1 00:00:00,080 --> 00:00:03,040 Speaker 1: Americans most wanted. I did not mention in w A 2 00:00:03,400 --> 00:00:04,480 Speaker 1: and then they dished me. 3 00:00:05,040 --> 00:00:07,200 Speaker 2: You said the man dick smell of empty red ship. 4 00:00:07,280 --> 00:00:09,520 Speaker 2: I said, God damn you for one. 5 00:00:09,600 --> 00:00:38,120 Speaker 3: It ain't no rules for the one. 6 00:00:41,560 --> 00:00:45,560 Speaker 4: Welcome back to the Ogs. You got the og of 7 00:00:45,640 --> 00:00:47,360 Speaker 4: the Ogs on the podcast today. 8 00:00:47,360 --> 00:00:49,600 Speaker 1: We are super excited about it. Man. 9 00:00:49,640 --> 00:00:51,199 Speaker 4: I'm just trying to figure out, when I look at 10 00:00:51,240 --> 00:00:53,239 Speaker 4: this resume, how the hell you had enough time to 11 00:00:53,280 --> 00:00:53,760 Speaker 4: do all this? 12 00:00:54,400 --> 00:00:54,560 Speaker 3: Man? 13 00:00:54,960 --> 00:00:57,160 Speaker 4: How you have to do all this? You have more 14 00:00:57,160 --> 00:00:58,120 Speaker 4: than twenty four hours. 15 00:00:57,880 --> 00:01:00,840 Speaker 5: Of your day evolution to the fullest right here. 16 00:01:01,480 --> 00:01:03,560 Speaker 1: Now, now, I got you know, I got some great 17 00:01:03,600 --> 00:01:05,800 Speaker 1: people people around it. 18 00:01:05,880 --> 00:01:07,160 Speaker 4: That's right, That's right. 19 00:01:07,400 --> 00:01:10,560 Speaker 2: So yeah, yeah, great, go ahead, I got, I got. 20 00:01:10,560 --> 00:01:12,679 Speaker 2: I got the very very first question for me. 21 00:01:13,440 --> 00:01:13,920 Speaker 3: Mm hmmm. 22 00:01:14,760 --> 00:01:15,720 Speaker 5: The pivot that you made. 23 00:01:15,760 --> 00:01:18,520 Speaker 2: Obviously, you know what I'm saying, going back to Boys 24 00:01:18,560 --> 00:01:20,960 Speaker 2: in the Hood, which was one of my favorite movies 25 00:01:21,000 --> 00:01:23,400 Speaker 2: when you played Dope Boy with Jerry Kirk. 26 00:01:24,840 --> 00:01:25,440 Speaker 5: All that ship. 27 00:01:25,640 --> 00:01:27,880 Speaker 2: But is that is that where cataported your mind and 28 00:01:28,040 --> 00:01:29,760 Speaker 2: thinking and saying I could do this on my shout 29 00:01:29,760 --> 00:01:33,160 Speaker 2: out to the late great obviously John Singleton. But is 30 00:01:33,160 --> 00:01:34,720 Speaker 2: that where you looked at it and said, I could 31 00:01:34,720 --> 00:01:36,080 Speaker 2: be on this other side and I could do that. 32 00:01:36,280 --> 00:01:37,960 Speaker 2: Because what I just want to know where your mind 33 00:01:38,000 --> 00:01:40,520 Speaker 2: started thinking bigger than just being a worker and thinking 34 00:01:40,560 --> 00:01:42,200 Speaker 2: of being a boss. 35 00:01:44,319 --> 00:01:48,120 Speaker 1: Well, you know, I came up around a few bosses, 36 00:01:49,920 --> 00:01:53,320 Speaker 1: you know, starting starting with you know, a guy named 37 00:01:54,520 --> 00:01:59,520 Speaker 1: Lonzo Williams, who uh who ran the record crew. He 38 00:01:59,600 --> 00:02:02,520 Speaker 1: had his own you know, he did his own promoter's, 39 00:02:02,560 --> 00:02:05,640 Speaker 1: own clubs, He had his own record label, put out 40 00:02:05,680 --> 00:02:09,640 Speaker 1: his own records. He was a promoter too, He brought 41 00:02:09,720 --> 00:02:14,679 Speaker 1: in artists watching him, you know, then watching the late 42 00:02:14,720 --> 00:02:21,200 Speaker 1: Great Easy go from you know, hustling on the street 43 00:02:21,440 --> 00:02:24,519 Speaker 1: to you know, selling millions of records. You know, it 44 00:02:24,600 --> 00:02:29,880 Speaker 1: was amazing to see his transition. But yeah, you know 45 00:02:29,919 --> 00:02:32,760 Speaker 1: when I met John Singleton and he put you know, 46 00:02:32,800 --> 00:02:35,239 Speaker 1: he put me in that first movie Boys in the Hood, 47 00:02:36,080 --> 00:02:39,880 Speaker 1: I just got big by the bug and I saw 48 00:02:39,919 --> 00:02:44,519 Speaker 1: somebody that was pretty much my age, you know, controlling 49 00:02:44,600 --> 00:02:48,840 Speaker 1: the whole thing, you know, directing, He had something to 50 00:02:48,880 --> 00:02:52,160 Speaker 1: do the soundtrack, he had something to do with uh, 51 00:02:52,400 --> 00:02:58,360 Speaker 1: you know, editing and promotion, and you know he he 52 00:02:58,360 --> 00:03:00,120 Speaker 1: he told me I could do it. You know, he 53 00:03:00,160 --> 00:03:01,839 Speaker 1: looked at me one day and said when you're gonna 54 00:03:01,840 --> 00:03:04,120 Speaker 1: write a movie, you know, when you're gonna put in 55 00:03:04,160 --> 00:03:07,440 Speaker 1: some work so that all, you know, put the bug 56 00:03:07,520 --> 00:03:10,640 Speaker 1: in my hair head to to go on this route 57 00:03:10,720 --> 00:03:13,200 Speaker 1: when you're doing when you're doing music and then movies. 58 00:03:13,680 --> 00:03:16,320 Speaker 4: Is there is there a lot of similarity similarities in 59 00:03:16,400 --> 00:03:18,360 Speaker 4: that as far as producing writing, is it is it? 60 00:03:18,440 --> 00:03:20,040 Speaker 4: Is it kind of staying in the same lane. Is 61 00:03:20,040 --> 00:03:22,400 Speaker 4: that what it is? Or is it is it completely different? 62 00:03:22,480 --> 00:03:24,480 Speaker 4: Like obviously I can't do either of them, so like 63 00:03:24,720 --> 00:03:25,560 Speaker 4: how does that work? 64 00:03:27,440 --> 00:03:31,880 Speaker 1: I think it's completely different because you know, with a 65 00:03:32,880 --> 00:03:34,640 Speaker 1: you know, it's similar, Like if I was in a 66 00:03:34,680 --> 00:03:39,680 Speaker 1: big group, it would probably be similar. But to put 67 00:03:39,680 --> 00:03:43,600 Speaker 1: it in perspective, you know, to make one movie you 68 00:03:43,680 --> 00:03:47,440 Speaker 1: need over one hundred people in all different aspects working 69 00:03:47,480 --> 00:03:51,880 Speaker 1: hard to bring it together, you know. And to do 70 00:03:51,920 --> 00:03:54,240 Speaker 1: a record, I can go in there with me and 71 00:03:54,320 --> 00:03:58,160 Speaker 1: my engineer and my producer and come out with a record. 72 00:03:58,360 --> 00:04:03,680 Speaker 1: So you know, you can actually, you know, work work 73 00:04:03,720 --> 00:04:06,440 Speaker 1: on the record by yourself if you wanted to. You 74 00:04:06,440 --> 00:04:08,800 Speaker 1: can work on music by yourself. You know. Prince used 75 00:04:08,840 --> 00:04:12,840 Speaker 1: to produce all or a lot of his music just him, 76 00:04:13,320 --> 00:04:16,719 Speaker 1: and so with a movie, there's no way know, how 77 00:04:16,839 --> 00:04:19,400 Speaker 1: can you do it by yourself? So you got to 78 00:04:19,440 --> 00:04:22,040 Speaker 1: be a team player to do movies. 79 00:04:22,720 --> 00:04:24,680 Speaker 4: How hard is it on the movie side, because what 80 00:04:24,720 --> 00:04:26,760 Speaker 4: you're saying is exactly you know, it don't makes sense 81 00:04:26,839 --> 00:04:29,159 Speaker 4: when you go to put a movie together. Obviously the 82 00:04:29,200 --> 00:04:31,920 Speaker 4: idea starts right when you do a Friday or Now 83 00:04:31,960 --> 00:04:33,880 Speaker 4: you got to figure out who's gonna fit those roles, 84 00:04:34,080 --> 00:04:36,720 Speaker 4: so you do. You're hand on hands with all of that. 85 00:04:36,880 --> 00:04:38,880 Speaker 2: First of all, getting a hundred people on the same 86 00:04:38,880 --> 00:04:41,800 Speaker 2: goddamn page, period, I can't even get I can't even 87 00:04:41,839 --> 00:04:44,279 Speaker 2: get tend motherfuckers on the same page. And you got 88 00:04:44,279 --> 00:04:46,520 Speaker 2: a hundred people on the same page. 89 00:04:47,640 --> 00:04:50,120 Speaker 1: Well, you know, you try to find craftsmen, you know, 90 00:04:50,200 --> 00:04:53,600 Speaker 1: you try to find people who who love the project, 91 00:04:54,200 --> 00:04:58,800 Speaker 1: who who want to you know, show their skills, who 92 00:04:58,880 --> 00:05:02,839 Speaker 1: are very passionate. You know, whether they doing wardrobe, you know, 93 00:05:02,880 --> 00:05:07,440 Speaker 1: whether they doing sound, they could be doing catering. You know, 94 00:05:07,520 --> 00:05:10,159 Speaker 1: they want to feed everybody, make sure everybody eat right. 95 00:05:10,560 --> 00:05:13,000 Speaker 1: You know, it's uh. You just find people that take 96 00:05:13,080 --> 00:05:16,320 Speaker 1: pride in they they in they craft. You know their 97 00:05:16,440 --> 00:05:18,880 Speaker 1: name is going up there too at the end when 98 00:05:18,920 --> 00:05:21,560 Speaker 1: the end credits go, you know, they name go up 99 00:05:21,560 --> 00:05:24,279 Speaker 1: there too. And if somebody say, hey man, the food 100 00:05:24,400 --> 00:05:27,840 Speaker 1: was nasty on this movie, everybody go look and see 101 00:05:27,839 --> 00:05:30,480 Speaker 1: who did the catering, and you know it can mess 102 00:05:30,560 --> 00:05:33,560 Speaker 1: up your next job. So, uh, you got to just 103 00:05:33,640 --> 00:05:37,440 Speaker 1: have people who are passionate. It's like playing. You know, 104 00:05:37,520 --> 00:05:41,920 Speaker 1: everybody getting paid different amounts, but that don't matter when 105 00:05:41,960 --> 00:05:43,599 Speaker 1: the ball go up. You know what I mean, when 106 00:05:43,600 --> 00:05:45,920 Speaker 1: the ball go up, it don't matter who getting paid what. 107 00:05:46,560 --> 00:05:48,440 Speaker 1: You know what I'm saying, everybody gotta do their job. 108 00:05:49,080 --> 00:05:51,560 Speaker 1: Do your job, man, time is money in the in 109 00:05:51,600 --> 00:05:56,240 Speaker 1: the movie game. So basically when we on set, everybody 110 00:05:56,279 --> 00:05:57,960 Speaker 1: got to do their job and do it at a 111 00:05:58,000 --> 00:05:58,599 Speaker 1: high level. 112 00:06:00,440 --> 00:06:01,920 Speaker 2: And then when you said, like you know what I'm saying, 113 00:06:01,960 --> 00:06:03,760 Speaker 2: everybody doing their job at a high level, we got 114 00:06:03,760 --> 00:06:06,359 Speaker 2: to give your flowers because a lot of people that's 115 00:06:06,400 --> 00:06:09,360 Speaker 2: like who we watch right now, who we particularly watch meeting, 116 00:06:09,839 --> 00:06:11,560 Speaker 2: do you know what I'm saying. African American culture, a 117 00:06:11,600 --> 00:06:14,440 Speaker 2: lot of these guys got they start or got kind 118 00:06:14,440 --> 00:06:16,039 Speaker 2: of put on the scene. When it came to you, 119 00:06:16,120 --> 00:06:18,560 Speaker 2: I was like, I remember my first time seeing Mike Epps, 120 00:06:18,880 --> 00:06:21,160 Speaker 2: I remember my first time seeing Kat Williams. You know 121 00:06:21,200 --> 00:06:23,240 Speaker 2: what I'm saying, I remember my first time seeing Chris Tucker. 122 00:06:23,440 --> 00:06:25,599 Speaker 2: You know a lot of these guys you know kind 123 00:06:25,600 --> 00:06:28,120 Speaker 2: of got they start, or maybe not they start. Maybe 124 00:06:28,120 --> 00:06:30,000 Speaker 2: they were doing you know, comedy and little you know, 125 00:06:30,160 --> 00:06:32,400 Speaker 2: comedy shows and different things like that. But on the 126 00:06:32,400 --> 00:06:34,120 Speaker 2: big screen when you brought them to us, and you 127 00:06:34,160 --> 00:06:36,160 Speaker 2: brought them to you know, people who were in Miami 128 00:06:36,160 --> 00:06:37,800 Speaker 2: and people who wasn't getting a chance to see them. 129 00:06:38,040 --> 00:06:39,919 Speaker 2: A lot of that started with you. So how was 130 00:06:39,960 --> 00:06:42,360 Speaker 2: you able to kind of run it to these guys, 131 00:06:42,520 --> 00:06:45,160 Speaker 2: discover these guys, meet these guys and know they were 132 00:06:45,200 --> 00:06:46,400 Speaker 2: good to work with in the future. 133 00:06:48,920 --> 00:06:51,160 Speaker 1: Well, you know what's great. When I was putting all 134 00:06:51,200 --> 00:06:55,920 Speaker 1: those movies together, it was something on called Death Comedy 135 00:06:56,000 --> 00:07:02,560 Speaker 1: Jam Oh yes, know, and you know, Comic View and 136 00:07:02,640 --> 00:07:07,480 Speaker 1: all these places would highlight the best comedians of the day. 137 00:07:07,760 --> 00:07:11,640 Speaker 1: And you know, I just got a knack for talent. 138 00:07:11,720 --> 00:07:14,840 Speaker 1: When I see, you know, somebody do one thing, I say, hey, 139 00:07:14,960 --> 00:07:17,160 Speaker 1: you know that that person could do a movie. You 140 00:07:17,200 --> 00:07:19,320 Speaker 1: know this person, you know, if I got a role, 141 00:07:20,120 --> 00:07:23,320 Speaker 1: this would be the perfect person for it. And you know, 142 00:07:23,360 --> 00:07:26,400 Speaker 1: I grew up, you know, watching people like Robert Townsend, 143 00:07:27,320 --> 00:07:32,200 Speaker 1: you know, put together great movies, great ensembles with different comedians. 144 00:07:32,680 --> 00:07:35,840 Speaker 1: You know, I'm a kid that used to watch you know, 145 00:07:35,920 --> 00:07:38,400 Speaker 1: Sad Night Live and Live in Color and all these 146 00:07:38,440 --> 00:07:43,960 Speaker 1: shows who took very you know, different comedians and put 147 00:07:43,960 --> 00:07:49,240 Speaker 1: them in different situations and show their talent. So I 148 00:07:49,320 --> 00:07:52,360 Speaker 1: dig that style. You know. I like making funny movies, 149 00:07:52,360 --> 00:07:55,320 Speaker 1: but I'm not a comedian, so you know, I want 150 00:07:55,320 --> 00:07:58,040 Speaker 1: to find the best people to put in the movie 151 00:07:58,080 --> 00:08:00,880 Speaker 1: to make sure, you know that people are laughing and 152 00:08:00,920 --> 00:08:05,040 Speaker 1: people enjoying theirselves. And so you know, I'm proud of 153 00:08:05,280 --> 00:08:08,960 Speaker 1: the people that I've been able to get them opportunity, 154 00:08:09,640 --> 00:08:12,480 Speaker 1: and not only give them opportunity, but then you know, 155 00:08:12,520 --> 00:08:14,760 Speaker 1: they able to run with it, you know, not just 156 00:08:15,800 --> 00:08:19,040 Speaker 1: you know kind of you know, you know, get there 157 00:08:19,120 --> 00:08:22,240 Speaker 1: and not show up on the moment. You know, you 158 00:08:22,280 --> 00:08:24,560 Speaker 1: need them to show up on the moment. You know, 159 00:08:25,200 --> 00:08:27,720 Speaker 1: like you said, you got some you got some some 160 00:08:28,920 --> 00:08:31,400 Speaker 1: ten am players, and then you got some seven thirty 161 00:08:31,400 --> 00:08:34,360 Speaker 1: pm players, you know what I mean. You know, when 162 00:08:34,360 --> 00:08:37,560 Speaker 1: the popcorn starts smelling and and all that stuff. So 163 00:08:38,240 --> 00:08:41,320 Speaker 1: same thing with acting. You got people who might be 164 00:08:41,480 --> 00:08:43,360 Speaker 1: very funny, but when they get on the set, they 165 00:08:43,440 --> 00:08:45,840 Speaker 1: kind of freeze up. But you know, we got one 166 00:08:45,880 --> 00:08:47,880 Speaker 1: shot at it, one day at it to get it 167 00:08:47,960 --> 00:08:50,800 Speaker 1: right and to be funny and do something special. So 168 00:08:51,880 --> 00:08:55,880 Speaker 1: it's cool that all those guys and girls was able 169 00:08:55,920 --> 00:08:57,679 Speaker 1: to step up to the challenge. 170 00:08:57,880 --> 00:08:59,960 Speaker 2: It's funny you said that because I just want to cool. 171 00:09:00,120 --> 00:09:02,760 Speaker 2: My great teammate Dwayne Wade, where he used to say 172 00:09:02,800 --> 00:09:06,319 Speaker 2: this in practice to me and the coaches sometimes when 173 00:09:06,320 --> 00:09:08,320 Speaker 2: he was you know, going through his motions. You want 174 00:09:08,400 --> 00:09:09,480 Speaker 2: me to give it to you now, you want it 175 00:09:09,520 --> 00:09:10,199 Speaker 2: that seven thirty. 176 00:09:10,559 --> 00:09:11,120 Speaker 5: That's right. 177 00:09:11,320 --> 00:09:13,959 Speaker 2: We'd be like, you know what, the way, take your time. 178 00:09:14,040 --> 00:09:16,439 Speaker 2: We needed that seven thirty. Just take your time, dog 179 00:09:17,000 --> 00:09:18,679 Speaker 2: bring it to us at seventh thirt. So you know 180 00:09:18,679 --> 00:09:20,679 Speaker 2: what I'm saying, it's great that you made that point 181 00:09:21,640 --> 00:09:22,240 Speaker 2: game time. 182 00:09:22,320 --> 00:09:26,400 Speaker 1: You know, that's when it matters. You know, people everybody 183 00:09:26,480 --> 00:09:29,800 Speaker 1: think they can do it, but you know with a 184 00:09:29,920 --> 00:09:32,640 Speaker 1: movie or would act, and you gotta do it when 185 00:09:32,640 --> 00:09:35,880 Speaker 1: it count. You know, nobody care if you fundy to 186 00:09:35,960 --> 00:09:39,440 Speaker 1: day before we shoot. You know what I'm saying, It's like, 187 00:09:39,760 --> 00:09:44,360 Speaker 1: you gotta be funny on time every time. And so 188 00:09:45,040 --> 00:09:47,520 Speaker 1: these guys are great. 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That's for the people dot com. 231 00:11:52,880 --> 00:11:56,880 Speaker 4: Slash the ogs or pound law pound five to nine 232 00:11:57,040 --> 00:12:00,480 Speaker 4: from your cell phone. This, my friends, is a paid 233 00:12:00,600 --> 00:12:02,720 Speaker 4: advertisement blind breaking. 234 00:12:03,040 --> 00:12:06,400 Speaker 1: You are basketball players, so it's gonna be five and 235 00:12:06,400 --> 00:12:08,120 Speaker 1: then you're gonna put I'm gonna say one name, You're 236 00:12:08,120 --> 00:12:09,960 Speaker 1: gonna put them on through five and we're gonna do that, 237 00:12:10,840 --> 00:12:13,319 Speaker 1: both of you. Okay, So it's blind ranking. 238 00:12:13,280 --> 00:12:16,080 Speaker 6: You're gonna do. 239 00:12:16,120 --> 00:12:16,600 Speaker 1: We need to know. 240 00:12:17,200 --> 00:12:19,560 Speaker 6: I need to know. Is it at Florida or is 241 00:12:19,559 --> 00:12:20,680 Speaker 6: it their whole NBA career. 242 00:12:20,760 --> 00:12:21,559 Speaker 1: That's a good question. 243 00:12:23,960 --> 00:12:28,200 Speaker 6: I think this whole thing change is based on his 244 00:12:28,280 --> 00:12:30,640 Speaker 6: whole thing, Like whole career. He's able to higher up 245 00:12:31,440 --> 00:12:34,200 Speaker 6: just Florida. He's out of there Florida because we. 246 00:12:34,240 --> 00:12:35,680 Speaker 3: Got some young bees in there too. 247 00:12:35,800 --> 00:12:38,559 Speaker 5: Okay, so started off Bradley. 248 00:12:38,240 --> 00:12:40,360 Speaker 1: Gil Bradley Bill at Florida. 249 00:12:41,240 --> 00:12:42,120 Speaker 5: I have to go five. 250 00:12:42,120 --> 00:12:43,040 Speaker 1: He's the one and done. 251 00:12:44,679 --> 00:12:46,640 Speaker 4: So you only give me five names, five names. 252 00:12:46,679 --> 00:12:47,880 Speaker 1: I gonna go five to one and done. 253 00:12:48,240 --> 00:12:49,840 Speaker 4: I mean there's too many. I mean, now we're gonna 254 00:12:49,840 --> 00:12:50,800 Speaker 4: be screwed, both of us. 255 00:12:50,920 --> 00:12:51,160 Speaker 1: I know. 256 00:12:51,280 --> 00:12:52,720 Speaker 5: I know that's what I have to. 257 00:12:53,000 --> 00:12:54,240 Speaker 4: Throw some names out there, like me. 258 00:12:54,320 --> 00:12:58,280 Speaker 6: And then also he's six and these lifetime NBA guys, 259 00:12:58,280 --> 00:12:59,400 Speaker 6: one of the best Gators all time. 260 00:12:59,600 --> 00:13:00,760 Speaker 1: Remember that's a hard one. 261 00:13:00,760 --> 00:13:01,160 Speaker 5: That's hard. 262 00:13:02,040 --> 00:13:04,800 Speaker 1: Mike Miller, gonna go four. 263 00:13:06,120 --> 00:13:09,839 Speaker 7: For the people, for the people, for the people, you 264 00:13:09,880 --> 00:13:11,640 Speaker 7: know what I'm gonna go. I feel like you've done 265 00:13:11,640 --> 00:13:14,760 Speaker 7: some due diligence on this year. I feel like you've 266 00:13:14,800 --> 00:13:16,560 Speaker 7: done a lot more work on this than I have. 267 00:13:16,840 --> 00:13:17,880 Speaker 7: I'm going for as well. 268 00:13:20,640 --> 00:13:23,480 Speaker 5: That Florida number one one, big sticks one. 269 00:13:24,640 --> 00:13:26,000 Speaker 4: That wasn't even that's even a hard one. 270 00:13:26,000 --> 00:13:26,440 Speaker 5: That's a one. 271 00:13:26,520 --> 00:13:26,800 Speaker 1: It was. 272 00:13:26,960 --> 00:13:28,800 Speaker 6: It was hard work with him and Horror. He's probably 273 00:13:28,800 --> 00:13:29,280 Speaker 6: coming up. 274 00:13:30,600 --> 00:13:31,920 Speaker 5: Walter Clayton Jr. 275 00:13:33,280 --> 00:13:35,120 Speaker 4: Walter Clayton Junior put him three. 276 00:13:35,360 --> 00:13:36,480 Speaker 5: Yeah, I gotta put. 277 00:13:36,360 --> 00:13:38,600 Speaker 1: Him three and the last but least. 278 00:13:40,360 --> 00:13:42,199 Speaker 5: Yeah, there worked out well for him. 279 00:13:42,200 --> 00:13:43,960 Speaker 1: We have the same team with you. 280 00:13:44,040 --> 00:13:44,680 Speaker 5: D two he had. 281 00:13:44,880 --> 00:13:46,040 Speaker 6: He had two NBA titles. 282 00:13:46,080 --> 00:13:47,120 Speaker 1: He had three NBA titles. 283 00:13:47,160 --> 00:13:48,400 Speaker 5: So if you really look at the breath. 284 00:13:48,200 --> 00:13:50,040 Speaker 1: Of work, if you're looking at I think, I think 285 00:13:50,040 --> 00:13:50,520 Speaker 1: we did good. 286 00:13:50,520 --> 00:13:52,520 Speaker 6: There's no horrorund There's no Corey Brewer on there. So 287 00:13:52,800 --> 00:13:55,200 Speaker 6: Cherlor Parsons was left off the list too, So they're 288 00:13:55,240 --> 00:13:56,680 Speaker 6: not gonna be texting me so O, we're all. 289 00:13:56,600 --> 00:13:59,800 Speaker 5: Good to love? 290 00:13:59,880 --> 00:14:02,840 Speaker 1: Was lawyers exactly right. 291 00:14:02,880 --> 00:14:04,559 Speaker 4: I've always learned. My dad taught me to listen to 292 00:14:04,559 --> 00:14:07,560 Speaker 4: my lawyer well being, our being, my age, and and 293 00:14:07,600 --> 00:14:10,400 Speaker 4: living through it. Everything that you've done has been iconic 294 00:14:10,440 --> 00:14:14,079 Speaker 4: in music and in movies, and and all that ship. 295 00:14:14,120 --> 00:14:16,959 Speaker 4: But now we're you're you're touching your My real heart 296 00:14:17,120 --> 00:14:19,440 Speaker 4: was a Big three basketball. So talking to me about 297 00:14:19,440 --> 00:14:21,320 Speaker 4: big ye, how that all, how that all started, and 298 00:14:21,640 --> 00:14:24,200 Speaker 4: what your idea was behind it, because it's it's a 299 00:14:24,280 --> 00:14:27,120 Speaker 4: super dope idea. I just it's crazy to see, like 300 00:14:27,160 --> 00:14:28,880 Speaker 4: I'm saying, That's why it's fun to have this conversation 301 00:14:29,000 --> 00:14:30,920 Speaker 4: right now. Is Okay, we went from music, we go 302 00:14:31,000 --> 00:14:33,200 Speaker 4: to movies, and now we touch basketball. And you've been 303 00:14:33,360 --> 00:14:35,280 Speaker 4: ultra successful to everything you've done. So how did you 304 00:14:35,320 --> 00:14:37,040 Speaker 4: come up with Big three? And what what would you 305 00:14:37,040 --> 00:14:38,640 Speaker 4: think the idea was at the beginning, and how did 306 00:14:38,680 --> 00:14:40,680 Speaker 4: you obviously orchestrate and put it together? 307 00:14:42,840 --> 00:14:46,960 Speaker 1: You know, as a fan, that's really what idea came. 308 00:14:47,040 --> 00:14:49,800 Speaker 1: I wanted to see more hoops, you know, I use 309 00:14:49,960 --> 00:14:55,560 Speaker 1: I usually hibernate after the finals until until football starts, 310 00:14:55,680 --> 00:14:59,040 Speaker 1: so all us all us. I figured, yeah, you know, 311 00:14:59,160 --> 00:15:01,200 Speaker 1: so I figured, like damn this two and a half 312 00:15:01,280 --> 00:15:06,160 Speaker 1: months that nothing I really dig is popping. And so 313 00:15:08,840 --> 00:15:11,160 Speaker 1: you know, this idea of three on three. I love 314 00:15:11,240 --> 00:15:13,120 Speaker 1: three on three. I played more three on three than 315 00:15:13,160 --> 00:15:17,000 Speaker 1: five on five. It's always been like the little cousin 316 00:15:17,080 --> 00:15:20,600 Speaker 1: of five on five but never got no shine. So 317 00:15:21,960 --> 00:15:24,960 Speaker 1: you know, years ago, you know, over a decade ago, 318 00:15:25,000 --> 00:15:27,640 Speaker 1: I was wondering, why hasn't this been elevated to the 319 00:15:27,680 --> 00:15:31,560 Speaker 1: pro level. You know, I would see different little three 320 00:15:31,600 --> 00:15:35,560 Speaker 1: on three you know, kind of weekend warrior tournaments pop 321 00:15:35,680 --> 00:15:39,240 Speaker 1: up outside on the black top, and I was like, man, 322 00:15:39,280 --> 00:15:42,760 Speaker 1: why this not inside in the arena with pros? You know, 323 00:15:42,800 --> 00:15:45,320 Speaker 1: could you imagine seven foot is playing three on three? 324 00:15:45,840 --> 00:15:50,280 Speaker 1: And so that's where the idea started to, you know, 325 00:15:50,400 --> 00:15:53,320 Speaker 1: kind of germinate. Then, you know, I started talking to 326 00:15:53,400 --> 00:15:57,560 Speaker 1: my partner, Jeff Kwans. He was you know, he me 327 00:15:57,600 --> 00:15:59,800 Speaker 1: and him just kind of start beating the idea off 328 00:16:00,000 --> 00:16:02,600 Speaker 1: each other. But what kicked us over the top was 329 00:16:02,680 --> 00:16:07,800 Speaker 1: Kobe scoring sixty points in his last game. Now we 330 00:16:07,840 --> 00:16:11,680 Speaker 1: was like, if a dude can score sixty points in 331 00:16:11,720 --> 00:16:17,400 Speaker 1: his last game, he got so much game left, but 332 00:16:17,560 --> 00:16:20,800 Speaker 1: nowhere to play, you know, nowhere to display it on 333 00:16:20,840 --> 00:16:25,200 Speaker 1: the professional level. And so that's when we started to say, hey, 334 00:16:26,160 --> 00:16:30,040 Speaker 1: let's start thinking about what it would look like. And 335 00:16:30,040 --> 00:16:33,920 Speaker 1: in twenty sixteen, we spent a year just kind of 336 00:16:34,520 --> 00:16:38,560 Speaker 1: bullshitting talking about rules. You know, what would it look like, 337 00:16:38,640 --> 00:16:41,280 Speaker 1: How could we be better than the other leagues. How 338 00:16:41,280 --> 00:16:43,320 Speaker 1: could we treat our players better? You know, let them 339 00:16:43,360 --> 00:16:46,160 Speaker 1: pick their own team, you know, you know, fucking GM, 340 00:16:46,560 --> 00:16:49,440 Speaker 1: you know what I'm saying. It's like, you know, like 341 00:16:49,520 --> 00:16:53,280 Speaker 1: we started to think of what's cool and how do 342 00:16:53,400 --> 00:16:56,640 Speaker 1: we bring the best out the players. We start thinking 343 00:16:56,680 --> 00:16:59,200 Speaker 1: of ways to get him to play hard, you know, 344 00:17:00,160 --> 00:17:04,000 Speaker 1: all different All Star games and stuff, and we was like, dude, 345 00:17:04,080 --> 00:17:05,520 Speaker 1: you know, you should get a little more if you 346 00:17:05,600 --> 00:17:09,320 Speaker 1: win than if you lose. You know, that'll probably bring 347 00:17:09,359 --> 00:17:14,240 Speaker 1: out the real game. And so we spent twenty sixteen 348 00:17:14,359 --> 00:17:19,200 Speaker 1: calibrating the idea, and then we start talking to you know, 349 00:17:19,760 --> 00:17:25,000 Speaker 1: the real ogs, you know, Iceman, Clyde Drexler, doctor j 350 00:17:25,880 --> 00:17:27,960 Speaker 1: Is this a good idea? Would you be a part 351 00:17:28,040 --> 00:17:34,560 Speaker 1: of this? Gary Payton, Chauncey Billups, Jermaine O'Neill, Bonzi Wells, 352 00:17:34,600 --> 00:17:37,160 Speaker 1: you know, were talking to all this the old Jesus, 353 00:17:37,240 --> 00:17:39,119 Speaker 1: this a good idea? Would you be a part of 354 00:17:39,200 --> 00:17:42,080 Speaker 1: a part of it? And all of them say yeah. 355 00:17:42,480 --> 00:17:48,840 Speaker 1: And twenty sixteen into twenty sixteen, Kenyan Martin was the 356 00:17:48,880 --> 00:17:52,479 Speaker 1: first one to actually sign the contract, and we was like, 357 00:17:52,520 --> 00:17:55,399 Speaker 1: we got credibility, you know, we got k Mark that 358 00:17:55,520 --> 00:18:00,000 Speaker 1: give us a ton of credibility first number one overall 359 00:18:00,280 --> 00:18:05,200 Speaker 1: pick you know what I'm saying. And so from there 360 00:18:05,240 --> 00:18:09,680 Speaker 1: he you know, Jermaine O'Neill, you know, all the OG's 361 00:18:09,720 --> 00:18:14,040 Speaker 1: start to really sign up and buy into the idea. 362 00:18:14,560 --> 00:18:16,919 Speaker 1: And you know, to make a long story short, we 363 00:18:17,000 --> 00:18:21,760 Speaker 1: launched in twenty seventeen, been rolling ever since. You know, 364 00:18:21,800 --> 00:18:25,080 Speaker 1: it's been a labor love to get this league to 365 00:18:25,160 --> 00:18:28,600 Speaker 1: this point. Yeah, you know, we got the best professional 366 00:18:29,040 --> 00:18:32,719 Speaker 1: three on three basketball league in the world. Uh, and 367 00:18:33,359 --> 00:18:34,600 Speaker 1: we're very proud of it. 368 00:18:34,680 --> 00:18:36,920 Speaker 4: Shit Cube, I grew up. I grew up in South 369 00:18:37,000 --> 00:18:39,200 Speaker 4: Dakota and three on three was survived then, like our 370 00:18:39,240 --> 00:18:41,240 Speaker 4: age group three on three basketball, those terms what you're 371 00:18:41,240 --> 00:18:43,440 Speaker 4: talking about where the ship and what you said in there, 372 00:18:43,440 --> 00:18:45,879 Speaker 4: like talking about even Kobe that inspired you because at 373 00:18:45,880 --> 00:18:48,720 Speaker 4: that age it's true because they have a lot more 374 00:18:48,720 --> 00:18:50,280 Speaker 4: to give, and these players have a lot more to give, 375 00:18:50,320 --> 00:18:51,800 Speaker 4: but they just can't do it for eighty two games 376 00:18:51,880 --> 00:18:54,840 Speaker 4: up and down, compete against consistently for you know, like 377 00:18:54,880 --> 00:18:57,040 Speaker 4: they can't do it. So what you're doing, man, like 378 00:18:57,119 --> 00:18:59,359 Speaker 4: literally three on three was the fucking vibe, Like that 379 00:18:59,440 --> 00:19:01,000 Speaker 4: was what we see, Like you rolled out of the 380 00:19:01,000 --> 00:19:02,920 Speaker 4: park and it was three on three turns every Saturday 381 00:19:02,960 --> 00:19:05,119 Speaker 4: and Sunday. And I know I'm coming from South Dakota, 382 00:19:05,160 --> 00:19:07,480 Speaker 4: so I know it's even better than every every other us, 383 00:19:07,680 --> 00:19:10,240 Speaker 4: every other place. But that's just the best three or 384 00:19:10,280 --> 00:19:11,480 Speaker 4: three basketball is elaite to me. 385 00:19:12,800 --> 00:19:16,359 Speaker 1: Yeah, you know you have to you can't hide. You 386 00:19:16,400 --> 00:19:20,400 Speaker 1: can't be a specialist in three on three. No specialists. 387 00:19:23,240 --> 00:19:26,080 Speaker 1: You gotta you gotta be able to pass, dribble, shoot, 388 00:19:26,080 --> 00:19:30,640 Speaker 1: and defend or you're gonna get exposed. And and these 389 00:19:30,680 --> 00:19:34,719 Speaker 1: guys there, they've honed their skill level too, you know, 390 00:19:34,800 --> 00:19:38,919 Speaker 1: to the to me to the Apex, and they know 391 00:19:39,000 --> 00:19:42,159 Speaker 1: all the tricks of the trade. They know everything you 392 00:19:42,280 --> 00:19:46,840 Speaker 1: need to know to to get loose in the Big Three. 393 00:19:46,920 --> 00:19:50,800 Speaker 1: And so you know what's cool now, we're starting to 394 00:19:50,840 --> 00:19:53,879 Speaker 1: open it up for younger players. So we got some 395 00:19:53,920 --> 00:19:56,640 Speaker 1: of our younger stars coming in doing their thing too, 396 00:19:57,240 --> 00:20:00,240 Speaker 1: and so it's, uh, the league is growing in a 397 00:20:00,280 --> 00:20:03,760 Speaker 1: way that we that we envision and and you know, 398 00:20:04,240 --> 00:20:06,040 Speaker 1: we're just gonna keep fanning the flames. 399 00:20:06,440 --> 00:20:09,280 Speaker 4: And again, what I love about it is that you're 400 00:20:09,320 --> 00:20:11,639 Speaker 4: creative and outside the box. Obviously you've you've shown your 401 00:20:11,640 --> 00:20:14,119 Speaker 4: creativity throughout your career with everything else you've done, but 402 00:20:14,440 --> 00:20:16,359 Speaker 4: even talking about the Caitlin Clark stuff like that had 403 00:20:16,359 --> 00:20:19,800 Speaker 4: been unbelievable. What what actually happened there, because there's rumors 404 00:20:19,840 --> 00:20:21,879 Speaker 4: all over the place like that had been that had 405 00:20:21,920 --> 00:20:24,680 Speaker 4: been an unbelievable platform for her as well. So so 406 00:20:25,080 --> 00:20:26,359 Speaker 4: if you can touch on that a little bit that 407 00:20:26,400 --> 00:20:27,359 Speaker 4: had been that had been dope. 408 00:20:29,359 --> 00:20:32,679 Speaker 1: Well, we're proud that we've changed the game for the better. 409 00:20:34,320 --> 00:20:36,720 Speaker 1: We believe the guys in the Big three are playing 410 00:20:36,720 --> 00:20:41,879 Speaker 1: the right way. You know, rules are innovative, four point shot, 411 00:20:42,880 --> 00:20:45,880 Speaker 1: bringing the fire, which you can challenge your file once 412 00:20:45,920 --> 00:20:48,760 Speaker 1: a half, make the guys go one on one to 413 00:20:48,800 --> 00:20:51,360 Speaker 1: see if it was really a file, you know, all 414 00:20:51,400 --> 00:20:54,680 Speaker 1: that cool stuff that you really can't really pull off 415 00:20:54,680 --> 00:20:58,000 Speaker 1: in five on five. So you know, we we have 416 00:20:58,080 --> 00:21:01,840 Speaker 1: the first female head coach just to win championships and 417 00:21:02,320 --> 00:21:05,879 Speaker 1: coach of the Year with Lisa Leslie and Nancy Lieberman 418 00:21:06,600 --> 00:21:10,960 Speaker 1: and so, uh, you know, we we we didn't know 419 00:21:11,000 --> 00:21:14,719 Speaker 1: if if she was up for the challenge, Caitlyn Clark, uh, 420 00:21:14,800 --> 00:21:17,480 Speaker 1: but we wanted to, you know, give her a real 421 00:21:17,560 --> 00:21:22,280 Speaker 1: offer and not only changed the game for her, but 422 00:21:22,440 --> 00:21:25,280 Speaker 1: changed the game for all women in sports. You know, 423 00:21:25,320 --> 00:21:29,480 Speaker 1: getting an offer like that, it really raised the eyebrows 424 00:21:29,520 --> 00:21:32,919 Speaker 1: of a lot of you know sports, you know, the 425 00:21:32,960 --> 00:21:38,000 Speaker 1: whole sports world really and you know, now they're talking 426 00:21:38,040 --> 00:21:42,280 Speaker 1: more about the compensation and and and and you know 427 00:21:42,359 --> 00:21:45,320 Speaker 1: some of the perks that the women are getting now. 428 00:21:45,720 --> 00:21:49,479 Speaker 1: But here's here. We we offered her a five million 429 00:21:50,720 --> 00:21:55,199 Speaker 1: to play for two years. So she walked away with 430 00:21:55,280 --> 00:21:59,400 Speaker 1: ten little little equity here and there, but we knew 431 00:21:59,400 --> 00:22:02,239 Speaker 1: it was a big step, you know, her, you know, 432 00:22:02,320 --> 00:22:06,000 Speaker 1: trying to play with the men at the professional level 433 00:22:06,800 --> 00:22:12,160 Speaker 1: would have definitely opened up the minds of a lot 434 00:22:12,200 --> 00:22:15,919 Speaker 1: of people. You know, whether you know she was successful 435 00:22:16,000 --> 00:22:19,080 Speaker 1: or not, who knows. But we think she could have 436 00:22:19,119 --> 00:22:24,679 Speaker 1: been because we've had small guards in our league get loose, 437 00:22:24,840 --> 00:22:28,680 Speaker 1: you know, Mark mood Up, Due Raouf, people like has 438 00:22:28,760 --> 00:22:32,679 Speaker 1: he got you know, yeah, you know, these guys was 439 00:22:32,720 --> 00:22:36,920 Speaker 1: able to get loose. They're not that big. And so 440 00:22:37,400 --> 00:22:42,000 Speaker 1: we felt like, okay, she could shoot from range, she 441 00:22:42,080 --> 00:22:45,600 Speaker 1: could pass, she she may have a shot to do 442 00:22:45,760 --> 00:22:50,480 Speaker 1: great in this league. We believe her her not lawyers, 443 00:22:50,480 --> 00:22:53,639 Speaker 1: but her agents blocked it a little bit. You know, 444 00:22:53,680 --> 00:22:56,880 Speaker 1: we never got a chance to actually have a conversation 445 00:22:57,040 --> 00:23:01,200 Speaker 1: with her and her family. Uh, the agents really didn't 446 00:23:01,200 --> 00:23:05,040 Speaker 1: want to see that happen, in our opinion. You know, 447 00:23:05,080 --> 00:23:08,080 Speaker 1: they have too many you know, they they make their 448 00:23:08,119 --> 00:23:11,800 Speaker 1: money off NBA players, you know, not w NBA players, 449 00:23:11,880 --> 00:23:15,600 Speaker 1: So they're not gonna piss the NBA off for one player. 450 00:23:16,200 --> 00:23:19,439 Speaker 1: And so it didn't happen. But we're proud that we 451 00:23:19,520 --> 00:23:22,760 Speaker 1: get you know, we we made the offer and hopefully 452 00:23:22,760 --> 00:23:26,359 Speaker 1: we opened up the minds of you know, people who 453 00:23:26,520 --> 00:23:30,560 Speaker 1: run basketball, who are involved in basketball at the highest levels. 454 00:23:30,800 --> 00:23:33,439 Speaker 4: And just a touch on that, like I think, you know, 455 00:23:33,600 --> 00:23:35,800 Speaker 4: you talked about some of the details in it. We 456 00:23:35,880 --> 00:23:38,200 Speaker 4: heard all the most of the details, we didn't hear them all. 457 00:23:38,400 --> 00:23:40,200 Speaker 4: But the fact that I heard that she was still 458 00:23:40,200 --> 00:23:41,720 Speaker 4: gonna be a lot of playing the w n b A, 459 00:23:42,359 --> 00:23:44,480 Speaker 4: that's like, like, so she had the whole thing, Huh. 460 00:23:44,560 --> 00:23:47,280 Speaker 4: She had She had basically played Big Three play w 461 00:23:47,440 --> 00:23:49,920 Speaker 4: n b A and had the equity and the money, 462 00:23:49,960 --> 00:23:53,520 Speaker 4: and I mean, that's that's an unbelievable opportunity too. 463 00:23:54,080 --> 00:23:54,600 Speaker 5: Really had that. 464 00:23:54,960 --> 00:23:58,000 Speaker 1: Yeah, I mean during our season we only had one 465 00:23:58,119 --> 00:24:02,000 Speaker 1: game that was a conflict with with the fever, and 466 00:24:02,080 --> 00:24:05,399 Speaker 1: we were willing to move that game so should be 467 00:24:05,400 --> 00:24:09,800 Speaker 1: able to play in both. So yeah, you know, like 468 00:24:10,200 --> 00:24:12,560 Speaker 1: we would have made it work for in every which way. 469 00:24:13,480 --> 00:24:17,480 Speaker 1: You know, you know we could have and and look, 470 00:24:17,520 --> 00:24:21,080 Speaker 1: it was a big it was a big swing. You know, 471 00:24:22,320 --> 00:24:25,200 Speaker 1: it would have unlocked a lot of dollars as far 472 00:24:25,200 --> 00:24:31,520 Speaker 1: as sponsor wise, for the league, ticket sales ratings. You know, 473 00:24:31,640 --> 00:24:35,280 Speaker 1: you you definitely are not doing your job if you 474 00:24:35,320 --> 00:24:36,760 Speaker 1: don't go after a player like this. 475 00:24:38,000 --> 00:24:40,000 Speaker 4: That's what's so good about telling you the way you 476 00:24:40,000 --> 00:24:42,280 Speaker 4: guys are running Big three and being innovative and you know, 477 00:24:42,320 --> 00:24:44,719 Speaker 4: thinking outside the box. That's gonna that's what's gonna keep 478 00:24:44,760 --> 00:24:46,399 Speaker 4: thriving in that it's gonna it's gonna be fun to 479 00:24:46,440 --> 00:24:48,160 Speaker 4: watch watch. 480 00:24:49,240 --> 00:24:52,440 Speaker 1: You know. I mean that's what we've been doing over 481 00:24:52,480 --> 00:24:56,560 Speaker 1: the last eight years is calibrating the league and making 482 00:24:56,640 --> 00:24:59,800 Speaker 1: sure it was fun to play for the players, fun 483 00:24:59,840 --> 00:25:03,080 Speaker 1: to watch for the for the fans. We ain't gonna 484 00:25:03,080 --> 00:25:05,639 Speaker 1: tinker with it too much. Is we think it's great. 485 00:25:05,800 --> 00:25:11,040 Speaker 1: First to fifty win, so it's a sprint. And you know, 486 00:25:11,160 --> 00:25:15,000 Speaker 1: one shot free throws is great. You know, seeing somebody 487 00:25:15,000 --> 00:25:18,840 Speaker 1: shoot three free throws is a motherfucker. But seeing them 488 00:25:18,840 --> 00:25:21,959 Speaker 1: shoot seeing them shoot four what made you make your 489 00:25:22,000 --> 00:25:25,200 Speaker 1: leader arena. So we we we said, you know, one 490 00:25:25,240 --> 00:25:27,760 Speaker 1: shot from the four point circle if you get fouled 491 00:25:27,840 --> 00:25:31,200 Speaker 1: that far. So you know, these little innovations just make 492 00:25:31,240 --> 00:25:35,920 Speaker 1: the game go quicker, making more bite size for these 493 00:25:35,960 --> 00:25:39,240 Speaker 1: new fans who on their phones and you know they 494 00:25:39,320 --> 00:25:40,200 Speaker 1: kind of on the move. 495 00:25:40,359 --> 00:25:42,639 Speaker 2: You know, Yeah, I got one question because I want 496 00:25:42,680 --> 00:25:44,360 Speaker 2: to circle back to what you said about you know, 497 00:25:44,480 --> 00:25:47,359 Speaker 2: maybe the agents, you know, kind of blocking it and 498 00:25:47,480 --> 00:25:50,600 Speaker 2: you know, things like that. How has that been when 499 00:25:50,640 --> 00:25:54,159 Speaker 2: you're dealing with the NBA and this specific situation with 500 00:25:54,280 --> 00:25:56,639 Speaker 2: Kitlyn the w n b A and you know, not 501 00:25:57,200 --> 00:26:00,240 Speaker 2: being seen as we're being seen as a competitor, not 502 00:26:00,280 --> 00:26:02,960 Speaker 2: being seen as an asset, or being seen as a 503 00:26:03,560 --> 00:26:06,560 Speaker 2: situation where you know you can help you know, retire 504 00:26:06,680 --> 00:26:09,440 Speaker 2: NBA players or maybe even help a player that can 505 00:26:09,480 --> 00:26:11,160 Speaker 2: come into the Big Three and they can say, oh shit, 506 00:26:11,200 --> 00:26:12,840 Speaker 2: he might have a chance to play on our level. 507 00:26:12,880 --> 00:26:14,280 Speaker 5: Like you know what I'm saying something like that. 508 00:26:14,480 --> 00:26:17,000 Speaker 2: How has it been not really having that support, Because 509 00:26:17,000 --> 00:26:21,200 Speaker 2: we talked about this before prior to this, you. 510 00:26:21,160 --> 00:26:25,680 Speaker 1: Know, it's been it's been challenging, but it's been rewarding too, 511 00:26:25,720 --> 00:26:29,240 Speaker 1: because we know, you know, nobody has helped us get 512 00:26:29,280 --> 00:26:33,720 Speaker 1: to this point, you know, and they can't really discredit 513 00:26:33,800 --> 00:26:38,679 Speaker 1: what we've accomplished. We have changed the game for the better. 514 00:26:39,720 --> 00:26:44,480 Speaker 1: We think it's silly, and when you really look at it, 515 00:26:46,160 --> 00:26:49,520 Speaker 1: most of the NBA loves us. Yeah, the players love us, 516 00:26:49,800 --> 00:26:54,720 Speaker 1: The coaches love us, gems love us, owners love us. 517 00:26:55,520 --> 00:26:59,000 Speaker 1: You know, NBA fans love us. We just got a 518 00:26:59,040 --> 00:27:03,320 Speaker 1: problem with with the brass, you know, the Adam silver 519 00:27:03,560 --> 00:27:09,560 Speaker 1: Mark Tatum. Them guys feel threatened and they don't. You know, 520 00:27:09,600 --> 00:27:13,119 Speaker 1: we could have worked together all these years and we 521 00:27:13,160 --> 00:27:16,920 Speaker 1: wouldn't have made a move without their blessing. But now, 522 00:27:17,040 --> 00:27:20,760 Speaker 1: you know, I think it's better for the game that 523 00:27:21,000 --> 00:27:25,080 Speaker 1: we are away from them, so we can do things 524 00:27:25,119 --> 00:27:31,320 Speaker 1: that's cool, innovative. We can make the game fun but 525 00:27:31,440 --> 00:27:35,240 Speaker 1: still keep it serious. You know, one thing we pride 526 00:27:35,280 --> 00:27:38,560 Speaker 1: ourselves on is we play the game the right way 527 00:27:39,160 --> 00:27:42,959 Speaker 1: as fast. It's physical. We let trash talking happen. If 528 00:27:42,960 --> 00:27:45,600 Speaker 1: you go down, nobody gonna get a tech. You know. 529 00:27:46,200 --> 00:27:49,800 Speaker 1: We let the players be themselves. You know, nobody want 530 00:27:49,840 --> 00:27:55,120 Speaker 1: to pay to see robots play, and so be yourself. 531 00:27:55,200 --> 00:27:59,240 Speaker 1: Your personality is is welcomed in the Big Three instead 532 00:27:59,280 --> 00:28:03,159 Speaker 1: of shunned and and the players love it, fans love it. 533 00:28:03,200 --> 00:28:05,879 Speaker 1: That's what the fans want to see is it's entertainment. 534 00:28:05,960 --> 00:28:11,040 Speaker 1: But between the lines, it's deadly serious and it's it's 535 00:28:11,080 --> 00:28:14,880 Speaker 1: great to have that, you know, you know that that 536 00:28:15,960 --> 00:28:17,760 Speaker 1: finger on the pulse put it that way. 537 00:28:18,000 --> 00:28:20,040 Speaker 5: Yeah, yeah, that's a mad game. 538 00:28:20,080 --> 00:28:21,840 Speaker 2: Boy, I'm telling you, like three on three, like you say, 539 00:28:21,880 --> 00:28:24,320 Speaker 2: you can't hide and you and week Link, somebody gonna 540 00:28:24,320 --> 00:28:26,399 Speaker 2: go at you and go at you and go at 541 00:28:26,480 --> 00:28:28,280 Speaker 2: you and go at you. 542 00:28:28,280 --> 00:28:31,800 Speaker 1: You know, some dudes don't want to smoke man. You 543 00:28:31,880 --> 00:28:34,400 Speaker 1: know that when they when they done, when they done 544 00:28:34,400 --> 00:28:39,160 Speaker 1: with the NBA, they like, manh nah nah they going, 545 00:28:39,200 --> 00:28:41,680 Speaker 1: they going a little too hard out there and Big three. 546 00:28:42,120 --> 00:28:46,240 Speaker 1: So it's good to have that reputation. But I think 547 00:28:46,360 --> 00:28:50,160 Speaker 1: you know, fans want to see they don't want to see, 548 00:28:50,280 --> 00:28:54,400 Speaker 1: you know, people scoring one hundred and forty points and losing. 549 00:28:55,320 --> 00:28:57,800 Speaker 1: You know who want to see that. You know, it's 550 00:28:57,920 --> 00:29:02,720 Speaker 1: like gotta gotta bring the d back in and make 551 00:29:02,760 --> 00:29:06,160 Speaker 1: it a balanced game. I think fans dig it. 552 00:29:06,760 --> 00:29:08,560 Speaker 4: No, the hardest the hardest thing for me when you 553 00:29:08,600 --> 00:29:10,600 Speaker 4: when when you started the whole thing was because the 554 00:29:10,640 --> 00:29:13,280 Speaker 4: fans want to see competitive basketball. Yes, and and the 555 00:29:13,320 --> 00:29:15,440 Speaker 4: guys that the people, the players, the players that you 556 00:29:15,440 --> 00:29:17,360 Speaker 4: have coming in now once you roll about there are 557 00:29:17,360 --> 00:29:20,160 Speaker 4: gonna be competitive now, making rules and stuff that implement 558 00:29:20,240 --> 00:29:22,160 Speaker 4: so that we can stay competitive. But like you said, 559 00:29:22,200 --> 00:29:24,760 Speaker 4: like no one wants to come watch a one eighteen 560 00:29:24,800 --> 00:29:26,880 Speaker 4: old men play basketball, but to compete to fifty to 561 00:29:26,920 --> 00:29:28,720 Speaker 4: do that stuff, I think I'm telling you it's gonna 562 00:29:28,760 --> 00:29:31,000 Speaker 4: be It's gonna be fun. So June fifteenth, it starts 563 00:29:31,000 --> 00:29:33,120 Speaker 4: again this year, right, any new rules that we're. 564 00:29:32,960 --> 00:29:37,400 Speaker 1: Need being ready for nothing new. Everything is working, so 565 00:29:37,960 --> 00:29:40,640 Speaker 1: we don't want to you know, if it's if it 566 00:29:40,680 --> 00:29:43,719 Speaker 1: ain't broke, don't break it. You know, that's my motto. 567 00:29:43,960 --> 00:29:48,200 Speaker 1: So we're gonna we're gonna. You know what's great about 568 00:29:48,240 --> 00:29:51,280 Speaker 1: the league now, you know most of our coach has 569 00:29:51,360 --> 00:29:54,760 Speaker 1: been there almost a decade. You know, we've had doctor 570 00:29:54,840 --> 00:29:59,120 Speaker 1: Jay hey years, We've had Iceman you know, eight years, 571 00:29:59,520 --> 00:30:03,040 Speaker 1: Rick b eight years. You know, it's it's been cool 572 00:30:03,080 --> 00:30:08,160 Speaker 1: to have these Gary Payton been there from day one, yeah, 573 00:30:08,320 --> 00:30:11,760 Speaker 1: you know, Rick, Rick Mahorn. It's just been cool to 574 00:30:11,840 --> 00:30:16,200 Speaker 1: have these ogs there that long. And now they really 575 00:30:16,320 --> 00:30:18,880 Speaker 1: understand our rules, they really know how to win in 576 00:30:18,920 --> 00:30:23,920 Speaker 1: the big three. They know how to use everything available 577 00:30:24,520 --> 00:30:29,440 Speaker 1: to win the game. And so that's the beauty from us, 578 00:30:29,480 --> 00:30:34,200 Speaker 1: you know, from from from our you know, invention of this, 579 00:30:34,800 --> 00:30:38,080 Speaker 1: you know, version of three on three to see people 580 00:30:38,800 --> 00:30:42,960 Speaker 1: implement the rules and what's going on to win the 581 00:30:43,040 --> 00:30:47,960 Speaker 1: game and come back and come from behind and and uh, 582 00:30:48,000 --> 00:30:50,719 Speaker 1: it's just it's been amazing to see it all come together. 583 00:30:51,240 --> 00:30:54,240 Speaker 2: Well, even though you might not have the direct support 584 00:30:54,280 --> 00:30:56,440 Speaker 2: of the NBA, you have the support of the NBA 585 00:30:56,520 --> 00:30:58,160 Speaker 2: with that list of names you just said. You talking 586 00:30:58,160 --> 00:31:00,880 Speaker 2: about Doctor J. You're talking about Rick my Home, you 587 00:31:00,920 --> 00:31:03,560 Speaker 2: tell about Clyde Drexler, you tell about Rick Barry like 588 00:31:03,680 --> 00:31:07,360 Speaker 2: you have. I mean, these are some motherfucking real ones. 589 00:31:07,360 --> 00:31:09,960 Speaker 2: And these are guys that are legendary in this league. 590 00:31:10,040 --> 00:31:12,000 Speaker 2: Like you have the support of the legends. 591 00:31:13,520 --> 00:31:15,719 Speaker 1: Yeah, you know, that's all I need at the end 592 00:31:15,760 --> 00:31:18,160 Speaker 1: of the day. You know, once they tell me, Q 593 00:31:18,360 --> 00:31:20,840 Speaker 1: you doing the right thing, we support it. You know, 594 00:31:20,840 --> 00:31:24,360 Speaker 1: I go to them for advice. Uh, we got an 595 00:31:24,360 --> 00:31:27,400 Speaker 1: open book in the league. You know, anybody can hit me, 596 00:31:27,480 --> 00:31:32,080 Speaker 1: call me, you know, talk about something that's their concerns, 597 00:31:32,400 --> 00:31:35,800 Speaker 1: you know whatever, you know, adjustments we need to make. 598 00:31:36,400 --> 00:31:38,720 Speaker 1: What's cools we can make them on the fly. Don't 599 00:31:38,720 --> 00:31:42,760 Speaker 1: have to take years and competition committees and all this. 600 00:31:43,360 --> 00:31:46,240 Speaker 1: You just gotta make sense to the to the league, 601 00:31:46,320 --> 00:31:49,280 Speaker 1: to the you know, people that's playing, people that's coaching, 602 00:31:50,760 --> 00:31:54,920 Speaker 1: to the staff. So it's been it's been the funnest 603 00:31:54,960 --> 00:31:59,600 Speaker 1: thing I've done in my career, you know, because I'm 604 00:31:59,640 --> 00:32:01,880 Speaker 1: a fan. I'm a fan of the game. These are 605 00:32:01,880 --> 00:32:05,600 Speaker 1: my heroes, you know, and so to be around them, 606 00:32:05,960 --> 00:32:09,480 Speaker 1: you know, on on a weekly basis, to get a 607 00:32:09,560 --> 00:32:12,720 Speaker 1: chance to have you know, cool conversations with him, you 608 00:32:12,760 --> 00:32:16,000 Speaker 1: know about you know, I talked to to Iceman. You know, 609 00:32:16,040 --> 00:32:18,200 Speaker 1: he tell me about his you know, he hunt on 610 00:32:18,240 --> 00:32:20,680 Speaker 1: his land out there in Texas, you know. 611 00:32:21,680 --> 00:32:22,040 Speaker 3: You know. 612 00:32:22,160 --> 00:32:25,320 Speaker 1: So it's you know, being able to talk to to 613 00:32:25,440 --> 00:32:30,240 Speaker 1: these dudes, you know, about stuff that that's outside of basketball. 614 00:32:30,320 --> 00:32:32,480 Speaker 1: You know. It's like from a fan point of view, 615 00:32:32,880 --> 00:32:33,800 Speaker 1: don't get no better. 616 00:32:33,960 --> 00:32:36,240 Speaker 2: Speaking of being a fan of the game, Well, we're 617 00:32:36,240 --> 00:32:39,239 Speaker 2: fans right now. Just tell you, I want to cut 618 00:32:39,280 --> 00:32:39,480 Speaker 2: you off. 619 00:32:40,040 --> 00:32:42,120 Speaker 1: A fan of y'all too, You fans right now, y'all 620 00:32:42,120 --> 00:32:45,240 Speaker 1: got y'all got them rings, man, you know, so definitely 621 00:32:45,280 --> 00:32:46,160 Speaker 1: I'm a fan of that. 622 00:32:46,400 --> 00:32:49,320 Speaker 2: Yeah, fans too, because I mean growing up obviously, you 623 00:32:49,360 --> 00:32:52,719 Speaker 2: know where we grew up, and well, South Dakota. 624 00:32:52,760 --> 00:32:54,040 Speaker 5: I can't see he keeps doing this. 625 00:32:56,120 --> 00:32:58,320 Speaker 2: Obviously growing up, you know what I'm saying, where we 626 00:32:58,400 --> 00:33:00,360 Speaker 2: grew up in the inner city, Dog, And it's like 627 00:33:00,560 --> 00:33:03,080 Speaker 2: just seeing somebody obviously that look like us, that go 628 00:33:03,160 --> 00:33:04,920 Speaker 2: through some of the same things we go through, but 629 00:33:04,960 --> 00:33:06,840 Speaker 2: also speak about it, you know, in a way that 630 00:33:06,880 --> 00:33:09,720 Speaker 2: we can understand it. And you've always done that. You've 631 00:33:09,760 --> 00:33:11,680 Speaker 2: always spoke about it in a way that we can 632 00:33:11,760 --> 00:33:12,320 Speaker 2: understand it. 633 00:33:12,360 --> 00:33:14,240 Speaker 5: You've always brought it to our people. 634 00:33:14,360 --> 00:33:17,200 Speaker 2: And sometimes you need people like that because I know, 635 00:33:17,280 --> 00:33:19,480 Speaker 2: for me personally, like a lot of things don't get 636 00:33:19,480 --> 00:33:21,320 Speaker 2: to my community and get to my people. We got 637 00:33:21,360 --> 00:33:22,680 Speaker 2: to see it on TV or we got to read 638 00:33:22,680 --> 00:33:24,720 Speaker 2: about it, but nobody don't bring it to you. You 639 00:33:24,760 --> 00:33:26,520 Speaker 2: always brought it straight to us, you know what I'm saying. 640 00:33:26,560 --> 00:33:28,600 Speaker 2: You brought it straight to us. Whether it was through 641 00:33:28,640 --> 00:33:31,280 Speaker 2: the music, whether it was through the movies, or whether 642 00:33:31,320 --> 00:33:32,960 Speaker 2: it was through the Three Big Three, three on three. 643 00:33:33,000 --> 00:33:35,480 Speaker 2: You brought it to your people, Dog, and we appreciate that. 644 00:33:37,040 --> 00:33:41,400 Speaker 1: I appreciate everybody you know, being down, and I think 645 00:33:41,440 --> 00:33:43,520 Speaker 1: that's what the artist is supposed to do. You know, 646 00:33:43,560 --> 00:33:46,120 Speaker 1: I look at the artists back in the day, from 647 00:33:46,240 --> 00:33:50,200 Speaker 1: Rovin Gaye to Stevie Wonder, you know, artists. I grew 648 00:33:50,280 --> 00:33:53,600 Speaker 1: up on the Chuck D's and kars Ones of the world. 649 00:33:55,360 --> 00:33:57,560 Speaker 1: You got to bring the information to the people. When 650 00:33:57,600 --> 00:34:00,000 Speaker 1: you got the mic, you got the mic, use it, 651 00:34:00,400 --> 00:34:03,480 Speaker 1: you know, don't just don't just Ryan for the sake 652 00:34:03,520 --> 00:34:07,120 Speaker 1: of riddling, you know what I mean. But Ryan with 653 00:34:07,120 --> 00:34:10,200 Speaker 1: with with a message, and you're still don't want to 654 00:34:10,200 --> 00:34:12,399 Speaker 1: make the people rock and dance and have a good time, 655 00:34:12,480 --> 00:34:14,880 Speaker 1: but you know you want to put a little something, 656 00:34:15,440 --> 00:34:18,520 Speaker 1: you know, leave him, leave him a little something to 657 00:34:18,600 --> 00:34:22,520 Speaker 1: think about. And so also I want to salute brother 658 00:34:22,600 --> 00:34:25,440 Speaker 1: Marquis who just passed away with her Two Live Crew. 659 00:34:26,239 --> 00:34:29,040 Speaker 1: You know, I know you're out there in Miami. You know, 660 00:34:29,080 --> 00:34:32,040 Speaker 1: we had good times together on the road. You know, 661 00:34:32,080 --> 00:34:34,480 Speaker 1: he was a cool dude. He put he put the 662 00:34:34,760 --> 00:34:36,359 Speaker 1: word live in Two Live Crew. 663 00:34:36,640 --> 00:34:38,360 Speaker 3: He was ball of. 664 00:34:38,520 --> 00:34:43,480 Speaker 1: Energy, and so it was always good to see that brother. 665 00:34:43,520 --> 00:34:46,320 Speaker 1: He always had a smile on his face and always 666 00:34:46,320 --> 00:34:48,480 Speaker 1: had a good time no matter where he was. So 667 00:34:49,120 --> 00:34:52,239 Speaker 1: salute to Brother Marquis and and everybody in the Two 668 00:34:52,280 --> 00:34:54,000 Speaker 1: Live Crew. That's hurting right now. 669 00:34:54,360 --> 00:34:57,200 Speaker 2: That's one of my OG's loud crew. I grew up 670 00:34:57,239 --> 00:34:59,600 Speaker 2: on that music and grew up on them. So that's 671 00:34:59,680 --> 00:35:02,040 Speaker 2: love right there, man, real. 672 00:35:02,200 --> 00:35:04,000 Speaker 4: So talk about that going back to like you're saying, 673 00:35:04,040 --> 00:35:06,279 Speaker 4: two live people talk about talking about the music. Yeah, yeah, 674 00:35:06,320 --> 00:35:07,960 Speaker 4: let's go back to the music a little bit again. 675 00:35:08,120 --> 00:35:10,120 Speaker 2: Let's go back to this. I can say this, niggas 676 00:35:10,120 --> 00:35:13,399 Speaker 2: with attitude. You Yeah, we don't want you to get 677 00:35:14,200 --> 00:35:16,160 Speaker 2: you just say n W, we don't want you to 678 00:35:16,200 --> 00:35:18,680 Speaker 2: get canceled. Back to the niggas with the attitude. That's 679 00:35:18,719 --> 00:35:21,600 Speaker 2: what That's what I want to talk about. Talk about 680 00:35:21,680 --> 00:35:24,319 Speaker 2: that ship. Obviously, I saw the movie. I saw how 681 00:35:24,360 --> 00:35:26,959 Speaker 2: everybody came together. I saw, like, you know what I'm saying, 682 00:35:27,320 --> 00:35:29,440 Speaker 2: he was really in the streets own that ship, and 683 00:35:30,239 --> 00:35:32,400 Speaker 2: he came in with the money. And but just talk 684 00:35:32,480 --> 00:35:35,239 Speaker 2: about that man as young men, you know what I'm saying, 685 00:35:35,280 --> 00:35:38,239 Speaker 2: growing up your community and just bringing it just what 686 00:35:38,440 --> 00:35:40,919 Speaker 2: y'all was experiencing, and you know how y'all was able 687 00:35:40,960 --> 00:35:44,040 Speaker 2: to come together and collaborate, which is is a strong 688 00:35:44,120 --> 00:35:46,880 Speaker 2: word collaborate because we don't collaborate enough in our communities. 689 00:35:48,280 --> 00:35:50,759 Speaker 1: Yeah, you know, just being a part of music. You know, 690 00:35:50,840 --> 00:35:55,200 Speaker 1: I thought my I thought my path was gonna be sports, 691 00:35:55,440 --> 00:36:02,239 Speaker 1: playing football, okay, and you know, meeting doctor Dre at 692 00:36:02,280 --> 00:36:06,960 Speaker 1: a young age, fourteen years old. You know, his cousin 693 00:36:07,120 --> 00:36:10,719 Speaker 1: lived on my street. So you know, he said, y'all, 694 00:36:10,880 --> 00:36:13,879 Speaker 1: my cousin do records, and you know, trip me out 695 00:36:14,000 --> 00:36:18,760 Speaker 1: meeting Dre and you know, they was already doing parties. 696 00:36:18,840 --> 00:36:22,400 Speaker 1: They had big names in the city. So you know, 697 00:36:22,600 --> 00:36:26,200 Speaker 1: my interest started to go from sports to music. I 698 00:36:26,280 --> 00:36:31,000 Speaker 1: started hanging out and really understanding what it took. You know, 699 00:36:31,080 --> 00:36:33,640 Speaker 1: they were still trying to make it. And when we 700 00:36:33,760 --> 00:36:36,600 Speaker 1: was on the West coast, you know, all the biggest 701 00:36:36,680 --> 00:36:40,160 Speaker 1: artists were on the East coast, so we were still 702 00:36:40,239 --> 00:36:44,200 Speaker 1: trying to find our way through the local West Coast 703 00:36:44,360 --> 00:36:46,839 Speaker 1: artists that was out here. You know, it was people 704 00:36:47,040 --> 00:36:53,399 Speaker 1: like Ice T. He was starting to bubble, King T, Mixed, 705 00:36:53,520 --> 00:36:57,880 Speaker 1: Master Spade, Tidy T, a lot of teas you know, 706 00:36:58,800 --> 00:37:02,560 Speaker 1: was they was, you know, starting to bubble, the l 707 00:37:02,640 --> 00:37:09,359 Speaker 1: A Dream Team and Uncle Jam's Army, you know, Egyptian Lover. 708 00:37:10,080 --> 00:37:14,200 Speaker 1: You know, y'all hearing Rob Base now on that KENDRICKT. 709 00:37:14,280 --> 00:37:17,640 Speaker 1: Kendrick and a metro booming. You know that that beat. 710 00:37:19,200 --> 00:37:22,200 Speaker 1: So you know, we're all trying to find our way 711 00:37:22,320 --> 00:37:27,440 Speaker 1: and then here come easy E. You know, his cousin 712 00:37:27,520 --> 00:37:30,600 Speaker 1: had just got killed, you know, some dope shit that 713 00:37:30,800 --> 00:37:34,440 Speaker 1: was really uh, you know, tragic, and he was just 714 00:37:34,719 --> 00:37:36,520 Speaker 1: wanting to get out the game. You know, it was 715 00:37:36,719 --> 00:37:40,680 Speaker 1: just too much. And so he started to want to 716 00:37:40,760 --> 00:37:45,439 Speaker 1: do music. And he had a group out of New York. 717 00:37:45,560 --> 00:37:47,520 Speaker 1: You know, he had founded some guys from New York 718 00:37:47,600 --> 00:37:50,279 Speaker 1: that was in l Ah. So he just knew this 719 00:37:50,440 --> 00:37:53,040 Speaker 1: group was about to blow because they was from New York. 720 00:37:53,160 --> 00:37:56,880 Speaker 1: That's how That's how That's how we was thinking back then. 721 00:37:57,000 --> 00:37:58,960 Speaker 4: So that straight out of Compton thing is like almost like, 722 00:37:59,280 --> 00:38:00,640 Speaker 4: how's it here? Telling story again? 723 00:38:01,960 --> 00:38:05,839 Speaker 1: Yeah, that's how it went down. That's how it went down. Yeah, 724 00:38:06,000 --> 00:38:10,120 Speaker 1: And so I wrote a song for him because I was, 725 00:38:10,680 --> 00:38:14,200 Speaker 1: you know, dre like Howard wrote. We was doing mixtapes 726 00:38:14,280 --> 00:38:17,560 Speaker 1: for the neighborhood and we was talking about what was 727 00:38:17,640 --> 00:38:19,680 Speaker 1: going on in the neighborhood. You know, this was stuff 728 00:38:19,719 --> 00:38:22,080 Speaker 1: we didn't we didn't think we could sell on the radio, 729 00:38:22,120 --> 00:38:25,239 Speaker 1: you know, in the record store. You know, this was underground, 730 00:38:25,680 --> 00:38:28,560 Speaker 1: and he was like them, the kind of records we 731 00:38:28,680 --> 00:38:31,000 Speaker 1: need to make you know y'all y'all trying to sign 732 00:38:31,120 --> 00:38:35,239 Speaker 1: run them seeing the Beastie Boys and ship, when when 733 00:38:35,320 --> 00:38:37,839 Speaker 1: y'all need to we need to be talking about what's 734 00:38:37,920 --> 00:38:41,399 Speaker 1: going on around here, like y'all doing those mixtapes. While 735 00:38:41,480 --> 00:38:43,719 Speaker 1: y'all do the good stuff on the mixtapes, but when 736 00:38:43,800 --> 00:38:45,560 Speaker 1: y'all get in the studio, y'all want to do these 737 00:38:45,600 --> 00:38:50,160 Speaker 1: bullshit rap records, you know. So uh So, you know, 738 00:38:50,440 --> 00:38:53,479 Speaker 1: he wanted me to write him a song for his group, 739 00:38:54,000 --> 00:38:57,279 Speaker 1: but he wanted it hard. So that's when I wrote 740 00:38:57,320 --> 00:39:00,560 Speaker 1: Boys in the Hood, and his group didn't like it, 741 00:39:01,160 --> 00:39:04,520 Speaker 1: so Drake got him to wrap it and and we 742 00:39:04,680 --> 00:39:06,600 Speaker 1: blew up. You know, he blew up from there. 743 00:39:07,680 --> 00:39:07,840 Speaker 5: You know. 744 00:39:07,960 --> 00:39:10,879 Speaker 1: Drey said, Yo, I want you to do your own song. 745 00:39:11,680 --> 00:39:13,319 Speaker 1: Easy said, I'll pay for it if you do your 746 00:39:13,360 --> 00:39:15,120 Speaker 1: own song. So I did a song called Dope Man. 747 00:39:16,520 --> 00:39:20,400 Speaker 1: The other side was a ball rolling. So you know, 748 00:39:20,520 --> 00:39:25,200 Speaker 1: we we we just through through, you know, through working 749 00:39:25,239 --> 00:39:29,520 Speaker 1: with Easy and him letting us do what we was 750 00:39:29,640 --> 00:39:31,920 Speaker 1: feeling and do what doing what we wanted to do. 751 00:39:33,239 --> 00:39:37,080 Speaker 1: We was able to develop this style and we just 752 00:39:37,200 --> 00:39:37,960 Speaker 1: kept going with it. 753 00:39:38,760 --> 00:39:41,000 Speaker 2: But it wasn't it wasn't really embraced at first, well, 754 00:39:41,040 --> 00:39:43,480 Speaker 2: it was embraced in y'all community, but outside of y'all community, 755 00:39:43,560 --> 00:39:44,600 Speaker 2: it wasn't really embraced. 756 00:39:45,040 --> 00:39:47,719 Speaker 5: So the struggles of no, no, it was it was. 757 00:39:48,000 --> 00:39:50,719 Speaker 1: It was embraced everywhere. No, no, it was different. It 758 00:39:50,840 --> 00:39:54,040 Speaker 1: was it was what it was was. We didn't think 759 00:39:54,080 --> 00:39:56,600 Speaker 1: we could sell a million records talking that dirty because 760 00:39:56,600 --> 00:39:59,080 Speaker 1: it wasn't a lot of it wasn't a lot of 761 00:39:59,280 --> 00:40:06,279 Speaker 1: explicit raps that were selling gold platinum, you know. So 762 00:40:06,480 --> 00:40:09,719 Speaker 1: we was like, yo, this is we're going the hard route. Like, 763 00:40:10,600 --> 00:40:13,800 Speaker 1: you know, we don't think we're gonna we're gonna have 764 00:40:13,840 --> 00:40:17,800 Speaker 1: a chance. First, we're from the West Coast and we 765 00:40:18,600 --> 00:40:21,960 Speaker 1: we're not from New York, so that's that's that's making 766 00:40:22,040 --> 00:40:25,319 Speaker 1: it even harder for us to bubble. And now we're 767 00:40:25,360 --> 00:40:28,360 Speaker 1: putting all this profanity on the record. You know, our 768 00:40:28,400 --> 00:40:32,200 Speaker 1: shit gonna be like where they put the Eddie Murphy 769 00:40:32,280 --> 00:40:35,680 Speaker 1: and Richard Pryor records, you know, like where they put 770 00:40:35,719 --> 00:40:38,640 Speaker 1: the dirty comedy records. You know, That's what we thought, 771 00:40:39,360 --> 00:40:44,680 Speaker 1: and it went the opposite. So it flew up past everything. 772 00:40:45,000 --> 00:40:46,719 Speaker 2: It was embraced by the by the coaching and by 773 00:40:46,760 --> 00:40:49,520 Speaker 2: the people, but it wasn't embraced by the elders and 774 00:40:50,000 --> 00:40:52,480 Speaker 2: you know, the community. When you came to the cities 775 00:40:52,520 --> 00:40:54,800 Speaker 2: to do concerts and do shit like that, it was 776 00:40:54,840 --> 00:40:57,480 Speaker 2: embraced by the crowd and people that hilarly listened to it. 777 00:40:57,560 --> 00:40:59,920 Speaker 2: But the other people wasn't embracing it. So how did 778 00:41:00,040 --> 00:41:01,400 Speaker 2: that make it to go to the city and do 779 00:41:01,520 --> 00:41:04,320 Speaker 2: a show or make it, you know, go somewhere and perform. 780 00:41:04,400 --> 00:41:08,120 Speaker 1: How was that? It was crazy? You know one time, 781 00:41:09,560 --> 00:41:11,920 Speaker 1: you know, they wasn't gonna let us perform in Cincinnati. 782 00:41:14,680 --> 00:41:18,040 Speaker 1: And the mayor was an ex Bengal. He had played 783 00:41:18,160 --> 00:41:21,520 Speaker 1: linebackers for the Cincinnati Bengals and became the mayor and. 784 00:41:21,560 --> 00:41:25,319 Speaker 5: Shit, so nobody from Cincinnati but Ikey Woods my bad. 785 00:41:26,560 --> 00:41:29,759 Speaker 1: Yeah no, na, he became the mayor. And so we 786 00:41:29,880 --> 00:41:32,000 Speaker 1: was like, man, we just need to talk to the dude. 787 00:41:32,040 --> 00:41:34,200 Speaker 1: You know, if we could talk to him, he'll let 788 00:41:34,280 --> 00:41:38,080 Speaker 1: us perform. So mean ran and the promoter flew in 789 00:41:39,160 --> 00:41:43,799 Speaker 1: to Cincinnati early. When we got off the plane, they 790 00:41:43,960 --> 00:41:48,200 Speaker 1: jacked us like some eight you know, I don't know, 791 00:41:48,800 --> 00:41:55,600 Speaker 1: undercovers jacks put us against the wall. Then you know, 792 00:41:55,800 --> 00:41:59,919 Speaker 1: the promoter going crazy. Uh, the promoters like man, y'all 793 00:42:00,040 --> 00:42:01,600 Speaker 1: put your hands down. What are y'all doing? 794 00:42:01,719 --> 00:42:01,839 Speaker 3: Man? 795 00:42:01,920 --> 00:42:04,239 Speaker 1: We here talk to the mayor. What are y'all doing? 796 00:42:04,360 --> 00:42:07,719 Speaker 1: So got out of that incident. We went to go 797 00:42:07,840 --> 00:42:09,640 Speaker 1: talk to the mayor, and we was just saying, man, 798 00:42:09,680 --> 00:42:11,320 Speaker 1: we just want to do shows. You know, it's like 799 00:42:12,040 --> 00:42:14,759 Speaker 1: this is how we this is what we grew up 800 00:42:14,840 --> 00:42:18,480 Speaker 1: around in our neighborhood and this music. We were actually 801 00:42:18,560 --> 00:42:22,560 Speaker 1: being positive because you know, when we got off the planing, 802 00:42:22,640 --> 00:42:24,960 Speaker 1: y'all thought we was dope dealers and they threw us 803 00:42:24,960 --> 00:42:27,440 Speaker 1: against the wall, but were not dope dealers. We're here 804 00:42:28,360 --> 00:42:31,560 Speaker 1: to do music, and so he saw it our way. 805 00:42:32,080 --> 00:42:34,840 Speaker 1: But that but when we did the show later on 806 00:42:35,000 --> 00:42:39,640 Speaker 1: that that summer, the police still rushed us. They still 807 00:42:40,040 --> 00:42:44,640 Speaker 1: arrested everybody, and but that time they wrote us citations 808 00:42:44,719 --> 00:42:48,800 Speaker 1: for for obscenity laws and shit that they had. And 809 00:42:48,960 --> 00:42:51,960 Speaker 1: it was, you know, it was going through that every night, 810 00:42:53,000 --> 00:42:55,760 Speaker 1: you know, either police reading us some kind of ordinance 811 00:42:56,640 --> 00:43:01,040 Speaker 1: or threatening us or standing around the stash and intimidate us, 812 00:43:01,400 --> 00:43:03,640 Speaker 1: letting us know if we use any profanity, we're going 813 00:43:03,719 --> 00:43:06,560 Speaker 1: to jail. And we just we always just went up 814 00:43:06,560 --> 00:43:09,200 Speaker 1: there and did our show. You know, we didn't care 815 00:43:10,120 --> 00:43:12,439 Speaker 1: what they were saying because we was out there having fun, 816 00:43:13,000 --> 00:43:15,560 Speaker 1: were on the road, We're young, we're West Coast, were 817 00:43:15,600 --> 00:43:20,440 Speaker 1: still performing in big arenas like the East Coast groups. 818 00:43:21,080 --> 00:43:24,120 Speaker 1: You know what I mean, Like the little ship the 819 00:43:24,160 --> 00:43:27,799 Speaker 1: police was doing was not gone keep us from having 820 00:43:27,840 --> 00:43:28,560 Speaker 1: a bunch of fun. 821 00:43:30,280 --> 00:43:32,799 Speaker 2: So that's when the police came and that that's true 822 00:43:32,840 --> 00:43:34,640 Speaker 2: when they said, well, y'all, what city was that say? 823 00:43:34,680 --> 00:43:37,800 Speaker 2: They say, don't don't perform this particular particular song, and 824 00:43:37,920 --> 00:43:40,160 Speaker 2: y'all was like, fucking yeah, and y'all did y'all thing, 825 00:43:40,239 --> 00:43:42,040 Speaker 2: and they rushed y'all and all that ship what was that? 826 00:43:42,160 --> 00:43:43,480 Speaker 5: That sounded like that was in South Dakota. 827 00:43:44,640 --> 00:43:54,080 Speaker 1: That was that was in Detroit? Detroit, Detroit, Michigan. Yeah, Detroit, Michigan. Yeah. 828 00:43:54,160 --> 00:43:57,759 Speaker 1: They was Wow, they rushed us, rushed You. 829 00:43:57,760 --> 00:43:59,279 Speaker 5: Want to talk about that? How that ship was? 830 00:43:59,320 --> 00:44:01,760 Speaker 2: Y'all said, fuck, we gonna we gonna go out guns blazes, 831 00:44:01,840 --> 00:44:02,760 Speaker 2: all gas, no bricks. 832 00:44:05,040 --> 00:44:07,400 Speaker 1: Yeah, you know, they had they had just threatened us 833 00:44:07,520 --> 00:44:11,719 Speaker 1: too many times about the song, and this was like 834 00:44:11,920 --> 00:44:16,680 Speaker 1: close to our last show, so we just decided to 835 00:44:16,840 --> 00:44:19,480 Speaker 1: do it because we was just tired of the threats 836 00:44:20,280 --> 00:44:23,200 Speaker 1: and we was mad at the promoter it was a 837 00:44:23,280 --> 00:44:27,200 Speaker 1: different promoter at the time because we had the hottest 838 00:44:27,200 --> 00:44:30,000 Speaker 1: record in the country and they had put us on 839 00:44:32,280 --> 00:44:35,920 Speaker 1: very early, and so it was just a big problem. 840 00:44:36,400 --> 00:44:39,920 Speaker 1: It was a big problem. We just did it and uh, 841 00:44:40,200 --> 00:44:43,400 Speaker 1: they actually threw cherry bombs or some kind of damn, 842 00:44:43,760 --> 00:44:48,640 Speaker 1: some kind of flash bang type type device on stage. 843 00:44:49,400 --> 00:44:52,520 Speaker 1: That's what got us running. And that's why we all 844 00:44:52,680 --> 00:44:57,200 Speaker 1: ran and ship like people thought we were just we didn't. 845 00:44:57,600 --> 00:45:00,640 Speaker 1: We didn't really know they was was police. We just 846 00:45:00,719 --> 00:45:03,880 Speaker 1: thought they was fighting in the crowd. Oh, ship until 847 00:45:03,880 --> 00:45:06,200 Speaker 1: we until we saw the badges start to come up, 848 00:45:07,160 --> 00:45:10,520 Speaker 1: and then they start climbing up on the stage. I'm 849 00:45:10,560 --> 00:45:14,160 Speaker 1: still performing, you know, We're still performing, like looking at 850 00:45:14,239 --> 00:45:19,600 Speaker 1: him and uh, and then man, I heard something boom. Wow. 851 00:45:19,800 --> 00:45:23,040 Speaker 1: I'm like, damn, they they actually shooting. They're trying to 852 00:45:23,200 --> 00:45:26,120 Speaker 1: kill us. Damn you know what I mean. I was like, damn, 853 00:45:26,160 --> 00:45:27,120 Speaker 1: they actually shooting. 854 00:45:27,920 --> 00:45:28,640 Speaker 5: Yeah, that's crazy. 855 00:45:28,719 --> 00:45:29,200 Speaker 3: We broke. 856 00:45:29,400 --> 00:45:33,560 Speaker 1: Everybody broke, you know. 857 00:45:33,680 --> 00:45:35,360 Speaker 2: That's the that's reaction to the hood. Where you hit 858 00:45:35,400 --> 00:45:37,239 Speaker 2: that pow pole. You ain't gonna wait around to see 859 00:45:37,239 --> 00:45:37,879 Speaker 2: where it came from. 860 00:45:37,920 --> 00:45:41,360 Speaker 5: You get the We will meet at the end of 861 00:45:41,400 --> 00:45:43,960 Speaker 5: the block and talk about what happened where you heard that? Yeah, 862 00:45:44,600 --> 00:45:45,560 Speaker 5: the block talking about that. 863 00:45:47,160 --> 00:45:50,440 Speaker 1: Yeah, we was tearing the ass out of there, you 864 00:45:50,560 --> 00:45:53,400 Speaker 1: know what I mean. We was, we was rolling, We 865 00:45:53,560 --> 00:45:55,839 Speaker 1: was rolling. Yeah yeah, yeah. 866 00:45:56,000 --> 00:45:59,759 Speaker 2: But what you did man, and once again Luke Man, 867 00:46:00,120 --> 00:46:02,239 Speaker 2: I'm from here, and what he did and what y'all 868 00:46:02,320 --> 00:46:05,160 Speaker 2: did for just you know, not only the industry, you 869 00:46:05,239 --> 00:46:07,600 Speaker 2: know what I'm saying, but just freedom of speech being 870 00:46:07,600 --> 00:46:09,800 Speaker 2: able to exercise that because whether you agree with what 871 00:46:09,880 --> 00:46:11,760 Speaker 2: I got to say or not, it's still fucking freedom 872 00:46:11,800 --> 00:46:13,640 Speaker 2: of speech in this country. You know what I'm saying. 873 00:46:13,719 --> 00:46:16,160 Speaker 2: We allowed to agree to disagree, you know what I mean. 874 00:46:16,320 --> 00:46:18,640 Speaker 2: But for whatever reason, that wasn't given y'all wasn't given 875 00:46:18,680 --> 00:46:21,200 Speaker 2: that right. Luke wasn't given that right for whatever reason. 876 00:46:22,880 --> 00:46:25,520 Speaker 1: Yeah, you know, he just tried to intimidate us, and 877 00:46:25,640 --> 00:46:29,880 Speaker 1: with Luke, with Luke, they weren't even further because you know, 878 00:46:30,080 --> 00:46:33,640 Speaker 1: Luke should get a lot of credit for fighting for 879 00:46:33,760 --> 00:46:37,560 Speaker 1: freedom of speech in this country because he actually had 880 00:46:37,600 --> 00:46:39,440 Speaker 1: to go to the court. I think it went all 881 00:46:39,440 --> 00:46:44,719 Speaker 1: the way to the Supreme Court, and so you know 882 00:46:44,840 --> 00:46:46,759 Speaker 1: that was a big saying. If he'd have lost that, 883 00:46:47,880 --> 00:46:51,279 Speaker 1: then you know, I think we would have we would 884 00:46:51,320 --> 00:46:56,120 Speaker 1: have lost a former entertainment that you know people did 885 00:46:56,200 --> 00:46:58,520 Speaker 1: you know everybody ain't up tight. Yeah, you know what 886 00:46:58,560 --> 00:47:01,640 Speaker 1: I'm saying, everybody ain't up tight. Some people know how 887 00:47:01,680 --> 00:47:07,279 Speaker 1: to take entertainment for what it is. And you know 888 00:47:07,400 --> 00:47:11,920 Speaker 1: some people just you know, he hear bad words and 889 00:47:12,040 --> 00:47:15,800 Speaker 1: they just you know, have a fit. And ship come apart. 890 00:47:16,560 --> 00:47:18,600 Speaker 2: And then Luke came round and man after that ship 891 00:47:18,680 --> 00:47:21,280 Speaker 2: came back with band in the USA on the as band. 892 00:47:21,840 --> 00:47:27,160 Speaker 5: Yeah, the US say, talk that ship Luke. Yeah for 893 00:47:27,239 --> 00:47:27,600 Speaker 5: the show. 894 00:47:28,040 --> 00:47:28,279 Speaker 1: Yeah. 895 00:47:28,760 --> 00:47:29,400 Speaker 5: Fast forward. 896 00:47:29,960 --> 00:47:33,880 Speaker 2: Now obviously you uh, you go through the NWA phase 897 00:47:33,960 --> 00:47:36,680 Speaker 2: and now you go into another phase with the money 898 00:47:36,719 --> 00:47:39,680 Speaker 2: ain't right. The business ain't right. The business ain't right. 899 00:47:39,840 --> 00:47:41,239 Speaker 2: So now you got to take a step out of 900 00:47:41,480 --> 00:47:43,200 Speaker 2: get out of your comfort zone. Now you got to 901 00:47:43,200 --> 00:47:45,800 Speaker 2: get comfortable being uncomfortable. At this point, you know, you 902 00:47:45,880 --> 00:47:48,520 Speaker 2: were just you know, making music writing. Now you got 903 00:47:48,600 --> 00:47:50,799 Speaker 2: to step into a lane of you know, getting out 904 00:47:50,840 --> 00:47:53,000 Speaker 2: of your comfort zone and and having a voice. 905 00:47:53,200 --> 00:47:53,839 Speaker 5: You know what I'm saying. 906 00:47:53,960 --> 00:47:56,759 Speaker 2: Talk about that because obviously what you do now and 907 00:47:56,840 --> 00:47:59,000 Speaker 2: everything you're doing now, do you think it kind of 908 00:47:59,040 --> 00:48:01,960 Speaker 2: started that stepping up being the first to say that 909 00:48:02,000 --> 00:48:03,560 Speaker 2: this shit ain't right, Like we got to speak up 910 00:48:03,600 --> 00:48:05,160 Speaker 2: on how this shit is supposed to go. You know 911 00:48:05,200 --> 00:48:08,279 Speaker 2: what I'm saying, Everything you're doing now kind of start 912 00:48:08,360 --> 00:48:10,440 Speaker 2: there with you taking your career and your future and 913 00:48:10,440 --> 00:48:12,480 Speaker 2: all that shit in your own hands. Because oft the time, 914 00:48:12,560 --> 00:48:16,000 Speaker 2: even as athletes, we even though we grown ass men, 915 00:48:16,280 --> 00:48:18,120 Speaker 2: we'll leave our future in the hand of somebody who 916 00:48:18,200 --> 00:48:20,000 Speaker 2: we know probably ain't doing the right thing, but we 917 00:48:20,120 --> 00:48:22,080 Speaker 2: were comfortable. We're scared to get out our comfort zone 918 00:48:22,080 --> 00:48:23,759 Speaker 2: and take our future in our life and shit into 919 00:48:23,800 --> 00:48:24,440 Speaker 2: our own hands. 920 00:48:24,800 --> 00:48:26,759 Speaker 5: So it starts. Do you think it started there for you. 921 00:48:29,640 --> 00:48:34,920 Speaker 1: In a lot of ways. Yeah, you know, the way 922 00:48:35,040 --> 00:48:41,160 Speaker 1: I was raised and how my neighborhood is. I couldn't 923 00:48:41,200 --> 00:48:45,520 Speaker 1: live with myself if I knew somebody was taking advantage 924 00:48:45,560 --> 00:48:48,400 Speaker 1: of me, and I knew it, but I didn't do 925 00:48:48,560 --> 00:48:52,719 Speaker 1: nothing about it. Shared you losing like, yeah, you know, 926 00:48:52,920 --> 00:48:54,560 Speaker 1: I don't even know if I could write a rap 927 00:48:55,600 --> 00:48:59,960 Speaker 1: with Bravado if I knew that was happening in reality, 928 00:49:00,800 --> 00:49:04,280 Speaker 1: you know, So you got to take care of that first. 929 00:49:05,040 --> 00:49:10,120 Speaker 1: And I always felt like I was broke when I 930 00:49:10,239 --> 00:49:13,759 Speaker 1: first started. If this is just a blip on my 931 00:49:13,920 --> 00:49:17,160 Speaker 1: radar and I go back to being broke then, so 932 00:49:17,440 --> 00:49:22,360 Speaker 1: bitch cray, but I can't. I can't go forward and 933 00:49:22,560 --> 00:49:26,520 Speaker 1: live with myself knowing this is happening. And I didn't 934 00:49:26,560 --> 00:49:29,840 Speaker 1: do nothing about it. So it was kind of like 935 00:49:30,719 --> 00:49:34,640 Speaker 1: something I had to do just for my inner piece, 936 00:49:35,040 --> 00:49:40,239 Speaker 1: and so I was fine with whatever happened after that, 937 00:49:41,120 --> 00:49:43,200 Speaker 1: and I think that made me relax a little bit 938 00:49:44,000 --> 00:49:48,759 Speaker 1: and not pressed. But even though, you know, you know, 939 00:49:48,880 --> 00:49:51,359 Speaker 1: once I knew I had a budget, like I want 940 00:49:51,400 --> 00:49:54,480 Speaker 1: to talk to Priority Records, Brian Turner told him what 941 00:49:54,640 --> 00:49:57,600 Speaker 1: was happening, he was like, well, we still want you 942 00:49:58,520 --> 00:50:00,319 Speaker 1: want do you want to do your solo shit here? 943 00:50:01,080 --> 00:50:03,719 Speaker 1: And so once I knew I had that, that was 944 00:50:03,800 --> 00:50:05,520 Speaker 1: all I needed. You know, that was just that just 945 00:50:05,600 --> 00:50:08,680 Speaker 1: put the batteries in my back with no time to go. 946 00:50:10,680 --> 00:50:13,799 Speaker 1: Yeah yeah, after they dis meet though dis meet though 947 00:50:14,440 --> 00:50:18,200 Speaker 1: now you know on my first album, on my first album, 948 00:50:19,160 --> 00:50:22,200 Speaker 1: Americans Most Wanted, I did not mention in w A. 949 00:50:22,600 --> 00:50:25,839 Speaker 1: I didn't. This wasn't no issues. You couldn't even hear. 950 00:50:25,920 --> 00:50:28,560 Speaker 1: I was even mad at the group and then they 951 00:50:28,719 --> 00:50:33,320 Speaker 1: dissed me, so you know, I couldn't. I couldn't have that. 952 00:50:34,120 --> 00:50:40,600 Speaker 2: I wasn't going for that no you, Hey, listen, help you, hey, listen, 953 00:50:44,480 --> 00:50:46,640 Speaker 2: you said the man dick smell of empty red ship. 954 00:50:46,680 --> 00:50:50,799 Speaker 5: I say, God, damn you, Hey, it's fall on one. 955 00:50:51,000 --> 00:50:51,160 Speaker 2: Man. 956 00:50:51,719 --> 00:50:54,279 Speaker 1: You know it's fall on one. So you know you 957 00:50:54,440 --> 00:50:57,000 Speaker 1: can't hold back. You gotta listen. 958 00:50:57,040 --> 00:50:58,719 Speaker 5: You know you ain't gotta explain to me. I thought 959 00:50:58,719 --> 00:51:00,480 Speaker 5: I was part of the list mob back and you 960 00:51:00,600 --> 00:51:02,600 Speaker 5: had me. I was with yeah ship. I would have 961 00:51:02,640 --> 00:51:04,560 Speaker 5: been saying, listen, mom, you had me. 962 00:51:05,920 --> 00:51:09,239 Speaker 1: Hey, man, phone one, it ain't no rules for the one. 963 00:51:09,640 --> 00:51:11,919 Speaker 1: I love it. I love it. You know what I'm saying. 964 00:51:12,239 --> 00:51:14,200 Speaker 1: It ain't no rules for the one. Whatever you need 965 00:51:14,320 --> 00:51:16,480 Speaker 1: to do to handle that. He got to handle that. 966 00:51:17,160 --> 00:51:18,160 Speaker 1: You gotta do whatever you gotta do. 967 00:51:18,320 --> 00:51:20,840 Speaker 2: I mean, I was a fan, you know obviously, you know, 968 00:51:21,200 --> 00:51:24,239 Speaker 2: started from you know, America's most Wanted and then all 969 00:51:24,280 --> 00:51:26,440 Speaker 2: the way to the West Side Connection in the dub 970 00:51:26,640 --> 00:51:29,000 Speaker 2: C days and all that. I always been a fan 971 00:51:29,080 --> 00:51:30,719 Speaker 2: of your ship, always been a fan of your ship. 972 00:51:30,760 --> 00:51:32,560 Speaker 2: I could never I could never see walk with it. 973 00:51:32,600 --> 00:51:34,960 Speaker 2: But I always been a fan of your ship, always 974 00:51:35,000 --> 00:51:35,560 Speaker 2: been a fan of that. 975 00:51:35,640 --> 00:51:38,760 Speaker 1: S Sorry, my man, double, give you some lessons. 976 00:51:38,800 --> 00:51:41,920 Speaker 2: Man ready got all that mac Tien, all them boys man, 977 00:51:41,960 --> 00:51:44,239 Speaker 2: I've been a fan, real fan. I was always on 978 00:51:44,320 --> 00:51:46,200 Speaker 2: that gangster ship for real, Like I was always on 979 00:51:46,239 --> 00:51:46,520 Speaker 2: that ship. 980 00:51:46,520 --> 00:51:46,640 Speaker 5: I was. 981 00:51:47,200 --> 00:51:48,879 Speaker 2: I was part of my problem. I could never really 982 00:51:49,560 --> 00:51:51,279 Speaker 2: well now I'm evolved, but it took me a while, 983 00:51:51,360 --> 00:51:51,719 Speaker 2: but I was. 984 00:51:52,080 --> 00:51:54,520 Speaker 1: I was wild. Yeah, yeah, I heard. I heard about you. 985 00:51:54,840 --> 00:51:56,200 Speaker 1: I heard about you in the league. 986 00:51:56,320 --> 00:51:57,040 Speaker 5: Yeah, I was wild. 987 00:51:57,320 --> 00:52:02,040 Speaker 1: Heard about you in the league, all true, all true? Yeah, yeah, yeah, yeah, 988 00:52:02,360 --> 00:52:04,480 Speaker 1: you know, I was a little Some dudes you don't 989 00:52:04,520 --> 00:52:07,520 Speaker 1: play with, man, you know, you remind me of Charles 990 00:52:07,560 --> 00:52:08,919 Speaker 1: Oakley type. You don't play. 991 00:52:09,239 --> 00:52:12,160 Speaker 2: And then my ogs, man, all them dudes, my ogs, 992 00:52:12,239 --> 00:52:14,600 Speaker 2: the Rick Mahorns, And anytime I see them dudes, man, 993 00:52:14,640 --> 00:52:16,600 Speaker 2: I'm like a kid in the candy stove sucking soaking 994 00:52:16,680 --> 00:52:17,560 Speaker 2: up game from them dudes. 995 00:52:17,600 --> 00:52:17,759 Speaker 3: Man. 996 00:52:18,120 --> 00:52:25,560 Speaker 2: Then my real so rap beef raped beef today. Yeah, 997 00:52:27,120 --> 00:52:28,319 Speaker 2: I don't know if it's over. I don't know if 998 00:52:28,360 --> 00:52:30,279 Speaker 2: it's still going. My kids pay attention to the ship. 999 00:52:30,400 --> 00:52:32,399 Speaker 2: But the Kendrick and the Drake, you know what I'm saying, 1000 00:52:32,440 --> 00:52:33,479 Speaker 2: Like you pay attention to that ship. 1001 00:52:34,800 --> 00:52:35,799 Speaker 1: Yeah, it's a good one. 1002 00:52:35,840 --> 00:52:36,399 Speaker 5: It's a good one. 1003 00:52:36,440 --> 00:52:37,000 Speaker 1: That's a good one. 1004 00:52:37,000 --> 00:52:38,400 Speaker 5: It's a good one. Is it still going? You know 1005 00:52:38,480 --> 00:52:39,520 Speaker 5: it's still relevant. 1006 00:52:41,239 --> 00:52:45,319 Speaker 1: I don't know, it depends on who fired back, you know, yeah, 1007 00:52:45,360 --> 00:52:48,640 Speaker 1: who fired back when they fire back, you know, I 1008 00:52:48,760 --> 00:52:52,239 Speaker 1: think I wouldn't be surprised if Kendrick didn't have three 1009 00:52:52,360 --> 00:52:54,160 Speaker 1: or four modes songs just waiting. 1010 00:52:55,080 --> 00:52:55,640 Speaker 5: Uh So. 1011 00:52:57,480 --> 00:53:00,480 Speaker 1: It's uh, it's a good one. You know, every every 1012 00:53:00,680 --> 00:53:05,200 Speaker 1: every every five or ten years, a great one come along. 1013 00:53:07,360 --> 00:53:08,040 Speaker 3: You know with. 1014 00:53:10,120 --> 00:53:14,799 Speaker 1: Category you think, oh yeah, oh yeah, yeah, it's been 1015 00:53:14,880 --> 00:53:19,000 Speaker 1: some great uh. You know, beefs that get the attention 1016 00:53:19,200 --> 00:53:22,160 Speaker 1: of more than just hip hop. You know, those are 1017 00:53:22,200 --> 00:53:25,840 Speaker 1: the ones when the whole world is it is tuned 1018 00:53:25,880 --> 00:53:28,920 Speaker 1: in and died in and yeah, you know, as long 1019 00:53:28,920 --> 00:53:30,400 Speaker 1: as long as it don't get physical. 1020 00:53:31,200 --> 00:53:31,400 Speaker 5: You know. 1021 00:53:31,960 --> 00:53:37,760 Speaker 1: That's that's the line I cross, or or the line 1022 00:53:37,800 --> 00:53:43,160 Speaker 1: I draw when you know it's hip hop and then 1023 00:53:43,280 --> 00:53:48,160 Speaker 1: there's crime. You know what I'm saying. It's like hip 1024 00:53:48,200 --> 00:53:56,680 Speaker 1: hop should not be ever equated to crime. Ah, you 1025 00:53:56,840 --> 00:54:00,560 Speaker 1: keep it on waxes hip hop, y'all are fighting in 1026 00:54:00,640 --> 00:54:03,440 Speaker 1: the street. It ain't hip hop no more. It's just 1027 00:54:03,520 --> 00:54:07,840 Speaker 1: street ship. Yeah that's right. Yeah, Yeah, it's just simple 1028 00:54:07,880 --> 00:54:08,080 Speaker 1: as that. 1029 00:54:08,239 --> 00:54:11,120 Speaker 5: Yeah, you're fucking up your money, You fucking up your money. 1030 00:54:11,160 --> 00:54:14,560 Speaker 1: Fucking up your money. Yeah, everything you know, could be 1031 00:54:14,640 --> 00:54:18,520 Speaker 1: sucking up your life or life next to you. You know, 1032 00:54:18,680 --> 00:54:22,440 Speaker 1: sometimes the rapper don't get hit, it be the the 1033 00:54:22,560 --> 00:54:25,160 Speaker 1: homies next to them, It be the the one that's 1034 00:54:25,200 --> 00:54:30,560 Speaker 1: protecting them, you know. So you know that's when you 1035 00:54:30,680 --> 00:54:32,440 Speaker 1: gotta just be careful. 1036 00:54:33,320 --> 00:54:36,400 Speaker 2: I got a question because you, similar to myself, you 1037 00:54:36,520 --> 00:54:38,879 Speaker 2: still stay out west, you know, boring and raised out there, 1038 00:54:39,840 --> 00:54:42,279 Speaker 2: and you said what you just said is sometimes it's 1039 00:54:42,320 --> 00:54:44,799 Speaker 2: not the main person, but it's the homie. How did 1040 00:54:44,840 --> 00:54:47,239 Speaker 2: you manage keeping some of the homies that you grew 1041 00:54:47,320 --> 00:54:49,960 Speaker 2: up with and then leaving some of the motherfuckers behind 1042 00:54:49,960 --> 00:54:52,920 Speaker 2: because everybody ain't ready to evolve, And sometimes as you evolve, 1043 00:54:52,960 --> 00:54:55,200 Speaker 2: and motherfucker's still doing the same shit, get up every day, 1044 00:54:55,320 --> 00:54:57,479 Speaker 2: going out on the block, hanging around, doing the same shit, 1045 00:54:58,000 --> 00:55:00,839 Speaker 2: and you start to grow apart and I'm going one way, 1046 00:55:01,000 --> 00:55:03,040 Speaker 2: you're going the other way, and you're still in LA 1047 00:55:03,200 --> 00:55:04,680 Speaker 2: Like I still deal with that shit now to day. 1048 00:55:04,719 --> 00:55:06,879 Speaker 2: How did you handle the situation as you start to grow, 1049 00:55:07,200 --> 00:55:09,319 Speaker 2: you start to evolve, and you start to get off 1050 00:55:09,400 --> 00:55:11,080 Speaker 2: certain shit, but your homie is still on the same 1051 00:55:11,120 --> 00:55:13,040 Speaker 2: shit they was on, And now you can't be around 1052 00:55:13,080 --> 00:55:14,560 Speaker 2: that shit because you're in a different lane. Now, you 1053 00:55:14,680 --> 00:55:17,640 Speaker 2: got different mindset, like you seeing things differently. Well, niggas 1054 00:55:17,640 --> 00:55:19,440 Speaker 2: still on the same bullshit, and now all of a 1055 00:55:19,480 --> 00:55:22,399 Speaker 2: sudden they looking at you like you're doing something wrong, 1056 00:55:22,480 --> 00:55:23,480 Speaker 2: Like how you handle that shit. 1057 00:55:25,360 --> 00:55:30,239 Speaker 1: Well, for one, I remind everybody that I'm from the 1058 00:55:30,320 --> 00:55:34,040 Speaker 1: same neighborhood they from, come from the same shit. I 1059 00:55:34,120 --> 00:55:36,160 Speaker 1: remember who the fuck they is. They remember who the 1060 00:55:36,239 --> 00:55:40,520 Speaker 1: fuck I am before the fame. Make that reminded, nigga, 1061 00:55:40,520 --> 00:55:42,920 Speaker 1: I still remember who you are, homie, how it was 1062 00:55:43,040 --> 00:55:49,040 Speaker 1: before all this. I also give them a shot. See 1063 00:55:49,040 --> 00:55:52,880 Speaker 1: what they do with it. You know, you fuck it off. Okay, 1064 00:55:53,480 --> 00:55:56,120 Speaker 1: don't ask me again. Okay, you know what I'm saying. 1065 00:55:56,160 --> 00:55:59,400 Speaker 1: Because I need assets, I don't need liabilities. You know 1066 00:55:59,440 --> 00:56:02,640 Speaker 1: what I'm saying. You gotta you gotta bring something to 1067 00:56:02,760 --> 00:56:06,880 Speaker 1: the table. You can't fuck with production. You know what 1068 00:56:06,920 --> 00:56:09,560 Speaker 1: I'm saying. Don't fuck with production, whatever's going on. Don't 1069 00:56:09,600 --> 00:56:13,480 Speaker 1: mess with them people, and just do what I asked 1070 00:56:13,520 --> 00:56:15,719 Speaker 1: when I ask. You know, I don't ask much, and 1071 00:56:15,880 --> 00:56:20,360 Speaker 1: so if they follow them criteria, they usually with me 1072 00:56:20,480 --> 00:56:23,759 Speaker 1: for a long long time. You know what I'm saying. 1073 00:56:23,800 --> 00:56:27,200 Speaker 1: I got dudes with me over two decades, three decades. 1074 00:56:27,800 --> 00:56:31,000 Speaker 1: But if they don't, I leave their ass right where 1075 00:56:31,000 --> 00:56:35,799 Speaker 1: they at friends or family. And I'd rather give them 1076 00:56:35,840 --> 00:56:38,680 Speaker 1: money than for them to come fuck up my money. 1077 00:56:39,520 --> 00:56:42,960 Speaker 2: You did, I fear that I give I give you 1078 00:56:43,040 --> 00:56:44,840 Speaker 2: money to stay your ass away from me before I 1079 00:56:44,960 --> 00:56:45,200 Speaker 2: let you. 1080 00:56:45,520 --> 00:56:47,360 Speaker 1: Thank you up. Yeah, Man, I slide you this. I 1081 00:56:47,480 --> 00:56:50,560 Speaker 1: slide you that don't actually work for me, Man, don't 1082 00:56:50,560 --> 00:56:51,600 Speaker 1: ask to work for me here. 1083 00:56:53,320 --> 00:56:55,040 Speaker 2: That's a great point. That's a great point. That's a 1084 00:56:55,040 --> 00:56:58,000 Speaker 2: great point for he that way too. Yeah, I want 1085 00:56:58,040 --> 00:57:00,360 Speaker 2: to I want to back. Yeah, yeah, I would have 1086 00:57:00,360 --> 00:57:02,440 Speaker 2: double back on one thing because obviously you don't have 1087 00:57:02,560 --> 00:57:05,239 Speaker 2: the support, uh that that you could have or you 1088 00:57:05,280 --> 00:57:07,840 Speaker 2: should have from the NBA and the w NBA. But 1089 00:57:07,960 --> 00:57:11,400 Speaker 2: you just got an award named after you, Like you 1090 00:57:11,480 --> 00:57:13,360 Speaker 2: know what I'm saying. You just got a fucking award 1091 00:57:13,719 --> 00:57:14,400 Speaker 2: named after. 1092 00:57:14,280 --> 00:57:16,120 Speaker 1: You, the ice Cube Impact the War. 1093 00:57:16,320 --> 00:57:19,800 Speaker 5: Yeah, Hall of Fame, ice Cube Impact the War. 1094 00:57:19,880 --> 00:57:20,000 Speaker 1: Man. 1095 00:57:20,000 --> 00:57:21,240 Speaker 5: We're gonna give your flowers on that. 1096 00:57:21,360 --> 00:57:24,040 Speaker 2: Because whether you have the support of certain people, you 1097 00:57:24,160 --> 00:57:26,280 Speaker 2: still have the support of certain people. 1098 00:57:26,560 --> 00:57:29,600 Speaker 5: So how that felt, Man? 1099 00:57:29,640 --> 00:57:32,680 Speaker 1: That felt amazing? You know, that's something that you know 1100 00:57:32,760 --> 00:57:37,080 Speaker 1: when none of what you're doing. Like when you played, 1101 00:57:37,440 --> 00:57:40,200 Speaker 1: you guys played, did you ever think, man, one day 1102 00:57:40,200 --> 00:57:41,960 Speaker 1: I might make it to the Hall of Fame. It's 1103 00:57:42,080 --> 00:57:43,880 Speaker 1: like something you don't even think about. You just do 1104 00:57:44,000 --> 00:57:48,560 Speaker 1: your thing. If it happens, it'd be a you know, 1105 00:57:48,760 --> 00:57:53,360 Speaker 1: some you know, cherry on top. So you know, we 1106 00:57:53,640 --> 00:57:54,960 Speaker 1: I made it to the Rock and Roll Hall of 1107 00:57:55,040 --> 00:57:58,760 Speaker 1: Fame with n w A. Wasn't expecting that, and you 1108 00:57:58,840 --> 00:58:03,400 Speaker 1: know that's a beautiful thing. Gotta gotta a star on 1109 00:58:03,520 --> 00:58:06,600 Speaker 1: the Hollywood Walker Fame. You know, that was like I 1110 00:58:06,640 --> 00:58:09,720 Speaker 1: didn't start acting for that. So it's just beautiful to 1111 00:58:10,200 --> 00:58:12,840 Speaker 1: get there. But never in a million years that I 1112 00:58:12,920 --> 00:58:16,520 Speaker 1: ever think that I would do something that the land 1113 00:58:17,120 --> 00:58:21,160 Speaker 1: in the Nate Smith Basketball Hall of Fame. So when 1114 00:58:21,200 --> 00:58:23,880 Speaker 1: they called me and said that, you know, the impact 1115 00:58:23,920 --> 00:58:27,040 Speaker 1: that you've made on the game of basketball is worth 1116 00:58:27,720 --> 00:58:33,600 Speaker 1: celebrating at this level. And we also wanted name award 1117 00:58:33,680 --> 00:58:36,720 Speaker 1: after you, so we can give it away every year 1118 00:58:36,880 --> 00:58:41,240 Speaker 1: the people who deserve it, who's using basketball to make 1119 00:58:41,320 --> 00:58:45,160 Speaker 1: an impact in people live. You know, it's like blew 1120 00:58:45,240 --> 00:58:48,560 Speaker 1: me away, man, And you know we just talked to 1121 00:58:48,640 --> 00:58:52,680 Speaker 1: them today putting the committee together, and it's just it's 1122 00:58:52,800 --> 00:58:57,960 Speaker 1: just you know, it's like, you know you're doing something right, 1123 00:58:58,040 --> 00:59:00,840 Speaker 1: you just never know who's watching, you know what I'm saying, 1124 00:59:00,880 --> 00:59:03,600 Speaker 1: and and and and you know, just keep doing the 1125 00:59:03,720 --> 00:59:06,560 Speaker 1: right thing because you never know who's watching. And so 1126 00:59:07,320 --> 00:59:11,000 Speaker 1: that's what this proves to me, straight up humble. And 1127 00:59:11,920 --> 00:59:13,480 Speaker 1: you know, it's got my name on it, but I 1128 00:59:14,200 --> 00:59:16,320 Speaker 1: put my man, Jeff quant in his name on it. 1129 00:59:16,400 --> 00:59:23,280 Speaker 1: I put Clyde Drexler, Nan Sleieberman, Amy Trash. You know, 1130 00:59:23,480 --> 00:59:26,760 Speaker 1: just some of the people who have helped us put 1131 00:59:26,800 --> 00:59:28,960 Speaker 1: this league together. You know they should they should be 1132 00:59:29,000 --> 00:59:29,760 Speaker 1: a part of this too. 1133 00:59:30,720 --> 00:59:35,840 Speaker 4: Congratulations, really, thank you, thank you. You've done a lot 1134 00:59:35,880 --> 00:59:39,080 Speaker 4: of iconic ship right. And this next question is gonna 1135 00:59:39,080 --> 00:59:40,880 Speaker 4: be like when people ask me who's your favorite child. 1136 00:59:40,920 --> 00:59:43,800 Speaker 4: It's hard hard to pick one, but out of the Fridays, 1137 00:59:43,840 --> 00:59:44,640 Speaker 4: what's your favorite one? 1138 00:59:45,320 --> 00:59:52,880 Speaker 1: Mm oh, man, I would say, wow, I mean, you 1139 00:59:52,960 --> 00:59:57,120 Speaker 1: can't beat the first one, man, Uh, you can't beat 1140 00:59:57,160 --> 01:00:00,520 Speaker 1: the first one. So the first one is my favorite, 1141 01:00:00,800 --> 01:00:02,919 Speaker 1: but I love that third one too. Man. 1142 01:00:03,680 --> 01:00:07,880 Speaker 2: Hey, I'm gonna tell you this is We're gonna come 1143 01:00:07,880 --> 01:00:09,800 Speaker 2: out of left field. But one of my favorites is 1144 01:00:09,880 --> 01:00:14,000 Speaker 2: Jakie Promoters. I love Yeah, I love you so god. 1145 01:00:14,400 --> 01:00:18,160 Speaker 2: Jakie Promoter's boy. Yeah, so fucking Jakie Promoters. 1146 01:00:18,240 --> 01:00:18,439 Speaker 3: Man. 1147 01:00:19,840 --> 01:00:24,440 Speaker 1: It's it's uh yeah, it's it's one of those movies 1148 01:00:24,560 --> 01:00:27,640 Speaker 1: that I don't really even get a chance to finish it, 1149 01:00:28,280 --> 01:00:30,840 Speaker 1: you know. It's it's it's a it's an unfinished movie. 1150 01:00:31,440 --> 01:00:34,760 Speaker 1: But it's a great movie because it's a little Janki 1151 01:00:35,680 --> 01:00:38,240 Speaker 1: and and the movie is Janki Promoters. 1152 01:00:38,320 --> 01:00:40,240 Speaker 5: So that's how it fits. 1153 01:00:40,960 --> 01:00:44,720 Speaker 1: It fits, it fits. Yeah. Yeah, so everybody loved the movie. 1154 01:00:44,760 --> 01:00:46,960 Speaker 1: You know, if you if you've had any kind of 1155 01:00:47,040 --> 01:00:51,720 Speaker 1: interaction and in the music game, even sports, you can 1156 01:00:51,880 --> 01:00:55,920 Speaker 1: you can relate to the shady people that's around the industry. 1157 01:00:56,600 --> 01:00:59,400 Speaker 1: You know that that uh you know they they lurk 1158 01:00:59,480 --> 01:01:02,280 Speaker 1: and all these different nooks and crannies and ships. I'm 1159 01:01:02,320 --> 01:01:06,280 Speaker 1: pretty sure y'all can have y'all Jankie Agent movie. You know, 1160 01:01:06,400 --> 01:01:09,280 Speaker 1: y'all can y'all can write that in the weekend, you know, 1161 01:01:09,480 --> 01:01:09,959 Speaker 1: with all. 1162 01:01:09,920 --> 01:01:11,320 Speaker 5: That, I can write about it right now, I got 1163 01:01:11,440 --> 01:01:12,240 Speaker 5: want to sit next to me. 1164 01:01:13,520 --> 01:01:15,080 Speaker 1: Yeah, so so. 1165 01:01:16,600 --> 01:01:19,200 Speaker 5: This motherfucker I got what I got A Jankie agent 1166 01:01:19,320 --> 01:01:21,920 Speaker 5: right here and all his class, all his class. 1167 01:01:21,920 --> 01:01:25,000 Speaker 2: I'm just bullshit. He's a great he's a great answer. 1168 01:01:25,000 --> 01:01:27,160 Speaker 2: That's just a joke. We play like that on the podcast. 1169 01:01:28,520 --> 01:01:28,720 Speaker 3: Yeah. 1170 01:01:30,560 --> 01:01:30,640 Speaker 4: Uh. 1171 01:01:32,160 --> 01:01:36,160 Speaker 2: Before we go to prize pects, writing, directing, acting, or producing? 1172 01:01:36,640 --> 01:01:39,240 Speaker 2: Which one which give me? What's what's your in? Which 1173 01:01:39,280 --> 01:01:42,080 Speaker 2: one you prefer in it? You know you've done it 1174 01:01:42,160 --> 01:01:43,520 Speaker 2: all the favorite out of those. 1175 01:01:45,440 --> 01:01:48,880 Speaker 1: I mean I love producing. I mean having having your 1176 01:01:48,960 --> 01:01:52,480 Speaker 1: hands in all aspects of the movie from from the 1177 01:01:52,600 --> 01:01:57,760 Speaker 1: script to you know, the premiere and everything in between. 1178 01:01:58,080 --> 01:02:02,240 Speaker 5: So that's what I digs. One more question before we 1179 01:02:02,280 --> 01:02:02,920 Speaker 5: go to the prospect. 1180 01:02:03,040 --> 01:02:04,960 Speaker 2: I feel like I got a lot of questions working 1181 01:02:05,000 --> 01:02:07,120 Speaker 2: with your son because as a father right now, I 1182 01:02:07,200 --> 01:02:09,000 Speaker 2: got a son that play basketball, and he looked at 1183 01:02:09,040 --> 01:02:10,520 Speaker 2: me when I say something like I don't know shit, 1184 01:02:10,560 --> 01:02:11,960 Speaker 2: and I'm looking at him like, who the fuck else 1185 01:02:11,960 --> 01:02:14,800 Speaker 2: you gonna listen to about basketball besides me? How is 1186 01:02:14,840 --> 01:02:16,800 Speaker 2: that working with your son? Because I don't know why. 1187 01:02:16,840 --> 01:02:18,360 Speaker 2: I feel like they don't never want to listen to 1188 01:02:18,440 --> 01:02:20,160 Speaker 2: us about shit. They'll listen to somebody else. 1189 01:02:21,800 --> 01:02:27,600 Speaker 1: Yeah, you know it's I think they hear us all 1190 01:02:27,640 --> 01:02:33,040 Speaker 1: the time every day on everything. Sometimes it's cool to 1191 01:02:34,440 --> 01:02:39,080 Speaker 1: hear from somebody else. But what works is when you 1192 01:02:39,920 --> 01:02:42,440 Speaker 1: tell him the right shit, and then the other guy 1193 01:02:42,600 --> 01:02:46,520 Speaker 1: tell him too. Now now they come back and say, 1194 01:02:46,640 --> 01:02:51,120 Speaker 1: you know what, pops do know about this or about that? 1195 01:02:51,480 --> 01:02:54,040 Speaker 1: So it's a little natural, you know, I think people 1196 01:02:54,080 --> 01:02:57,400 Speaker 1: want to kids want to find. You don't even want 1197 01:02:57,440 --> 01:03:01,120 Speaker 1: to find things on their own, you know, discovered things 1198 01:03:01,200 --> 01:03:07,320 Speaker 1: outside just the household. So it's cool. You know, you're 1199 01:03:07,320 --> 01:03:10,880 Speaker 1: still gonna hear from me. Exact, still gonna here for me. Anyways, 1200 01:03:11,160 --> 01:03:12,960 Speaker 1: you're gonna have you gonna have two coaches. 1201 01:03:14,280 --> 01:03:16,880 Speaker 2: Speaking of coaches, what's your Lakers gonna do? Q? Speaking 1202 01:03:16,920 --> 01:03:18,360 Speaker 2: of coaches, what's your Lakers gonna do? 1203 01:03:20,040 --> 01:03:20,160 Speaker 1: Uh? 1204 01:03:21,040 --> 01:03:21,480 Speaker 3: I don't know. 1205 01:03:21,800 --> 01:03:24,360 Speaker 1: You know, I'm not even I'm so knee deep in 1206 01:03:24,440 --> 01:03:27,720 Speaker 1: the Big three right now, You're not. Whatever they do, 1207 01:03:28,800 --> 01:03:31,400 Speaker 1: you know, I'm gonna I'm gonna be there to criticize. 1208 01:03:30,760 --> 01:03:34,040 Speaker 5: You know, criticized, criticized. 1209 01:03:35,440 --> 01:03:37,480 Speaker 1: You know, even though I love I love the Lakers. 1210 01:03:37,520 --> 01:03:42,120 Speaker 1: I loved you know, Jenny Bush, She's great. But you know, 1211 01:03:42,440 --> 01:03:44,400 Speaker 1: they gotta they gotta get a big man. I don't 1212 01:03:44,400 --> 01:03:46,800 Speaker 1: know what the hell they saw last year, but the 1213 01:03:46,840 --> 01:03:50,000 Speaker 1: same damn thing happened this year. They gotta find somebody 1214 01:03:50,000 --> 01:03:53,120 Speaker 1: who can handle the joker I don't care what coach 1215 01:03:53,200 --> 01:03:53,520 Speaker 1: they get. 1216 01:03:53,600 --> 01:03:53,880 Speaker 5: Ship. 1217 01:03:54,040 --> 01:03:55,720 Speaker 2: A lot of people gotta find somebody that can handle 1218 01:03:55,720 --> 01:03:57,080 Speaker 2: that motherfucker. You see what they did the Rudy go 1219 01:03:57,160 --> 01:04:03,480 Speaker 2: bet Yeah yeah, Ship man, man boy, all right, man, 1220 01:04:03,560 --> 01:04:05,680 Speaker 2: we're gonna we're gonna get to the prize picks real quick. 1221 01:04:05,760 --> 01:04:09,040 Speaker 5: And everybody at home, this is just an opinion. 1222 01:04:09,480 --> 01:04:11,680 Speaker 2: Don't be dming us. Don't be writing Ship to our 1223 01:04:11,720 --> 01:04:14,560 Speaker 2: podcast complaining. You're allowed to have our own opinion. And 1224 01:04:14,640 --> 01:04:16,560 Speaker 2: plus it's our show, so we don't give a fuck anyway. 1225 01:04:17,080 --> 01:04:22,680 Speaker 2: So prize picks Top five rap disc tracks we already know. 1226 01:04:23,080 --> 01:04:26,600 Speaker 2: No Vasiline is one. What would be your top five 1227 01:04:27,000 --> 01:04:27,840 Speaker 2: rap disc tracks? 1228 01:04:30,000 --> 01:04:37,400 Speaker 1: I like, hit them up? We said ether ether mm hmm. 1229 01:04:37,920 --> 01:04:41,000 Speaker 5: You know I like, uh, they not like us. 1230 01:04:41,880 --> 01:04:46,040 Speaker 1: They're not like us, okay mm hmm. And I like 1231 01:04:46,240 --> 01:04:49,360 Speaker 1: back to back, back to back. M hm. 1232 01:04:50,680 --> 01:04:55,280 Speaker 2: Hey listen, I can't argue. I love I love the 1233 01:04:55,400 --> 01:04:59,600 Speaker 2: old school the ethers cy you know what I'm saying. 1234 01:04:59,640 --> 01:05:02,520 Speaker 2: And no A Selene and I love it. Yeah, they're 1235 01:05:02,560 --> 01:05:04,920 Speaker 2: not like us obviously in the back to backs. You 1236 01:05:04,960 --> 01:05:07,520 Speaker 2: know my son listening to that. They not like us 1237 01:05:07,600 --> 01:05:09,800 Speaker 2: right now, you know what I'm saying, he bumping that heavy. 1238 01:05:09,800 --> 01:05:12,120 Speaker 2: Everybody is yeah, he bumping at heavy, right, And I 1239 01:05:12,120 --> 01:05:14,240 Speaker 2: ain't gonna lie. Hey boy, he went in on that motherfucker. 1240 01:05:14,320 --> 01:05:16,479 Speaker 2: The more I listen to it, the more shit I catch. 1241 01:05:17,000 --> 01:05:18,360 Speaker 2: The more I listen to it, the more shoul I 1242 01:05:18,440 --> 01:05:20,200 Speaker 2: start to hear that he's saying in the song. Because 1243 01:05:20,200 --> 01:05:22,800 Speaker 2: you might miss it the first time, listen to the 1244 01:05:22,880 --> 01:05:24,680 Speaker 2: second or third time that you start to catch the 1245 01:05:24,720 --> 01:05:26,760 Speaker 2: shots that he's throwing. He throwing shots like a motherfucker. 1246 01:05:26,800 --> 01:05:29,520 Speaker 2: But I don't want none of them straights, those. 1247 01:05:29,360 --> 01:05:30,280 Speaker 1: Are the best dishes. 1248 01:05:33,240 --> 01:05:36,040 Speaker 4: Let me now, we got a little fan question things 1249 01:05:36,120 --> 01:05:38,480 Speaker 4: for a few questions for you, don't mind you, And 1250 01:05:38,800 --> 01:05:40,280 Speaker 4: one of them is, if you were in the NBA, 1251 01:05:40,400 --> 01:05:41,880 Speaker 4: what position you think you're gonna play? 1252 01:05:42,240 --> 01:05:42,439 Speaker 1: Oh? 1253 01:05:45,440 --> 01:05:47,560 Speaker 4: Yes, right, if you're in a Big three, you be 1254 01:05:47,600 --> 01:05:49,439 Speaker 4: doing whatever you want out there. It should be that question. 1255 01:05:49,480 --> 01:05:51,080 Speaker 4: How about that point? 1256 01:05:51,160 --> 01:05:54,320 Speaker 1: And no, we're not playing the Big Three, playing the 1257 01:05:54,360 --> 01:05:54,760 Speaker 1: Big Three. 1258 01:05:55,240 --> 01:05:57,400 Speaker 2: Shout out to my dog Mario and Bees over there 1259 01:05:57,440 --> 01:05:59,000 Speaker 2: too in the Big Three. I'll be watching them boys 1260 01:05:59,000 --> 01:06:00,480 Speaker 2: all the time over there in the through. I love 1261 01:06:00,560 --> 01:06:01,560 Speaker 2: them dudes, my guys. 1262 01:06:01,640 --> 01:06:01,800 Speaker 1: Man. 1263 01:06:01,840 --> 01:06:03,720 Speaker 2: I love to see Mario and Be's out there hooping, 1264 01:06:04,320 --> 01:06:06,640 Speaker 2: especially bees can fu. 1265 01:06:09,440 --> 01:06:12,120 Speaker 1: Man, he can go without a doubt. Ain't nobody to 1266 01:06:12,120 --> 01:06:13,160 Speaker 1: get to the playoffs? Tho? 1267 01:06:13,720 --> 01:06:15,440 Speaker 2: Yeah, I know they ain't figured that ship out yet. 1268 01:06:15,520 --> 01:06:16,760 Speaker 2: They ain't figured that ship out yet. 1269 01:06:17,280 --> 01:06:19,360 Speaker 1: Bad bad gm over there, got bad? Who is the 1270 01:06:19,440 --> 01:06:20,520 Speaker 1: gym over there ship? 1271 01:06:20,560 --> 01:06:23,880 Speaker 5: I think that they own gyms, ain't Mario? Yeah, yeah, 1272 01:06:24,640 --> 01:06:26,800 Speaker 5: that's what I'm saying, bad gm over there. Hey, listen, 1273 01:06:27,080 --> 01:06:29,880 Speaker 5: just so you know, Q, we name the recordless Rio 1274 01:06:30,000 --> 01:06:30,479 Speaker 5: for a reason. 1275 01:06:30,640 --> 01:06:31,360 Speaker 1: Reckless Rio. 1276 01:06:33,360 --> 01:06:33,560 Speaker 5: Hey. 1277 01:06:33,600 --> 01:06:35,640 Speaker 4: I love how I love how you do that, Q, 1278 01:06:35,760 --> 01:06:37,440 Speaker 4: because now they can't got ship, no one to blame 1279 01:06:37,480 --> 01:06:39,440 Speaker 4: but himself. They don't make the playoffs at your own 1280 01:06:39,480 --> 01:06:47,320 Speaker 4: fucking fuck me. You ain't enough talent and you hired yourself. Yeah, 1281 01:06:47,400 --> 01:06:49,000 Speaker 4: one more question? Let me see here. 1282 01:06:49,080 --> 01:06:49,440 Speaker 1: What is it? 1283 01:06:50,080 --> 01:06:53,360 Speaker 4: We already talked about this track. What is the favorite 1284 01:06:53,440 --> 01:06:54,880 Speaker 4: role you in a movie that you've done? 1285 01:06:57,360 --> 01:07:01,960 Speaker 1: Man? I love playing Craig. I loved playing I love 1286 01:07:02,040 --> 01:07:10,080 Speaker 1: playing Calvin too. Barbershop Book Them was dope, yeah, book 1287 01:07:10,120 --> 01:07:16,400 Speaker 1: Them Yeah. And Russell Red was fun fun too. Russell Red, 1288 01:07:16,600 --> 01:07:19,400 Speaker 1: Yeah incorporated. 1289 01:07:20,040 --> 01:07:22,160 Speaker 5: Where did the name ice cube come from? Where that 1290 01:07:22,280 --> 01:07:23,360 Speaker 5: came from? Where you get that from? 1291 01:07:23,360 --> 01:07:27,640 Speaker 1: I'm my brother, my brother gave me that name. He uh, well, 1292 01:07:27,680 --> 01:07:31,000 Speaker 1: he was threatening me. He was gonna, you know, at 1293 01:07:31,280 --> 01:07:33,160 Speaker 1: the end of our block, they used to put out 1294 01:07:33,840 --> 01:07:35,800 Speaker 1: you know, if you was finished with your refrigerator, you 1295 01:07:35,920 --> 01:07:38,439 Speaker 1: just put it on the curb and ship. Yeah, people 1296 01:07:38,440 --> 01:07:42,040 Speaker 1: will come get it. Was it was one on our 1297 01:07:42,120 --> 01:07:44,560 Speaker 1: block for like a month. Nobody would pick that ship up. 1298 01:07:44,600 --> 01:07:48,200 Speaker 1: It was just there. And so my brother got mad 1299 01:07:48,280 --> 01:07:51,360 Speaker 1: at me, and he was like, I'm gonna take care 1300 01:07:51,400 --> 01:07:54,240 Speaker 1: ass and put you in that and that that fucking 1301 01:07:54,400 --> 01:07:57,280 Speaker 1: refrigerator down the block and when they pull you out, 1302 01:07:57,280 --> 01:08:02,200 Speaker 1: you're gonna be an ice cube. So I started using 1303 01:08:02,280 --> 01:08:05,160 Speaker 1: it like, you know, telling my friends, not my ice cube, 1304 01:08:05,200 --> 01:08:09,360 Speaker 1: you know, ice ice cube. So it's just stuck. It's 1305 01:08:09,440 --> 01:08:10,800 Speaker 1: just never never. 1306 01:08:10,760 --> 01:08:13,720 Speaker 5: Left doing the best nicknames and the best and the best. 1307 01:08:13,960 --> 01:08:15,960 Speaker 4: Well, we can't thank you enough for coming on here, 1308 01:08:16,040 --> 01:08:18,599 Speaker 4: my brother, for real, everything that you've done. Yes, you've 1309 01:08:18,640 --> 01:08:21,040 Speaker 4: been a legend and all of it between music and 1310 01:08:21,240 --> 01:08:23,840 Speaker 4: movies and dollars. Big Three, the Big Three gonna be 1311 01:08:23,880 --> 01:08:24,599 Speaker 4: fun to watch this year. 1312 01:08:24,600 --> 01:08:24,720 Speaker 1: Man. 1313 01:08:24,720 --> 01:08:26,800 Speaker 4: I can't wait to watch it. And I'm gonna get 1314 01:08:26,800 --> 01:08:28,920 Speaker 4: you need to buy it, buy a franchise over here 1315 01:08:28,960 --> 01:08:32,960 Speaker 4: so we can get a team. Roller, So you criticized, 1316 01:08:33,400 --> 01:08:35,280 Speaker 4: I criticize his man, me and Mike. 1317 01:08:35,160 --> 01:08:36,439 Speaker 5: If I could do it together, but I can't do 1318 01:08:36,520 --> 01:08:37,160 Speaker 5: it by myself. 1319 01:08:38,880 --> 01:08:41,120 Speaker 1: But for real, man, we put a group together, A 1320 01:08:41,160 --> 01:08:44,000 Speaker 1: group together, man, everybody throwing a million men in on 1321 01:08:44,120 --> 01:08:44,439 Speaker 1: the team. 1322 01:08:44,479 --> 01:08:45,960 Speaker 4: We're gonna We're gonna have to do that. 1323 01:08:46,000 --> 01:08:48,120 Speaker 5: I think we definitely have to put a group together. 1324 01:08:48,320 --> 01:08:50,640 Speaker 2: The O g's for show for show a Q Man, 1325 01:08:50,680 --> 01:08:53,759 Speaker 2: I appreciate everything that you've done for the culture. Everything 1326 01:08:53,840 --> 01:08:56,479 Speaker 2: you've done, you know what I'm saying, in the industry, 1327 01:08:56,680 --> 01:08:59,680 Speaker 2: you know, just everything you've done for obviously basketball, you 1328 01:08:59,760 --> 01:09:02,439 Speaker 2: know forward, you know as a as a you know 1329 01:09:02,720 --> 01:09:05,479 Speaker 2: black man myself, and you know starting off just playing 1330 01:09:05,560 --> 01:09:07,760 Speaker 2: the game of basketball. You've obviously made it clear that 1331 01:09:07,960 --> 01:09:10,160 Speaker 2: you don't just have to be a basketball player. You 1332 01:09:10,200 --> 01:09:12,080 Speaker 2: don't have to stay where you started. You can continue 1333 01:09:12,080 --> 01:09:14,280 Speaker 2: to evolved, you can continue to grow. I feel like 1334 01:09:14,320 --> 01:09:17,760 Speaker 2: I watched you live six lifetimes. You know what I'm saying, 1335 01:09:17,800 --> 01:09:20,920 Speaker 2: and all the things that you continue to Just reinvent yourself, man, 1336 01:09:21,240 --> 01:09:24,120 Speaker 2: and stay ambitious and and continue to bet on yourself 1337 01:09:24,160 --> 01:09:24,760 Speaker 2: and double down. 1338 01:09:24,840 --> 01:09:26,240 Speaker 5: Man, So we all can learn a lot from you. 1339 01:09:26,320 --> 01:09:28,599 Speaker 5: Dog and I appreciate it. Thank you, salute man for real, 1340 01:09:28,680 --> 01:09:30,240 Speaker 5: Thank you for coming on to We appreciate that. 1341 01:09:31,720 --> 01:09:36,000 Speaker 1: Appreciate y'all man anytime and every time. Thanks a lot, man, 1342 01:09:36,160 --> 01:09:40,240 Speaker 1: and much love, much respect, and uh ship. Let's do 1343 01:09:40,320 --> 01:09:43,160 Speaker 1: it again soon for sure. Person around. 1344 01:09:43,200 --> 01:09:45,280 Speaker 2: I know y'all travel around, y'all, y'all move around, so 1345 01:09:45,320 --> 01:09:46,639 Speaker 2: I'll see y'all in Miami for sure. 1346 01:09:47,080 --> 01:09:51,080 Speaker 1: Appreciate you you okay, oh Jesus yeah. 1347 01:10:04,680 --> 01:10:05,880 Speaker 3: But my my, my, mam. 1348 01:10:10,680 --> 01:10:11,320 Speaker 1: Ma, mam 1349 01:10:16,240 --> 01:10:16,280 Speaker 3: Ma