: So I'm going to Africa and I'm seeing like people

1484
01:51:47,080 --> 01:51:53,080
Speaker 1: living and making an off of being uh thirty pounds

1485
01:51:54,240 --> 01:51:58,439
Speaker 1: and surviving off a medicine that they're able to afford.

1486
01:51:59,280 --> 01:52:01,120
Speaker 1: And I never knew that my wife is affording him

1487
01:52:01,200 --> 01:52:03,320
Speaker 1: this medicine. You know what I'm saying That she never

1488
01:52:03,439 --> 01:52:05,960
Speaker 1: ever told me the story. I didn't even know why

1489
01:52:06,360 --> 01:52:09,960
Speaker 1: we was even in Africa and that we was going. Man,

1490
01:52:10,040 --> 01:52:13,439
Speaker 1: I was going with her. Wow, I've seen these people

1491
01:52:13,479 --> 01:52:17,840
Speaker 1: getting the anti viral mentors medicine UM, something that they

1492
01:52:17,840 --> 01:52:20,479
Speaker 1: couldn't afford them, Like Dan, We're losing all these people

1493
01:52:20,520 --> 01:52:23,439
Speaker 1: for no reason. And I've seen all these people survived

1494
01:52:23,520 --> 01:52:26,320
Speaker 1: under her watch. And say, my wife feet over three

1495
01:52:26,680 --> 01:52:29,640
Speaker 1: thousand people a year and never talked about it, three

1496
01:52:29,720 --> 01:52:34,639
Speaker 1: hundred thousands over her own money, her own brian, her

1497
01:52:34,680 --> 01:52:40,080
Speaker 1: own things, never talked about it. I'm like, this is

1498
01:52:40,200 --> 01:52:42,800
Speaker 1: her to her own husband, you know what I'm saying,

1499
01:52:42,840 --> 01:52:45,519
Speaker 1: this is this. She had another type of I got

1500
01:52:45,560 --> 01:52:48,840
Speaker 1: a lot of work to even still today. Wow, I

1501
01:52:48,920 --> 01:52:50,439
Speaker 1: had a lot of work to do. You know she

1502
01:52:50,760 --> 01:53:02,599
Speaker 1: put me on my a game. She right question. They

1503
01:53:02,640 --> 01:53:06,080
Speaker 1: gave me the hard fucking question. May we know I

1504
01:53:06,479 --> 01:53:09,280
Speaker 1: get answered? I just wanted to add I'm like getting

1505
01:53:09,320 --> 01:53:24,200
Speaker 1: crazy right, Yeah, like change or how about the he's

1506
01:53:24,200 --> 01:53:28,559
Speaker 1: looking about no commissions a little bit? Um? I noticed,

1507
01:53:28,840 --> 01:53:31,080
Speaker 1: I noticed, how I can how about the visual watch

1508
01:53:31,160 --> 01:53:35,960
Speaker 1: when I just knew that the Sonic Arts was was

1509
01:53:37,320 --> 01:53:40,479
Speaker 1: overexaggerated and I could have came in the game with

1510
01:53:40,600 --> 01:53:46,320
Speaker 1: no commission's music and give the musician of what they sold.

1511
01:53:46,400 --> 01:53:48,680
Speaker 1: But I was so I was just so tired of

1512
01:53:49,320 --> 01:53:52,040
Speaker 1: even talking about music. It was just an old thing

1513
01:53:52,120 --> 01:53:54,680
Speaker 1: to me. And I've seen that my way out was

1514
01:53:54,840 --> 01:53:58,560
Speaker 1: art because it was something that was still untapped, and

1515
01:53:58,600 --> 01:54:03,520
Speaker 1: it was something that um hasn't been abused but abused.

1516
01:54:05,160 --> 01:54:07,679
Speaker 1: It hasn't been abused the way that we witness abuse.

1517
01:54:08,240 --> 01:54:11,040
Speaker 1: Instead I have been abused, but I've seen that the

1518
01:54:11,080 --> 01:54:14,120
Speaker 1: abuse that they went through was still a capture, and

1519
01:54:14,280 --> 01:54:18,800
Speaker 1: we just still capture that. It's like m we got whipped, beat,

1520
01:54:18,960 --> 01:54:21,840
Speaker 1: stomped out, kicked up, set on fire. They just got

1521
01:54:21,960 --> 01:54:24,680
Speaker 1: punched in their fucking face. The stupid you know what

1522
01:54:24,720 --> 01:54:27,920
Speaker 1: I'm saying. So I figured that the arts can be saved,

1523
01:54:29,760 --> 01:54:31,559
Speaker 1: and I had fun doing it because it was an

1524
01:54:31,600 --> 01:54:35,040
Speaker 1: untapped territory for me. I was literally time of talking

1525
01:54:35,080 --> 01:54:37,720
Speaker 1: about things that we can excel in doing the music

1526
01:54:37,760 --> 01:54:40,840
Speaker 1: industry because it was so jaded. Understand, we were so

1527
01:54:41,000 --> 01:54:45,360
Speaker 1: spoiled and it was driving so much traffic, and the

1528
01:54:45,480 --> 01:54:49,560
Speaker 1: music industries didn't want to invest in technology, they didn't

1529
01:54:49,560 --> 01:54:52,360
Speaker 1: want to invest in the future living. And so you know,

1530
01:54:52,440 --> 01:54:54,560
Speaker 1: I've seen all those different things from a row, and

1531
01:54:54,640 --> 01:54:58,080
Speaker 1: I've seen our as something that was still on that

1532
01:54:58,200 --> 01:55:03,600
Speaker 1: rebellious line of whatever we want to do. And I've

1533
01:55:03,600 --> 01:55:07,800
Speaker 1: seen those lines of confidence. I've seen those lines of expression,

1534
01:55:08,080 --> 01:55:11,160
Speaker 1: and I say, like, Yo, I want I want to

1535
01:55:11,200 --> 01:55:15,040
Speaker 1: get behind that. I'm saying that. I know they didn't

1536
01:55:15,040 --> 01:55:17,360
Speaker 1: want to probably move a here, you know, So on

1537
01:55:17,440 --> 01:55:20,560
Speaker 1: the street level, I felt comfortable. On a on a

1538
01:55:20,680 --> 01:55:24,160
Speaker 1: visual level, I felt comfortable. On artistical level, I felt comfortable,

1539
01:55:24,160 --> 01:55:45,080
Speaker 1: and that's what and that's what I went with. Yo,

1540
01:55:45,160 --> 01:55:46,960
Speaker 1: before we get out of here, I gotta bring this

1541
01:55:47,080 --> 01:55:50,160
Speaker 1: record back one more motherfucker time. This record is so

1542
01:55:50,440 --> 01:55:55,000
Speaker 1: motherfucking New York. It's so hip hop. Drink Chance Anthem,

1543
01:55:56,080 --> 01:55:59,040
Speaker 1: my Brother and the Arre produced by my nigga Swiss beats.

1544
01:55:59,320 --> 01:56:09,440
Speaker 1: Check it out? What what what what? What? What? What? What? What? Great? What? What? What? What? What? What? God?

1545
01:56:09,520 --> 01:56:15,360
Speaker 1: Do it? Everybody to the left door, lift the gun over?

1546
01:56:17,040 --> 01:56:24,200
Speaker 1: Everybody do water? What don't everybody to the show? Get up?

1547
01:56:24,280 --> 01:56:27,440
Speaker 1: Now down? Trying to get chants in me and I

1548
01:56:27,520 --> 01:56:31,520
Speaker 1: gotta hunt his life, my w super dog life, My

1549
01:56:32,440 --> 01:56:36,120
Speaker 1: why my super dog? Like they don't have me? Do

1550
01:56:36,520 --> 01:56:39,520
Speaker 1: you want to Clint change but not to Chickula to

1551
01:56:39,560 --> 01:56:44,720
Speaker 1: get the only anti Clint change? Because I Nickula to

1552
01:56:44,800 --> 01:56:47,160
Speaker 1: get the forty on me. Ain't kicking, y'all. I'm one.

1553
01:56:47,240 --> 01:56:50,200
Speaker 1: Doesn't change because I need your life to get the

1554
01:56:50,280 --> 01:56:53,720
Speaker 1: forty on me? Y'all did damn on the because I

1555
01:56:53,760 --> 01:56:57,640
Speaker 1: should laugh? Swizzy? What come on to love? You want

1556
01:56:57,680 --> 01:57:00,880
Speaker 1: to drink chap It's a ticker life keep the before.

1557
01:57:00,920 --> 01:57:06,879
Speaker 1: They ain't think a lot fan without gotta drink rocket mortgage.

1558
01:57:06,920 --> 01:57:09,160
Speaker 1: You come on yo? Yeah, ibout some new ships? Yeah,

1559
01:57:09,160 --> 01:57:11,240
Speaker 1: I wout some new ship. You cooking like your killers,

1560
01:57:11,280 --> 01:57:14,200
Speaker 1: but you won't ever do ship. I told my nigger's

1561
01:57:14,200 --> 01:57:17,280
Speaker 1: swiss your back at it. They slept onna slide. I'm

1562
01:57:17,280 --> 01:57:20,560
Speaker 1: a craft matter used to south crack. Ain't drink a lot,

1563
01:57:20,640 --> 01:57:22,640
Speaker 1: ain't come when the winter time see me with a

1564
01:57:22,680 --> 01:57:25,120
Speaker 1: make a lot. I made to drink chin. Of course

1565
01:57:25,120 --> 01:57:27,160
Speaker 1: I drink a lot. I used to keep that clock

1566
01:57:27,240 --> 01:57:31,680
Speaker 1: on me. I don't think anybody look so now picking

1567
01:57:31,800 --> 01:57:40,120
Speaker 1: out down, Okay, I hit me up the drink chance

1568
01:57:40,440 --> 01:57:43,120
Speaker 1: because that dak al used to keep the forty on me.

1569
01:57:43,200 --> 01:57:45,880
Speaker 1: Ain't think the lap. He made the drink chance because

1570
01:57:45,920 --> 01:57:48,120
Speaker 1: he get to lap used to keep the forty on.

1571
01:57:48,400 --> 01:57:51,160
Speaker 1: Come on, come on, I want to drink chance. It's

1572
01:57:51,200 --> 01:57:58,440
Speaker 1: a drink a lot. Get the body to drink chance

1573
01:58:00,000 --> 01:58:02,280
Speaker 1: to see. All I want to do is be successful.

1574
01:58:02,480 --> 01:58:05,040
Speaker 1: Think about the money. Second, that shit is stressful to

1575
01:58:05,120 --> 01:58:07,520
Speaker 1: think about the fan log is that shit is spressful.

1576
01:58:07,760 --> 01:58:11,560
Speaker 1: Did it for a long time and when you don't

1577
01:58:11,640 --> 01:58:15,280
Speaker 1: still wore timberlance? Never change on you, my friends self demandican.

1578
01:58:15,760 --> 01:58:18,120
Speaker 1: I did it my way acts for no permissions, the

1579
01:58:18,200 --> 01:58:21,640
Speaker 1: only due smoking on trees and no commission. Every Body

1580
01:58:22,320 --> 01:58:25,760
Speaker 1: to the show. Now get out now duping down, Yes

1581
01:58:25,840 --> 01:58:29,000
Speaker 1: the team. This don't feel like New York. I do

1582
01:58:29,120 --> 01:58:31,720
Speaker 1: not know what to tell you let's go on the

1583
01:58:31,800 --> 01:58:34,640
Speaker 1: drink change because I take the life to keep the

1584
01:58:34,720 --> 01:58:42,840
Speaker 1: peck the last time, last drink. I want to drink chance.

1585
01:58:43,240 --> 01:58:54,400
Speaker 1: It's a drinkers got the bcardy, I got some rocks,

1586
01:58:54,600 --> 01:58:57,040
Speaker 1: so we're gonna get drunk, have fun, take more shots.

1587
01:58:58,160 --> 01:59:00,960
Speaker 1: You see, I celebrate life. I could have been to

1588
01:59:01,120 --> 01:59:04,160
Speaker 1: jail and had life. Nigger. Yeah that's when I'm here

1589
01:59:04,240 --> 01:59:06,720
Speaker 1: for a reason. So I'm gonna celebrate drink more for

1590
01:59:06,840 --> 01:59:10,640
Speaker 1: no reason. Bro, this is Drink Tip Season two. Boy,

1591
01:59:10,760 --> 01:59:14,600
Speaker 1: have a drink. Go ahead, enjoy your evenail. Everybody to

1592
01:59:14,720 --> 01:59:18,800
Speaker 1: the show now, dick up now downtown watching me in

1593
01:59:18,960 --> 01:59:25,560
Speaker 1: my cliff. I gotta hu shuper dogs. Come on, come

1594
01:59:25,640 --> 01:59:31,560
Speaker 1: on one more time? Like why come on? Want to

1595
01:59:31,600 --> 01:59:34,880
Speaker 1: drink wild? Because I that's right to keep the forty

1596
01:59:34,960 --> 01:59:37,520
Speaker 1: only ain't picking where we at on the too wild

1597
01:59:38,120 --> 01:59:41,040
Speaker 1: trick watch keep the swizzy on. Come on, take a

1598
01:59:41,120 --> 01:59:43,680
Speaker 1: lot you want to trick Tip, it's a drink a

1599
01:59:43,720 --> 01:59:46,880
Speaker 1: lot keep the before the hon' tak a lot of time.

1600
01:59:47,640 --> 02:00:26,080
Speaker 1: Tick they got dead drug reason ye find all your

1601
02:00:26,080 --> 02:00:28,880
Speaker 1: favorite movies and shows factor with excinity, just speaking to

1602
02:00:28,960 --> 02:00:31,200
Speaker 1: the excellent voice for most to search across live CV

1603
02:00:31,560 --> 02:00:35,960
Speaker 1: on demand, even Netflix and Prime Video. Now. That's simple, easy, awesome.

1604
02:00:36,600 --> 02:00:39,240
Speaker 1: Switch to Exceinity today and get a great offer. You'll

1605
02:00:39,280 --> 02:00:41,480
Speaker 1: enjoy an Infinity X one, which could you access to

1606
02:00:41,480 --> 02:00:45,400
Speaker 1: your favorite streaming apps like Netflix, YouTube and now Prime Video.

1607
02:00:45,760 --> 02:00:49,120
Speaker 1: Got to Exfinity dot com, Call oneity or visit the

1608
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Speaker 1: store today to learn more. Restrictions of life