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Speaker 1: I am all in. I am all in with Scott

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Speaker 1: Patterson and I heart radio podcast. Well we're back. We

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Speaker 1: are back from our break. Ladies and gentlemen. H happy

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Speaker 1: to be back. We are back. How is everybody's vacation? Huh? Christmas?

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Speaker 1: Good holidays? Why who's the start? Vacation was just filled

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Speaker 1: with COVID and my goodness in our house from the rain.

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Speaker 1: Say hey, we're here. Listen. We've got We've got We've

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Speaker 1: got Danielle Romo, We've got Riley Pelusis, We've got Amy Sugarman.

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Speaker 1: We've got the ball club back together. Everybody's in one

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Speaker 1: piece somewhat. Some of us are in COVID, some of

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Speaker 1: us are out of it, some of it are in

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Speaker 1: the middle of it. But we're still doing the podcast COVID.

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Speaker 1: But if I sound a little weird, it's because I'm

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Speaker 1: in a bathroom because my furnace that's in my attic

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Speaker 1: it broke and so it basically started ringing in my house.

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Speaker 1: So I'm at my mom's house and the internet is

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Speaker 1: not great, so I'm literally my computer is on a

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Speaker 1: toilet and I'm sitting on the bathroom floor. But how

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Speaker 1: do I assume you've never sounded better. Very well themed

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Speaker 1: with this episode that we have to recap today, It's

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Speaker 1: like you couldn't be more loreal. It's just perfect. It's

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Speaker 1: it's like you're mimicking the character. Put the video of

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Speaker 1: it raining inside my house on the Instagram and right

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Speaker 1: to loyalize falling in our porch. Well, I hope everybody

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Speaker 1: had a wonderful holiday break and you've got plenty of

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Speaker 1: stocking stuff. First, get all the presents you wanted, and

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Speaker 1: uh had a wonderful, safe holiday. Happy New Year, everybody

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Speaker 1: is the best year yet. Start starting off that way.

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Speaker 1: I'm going to announce right here on this show that

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Speaker 1: I have COVID and I am in the grips of it,

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Speaker 1: kind of in the middle of it, but I'm rallying

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Speaker 1: a little bit. Yeah, I did not think you were

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Speaker 1: going to make it today. Did you see my text?

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Speaker 1: I said you were a little concerned. I know I was.

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Speaker 1: When I woke up, I was a little concerned. I

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Speaker 1: was like, wow, I you know, because of the fatigue factor.

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Speaker 1: So I don't want you to feel pressure. But it

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Speaker 1: just so people know, it's why we were on last week.

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Speaker 1: Because there's five people on this zoom and lady, I

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Speaker 1: operate best under pressure, let me tell you so. Anyway,

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Speaker 1: But you know that's you just gotta roll with the

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Speaker 1: punches and you gotta deliver, right. Uh. And we're gonna no, no,

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Speaker 1: you you are the champs. I am just I'm just

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Speaker 1: maybe the cut guy in the corner. That's it. You're

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Speaker 1: the champs. I'm just trying to hang in there. And guys,

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Speaker 1: here we go, We're gonna, We're gonna break down. Season two,

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Speaker 1: Episode eleven, Secrets and Loans. Original air date January two

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Speaker 1: thousand and two. What did we think of this episode?

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Speaker 1: I have a definitive reaction. I want to hear your

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Speaker 1: reactions first, Danielle, you go. I mean, just like I

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Speaker 1: was kind of saying earlier, I just really related to

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Speaker 1: this episode just with my recent house league. Um. I

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Speaker 1: just couldn't stop laughing. It was such a good episode. Um.

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Speaker 1: And I know we'll jump into it a little bit more.

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Speaker 1: But Rory in Paris dynamic in this episode was great.

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Speaker 1: I loved it. So I think we have a synopsis

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Speaker 1: coming up. Riley, you want to yeah, I want to

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Speaker 1: give us a synopsis. I would love to give the synopsis.

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Speaker 1: I'm really sad at on how my sexy voice anymore?

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Speaker 1: But glad I don't have COVID, so it's a great

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Speaker 1: trade off. So this is episode eleven, Secrets and Loans.

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Speaker 1: Air date January twenty two, two two. LORIAI is concerned

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Speaker 1: over the fact that she cannot afford to repair her

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Speaker 1: home's extensive termite damage. Turns to anger when Rory tells

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Speaker 1: Emily about their problem and Emily offers a loan to

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Speaker 1: Lorela again. I'm not gonna lie. I did call my

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Speaker 1: dad when my ceiling was leaking in and said, I

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Speaker 1: don't think I'm gonna need to borrow any money, but

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Speaker 1: be ready, just thinking, Uh, so what do we do?

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Speaker 1: How do we feel about this episode? So it's so

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Speaker 1: funny because I think we loved it, and I'm getting

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Speaker 1: a feeling you didn't tell us more. I did not.

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Speaker 1: I did not tell us everything. I thought it was

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Speaker 1: a lackluster performer. I thought it was been there, done that.

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Speaker 1: We've seen this already. Uh, same old tropes, same old stuff,

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Speaker 1: same old, same old, nothing new. I don't didn't get it.

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Speaker 1: I just felt like I just felt like the writer's

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Speaker 1: room took a week off and and and was leaning

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Speaker 1: on you know, on the greatness of the past couple

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Speaker 1: of episodes, and I don't remember laughing at all. I

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Speaker 1: wasn't amused by it at all. It was graating to me, Um,

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Speaker 1: and I think it was one of the reasons critics

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Speaker 1: look at the show and say, well, you know, they

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Speaker 1: could point a finger and say, well, that's in This

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Speaker 1: show is inconsistent. It's not delivering at a very high

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Speaker 1: level every single episode. And this is one of the

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Speaker 1: episodes you can point to in my opinion, Um, that

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Speaker 1: for me did not deliver. It was all I just

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Speaker 1: saw everything coming a mile away. Uh, what can I

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Speaker 1: tell you, Laura, I got on my nerves. I thought

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Speaker 1: the whole thing was shrilled. Do you think it was

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Speaker 1: your least favorite episode? Absolutely? Absolutely absolutely. I thought they

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Speaker 1: could have scrubbed it and redone it. I did not

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Speaker 1: feel that rightly, And Danielle tell me how you guys felt.

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Speaker 1: I did not feel that way well, coming off of

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Speaker 1: last episode. Yeah, brace Bridge Dinner. That was unbelievable. So

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Speaker 1: I'll give it to you, Scott. This one was a

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Speaker 1: little bit softer, but I still loved it. I still

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Speaker 1: found the humor in it. I still thought, Um, there

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Speaker 1: was a lot of good content in there, but it

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Speaker 1: was softer than like coming off of Bracebridge dinner. I'll

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Speaker 1: give you that. I see what's stop saying, and that

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Speaker 1: it was redundant sort of for a better no a

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Speaker 1: word to use. Like Paris and Rory have conflict. We've

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Speaker 1: seen it. Emily and Lorelei have conflict over money. We've

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Speaker 1: seen it. You know, Luke comes to the rescue, but

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Speaker 1: lord I won't won't take his help. We've seen it.

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Speaker 1: But I still totally enjoyed it. Oh, Scott, you guys.

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Speaker 1: I wish you guys could see his face. Okay, so

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Speaker 1: let's break it down. So let's start with Paris and

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Speaker 1: Rory and the p S A T S. Did you

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Speaker 1: find that amusing at all? Not in the least m hm,

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Speaker 1: I giggled. I thought it was. I mean, I can

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Speaker 1: remember taking the p S A T S. I sort

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Speaker 1: of remember people wanting to know what your score was,

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Speaker 1: and he's sort of being like, I don't know, and

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Speaker 1: Paris just desperately needing to know. I also think it's

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Speaker 1: fascinating that they are neck and neck. Rory's score is

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Speaker 1: twenty points higher than Paris, but they really they are

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Speaker 1: competitors Paris his anxiety really had me l O l ng.

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Speaker 1: I thought it was great. Her anxiety Paris is anxiety.

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Speaker 1: She's a complete psychopath sitting there just like in her

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Speaker 1: pathetic state. You know, I just I'm sorry, maybe you know,

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Speaker 1: maybe it's the COVID or whatever an episode, because it

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Speaker 1: makes this conversation again with this psychopath sitting here like

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Speaker 1: fishing for compliments, and please ask me the question. I mean,

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Speaker 1: And and Rory is so above it at this point.

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Speaker 1: Is and she just looks at Paris like this nut

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Speaker 1: job again. And no, I'm not going to play into

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Speaker 1: her game, because that's exactly you know, this is tis.

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Speaker 1: The nature of psychopathology is the instant gratification that they seek.

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Speaker 1: It's it's nothing's long term, that's nothing's planned out. They

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Speaker 1: just you know, they just need to have their satisfaction

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Speaker 1: when they need it. And it's and it's all about them,

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Speaker 1: and it's and and Rory knows this instinctively, if not,

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Speaker 1: you know, intellectually, And she just wasn't gonna play the game.

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Speaker 1: She knew exactly how to play Paris, she knew exactly

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Speaker 1: how that that was. That was amusing. But we've already

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Speaker 1: seen Rory. Uh correct deal with it in in a

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Speaker 1: similar way, so she's already it wasn't anything groundbreaking. There's

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Speaker 1: nothing left to figure out with Paris. There's nothing compelling

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Speaker 1: about Paris. I just found it amusing when the girls

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Speaker 1: are splitting up their fritos, which I thought, who thought

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Speaker 1: of that? So they're splitting up their fritos and here

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Speaker 1: comes Paris, just fishing, like you said, trying to get

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Speaker 1: them to ask for her scores. But there was such

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Speaker 1: a funny zimmer in there when they're taught. So before

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Speaker 1: Paris walks up, the two girls are talking about out

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Speaker 1: how the boy hasn't called her, and the one says,

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Speaker 1: did you guys catch that one? The one says, well,

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Speaker 1: I thought we really connected in my closet the other day.

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Speaker 1: Didn't quite get that. So they're splitting the free us

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Speaker 1: and then Grory's just like okay, Paris like she's not

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Speaker 1: even sitting with them, doubt was your scores? And then

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Speaker 1: the whole thing like are you a person that gets

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Speaker 1: happy about sunset? Like I just thought, I actually thought

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Speaker 1: that was funny, right scoped For the first time I

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Speaker 1: felt paris Is anxiety. I was like, just tell her

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Speaker 1: the score, like I just was like, just tell her,

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Speaker 1: throw in her face, what did you think of your

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Speaker 1: your performance? I liked it my performance, Yeah, I don't know,

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Speaker 1: I don't I don't know that there was a lot

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Speaker 1: there to really comment on. I think, you know, sure, yeah,

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Speaker 1: I served serviced it okay, and it was fine. But

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Speaker 1: I just don't think there was a tremendous amount of

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Speaker 1: you know, there wasn't really an arc. I mean, he

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Speaker 1: served his purpose, he offered the money, was you know,

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Speaker 1: the good guy, the whole thing. But you know, again

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Speaker 1: we've seen it over and over again, and he kind of,

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Speaker 1: you know, he kind of gave up. The one thing

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Speaker 1: I did notice about that one scene outside when he

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Speaker 1: I'm under the porch right and when I'm under the porch,

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Speaker 1: is that he kind of gave up too quickly. I agree,

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Speaker 1: and I think it it for me, it minimized, um,

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Speaker 1: I don't know any potential relationship or the or the

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Speaker 1: depth of their friendship, And why couldn't she trust him

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Speaker 1: to take this? And I didn't quite understand that because

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Speaker 1: it was such an easy thing for him, and look,

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Speaker 1: hey it's not a big deal. But then this goes

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Speaker 1: back to laurelized pride and I think you make a

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Speaker 1: great point. I do agree that Luke. First of all,

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Speaker 1: I love that he comes to the rescue. I love

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Speaker 1: that he goes under her and can tell what's going on.

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Speaker 1: And he's very manly, you know, and is just very cool,

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Speaker 1: and he's very good to her. And then you get

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Speaker 1: that glimpse of like Luke is successful. Like at first glance,

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Speaker 1: you're like, oh, he owns a diner. He's sort of

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Speaker 1: an average guy, blue collar, you might say, but he's

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Speaker 1: very successful, very smart, always can teach her about the

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Speaker 1: loans and the bank and this, and that I agree

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Speaker 1: with you. He should have. He should have stepped up

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Speaker 1: and said, lord, line, stop this nonsense, borrow the money

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Speaker 1: from me. This is what's happening. But yeah, and it

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Speaker 1: but it does go back to her pride, and I

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Speaker 1: get that, and you know she's really digging in and

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Speaker 1: wanting to do it herself. But I don't know. I

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Speaker 1: just again, you know, you're setting up Luke to suffer

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Speaker 1: in silence even more. Okay, he did his bid, he

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Speaker 1: did his bidding, he put in his bid, it got

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Speaker 1: rejected again, and and now he's, you know, assuming that

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Speaker 1: familiar roll of oh gosh, Okay, well I'll just suffer here.

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Speaker 1: And and it's sort of a device where, you know,

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Speaker 1: the writing has to leave Laurel if vulnerable to to

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Speaker 1: battle it out on the icy flats with her mother,

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Speaker 1: yet guess, and that's what and that's what that was

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Speaker 1: another you know, here we go again with this, and

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Speaker 1: it just it just felt to me manufactured and contrived.

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Speaker 1: It didn't feel natural. It didn't feel you know. And

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Speaker 1: immediately Emily gets up and goes to the check book.

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Speaker 1: Immediately there's conflict immediately, you know, and it's it's like

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Speaker 1: everything this woman tries to do for her, and I

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Speaker 1: think I just got tired of you know, I was

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Speaker 1: I was actually not shouting at the TV screen. I

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Speaker 1: don't talk to the TV screen. I'm not greaty in

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Speaker 1: that way. Um, but it's like, well, you let this

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Speaker 1: woman help you. She has actual good intentions and why

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Speaker 1: can't you see it? And it just it it made it.

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Speaker 1: It made me sad that their relationship was just so

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Speaker 1: completely in tatters still where they cannot communicate on an

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Speaker 1: adult level with with any kind of mutual trust. I mean,

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Speaker 1: I think Emily trust her, and I think Emily is

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Speaker 1: making far more of an effort to repair the damage

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Speaker 1: that was done. And I think she's taking responsibility for

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Speaker 1: her for her end in it, and and overcompensating and

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Speaker 1: trying to make up for it, and and Laurela is

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Speaker 1: just beating the stuffing out of her every chance she gets.

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Speaker 1: And I'm just tired of seeing it. It's all. It

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Speaker 1: almost comes off like elder abuse. And I wanted to

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Speaker 1: stop doing it. I wanted to grow up. I want

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Speaker 1: to shake her and say, hey, you know, come on,

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Speaker 1: what happened? Right? It happened, you know? And and oh

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Speaker 1: my god, you know she's everybody's screwed up here. So

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Speaker 1: let's I don't know, I was. I just didn't want

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Speaker 1: to see a battle, not during the holidays. No. Yeah,

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Speaker 1: So let me ask all of you this, what did

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Speaker 1: you think when Rory maybe overstepped and told Emily what

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Speaker 1: was going on? And did you think loyalized, very angry

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Speaker 1: reaction was too much? What did everybody think of sort

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Speaker 1: of that situation. I definitely thought it was too much

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Speaker 1: like loyalized reaction to Rory, because at the end of

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Speaker 1: the day, Rory wants help too, you know, like it's

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Speaker 1: their house, you know, she wants it to get fixed

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Speaker 1: and realizes that her family needs some help. So she's

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Speaker 1: gonna tell her grandma about it, you know, like it's

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Speaker 1: a very I think normal thing to do. Um. But yeah,

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Speaker 1: the way that lorea Ie reacted was she was projecting

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Speaker 1: on her own insecurities versus like what the actual situation was. Like, sorry,

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Speaker 1: Lorla that you don't want to ask your mom for help,

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Speaker 1: but Rory, can you know m hmm, Well, I thought, um,

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Speaker 1: you know, Laurel I made it a big deal right away.

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Speaker 1: She woke her own daughter up in eleven o'clock at night.

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Speaker 1: Oh can you hear the termites munching? And it's horrible

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Speaker 1: and it's gross, and oh, let's get out of here.

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Speaker 1: And they she you know, she gets her up and

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Speaker 1: gets her dressed, and they have to walk to Suki's

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Speaker 1: and then and then you know, they start eating milkshakes

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Speaker 1: at Suki's and then that scene and then Jackson comes

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Speaker 1: out whatever with his pajamas. But um, which I fell

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Speaker 1: flat for me too. I didn't find that funny. Uh um.

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Speaker 1: And so it's like it's Laurel I who made the

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Speaker 1: big deal out of it, and now she wants everybody

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Speaker 1: forget about it. And I can take care of this. Well,

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Speaker 1: if if you thought that you were gonna make if

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Speaker 1: you if you just wanted to take care of it

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Speaker 1: yourself and figured out all by yourself, why the hell

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Speaker 1: did you wake your daughter up at eleven o'clock at night,

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Speaker 1: get her up, get her to Suki's and you know,

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Speaker 1: you know this girl needs a rest. She's going to

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Speaker 1: this private school. She she can't be up and a

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Speaker 1: pee bowl and termites and you know, my my mom's upset.

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Speaker 1: You know, it's it's why do you how do you

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Speaker 1: do that to your child? And then sort of try

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Speaker 1: to downplay everything. It's like, listen to me, and of

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Speaker 1: course it's a big deal. Of course she's gonna say

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Speaker 1: to grandma, well, you know we have termites because my

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Speaker 1: mom won't be up in the middle of the night.

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Speaker 1: We you know, it's a big, big enough of rom

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Speaker 1: we're gonna lose our house. And my mom wanted to

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Speaker 1: get the hell out of the house before collapsed around us.

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Speaker 1: So I just didn't understand the logic of it, you know,

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Speaker 1: I didn't understand the logic of of of how Laurel

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Speaker 1: I was justifying all of these actions and behaviors. So

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Speaker 1: it was a little bit of a mystery to me. Yeah,

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Speaker 1: I think it's it's interesting because I agree that it's

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Speaker 1: it's putting a lot of even though lore Ly and

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Speaker 1: Rory had this very open relationship and they're very honest

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Speaker 1: and they know everything, that's a lot of anxiety, Like

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Speaker 1: we said, for a sixteen seventeen year old kids to

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Speaker 1: go like the house is falling apart and we don't

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Speaker 1: have any money. Right, So there were jokes like we'll

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Speaker 1: never eat again, and you know, different little jokes. But

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Speaker 1: at the same time, as a kid, you'd be like,

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Speaker 1: am I have a place to live? Right? As she

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Speaker 1: traumatizes her kid, we have no money, We're broke. I

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Speaker 1: don't know what to do, but keep your mouth shut

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Speaker 1: and if you open your mouth, I'm gonna be piste off.

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Speaker 1: I just thought it was I just thought it was

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Speaker 1: Laurel I out of control, you know, not get it

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Speaker 1: that Laurel I said, don't ask grandma Grandpa, and then

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Speaker 1: Rory goes around her and brings it up. But you

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Speaker 1: know that money is not a lot for Emily and

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Speaker 1: richert It's like they want to help. Like you said,

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Speaker 1: I get where you're coming from. Like it would be easier.

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Speaker 1: These people would all sort of forgive each other and

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Speaker 1: move on. Are they a family or aren't they? Does

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Speaker 1: Laurel I want her daughter to to to grow up

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Speaker 1: in a family or not? Does she want to be

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Speaker 1: the ringmaster her entire life and and and and control

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Speaker 1: the video or does she want her mom and dad

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Speaker 1: to be a part of a real part of Rory's life,

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Speaker 1: which they are inevitable we anyway, And Rory obviously has

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Speaker 1: that trust of her grandparents. It's not like she just

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Speaker 1: thinks like, oh, they're rich, they'll give us the money.

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Speaker 1: It's like, that's my grandparents, they will help us. Interesting. So, okay,

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Speaker 1: so let me ask you all this from our perspective.

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Speaker 1: What should Lorala I have done? I guess I think

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Speaker 1: she should just borrow the money from Luke. But I

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Speaker 1: get why she didn't. What would you have liked to

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Speaker 1: have seen Lorela I do? No, that's good, right, I

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Speaker 1: think that's good. And then Luke gets involved, and then

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Speaker 1: there's sort of a conflict between Emily and Luke. Yeah,

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Speaker 1: and there's a chance for real comedy and you know,

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Speaker 1: but it but it widens the family somewhat. It it

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Speaker 1: brings the townspeople involved, and I mean, I mean, who knows.

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Speaker 1: You know, that's that's one possibility, Daniel, you were going

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Speaker 1: to say something, Yeah, No, I love that. I didn't

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Speaker 1: think about that, but I love that. I was gonna say,

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Speaker 1: I wish she just went to Emily because it would

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Speaker 1: have shown a little level of maturity and alive branch

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Speaker 1: per se, you know, like, all right, I'm treating you

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Speaker 1: like my mom now, you know, instead of like Laurel

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Speaker 1: I always been so I'm an independent woman like I

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Speaker 1: would have loved to see the vulnerability for a second

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Speaker 1: between Emily and Laura covered termites. It's not I don't

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Speaker 1: find out. Depends it depends on your policy. I guess

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Speaker 1: you have termiz in l A. I don't have to

337
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Speaker 1: termise where I am right now. But but another another

338
00:20:31,520 --> 00:20:35,800
Speaker 1: storyline could have been, you know, they Laura la goes

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00:20:35,840 --> 00:20:37,840
Speaker 1: to her mother right away, They help out, and then

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Speaker 1: the conflict becomes Emily starts shopping for a new house

341
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Speaker 1: for Laurel. I totally and stars hollow or in Hartford. Well,

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00:20:49,640 --> 00:20:51,800
Speaker 1: I was gets closer to Chilton, I thought, and you

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00:20:51,880 --> 00:20:54,000
Speaker 1: were closer to us, And I know you love your

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Speaker 1: little town with all your your wild characters in there.

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Speaker 1: But I think now maybe it's time you get closer

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Speaker 1: to me and and Richard, and you know, we're getting older.

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Speaker 1: And it was just school. It was just school, the

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Speaker 1: whole thing. Yeah, So then and then that could have

349
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Speaker 1: caused all kinds of conflict between Laurela and myself and

350
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Speaker 1: you know we're gonna commute back and forth and you

351
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Speaker 1: know whatever, ye I'll never see at the diner again.

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Speaker 1: You know, there are a million ways you could have

353
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Speaker 1: gone about it, but I don't know, or go fund me,

354
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Speaker 1: I need take I don't know. She could have rented

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Speaker 1: out a room now, I do think the houses only

356
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Speaker 1: two bedroom stuff, So I guess not that I see

357
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Speaker 1: what you're saying, Like, we could play with this, and

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00:21:32,960 --> 00:21:35,840
Speaker 1: there were other options, and the town could have come

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00:21:35,880 --> 00:21:38,120
Speaker 1: together and raised the money for her, and it could

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00:21:38,119 --> 00:21:41,360
Speaker 1: have been a big town celebration, and you know, Luke

361
00:21:41,400 --> 00:21:43,199
Speaker 1: could have led the way, or Taylor could have led

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Speaker 1: the way. You know, it would have been super surprising.

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00:21:46,240 --> 00:21:48,440
Speaker 1: Emily could have been involved, and then it turns out

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Speaker 1: that Emily was really the ringmaster behind it, right right right,

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Speaker 1: oh mom, thank you? You know whatever, there's a million

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Speaker 1: ways it could have gone. It's just I don't know

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Speaker 1: it was. The banker was Larry Dallas from Three's Company.

368
00:22:04,840 --> 00:22:08,320
Speaker 1: He was great Richard Klein, you know right away. So

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00:22:09,720 --> 00:22:13,760
Speaker 1: for those of you that are older threes Company that

370
00:22:13,880 --> 00:22:17,120
Speaker 1: was Jack Tripper's best friend, Richard Klein. He played Larry

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Speaker 1: Dallas and then he's the banker. And look, I like

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Speaker 1: that scene too, because I liked Emily performed, you know,

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Speaker 1: I like the performance there where she's just sitting back

374
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Speaker 1: like okay, and then that is true, but bankers like, oh,

375
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Speaker 1: you want me to just tell you the truth? You

376
00:22:36,080 --> 00:22:41,639
Speaker 1: don't qualify for this loan by, but here's the soul.

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00:22:42,359 --> 00:22:44,199
Speaker 1: It was almost like they were in Cahoon's. But at

378
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Speaker 1: the same time, the banker was like tell the truth,

379
00:22:46,320 --> 00:22:52,920
Speaker 1: like yeah, but it's and I don't like how, you know,

380
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Speaker 1: you know, we're portraying. Emily's being portrayed as some kind

381
00:22:57,680 --> 00:23:02,399
Speaker 1: of underhanded connected with the banker, the evil banker, you know,

382
00:23:02,480 --> 00:23:04,600
Speaker 1: this kind of I mean, it's like Jesus, you know,

383
00:23:04,640 --> 00:23:07,879
Speaker 1: there was a level of maturity that I found lacking

384
00:23:08,240 --> 00:23:12,160
Speaker 1: in this script um and a level of naive tay

385
00:23:12,400 --> 00:23:16,120
Speaker 1: and I just thought it just lacked scope, It lacked size,

386
00:23:16,240 --> 00:23:21,360
Speaker 1: it lacked what Gilmore really can bring to bear um

387
00:23:21,800 --> 00:23:26,760
Speaker 1: with these gigantic life moments, with these with with these

388
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Speaker 1: that really resonate when you watch them, and it just

389
00:23:30,600 --> 00:23:32,960
Speaker 1: to me, it just all seemed like they were leaning

390
00:23:33,080 --> 00:23:37,480
Speaker 1: on you know, old tried and true, very thin kind

391
00:23:37,560 --> 00:23:41,119
Speaker 1: of methodology. Here. Let me ask you sort of inside

392
00:23:41,160 --> 00:23:44,159
Speaker 1: baseball question, when you have an episode like them, So

393
00:23:44,280 --> 00:23:47,080
Speaker 1: they write the episodes in order, right, like I would

394
00:23:47,080 --> 00:23:49,040
Speaker 1: assume they don't really write them out of work. So

395
00:23:49,119 --> 00:23:51,320
Speaker 1: when you have an episode like the brace Bridge Dinner

396
00:23:51,560 --> 00:23:59,040
Speaker 1: that's just huge, like brilliantly written, these intense scenes coursing

397
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Speaker 1: carriages going around the town, a big giant episode like

398
00:24:03,800 --> 00:24:06,480
Speaker 1: we would call it a sweeps episode, would it be

399
00:24:07,000 --> 00:24:10,320
Speaker 1: not that shocking that the following episode just can't live

400
00:24:10,520 --> 00:24:13,920
Speaker 1: up to that? Oh? Yeah, probably because I think there's

401
00:24:14,160 --> 00:24:21,040
Speaker 1: a probably a level of fatigue and um, I don't know, Yeah,

402
00:24:21,240 --> 00:24:25,280
Speaker 1: you're cranking out episodes and you've got you know, we

403
00:24:25,400 --> 00:24:30,440
Speaker 1: always back in the day sweeps, so like the November episodes,

404
00:24:30,520 --> 00:24:35,000
Speaker 1: the February episodes of the May episodes were always the biggest,

405
00:24:35,280 --> 00:24:39,240
Speaker 1: you know, so this was of that time. So I'm

406
00:24:39,240 --> 00:24:41,600
Speaker 1: wondering maybe there is something to what you're saying that

407
00:24:41,720 --> 00:24:45,679
Speaker 1: this episode, no, it wasn't a five star because they

408
00:24:45,720 --> 00:24:50,120
Speaker 1: had just done this huge thing to to actually back

409
00:24:50,200 --> 00:24:53,520
Speaker 1: to back. H Yeah, yeah, I think that's a good point.

410
00:24:53,640 --> 00:24:57,159
Speaker 1: But still, as a fan, I want to tune in

411
00:24:57,680 --> 00:25:00,399
Speaker 1: and I want to be knocked out. You want a

412
00:25:00,480 --> 00:25:04,600
Speaker 1: home run every week? I do, And and this this

413
00:25:04,920 --> 00:25:08,680
Speaker 1: this was maybe a seeing I single through the right side,

414
00:25:08,760 --> 00:25:12,320
Speaker 1: you know, a dribbler. What can I tell you? So

415
00:25:12,520 --> 00:25:14,800
Speaker 1: I still I don't know I'm gonna be the one

416
00:25:14,880 --> 00:25:18,119
Speaker 1: that's like I enjoyed this episode. I thought the Kirk

417
00:25:18,280 --> 00:25:21,639
Speaker 1: scene played well for me when he was saying all

418
00:25:21,680 --> 00:25:23,879
Speaker 1: those funny lines like I don't want to him on

419
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Speaker 1: the porch and then he's like, look's come over here

420
00:25:25,680 --> 00:25:27,960
Speaker 1: in case something from the roof ricochets off. Like I

421
00:25:28,119 --> 00:25:32,560
Speaker 1: thought that worked for me, him being the term I guy.

422
00:25:33,400 --> 00:25:37,119
Speaker 1: I love the beginning where Kase Sara Sara's playing and

423
00:25:37,400 --> 00:25:39,840
Speaker 1: she's so happy and waking up in her bed and

424
00:25:39,920 --> 00:25:42,479
Speaker 1: her jammies and goes out in her robe and Rory's

425
00:25:42,520 --> 00:25:45,920
Speaker 1: in her cute jammies and then music stops and she's

426
00:25:45,960 --> 00:25:49,480
Speaker 1: through the porch like, I don't know, I found it

427
00:25:49,640 --> 00:25:53,440
Speaker 1: all kind of amusing. It just wasn't enough for me.

428
00:25:54,760 --> 00:25:58,720
Speaker 1: The fact that that was the main theme of the

429
00:25:59,000 --> 00:26:04,840
Speaker 1: entire episode just wasn't enough. A layer, sure, a story,

430
00:26:06,359 --> 00:26:10,800
Speaker 1: c story, but not the A. Okay, that's yeah, that's fair.

431
00:26:11,000 --> 00:26:14,280
Speaker 1: I also thought the scene to me, yeah, it missed

432
00:26:14,280 --> 00:26:17,760
Speaker 1: an a storyline. It missed it missed something thematic and

433
00:26:18,240 --> 00:26:23,480
Speaker 1: larger and more fun that could p s a t

434
00:26:23,640 --> 00:26:27,640
Speaker 1: A storyline. But then something bigger was the A. Yeah,

435
00:26:28,960 --> 00:26:31,160
Speaker 1: I like the scene in the diner when you two

436
00:26:31,240 --> 00:26:34,440
Speaker 1: are bantering about the Rocky Horror Picture Show. It's like,

437
00:26:34,560 --> 00:26:37,440
Speaker 1: I'll do your makeup. That'll be a hilp, like the

438
00:26:37,600 --> 00:26:40,560
Speaker 1: banter in the sarcasm. I just thought it was great.

439
00:26:40,920 --> 00:26:47,000
Speaker 1: Yeah you didn't love it. Sorry, we take a break,

440
00:26:47,200 --> 00:26:53,280
Speaker 1: glad you grachy sick people are everybody. Let's take a

441
00:26:53,359 --> 00:26:55,479
Speaker 1: break while we Uh, we're gonna get our med at

442
00:26:55,560 --> 00:27:01,600
Speaker 1: meds going normally, but I think even all right, we'll

443
00:27:01,640 --> 00:27:08,920
Speaker 1: be back after these works. Yeah, hi, everybody, we're back

444
00:27:09,320 --> 00:27:13,840
Speaker 1: and uh we're discussing one of the more delightful experiences

445
00:27:13,880 --> 00:27:17,600
Speaker 1: watching Gilmore. Uh am I the only one who noticed

446
00:27:17,680 --> 00:27:21,880
Speaker 1: the freezer issue, which which freezer freezers? You're talking about

447
00:27:22,280 --> 00:27:25,440
Speaker 1: so Rory and Laura La go over to sukis, you know,

448
00:27:25,520 --> 00:27:28,840
Speaker 1: in the middle of the night up everyone's wearing their

449
00:27:29,040 --> 00:27:31,639
Speaker 1: huge jammies. I really I don't get to fashion, but

450
00:27:31,720 --> 00:27:35,560
Speaker 1: I like to lorelize schandelier shirt. So they're all getting

451
00:27:35,560 --> 00:27:38,240
Speaker 1: step out of the freezer and Laura La goes to

452
00:27:38,320 --> 00:27:41,040
Speaker 1: sort of kick the door closed, like tap it, but

453
00:27:41,160 --> 00:27:45,440
Speaker 1: with a kick, and it did not close. So I

454
00:27:45,560 --> 00:27:49,080
Speaker 1: think I did do a little googling because I was like,

455
00:27:49,240 --> 00:27:52,000
Speaker 1: did I notice that or am I just like crazy?

456
00:27:52,640 --> 00:27:54,960
Speaker 1: And they did say it seems because it wasn't a

457
00:27:55,040 --> 00:27:57,560
Speaker 1: real freezer, so it was like, didn't close like a

458
00:27:57,680 --> 00:28:03,080
Speaker 1: freezer would. Yeah, they're not They're not real. There's not

459
00:28:03,240 --> 00:28:08,280
Speaker 1: there's not not real refrigeration going on there. It's all props.

460
00:28:09,119 --> 00:28:11,080
Speaker 1: How do they keep the ice cream cold? When Suki

461
00:28:11,200 --> 00:28:16,480
Speaker 1: is like scooping it? Um, gosh, that is a good well,

462
00:28:16,640 --> 00:28:19,480
Speaker 1: you know they bring in a thing of does it's

463
00:28:19,560 --> 00:28:23,359
Speaker 1: somewhat you know, halfway melted or three quarters melted or

464
00:28:23,680 --> 00:28:27,240
Speaker 1: quarter melted. That's not hard And as the scene goes on,

465
00:28:27,320 --> 00:28:29,200
Speaker 1: would you get a fresh cold one? So it's not

466
00:28:29,280 --> 00:28:32,440
Speaker 1: all s props would always have a couple of backups. Yeah,

467
00:28:32,520 --> 00:28:35,280
Speaker 1: So what do you guys think of Lane and the

468
00:28:35,480 --> 00:28:42,960
Speaker 1: cheerleader situation? Just out of the blue, just like what's

469
00:28:43,040 --> 00:28:46,720
Speaker 1: going on here? Just came out of the blue, so

470
00:28:46,880 --> 00:28:48,560
Speaker 1: out of the blue. And it was kind of like

471
00:28:48,680 --> 00:28:51,240
Speaker 1: the first time we saw Rory get a little, I

472
00:28:51,320 --> 00:28:53,640
Speaker 1: want to say, kind of jealous because she was like,

473
00:28:53,960 --> 00:28:57,160
Speaker 1: you're so preppy now, Like, I don't know, I saw

474
00:28:57,920 --> 00:29:04,200
Speaker 1: a little jealousy, Yeah, jealousy. And that uniform scene when

475
00:29:04,240 --> 00:29:09,440
Speaker 1: they're all tailors making them undress uniforms because it's freezing

476
00:29:09,520 --> 00:29:15,480
Speaker 1: cold outside. That was my favorite scene. I thought Lane

477
00:29:15,920 --> 00:29:22,840
Speaker 1: was quite a good cheerleader. Yeah, but what what was

478
00:29:22,920 --> 00:29:26,920
Speaker 1: the purpose of that? What what is the purpose of

479
00:29:27,000 --> 00:29:31,960
Speaker 1: turning Lane into a cheerleader? It's unexpected. Yeah, I guess

480
00:29:32,440 --> 00:29:34,600
Speaker 1: I never would have said Lane would be a cheerleader,

481
00:29:36,000 --> 00:29:39,360
Speaker 1: But I just I just don't. I don't. I didn't know.

482
00:29:39,640 --> 00:29:45,360
Speaker 1: She's she's a rebellious teen, listening to underground rock, hiding

483
00:29:45,440 --> 00:29:49,120
Speaker 1: from her mother, you know, most of the time, and

484
00:29:49,200 --> 00:29:51,200
Speaker 1: all of a sudden, she's a cheerleader. I mean, I

485
00:29:51,320 --> 00:29:54,040
Speaker 1: don't know. You know what I found interesting is when

486
00:29:54,160 --> 00:29:58,240
Speaker 1: Rory left to go to Chiltern, Lane was like oh no,

487
00:29:58,680 --> 00:30:01,320
Speaker 1: don't become like, you know, one of those preppy kids.

488
00:30:01,400 --> 00:30:05,400
Speaker 1: And then now Lane is the preppy one. I don't know,

489
00:30:06,240 --> 00:30:09,080
Speaker 1: I do feel like, Okay, as much as I enjoyed

490
00:30:09,160 --> 00:30:11,960
Speaker 1: this episode, I will give Scott because there was a

491
00:30:12,000 --> 00:30:15,600
Speaker 1: lot of sort of like random bleep going on, Like

492
00:30:15,880 --> 00:30:17,640
Speaker 1: it was sort of like the writers like, let's give

493
00:30:17,720 --> 00:30:22,840
Speaker 1: Lane something to do. Let's do that, let's flatten the basketball.

494
00:30:24,000 --> 00:30:27,400
Speaker 1: It's like, okay, he throws a basketball at it. And

495
00:30:27,720 --> 00:30:32,320
Speaker 1: it was like, you know, the obligatory Dean scene where

496
00:30:32,440 --> 00:30:36,800
Speaker 1: he's so sweet and he's so caring and the whole thing,

497
00:30:37,000 --> 00:30:40,920
Speaker 1: and and she responds, right, she now she needs him,

498
00:30:41,040 --> 00:30:45,520
Speaker 1: now she appreciates now she really needs him. Um, but

499
00:30:45,600 --> 00:30:47,640
Speaker 1: he gets his basketball flood? Why do you throw a

500
00:30:47,680 --> 00:30:51,240
Speaker 1: basketball in my head? But I don't like basketball? That's

501
00:30:55,200 --> 00:30:58,680
Speaker 1: I don't know. I don't know, man, this one I

502
00:30:58,880 --> 00:31:01,720
Speaker 1: was trying. I watched it twice too. I mean I

503
00:31:01,840 --> 00:31:05,520
Speaker 1: was just like, did I miss something? What's going on here?

504
00:31:06,360 --> 00:31:09,560
Speaker 1: You know? Yeah, I enjoyed it both times. But also

505
00:31:10,640 --> 00:31:16,240
Speaker 1: I maybe feel better than you guys, because once I

506
00:31:16,360 --> 00:31:19,920
Speaker 1: love my ceiling and the water pouring in is it

507
00:31:20,040 --> 00:31:25,040
Speaker 1: the COVID review, it does this episode have the great

508
00:31:25,120 --> 00:31:29,160
Speaker 1: misfortune of being reviewed under COVID circumstances. That should be

509
00:31:29,240 --> 00:31:32,280
Speaker 1: the title of this episode. Yeah, so I was like,

510
00:31:32,360 --> 00:31:35,280
Speaker 1: we should do an experiment, like in six months and

511
00:31:35,440 --> 00:31:37,680
Speaker 1: just out of nowhere, go back and watch this one

512
00:31:37,760 --> 00:31:40,360
Speaker 1: again and see you guys like it when you're all

513
00:31:40,960 --> 00:31:47,280
Speaker 1: feeling and see I'm on the one I feel okaytions No,

514
00:31:47,960 --> 00:31:52,160
Speaker 1: it just it just missed. It just kept missing for me.

515
00:31:52,560 --> 00:31:54,960
Speaker 1: Why are those two girls names out of my head?

516
00:31:55,080 --> 00:32:02,000
Speaker 1: The two best friends? Yeah, I found them so amusing.

517
00:32:02,720 --> 00:32:05,360
Speaker 1: I apologize. Don't send me mean comments. Their names just

518
00:32:05,440 --> 00:32:08,360
Speaker 1: went out of my head. I don't know why. Well,

519
00:32:08,640 --> 00:32:10,520
Speaker 1: I don't know there was see there there isn't a

520
00:32:10,600 --> 00:32:13,040
Speaker 1: lot more to discuss because it wasn't much more to

521
00:32:13,120 --> 00:32:16,480
Speaker 1: the episode. I mean, what, what the heck more was

522
00:32:16,560 --> 00:32:20,520
Speaker 1: there to the episode? They? You know, yeah, she gets

523
00:32:20,600 --> 00:32:27,360
Speaker 1: the loans the end. Okay, right, she gets the loan.

524
00:32:28,760 --> 00:32:36,240
Speaker 1: They okay, freaking go back to bed now. Okay. Look,

525
00:32:37,120 --> 00:32:39,520
Speaker 1: as much as I disagree that, I don't think it

526
00:32:39,600 --> 00:32:41,960
Speaker 1: was as bad as you do. I get you're right,

527
00:32:42,120 --> 00:32:44,880
Speaker 1: it looked maybe it was an episode filled with sort

528
00:32:44,880 --> 00:32:49,760
Speaker 1: of BC storylines. It wasn't up to you know it.

529
00:32:50,960 --> 00:32:54,920
Speaker 1: They raised the bar so high prior and this didn't

530
00:32:54,960 --> 00:32:58,200
Speaker 1: come close. I think we got a little glimpse of

531
00:32:58,360 --> 00:33:01,440
Speaker 1: next week because Emily engines that Richard is sort of

532
00:33:01,480 --> 00:33:05,440
Speaker 1: closing his accounts and he's enjoying that because next week

533
00:33:06,080 --> 00:33:09,800
Speaker 1: is a big one with Richard coming to Stars Hollow,

534
00:33:10,000 --> 00:33:15,600
Speaker 1: so everybody can get excited about that. So yeah, I mean, yeah,

535
00:33:15,680 --> 00:33:17,840
Speaker 1: maybe it was just sort of an episode because they

536
00:33:17,920 --> 00:33:24,160
Speaker 1: have to deliver twentysomething episodes. There was a good Yannique scene.

537
00:33:24,320 --> 00:33:27,640
Speaker 1: There was a good Michelle scene, wasn't there. She went

538
00:33:27,720 --> 00:33:31,760
Speaker 1: into the the end with her shiny shirt, with her

539
00:33:31,840 --> 00:33:36,520
Speaker 1: microwave shirt, you know, and what did They had some

540
00:33:36,640 --> 00:33:39,080
Speaker 1: kind of a scene. Why do I not remember this

541
00:33:39,240 --> 00:33:41,960
Speaker 1: at all? I don't know. Don't you remember she goes

542
00:33:42,040 --> 00:33:45,920
Speaker 1: into the stars Hollow and and Yanni and her have

543
00:33:46,040 --> 00:33:52,720
Speaker 1: a scene in her shiny shirt, remember her glitterly microwave shirt,

544
00:33:52,800 --> 00:33:57,160
Speaker 1: her high glitter radiation shirt. So they're at the front

545
00:33:57,200 --> 00:33:59,800
Speaker 1: desk and Michelle is about to answer the phone and

546
00:34:00,240 --> 00:34:04,760
Speaker 1: he's talking about taking the wrong approach. Yeah, right, right,

547
00:34:05,720 --> 00:34:12,239
Speaker 1: manipulation rejected by the banks exactly. Pardon me, pardon me.

548
00:34:13,200 --> 00:34:16,480
Speaker 1: There's a little racy or like a pretty scandalous line

549
00:34:17,360 --> 00:34:22,920
Speaker 1: from Michelle in there, he says, you know, in Thailand

550
00:34:23,080 --> 00:34:25,080
Speaker 1: women do this trick with a ping pong ball. That

551
00:34:25,200 --> 00:34:32,600
Speaker 1: is a big crowd pleaser. I missed that. You really

552
00:34:32,680 --> 00:34:36,000
Speaker 1: do have to watch the episodes twice because you catch

553
00:34:36,160 --> 00:34:40,919
Speaker 1: an entire set of lines the second time. I liked

554
00:34:41,040 --> 00:34:45,239
Speaker 1: when Mrs Kim shoot Rory out of the antique shop

555
00:34:45,320 --> 00:34:53,600
Speaker 1: with the broom and said, you're a carrier. She sprayed,

556
00:34:53,719 --> 00:34:56,880
Speaker 1: she was a sprayer with the hose. We won't we

557
00:34:57,040 --> 00:34:59,239
Speaker 1: We don't have to make everybody suffer. We can. We

558
00:34:59,320 --> 00:35:02,239
Speaker 1: can move on into our favorite fashion moments, our favorite lines,

559
00:35:02,280 --> 00:35:04,200
Speaker 1: and pop culture and just get out of this and

560
00:35:05,000 --> 00:35:06,920
Speaker 1: and see how next week is. I don't know. I

561
00:35:07,000 --> 00:35:08,840
Speaker 1: think a lot of people are going to agree with me.

562
00:35:09,520 --> 00:35:11,520
Speaker 1: I can't wait to find that. I think that. I

563
00:35:11,640 --> 00:35:16,280
Speaker 1: think it's not you know, my intention. But I'm sorry,

564
00:35:16,320 --> 00:35:21,600
Speaker 1: I I you know, I just did, and I was listening.

565
00:35:21,640 --> 00:35:24,200
Speaker 1: I was hard up for entertainment, you know, being bedridden

566
00:35:24,200 --> 00:35:25,719
Speaker 1: for a couple of days. You know, I really wanted

567
00:35:25,760 --> 00:35:29,399
Speaker 1: to get up and watch something spectacular. I was open

568
00:35:29,560 --> 00:35:38,480
Speaker 1: for it. Did you watch anything else that? Wow? Do you? Um? No?

569
00:35:40,800 --> 00:35:43,799
Speaker 1: I didn't watch anything else. I went right back to bed.

570
00:35:44,719 --> 00:35:48,680
Speaker 1: I was disappointed, Babbie, Ill have you been watching to

571
00:35:48,800 --> 00:35:52,400
Speaker 1: being on stop for ten days? Yep? I did, um

572
00:35:52,560 --> 00:35:57,200
Speaker 1: and lay in Paris back um in the morning show,

573
00:35:57,920 --> 00:36:00,640
Speaker 1: lots of housewives. There's three going on right now at

574
00:36:00,680 --> 00:36:05,000
Speaker 1: one time, so I'm fully just crushing in the TV game.

575
00:36:05,320 --> 00:36:09,960
Speaker 1: Here's my favorite fashion moment. The pajamas Rory's. I need

576
00:36:10,040 --> 00:36:12,440
Speaker 1: to know were those Nickingnora again? We might even look

577
00:36:12,520 --> 00:36:15,080
Speaker 1: up because she had a great pair of pajamas in

578
00:36:15,160 --> 00:36:19,480
Speaker 1: the you know seene right after the title credits when

579
00:36:19,680 --> 00:36:22,719
Speaker 1: Kasarassara is going and then she had another pair of

580
00:36:22,760 --> 00:36:25,960
Speaker 1: pajamas when they went to Suki's that were also adorable.

581
00:36:26,000 --> 00:36:29,200
Speaker 1: Looked like the same designer. So I'm giving Suki's robe

582
00:36:29,280 --> 00:36:33,200
Speaker 1: was adorable. I'm giving pajamas just the ultimate thumbs up

583
00:36:33,280 --> 00:36:37,319
Speaker 1: in this episode. There is no other fashion moment that's

584
00:36:37,320 --> 00:36:44,080
Speaker 1: it like I like that was for me too. That's

585
00:36:44,239 --> 00:36:47,960
Speaker 1: the high high glitter radiation microwave shirts she was wearing.

586
00:36:49,000 --> 00:36:52,360
Speaker 1: That was quite toxic for people and they needed to

587
00:36:52,480 --> 00:36:57,680
Speaker 1: check their radiation levels after, you know, coming in contact

588
00:36:57,760 --> 00:37:00,520
Speaker 1: with that shirt. Let me tell you that was a

589
00:37:00,600 --> 00:37:04,240
Speaker 1: microwave of stars hollow can start to start an Instagram

590
00:37:04,280 --> 00:37:10,200
Speaker 1: page microwaves on our Instagram. Should we take one more

591
00:37:10,280 --> 00:37:13,080
Speaker 1: break and then come back with the highlight of that

592
00:37:13,440 --> 00:37:17,040
Speaker 1: of the episode? Yes, I think we should. Yes, let's

593
00:37:17,040 --> 00:37:22,280
Speaker 1: take a break and we will de shine our shirts

594
00:37:22,600 --> 00:37:26,560
Speaker 1: somehow so that not to give off the radiation. Uh.

595
00:37:27,320 --> 00:37:34,720
Speaker 1: And we'll be back after these messages. Yeah, all right, everybody,

596
00:37:34,800 --> 00:37:40,120
Speaker 1: We're back. Uh. And then that Rory eats a goos

597
00:37:40,360 --> 00:37:42,279
Speaker 1: did you see that? And she gave one to Kirk.

598
00:37:42,560 --> 00:37:47,399
Speaker 1: She gave to Kirk to Kirk got two waffles. I've

599
00:37:47,440 --> 00:37:50,440
Speaker 1: been crazing an ago waffle, you know. For me, that

600
00:37:50,600 --> 00:37:53,920
Speaker 1: was the highlight of the entire episode. When Kurt ate

601
00:37:54,000 --> 00:37:57,879
Speaker 1: those waffles. I was so happy for Kirk. No, I'm

602
00:37:57,920 --> 00:38:03,640
Speaker 1: just kidding on it. No, Kirk did seem to have

603
00:38:03,719 --> 00:38:08,000
Speaker 1: a lot of termite knowledge though, totally that was impressive,

604
00:38:10,120 --> 00:38:13,520
Speaker 1: totally impressive, and I thought, that is a that's that's

605
00:38:13,560 --> 00:38:18,640
Speaker 1: where he belongs. He belongs in the termite field. Kirk

606
00:38:18,880 --> 00:38:23,120
Speaker 1: should be a termite ologist, he should be a he

607
00:38:23,239 --> 00:38:26,840
Speaker 1: should be fumigating houses. That's perfect for him. And so

608
00:38:27,920 --> 00:38:30,520
Speaker 1: Luke came over and he knows a lot of stuff too,

609
00:38:33,640 --> 00:38:37,920
Speaker 1: But you can't steal Kirk's thunder for the accuracy of

610
00:38:38,000 --> 00:38:41,640
Speaker 1: the wardrobe, for the for for the depth of the knowledge.

611
00:38:43,800 --> 00:38:46,720
Speaker 1: I also like that Luke is a baller and fifteen

612
00:38:47,160 --> 00:38:50,360
Speaker 1: dollars was not going to be an issue for him whatsoever.

613
00:38:51,360 --> 00:38:54,360
Speaker 1: It was like, look, how like definitely and starting to

614
00:38:54,400 --> 00:38:56,720
Speaker 1: think Luke's got a quarter of a million dollars somewhere

615
00:38:56,719 --> 00:39:02,959
Speaker 1: in the night. Oh, no doubt, definitely, no doubt. Yeah,

616
00:39:05,560 --> 00:39:08,080
Speaker 1: he is good with the good with the money. No,

617
00:39:08,239 --> 00:39:13,040
Speaker 1: he's been investing in big tech. I mean he's not.

618
00:39:13,800 --> 00:39:17,799
Speaker 1: He's rich as mightas right now, he's rich as might

619
00:39:17,880 --> 00:39:21,239
Speaker 1: as he invested well totally, Oh he's yeah, he's a

620
00:39:21,320 --> 00:39:27,960
Speaker 1: macdaddy right now. Oh yeah, he might get a microwave

621
00:39:28,040 --> 00:39:30,719
Speaker 1: shirt and go high glitter on it. You know, you

622
00:39:30,840 --> 00:39:33,120
Speaker 1: never know the two of those, you know, that could

623
00:39:33,120 --> 00:39:35,440
Speaker 1: be their wedding. He did did he? Did he get

624
00:39:35,440 --> 00:39:38,719
Speaker 1: a Gucci belt from Bloomingdale's when loreli A dressed him.

625
00:39:38,960 --> 00:39:41,239
Speaker 1: I think he got a belt. I don't know if

626
00:39:41,239 --> 00:39:43,319
Speaker 1: it was a Gucci. He can wear some clothes now,

627
00:39:43,480 --> 00:39:46,800
Speaker 1: you just need to get him the clothes. Yeah, he can. So.

628
00:39:47,000 --> 00:39:51,360
Speaker 1: Riley was last episode when you were out and Danielle

629
00:39:51,400 --> 00:39:55,760
Speaker 1: filled in. Yeah, that's why this is the return of Riley.

630
00:39:57,000 --> 00:40:05,200
Speaker 1: God done, do COVID free? Have you tested negative? I

631
00:40:05,280 --> 00:40:09,560
Speaker 1: have not tried testing again, but I feel okay. Did

632
00:40:09,640 --> 00:40:11,200
Speaker 1: you go somewhere to get to tested? Did you do

633
00:40:11,280 --> 00:40:15,640
Speaker 1: it at home? I did both? M We got a guy,

634
00:40:15,840 --> 00:40:18,520
Speaker 1: We got a guy, got a person. You sent me

635
00:40:18,600 --> 00:40:23,360
Speaker 1: a guy. We I shouldn't even tell this because it's like,

636
00:40:24,239 --> 00:40:26,120
Speaker 1: but we have to test a bunch of people for

637
00:40:26,239 --> 00:40:29,040
Speaker 1: work today, and I actually sent our guy a note

638
00:40:29,520 --> 00:40:33,680
Speaker 1: that said, don't worry. I'm fully expecting this person is

639
00:40:33,719 --> 00:40:35,840
Speaker 1: going to come back positive. So I don't want you

640
00:40:35,920 --> 00:40:37,919
Speaker 1: to feel upset when we have to break the news

641
00:40:38,000 --> 00:40:42,080
Speaker 1: to me, like we're well prepared for it, our poor COVID.

642
00:40:42,200 --> 00:40:44,320
Speaker 1: So I heart we as someone that does all our testing.

643
00:40:44,480 --> 00:40:49,960
Speaker 1: And I mean the COVID episode, the COVID episode. I

644
00:40:50,040 --> 00:40:53,879
Speaker 1: think everyone listening also is experiencing the same things. It's

645
00:40:53,920 --> 00:40:56,759
Speaker 1: just like, well, so what are we at? Wait? I

646
00:40:57,360 --> 00:41:02,040
Speaker 1: give our Paul stivity, right, what are you talking about?

647
00:41:02,560 --> 00:41:06,759
Speaker 1: We have five people working right now and four either

648
00:41:06,920 --> 00:41:09,440
Speaker 1: have it or have it. We are literally the l

649
00:41:09,480 --> 00:41:16,200
Speaker 1: A statistic. We're one in four people don't forget, East's

650
00:41:16,360 --> 00:41:20,600
Speaker 1: four out of five. No, not me, don't get me,

651
00:41:20,800 --> 00:41:22,520
Speaker 1: you're four out of five. I don't leave my house.

652
00:41:22,600 --> 00:41:24,320
Speaker 1: I don't leave my house. Well, I don't know that

653
00:41:24,440 --> 00:41:33,280
Speaker 1: it's COVID, but it probably is. I dodged a bullet

654
00:41:33,320 --> 00:41:38,000
Speaker 1: for two years, and now bullet TikTok. You' all you

655
00:41:38,000 --> 00:41:40,319
Speaker 1: gotta do is get on TikTok. And also, people give

656
00:41:40,360 --> 00:41:45,359
Speaker 1: their symptoms and you have every single one. I love

657
00:41:45,400 --> 00:41:47,640
Speaker 1: that you go to TikTok for this symptom. Okay, I'm

658
00:41:47,680 --> 00:41:51,279
Speaker 1: Stilliam says with TikTok. That's that's a problem. I want

659
00:41:51,280 --> 00:41:54,840
Speaker 1: to start our TikTok account. Don't forget. We're getting on that, Scott.

660
00:41:54,880 --> 00:41:59,200
Speaker 1: We're starting our TikTok within the next I'm gonna get

661
00:41:59,239 --> 00:42:03,279
Speaker 1: on there and show off my curves. Man, get some attention.

662
00:42:04,120 --> 00:42:10,239
Speaker 1: I start influencing. It's not necessarily accurate. Yeah, we're gonna

663
00:42:10,280 --> 00:42:15,759
Speaker 1: have some dance routines, dance moves, We're gonna, we're gonna

664
00:42:15,840 --> 00:42:19,759
Speaker 1: do We're gonna just gonna take over. I'm born, did

665
00:42:19,800 --> 00:42:23,200
Speaker 1: do TikTok, born to do it. By the way, I

666
00:42:23,239 --> 00:42:25,520
Speaker 1: will say that I saw TikTok this week where the

667
00:42:25,640 --> 00:42:29,160
Speaker 1: guy was talking about Sex in the City the reboot,

668
00:42:29,400 --> 00:42:31,800
Speaker 1: but he tagged it and admitted that he was tagging

669
00:42:31,880 --> 00:42:34,799
Speaker 1: it Gilmore Girls because more people will watch or see

670
00:42:34,880 --> 00:42:39,200
Speaker 1: the TikTok if he tags it Gilmore Girls. Smart man, Yep,

671
00:42:39,800 --> 00:42:41,439
Speaker 1: I don't know who that guy was. That's a word

672
00:42:41,520 --> 00:42:45,080
Speaker 1: to the wise. Make sure you tag gg no matter

673
00:42:45,200 --> 00:42:50,319
Speaker 1: what subject you're talking about, he'll get the eyeballs. Listen, man,

674
00:42:50,560 --> 00:42:53,840
Speaker 1: it's been a strange trip. It's been a really long,

675
00:42:54,280 --> 00:42:57,800
Speaker 1: strange trip. Brothers and sisters. Let me tell you something.

676
00:42:57,840 --> 00:43:01,680
Speaker 1: I was in Colorado and that every time I hoist

677
00:43:01,880 --> 00:43:05,120
Speaker 1: my skis on my shoulders and walk to the lift,

678
00:43:06,000 --> 00:43:09,680
Speaker 1: I would see another influencer in a bikini grinding on

679
00:43:09,760 --> 00:43:13,600
Speaker 1: a snowmobile and it would just seem normal. So it's like, what,

680
00:43:14,560 --> 00:43:17,840
Speaker 1: you know, the world has changed. Okay, the world has changed.

681
00:43:17,960 --> 00:43:20,960
Speaker 1: And I don't know how else to explain it. But

682
00:43:23,040 --> 00:43:25,520
Speaker 1: you know, either just got to accept it and roll

683
00:43:25,640 --> 00:43:27,640
Speaker 1: the punches, or just get back in bed and put

684
00:43:27,680 --> 00:43:35,680
Speaker 1: the sheets over your head. He doesn't have COVID, don't worry.

685
00:43:36,400 --> 00:43:41,719
Speaker 1: I'm not sure. I'm no doctor. It's just a bit

686
00:43:41,800 --> 00:43:48,560
Speaker 1: of a congestion. If COVID brain was an episode would

687
00:43:48,600 --> 00:43:56,560
Speaker 1: be this. Well, speaking of grinding, should we grind out?

688
00:44:00,440 --> 00:44:02,880
Speaker 1: Give us a pop culture? Right? Well, thank you so

689
00:44:03,040 --> 00:44:05,640
Speaker 1: much for filling in, Danielle. You did a fantastic job.

690
00:44:06,080 --> 00:44:11,560
Speaker 1: Seeing the reviews, everybody loves you. Thank you. So I'm Riley,

691
00:44:11,560 --> 00:44:14,040
Speaker 1: I'm back. I'm back with your pop culture. Thank you

692
00:44:14,120 --> 00:44:16,640
Speaker 1: for having me. Um. So, First, we have Matto and

693
00:44:16,680 --> 00:44:19,240
Speaker 1: Louise talking about boys while they're eating lunch at Chilton,

694
00:44:19,520 --> 00:44:23,120
Speaker 1: and Madeline says boys and Nancy Drew Mystery Nancy Drew

695
00:44:23,200 --> 00:44:25,680
Speaker 1: is a fictional character, a sleuth in an American mystery

696
00:44:25,760 --> 00:44:29,040
Speaker 1: series created as a female counterpart to the Hardy Boys series.

697
00:44:29,520 --> 00:44:32,120
Speaker 1: More than five hundred Nancy Drew books have been published

698
00:44:32,120 --> 00:44:35,320
Speaker 1: since ninety and in nineteen seventy seven, The Hardy Boys

699
00:44:35,360 --> 00:44:39,120
Speaker 1: Slash Nancy Drew Mystery Series was a TV series starring

700
00:44:39,200 --> 00:44:42,600
Speaker 1: Pamela Sue Martin as Nancy Drew. Then to the big

701
00:44:42,680 --> 00:44:45,560
Speaker 1: screen in two thousand seven came Nancy drews darring Emma Roberts.

702
00:44:46,040 --> 00:44:48,239
Speaker 1: Due to only having a learner's permit and not an

703
00:44:48,239 --> 00:44:51,919
Speaker 1: actual driver's license, Emma Roberts was not allowed to drive

704
00:44:52,000 --> 00:44:55,120
Speaker 1: by herself in these car chase scenes and the best

705
00:44:55,160 --> 00:44:58,520
Speaker 1: thing about Gilmore Girls is these references made sense then

706
00:44:59,080 --> 00:45:01,879
Speaker 1: and even now. And actually there's a Nancy Drew TV

707
00:45:02,040 --> 00:45:05,719
Speaker 1: series on the CW starring Kennedy m McMahon, which is

708
00:45:05,760 --> 00:45:11,880
Speaker 1: so cool, just super tangent sidebar as you just mentioned,

709
00:45:11,920 --> 00:45:14,839
Speaker 1: Emma Robberts, did you guys see the Harry Potter thing

710
00:45:15,200 --> 00:45:18,000
Speaker 1: where they showed what they thought was a picture of

711
00:45:18,080 --> 00:45:20,520
Speaker 1: Emma Watson who was in Harry Potter and it was

712
00:45:20,600 --> 00:45:27,200
Speaker 1: Emma Roberts. I felt so bad, dh, I need to

713
00:45:27,400 --> 00:45:31,200
Speaker 1: go back and working to go google it too, and

714
00:45:31,320 --> 00:45:34,080
Speaker 1: like Emma Roberts and Emma Watson are like commenting about.

715
00:45:34,200 --> 00:45:39,759
Speaker 1: I mean, that is hilarious. I felt bad for that

716
00:45:39,840 --> 00:45:46,080
Speaker 1: producer that made that mistake. Picture so good. So next

717
00:45:46,160 --> 00:45:48,319
Speaker 1: we have Suky and Rory list off the reasons why

718
00:45:48,440 --> 00:45:50,719
Speaker 1: Lorela is an upstanding citizen and she get the loan,

719
00:45:51,320 --> 00:45:54,359
Speaker 1: Rory says, And you played Teva in the stars Hollow

720
00:45:54,400 --> 00:45:57,480
Speaker 1: Community Theater production of Fiddler on the Roof. Fiddler on

721
00:45:57,480 --> 00:46:01,040
Speaker 1: the Roof is one American epic music drama comedy, and

722
00:46:01,120 --> 00:46:04,880
Speaker 1: an adaptation of the nineteen sixty four Broadway musical topol

723
00:46:05,080 --> 00:46:07,440
Speaker 1: is only thirty five years old when he performed the

724
00:46:07,600 --> 00:46:10,080
Speaker 1: role of Tebia, a character is supposed to be over

725
00:46:10,239 --> 00:46:13,440
Speaker 1: fifty years old. To make Topo look older, the makeup

726
00:46:13,480 --> 00:46:16,520
Speaker 1: team clipped fifteen white hairs from the director's beard and

727
00:46:16,600 --> 00:46:21,560
Speaker 1: applied them to Topal's eyebrows. Gross and the sunrise sunset

728
00:46:21,640 --> 00:46:24,960
Speaker 1: scene was not lit by electric light, but by hundreds

729
00:46:25,000 --> 00:46:28,760
Speaker 1: of candles. Luke tells Laura Lae they fixed the house

730
00:46:29,000 --> 00:46:31,040
Speaker 1: and she can pay for it when she can. Laura

731
00:46:31,120 --> 00:46:35,960
Speaker 1: Lai says, because I'm Tony Soprano. Anthony John Soprano is

732
00:46:36,000 --> 00:46:40,400
Speaker 1: a fictional character in HBO television drama series The Sopranos.

733
00:46:40,960 --> 00:46:43,359
Speaker 1: HBO was worried that the title of the series would

734
00:46:43,400 --> 00:46:45,920
Speaker 1: make the audience think that it was about music. That

735
00:46:46,080 --> 00:46:48,759
Speaker 1: is why the gun image is in the logo. It

736
00:46:48,920 --> 00:46:52,520
Speaker 1: is said that during some scenes, James Gandalfeni insert a

737
00:46:52,640 --> 00:46:54,960
Speaker 1: small stone in his shoe to anger him, making him

738
00:46:54,960 --> 00:46:59,760
Speaker 1: play the role of Tony Soprano more authentically. Both great tippets.

739
00:47:00,120 --> 00:47:04,160
Speaker 1: Ridley Scott, would you do that like playing Luke? Would

740
00:47:04,160 --> 00:47:05,840
Speaker 1: you be like, let me put a rock in my

741
00:47:05,880 --> 00:47:11,040
Speaker 1: shoe to make me a little more grumpy. Just just

742
00:47:11,160 --> 00:47:20,000
Speaker 1: have COVID. It's just about to say that by the way,

743
00:47:20,520 --> 00:47:24,680
Speaker 1: Like you guys, Stock is sick and he's doing this

744
00:47:24,880 --> 00:47:29,080
Speaker 1: podcast like he's like, I'm going to do it. Well,

745
00:47:29,320 --> 00:47:30,840
Speaker 1: you know, I put it off for a couple of

746
00:47:30,960 --> 00:47:33,600
Speaker 1: days and I couldn't have done it Monday or Tuesday

747
00:47:33,640 --> 00:47:36,800
Speaker 1: when I came back. Right, but you're here now. But

748
00:47:36,960 --> 00:47:39,440
Speaker 1: I'm here now. I can't even believe. I'm like, my

749
00:47:39,560 --> 00:47:47,640
Speaker 1: eyes are open. Don't you don't look your mask? Wait. Actually,

750
00:47:47,680 --> 00:47:50,000
Speaker 1: when I saw Scott jump on the zoom this morning,

751
00:47:50,000 --> 00:47:52,239
Speaker 1: I was like, I love the facial hair and I

752
00:47:52,360 --> 00:47:59,840
Speaker 1: think he looks a little stronger. I've lost ten pounds

753
00:48:00,080 --> 00:48:10,960
Speaker 1: sitting here. Mm hmm the toilet at the end of

754
00:48:10,960 --> 00:48:13,120
Speaker 1: the episode, when flush the toilet, so everyone knows and

755
00:48:13,160 --> 00:48:16,600
Speaker 1: I'm recording this podcast in a bath. Yes, you need

756
00:48:16,680 --> 00:48:20,359
Speaker 1: to prove that you can make that claim without proof. Yeah,

757
00:48:20,400 --> 00:48:23,840
Speaker 1: nobody moved because at the end of the episode, toilet

758
00:48:23,880 --> 00:48:30,520
Speaker 1: flush right your Hive star reviews for this particular episode,

759
00:48:33,360 --> 00:48:35,320
Speaker 1: I was gonna try and make a potty joke, but

760
00:48:35,640 --> 00:48:39,279
Speaker 1: I'll refrain. Laura Lai and Emily fight outside the bank,

761
00:48:39,320 --> 00:48:41,320
Speaker 1: and Laura la finally agrees to let Emily in on

762
00:48:41,400 --> 00:48:44,040
Speaker 1: the bank meeting. Laura I says to Emily, I swear

763
00:48:44,120 --> 00:48:46,120
Speaker 1: one of these days, Alice pal right to the moon.

764
00:48:46,880 --> 00:48:49,720
Speaker 1: This is a reference to The Honeymooners and American television

765
00:48:49,760 --> 00:48:55,560
Speaker 1: sitcom which originally aired from fifty six created by and Starry,

766
00:48:55,920 --> 00:49:00,200
Speaker 1: starring Jackie Gleason as Ralph. Ralph's phrase to the when

767
00:49:00,239 --> 00:49:02,640
Speaker 1: Alice was ranked number two and TV guys list of

768
00:49:02,800 --> 00:49:06,799
Speaker 1: TV's twenty top catchphrases, and the four main characters, Ralph,

769
00:49:06,880 --> 00:49:09,920
Speaker 1: at Alice and Trixie later became the prototypes for the

770
00:49:10,000 --> 00:49:12,719
Speaker 1: four main characters in The flint Stones. The show was

771
00:49:12,800 --> 00:49:18,840
Speaker 1: shot writing a kisser, m hmm, pal writing the kisser

772
00:49:19,400 --> 00:49:21,919
Speaker 1: who said that nobody said, kisser, what are you talking about?

773
00:49:23,400 --> 00:49:25,719
Speaker 1: It was the They claimed that the to the moon,

774
00:49:25,840 --> 00:49:28,759
Speaker 1: Alice is the catchphrase that was And how and how

775
00:49:28,960 --> 00:49:32,879
Speaker 1: I wondered did Emily not get that reference because she's

776
00:49:32,920 --> 00:49:35,440
Speaker 1: of that age where you know, The Honeymooners was a

777
00:49:35,520 --> 00:49:38,719
Speaker 1: hit show when she was an adult and everybody knew

778
00:49:38,760 --> 00:49:43,239
Speaker 1: that that phrase. So it also came back in two

779
00:49:43,239 --> 00:49:48,560
Speaker 1: thousand five as a film and it bombed sadly. Well, yeah, Laura,

780
00:49:48,640 --> 00:49:50,640
Speaker 1: I talks a Suki about the money it is going

781
00:49:50,719 --> 00:49:53,359
Speaker 1: to cost them to tent their house. Laura I says,

782
00:49:53,400 --> 00:49:56,040
Speaker 1: I was thinking about opening a Coyote Ugly Eliminated stand.

783
00:49:56,640 --> 00:49:59,280
Speaker 1: Kayote Iu Believe, the two thousand American musical comedy drama

784
00:49:59,320 --> 00:50:03,080
Speaker 1: film based on Coyote Ugly Saloon. The original Coyote Ugly

785
00:50:03,160 --> 00:50:06,840
Speaker 1: Saloon officially opened its doors on First Avenue in New

786
00:50:06,920 --> 00:50:11,400
Speaker 1: York and the other thirteen locations followed. The saloon is

787
00:50:11,480 --> 00:50:14,560
Speaker 1: known for its beautiful bartenders performing on the bar, and

788
00:50:14,719 --> 00:50:17,040
Speaker 1: in the movie Land Rhymes did all the singing for

789
00:50:17,120 --> 00:50:19,840
Speaker 1: the character of Violet, so when the two are duetting

790
00:50:19,960 --> 00:50:23,760
Speaker 1: on the bar, Rhymes is essentially duetting with herself. And finally,

791
00:50:23,840 --> 00:50:26,920
Speaker 1: Tyra Banks tore her lateral meniscus dancing on top of

792
00:50:26,960 --> 00:50:31,359
Speaker 1: the bar. Dangerous business dancing on a bar. Laura Lai

793
00:50:31,480 --> 00:50:33,680
Speaker 1: tells Rory they will go out to celebrate her s

794
00:50:33,719 --> 00:50:37,440
Speaker 1: a t scores. Lorli says, okay, so we should celebrate.

795
00:50:37,680 --> 00:50:39,600
Speaker 1: How about we all get dressed up tonight and hit

796
00:50:39,640 --> 00:50:41,839
Speaker 1: the Rocky Horror Picture Show, which is what you guys

797
00:50:41,840 --> 00:50:45,359
Speaker 1: talked about the bantering back and forth. The Rocky Horror

798
00:50:45,400 --> 00:50:49,080
Speaker 1: Picture Show in musical comedy horror film starring Tim Curry,

799
00:50:49,360 --> 00:50:54,239
Speaker 1: Susan Srandon, Barry Bosswick, and even meat Loaf. Dr. Everett V.

800
00:50:54,360 --> 00:50:57,239
Speaker 1: Scott crashes through the wall for his entrance because the

801
00:50:57,320 --> 00:50:59,920
Speaker 1: set builders forgot to put an extra door in the lab.

802
00:51:00,040 --> 00:51:03,440
Speaker 1: Upset And we love hidden fines on this podcast. And

803
00:51:03,560 --> 00:51:06,440
Speaker 1: here's one from Rocky Horror Picture Show. Aside from the

804
00:51:06,520 --> 00:51:08,960
Speaker 1: chemical symbols scrawled on the lab wall, next to the

805
00:51:09,000 --> 00:51:12,480
Speaker 1: control panel, there's a grocery list calling for flower eggs,

806
00:51:12,560 --> 00:51:16,239
Speaker 1: bread sugar, and two hypodermics. You know, I've never seen

807
00:51:16,320 --> 00:51:20,360
Speaker 1: a film, uh that engaged in an audience so thoroughly

808
00:51:20,560 --> 00:51:24,120
Speaker 1: that Rocky Horror Picture Show. I was actually my first

809
00:51:24,239 --> 00:51:28,600
Speaker 1: year of college is when that hit its zenith. And

810
00:51:29,040 --> 00:51:33,360
Speaker 1: every Friday night, every weekend night, uh in New Brunswick,

811
00:51:33,360 --> 00:51:36,719
Speaker 1: cause I went to Rutgers UM. You know, there was

812
00:51:36,800 --> 00:51:39,600
Speaker 1: the theater and they would show the film there and

813
00:51:39,920 --> 00:51:42,040
Speaker 1: everybody would dress up as one of the characters and

814
00:51:42,120 --> 00:51:44,200
Speaker 1: people would get up on the in front of the

815
00:51:44,280 --> 00:51:46,880
Speaker 1: screen and act out. You know. There was there was

816
00:51:46,920 --> 00:51:50,880
Speaker 1: a moderator and and they'd stopped the film and everybody,

817
00:51:50,880 --> 00:51:53,680
Speaker 1: I mean, it was just it was I've never seen

818
00:51:53,960 --> 00:51:59,280
Speaker 1: anything like it. I've never experienced angeles sometimes, Oh my god,

819
00:51:59,480 --> 00:52:04,920
Speaker 1: what a film? What? What? What a fun film? Anyway? No,

820
00:52:05,080 --> 00:52:08,120
Speaker 1: it's a great film, um mrs so next, Mrs Kim

821
00:52:08,160 --> 00:52:10,000
Speaker 1: kicked Rory out of the antique shop because of the

822
00:52:10,000 --> 00:52:12,839
Speaker 1: wood and the termites, Rory says, and then she chased

823
00:52:12,880 --> 00:52:15,000
Speaker 1: me halfway down the street with a hose. It was

824
00:52:15,080 --> 00:52:19,800
Speaker 1: like the scene from Silkwood. Silkwood is American biographical drama

825
00:52:19,840 --> 00:52:22,839
Speaker 1: film directed by Mike Nichols and starring Meryl Streep Share

826
00:52:22,960 --> 00:52:25,680
Speaker 1: and Kurt Russell. The film centers around at death while

827
00:52:25,719 --> 00:52:29,480
Speaker 1: investigating alleged wrong doings at the Kerr McGee plutonium plant,

828
00:52:29,600 --> 00:52:32,040
Speaker 1: which is why she wanted to I want watch Silkwood.

829
00:52:33,080 --> 00:52:36,080
Speaker 1: Seen it. I had never heard of it before. See

830
00:52:37,760 --> 00:52:40,960
Speaker 1: yeah like that. For you guys to watch that today,

831
00:52:41,880 --> 00:52:49,120
Speaker 1: especially today, if you're all uplifting film, they should watched Contagion.

832
00:52:50,680 --> 00:52:58,480
Speaker 1: Oh my gosh, No, I want to see the I

833
00:52:58,600 --> 00:53:02,399
Speaker 1: want to see don't look up. But what is it good?

834
00:53:03,360 --> 00:53:08,360
Speaker 1: Right with Leo? With Leo? Isn't it Leo? Meryll Jonah.

835
00:53:09,920 --> 00:53:13,359
Speaker 1: I was looking at his his Twitter feed today, Leo,

836
00:53:14,640 --> 00:53:22,000
Speaker 1: and it made me feel so completely insignificantly. This guy,

837
00:53:23,160 --> 00:53:28,160
Speaker 1: he's the kiding of the world. Literally, Alright, excuse me

838
00:53:28,280 --> 00:53:39,799
Speaker 1: while I die. Oh God, alright, time for a cough drop. Right,

839
00:53:40,440 --> 00:53:42,799
Speaker 1: let's take I think I should take the paper off.

840
00:53:43,040 --> 00:53:48,600
Speaker 1: I've been taking these with the paper on um Man

841
00:53:48,800 --> 00:53:56,040
Speaker 1: was that guy committed to Claus Like he's worried about

842
00:53:56,360 --> 00:53:59,760
Speaker 1: the butterflies in Uruguay? And I mean he's he's keeping

843
00:54:00,000 --> 00:54:03,840
Speaker 1: arack of everything. Just go on, go on his Twitter

844
00:54:03,960 --> 00:54:07,799
Speaker 1: feed and you can see how involved he is. Yeah,

845
00:54:08,200 --> 00:54:14,440
Speaker 1: how completely embedded he is in this world. Quite amazing.

846
00:54:14,560 --> 00:54:16,560
Speaker 1: I really want to see that Adam McKay film. I

847
00:54:16,640 --> 00:54:18,680
Speaker 1: really want to see that film that's on Netflix. So

848
00:54:18,880 --> 00:54:21,640
Speaker 1: I think I'm like, you can watch it right after this.

849
00:54:22,200 --> 00:54:30,919
Speaker 1: Let's review that. Maybe Henry and Henry yeah it, let's

850
00:54:30,960 --> 00:54:35,920
Speaker 1: do that. Next review. I think Henry mentioned it is uh,

851
00:54:36,560 --> 00:54:39,480
Speaker 1: we did flash Dance and then it's the sixth Cents,

852
00:54:39,680 --> 00:54:43,400
Speaker 1: so you can watch that too today. Sixth tense. I

853
00:54:43,440 --> 00:54:45,640
Speaker 1: don't want to ruin it. I don't want to ruin it.

854
00:54:46,080 --> 00:54:50,360
Speaker 1: There's a real there's a real twist. I see I

855
00:54:50,520 --> 00:54:56,120
Speaker 1: see dead people that one. Yeah, there's a real twist

856
00:54:56,200 --> 00:55:02,239
Speaker 1: in the end. No boy, so our alert okay, last,

857
00:55:02,360 --> 00:55:04,959
Speaker 1: but for pop culture or in Laura, I talk about

858
00:55:05,000 --> 00:55:08,200
Speaker 1: their loan process, and Lawley says, Honey, it's not the

859
00:55:08,239 --> 00:55:10,400
Speaker 1: amount of places that turns you down that matters. It's

860
00:55:10,440 --> 00:55:12,680
Speaker 1: the quality quality of the place that turns you down

861
00:55:12,760 --> 00:55:15,520
Speaker 1: that matters. And when you've got Jackos loan and stuff

862
00:55:15,600 --> 00:55:17,520
Speaker 1: not wanting your business, you know it's time to hang

863
00:55:17,520 --> 00:55:20,759
Speaker 1: out with the Corries. That was a reference that I

864
00:55:20,960 --> 00:55:24,160
Speaker 1: really appreciate it. So this is a reference to the

865
00:55:24,239 --> 00:55:27,960
Speaker 1: Two Corries, also known as The Quarries. The actors are

866
00:55:28,000 --> 00:55:31,480
Speaker 1: Corey Feldman and Corey Hame. The Two Quarries was a

867
00:55:31,520 --> 00:55:34,440
Speaker 1: two thousand seven TV series as a look at their

868
00:55:34,480 --> 00:55:39,719
Speaker 1: lives of formal child actors. So she Wasn't She Wasn't

869
00:55:39,719 --> 00:55:43,960
Speaker 1: before time and Corey Feldman and Corey Hame were the highlighted,

870
00:55:44,160 --> 00:55:47,040
Speaker 1: were the highest paid at teen stars and were essentially

871
00:55:47,080 --> 00:55:49,320
Speaker 1: the kings of the teen box office back in the

872
00:55:49,400 --> 00:55:55,680
Speaker 1: mid late eighties. And Corey Hame unfortunately passed away from

873
00:55:55,680 --> 00:55:58,920
Speaker 1: pneumonia in two thousand ten. Do you have a favorite

874
00:55:58,960 --> 00:56:02,319
Speaker 1: Corey Feldman Corey Hayne movie? Not necessarily, they don't want

875
00:56:02,320 --> 00:56:08,040
Speaker 1: to be in it together. Goonies for Corey Feldman, great call,

876
00:56:08,120 --> 00:56:11,360
Speaker 1: I'm a stand by Me myself and Corey Hayne Lucas.

877
00:56:11,920 --> 00:56:14,760
Speaker 1: I love Lucas. If you haven't seen it, you should.

878
00:56:15,560 --> 00:56:19,120
Speaker 1: Corey Feldman was great and uh, she was like the best.

879
00:56:20,480 --> 00:56:24,880
Speaker 1: That's it for pop culture, right? Yeah? I think I

880
00:56:25,000 --> 00:56:28,960
Speaker 1: said my favorite lines. I revealed them as we went along.

881
00:56:30,400 --> 00:56:37,879
Speaker 1: You're a carrier. This is Kim Danielle. What's your favorite line?

882
00:56:38,200 --> 00:56:41,000
Speaker 1: Have a good one. From when Rory was telling Emily

883
00:56:41,480 --> 00:56:44,319
Speaker 1: about their problems and Rory goes, we have termites. They're

884
00:56:44,360 --> 00:56:46,680
Speaker 1: eating our hold mouse and Laura le goes, but they

885
00:56:46,719 --> 00:56:51,799
Speaker 1: always say thank you. Mine is also Rory and Laura

886
00:56:51,880 --> 00:56:54,840
Speaker 1: lay together. Um, Rory says, so do you think the

887
00:56:54,920 --> 00:56:59,719
Speaker 1: porch is falling apart? Or do you just weigh a ton? Oh?

888
00:56:59,800 --> 00:57:04,359
Speaker 1: My go? I thought it one more? You can't gap two?

889
00:57:04,640 --> 00:57:08,160
Speaker 1: I gotta go. I'm haven't. I'm struggling to find one

890
00:57:08,200 --> 00:57:14,800
Speaker 1: that I like. Um. I think it's Kirk commenting on

891
00:57:15,080 --> 00:57:20,640
Speaker 1: how delicious the waffles were. Also when laurelized as we

892
00:57:20,760 --> 00:57:23,760
Speaker 1: liked the entire house Kirk, and he says, given that kitchen,

893
00:57:28,800 --> 00:57:33,280
Speaker 1: this might have been my favorite Kirk episode so far. Nope,

894
00:57:34,120 --> 00:57:39,680
Speaker 1: oh well you got I don't know about that. This

895
00:57:39,920 --> 00:57:42,520
Speaker 1: might be my favorite podcast. It's when Kirk seemed the

896
00:57:42,560 --> 00:57:46,439
Speaker 1: most normal. Yeah, he seemed like, yeah, he just knew

897
00:57:46,560 --> 00:57:57,680
Speaker 1: his Yeah, we really had together. Next week is Richard Comes.

898
00:57:57,720 --> 00:58:00,480
Speaker 1: I forget exactly what it's called. Richard Comes two stars

899
00:58:00,520 --> 00:58:04,960
Speaker 1: hollow Richard and stars hollow. Wait the big finish, hold on,

900
00:58:10,080 --> 00:58:13,240
Speaker 1: see you next week. All right, kids, thanks for tuning in,

901
00:58:13,760 --> 00:58:16,120
Speaker 1: and I'm going to try to do this. Give us

902
00:58:16,160 --> 00:58:21,280
Speaker 1: a nice little send off for the Maiden Voyager. I

903
00:58:21,320 --> 00:58:23,520
Speaker 1: am Scott Patterson and this is the I Am All

904
00:58:23,560 --> 00:58:27,200
Speaker 1: In Podcast. I heard Radio one of leven Productions. It's

905
00:58:27,240 --> 00:58:32,320
Speaker 1: been a pleasure. Thanks for downloading. We are gonna up

906
00:58:32,360 --> 00:58:38,480
Speaker 1: our vitamin C D and gummy regimen and we will

907
00:58:38,520 --> 00:59:00,280
Speaker 1: see you next time. Thanks for tuning in. By h

908
00:59:10,640 --> 00:59:13,600
Speaker 1: Hey everybody, and don't forget follow us on Instagram at

909
00:59:13,960 --> 00:59:18,320
Speaker 1: I Am All In Podcast and Emailie at Gilmore at

910
00:59:18,480 --> 00:59:21,800
Speaker 1: I Heart radio dot com. Oh you gil More fans.

911
00:59:21,840 --> 00:59:23,560
Speaker 1: If you're looking for the best cup of coffee in

912
00:59:23,600 --> 00:59:27,000
Speaker 1: the world, go to my website from my company scott

913
00:59:27,040 --> 00:59:29,200
Speaker 1: EP dot com, s C O T T y P

914
00:59:29,400 --> 00:59:41,160
Speaker 1: dot com, scott EP dot com Grade one Specialty Coffee. Yeah,