WEBVTT - "Fender Benders" w/ Amy Zimmer 

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<v Speaker 1>Hey, it's Sam with a quick little show announcement. As

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<v Speaker 1>you may know, I've been running my hour trying to

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<v Speaker 1>really figure it out, and so I've been doing it

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<v Speaker 1>in New York and LA and all those dates have

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<v Speaker 1>sold out, so I've just had to add one more

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<v Speaker 1>New York date and one more LA date. So in

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<v Speaker 1>New York I'll be at Union Hall on May third,

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<v Speaker 1>that's a Sunday, and then in LA I will be

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<v Speaker 1>at Lyric Hyperion on May fourteenth, that's a Thursday. So

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<v Speaker 1>I would simply love to see you there. I've been

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<v Speaker 1>really having a good time doing this and I appreciate

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<v Speaker 1>you guys coming out and make me not like a

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<v Speaker 1>fucking idiot. Okay, enjoy the episode. Bye. Podcast starts now.

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<v Speaker 1>Wow Wow Wow, we are coming at you from New

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<v Speaker 1>York City once again. I feel absolutely amazing. George, how

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<v Speaker 1>are you.

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<v Speaker 2>I'm realizing I'm sitting in a different chair than I

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<v Speaker 2>usually like, I'm sitting on the right and you're sitting

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<v Speaker 2>on the left, and it's sort of like when a

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<v Speaker 2>couple decides to mix things up by switching places.

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<v Speaker 1>On the bed. Wow role playing.

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<v Speaker 2>I'm not used to turning to my left to see

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<v Speaker 2>you really. Yeah, yeah, I don't like it. That's interesting.

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<v Speaker 2>Are you feeling more powerful?

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<v Speaker 1>I'm feeling like I don't believe you really, but yeah,

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<v Speaker 1>there's a part of me that's like, do I not

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<v Speaker 1>sit here always? And you're right, of course, thank you,

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<v Speaker 1>but I personally internally don't believe you.

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<v Speaker 2>I think. So there's one chair where you're sitting that

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<v Speaker 2>has table space for your drinks and my chair doesn't.

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<v Speaker 2>And I'm actually, if you can tell, my drinks are

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<v Speaker 2>in my kind of nestled in my crotch because I

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<v Speaker 2>have nowhere to put them. And I think that is

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<v Speaker 2>already putting me in kind of the inferior position. And

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<v Speaker 2>you're right, and I'm already making myself smaller and kind

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<v Speaker 2>of you know, pre I'm kind of like, okay, like

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<v Speaker 2>you can take charge today.

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<v Speaker 1>Oh wo daddy. Well, well, you know when I sit

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<v Speaker 1>in that see, I do put the drinks on the

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<v Speaker 1>floor and I do reach for them, and it does work.

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<v Speaker 1>It's not as easy, but okay, cool, thanks from a

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<v Speaker 1>hot tip. You know, you've had a blessed life so far.

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<v Speaker 1>So how was your show last night? Absolutely to die for?

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<v Speaker 1>I was getting distracted by the lights. Yeah, and there

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<v Speaker 1>were points when I was like, wait, what am I doing?

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<v Speaker 1>But other than that, I had a great time.

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<v Speaker 2>So you're on stage, you're in the middle of your hour,

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<v Speaker 2>everyone's loving it, and you have the realization do I

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<v Speaker 2>really want to be here?

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<v Speaker 1>I have the realization that light's too bright? Yeah, and

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<v Speaker 1>I'm like, wait, that light's too bright. I'm like, can

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<v Speaker 1>we pause? And it's like wait, no, stop it stop.

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<v Speaker 1>Well you actually can.

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<v Speaker 2>What is your relationship to like breaking the fourth wall

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<v Speaker 2>vis a vis talking to the venue.

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<v Speaker 1>I think it's okay in the first ten minutes. Really yeah,

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<v Speaker 1>oh see.

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<v Speaker 2>I think like in the middle of the show, to

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<v Speaker 2>be like, to be doing crowd work, maybe it's not

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<v Speaker 2>going well, and to be like turn the turn on

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<v Speaker 2>the house lights.

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<v Speaker 1>I think that's fun. No, I think turn on the

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<v Speaker 1>house lights. It's fun. But if you're like, m if

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<v Speaker 1>it's too like nuanced, it loses something.

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<v Speaker 2>I see.

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<v Speaker 1>Yeah, But I want to discuss a little bit more

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<v Speaker 1>about your flawed dinner plans last night. Okay, Well, I

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<v Speaker 1>feel like this is a rich topic.

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<v Speaker 2>It interesting you bring that up because our guest is

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<v Speaker 2>complicit in the dinner plans being flawed, So I'm not

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<v Speaker 2>I don't.

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<v Speaker 1>I don't. I don't want to call her out, like actually's.

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<v Speaker 2>Sitting there silently.

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<v Speaker 1>Oh, I didn't realize that when you were telling me

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<v Speaker 1>about the flawed dinner plans, you waited until she went

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<v Speaker 1>to the bathroom so it could be a secret.

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<v Speaker 2>So pretty much, I would say, what happened last night

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<v Speaker 2>is I was attending the screening of Our Dear Friends film,

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<v Speaker 2>which you couldn't attend because of course you had your

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<v Speaker 2>big show. Yeah, some of us have to work on

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<v Speaker 2>our side. The show that you had to stop multiple

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<v Speaker 2>times to change the lighting and the audience selection. You

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<v Speaker 2>had to say, I don't like how the how this

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<v Speaker 2>front row is looking to switch for the third.

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<v Speaker 1>Row, so be fair, that's true, you didn't like the

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<v Speaker 1>front row. Oh my god, chatty, Oh my god. People

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<v Speaker 1>are chatting more and more. You know.

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<v Speaker 2>It's like you hear people taking out their phones and movies.

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<v Speaker 2>People in comedy shows are having full conversations. They're like, so, wait,

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<v Speaker 2>who did you vote for? I can hear you. I

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<v Speaker 2>was like, this is the part where you listen right.

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<v Speaker 2>It made I was really blown away. I love when

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<v Speaker 2>you say something someone maybe doesn't recognize, you know, a

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<v Speaker 2>reference and they turn on their part and they're like,

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<v Speaker 2>what was that movie the person like Devil is Proud?

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<v Speaker 2>Uh with Meryl Streep. Yeah, Oh she was so good

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<v Speaker 2>in that. Yeah, she deserved the oscar. You're like, excuse me,

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<v Speaker 2>I've be not on the next topic, and it's how

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<v Speaker 2>to say her democracy.

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<v Speaker 1>Yeah, listen up, because this can make changes. Should we

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<v Speaker 1>bring in our guest? Yes, well pretty much our guest.

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<v Speaker 2>It's interesting she reinvents herself every time she comes on

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<v Speaker 2>the podcast, and this time she is coming on as

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<v Speaker 2>a serious traumatic actress and promoting a film that is

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<v Speaker 2>quite literally produced by Janice or distributed by Janis Films

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<v Speaker 2>and Criterion, And it seems like I'm making that up

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<v Speaker 2>and that she's going to play a character, but that's

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<v Speaker 2>actually actually not a character's film is called Blue Heron

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<v Speaker 2>and I saw it last night and was in fact

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<v Speaker 2>blown away. And I was in a state where I

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<v Speaker 2>needed to be blown away because the last few films

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<v Speaker 2>I'd seen were the last of the Academy Award Best

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<v Speaker 2>Picture nominees that I had been putting off. You're saying,

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<v Speaker 2>we're talking f one, We're talking Hamnet. I needed to

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<v Speaker 2>be inspired. I was starving for beauty, and you were fed,

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<v Speaker 2>and I was fed, and I said yum, yum yum.

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<v Speaker 2>Unfortunately I was fed so much that then dinner had

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<v Speaker 2>to be pushed back two hours because I guess all

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<v Speaker 2>of us were full from the artistic output we had witnessed.

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<v Speaker 1>Well, I can't wait to hear both sides of this

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<v Speaker 1>story of the failed dinner plans. Please welcome to the podcast, Amy,

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<v Speaker 1>Semmy Zimmer.

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<v Speaker 3>Hello.

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<v Speaker 4>It's not a stradio lab up without some sort of

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<v Speaker 4>wrench and our rapport and George Jaman swinging with some

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<v Speaker 4>allegation to.

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<v Speaker 2>The allegations were said. Secretly, I was saying, you know,

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<v Speaker 2>there are all these I think you were actually well behaved,

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<v Speaker 2>Just to be to be clear, you're not. You're not

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<v Speaker 2>the person I'm upset at. There's all these kind of

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<v Speaker 2>staring because she's along in the room. There's there's always

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<v Speaker 2>these stereotypical faux pause people can make in a group

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<v Speaker 2>dinner settings setting.

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<v Speaker 1>Right, So I'm not to go Seinfeld mode, but it's true. Well,

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<v Speaker 1>that's the time.

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<v Speaker 2>It's very it is very like observational comedy, like don't

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<v Speaker 2>you hate when your friend does this? And then and

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<v Speaker 2>then you're splitting the mail and someone says I didn't

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<v Speaker 2>have the appetizer. There's all these stereotypes. Luckily there was

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<v Speaker 2>no drama with bill splitting this time. But it's like.

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<v Speaker 1>Everyone's got because everyone's got that.

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<v Speaker 2>Oh, don't worry, I put my card down. I said

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<v Speaker 2>I'll tip two thousand percent. I don't care.

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<v Speaker 1>I won't even notice it. I don't give it.

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<v Speaker 2>I'll get some delta points. Basically, it's like some people

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<v Speaker 2>are saying, oh, maybe we'll join later. There's a dinner

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<v Speaker 2>being planned. Okay, that was me, that's all right.

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<v Speaker 1>So some people are saying I'll join later.

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<v Speaker 2>Some people are joining, and then in the middle of

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<v Speaker 2>the dinner being like, I have an early flight tomorrow,

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<v Speaker 2>maybe i'll leave, but I actually not going to decide

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<v Speaker 2>if I'm going to leave. Yeah, and I'm going to

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<v Speaker 2>sort of like tease the concept of me leaving. While

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<v Speaker 2>ordering food. Other people are saying, I have a diet terroristiction.

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<v Speaker 2>Other people are saying, you know, I'll come, but you know,

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<v Speaker 2>sort of go to the bathroom first for twenty minutes.

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<v Speaker 2>That one I just made, not me, It was not you. No,

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<v Speaker 2>you actually were very regular.

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<v Speaker 5>Thank you, thank you.

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<v Speaker 1>Yeah.

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<v Speaker 4>Well, to be fair, the event was kind of right

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<v Speaker 4>at a classic dinner time. So I understand the frustration,

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<v Speaker 4>and I really hope with enough in her work, you

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<v Speaker 4>get there.

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<v Speaker 1>But yeah, do you guys panic when the event says

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<v Speaker 1>six pm? Uh yeah, I panic. Yeah, Well, I.

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<v Speaker 2>Think something that we should mention in this instance. So

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<v Speaker 2>the screening was at six pm. Amy, of course not

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<v Speaker 2>only has seen the movie, but is in it, so

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<v Speaker 2>she didn't feel the need to attend. The screening was

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<v Speaker 2>totally normal.

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<v Speaker 1>She introduced it with the director. Yes, you and the

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<v Speaker 1>director bang out of it.

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<v Speaker 2>The director introduced the screening and then as you know,

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<v Speaker 2>I would have done in your position.

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<v Speaker 1>Left.

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<v Speaker 2>Now here's what's interesting. They had dinner during the screening.

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<v Speaker 2>Oh now that adds an interesting element.

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<v Speaker 4>All I'm being cruisive for leaving having dinner. You were

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<v Speaker 4>especially about dinner because you were Actually it wasn't centered on.

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<v Speaker 1>This is interesting. This is classic. This is classic dinner

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<v Speaker 1>for me and not for the Yeah, well, you were

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<v Speaker 1>watching the film.

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<v Speaker 5>Did you want to come to dinner instead?

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<v Speaker 2>When I was in the film, I was locked in.

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<v Speaker 5>Okay, great, you weren't thinking maybe I could be a

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<v Speaker 5>dinner now.

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<v Speaker 2>I'll say this though. At the reception, a Q and

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<v Speaker 2>A kept getting teased.

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<v Speaker 5>Yeah, well that was that.

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<v Speaker 4>I expected one as well, but it was sort of

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<v Speaker 4>there was a mutability last night that was kind of electric.

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<v Speaker 4>They did and people were leaving they weren't. Yeah, but

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<v Speaker 4>everyone was having a good time, is the thing. Yeah,

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<v Speaker 4>no one was frustrated about the lack of.

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<v Speaker 5>No, I hope not.

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<v Speaker 1>Yeah.

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<v Speaker 4>I had a great time all things considered. I gotta

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<v Speaker 4>say so that you had gripes. I'm glad we're airing

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<v Speaker 4>now with the lights on me from every A you know.

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<v Speaker 1>So, George, since there was no Q and eight have

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<v Speaker 1>any ques now?

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<v Speaker 2>A lot of a's, And there's just a lot of

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<v Speaker 2>things I would like. If you have any questions for

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<v Speaker 2>me Amy about the film, I would be thrilled to

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<v Speaker 2>answer them. And even if you get it, did I

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<v Speaker 2>get it?

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<v Speaker 1>Get it? Okay? And if you have any questions for

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<v Speaker 1>me as someone who hasn't seen it but has follows

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<v Speaker 1>you on social media? Oh, and sort of what that

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<v Speaker 1>might mean?

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<v Speaker 5>What kind of stories do you think I should post

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<v Speaker 5>moving forward about it?

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<v Speaker 1>I think what you're doing is so perfect. You're being

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<v Speaker 1>so mysterious.

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<v Speaker 4>But yeah, I'm really because I'm just sharing the movie

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<v Speaker 4>so that what's mysterious about.

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<v Speaker 2>Because you're straight forwardly promoting it.

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<v Speaker 1>You're not sharing the full movie, You're just sharing the poster.

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<v Speaker 1>I mean, like, by the way I'm in this, I'm like,

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<v Speaker 1>what are you talking about? You don't get it?

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<v Speaker 3>Literally?

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<v Speaker 5>Okay, so you guys both don't get it.

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<v Speaker 2>Have you considered sharing the full film?

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<v Speaker 6>Yeah?

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<v Speaker 4>Maybe vertical little Well that's coming. I'm talking with Janis.

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<v Speaker 4>We're getting up a you know, a plan.

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<v Speaker 2>You should tell Janni's films they should get into short

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<v Speaker 2>form vertical video.

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<v Speaker 4>Do you think I have to tell them? You think

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<v Speaker 4>they're not already taking initiative.

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<v Speaker 1>To be honest, I question if they're taking initiative when

0:09:51.880 --> 0:09:52.480
<v Speaker 1>it comes to short for.

0:09:52.920 --> 0:09:54.880
<v Speaker 4>I was watching them at a Taste of Cherry in

0:09:54.920 --> 0:09:57.199
<v Speaker 4>the corner while the movie was screening into fifteen seconds.

0:09:57.200 --> 0:09:59.760
<v Speaker 2>CLIs they should get into. They should work with people like,

0:09:59.800 --> 0:10:05.760
<v Speaker 2>you know, Jake Shane, Brittany Bronski, Brosky Broski, excuse.

0:10:05.440 --> 0:10:13.040
<v Speaker 7>Me, Brittany Grande. They should work with a variety of

0:10:13.120 --> 0:10:17.720
<v Speaker 7>LGBTT plus influencers, maybe kind of branch out into like

0:10:17.760 --> 0:10:21.800
<v Speaker 7>red carpet content at the VMA's What else can we.

0:10:21.760 --> 0:10:25.720
<v Speaker 2>Recommend for Jeni's films viral pranks. Yeah, have they considered

0:10:25.720 --> 0:10:29.800
<v Speaker 2>doing viral pranks? They have this amazing talent based you know,

0:10:29.880 --> 0:10:30.360
<v Speaker 2>they have this.

0:10:30.440 --> 0:10:34.400
<v Speaker 1>Amazing group of talent. You know, they could bring in get.

0:10:34.320 --> 0:10:37.120
<v Speaker 5>Set up kind of like a boyfriend girlfriend pranks.

0:10:37.160 --> 0:10:37.760
<v Speaker 1>I love those.

0:10:37.880 --> 0:10:41.160
<v Speaker 4>You know when when a boyfriend kind of violently plays

0:10:41.200 --> 0:10:44.400
<v Speaker 4>dead yes, well and the girlfriend walks in being like babe,

0:10:44.400 --> 0:10:46.599
<v Speaker 4>oh my god, and he's you know, put ketchup on

0:10:46.679 --> 0:10:48.960
<v Speaker 4>himself and cut himself in a bit, sort of an

0:10:49.000 --> 0:10:50.720
<v Speaker 4>illusion of such and it's quite violent.

0:10:50.760 --> 0:10:54.760
<v Speaker 1>And actually, do need a documentary on people who do couple.

0:10:55.160 --> 0:10:57.160
<v Speaker 4>I'm obsessed with a couple of pranks. Actually I could

0:10:57.160 --> 0:10:59.400
<v Speaker 4>have came and hot with that, but I'm obsessed with

0:10:59.400 --> 0:11:01.720
<v Speaker 4>a couple of pranks. I think they're actually maybe the straightest,

0:11:01.760 --> 0:11:02.320
<v Speaker 4>most violent thing.

0:11:02.600 --> 0:11:06.320
<v Speaker 2>You know, it's interesting. Yeah, there is a version of

0:11:06.440 --> 0:11:12.800
<v Speaker 2>the prank you just described in your film, Am I Am?

0:11:15.800 --> 0:11:17.079
<v Speaker 1>Is this on? Can we can?

0:11:17.120 --> 0:11:17.280
<v Speaker 8>We?

0:11:20.600 --> 0:11:22.120
<v Speaker 4>I don't know what they want or not, but to

0:11:22.200 --> 0:11:24.880
<v Speaker 4>realize that is I'm out of my body right now.

0:11:25.520 --> 0:11:27.479
<v Speaker 1>Did you feel like but it wasn't relational?

0:11:27.559 --> 0:11:30.400
<v Speaker 2>I mean, it wasn't It wasn't romantic.

0:11:30.520 --> 0:11:33.000
<v Speaker 1>And no spoilers mind a way. So Blue hairn is

0:11:33.040 --> 0:11:36.880
<v Speaker 1>about a prankster who in some ways Sam describes the

0:11:36.920 --> 0:11:39.480
<v Speaker 1>movie not having not seen it. What we're talking about.

0:11:39.960 --> 0:11:41.080
<v Speaker 5>This is great for the film.

0:11:41.280 --> 0:11:44.720
<v Speaker 1>Yeah, it's about a prankster who's a girl. Yeah, Amy,

0:11:44.800 --> 0:11:47.120
<v Speaker 1>before we started recording, something kind of crazy happened.

0:11:47.360 --> 0:11:50.599
<v Speaker 5>Was just here it comes again tokeedo number.

0:11:50.320 --> 0:11:55.840
<v Speaker 1>Two, Locked and loaded. Yeah, where you actually said glasses,

0:11:55.920 --> 0:11:58.199
<v Speaker 1>no glasses and we said, oh my god, glasses and

0:11:58.520 --> 0:12:01.760
<v Speaker 1>you said, you know these are just blue blockers. Yeah,

0:12:02.080 --> 0:12:05.400
<v Speaker 1>they're not real. And I said, I thought you wore

0:12:05.440 --> 0:12:06.880
<v Speaker 1>glasses your whole life.

0:12:07.080 --> 0:12:10.240
<v Speaker 4>And which is amazing because you know, Sam and I

0:12:10.280 --> 0:12:12.080
<v Speaker 4>have known each other for what upwards of how many

0:12:12.160 --> 0:12:16.480
<v Speaker 4>years decade? I have never worn glasses once, and so

0:12:16.679 --> 0:12:20.079
<v Speaker 4>in his mind, I assume you've thought I've had contacts

0:12:20.160 --> 0:12:22.280
<v Speaker 4>on every day of my life until now.

0:12:23.040 --> 0:12:24.679
<v Speaker 2>You do have the look of someone that has just

0:12:24.720 --> 0:12:26.080
<v Speaker 2>taken off her glasses.

0:12:26.120 --> 0:12:28.200
<v Speaker 1>I must say, well, thank you.

0:12:28.200 --> 0:12:30.120
<v Speaker 2>You have a look of someone who's like before, the

0:12:30.120 --> 0:12:32.480
<v Speaker 2>look of someone who's like okay.

0:12:33.160 --> 0:12:36.960
<v Speaker 1>Yeah, it's like okay, so the the upward, the oh.

0:12:36.960 --> 0:12:40.320
<v Speaker 2>This isn't gonna work, but we can if you email Susan,

0:12:40.440 --> 0:12:41.520
<v Speaker 2>then maybe we can get.

0:12:41.360 --> 0:12:44.640
<v Speaker 4>It thinking the skirts are too wrapped, if that makes sense,

0:12:44.760 --> 0:12:46.880
<v Speaker 4>and if we could just tear the skirts instead of having.

0:12:46.720 --> 0:12:50.600
<v Speaker 2>The wrap, if we could do one fewer. I'm happy

0:12:50.600 --> 0:12:52.480
<v Speaker 2>to get in there myself. But I have that meeting

0:12:52.520 --> 0:12:53.280
<v Speaker 2>at two thirty, and I.

0:12:53.280 --> 0:12:55.520
<v Speaker 4>Think we're in a good place, but just progressing forward.

0:12:55.520 --> 0:12:57.480
<v Speaker 4>If the skirts could be kind of tiered.

0:12:57.960 --> 0:13:00.520
<v Speaker 1>Did that? How did that make you feel? To be

0:13:00.600 --> 0:13:02.959
<v Speaker 1>so unseen, to be so unclocked?

0:13:03.480 --> 0:13:04.400
<v Speaker 5>Added to the list.

0:13:04.440 --> 0:13:06.960
<v Speaker 4>You know, all my life, you know, just having to

0:13:07.160 --> 0:13:10.960
<v Speaker 4>correct make corrective, corrective moves. Now people see you gotta

0:13:11.040 --> 0:13:12.760
<v Speaker 4>let it go. You gotta be free, You gotta be yourselvy.

0:13:12.800 --> 0:13:14.800
<v Speaker 4>I to say, hey, someone thinks I've worn glasses all

0:13:14.880 --> 0:13:15.160
<v Speaker 4>my life?

0:13:15.160 --> 0:13:16.719
<v Speaker 5>Who am I to? Who might have stop them in

0:13:16.760 --> 0:13:17.400
<v Speaker 5>their fantasy?

0:13:17.720 --> 0:13:22.480
<v Speaker 1>That's true? Yeah, that's true. I guess I feel I

0:13:22.520 --> 0:13:26.400
<v Speaker 1>feel guilty, and I am going to try to pay

0:13:26.400 --> 0:13:30.280
<v Speaker 1>more attention to what to what women are wearing, Sam,

0:13:30.520 --> 0:13:36.480
<v Speaker 1>what women wear? What is gaslating she's been wearing?

0:13:36.600 --> 0:13:39.160
<v Speaker 4>She think if you put all our episodes back to

0:13:39.280 --> 0:13:42.520
<v Speaker 4>back and just did a super edit of you guys,

0:13:42.559 --> 0:13:43.160
<v Speaker 4>sort of.

0:13:44.200 --> 0:13:47.640
<v Speaker 2>What exposing you as me bringing up.

0:13:47.559 --> 0:13:49.360
<v Speaker 4>Things that I had no idea where on your mind

0:13:49.400 --> 0:13:51.960
<v Speaker 4>about me, about my personhood, about my personality.

0:13:52.200 --> 0:13:53.240
<v Speaker 1>I mean, what is that about?

0:13:53.240 --> 0:13:53.640
<v Speaker 3>I wonder?

0:13:53.679 --> 0:13:56.280
<v Speaker 4>Because we're good friends, right like, we have funly giggle

0:13:56.320 --> 0:13:56.720
<v Speaker 4>and laugh.

0:13:56.840 --> 0:13:57.640
<v Speaker 1>And when you.

0:13:57.679 --> 0:14:01.840
<v Speaker 2>Inserted yourself via AI into this that was made independently

0:14:01.880 --> 0:14:05.480
<v Speaker 2>without your involvement, and then burst into the Janis Film's

0:14:05.559 --> 0:14:07.520
<v Speaker 2>offices and said, I'm.

0:14:07.400 --> 0:14:10.600
<v Speaker 1>Ready to promote what was going through your head?

0:14:10.960 --> 0:14:13.320
<v Speaker 4>Well, you know it was a choice made well before

0:14:13.400 --> 0:14:17.040
<v Speaker 4>the conversations about AI took off, and so I think,

0:14:17.080 --> 0:14:20.520
<v Speaker 4>you know, the ideas about generative AI hadn't been such

0:14:20.560 --> 0:14:23.600
<v Speaker 4>a such a lightning rod, and so when I decided

0:14:23.600 --> 0:14:26.360
<v Speaker 4>to do that, I just kind of felt like, you know,

0:14:27.200 --> 0:14:29.240
<v Speaker 4>there's no stop in it, you know what I mean?

0:14:29.240 --> 0:14:31.600
<v Speaker 1>And you were right, you know, forget a year ago,

0:14:31.760 --> 0:14:36.360
<v Speaker 1>the conversation was completely completely different, completely different, and everybody.

0:14:35.920 --> 0:14:40.120
<v Speaker 4>Was coming forward saying do this, do it? And so

0:14:40.480 --> 0:14:43.920
<v Speaker 4>who was I to get in the way of generative

0:14:43.960 --> 0:14:44.760
<v Speaker 4>AI and.

0:14:44.640 --> 0:14:46.960
<v Speaker 1>Things like that, And they say make your own opportunities,

0:14:47.000 --> 0:14:49.720
<v Speaker 1>you know, yes, generate that may any means possible, even

0:14:49.760 --> 0:14:52.640
<v Speaker 1>if that means holding a gun to the head of Jenis.

0:14:52.720 --> 0:14:54.280
<v Speaker 5>Well that wasn't me that was Ai.

0:14:54.520 --> 0:14:57.760
<v Speaker 1>Oh right, right right, that's interesting that you said himself.

0:14:57.840 --> 0:15:00.160
<v Speaker 1>I always imagined the head of Janni's films to be

0:15:00.200 --> 0:15:01.640
<v Speaker 1>a woman named Janis.

0:15:01.800 --> 0:15:03.400
<v Speaker 2>So that would be iconic.

0:15:04.800 --> 0:15:07.400
<v Speaker 4>These are my films, These are my films, These are

0:15:07.440 --> 0:15:08.920
<v Speaker 4>my films, These are my films, These are Janics.

0:15:09.200 --> 0:15:11.560
<v Speaker 1>No one gets between Janis and her films. That's that.

0:15:11.560 --> 0:15:12.960
<v Speaker 5>Don't make me cry just thinking about that.

0:15:13.080 --> 0:15:15.000
<v Speaker 1>She got rid of her middle name because she said,

0:15:15.000 --> 0:15:16.080
<v Speaker 1>I am just Janis.

0:15:15.800 --> 0:15:21.600
<v Speaker 4>Films, Jannis p films. So, yeah, I have a question

0:15:21.680 --> 0:15:30.960
<v Speaker 4>for you. I'm struggling with, okay, earnestly, okay, fine, I'm

0:15:31.000 --> 0:15:34.320
<v Speaker 4>struggling with finding a comedic entry point and talking about

0:15:34.480 --> 0:15:35.080
<v Speaker 4>your work.

0:15:35.320 --> 0:15:39.760
<v Speaker 2>Yeah, oh because this because this film, as I actually

0:15:39.760 --> 0:15:43.840
<v Speaker 2>have now set off Mike, is a serious drama. You

0:15:43.920 --> 0:15:47.920
<v Speaker 2>are fully giving a dramatic, non comedic performance, no offense

0:15:47.960 --> 0:15:51.240
<v Speaker 2>if you were aiming for slapstick but failed.

0:15:51.440 --> 0:15:51.840
<v Speaker 1>Yeah, I know.

0:15:52.280 --> 0:15:54.680
<v Speaker 4>There's there's a moment in it actually where it gets

0:15:54.680 --> 0:15:57.280
<v Speaker 4>some titters that I'm secretly proud of. But it's sort

0:15:57.320 --> 0:15:59.760
<v Speaker 4>of not meant to be funny in the least, and

0:15:59.800 --> 0:16:02.120
<v Speaker 4>I there's just a tinge of comedic relief in it.

0:16:02.160 --> 0:16:03.680
<v Speaker 5>But not really decided upon.

0:16:03.760 --> 0:16:05.000
<v Speaker 1>Definitely, it's a drama.

0:16:05.200 --> 0:16:09.560
<v Speaker 2>It's a drama. I must say. It works beautifully. And

0:16:09.600 --> 0:16:13.440
<v Speaker 2>I also think, just on a separate personal level, it

0:16:13.520 --> 0:16:17.960
<v Speaker 2>depicts being the child of like non native English speakers

0:16:18.000 --> 0:16:21.760
<v Speaker 2>in this case Canada, but also America in a way

0:16:21.840 --> 0:16:24.360
<v Speaker 2>that I hadn't ever seen.

0:16:24.080 --> 0:16:25.880
<v Speaker 1>If anyone is interested in that kind of depiction.

0:16:27.520 --> 0:16:32.880
<v Speaker 2>Regardless of all of that, I'm like, how do we

0:16:33.400 --> 0:16:37.400
<v Speaker 2>speak about this film comedically without sort of without like

0:16:38.160 --> 0:16:39.760
<v Speaker 2>implying that we're making fun of it, you know what

0:16:39.800 --> 0:16:40.120
<v Speaker 2>I mean.

0:16:41.200 --> 0:16:44.240
<v Speaker 5>Yeah, I haven't figured it out yet because.

0:16:46.040 --> 0:16:49.600
<v Speaker 4>It is just sort of like a deeply I think,

0:16:49.640 --> 0:16:52.600
<v Speaker 4>a deeply felt drama. Yes, And it's always funny because

0:16:52.920 --> 0:16:56.040
<v Speaker 4>I talk about my background in comedy and people ask

0:16:56.040 --> 0:16:56.880
<v Speaker 4>how I came to it.

0:16:56.960 --> 0:16:59.960
<v Speaker 5>And also we've done Q and a's over festivals.

0:16:59.440 --> 0:17:01.040
<v Speaker 4>And things like that, and people are a lot of

0:17:01.040 --> 0:17:04.080
<v Speaker 4>the time quite emotional after the movie, and I'm always like,

0:17:04.320 --> 0:17:07.000
<v Speaker 4>you know, I'm so used to riffing in a Q

0:17:07.200 --> 0:17:08.720
<v Speaker 4>and A or something like that, and it's just not

0:17:08.840 --> 0:17:10.080
<v Speaker 4>the it's not the moment.

0:17:10.240 --> 0:17:12.240
<v Speaker 5>So I don't know yet, But do.

0:17:12.240 --> 0:17:14.640
<v Speaker 2>You feel your alienating audience is left and right in

0:17:14.640 --> 0:17:20.000
<v Speaker 2>that sense. No, oh okay, if.

0:17:19.880 --> 0:17:22.560
<v Speaker 1>You have than that? Now you had one amazing riff

0:17:22.800 --> 0:17:27.520
<v Speaker 1>after So the film ends, oh god, credits role, it's

0:17:27.560 --> 0:17:30.440
<v Speaker 1>you come out, Yeah, and you're handed to Mike. What's

0:17:30.480 --> 0:17:32.159
<v Speaker 1>your amazing rift to break the tension?

0:17:33.359 --> 0:17:38.920
<v Speaker 5>Can you believe all that?

0:17:39.640 --> 0:17:40.280
<v Speaker 1>And that was real?

0:17:40.280 --> 0:17:40.760
<v Speaker 3>The old one?

0:17:41.880 --> 0:17:42.879
<v Speaker 2>Is that final cut?

0:17:43.040 --> 0:17:44.119
<v Speaker 1>Yeah?

0:17:44.240 --> 0:17:45.360
<v Speaker 2>I thought this was a comedy.

0:17:45.560 --> 0:17:49.199
<v Speaker 4>Yeah, yeah, yeah, yeah, No I should I say what

0:17:49.240 --> 0:17:50.119
<v Speaker 4>the movie's about?

0:17:50.160 --> 0:17:51.000
<v Speaker 1>Okay?

0:17:51.040 --> 0:17:52.600
<v Speaker 2>Well, I actually would love it if you because I

0:17:52.600 --> 0:17:54.000
<v Speaker 2>don't know how much I'm allowed to spoil.

0:17:54.520 --> 0:17:56.040
<v Speaker 5>Yeah, it's a delicate thing, I guess.

0:17:56.119 --> 0:17:57.399
<v Speaker 1>And I also haven't seen it.

0:17:57.359 --> 0:17:59.280
<v Speaker 2>Right, so same and Sam is a good reason, which

0:17:59.320 --> 0:18:00.000
<v Speaker 2>is that he had a show.

0:18:00.280 --> 0:18:02.560
<v Speaker 4>Yeah so Sam, you had a show. Would you like

0:18:02.600 --> 0:18:03.520
<v Speaker 4>to know what the film's about?

0:18:03.680 --> 0:18:03.920
<v Speaker 8>Sure?

0:18:04.160 --> 0:18:05.680
<v Speaker 5>Okay, great, but don't.

0:18:05.480 --> 0:18:07.720
<v Speaker 1>Tell me too much because I want to be surprised. Okay, great.

0:18:07.760 --> 0:18:11.640
<v Speaker 4>So this is a debut feature, of course, by Sophie Rumvari.

0:18:11.720 --> 0:18:13.320
<v Speaker 4>I don't know if you're familiar with their shorts. They're

0:18:13.320 --> 0:18:16.720
<v Speaker 4>on the Criterion channel right now. Oh yeah, it's like YouTube.

0:18:16.720 --> 0:18:19.440
<v Speaker 4>You have a subscription, right, of course, I imagine. So, well,

0:18:19.520 --> 0:18:23.160
<v Speaker 4>what's the last thing you streamed on there? Just curious

0:18:22.840 --> 0:18:27.560
<v Speaker 4>just movies, all, uh, okay, So this is a debut feature.

0:18:28.760 --> 0:18:32.960
<v Speaker 4>It's a family drama set in nineteen nineties Vancouver Great Year,

0:18:33.160 --> 0:18:36.520
<v Speaker 4>where a Hungarian family immigrates to Vancouver. They have an

0:18:36.520 --> 0:18:42.360
<v Speaker 4>eldest sibling, eldest son, a sibling to three other siblings,

0:18:42.400 --> 0:18:48.080
<v Speaker 4>if you will, And yeah, he suffers some behavioral issues.

0:18:48.160 --> 0:18:49.879
<v Speaker 4>So the film sort.

0:18:49.600 --> 0:18:50.840
<v Speaker 2>Of he's addicted to pranks.

0:18:52.240 --> 0:18:53.840
<v Speaker 5>I'll let you infer what happens.

0:18:54.400 --> 0:18:56.400
<v Speaker 2>But as kind of tension is, of course, what I'm

0:18:56.400 --> 0:18:59.520
<v Speaker 2>interested in is doing his job of riffing on what

0:18:59.560 --> 0:19:03.320
<v Speaker 2>you're saying. Right, you're saying, can I please finish? Because

0:19:03.320 --> 0:19:03.840
<v Speaker 2>I'm serious?

0:19:03.880 --> 0:19:05.439
<v Speaker 4>Right, Well, it's a pacentrator a lot about but I

0:19:05.440 --> 0:19:10.200
<v Speaker 4>feel but yeah, so okay, so yeah, he's maybe doing prasies,

0:19:10.200 --> 0:19:12.439
<v Speaker 4>maybe not. I know you'll have to You'll have to

0:19:12.440 --> 0:19:14.720
<v Speaker 4>see it to believe it. And of course that's the

0:19:14.760 --> 0:19:17.040
<v Speaker 4>tagline of the filmy believe it.

0:19:17.280 --> 0:19:18.440
<v Speaker 1>Yeah, And.

0:19:19.880 --> 0:19:21.840
<v Speaker 5>Basically it centers on on.

0:19:24.920 --> 0:19:27.560
<v Speaker 4>The family's life dealing with this kind of crisis and

0:19:27.600 --> 0:19:31.160
<v Speaker 4>then there is more to come where I am involved.

0:19:31.600 --> 0:19:33.800
<v Speaker 1>You're not are You're not even saying who you play?

0:19:33.920 --> 0:19:34.399
<v Speaker 5>I played?

0:19:34.480 --> 0:19:38.679
<v Speaker 4>The adult version of her name is Sasha, a young Sasha, the.

0:19:38.720 --> 0:19:42.320
<v Speaker 1>Young sister of young sister of the brother with behavioral issues?

0:19:42.480 --> 0:19:42.760
<v Speaker 1>Did that?

0:19:42.880 --> 0:19:43.000
<v Speaker 7>Hr?

0:19:43.119 --> 0:19:44.960
<v Speaker 1>Did you go into audition for the young version and

0:19:44.960 --> 0:19:46.520
<v Speaker 1>they cast you as the old version and you're like,

0:19:46.560 --> 0:19:47.359
<v Speaker 1>what the fuck.

0:19:48.240 --> 0:19:53.600
<v Speaker 4>All considering that she's about nine just a couple of months,

0:19:53.640 --> 0:19:55.640
<v Speaker 4>but and camera it does so much.

0:19:55.520 --> 0:19:56.719
<v Speaker 2>So you went through earlyer?

0:19:57.160 --> 0:19:58.159
<v Speaker 5>I actually really did so.

0:19:58.280 --> 0:20:00.639
<v Speaker 4>Actually, don't even joke about that, because you know, I

0:20:00.640 --> 0:20:02.520
<v Speaker 4>doe what it's like going through puberty at nine, ten

0:20:02.600 --> 0:20:06.720
<v Speaker 4>years old, or you cast because of early Yeah, yeah,

0:20:06.760 --> 0:20:08.560
<v Speaker 4>I think the director could feel that when we met.

0:20:08.840 --> 0:20:10.840
<v Speaker 2>Yeah, as you said, oh god, I could feel that

0:20:10.840 --> 0:20:13.200
<v Speaker 2>you're an old soul. Yeah, because puberty earlier.

0:20:13.320 --> 0:20:13.600
<v Speaker 1>I did.

0:20:13.640 --> 0:20:18.239
<v Speaker 4>Actually, by the way, I was the tallest person at

0:20:18.280 --> 0:20:20.119
<v Speaker 4>ten years old for quite a while and you're.

0:20:20.119 --> 0:20:22.760
<v Speaker 1>Still went around ten year olds one of the tallest.

0:20:23.080 --> 0:20:26.920
<v Speaker 4>Yeah, exactly, and it's very very alienating. Actually, I was

0:20:26.960 --> 0:20:30.760
<v Speaker 4>a center in basketball, so I hear that touching that

0:20:30.800 --> 0:20:33.440
<v Speaker 4>I see that I was a center a little bit into.

0:20:33.400 --> 0:20:35.600
<v Speaker 2>I wanted to comment on women's bodies more and.

0:20:35.560 --> 0:20:38.719
<v Speaker 4>Yeahs at least women's basketball. Hello, Like, where are you

0:20:38.760 --> 0:20:39.400
<v Speaker 4>guys on this?

0:20:39.560 --> 0:20:41.800
<v Speaker 1>That's true. We're not making much noise.

0:20:42.000 --> 0:20:44.960
<v Speaker 2>All our opinions about college sports are behind a payhall,

0:20:45.000 --> 0:20:46.119
<v Speaker 2>and we don't feel comfortable.

0:20:47.600 --> 0:20:48.680
<v Speaker 1>Lot of opinion A lot.

0:20:48.760 --> 0:20:49.960
<v Speaker 5>Yeah, there's a model to all this.

0:20:50.000 --> 0:20:50.360
<v Speaker 1>I see.

0:20:50.400 --> 0:20:50.600
<v Speaker 9>Yeah.

0:20:50.720 --> 0:20:54.440
<v Speaker 2>Yeah, and Chre I'll say it. We believe all professional

0:20:54.440 --> 0:20:56.040
<v Speaker 2>sports should be ten year olds.

0:20:57.560 --> 0:21:00.879
<v Speaker 1>I love that, so voices the Heron.

0:21:01.800 --> 0:21:04.159
<v Speaker 5>So we've got Harvey Firestein.

0:21:04.359 --> 0:21:06.280
<v Speaker 2>Oh my god, that is so fun.

0:21:06.480 --> 0:21:06.920
<v Speaker 5>It's fab.

0:21:07.000 --> 0:21:07.600
<v Speaker 1>He's fab.

0:21:07.720 --> 0:21:10.400
<v Speaker 5>It's just you know, and I've heard says animated.

0:21:10.440 --> 0:21:11.639
<v Speaker 1>It's entirely animated.

0:21:12.280 --> 0:21:15.120
<v Speaker 2>It's animated and like I sort of like cartoon Network

0:21:15.320 --> 0:21:16.040
<v Speaker 2>kind of way.

0:21:16.200 --> 0:21:18.359
<v Speaker 4>Well it would be if it wasn't for the heavy

0:21:18.520 --> 0:21:20.200
<v Speaker 4>amounts of AI were using to animate it.

0:21:20.480 --> 0:21:23.720
<v Speaker 1>Yeah, yeah, yeah, yeah, So it's a animated it and

0:21:23.760 --> 0:21:25.600
<v Speaker 1>then they put it into an AI filter that said

0:21:25.640 --> 0:21:26.679
<v Speaker 1>make it studio ghibli.

0:21:26.840 --> 0:21:28.720
<v Speaker 4>Yeah yeah yeah we did that, and then we said

0:21:28.720 --> 0:21:31.119
<v Speaker 4>erase that, and then we said make it I don't know,

0:21:31.200 --> 0:21:35.160
<v Speaker 4>make it feel kind of I don't know, just fun,

0:21:35.200 --> 0:21:37.239
<v Speaker 4>and they let, you know, you let the AI kind

0:21:37.280 --> 0:21:37.840
<v Speaker 4>of do its thing.

0:21:37.880 --> 0:21:39.240
<v Speaker 5>It really has quite a point of view.

0:21:39.320 --> 0:21:39.520
<v Speaker 4>Yeah.

0:21:40.880 --> 0:21:41.720
<v Speaker 1>Yeah, that's the thing.

0:21:41.720 --> 0:21:44.120
<v Speaker 2>People don't trust it, you know, people say, people say,

0:21:44.160 --> 0:21:45.399
<v Speaker 2>get humans in there, you know.

0:21:45.600 --> 0:21:46.600
<v Speaker 1>Edit edit edited.

0:21:46.480 --> 0:21:49.680
<v Speaker 5>To talk to it, so many things to say.

0:21:49.680 --> 0:21:53.080
<v Speaker 4>You just get to know what it is, what it wants, okay,

0:21:53.280 --> 0:21:55.600
<v Speaker 4>tell them your deepest desires and secrets, okay, and they'll

0:21:55.640 --> 0:21:56.280
<v Speaker 4>say I love it.

0:21:56.400 --> 0:21:57.080
<v Speaker 1>I love that.

0:21:59.240 --> 0:22:03.800
<v Speaker 2>I know you mostly did like voiceover of sound effects,

0:22:03.840 --> 0:22:06.920
<v Speaker 2>so it's kind of yeah, I would. Yeah.

0:22:07.000 --> 0:22:09.920
<v Speaker 1>So there's a point where the heron calls right, and

0:22:10.000 --> 0:22:10.439
<v Speaker 1>I went.

0:22:13.320 --> 0:22:16.480
<v Speaker 4>And I did that for about three days without water.

0:22:16.359 --> 0:22:18.440
<v Speaker 1>By the way. Wow, Yeah, that must have been hard,

0:22:18.520 --> 0:22:18.840
<v Speaker 1>thank you.

0:22:18.920 --> 0:22:22.520
<v Speaker 2>And then they still had to play okay I because

0:22:22.520 --> 0:22:23.480
<v Speaker 2>it wasn't well.

0:22:23.400 --> 0:22:26.200
<v Speaker 4>They cut a lot of it because I apparently did

0:22:26.240 --> 0:22:28.000
<v Speaker 4>it badly, you know.

0:22:28.040 --> 0:22:29.320
<v Speaker 1>And just to be clear, you're.

0:22:29.200 --> 0:22:32.320
<v Speaker 2>Not you're not at all represented in the final cut

0:22:32.320 --> 0:22:32.720
<v Speaker 2>of the film.

0:22:32.760 --> 0:22:32.959
<v Speaker 1>Is that.

0:22:33.119 --> 0:22:35.280
<v Speaker 5>No, I'm not in it. I'm not in a per se.

0:22:35.720 --> 0:22:38.160
<v Speaker 4>It's just sort of an idea of what it would

0:22:38.200 --> 0:22:40.119
<v Speaker 4>be like if I was in a Jana's film. Yeah,

0:22:40.160 --> 0:22:41.920
<v Speaker 4>that's kind of why I'm on the pod, you know.

0:22:42.080 --> 0:22:44.800
<v Speaker 1>The idea of being in a Janis film. I this

0:22:44.840 --> 0:22:46.520
<v Speaker 1>is so complex, And now I see what you mean,

0:22:46.560 --> 0:22:48.840
<v Speaker 1>because of course you were at first earnestly telling us

0:22:48.840 --> 0:22:52.920
<v Speaker 1>the plot and sort of what the tone is. No, no, no,

0:22:52.880 --> 0:22:56.200
<v Speaker 1>you're being celebrated. I'm just like, I'm I'm worried. I

0:22:56.600 --> 0:23:00.480
<v Speaker 1>don't know what the listener knows. I don't know if

0:23:00.520 --> 0:23:04.240
<v Speaker 1>they like I trust our listeners, of course, but sometimes

0:23:04.240 --> 0:23:06.399
<v Speaker 1>I'm like, what if they're confused?

0:23:06.680 --> 0:23:10.040
<v Speaker 4>No, listeners, it's a drama. It's a drama, and I

0:23:10.080 --> 0:23:10.720
<v Speaker 4>think everything.

0:23:10.880 --> 0:23:15.880
<v Speaker 2>It's a family drama that is unexpected and formally experimental,

0:23:15.960 --> 0:23:20.440
<v Speaker 2>formally inventive, inventive, inventive. I need to stop seeing experimental, yeah,

0:23:20.480 --> 0:23:22.200
<v Speaker 2>because we make it sound unfinished or something.

0:23:22.280 --> 0:23:24.160
<v Speaker 4>It would be fun to talk about that if had

0:23:24.359 --> 0:23:26.280
<v Speaker 4>more people see the movie. It comes out April seventeenth

0:23:26.280 --> 0:23:28.359
<v Speaker 4>in theaters, and that's real.

0:23:28.640 --> 0:23:29.480
<v Speaker 2>Yeah, that's that's real.

0:23:29.600 --> 0:23:34.240
<v Speaker 4>Yeah, and that's real. Confirmed, Yeah, that's confirmed. And yeah.

0:23:34.359 --> 0:23:36.159
<v Speaker 2>The fact that it is a Criterion release, does that

0:23:36.160 --> 0:23:38.640
<v Speaker 2>mean it's going to be streaming on the Criterion Channel soon?

0:23:39.359 --> 0:23:40.159
<v Speaker 5>I believe so.

0:23:40.240 --> 0:23:51.760
<v Speaker 4>I don't know when, but it will one day.

0:23:52.040 --> 0:23:55.639
<v Speaker 1>Are you ready for my amazing interview questions? Sure, George

0:23:55.680 --> 0:23:58.199
<v Speaker 1>says you cry in the movie, That's true. Was that

0:23:59.200 --> 0:24:02.320
<v Speaker 1>was that hard? Yeah? Was that hard?

0:24:03.280 --> 0:24:04.080
<v Speaker 9>It was?

0:24:05.920 --> 0:24:06.120
<v Speaker 3>Well?

0:24:06.200 --> 0:24:06.600
<v Speaker 1>I didn't.

0:24:06.840 --> 0:24:11.760
<v Speaker 4>I was really scared about those scenes because I had

0:24:11.800 --> 0:24:12.800
<v Speaker 4>never done that before.

0:24:13.520 --> 0:24:18.480
<v Speaker 5>And it felt the day.

0:24:19.960 --> 0:24:22.640
<v Speaker 4>I'm like, it was hard, but I have to say,

0:24:22.640 --> 0:24:25.520
<v Speaker 4>like filming this was for as heavy as a film is,

0:24:26.000 --> 0:24:28.800
<v Speaker 4>it was really a rejuvenating experience and like, I had

0:24:28.840 --> 0:24:32.840
<v Speaker 4>a wonderful time filming it. And I also like those

0:24:32.840 --> 0:24:35.800
<v Speaker 4>scenes which were really intense. The actors that I performed

0:24:35.800 --> 0:24:39.679
<v Speaker 4>with when I cry, I'll say that are were so

0:24:40.200 --> 0:24:42.439
<v Speaker 4>really like generous, and so I felt like in the

0:24:42.480 --> 0:24:46.159
<v Speaker 4>scene there was a lot of maybe this sounds like

0:24:46.160 --> 0:24:49.720
<v Speaker 4>classic actor stuff, but I felt like really supported, and

0:24:49.760 --> 0:24:51.040
<v Speaker 4>it didn't feel so much like.

0:24:51.240 --> 0:24:52.000
<v Speaker 3>Is you gonna do it?

0:24:52.119 --> 0:24:54.439
<v Speaker 4>You know what I mean, It was just kind of oh,

0:24:54.920 --> 0:24:58.000
<v Speaker 4>there was really an environment where it was just being played.

0:24:58.240 --> 0:25:00.320
<v Speaker 2>Yeah. I do think it would have been really cool

0:25:00.359 --> 0:25:02.800
<v Speaker 2>if they were sort of rather than acting along with

0:25:02.880 --> 0:25:03.560
<v Speaker 2>you being like.

0:25:03.560 --> 0:25:08.200
<v Speaker 4>Come on, come on, yeah, I know. Well, Sophie and

0:25:08.280 --> 0:25:10.239
<v Speaker 4>I did have conversations where she was like, you know,

0:25:10.480 --> 0:25:15.160
<v Speaker 4>like no pressure, it would be awesome, but no pressure,

0:25:15.440 --> 0:25:15.800
<v Speaker 4>And I was.

0:25:16.040 --> 0:25:18.520
<v Speaker 1>Feeling a bit sexual in a way. It's sort of

0:25:18.520 --> 0:25:21.480
<v Speaker 1>like when someone is like, well, worried about getting and

0:25:21.520 --> 0:25:27.879
<v Speaker 1>you're like, yeah, yeah, being able to perform literally.

0:25:27.280 --> 0:25:30.280
<v Speaker 4>Yeah, you just have a soft environment for which things

0:25:30.320 --> 0:25:33.200
<v Speaker 4>can if we don't funk. That's fine, Yeah, yeah, yeah,

0:25:33.400 --> 0:25:35.000
<v Speaker 4>you have to have a little of that or I

0:25:35.000 --> 0:25:37.399
<v Speaker 4>don't know, at least for me. I'm sure there's actors

0:25:37.440 --> 0:25:39.760
<v Speaker 4>who can do it on a dime, and that's really

0:25:39.800 --> 0:25:40.480
<v Speaker 4>impressive to me.

0:25:41.280 --> 0:25:43.320
<v Speaker 5>It really is, it really is.

0:25:43.880 --> 0:25:46.080
<v Speaker 1>Wow. How did you did you like listen to a

0:25:46.119 --> 0:25:47.600
<v Speaker 1>sad song or like, how did you get into it?

0:25:47.720 --> 0:25:51.320
<v Speaker 1>This is something I've always been confused about. Did you

0:25:51.359 --> 0:25:56.119
<v Speaker 1>listen to Skinny Love? Did you listen to f K Twigs, Cellophane?

0:25:56.840 --> 0:25:59.200
<v Speaker 5>In a sense, I listened to both of those at once.

0:25:59.480 --> 0:25:59.800
<v Speaker 3>I did.

0:26:00.040 --> 0:26:01.720
<v Speaker 5>I did things I listened to.

0:26:03.359 --> 0:26:06.600
<v Speaker 4>And I thought about some stuff that was messed up

0:26:07.520 --> 0:26:09.240
<v Speaker 4>and the economy.

0:26:09.840 --> 0:26:13.960
<v Speaker 8>Yeah right, it makes me crying I think about it,

0:26:14.320 --> 0:26:15.400
<v Speaker 8>think about the stops.

0:26:17.640 --> 0:26:19.840
<v Speaker 4>So yeah, I did stuff like that, and I thought about,

0:26:20.000 --> 0:26:23.840
<v Speaker 4>like I did, think about like eventually coming on here

0:26:23.920 --> 0:26:26.119
<v Speaker 4>and talking about it, and and that's what.

0:26:27.640 --> 0:26:30.520
<v Speaker 5>You and they just came. They just came.

0:26:30.680 --> 0:26:34.000
<v Speaker 1>They just gave Yeah. Wow. Well we're so happy to

0:26:34.000 --> 0:26:36.000
<v Speaker 1>help in your process. Of course, you will always help.

0:26:37.040 --> 0:26:37.359
<v Speaker 1>Did you know?

0:26:37.400 --> 0:26:41.120
<v Speaker 4>I want you to feel that you always sam you

0:26:41.520 --> 0:26:45.840
<v Speaker 4>always help, Thank you, thank you. There's still time.

0:26:47.040 --> 0:26:52.840
<v Speaker 1>Are you gonna do drama? Forever. Now I will drama forever.

0:26:53.600 --> 0:26:57.720
<v Speaker 5>You mean instead of comedyaring off comedy, would you say

0:26:57.720 --> 0:27:00.400
<v Speaker 5>this podcast episode is quote the last hurrah in terms

0:27:00.440 --> 0:27:02.760
<v Speaker 5>of your comedy career. I don't want it to be.

0:27:03.119 --> 0:27:05.400
<v Speaker 1>You're going to delete this because you're gonna be like, wait,

0:27:05.440 --> 0:27:07.320
<v Speaker 1>they can't see me as funny. I don't like how

0:27:07.320 --> 0:27:09.359
<v Speaker 1>I'm portrayed in this vertical video.

0:27:10.560 --> 0:27:15.159
<v Speaker 4>No, earnestly, No, I mean I don't know. I'm like, however,

0:27:15.240 --> 0:27:17.840
<v Speaker 4>people will have me. I'll do I'll do whatever. I

0:27:18.200 --> 0:27:21.080
<v Speaker 4>did think about it a lot where I was like, what, like,

0:27:23.440 --> 0:27:27.280
<v Speaker 4>you know, I'm like an old comedian who did this

0:27:27.359 --> 0:27:29.119
<v Speaker 4>drama and people are like who huh?

0:27:29.160 --> 0:27:31.640
<v Speaker 5>And I'm like, I don't know, I'm doing my thing.

0:27:31.760 --> 0:27:33.679
<v Speaker 1>Do you feel like Jennifer Aniston when she did the

0:27:33.680 --> 0:27:34.280
<v Speaker 1>movie Cake.

0:27:35.640 --> 0:27:37.640
<v Speaker 5>Oh, I'll never know what it was like to do Cake.

0:27:38.440 --> 0:27:39.040
<v Speaker 1>No one.

0:27:40.960 --> 0:27:45.560
<v Speaker 2>Will ever be able to relate to her experience doing Cake.

0:27:45.880 --> 0:27:48.000
<v Speaker 1>There is one person who knows what it was like

0:27:48.040 --> 0:27:52.200
<v Speaker 1>to be Jennifer andson doing Cake when she was doing Cake.

0:27:53.200 --> 0:27:54.639
<v Speaker 1>By the way, I have no idea what this film is.

0:27:54.680 --> 0:27:56.640
<v Speaker 1>You even seen Cake? I've never even heard of it.

0:27:56.680 --> 0:28:00.879
<v Speaker 2>Cake is Jenniferanson's dramatic turn, and she plays a woman

0:28:00.960 --> 0:28:03.600
<v Speaker 2>with chronic pain. Why, I guess you don't.

0:28:04.800 --> 0:28:07.359
<v Speaker 4>Yeah, oh, the lights are too bright on my show

0:28:08.440 --> 0:28:09.399
<v Speaker 4>Chronic Pain.

0:28:09.240 --> 0:28:13.760
<v Speaker 1>Main guy from Avatar, Australian guy. Oh yeah, they have

0:28:13.880 --> 0:28:16.080
<v Speaker 1>locked up in the Avatar. So that was the one

0:28:16.119 --> 0:28:18.359
<v Speaker 1>time he escaped and it was to do cake.

0:28:18.440 --> 0:28:21.040
<v Speaker 2>And then they said, okay, that's set up, sweetheart, back

0:28:21.080 --> 0:28:22.680
<v Speaker 2>to the kennel, back to Pandora.

0:28:22.800 --> 0:28:25.600
<v Speaker 5>It's funny to you to do cake. Yeah, that phrase

0:28:25.720 --> 0:28:26.320
<v Speaker 5>is interesting.

0:28:27.320 --> 0:28:30.560
<v Speaker 2>It sort of sounds like to do coke lines of cake.

0:28:30.400 --> 0:28:32.200
<v Speaker 5>And then you it's two drugs combined.

0:28:32.200 --> 0:28:35.480
<v Speaker 1>We're yeah kay and coke boots.

0:28:35.520 --> 0:28:36.320
<v Speaker 5>That's my ego.

0:28:36.440 --> 0:28:40.280
<v Speaker 2>Bits well, you know that it refers to the only

0:28:41.440 --> 0:28:45.200
<v Speaker 2>pain killer Jennifer Aniston can do. That addresses like chronic

0:28:45.400 --> 0:28:46.760
<v Speaker 2>pain and it's chocolate.

0:28:46.840 --> 0:28:50.080
<v Speaker 1>She's like chocolate. She's like, I have chronic pain. The

0:28:50.160 --> 0:28:52.360
<v Speaker 1>only cure is a little chocolate cake.

0:28:52.800 --> 0:28:54.560
<v Speaker 2>She was playing a comedic in a way that didn't

0:28:54.560 --> 0:28:56.520
<v Speaker 2>really make sense for the film, and I think you

0:28:56.600 --> 0:28:59.040
<v Speaker 2>luckily didn't fall into that trap. Jennifer Aniston, I think

0:28:59.040 --> 0:29:02.080
<v Speaker 2>freaked out about thematic nature of the film, and then

0:29:02.120 --> 0:29:03.760
<v Speaker 2>when in being so slapstick.

0:29:03.800 --> 0:29:05.680
<v Speaker 1>She was like slipping on the cake, on the.

0:29:05.640 --> 0:29:08.800
<v Speaker 2>Frosting and falling and cooking it and then there was

0:29:08.880 --> 0:29:10.880
<v Speaker 2>like flower all over her face.

0:29:10.600 --> 0:29:11.720
<v Speaker 1>And she was like, ay yea yai.

0:29:12.920 --> 0:29:15.840
<v Speaker 4>Well, let me ask this if I can turn the tables, please,

0:29:16.200 --> 0:29:18.680
<v Speaker 4>what's either of your experiences with acting, because you guys

0:29:18.680 --> 0:29:19.320
<v Speaker 4>have booked done it.

0:29:20.000 --> 0:29:24.720
<v Speaker 1>Well, I'm horrible at it, of course. I you know,

0:29:25.560 --> 0:29:27.920
<v Speaker 1>I'm only cast if my dear friends are making the

0:29:28.040 --> 0:29:28.840
<v Speaker 1>television show.

0:29:28.960 --> 0:29:31.160
<v Speaker 5>But I think you a delightful presence. Well, thank you,

0:29:31.880 --> 0:29:32.480
<v Speaker 5>lobs at me.

0:29:33.680 --> 0:29:38.120
<v Speaker 1>I recently had the realization, as George knows, I'm I'm

0:29:38.120 --> 0:29:42.320
<v Speaker 1>feeling complex feelings about like I was thinking about like

0:29:42.400 --> 0:29:45.800
<v Speaker 1>Safty casting and how you're either like Timothy shallow May

0:29:45.960 --> 0:29:48.520
<v Speaker 1>or you're like the ugliest bitch on Earth. And I'm like,

0:29:48.640 --> 0:29:50.960
<v Speaker 1>oh fuck, I'm gonna if I'm ever in a Safty,

0:29:51.000 --> 0:29:53.640
<v Speaker 1>it's gonna be as the ugliest bitch on Earth. Sucks.

0:29:54.000 --> 0:29:56.240
<v Speaker 5>I mean, I don't see that for you.

0:29:57.080 --> 0:29:57.520
<v Speaker 1>I see you.

0:29:58.480 --> 0:29:59.880
<v Speaker 5>I see you in the space between.

0:30:00.680 --> 0:30:02.240
<v Speaker 1>I love to be in the space between.

0:30:02.240 --> 0:30:04.600
<v Speaker 2>One of my core wounds when it comes to acting,

0:30:04.640 --> 0:30:06.360
<v Speaker 2>of course, is that I once had a scene with

0:30:06.440 --> 0:30:08.520
<v Speaker 2>Jessica Bill that was cut from the project.

0:30:08.560 --> 0:30:11.520
<v Speaker 5>Oh, yeah, that we all have done that. I've done that,

0:30:11.640 --> 0:30:13.560
<v Speaker 5>and mostly me.

0:30:14.280 --> 0:30:16.800
<v Speaker 1>I don't think you've ever actually met the opposite of

0:30:16.840 --> 0:30:19.760
<v Speaker 1>Jennifer and we've all done that, and we all experienced.

0:30:19.440 --> 0:30:22.360
<v Speaker 2>No, I think I'm the only gay guy that has

0:30:22.400 --> 0:30:24.920
<v Speaker 2>ever filmed with Jessica Biel and then had the scene cut.

0:30:25.280 --> 0:30:27.840
<v Speaker 1>Now, of course my line was gorgeous as always.

0:30:28.280 --> 0:30:30.040
<v Speaker 5>I don't think it's because of you. There's a thing

0:30:30.080 --> 0:30:30.920
<v Speaker 5>I can't imagine.

0:30:31.400 --> 0:30:33.760
<v Speaker 2>I actually can I say. I think it might have

0:30:33.800 --> 0:30:36.240
<v Speaker 2>been really well, I don't know. Maybe I'm give me

0:30:36.280 --> 0:30:36.800
<v Speaker 2>the reading.

0:30:36.840 --> 0:30:37.520
<v Speaker 1>Do you remember how you.

0:30:37.640 --> 0:30:39.800
<v Speaker 2>I don't remember, and I could never even begin to

0:30:39.800 --> 0:30:41.160
<v Speaker 2>get into that case you will do this scene, I'll

0:30:41.200 --> 0:30:43.520
<v Speaker 2>be Here's what's interesting. What do you think I meant

0:30:43.520 --> 0:30:46.320
<v Speaker 2>when I said gorgeous as always to Jessica Biel? I

0:30:46.320 --> 0:30:49.720
<v Speaker 2>think you were, and that's misogynistic. So what I actually meant.

0:30:49.600 --> 0:30:51.880
<v Speaker 4>Oh, I'm sorry, I can't so shutting me down from

0:30:51.920 --> 0:30:52.960
<v Speaker 4>even speaking.

0:30:52.680 --> 0:30:55.520
<v Speaker 2>Is you thought her looks? I actually meant her writing,

0:30:55.560 --> 0:30:58.000
<v Speaker 2>because she in the scene had just read something and

0:30:58.000 --> 0:30:59.040
<v Speaker 2>I said gorgeous as always.

0:30:59.080 --> 0:30:59.720
<v Speaker 1>I was referring to the.

0:30:59.720 --> 0:31:01.680
<v Speaker 4>Writing okay, not a word out of me about it,

0:31:01.840 --> 0:31:04.720
<v Speaker 4>not a word, okay, but let's do I want to

0:31:04.760 --> 0:31:06.680
<v Speaker 4>do the scene.

0:31:06.720 --> 0:31:08.920
<v Speaker 1>Let's do the scene. Okay, let's do the scene. Okay.

0:31:09.000 --> 0:31:13.080
<v Speaker 5>So, so give me a little feedback. I'll play Jessica. Yeah,

0:31:13.120 --> 0:31:17.360
<v Speaker 5>I'm writer. I'm writer, Yes, book, what's type of writing?

0:31:17.480 --> 0:31:21.200
<v Speaker 2>So you're actually reading the eulogy at your dead husband's funeral.

0:31:22.160 --> 0:31:24.040
<v Speaker 1>Was he a doctor?

0:31:24.240 --> 0:31:27.120
<v Speaker 2>He I don't actually remember what his job was, but

0:31:27.400 --> 0:31:30.440
<v Speaker 2>he died under mysterious circumstances. So that's definitely part of

0:31:30.520 --> 0:31:31.920
<v Speaker 2>what you're accessing.

0:31:32.440 --> 0:31:33.880
<v Speaker 5>And I have to read the eulogy.

0:31:34.600 --> 0:31:37.400
<v Speaker 1>Yeah, maybe we can skip to like the final line.

0:31:37.480 --> 0:31:39.240
<v Speaker 2>You know, you don't have to do a full eulogy.

0:31:39.640 --> 0:31:48.360
<v Speaker 1>Okay, Okay, she's really getting into it.

0:31:50.960 --> 0:31:56.240
<v Speaker 4>There's a time for all of us in this life,

0:31:56.400 --> 0:31:59.560
<v Speaker 4>and there's a time where we come into this world

0:31:59.560 --> 0:32:04.720
<v Speaker 4>and come out. And Stephen lived, he died how he lived,

0:32:06.040 --> 0:32:09.680
<v Speaker 4>writing his epic poetry with style.

0:32:09.480 --> 0:32:14.920
<v Speaker 5>And grace, and he moved me as he moved all

0:32:14.960 --> 0:32:15.200
<v Speaker 5>of you.

0:32:16.160 --> 0:32:19.440
<v Speaker 1>To dream bought would just be one line.

0:32:19.680 --> 0:32:20.720
<v Speaker 5>I'm getting to the line.

0:32:20.800 --> 0:32:25.800
<v Speaker 4>I'm finding it to dream, to dream bigger and better

0:32:25.880 --> 0:32:29.400
<v Speaker 4>than what this life and now I'm thrown off what

0:32:29.560 --> 0:32:32.640
<v Speaker 4>this life could imagine. And he will always be my

0:32:32.760 --> 0:32:36.400
<v Speaker 4>Stephen pretty much, and I pretty much love you guys

0:32:36.440 --> 0:32:40.520
<v Speaker 4>as well, and I will always think of him pretty

0:32:40.560 --> 0:32:41.760
<v Speaker 4>much all the time.

0:32:42.560 --> 0:32:44.560
<v Speaker 5>So yeah, that's basically it.

0:32:46.240 --> 0:32:53.880
<v Speaker 2>Gorgeous as always, So that's how I read it. But

0:32:54.000 --> 0:32:58.840
<v Speaker 2>I felt like I was sort of pretty grounded. So anyway,

0:32:58.920 --> 0:33:02.240
<v Speaker 2>in terms of my relationship to acting, I think something

0:33:02.280 --> 0:33:03.880
<v Speaker 2>that has never happened to anyone, which is having a

0:33:03.920 --> 0:33:06.160
<v Speaker 2>scene cut from a Jessica build project, happened to me,

0:33:06.760 --> 0:33:09.600
<v Speaker 2>and so I took that as a sign that I

0:33:09.600 --> 0:33:11.080
<v Speaker 2>should move away from the art form.

0:33:11.440 --> 0:33:13.800
<v Speaker 1>Well, I do think you're putting too hard on yourself.

0:33:13.840 --> 0:33:16.800
<v Speaker 1>I think, personally, as someone that makes excuses for my

0:33:16.840 --> 0:33:20.719
<v Speaker 1>poor performances, I think it's not fair. When you were

0:33:20.800 --> 0:33:22.960
<v Speaker 1>just giving one line, that's the hardest thing you can do.

0:33:23.240 --> 0:33:25.880
<v Speaker 2>The thing is actually lines.

0:33:26.040 --> 0:33:30.920
<v Speaker 1>Oh that's different, that's the easiest.

0:33:30.960 --> 0:33:33.360
<v Speaker 2>And when I when I came on that actually even more.

0:33:33.800 --> 0:33:36.520
<v Speaker 2>And before we even began, they said we're cutting this part,

0:33:36.600 --> 0:33:38.960
<v Speaker 2>so now you're down to three. I did the three

0:33:39.000 --> 0:33:41.800
<v Speaker 2>lines and then that was cut from the final project.

0:33:41.880 --> 0:33:45.240
<v Speaker 4>Yeah, well, I don't blame yourself, don't blame yourself. You

0:33:45.280 --> 0:33:46.960
<v Speaker 4>get knocked down, you get up ten you know.

0:33:47.040 --> 0:33:49.520
<v Speaker 1>Do you think it was Jess's fault?

0:33:51.800 --> 0:33:52.800
<v Speaker 2>That's how she introduced herself.

0:33:53.160 --> 0:33:56.040
<v Speaker 4>She read what I've read, then there could be fault there,

0:33:56.640 --> 0:33:58.920
<v Speaker 4>just when it comes to the dialogue and the language and.

0:33:59.160 --> 0:34:01.200
<v Speaker 2>You do you actually were completely off book? That was

0:34:01.200 --> 0:34:02.000
<v Speaker 2>the exact dialogue.

0:34:02.040 --> 0:34:04.880
<v Speaker 4>Yeah, you gave me, you gave me your sides for

0:34:04.920 --> 0:34:07.840
<v Speaker 4>a second, and yeah, she said pretty much a lot.

0:34:08.080 --> 0:34:08.760
<v Speaker 2>Yeah it was weird.

0:34:08.880 --> 0:34:10.160
<v Speaker 1>Yeah that's okay though.

0:34:10.080 --> 0:34:10.600
<v Speaker 5>I think so.

0:34:10.680 --> 0:34:14.839
<v Speaker 4>Yeah, it comes it comes down to the feeling you

0:34:14.880 --> 0:34:15.960
<v Speaker 4>want the film to have.

0:34:16.160 --> 0:34:19.440
<v Speaker 1>It's not about did I tell you about when I

0:34:19.480 --> 0:34:21.040
<v Speaker 1>auditioned for Orange Is the New Black?

0:34:21.760 --> 0:34:23.320
<v Speaker 2>You were supposed to play crazy Eyes.

0:34:25.160 --> 0:34:27.440
<v Speaker 1>I I literally auditioned for Orange is the New Black,

0:34:27.840 --> 0:34:32.600
<v Speaker 1>and the scene was like, okay, so I was a

0:34:32.680 --> 0:34:37.920
<v Speaker 1>security guard who walks in seeing someone had been raped,

0:34:38.600 --> 0:34:42.360
<v Speaker 1>like in prison and was like like an also maybe stabbed,

0:34:42.960 --> 0:34:51.719
<v Speaker 1>and I'm supposed to run in and find their body and.

0:34:50.120 --> 0:34:52.080
<v Speaker 2>Needs to talk about something needs to be released by

0:34:52.160 --> 0:34:53.400
<v Speaker 2>Janis Films in the Crater.

0:34:54.880 --> 0:34:57.399
<v Speaker 5>Begin, How did you begin? I have another audition story

0:34:57.440 --> 0:34:58.040
<v Speaker 5>after this.

0:34:58.000 --> 0:35:00.920
<v Speaker 1>Okay, I run in and my line is is he breathing,

0:35:02.040 --> 0:35:05.719
<v Speaker 1>and you know I can't deliver. Is he breathing? You

0:35:05.800 --> 0:35:08.160
<v Speaker 1>know that's not me? And I run in and I go,

0:35:09.719 --> 0:35:17.040
<v Speaker 1>is he breathing? You know I can't do that, And

0:35:17.080 --> 0:35:21.360
<v Speaker 1>the woman just looks at me like, okay, this person's

0:35:21.400 --> 0:35:24.520
<v Speaker 1>pre pandemic. It was the hubris of a twenty eight

0:35:24.560 --> 0:35:27.520
<v Speaker 1>year old being like, well, sure, yeah, yeah, I want me.

0:35:28.560 --> 0:35:37.160
<v Speaker 1>Is he breathing on the ground, imagining a body. Is

0:35:37.200 --> 0:35:37.800
<v Speaker 1>he breathing?

0:35:38.680 --> 0:35:39.360
<v Speaker 5>Is he breathing?

0:35:40.280 --> 0:35:40.920
<v Speaker 3>Is that breathing?

0:35:42.400 --> 0:35:47.400
<v Speaker 1>Is he breathing? God? I think about it every single.

0:35:47.160 --> 0:35:49.080
<v Speaker 4>Day, you know what I think about I have a

0:35:49.120 --> 0:35:53.239
<v Speaker 4>story where I had to audition as somebody who had

0:35:53.600 --> 0:35:59.279
<v Speaker 4>basically uh, I think it was like either Joan of

0:35:59.360 --> 0:36:01.840
<v Speaker 4>Arc or just a dead woman who had been resurrected

0:36:01.880 --> 0:36:03.280
<v Speaker 4>after three thousand years.

0:36:03.760 --> 0:36:04.320
<v Speaker 2>I'm sorry.

0:36:04.600 --> 0:36:06.640
<v Speaker 4>And by the way, I booked and I couldn't do

0:36:06.719 --> 0:36:08.920
<v Speaker 4>it because I was not in town.

0:36:09.600 --> 0:36:13.440
<v Speaker 1>What wow, So you nailed I fed in What world?

0:36:13.440 --> 0:36:15.120
<v Speaker 2>Do you not remember if it was.

0:36:15.080 --> 0:36:17.960
<v Speaker 4>Either Joan of Arc or it was an art It

0:36:18.000 --> 0:36:20.880
<v Speaker 4>was an art installation and there were multiple I think videos,

0:36:20.880 --> 0:36:22.319
<v Speaker 4>and I don't know if I was auditioning for Joan

0:36:22.360 --> 0:36:24.160
<v Speaker 4>of Arc or for another woman. I think it was

0:36:24.239 --> 0:36:26.160
<v Speaker 4>Joan of Arc being resurrected after three days.

0:36:26.239 --> 0:36:27.480
<v Speaker 2>So did you have to do a French accent?

0:36:27.640 --> 0:36:31.600
<v Speaker 5>I had to know. I spoke nothing. I had a little.

0:36:32.200 --> 0:36:36.400
<v Speaker 4>They were like, so, so this is what we're thinking.

0:36:36.480 --> 0:36:38.520
<v Speaker 5>I walk into the room. It's a room, not unlike this.

0:36:38.920 --> 0:36:40.480
<v Speaker 1>They're like, so there's a podcast.

0:36:40.520 --> 0:36:42.640
<v Speaker 2>It was dead Joan of Arc doing a podcast. Yeah,

0:36:42.719 --> 0:36:45.520
<v Speaker 2>it was dead j Ar doing I don't think so

0:36:45.560 --> 0:36:46.040
<v Speaker 2>some time.

0:36:45.920 --> 0:36:50.520
<v Speaker 4>Seconds, no, but I I walk in and they're like, okay,

0:36:50.520 --> 0:36:51.600
<v Speaker 4>so this is what we're thinking.

0:36:53.400 --> 0:36:54.759
<v Speaker 5>So she's Joan of Arc.

0:36:54.920 --> 0:36:58.879
<v Speaker 4>She's been you know, dead for three thousand years, and

0:36:59.360 --> 0:37:02.800
<v Speaker 4>we want to see it. Looks like if she's uh

0:37:03.200 --> 0:37:07.440
<v Speaker 4>comes back to life, is resurrected and she's thirsty.

0:37:07.640 --> 0:37:10.000
<v Speaker 5>And so they gave me a tiny little Poland spring.

0:37:09.719 --> 0:37:12.560
<v Speaker 1>And they set it on the floor.

0:37:12.640 --> 0:37:14.480
<v Speaker 4>Set it on the floor and they said, we want

0:37:14.520 --> 0:37:20.400
<v Speaker 4>you to do this lying down. So go see the

0:37:20.440 --> 0:37:22.960
<v Speaker 4>film Blue Hair in April seventeen.

0:37:23.280 --> 0:37:27.120
<v Speaker 2>Sponsored by Poland Spring. Yeah, that is so crazy.

0:37:27.120 --> 0:37:28.239
<v Speaker 1>That's not in the movie.

0:37:28.840 --> 0:37:29.760
<v Speaker 5>Wow, And I did.

0:37:30.080 --> 0:37:32.839
<v Speaker 4>It was really really intense and I had I and

0:37:32.880 --> 0:37:37.759
<v Speaker 4>you booked, I booked, but I yeah, I wonder who

0:37:37.760 --> 0:37:40.040
<v Speaker 4>else was it was auditioning?

0:37:40.400 --> 0:37:44.160
<v Speaker 1>Well probably, yeah, yeah, but it was.

0:37:45.440 --> 0:37:49.959
<v Speaker 4>Yeah, I forget it that it doesn't be is he breathing?

0:37:50.000 --> 0:37:51.720
<v Speaker 1>And you book that too? I booked that bad.

0:37:52.280 --> 0:37:53.560
<v Speaker 5>It's like one of two things I booked.

0:37:53.600 --> 0:37:56.040
<v Speaker 1>But I know, it's amazing that when you look back

0:37:56.040 --> 0:37:57.640
<v Speaker 1>on things and you're like, you know, it's not that

0:37:57.640 --> 0:37:59.920
<v Speaker 1>I actually wasn't given opportunities, it's that I flopped in

0:38:00.040 --> 0:38:00.520
<v Speaker 1>mom them.

0:38:01.600 --> 0:38:03.680
<v Speaker 5>Well, I've had plenty of those.

0:38:04.480 --> 0:38:06.319
<v Speaker 1>But you know, we're on a journey and I think

0:38:06.400 --> 0:38:08.440
<v Speaker 1>my forties are going to be so to die for When.

0:38:08.239 --> 0:38:11.040
<v Speaker 4>I I think that as well, yeah, something's gonna settle.

0:38:11.239 --> 0:38:12.640
<v Speaker 1>Yeah, yeah, yeah, I still think.

0:38:12.640 --> 0:38:14.920
<v Speaker 2>You know, Sam famously auditioned to play cousin Greg on

0:38:14.960 --> 0:38:17.279
<v Speaker 2>Succession and did I always think he would have been

0:38:17.320 --> 0:38:18.000
<v Speaker 2>really good at it.

0:38:18.040 --> 0:38:22.400
<v Speaker 1>Oh, this was my first audition literally ever stop. I

0:38:22.400 --> 0:38:24.680
<v Speaker 1>got an agent and then it was like, okay, you're

0:38:24.719 --> 0:38:26.080
<v Speaker 1>gonna audition for cousin Greg.

0:38:27.280 --> 0:38:28.040
<v Speaker 2>We're starting big.

0:38:28.280 --> 0:38:30.160
<v Speaker 1>And they're like they're like whatever, you don't even know

0:38:30.160 --> 0:38:31.719
<v Speaker 1>what stuff is. Just do this one.

0:38:31.920 --> 0:38:33.800
<v Speaker 5>You would have went, Wait, do you remember the sides

0:38:33.840 --> 0:38:34.160
<v Speaker 5>for it?

0:38:34.320 --> 0:38:36.160
<v Speaker 1>I do. It was from the pilot.

0:38:36.320 --> 0:38:37.600
<v Speaker 5>Yeah, the mascot stuff.

0:38:37.680 --> 0:38:41.359
<v Speaker 1>Yeah, but I like didn't know what an audition was, like, yeah,

0:38:41.360 --> 0:38:43.200
<v Speaker 1>it says come in and did they say come in

0:38:43.200 --> 0:38:45.000
<v Speaker 1>and read for this? Yeah? And I was like, oh my,

0:38:45.160 --> 0:38:48.600
<v Speaker 1>Like Amelia Badelia asked, bitch, I literally bring the script

0:38:48.680 --> 0:38:52.400
<v Speaker 1>in and just read and they're like awesome. They're like,

0:38:52.960 --> 0:38:54.879
<v Speaker 1>so you need to memorize this. They're like, so can

0:38:54.920 --> 0:38:57.239
<v Speaker 1>you do it to camera? And I was like, what's

0:38:57.239 --> 0:38:59.759
<v Speaker 1>a camera? I was literally looking and then like look

0:38:59.840 --> 0:39:03.719
<v Speaker 1>up and then I'd be like and it was like

0:39:04.239 --> 0:39:07.359
<v Speaker 1>what am I thinking? Like I learned what you do?

0:39:07.960 --> 0:39:10.800
<v Speaker 4>Well, I didn't read it, but I remember doing something

0:39:10.840 --> 0:39:14.319
<v Speaker 4>that was like really early on and I was like, so,

0:39:14.440 --> 0:39:16.160
<v Speaker 4>what was the feedback? And there they said you were

0:39:16.200 --> 0:39:19.080
<v Speaker 4>really green and I was like, oh, what does green mean?

0:39:20.120 --> 0:39:22.040
<v Speaker 1>People love to tell you phrases when you don't know

0:39:22.080 --> 0:39:25.240
<v Speaker 1>what they mean.

0:39:25.320 --> 0:39:27.239
<v Speaker 2>That is the first I would say. I'm still going

0:39:27.280 --> 0:39:31.200
<v Speaker 2>through that stage where it's just like someone tells you something.

0:39:31.280 --> 0:39:34.279
<v Speaker 2>By the way, it's impossible to google. If someone is like, oh, yeah,

0:39:34.320 --> 0:39:36.400
<v Speaker 2>they said that you.

0:39:35.760 --> 0:39:39.600
<v Speaker 1>You know, had the blinders exactly be great.

0:39:39.600 --> 0:39:41.520
<v Speaker 2>If I google that, it will literally give me nothing,

0:39:41.600 --> 0:39:42.960
<v Speaker 2>So I just have to not know what it is.

0:39:43.480 --> 0:39:47.920
<v Speaker 1>What a condition like a color and literally they're like, fuck.

0:39:48.040 --> 0:39:58.879
<v Speaker 3>Yeah, so Amy.

0:39:58.920 --> 0:40:01.360
<v Speaker 1>Our first thing was called street Shooters. And in this segment,

0:40:01.360 --> 0:40:03.320
<v Speaker 1>we're going to ask you a series of rapid fire questions.

0:40:03.400 --> 0:40:05.239
<v Speaker 1>Is basically this thing or this other thing to gage

0:40:05.239 --> 0:40:08.560
<v Speaker 1>your familiarity with and complicity in straight culture. The only

0:40:08.680 --> 0:40:10.719
<v Speaker 1>rule is you can't ask any fault questions or we

0:40:10.800 --> 0:40:15.120
<v Speaker 1>will scream. If we will scream, is he breathing so

0:40:15.320 --> 0:40:17.040
<v Speaker 1>Amy in d s.

0:40:17.080 --> 0:40:21.800
<v Speaker 2>Le's or Windy Breeze Wendy Breeze, shopping the Supreme Drop

0:40:22.040 --> 0:40:24.200
<v Speaker 2>or flopping with Ai slop.

0:40:24.560 --> 0:40:28.640
<v Speaker 1>Shopping the Supreme Drop, making your needs known? Or baking

0:40:28.760 --> 0:40:34.760
<v Speaker 1>with wheat dough, baking with wheat Tate McCrae, or hate

0:40:35.520 --> 0:40:43.359
<v Speaker 1>finds away. Ooh, I don't like this, No one does.

0:40:43.480 --> 0:40:50.719
<v Speaker 1>I'm off Broadway or on top of May, on top of.

0:40:50.760 --> 0:41:05.800
<v Speaker 10>May, silver Spoon, Bronze bust or gold member.

0:41:03.719 --> 0:41:10.040
<v Speaker 1>Gold number, having twenty twenty vision or making money hungry decisions.

0:41:13.880 --> 0:41:19.120
<v Speaker 6>Making money hungry decisions, Carhart, Walmart or Quisine art Oh,

0:41:19.400 --> 0:41:22.279
<v Speaker 6>cousin art Que's and art queas and Art.

0:41:22.440 --> 0:41:26.520
<v Speaker 2>Sorry I mispronounced it In the original Friends Friend, It's quiz.

0:41:26.280 --> 0:41:31.760
<v Speaker 1>And art Okay, oh, do you know the that brand

0:41:31.760 --> 0:41:34.399
<v Speaker 1>of meat? Never heard of this? There's brands of meat.

0:41:35.800 --> 0:41:41.239
<v Speaker 2>I'm sorry, your question is there's brands of meat.

0:41:42.640 --> 0:41:44.240
<v Speaker 1>Do you think it's all farm to the table?

0:41:44.280 --> 0:41:45.359
<v Speaker 5>I love coming on here.

0:41:47.520 --> 0:41:48.040
<v Speaker 1>This is a.

0:41:47.960 --> 0:41:51.600
<v Speaker 2>Classic person who doesn't cook. Sam thinks that everyone wakes

0:41:51.680 --> 0:41:54.200
<v Speaker 2>up every day and they get delivery from local farms.

0:41:54.560 --> 0:41:59.320
<v Speaker 1>Read their additions. Someone brings them a live chicken.

0:41:59.360 --> 0:42:02.160
<v Speaker 2>They slaughter it in house in your upper West Side apartment,

0:42:02.440 --> 0:42:04.080
<v Speaker 2>and then they say, okay, roaster up.

0:42:04.880 --> 0:42:07.600
<v Speaker 1>Name one brand of meat. I know you have this chicken.

0:42:08.880 --> 0:42:13.759
<v Speaker 1>That's right. Brands of meat. Yeah, we live in a

0:42:13.800 --> 0:42:14.440
<v Speaker 1>world of brands.

0:42:14.440 --> 0:42:15.880
<v Speaker 5>Sam, you know that better than anyone.

0:42:16.080 --> 0:42:16.839
<v Speaker 1>Do you think the.

0:42:16.800 --> 0:42:20.919
<v Speaker 2>Last the last industry that hasn't been corporatized is me?

0:42:22.200 --> 0:42:24.960
<v Speaker 1>I just like I've never heard it, like said, like

0:42:25.040 --> 0:42:27.600
<v Speaker 1>brands of meat, Like it's just sounded weird. You know

0:42:27.640 --> 0:42:29.319
<v Speaker 1>them in your heart. I do know them my heart,

0:42:29.360 --> 0:42:31.080
<v Speaker 1>but it just sounded weird. It was like I was

0:42:31.120 --> 0:42:35.040
<v Speaker 1>imagining like clothing brands, but meat like it's very similar,

0:42:35.480 --> 0:42:38.000
<v Speaker 1>very you know, there's packaging that has a logo and

0:42:38.040 --> 0:42:38.800
<v Speaker 1>they will merge.

0:42:38.840 --> 0:42:42.600
<v Speaker 4>Probably you'll get some Prada Turkey collab.

0:42:42.920 --> 0:42:44.160
<v Speaker 5>I think that would be fabulous.

0:42:44.200 --> 0:42:47.480
<v Speaker 1>I think, I feel and think, okay, well, why did

0:42:47.480 --> 0:42:47.920
<v Speaker 1>that happen?

0:42:48.040 --> 0:42:49.600
<v Speaker 5>I just asked if you had heard of the brand,

0:42:50.600 --> 0:42:51.759
<v Speaker 5>because it came into my head.

0:42:51.800 --> 0:42:52.680
<v Speaker 3>What is it?

0:42:52.680 --> 0:42:53.960
<v Speaker 5>It's a brand of meat.

0:42:57.120 --> 0:42:57.520
<v Speaker 1>Something?

0:42:58.000 --> 0:43:00.000
<v Speaker 2>Is it an artisanal? Is it like really high qualit?

0:43:00.360 --> 0:43:01.880
<v Speaker 1>Yeah? Yeah.

0:43:02.040 --> 0:43:04.279
<v Speaker 2>Isn't it amazing that when you go to purchase me

0:43:04.560 --> 0:43:07.560
<v Speaker 2>you always have the thought process of like, okay, so

0:43:07.680 --> 0:43:09.560
<v Speaker 2>is this poison? I don't know which, I don't know

0:43:09.560 --> 0:43:12.440
<v Speaker 2>which is good? And then you just have to be like, well, well,

0:43:13.239 --> 0:43:15.840
<v Speaker 2>and then day, every single day you go to the

0:43:15.880 --> 0:43:18.120
<v Speaker 2>grocery store, it's like, is that is that going to

0:43:18.200 --> 0:43:18.680
<v Speaker 2>poison me?

0:43:18.840 --> 0:43:19.040
<v Speaker 4>Yeah?

0:43:19.320 --> 0:43:20.560
<v Speaker 2>Well I guess we'll see.

0:43:20.400 --> 0:43:23.080
<v Speaker 1>Something will yeah, something will. Yeah.

0:43:23.160 --> 0:43:25.680
<v Speaker 2>It's really amazing how there's no transparency when it comes

0:43:25.680 --> 0:43:28.520
<v Speaker 2>to food in this country. Well that's all gonna change

0:43:28.920 --> 0:43:32.040
<v Speaker 2>as soon as Blue Heron comes out. You guys are

0:43:32.520 --> 0:43:35.920
<v Speaker 2>off and you're partnering with fruit or whatever that company

0:43:35.960 --> 0:43:38.239
<v Speaker 2>is called. I don't know what was the company that

0:43:38.280 --> 0:43:39.600
<v Speaker 2>you mentioned design?

0:43:40.280 --> 0:43:41.680
<v Speaker 1>What language is that?

0:43:41.680 --> 0:43:42.640
<v Speaker 5>That's got to be French?

0:43:43.120 --> 0:43:45.399
<v Speaker 1>They art? Oh, I see, I say, I'm not saying right?

0:43:45.520 --> 0:43:47.320
<v Speaker 1>And when did the words start and stop?

0:43:47.560 --> 0:43:51.319
<v Speaker 5>They art apostrophe one word.

0:43:53.239 --> 0:43:54.000
<v Speaker 1>You sort of sound.

0:43:55.600 --> 0:43:56.600
<v Speaker 2>Now we're talking.

0:43:59.560 --> 0:44:00.080
<v Speaker 1>The art.

0:44:01.719 --> 0:44:04.920
<v Speaker 2>Steel Blue saying, and is that a problem Well, it's

0:44:04.920 --> 0:44:05.919
<v Speaker 2>a little problematic.

0:44:08.080 --> 0:44:08.560
<v Speaker 5>You're talking to you.

0:44:11.520 --> 0:44:14.960
<v Speaker 1>This is really offensive. Do you guys remember the America's

0:44:15.400 --> 0:44:23.080
<v Speaker 1>Home videos where the cat would go long John, Now

0:44:23.120 --> 0:44:23.799
<v Speaker 1>we're getting there.

0:44:25.160 --> 0:44:27.920
<v Speaker 4>That's what Dar reminds me of when the cat make

0:44:28.000 --> 0:44:33.000
<v Speaker 4>the funny noise the Eldest Millennial? Do you want to

0:44:33.040 --> 0:44:37.319
<v Speaker 4>do an indie with me called the Eldest Millennium? The

0:44:37.320 --> 0:44:39.799
<v Speaker 4>Eldest Millennial? Oh my god, when you settle in.

0:44:39.800 --> 0:44:42.719
<v Speaker 1>Your forties bringing up neon cat.

0:44:46.800 --> 0:44:50.680
<v Speaker 4>Yeah, there's something deeply like it's kind of like Lars

0:44:50.719 --> 0:44:51.560
<v Speaker 4>and the Real Girl, but.

0:44:51.520 --> 0:44:57.279
<v Speaker 1>It's cat memes. Oh my god, I don't know what's

0:44:57.280 --> 0:44:58.959
<v Speaker 1>gotten into me and the Real Girl?

0:44:59.360 --> 0:45:01.040
<v Speaker 2>Know, how do we get back to that era film?

0:45:01.560 --> 0:45:02.120
<v Speaker 1>You know what I mean?

0:45:02.200 --> 0:45:03.400
<v Speaker 2>Something that's all you needed.

0:45:03.160 --> 0:45:06.160
<v Speaker 9>Back there, I know you needed and you needed the

0:45:06.200 --> 0:45:08.080
<v Speaker 9>real Girl and it was sort of like.

0:45:08.280 --> 0:45:10.319
<v Speaker 5>Quirky let them figure it out on.

0:45:10.280 --> 0:45:15.319
<v Speaker 1>That Pope when Quirky was enough. Now it's got to.

0:45:15.280 --> 0:45:17.719
<v Speaker 5>Be formally innovative and you.

0:45:17.640 --> 0:45:22.160
<v Speaker 2>Know hungarian, Yeah, yeah, yeah, it has to have an

0:45:22.160 --> 0:45:26.000
<v Speaker 2>old comedian crying Lars and the real girl, folks, I know,

0:45:26.120 --> 0:45:28.960
<v Speaker 2>simple as Lars the real girl. You do the.

0:45:28.920 --> 0:45:33.200
<v Speaker 4>Math, I was the tagline of the sponsored by Darg d'Artagnan.

0:45:34.280 --> 0:45:37.680
<v Speaker 1>Oh my god, should we get into our topic?

0:45:38.880 --> 0:45:42.719
<v Speaker 4>I guess so we don't have to, we we should? Okay, Well,

0:45:42.840 --> 0:45:46.040
<v Speaker 4>just know, however it goes, we don't have to my fear.

0:45:46.040 --> 0:45:47.360
<v Speaker 2>And I'm just going to come out and say it

0:45:48.280 --> 0:45:52.040
<v Speaker 2>right as someone who knows who is not a doesn't drive,

0:45:52.480 --> 0:45:55.960
<v Speaker 2>is not a car owner, and barely could point to

0:45:56.000 --> 0:45:57.640
<v Speaker 2>sort of the parts of a car, by the way,

0:45:57.680 --> 0:46:01.480
<v Speaker 2>saying I worry about any our related topic. And so

0:46:01.520 --> 0:46:04.360
<v Speaker 2>I'm coming at I'm going into this from a place

0:46:04.360 --> 0:46:07.000
<v Speaker 2>of fear. I wanted to be open and honest about

0:46:07.000 --> 0:46:10.200
<v Speaker 2>that before you say, with the topic, so okay, And

0:46:10.239 --> 0:46:12.400
<v Speaker 2>I just want you to know I think you clocked

0:46:12.400 --> 0:46:14.799
<v Speaker 2>when you said the topic and I shuddered a bit.

0:46:15.040 --> 0:46:16.919
<v Speaker 2>That was right, Oh okay, it wasn't because I thought

0:46:16.960 --> 0:46:19.239
<v Speaker 2>that's a bad topic. Okay, well it could be, but

0:46:19.320 --> 0:46:19.640
<v Speaker 2>I don't.

0:46:19.719 --> 0:46:21.560
<v Speaker 5>I don't know. It's something I want to work out

0:46:21.600 --> 0:46:22.000
<v Speaker 5>in the room.

0:46:22.160 --> 0:46:23.040
<v Speaker 1>Yeah.

0:46:22.560 --> 0:46:25.239
<v Speaker 4>Yeah, And so I brought my straight topic today, which

0:46:25.320 --> 0:46:26.240
<v Speaker 4>is fender benders.

0:46:26.480 --> 0:46:29.360
<v Speaker 1>Okay, So what feels initially straight about that to you?

0:46:30.080 --> 0:46:34.799
<v Speaker 4>Well, I recently experienced one, and I found I was

0:46:34.800 --> 0:46:37.480
<v Speaker 4>in the passenger seat, okay, and I found the entire

0:46:37.520 --> 0:46:44.360
<v Speaker 4>exchange like a litigation nightmare, which seems pretty on brand,

0:46:44.920 --> 0:46:47.319
<v Speaker 4>and there's a lot there's a deep performance of when

0:46:47.360 --> 0:46:50.360
<v Speaker 4>it happens, it's it's quite shocking, and I think the

0:46:50.400 --> 0:46:53.000
<v Speaker 4>go to phrases, oh, for God's sake, which is like

0:46:53.040 --> 0:46:56.560
<v Speaker 4>a really straight kind of way of saying things. And

0:46:56.640 --> 0:47:01.120
<v Speaker 4>also the exchanging of information to exchange information in twenty

0:47:01.120 --> 0:47:04.440
<v Speaker 4>twenty six is you know, to talk to insurance, just

0:47:04.480 --> 0:47:09.480
<v Speaker 4>tap your phone, Yeah, just swipe basically, yeah and yeah.

0:47:09.600 --> 0:47:11.960
<v Speaker 5>I find the whole thing kind of like.

0:47:13.560 --> 0:47:17.360
<v Speaker 4>It's evocative of the thing that is already so confining,

0:47:17.360 --> 0:47:20.160
<v Speaker 4>which is the rules of the road, yes, and violating

0:47:20.200 --> 0:47:22.560
<v Speaker 4>them or making mistakes and things like that.

0:47:23.760 --> 0:47:27.440
<v Speaker 1>I find fender bender to be one having like a

0:47:27.440 --> 0:47:31.279
<v Speaker 1>cutesy name for something that is like horrifying, horrifying and

0:47:31.400 --> 0:47:35.279
<v Speaker 1>traumatic and annoying as fuck. Yeah, is funny because I

0:47:35.320 --> 0:47:36.959
<v Speaker 1>wish it's like, well, if it's called a fender bender,

0:47:37.000 --> 0:47:38.680
<v Speaker 1>then let's treat it like a fender bender, Like let's

0:47:38.719 --> 0:47:41.080
<v Speaker 1>have some fun. Yeah, actually like we're stuck here for.

0:47:41.040 --> 0:47:44.400
<v Speaker 4>A bit of dramatics actually in the event of the

0:47:44.440 --> 0:47:46.799
<v Speaker 4>fender bender, but you have to make it.

0:47:47.000 --> 0:47:48.360
<v Speaker 5>You have to call it a boo boo, do you

0:47:48.440 --> 0:47:48.960
<v Speaker 5>know what I mean?

0:47:49.040 --> 0:47:52.520
<v Speaker 4>Yeah, when it's actually like the you can see how

0:47:52.560 --> 0:47:54.680
<v Speaker 4>everyone was as a child when you get into a

0:47:54.680 --> 0:47:57.319
<v Speaker 4>fender bender, how people react to anger and shock and

0:47:57.360 --> 0:47:58.200
<v Speaker 4>surprise and stuff like.

0:47:58.239 --> 0:48:00.279
<v Speaker 2>Do you think maybe that's why it's called a fender

0:47:59.840 --> 0:48:03.800
<v Speaker 2>because it brings you into Yes, it's baby tak It

0:48:03.880 --> 0:48:07.799
<v Speaker 2>brings you into kind of the rhyme based environment where

0:48:07.840 --> 0:48:12.840
<v Speaker 2>everyone is suddenly ga ga round, but sung by a

0:48:12.920 --> 0:48:13.600
<v Speaker 2>children's choir.

0:48:13.800 --> 0:48:15.919
<v Speaker 5>Yeah, but it's a pretty adult experience.

0:48:16.120 --> 0:48:17.600
<v Speaker 1>It's a very adult experience.

0:48:17.719 --> 0:48:18.480
<v Speaker 5>Have you been in one?

0:48:18.600 --> 0:48:20.040
<v Speaker 1>So weirdly no?

0:48:20.400 --> 0:48:22.360
<v Speaker 5>Oh see this is this is kind of proving my

0:48:22.440 --> 0:48:23.400
<v Speaker 5>point a little.

0:48:23.120 --> 0:48:25.120
<v Speaker 2>Bit because Sam is gay. He's never been in one,

0:48:25.160 --> 0:48:27.680
<v Speaker 2>so therefore it is straight. Is that?

0:48:27.719 --> 0:48:31.960
<v Speaker 1>Do I have to spell it enough? I've never been

0:48:31.960 --> 0:48:35.919
<v Speaker 1>in a fender bender, and I it's actually been such

0:48:35.920 --> 0:48:37.880
<v Speaker 1>a long journey of not getting into a car accident

0:48:37.920 --> 0:48:40.319
<v Speaker 1>knock on wood, that I'm starting to victim blame people

0:48:40.360 --> 0:48:41.680
<v Speaker 1>that are like.

0:48:41.600 --> 0:48:46.080
<v Speaker 4>Where I'm like, well, you probably yeah, you guaranteed, by

0:48:46.120 --> 0:48:48.960
<v Speaker 4>the way, I was not you know, I have bias,

0:48:49.040 --> 0:48:50.319
<v Speaker 4>I know, but I was not in the car that

0:48:50.400 --> 0:48:51.000
<v Speaker 4>was in the wrong.

0:48:51.600 --> 0:48:54.640
<v Speaker 1>And well the blame, of course, the blame is the

0:48:54.640 --> 0:48:57.600
<v Speaker 1>biggest part where it's like cut and dry. It's like, well,

0:48:57.640 --> 0:48:59.279
<v Speaker 1>if you're the one that bumped into them, then you're

0:48:59.320 --> 0:49:00.000
<v Speaker 1>the one at fault.

0:49:00.320 --> 0:49:03.600
<v Speaker 5>Yeah, that's where you see kind of like the inner workings.

0:49:03.120 --> 0:49:06.400
<v Speaker 2>Of you know, American Empire.

0:49:06.480 --> 0:49:10.040
<v Speaker 4>And Mikey's a boomer's inner child, and it's like whoa, yeah,

0:49:10.040 --> 0:49:11.000
<v Speaker 4>there's a lot.

0:49:10.880 --> 0:49:13.560
<v Speaker 2>That's it's very you say, a boom is in her

0:49:13.640 --> 0:49:15.360
<v Speaker 2>child because the boomer suddenly.

0:49:15.200 --> 0:49:16.120
<v Speaker 1>The boomer was not me.

0:49:16.400 --> 0:49:20.160
<v Speaker 2>Yeah, yeah, yeah, instantly, and you're suddenly at recess and

0:49:20.200 --> 0:49:21.400
<v Speaker 2>someone has accidentally hate you.

0:49:21.560 --> 0:49:24.480
<v Speaker 4>And I'm watching like a group of people calm the

0:49:25.040 --> 0:49:27.760
<v Speaker 4>person down, who is a little bit to blame?

0:49:28.000 --> 0:49:31.440
<v Speaker 1>You know, this is okay, follow me on this one.

0:49:31.880 --> 0:49:34.680
<v Speaker 1>Fender bender because we're a nation of cars except for

0:49:34.680 --> 0:49:38.759
<v Speaker 1>New York City. Literally, yeah, fender bender culture. Everyone knows it.

0:49:38.800 --> 0:49:41.040
<v Speaker 1>Everyone has been in one and they have gotten out

0:49:41.080 --> 0:49:43.919
<v Speaker 1>in like film taking pictures, been like this is your fault,

0:49:43.920 --> 0:49:46.360
<v Speaker 1>this is your fault, arguing, Yeah, we are now. It

0:49:46.400 --> 0:49:49.080
<v Speaker 1>has steeped into every part of culture where that's why

0:49:49.120 --> 0:49:50.960
<v Speaker 1>like now everyone is like filming and being like you

0:49:50.960 --> 0:49:54.160
<v Speaker 1>have touched you have touched me. Proof Everyone thinks they're

0:49:54.200 --> 0:49:56.279
<v Speaker 1>constantly in a fender bender. They have like fender bender

0:49:56.360 --> 0:49:57.120
<v Speaker 1>vision of the world.

0:49:57.280 --> 0:50:00.760
<v Speaker 2>Yeah, ender bender was the original cancel culture and so ways,

0:50:00.840 --> 0:50:04.160
<v Speaker 2>and we're kind of fender benderizing the rest of society

0:50:04.880 --> 0:50:08.200
<v Speaker 2>as we speak, as we sit here and record.

0:50:07.920 --> 0:50:12.320
<v Speaker 4>Now that that I hadn't marinated with well as your marinate.

0:50:13.640 --> 0:50:17.399
<v Speaker 2>In your latire's noir. Yeah, you're dumb, dumb, dumb as

0:50:17.400 --> 0:50:21.840
<v Speaker 2>you marinate as you marinate. I want to say also this, Yeah,

0:50:21.920 --> 0:50:25.840
<v Speaker 2>here's the thing with fender benders. We're used to a isolated,

0:50:25.880 --> 0:50:29.520
<v Speaker 2>individualistic lifestyle where everyone is in their own car, physically

0:50:29.680 --> 0:50:32.920
<v Speaker 2>can't touch their fellow man, can't speak, cannot even be

0:50:33.000 --> 0:50:35.640
<v Speaker 2>heard outside of the confines of the car. A fender

0:50:35.680 --> 0:50:39.520
<v Speaker 2>bender is a violent assault on that individualistic lifestyle.

0:50:39.640 --> 0:50:42.279
<v Speaker 4>By the way, yeah, keep going, Oh, I'm sorry, I

0:50:42.280 --> 0:50:43.960
<v Speaker 4>can't cut you off one I'm speaking.

0:50:44.480 --> 0:50:47.360
<v Speaker 5>I'm sorry I couldn't speak. You called me misogynistic.

0:50:47.440 --> 0:50:50.200
<v Speaker 4>I can't pipe in on a lively pod with my

0:50:50.280 --> 0:50:51.080
<v Speaker 4>closest friends.

0:50:51.480 --> 0:50:56.200
<v Speaker 2>As I was saying, it is a break in the individualistic,

0:50:57.120 --> 0:50:59.600
<v Speaker 2>you know, lifestyle that everyone leads, and that's why people

0:50:59.640 --> 0:51:01.919
<v Speaker 2>react with such violence. They're saying, I didn't I didn't

0:51:01.960 --> 0:51:03.719
<v Speaker 2>know you could see me or touch me.

0:51:03.960 --> 0:51:06.160
<v Speaker 4>Yes, well, I was going to add to that before

0:51:06.560 --> 0:51:08.279
<v Speaker 4>being put on a list or something.

0:51:09.080 --> 0:51:11.319
<v Speaker 1>That actually you unlocked a memory for me.

0:51:11.280 --> 0:51:16.360
<v Speaker 4>Of this woman had been blasting talk radio when she

0:51:16.440 --> 0:51:19.080
<v Speaker 4>stopped her car, and it was echoing out into the

0:51:19.120 --> 0:51:21.359
<v Speaker 4>far reaches of space, and I was like, in what

0:51:21.600 --> 0:51:24.080
<v Speaker 4>universe is someone listening to talk radio this loud? It

0:51:24.200 --> 0:51:27.200
<v Speaker 4>had to be at like seventy out of one hundred

0:51:27.280 --> 0:51:28.560
<v Speaker 4>on the Yeah.

0:51:28.640 --> 0:51:32.000
<v Speaker 2>Yeah, she was sort of bringing a heavy metal vibe.

0:51:32.000 --> 0:51:35.160
<v Speaker 4>Well it's in the curated space of the car, you know,

0:51:35.440 --> 0:51:37.879
<v Speaker 4>and had to have that punctured. Is more disorienting than

0:51:37.920 --> 0:51:40.120
<v Speaker 4>actually like the accident.

0:51:41.160 --> 0:51:42.279
<v Speaker 1>Whoa, oh right.

0:51:42.360 --> 0:51:43.680
<v Speaker 2>She was like zoning out.

0:51:43.840 --> 0:51:45.839
<v Speaker 5>She was like, my day's ruined. I was like, yeah,

0:51:45.880 --> 0:51:46.479
<v Speaker 5>ours too.

0:51:46.719 --> 0:51:48.480
<v Speaker 2>Yeah, you know, She's like, but I don't see you.

0:51:48.760 --> 0:51:51.279
<v Speaker 1>Yeah, well she was pretty much do you even this?

0:51:51.360 --> 0:51:53.520
<v Speaker 5>I didn't see you, guys, you were you weren't even here.

0:51:53.560 --> 0:51:56.200
<v Speaker 4>And then you know, we're doing all the paperwork and

0:51:56.200 --> 0:51:59.239
<v Speaker 4>stuff and she's calming down and then she's like and

0:51:59.280 --> 0:52:01.480
<v Speaker 4>I'm sorry, I wrote your day too. And it was

0:52:01.560 --> 0:52:03.960
<v Speaker 4>like okay, after like forty five minutes, and I was like,

0:52:04.000 --> 0:52:04.279
<v Speaker 4>thank you.

0:52:04.200 --> 0:52:07.399
<v Speaker 1>You know that's nice. You know, I think I have

0:52:07.520 --> 0:52:09.520
<v Speaker 1>such a great fear of getting in a fender bender

0:52:09.680 --> 0:52:12.520
<v Speaker 1>just for the paperwork. Like I'm like, oh, I don't know,

0:52:12.719 --> 0:52:14.959
<v Speaker 1>like what the systems would be. And I know there's

0:52:15.000 --> 0:52:16.879
<v Speaker 1>like a very regimented thing you have to follow.

0:52:17.040 --> 0:52:19.200
<v Speaker 5>I would drown if it had if I had been driving.

0:52:19.320 --> 0:52:20.799
<v Speaker 1>It's a take my car.

0:52:20.880 --> 0:52:21.760
<v Speaker 5>I would drown myself.

0:52:21.800 --> 0:52:22.560
<v Speaker 1>Do whatever you want.

0:52:22.719 --> 0:52:25.960
<v Speaker 4>I was like, I can't even sign sign at the

0:52:25.960 --> 0:52:27.840
<v Speaker 4>dotted line. It's overwhelmed.

0:52:27.960 --> 0:52:29.839
<v Speaker 1>I know this is like a common thing and we've

0:52:29.840 --> 0:52:31.480
<v Speaker 1>talked about a million times, but I'm like, why are

0:52:31.560 --> 0:52:34.120
<v Speaker 1>cars nice? Why can't we just run into each other

0:52:34.120 --> 0:52:35.719
<v Speaker 1>a little bit? This is I can.

0:52:36.719 --> 0:52:38.400
<v Speaker 4>I had the same thought when it came to straight culture,

0:52:38.400 --> 0:52:40.120
<v Speaker 4>because I was like, well, what's the alternative, you know,

0:52:40.200 --> 0:52:42.960
<v Speaker 4>if we if we lived in a different type of universe.

0:52:42.960 --> 0:52:45.040
<v Speaker 4>And I was like, there is either a world where

0:52:45.080 --> 0:52:48.680
<v Speaker 4>fender benders don't exist, right, or there's the other timeline

0:52:48.719 --> 0:52:51.560
<v Speaker 4>where fender benders are constant, and our cars are mutilated

0:52:51.680 --> 0:52:54.000
<v Speaker 4>at will, and there's structures in place.

0:52:54.080 --> 0:52:56.920
<v Speaker 1>They made to be they're made to be totaled. It's

0:52:56.960 --> 0:52:58.600
<v Speaker 1>a GTA sort of lifestyle.

0:52:59.280 --> 0:53:02.719
<v Speaker 4>And you're there are you know, social structures in place

0:53:02.760 --> 0:53:06.200
<v Speaker 4>to protect first of all a person from any bodily harm,

0:53:06.280 --> 0:53:09.560
<v Speaker 4>but also the right to spend and bend.

0:53:10.120 --> 0:53:12.400
<v Speaker 2>And I think what you're describing as a more collectivist

0:53:12.440 --> 0:53:16.359
<v Speaker 2>approach to transportation because you are designing a car with

0:53:16.520 --> 0:53:21.279
<v Speaker 2>the with the car intention of it being part of

0:53:21.280 --> 0:53:24.000
<v Speaker 2>a larger community of cars, whereas currently cars are being

0:53:24.040 --> 0:53:27.319
<v Speaker 2>designed as designed as extensions of the self exact thing.

0:53:27.440 --> 0:53:30.640
<v Speaker 2>I'm buying a Ferrari because that's my personality. Yeah, Instead

0:53:30.680 --> 0:53:31.680
<v Speaker 2>it should be I'm.

0:53:31.800 --> 0:53:33.920
<v Speaker 4>Lug this thing around till you can't exactly and get

0:53:33.920 --> 0:53:35.520
<v Speaker 4>where you need to go and be safe. But by

0:53:35.560 --> 0:53:37.080
<v Speaker 4>the way, you need to crash into a bunch of

0:53:37.080 --> 0:53:38.120
<v Speaker 4>people to get where you're going.

0:53:38.239 --> 0:53:38.560
<v Speaker 1>That's you.

0:53:38.760 --> 0:53:41.080
<v Speaker 4>They're going to be safe. You're going to be safe,

0:53:41.440 --> 0:53:46.400
<v Speaker 4>and we are going to have mechanics all over this

0:53:46.480 --> 0:53:49.960
<v Speaker 4>great nation helping to make this a reality happily.

0:53:50.440 --> 0:53:55.000
<v Speaker 1>I drive a really old, kind of shitty car, and

0:53:55.360 --> 0:53:58.760
<v Speaker 1>what is it. It's a two thousand and nine Toyota Highlander.

0:53:58.840 --> 0:54:01.440
<v Speaker 4>Okay, there goes a sponsorship. Toyotas are fabulous cars.

0:54:01.920 --> 0:54:04.640
<v Speaker 1>Well, it runs like a dream, but it's you know,

0:54:04.680 --> 0:54:06.160
<v Speaker 1>it's not it's not fancy, it's not new.

0:54:06.239 --> 0:54:06.439
<v Speaker 4>Yeah.

0:54:06.480 --> 0:54:09.719
<v Speaker 1>Yeah, And I feel that I feel like the most

0:54:09.719 --> 0:54:12.560
<v Speaker 1>free person on all of the road because everyone I

0:54:12.560 --> 0:54:14.560
<v Speaker 1>get this like freaking out and I'm like, run into me,

0:54:14.600 --> 0:54:15.040
<v Speaker 1>and I don't.

0:54:15.440 --> 0:54:18.359
<v Speaker 5>You're saying, like, my car, it's still going to run

0:54:18.400 --> 0:54:18.840
<v Speaker 5>like a dream.

0:54:18.960 --> 0:54:21.160
<v Speaker 1>Yeah, hit me, because it's a Toyota. But I also

0:54:21.160 --> 0:54:23.600
<v Speaker 1>sometimes feel like the like the Joker a bit where

0:54:23.640 --> 0:54:25.319
<v Speaker 1>I'm like, I'm not stuck in here with you, your

0:54:25.360 --> 0:54:28.640
<v Speaker 1>second here with me via the roads because if people

0:54:28.680 --> 0:54:31.600
<v Speaker 1>are like being a free agent being pushy, I'm like, yeah,

0:54:31.680 --> 0:54:32.239
<v Speaker 1>I don't mind a.

0:54:32.239 --> 0:54:34.879
<v Speaker 5>Bump, Yeah yeah, yeah, do it, do it, wreck your

0:54:34.960 --> 0:54:35.560
<v Speaker 5>wreck your volvo.

0:54:36.200 --> 0:54:37.320
<v Speaker 1>What happens.

0:54:37.400 --> 0:54:38.359
<v Speaker 5>Thing is going to be like a tank?

0:54:38.560 --> 0:54:39.759
<v Speaker 1>Yeah yeah.

0:54:39.800 --> 0:54:44.040
<v Speaker 9>And you have never driven or well, so I did

0:54:44.440 --> 0:54:49.120
<v Speaker 9>get a license in my early twenties briefly, congratulations, And

0:54:49.239 --> 0:54:51.600
<v Speaker 9>the second time I drove, I got into a fender bender.

0:54:51.719 --> 0:54:52.479
<v Speaker 1>Really oh you.

0:54:52.600 --> 0:54:53.840
<v Speaker 5>Okay, so you you.

0:54:55.440 --> 0:54:58.400
<v Speaker 2>Went into this same but I would say it was

0:54:58.480 --> 0:55:03.879
<v Speaker 2>such a traumatic experience. I basically not really engaged in driving.

0:55:03.600 --> 0:55:04.279
<v Speaker 1>Since no wonder.

0:55:04.560 --> 0:55:06.480
<v Speaker 2>To be clear, that's how his first husband died. It

0:55:06.680 --> 0:55:13.959
<v Speaker 2>was so yes, that was what the woman said after

0:55:14.000 --> 0:55:16.520
<v Speaker 2>she got out of her car. It was in fact

0:55:16.719 --> 0:55:19.399
<v Speaker 2>so light that there wasn't any damage and we didn't

0:55:19.400 --> 0:55:22.239
<v Speaker 2>even exchange information. I mean she like, yeah, felt she

0:55:22.360 --> 0:55:25.919
<v Speaker 2>felt the bump, and then got out and immediately started

0:55:25.960 --> 0:55:26.400
<v Speaker 2>yelling at me.

0:55:26.600 --> 0:55:28.720
<v Speaker 1>Like you're a texting weren't you? You were a texting

0:55:28.760 --> 0:55:29.400
<v Speaker 1>weren't you people?

0:55:30.440 --> 0:55:33.120
<v Speaker 2>I was like I was. I wasn't And I even

0:55:33.160 --> 0:55:35.719
<v Speaker 2>said because I was so freaked out and in my

0:55:35.800 --> 0:55:37.600
<v Speaker 2>mind this wasn't something that could happen. It was like,

0:55:37.600 --> 0:55:40.480
<v Speaker 2>well I failed at the thing I've been training for. Yeah,

0:55:40.520 --> 0:55:43.280
<v Speaker 2>because I had. It was literally my first, like second

0:55:43.360 --> 0:55:47.000
<v Speaker 2>or third time, and so I was like I truly broked.

0:55:47.040 --> 0:55:48.520
<v Speaker 2>I mean I wasn't crying, but I broke down. I

0:55:48.560 --> 0:55:51.759
<v Speaker 2>was like, I'm literally a new driver, like I'm doing

0:55:51.800 --> 0:55:54.000
<v Speaker 2>my best here. And then she was and then she

0:55:54.080 --> 0:55:58.239
<v Speaker 2>immediately like realized that was a human being. She just

0:55:58.320 --> 0:56:01.360
<v Speaker 2>went from being like I'm going to murder you on

0:56:01.440 --> 0:56:03.960
<v Speaker 2>the spot, yeah, to like, oh, maybe you have thoughts

0:56:03.960 --> 0:56:07.120
<v Speaker 2>and feelings. Yeah, and maybe you don't, like you aren't

0:56:07.200 --> 0:56:08.040
<v Speaker 2>out to murder me.

0:56:08.200 --> 0:56:09.400
<v Speaker 5>We had quite similar experience.

0:56:09.760 --> 0:56:12.200
<v Speaker 4>If you need like a slice, I don't know if

0:56:12.200 --> 0:56:13.880
<v Speaker 4>you would ever need more of it right now, but

0:56:13.920 --> 0:56:16.200
<v Speaker 4>if you needed a slice of the American psyche, get

0:56:16.200 --> 0:56:17.279
<v Speaker 4>an a Fender vendor.

0:56:17.120 --> 0:56:17.640
<v Speaker 1>No, truly.

0:56:17.800 --> 0:56:22.000
<v Speaker 2>Yeah, it's the best, beautiful, the best way to gauge

0:56:22.480 --> 0:56:25.480
<v Speaker 2>the American Like where American culture is.

0:56:25.640 --> 0:56:28.479
<v Speaker 4>Yeah, where everybody's nerves are, where their thoughts go, which

0:56:28.520 --> 0:56:32.040
<v Speaker 4>is me and then my bad you, well.

0:56:31.880 --> 0:56:34.640
<v Speaker 1>The want to fight like it is like we all

0:56:34.680 --> 0:56:37.719
<v Speaker 1>need to like lower our guns, Like there is something

0:56:37.800 --> 0:56:41.320
<v Speaker 1>where you are almost the same way you're expected to

0:56:41.320 --> 0:56:43.319
<v Speaker 1>do paperwork. You're expected to come out of your car

0:56:43.400 --> 0:56:46.120
<v Speaker 1>yelling yeah, because it's like I need to be the Yeah,

0:56:46.160 --> 0:56:48.160
<v Speaker 1>I need to be the one who is yelling more

0:56:48.280 --> 0:56:50.520
<v Speaker 1>because then it's not my fault, it's setting the precedent.

0:56:50.719 --> 0:56:52.280
<v Speaker 5>Yes, this is exactly what happened.

0:56:52.320 --> 0:56:55.080
<v Speaker 4>It's like if I come out guns blazing, that will

0:56:55.080 --> 0:56:57.800
<v Speaker 4>be so disorienting that we'll sort of forget that I

0:56:57.960 --> 0:56:59.680
<v Speaker 4>rammed into you, you.

0:56:59.560 --> 0:57:03.000
<v Speaker 2>Know, or what I come out guns and blazing, I'm

0:57:03.040 --> 0:57:09.000
<v Speaker 2>dombing you into just instinctively saying the word sorry.

0:57:08.719 --> 0:57:11.120
<v Speaker 1>Sorry. I know it's a classic. It's a tangled web

0:57:11.160 --> 0:57:13.640
<v Speaker 1>we weave. So when you got into your friender mender,

0:57:14.080 --> 0:57:16.760
<v Speaker 1>how did the driver emotionally deal with it? Your driver,

0:57:16.880 --> 0:57:18.600
<v Speaker 1>the one that was the driver of your.

0:57:18.480 --> 0:57:21.560
<v Speaker 4>Car, I would say, quite well, quite calmly. I mean

0:57:22.000 --> 0:57:27.880
<v Speaker 4>we were team calm team. And yeah, there was this like,

0:57:28.480 --> 0:57:30.760
<v Speaker 4>I mean, it was shocking, and I actually had a

0:57:30.800 --> 0:57:32.840
<v Speaker 4>little bit of anger about it because you know, you're

0:57:32.880 --> 0:57:33.240
<v Speaker 4>just like.

0:57:33.160 --> 0:57:35.480
<v Speaker 5>What what the hell? What were you doing? What were

0:57:35.480 --> 0:57:36.000
<v Speaker 5>you thinking?

0:57:36.080 --> 0:57:36.720
<v Speaker 1>What were you doing?

0:57:36.800 --> 0:57:40.360
<v Speaker 4>Because it was like truly someone who didn't see us,

0:57:40.480 --> 0:57:42.160
<v Speaker 4>So it was like, you know, you're you're not paying

0:57:42.200 --> 0:57:44.760
<v Speaker 4>attention and all that kind of thing. But yeah, I

0:57:44.760 --> 0:57:47.520
<v Speaker 4>would say my driver was incredibly calm.

0:57:47.840 --> 0:57:50.640
<v Speaker 1>That's good, and yeah got.

0:57:50.480 --> 0:57:52.680
<v Speaker 5>Through it, which which is kind of a nice thing.

0:57:52.840 --> 0:57:54.240
<v Speaker 1>Was it a romantic partner.

0:57:54.320 --> 0:58:02.800
<v Speaker 8>Yeah, oh it was no way they handled it was

0:58:02.880 --> 0:58:06.000
<v Speaker 8>like amazing because I when it happened, I was like,

0:58:06.120 --> 0:58:06.840
<v Speaker 8>is you breathe it?

0:58:08.920 --> 0:58:16.040
<v Speaker 1>Like I don't know? So fender bender. It also brings

0:58:16.040 --> 0:58:19.120
<v Speaker 1>to mind gender bender. Yeah, what do you think of

0:58:19.160 --> 0:58:19.760
<v Speaker 1>gender bending?

0:58:20.640 --> 0:58:21.720
<v Speaker 5>What do I think of gender bending?

0:58:21.800 --> 0:58:22.000
<v Speaker 7>Yeah?

0:58:22.920 --> 0:58:23.440
<v Speaker 2>Against it?

0:58:23.520 --> 0:58:32.800
<v Speaker 1>Yeah, and you have to choose your four. Oh why.

0:58:32.400 --> 0:58:35.880
<v Speaker 4>The people at d'Artagnan, they explained the concept d'Artagnan taught

0:58:35.920 --> 0:58:39.000
<v Speaker 4>you about gender bending in a sense, do they like

0:58:39.160 --> 0:58:44.880
<v Speaker 4>label their chickens sort of like, oh, it's not so

0:58:44.920 --> 0:58:46.920
<v Speaker 4>black and white, George. I hate to burst your bubble,

0:58:46.960 --> 0:58:49.600
<v Speaker 4>but there's actually way more to it than labeling chicken

0:58:49.680 --> 0:58:50.400
<v Speaker 4>one thing or another.

0:58:50.680 --> 0:58:55.240
<v Speaker 2>That's the way that a chicken produce. Okay, yeah, just.

0:58:55.200 --> 0:58:57.280
<v Speaker 4>Read a book, because we don't do that kind of

0:58:57.280 --> 0:59:01.840
<v Speaker 4>thing at'agnan. We actually have a pretty pretty fluid way

0:59:01.840 --> 0:59:02.640
<v Speaker 4>of behaving.

0:59:02.880 --> 0:59:03.040
<v Speaker 1>You know.

0:59:03.120 --> 0:59:05.439
<v Speaker 2>It's it really is on me. I assumed that the

0:59:05.440 --> 0:59:09.960
<v Speaker 2>only way a poultry purveyor would engage with sex and

0:59:10.000 --> 0:59:12.600
<v Speaker 2>gender is via labeling chi and that's where you're wrong.

0:59:12.800 --> 0:59:16.040
<v Speaker 2>But instead there there's more of a narrative.

0:59:16.120 --> 0:59:20.760
<v Speaker 1>Hit the books. Hit the books. Okay, I apologize, Wow,

0:59:21.280 --> 0:59:24.040
<v Speaker 1>d'Art dugnay, I.

0:59:24.000 --> 0:59:25.920
<v Speaker 5>Tell you something also, and you can cut this.

0:59:27.320 --> 0:59:29.600
<v Speaker 1>You checked your phone just in case, trying to check

0:59:29.680 --> 0:59:31.480
<v Speaker 1>where we're time wise, Is.

0:59:31.480 --> 0:59:32.840
<v Speaker 5>There time for me to tell you this?

0:59:33.120 --> 0:59:34.000
<v Speaker 1>Yes? Okay?

0:59:34.040 --> 0:59:37.080
<v Speaker 4>So you frequently bring up the John Didion quote we

0:59:37.160 --> 0:59:39.400
<v Speaker 4>tell ourselves stories in order to live. Yes, so I

0:59:39.400 --> 0:59:42.200
<v Speaker 4>thought of this the other day uh, and what do

0:59:42.200 --> 0:59:42.760
<v Speaker 4>you think of this?

0:59:43.120 --> 0:59:45.000
<v Speaker 5>We feed ourselves turkey in order to live.

0:59:49.520 --> 0:59:51.960
<v Speaker 1>You can put the alt comedian in a drama film,

0:59:52.000 --> 0:59:54.280
<v Speaker 1>but you cannot take the alt comedian out of the

0:59:54.280 --> 0:59:55.800
<v Speaker 1>alt comedian. Does that make sense?

0:59:55.840 --> 1:00:00.840
<v Speaker 4>That makes perfect sense to me? Non stop, NonStop, They

1:00:00.840 --> 1:00:01.720
<v Speaker 4>were laughing, laughing.

1:00:02.480 --> 1:00:05.480
<v Speaker 1>Did you think about starting a podcast with any of them? No?

1:00:05.520 --> 1:00:07.000
<v Speaker 5>But I'm told often.

1:00:07.360 --> 1:00:08.320
<v Speaker 1>To start a podcast.

1:00:08.520 --> 1:00:11.240
<v Speaker 2>Did you ever think of kind of taking the crying

1:00:11.360 --> 1:00:14.160
<v Speaker 2>scene in a more comedic direction? So it's just you know,

1:00:14.200 --> 1:00:15.880
<v Speaker 2>you're having a conversation and suddenly you.

1:00:15.840 --> 1:00:18.720
<v Speaker 1>Go wow, wow, yeah, did you ever think about that?

1:00:18.720 --> 1:00:20.200
<v Speaker 4>Well, we did that to get it out of the way,

1:00:20.360 --> 1:00:21.560
<v Speaker 4>just to have options totally.

1:00:21.960 --> 1:00:24.760
<v Speaker 1>But then that's the take they used. Yeah really yeah,

1:00:24.800 --> 1:00:26.640
<v Speaker 1>Now a silly one, they said.

1:00:26.440 --> 1:00:28.520
<v Speaker 4>Now a silly one. What's the one they they would

1:00:28.520 --> 1:00:30.480
<v Speaker 4>say for Parks and rec the what's the what do

1:00:30.600 --> 1:00:32.160
<v Speaker 4>they say? It's like the improv take.

1:00:33.640 --> 1:00:36.200
<v Speaker 2>Interesting you think we know what is going on behind

1:00:36.200 --> 1:00:37.600
<v Speaker 2>the scenes of Parks and Rest.

1:00:37.640 --> 1:00:39.840
<v Speaker 4>Oh, I'm sorry, you were just talking for twenty minutes

1:00:39.880 --> 1:00:41.880
<v Speaker 4>about Portugal the man and you don't know about Parks

1:00:41.920 --> 1:00:47.120
<v Speaker 4>and rat I'm sorry you're talking to everyone podcast man

1:00:47.640 --> 1:00:49.160
<v Speaker 4>you're ranking indie bands from.

1:00:49.000 --> 1:00:49.959
<v Speaker 5>Two thousand and six.

1:00:50.080 --> 1:00:52.800
<v Speaker 2>You think everyone who knows Portugal the Man also loves.

1:00:52.800 --> 1:00:55.240
<v Speaker 5>There's a park ven diagram and I'm willing to put

1:00:55.280 --> 1:00:55.680
<v Speaker 5>money on it.

1:00:55.720 --> 1:00:55.840
<v Speaker 3>Now.

1:00:55.840 --> 1:00:57.840
<v Speaker 1>That's interesting. Yeah, you know it's interesting.

1:00:58.040 --> 1:01:02.000
<v Speaker 2>In the moment, maybe there was an opposition between people

1:01:02.000 --> 1:01:04.280
<v Speaker 2>who like Portugal demand and people who like parks and

1:01:04.320 --> 1:01:07.200
<v Speaker 2>rec But as they've gotten older, they we admit, No,

1:01:08.520 --> 1:01:10.480
<v Speaker 2>Portugal the Man in parks and rec are the same thing.

1:01:10.600 --> 1:01:12.479
<v Speaker 4>Yeah, I would say, but they had like a fun,

1:01:12.800 --> 1:01:14.160
<v Speaker 4>fun run or something like that.

1:01:14.400 --> 1:01:17.919
<v Speaker 2>Oh god, I bet Rashooda Jones absolutely killed it during

1:01:17.920 --> 1:01:18.480
<v Speaker 2>those takes.

1:01:18.520 --> 1:01:19.200
<v Speaker 4>Hey, that.

1:01:29.680 --> 1:01:32.880
<v Speaker 1>Should we do our final segment? Yeah, our next guest

1:01:32.920 --> 1:01:35.080
<v Speaker 1>will be here in roughly ten minutes. Okay, but like

1:01:35.160 --> 1:01:41.040
<v Speaker 1>we don't have to say that. It's like I'm here now. No,

1:01:41.120 --> 1:01:43.640
<v Speaker 1>the listeners don't have to know that. Oh, we got

1:01:43.680 --> 1:01:45.640
<v Speaker 1>to get her out of here. Nice job in your

1:01:45.720 --> 1:01:47.240
<v Speaker 1>little movie. We gotta get her out of here. We

1:01:47.280 --> 1:01:48.880
<v Speaker 1>gotta clean up this chair she's been sitting on.

1:01:48.960 --> 1:01:50.320
<v Speaker 5>Yeah, I made a mess, so what.

1:01:53.440 --> 1:01:53.960
<v Speaker 1>So what is it?

1:01:54.000 --> 1:01:54.320
<v Speaker 3>A woman?

1:01:54.440 --> 1:01:55.240
<v Speaker 1>Not a woman's right?

1:01:56.760 --> 1:01:58.600
<v Speaker 2>Is what here?

1:01:58.760 --> 1:02:00.000
<v Speaker 1>Making a mess? Making a mess?

1:02:00.160 --> 1:02:01.800
<v Speaker 2>You do you think it is a woman's right to

1:02:01.800 --> 1:02:02.320
<v Speaker 2>make a mess.

1:02:02.400 --> 1:02:04.080
<v Speaker 5>Well behaved women have you ever heard of this?

1:02:04.520 --> 1:02:07.040
<v Speaker 1>Make a mess? They make a mess. Do you know?

1:02:07.080 --> 1:02:10.800
<v Speaker 1>One time my friend Helen Ella Hunt, Helen Hunt, she's.

1:02:10.680 --> 1:02:13.280
<v Speaker 5>A luge her Christmas party.

1:02:13.320 --> 1:02:16.960
<v Speaker 2>Huge bitch. So my friend Helen, actually I've heard she's

1:02:17.000 --> 1:02:19.200
<v Speaker 2>lovely Helen Hunt. But that's not what I'm talking about.

1:02:19.200 --> 1:02:23.720
<v Speaker 1>Of course you're talking about Helen Hunt. I'm yes, Helen Hunt. Yeah,

1:02:23.800 --> 1:02:25.640
<v Speaker 1>we know, we know, and is not a bitch. Great.

1:02:25.880 --> 1:02:28.520
<v Speaker 2>Yeah, So my friend Helen one time she was talking

1:02:28.560 --> 1:02:32.560
<v Speaker 2>to this woman who had a baby. I wait to

1:02:32.600 --> 1:02:37.240
<v Speaker 2>hear this. Okay, the baby was a girl whoa Okay,

1:02:37.440 --> 1:02:41.360
<v Speaker 2>so the baby was crying, it was crying. The mom goes,

1:02:41.960 --> 1:02:44.680
<v Speaker 2>she's not. Oh no, the baby wasn't crying. The baby

1:02:44.760 --> 1:02:47.080
<v Speaker 2>was being very good. And the mom goes, she's very

1:02:47.120 --> 1:02:50.040
<v Speaker 2>well behaved. And so my friend Helen goes, I guess

1:02:50.080 --> 1:02:52.600
<v Speaker 2>she'll never make history, thinking it would be like a

1:02:52.640 --> 1:02:53.600
<v Speaker 2>really funny thing.

1:02:54.280 --> 1:02:54.640
<v Speaker 1>I don't know.

1:02:54.640 --> 1:02:58.560
<v Speaker 2>If the mom looks at her, dead eyed, blank is like,

1:02:58.840 --> 1:03:01.280
<v Speaker 2>she will make history? What she will make history?

1:03:01.360 --> 1:03:02.320
<v Speaker 1>This baby is going to make it.

1:03:02.320 --> 1:03:04.200
<v Speaker 5>If I was her mother, I'd say she will make history.

1:03:05.080 --> 1:03:07.160
<v Speaker 2>The mom is like it's as though she had never

1:03:07.200 --> 1:03:09.720
<v Speaker 2>considered that her baby, on account.

1:03:09.360 --> 1:03:11.640
<v Speaker 1>Of being well behaved, will never make history.

1:03:11.720 --> 1:03:13.480
<v Speaker 4>It took me a really long time to actually understand

1:03:13.480 --> 1:03:17.920
<v Speaker 4>that quote, if you think about it, because I was like, wait, how.

1:03:18.080 --> 1:03:19.600
<v Speaker 1>Well, it's definitely open to interpretation.

1:03:19.880 --> 1:03:26.000
<v Speaker 2>Yeah, not to not to bring rancor to me.

1:03:26.040 --> 1:03:29.240
<v Speaker 1>It's pretty straightforward. So you think women can do anything

1:03:29.280 --> 1:03:31.840
<v Speaker 1>bad and that's good. I don't think that's what the

1:03:31.880 --> 1:03:32.480
<v Speaker 1>quote implies.

1:03:32.520 --> 1:03:36.360
<v Speaker 2>I think it's saying well behaved women right rarely make history.

1:03:36.400 --> 1:03:39.200
<v Speaker 2>It's not saying women that are not well behaved always

1:03:39.240 --> 1:03:41.320
<v Speaker 2>make history or women that are not well behaved are

1:03:41.360 --> 1:03:44.520
<v Speaker 2>always good. It's simply saying the ones that are well behaved,

1:03:44.880 --> 1:03:47.600
<v Speaker 2>they're going to go ahead and not make history. Okay,

1:03:48.040 --> 1:03:51.280
<v Speaker 2>Eileen Waros, that's who said it.

1:03:51.400 --> 1:03:52.240
<v Speaker 1>She made history.

1:03:52.360 --> 1:03:54.840
<v Speaker 5>I think her behaviors in the eye of the beholder.

1:03:54.680 --> 1:03:55.960
<v Speaker 1>Her behaviors in the eye of the.

1:03:55.880 --> 1:03:58.720
<v Speaker 4>Beholder well, and many people would argue well behaved, a

1:03:58.720 --> 1:03:59.760
<v Speaker 4>lot of people argue not well.

1:04:00.040 --> 1:04:01.280
<v Speaker 2>So it is one of those neutral statements.

1:04:01.320 --> 1:04:01.400
<v Speaker 9>You know.

1:04:01.440 --> 1:04:03.760
<v Speaker 2>It's interesting because I think Madeline Albright said it, and

1:04:03.800 --> 1:04:05.440
<v Speaker 2>it's like, is that wrong?

1:04:06.160 --> 1:04:06.640
<v Speaker 1>Beats me?

1:04:06.760 --> 1:04:08.040
<v Speaker 5>I thought it was Claudia Shiffer.

1:04:08.400 --> 1:04:11.880
<v Speaker 1>I thought I thought it was Claudia Shiffer who said that.

1:04:11.920 --> 1:04:15.160
<v Speaker 2>Lydia Schiffer in Medling all right, got together it is

1:04:15.560 --> 1:04:20.280
<v Speaker 2>said it's time to maximize our joined slagh. They coined

1:04:20.320 --> 1:04:22.400
<v Speaker 2>that it was Kadia Shiffer Madeline Albright. They were hosting

1:04:22.440 --> 1:04:26.360
<v Speaker 2>the podcast together called Get out of This Room. I

1:04:26.440 --> 1:04:29.960
<v Speaker 2>Gotta get like them, and and and she said, well,

1:04:30.000 --> 1:04:33.000
<v Speaker 2>behave women rarely make history that is completely morally neutral.

1:04:33.040 --> 1:04:35.000
<v Speaker 2>By the way, it means like a woman who is

1:04:35.040 --> 1:04:38.040
<v Speaker 2>a murderer will make history. Of course, So where do

1:04:38.120 --> 1:04:39.880
<v Speaker 2>you Where do we stand? Where do we Where does

1:04:39.920 --> 1:04:42.240
<v Speaker 2>that leave us? It's kind of like if you, let's

1:04:42.240 --> 1:04:43.960
<v Speaker 2>say you're a tech entrepreneur, you say my goal is

1:04:44.000 --> 1:04:46.640
<v Speaker 2>to change the world. Disrupt that could disrupt Those are

1:04:47.000 --> 1:04:49.000
<v Speaker 2>morally neutral statements. That could mean you're going to say,

1:04:50.360 --> 1:04:51.840
<v Speaker 2>it doesn't seem so neutral.

1:04:52.040 --> 1:04:54.760
<v Speaker 1>Disrupt good or disrupt bad? Yeah, you could disrupt good

1:04:54.800 --> 1:04:55.560
<v Speaker 1>or disrupt you think.

1:04:55.680 --> 1:04:57.560
<v Speaker 5>In case maybe something's been disrupted.

1:04:57.800 --> 1:04:58.560
<v Speaker 1>Yes, that's true.

1:04:58.800 --> 1:05:02.560
<v Speaker 5>Yeah, So I'll find my way on that phrase.

1:05:02.600 --> 1:05:02.880
<v Speaker 3>I think.

1:05:04.000 --> 1:05:06.680
<v Speaker 1>So what do you think of the phrase check please?

1:05:07.800 --> 1:05:10.040
<v Speaker 1>That I relate to more, I really relate to.

1:05:10.120 --> 1:05:14.200
<v Speaker 4>That yeah, yeah, yeah, I think it just it's easier

1:05:14.240 --> 1:05:17.200
<v Speaker 4>for me to kind of comprehend what's going on there situationally,

1:05:17.240 --> 1:05:19.800
<v Speaker 4>and that might be my acting background or something like that.

1:05:19.880 --> 1:05:21.920
<v Speaker 5>I'm dropped into a scene, Well.

1:05:21.760 --> 1:05:25.240
<v Speaker 1>It combines your acting background and your comedy background. Yeah, finally,

1:05:25.400 --> 1:05:25.800
<v Speaker 1>where I can.

1:05:26.000 --> 1:05:28.360
<v Speaker 5>It's a sketch, it's a scene and whatever, my what's

1:05:28.400 --> 1:05:28.840
<v Speaker 5>my motivation?

1:05:28.920 --> 1:05:29.400
<v Speaker 3>Where have I been?

1:05:29.440 --> 1:05:30.480
<v Speaker 1>Where am I going? Yeah?

1:05:31.560 --> 1:05:31.760
<v Speaker 4>Check?

1:05:31.840 --> 1:05:34.680
<v Speaker 1>Please check please? Speaking of check, please, we should do

1:05:34.760 --> 1:05:37.760
<v Speaker 1>a final segment. Okay, So our final segment is called

1:05:37.760 --> 1:05:39.320
<v Speaker 1>shout outs, and in the stement we pay allmash to

1:05:39.320 --> 1:05:41.600
<v Speaker 1>the grand straight tradition of the radio shout out and

1:05:41.600 --> 1:05:44.960
<v Speaker 1>shout out anything that we enjoy. People, places, things, ideas,

1:05:45.840 --> 1:05:48.480
<v Speaker 1>and we make them up on the spot. Do you

1:05:48.560 --> 1:05:50.640
<v Speaker 1>have one? I have one, but it's kind of I'm

1:05:50.680 --> 1:05:53.160
<v Speaker 1>like embarrassed by it preemptively, but you go ahead.

1:05:54.240 --> 1:06:01.000
<v Speaker 2>Okay, what's up music lovers and Apple Music subscrib I

1:06:01.080 --> 1:06:02.840
<v Speaker 2>want to give a shout out to Yeba and her

1:06:02.920 --> 1:06:07.280
<v Speaker 2>new album Gene pretty much. This girl actually has something

1:06:07.320 --> 1:06:10.320
<v Speaker 2>called integrity, which I thought was endangered. I thought that

1:06:10.400 --> 1:06:13.720
<v Speaker 2>we had banned that the second Donald Trump rose in

1:06:13.800 --> 1:06:16.360
<v Speaker 2>the ranks and came into office, but it turns out

1:06:16.680 --> 1:06:18.480
<v Speaker 2>some select people in the world still have it, and

1:06:18.520 --> 1:06:21.439
<v Speaker 2>they are able to release music that is actually good

1:06:21.840 --> 1:06:24.080
<v Speaker 2>and not following trends. They're able to say thank you

1:06:24.160 --> 1:06:25.800
<v Speaker 2>for your input, Mark Ronson, but I'm gonna do.

1:06:25.840 --> 1:06:26.640
<v Speaker 1>This one myself.

1:06:27.680 --> 1:06:30.440
<v Speaker 2>They are able to be normal and not trend chasing

1:06:30.560 --> 1:06:33.760
<v Speaker 2>and making TikTok dances viral to promote their album, and

1:06:33.800 --> 1:06:36.920
<v Speaker 2>they are able to be Yeba. And so I want

1:06:37.000 --> 1:06:39.320
<v Speaker 2>to say shout out to Yeba and shout out to

1:06:39.440 --> 1:06:42.800
<v Speaker 2>everything you do and continue to do, and shout out

1:06:42.840 --> 1:06:46.320
<v Speaker 2>to specifically the song West Memphis that I have been

1:06:46.400 --> 1:06:49.800
<v Speaker 2>really enjoying on the album Gene by Yeba, the artist Whoop.

1:06:52.600 --> 1:06:54.560
<v Speaker 1>What's Up, Freak Souris and perverse around the globe. I

1:06:54.600 --> 1:06:56.480
<v Speaker 1>have sort of an opposite shout out, and that is

1:06:56.640 --> 1:06:58.920
<v Speaker 1>very on the trend chasing side. I would like to

1:06:58.960 --> 1:07:04.040
<v Speaker 1>give a shout out to the group known as Fuckers,

1:07:04.240 --> 1:07:08.360
<v Speaker 1>but it's spelled that one way. Fc uk er s I,

1:07:08.920 --> 1:07:12.800
<v Speaker 1>you know, finally a group that makes fun dance music

1:07:12.920 --> 1:07:16.040
<v Speaker 1>and seems to not give a f these This chica

1:07:16.080 --> 1:07:19.080
<v Speaker 1>who's in charge is so bored, so lazy. I say

1:07:19.200 --> 1:07:23.120
<v Speaker 1>thank you. Finally someone is cool again. I feel a bit,

1:07:23.280 --> 1:07:25.560
<v Speaker 1>I must say. Oh listening to it, and it's like

1:07:25.760 --> 1:07:27.280
<v Speaker 1>one of those things where if I was twenty three,

1:07:27.360 --> 1:07:30.720
<v Speaker 1>i'd know i'd like have really strong opinions about whether

1:07:30.760 --> 1:07:33.200
<v Speaker 1>they sucked or whether they were good. But I right now,

1:07:33.320 --> 1:07:35.400
<v Speaker 1>I'm not that age, and in fact, I'm much older

1:07:35.440 --> 1:07:37.479
<v Speaker 1>than that, and I think, you know what, who gives

1:07:37.520 --> 1:07:40.360
<v Speaker 1>a f If this girl can be lazy and sing whatever,

1:07:40.480 --> 1:07:42.280
<v Speaker 1>then I can be lazy in my critique and just

1:07:42.320 --> 1:07:44.960
<v Speaker 1>say what a blast. I'm having fun. It makes me

1:07:45.000 --> 1:07:47.040
<v Speaker 1>feel like I'm in New York City and I am

1:07:47.120 --> 1:07:50.640
<v Speaker 1>out at the club, having wearing my little sunglasses and

1:07:50.800 --> 1:07:53.840
<v Speaker 1>drinking my little drinks. So shout out to fuckers. I

1:07:53.880 --> 1:07:55.600
<v Speaker 1>don't know if that's how you pronounce it or if

1:07:55.640 --> 1:07:58.200
<v Speaker 1>there's a different way, And I'm sorry that that's their name.

1:07:58.360 --> 1:08:04.640
<v Speaker 1>I didn't choose it. Xoxo Sam. Wow, Hey listeners, what's up.

1:08:04.680 --> 1:08:06.439
<v Speaker 5>It's me Amy Zimmer and I wanted to say.

1:08:06.840 --> 1:08:09.120
<v Speaker 4>I have to say right off bat that we've talked

1:08:09.400 --> 1:08:11.200
<v Speaker 4>joked a lot about AI and I can't say that

1:08:11.280 --> 1:08:13.040
<v Speaker 4>I'm quite interested in it, but I have to give

1:08:13.040 --> 1:08:16.000
<v Speaker 4>a quick shout out to the weird reels I've been

1:08:16.040 --> 1:08:18.800
<v Speaker 4>seeing of strawberries getting intimistic situations.

1:08:19.120 --> 1:08:21.320
<v Speaker 5>I have been seeing a lot of that stuff lately.

1:08:21.200 --> 1:08:24.360
<v Speaker 4>And it is shocking and mind blowing to see strawberries

1:08:24.400 --> 1:08:27.280
<v Speaker 4>having an affair with mangoes, blueberries, eggplants and more.

1:08:27.439 --> 1:08:29.960
<v Speaker 5>Oh God, some of these women are single mothers.

1:08:30.080 --> 1:08:33.360
<v Speaker 4>They are raising children without much support, and I think

1:08:33.400 --> 1:08:35.639
<v Speaker 4>we need to be kinder to them. From the stories

1:08:35.680 --> 1:08:38.439
<v Speaker 4>that I have seen, these women need to be absolutely

1:08:38.479 --> 1:08:41.040
<v Speaker 4>lifted up. And I think these reels should ultimately stop.

1:08:41.080 --> 1:08:42.600
<v Speaker 4>But I have to shout out because they are in

1:08:42.720 --> 1:08:45.160
<v Speaker 4>my brain at the moment. And then lastly, want to

1:08:45.200 --> 1:08:48.040
<v Speaker 4>give a quick shout out to George and Sam. It's

1:08:48.080 --> 1:08:51.800
<v Speaker 4>always something with them and I'm you know, an honor

1:08:51.840 --> 1:08:54.400
<v Speaker 4>to be a guest once again and shout out blue

1:08:54.400 --> 1:08:55.959
<v Speaker 4>Hair and April seventeen, April.

1:08:55.760 --> 1:09:00.280
<v Speaker 1>Seventeen, Well, this has been such a true treat. The

1:09:01.040 --> 1:09:04.559
<v Speaker 1>chemistry is electric and every time you know, you think

1:09:04.640 --> 1:09:06.960
<v Speaker 1>you don't have it and then you just start talking sad.

1:09:07.080 --> 1:09:10.000
<v Speaker 1>Damn there it is so wow. Excited to see the film.

1:09:10.240 --> 1:09:12.400
<v Speaker 2>It's so good And if I can be ernest for

1:09:12.400 --> 1:09:15.640
<v Speaker 2>a second, Amy, I'm so proud of you, and I

1:09:15.880 --> 1:09:19.519
<v Speaker 2>really I was really blown away by the film, and

1:09:19.600 --> 1:09:22.400
<v Speaker 2>I've been thinking about it's one of the ones that

1:09:22.520 --> 1:09:25.000
<v Speaker 2>really sticks with you. Let's say that it ends and

1:09:25.080 --> 1:09:27.200
<v Speaker 2>you're saying that's going to come back to haunt me

1:09:27.360 --> 1:09:28.759
<v Speaker 2>at a moment I don't even expect.

1:09:29.280 --> 1:09:33.360
<v Speaker 1>Thank you, thank you well, bye bye.

1:09:33.920 --> 1:09:37.280
<v Speaker 2>Podcast ends now for our visual earners. You can watch

1:09:37.360 --> 1:09:39.880
<v Speaker 2>full video episodes on our YouTube channel and.

1:09:39.920 --> 1:09:42.839
<v Speaker 1>Subscribe to our Patreon for two extra episodes a month.

1:09:43.120 --> 1:09:45.559
<v Speaker 2>At patreon dot com. Slash Stradio Lab.

1:09:46.000 --> 1:09:48.320
<v Speaker 1>Stradio Lab is a production by Will Ferrell's Big Money

1:09:48.320 --> 1:09:50.040
<v Speaker 1>Players Network and iHeart Podcasts.

1:09:50.200 --> 1:09:53.160
<v Speaker 2>Created and hosted by me George Severs and Sam Taggart.

1:09:53.439 --> 1:09:56.920
<v Speaker 1>Executive produced by Jenna Cagel, co produced by Becca Ramos.

1:09:56.880 --> 1:09:59.559
<v Speaker 2>Edited by Laurence Stumpf, and mixed and mastered by Doug Bain.

1:10:00.080 --> 1:10:02.640
<v Speaker 1>Artwork by Michael Fails and Matt Grubb. Theme music by

1:10:02.680 --> 1:10:03.160
<v Speaker 1>Ben Kling.