1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:06,559 --> 00:00:10,399 Speaker 2: Oh that's just you. 3 00:00:17,760 --> 00:00:21,919 Speaker 3: Gilmore Girls Gazette with Amy Sugarman and Danielle Romo, an 4 00:00:21,960 --> 00:00:23,720 Speaker 3: iHeartRadio podcast. 5 00:00:24,239 --> 00:00:28,800 Speaker 4: It is a bright, sunshiny day for me, and how 6 00:00:28,880 --> 00:00:29,479 Speaker 4: is it for you? 7 00:00:30,720 --> 00:00:33,680 Speaker 2: Little? It is the word I would call it a 8 00:00:33,720 --> 00:00:35,960 Speaker 2: little gray. The sun came out, then it's great. Then 9 00:00:35,960 --> 00:00:39,440 Speaker 2: the sun came out. It's not fog. I have fog here? 10 00:00:40,120 --> 00:00:42,200 Speaker 2: Does everyone in the country have fog? 11 00:00:42,479 --> 00:00:42,919 Speaker 5: I don't know. 12 00:00:44,720 --> 00:00:47,040 Speaker 1: I think that's like a coast thing. Like do you 13 00:00:47,080 --> 00:00:48,440 Speaker 1: get fog in Colorado? 14 00:00:48,840 --> 00:00:49,680 Speaker 2: Yeah, we need to know. 15 00:00:50,640 --> 00:00:52,800 Speaker 1: I do not have the answer to that. Actually, do 16 00:00:52,840 --> 00:00:54,160 Speaker 1: not know the answer to that either, am I You 17 00:00:54,200 --> 00:00:57,520 Speaker 1: went to school in Colorado? Is there fog in Colorado? No? 18 00:00:59,240 --> 00:00:59,880 Speaker 3: So fog is. 19 00:00:59,880 --> 00:01:02,280 Speaker 1: A coastal thing, okay, Okay? 20 00:01:02,320 --> 00:01:06,119 Speaker 3: Is also also like with like the farm, farmland and stuff. 21 00:01:06,120 --> 00:01:07,320 Speaker 3: Because I had fog growing up. 22 00:01:07,480 --> 00:01:10,080 Speaker 1: But you're you're you grew up in California. 23 00:01:10,840 --> 00:01:13,080 Speaker 3: Nowhere, you're in the coast though, I'm like two hours 24 00:01:13,080 --> 00:01:13,679 Speaker 3: from the coast. 25 00:01:14,240 --> 00:01:16,560 Speaker 2: Yeah, but I think there's fog on the there's fog 26 00:01:16,600 --> 00:01:20,720 Speaker 2: on the five. I don't hmm. I'm gonna have to 27 00:01:21,160 --> 00:01:27,480 Speaker 2: this very very in Missouri. Let's try that is there 28 00:01:27,560 --> 00:01:30,800 Speaker 2: fog in Missouri? There are a few areas of patchy 29 00:01:30,800 --> 00:01:34,280 Speaker 2: the dense fog this morning. So there's fog everywhere. 30 00:01:34,520 --> 00:01:38,120 Speaker 1: Okaybody you see those those photos of like fog in 31 00:01:38,160 --> 00:01:38,720 Speaker 1: the mountains. 32 00:01:38,720 --> 00:01:41,039 Speaker 2: Now I'm doing is there fog in Japan? Just to see? 33 00:01:41,120 --> 00:01:45,240 Speaker 1: Oh, there's definitely fog in Japan. It's a freaking island. Eventually, Yeah, 34 00:01:46,280 --> 00:01:47,240 Speaker 1: are really in the middle. 35 00:01:47,640 --> 00:01:54,120 Speaker 2: Kentucky, Kentucky. You know what I already did, Kentucky. Is 36 00:01:54,160 --> 00:01:57,320 Speaker 2: there fog in Nashville? It's just can't tell me big 37 00:01:57,360 --> 00:01:58,080 Speaker 2: the weather right. 38 00:01:57,960 --> 00:02:00,240 Speaker 1: Now, everyone's screaming at us. 39 00:02:00,280 --> 00:02:04,120 Speaker 2: Call I guess fog is universal? What is fog? 40 00:02:05,280 --> 00:02:07,880 Speaker 1: What is a condensation? And I'm sure it's a. 41 00:02:07,760 --> 00:02:11,800 Speaker 2: Cloud at ground level? So everybody has clouds at ground level. God, 42 00:02:11,840 --> 00:02:13,040 Speaker 2: We're dumb, we are. 43 00:02:13,200 --> 00:02:15,520 Speaker 1: It's all right. You know what we learned. We learned 44 00:02:15,560 --> 00:02:16,600 Speaker 1: something today. 45 00:02:16,440 --> 00:02:19,360 Speaker 2: Right, This is the thing. Thanks for joining us for 46 00:02:19,680 --> 00:02:21,760 Speaker 2: listen if you want to. This is the kind of 47 00:02:21,760 --> 00:02:23,960 Speaker 2: stuff you're going to get when we launch. Listen if 48 00:02:24,000 --> 00:02:26,440 Speaker 2: you want to. But this is the Gilmore Girls Gazette, 49 00:02:26,480 --> 00:02:29,239 Speaker 2: and I am on a mission. Let me tell you 50 00:02:29,320 --> 00:02:31,800 Speaker 2: what that mission is. Listen at Gilmore Girls fans. 51 00:02:32,200 --> 00:02:33,840 Speaker 1: Is it the very first thing on our rundown? 52 00:02:34,240 --> 00:02:36,680 Speaker 2: Yeah, because I sent this in the group text yesterday 53 00:02:37,360 --> 00:02:39,000 Speaker 2: because everyone's like, what do you want to talk about? 54 00:02:39,120 --> 00:02:41,480 Speaker 2: And this is what I want to talk about. Why 55 00:02:41,520 --> 00:02:45,639 Speaker 2: isn't Matt Zukri on television right now? Like what's going on? 56 00:02:46,120 --> 00:02:46,480 Speaker 1: Amen? 57 00:02:46,800 --> 00:02:48,520 Speaker 2: Yeah? Like can we get him a new show? Like 58 00:02:48,840 --> 00:02:51,080 Speaker 2: why not? Why isn't he on nine to one one Nashville. 59 00:02:51,600 --> 00:02:54,919 Speaker 4: I completely agree with you. And also, you know, we 60 00:02:54,960 --> 00:02:58,120 Speaker 4: have a tight relationship with Matt Zukri and he is 61 00:02:58,120 --> 00:03:00,520 Speaker 4: always willing to come on. But his thing is, oh, 62 00:03:00,560 --> 00:03:01,919 Speaker 4: come on when you know I got a show. 63 00:03:01,960 --> 00:03:04,280 Speaker 1: I have a project, you know, a project to talk about, 64 00:03:04,919 --> 00:03:07,679 Speaker 1: and he always does. But he doesn't have a show 65 00:03:07,720 --> 00:03:10,440 Speaker 1: right now, which is blocking us from speaking to Maud 66 00:03:11,200 --> 00:03:14,240 Speaker 1: Chicago med, I don't watch those doctor shows? You do 67 00:03:14,480 --> 00:03:15,480 Speaker 1: what other shows? 68 00:03:15,520 --> 00:03:17,360 Speaker 2: He would be great on all of these shows. 69 00:03:17,560 --> 00:03:19,519 Speaker 4: I want to you know what, I want to see 70 00:03:19,600 --> 00:03:24,480 Speaker 4: him in a rom com a lah Chad Michael Murray Like. 71 00:03:24,880 --> 00:03:29,799 Speaker 2: Oh, I feel like that's too light fair for him. 72 00:03:29,880 --> 00:03:32,240 Speaker 2: I feel like he's really er. I don't know, did 73 00:03:32,240 --> 00:03:34,000 Speaker 2: you watch The Resident? I mean he was I did 74 00:03:34,040 --> 00:03:38,680 Speaker 2: not watch The Resident, but I didn't want what Get 75 00:03:38,720 --> 00:03:41,160 Speaker 2: on it? Get on it started immediately. 76 00:03:41,520 --> 00:03:44,200 Speaker 4: Fun fact of all the shows that he's been an 77 00:03:44,200 --> 00:03:46,880 Speaker 4: outside of Gilmore Girls, of course he was in one 78 00:03:46,880 --> 00:03:48,040 Speaker 4: episode seventh Happened, and. 79 00:03:48,040 --> 00:03:48,920 Speaker 1: I did watch. 80 00:03:50,720 --> 00:03:51,400 Speaker 2: What year was that? 81 00:03:52,680 --> 00:03:53,440 Speaker 1: Two thousand and two? 82 00:03:55,000 --> 00:03:57,440 Speaker 2: Oh my god, that is so random. 83 00:03:57,880 --> 00:04:00,880 Speaker 1: I know one episode one little measly out. 84 00:04:01,040 --> 00:04:05,120 Speaker 2: Also we pulled his bio. What was Young Americans? Hold 85 00:04:05,120 --> 00:04:07,640 Speaker 2: On Americans? I think this was a show I liked. 86 00:04:09,120 --> 00:04:12,000 Speaker 1: Really Gilmore Girls was like his thing, and then the 87 00:04:12,280 --> 00:04:15,760 Speaker 1: Like That's what catapulted him, and then The Good the 88 00:04:15,800 --> 00:04:17,040 Speaker 1: Good Wife, the Resident. 89 00:04:17,400 --> 00:04:22,880 Speaker 2: What was Young Americans? Young Americans was a television show 90 00:04:22,960 --> 00:04:28,839 Speaker 2: on the WB. The main character, Will Kradisky, was introduced 91 00:04:28,920 --> 00:04:32,320 Speaker 2: late in season three of Dawson's Creek as a friend 92 00:04:32,320 --> 00:04:35,920 Speaker 2: of Pacy's. I want to talk about Paycy in a second, though. Weirdly, 93 00:04:36,200 --> 00:04:39,279 Speaker 2: this gives me an opening to talk about Pacey. The 94 00:04:39,320 --> 00:04:42,359 Speaker 2: show explores themes of forbidden love. I've never heard of 95 00:04:42,360 --> 00:04:45,880 Speaker 2: this Young Americans. Weird Let's talk about Pacey. 96 00:04:46,040 --> 00:04:47,560 Speaker 1: Can I just say one thing really quick? 97 00:04:47,839 --> 00:04:48,119 Speaker 2: Sure? 98 00:04:48,440 --> 00:04:48,520 Speaker 5: Like? 99 00:04:48,560 --> 00:04:50,800 Speaker 1: When was Young Americans? And I looked at our notes 100 00:04:51,000 --> 00:04:54,200 Speaker 1: and it was the year two thousand. In the year 101 00:04:54,520 --> 00:04:58,040 Speaker 1: two thousand year two thousand. In my head, I said, Oh, 102 00:04:58,080 --> 00:05:01,880 Speaker 1: that's kind of recent. And then I said, oh, no, no, no, no, no, Danielle, 103 00:05:02,000 --> 00:05:03,479 Speaker 1: it has been twenty five years. 104 00:05:03,520 --> 00:05:06,280 Speaker 2: I know people my age, when you talk about the eighties, 105 00:05:06,279 --> 00:05:07,400 Speaker 2: we think it was twenty years ago. 106 00:05:07,760 --> 00:05:10,080 Speaker 1: It's insane. And that's where you feel about the nineties. 107 00:05:10,160 --> 00:05:11,960 Speaker 1: If you grew up in the nineties. 108 00:05:12,040 --> 00:05:14,880 Speaker 2: What year were you born? Nineteen ninety, so you don't 109 00:05:14,920 --> 00:05:17,880 Speaker 2: know anything about like growing pains, give me a break, 110 00:05:18,000 --> 00:05:19,719 Speaker 2: Family Ties Cosby Show. 111 00:05:20,120 --> 00:05:23,040 Speaker 1: I mean I know all those things. Did I watch it? No? 112 00:05:23,480 --> 00:05:27,560 Speaker 1: I did not. I was of the era of Blues Clues. 113 00:05:28,080 --> 00:05:30,200 Speaker 2: Back to the Future, meaning, do. 114 00:05:30,200 --> 00:05:32,320 Speaker 1: You like I have you watched Blues Barney? 115 00:05:33,560 --> 00:05:36,080 Speaker 2: That's so like we watched Sesame Street and Mister Rogers. 116 00:05:36,080 --> 00:05:39,200 Speaker 2: There was no Blues Clues. Wait, did you have you 117 00:05:39,240 --> 00:05:40,240 Speaker 2: seen Back to the Future. 118 00:05:40,640 --> 00:05:41,719 Speaker 1: I've seen Back to the Future. 119 00:05:41,839 --> 00:05:43,240 Speaker 2: Yeah, but not in a movie theater. 120 00:05:43,880 --> 00:05:46,680 Speaker 1: Not in a movie theater. No, Theonies mean to you. 121 00:05:47,720 --> 00:05:49,680 Speaker 4: The Okay, I'll tell you what the Goonies mean to me. 122 00:05:50,240 --> 00:05:54,880 Speaker 4: A girl on my softball team, her grandfather was in, Uh. 123 00:05:54,680 --> 00:05:58,119 Speaker 1: The Goonies, love It, Stop It, and my dad would 124 00:05:58,240 --> 00:05:59,560 Speaker 1: freak out about it. 125 00:05:59,560 --> 00:06:02,640 Speaker 2: I want to with chunk. But do you know who 126 00:06:02,680 --> 00:06:03,839 Speaker 2: her grandfather was? 127 00:06:04,400 --> 00:06:06,320 Speaker 1: Yes, you know, hold on, I know, I remember their 128 00:06:06,400 --> 00:06:08,440 Speaker 1: last name. Let me just while you do that. 129 00:06:08,880 --> 00:06:11,160 Speaker 2: What I also want to know is, what does sixteen 130 00:06:11,240 --> 00:06:13,680 Speaker 2: Candles mean to you? Don't say nothing. 131 00:06:13,800 --> 00:06:16,520 Speaker 1: Robert Dove was the guy who Robert Dove is leg 132 00:06:16,760 --> 00:06:18,200 Speaker 1: for Kelly. That was her grandfather. 133 00:06:18,320 --> 00:06:22,200 Speaker 2: Yeah, legit, super legit. He was not a nice guy 134 00:06:22,640 --> 00:06:23,320 Speaker 2: in the movie. 135 00:06:23,440 --> 00:06:24,800 Speaker 1: My dad geeked out over him. 136 00:06:25,279 --> 00:06:25,719 Speaker 6: Yeah. 137 00:06:25,760 --> 00:06:28,960 Speaker 2: Wait yeah, what does sixteen candles mean to you? Breakfast Club? 138 00:06:29,720 --> 00:06:32,440 Speaker 1: Breakfast Club? I did watch. I love the Breakfast Club. 139 00:06:32,480 --> 00:06:36,400 Speaker 1: Sixteen Candles, I you know, obviously have heard and. 140 00:06:36,520 --> 00:06:38,400 Speaker 2: Know nothing about it doesn't mean anything. 141 00:06:38,640 --> 00:06:40,919 Speaker 1: Doesn't mean anything Breakfast Club does. Though I love the 142 00:06:40,920 --> 00:06:41,560 Speaker 1: Breakfast Club. 143 00:06:41,600 --> 00:06:44,640 Speaker 2: That is so sad. Sixteen candles is like my life 144 00:06:45,160 --> 00:06:47,280 Speaker 2: so good. By the way, this is not an ad 145 00:06:47,320 --> 00:06:50,640 Speaker 2: that I'm about to say the faroughface. This is not 146 00:06:50,680 --> 00:06:53,880 Speaker 2: an ad, you guys. This is just me that Oh 147 00:06:53,920 --> 00:06:56,360 Speaker 2: it's like a massage for your face, and it's expensive, 148 00:06:56,360 --> 00:06:58,920 Speaker 2: but it's worth every penny. He's just think every day 149 00:06:59,320 --> 00:07:01,520 Speaker 2: I'm doing the there our face while we do this show, 150 00:07:01,800 --> 00:07:04,400 Speaker 2: because I think I'll be better at the show because 151 00:07:04,800 --> 00:07:07,000 Speaker 2: my face will be said, I'm doing the hot. 152 00:07:07,320 --> 00:07:08,600 Speaker 1: You know who you remind me that. 153 00:07:08,680 --> 00:07:11,840 Speaker 2: Although we'd be happy to advertise for them because it's so. 154 00:07:11,920 --> 00:07:14,480 Speaker 1: Good you know who you remind me of, this will 155 00:07:14,480 --> 00:07:16,960 Speaker 1: mean nothing to you. So let me just flip the 156 00:07:17,000 --> 00:07:20,960 Speaker 1: table for all those Real Housewives of Beverly Hills fans 157 00:07:21,000 --> 00:07:26,120 Speaker 1: out there that are listening. Is giving me sut In 158 00:07:26,160 --> 00:07:31,480 Speaker 1: with her little nurse Jamie her roller or something that 159 00:07:31,680 --> 00:07:34,760 Speaker 1: she would do in the middle of the show just 160 00:07:34,800 --> 00:07:35,680 Speaker 1: to just get it out. 161 00:07:36,800 --> 00:07:40,600 Speaker 2: And first of all, I'd be the most boring Real Housewives. 162 00:07:40,640 --> 00:07:42,200 Speaker 2: But if I was on Real Housewives, I would do 163 00:07:42,240 --> 00:07:44,320 Speaker 2: this all the time during it to help my stress. 164 00:07:44,560 --> 00:07:46,720 Speaker 2: I'd be so boring because I'd be like, what kind 165 00:07:46,720 --> 00:07:48,840 Speaker 2: of drama you getting into? And I'd be like cookies 166 00:07:49,080 --> 00:07:53,200 Speaker 2: and Netflix, thank you so much. Okay, so here are 167 00:07:53,240 --> 00:07:56,640 Speaker 2: some exciting news which this You guys may have heard this, 168 00:07:56,800 --> 00:07:59,800 Speaker 2: but we just wanted to reiterate it. Lauren Graham says 169 00:08:00,040 --> 00:08:02,040 Speaker 2: it'd be a dream come true to work with Rachel 170 00:08:02,080 --> 00:08:09,200 Speaker 2: Brosnahan and I'm into that. Into that. Yeah, Are you 171 00:08:09,320 --> 00:08:13,680 Speaker 2: as excited for Superman as I am? Like, I will 172 00:08:13,720 --> 00:08:16,680 Speaker 2: be in the theater opening day. You will not. That 173 00:08:17,040 --> 00:08:17,520 Speaker 2: is rude. 174 00:08:17,600 --> 00:08:18,960 Speaker 1: You know what I do want to be in the 175 00:08:18,960 --> 00:08:22,040 Speaker 1: theater for and I feel the New Jurassic Park me 176 00:08:22,120 --> 00:08:27,480 Speaker 1: too negative. Freak your Friday. 177 00:08:27,680 --> 00:08:30,760 Speaker 2: Oh I'm gonna I'm going to disagree, but respect it. 178 00:08:31,040 --> 00:08:34,560 Speaker 2: I will not be their opening day, but I respect it. 179 00:08:35,160 --> 00:08:40,880 Speaker 4: Yeah, no again, nineties girl, Freaky Friday was Freaky. 180 00:08:40,600 --> 00:08:43,440 Speaker 2: Friday to me? Is still Jodi Foster on the water. 181 00:08:43,240 --> 00:08:48,520 Speaker 1: Skis definitely Lindallahan, but I'm excited for it. 182 00:08:48,520 --> 00:08:52,040 Speaker 2: I think it's I actually think the switchback happened while 183 00:08:52,040 --> 00:08:54,079 Speaker 2: they were on water skis. I feel like maybe Jodie 184 00:08:54,120 --> 00:08:56,400 Speaker 2: Foster was water skiing and then the switched back happened 185 00:08:56,400 --> 00:09:00,440 Speaker 2: and it was her mom. Trivia, no idea? Who played 186 00:09:00,440 --> 00:09:02,800 Speaker 2: the mom? Somebody look that up. I'll do it. I'll 187 00:09:02,800 --> 00:09:04,440 Speaker 2: do it. I need to know who played the mom. 188 00:09:04,679 --> 00:09:06,680 Speaker 2: And then I want to talk about Superman a little 189 00:09:06,679 --> 00:09:10,040 Speaker 2: bit more because Shawn Gunn is also in Superman. Okay, 190 00:09:10,400 --> 00:09:14,720 Speaker 2: who played the mom? People love to hear you Google. 191 00:09:14,800 --> 00:09:16,960 Speaker 2: This is something they'd love to hear. They're like, you 192 00:09:17,000 --> 00:09:19,760 Speaker 2: know what I want to do is hear these teams 193 00:09:19,840 --> 00:09:25,960 Speaker 2: Google who played the mom in the original Harris, thank 194 00:09:26,000 --> 00:09:28,360 Speaker 2: you for being faster Googler whoever did that? 195 00:09:28,720 --> 00:09:28,920 Speaker 1: Jack? 196 00:09:28,960 --> 00:09:32,880 Speaker 2: Okay, let's talk more about Superman. The trailer is amazing, 197 00:09:34,160 --> 00:09:36,920 Speaker 2: pretty excited. We're gonna have the dog. I couldn't name 198 00:09:36,960 --> 00:09:39,240 Speaker 2: the guy playing Superman because he seems kind of like 199 00:09:39,320 --> 00:09:41,520 Speaker 2: out of nowhere, but I can name Lois and that's 200 00:09:41,600 --> 00:09:45,480 Speaker 2: Rachel Brosnahan. And then also Sean Gunn is in it, 201 00:09:45,520 --> 00:09:49,200 Speaker 2: and I think his brother gave him permission to say 202 00:09:49,559 --> 00:09:53,439 Speaker 2: that he's in one scene. Seawn Gunn recently confirmed that 203 00:09:53,520 --> 00:09:57,559 Speaker 2: he's kind of in the reboot. He got permission from 204 00:09:57,559 --> 00:10:01,280 Speaker 2: his brother, who wrote the screenplay and directs it. Maxwell 205 00:10:01,400 --> 00:10:05,959 Speaker 2: Lord is Sean Gunn, I believe, and he's in one 206 00:10:06,040 --> 00:10:10,160 Speaker 2: scene in the movie. So there's sort of a milding 207 00:10:10,280 --> 00:10:14,679 Speaker 2: of the world with Rachel Brosnahan and Sean Gunn. We're 208 00:10:14,720 --> 00:10:18,040 Speaker 2: bringing Mazel and Gilmour together. Superman is played by a 209 00:10:18,080 --> 00:10:21,760 Speaker 2: guy named David corn Sweat, and that's great. He looks cool. 210 00:10:22,760 --> 00:10:25,000 Speaker 2: I would have preferred more of a Matt Boehmer type, 211 00:10:25,080 --> 00:10:25,960 Speaker 2: but that's yeah. 212 00:10:26,040 --> 00:10:28,400 Speaker 1: Do you like those Marvels that like marvel stuff? 213 00:10:28,480 --> 00:10:32,200 Speaker 2: Okay, so I don't. I'm not super into Avengers but 214 00:10:32,280 --> 00:10:36,800 Speaker 2: I love, don't like whatever the one is x Men. 215 00:10:36,880 --> 00:10:37,640 Speaker 2: I love x Men. 216 00:10:37,720 --> 00:10:38,760 Speaker 1: Oh, x Men is great. 217 00:10:39,080 --> 00:10:44,079 Speaker 2: X Men is great, but I love Superman like Universe. Right, 218 00:10:44,160 --> 00:10:47,000 Speaker 2: so I go back to the original Superman. I like 219 00:10:47,080 --> 00:10:50,240 Speaker 2: the one where it was Brandon Routh. I don't even 220 00:10:50,280 --> 00:10:54,480 Speaker 2: hate that one. But I like the Henry cavill Ones. Yeah, yeah, 221 00:10:54,480 --> 00:10:58,720 Speaker 2: I love the Superman genre. Jackie is correcting, it's DC, 222 00:10:59,000 --> 00:11:01,000 Speaker 2: so maybe I'm more of a d seagirl the Wonder 223 00:11:01,040 --> 00:11:04,200 Speaker 2: Woman's I prefer the Linda. 224 00:11:04,160 --> 00:11:07,280 Speaker 1: Marvel's Guardians of the Galaxy or. 225 00:11:07,880 --> 00:11:09,360 Speaker 2: Yeah, I'm not. I don't watch those. 226 00:11:09,440 --> 00:11:13,200 Speaker 1: I would like to Easton on. Our team is obsessed. 227 00:11:12,760 --> 00:11:15,880 Speaker 2: Well, and Guardians of the Galaxy is James Gunn, who's 228 00:11:15,880 --> 00:11:18,200 Speaker 2: now doing Superman s Shawn gun Oh. 229 00:11:18,160 --> 00:11:18,800 Speaker 1: Yeah he is. 230 00:11:18,840 --> 00:11:19,360 Speaker 2: Who is Sean? 231 00:11:19,640 --> 00:11:20,640 Speaker 1: He's like the raccoon. 232 00:11:21,320 --> 00:11:22,360 Speaker 2: That's what I was wondering. 233 00:11:22,480 --> 00:11:23,200 Speaker 1: Is he the raccoon? 234 00:11:23,280 --> 00:11:25,600 Speaker 2: Why do I think Vin Diesel was hold on? 235 00:11:25,880 --> 00:11:26,040 Speaker 6: Oh? 236 00:11:26,280 --> 00:11:30,160 Speaker 1: Gred, Am I wrong? Yeah? Vin Diesel's grew the Yeah. 237 00:11:30,000 --> 00:11:32,959 Speaker 2: Oh you're wrong. Bradley Cooper's the raccoon, So you are wrong? 238 00:11:33,200 --> 00:11:35,640 Speaker 1: So then which one? Sean Gunn he's like a little rat. 239 00:11:35,840 --> 00:11:36,920 Speaker 2: He's definitely a little rat. 240 00:11:37,040 --> 00:11:38,360 Speaker 1: I'm sorry, I thought he was the raccoon. 241 00:11:38,920 --> 00:11:41,559 Speaker 2: He's Craglin, Obon Fona. 242 00:11:41,920 --> 00:11:43,000 Speaker 1: None of the animals. 243 00:11:43,280 --> 00:11:48,600 Speaker 2: Oh okay, not to do a crazy segue. And we 244 00:11:48,640 --> 00:11:50,400 Speaker 2: have a special guest today too, so let us know 245 00:11:50,400 --> 00:11:52,319 Speaker 2: what our guest is here. But I wanted to give 246 00:11:52,320 --> 00:11:56,079 Speaker 2: you seven things you don't know about Paul Anka found 247 00:11:56,160 --> 00:12:00,400 Speaker 2: this little ditty in Rewind magazine. Doing my re search, 248 00:12:01,400 --> 00:12:06,080 Speaker 2: he discovered some of Today's biggest music stars Booblaz, Corey Hart. 249 00:12:06,120 --> 00:12:09,280 Speaker 2: Now I beg to say that today's biggest music stars 250 00:12:09,400 --> 00:12:12,480 Speaker 2: and then saying Corey Hart, I like sunglasses is night also, 251 00:12:12,600 --> 00:12:15,439 Speaker 2: but that's not from today sunglasses. Can you do you 252 00:12:15,520 --> 00:12:16,240 Speaker 2: know Corey Hart? 253 00:12:16,679 --> 00:12:19,199 Speaker 1: Yes, I know Corey Hart, like Pink's husband. 254 00:12:19,320 --> 00:12:23,320 Speaker 2: No, that's carry Hart. Oh, Corey Hart. It's all good, 255 00:12:23,320 --> 00:12:23,840 Speaker 2: It's all good. 256 00:12:24,280 --> 00:12:27,480 Speaker 1: Corey Hart's I want to freaking rule today, guy. 257 00:12:27,320 --> 00:12:30,960 Speaker 2: Get out your therapface song. Guys, the raccoon Shawn Guns 258 00:12:31,000 --> 00:12:33,520 Speaker 2: not the raccoon, and Carry Hart is not Corey Hart. 259 00:12:33,679 --> 00:12:35,760 Speaker 2: But Corey Hart had a big hit I wear my 260 00:12:35,800 --> 00:12:37,760 Speaker 2: sunglasses at night. Does that ring a bell to you 261 00:12:37,800 --> 00:12:38,079 Speaker 2: at all? 262 00:12:38,240 --> 00:12:38,320 Speaker 3: No? 263 00:12:38,960 --> 00:12:44,600 Speaker 2: Wherem sulasses and my legit. He wrote the song Diana 264 00:12:44,920 --> 00:12:47,439 Speaker 2: for his eighteen year old babysitter. Now let me tell 265 00:12:47,480 --> 00:12:49,960 Speaker 2: you never heard the song Diana, But now that I 266 00:12:50,000 --> 00:12:52,439 Speaker 2: know it was for the babysitter, makes me want to listen. 267 00:12:52,559 --> 00:12:55,840 Speaker 1: Okay, should we look up some lyrics? Yeah? 268 00:12:56,000 --> 00:12:58,240 Speaker 2: Feels a little tawdry. Maybe I don't know. 269 00:12:58,880 --> 00:13:00,120 Speaker 1: Paul Anka dang. 270 00:13:00,080 --> 00:13:02,319 Speaker 2: Jinka canposed the theme song for The Tonight Show with 271 00:13:02,360 --> 00:13:06,280 Speaker 2: Johnny Carson. I did know that. Fun fact, Lonely Boy 272 00:13:06,320 --> 00:13:09,600 Speaker 2: was written for his mother who passed away. That's sad. 273 00:13:10,320 --> 00:13:13,480 Speaker 2: There's a street named after him in Canada, in Ottawa, Canada. 274 00:13:14,120 --> 00:13:17,360 Speaker 1: Oh my god, drive, you're gonna diet too, Lara. 275 00:13:17,559 --> 00:13:19,640 Speaker 2: Is the song Diana Todd? Is it tawdry? 276 00:13:20,840 --> 00:13:22,199 Speaker 1: I just read you the first line. 277 00:13:22,280 --> 00:13:23,680 Speaker 2: Yeah, read me like the first few. 278 00:13:23,840 --> 00:13:26,160 Speaker 4: I'm so young and you're so old. This, my darling, 279 00:13:26,240 --> 00:13:28,480 Speaker 4: I've been told I don't care just what they say, 280 00:13:28,520 --> 00:13:31,440 Speaker 4: because forever I will pray you and I will be 281 00:13:31,559 --> 00:13:33,480 Speaker 4: as free as the birds up in the trees. 282 00:13:33,600 --> 00:13:38,440 Speaker 1: Oh please stay buy me Diana, Saucy, Saucy. 283 00:13:38,480 --> 00:13:41,240 Speaker 2: It reminds me of that Garth Brooks song where that 284 00:13:41,440 --> 00:13:43,960 Speaker 2: you can tell the young guy sleeps with the older 285 00:13:44,080 --> 00:13:45,200 Speaker 2: lady thrills. 286 00:13:45,200 --> 00:13:47,360 Speaker 4: I get when you hold me close. Oh, my darling, 287 00:13:47,400 --> 00:13:49,320 Speaker 4: you are the most I love you, but don't but 288 00:13:49,440 --> 00:13:51,720 Speaker 4: do you love me? Oh Diana, can't you see? 289 00:13:51,920 --> 00:13:56,000 Speaker 2: Oh dirty woo, it's giving me creepy meats. All right, 290 00:13:57,480 --> 00:13:59,840 Speaker 2: maybe nothing happened, but he just had the crushy on 291 00:13:59,840 --> 00:14:00,720 Speaker 2: the babysitter. 292 00:14:01,160 --> 00:14:05,640 Speaker 1: This is oh no, well, ain'taa take this down? Change 293 00:14:05,679 --> 00:14:06,120 Speaker 1: the lyric. 294 00:14:07,640 --> 00:14:09,920 Speaker 2: Well, it's fine if you don't know that it was 295 00:14:09,960 --> 00:14:11,480 Speaker 2: for the babysitter. 296 00:14:11,679 --> 00:14:14,559 Speaker 1: Right, But now that you know, the song has been ruined. 297 00:14:15,320 --> 00:14:17,400 Speaker 2: But we don't know that anything happened. 298 00:14:17,880 --> 00:14:20,400 Speaker 1: It's still weird, is it. 299 00:14:20,720 --> 00:14:21,840 Speaker 2: I don't know, like the. 300 00:14:22,080 --> 00:14:25,040 Speaker 1: Okay, the babysitter's not fine. I guess you always do 301 00:14:25,240 --> 00:14:27,920 Speaker 1: have a crush on your babysitter, or like your teacher 302 00:14:28,280 --> 00:14:28,880 Speaker 1: or whatever. 303 00:14:29,120 --> 00:14:32,800 Speaker 2: I get caught for teacher. The baby didn't do anything fine. 304 00:14:32,840 --> 00:14:38,280 Speaker 2: He wrote Puppy Love about his teenage romance with Annette Funachello. 305 00:14:39,080 --> 00:14:40,160 Speaker 2: Do you know who that is? 306 00:14:40,560 --> 00:14:40,920 Speaker 1: I do not. 307 00:14:41,360 --> 00:14:43,240 Speaker 2: The age difference is just glad one. 308 00:14:43,120 --> 00:14:45,680 Speaker 1: Of the original Musketeers on the mixing Yes. 309 00:14:45,400 --> 00:14:48,440 Speaker 2: And Nella was like so famous, you don't remember, like 310 00:14:48,480 --> 00:14:51,240 Speaker 2: all those beach movies she did. I think she did 311 00:14:51,280 --> 00:14:52,400 Speaker 2: them with Frankie Avalon. 312 00:14:53,400 --> 00:14:56,680 Speaker 1: Oh my goodness, Mickey Mouse Club is Brian Gosling just 313 00:14:56,760 --> 00:15:02,200 Speaker 1: in timilarly Christina Aguilera. That is my Mickey Mouse. That 314 00:15:02,360 --> 00:15:07,080 Speaker 1: is not a give, it's me, it's inn that. 315 00:15:08,760 --> 00:15:11,200 Speaker 2: He also wrote my Way for Frank Sinatra. 316 00:15:11,080 --> 00:15:13,000 Speaker 1: And those That is a great song. 317 00:15:13,280 --> 00:15:15,560 Speaker 2: Yeah, those are fun facts about Paul Anka And you 318 00:15:15,600 --> 00:15:19,480 Speaker 2: know what, thank you Remind magazine because that was good stuff. 319 00:15:19,640 --> 00:15:22,240 Speaker 2: Remind Magazine also seems like a magazine i'd want to 320 00:15:22,280 --> 00:15:34,560 Speaker 2: read because it's probably all about things from yesteryear. Do 321 00:15:34,640 --> 00:15:36,320 Speaker 2: we have our special guest yet or not yet? 322 00:15:36,640 --> 00:15:36,680 Speaker 3: Not? 323 00:15:36,800 --> 00:15:38,280 Speaker 1: Yeah, we're five minutes time, Like. 324 00:15:38,200 --> 00:15:40,360 Speaker 2: We might need to text her while we keep talking. 325 00:15:40,840 --> 00:15:42,400 Speaker 1: We do have one. 326 00:15:42,840 --> 00:15:44,080 Speaker 2: I have Jane Lynch News. 327 00:15:44,200 --> 00:15:46,400 Speaker 1: I was gonna tell you that you're going to do it? Yeah, 328 00:15:46,480 --> 00:15:50,040 Speaker 1: tell me all right. American Dad to debut mid season. 329 00:15:50,160 --> 00:15:54,360 Speaker 1: Jane Lynch's Weakest Link and Fear Factor reboot lead unscripted 330 00:15:54,520 --> 00:15:59,320 Speaker 1: slate for this for the fall schedule. Yeah, so Jane 331 00:15:59,400 --> 00:16:02,160 Speaker 1: Lynch's week Link. We'll move over from NBC to Fox. 332 00:16:02,200 --> 00:16:03,800 Speaker 1: How does that work from a network? 333 00:16:04,200 --> 00:16:06,400 Speaker 2: Okay, here's how I can tell you how that works. 334 00:16:06,640 --> 00:16:10,280 Speaker 2: This is my best explanation. So say Weakest Link. I 335 00:16:10,280 --> 00:16:15,040 Speaker 2: actually think Weakest Link is produced by BBC. Right, you 336 00:16:15,080 --> 00:16:18,000 Speaker 2: know our friend Ryan O'Dowd. Yeah, yeah, so he's over 337 00:16:18,000 --> 00:16:21,760 Speaker 2: there at BBC, so they make the show. NBC probably 338 00:16:21,800 --> 00:16:25,360 Speaker 2: bought the show for let's say three years. I'm just 339 00:16:25,360 --> 00:16:26,880 Speaker 2: making this. I'm making this up, but I'm giving you 340 00:16:26,880 --> 00:16:29,000 Speaker 2: guys the gist. Right, Ryan will send me a text 341 00:16:29,000 --> 00:16:30,560 Speaker 2: and I did it wrong, but I'll give you the gist. 342 00:16:31,640 --> 00:16:34,320 Speaker 2: NBC may say, hey, we don't want Weakest Link anymore, 343 00:16:35,320 --> 00:16:38,400 Speaker 2: and Fox picks it up. They say we'll take it. 344 00:16:38,600 --> 00:16:40,960 Speaker 2: We're having great luck with game ships. Again, I'm making 345 00:16:41,000 --> 00:16:44,920 Speaker 2: this up, giving examples. Now, there could be one other scenario. 346 00:16:45,320 --> 00:16:47,960 Speaker 2: Say NBC bought it for three years and then it 347 00:16:47,960 --> 00:16:50,120 Speaker 2: was a free agent. So NBC might be like, hey, 348 00:16:50,120 --> 00:16:52,440 Speaker 2: we still want it, but Fox might be like, hey, 349 00:16:52,520 --> 00:16:55,280 Speaker 2: we'll pay you a little bit more. All these kind 350 00:16:55,320 --> 00:16:56,120 Speaker 2: of things can happen. 351 00:16:57,040 --> 00:16:58,080 Speaker 1: Yeah, that is so that. 352 00:16:58,760 --> 00:17:00,800 Speaker 7: I guess it's just not that common where they switch 353 00:17:00,960 --> 00:17:05,880 Speaker 7: from you know, nine one one, the original nine one 354 00:17:05,960 --> 00:17:09,960 Speaker 7: one with Peter Krauzer was on Fox and then it 355 00:17:10,040 --> 00:17:10,880 Speaker 7: switched to ABC. 356 00:17:11,400 --> 00:17:13,720 Speaker 1: I really need to buy one of those therap face things. 357 00:17:13,880 --> 00:17:15,280 Speaker 1: So I'm watching you. 358 00:17:16,880 --> 00:17:19,240 Speaker 2: I'm telling you, guys, it's worth the money. I think 359 00:17:19,240 --> 00:17:21,760 Speaker 2: it was seventy dollars. And again, not an ad. I 360 00:17:21,800 --> 00:17:23,679 Speaker 2: know it seems like we're doing an ad, but we're not. 361 00:17:24,680 --> 00:17:26,280 Speaker 2: Because I just have a lot of stress right now 362 00:17:26,320 --> 00:17:27,680 Speaker 2: and I had to go to the dentist this morning 363 00:17:27,760 --> 00:17:31,280 Speaker 2: before this. If that's not stressful, and this is a 364 00:17:31,400 --> 00:17:33,600 Speaker 2: calm some a face down their face. 365 00:17:34,280 --> 00:17:35,880 Speaker 1: I literally it's like it's. 366 00:17:35,680 --> 00:17:38,200 Speaker 2: Made by like, oh no, I think this is the 367 00:17:38,200 --> 00:17:41,240 Speaker 2: theor body. I think it's called thera face. Also, I 368 00:17:41,240 --> 00:17:44,800 Speaker 2: don't know the Yeah, their face depuffing wand it's like 369 00:17:44,840 --> 00:17:45,720 Speaker 2: the thera gun. 370 00:17:45,960 --> 00:17:48,600 Speaker 4: Can I ask you an honest question. Does it work 371 00:17:48,880 --> 00:17:52,160 Speaker 4: outside of anxiety? Does it work with a deep puff? 372 00:17:52,280 --> 00:17:54,520 Speaker 2: Let me show you. So, I'm gonna switch to the cold. Now, 373 00:17:55,080 --> 00:17:58,320 Speaker 2: witch into the cold. Look at me. Oh Don is here, 374 00:17:58,359 --> 00:18:00,000 Speaker 2: Bring her in, Bring her in. She can learn about 375 00:18:00,040 --> 00:18:02,600 Speaker 2: this too. Okay, So do you see see how I 376 00:18:02,600 --> 00:18:05,400 Speaker 2: have that line? Can you see that? Okay, I'm gonna 377 00:18:05,440 --> 00:18:09,320 Speaker 2: put the cold on it. Wait till you see this. 378 00:18:09,760 --> 00:18:13,480 Speaker 2: It will work like magic in front of your eyes. 379 00:18:14,040 --> 00:18:18,320 Speaker 2: So see how I'm doing this. We're welcoming our guest, Hi, Donna, 380 00:18:18,840 --> 00:18:21,320 Speaker 2: let me tell you what we're doing right now. This 381 00:18:21,359 --> 00:18:26,600 Speaker 2: is not an ad. I have the Therah face from 382 00:18:26,720 --> 00:18:27,479 Speaker 2: Therah body. 383 00:18:27,840 --> 00:18:29,840 Speaker 1: She's been doing the whole show with us. 384 00:18:30,040 --> 00:18:33,600 Speaker 2: I'm doing the ice thing. Look at the line under 385 00:18:33,600 --> 00:18:33,960 Speaker 2: my eye. 386 00:18:34,359 --> 00:18:35,359 Speaker 1: Oh yeah, I'm gonna buy it. 387 00:18:35,440 --> 00:18:39,560 Speaker 2: I'm literally it has gone. You guys, this thing is 388 00:18:39,760 --> 00:18:40,520 Speaker 2: so awesome. 389 00:18:42,040 --> 00:18:43,280 Speaker 3: It looks like a Bingo marker. 390 00:18:44,600 --> 00:18:51,240 Speaker 2: It's just like a Bingo marker you raw does. But 391 00:18:51,280 --> 00:18:53,920 Speaker 2: look at the difference. So this one we've not done 392 00:18:53,960 --> 00:18:55,640 Speaker 2: and this one I have done. Can you guys see 393 00:18:55,680 --> 00:18:56,240 Speaker 2: the difference. 394 00:18:56,480 --> 00:18:59,600 Speaker 1: It's hard to tell over zoom, but I'm out here 395 00:18:59,640 --> 00:19:00,080 Speaker 1: for it. 396 00:19:00,240 --> 00:19:05,240 Speaker 2: Let me introduce Donna. Donna. Also, we are partnering with 397 00:19:05,280 --> 00:19:07,960 Speaker 2: start TV. But let me tell you, guys, this was 398 00:19:08,000 --> 00:19:10,760 Speaker 2: not part of it having Donna on. We're having Donna 399 00:19:10,800 --> 00:19:14,080 Speaker 2: on solely because I need to ask her so many 400 00:19:14,160 --> 00:19:19,600 Speaker 2: questions about start TV. Here is what I need to know. 401 00:19:19,600 --> 00:19:21,520 Speaker 2: First of all, Donna, what is your title at start TV? 402 00:19:21,840 --> 00:19:22,720 Speaker 3: I'm head of content. 403 00:19:23,200 --> 00:19:30,080 Speaker 2: Oh this is why. Okay, Donna, you are everything? Do 404 00:19:30,119 --> 00:19:32,600 Speaker 2: you pick all the shows that you all air? 405 00:19:33,560 --> 00:19:36,800 Speaker 3: I do with a consensus. We have a team. So 406 00:19:36,960 --> 00:19:40,160 Speaker 3: the idea is talk about what fits best for each 407 00:19:40,520 --> 00:19:42,160 Speaker 3: network we have and brand we have. 408 00:19:42,520 --> 00:19:47,159 Speaker 2: Well, you're a genius because again apologies that until you 409 00:19:47,240 --> 00:19:50,320 Speaker 2: started having Gilmore Girls, I was not familiar with start TV. 410 00:19:50,760 --> 00:19:53,120 Speaker 2: But once I learned you had Gilmore Girls, I. 411 00:19:53,080 --> 00:19:53,800 Speaker 1: Said, we're in. 412 00:19:54,359 --> 00:19:56,720 Speaker 2: I'm gonna dig a little deeper on this network. Is 413 00:19:56,720 --> 00:19:58,600 Speaker 2: it called a network or it's called a network? 414 00:19:58,640 --> 00:20:01,440 Speaker 3: Right, because you're a network, good old fashioned network cable. 415 00:20:01,480 --> 00:20:05,879 Speaker 2: Yeah, it is everything. It is all my women shows 416 00:20:05,960 --> 00:20:11,440 Speaker 2: that I love so much. Okay, medium Patricia Arquette before severance. 417 00:20:11,560 --> 00:20:13,400 Speaker 2: Let me tell you, Patricia Arkett. 418 00:20:13,160 --> 00:20:15,919 Speaker 3: We have a few Patricia Arquettes. You have two, we 419 00:20:16,000 --> 00:20:19,080 Speaker 3: have two. We have her Classic, which it only lasted 420 00:20:19,080 --> 00:20:21,760 Speaker 3: a season, but it's an amazing series that does really well. 421 00:20:22,000 --> 00:20:25,600 Speaker 3: CSI Cyber Oh it was the one CSI that was 422 00:20:25,600 --> 00:20:26,120 Speaker 3: one and done. 423 00:20:26,280 --> 00:20:27,880 Speaker 1: Amy loves the CSI. 424 00:20:29,400 --> 00:20:32,720 Speaker 2: I live for all these shows, right, I did all 425 00:20:32,800 --> 00:20:36,480 Speaker 2: the CSIS. So can you give me the theory behind 426 00:20:37,240 --> 00:20:40,360 Speaker 2: Star TV and obviously Gilmore Girls five and eleven, which 427 00:20:40,400 --> 00:20:41,000 Speaker 2: we'll get into. 428 00:20:41,800 --> 00:20:43,720 Speaker 4: And when she says five and eleven, I mean that 429 00:20:43,800 --> 00:20:45,119 Speaker 4: it airs at five and eleven. 430 00:20:45,400 --> 00:20:49,480 Speaker 2: Yeah, everybody they know that. People know. Was the intention 431 00:20:49,600 --> 00:20:52,840 Speaker 2: always like, let's create a network with these powerful women 432 00:20:53,119 --> 00:20:54,640 Speaker 2: leading these shows one. 433 00:20:54,600 --> 00:20:57,280 Speaker 3: Hundred percent, one hundred percent. So you have to think 434 00:20:57,280 --> 00:21:00,479 Speaker 3: in the television landscape, there's all these network and they 435 00:21:00,480 --> 00:21:03,080 Speaker 3: all have niches and themes and that nature, and there 436 00:21:03,119 --> 00:21:07,040 Speaker 3: were female driven networks. Those were your lifetimes and you 437 00:21:07,080 --> 00:21:09,840 Speaker 3: know at one point Oxygen and things of that nature. Yeah, 438 00:21:09,880 --> 00:21:13,600 Speaker 3: but as Cable per se, right, we're at OTT We're 439 00:21:13,600 --> 00:21:16,440 Speaker 3: a digit net but in the same family. But as 440 00:21:16,640 --> 00:21:20,040 Speaker 3: Cable and these networks started to mature, they started losing 441 00:21:20,080 --> 00:21:22,800 Speaker 3: their identities a little bit. You know, Lifetime went to 442 00:21:22,880 --> 00:21:26,600 Speaker 3: the original movie Vein and Oxygens to resonate with crime. 443 00:21:27,160 --> 00:21:29,680 Speaker 3: But the idea for Start was there's all these great 444 00:21:29,800 --> 00:21:33,320 Speaker 3: classic TV shows that doesn't have a library and doesn't 445 00:21:33,359 --> 00:21:36,120 Speaker 3: have a home. So Start was built at bringing all 446 00:21:36,200 --> 00:21:39,600 Speaker 3: of these strong female lad you know, at the time, 447 00:21:39,640 --> 00:21:41,880 Speaker 3: procedural dramas and as you can say, film were worth 448 00:21:41,960 --> 00:21:44,439 Speaker 3: standing that, but it was to find a home for 449 00:21:44,480 --> 00:21:47,280 Speaker 3: these classics. Like when you watch these shows back to 450 00:21:47,280 --> 00:21:51,439 Speaker 3: back to back, you realize one how amazing actually they are, 451 00:21:51,880 --> 00:21:54,679 Speaker 3: but also that like no one's actually brought them all together. 452 00:21:54,720 --> 00:21:57,160 Speaker 3: They were all splintered. Some were on CBS, some were 453 00:21:57,160 --> 00:21:58,600 Speaker 3: on Turners, some were here and there. 454 00:21:59,119 --> 00:22:01,840 Speaker 1: That is a great point. That is a great point. 455 00:22:02,600 --> 00:22:04,840 Speaker 2: That's what I love and I so once I learned 456 00:22:04,840 --> 00:22:07,240 Speaker 2: about it. You kind of pop it on and you 457 00:22:07,280 --> 00:22:12,080 Speaker 2: can just let it go all Sunday Major Crimes, which 458 00:22:12,160 --> 00:22:13,960 Speaker 2: was the spin off from The Closer. 459 00:22:14,400 --> 00:22:14,600 Speaker 3: Yep. 460 00:22:15,600 --> 00:22:17,360 Speaker 2: And her name is out of my head right now. 461 00:22:17,359 --> 00:22:18,080 Speaker 2: But I loved her. 462 00:22:17,920 --> 00:22:19,320 Speaker 3: From Dancing Wolves. 463 00:22:19,560 --> 00:22:21,080 Speaker 2: Oh you love her from Dancing with the Wolf. 464 00:22:21,240 --> 00:22:21,960 Speaker 3: Dancing with Wolves. 465 00:22:22,040 --> 00:22:24,080 Speaker 2: Kevin Costler, Yes, does she marry Kevin? 466 00:22:24,359 --> 00:22:27,679 Speaker 3: She Kevin Costers like only in the movie, in the 467 00:22:27,720 --> 00:22:31,040 Speaker 3: movie right they went off, you know, to the tpee together. 468 00:22:31,960 --> 00:22:33,480 Speaker 3: She had great her in that movie. 469 00:22:33,480 --> 00:22:33,960 Speaker 1: By the way. 470 00:22:34,520 --> 00:22:38,040 Speaker 2: First of all, I love her from Battlestar Galactica. Yeah, 471 00:22:38,720 --> 00:22:44,199 Speaker 2: so good, okay, But the piece to resistance for me 472 00:22:44,480 --> 00:22:47,880 Speaker 2: is that you air The Good Wife. Yes, I mean, 473 00:22:48,080 --> 00:22:50,239 Speaker 2: first of all, let's bring it all around, as we 474 00:22:50,359 --> 00:22:56,040 Speaker 2: like to do. Matt Zubery still girls, was on The 475 00:22:56,080 --> 00:23:00,840 Speaker 2: Good Wife. He plays Carrie. He's amazing. The Good Wife 476 00:23:01,200 --> 00:23:03,560 Speaker 2: is so dang good. 477 00:23:03,880 --> 00:23:06,199 Speaker 3: You know, it sounds crazy. It's one of those and 478 00:23:06,200 --> 00:23:09,720 Speaker 3: obviously it has spun off, but it's one of those, 479 00:23:09,800 --> 00:23:11,800 Speaker 3: like I always feel like it was ahead of its time, 480 00:23:12,080 --> 00:23:14,840 Speaker 3: totally it's just a good, good show. 481 00:23:15,320 --> 00:23:17,800 Speaker 2: And for people like me that are night owls, this 482 00:23:17,840 --> 00:23:21,800 Speaker 2: is what is pretty iconic about Star TV. You can 483 00:23:21,880 --> 00:23:25,119 Speaker 2: literally do your Gilmore Girls. You can have Cold Case, 484 00:23:25,400 --> 00:23:27,639 Speaker 2: you get The Good Wife Crazily, you guys have the 485 00:23:27,680 --> 00:23:30,320 Speaker 2: Drew Barrymore show, which I kind of love. Also. I 486 00:23:30,320 --> 00:23:33,000 Speaker 2: mean it's like it's kind of comfort food for women 487 00:23:33,280 --> 00:23:35,760 Speaker 2: at Start TV. And I'm not again, we are not, 488 00:23:36,000 --> 00:23:38,600 Speaker 2: this is not this is not something we had to 489 00:23:38,640 --> 00:23:40,720 Speaker 2: do to have you on. We wanted to. 490 00:23:42,040 --> 00:23:44,600 Speaker 3: And if you see like Start after Dark, I mean 491 00:23:44,640 --> 00:23:46,560 Speaker 3: that's not a term, but we'll just coin it that 492 00:23:46,600 --> 00:23:49,520 Speaker 3: for the second it is. It's a little bit more 493 00:23:49,600 --> 00:23:52,240 Speaker 3: of a little bit of a generational shift, right the 494 00:23:52,280 --> 00:23:55,119 Speaker 3: people who love The Good Wife love Drew Barrymore. You 495 00:23:55,160 --> 00:23:59,320 Speaker 3: see that it's more than night owls. It's for you know, women, 496 00:23:59,440 --> 00:24:06,320 Speaker 3: I would say, X little Bank. You know there's faces 497 00:24:06,320 --> 00:24:09,840 Speaker 3: that are recognize that that is comfort food Gilmore Girls. 498 00:24:10,200 --> 00:24:11,720 Speaker 3: There is a little bit of a pattern there for 499 00:24:11,800 --> 00:24:14,280 Speaker 3: people who were flipping the channels late at night, which, 500 00:24:14,320 --> 00:24:18,040 Speaker 3: to be honest with you, we still do. And like, 501 00:24:18,080 --> 00:24:18,800 Speaker 3: what can I find? 502 00:24:19,160 --> 00:24:23,520 Speaker 2: So what made you guys want to have Gilmore Girls? 503 00:24:23,760 --> 00:24:26,080 Speaker 2: And what made everybody sit in that room and go, 504 00:24:26,240 --> 00:24:28,760 Speaker 2: you know what this works for us? 505 00:24:29,520 --> 00:24:32,360 Speaker 3: You know it? Honestly, it's a classic. It is a classic, 506 00:24:32,520 --> 00:24:34,280 Speaker 3: I mean five year old classic. 507 00:24:34,320 --> 00:24:35,800 Speaker 2: That so weird to say that. 508 00:24:36,160 --> 00:24:40,280 Speaker 3: Because I remember watching them in premieres. But it's one 509 00:24:40,280 --> 00:24:42,560 Speaker 3: of those when you look at the landscape and again 510 00:24:42,680 --> 00:24:46,040 Speaker 3: the evolution of programming and female lead programming, this is 511 00:24:46,200 --> 00:24:51,720 Speaker 3: one of these core pillars from their early aughts. That's 512 00:24:51,760 --> 00:24:54,120 Speaker 3: that's a piece of this. So again with the evolution 513 00:24:54,200 --> 00:24:57,679 Speaker 3: of programming, and you can see there are female lead shows. 514 00:24:57,680 --> 00:24:59,160 Speaker 3: We can go into poker Face and all of. 515 00:24:59,119 --> 00:25:01,960 Speaker 2: That, that's right, right, right, but the average. 516 00:25:02,280 --> 00:25:05,679 Speaker 3: Led programming changed in the ads and this was really 517 00:25:05,720 --> 00:25:08,240 Speaker 3: one of those pillars. And so you can't have a 518 00:25:08,240 --> 00:25:11,360 Speaker 3: female lead channel without these pillars, and this is one 519 00:25:11,400 --> 00:25:13,359 Speaker 3: of them. And we have a more coming. 520 00:25:13,600 --> 00:25:15,520 Speaker 2: So are you like, how do you decide? Are you 521 00:25:15,560 --> 00:25:20,240 Speaker 2: watching TV or watching DVDs or going, oh, this is 522 00:25:20,280 --> 00:25:21,800 Speaker 2: something we want to try to get. 523 00:25:22,640 --> 00:25:25,880 Speaker 3: You know, it's a mixture. It's what's available and what 524 00:25:26,040 --> 00:25:29,160 Speaker 3: you know will work with your audience. Yeah, so it's 525 00:25:29,200 --> 00:25:32,159 Speaker 3: a combination. So the idea is this is this is 526 00:25:32,200 --> 00:25:34,920 Speaker 3: a show we've talked about for years, we were able 527 00:25:34,920 --> 00:25:37,560 Speaker 3: to acquire it from Warner Brothers and it was go time. 528 00:25:38,000 --> 00:25:39,960 Speaker 3: So there's a lot of conversations, a lot of thought 529 00:25:40,000 --> 00:25:43,760 Speaker 3: process behind, like what's right for the channel, what's available, 530 00:25:43,960 --> 00:25:45,320 Speaker 3: and how do we get it and when can we 531 00:25:45,359 --> 00:25:45,639 Speaker 3: get it? 532 00:25:45,840 --> 00:25:48,200 Speaker 2: And then do you get to do also get involved 533 00:25:48,200 --> 00:25:51,080 Speaker 2: if like with the five and eleven right, so that 534 00:25:51,119 --> 00:25:53,639 Speaker 2: you're like, hey, this feels like the time that we 535 00:25:53,680 --> 00:25:56,280 Speaker 2: should have kilmore, which I personally love the eleven o'clock 536 00:25:56,600 --> 00:25:59,399 Speaker 2: because I can pop the channel on. I'm doing my 537 00:25:59,480 --> 00:26:01,320 Speaker 2: you know, cause I'm still up at that point doing 538 00:26:01,400 --> 00:26:03,040 Speaker 2: my eyock. 539 00:26:05,680 --> 00:26:08,680 Speaker 3: Audiences that are watching you guys have nailed it right. 540 00:26:08,800 --> 00:26:10,560 Speaker 3: So eleven o'clock is a little bit more for the 541 00:26:10,640 --> 00:26:13,280 Speaker 3: night owls, right, it's for the people who want the 542 00:26:13,520 --> 00:26:17,600 Speaker 3: wind down comfort programming. And then the five PM traditionally 543 00:26:17,680 --> 00:26:20,520 Speaker 3: is before dinnertime. Let me get a show in what 544 00:26:20,880 --> 00:26:24,200 Speaker 3: you know, what's available, So it's two different audience in plays. 545 00:26:24,200 --> 00:26:27,720 Speaker 3: And then we have a twist coming in June. Jennie's 546 00:26:27,760 --> 00:26:31,280 Speaker 3: for another piece is that we're actually going to stack 547 00:26:31,359 --> 00:26:35,120 Speaker 3: the show on Saturdays, so for people who just want 548 00:26:35,119 --> 00:26:39,600 Speaker 3: to binge in the moment for them also, so also. 549 00:26:39,359 --> 00:26:41,720 Speaker 4: Especially like on Saturdays when you're like cleaning the house 550 00:26:41,800 --> 00:26:43,639 Speaker 4: and you just need that thing on TV. 551 00:26:44,640 --> 00:26:45,560 Speaker 3: That's exactly right. 552 00:26:54,800 --> 00:26:56,879 Speaker 2: Okay, So now this is a hard question for a 553 00:26:56,920 --> 00:27:00,639 Speaker 2: network executive like yourself. We want you to know we 554 00:27:00,680 --> 00:27:02,399 Speaker 2: will all play. We play, we play this game a 555 00:27:02,400 --> 00:27:06,520 Speaker 2: lot on three favorite shows of all time doesn't have 556 00:27:06,560 --> 00:27:09,440 Speaker 2: to be on your network. It's okay. Let's even say 557 00:27:09,680 --> 00:27:11,920 Speaker 2: exclude the shows on your network so that the game 558 00:27:12,000 --> 00:27:14,280 Speaker 2: was more fun, because I get you would feel obligated 559 00:27:14,400 --> 00:27:16,920 Speaker 2: and will exclude Gilmore Girls because we will all say 560 00:27:16,920 --> 00:27:17,600 Speaker 2: Gilmore Girls. 561 00:27:17,720 --> 00:27:21,040 Speaker 3: I would, So this is funny. So I actually taught 562 00:27:21,040 --> 00:27:23,200 Speaker 3: a class. I was a guest speaker at a class 563 00:27:23,320 --> 00:27:25,960 Speaker 3: at NYU a couple of weeks ago and was asked 564 00:27:25,960 --> 00:27:29,600 Speaker 3: the same question. And you know, God blessed twenty year old. 565 00:27:29,600 --> 00:27:30,440 Speaker 3: They all looked at me like, what. 566 00:27:30,680 --> 00:27:32,439 Speaker 2: Right, we will know? We will know. 567 00:27:33,080 --> 00:27:36,080 Speaker 3: So my all time favorites are you know, I'm an 568 00:27:36,080 --> 00:27:38,680 Speaker 3: eighties kid, So there's a mixture in there, but it's 569 00:27:38,840 --> 00:27:39,920 Speaker 3: China Beach is up there? 570 00:27:40,040 --> 00:27:43,480 Speaker 2: Oh, China Beach. That would be really good on your network. 571 00:27:43,800 --> 00:27:47,000 Speaker 3: I tried to convince my wife to name our oldest 572 00:27:47,119 --> 00:27:54,080 Speaker 3: McMurphy that was why McMurphy Colleen McMurphy. 573 00:27:53,640 --> 00:27:57,800 Speaker 2: Pre Desperate Housewives, Dana Delaney, Oh yes, yes, Oh my gosh, 574 00:27:57,800 --> 00:27:59,200 Speaker 2: we should we need to have dinner because I could 575 00:27:59,200 --> 00:28:00,320 Speaker 2: talk to you about TV time. 576 00:28:00,320 --> 00:28:03,840 Speaker 3: Okay, keep going thirty something, Michael and Hope forever. 577 00:28:04,000 --> 00:28:07,560 Speaker 2: See this is again. I need to go back and 578 00:28:07,600 --> 00:28:09,280 Speaker 2: do thirty something and where you. I was so bummed 579 00:28:09,280 --> 00:28:10,760 Speaker 2: when they were going to do that reboot and then 580 00:28:10,760 --> 00:28:14,720 Speaker 2: it didn't happen. I know, but I never really watched 581 00:28:14,880 --> 00:28:17,760 Speaker 2: all of these, Like I know all of them, and 582 00:28:17,800 --> 00:28:19,680 Speaker 2: I watched bits and bobs, but I never sat down, 583 00:28:19,720 --> 00:28:21,160 Speaker 2: So these might be my new binges. 584 00:28:21,240 --> 00:28:24,720 Speaker 3: Okay, number three, you know what, I'm gonna leave that 585 00:28:24,760 --> 00:28:27,119 Speaker 3: one open because there's so many and it's to me. 586 00:28:28,400 --> 00:28:32,639 Speaker 3: I like shows that push limits and push like you 587 00:28:32,680 --> 00:28:36,399 Speaker 3: can see shows that are that push the genre forward. 588 00:28:36,560 --> 00:28:38,000 Speaker 3: I know that sounds crazy, you. 589 00:28:37,960 --> 00:28:41,720 Speaker 2: Know, so mine are Sex and the City, West Wing, 590 00:28:42,640 --> 00:28:43,320 Speaker 2: Walking Dead. 591 00:28:43,680 --> 00:28:45,560 Speaker 1: You guys are gonna hate me, and by the. 592 00:28:45,520 --> 00:28:47,760 Speaker 3: Way, all shows that push to Donalds. 593 00:28:48,000 --> 00:28:51,720 Speaker 2: Yes, I agree with you. Wait till we hear Danielle's though. Wait, 594 00:28:52,600 --> 00:28:53,280 Speaker 2: buckle up. 595 00:28:53,240 --> 00:28:55,840 Speaker 1: Don Okay. The only one you might have respect for 596 00:28:55,960 --> 00:28:57,800 Speaker 1: is this is us it's one of my favorites of 597 00:28:57,800 --> 00:28:58,160 Speaker 1: all time. 598 00:28:58,480 --> 00:28:59,400 Speaker 2: Okay, we'll give you that. 599 00:28:59,640 --> 00:29:02,400 Speaker 1: The other I have to put Laguna Beach on there. 600 00:29:02,520 --> 00:29:03,440 Speaker 3: I just have to. 601 00:29:04,040 --> 00:29:04,600 Speaker 1: I have to. 602 00:29:05,120 --> 00:29:05,920 Speaker 3: I give you respect. 603 00:29:05,960 --> 00:29:09,400 Speaker 5: It pushed the genre, all right, yes, true, fair enough, 604 00:29:09,840 --> 00:29:12,240 Speaker 5: And I literally googled the best shows of all time 605 00:29:12,240 --> 00:29:14,960 Speaker 5: and I'm like trying to see am Like those are 606 00:29:15,000 --> 00:29:16,800 Speaker 5: the two that I can say without a doubt, and 607 00:29:16,840 --> 00:29:17,480 Speaker 5: the third. 608 00:29:17,240 --> 00:29:20,720 Speaker 1: One I'm having a hard time putting in there. 609 00:29:20,960 --> 00:29:22,960 Speaker 2: I think because you're like a nineties kid. 610 00:29:23,600 --> 00:29:24,680 Speaker 1: Yeah, I was. 611 00:29:24,680 --> 00:29:26,719 Speaker 3: Waiting for like a Nickelodeon show to show up. 612 00:29:26,960 --> 00:29:31,800 Speaker 2: I was waiting. 613 00:29:31,480 --> 00:29:34,800 Speaker 1: Me, but yeah, I live you know what. I was 614 00:29:34,840 --> 00:29:37,600 Speaker 1: at the Mary Kane Ashley era. 615 00:29:38,600 --> 00:29:43,000 Speaker 3: But I combo about them yesterday and they're direct to video? 616 00:29:43,400 --> 00:29:44,880 Speaker 3: Uh series? 617 00:29:45,720 --> 00:29:46,440 Speaker 2: Wait, which one? 618 00:29:47,480 --> 00:29:48,520 Speaker 3: Mary Kate Nashley? 619 00:29:49,000 --> 00:29:53,960 Speaker 2: Oh my gosh, I know, because we're I'm almost seventies right, 620 00:29:54,040 --> 00:29:56,160 Speaker 2: So like there's some shows like we were talking about 621 00:29:56,160 --> 00:29:59,760 Speaker 2: Wonder Woman earlier that even though it's not like the 622 00:29:59,800 --> 00:30:02,360 Speaker 2: best show A night writer like those kind of shows 623 00:30:02,400 --> 00:30:05,760 Speaker 2: really I really was in when I was a kid, like, ah, 624 00:30:05,800 --> 00:30:08,240 Speaker 2: this is so cool and I want her powers and 625 00:30:08,280 --> 00:30:10,800 Speaker 2: I want that car and all that kind of vibe. 626 00:30:11,080 --> 00:30:14,360 Speaker 2: But I can go love Boat, Dynasty, Fantasy Island, all 627 00:30:14,440 --> 00:30:17,680 Speaker 2: those shows that you're like, WHOA, what's happening here? 628 00:30:17,760 --> 00:30:19,960 Speaker 1: It wasn't a show. I always say this, if I 629 00:30:20,080 --> 00:30:26,160 Speaker 1: Harry Potter was a like a big thing. It was 630 00:30:26,200 --> 00:30:29,080 Speaker 1: not a show, but it was you know, they were 631 00:30:29,120 --> 00:30:33,680 Speaker 1: all it was like a movie series. I was took 632 00:30:33,720 --> 00:30:36,440 Speaker 1: over my entire generation. So I will go ahead and 633 00:30:36,480 --> 00:30:37,560 Speaker 1: throw Harry Potter in there. 634 00:30:37,720 --> 00:30:39,280 Speaker 3: It is. But you think about that, You think about 635 00:30:39,320 --> 00:30:44,560 Speaker 3: all these touch points and how content like there's moments 636 00:30:44,600 --> 00:30:47,960 Speaker 3: in pop culture. There's moments in these series where they 637 00:30:48,000 --> 00:30:51,480 Speaker 3: go beyond just being something you've watched. Yeah, I'm very, 638 00:30:51,600 --> 00:30:56,360 Speaker 3: very big into like what forms of content have touch 639 00:30:56,400 --> 00:30:59,440 Speaker 3: points out in pop culture? It's this is this is 640 00:30:59,560 --> 00:31:00,840 Speaker 3: going off topic for a quick set. 641 00:31:00,880 --> 00:31:03,920 Speaker 2: It's not I love it. We love it because we're 642 00:31:04,040 --> 00:31:08,240 Speaker 2: TV people, and our people listening have so much passion 643 00:31:08,240 --> 00:31:12,400 Speaker 2: for Gilmore Girls. But obviously they know that it expands beyond. 644 00:31:12,480 --> 00:31:13,200 Speaker 2: So keep going. 645 00:31:13,920 --> 00:31:16,720 Speaker 3: No, you know, someday I always like I went and 646 00:31:16,760 --> 00:31:18,440 Speaker 3: got to went to grad school. But someday I always 647 00:31:18,440 --> 00:31:21,200 Speaker 3: talk about that I'm going to teach a course at 648 00:31:21,240 --> 00:31:23,400 Speaker 3: a university. It's my dream is to teach a course 649 00:31:23,440 --> 00:31:27,200 Speaker 3: about how pop culture influences business decisions. 650 00:31:28,040 --> 00:31:28,640 Speaker 1: Totally. 651 00:31:28,800 --> 00:31:33,160 Speaker 3: I love that and particularly like video content pop culture. 652 00:31:33,160 --> 00:31:34,800 Speaker 1: I would take that class if I was well. 653 00:31:34,800 --> 00:31:38,040 Speaker 2: And we know how much it influences fashion for sure, 654 00:31:38,200 --> 00:31:40,000 Speaker 2: Like there's no denying it. 655 00:31:40,120 --> 00:31:42,920 Speaker 3: You know, I worked at Bravo when the original project 656 00:31:43,080 --> 00:31:43,400 Speaker 3: came out. 657 00:31:43,480 --> 00:31:44,640 Speaker 2: Danielle just fell in love. 658 00:31:45,320 --> 00:31:48,560 Speaker 1: Yeah. I worked at NBC for a while and Bravo. 659 00:31:50,000 --> 00:31:51,480 Speaker 1: I was doing events in marketing. 660 00:31:51,880 --> 00:31:56,640 Speaker 4: Bravo is what I consume on a daily basis, like 661 00:31:56,840 --> 00:32:03,600 Speaker 4: Summer house Housewives, literally any the Valley, any show that 662 00:32:03,680 --> 00:32:06,520 Speaker 4: you put on Bravo, I consume it. 663 00:32:06,920 --> 00:32:09,640 Speaker 3: You know, it's someday we'll have to go into the whole. 664 00:32:10,360 --> 00:32:14,040 Speaker 3: My tenure at Bravo was even before this, but it 665 00:32:14,080 --> 00:32:17,479 Speaker 3: was Queer Eye through Housewives of Atlanta. Yeah, so I 666 00:32:17,520 --> 00:32:18,960 Speaker 3: was in the sweet spot. And I have to give 667 00:32:18,960 --> 00:32:22,240 Speaker 3: credit to Lorence Alasnik and the architecture behind the brand 668 00:32:22,240 --> 00:32:25,600 Speaker 3: that you know today, like she set that groundwork twenty 669 00:32:25,680 --> 00:32:26,120 Speaker 3: years ago. 670 00:32:26,360 --> 00:32:26,560 Speaker 5: You know. 671 00:32:26,560 --> 00:32:29,240 Speaker 2: It's so funny. As we're talking, you do realize you 672 00:32:29,320 --> 00:32:33,480 Speaker 2: get your favorite For people that still have you know, 673 00:32:33,600 --> 00:32:36,680 Speaker 2: cable direct TV like I have, you get your channels 674 00:32:37,280 --> 00:32:41,720 Speaker 2: and it's USA for me or Bravo for Danielle. And 675 00:32:42,400 --> 00:32:46,040 Speaker 2: that's why I really think Star TV is onto something because, 676 00:32:46,080 --> 00:32:48,280 Speaker 2: like I said, you just want your go to you know, 677 00:32:48,880 --> 00:32:50,920 Speaker 2: I just turn on CNN in the morning and leave 678 00:32:50,960 --> 00:32:53,640 Speaker 2: it on. When you don't want news, you go to 679 00:32:53,640 --> 00:32:56,280 Speaker 2: star TV. You know that you're going to have something 680 00:32:56,360 --> 00:32:58,360 Speaker 2: kind of just rolling through that. 681 00:32:58,320 --> 00:33:01,960 Speaker 3: You like one hundred percent, right. I think that people 682 00:33:02,000 --> 00:33:06,560 Speaker 3: don't realize how much a brand identity represents people, Like 683 00:33:06,640 --> 00:33:09,680 Speaker 3: your viewing habits is your identity in a lot of ways, 684 00:33:10,200 --> 00:33:14,920 Speaker 3: and a brand amplifies that. And so for start Right, 685 00:33:14,960 --> 00:33:17,320 Speaker 3: and we can go into female empowerment, we can go 686 00:33:17,400 --> 00:33:20,560 Speaker 3: into like the comfortness of it. And these women that 687 00:33:20,600 --> 00:33:23,920 Speaker 3: are going against the odds, right, they're in these roles, right, 688 00:33:24,400 --> 00:33:27,520 Speaker 3: the written traditional roles that weren't meant for them traditionally, 689 00:33:27,600 --> 00:33:30,280 Speaker 3: and they're they're the heroes. They're solving these crimes totally 690 00:33:30,320 --> 00:33:32,960 Speaker 3: speaking on for others. And so that is a brand 691 00:33:32,960 --> 00:33:35,920 Speaker 3: identity that is something that I think is not necessarily 692 00:33:35,960 --> 00:33:40,920 Speaker 3: always reflected, and to see that reflected back is really important. 693 00:33:40,960 --> 00:33:42,600 Speaker 3: And I think that's what this channel represents and a 694 00:33:42,640 --> 00:33:42,840 Speaker 3: lot of. 695 00:33:42,840 --> 00:33:45,200 Speaker 2: Them wait before we let you go what do you 696 00:33:45,240 --> 00:33:48,600 Speaker 2: think of rewatch podcasts in general? I would love your 697 00:33:48,640 --> 00:33:52,720 Speaker 2: opinion on all these podcasts like ours and these podcasts 698 00:33:52,760 --> 00:33:56,800 Speaker 2: that have become so popular rewatching these. 699 00:33:57,480 --> 00:34:00,480 Speaker 3: I think they're brilliant. I think they allow for for 700 00:34:00,560 --> 00:34:05,400 Speaker 3: people who have a passion to actually go and communicate 701 00:34:05,440 --> 00:34:07,360 Speaker 3: and listen. And I actually have a question for you 702 00:34:07,400 --> 00:34:09,759 Speaker 3: guys in a second, because this is the place to 703 00:34:09,800 --> 00:34:12,840 Speaker 3: have that conversation. Like, I love the fact that people 704 00:34:12,840 --> 00:34:15,480 Speaker 3: are diving in deeper. There's actually a platform to do that. 705 00:34:16,000 --> 00:34:18,600 Speaker 3: It used to be, you know, you'd go on a forum, 706 00:34:18,640 --> 00:34:21,680 Speaker 3: you go on a message board, you write about it. 707 00:34:21,760 --> 00:34:23,839 Speaker 2: Maybe once a year you get to go to Paileyfast 708 00:34:23,960 --> 00:34:25,280 Speaker 2: or something like that, right. 709 00:34:25,280 --> 00:34:30,960 Speaker 3: Exactly, like no one really. This made television much more 710 00:34:31,600 --> 00:34:35,200 Speaker 3: consumable and for lack of a better word, like touchable. Right, 711 00:34:35,280 --> 00:34:38,439 Speaker 3: Like people now, so you know, they'd get a TV 712 00:34:38,520 --> 00:34:41,200 Speaker 3: guide and read a puff piece of an article, right, 713 00:34:41,480 --> 00:34:44,080 Speaker 3: things of that nature, but they wouldn't be able to 714 00:34:44,680 --> 00:34:48,200 Speaker 3: have really in depth conversations with people who, for lack 715 00:34:48,200 --> 00:34:49,880 Speaker 3: of a better word, knew what they were talking about, 716 00:34:50,000 --> 00:34:52,480 Speaker 3: because you couldn't go and write to the producer and say, hey, 717 00:34:52,840 --> 00:34:55,000 Speaker 3: what was your thought behind this? Episode and you know, 718 00:34:55,000 --> 00:34:57,239 Speaker 3: blah blah blah. Now you can now you can have 719 00:34:57,280 --> 00:35:01,120 Speaker 3: that deep dive analysis which proved that people really want it. 720 00:35:01,120 --> 00:35:04,839 Speaker 2: It's really fascinating too, and we can do this another day. 721 00:35:04,880 --> 00:35:08,000 Speaker 2: But the conversation about why certain shows work for a 722 00:35:08,040 --> 00:35:11,360 Speaker 2: rewatch podcast and why others don't, and why Gilmore Girls 723 00:35:12,120 --> 00:35:15,480 Speaker 2: it just lends itself to podcast. 724 00:35:16,160 --> 00:35:19,759 Speaker 3: It's the layers, right, the layers of that show, right, 725 00:35:20,000 --> 00:35:22,239 Speaker 3: the look of somebody that this that you know, like 726 00:35:22,640 --> 00:35:26,919 Speaker 3: there was elements in this show that people held onto, right, 727 00:35:27,000 --> 00:35:29,759 Speaker 3: like even just like, for lack of better word, Rory's. 728 00:35:29,480 --> 00:35:32,560 Speaker 6: Love Life, Right, you debate about it, debates about it 729 00:35:32,560 --> 00:35:37,600 Speaker 6: every other week, but it's total that meant it held on, 730 00:35:37,719 --> 00:35:41,960 Speaker 6: It meant something to people. That the bigger value is 731 00:35:42,000 --> 00:35:44,879 Speaker 6: when it has those moments that people invited you into 732 00:35:44,880 --> 00:35:47,560 Speaker 6: their home is one thing, but when they invite you 733 00:35:47,600 --> 00:35:49,600 Speaker 6: into their life, it's totally different. 734 00:35:50,160 --> 00:35:54,319 Speaker 2: Yes, when they rebuild Stars Hollow for the events they 735 00:35:54,320 --> 00:35:57,799 Speaker 2: have at Warner Brothers, it's magical. It is like, I 736 00:35:57,960 --> 00:36:01,839 Speaker 2: truly don't have another word for it than magical. It's 737 00:36:01,920 --> 00:36:06,319 Speaker 2: like you really feel like you're there. It's Disneyland for 738 00:36:06,360 --> 00:36:10,200 Speaker 2: Gilmour Girls. It is like, I am here, this is real, 739 00:36:10,640 --> 00:36:13,200 Speaker 2: and they make they really leaned into making it real 740 00:36:13,280 --> 00:36:16,000 Speaker 2: for you, and it's but it's it's like. 741 00:36:15,960 --> 00:36:21,200 Speaker 3: It's an escapement, right, That's No one values escapement the 742 00:36:21,239 --> 00:36:24,800 Speaker 3: way they should. That's what Universal Studios. 743 00:36:24,440 --> 00:36:26,680 Speaker 2: Is, That's what Disney totally is totally. 744 00:36:26,840 --> 00:36:30,799 Speaker 3: But those are different forms of escapement versus Again, I 745 00:36:30,800 --> 00:36:33,719 Speaker 3: think something that's been brought into your home, something that 746 00:36:34,000 --> 00:36:36,600 Speaker 3: you connect with with people on a different level, it 747 00:36:36,600 --> 00:36:38,960 Speaker 3: has a different meaning. And I agree, Like you walk 748 00:36:39,040 --> 00:36:40,840 Speaker 3: the Warner Studio a lot and just when you see, 749 00:36:41,360 --> 00:36:43,160 Speaker 3: you know, the gazebo or something, you're. 750 00:36:43,040 --> 00:36:44,759 Speaker 1: Like, totally imagine it. 751 00:36:44,880 --> 00:36:47,600 Speaker 4: Forner Brothers had a theme park and there was a 752 00:36:48,040 --> 00:36:52,000 Speaker 4: Girl's Land and friends Land. Oh I'm giving them a 753 00:36:52,160 --> 00:36:53,279 Speaker 4: very good idea right now. 754 00:36:56,239 --> 00:36:57,880 Speaker 2: Wait, I want to hear your I want to hear 755 00:36:57,920 --> 00:36:58,719 Speaker 2: your question for us. 756 00:36:58,760 --> 00:37:00,640 Speaker 3: I have a question for you. And this is bothered 757 00:37:00,680 --> 00:37:04,160 Speaker 3: me from the get go. Scared. This is like trust 758 00:37:04,160 --> 00:37:06,719 Speaker 3: me when I say I love the show, love the show, 759 00:37:06,760 --> 00:37:09,120 Speaker 3: But the one question I have that has always. 760 00:37:08,880 --> 00:37:11,600 Speaker 1: Stayed in Jess and Murray end up together is not 761 00:37:11,640 --> 00:37:12,120 Speaker 1: your question. 762 00:37:12,280 --> 00:37:15,359 Speaker 3: I still think it's Jess's baby. In the last Netflix Ron. 763 00:37:15,360 --> 00:37:17,640 Speaker 2: See, I would like that, but I think it's Logan's 764 00:37:19,320 --> 00:37:21,000 Speaker 2: I see, I'm team Logan. I'm sorry, I now people, 765 00:37:21,600 --> 00:37:22,319 Speaker 2: I'm ess all the. 766 00:37:22,320 --> 00:37:34,120 Speaker 3: Way I'm say so. My question to you guys is, 767 00:37:34,120 --> 00:37:39,160 Speaker 3: and so Loralai was this strong independent, broke away from 768 00:37:39,160 --> 00:37:42,680 Speaker 3: the family tradition and paved her own way. Came that 769 00:37:43,120 --> 00:37:47,920 Speaker 3: strong independent raising a strong, independent, free thinking daughter, right, 770 00:37:48,000 --> 00:37:50,680 Speaker 3: that was like the core of who she was. So 771 00:37:50,680 --> 00:37:52,400 Speaker 3: my question to you is, and I don't know this, 772 00:37:52,440 --> 00:37:55,759 Speaker 3: so maybe you know the answer, why did she give 773 00:37:55,800 --> 00:37:56,839 Speaker 3: her daughter her name? 774 00:37:57,160 --> 00:37:59,520 Speaker 2: Oh god, okay, that's not the question I thought you 775 00:37:59,520 --> 00:38:00,000 Speaker 2: were going to ask. 776 00:38:00,160 --> 00:38:04,279 Speaker 3: I have I That is the least independent thing I've 777 00:38:04,320 --> 00:38:06,280 Speaker 3: ever thought of that character. 778 00:38:06,400 --> 00:38:09,360 Speaker 2: They do address it briefly a couple times in the 779 00:38:09,440 --> 00:38:11,799 Speaker 2: series too, but they never give I don't know that 780 00:38:11,800 --> 00:38:12,800 Speaker 2: they ever give the why. 781 00:38:12,880 --> 00:38:16,000 Speaker 1: I just want to I didn't expect that the question either. 782 00:38:16,040 --> 00:38:17,719 Speaker 2: I thought you were gonna talk about why do they 783 00:38:17,760 --> 00:38:21,880 Speaker 2: make Rory so whack in the movies? 784 00:38:24,680 --> 00:38:24,840 Speaker 6: You know? 785 00:38:24,920 --> 00:38:25,000 Speaker 3: That? 786 00:38:25,160 --> 00:38:25,840 Speaker 2: Is it? Okay? 787 00:38:25,920 --> 00:38:26,040 Speaker 3: So? 788 00:38:26,320 --> 00:38:29,280 Speaker 2: Oh, here we have a Lorelai named Rory after herself 789 00:38:29,280 --> 00:38:34,440 Speaker 2: for a feminist reason. This is from the World Wide Web. 790 00:38:34,800 --> 00:38:38,880 Speaker 2: But you know, it's funny that because that you feel 791 00:38:38,880 --> 00:38:43,000 Speaker 2: it was. I almost feel like it was empowering that 792 00:38:43,080 --> 00:38:46,200 Speaker 2: she was so like, I did this. I'm on my own. 793 00:38:46,400 --> 00:38:48,799 Speaker 2: I have this kid, and I'm proud of who I am, 794 00:38:48,880 --> 00:38:50,160 Speaker 2: and I'm gonna name her after me. 795 00:38:50,640 --> 00:38:53,440 Speaker 3: But see that's the thing. But she rejected that from 796 00:38:53,480 --> 00:38:54,440 Speaker 3: her family. 797 00:38:54,960 --> 00:38:57,239 Speaker 1: Right, Yeah, because they're all Laura lies. 798 00:38:57,320 --> 00:39:00,800 Speaker 2: Because there's another right, because don't forget Mary and yeah, 799 00:39:00,960 --> 00:39:01,879 Speaker 2: her third Laura Lot. 800 00:39:02,200 --> 00:39:04,640 Speaker 3: It was just more off. She was like, I'm independent, 801 00:39:04,800 --> 00:39:07,360 Speaker 3: I have my own voice, and it was this was 802 00:39:07,360 --> 00:39:09,200 Speaker 3: a layer of but they're still connecticuting. 803 00:39:09,239 --> 00:39:11,120 Speaker 2: You see. That's what I was gonna say to you. 804 00:39:11,200 --> 00:39:14,520 Speaker 1: We're gonna have to bring this to our Instagram. Everyone's 805 00:39:14,560 --> 00:39:15,479 Speaker 1: gonna have to tell us why. 806 00:39:15,600 --> 00:39:17,800 Speaker 3: Oh yeah, that's a great people upset. 807 00:39:18,120 --> 00:39:20,400 Speaker 1: No, it's a valid point. The only thing that I 808 00:39:20,400 --> 00:39:24,160 Speaker 1: can think of is they call her Rory, which I like. 809 00:39:24,280 --> 00:39:29,600 Speaker 2: But also, she doesn't hate her family, right, She's always 810 00:39:30,440 --> 00:39:34,520 Speaker 2: drawn back to them. She's always throughout the whole series. Yes, 811 00:39:34,560 --> 00:39:36,799 Speaker 2: we understand in the very beginning she does it because 812 00:39:36,800 --> 00:39:39,799 Speaker 2: she needs to pay for Chiltern, but you also get 813 00:39:39,800 --> 00:39:42,040 Speaker 2: the impression like it's not like they never see her. 814 00:39:42,719 --> 00:39:46,479 Speaker 2: I always think she's she's connected. It's why she's still 815 00:39:46,480 --> 00:39:50,920 Speaker 2: connected with Christopher. It's why Digger right, she never fully 816 00:39:51,040 --> 00:39:55,720 Speaker 2: leaves her past behind her. She she is a meld 817 00:39:55,840 --> 00:39:58,440 Speaker 2: of the two worlds. And that even happens when Logan 818 00:39:58,480 --> 00:40:02,400 Speaker 2: and Rory have that are argument, right, you are elite 819 00:40:02,800 --> 00:40:05,719 Speaker 2: like us. You are us. You deny it and you 820 00:40:05,760 --> 00:40:08,239 Speaker 2: act like you aren't, but you are. So I think 821 00:40:08,280 --> 00:40:12,520 Speaker 2: that they are always have their foot in both worlds. 822 00:40:12,880 --> 00:40:16,840 Speaker 2: And maybe maybe she was like, you know what, I'm 823 00:40:16,880 --> 00:40:19,440 Speaker 2: going to raise Rory in a new, different way, but 824 00:40:19,520 --> 00:40:23,080 Speaker 2: I'll always have this connection to my other life. I 825 00:40:23,120 --> 00:40:24,759 Speaker 2: don't know that was what came to my head. 826 00:40:26,000 --> 00:40:29,439 Speaker 3: I don't know it's totally fair. I just I'll throw 827 00:40:29,440 --> 00:40:34,680 Speaker 3: this out. I'm not sure rebellious sixteen year old would 828 00:40:35,000 --> 00:40:36,520 Speaker 3: hold that value right. 829 00:40:36,800 --> 00:40:37,680 Speaker 2: No, you're right. 830 00:40:37,760 --> 00:40:40,480 Speaker 3: I'm surprised she didn't name Rory rocket totally. 831 00:40:40,480 --> 00:40:42,560 Speaker 2: That's what I was gonna say, after some or like 832 00:40:43,280 --> 00:40:45,080 Speaker 2: Joan Jet or something right like. 833 00:40:45,280 --> 00:40:48,320 Speaker 3: That's that's just my that was just my one question 834 00:40:48,440 --> 00:40:51,520 Speaker 3: is and it's value right, Like, She's still from and 835 00:40:51,560 --> 00:40:53,319 Speaker 3: this is not a disc from Connecticut, but there are 836 00:40:53,320 --> 00:40:57,040 Speaker 3: some conservative traditional values that like are ingrained in her 837 00:40:57,040 --> 00:41:00,680 Speaker 3: family and It was just something that has always stated 838 00:41:00,760 --> 00:41:04,560 Speaker 3: with me because I view Loralai as such a strong 839 00:41:04,800 --> 00:41:09,640 Speaker 3: force who paved her own way, and then she kind 840 00:41:09,680 --> 00:41:10,960 Speaker 3: of labeled her kid out. 841 00:41:11,080 --> 00:41:13,600 Speaker 1: You know, It's interesting. I have always thought if Rory, 842 00:41:13,719 --> 00:41:16,160 Speaker 1: if she did not get pregnant with Rory, would she 843 00:41:16,280 --> 00:41:21,200 Speaker 1: be like Emily, Like would she be a true Gilmore right, 844 00:41:21,440 --> 00:41:25,719 Speaker 1: versus like how she broke off and did her own thing. 845 00:41:26,320 --> 00:41:29,279 Speaker 1: I personally think she might have. I think she might 846 00:41:29,320 --> 00:41:30,600 Speaker 1: have gone down that road. 847 00:41:30,840 --> 00:41:33,000 Speaker 2: I think she would have been like Rory right where 848 00:41:33,080 --> 00:41:37,080 Speaker 2: she still embraced that life she grew up in. But 849 00:41:37,280 --> 00:41:39,120 Speaker 2: was you know, she would have been career minded. She 850 00:41:39,120 --> 00:41:40,440 Speaker 2: would have gone to college, all those things. 851 00:41:40,520 --> 00:41:42,880 Speaker 1: She wouldn't have married Luke, is my point, Like she 852 00:41:42,920 --> 00:41:44,560 Speaker 1: would have married a Huntsburger. 853 00:41:44,880 --> 00:41:46,800 Speaker 2: She would have married a digger. 854 00:41:46,680 --> 00:41:47,359 Speaker 1: You know, like she. 855 00:41:49,080 --> 00:41:53,040 Speaker 2: Bellious as she thinks she was. Right, she was just 856 00:41:53,080 --> 00:41:56,440 Speaker 2: a teenager sneaking out the window making out with her boyfriend, right, 857 00:41:56,480 --> 00:41:58,200 Speaker 2: like we don't. She wasn't living a life of crime, 858 00:41:58,560 --> 00:42:01,960 Speaker 2: and like she wasn't that she didn't like the way 859 00:42:02,000 --> 00:42:05,719 Speaker 2: her parents were, especially her mom, But she wasn't totally 860 00:42:05,800 --> 00:42:09,600 Speaker 2: rejecting it, right, she was going to be the debutante. 861 00:42:09,640 --> 00:42:12,200 Speaker 2: Didn't she wear the sneaker? Like I'm trying to remember 862 00:42:12,239 --> 00:42:15,560 Speaker 2: it all, but like she was just on that path 863 00:42:15,600 --> 00:42:18,280 Speaker 2: with a bit of an itch. So I think because 864 00:42:18,320 --> 00:42:22,320 Speaker 2: she got pregnant, she decided to rebell. 865 00:42:22,400 --> 00:42:24,960 Speaker 1: I said this while we watched the series. She's the 866 00:42:24,960 --> 00:42:27,920 Speaker 1: female version of Logan. Logan is in his soul a 867 00:42:28,000 --> 00:42:32,360 Speaker 1: Huntsburger like he desires that life and he loves that life. However, 868 00:42:32,560 --> 00:42:34,920 Speaker 1: he has his own twist to it, and he is 869 00:42:35,000 --> 00:42:39,319 Speaker 1: spunky and you know, has his own edge, much like 870 00:42:39,400 --> 00:42:39,799 Speaker 1: Laura Lai. 871 00:42:40,520 --> 00:42:41,560 Speaker 2: Fabulous question. 872 00:42:41,719 --> 00:42:45,399 Speaker 3: I cannot this is a conversation. Cannot wait to see 873 00:42:45,400 --> 00:42:47,880 Speaker 3: what people say. Don't like I do you. 874 00:42:48,400 --> 00:42:50,719 Speaker 2: They're gonna love the question and they're all going to 875 00:42:50,800 --> 00:42:51,480 Speaker 2: have opinions. 876 00:42:52,160 --> 00:42:55,080 Speaker 3: This show gets hooked, get hooked on, like, this is 877 00:42:55,120 --> 00:42:56,600 Speaker 3: one of those questions I have. 878 00:42:57,320 --> 00:43:00,080 Speaker 1: I reve it. We have never been asked that question before. 879 00:43:00,120 --> 00:43:01,240 Speaker 1: And so thank your. 880 00:43:01,080 --> 00:43:05,600 Speaker 2: Biggest debate, our biggest continual debate is should Luke have 881 00:43:05,680 --> 00:43:10,840 Speaker 2: told lore Lie sooner about April? Yeah, It's like I 882 00:43:10,840 --> 00:43:13,120 Speaker 2: almost at Amber by the way I was melding my parenthood. 883 00:43:13,120 --> 00:43:15,799 Speaker 4: I was like, oh, and also, if you know, he 884 00:43:15,840 --> 00:43:19,120 Speaker 4: should have immersed lore Lie more into that relationship that 885 00:43:19,239 --> 00:43:19,600 Speaker 4: he did. 886 00:43:19,840 --> 00:43:25,040 Speaker 1: That was a big, heated, ugly Yeah, I got it, 887 00:43:25,120 --> 00:43:30,000 Speaker 1: totally fair. Yeah, that was that was spicy. That was spicy, 888 00:43:30,000 --> 00:43:31,280 Speaker 1: and that I am all in universe. 889 00:43:31,840 --> 00:43:34,040 Speaker 2: Are you a five o'clock or eleven o'clock. I'm gonna 890 00:43:34,040 --> 00:43:34,960 Speaker 2: go at eleven o'clock. 891 00:43:35,200 --> 00:43:38,520 Speaker 3: Eleven o'clock. I watched my stuff in the middle of 892 00:43:38,560 --> 00:43:38,879 Speaker 3: the night. 893 00:43:39,239 --> 00:43:39,759 Speaker 1: Totally. 894 00:43:39,840 --> 00:43:41,359 Speaker 2: Oh, what a pleasure to talk to you. We would 895 00:43:41,360 --> 00:43:43,240 Speaker 2: love to have you back and just dig more into 896 00:43:43,320 --> 00:43:46,040 Speaker 2: like TV in general. 897 00:43:46,040 --> 00:43:48,880 Speaker 3: Just anytime. And I love this. These are the conversations 898 00:43:48,880 --> 00:43:50,920 Speaker 3: I have with my friends all the time and same. 899 00:43:51,520 --> 00:43:53,440 Speaker 2: Will we do it with sex and the City too. 900 00:43:53,440 --> 00:43:55,560 Speaker 2: I will never forget. I tell this story all the time. 901 00:43:55,680 --> 00:43:58,080 Speaker 2: One of my friends at dinner was like, I've been 902 00:43:58,120 --> 00:44:00,399 Speaker 2: this is when it was airing the first time. She says, 903 00:44:00,480 --> 00:44:03,120 Speaker 2: I've been thinking about Carrie and blah blah blah blah 904 00:44:03,120 --> 00:44:06,040 Speaker 2: blah whatever she said, And I'm like, Carrie who And 905 00:44:06,080 --> 00:44:09,680 Speaker 2: she's like Bradshaw, like just talking about it like she 906 00:44:10,080 --> 00:44:12,000 Speaker 2: was one of our gals. 907 00:44:12,400 --> 00:44:16,800 Speaker 3: It's again, it reached out to people, right. It still 908 00:44:16,920 --> 00:44:21,920 Speaker 3: has this amazing force. Yeah, the old one, the new 909 00:44:21,920 --> 00:44:23,879 Speaker 3: One I think is finding its way. 910 00:44:23,920 --> 00:44:26,759 Speaker 2: I think, yes, it's getting better as it goes. Yeah, 911 00:44:26,800 --> 00:44:28,920 Speaker 2: it's getting better as it goes. And I loved the movies. 912 00:44:29,200 --> 00:44:31,520 Speaker 2: I also think it's why people want more. They want 913 00:44:31,560 --> 00:44:34,040 Speaker 2: more sex in the city, they want more Gilmore girls. 914 00:44:34,760 --> 00:44:38,120 Speaker 2: People want it so bad because they are so invested 915 00:44:38,120 --> 00:44:39,320 Speaker 2: in these people's lives. 916 00:44:39,600 --> 00:44:44,160 Speaker 3: Agree. Agree. I think that you know, it started probably 917 00:44:44,160 --> 00:44:47,080 Speaker 3: with the movies, bringing back sequels and things of that nature. 918 00:44:47,680 --> 00:44:51,640 Speaker 3: But I think that there's a level of people weren't 919 00:44:51,640 --> 00:44:54,879 Speaker 3: ready to let these stories go. M h total, and 920 00:44:55,600 --> 00:44:58,239 Speaker 3: they just there's something I know, we keep going back 921 00:44:58,280 --> 00:45:00,400 Speaker 3: to the same word, but there is something of comfort 922 00:45:00,480 --> 00:45:01,759 Speaker 3: of well there you are. 923 00:45:02,480 --> 00:45:04,040 Speaker 1: Yes, oh totally. 924 00:45:04,200 --> 00:45:06,560 Speaker 3: When I was in teen, you know what I really 925 00:45:06,640 --> 00:45:08,520 Speaker 3: wanted to do. This is another side thing, and I'll 926 00:45:08,560 --> 00:45:11,120 Speaker 3: let you guys go, is I actually wanted them to 927 00:45:11,160 --> 00:45:15,600 Speaker 3: take the sixteen candles and all of these great eighties 928 00:45:16,200 --> 00:45:18,680 Speaker 3: you know, rom coms and things of that nature. And someone, 929 00:45:19,400 --> 00:45:20,960 Speaker 3: I mean, this is back in the day. So don't 930 00:45:20,960 --> 00:45:21,800 Speaker 3: you like make. 931 00:45:21,680 --> 00:45:23,160 Speaker 2: Them We'll make you say your age. But I feel 932 00:45:23,160 --> 00:45:23,960 Speaker 2: like we're the same age. 933 00:45:24,000 --> 00:45:25,240 Speaker 3: Oh, I'm sure we're the same age. 934 00:45:25,560 --> 00:45:25,719 Speaker 6: You know. 935 00:45:25,760 --> 00:45:26,479 Speaker 2: I'll tell you, I don't. 936 00:45:26,760 --> 00:45:28,880 Speaker 3: I'm a bi centennial baby, do you know what that is? 937 00:45:29,160 --> 00:45:33,640 Speaker 2: Yes, seventeen, I mean nineteen seventy six. By centennial baby, 938 00:45:33,800 --> 00:45:36,719 Speaker 2: I'm seventy four. We're exactly the same, aide, that's why. 939 00:45:37,239 --> 00:45:40,040 Speaker 2: And we're television kids, right, because we didn't have all 940 00:45:40,080 --> 00:45:40,719 Speaker 2: these other things. 941 00:45:40,920 --> 00:45:41,279 Speaker 3: So this. 942 00:45:41,480 --> 00:45:42,960 Speaker 2: I had a TV in my room from the time 943 00:45:43,000 --> 00:45:44,120 Speaker 2: I was like six years old. 944 00:45:44,840 --> 00:45:46,680 Speaker 3: Yes, I did it as a teenager. I had a 945 00:45:46,719 --> 00:45:50,720 Speaker 3: TV in my room as an adult. But I wanted 946 00:45:50,719 --> 00:45:52,520 Speaker 3: to I actually wanted to do a book. I wanted 947 00:45:52,560 --> 00:45:55,640 Speaker 3: someone to do a book that each chapter was where 948 00:45:55,680 --> 00:45:59,120 Speaker 3: are they now? Story for all of these great like 949 00:45:59,440 --> 00:46:02,719 Speaker 3: sixteen Handles, Breakfast Club. I wanted someone to go and 950 00:46:02,760 --> 00:46:04,760 Speaker 3: basically write the second half of their lives. 951 00:46:05,160 --> 00:46:08,719 Speaker 1: Oh, that's a good podcast, it's so it's so good. 952 00:46:08,760 --> 00:46:10,719 Speaker 2: I had an idea. I wanted to find Jake Ryan 953 00:46:10,880 --> 00:46:13,320 Speaker 2: so bad because you know how he's like the actors 954 00:46:13,320 --> 00:46:14,239 Speaker 2: like kind of disappeared. 955 00:46:14,360 --> 00:46:15,799 Speaker 3: Isn't he a woodworker in Pennsylvania? 956 00:46:15,880 --> 00:46:17,600 Speaker 2: Yes, and like I'm sure they've offered him Dancing with 957 00:46:17,640 --> 00:46:20,279 Speaker 2: the Stars a thousand times and he's like no. But 958 00:46:20,920 --> 00:46:24,960 Speaker 2: to me, there's something like more about who Jake Ryan 959 00:46:25,480 --> 00:46:29,520 Speaker 2: is for all of us, right like, and I thought, 960 00:46:29,560 --> 00:46:34,719 Speaker 2: oh man, that is an interesting book, like why who 961 00:46:34,920 --> 00:46:37,719 Speaker 2: is this guy? And we all can relate? And then 962 00:46:37,760 --> 00:46:38,400 Speaker 2: the fact. 963 00:46:38,200 --> 00:46:38,520 Speaker 1: That he. 964 00:46:40,040 --> 00:46:43,400 Speaker 2: Disappeared makes it even more like whoa, this is intriguing. 965 00:46:43,520 --> 00:46:45,120 Speaker 2: I don't know, I agree with you. We talk about 966 00:46:45,160 --> 00:46:46,520 Speaker 2: nine o two and oh like that all the time. 967 00:46:46,520 --> 00:46:49,719 Speaker 2: We're convinced that Brandon is the governor of California, not 968 00:46:49,800 --> 00:46:51,640 Speaker 2: president governor of California. 969 00:46:52,000 --> 00:46:53,319 Speaker 3: I could see that kind of na. 970 00:46:54,480 --> 00:46:58,640 Speaker 2: Yeah, so great to meet you. 971 00:46:59,120 --> 00:47:00,879 Speaker 3: We will have more cer is coming in the fall. 972 00:47:01,360 --> 00:47:01,920 Speaker 1: Oh great. 973 00:47:02,520 --> 00:47:05,120 Speaker 3: So the idea is you're seeing the evolution of Start. 974 00:47:05,400 --> 00:47:09,240 Speaker 3: So we're introducing more new programming, a little bit different, 975 00:47:09,600 --> 00:47:12,640 Speaker 3: a little bit more of an eleven o'clock audience, as 976 00:47:12,680 --> 00:47:13,279 Speaker 3: we'd like to say. 977 00:47:13,440 --> 00:47:17,200 Speaker 2: Yeah, well, congrats to you eighty four on direct TV. 978 00:47:17,760 --> 00:47:20,000 Speaker 4: Or gonna start TV dot com if you don't have 979 00:47:20,080 --> 00:47:22,480 Speaker 4: direct TV and find out how you can check it out. 980 00:47:22,360 --> 00:47:24,320 Speaker 3: Again your zip code and we'll tell you where to watch. 981 00:47:24,680 --> 00:47:26,759 Speaker 2: Oh my god, I was not expecting to have like 982 00:47:26,840 --> 00:47:27,920 Speaker 2: the best debate ever. 983 00:47:28,640 --> 00:47:30,640 Speaker 4: I know, my mind's kind of blown and I'm really 984 00:47:30,719 --> 00:47:34,360 Speaker 4: excited to hear everyone say what they think. 985 00:47:34,520 --> 00:47:37,200 Speaker 2: Go on our Instagram and let's put that up where 986 00:47:37,239 --> 00:47:39,200 Speaker 2: you get to say why, because I I that was 987 00:47:39,239 --> 00:47:40,520 Speaker 2: a question I've never heard before. 988 00:47:40,760 --> 00:47:44,920 Speaker 1: And we texted Suzanne and Tara and told them, like, 989 00:47:45,239 --> 00:47:48,160 Speaker 1: you need to say what you think on totally town meeting. 990 00:47:48,520 --> 00:47:50,319 Speaker 1: So you know they'll, oh, yeah, why do. 991 00:47:50,400 --> 00:47:52,120 Speaker 2: I call it town hall when it's called town meeting. 992 00:47:52,320 --> 00:47:55,640 Speaker 1: I don't know. It's definitely down meeting. 993 00:47:56,800 --> 00:47:59,120 Speaker 4: So check, you know, hear their responses, but we want 994 00:47:59,120 --> 00:48:02,440 Speaker 4: to hear from you, so definitely, d m us comment, 995 00:48:02,719 --> 00:48:05,520 Speaker 4: do all the things because this is a juicy conversation 996 00:48:06,280 --> 00:48:08,319 Speaker 4: and we should come back on our next Gilmore Girls 997 00:48:08,360 --> 00:48:09,480 Speaker 4: Gazette and. 998 00:48:09,640 --> 00:48:10,160 Speaker 1: Talk about it. 999 00:48:10,360 --> 00:48:12,080 Speaker 2: Yeah, see what see what people said? 1000 00:48:12,320 --> 00:48:35,560 Speaker 8: Yeah, and that's the news and that's news. 1001 00:48:44,120 --> 00:48:47,160 Speaker 1: Hey everybody, and don't forget follow us on Instagram at 1002 00:48:47,440 --> 00:48:51,600 Speaker 1: I Am all In podcast and email us at Gilmore 1003 00:48:51,640 --> 00:49:00,000 Speaker 1: at iHeartRadio dot com.