1 00:00:04,040 --> 00:00:06,760 Speaker 1: So I'm knocking and I'm knocking, and I'm pounding on 2 00:00:06,800 --> 00:00:14,600 Speaker 1: the door. Finally latch turned. Jack Palace walks out and 3 00:00:14,800 --> 00:00:15,920 Speaker 1: sipping his pants up. 4 00:00:16,079 --> 00:00:20,840 Speaker 2: Oh my god, I go in my blood everything, Oh 5 00:00:20,880 --> 00:00:24,200 Speaker 2: my god, on the ceiling, on the floor. 6 00:00:25,040 --> 00:00:28,000 Speaker 1: But that's Jack, you know, can you get mad? You can, 7 00:00:28,240 --> 00:00:28,680 Speaker 1: that's Jack. 8 00:00:28,760 --> 00:00:29,960 Speaker 2: It's that old Hollywood. 9 00:00:30,200 --> 00:00:35,520 Speaker 1: Yes, yes, excuse me, so sleepy guy. 10 00:00:35,920 --> 00:00:38,480 Speaker 2: Welcome to Hollywood Handbook and Insider's Guide to kicking button 11 00:00:38,520 --> 00:00:40,720 Speaker 2: dropping names on the red carpet lined the back hallways 12 00:00:40,760 --> 00:00:44,920 Speaker 2: of this industry we call showbiz. It's a uh, summertime. 13 00:00:46,440 --> 00:00:51,240 Speaker 2: And in summertime where you are, you might like to 14 00:00:51,280 --> 00:00:54,080 Speaker 2: go outside. If you're a listener to the show. A 15 00:00:54,080 --> 00:00:56,200 Speaker 2: lot of people don't live in Los Angele listener New York, 16 00:00:56,240 --> 00:00:59,840 Speaker 2: you might like to go outside and catch a bug. Uh, 17 00:01:00,160 --> 00:01:01,320 Speaker 2: you might like to put. 18 00:01:01,160 --> 00:01:03,280 Speaker 1: Them in a jar, and you know that's now that's 19 00:01:03,320 --> 00:01:07,240 Speaker 1: your dinner, and yeah, it's your family till dinner and 20 00:01:07,319 --> 00:01:10,800 Speaker 1: then you have them for dinner. Or you might you know, 21 00:01:10,840 --> 00:01:13,080 Speaker 1: you might want to go down into the mines and 22 00:01:13,520 --> 00:01:16,160 Speaker 1: sort of dig around in there see if you find 23 00:01:16,200 --> 00:01:16,959 Speaker 1: any treasures. 24 00:01:18,680 --> 00:01:19,680 Speaker 2: But here. 25 00:01:21,560 --> 00:01:24,280 Speaker 1: We have roads and all these things where we can 26 00:01:24,360 --> 00:01:27,880 Speaker 1: sort of move around. And one of the places that 27 00:01:27,920 --> 00:01:33,480 Speaker 1: we like to drive to is a very nice mall. 28 00:01:34,120 --> 00:01:39,440 Speaker 1: What's a mall? What's a mall? Well, when a lot 29 00:01:39,480 --> 00:01:44,920 Speaker 1: of shops sort of make a team together, you know, 30 00:01:45,040 --> 00:01:47,840 Speaker 1: like a sports team, and then all want to be 31 00:01:47,920 --> 00:01:49,240 Speaker 1: in the same place. 32 00:01:49,120 --> 00:01:53,160 Speaker 2: Yes, they do a ma all. Think of the man selling 33 00:01:53,640 --> 00:01:57,080 Speaker 2: nuts by by the side of the road where you are. 34 00:01:58,080 --> 00:02:01,200 Speaker 2: If a bunch of those nut guys all got together 35 00:02:01,240 --> 00:02:04,680 Speaker 2: into one place and they decided, let's all sell our 36 00:02:04,760 --> 00:02:08,480 Speaker 2: wares together. Not intents, not in. 37 00:02:09,560 --> 00:02:13,120 Speaker 1: So not intense, not from just like a little wheelbarrow 38 00:02:13,440 --> 00:02:17,240 Speaker 1: or something like that, but if they actually had a 39 00:02:17,320 --> 00:02:22,519 Speaker 1: brick and mortar with a window buildings building, roofed location. 40 00:02:23,639 --> 00:02:26,200 Speaker 1: The nut guy and the guy who's making necklaces out 41 00:02:26,200 --> 00:02:30,040 Speaker 1: of bottle tops and all those all those gentlemen got 42 00:02:30,080 --> 00:02:32,320 Speaker 1: together and sort of so you would only have to 43 00:02:34,560 --> 00:02:38,760 Speaker 1: park your galope once to go to every single one 44 00:02:38,760 --> 00:02:44,639 Speaker 1: of these not salesmen instead of like now you go, 45 00:02:44,960 --> 00:02:49,400 Speaker 1: you know, up here for the almonds and then you 46 00:02:49,400 --> 00:02:53,880 Speaker 1: you know, try to somehow get your and jelope started 47 00:02:53,960 --> 00:02:56,400 Speaker 1: up again. You go over there and yeah. 48 00:02:56,080 --> 00:02:59,000 Speaker 2: And at these malls, you're using money to buy. Oh, 49 00:02:59,120 --> 00:03:02,200 Speaker 2: of course, yes, here we use money supper products and 50 00:03:02,240 --> 00:03:03,720 Speaker 2: not pelts or. 51 00:03:03,800 --> 00:03:09,320 Speaker 1: Money's kind of a symbolics tender. It's a currency. It's 52 00:03:09,400 --> 00:03:12,720 Speaker 1: like you don't you're not trading someone something they need. 53 00:03:12,880 --> 00:03:18,080 Speaker 1: You're trading them this neutral artifact that then can be 54 00:03:18,200 --> 00:03:21,440 Speaker 1: used everywhere to get, you know, other things you need, 55 00:03:21,520 --> 00:03:23,639 Speaker 1: and it cuts down a placeholder, and it cuts down 56 00:03:23,639 --> 00:03:28,200 Speaker 1: where you would have to fight somebody and win for 57 00:03:28,320 --> 00:03:31,560 Speaker 1: something of theirs. And where we live, well, you don't 58 00:03:31,600 --> 00:03:33,440 Speaker 1: have to choose, you know, you don't have to choose, 59 00:03:33,480 --> 00:03:36,160 Speaker 1: because I feel like, you know, the people that I 60 00:03:36,200 --> 00:03:39,880 Speaker 1: see is sort of where you guys are. They've got 61 00:03:39,880 --> 00:03:43,800 Speaker 1: a chicken, but they want a pile of beans, and 62 00:03:43,920 --> 00:03:46,720 Speaker 1: so they then have to trade the chicken for the beans. 63 00:03:47,800 --> 00:03:49,680 Speaker 2: So then now they don't have the chicken. In this world, 64 00:03:49,720 --> 00:03:51,160 Speaker 2: you can have both the chicken. 65 00:03:51,000 --> 00:03:53,400 Speaker 1: Chicken and the beans and just give money from both, yes, 66 00:03:53,960 --> 00:03:55,760 Speaker 1: and they're both at them. 67 00:03:55,840 --> 00:03:59,040 Speaker 2: All them all that we love is called the grove. 68 00:03:59,680 --> 00:04:04,360 Speaker 2: It's outside mall and it's very nice in the summertime 69 00:04:04,440 --> 00:04:07,360 Speaker 2: and you can go to buy pretty much anything you'd 70 00:04:07,400 --> 00:04:10,240 Speaker 2: ever want, and you can have lunch there. And there's 71 00:04:10,280 --> 00:04:12,200 Speaker 2: a way we see so many people out here who 72 00:04:12,280 --> 00:04:15,080 Speaker 2: are just doing it wrong. And this is the secondent 73 00:04:15,280 --> 00:04:16,839 Speaker 2: we love called You're doing it wrong. 74 00:04:16,920 --> 00:04:20,760 Speaker 1: You're doing it wrong, and it's subtitled by Grove I've 75 00:04:20,800 --> 00:04:24,920 Speaker 1: got it And that's you know, sort of because because 76 00:04:25,200 --> 00:04:28,320 Speaker 1: we've got it figured out and we're at the grove 77 00:04:28,400 --> 00:04:29,599 Speaker 1: and that sort. 78 00:04:29,440 --> 00:04:30,720 Speaker 2: Of being by it. 79 00:04:30,720 --> 00:04:35,400 Speaker 1: It is a shame to see people park wrong, go 80 00:04:35,480 --> 00:04:37,680 Speaker 1: to stores in the wrong order, and go to the 81 00:04:37,720 --> 00:04:43,479 Speaker 1: wrong stores. And when you're doing the grove, you want 82 00:04:43,480 --> 00:04:45,880 Speaker 1: to make sure you carve out some time for the fountains. 83 00:04:46,800 --> 00:04:50,440 Speaker 1: They do have water that splashes according to music. 84 00:04:51,279 --> 00:04:53,279 Speaker 2: And I see a lot of them not making wishes. 85 00:04:55,360 --> 00:05:01,440 Speaker 1: Another interesting thing about the grove, aside from the fountains 86 00:05:01,440 --> 00:05:06,839 Speaker 1: and all that, is they do have a movie theater there. 87 00:05:06,960 --> 00:05:07,799 Speaker 2: Yeah. 88 00:05:08,400 --> 00:05:14,839 Speaker 1: Now, what I see, unfortunately, is people buying the ticket 89 00:05:14,880 --> 00:05:18,000 Speaker 1: to the movie going out to look at the fountain, 90 00:05:19,839 --> 00:05:20,400 Speaker 1: missing the. 91 00:05:20,360 --> 00:05:26,560 Speaker 2: Whole movie, thinking that the ticket is it's for outside. Yes, yes, 92 00:05:26,600 --> 00:05:30,839 Speaker 2: I see that all the time, because yes, so people 93 00:05:30,839 --> 00:05:32,839 Speaker 2: from out of town will show up and say, okay, 94 00:05:32,839 --> 00:05:35,960 Speaker 2: this is where I buy the ticket to go outside. 95 00:05:36,200 --> 00:05:39,200 Speaker 2: That's that is actually not how it works. You buy 96 00:05:39,240 --> 00:05:43,200 Speaker 2: the ticket for the movie to watch the movie and 97 00:05:43,200 --> 00:05:44,960 Speaker 2: then you go outside after that. 98 00:05:45,520 --> 00:05:50,320 Speaker 1: Yes for free, Yes, because otherwise you wasted that movie 99 00:05:50,360 --> 00:05:53,720 Speaker 1: money that's supposed to be to get to see movies 100 00:05:53,760 --> 00:05:55,080 Speaker 1: and teasers. 101 00:05:56,160 --> 00:06:00,320 Speaker 2: And buy the same token. You see people going to 102 00:06:00,320 --> 00:06:03,720 Speaker 2: the pizza store buying a piece of pizza and then 103 00:06:03,760 --> 00:06:07,080 Speaker 2: taking that into the movie theater and saying, here's my ticket. 104 00:06:07,440 --> 00:06:11,919 Speaker 2: That's not your ticket, that's for you to eat the ticket. 105 00:06:13,360 --> 00:06:15,960 Speaker 2: The ticket was the thing you bought before to go outside, 106 00:06:17,160 --> 00:06:19,640 Speaker 2: but that wasn't for going outside, it was for the movie. 107 00:06:20,040 --> 00:06:24,000 Speaker 1: So a quick recap the pizzas for eating the tickets 108 00:06:24,040 --> 00:06:27,159 Speaker 1: for the movie outside is just outside. 109 00:06:27,240 --> 00:06:27,800 Speaker 2: It's just that. 110 00:06:29,960 --> 00:06:31,720 Speaker 1: You don't need a piece because what I'm afraid is 111 00:06:31,760 --> 00:06:33,520 Speaker 1: going to happen because the order we did this is 112 00:06:33,520 --> 00:06:35,200 Speaker 1: people are going to buy the tickets to see the movie, 113 00:06:35,520 --> 00:06:38,360 Speaker 1: then buy a piece of pizza so they can go outside. 114 00:06:37,839 --> 00:06:40,839 Speaker 2: Side and you don't have to Yes, you don't have 115 00:06:40,920 --> 00:06:41,279 Speaker 2: to do that. 116 00:06:41,600 --> 00:06:44,360 Speaker 1: It might be nice, but you don't have to do 117 00:06:44,400 --> 00:06:44,800 Speaker 1: it that way. 118 00:06:44,839 --> 00:06:46,719 Speaker 2: You're allowed to just be outside and people see the 119 00:06:46,760 --> 00:06:48,920 Speaker 2: security guards and stuff. I think that they're breaking the 120 00:06:49,000 --> 00:06:52,080 Speaker 2: rules if they don't have some kind of ticket to 121 00:06:52,160 --> 00:06:53,279 Speaker 2: be outside. 122 00:06:53,400 --> 00:06:57,320 Speaker 1: But the last thing I want to mention there are 123 00:06:57,400 --> 00:06:59,640 Speaker 1: trolley tracks and there's sort of a trolley train that 124 00:06:59,640 --> 00:07:03,400 Speaker 1: goes around the grove. Please get off the tracks when 125 00:07:03,440 --> 00:07:06,159 Speaker 1: the trolley train is coming at you. And I know 126 00:07:06,279 --> 00:07:08,159 Speaker 1: you want to picture close up of the front of 127 00:07:08,160 --> 00:07:10,320 Speaker 1: the train, and I know you wanted in motion, but 128 00:07:10,360 --> 00:07:13,080 Speaker 1: the problem is that it will run you over and 129 00:07:13,120 --> 00:07:13,800 Speaker 1: crush your bones. 130 00:07:13,840 --> 00:07:18,960 Speaker 2: Smush your bones, and no skitching, please, no get off 131 00:07:19,000 --> 00:07:24,040 Speaker 2: your longboards. Try to grab the back of the trolley 132 00:07:24,040 --> 00:07:28,800 Speaker 2: to get between stores. It's extremely dangerous. You could easily 133 00:07:28,800 --> 00:07:30,160 Speaker 2: get sucked under the wheel. 134 00:07:30,280 --> 00:07:32,560 Speaker 1: And it's not just dangerous to you, because if you 135 00:07:32,640 --> 00:07:35,040 Speaker 1: go flying off the side of the rail and your 136 00:07:35,080 --> 00:07:38,600 Speaker 1: longboard goes up in the air and hits you know, 137 00:07:39,320 --> 00:07:43,440 Speaker 1: a woman's dress and knocks her dress off, then Hayes, 138 00:07:43,520 --> 00:07:46,280 Speaker 1: might you know, I wind up in a messy divorce, 139 00:07:46,480 --> 00:07:47,880 Speaker 1: lose half his cash. 140 00:07:47,720 --> 00:07:50,200 Speaker 2: Or say your skateboard flies away, lands in the fountain 141 00:07:50,240 --> 00:07:54,240 Speaker 2: and it creates a deviant wish. Imagine the kinds of 142 00:07:54,880 --> 00:07:58,720 Speaker 2: perverse wishes that could come from somebody throwing a skateboard 143 00:07:58,760 --> 00:07:59,360 Speaker 2: at the fountain. 144 00:08:00,680 --> 00:08:04,280 Speaker 1: Yes, I mean this is monkey's paw times a billion. 145 00:08:05,040 --> 00:08:08,680 Speaker 1: So please be responsible when you go to the growth 146 00:08:08,800 --> 00:08:12,160 Speaker 1: because quite frankly, you're doing it wrong. 147 00:08:12,360 --> 00:08:15,480 Speaker 2: Wrong by Grove, I think I think we've got it, 148 00:08:15,520 --> 00:08:17,120 Speaker 2: and now you and now you think. 149 00:08:17,000 --> 00:08:18,600 Speaker 1: So now you think you've got it too. 150 00:08:19,120 --> 00:08:23,600 Speaker 2: We have a great guest today. Alex Borstein is here. 151 00:08:24,560 --> 00:08:29,360 Speaker 2: You know her voice from Family Man, you know her 152 00:08:30,360 --> 00:08:36,959 Speaker 2: body from Getting On, and you know her Miss Swan 153 00:08:37,160 --> 00:08:41,920 Speaker 2: character from Mad TV and where she's gonna talk about 154 00:08:42,400 --> 00:08:51,079 Speaker 2: all of it coming up on Hollywood Handbook. I'm riding 155 00:08:51,080 --> 00:08:53,720 Speaker 2: the roller coaster, going up and down, and then I 156 00:08:53,760 --> 00:08:56,000 Speaker 2: get like this hair. The person in front of me 157 00:08:56,120 --> 00:08:58,440 Speaker 2: is like, oh, my face is getting my mouth. I said, 158 00:08:58,480 --> 00:09:01,200 Speaker 2: get that out of my face, and the guy turns 159 00:09:01,240 --> 00:09:04,520 Speaker 2: around and it's just with Gordon Levitt. This is Third 160 00:09:04,600 --> 00:09:09,520 Speaker 2: Rock era and he says, stuff it, gramps, and so 161 00:09:10,080 --> 00:09:15,080 Speaker 2: I straddle two cars, beat him up, make him chew 162 00:09:15,080 --> 00:09:18,319 Speaker 2: his own hair off, and now it's his idea. He's 163 00:09:18,320 --> 00:09:21,040 Speaker 2: going around with his new haircuts. And this was my Oh. 164 00:09:21,040 --> 00:09:22,720 Speaker 1: I just felt like it was time. And it's like, 165 00:09:22,800 --> 00:09:24,520 Speaker 1: you know, somebody told you what time it was. 166 00:09:24,920 --> 00:09:28,559 Speaker 2: Yeah. Hey, Welcome to Hollywood Handbook. An incider's guide to 167 00:09:28,640 --> 00:09:30,960 Speaker 2: kicking button dropping names in the Red carpet line back 168 00:09:30,960 --> 00:09:34,959 Speaker 2: hallways of this industry we call showbiz. Welcome to our 169 00:09:36,080 --> 00:09:41,439 Speaker 2: our reunion of the two thousand and one Mad TV cast. 170 00:09:41,559 --> 00:09:42,720 Speaker 2: We've been talking about this for. 171 00:09:43,559 --> 00:09:45,560 Speaker 1: Been pumping it for a week, a long time. 172 00:09:46,280 --> 00:09:48,079 Speaker 2: We've been very excited about it, and we are excited 173 00:09:48,080 --> 00:09:51,679 Speaker 2: about it. We are stiller excited yet it. We we 174 00:09:51,760 --> 00:09:54,520 Speaker 2: have had some a couple of notes, a couple of 175 00:09:54,520 --> 00:09:58,360 Speaker 2: scheduling issues, but what we have a show show, A 176 00:09:58,360 --> 00:10:03,080 Speaker 2: big show, huge show show. Alex Borstein is here. Hi, 177 00:10:03,440 --> 00:10:06,720 Speaker 2: Thank you so much for for for joining us, Thank. 178 00:10:06,559 --> 00:10:08,680 Speaker 3: You so much for having me, Thank you for accommodating 179 00:10:08,760 --> 00:10:10,359 Speaker 3: my insane schedule. 180 00:10:10,840 --> 00:10:13,080 Speaker 2: Yeah, and and the fact that you could make it. 181 00:10:13,120 --> 00:10:16,200 Speaker 2: And uh, I mean, I don't know what's going on 182 00:10:16,280 --> 00:10:21,200 Speaker 2: with aries and you know it's Sasso. 183 00:10:22,640 --> 00:10:25,960 Speaker 3: Everyone's just very busy, very busy. 184 00:10:25,880 --> 00:10:30,280 Speaker 2: And I know any specifics And for todayday, Yeah, by Sasso. 185 00:10:30,400 --> 00:10:33,000 Speaker 3: Today is actually looking for a new copy of Hard Candy, 186 00:10:33,040 --> 00:10:35,040 Speaker 3: the Kids in the Hall movie he misplaced. 187 00:10:35,520 --> 00:10:38,440 Speaker 2: Okay, that can actually be very hard to find. 188 00:10:38,520 --> 00:10:40,080 Speaker 3: Yeah, he wants it on VHS to. 189 00:10:40,320 --> 00:10:43,080 Speaker 2: Oh, I was because the regions on the DVDs can 190 00:10:43,120 --> 00:10:44,319 Speaker 2: also be very He. 191 00:10:44,320 --> 00:10:47,199 Speaker 3: Is Canadian, so all of his equipment is from cannabis, 192 00:10:47,280 --> 00:10:49,000 Speaker 3: so he needs everything to be the Canadian. 193 00:10:49,080 --> 00:10:50,360 Speaker 2: Oh I see, yeah. 194 00:10:50,480 --> 00:10:53,240 Speaker 3: Tough, but you know, with and Craigslist, I think he's 195 00:10:53,240 --> 00:10:54,600 Speaker 3: gonna I think he's gonna strike gold. 196 00:10:54,679 --> 00:10:56,080 Speaker 1: And that one was called hard candy. 197 00:10:57,040 --> 00:11:01,360 Speaker 3: Yeah, hard candy, heart brain candy, Yes. 198 00:11:01,280 --> 00:11:02,640 Speaker 2: Hard brain candy, yes. 199 00:11:03,040 --> 00:11:04,240 Speaker 3: Yeah. 200 00:11:04,320 --> 00:11:09,680 Speaker 2: And uh, and what's going Nicole Nicole Sullivan. 201 00:11:10,760 --> 00:11:14,360 Speaker 3: I guess she's extremely busy. She has sixteen kids. 202 00:11:14,480 --> 00:11:16,080 Speaker 2: Oh my gosh. 203 00:11:16,040 --> 00:11:19,680 Speaker 3: Sixteen kids, all natural and it was just two berths, 204 00:11:20,320 --> 00:11:22,880 Speaker 3: it was two letters. And it's amazing. She's very busy. 205 00:11:23,000 --> 00:11:27,360 Speaker 2: I've seen like piling up, giving all births, all the 206 00:11:27,400 --> 00:11:29,480 Speaker 2: babies at once, and piling up and making that noise. 207 00:11:30,640 --> 00:11:33,000 Speaker 3: Yeah, it was like like goat pelletts like g turns, 208 00:11:33,640 --> 00:11:35,120 Speaker 3: just kind of leave them behind. 209 00:11:35,240 --> 00:11:37,400 Speaker 2: How amazing for her? 210 00:11:38,240 --> 00:11:45,880 Speaker 1: Eight and eight or okay, ten and six? Yes, okay, yes, 211 00:11:46,040 --> 00:11:46,800 Speaker 1: that's okay. 212 00:11:46,920 --> 00:11:47,240 Speaker 3: Six. 213 00:11:47,400 --> 00:11:48,840 Speaker 1: I knew it had to be one of the two. 214 00:11:49,200 --> 00:11:49,440 Speaker 2: Yeah. 215 00:11:49,480 --> 00:11:51,080 Speaker 3: She tried to stay real quiet about it because she 216 00:11:51,520 --> 00:11:55,000 Speaker 3: knew the octomom happened. She didn't want to be deca mama. 217 00:11:55,080 --> 00:11:57,760 Speaker 3: You know, she just kept it kind of quiet and 218 00:11:58,960 --> 00:12:01,000 Speaker 3: picked her uterus up and moved. 219 00:12:00,720 --> 00:12:03,640 Speaker 2: On yeah from across the room. 220 00:12:03,960 --> 00:12:04,160 Speaker 3: Yeah. 221 00:12:04,240 --> 00:12:07,160 Speaker 1: Yeah, And it's nice for me to hear that someone 222 00:12:07,280 --> 00:12:10,120 Speaker 1: can keep something private from the press these days, because 223 00:12:10,120 --> 00:12:12,160 Speaker 1: so much of our dirty laundry is out there. 224 00:12:12,280 --> 00:12:15,080 Speaker 3: Listen, when you see that stuff of people saying, oh, 225 00:12:15,120 --> 00:12:17,480 Speaker 3: they won't leave us alone, you know those celebrities are 226 00:12:17,480 --> 00:12:20,440 Speaker 3: looking for it. You know they're looking for it. 227 00:12:21,000 --> 00:12:22,240 Speaker 1: Yeah, that's bought and paid for. 228 00:12:24,480 --> 00:12:27,840 Speaker 2: Get out your pencil scoop trip, because that actually is 229 00:12:27,880 --> 00:12:30,160 Speaker 2: all very relevant. 230 00:12:30,400 --> 00:12:34,720 Speaker 1: Donald Sterling was dying to have those tapes, and he 231 00:12:34,880 --> 00:12:36,360 Speaker 1: just was so sick of not. 232 00:12:36,120 --> 00:12:38,800 Speaker 2: Notice we're all talking about him. Notice we're all talking. 233 00:12:38,840 --> 00:12:40,560 Speaker 1: And about a year ago. I don't think I was 234 00:12:40,600 --> 00:12:42,400 Speaker 1: saying his name on this podcast. 235 00:12:42,600 --> 00:12:46,079 Speaker 3: No, I didn't even I'd never even heard of the Clippers. 236 00:12:46,679 --> 00:12:49,400 Speaker 2: Yes, and look at and look at like it's a 237 00:12:49,440 --> 00:12:51,920 Speaker 2: whole basketball team works, it's a whole thing. 238 00:12:52,120 --> 00:12:57,559 Speaker 1: Yeah, I suddenly playing basketball. Yeah, one of the second 239 00:12:57,679 --> 00:12:59,360 Speaker 1: highest level of basketball you can do. 240 00:12:59,480 --> 00:13:00,440 Speaker 3: Yes, mm hmm. 241 00:13:00,520 --> 00:13:05,800 Speaker 2: Well, so it's just interesting to think about Alex. You're 242 00:13:05,920 --> 00:13:18,000 Speaker 2: known for your characters, sketch, TV, stand up, legitimate acting, catwoman, 243 00:13:19,320 --> 00:13:23,360 Speaker 2: so many characters of all strikes, and we like to 244 00:13:23,400 --> 00:13:24,880 Speaker 2: talk about on the show. We like to talk about 245 00:13:24,880 --> 00:13:29,439 Speaker 2: craft and it's instructional in a way. Isn't it that 246 00:13:29,640 --> 00:13:32,719 Speaker 2: we want people at home to walk away with some 247 00:13:32,760 --> 00:13:35,679 Speaker 2: sort of roadmap to you know, how do I build 248 00:13:35,679 --> 00:13:37,000 Speaker 2: these characters? 249 00:13:37,400 --> 00:13:40,200 Speaker 3: It's interesting. It's the one industry that there's no clear 250 00:13:40,840 --> 00:13:44,120 Speaker 3: you know path. Yeah, there's no clear path. It's if 251 00:13:44,120 --> 00:13:45,760 Speaker 3: you want to be an accountant, you know exactly what 252 00:13:45,840 --> 00:13:47,439 Speaker 3: to do. So it is, it is. It's kind of 253 00:13:47,480 --> 00:13:49,840 Speaker 3: discuss and it's wonderful that you guys provide a venue 254 00:13:50,480 --> 00:13:52,480 Speaker 3: to impart because it can be. 255 00:13:52,520 --> 00:13:55,199 Speaker 2: Like, h do you ever try to build that Ikea furniture? 256 00:13:55,920 --> 00:13:59,840 Speaker 2: You'll get the Ikea direction that it's in the friggin 257 00:14:00,559 --> 00:14:03,840 Speaker 2: who knows which kind words are? So cuckoo? 258 00:14:04,160 --> 00:14:06,880 Speaker 3: Yeah, we bought a smolt that almost caused a divorce. 259 00:14:09,360 --> 00:14:11,680 Speaker 2: Really real. 260 00:14:12,040 --> 00:14:14,200 Speaker 1: I hope that's not true. 261 00:14:14,440 --> 00:14:16,319 Speaker 2: Uh. So we want to talk about some of your 262 00:14:16,440 --> 00:14:19,840 Speaker 2: some of your most famous characters and uh and really 263 00:14:19,880 --> 00:14:24,200 Speaker 2: dig into the process of building that character. Okay, just 264 00:14:24,280 --> 00:14:27,200 Speaker 2: brick by brick and how you come up with their 265 00:14:27,560 --> 00:14:30,080 Speaker 2: stories and their sounds. 266 00:14:30,440 --> 00:14:32,880 Speaker 3: And this is great because I usually talk about this 267 00:14:32,920 --> 00:14:35,120 Speaker 3: all the time, but there's no one listening listening. 268 00:14:36,080 --> 00:14:36,960 Speaker 2: That's what podcast. 269 00:14:37,320 --> 00:14:38,120 Speaker 3: So this is wonderful. 270 00:14:38,200 --> 00:14:41,360 Speaker 1: Yeah, it's just yeah, just recording what you'd be talking about. Anyway, 271 00:14:41,440 --> 00:14:44,120 Speaker 1: we call this segment Brick by Brick Tamlin, which is 272 00:14:44,120 --> 00:14:47,360 Speaker 1: one of our favorite Anchorman characters. We're talking about characters 273 00:14:47,440 --> 00:14:50,200 Speaker 1: and so we just try to have a fun name. 274 00:14:50,440 --> 00:14:52,160 Speaker 1: Yeah for the segment, let's do it. 275 00:14:52,960 --> 00:14:55,360 Speaker 2: Uh, did you have a or I guess we can 276 00:14:55,400 --> 00:14:57,000 Speaker 2: go back to mad TV. Let's talk about some of 277 00:14:57,040 --> 00:15:03,280 Speaker 2: the Mad TV characters. Tell us about uh, Hillary Clinton's 278 00:15:03,320 --> 00:15:08,600 Speaker 2: sister Dillary. This was a this was a yeah, well, 279 00:15:08,680 --> 00:15:09,200 Speaker 2: this was. 280 00:15:09,440 --> 00:15:12,680 Speaker 3: Uh, you know, Dillary was you know, we thought about, 281 00:15:13,160 --> 00:15:15,640 Speaker 3: what's that classic thing, you know, one in the family 282 00:15:15,680 --> 00:15:19,360 Speaker 3: that's super successful and the other not so successful, and 283 00:15:19,400 --> 00:15:21,480 Speaker 3: we thought it would be really interesting, you. 284 00:15:21,440 --> 00:15:24,120 Speaker 1: Know, to do this character Hillary brothers to this. 285 00:15:25,320 --> 00:15:27,320 Speaker 3: Well, the new thing about Dillary is that she was 286 00:15:27,400 --> 00:15:30,480 Speaker 3: unable to pronounce any consonant. That was the bit. That's 287 00:15:30,520 --> 00:15:33,760 Speaker 3: how she was created. So it was no consonants Dillery. 288 00:15:34,200 --> 00:15:37,440 Speaker 3: But then we just went with Dillery. And then of 289 00:15:37,480 --> 00:15:39,800 Speaker 3: course the way you pronounce her name with no consonants 290 00:15:39,880 --> 00:15:44,680 Speaker 3: is so she would just you know, refer to herself 291 00:15:44,720 --> 00:15:50,720 Speaker 3: as Hey, it's any It was incredible. 292 00:15:50,400 --> 00:15:52,360 Speaker 2: And that was a nice way to stick it to 293 00:15:53,440 --> 00:15:58,720 Speaker 2: people with weird people, the weird people with like. 294 00:15:58,720 --> 00:16:01,120 Speaker 1: Who said who make those annoy is? Yes, and I 295 00:16:01,160 --> 00:16:01,880 Speaker 1: always like. 296 00:16:01,920 --> 00:16:08,760 Speaker 3: That, yeah, which is Hillary wears my dress, and you 297 00:16:08,760 --> 00:16:11,680 Speaker 3: know that became the catchphrase of course Hillary wears my dress. 298 00:16:11,720 --> 00:16:14,880 Speaker 3: And we had t shirts and it was incredible how 299 00:16:14,880 --> 00:16:15,800 Speaker 3: it just took off like that. 300 00:16:16,240 --> 00:16:18,680 Speaker 1: And it was a cool sort of backstory you had 301 00:16:18,720 --> 00:16:22,240 Speaker 1: where she had made her name Clinton to be more 302 00:16:22,360 --> 00:16:25,000 Speaker 1: like Hillary because that's of course her married name, but 303 00:16:25,040 --> 00:16:26,400 Speaker 1: it was Hillary's birth syst. 304 00:16:26,520 --> 00:16:30,160 Speaker 3: No, no, no, you know what the actual backstory was. Yes, Yes, 305 00:16:30,280 --> 00:16:32,840 Speaker 3: the actual backstory we created was she was such a 306 00:16:32,840 --> 00:16:36,080 Speaker 3: lost soul that Bill and Hillary adopted her. So she 307 00:16:36,200 --> 00:16:38,680 Speaker 3: was Hillary's sister slash daughter, like a China. 308 00:16:38,760 --> 00:16:41,200 Speaker 2: She was older, older than Hillary. 309 00:16:40,880 --> 00:16:43,840 Speaker 3: Older than Hillary adopted by the word. The term then 310 00:16:43,840 --> 00:16:44,880 Speaker 3: would be like spinster. 311 00:16:45,440 --> 00:16:48,120 Speaker 1: Sure, and Chinatown is an area of Los Angeles where 312 00:16:48,120 --> 00:16:49,120 Speaker 1: there's a lot of incest. 313 00:16:49,320 --> 00:16:51,480 Speaker 2: Yes, and they and some of them sound a little 314 00:16:51,600 --> 00:16:55,680 Speaker 2: like this character. Some of their yeah, consonants and valves. 315 00:16:56,280 --> 00:16:58,160 Speaker 2: Mission and we don't know. 316 00:16:58,080 --> 00:16:59,880 Speaker 3: What we actually thought. We thought for a while there 317 00:16:59,920 --> 00:17:03,320 Speaker 3: was going to be a movie, but it kind of 318 00:17:03,320 --> 00:17:07,159 Speaker 3: fell through it was a rights issue Clinton. 319 00:17:06,880 --> 00:17:10,480 Speaker 1: And some Yeah, even the way she pronounced it. 320 00:17:10,520 --> 00:17:12,680 Speaker 3: But I heard that actually the White House had seen 321 00:17:12,720 --> 00:17:14,720 Speaker 3: it and loved it. I heard that they loved it. 322 00:17:14,840 --> 00:17:17,160 Speaker 2: Yes, they have that little screening room down there. 323 00:17:17,480 --> 00:17:18,520 Speaker 3: Chelsea loved it. 324 00:17:18,560 --> 00:17:22,560 Speaker 2: I heard. Oh, she's hilarious. So and she has a 325 00:17:22,560 --> 00:17:26,440 Speaker 2: really all sensibility, which i'ves like she's coming from this 326 00:17:26,560 --> 00:17:29,119 Speaker 2: weird like sort of other, like a timin Eric style 327 00:17:29,760 --> 00:17:32,040 Speaker 2: place with her material. 328 00:17:31,680 --> 00:17:35,040 Speaker 1: And outside of the major industry towns. I love when 329 00:17:35,040 --> 00:17:37,639 Speaker 1: someone develops their own voice like that, because her stuff 330 00:17:37,720 --> 00:17:40,960 Speaker 1: is really cool. Some of her vines are like, I'm like, 331 00:17:41,320 --> 00:17:45,080 Speaker 1: what have you ever thought of that? About those? 332 00:17:46,119 --> 00:17:49,639 Speaker 3: About Chelsea's vines? Oh my god. Yes, the one that 333 00:17:49,680 --> 00:17:52,840 Speaker 3: she did with the orange, you know where she like 334 00:17:52,880 --> 00:17:54,919 Speaker 3: taps the orange to make orange. She thinks that's how 335 00:17:54,960 --> 00:17:55,760 Speaker 3: you make orange juice. 336 00:17:56,000 --> 00:17:57,440 Speaker 1: Hilarious because she's she. 337 00:17:57,440 --> 00:18:01,080 Speaker 3: Comes from wealth, so she doesn't know how it's made. Yeah, 338 00:18:01,160 --> 00:18:04,199 Speaker 3: I find those just around the house, Tid. That's fascinating. 339 00:18:05,000 --> 00:18:13,040 Speaker 2: Yes, thank you. Yes, Catwoman, you were, of course Catwoman's teacher, 340 00:18:13,840 --> 00:18:18,560 Speaker 2: missus dog Woman m hm, who who is that character? 341 00:18:18,920 --> 00:18:21,520 Speaker 2: And you had an interesting sort of subplot going on 342 00:18:22,200 --> 00:18:23,639 Speaker 2: in that movie. 343 00:18:23,920 --> 00:18:26,320 Speaker 3: You know what, what we wanted to do was show 344 00:18:26,400 --> 00:18:30,119 Speaker 3: that even a nemesis you can learn from and so 345 00:18:30,240 --> 00:18:32,160 Speaker 3: we thought it was a little heavy hand. I thought 346 00:18:32,200 --> 00:18:33,840 Speaker 3: maybe it was a little two woman knows to color 347 00:18:34,000 --> 00:18:37,040 Speaker 3: dog missus dog, But what better way to show nemesis, 348 00:18:37,280 --> 00:18:38,080 Speaker 3: you know, the class. 349 00:18:38,160 --> 00:18:40,159 Speaker 2: But that does say that. That was what was so 350 00:18:40,200 --> 00:18:43,600 Speaker 2: interesting because when the twist comes at the very very 351 00:18:43,720 --> 00:18:45,760 Speaker 2: end that this is actually the bad guy. 352 00:18:46,440 --> 00:18:49,679 Speaker 3: Yeah, a bad woman. Yeah yeah, yeah, well. 353 00:18:49,760 --> 00:18:52,520 Speaker 2: We don't you know, a guy bad woman. That's all. 354 00:18:52,800 --> 00:18:55,040 Speaker 1: Doesn't mean the words, don't mean it, don't see it. 355 00:18:55,040 --> 00:18:56,840 Speaker 3: It was interesting though. You know, Hallie and I are 356 00:18:56,880 --> 00:18:59,800 Speaker 3: both method so to prepare for this kind of thing, 357 00:18:59,840 --> 00:19:03,840 Speaker 3: we spent like a weekend in Cape cod together, which 358 00:19:03,880 --> 00:19:06,880 Speaker 3: was really interesting, just in very close quarters, real studio, 359 00:19:07,440 --> 00:19:10,640 Speaker 3: one bathroom, just to really get a sense of each 360 00:19:10,640 --> 00:19:14,200 Speaker 3: other smell, you know, like yes, so I would smell 361 00:19:14,240 --> 00:19:17,560 Speaker 3: her rear and she would smell my rear, and I 362 00:19:17,600 --> 00:19:19,840 Speaker 3: really think that it helped. It helped with the depth 363 00:19:19,880 --> 00:19:21,520 Speaker 3: of what you see on screen comes across. 364 00:19:21,600 --> 00:19:22,120 Speaker 2: Yeah. Yeah. 365 00:19:22,160 --> 00:19:24,520 Speaker 1: When I was watching that, I was thinking, these women 366 00:19:24,560 --> 00:19:25,920 Speaker 1: have really smelled each other. 367 00:19:26,320 --> 00:19:26,719 Speaker 4: Thank you. 368 00:19:27,040 --> 00:19:29,080 Speaker 1: Did you have any saltwater taffies in Cape Cod. 369 00:19:29,320 --> 00:19:32,400 Speaker 3: Oh my god, did we Hallie could almost not fit 370 00:19:32,560 --> 00:19:34,840 Speaker 3: in the costume because of the saltwater task. 371 00:19:34,960 --> 00:19:35,720 Speaker 2: That's a sticky treat. 372 00:19:35,840 --> 00:19:39,359 Speaker 3: Yeah, it was incredible. Yeah, we liked to get it 373 00:19:39,440 --> 00:19:42,920 Speaker 3: back to its soft, hot form. So we would need 374 00:19:43,000 --> 00:19:45,520 Speaker 3: several pieces in our hands, mush them together, which is 375 00:19:45,600 --> 00:19:48,240 Speaker 3: neat because it creates like a almost a tied eye effect. 376 00:19:49,359 --> 00:19:50,640 Speaker 3: And then we have all of our. 377 00:19:50,560 --> 00:19:53,600 Speaker 2: Oils, some of your you are inside. 378 00:19:53,280 --> 00:19:54,840 Speaker 3: And then we would feed it to each other another 379 00:19:54,840 --> 00:19:55,720 Speaker 3: way to get closer. 380 00:19:55,800 --> 00:19:58,719 Speaker 1: And yes, yes, as you're devouring the other person. 381 00:19:59,240 --> 00:20:01,600 Speaker 3: And she's a diabet so for her to go out 382 00:20:02,440 --> 00:20:04,240 Speaker 3: and do this brave. 383 00:20:04,040 --> 00:20:07,480 Speaker 2: For the role was very ray do you speak on Petaf. 384 00:20:10,240 --> 00:20:14,440 Speaker 3: Directed the film incredible with special effects. I don't know 385 00:20:14,440 --> 00:20:20,720 Speaker 3: if you ever saw Vic directed. Vic and uh, really 386 00:20:20,840 --> 00:20:26,880 Speaker 3: a master of creating mood. And he's he's he has 387 00:20:26,920 --> 00:20:29,239 Speaker 3: so many ideas on how to develop He's the one 388 00:20:29,240 --> 00:20:31,280 Speaker 3: who suggested the Cape Cod apartment. He's the one that 389 00:20:31,320 --> 00:20:35,600 Speaker 3: suggested so it was really interesting. And he also gave 390 00:20:35,640 --> 00:20:39,720 Speaker 3: us the sweetest gifts, the sweetest sweetest rap gifts. They 391 00:20:39,720 --> 00:20:42,760 Speaker 3: were these little Chinese handcuffs. 392 00:20:42,800 --> 00:20:45,000 Speaker 2: Oh can be very tricky. 393 00:20:45,000 --> 00:20:47,639 Speaker 3: It's amazing you put so I put one finger in it, 394 00:20:47,640 --> 00:20:50,840 Speaker 3: and how he put her finger on the other side. 395 00:20:51,440 --> 00:20:54,400 Speaker 3: We were bound. Yeah, it was amazing. 396 00:20:54,840 --> 00:20:59,760 Speaker 1: Ye figured out. We did a little experimenting with the 397 00:20:59,760 --> 00:21:03,680 Speaker 1: one of those one time and gentleman friend of mine. 398 00:21:03,480 --> 00:21:10,040 Speaker 2: And it can be there's a labeling issue on those things. 399 00:21:10,040 --> 00:21:13,400 Speaker 2: Sometimes they don't tell you exactly. Yes, they do call 400 00:21:13,440 --> 00:21:16,840 Speaker 2: them finger traps, but they don't say only fingers. 401 00:21:17,160 --> 00:21:19,399 Speaker 1: Yes, yes, you can't get a lot of stuff trapped 402 00:21:19,400 --> 00:21:19,720 Speaker 1: in there. 403 00:21:20,200 --> 00:21:22,320 Speaker 3: Well, but you guys were able to, you know, still 404 00:21:22,400 --> 00:21:24,880 Speaker 3: check your phone and do other things while using them. 405 00:21:25,200 --> 00:21:27,600 Speaker 1: Okay, yeah, so positives and negative point. 406 00:21:28,400 --> 00:21:29,880 Speaker 2: She can check her phone, but. 407 00:21:29,920 --> 00:21:31,439 Speaker 1: A lot of the stuff that I do on my 408 00:21:31,520 --> 00:21:38,720 Speaker 1: phone I was not able to do. Understood characters, characters impressions. 409 00:21:39,200 --> 00:21:42,920 Speaker 2: M I gotta tell you, I'm a I've been sort 410 00:21:42,920 --> 00:21:48,760 Speaker 2: of seeing Carrie and Moss lately and it's getting we're 411 00:21:48,800 --> 00:21:51,680 Speaker 2: not going to get into this again. I don't want 412 00:21:51,680 --> 00:21:54,960 Speaker 2: to talk about that. But I was talking to her 413 00:21:55,000 --> 00:21:59,919 Speaker 2: before the show and she loves your impression of her. 414 00:22:00,240 --> 00:22:03,399 Speaker 3: Oh well, it's it's pretty tired now because it was 415 00:22:03,480 --> 00:22:05,960 Speaker 3: Matrix Carrion Moss, but you know, she's done so much 416 00:22:06,000 --> 00:22:08,879 Speaker 3: other work now, but but yeah, it was. It was 417 00:22:08,920 --> 00:22:11,480 Speaker 3: a favorite. It was pretty right, and you know, it 418 00:22:11,560 --> 00:22:13,840 Speaker 3: was born. It was born so organically because she was 419 00:22:13,960 --> 00:22:16,640 Speaker 3: kind of me and my husband's freebie. You know, we said, 420 00:22:16,640 --> 00:22:19,639 Speaker 3: if we could ever have sex with another person and 421 00:22:19,680 --> 00:22:21,080 Speaker 3: have a threesome, oh my god, it would be. 422 00:22:21,040 --> 00:22:25,680 Speaker 2: Carrying both of you use carrying moss. Yeah, that would 423 00:22:25,920 --> 00:22:28,399 Speaker 2: So then it becomes kind of like a race, like 424 00:22:28,440 --> 00:22:30,440 Speaker 2: a you know, to get there first. I guess. 425 00:22:30,520 --> 00:22:33,199 Speaker 3: Yeah, So that's where the impression came from, because I thought, oh, 426 00:22:33,200 --> 00:22:35,439 Speaker 3: if he likes that too, maybe I should try to 427 00:22:35,480 --> 00:22:39,240 Speaker 3: embody her sure for him as a gift. So it 428 00:22:39,280 --> 00:22:42,560 Speaker 3: was actually on the night of his birthday that I 429 00:22:42,600 --> 00:22:46,520 Speaker 3: came out in the full leather you know, matrix regalia 430 00:22:47,280 --> 00:22:49,240 Speaker 3: trinity and did my best trinity. 431 00:22:49,240 --> 00:22:51,840 Speaker 2: It was. It is a very sexual impression. There's a 432 00:22:51,880 --> 00:22:53,000 Speaker 2: lot of here. 433 00:22:53,040 --> 00:22:59,360 Speaker 3: I'll do it for you, okay, neo, do you like it? 434 00:22:59,359 --> 00:23:04,560 Speaker 2: It's unbelievable for me. I got, well, I tell you 435 00:23:04,600 --> 00:23:06,600 Speaker 2: how weird it is for me, because like. 436 00:23:07,359 --> 00:23:10,080 Speaker 1: Well, you're back in your bedroom at home. I thought 437 00:23:10,080 --> 00:23:12,199 Speaker 1: I don't want too much. I thought I wasn't going 438 00:23:12,240 --> 00:23:14,000 Speaker 1: to see you until later tonight. 439 00:23:14,640 --> 00:23:17,359 Speaker 2: Just that said Sasia. It's weir h Just hearing that 440 00:23:17,440 --> 00:23:18,919 Speaker 2: voice is so weird. 441 00:23:19,080 --> 00:23:21,560 Speaker 3: It's a gift, you know, the impersonations and the characters 442 00:23:21,600 --> 00:23:24,240 Speaker 3: all come from the same place. You just kind of 443 00:23:24,240 --> 00:23:26,639 Speaker 3: close your eyes until you feel that they're kind of 444 00:23:26,640 --> 00:23:29,440 Speaker 3: in you in a sense where you can smell them again. 445 00:23:30,040 --> 00:23:33,520 Speaker 2: Is it's a lot about scent for you factory, Yes, Yeah, 446 00:23:33,560 --> 00:23:35,840 Speaker 2: and sence it's the strongest sense tied to memory. 447 00:23:36,480 --> 00:23:38,360 Speaker 3: Yeah, I would say that's true. 448 00:23:38,840 --> 00:23:42,119 Speaker 1: Yeah, what made you start wanting to becomes other people? 449 00:23:44,119 --> 00:23:44,359 Speaker 1: You know? 450 00:23:45,359 --> 00:23:49,240 Speaker 3: When I was sixteen, I killed a man. Yeah, and 451 00:23:50,680 --> 00:23:53,560 Speaker 3: I think it was running from that. Yeah, I think 452 00:23:53,560 --> 00:23:55,600 Speaker 3: it was running from that from who I used to. 453 00:23:55,560 --> 00:23:57,800 Speaker 1: Be such a common story, you know. 454 00:23:57,920 --> 00:24:01,080 Speaker 2: But hear that Julius Stiles was in here and she 455 00:24:01,080 --> 00:24:02,919 Speaker 2: she had a very similar story exactly. 456 00:24:02,920 --> 00:24:05,080 Speaker 1: And not everyone finds that escape because I think we 457 00:24:05,119 --> 00:24:07,760 Speaker 1: all do kill someone at sixteen one way or another. 458 00:24:07,920 --> 00:24:11,280 Speaker 1: And it's like that you found this outlet where you 459 00:24:11,320 --> 00:24:12,840 Speaker 1: could sort of shut. 460 00:24:12,560 --> 00:24:13,359 Speaker 2: That part off. 461 00:24:13,800 --> 00:24:15,480 Speaker 1: It's very inspiring. 462 00:24:15,760 --> 00:24:17,919 Speaker 3: Yeah, it just kind of felt like, oh, that's not me. 463 00:24:18,000 --> 00:24:20,040 Speaker 3: I want to find find out who I am. 464 00:24:20,280 --> 00:24:21,160 Speaker 2: I'm a murderer. 465 00:24:21,200 --> 00:24:23,040 Speaker 3: I'm not. I mean, I've done it, Yeah, but it 466 00:24:23,080 --> 00:24:24,280 Speaker 3: does not exclusively. 467 00:24:25,359 --> 00:24:30,080 Speaker 1: You're also missus dog woman. You know, you're also I'm 468 00:24:30,119 --> 00:24:33,120 Speaker 1: a mother, Yes, you're a mother, so many things. 469 00:24:32,840 --> 00:24:34,879 Speaker 3: Not just take her of life. 470 00:24:36,080 --> 00:24:36,359 Speaker 4: Yeah. 471 00:24:37,280 --> 00:24:44,479 Speaker 2: Voice acting, Oh, it gets a bad rap oftentimes in 472 00:24:44,520 --> 00:24:46,840 Speaker 2: this business. You know, we read our letters and things 473 00:24:46,840 --> 00:24:48,760 Speaker 2: like that. When we'll do a voice acting project and 474 00:24:48,800 --> 00:24:53,240 Speaker 2: they say it's somehow easier than what they say called 475 00:24:53,320 --> 00:24:57,359 Speaker 2: real life face acting. We I'd love for you because 476 00:24:57,359 --> 00:25:00,119 Speaker 2: you're the voice of Lois on the Family Man, and 477 00:25:00,640 --> 00:25:02,639 Speaker 2: I would it would just be so great for you 478 00:25:03,160 --> 00:25:06,920 Speaker 2: to dispel some of those misconceptions about like what goes 479 00:25:06,960 --> 00:25:12,119 Speaker 2: into just like a day of of voice acting. 480 00:25:11,880 --> 00:25:14,920 Speaker 3: For you know, everyone has their own method, and I 481 00:25:15,280 --> 00:25:17,760 Speaker 3: like to say that it can be actually more difficult 482 00:25:17,800 --> 00:25:20,639 Speaker 3: than face acting, sure, because you're it's like green screen. 483 00:25:21,160 --> 00:25:22,520 Speaker 3: You know, you kind of have to make up the 484 00:25:22,520 --> 00:25:26,000 Speaker 3: whole world in your head. And everyone has their own method. 485 00:25:26,200 --> 00:25:27,560 Speaker 3: I do mine aquatically. 486 00:25:27,880 --> 00:25:28,240 Speaker 4: I do. 487 00:25:28,600 --> 00:25:31,360 Speaker 3: We have a booth in our home that's the microphone 488 00:25:31,400 --> 00:25:33,879 Speaker 3: is above. Kind of a chakoozy. It's kind of like 489 00:25:33,920 --> 00:25:39,639 Speaker 3: Minority Report, remember the Precogs. Oh, I'm so I'm laying 490 00:25:39,880 --> 00:25:45,360 Speaker 3: back and and that's how I do it. The microphone 491 00:25:45,400 --> 00:25:47,080 Speaker 3: is above and I do all of all of my 492 00:25:47,119 --> 00:25:49,040 Speaker 3: lines like that. I feel like it relieves pressure from 493 00:25:49,040 --> 00:25:51,800 Speaker 3: my diaphragm. My my range. 494 00:25:51,520 --> 00:25:54,040 Speaker 2: Is bigger, and you can see your dead mom. 495 00:25:53,960 --> 00:25:57,400 Speaker 1: And I can see my dead mother, and you get 496 00:25:57,400 --> 00:26:00,880 Speaker 1: that nice bubbly sound in the back. It just kind 497 00:26:00,880 --> 00:26:03,080 Speaker 1: of makes all the lines feel fun, you know, because 498 00:26:03,080 --> 00:26:04,480 Speaker 1: you do have the jets on, right. 499 00:26:04,920 --> 00:26:08,320 Speaker 3: I think that I think the viewers are They're smart. 500 00:26:08,440 --> 00:26:11,680 Speaker 3: Don't underestimate them, and they know when you're tense. And 501 00:26:11,960 --> 00:26:13,720 Speaker 3: I don't ever want that in my voice. So this 502 00:26:13,880 --> 00:26:14,320 Speaker 3: helps me. 503 00:26:15,240 --> 00:26:17,000 Speaker 2: What does Seth do? Oh? 504 00:26:17,080 --> 00:26:19,760 Speaker 3: Seth is quite the opposite. Yeah, yeah, Seth likes to 505 00:26:19,800 --> 00:26:22,040 Speaker 3: do his in you know those old game shows they 506 00:26:22,040 --> 00:26:23,600 Speaker 3: would have where they put you in like a booth 507 00:26:23,640 --> 00:26:25,840 Speaker 3: and they turn it on and the money flies around. Yes, 508 00:26:25,960 --> 00:26:30,320 Speaker 3: that's what he needs. The money flies swirls around. Recording. 509 00:26:30,400 --> 00:26:31,560 Speaker 2: And what about Seth McFarlane. 510 00:26:32,240 --> 00:26:33,400 Speaker 3: That is Seth MacFarlane. 511 00:26:33,920 --> 00:26:36,160 Speaker 2: Oh, green, green Green. 512 00:26:36,240 --> 00:26:40,200 Speaker 3: Oh, I mean who cares? Yeah, I mean, you really care? 513 00:26:41,240 --> 00:26:43,720 Speaker 2: I think he gets no, No, I don't know, I 514 00:26:43,760 --> 00:26:47,280 Speaker 2: don't care. I think he I mean, if he wants 515 00:26:47,320 --> 00:26:50,280 Speaker 2: to be on the show. We'd love to, Oh, but 516 00:26:50,320 --> 00:26:50,640 Speaker 2: we don't. 517 00:26:51,240 --> 00:26:54,400 Speaker 3: Haven't were you having trouble booking him? 518 00:26:55,080 --> 00:26:58,720 Speaker 1: You know, it's just timing wise, it's we know, it's 519 00:26:58,760 --> 00:27:02,240 Speaker 1: like and he's a reg's spears in that way because 520 00:27:02,320 --> 00:27:04,639 Speaker 1: like you know, you say, the one day he's like, 521 00:27:04,680 --> 00:27:06,360 Speaker 1: I'm going to be there, and then the next day 522 00:27:06,359 --> 00:27:08,920 Speaker 1: it's like, oh, you know the it's a parking lot 523 00:27:08,960 --> 00:27:09,920 Speaker 1: out here, right. 524 00:27:10,800 --> 00:27:13,159 Speaker 3: He's a busy guy. He runs his own show. Yeah, 525 00:27:13,240 --> 00:27:15,440 Speaker 3: you know, he runs the Simpsons. So he's. 526 00:27:17,359 --> 00:27:19,320 Speaker 2: And you sort of wonder. You watch Family Guy and 527 00:27:19,359 --> 00:27:22,520 Speaker 2: you're like, oh, where'd he where'd he get that idea? Right? 528 00:27:23,800 --> 00:27:29,280 Speaker 1: For cartoons? But that's this you know, that's this generation. 529 00:27:29,359 --> 00:27:31,280 Speaker 1: There's nothing new under the sun. I'll tell you what. 530 00:27:31,560 --> 00:27:33,120 Speaker 1: It's all just recycled. 531 00:27:33,359 --> 00:27:36,880 Speaker 3: Everything's been done mm hmmm. And it's just your take 532 00:27:36,960 --> 00:27:37,320 Speaker 3: on it. 533 00:27:37,880 --> 00:27:40,119 Speaker 1: Well, go down the movies. Look at the movies that 534 00:27:40,160 --> 00:27:42,320 Speaker 1: they're doing. I mean, just look at what's out there 535 00:27:42,320 --> 00:27:43,960 Speaker 1: now we've all seen it already. 536 00:27:44,119 --> 00:27:45,320 Speaker 3: What is out there right now? 537 00:27:46,800 --> 00:27:48,880 Speaker 2: Cody, Yes, you look at what movies? 538 00:27:48,960 --> 00:27:50,560 Speaker 1: Can you tell us the movies and then we'll tell 539 00:27:50,560 --> 00:27:52,399 Speaker 1: you what the other movie was that was already that 540 00:27:52,440 --> 00:27:53,320 Speaker 1: movie I know. 541 00:27:53,320 --> 00:27:57,560 Speaker 3: That one movie, the college movie called Shenanigans, which I 542 00:27:57,600 --> 00:27:59,200 Speaker 3: actually I was up for a part in that. 543 00:27:59,280 --> 00:28:04,800 Speaker 2: But very isn't that just school ties again? 544 00:28:05,480 --> 00:28:06,480 Speaker 3: But it's an Irish theme? 545 00:28:07,080 --> 00:28:10,679 Speaker 1: Okay? Yeah, well they put their own twist on it, 546 00:28:10,720 --> 00:28:14,359 Speaker 1: which I like, but then with honors kind of felt 547 00:28:14,359 --> 00:28:15,000 Speaker 1: irish to me. 548 00:28:15,800 --> 00:28:16,119 Speaker 2: Sure? 549 00:28:17,400 --> 00:28:19,520 Speaker 3: And uh and uh what was that other one that's 550 00:28:19,520 --> 00:28:22,040 Speaker 3: out right now? It's a love story. I think it's 551 00:28:22,040 --> 00:28:22,720 Speaker 3: called love Story. 552 00:28:22,880 --> 00:28:27,439 Speaker 1: Oh okay, yeah, yep. And doesn't that just feel like 553 00:28:29,040 --> 00:28:34,080 Speaker 1: fifteen minutes the Ed Burns movie where. 554 00:28:33,920 --> 00:28:37,000 Speaker 2: Fiftes you don't have to explain with fifteen minutes? Okay? 555 00:28:37,040 --> 00:28:39,880 Speaker 3: Sorry, Well, like I said, it's all been done. 556 00:28:40,080 --> 00:28:40,800 Speaker 2: Million dollar? 557 00:28:40,920 --> 00:28:42,000 Speaker 3: Arm is that right now? 558 00:28:42,920 --> 00:28:43,440 Speaker 1: Million dollar? 559 00:28:43,600 --> 00:28:46,720 Speaker 2: I'm okay, where is it showing right now? I want 560 00:28:46,760 --> 00:28:52,720 Speaker 2: to start playing at Miranda? That's I have a sound cable, 561 00:28:52,760 --> 00:28:56,640 Speaker 2: please lo Miranda. It's like it's in the La Miranda, California, 562 00:28:56,720 --> 00:28:59,600 Speaker 2: Moana Matah, Lamarada, right you go. 563 00:29:01,360 --> 00:29:03,800 Speaker 3: I actually did a dance show in Lamarado when I 564 00:29:03,840 --> 00:29:07,400 Speaker 3: was I'm thirteen years old, twelve or thirteen mm hmm. 565 00:29:07,760 --> 00:29:08,000 Speaker 2: Yeah. 566 00:29:08,000 --> 00:29:09,840 Speaker 3: It was strikes alone song. 567 00:29:10,400 --> 00:29:11,320 Speaker 2: Oh oh, speak on that. 568 00:29:11,480 --> 00:29:16,479 Speaker 3: I wore a blue spandex unittard with these arm sleeves 569 00:29:16,480 --> 00:29:18,760 Speaker 3: that were separate, so it was sleeveless, but then these 570 00:29:18,840 --> 00:29:24,320 Speaker 3: separate spandex with shimmery things that. Oh, so when I 571 00:29:24,360 --> 00:29:26,120 Speaker 3: came out to do my piece, it was it was 572 00:29:26,120 --> 00:29:26,760 Speaker 3: something else. 573 00:29:26,880 --> 00:29:30,720 Speaker 2: And then I imagine the taking those off in the show. 574 00:29:31,320 --> 00:29:31,680 Speaker 2: It was. 575 00:29:33,280 --> 00:29:38,240 Speaker 3: Provocatives, it was and you know, I was just getting breasts. Sure, 576 00:29:38,800 --> 00:29:42,040 Speaker 3: so that's a good look in spandex, Yes, really good 577 00:29:42,120 --> 00:29:44,080 Speaker 3: where your stomach outweighs your breasts. 578 00:29:44,240 --> 00:29:47,560 Speaker 1: Yes, you want them vestigial, I mean, just the slightest 579 00:29:47,600 --> 00:29:51,600 Speaker 1: suggestion of what will someday be there is. It's really ideal. 580 00:29:52,040 --> 00:29:55,000 Speaker 2: It's so beautiful at that point where they're before they 581 00:29:55,040 --> 00:29:58,240 Speaker 2: become feminine features, they actually look very masculine. 582 00:29:58,560 --> 00:30:01,960 Speaker 3: Yeah, they're just the stre talked on top of your 583 00:30:02,520 --> 00:30:03,719 Speaker 3: doughnut filled belly. 584 00:30:04,160 --> 00:30:04,280 Speaker 2: Hm. 585 00:30:04,600 --> 00:30:08,400 Speaker 3: Yes, but you know, all shapes and sizes are beautiful, 586 00:30:08,440 --> 00:30:09,080 Speaker 3: all ages. 587 00:30:10,200 --> 00:30:10,880 Speaker 2: I love shapes. 588 00:30:10,920 --> 00:30:11,880 Speaker 1: I'm crazy for them. 589 00:30:12,040 --> 00:30:21,120 Speaker 3: The female figures, it's one of nature's masterpieces. 590 00:30:22,600 --> 00:30:26,200 Speaker 2: Now this, the theme song for this feature, doesn't sound 591 00:30:26,320 --> 00:30:28,920 Speaker 2: very good because Cody wouldn't give me the sound cable 592 00:30:28,920 --> 00:30:30,920 Speaker 2: when I asked him to a little while ago. I 593 00:30:31,080 --> 00:30:33,080 Speaker 2: think I explicitly asked him to give me the sound. 594 00:30:33,320 --> 00:30:35,800 Speaker 1: Yeah, and I remember sort of groping around for where 595 00:30:35,840 --> 00:30:38,480 Speaker 1: I thought it should be, and he's moved it or 596 00:30:38,520 --> 00:30:40,040 Speaker 1: he's hidden it, and he wouldn't give it to me. 597 00:30:40,160 --> 00:30:42,160 Speaker 1: But this is just a little bit of power for 598 00:30:42,280 --> 00:30:43,280 Speaker 1: Cody and what. 599 00:30:43,280 --> 00:30:46,600 Speaker 2: It's supposed to be is the theme song for our feature, 600 00:30:46,680 --> 00:30:50,920 Speaker 2: the Popcorn Gallery, which is a question and answer feature 601 00:30:52,040 --> 00:30:54,200 Speaker 2: from our listeners. And the song is very good. I 602 00:30:54,240 --> 00:30:56,400 Speaker 2: really wish it were coming through, but we could actually 603 00:30:56,400 --> 00:30:58,920 Speaker 2: plug it into the speaker so it would be playing 604 00:30:58,920 --> 00:31:01,360 Speaker 2: through our headphones and we could hear it. 605 00:31:01,200 --> 00:31:03,760 Speaker 3: It's just going to be in my head for the 606 00:31:03,800 --> 00:31:04,480 Speaker 3: rest of the. 607 00:31:04,480 --> 00:31:09,200 Speaker 1: Day, nor the day if you're lucky. 608 00:31:10,360 --> 00:31:14,400 Speaker 2: This is a question from Squizilo Alex. What was Mad 609 00:31:14,440 --> 00:31:16,640 Speaker 2: TV so angry about? 610 00:31:16,960 --> 00:31:19,960 Speaker 3: You know, I think it was inherent First of all, 611 00:31:19,960 --> 00:31:24,080 Speaker 3: in the name m mad Yes. In Spanish it was 612 00:31:24,200 --> 00:31:26,840 Speaker 3: de la vicio de l'angrill Yes. 613 00:31:28,400 --> 00:31:28,600 Speaker 1: You know. 614 00:31:28,680 --> 00:31:31,280 Speaker 3: I think it was anti establishment. I think it was 615 00:31:31,400 --> 00:31:36,680 Speaker 3: the man. I think it was being confined. It was 616 00:31:36,760 --> 00:31:40,600 Speaker 3: being told you have to wear underwear. Who says you know? 617 00:31:40,680 --> 00:31:44,400 Speaker 3: It was that it was youthful angst and. 618 00:31:44,360 --> 00:31:46,120 Speaker 2: Think about what was going on at the time, just 619 00:31:46,240 --> 00:31:48,960 Speaker 2: remembering back to like with all the Elion stuff, and 620 00:31:49,000 --> 00:31:50,560 Speaker 2: it just seemed that it always felt like sort of 621 00:31:50,560 --> 00:31:52,920 Speaker 2: a response to that. 622 00:31:53,240 --> 00:31:53,720 Speaker 3: It was. 623 00:31:53,920 --> 00:31:56,320 Speaker 2: It was a response, and you would all stand and 624 00:31:56,360 --> 00:31:57,920 Speaker 2: hold hands at the end of the show and say 625 00:31:57,960 --> 00:31:58,600 Speaker 2: give him back. 626 00:31:58,720 --> 00:32:00,920 Speaker 3: And it was a migracious in. It was swimming. It 627 00:32:00,960 --> 00:32:01,800 Speaker 3: was ocean swimming. 628 00:32:02,280 --> 00:32:05,960 Speaker 1: Yes, and doesn't does comedy is good when it comes 629 00:32:06,000 --> 00:32:06,560 Speaker 1: from anger? 630 00:32:06,960 --> 00:32:08,560 Speaker 3: I'm sorry? Can you repeat the question again? 631 00:32:08,640 --> 00:32:12,080 Speaker 1: Was that doesn't it's Does comedy is good when it 632 00:32:12,120 --> 00:32:15,440 Speaker 1: comes from anger? I mean doesn't that make it like? 633 00:32:16,480 --> 00:32:20,320 Speaker 3: Yeah? I think comedy does is raw? Yeah, it does 634 00:32:20,560 --> 00:32:24,360 Speaker 3: good when speak. I think people who have had troubled past, 635 00:32:24,520 --> 00:32:28,400 Speaker 3: like myself killing a man, people who come from poverty, 636 00:32:28,520 --> 00:32:31,320 Speaker 3: people who come from cold weather in Chicago and Canada. 637 00:32:31,840 --> 00:32:36,360 Speaker 3: Maybe funny people. It's there's something about the body struggling. 638 00:32:36,760 --> 00:32:42,880 Speaker 3: There's something about needing, wanting that creates comedy. It does 639 00:32:43,000 --> 00:32:43,680 Speaker 3: is make it good. 640 00:32:44,800 --> 00:32:47,160 Speaker 1: Yeah, we do so much comedy in southern California, but 641 00:32:47,240 --> 00:32:50,280 Speaker 1: there's no naturally funny people who grew up here. 642 00:32:50,400 --> 00:32:54,840 Speaker 3: No, much like the palm tree, it was all brought in. Yeah, 643 00:32:55,440 --> 00:32:57,120 Speaker 3: not native, not a native plant. 644 00:32:57,320 --> 00:32:59,400 Speaker 1: And much like the palm tree. But the other people 645 00:32:59,440 --> 00:33:00,280 Speaker 1: have diseases, is. 646 00:33:00,240 --> 00:33:03,400 Speaker 2: Now sure, many of them and the people who were 647 00:33:03,440 --> 00:33:07,320 Speaker 2: here originally are like like sand, like a big handful 648 00:33:07,360 --> 00:33:10,200 Speaker 2: of sand. Not pretty. It's not something you want to 649 00:33:10,240 --> 00:33:10,600 Speaker 2: look at. 650 00:33:10,760 --> 00:33:12,600 Speaker 1: Certainly, don't eat it. I've made that mistake. 651 00:33:14,360 --> 00:33:18,640 Speaker 3: You know that when you are pregnant, some women start 652 00:33:18,680 --> 00:33:22,240 Speaker 3: craving dirt and then the good rough. It's called pika. 653 00:33:22,360 --> 00:33:24,400 Speaker 3: It is a condition. I think it's something in the iron. 654 00:33:24,440 --> 00:33:26,240 Speaker 3: I don't know what it is. It's a deficiency where 655 00:33:26,240 --> 00:33:27,400 Speaker 3: a woman will crave dirt. 656 00:33:28,400 --> 00:33:29,840 Speaker 2: So what did you crave? 657 00:33:30,640 --> 00:33:32,480 Speaker 3: Just a lot of ice cream and a lot of 658 00:33:32,520 --> 00:33:35,400 Speaker 3: ice cream and sex with men who weren't my husband. 659 00:33:35,640 --> 00:33:39,400 Speaker 1: Mm, yeah, that's yeah, that can happen problematic. 660 00:33:39,440 --> 00:33:43,240 Speaker 3: But my husband's like a craving as a craving that year, the. 661 00:33:43,200 --> 00:33:46,680 Speaker 1: One who's happy life, happy life. Yeah, so yeah, that's 662 00:33:46,760 --> 00:33:49,600 Speaker 1: you got a little bozo around. Make that concession. 663 00:33:50,280 --> 00:33:51,920 Speaker 3: It was good though. It was a good time. 664 00:33:52,160 --> 00:33:53,920 Speaker 2: Now, what we sometimes do, We're gonna have to do 665 00:33:54,000 --> 00:33:56,120 Speaker 2: it twice because we forgot to reach into the popcorn 666 00:33:56,160 --> 00:33:59,200 Speaker 2: bag at the before the last question. So we'll drop 667 00:33:59,240 --> 00:34:01,920 Speaker 2: it in later. These sound drops where we reach into 668 00:34:02,000 --> 00:34:04,880 Speaker 2: a popcorn bag to pull out the question. So let's 669 00:34:04,920 --> 00:34:07,200 Speaker 2: do the sound drop for the first question. Now we'll 670 00:34:07,240 --> 00:34:13,920 Speaker 2: reach into the popcorn bag. Oh my car keys good. 671 00:34:14,600 --> 00:34:16,560 Speaker 2: And now for the second question, let's do it. 672 00:34:16,560 --> 00:34:21,600 Speaker 4: An wait a second. These are my car keys. This 673 00:34:21,680 --> 00:34:25,520 Speaker 4: is to a really nice car. Oh my god, do 674 00:34:25,640 --> 00:34:27,000 Speaker 4: I steal this man's car? 675 00:34:29,000 --> 00:34:32,680 Speaker 2: And this question is from Valerie Bryant. The question is, Alex, 676 00:34:32,719 --> 00:34:34,799 Speaker 2: I read recently that you have a fear of commercials. 677 00:34:34,880 --> 00:34:37,120 Speaker 2: Is this new or did commercials haunt you throughout your 678 00:34:37,160 --> 00:34:38,120 Speaker 2: childhood as well? 679 00:34:39,000 --> 00:34:41,200 Speaker 3: That is not new. It started when I was young. 680 00:34:41,239 --> 00:34:45,000 Speaker 3: It started with mister Sharma, the Sharman commercial. Oh so, 681 00:34:45,120 --> 00:34:50,520 Speaker 3: something about an older man groping and molesting paper that 682 00:34:50,560 --> 00:34:52,080 Speaker 3: would be near my privates. 683 00:34:52,160 --> 00:34:53,960 Speaker 2: Yeah, it just was near. 684 00:34:54,160 --> 00:34:57,200 Speaker 3: Never, it just terrified me. 685 00:34:57,560 --> 00:34:59,960 Speaker 1: Never. Never liked to get that stuff right up against 686 00:35:00,400 --> 00:35:05,319 Speaker 1: no contact. No, I just waffed the paper in the 687 00:35:05,400 --> 00:35:06,960 Speaker 1: vicinity of my genitor to. 688 00:35:06,920 --> 00:35:07,640 Speaker 2: Make it dry. 689 00:35:08,520 --> 00:35:10,759 Speaker 3: But that just was chilling and I couldn't. I could never. 690 00:35:11,200 --> 00:35:12,960 Speaker 3: After that, I just leave the room, Which is why 691 00:35:12,960 --> 00:35:15,399 Speaker 3: I'm so happy. I love like HBO and Showtime because 692 00:35:15,400 --> 00:35:18,880 Speaker 3: there's no commercials. So yeah, now it's safe for me 693 00:35:18,920 --> 00:35:20,720 Speaker 3: to watch television a quick plug there. 694 00:35:21,160 --> 00:35:25,719 Speaker 2: So you don't like commercials, But watching like a inside 695 00:35:25,719 --> 00:35:27,640 Speaker 2: look of Hello ladies is okay for you. 696 00:35:28,400 --> 00:35:30,920 Speaker 1: Uh yeah, I could do that behind the scenes of 697 00:35:31,000 --> 00:35:35,000 Speaker 1: Dawn of something like that. Yes, let's reach that's where 698 00:35:35,040 --> 00:35:39,640 Speaker 1: we're different. That handy circus makes me want to jump 699 00:35:39,680 --> 00:35:40,400 Speaker 1: out of my skin. 700 00:35:40,760 --> 00:35:42,680 Speaker 2: Yeah, it's sort of a creepy. 701 00:35:42,680 --> 00:35:44,560 Speaker 3: Interesting spectral character. 702 00:35:44,760 --> 00:35:46,120 Speaker 1: No one should move like that. 703 00:35:46,360 --> 00:35:48,439 Speaker 3: I mean, it's just all subjective, isn't it. 704 00:35:48,480 --> 00:35:50,960 Speaker 1: Was he a man or some sort of bug? 705 00:35:52,200 --> 00:35:53,000 Speaker 3: Can it be both? 706 00:35:54,000 --> 00:35:58,439 Speaker 2: I don't know. I hope not. Let's reach back into 707 00:35:58,480 --> 00:36:05,319 Speaker 2: the bag. Yes, that's fuck you coppers. You'll never catch 708 00:36:11,360 --> 00:36:16,000 Speaker 2: This question is from Andrew ms Vorstein. Does Seth McFarlane 709 00:36:16,040 --> 00:36:17,280 Speaker 2: sing around the office? 710 00:36:19,280 --> 00:36:24,880 Speaker 3: Seth McFarlane isn't around the office speak on that, so nope, 711 00:36:25,040 --> 00:36:31,400 Speaker 3: he doesn't. Seth Seth is so busy shooting films, feature 712 00:36:31,520 --> 00:36:36,759 Speaker 3: films and preening himself like a meer cat, so he 713 00:36:36,760 --> 00:36:38,799 Speaker 3: he does not sing around the office. But when he 714 00:36:38,920 --> 00:36:42,200 Speaker 3: was not directing feature films and he was around the office, 715 00:36:42,520 --> 00:36:43,799 Speaker 3: he didn't sing that either. 716 00:36:44,920 --> 00:36:47,280 Speaker 2: And you're doing people don't know this, You're doing everybody. 717 00:36:47,360 --> 00:36:49,800 Speaker 2: Now he's doing his movies and you're doing the baby 718 00:36:49,880 --> 00:36:53,160 Speaker 2: and you're doing the fat guy and the little dog 719 00:36:54,520 --> 00:37:00,239 Speaker 2: Peter Griffer. See, people think that's that's Alex, that's you. 720 00:37:00,280 --> 00:37:04,920 Speaker 3: Now, Yeah, you know, I like I said, if I 721 00:37:04,920 --> 00:37:07,440 Speaker 3: could observe and study and get the scent of someone, 722 00:37:07,440 --> 00:37:10,960 Speaker 3: and I smelled Seth for you, sure got Yeah, So 723 00:37:11,560 --> 00:37:16,759 Speaker 3: I'm the baby. I talk, I say things, I say 724 00:37:16,800 --> 00:37:17,839 Speaker 3: things other people don't. 725 00:37:19,520 --> 00:37:23,960 Speaker 2: That's Alex forced that's not And there's no draw and there's. 726 00:37:23,760 --> 00:37:26,399 Speaker 1: No writers in here. I mean little, I mean just 727 00:37:26,400 --> 00:37:28,640 Speaker 1: just to point out, like there's no right like she's 728 00:37:28,680 --> 00:37:32,200 Speaker 1: actually inventing those baby lines. So it's not just that 729 00:37:32,239 --> 00:37:37,640 Speaker 1: the voice is uncanny, it's the saying. 730 00:37:37,440 --> 00:37:38,440 Speaker 3: Can I be honest with you? 731 00:37:38,640 --> 00:37:38,839 Speaker 1: Yeah? 732 00:37:39,200 --> 00:37:41,080 Speaker 3: Not only is Seth not around, but the writers have 733 00:37:41,160 --> 00:37:45,960 Speaker 3: left too, So I am actually doing everything. So everything 734 00:37:45,960 --> 00:37:47,279 Speaker 3: you hear on the show is just. 735 00:37:47,719 --> 00:37:50,759 Speaker 2: In just in one shot too. The live cutaways that 736 00:37:50,840 --> 00:37:54,480 Speaker 2: you just like in the moment, yep, it's surgical the 737 00:37:54,520 --> 00:37:57,040 Speaker 2: way you spice them into the show. 738 00:37:58,239 --> 00:37:59,920 Speaker 1: And I don't know the animators have left. 739 00:38:00,160 --> 00:38:02,560 Speaker 3: That animator is left too. Yeah, So I'm doing a 740 00:38:02,600 --> 00:38:04,960 Speaker 3: lot of you can see, I've been doodling the whole 741 00:38:04,960 --> 00:38:07,400 Speaker 3: time I'm here, I'm working on storyboards. 742 00:38:07,120 --> 00:38:10,479 Speaker 2: So and it's live. People don't realize that you're doing 743 00:38:10,520 --> 00:38:11,600 Speaker 2: it as it airs. 744 00:38:12,040 --> 00:38:14,279 Speaker 3: And I've come up with stories too. Yeah, it's not 745 00:38:14,360 --> 00:38:17,319 Speaker 3: like I have any prep time or there's no time 746 00:38:17,360 --> 00:38:20,440 Speaker 3: to really break those stories outside of like I'm that's 747 00:38:20,480 --> 00:38:23,279 Speaker 3: a lie. I'm a drive in I kind of think 748 00:38:23,320 --> 00:38:24,840 Speaker 3: of things. I get on the phone with my husband 749 00:38:24,880 --> 00:38:25,560 Speaker 3: and bounce stuff off. 750 00:38:25,840 --> 00:38:27,600 Speaker 1: That's nice to admit that, And it's okay to be 751 00:38:27,600 --> 00:38:30,239 Speaker 1: a little prepared sometimes when you're going to do a full, live, 752 00:38:30,320 --> 00:38:33,200 Speaker 1: half hour TV show. Yeah, it's okay to think about it. 753 00:38:33,239 --> 00:38:34,959 Speaker 1: That's not cheating, Okay, you know. 754 00:38:35,600 --> 00:38:37,400 Speaker 2: How well you remember them when they're doing them on 755 00:38:37,440 --> 00:38:40,880 Speaker 2: like Adult Swim at one am, because like the episode 756 00:38:40,920 --> 00:38:42,840 Speaker 2: saver guys are gone too now, so you have to 757 00:38:43,000 --> 00:38:43,960 Speaker 2: no one saving the episodes. 758 00:38:44,239 --> 00:38:46,080 Speaker 3: Every time you see a rerun, I have to redo it. 759 00:38:46,280 --> 00:38:46,839 Speaker 2: Yeah, do it. 760 00:38:46,840 --> 00:38:49,560 Speaker 3: But you know, from the comfort of my jacuzzi booth, 761 00:38:49,640 --> 00:38:52,120 Speaker 3: it's it's not so terrible and one in the morning, 762 00:38:52,239 --> 00:38:54,080 Speaker 3: it's getting nice warm. 763 00:38:54,200 --> 00:38:58,120 Speaker 1: Coozie was getting a little pruney in there doing sometimes 764 00:38:58,120 --> 00:38:59,280 Speaker 1: all those reruns. 765 00:38:58,960 --> 00:39:00,880 Speaker 3: Sometimes, but you know, it's really just twenty two minutes. 766 00:39:01,560 --> 00:39:05,960 Speaker 1: Oh, for the commercials. You can try off for the commercials. 767 00:39:06,120 --> 00:39:11,080 Speaker 2: Yeah, Alex, here's another question for you. 768 00:39:15,560 --> 00:39:20,319 Speaker 4: Oh my god, it was just a dream. But what 769 00:39:20,400 --> 00:39:21,240 Speaker 4: are these keys? 770 00:39:23,560 --> 00:39:26,200 Speaker 2: This question is from Game of Scones. Alex, did you 771 00:39:26,280 --> 00:39:27,840 Speaker 2: improvise on the set of Catwoman? 772 00:39:29,760 --> 00:39:32,279 Speaker 3: I did not improvise on the set of Catwoman. 773 00:39:32,480 --> 00:39:33,320 Speaker 2: That's pre written. 774 00:39:33,560 --> 00:39:38,360 Speaker 3: That script was finally, finally, finally, finally tuned. So we 775 00:39:38,440 --> 00:39:41,520 Speaker 3: all just felt like, leave good enough alone. Just you 776 00:39:41,520 --> 00:39:43,640 Speaker 3: don't change Shakespeare, you know what I mean. You don't 777 00:39:43,800 --> 00:39:47,520 Speaker 3: mess with you know, Harold Pinter, You're not going to 778 00:39:47,600 --> 00:39:51,520 Speaker 3: change it. So we just we stuck with the gold 779 00:39:51,680 --> 00:39:54,600 Speaker 3: that was on the page and we added diamonds. 780 00:39:55,120 --> 00:40:00,520 Speaker 1: Yeah. But when they did, oh they changed Shakespeare, right. Yeah, 781 00:40:01,280 --> 00:40:03,160 Speaker 1: And that's maybe why we haven't seen Heart in it 782 00:40:03,200 --> 00:40:06,960 Speaker 1: that much because he did that. Well, you don't do that, well, 783 00:40:07,040 --> 00:40:10,120 Speaker 1: you don't do it, and then he did it. I 784 00:40:10,160 --> 00:40:13,200 Speaker 1: shouldn't be so hard on my guy. Josh. He's on 785 00:40:13,320 --> 00:40:14,040 Speaker 1: Penny Dreadful. 786 00:40:15,160 --> 00:40:16,240 Speaker 3: I've never seen this show. 787 00:40:16,640 --> 00:40:20,799 Speaker 1: Oh yeah, Oh, some creepy stuff. I can't watch that. 788 00:40:20,960 --> 00:40:24,040 Speaker 2: Yeah, it's it's pretty chilling. It might not be something 789 00:40:24,080 --> 00:40:26,759 Speaker 2: that you would necessarily be into if you don't like 790 00:40:26,800 --> 00:40:28,640 Speaker 2: being spooked and startled, I'll. 791 00:40:28,480 --> 00:40:30,000 Speaker 1: Tell you, if you like a good night's sleep, you're 792 00:40:30,040 --> 00:40:31,520 Speaker 1: not gonna want to see this one because it is 793 00:40:31,600 --> 00:40:32,399 Speaker 1: just that kind of. 794 00:40:32,719 --> 00:40:35,120 Speaker 3: Well dreadful and the titles. 795 00:40:34,880 --> 00:40:38,640 Speaker 2: Right, well, no, it's true they didn't warn us. But 796 00:40:38,960 --> 00:40:40,799 Speaker 2: watch it with the lights on and really don't watch 797 00:40:40,840 --> 00:40:42,040 Speaker 2: it at all, and don't watch it. 798 00:40:42,040 --> 00:40:44,319 Speaker 1: And if you watch it, have somebody around who you trust. 799 00:40:44,440 --> 00:40:48,960 Speaker 2: It's it's monstrous. Alex, thank you so much for joining us. 800 00:40:49,080 --> 00:40:52,239 Speaker 3: Thank you so much for having me delightful. 801 00:40:51,800 --> 00:40:57,240 Speaker 2: And will you please rate us on iTunes and write 802 00:40:57,800 --> 00:41:01,759 Speaker 2: positive review and maybe have your the kids have their 803 00:41:01,800 --> 00:41:04,479 Speaker 2: own accounts, Yes they do. It would be really great 804 00:41:04,480 --> 00:41:06,919 Speaker 2: if your kids could get in on that as well. 805 00:41:07,680 --> 00:41:09,200 Speaker 2: If they like the show. If they like the show, 806 00:41:09,280 --> 00:41:11,319 Speaker 2: if they like if they don't like it, they don't 807 00:41:11,320 --> 00:41:12,040 Speaker 2: have to write anything. 808 00:41:12,080 --> 00:41:15,640 Speaker 3: No, we use it for bedtime. Actually, Oh, how nice 809 00:41:16,080 --> 00:41:16,960 Speaker 3: nice to hear that. 810 00:41:17,080 --> 00:41:18,160 Speaker 1: I love when we hear that. 811 00:41:18,200 --> 00:41:20,960 Speaker 2: It's like baby Mozart, really so dull. 812 00:41:20,760 --> 00:41:23,560 Speaker 3: And there's such a monotony to it that it almost hums. 813 00:41:23,719 --> 00:41:24,320 Speaker 3: It's nice. 814 00:41:24,360 --> 00:41:26,479 Speaker 2: Well that is that is. 815 00:41:27,920 --> 00:41:28,000 Speaker 1: I. 816 00:41:30,280 --> 00:41:34,200 Speaker 2: Yeah, people need to go to sleep. If you didn't 817 00:41:34,200 --> 00:41:36,080 Speaker 2: go to everyone would be dead. 818 00:41:36,200 --> 00:41:40,319 Speaker 1: Yes, and that's something positive that we're doing, so more 819 00:41:40,360 --> 00:41:43,600 Speaker 1: than they can say for some other you know, barnacles 820 00:41:43,640 --> 00:41:44,359 Speaker 1: on the side of this. 821 00:41:45,640 --> 00:41:50,239 Speaker 2: And people can talk to us on the forums and 822 00:41:50,400 --> 00:41:57,240 Speaker 2: please buy the pro version of our podcast. So many 823 00:41:57,320 --> 00:42:01,399 Speaker 2: perks this week, yes, and and what were some of them? 824 00:42:01,400 --> 00:42:03,920 Speaker 2: And as I figure out who is going to get 825 00:42:03,960 --> 00:42:08,120 Speaker 2: it this week, oh well, a bottle opener that looks 826 00:42:08,160 --> 00:42:09,920 Speaker 2: like a bottle, isn't that trippy? 827 00:42:10,520 --> 00:42:12,880 Speaker 1: I mean, that'll really freak your mind out, you know. 828 00:42:13,040 --> 00:42:14,959 Speaker 1: So that's one of the things that we're giving away 829 00:42:14,960 --> 00:42:20,480 Speaker 1: with the pro version. Pressure kind of life you're living in. 830 00:42:20,520 --> 00:42:24,320 Speaker 1: When the bottle opener is the bottle and Ethan Runt, 831 00:42:24,680 --> 00:42:25,880 Speaker 1: you're going to get. 832 00:42:26,280 --> 00:42:32,440 Speaker 2: A little message, a voicemail message for Ethan Runt from 833 00:42:32,840 --> 00:42:35,000 Speaker 2: uh from Brian. 834 00:42:34,680 --> 00:42:42,239 Speaker 3: Griffin, Ethan Grunt. This bottle opener is yours, but. 835 00:42:42,160 --> 00:42:45,200 Speaker 2: It's Brian and the like like a dog some dog thing. 836 00:42:46,320 --> 00:42:54,600 Speaker 3: This is Brian Dog. I am bipedle. I have an 837 00:42:54,600 --> 00:42:57,560 Speaker 3: alcohol issue. Bye.