WEBVTT - I’ll Be The One with the Coffee (S2 E11, "Secrets and Loans")

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<v Speaker 1>I am all in. I am all in with Scott

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<v Speaker 1>Patterson and I heart radio podcast. Well we're back. We

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<v Speaker 1>are back from our break. Ladies and gentlemen. H happy

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<v Speaker 1>to be back. We are back. How is everybody's vacation? Huh? Christmas?

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<v Speaker 1>Good holidays? Why who's the start? Vacation was just filled

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<v Speaker 1>with COVID and my goodness in our house from the rain.

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<v Speaker 1>Say hey, we're here. Listen. We've got We've got We've

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<v Speaker 1>got Danielle Romo, We've got Riley Pelusis, We've got Amy Sugarman.

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<v Speaker 1>We've got the ball club back together. Everybody's in one

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<v Speaker 1>piece somewhat. Some of us are in COVID, some of

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<v Speaker 1>us are out of it, some of it are in

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<v Speaker 1>the middle of it. But we're still doing the podcast COVID.

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<v Speaker 1>But if I sound a little weird, it's because I'm

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<v Speaker 1>in a bathroom because my furnace that's in my attic

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<v Speaker 1>it broke and so it basically started ringing in my house.

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<v Speaker 1>So I'm at my mom's house and the internet is

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<v Speaker 1>not great, so I'm literally my computer is on a

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<v Speaker 1>toilet and I'm sitting on the bathroom floor. But how

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<v Speaker 1>do I assume you've never sounded better. Very well themed

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<v Speaker 1>with this episode that we have to recap today, It's

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<v Speaker 1>like you couldn't be more loreal. It's just perfect. It's

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<v Speaker 1>it's like you're mimicking the character. Put the video of

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<v Speaker 1>it raining inside my house on the Instagram and right

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<v Speaker 1>to loyalize falling in our porch. Well, I hope everybody

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<v Speaker 1>had a wonderful holiday break and you've got plenty of

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<v Speaker 1>stocking stuff. First, get all the presents you wanted, and

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<v Speaker 1>uh had a wonderful, safe holiday. Happy New Year, everybody

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<v Speaker 1>is the best year yet. Start starting off that way.

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<v Speaker 1>I'm going to announce right here on this show that

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<v Speaker 1>I have COVID and I am in the grips of it,

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<v Speaker 1>kind of in the middle of it, but I'm rallying

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<v Speaker 1>a little bit. Yeah, I did not think you were

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<v Speaker 1>going to make it today. Did you see my text?

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<v Speaker 1>I said you were a little concerned. I know I was.

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<v Speaker 1>When I woke up, I was a little concerned. I

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<v Speaker 1>was like, wow, I you know, because of the fatigue factor.

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<v Speaker 1>So I don't want you to feel pressure. But it

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<v Speaker 1>just so people know, it's why we were on last week.

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<v Speaker 1>Because there's five people on this zoom and lady, I

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<v Speaker 1>operate best under pressure, let me tell you so. Anyway,

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<v Speaker 1>But you know that's you just gotta roll with the

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<v Speaker 1>punches and you gotta deliver, right. Uh. And we're gonna no, no,

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<v Speaker 1>you you are the champs. I am just I'm just

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<v Speaker 1>maybe the cut guy in the corner. That's it. You're

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<v Speaker 1>the champs. I'm just trying to hang in there. And guys,

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<v Speaker 1>here we go, We're gonna, We're gonna break down. Season two,

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<v Speaker 1>Episode eleven, Secrets and Loans. Original air date January two

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<v Speaker 1>thousand and two. What did we think of this episode?

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<v Speaker 1>I have a definitive reaction. I want to hear your

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<v Speaker 1>reactions first, Danielle, you go. I mean, just like I

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<v Speaker 1>was kind of saying earlier, I just really related to

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<v Speaker 1>this episode just with my recent house league. Um. I

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<v Speaker 1>just couldn't stop laughing. It was such a good episode. Um.

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<v Speaker 1>And I know we'll jump into it a little bit more.

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<v Speaker 1>But Rory in Paris dynamic in this episode was great.

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<v Speaker 1>I loved it. So I think we have a synopsis

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<v Speaker 1>coming up. Riley, you want to yeah, I want to

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<v Speaker 1>give us a synopsis. I would love to give the synopsis.

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<v Speaker 1>I'm really sad at on how my sexy voice anymore?

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<v Speaker 1>But glad I don't have COVID, so it's a great

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<v Speaker 1>trade off. So this is episode eleven, Secrets and Loans.

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<v Speaker 1>Air date January twenty two, two two. LORIAI is concerned

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<v Speaker 1>over the fact that she cannot afford to repair her

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<v Speaker 1>home's extensive termite damage. Turns to anger when Rory tells

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<v Speaker 1>Emily about their problem and Emily offers a loan to

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<v Speaker 1>Lorela again. I'm not gonna lie. I did call my

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<v Speaker 1>dad when my ceiling was leaking in and said, I

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<v Speaker 1>don't think I'm gonna need to borrow any money, but

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<v Speaker 1>be ready, just thinking, Uh, so what do we do?

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<v Speaker 1>How do we feel about this episode? So it's so

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<v Speaker 1>funny because I think we loved it, and I'm getting

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<v Speaker 1>a feeling you didn't tell us more. I did not.

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<v Speaker 1>I did not tell us everything. I thought it was

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<v Speaker 1>a lackluster performer. I thought it was been there, done that.

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<v Speaker 1>We've seen this already. Uh, same old tropes, same old stuff,

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<v Speaker 1>same old, same old, nothing new. I don't didn't get it.

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<v Speaker 1>I just felt like I just felt like the writer's

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<v Speaker 1>room took a week off and and and was leaning

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<v Speaker 1>on you know, on the greatness of the past couple

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<v Speaker 1>of episodes, and I don't remember laughing at all. I

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<v Speaker 1>wasn't amused by it at all. It was graating to me, Um,

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<v Speaker 1>and I think it was one of the reasons critics

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<v Speaker 1>look at the show and say, well, you know, they

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<v Speaker 1>could point a finger and say, well, that's in This

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<v Speaker 1>show is inconsistent. It's not delivering at a very high

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<v Speaker 1>level every single episode. And this is one of the

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<v Speaker 1>episodes you can point to in my opinion, Um, that

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<v Speaker 1>for me did not deliver. It was all I just

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<v Speaker 1>saw everything coming a mile away. Uh, what can I

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<v Speaker 1>tell you, Laura, I got on my nerves. I thought

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<v Speaker 1>the whole thing was shrilled. Do you think it was

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<v Speaker 1>your least favorite episode? Absolutely? Absolutely absolutely. I thought they

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<v Speaker 1>could have scrubbed it and redone it. I did not

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<v Speaker 1>feel that rightly, And Danielle tell me how you guys felt.

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<v Speaker 1>I did not feel that way well, coming off of

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<v Speaker 1>last episode. Yeah, brace Bridge Dinner. That was unbelievable. So

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<v Speaker 1>I'll give it to you, Scott. This one was a

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<v Speaker 1>little bit softer, but I still loved it. I still

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<v Speaker 1>found the humor in it. I still thought, Um, there

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<v Speaker 1>was a lot of good content in there, but it

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<v Speaker 1>was softer than like coming off of Bracebridge dinner. I'll

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<v Speaker 1>give you that. I see what's stop saying, and that

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<v Speaker 1>it was redundant sort of for a better no a

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<v Speaker 1>word to use. Like Paris and Rory have conflict. We've

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<v Speaker 1>seen it. Emily and Lorelei have conflict over money. We've

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<v Speaker 1>seen it. You know, Luke comes to the rescue, but

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<v Speaker 1>lord I won't won't take his help. We've seen it.

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<v Speaker 1>But I still totally enjoyed it. Oh, Scott, you guys.

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<v Speaker 1>I wish you guys could see his face. Okay, so

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<v Speaker 1>let's break it down. So let's start with Paris and

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<v Speaker 1>Rory and the p S A T S. Did you

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<v Speaker 1>find that amusing at all? Not in the least m hm,

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<v Speaker 1>I giggled. I thought it was. I mean, I can

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<v Speaker 1>remember taking the p S A T S. I sort

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<v Speaker 1>of remember people wanting to know what your score was,

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<v Speaker 1>and he's sort of being like, I don't know, and

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<v Speaker 1>Paris just desperately needing to know. I also think it's

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<v Speaker 1>fascinating that they are neck and neck. Rory's score is

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<v Speaker 1>twenty points higher than Paris, but they really they are

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<v Speaker 1>competitors Paris his anxiety really had me l O l ng.

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<v Speaker 1>I thought it was great. Her anxiety Paris is anxiety.

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<v Speaker 1>She's a complete psychopath sitting there just like in her

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<v Speaker 1>pathetic state. You know, I just I'm sorry, maybe you know,

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<v Speaker 1>maybe it's the COVID or whatever an episode, because it

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<v Speaker 1>makes this conversation again with this psychopath sitting here like

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<v Speaker 1>fishing for compliments, and please ask me the question. I mean,

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<v Speaker 1>And and Rory is so above it at this point.

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<v Speaker 1>Is and she just looks at Paris like this nut

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<v Speaker 1>job again. And no, I'm not going to play into

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<v Speaker 1>her game, because that's exactly you know, this is tis.

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<v Speaker 1>The nature of psychopathology is the instant gratification that they seek.

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<v Speaker 1>It's it's nothing's long term, that's nothing's planned out. They

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<v Speaker 1>just you know, they just need to have their satisfaction

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<v Speaker 1>when they need it. And it's and it's all about them,

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<v Speaker 1>and it's and and Rory knows this instinctively, if not,

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<v Speaker 1>you know, intellectually, And she just wasn't gonna play the game.

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<v Speaker 1>She knew exactly how to play Paris, she knew exactly

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<v Speaker 1>how that that was. That was amusing. But we've already

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<v Speaker 1>seen Rory. Uh correct deal with it in in a

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<v Speaker 1>similar way, so she's already it wasn't anything groundbreaking. There's

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<v Speaker 1>nothing left to figure out with Paris. There's nothing compelling

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<v Speaker 1>about Paris. I just found it amusing when the girls

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<v Speaker 1>are splitting up their fritos, which I thought, who thought

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<v Speaker 1>of that? So they're splitting up their fritos and here

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<v Speaker 1>comes Paris, just fishing, like you said, trying to get

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<v Speaker 1>them to ask for her scores. But there was such

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<v Speaker 1>a funny zimmer in there when they're taught. So before

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<v Speaker 1>Paris walks up, the two girls are talking about out

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<v Speaker 1>how the boy hasn't called her, and the one says,

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<v Speaker 1>did you guys catch that one? The one says, well,

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<v Speaker 1>I thought we really connected in my closet the other day.

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<v Speaker 1>Didn't quite get that. So they're splitting the free us

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<v Speaker 1>and then Grory's just like okay, Paris like she's not

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<v Speaker 1>even sitting with them, doubt was your scores? And then

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<v Speaker 1>the whole thing like are you a person that gets

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<v Speaker 1>happy about sunset? Like I just thought, I actually thought

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<v Speaker 1>that was funny, right scoped For the first time I

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<v Speaker 1>felt paris Is anxiety. I was like, just tell her

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<v Speaker 1>the score, like I just was like, just tell her,

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<v Speaker 1>throw in her face, what did you think of your

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<v Speaker 1>your performance? I liked it my performance, Yeah, I don't know,

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<v Speaker 1>I don't I don't know that there was a lot

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<v Speaker 1>there to really comment on. I think, you know, sure, yeah,

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<v Speaker 1>I served serviced it okay, and it was fine. But

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<v Speaker 1>I just don't think there was a tremendous amount of

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<v Speaker 1>you know, there wasn't really an arc. I mean, he

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<v Speaker 1>served his purpose, he offered the money, was you know,

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<v Speaker 1>the good guy, the whole thing. But you know, again

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<v Speaker 1>we've seen it over and over again, and he kind of,

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<v Speaker 1>you know, he kind of gave up. The one thing

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<v Speaker 1>I did notice about that one scene outside when he

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<v Speaker 1>I'm under the porch right and when I'm under the porch,

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<v Speaker 1>is that he kind of gave up too quickly. I agree,

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<v Speaker 1>and I think it it for me, it minimized, um,

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<v Speaker 1>I don't know any potential relationship or the or the

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<v Speaker 1>depth of their friendship, And why couldn't she trust him

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<v Speaker 1>to take this? And I didn't quite understand that because

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<v Speaker 1>it was such an easy thing for him, and look,

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<v Speaker 1>hey it's not a big deal. But then this goes

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<v Speaker 1>back to laurelized pride and I think you make a

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<v Speaker 1>great point. I do agree that Luke. First of all,

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<v Speaker 1>I love that he comes to the rescue. I love

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<v Speaker 1>that he goes under her and can tell what's going on.

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<v Speaker 1>And he's very manly, you know, and is just very cool,

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<v Speaker 1>and he's very good to her. And then you get

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<v Speaker 1>that glimpse of like Luke is successful. Like at first glance,

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<v Speaker 1>you're like, oh, he owns a diner. He's sort of

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<v Speaker 1>an average guy, blue collar, you might say, but he's

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<v Speaker 1>very successful, very smart, always can teach her about the

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<v Speaker 1>loans and the bank and this, and that I agree

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<v Speaker 1>with you. He should have. He should have stepped up

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<v Speaker 1>and said, lord, line, stop this nonsense, borrow the money

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<v Speaker 1>from me. This is what's happening. But yeah, and it

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<v Speaker 1>but it does go back to her pride, and I

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<v Speaker 1>get that, and you know she's really digging in and

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<v Speaker 1>wanting to do it herself. But I don't know. I

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<v Speaker 1>just again, you know, you're setting up Luke to suffer

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<v Speaker 1>in silence even more. Okay, he did his bid, he

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<v Speaker 1>did his bidding, he put in his bid, it got

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<v Speaker 1>rejected again, and and now he's, you know, assuming that

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<v Speaker 1>familiar roll of oh gosh, Okay, well I'll just suffer here.

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<v Speaker 1>And and it's sort of a device where, you know,

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<v Speaker 1>the writing has to leave Laurel if vulnerable to to

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<v Speaker 1>battle it out on the icy flats with her mother,

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<v Speaker 1>yet guess, and that's what and that's what that was

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<v Speaker 1>another you know, here we go again with this, and

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<v Speaker 1>it just it just felt to me manufactured and contrived.

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<v Speaker 1>It didn't feel natural. It didn't feel you know. And

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<v Speaker 1>immediately Emily gets up and goes to the check book.

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<v Speaker 1>Immediately there's conflict immediately, you know, and it's it's like

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<v Speaker 1>everything this woman tries to do for her, and I

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<v Speaker 1>think I just got tired of you know, I was

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<v Speaker 1>I was actually not shouting at the TV screen. I

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<v Speaker 1>don't talk to the TV screen. I'm not greaty in

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<v Speaker 1>that way. Um, but it's like, well, you let this

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<v Speaker 1>woman help you. She has actual good intentions and why

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<v Speaker 1>can't you see it? And it just it it made it.

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<v Speaker 1>It made me sad that their relationship was just so

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<v Speaker 1>completely in tatters still where they cannot communicate on an

0:14:06.120 --> 0:14:10.080
<v Speaker 1>adult level with with any kind of mutual trust. I mean,

0:14:10.080 --> 0:14:13.079
<v Speaker 1>I think Emily trust her, and I think Emily is

0:14:13.120 --> 0:14:17.079
<v Speaker 1>making far more of an effort to repair the damage

0:14:17.160 --> 0:14:20.040
<v Speaker 1>that was done. And I think she's taking responsibility for

0:14:20.120 --> 0:14:24.400
<v Speaker 1>her for her end in it, and and overcompensating and

0:14:24.520 --> 0:14:26.840
<v Speaker 1>trying to make up for it, and and Laurela is

0:14:26.920 --> 0:14:31.200
<v Speaker 1>just beating the stuffing out of her every chance she gets.

0:14:31.240 --> 0:14:33.400
<v Speaker 1>And I'm just tired of seeing it. It's all. It

0:14:33.480 --> 0:14:36.920
<v Speaker 1>almost comes off like elder abuse. And I wanted to

0:14:36.960 --> 0:14:39.320
<v Speaker 1>stop doing it. I wanted to grow up. I want

0:14:39.320 --> 0:14:41.920
<v Speaker 1>to shake her and say, hey, you know, come on,

0:14:44.200 --> 0:14:48.560
<v Speaker 1>what happened? Right? It happened, you know? And and oh

0:14:48.600 --> 0:14:51.640
<v Speaker 1>my god, you know she's everybody's screwed up here. So

0:14:51.800 --> 0:14:54.920
<v Speaker 1>let's I don't know, I was. I just didn't want

0:14:54.920 --> 0:15:00.400
<v Speaker 1>to see a battle, not during the holidays. No. Yeah,

0:15:04.320 --> 0:15:06.640
<v Speaker 1>So let me ask all of you this, what did

0:15:06.760 --> 0:15:12.840
<v Speaker 1>you think when Rory maybe overstepped and told Emily what

0:15:13.040 --> 0:15:18.120
<v Speaker 1>was going on? And did you think loyalized, very angry

0:15:18.240 --> 0:15:21.880
<v Speaker 1>reaction was too much? What did everybody think of sort

0:15:21.920 --> 0:15:26.960
<v Speaker 1>of that situation. I definitely thought it was too much

0:15:27.200 --> 0:15:29.960
<v Speaker 1>like loyalized reaction to Rory, because at the end of

0:15:30.000 --> 0:15:33.800
<v Speaker 1>the day, Rory wants help too, you know, like it's

0:15:33.880 --> 0:15:36.560
<v Speaker 1>their house, you know, she wants it to get fixed

0:15:36.600 --> 0:15:39.480
<v Speaker 1>and realizes that her family needs some help. So she's

0:15:39.480 --> 0:15:42.560
<v Speaker 1>gonna tell her grandma about it, you know, like it's

0:15:42.600 --> 0:15:47.280
<v Speaker 1>a very I think normal thing to do. Um. But yeah,

0:15:47.320 --> 0:15:50.080
<v Speaker 1>the way that lorea Ie reacted was she was projecting

0:15:50.160 --> 0:15:54.840
<v Speaker 1>on her own insecurities versus like what the actual situation was. Like, sorry,

0:15:54.960 --> 0:15:57.000
<v Speaker 1>Lorla that you don't want to ask your mom for help,

0:15:57.320 --> 0:16:03.880
<v Speaker 1>but Rory, can you know m hmm, Well, I thought, um,

0:16:05.080 --> 0:16:08.000
<v Speaker 1>you know, Laurel I made it a big deal right away.

0:16:08.360 --> 0:16:11.360
<v Speaker 1>She woke her own daughter up in eleven o'clock at night.

0:16:11.800 --> 0:16:14.520
<v Speaker 1>Oh can you hear the termites munching? And it's horrible

0:16:14.560 --> 0:16:16.120
<v Speaker 1>and it's gross, and oh, let's get out of here.

0:16:16.120 --> 0:16:18.840
<v Speaker 1>And they she you know, she gets her up and

0:16:19.000 --> 0:16:21.240
<v Speaker 1>gets her dressed, and they have to walk to Suki's

0:16:22.000 --> 0:16:24.960
<v Speaker 1>and then and then you know, they start eating milkshakes

0:16:25.040 --> 0:16:28.000
<v Speaker 1>at Suki's and then that scene and then Jackson comes

0:16:28.040 --> 0:16:31.960
<v Speaker 1>out whatever with his pajamas. But um, which I fell

0:16:32.040 --> 0:16:35.360
<v Speaker 1>flat for me too. I didn't find that funny. Uh um.

0:16:36.920 --> 0:16:38.760
<v Speaker 1>And so it's like it's Laurel I who made the

0:16:38.800 --> 0:16:40.640
<v Speaker 1>big deal out of it, and now she wants everybody

0:16:40.720 --> 0:16:43.760
<v Speaker 1>forget about it. And I can take care of this. Well,

0:16:44.160 --> 0:16:46.880
<v Speaker 1>if if you thought that you were gonna make if

0:16:46.920 --> 0:16:48.360
<v Speaker 1>you if you just wanted to take care of it

0:16:48.360 --> 0:16:50.360
<v Speaker 1>yourself and figured out all by yourself, why the hell

0:16:50.360 --> 0:16:52.240
<v Speaker 1>did you wake your daughter up at eleven o'clock at night,

0:16:52.320 --> 0:16:54.280
<v Speaker 1>get her up, get her to Suki's and you know,

0:16:55.120 --> 0:16:56.920
<v Speaker 1>you know this girl needs a rest. She's going to

0:16:57.000 --> 0:16:59.560
<v Speaker 1>this private school. She she can't be up and a

0:16:59.720 --> 0:17:03.640
<v Speaker 1>pee bowl and termites and you know, my my mom's upset.

0:17:04.119 --> 0:17:06.280
<v Speaker 1>You know, it's it's why do you how do you

0:17:06.359 --> 0:17:08.400
<v Speaker 1>do that to your child? And then sort of try

0:17:08.440 --> 0:17:11.080
<v Speaker 1>to downplay everything. It's like, listen to me, and of

0:17:11.160 --> 0:17:13.040
<v Speaker 1>course it's a big deal. Of course she's gonna say

0:17:13.080 --> 0:17:15.440
<v Speaker 1>to grandma, well, you know we have termites because my

0:17:15.520 --> 0:17:16.919
<v Speaker 1>mom won't be up in the middle of the night.

0:17:17.040 --> 0:17:18.720
<v Speaker 1>We you know, it's a big, big enough of rom

0:17:18.760 --> 0:17:20.879
<v Speaker 1>we're gonna lose our house. And my mom wanted to

0:17:20.880 --> 0:17:22.959
<v Speaker 1>get the hell out of the house before collapsed around us.

0:17:23.720 --> 0:17:26.680
<v Speaker 1>So I just didn't understand the logic of it, you know,

0:17:26.880 --> 0:17:29.879
<v Speaker 1>I didn't understand the logic of of of how Laurel

0:17:29.960 --> 0:17:33.399
<v Speaker 1>I was justifying all of these actions and behaviors. So

0:17:33.480 --> 0:17:36.120
<v Speaker 1>it was a little bit of a mystery to me. Yeah,

0:17:36.119 --> 0:17:39.080
<v Speaker 1>I think it's it's interesting because I agree that it's

0:17:39.119 --> 0:17:41.240
<v Speaker 1>it's putting a lot of even though lore Ly and

0:17:41.359 --> 0:17:43.760
<v Speaker 1>Rory had this very open relationship and they're very honest

0:17:43.800 --> 0:17:46.680
<v Speaker 1>and they know everything, that's a lot of anxiety, Like

0:17:46.840 --> 0:17:49.200
<v Speaker 1>we said, for a sixteen seventeen year old kids to

0:17:49.320 --> 0:17:52.120
<v Speaker 1>go like the house is falling apart and we don't

0:17:52.119 --> 0:17:55.400
<v Speaker 1>have any money. Right, So there were jokes like we'll

0:17:55.480 --> 0:18:00.560
<v Speaker 1>never eat again, and you know, different little jokes. But

0:18:00.640 --> 0:18:02.119
<v Speaker 1>at the same time, as a kid, you'd be like,

0:18:02.680 --> 0:18:04.840
<v Speaker 1>am I have a place to live? Right? As she

0:18:04.960 --> 0:18:09.520
<v Speaker 1>traumatizes her kid, we have no money, We're broke. I

0:18:09.600 --> 0:18:12.040
<v Speaker 1>don't know what to do, but keep your mouth shut

0:18:12.840 --> 0:18:14.960
<v Speaker 1>and if you open your mouth, I'm gonna be piste off.

0:18:15.000 --> 0:18:17.320
<v Speaker 1>I just thought it was I just thought it was

0:18:17.440 --> 0:18:20.879
<v Speaker 1>Laurel I out of control, you know, not get it

0:18:21.000 --> 0:18:23.719
<v Speaker 1>that Laurel I said, don't ask grandma Grandpa, and then

0:18:23.840 --> 0:18:27.920
<v Speaker 1>Rory goes around her and brings it up. But you

0:18:28.040 --> 0:18:30.800
<v Speaker 1>know that money is not a lot for Emily and

0:18:30.920 --> 0:18:34.680
<v Speaker 1>richert It's like they want to help. Like you said,

0:18:34.680 --> 0:18:37.119
<v Speaker 1>I get where you're coming from. Like it would be easier.

0:18:37.320 --> 0:18:41.200
<v Speaker 1>These people would all sort of forgive each other and

0:18:41.400 --> 0:18:43.639
<v Speaker 1>move on. Are they a family or aren't they? Does

0:18:43.720 --> 0:18:46.040
<v Speaker 1>Laurel I want her daughter to to to grow up

0:18:46.080 --> 0:18:49.240
<v Speaker 1>in a family or not? Does she want to be

0:18:49.400 --> 0:18:53.520
<v Speaker 1>the ringmaster her entire life and and and and control

0:18:53.600 --> 0:18:56.840
<v Speaker 1>the video or does she want her mom and dad

0:18:56.920 --> 0:18:59.040
<v Speaker 1>to be a part of a real part of Rory's life,

0:18:59.040 --> 0:19:02.480
<v Speaker 1>which they are inevitable we anyway, And Rory obviously has

0:19:02.520 --> 0:19:05.639
<v Speaker 1>that trust of her grandparents. It's not like she just

0:19:05.760 --> 0:19:07.720
<v Speaker 1>thinks like, oh, they're rich, they'll give us the money.

0:19:07.880 --> 0:19:14.200
<v Speaker 1>It's like, that's my grandparents, they will help us. Interesting. So, okay,

0:19:14.240 --> 0:19:17.680
<v Speaker 1>so let me ask you all this from our perspective.

0:19:18.640 --> 0:19:21.640
<v Speaker 1>What should Lorala I have done? I guess I think

0:19:21.680 --> 0:19:24.200
<v Speaker 1>she should just borrow the money from Luke. But I

0:19:24.280 --> 0:19:27.520
<v Speaker 1>get why she didn't. What would you have liked to

0:19:27.600 --> 0:19:31.080
<v Speaker 1>have seen Lorela I do? No, that's good, right, I

0:19:31.200 --> 0:19:34.240
<v Speaker 1>think that's good. And then Luke gets involved, and then

0:19:34.280 --> 0:19:37.840
<v Speaker 1>there's sort of a conflict between Emily and Luke. Yeah,

0:19:37.960 --> 0:19:41.440
<v Speaker 1>and there's a chance for real comedy and you know,

0:19:41.640 --> 0:19:45.920
<v Speaker 1>but it but it widens the family somewhat. It it

0:19:46.720 --> 0:19:49.560
<v Speaker 1>brings the townspeople involved, and I mean, I mean, who knows.

0:19:49.640 --> 0:19:52.399
<v Speaker 1>You know, that's that's one possibility, Daniel, you were going

0:19:52.440 --> 0:19:55.880
<v Speaker 1>to say something, Yeah, No, I love that. I didn't

0:19:55.880 --> 0:19:58.000
<v Speaker 1>think about that, but I love that. I was gonna say,

0:19:58.040 --> 0:20:00.480
<v Speaker 1>I wish she just went to Emily because it would

0:20:00.480 --> 0:20:03.200
<v Speaker 1>have shown a little level of maturity and alive branch

0:20:03.320 --> 0:20:07.040
<v Speaker 1>per se, you know, like, all right, I'm treating you

0:20:07.200 --> 0:20:09.600
<v Speaker 1>like my mom now, you know, instead of like Laurel

0:20:09.680 --> 0:20:12.720
<v Speaker 1>I always been so I'm an independent woman like I

0:20:12.760 --> 0:20:15.439
<v Speaker 1>would have loved to see the vulnerability for a second

0:20:15.640 --> 0:20:21.880
<v Speaker 1>between Emily and Laura covered termites. It's not I don't

0:20:24.600 --> 0:20:27.080
<v Speaker 1>find out. Depends it depends on your policy. I guess

0:20:27.480 --> 0:20:29.159
<v Speaker 1>you have termiz in l A. I don't have to

0:20:29.240 --> 0:20:31.440
<v Speaker 1>termise where I am right now. But but another another

0:20:31.520 --> 0:20:35.800
<v Speaker 1>storyline could have been, you know, they Laura la goes

0:20:35.840 --> 0:20:37.840
<v Speaker 1>to her mother right away, They help out, and then

0:20:38.359 --> 0:20:44.680
<v Speaker 1>the conflict becomes Emily starts shopping for a new house

0:20:44.800 --> 0:20:49.560
<v Speaker 1>for Laurel. I totally and stars hollow or in Hartford. Well,

0:20:49.640 --> 0:20:51.800
<v Speaker 1>I was gets closer to Chilton, I thought, and you

0:20:51.880 --> 0:20:54.000
<v Speaker 1>were closer to us, And I know you love your

0:20:54.000 --> 0:20:57.200
<v Speaker 1>little town with all your your wild characters in there.

0:20:57.280 --> 0:20:59.720
<v Speaker 1>But I think now maybe it's time you get closer

0:20:59.800 --> 0:21:03.040
<v Speaker 1>to me and and Richard, and you know, we're getting older.

0:21:03.119 --> 0:21:05.200
<v Speaker 1>And it was just school. It was just school, the

0:21:05.240 --> 0:21:07.399
<v Speaker 1>whole thing. Yeah, So then and then that could have

0:21:07.520 --> 0:21:10.399
<v Speaker 1>caused all kinds of conflict between Laurela and myself and

0:21:10.680 --> 0:21:13.119
<v Speaker 1>you know we're gonna commute back and forth and you

0:21:13.200 --> 0:21:15.160
<v Speaker 1>know whatever, ye I'll never see at the diner again.

0:21:15.359 --> 0:21:17.440
<v Speaker 1>You know, there are a million ways you could have

0:21:17.480 --> 0:21:21.600
<v Speaker 1>gone about it, but I don't know, or go fund me,

0:21:24.600 --> 0:21:26.919
<v Speaker 1>I need take I don't know. She could have rented

0:21:26.960 --> 0:21:28.760
<v Speaker 1>out a room now, I do think the houses only

0:21:28.840 --> 0:21:31.320
<v Speaker 1>two bedroom stuff, So I guess not that I see

0:21:31.359 --> 0:21:32.879
<v Speaker 1>what you're saying, Like, we could play with this, and

0:21:32.960 --> 0:21:35.840
<v Speaker 1>there were other options, and the town could have come

0:21:35.880 --> 0:21:38.120
<v Speaker 1>together and raised the money for her, and it could

0:21:38.119 --> 0:21:41.360
<v Speaker 1>have been a big town celebration, and you know, Luke

0:21:41.400 --> 0:21:43.199
<v Speaker 1>could have led the way, or Taylor could have led

0:21:43.240 --> 0:21:45.359
<v Speaker 1>the way. You know, it would have been super surprising.

0:21:46.240 --> 0:21:48.440
<v Speaker 1>Emily could have been involved, and then it turns out

0:21:48.480 --> 0:21:52.199
<v Speaker 1>that Emily was really the ringmaster behind it, right right right,

0:21:52.400 --> 0:21:55.000
<v Speaker 1>oh mom, thank you? You know whatever, there's a million

0:21:55.280 --> 0:21:58.159
<v Speaker 1>ways it could have gone. It's just I don't know

0:21:58.320 --> 0:22:03.240
<v Speaker 1>it was. The banker was Larry Dallas from Three's Company.

0:22:04.840 --> 0:22:08.320
<v Speaker 1>He was great Richard Klein, you know right away. So

0:22:09.720 --> 0:22:13.760
<v Speaker 1>for those of you that are older threes Company that

0:22:13.880 --> 0:22:17.120
<v Speaker 1>was Jack Tripper's best friend, Richard Klein. He played Larry

0:22:17.200 --> 0:22:21.080
<v Speaker 1>Dallas and then he's the banker. And look, I like

0:22:21.400 --> 0:22:25.680
<v Speaker 1>that scene too, because I liked Emily performed, you know,

0:22:25.800 --> 0:22:29.359
<v Speaker 1>I like the performance there where she's just sitting back

0:22:29.520 --> 0:22:33.439
<v Speaker 1>like okay, and then that is true, but bankers like, oh,

0:22:33.600 --> 0:22:35.960
<v Speaker 1>you want me to just tell you the truth? You

0:22:36.080 --> 0:22:41.639
<v Speaker 1>don't qualify for this loan by, but here's the soul.

0:22:42.359 --> 0:22:44.199
<v Speaker 1>It was almost like they were in Cahoon's. But at

0:22:44.240 --> 0:22:46.119
<v Speaker 1>the same time, the banker was like tell the truth,

0:22:46.320 --> 0:22:52.920
<v Speaker 1>like yeah, but it's and I don't like how, you know,

0:22:54.520 --> 0:22:57.640
<v Speaker 1>you know, we're portraying. Emily's being portrayed as some kind

0:22:57.680 --> 0:23:02.399
<v Speaker 1>of underhanded connected with the banker, the evil banker, you know,

0:23:02.480 --> 0:23:04.600
<v Speaker 1>this kind of I mean, it's like Jesus, you know,

0:23:04.640 --> 0:23:07.879
<v Speaker 1>there was a level of maturity that I found lacking

0:23:08.240 --> 0:23:12.160
<v Speaker 1>in this script um and a level of naive tay

0:23:12.400 --> 0:23:16.120
<v Speaker 1>and I just thought it just lacked scope, It lacked size,

0:23:16.240 --> 0:23:21.360
<v Speaker 1>it lacked what Gilmore really can bring to bear um

0:23:21.800 --> 0:23:26.760
<v Speaker 1>with these gigantic life moments, with these with with these

0:23:27.240 --> 0:23:30.159
<v Speaker 1>that really resonate when you watch them, and it just

0:23:30.600 --> 0:23:32.960
<v Speaker 1>to me, it just all seemed like they were leaning

0:23:33.080 --> 0:23:37.480
<v Speaker 1>on you know, old tried and true, very thin kind

0:23:37.560 --> 0:23:41.119
<v Speaker 1>of methodology. Here. Let me ask you sort of inside

0:23:41.160 --> 0:23:44.159
<v Speaker 1>baseball question, when you have an episode like them, So

0:23:44.280 --> 0:23:47.080
<v Speaker 1>they write the episodes in order, right, like I would

0:23:47.080 --> 0:23:49.040
<v Speaker 1>assume they don't really write them out of work. So

0:23:49.119 --> 0:23:51.320
<v Speaker 1>when you have an episode like the brace Bridge Dinner

0:23:51.560 --> 0:23:59.040
<v Speaker 1>that's just huge, like brilliantly written, these intense scenes coursing

0:23:59.119 --> 0:24:03.680
<v Speaker 1>carriages going around the town, a big giant episode like

0:24:03.800 --> 0:24:06.480
<v Speaker 1>we would call it a sweeps episode, would it be

0:24:07.000 --> 0:24:10.320
<v Speaker 1>not that shocking that the following episode just can't live

0:24:10.520 --> 0:24:13.920
<v Speaker 1>up to that? Oh? Yeah, probably because I think there's

0:24:14.160 --> 0:24:21.040
<v Speaker 1>a probably a level of fatigue and um, I don't know, Yeah,

0:24:21.240 --> 0:24:25.280
<v Speaker 1>you're cranking out episodes and you've got you know, we

0:24:25.400 --> 0:24:30.440
<v Speaker 1>always back in the day sweeps, so like the November episodes,

0:24:30.520 --> 0:24:35.000
<v Speaker 1>the February episodes of the May episodes were always the biggest,

0:24:35.280 --> 0:24:39.240
<v Speaker 1>you know, so this was of that time. So I'm

0:24:39.240 --> 0:24:41.600
<v Speaker 1>wondering maybe there is something to what you're saying that

0:24:41.720 --> 0:24:45.679
<v Speaker 1>this episode, no, it wasn't a five star because they

0:24:45.720 --> 0:24:50.120
<v Speaker 1>had just done this huge thing to to actually back

0:24:50.200 --> 0:24:53.520
<v Speaker 1>to back. H Yeah, yeah, I think that's a good point.

0:24:53.640 --> 0:24:57.159
<v Speaker 1>But still, as a fan, I want to tune in

0:24:57.680 --> 0:25:00.399
<v Speaker 1>and I want to be knocked out. You want a

0:25:00.480 --> 0:25:04.600
<v Speaker 1>home run every week? I do, And and this this

0:25:04.920 --> 0:25:08.680
<v Speaker 1>this was maybe a seeing I single through the right side,

0:25:08.760 --> 0:25:12.320
<v Speaker 1>you know, a dribbler. What can I tell you? So

0:25:12.520 --> 0:25:14.800
<v Speaker 1>I still I don't know I'm gonna be the one

0:25:14.880 --> 0:25:18.119
<v Speaker 1>that's like I enjoyed this episode. I thought the Kirk

0:25:18.280 --> 0:25:21.639
<v Speaker 1>scene played well for me when he was saying all

0:25:21.680 --> 0:25:23.879
<v Speaker 1>those funny lines like I don't want to him on

0:25:23.920 --> 0:25:25.639
<v Speaker 1>the porch and then he's like, look's come over here

0:25:25.680 --> 0:25:27.960
<v Speaker 1>in case something from the roof ricochets off. Like I

0:25:28.119 --> 0:25:32.560
<v Speaker 1>thought that worked for me, him being the term I guy.

0:25:33.400 --> 0:25:37.119
<v Speaker 1>I love the beginning where Kase Sara Sara's playing and

0:25:37.400 --> 0:25:39.840
<v Speaker 1>she's so happy and waking up in her bed and

0:25:39.920 --> 0:25:42.479
<v Speaker 1>her jammies and goes out in her robe and Rory's

0:25:42.520 --> 0:25:45.920
<v Speaker 1>in her cute jammies and then music stops and she's

0:25:45.960 --> 0:25:49.480
<v Speaker 1>through the porch like, I don't know, I found it

0:25:49.640 --> 0:25:53.440
<v Speaker 1>all kind of amusing. It just wasn't enough for me.

0:25:54.760 --> 0:25:58.720
<v Speaker 1>The fact that that was the main theme of the

0:25:59.000 --> 0:26:04.840
<v Speaker 1>entire episode just wasn't enough. A layer, sure, a story,

0:26:06.359 --> 0:26:10.800
<v Speaker 1>c story, but not the A. Okay, that's yeah, that's fair.

0:26:11.000 --> 0:26:14.280
<v Speaker 1>I also thought the scene to me, yeah, it missed

0:26:14.280 --> 0:26:17.760
<v Speaker 1>an a storyline. It missed it missed something thematic and

0:26:18.240 --> 0:26:23.480
<v Speaker 1>larger and more fun that could p s a t

0:26:23.640 --> 0:26:27.640
<v Speaker 1>A storyline. But then something bigger was the A. Yeah,

0:26:28.960 --> 0:26:31.160
<v Speaker 1>I like the scene in the diner when you two

0:26:31.240 --> 0:26:34.440
<v Speaker 1>are bantering about the Rocky Horror Picture Show. It's like,

0:26:34.560 --> 0:26:37.440
<v Speaker 1>I'll do your makeup. That'll be a hilp, like the

0:26:37.600 --> 0:26:40.560
<v Speaker 1>banter in the sarcasm. I just thought it was great.

0:26:40.920 --> 0:26:47.000
<v Speaker 1>Yeah you didn't love it. Sorry, we take a break,

0:26:47.200 --> 0:26:53.280
<v Speaker 1>glad you grachy sick people are everybody. Let's take a

0:26:53.359 --> 0:26:55.479
<v Speaker 1>break while we Uh, we're gonna get our med at

0:26:55.560 --> 0:27:01.600
<v Speaker 1>meds going normally, but I think even all right, we'll

0:27:01.640 --> 0:27:08.920
<v Speaker 1>be back after these works. Yeah, hi, everybody, we're back

0:27:09.320 --> 0:27:13.840
<v Speaker 1>and uh we're discussing one of the more delightful experiences

0:27:13.880 --> 0:27:17.600
<v Speaker 1>watching Gilmore. Uh am I the only one who noticed

0:27:17.680 --> 0:27:21.880
<v Speaker 1>the freezer issue, which which freezer freezers? You're talking about

0:27:22.280 --> 0:27:25.440
<v Speaker 1>so Rory and Laura La go over to sukis, you know,

0:27:25.520 --> 0:27:28.840
<v Speaker 1>in the middle of the night up everyone's wearing their

0:27:29.040 --> 0:27:31.639
<v Speaker 1>huge jammies. I really I don't get to fashion, but

0:27:31.720 --> 0:27:35.560
<v Speaker 1>I like to lorelize schandelier shirt. So they're all getting

0:27:35.560 --> 0:27:38.240
<v Speaker 1>step out of the freezer and Laura La goes to

0:27:38.320 --> 0:27:41.040
<v Speaker 1>sort of kick the door closed, like tap it, but

0:27:41.160 --> 0:27:45.440
<v Speaker 1>with a kick, and it did not close. So I

0:27:45.560 --> 0:27:49.080
<v Speaker 1>think I did do a little googling because I was like,

0:27:49.240 --> 0:27:52.000
<v Speaker 1>did I notice that or am I just like crazy?

0:27:52.640 --> 0:27:54.960
<v Speaker 1>And they did say it seems because it wasn't a

0:27:55.040 --> 0:27:57.560
<v Speaker 1>real freezer, so it was like, didn't close like a

0:27:57.680 --> 0:28:03.080
<v Speaker 1>freezer would. Yeah, they're not They're not real. There's not

0:28:03.240 --> 0:28:08.280
<v Speaker 1>there's not not real refrigeration going on there. It's all props.

0:28:09.119 --> 0:28:11.080
<v Speaker 1>How do they keep the ice cream cold? When Suki

0:28:11.200 --> 0:28:16.480
<v Speaker 1>is like scooping it? Um, gosh, that is a good well,

0:28:16.640 --> 0:28:19.480
<v Speaker 1>you know they bring in a thing of does it's

0:28:19.560 --> 0:28:23.359
<v Speaker 1>somewhat you know, halfway melted or three quarters melted or

0:28:23.680 --> 0:28:27.240
<v Speaker 1>quarter melted. That's not hard And as the scene goes on,

0:28:27.320 --> 0:28:29.200
<v Speaker 1>would you get a fresh cold one? So it's not

0:28:29.280 --> 0:28:32.440
<v Speaker 1>all s props would always have a couple of backups. Yeah,

0:28:32.520 --> 0:28:35.280
<v Speaker 1>So what do you guys think of Lane and the

0:28:35.480 --> 0:28:42.960
<v Speaker 1>cheerleader situation? Just out of the blue, just like what's

0:28:43.040 --> 0:28:46.720
<v Speaker 1>going on here? Just came out of the blue, so

0:28:46.880 --> 0:28:48.560
<v Speaker 1>out of the blue. And it was kind of like

0:28:48.680 --> 0:28:51.240
<v Speaker 1>the first time we saw Rory get a little, I

0:28:51.320 --> 0:28:53.640
<v Speaker 1>want to say, kind of jealous because she was like,

0:28:53.960 --> 0:28:57.160
<v Speaker 1>you're so preppy now, Like, I don't know, I saw

0:28:57.920 --> 0:29:04.200
<v Speaker 1>a little jealousy, Yeah, jealousy. And that uniform scene when

0:29:04.240 --> 0:29:09.440
<v Speaker 1>they're all tailors making them undress uniforms because it's freezing

0:29:09.520 --> 0:29:15.480
<v Speaker 1>cold outside. That was my favorite scene. I thought Lane

0:29:15.920 --> 0:29:22.840
<v Speaker 1>was quite a good cheerleader. Yeah, but what what was

0:29:22.920 --> 0:29:26.920
<v Speaker 1>the purpose of that? What what is the purpose of

0:29:27.000 --> 0:29:31.960
<v Speaker 1>turning Lane into a cheerleader? It's unexpected. Yeah, I guess

0:29:32.440 --> 0:29:34.600
<v Speaker 1>I never would have said Lane would be a cheerleader,

0:29:36.000 --> 0:29:39.360
<v Speaker 1>But I just I just don't. I don't. I didn't know.

0:29:39.640 --> 0:29:45.360
<v Speaker 1>She's she's a rebellious teen, listening to underground rock, hiding

0:29:45.440 --> 0:29:49.120
<v Speaker 1>from her mother, you know, most of the time, and

0:29:49.200 --> 0:29:51.200
<v Speaker 1>all of a sudden, she's a cheerleader. I mean, I

0:29:51.320 --> 0:29:54.040
<v Speaker 1>don't know. You know what I found interesting is when

0:29:54.160 --> 0:29:58.240
<v Speaker 1>Rory left to go to Chiltern, Lane was like oh no,

0:29:58.680 --> 0:30:01.320
<v Speaker 1>don't become like, you know, one of those preppy kids.

0:30:01.400 --> 0:30:05.400
<v Speaker 1>And then now Lane is the preppy one. I don't know,

0:30:06.240 --> 0:30:09.080
<v Speaker 1>I do feel like, Okay, as much as I enjoyed

0:30:09.160 --> 0:30:11.960
<v Speaker 1>this episode, I will give Scott because there was a

0:30:12.000 --> 0:30:15.600
<v Speaker 1>lot of sort of like random bleep going on, Like

0:30:15.880 --> 0:30:17.640
<v Speaker 1>it was sort of like the writers like, let's give

0:30:17.720 --> 0:30:22.840
<v Speaker 1>Lane something to do. Let's do that, let's flatten the basketball.

0:30:24.000 --> 0:30:27.400
<v Speaker 1>It's like, okay, he throws a basketball at it. And

0:30:27.720 --> 0:30:32.320
<v Speaker 1>it was like, you know, the obligatory Dean scene where

0:30:32.440 --> 0:30:36.800
<v Speaker 1>he's so sweet and he's so caring and the whole thing,

0:30:37.000 --> 0:30:40.920
<v Speaker 1>and and she responds, right, she now she needs him,

0:30:41.040 --> 0:30:45.520
<v Speaker 1>now she appreciates now she really needs him. Um, but

0:30:45.600 --> 0:30:47.640
<v Speaker 1>he gets his basketball flood? Why do you throw a

0:30:47.680 --> 0:30:51.240
<v Speaker 1>basketball in my head? But I don't like basketball? That's

0:30:55.200 --> 0:30:58.680
<v Speaker 1>I don't know. I don't know, man, this one I

0:30:58.880 --> 0:31:01.720
<v Speaker 1>was trying. I watched it twice too. I mean I

0:31:01.840 --> 0:31:05.520
<v Speaker 1>was just like, did I miss something? What's going on here?

0:31:06.360 --> 0:31:09.560
<v Speaker 1>You know? Yeah, I enjoyed it both times. But also

0:31:10.640 --> 0:31:16.240
<v Speaker 1>I maybe feel better than you guys, because once I

0:31:16.360 --> 0:31:19.920
<v Speaker 1>love my ceiling and the water pouring in is it

0:31:20.040 --> 0:31:25.040
<v Speaker 1>the COVID review, it does this episode have the great

0:31:25.120 --> 0:31:29.160
<v Speaker 1>misfortune of being reviewed under COVID circumstances. That should be

0:31:29.240 --> 0:31:32.280
<v Speaker 1>the title of this episode. Yeah, so I was like,

0:31:32.360 --> 0:31:35.280
<v Speaker 1>we should do an experiment, like in six months and

0:31:35.440 --> 0:31:37.680
<v Speaker 1>just out of nowhere, go back and watch this one

0:31:37.760 --> 0:31:40.360
<v Speaker 1>again and see you guys like it when you're all

0:31:40.960 --> 0:31:47.280
<v Speaker 1>feeling and see I'm on the one I feel okaytions No,

0:31:47.960 --> 0:31:52.160
<v Speaker 1>it just it just missed. It just kept missing for me.

0:31:52.560 --> 0:31:54.960
<v Speaker 1>Why are those two girls names out of my head?

0:31:55.080 --> 0:32:02.000
<v Speaker 1>The two best friends? Yeah, I found them so amusing.

0:32:02.720 --> 0:32:05.360
<v Speaker 1>I apologize. Don't send me mean comments. Their names just

0:32:05.440 --> 0:32:08.360
<v Speaker 1>went out of my head. I don't know why. Well,

0:32:08.640 --> 0:32:10.520
<v Speaker 1>I don't know there was see there there isn't a

0:32:10.600 --> 0:32:13.040
<v Speaker 1>lot more to discuss because it wasn't much more to

0:32:13.120 --> 0:32:16.480
<v Speaker 1>the episode. I mean, what, what the heck more was

0:32:16.560 --> 0:32:20.520
<v Speaker 1>there to the episode? They? You know, yeah, she gets

0:32:20.600 --> 0:32:27.360
<v Speaker 1>the loans the end. Okay, right, she gets the loan.

0:32:28.760 --> 0:32:36.240
<v Speaker 1>They okay, freaking go back to bed now. Okay. Look,

0:32:37.120 --> 0:32:39.520
<v Speaker 1>as much as I disagree that, I don't think it

0:32:39.600 --> 0:32:41.960
<v Speaker 1>was as bad as you do. I get you're right,

0:32:42.120 --> 0:32:44.880
<v Speaker 1>it looked maybe it was an episode filled with sort

0:32:44.880 --> 0:32:49.760
<v Speaker 1>of BC storylines. It wasn't up to you know it.

0:32:50.960 --> 0:32:54.920
<v Speaker 1>They raised the bar so high prior and this didn't

0:32:54.960 --> 0:32:58.200
<v Speaker 1>come close. I think we got a little glimpse of

0:32:58.360 --> 0:33:01.440
<v Speaker 1>next week because Emily engines that Richard is sort of

0:33:01.480 --> 0:33:05.440
<v Speaker 1>closing his accounts and he's enjoying that because next week

0:33:06.080 --> 0:33:09.800
<v Speaker 1>is a big one with Richard coming to Stars Hollow,

0:33:10.000 --> 0:33:15.600
<v Speaker 1>so everybody can get excited about that. So yeah, I mean, yeah,

0:33:15.680 --> 0:33:17.840
<v Speaker 1>maybe it was just sort of an episode because they

0:33:17.920 --> 0:33:24.160
<v Speaker 1>have to deliver twentysomething episodes. There was a good Yannique scene.

0:33:24.320 --> 0:33:27.640
<v Speaker 1>There was a good Michelle scene, wasn't there. She went

0:33:27.720 --> 0:33:31.760
<v Speaker 1>into the the end with her shiny shirt, with her

0:33:31.840 --> 0:33:36.520
<v Speaker 1>microwave shirt, you know, and what did They had some

0:33:36.640 --> 0:33:39.080
<v Speaker 1>kind of a scene. Why do I not remember this

0:33:39.240 --> 0:33:41.960
<v Speaker 1>at all? I don't know. Don't you remember she goes

0:33:42.040 --> 0:33:45.920
<v Speaker 1>into the stars Hollow and and Yanni and her have

0:33:46.040 --> 0:33:52.720
<v Speaker 1>a scene in her shiny shirt, remember her glitterly microwave shirt,

0:33:52.800 --> 0:33:57.160
<v Speaker 1>her high glitter radiation shirt. So they're at the front

0:33:57.200 --> 0:33:59.800
<v Speaker 1>desk and Michelle is about to answer the phone and

0:34:00.240 --> 0:34:04.760
<v Speaker 1>he's talking about taking the wrong approach. Yeah, right, right,

0:34:05.720 --> 0:34:12.239
<v Speaker 1>manipulation rejected by the banks exactly. Pardon me, pardon me.

0:34:13.200 --> 0:34:16.480
<v Speaker 1>There's a little racy or like a pretty scandalous line

0:34:17.360 --> 0:34:22.920
<v Speaker 1>from Michelle in there, he says, you know, in Thailand

0:34:23.080 --> 0:34:25.080
<v Speaker 1>women do this trick with a ping pong ball. That

0:34:25.200 --> 0:34:32.600
<v Speaker 1>is a big crowd pleaser. I missed that. You really

0:34:32.680 --> 0:34:36.000
<v Speaker 1>do have to watch the episodes twice because you catch

0:34:36.160 --> 0:34:40.919
<v Speaker 1>an entire set of lines the second time. I liked

0:34:41.040 --> 0:34:45.239
<v Speaker 1>when Mrs Kim shoot Rory out of the antique shop

0:34:45.320 --> 0:34:53.600
<v Speaker 1>with the broom and said, you're a carrier. She sprayed,

0:34:53.719 --> 0:34:56.880
<v Speaker 1>she was a sprayer with the hose. We won't we

0:34:57.040 --> 0:34:59.239
<v Speaker 1>We don't have to make everybody suffer. We can. We

0:34:59.320 --> 0:35:02.239
<v Speaker 1>can move on into our favorite fashion moments, our favorite lines,

0:35:02.280 --> 0:35:04.200
<v Speaker 1>and pop culture and just get out of this and

0:35:05.000 --> 0:35:06.920
<v Speaker 1>and see how next week is. I don't know. I

0:35:07.000 --> 0:35:08.840
<v Speaker 1>think a lot of people are going to agree with me.

0:35:09.520 --> 0:35:11.520
<v Speaker 1>I can't wait to find that. I think that. I

0:35:11.640 --> 0:35:16.280
<v Speaker 1>think it's not you know, my intention. But I'm sorry,

0:35:16.320 --> 0:35:21.600
<v Speaker 1>I I you know, I just did, and I was listening.

0:35:21.640 --> 0:35:24.200
<v Speaker 1>I was hard up for entertainment, you know, being bedridden

0:35:24.200 --> 0:35:25.719
<v Speaker 1>for a couple of days. You know, I really wanted

0:35:25.760 --> 0:35:29.399
<v Speaker 1>to get up and watch something spectacular. I was open

0:35:29.560 --> 0:35:38.480
<v Speaker 1>for it. Did you watch anything else that? Wow? Do you? Um? No?

0:35:40.800 --> 0:35:43.799
<v Speaker 1>I didn't watch anything else. I went right back to bed.

0:35:44.719 --> 0:35:48.680
<v Speaker 1>I was disappointed, Babbie, Ill have you been watching to

0:35:48.800 --> 0:35:52.400
<v Speaker 1>being on stop for ten days? Yep? I did, um

0:35:52.560 --> 0:35:57.200
<v Speaker 1>and lay in Paris back um in the morning show,

0:35:57.920 --> 0:36:00.640
<v Speaker 1>lots of housewives. There's three going on right now at

0:36:00.680 --> 0:36:05.000
<v Speaker 1>one time, so I'm fully just crushing in the TV game.

0:36:05.320 --> 0:36:09.960
<v Speaker 1>Here's my favorite fashion moment. The pajamas Rory's. I need

0:36:10.040 --> 0:36:12.440
<v Speaker 1>to know were those Nickingnora again? We might even look

0:36:12.520 --> 0:36:15.080
<v Speaker 1>up because she had a great pair of pajamas in

0:36:15.160 --> 0:36:19.480
<v Speaker 1>the you know seene right after the title credits when

0:36:19.680 --> 0:36:22.719
<v Speaker 1>Kasarassara is going and then she had another pair of

0:36:22.760 --> 0:36:25.960
<v Speaker 1>pajamas when they went to Suki's that were also adorable.

0:36:26.000 --> 0:36:29.200
<v Speaker 1>Looked like the same designer. So I'm giving Suki's robe

0:36:29.280 --> 0:36:33.200
<v Speaker 1>was adorable. I'm giving pajamas just the ultimate thumbs up

0:36:33.280 --> 0:36:37.319
<v Speaker 1>in this episode. There is no other fashion moment that's

0:36:37.320 --> 0:36:44.080
<v Speaker 1>it like I like that was for me too. That's

0:36:44.239 --> 0:36:47.960
<v Speaker 1>the high high glitter radiation microwave shirts she was wearing.

0:36:49.000 --> 0:36:52.360
<v Speaker 1>That was quite toxic for people and they needed to

0:36:52.480 --> 0:36:57.680
<v Speaker 1>check their radiation levels after, you know, coming in contact

0:36:57.760 --> 0:37:00.520
<v Speaker 1>with that shirt. Let me tell you that was a

0:37:00.600 --> 0:37:04.240
<v Speaker 1>microwave of stars hollow can start to start an Instagram

0:37:04.280 --> 0:37:10.200
<v Speaker 1>page microwaves on our Instagram. Should we take one more

0:37:10.280 --> 0:37:13.080
<v Speaker 1>break and then come back with the highlight of that

0:37:13.440 --> 0:37:17.040
<v Speaker 1>of the episode? Yes, I think we should. Yes, let's

0:37:17.040 --> 0:37:22.280
<v Speaker 1>take a break and we will de shine our shirts

0:37:22.600 --> 0:37:26.560
<v Speaker 1>somehow so that not to give off the radiation. Uh.

0:37:27.320 --> 0:37:34.720
<v Speaker 1>And we'll be back after these messages. Yeah, all right, everybody,

0:37:34.800 --> 0:37:40.120
<v Speaker 1>We're back. Uh. And then that Rory eats a goos

0:37:40.360 --> 0:37:42.279
<v Speaker 1>did you see that? And she gave one to Kirk.

0:37:42.560 --> 0:37:47.399
<v Speaker 1>She gave to Kirk to Kirk got two waffles. I've

0:37:47.440 --> 0:37:50.440
<v Speaker 1>been crazing an ago waffle, you know. For me, that

0:37:50.600 --> 0:37:53.920
<v Speaker 1>was the highlight of the entire episode. When Kurt ate

0:37:54.000 --> 0:37:57.879
<v Speaker 1>those waffles. I was so happy for Kirk. No, I'm

0:37:57.920 --> 0:38:03.640
<v Speaker 1>just kidding on it. No, Kirk did seem to have

0:38:03.719 --> 0:38:08.000
<v Speaker 1>a lot of termite knowledge though, totally that was impressive,

0:38:10.120 --> 0:38:13.520
<v Speaker 1>totally impressive, and I thought, that is a that's that's

0:38:13.560 --> 0:38:18.640
<v Speaker 1>where he belongs. He belongs in the termite field. Kirk

0:38:18.880 --> 0:38:23.120
<v Speaker 1>should be a termite ologist, he should be a he

0:38:23.239 --> 0:38:26.840
<v Speaker 1>should be fumigating houses. That's perfect for him. And so

0:38:27.920 --> 0:38:30.520
<v Speaker 1>Luke came over and he knows a lot of stuff too,

0:38:33.640 --> 0:38:37.920
<v Speaker 1>But you can't steal Kirk's thunder for the accuracy of

0:38:38.000 --> 0:38:41.640
<v Speaker 1>the wardrobe, for the for for the depth of the knowledge.

0:38:43.800 --> 0:38:46.720
<v Speaker 1>I also like that Luke is a baller and fifteen

0:38:47.160 --> 0:38:50.360
<v Speaker 1>dollars was not going to be an issue for him whatsoever.

0:38:51.360 --> 0:38:54.360
<v Speaker 1>It was like, look, how like definitely and starting to

0:38:54.400 --> 0:38:56.720
<v Speaker 1>think Luke's got a quarter of a million dollars somewhere

0:38:56.719 --> 0:39:02.959
<v Speaker 1>in the night. Oh, no doubt, definitely, no doubt. Yeah,

0:39:05.560 --> 0:39:08.080
<v Speaker 1>he is good with the good with the money. No,

0:39:08.239 --> 0:39:13.040
<v Speaker 1>he's been investing in big tech. I mean he's not.

0:39:13.800 --> 0:39:17.799
<v Speaker 1>He's rich as mightas right now, he's rich as might

0:39:17.880 --> 0:39:21.239
<v Speaker 1>as he invested well totally, Oh he's yeah, he's a

0:39:21.320 --> 0:39:27.960
<v Speaker 1>macdaddy right now. Oh yeah, he might get a microwave

0:39:28.040 --> 0:39:30.719
<v Speaker 1>shirt and go high glitter on it. You know, you

0:39:30.840 --> 0:39:33.120
<v Speaker 1>never know the two of those, you know, that could

0:39:33.120 --> 0:39:35.440
<v Speaker 1>be their wedding. He did did he? Did he get

0:39:35.440 --> 0:39:38.719
<v Speaker 1>a Gucci belt from Bloomingdale's when loreli A dressed him.

0:39:38.960 --> 0:39:41.239
<v Speaker 1>I think he got a belt. I don't know if

0:39:41.239 --> 0:39:43.319
<v Speaker 1>it was a Gucci. He can wear some clothes now,

0:39:43.480 --> 0:39:46.800
<v Speaker 1>you just need to get him the clothes. Yeah, he can. So.

0:39:47.000 --> 0:39:51.360
<v Speaker 1>Riley was last episode when you were out and Danielle

0:39:51.400 --> 0:39:55.760
<v Speaker 1>filled in. Yeah, that's why this is the return of Riley.

0:39:57.000 --> 0:40:05.200
<v Speaker 1>God done, do COVID free? Have you tested negative? I

0:40:05.280 --> 0:40:09.560
<v Speaker 1>have not tried testing again, but I feel okay. Did

0:40:09.640 --> 0:40:11.200
<v Speaker 1>you go somewhere to get to tested? Did you do

0:40:11.280 --> 0:40:15.640
<v Speaker 1>it at home? I did both? M We got a guy,

0:40:15.840 --> 0:40:18.520
<v Speaker 1>We got a guy, got a person. You sent me

0:40:18.600 --> 0:40:23.360
<v Speaker 1>a guy. We I shouldn't even tell this because it's like,

0:40:24.239 --> 0:40:26.120
<v Speaker 1>but we have to test a bunch of people for

0:40:26.239 --> 0:40:29.040
<v Speaker 1>work today, and I actually sent our guy a note

0:40:29.520 --> 0:40:33.680
<v Speaker 1>that said, don't worry. I'm fully expecting this person is

0:40:33.719 --> 0:40:35.840
<v Speaker 1>going to come back positive. So I don't want you

0:40:35.920 --> 0:40:37.919
<v Speaker 1>to feel upset when we have to break the news

0:40:38.000 --> 0:40:42.080
<v Speaker 1>to me, like we're well prepared for it, our poor COVID.

0:40:42.200 --> 0:40:44.320
<v Speaker 1>So I heart we as someone that does all our testing.

0:40:44.480 --> 0:40:49.960
<v Speaker 1>And I mean the COVID episode, the COVID episode. I

0:40:50.040 --> 0:40:53.879
<v Speaker 1>think everyone listening also is experiencing the same things. It's

0:40:53.920 --> 0:40:56.759
<v Speaker 1>just like, well, so what are we at? Wait? I

0:40:57.360 --> 0:41:02.040
<v Speaker 1>give our Paul stivity, right, what are you talking about?

0:41:02.560 --> 0:41:06.759
<v Speaker 1>We have five people working right now and four either

0:41:06.920 --> 0:41:09.440
<v Speaker 1>have it or have it. We are literally the l

0:41:09.480 --> 0:41:16.200
<v Speaker 1>A statistic. We're one in four people don't forget, East's

0:41:16.360 --> 0:41:20.600
<v Speaker 1>four out of five. No, not me, don't get me,

0:41:20.800 --> 0:41:22.520
<v Speaker 1>you're four out of five. I don't leave my house.

0:41:22.600 --> 0:41:24.320
<v Speaker 1>I don't leave my house. Well, I don't know that

0:41:24.440 --> 0:41:33.280
<v Speaker 1>it's COVID, but it probably is. I dodged a bullet

0:41:33.320 --> 0:41:38.000
<v Speaker 1>for two years, and now bullet TikTok. You' all you

0:41:38.000 --> 0:41:40.319
<v Speaker 1>gotta do is get on TikTok. And also, people give

0:41:40.360 --> 0:41:45.359
<v Speaker 1>their symptoms and you have every single one. I love

0:41:45.400 --> 0:41:47.640
<v Speaker 1>that you go to TikTok for this symptom. Okay, I'm

0:41:47.680 --> 0:41:51.279
<v Speaker 1>Stilliam says with TikTok. That's that's a problem. I want

0:41:51.280 --> 0:41:54.840
<v Speaker 1>to start our TikTok account. Don't forget. We're getting on that, Scott.

0:41:54.880 --> 0:41:59.200
<v Speaker 1>We're starting our TikTok within the next I'm gonna get

0:41:59.239 --> 0:42:03.279
<v Speaker 1>on there and show off my curves. Man, get some attention.

0:42:04.120 --> 0:42:10.239
<v Speaker 1>I start influencing. It's not necessarily accurate. Yeah, we're gonna

0:42:10.280 --> 0:42:15.759
<v Speaker 1>have some dance routines, dance moves, We're gonna, we're gonna

0:42:15.840 --> 0:42:19.759
<v Speaker 1>do We're gonna just gonna take over. I'm born, did

0:42:19.800 --> 0:42:23.200
<v Speaker 1>do TikTok, born to do it. By the way, I

0:42:23.239 --> 0:42:25.520
<v Speaker 1>will say that I saw TikTok this week where the

0:42:25.640 --> 0:42:29.160
<v Speaker 1>guy was talking about Sex in the City the reboot,

0:42:29.400 --> 0:42:31.800
<v Speaker 1>but he tagged it and admitted that he was tagging

0:42:31.880 --> 0:42:34.799
<v Speaker 1>it Gilmore Girls because more people will watch or see

0:42:34.880 --> 0:42:39.200
<v Speaker 1>the TikTok if he tags it Gilmore Girls. Smart man, Yep,

0:42:39.800 --> 0:42:41.439
<v Speaker 1>I don't know who that guy was. That's a word

0:42:41.520 --> 0:42:45.080
<v Speaker 1>to the wise. Make sure you tag gg no matter

0:42:45.200 --> 0:42:50.319
<v Speaker 1>what subject you're talking about, he'll get the eyeballs. Listen, man,

0:42:50.560 --> 0:42:53.840
<v Speaker 1>it's been a strange trip. It's been a really long,

0:42:54.280 --> 0:42:57.800
<v Speaker 1>strange trip. Brothers and sisters. Let me tell you something.

0:42:57.840 --> 0:43:01.680
<v Speaker 1>I was in Colorado and that every time I hoist

0:43:01.880 --> 0:43:05.120
<v Speaker 1>my skis on my shoulders and walk to the lift,

0:43:06.000 --> 0:43:09.680
<v Speaker 1>I would see another influencer in a bikini grinding on

0:43:09.760 --> 0:43:13.600
<v Speaker 1>a snowmobile and it would just seem normal. So it's like, what,

0:43:14.560 --> 0:43:17.840
<v Speaker 1>you know, the world has changed. Okay, the world has changed.

0:43:17.960 --> 0:43:20.960
<v Speaker 1>And I don't know how else to explain it. But

0:43:23.040 --> 0:43:25.520
<v Speaker 1>you know, either just got to accept it and roll

0:43:25.640 --> 0:43:27.640
<v Speaker 1>the punches, or just get back in bed and put

0:43:27.680 --> 0:43:35.680
<v Speaker 1>the sheets over your head. He doesn't have COVID, don't worry.

0:43:36.400 --> 0:43:41.719
<v Speaker 1>I'm not sure. I'm no doctor. It's just a bit

0:43:41.800 --> 0:43:48.560
<v Speaker 1>of a congestion. If COVID brain was an episode would

0:43:48.600 --> 0:43:56.560
<v Speaker 1>be this. Well, speaking of grinding, should we grind out?

0:44:00.440 --> 0:44:02.880
<v Speaker 1>Give us a pop culture? Right? Well, thank you so

0:44:03.040 --> 0:44:05.640
<v Speaker 1>much for filling in, Danielle. You did a fantastic job.

0:44:06.080 --> 0:44:11.560
<v Speaker 1>Seeing the reviews, everybody loves you. Thank you. So I'm Riley,

0:44:11.560 --> 0:44:14.040
<v Speaker 1>I'm back. I'm back with your pop culture. Thank you

0:44:14.120 --> 0:44:16.640
<v Speaker 1>for having me. Um. So, First, we have Matto and

0:44:16.680 --> 0:44:19.240
<v Speaker 1>Louise talking about boys while they're eating lunch at Chilton,

0:44:19.520 --> 0:44:23.120
<v Speaker 1>and Madeline says boys and Nancy Drew Mystery Nancy Drew

0:44:23.200 --> 0:44:25.680
<v Speaker 1>is a fictional character, a sleuth in an American mystery

0:44:25.760 --> 0:44:29.040
<v Speaker 1>series created as a female counterpart to the Hardy Boys series.

0:44:29.520 --> 0:44:32.120
<v Speaker 1>More than five hundred Nancy Drew books have been published

0:44:32.120 --> 0:44:35.320
<v Speaker 1>since ninety and in nineteen seventy seven, The Hardy Boys

0:44:35.360 --> 0:44:39.120
<v Speaker 1>Slash Nancy Drew Mystery Series was a TV series starring

0:44:39.200 --> 0:44:42.600
<v Speaker 1>Pamela Sue Martin as Nancy Drew. Then to the big

0:44:42.680 --> 0:44:45.560
<v Speaker 1>screen in two thousand seven came Nancy drews darring Emma Roberts.

0:44:46.040 --> 0:44:48.239
<v Speaker 1>Due to only having a learner's permit and not an

0:44:48.239 --> 0:44:51.919
<v Speaker 1>actual driver's license, Emma Roberts was not allowed to drive

0:44:52.000 --> 0:44:55.120
<v Speaker 1>by herself in these car chase scenes and the best

0:44:55.160 --> 0:44:58.520
<v Speaker 1>thing about Gilmore Girls is these references made sense then

0:44:59.080 --> 0:45:01.879
<v Speaker 1>and even now. And actually there's a Nancy Drew TV

0:45:02.040 --> 0:45:05.719
<v Speaker 1>series on the CW starring Kennedy m McMahon, which is

0:45:05.760 --> 0:45:11.880
<v Speaker 1>so cool, just super tangent sidebar as you just mentioned,

0:45:11.920 --> 0:45:14.839
<v Speaker 1>Emma Robberts, did you guys see the Harry Potter thing

0:45:15.200 --> 0:45:18.000
<v Speaker 1>where they showed what they thought was a picture of

0:45:18.080 --> 0:45:20.520
<v Speaker 1>Emma Watson who was in Harry Potter and it was

0:45:20.600 --> 0:45:27.200
<v Speaker 1>Emma Roberts. I felt so bad, dh, I need to

0:45:27.400 --> 0:45:31.200
<v Speaker 1>go back and working to go google it too, and

0:45:31.320 --> 0:45:34.080
<v Speaker 1>like Emma Roberts and Emma Watson are like commenting about.

0:45:34.200 --> 0:45:39.759
<v Speaker 1>I mean, that is hilarious. I felt bad for that

0:45:39.840 --> 0:45:46.080
<v Speaker 1>producer that made that mistake. Picture so good. So next

0:45:46.160 --> 0:45:48.319
<v Speaker 1>we have Suky and Rory list off the reasons why

0:45:48.440 --> 0:45:50.719
<v Speaker 1>Lorela is an upstanding citizen and she get the loan,

0:45:51.320 --> 0:45:54.359
<v Speaker 1>Rory says, And you played Teva in the stars Hollow

0:45:54.400 --> 0:45:57.480
<v Speaker 1>Community Theater production of Fiddler on the Roof. Fiddler on

0:45:57.480 --> 0:46:01.040
<v Speaker 1>the Roof is one American epic music drama comedy, and

0:46:01.120 --> 0:46:04.880
<v Speaker 1>an adaptation of the nineteen sixty four Broadway musical topol

0:46:05.080 --> 0:46:07.440
<v Speaker 1>is only thirty five years old when he performed the

0:46:07.600 --> 0:46:10.080
<v Speaker 1>role of Tebia, a character is supposed to be over

0:46:10.239 --> 0:46:13.440
<v Speaker 1>fifty years old. To make Topo look older, the makeup

0:46:13.480 --> 0:46:16.520
<v Speaker 1>team clipped fifteen white hairs from the director's beard and

0:46:16.600 --> 0:46:21.560
<v Speaker 1>applied them to Topal's eyebrows. Gross and the sunrise sunset

0:46:21.640 --> 0:46:24.960
<v Speaker 1>scene was not lit by electric light, but by hundreds

0:46:25.000 --> 0:46:28.760
<v Speaker 1>of candles. Luke tells Laura Lae they fixed the house

0:46:29.000 --> 0:46:31.040
<v Speaker 1>and she can pay for it when she can. Laura

0:46:31.120 --> 0:46:35.960
<v Speaker 1>Lai says, because I'm Tony Soprano. Anthony John Soprano is

0:46:36.000 --> 0:46:40.400
<v Speaker 1>a fictional character in HBO television drama series The Sopranos.

0:46:40.960 --> 0:46:43.359
<v Speaker 1>HBO was worried that the title of the series would

0:46:43.400 --> 0:46:45.920
<v Speaker 1>make the audience think that it was about music. That

0:46:46.080 --> 0:46:48.759
<v Speaker 1>is why the gun image is in the logo. It

0:46:48.920 --> 0:46:52.520
<v Speaker 1>is said that during some scenes, James Gandalfeni insert a

0:46:52.640 --> 0:46:54.960
<v Speaker 1>small stone in his shoe to anger him, making him

0:46:54.960 --> 0:46:59.760
<v Speaker 1>play the role of Tony Soprano more authentically. Both great tippets.

0:47:00.120 --> 0:47:04.160
<v Speaker 1>Ridley Scott, would you do that like playing Luke? Would

0:47:04.160 --> 0:47:05.840
<v Speaker 1>you be like, let me put a rock in my

0:47:05.880 --> 0:47:11.040
<v Speaker 1>shoe to make me a little more grumpy. Just just

0:47:11.160 --> 0:47:20.000
<v Speaker 1>have COVID. It's just about to say that by the way,

0:47:20.520 --> 0:47:24.680
<v Speaker 1>Like you guys, Stock is sick and he's doing this

0:47:24.880 --> 0:47:29.080
<v Speaker 1>podcast like he's like, I'm going to do it. Well,

0:47:29.320 --> 0:47:30.840
<v Speaker 1>you know, I put it off for a couple of

0:47:30.960 --> 0:47:33.600
<v Speaker 1>days and I couldn't have done it Monday or Tuesday

0:47:33.640 --> 0:47:36.800
<v Speaker 1>when I came back. Right, but you're here now. But

0:47:36.960 --> 0:47:39.440
<v Speaker 1>I'm here now. I can't even believe. I'm like, my

0:47:39.560 --> 0:47:47.640
<v Speaker 1>eyes are open. Don't you don't look your mask? Wait. Actually,

0:47:47.680 --> 0:47:50.000
<v Speaker 1>when I saw Scott jump on the zoom this morning,

0:47:50.000 --> 0:47:52.239
<v Speaker 1>I was like, I love the facial hair and I

0:47:52.360 --> 0:47:59.840
<v Speaker 1>think he looks a little stronger. I've lost ten pounds

0:48:00.080 --> 0:48:10.960
<v Speaker 1>sitting here. Mm hmm the toilet at the end of

0:48:10.960 --> 0:48:13.120
<v Speaker 1>the episode, when flush the toilet, so everyone knows and

0:48:13.160 --> 0:48:16.600
<v Speaker 1>I'm recording this podcast in a bath. Yes, you need

0:48:16.680 --> 0:48:20.359
<v Speaker 1>to prove that you can make that claim without proof. Yeah,

0:48:20.400 --> 0:48:23.840
<v Speaker 1>nobody moved because at the end of the episode, toilet

0:48:23.880 --> 0:48:30.520
<v Speaker 1>flush right your Hive star reviews for this particular episode,

0:48:33.360 --> 0:48:35.320
<v Speaker 1>I was gonna try and make a potty joke, but

0:48:35.640 --> 0:48:39.279
<v Speaker 1>I'll refrain. Laura Lai and Emily fight outside the bank,

0:48:39.320 --> 0:48:41.320
<v Speaker 1>and Laura la finally agrees to let Emily in on

0:48:41.400 --> 0:48:44.040
<v Speaker 1>the bank meeting. Laura I says to Emily, I swear

0:48:44.120 --> 0:48:46.120
<v Speaker 1>one of these days, Alice pal right to the moon.

0:48:46.880 --> 0:48:49.720
<v Speaker 1>This is a reference to The Honeymooners and American television

0:48:49.760 --> 0:48:55.560
<v Speaker 1>sitcom which originally aired from fifty six created by and Starry,

0:48:55.920 --> 0:49:00.200
<v Speaker 1>starring Jackie Gleason as Ralph. Ralph's phrase to the when

0:49:00.239 --> 0:49:02.640
<v Speaker 1>Alice was ranked number two and TV guys list of

0:49:02.800 --> 0:49:06.799
<v Speaker 1>TV's twenty top catchphrases, and the four main characters, Ralph,

0:49:06.880 --> 0:49:09.920
<v Speaker 1>at Alice and Trixie later became the prototypes for the

0:49:10.000 --> 0:49:12.719
<v Speaker 1>four main characters in The flint Stones. The show was

0:49:12.800 --> 0:49:18.840
<v Speaker 1>shot writing a kisser, m hmm, pal writing the kisser

0:49:19.400 --> 0:49:21.919
<v Speaker 1>who said that nobody said, kisser, what are you talking about?

0:49:23.400 --> 0:49:25.719
<v Speaker 1>It was the They claimed that the to the moon,

0:49:25.840 --> 0:49:28.759
<v Speaker 1>Alice is the catchphrase that was And how and how

0:49:28.960 --> 0:49:32.879
<v Speaker 1>I wondered did Emily not get that reference because she's

0:49:32.920 --> 0:49:35.440
<v Speaker 1>of that age where you know, The Honeymooners was a

0:49:35.520 --> 0:49:38.719
<v Speaker 1>hit show when she was an adult and everybody knew

0:49:38.760 --> 0:49:43.239
<v Speaker 1>that that phrase. So it also came back in two

0:49:43.239 --> 0:49:48.560
<v Speaker 1>thousand five as a film and it bombed sadly. Well, yeah, Laura,

0:49:48.640 --> 0:49:50.640
<v Speaker 1>I talks a Suki about the money it is going

0:49:50.719 --> 0:49:53.359
<v Speaker 1>to cost them to tent their house. Laura I says,

0:49:53.400 --> 0:49:56.040
<v Speaker 1>I was thinking about opening a Coyote Ugly Eliminated stand.

0:49:56.640 --> 0:49:59.280
<v Speaker 1>Kayote Iu Believe, the two thousand American musical comedy drama

0:49:59.320 --> 0:50:03.080
<v Speaker 1>film based on Coyote Ugly Saloon. The original Coyote Ugly

0:50:03.160 --> 0:50:06.840
<v Speaker 1>Saloon officially opened its doors on First Avenue in New

0:50:06.920 --> 0:50:11.400
<v Speaker 1>York and the other thirteen locations followed. The saloon is

0:50:11.480 --> 0:50:14.560
<v Speaker 1>known for its beautiful bartenders performing on the bar, and

0:50:14.719 --> 0:50:17.040
<v Speaker 1>in the movie Land Rhymes did all the singing for

0:50:17.120 --> 0:50:19.840
<v Speaker 1>the character of Violet, so when the two are duetting

0:50:19.960 --> 0:50:23.760
<v Speaker 1>on the bar, Rhymes is essentially duetting with herself. And finally,

0:50:23.840 --> 0:50:26.920
<v Speaker 1>Tyra Banks tore her lateral meniscus dancing on top of

0:50:26.960 --> 0:50:31.359
<v Speaker 1>the bar. Dangerous business dancing on a bar. Laura Lai

0:50:31.480 --> 0:50:33.680
<v Speaker 1>tells Rory they will go out to celebrate her s

0:50:33.719 --> 0:50:37.440
<v Speaker 1>a t scores. Lorli says, okay, so we should celebrate.

0:50:37.680 --> 0:50:39.600
<v Speaker 1>How about we all get dressed up tonight and hit

0:50:39.640 --> 0:50:41.839
<v Speaker 1>the Rocky Horror Picture Show, which is what you guys

0:50:41.840 --> 0:50:45.359
<v Speaker 1>talked about the bantering back and forth. The Rocky Horror

0:50:45.400 --> 0:50:49.080
<v Speaker 1>Picture Show in musical comedy horror film starring Tim Curry,

0:50:49.360 --> 0:50:54.239
<v Speaker 1>Susan Srandon, Barry Bosswick, and even meat Loaf. Dr. Everett V.

0:50:54.360 --> 0:50:57.239
<v Speaker 1>Scott crashes through the wall for his entrance because the

0:50:57.320 --> 0:50:59.920
<v Speaker 1>set builders forgot to put an extra door in the lab.

0:51:00.040 --> 0:51:03.440
<v Speaker 1>Upset And we love hidden fines on this podcast. And

0:51:03.560 --> 0:51:06.440
<v Speaker 1>here's one from Rocky Horror Picture Show. Aside from the

0:51:06.520 --> 0:51:08.960
<v Speaker 1>chemical symbols scrawled on the lab wall, next to the

0:51:09.000 --> 0:51:12.480
<v Speaker 1>control panel, there's a grocery list calling for flower eggs,

0:51:12.560 --> 0:51:16.239
<v Speaker 1>bread sugar, and two hypodermics. You know, I've never seen

0:51:16.320 --> 0:51:20.360
<v Speaker 1>a film, uh that engaged in an audience so thoroughly

0:51:20.560 --> 0:51:24.120
<v Speaker 1>that Rocky Horror Picture Show. I was actually my first

0:51:24.239 --> 0:51:28.600
<v Speaker 1>year of college is when that hit its zenith. And

0:51:29.040 --> 0:51:33.360
<v Speaker 1>every Friday night, every weekend night, uh in New Brunswick,

0:51:33.360 --> 0:51:36.719
<v Speaker 1>cause I went to Rutgers UM. You know, there was

0:51:36.800 --> 0:51:39.600
<v Speaker 1>the theater and they would show the film there and

0:51:39.920 --> 0:51:42.040
<v Speaker 1>everybody would dress up as one of the characters and

0:51:42.120 --> 0:51:44.200
<v Speaker 1>people would get up on the in front of the

0:51:44.280 --> 0:51:46.880
<v Speaker 1>screen and act out. You know. There was there was

0:51:46.920 --> 0:51:50.880
<v Speaker 1>a moderator and and they'd stopped the film and everybody,

0:51:50.880 --> 0:51:53.680
<v Speaker 1>I mean, it was just it was I've never seen

0:51:53.960 --> 0:51:59.280
<v Speaker 1>anything like it. I've never experienced angeles sometimes, Oh my god,

0:51:59.480 --> 0:52:04.920
<v Speaker 1>what a film? What? What? What a fun film? Anyway? No,

0:52:05.080 --> 0:52:08.120
<v Speaker 1>it's a great film, um mrs so next, Mrs Kim

0:52:08.160 --> 0:52:10.000
<v Speaker 1>kicked Rory out of the antique shop because of the

0:52:10.000 --> 0:52:12.839
<v Speaker 1>wood and the termites, Rory says, and then she chased

0:52:12.880 --> 0:52:15.000
<v Speaker 1>me halfway down the street with a hose. It was

0:52:15.080 --> 0:52:19.800
<v Speaker 1>like the scene from Silkwood. Silkwood is American biographical drama

0:52:19.840 --> 0:52:22.839
<v Speaker 1>film directed by Mike Nichols and starring Meryl Streep Share

0:52:22.960 --> 0:52:25.680
<v Speaker 1>and Kurt Russell. The film centers around at death while

0:52:25.719 --> 0:52:29.480
<v Speaker 1>investigating alleged wrong doings at the Kerr McGee plutonium plant,

0:52:29.600 --> 0:52:32.040
<v Speaker 1>which is why she wanted to I want watch Silkwood.

0:52:33.080 --> 0:52:36.080
<v Speaker 1>Seen it. I had never heard of it before. See

0:52:37.760 --> 0:52:40.960
<v Speaker 1>yeah like that. For you guys to watch that today,

0:52:41.880 --> 0:52:49.120
<v Speaker 1>especially today, if you're all uplifting film, they should watched Contagion.

0:52:50.680 --> 0:52:58.480
<v Speaker 1>Oh my gosh, No, I want to see the I

0:52:58.600 --> 0:53:02.399
<v Speaker 1>want to see don't look up. But what is it good?

0:53:03.360 --> 0:53:08.360
<v Speaker 1>Right with Leo? With Leo? Isn't it Leo? Meryll Jonah.

0:53:09.920 --> 0:53:13.359
<v Speaker 1>I was looking at his his Twitter feed today, Leo,

0:53:14.640 --> 0:53:22.000
<v Speaker 1>and it made me feel so completely insignificantly. This guy,

0:53:23.160 --> 0:53:28.160
<v Speaker 1>he's the kiding of the world. Literally, Alright, excuse me

0:53:28.280 --> 0:53:39.799
<v Speaker 1>while I die. Oh God, alright, time for a cough drop. Right,

0:53:40.440 --> 0:53:42.799
<v Speaker 1>let's take I think I should take the paper off.

0:53:43.040 --> 0:53:48.600
<v Speaker 1>I've been taking these with the paper on um Man

0:53:48.800 --> 0:53:56.040
<v Speaker 1>was that guy committed to Claus Like he's worried about

0:53:56.360 --> 0:53:59.760
<v Speaker 1>the butterflies in Uruguay? And I mean he's he's keeping

0:54:00.000 --> 0:54:03.840
<v Speaker 1>arack of everything. Just go on, go on his Twitter

0:54:03.960 --> 0:54:07.799
<v Speaker 1>feed and you can see how involved he is. Yeah,

0:54:08.200 --> 0:54:14.440
<v Speaker 1>how completely embedded he is in this world. Quite amazing.

0:54:14.560 --> 0:54:16.560
<v Speaker 1>I really want to see that Adam McKay film. I

0:54:16.640 --> 0:54:18.680
<v Speaker 1>really want to see that film that's on Netflix. So

0:54:18.880 --> 0:54:21.640
<v Speaker 1>I think I'm like, you can watch it right after this.

0:54:22.200 --> 0:54:30.919
<v Speaker 1>Let's review that. Maybe Henry and Henry yeah it, let's

0:54:30.960 --> 0:54:35.920
<v Speaker 1>do that. Next review. I think Henry mentioned it is uh,

0:54:36.560 --> 0:54:39.480
<v Speaker 1>we did flash Dance and then it's the sixth Cents,

0:54:39.680 --> 0:54:43.400
<v Speaker 1>so you can watch that too today. Sixth tense. I

0:54:43.440 --> 0:54:45.640
<v Speaker 1>don't want to ruin it. I don't want to ruin it.

0:54:46.080 --> 0:54:50.360
<v Speaker 1>There's a real there's a real twist. I see I

0:54:50.520 --> 0:54:56.120
<v Speaker 1>see dead people that one. Yeah, there's a real twist

0:54:56.200 --> 0:55:02.239
<v Speaker 1>in the end. No boy, so our alert okay, last,

0:55:02.360 --> 0:55:04.959
<v Speaker 1>but for pop culture or in Laura, I talk about

0:55:05.000 --> 0:55:08.200
<v Speaker 1>their loan process, and Lawley says, Honey, it's not the

0:55:08.239 --> 0:55:10.400
<v Speaker 1>amount of places that turns you down that matters. It's

0:55:10.440 --> 0:55:12.680
<v Speaker 1>the quality quality of the place that turns you down

0:55:12.760 --> 0:55:15.520
<v Speaker 1>that matters. And when you've got Jackos loan and stuff

0:55:15.600 --> 0:55:17.520
<v Speaker 1>not wanting your business, you know it's time to hang

0:55:17.520 --> 0:55:20.759
<v Speaker 1>out with the Corries. That was a reference that I

0:55:20.960 --> 0:55:24.160
<v Speaker 1>really appreciate it. So this is a reference to the

0:55:24.239 --> 0:55:27.960
<v Speaker 1>Two Corries, also known as The Quarries. The actors are

0:55:28.000 --> 0:55:31.480
<v Speaker 1>Corey Feldman and Corey Hame. The Two Quarries was a

0:55:31.520 --> 0:55:34.440
<v Speaker 1>two thousand seven TV series as a look at their

0:55:34.480 --> 0:55:39.719
<v Speaker 1>lives of formal child actors. So she Wasn't She Wasn't

0:55:39.719 --> 0:55:43.960
<v Speaker 1>before time and Corey Feldman and Corey Hame were the highlighted,

0:55:44.160 --> 0:55:47.040
<v Speaker 1>were the highest paid at teen stars and were essentially

0:55:47.080 --> 0:55:49.320
<v Speaker 1>the kings of the teen box office back in the

0:55:49.400 --> 0:55:55.680
<v Speaker 1>mid late eighties. And Corey Hame unfortunately passed away from

0:55:55.680 --> 0:55:58.920
<v Speaker 1>pneumonia in two thousand ten. Do you have a favorite

0:55:58.960 --> 0:56:02.319
<v Speaker 1>Corey Feldman Corey Hayne movie? Not necessarily, they don't want

0:56:02.320 --> 0:56:08.040
<v Speaker 1>to be in it together. Goonies for Corey Feldman, great call,

0:56:08.120 --> 0:56:11.360
<v Speaker 1>I'm a stand by Me myself and Corey Hayne Lucas.

0:56:11.920 --> 0:56:14.760
<v Speaker 1>I love Lucas. If you haven't seen it, you should.

0:56:15.560 --> 0:56:19.120
<v Speaker 1>Corey Feldman was great and uh, she was like the best.

0:56:20.480 --> 0:56:24.880
<v Speaker 1>That's it for pop culture, right? Yeah? I think I

0:56:25.000 --> 0:56:28.960
<v Speaker 1>said my favorite lines. I revealed them as we went along.

0:56:30.400 --> 0:56:37.879
<v Speaker 1>You're a carrier. This is Kim Danielle. What's your favorite line?

0:56:38.200 --> 0:56:41.000
<v Speaker 1>Have a good one. From when Rory was telling Emily

0:56:41.480 --> 0:56:44.319
<v Speaker 1>about their problems and Rory goes, we have termites. They're

0:56:44.360 --> 0:56:46.680
<v Speaker 1>eating our hold mouse and Laura le goes, but they

0:56:46.719 --> 0:56:51.799
<v Speaker 1>always say thank you. Mine is also Rory and Laura

0:56:51.880 --> 0:56:54.840
<v Speaker 1>lay together. Um, Rory says, so do you think the

0:56:54.920 --> 0:56:59.719
<v Speaker 1>porch is falling apart? Or do you just weigh a ton? Oh?

0:56:59.800 --> 0:57:04.359
<v Speaker 1>My go? I thought it one more? You can't gap two?

0:57:04.640 --> 0:57:08.160
<v Speaker 1>I gotta go. I'm haven't. I'm struggling to find one

0:57:08.200 --> 0:57:14.800
<v Speaker 1>that I like. Um. I think it's Kirk commenting on

0:57:15.080 --> 0:57:20.640
<v Speaker 1>how delicious the waffles were. Also when laurelized as we

0:57:20.760 --> 0:57:23.760
<v Speaker 1>liked the entire house Kirk, and he says, given that kitchen,

0:57:28.800 --> 0:57:33.280
<v Speaker 1>this might have been my favorite Kirk episode so far. Nope,

0:57:34.120 --> 0:57:39.680
<v Speaker 1>oh well you got I don't know about that. This

0:57:39.920 --> 0:57:42.520
<v Speaker 1>might be my favorite podcast. It's when Kirk seemed the

0:57:42.560 --> 0:57:46.439
<v Speaker 1>most normal. Yeah, he seemed like, yeah, he just knew

0:57:46.560 --> 0:57:57.680
<v Speaker 1>his Yeah, we really had together. Next week is Richard Comes.

0:57:57.720 --> 0:58:00.480
<v Speaker 1>I forget exactly what it's called. Richard Comes two stars

0:58:00.520 --> 0:58:04.960
<v Speaker 1>hollow Richard and stars hollow. Wait the big finish, hold on,

0:58:10.080 --> 0:58:13.240
<v Speaker 1>see you next week. All right, kids, thanks for tuning in,

0:58:13.760 --> 0:58:16.120
<v Speaker 1>and I'm going to try to do this. Give us

0:58:16.160 --> 0:58:21.280
<v Speaker 1>a nice little send off for the Maiden Voyager. I

0:58:21.320 --> 0:58:23.520
<v Speaker 1>am Scott Patterson and this is the I Am All

0:58:23.560 --> 0:58:27.200
<v Speaker 1>In Podcast. I heard Radio one of leven Productions. It's

0:58:27.240 --> 0:58:32.320
<v Speaker 1>been a pleasure. Thanks for downloading. We are gonna up

0:58:32.360 --> 0:58:38.480
<v Speaker 1>our vitamin C D and gummy regimen and we will

0:58:38.520 --> 0:59:00.280
<v Speaker 1>see you next time. Thanks for tuning in. By h

0:59:10.640 --> 0:59:13.600
<v Speaker 1>Hey everybody, and don't forget follow us on Instagram at

0:59:13.960 --> 0:59:18.320
<v Speaker 1>I Am All In Podcast and Emailie at Gilmore at

0:59:18.480 --> 0:59:21.800
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0:59:21.840 --> 0:59:23.560
<v Speaker 1>If you're looking for the best cup of coffee in

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