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Speaker 1: Transmittinges Alisca. Welcome to Tuesday Show, Morris Studio. All right,

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Speaker 1: let's go around the room. He played easy trivia for

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Speaker 1: Lunchbox and ended up winning, and it really bothers him

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Speaker 1: that his hair is thinning. Here is Eddie everybody? Hey,

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Speaker 1: so I gotta tell you.

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Speaker 2: Abby came on last week and talked about a show

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Speaker 2: that she saw.

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Speaker 3: She recommended it. I was like, that sounds cool. I

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Speaker 3: checked it out.

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Speaker 2: It's called eleven twenty two sixty three honey two. It's

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Speaker 2: like the date I guess John Kennedy was assassinated.

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Speaker 1: Yes, and it is awesome. I got, man, what a

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Speaker 1: good recommendation.

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Speaker 2: I'm five episodes in out of eight, I think, And dude,

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Speaker 2: I can't stop watching it.

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Speaker 1: My platform it's on Hulu.

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Speaker 2: But here's the deal. It's not like on a front

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Speaker 2: page of Hulu. You gotta search it out. The numbers

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Speaker 2: are hard to remember that.

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Speaker 4: I know eleven two sixty three.

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Speaker 2: Honey too, and it's eleven dot twenty two dot sixty three.

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Speaker 4: Yeah, that's how dates are written.

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Speaker 1: Oh, thank got her. Actually, how did you find the show?

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Speaker 5: How someone called in and suggested it?

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Speaker 6: Yeah?

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Speaker 5: But it's also based on Stephen King's novel.

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Speaker 1: So he wrote a book about it. Yeah, got it?

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Speaker 1: And you finish it? Oh?

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Speaker 5: Yeah, I finished it in like one day.

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Speaker 6: Is it new?

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Speaker 3: Yeah, it's new.

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Speaker 5: It's in twenty sixteen. That's why I don't know how

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Speaker 5: we haven't heard of it. It came out. It came

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Speaker 5: on Hulu in twenty sixteen.

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Speaker 1: I don't think Hulu existed in twenty six did really well,

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Speaker 1: that's why I couldn't find it in the arch it is, yeah,

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Speaker 1: twenty sixteen.

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Speaker 2: Hey, well then you know what? Bring it back to life?

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Speaker 2: It's so good and James Franco's in it. Forgot about

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Speaker 2: that guy? He was crazy I canceled.

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Speaker 4: Yeah, he did twenty sixteen student No, So what do

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Speaker 4: we do with shows like.

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Speaker 1: Well, I think it's before they were canceled.

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Speaker 4: Yeah, it's okay.

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Speaker 1: Move Sometimes it's hard for him to let things go,

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Speaker 1: like his car he should have traded in years ago.

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Speaker 3: Here's lunch by guys.

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Speaker 7: We went to the Saint Jude thing this past weekend

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Speaker 7: and I just wanted to say, I never thought Scuba

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Speaker 7: would be that guy.

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Speaker 3: But Scuba is that too school? Cool for school guy?

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Speaker 8: We had the.

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Speaker 7: Costume contest and it's a whole party. You dress up,

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Speaker 7: dressed up, but were you? I was a fat, overweight

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Speaker 7: security guard, like a lazy security guard, you know, like you.

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Speaker 3: Go somewhere and you're like, that's security guard. What are

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Speaker 3: they gonna do? So my you know, my belly's hanging out,

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Speaker 3: my butt's hanging out, and you make up the costume

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Speaker 3: or no, it's not.

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Speaker 7: I bought hilarious it's called shabby security guy. And so

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Speaker 7: we all show up to go to the party and

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Speaker 7: everybody's dressed up scuba just in a Halloween T shirt.

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Speaker 3: He goes, I'm an adult. I don't wear costumes.

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Speaker 7: Oh, And it's like, dude, this is a how malloween party?

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Speaker 3: Why are you too cool for school kids too? By

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Speaker 3: the way, Like why yeah, why? Well I haven't worn

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Speaker 3: a Halloween costume and I don't even know how long.

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Speaker 9: That's why I wore a Halloween hornit trying to figure

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Speaker 9: that would still be fine.

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Speaker 1: What Halloween horror nights?

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Speaker 7: He went to a haunten house one time and he

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Speaker 7: bought a T shirt from it and that was his costume.

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Speaker 3: But it's like, dude, did you.

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Speaker 1: Feel ridiculous dressing up?

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Speaker 3: I don't know.

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Speaker 9: I've just never I think the last time I dressed

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Speaker 9: up probably when I was eleven twelve.

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Speaker 1: It's been a very long time.

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Speaker 9: And just haven't you have Halloween based trauma, family trauma

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Speaker 9: and any holiday that and is surely so, I just

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Speaker 9: don't really pay at holiday.

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Speaker 1: And that's what you dressed as trauma trauma exactly.

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Speaker 3: I mean it was just like over here.

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Speaker 1: Yeah, I'll side the lunchbox a little bit on this,

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Speaker 1: Like if everybody's dressing up, you kind of need to

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Speaker 1: dress up.

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Speaker 3: I just go to Goodwill and grab up, you know, cowboy.

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Speaker 1: Hat, Hey, be a fat security guard.

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Speaker 3: Hey, people loved myle fit man.

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Speaker 1: It was all right, thank you, lunchbox. Amy. She may

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Speaker 1: not be very good at driving, but when she's not

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Speaker 1: on the road, she's definitely thriving. Here's Amy.

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Speaker 4: So I did a double feature movie night with the

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Speaker 4: kids and it was so much fun. We even had

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Speaker 4: a little intermission where we refilled on snacks.

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Speaker 1: And in between movies or each movie in.

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Speaker 4: Between in between, so like we started the movie with

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Speaker 4: some snacks and then I had like a great slush

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Speaker 4: Sonic drinks delivered to the house for intermission. And they

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Speaker 4: thought they I was the coolest mom in the world,

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Speaker 4: like in between the.

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Speaker 1: Movies, did they think that or did you think they

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Speaker 1: think that? Well?

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Speaker 4: I felt that way.

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Speaker 3: Yeah.

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Speaker 4: I felt like I was being really cool. And we

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Speaker 4: watched My Spy first, which is such a cute movie.

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Speaker 4: I love it.

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Speaker 3: It's got up kids.

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Speaker 4: No, it's like this the Rock kind of type character.

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Speaker 1: But it's Dave Patista, oh Bautista, Okay.

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Speaker 4: Yeah, yeah, So he's this hardened CIA agent guy that

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Speaker 4: isn't ruin it.

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Speaker 1: I'm not okay, I would just say because I just

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Speaker 1: ate it.

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Speaker 4: And there's him, and then there's this cute girl nine

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Speaker 4: year old and what would you rate it?

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Speaker 3: Oh?

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Speaker 1: Four out of five okay?

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Speaker 4: And then the other one was Elemental the It's the

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Speaker 4: and the Pixar one where there's all the earth, there's earth,

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Speaker 4: fire water.

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Speaker 1: The Elements when the Elements movie.

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Speaker 3: Oh yeah, we watched that.

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Speaker 4: What'd you think of it?

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Speaker 3: I didn't I didn't make a mess. What do you

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Speaker 3: think of it?

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Speaker 1: We gave it.

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Speaker 4: I don't know if maybe we were just a little

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Speaker 4: more tired at this point coming down, but I gave

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Speaker 4: it three out of five because I felt like my

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Speaker 4: skids it up next to My Spy was a little

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Speaker 4: difficult because that one was so cute.

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Speaker 1: Okay, cool, double features tough though, that's a that's a

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Speaker 1: long time. I agree, I thought. I mean, if I

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Speaker 1: watch two football games out by the middle of that

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Speaker 1: second and I'm a little bit like, do I even

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Speaker 1: value myself as a human? I just feel gross and

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Speaker 1: but good for you. You had slushes and kids were happy. Yeah, popcorn,

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Speaker 1: It's like what that story said yesterday. Divorce parents spend

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Speaker 1: more time like trying to make sure they connect with

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Speaker 1: their kids than sometimes parents that are together because they

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Speaker 1: felt like, well, the kids here, anyway, we'll connect some point, right,

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Speaker 1: Look at that? Yeah, look at you all right? Ray

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Speaker 1: go ahead from Mountain Pine, Arkansas. His football team is

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Speaker 1: on a little bit of a skid. He's about to

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Speaker 1: flip his lid. Bobby Bones, thank you very much. I

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Speaker 1: do want to talk about the iPhone for a second.

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Speaker 1: We're all iphonners rights in here.

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Speaker 3: Yeah. So, a newly.

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Speaker 1: Discovered glitch and this would drive me absolutely crazy. Is

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Speaker 1: making people late for work. People are noticing their phones

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Speaker 1: are randomly shutting off in the middle of the night.

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Speaker 1: Uh oh, that is I'd be so upset.

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Speaker 3: That would mess me.

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Speaker 1: Up for sure. When the phone is off, the alarm

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Speaker 1: isn't on, so the alarm won't wake them up. So

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Speaker 1: people have been late for work, people have been gone

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Speaker 1: all over you know, go on my phone to shut off,

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Speaker 1: which leads to my thing because that story is from

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Speaker 1: lad Bible. I still I don't have the new iPhone.

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Speaker 1: I have probably two iPhones back. My screen's cracked. I

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Speaker 1: can't find one in because I'm only going to get

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Speaker 1: to one that has the most like storage, because we

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Speaker 1: had a lot of videos stuff put on them. But

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Speaker 1: my phone sucks now. It's like when they trade and

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Speaker 1: went to a new model, it freezes exactly. I was

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Speaker 1: never the person that believed that was part of it,

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Speaker 1: but it's like there's a destroy button they pushed.

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Speaker 2: Did you see the text that I try to sent

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Speaker 2: you and you were like, what did you get scammed?

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Speaker 3: The same thing?

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Speaker 1: I can't send pictures to anyone. Oh yeah, that sounds

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Speaker 1: a file that looks like he was trying to send

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Speaker 1: a trojan horse into my phone and steal everything. And

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Speaker 1: I said, hey, do I need to open this? He

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Speaker 1: was just a picture. I deleted it. I never saw

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Speaker 1: what it was.

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Speaker 2: It was just a picture. And I think they're doing

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Speaker 2: that with me too. I'm like, I'm not I don't

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Speaker 2: want any phone.

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Speaker 1: Well, so I would say you could probably use this

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Speaker 1: excuse even if it didn't happen for the next week

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Speaker 1: to all of our listeners. Just say your iPhone went

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Speaker 1: out and find me here. No, not here, but find

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Speaker 1: the story. Lincoln, send it to your Boss'd be like,

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Speaker 1: this is what's happening. So so all right, thank you guys.

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Speaker 1: Let's get the show started now. I appreciate you being here.

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Speaker 1: Coming up, Shannandoah. We love Shanandoah. If I had two

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Speaker 1: dozen roses in a little life.

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Speaker 10: They're coming in.

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Speaker 1: We'll hang out with them in a little bit. Let's

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Speaker 1: open up the mail bag and you.

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Speaker 3: Friend the mail and reading all the air to pick.

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Speaker 11: Something we call Bobby's mail bag.

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Speaker 1: Yeah, hello, Bobby Bones. I heard you recently. You got

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Speaker 1: on Amy's friend's boyfriend to defend himself who was accused

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Speaker 1: of spending all day watching Pirates of the Caribbean and

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Speaker 1: Looney Tunes instead of working. I have a similar situation,

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Speaker 1: except there is no misunderstanding. My boyfriend is obsessed with

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Speaker 1: the show Blue. For those who don't know, it's an

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Speaker 1: animated show about an adventurous Blue healer puppy named Blue

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Speaker 1: who lives with the mom, dad, and sister. The thing

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Speaker 1: is we don't have kids. It started when he saw

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Speaker 1: on TikTok that adults enjoyed the show too, and he

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Speaker 1: watched every episode on Disney Plus. He also follows the

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Speaker 1: show on Instagram and is planning on buying the Blue

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Speaker 1: video game that comes out next month. He's not hurting anyone.

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Speaker 1: There are worse things that you can be into. But

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Speaker 1: I'm worried he's reverting to his childhood How to have

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Speaker 1: a conversation with my thirty year old boyfriend. That's a

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Speaker 1: turnoff that he is obsessed with a show made for kids.

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Speaker 1: Signed girlfriend of an adult Blue fan Get them Bones Well.

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Speaker 1: I think if this manifests itself into like Blue role play,

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Speaker 1: that's a different and that the plus winn should stop.

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Speaker 1: It's okay right now. If he just likes Blue the cartooner,

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Speaker 1: he's watching it. It's not hurting anything, and it's not

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Speaker 1: like he is losing time with you because he has

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Speaker 1: to go sneak off and watch Blue. Then it's okay.

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Speaker 1: It really is okay. You may not be comfortable with that.

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Speaker 1: You may be turned off by it. It could be

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Speaker 1: even an ick, but still there's nothing wrong with what

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Speaker 1: he's doing. Just watch him, Just watch them more. Make

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Speaker 1: sure it doesn't get worse. You know, just see what's up.

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Speaker 1: You see if it's a gateway drug.

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Speaker 4: You know, your recent breakthrough in therapy, remember.

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Speaker 1: About the reason breakthrough is My therapist says, Hey, you're

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Speaker 1: doing a lot of stuff now for work that you enjoyed,

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Speaker 1: because you're finding things where you could feel like a kid.

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Speaker 1: You never get to feel like a kid.

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Speaker 4: Yeah, like with too much access, like that's your your

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Speaker 4: your fun football show, but also now part of your career.

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Speaker 4: Maybe this is him. Something from his childhood is connected

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Speaker 4: to this, and he's connecting with his inner child.

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Speaker 1: And my statement is let him be. Paul McCartney said

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Speaker 1: her best, let him be, Let him be, Let him be,

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Speaker 1: and then ultimately you're not still watch his internet history.

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Speaker 10: Let him be.

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Speaker 4: If she's not ultimately attracted to it and she can't

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Speaker 4: get over it, then I don't know to say, yeah.

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Speaker 1: It's fine, people watch the Simpsons, SpongeBob. I love the Simpsons,

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Speaker 1: adult but still cartoon sponge of awesome. Yeah, it's great,

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Speaker 1: Blueie whatever.

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Speaker 2: I don't want, but a lot of these cartoons to

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Speaker 2: have some humor for adults in there, because a lot

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Speaker 2: of parents have to watch this with their kids.

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Speaker 3: Yeah, Blue is funny, has adult entertainment.

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Speaker 1: It's in.

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Speaker 3: It's Buss's wife. No no, no, no.

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Speaker 7: But my kids like Blue, and so I watch Blue

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Speaker 7: and there is actual funny stuff.

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Speaker 3: Thee like real life.

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Speaker 1: There we go.

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Speaker 3: But if you don't have kids, you should be watching.

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Speaker 1: Oh well, and maybe it's his relaxing show. They doesn't

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Speaker 1: have to think too much.

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Speaker 3: I don't know.

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Speaker 1: I'm just saying, let them do it. And it's like

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Speaker 1: you find other weird stuff and then move away. If

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Speaker 1: this is all it is, you're good, all right, thank you.

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Speaker 1: Close up the mail bag.

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Speaker 3: We got your game mail and land on the air.

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Speaker 3: Now let's find the clothes Bobby's mail bag.

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Speaker 1: Yeah, so Bobby Bones Show interviews. In case you didn't know,

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Speaker 1: we're a big Shanandoagh show. Love Shannandoah Church on Cumberland Road.

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Speaker 6: Let me do the church.

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Speaker 10: Nineteen eighty nine.

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Speaker 1: That's number one for them, two dozen roses. If I

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Speaker 1: had nineteen eighty nine number one for them, Sunday and

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Speaker 1: the South.

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Speaker 10: I can almost steer my Mama preve.

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Speaker 1: I got so many number ones. But they're coming in now.

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Speaker 1: Let's talk to them here. They are Marty and Mike

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Speaker 1: from Shenandoah on the Bobby Bone Show. Now this is

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Speaker 1: cool for us, especially when we get to bring in,

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Speaker 1: you know, musical influences, legends here. You don't come in

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Speaker 1: yelling roll Tide. Come in, Come in and sit down

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Speaker 1: over here. Come in, yell and roll tide. Come in

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Speaker 1: to my house and pee on the floor. That's what

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Speaker 1: just happened there.

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Speaker 12: Yes, she wore that for us today.

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Speaker 1: You know, no wear it every day. But I'm also

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Speaker 1: jealous that you get to yell roll tid. I don't

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Speaker 1: want to yell roll Tide, but I'm jealous that you

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Speaker 1: guys have ye No, I refuse you.

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Speaker 10: Good.

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Speaker 1: Yeah, come on in.

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Speaker 10: Hey, everybody good to see Hello.

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Speaker 1: Yeah, I have a seat over here.

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Speaker 10: Everything's great.

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Speaker 3: Do you have yours?

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Speaker 1: Hey, you didn't yell roll Tide. We appreciate that.

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Speaker 3: You see these guys.

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Speaker 1: Mike comes in and starts yelling roll Tide immediately.

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Speaker 12: Well, I saw your shirt from through the glass window

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Speaker 12: over there.

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Speaker 1: So yeah, you can't miss it, Big and Red. So

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Speaker 1: how are we doing, good man?

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Speaker 12: About you.

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Speaker 1: Yeah, go to the microphone right then, Mary, right there

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Speaker 1: behind you, right at your butt. There it is back again,

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Speaker 1: looking better than ever.

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Speaker 3: So I got the.

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Speaker 12: Hey, I was just looking at a picture of us

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Speaker 12: last time we did this show. I bet you we've

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Speaker 12: lost two hundred pounds between the two of us. Seriously,

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Speaker 12: you too, Yes, yeah, we using the mic. You gotta

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Speaker 12: use you gotta talking to Mike. We on the air,

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Speaker 12: Mars You're say, I'm sorry, Yeah, it's commercial.

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Speaker 10: Commercial.

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Speaker 8: Yeah, yeah, I'm sorry about that.

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Speaker 3: Sorry, folks, I forgot that.

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Speaker 10: Now it's like charming and hilarious.

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Speaker 13: Oh actually I thought we weread a commercial, but no.

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Speaker 13: In the green room, Mike said two hundred and fifty,

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Speaker 13: and I thought that sounded more like it. I've lost

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Speaker 13: one hundred and thirty seven.

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Speaker 12: I've lost seventy three really, yeah.

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Speaker 8: Sixty three, just going in the wrong direction, bro.

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Speaker 1: And how do you feel?

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Speaker 14: Oh?

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Speaker 8: I feel fantastic.

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Speaker 1: Would you consider it, Marty? Would you consider your haircut

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Speaker 1: still to be a mullet?

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Speaker 13: Well, you know, I'll be honest with you, I don't

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Speaker 13: know that that that I ever had a mullet.

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Speaker 1: But it's long like a Okay, it's not short. Maybe

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Speaker 1: it's not short enough on top, but it definitely goes back.

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Speaker 1: You could pin it and do a little ponytail. I

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Speaker 1: have not seen maybe would you say that?

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Speaker 4: I see it was mulletsh to me all vibes, but

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Speaker 4: it's definitely mulleinish, mulletish.

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Speaker 1: Like you're said, you got basically same haircut. Yeah, pretty much,

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Speaker 1: and you guys have it. That's what I like though.

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Speaker 8: Yeah, we're not.

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Speaker 1: You're not being anything.

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Speaker 3: You aren't.

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Speaker 8: You know it barber?

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Speaker 13: Yeah, I mean the same gale that cuts my hair today,

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Speaker 13: same gal to cut my hair years ago.

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Speaker 12: Wow, Well you know you went to you went to

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Speaker 12: a time there, marb where you had it all cut

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Speaker 12: off short.

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Speaker 1: You guys real hair.

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Speaker 8: Yeah, yeah, you don't pullet If.

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Speaker 1: You do that, people think my ha's fake all the time.

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Speaker 1: I got grab it and be like yeah yeah yeah.

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Speaker 1: So Shanado is here, which, by the way, let's let's

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Speaker 1: talk new for a second. I got a bunch stuff

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Speaker 1: talk about, but let's do this because I want to

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Speaker 1: play the song first. Obviously, we love two Dozen Roses

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Speaker 1: nineteen eighty nine, the original. If I could cry a

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Speaker 1: little harder and get a little less sleep, Bad Night,

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Speaker 1: love it. But then you guys did it again, but

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Speaker 1: you did it with Luke Comb's How did this whole

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Speaker 1: thing come about? And how did you get Luke on it?

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Speaker 13: We started getting uh a text from people going, hey, man,

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Speaker 13: if you sub me and Luke Comb's doing two dozen roses.

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Speaker 1: Was already covering it, yeah in the show.

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Speaker 13: Yeah, And to be honest with you, it, uh two

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Speaker 13: dozen Roses has become so popular. We knew before too

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Speaker 13: long somebody was gonna somebody was going to.

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Speaker 1: Redo it and just cover it. But somebody was going

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Speaker 1: to cover it, and.

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Speaker 13: Before it was all old with, you know, then we

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Speaker 13: would lose it, you know, I mean, that's what happens.

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Speaker 1: So you did it?

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Speaker 13: Yeah, yeah, So so we just figured, man, look, let's

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Speaker 13: let's see if Luke won't want to do it. So

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Speaker 13: I started texting Luke back and forth and we started

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Speaker 13: the dialogue and and before it was all over with,

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Speaker 13: that's that's what happened. He got in the studio and

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Speaker 13: we kind of followed up.

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Speaker 9: It's time for the good news.

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Speaker 4: Did you know there's a Guinness World Record for being

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Speaker 4: the longest social studies teacher ever, like having a career

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Speaker 4: in that field.

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Speaker 1: No, that's gotta be really all dough.

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Speaker 3: Huh.

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Speaker 4: Well, Paul Durrett's he's been awarded the Guinness World Record

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Speaker 4: for his fifty three year teaching career for social studies specifically.

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Speaker 1: I think mister Tollison had that much. He just didn't

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Speaker 1: probably go to this. Yeah, that's socials. I mean, that's great.

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Speaker 1: Fifty years and anything, especially teaching. It's awesome. Miss Chilison

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Speaker 1: was my soci studies teacher.

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Speaker 6: Keith.

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Speaker 1: Oh I saw Keith. He tied what yeah, wow, me

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Speaker 1: a generation below. He ended up teaching my sister. I

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Speaker 1: tell my sister's kids. He was there for a long time.

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Speaker 1: I'm not even he still maybe teaching. I don't know.

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Speaker 1: He used to do a thing where he would It's

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Speaker 1: funny because he was just like a quirky guy, but

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Speaker 1: a good teacher. But he would scratched his ear, let's say,

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Speaker 1: was scratching his left ear. He wouldn't do it on purpose,

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Speaker 1: but he'd scratch his left ear with his right arm

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Speaker 1: and go over his head and scratch it. No, he

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Speaker 1: did that on purpose. No, And then he'd did nothing

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Speaker 1: but her tie his shoe. He'd put his shoe up

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Speaker 1: in the chair to tie it and then tie the

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Speaker 1: one on the ground. Miss Chilison man. Wow, mister Tollison man.

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Speaker 1: But what's his guy's name again?

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Speaker 4: Paul Durrett's. He's seventy six years old and he started

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Speaker 4: teaching social stuf. Is it Woodland Middle School?

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Speaker 1: Did he break someone's record? Did he said it? Because

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Speaker 1: he made it?

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Speaker 4: He made it up in nineteen seventy, nineteen seventies, listen,

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Speaker 4: I don't know if he took that's great.

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Speaker 10: I love it.

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Speaker 1: He talks from someone but pretty cool.

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Speaker 4: I mean he says, keep working on what you love

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Speaker 4: to do in life, keep at it.

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Speaker 1: I agree with that. It's a good man there, all right,

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Speaker 1: shout out mister Tollison. All right, that's what it's all about.

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Speaker 1: That was telling me something good on the Bobby Bone Show.

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Speaker 1: Now what song you think gets to the biggest crowd

416
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Speaker 1: singing chanting reaction church on Cumberland Road Roses? Oh he does?

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Speaker 1: Oh yeah, that easy? Hunhy?

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Speaker 12: They singing from the beginning to the end too. They

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Speaker 12: don't just sing the choruses.

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Speaker 1: Is it? Because though that song is a little slower

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Speaker 1: and you can hear words more.

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Speaker 5: Is that?

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Speaker 1: But you know, I don't know. I guess this is

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Speaker 1: my answer, So I wanted that to be the answer.

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Speaker 1: Cumberland Road, Yeah road, Yeah, that's the one they do

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Speaker 1: that whoa.

427
00:17:02,360 --> 00:17:02,920
Speaker 3: Very loudly.

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Speaker 1: Where do you play Cumberland Road in your set?

429
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Speaker 12: Last last song we do two dozen roads is right

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Speaker 12: in front of it.

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Speaker 3: Oh yeah, leave it.

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Speaker 12: With a bang?

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Speaker 1: What do you start with? What's first song?

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Speaker 12: Next to you?

435
00:17:12,960 --> 00:17:13,359
Speaker 8: Next to me?

436
00:17:13,520 --> 00:17:15,560
Speaker 3: Dang Oh, I'd.

437
00:17:15,520 --> 00:17:18,080
Speaker 12: Rather be next to you.

438
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Speaker 3: Next to me.

439
00:17:18,000 --> 00:17:19,560
Speaker 1: You can annoying people sing your songs back to you

440
00:17:19,600 --> 00:17:19,800
Speaker 1: like that.

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Speaker 8: It's awesome.

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Speaker 1: No like us now, not even asking you questions. We're

443
00:17:24,320 --> 00:17:27,080
Speaker 1: just singing songs at you. Yeah, that's pretty cool. Yeah,

444
00:17:27,160 --> 00:17:28,159
Speaker 1: you know what I like at the end of the

445
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Speaker 1: song where it goes there ain't no place it.

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Speaker 6: I'd rather be.

447
00:17:32,800 --> 00:17:34,439
Speaker 3: Next to you next to me.

448
00:17:34,880 --> 00:17:35,360
Speaker 1: That's our part.

449
00:17:35,440 --> 00:17:36,040
Speaker 8: I like that one too.

450
00:17:36,359 --> 00:17:37,280
Speaker 3: Big harmony there all right?

451
00:17:37,280 --> 00:17:38,520
Speaker 10: They are doing everybody.

452
00:17:38,640 --> 00:17:42,040
Speaker 1: I thank you for coming. Hey, So you guys are

453
00:17:42,080 --> 00:17:45,760
Speaker 1: torn like crazy. We've always toured like I hear you.

454
00:17:46,440 --> 00:17:48,560
Speaker 1: But again you're still touring like crazy. You have like

455
00:17:49,000 --> 00:17:52,120
Speaker 1: fifty more dates this year. I was looking or something

456
00:17:52,119 --> 00:17:54,520
Speaker 1: like that, like why do you feel more comfortable on

457
00:17:54,520 --> 00:17:55,360
Speaker 1: the road than at home?

458
00:17:56,000 --> 00:17:56,240
Speaker 8: Now?

459
00:17:56,600 --> 00:17:59,560
Speaker 13: You know what she's really kind of man, this thing,

460
00:18:00,119 --> 00:18:02,240
Speaker 13: there's things just really you know, taking off. You know,

461
00:18:02,520 --> 00:18:04,919
Speaker 13: I'd left the band for about seventeen years, and then

462
00:18:04,960 --> 00:18:08,600
Speaker 13: when I came back, you know, I figured if we

463
00:18:08,600 --> 00:18:10,359
Speaker 13: was going to do it, you know, when me and

464
00:18:10,400 --> 00:18:12,720
Speaker 13: Mike talked about, you know, putting the wheels back on

465
00:18:12,760 --> 00:18:13,960
Speaker 13: this thing, we were going to do it.

466
00:18:14,080 --> 00:18:16,720
Speaker 8: You know. Let's if we hadn't.

467
00:18:16,560 --> 00:18:19,320
Speaker 13: Said everything we wanted to say, and we wanted to

468
00:18:19,400 --> 00:18:22,640
Speaker 13: make sure that that that we got the music out

469
00:18:22,640 --> 00:18:24,639
Speaker 13: there and put on the shows that we wanted to

470
00:18:24,680 --> 00:18:26,960
Speaker 13: don then man, let's let's do everything in the world

471
00:18:26,960 --> 00:18:27,440
Speaker 13: we can to.

472
00:18:27,359 --> 00:18:28,119
Speaker 8: Make that happen.

473
00:18:28,560 --> 00:18:29,359
Speaker 1: Why'd you gut to stop?

474
00:18:30,400 --> 00:18:32,000
Speaker 8: Well, I mean they didn't stop.

475
00:18:32,040 --> 00:18:35,040
Speaker 1: I mean I left, but but you know, all of

476
00:18:35,080 --> 00:18:37,680
Speaker 1: you together, are you guys? So why did you guys

477
00:18:37,720 --> 00:18:39,080
Speaker 1: stop for a while? Why did you stop? Marty?

478
00:18:39,320 --> 00:18:40,440
Speaker 8: Well, I'll be honest with you.

479
00:18:40,640 --> 00:18:43,200
Speaker 13: I think I honestly too, I think a lot of

480
00:18:43,240 --> 00:18:46,840
Speaker 13: mine was burnt out, you know, man, I mean you

481
00:18:46,920 --> 00:18:49,000
Speaker 13: think we were working a lot now, I mean we

482
00:18:49,000 --> 00:18:50,200
Speaker 13: were like mercenaries.

483
00:18:50,640 --> 00:18:52,399
Speaker 3: We've still got T shirts that I survived.

484
00:18:52,440 --> 00:18:54,080
Speaker 12: Three hundred and ten days was shing a door the

485
00:18:54,119 --> 00:18:55,840
Speaker 12: first year we were out. We did three hundred and

486
00:18:55,840 --> 00:18:58,280
Speaker 12: ten days away from home. Not that many shows, but

487
00:18:58,320 --> 00:18:58,760
Speaker 12: we were.

488
00:18:59,280 --> 00:19:02,280
Speaker 1: Say we're on the SAM It's travel day. Is still

489
00:19:02,280 --> 00:19:02,720
Speaker 1: out on the road.

490
00:19:03,119 --> 00:19:04,200
Speaker 8: Yeah, yeah, sure is.

491
00:19:04,960 --> 00:19:08,200
Speaker 13: And uh, you know, man, after about after about ten

492
00:19:08,240 --> 00:19:09,879
Speaker 13: or eleven years of that, I mean that, you know,

493
00:19:09,960 --> 00:19:12,919
Speaker 13: it was just enough. It was enough for me, you know,

494
00:19:12,960 --> 00:19:14,320
Speaker 13: it was kind of kind of burn out.

495
00:19:14,520 --> 00:19:17,119
Speaker 1: And then why get back in? Did you miss it?

496
00:19:17,240 --> 00:19:20,560
Speaker 1: You miss Mike Mike's caress away?

497
00:19:22,880 --> 00:19:26,800
Speaker 3: Not really now, you don't tell you the truth. You know,

498
00:19:26,840 --> 00:19:28,920
Speaker 3: I had a had a little bluegrass.

499
00:19:28,480 --> 00:19:31,840
Speaker 13: Band and and you know, my brother Tim and I

500
00:19:31,880 --> 00:19:35,160
Speaker 13: had did the Butterfly Kisses thing, uh for a little bit,

501
00:19:35,240 --> 00:19:39,199
Speaker 13: and and uh, you know we just uh what do.

502
00:19:39,200 --> 00:19:43,240
Speaker 1: You mean a butterfly kisses thing? Bob Carlisle song Butterfly Kisses.

503
00:19:43,280 --> 00:19:44,800
Speaker 13: Yeah, my brother Tim and I, you know, we had

504
00:19:44,840 --> 00:19:46,159
Speaker 13: it out. In fact, we were the one who got

505
00:19:46,160 --> 00:19:49,520
Speaker 13: the Grammy on it. Wait what yeah butterfly.

506
00:19:49,119 --> 00:19:53,160
Speaker 1: Kisa butterfu Yeah yeah. Bot Carlisle sang it. But I'm

507
00:19:53,160 --> 00:19:54,439
Speaker 1: gonna be ignorant here, and I'm okay.

508
00:19:54,600 --> 00:19:57,440
Speaker 8: It was the country. The country version got the Grammy.

509
00:19:57,600 --> 00:20:01,240
Speaker 1: Really Yeah, good for you guys. Sucker, we say, no country,

510
00:20:01,280 --> 00:20:03,440
Speaker 1: you know what I mean saying that.

511
00:20:03,760 --> 00:20:06,440
Speaker 13: So anyway, so it was in ninety seven, I think

512
00:20:06,840 --> 00:20:10,000
Speaker 13: ninety seven. But anyway, the thing about it is is,

513
00:20:10,520 --> 00:20:15,680
Speaker 13: uh uh, you know, we had talked about several years

514
00:20:15,720 --> 00:20:17,959
Speaker 13: before then, you know, putting the wheels back on it,

515
00:20:18,000 --> 00:20:20,600
Speaker 13: you know, but we just we just didn't feel like

516
00:20:20,640 --> 00:20:21,640
Speaker 13: the timing was right.

517
00:20:21,880 --> 00:20:25,720
Speaker 1: Did you feel like, with the overwhelming resurgence and popularity

518
00:20:25,720 --> 00:20:29,160
Speaker 1: of nineties country that when you guys hit and went

519
00:20:29,200 --> 00:20:31,439
Speaker 1: back out again, that it was the audience was going

520
00:20:31,520 --> 00:20:32,200
Speaker 1: to be there for you.

521
00:20:32,240 --> 00:20:34,359
Speaker 13: No, you know, to be honest, we were so ignorant

522
00:20:34,400 --> 00:20:36,520
Speaker 13: to that at that point. No, we didn't have a

523
00:20:36,520 --> 00:20:38,879
Speaker 13: clue in the world what nineties music meant at that time.

524
00:20:39,720 --> 00:20:41,160
Speaker 13: I mean, we really seriously didn't.

525
00:20:41,160 --> 00:20:42,200
Speaker 8: That was nine years ago.

526
00:20:42,240 --> 00:20:46,240
Speaker 13: We had no idea that what nineties music meant whatsoever.

527
00:20:46,320 --> 00:20:49,119
Speaker 13: I mean, we just we just felt like, you know,

528
00:20:49,160 --> 00:20:51,480
Speaker 13: they was still something to say, and we believe we

529
00:20:51,480 --> 00:20:53,440
Speaker 13: could say it that there was another tune out there

530
00:20:53,480 --> 00:20:57,880
Speaker 13: that we could cut, you know, that that would be

531
00:20:58,480 --> 00:21:01,440
Speaker 13: you know, uh, a smash.

532
00:21:01,520 --> 00:21:03,480
Speaker 8: And we're in the studio right now.

533
00:21:03,840 --> 00:21:06,120
Speaker 13: Well, we've actually finished up with waiting on a couple

534
00:21:06,160 --> 00:21:08,640
Speaker 13: of vocals to be done.

535
00:21:09,320 --> 00:21:11,040
Speaker 8: We just cut a killer with Alison.

536
00:21:10,720 --> 00:21:13,200
Speaker 1: Kraus somewhere in the vicinity of the heart.

537
00:21:13,280 --> 00:21:16,720
Speaker 13: Oh no, no, this is a brand new yeah, and

538
00:21:16,800 --> 00:21:20,040
Speaker 13: I mean it's just I mean it will it will absolutely.

539
00:21:20,600 --> 00:21:21,399
Speaker 8: Rail the Lumber.

540
00:21:21,640 --> 00:21:23,320
Speaker 1: I don't know what that means, Marty, rail the Lumber.

541
00:21:23,600 --> 00:21:25,720
Speaker 8: That means it's it's feels.

542
00:21:25,400 --> 00:21:26,439
Speaker 4: Like it hurts.

543
00:21:26,480 --> 00:21:33,359
Speaker 1: I think it's yeah, like make you emotional killer what.

544
00:21:33,359 --> 00:21:35,840
Speaker 13: I mean, Yeah, it's it's very much. It's it's a

545
00:21:35,840 --> 00:21:37,960
Speaker 13: love song, I mean it really is. I mean it's

546
00:21:37,960 --> 00:21:41,560
Speaker 13: a it's another it's another vicinity of the heart and

547
00:21:41,560 --> 00:21:43,560
Speaker 13: and uh I want to be loved like that all

548
00:21:43,680 --> 00:21:47,040
Speaker 13: all together in one, you know. And it's just I mean,

549
00:21:47,080 --> 00:21:49,320
Speaker 13: it's just got a lot of it's good.

550
00:21:49,600 --> 00:21:51,680
Speaker 3: It's a good tune.

551
00:21:51,920 --> 00:21:55,600
Speaker 8: Well, you know, I don't know when it's coming out.

552
00:21:55,760 --> 00:21:57,520
Speaker 13: I have no idea And do it like ten seconds

553
00:21:57,560 --> 00:22:00,199
Speaker 13: of course, yeah, and no single like ten seconds Now,

554
00:22:00,240 --> 00:22:00,760
Speaker 13: I can't do that.

555
00:22:00,920 --> 00:22:03,280
Speaker 1: Okay, See he's not he's not giving it to us here. Okay,

556
00:22:03,320 --> 00:22:05,160
Speaker 1: that's okay. You don't go jail or what music jail.

557
00:22:06,400 --> 00:22:06,880
Speaker 1: I've been there.

558
00:22:07,040 --> 00:22:07,480
Speaker 3: They' fun.

559
00:22:08,240 --> 00:22:12,000
Speaker 1: So, speaking of Rail and Lumber, if Bubby can dance

560
00:22:12,280 --> 00:22:15,960
Speaker 1: railed my lumber, is that he's it railed?

561
00:22:16,200 --> 00:22:16,800
Speaker 3: Yeah, I don't know.

562
00:22:17,119 --> 00:22:19,879
Speaker 13: I don't think that railing lumber. It is what that is,

563
00:22:20,119 --> 00:22:22,240
Speaker 13: and that's really actually not vulgar at all. It's just

564
00:22:22,320 --> 00:22:25,920
Speaker 13: means it's bringing the timber, you know, it's exactly bringing

565
00:22:25,920 --> 00:22:29,639
Speaker 13: it in the mail, carrying the mask, absolutely my timber.

566
00:22:29,800 --> 00:22:31,760
Speaker 3: Yeah, you know you got it.

567
00:22:31,760 --> 00:22:33,600
Speaker 1: You can dance? I can too.

568
00:22:33,800 --> 00:22:36,000
Speaker 3: Yeah. Do you heard like that song?

569
00:22:36,119 --> 00:22:36,399
Speaker 1: Heck you?

570
00:22:36,400 --> 00:22:37,119
Speaker 10: How are you kidding me?

571
00:22:37,359 --> 00:22:37,679
Speaker 1: Do not?

572
00:22:38,320 --> 00:22:38,520
Speaker 14: You know?

573
00:22:38,600 --> 00:22:41,520
Speaker 12: Man Marty wrote this song with Bob mcdille, of course.

574
00:22:41,320 --> 00:22:42,720
Speaker 1: Yeah, Well why would I not like that song?

575
00:22:42,760 --> 00:22:44,000
Speaker 3: I love that on TV?

576
00:22:44,640 --> 00:22:45,360
Speaker 8: Ordered that.

577
00:22:46,920 --> 00:22:49,600
Speaker 3: Yeah, and see that's that's one of the reasons. That's you.

578
00:22:50,560 --> 00:22:53,159
Speaker 12: I think that's the tempo too, that's it.

579
00:22:53,240 --> 00:22:56,280
Speaker 1: Yeah, I got it, you got it? Go ahead, Fencher

580
00:22:56,320 --> 00:22:58,160
Speaker 1: story there, Bubble can dance anyway.

581
00:22:58,200 --> 00:23:02,840
Speaker 13: That the tempo on that it's.

582
00:23:01,000 --> 00:23:02,480
Speaker 3: It's it's four on the floor.

583
00:23:02,560 --> 00:23:07,080
Speaker 13: It's that it's that addictive beat that it's that underlying

584
00:23:07,119 --> 00:23:09,320
Speaker 13: thing that people get. And you know when you did

585
00:23:09,359 --> 00:23:12,240
Speaker 13: that that, I mean, that's that's what. That's what attracts

586
00:23:12,240 --> 00:23:14,000
Speaker 13: a lot of people to tempo songs.

587
00:23:14,080 --> 00:23:16,520
Speaker 12: You know, that song almost didn't get written. Why we

588
00:23:16,800 --> 00:23:19,199
Speaker 12: we were actually writing with Bob mcdeal. We'd written all

589
00:23:19,240 --> 00:23:21,520
Speaker 12: afternoon with Bob. We had to leave that afternoon going

590
00:23:21,520 --> 00:23:23,800
Speaker 12: somewhere on the road. We had to catch the bus,

591
00:23:24,400 --> 00:23:28,040
Speaker 12: and we'd been writing all afternoon and hadn't hit on anything,

592
00:23:28,400 --> 00:23:31,199
Speaker 12: and uh, Bob, we'd already put our guitars in the

593
00:23:31,240 --> 00:23:33,719
Speaker 12: cases and getting ready to go. And Bob say, hey, man,

594
00:23:33,880 --> 00:23:35,840
Speaker 12: you guys came out of muscle shows and the bars

595
00:23:35,880 --> 00:23:38,640
Speaker 12: down there. He said, I've been seeing on on these

596
00:23:38,840 --> 00:23:41,800
Speaker 12: country music TV shows people doing all these line dances

597
00:23:41,840 --> 00:23:44,400
Speaker 12: and stuff like that. He said, are people really doing

598
00:23:44,440 --> 00:23:47,440
Speaker 12: that in these bars? And I just said, I don't

599
00:23:47,480 --> 00:23:49,520
Speaker 12: know how they're doing it everywhere else, Bob. But you know,

600
00:23:49,800 --> 00:23:51,760
Speaker 12: the place we weread there was two guys and I

601
00:23:51,760 --> 00:23:53,960
Speaker 12: can't remember. One of them's name was Buddy something, and

602
00:23:54,280 --> 00:23:56,359
Speaker 12: the other guy I can't remember. But they always they

603
00:23:56,440 --> 00:23:58,320
Speaker 12: knew how to do all the they knew how to

604
00:23:58,400 --> 00:24:00,000
Speaker 12: twirl the girls they get out there on the damn

605
00:24:00,119 --> 00:24:02,040
Speaker 12: for it. They could, you know, do all the dance.

606
00:24:02,040 --> 00:24:04,639
Speaker 12: It wasn't lying dances, but anyway that you know, there

607
00:24:04,680 --> 00:24:06,879
Speaker 12: would be girls literally standing on the side of the

608
00:24:06,920 --> 00:24:10,080
Speaker 12: stage waiting for the song to be over so they

609
00:24:10,119 --> 00:24:12,119
Speaker 12: could go out and get them to dance with them.

610
00:24:12,480 --> 00:24:14,720
Speaker 12: And so anyway, Bob said, well that's that's pretty interesting.

611
00:24:14,760 --> 00:24:16,320
Speaker 12: He said, let me run to the restroom real quick

612
00:24:16,320 --> 00:24:18,400
Speaker 12: and then we'll go. So he goes to the bathroom

613
00:24:18,440 --> 00:24:20,480
Speaker 12: and he comes back in and said, hey, you know what,

614
00:24:20,640 --> 00:24:22,560
Speaker 12: I got an idea on what you were just saying

615
00:24:22,560 --> 00:24:25,080
Speaker 12: about that those two guys. He said, I got a

616
00:24:25,119 --> 00:24:26,960
Speaker 12: song title. And we said what is it? And he said,

617
00:24:27,000 --> 00:24:28,800
Speaker 12: if Bubba can dance, I can too. And he said,

618
00:24:28,800 --> 00:24:31,480
Speaker 12: we'll make those guys beat Bubba. And so we got

619
00:24:31,480 --> 00:24:33,760
Speaker 12: our guitars out and we wrote the first, first and

620
00:24:33,840 --> 00:24:36,800
Speaker 12: chorus and had to go and then Bob wrote the

621
00:24:36,880 --> 00:24:38,000
Speaker 12: last verse by hisself.

622
00:24:38,119 --> 00:24:41,280
Speaker 1: But I mean he gave me, He gave me confidence.

623
00:24:41,480 --> 00:24:43,640
Speaker 12: I mean, if you know, if he hadn't asked question.

624
00:24:43,440 --> 00:24:45,600
Speaker 1: I feel like I can too. You know, is one

625
00:24:45,600 --> 00:24:47,360
Speaker 1: of my idiot friends is doing something. It's not even

626
00:24:47,359 --> 00:24:49,399
Speaker 1: just about dancing. Like if one of my buddies can do,

627
00:24:49,440 --> 00:24:51,560
Speaker 1: why can't I not try it? You guys don't even

628
00:24:51,600 --> 00:24:53,240
Speaker 1: know what you motivated. I wouldn't be here without that song.

629
00:24:55,040 --> 00:24:58,920
Speaker 13: Well you know it. It's funny how things had things

630
00:24:58,920 --> 00:25:02,120
Speaker 13: turned about it just kind of him. You know how

631
00:25:02,160 --> 00:25:03,639
Speaker 13: you want to handle anything in life?

632
00:25:03,680 --> 00:25:07,120
Speaker 1: I reckon and even Russe and lumber freaking go to town

633
00:25:07,640 --> 00:25:09,480
Speaker 1: real the lumber Mike.

634
00:25:09,520 --> 00:25:09,800
Speaker 3: How's it?

635
00:25:09,840 --> 00:25:10,359
Speaker 1: How's how's it?

636
00:25:10,520 --> 00:25:10,800
Speaker 4: How's it?

637
00:25:11,200 --> 00:25:13,000
Speaker 3: He's a drama coming good? That has brought me?

638
00:25:13,040 --> 00:25:14,600
Speaker 8: And you said a d debuts man, I love.

639
00:25:14,520 --> 00:25:15,240
Speaker 1: I don't know what that means.

640
00:25:15,680 --> 00:25:16,399
Speaker 12: It's a brand.

641
00:25:16,560 --> 00:25:17,560
Speaker 1: Oh is that a good brand?

642
00:25:17,640 --> 00:25:18,119
Speaker 8: I love him?

643
00:25:18,160 --> 00:25:21,639
Speaker 12: Yeah, that's that's cats me ow And again, well you

644
00:25:21,680 --> 00:25:22,640
Speaker 12: never heard of cats mew?

645
00:25:22,720 --> 00:25:24,320
Speaker 1: Does that mean like it's they're the best?

646
00:25:25,520 --> 00:25:25,680
Speaker 3: Yeah?

647
00:25:25,680 --> 00:25:26,840
Speaker 1: Got it, got it, got it.

648
00:25:27,119 --> 00:25:30,480
Speaker 8: So we're going ahead to bring y'all a book of

649
00:25:30,520 --> 00:25:32,040
Speaker 8: Shannado is Yeah.

650
00:25:32,320 --> 00:25:34,040
Speaker 1: Do you ever wonder if we would have named our

651
00:25:34,040 --> 00:25:36,160
Speaker 1: band something different, people would have an easier time spelling it?

652
00:25:36,880 --> 00:25:37,400
Speaker 3: Probably?

653
00:25:37,560 --> 00:25:39,760
Speaker 12: Yeah, I've seen it spelled every week. Can be spelled

654
00:25:40,160 --> 00:25:41,120
Speaker 12: on the Marquee too.

655
00:25:41,200 --> 00:25:44,080
Speaker 13: I mean what's really good is when somebody goes to, hey,

656
00:25:44,320 --> 00:25:47,760
Speaker 13: uh you, Sho, can you tell me where Shannon's at?

657
00:25:48,119 --> 00:25:51,840
Speaker 12: Oh? Yeah, Sho. Yeah that we still we still get that.

658
00:25:51,840 --> 00:25:53,280
Speaker 12: People are knock on the door of the bus and

659
00:25:53,280 --> 00:25:54,240
Speaker 12: it's Shannon up there.

660
00:25:54,200 --> 00:25:56,000
Speaker 8: And I wanted. I want to talk to Shannon Ted.

661
00:25:56,320 --> 00:26:00,840
Speaker 1: He knows me, and Shannon's a dude obviously. Yeah, you guys,

662
00:26:01,119 --> 00:26:05,560
Speaker 1: uh muscle shawls. Growing up with that music culture around you,

663
00:26:05,560 --> 00:26:08,760
Speaker 1: you you can you like hear that old blues like

664
00:26:08,760 --> 00:26:11,520
Speaker 1: in your recordings from like the nineties, Like that did

665
00:26:11,520 --> 00:26:13,879
Speaker 1: any of that rub off into your country music? You know?

666
00:26:13,920 --> 00:26:17,320
Speaker 13: I think, uh one of the one of the greatest things,

667
00:26:17,600 --> 00:26:19,720
Speaker 13: uh that when we started doing what we were doing.

668
00:26:20,760 --> 00:26:23,920
Speaker 13: You know, Jim Seals came from a background of of

669
00:26:23,920 --> 00:26:26,960
Speaker 13: of rock and roll and and and real soulful stuff.

670
00:26:27,000 --> 00:26:31,720
Speaker 13: You know, Staying came from a jazz perspective in Ralph

671
00:26:31,920 --> 00:26:35,160
Speaker 13: was as well, and in Memphis Delta blues and and

672
00:26:35,280 --> 00:26:39,199
Speaker 13: uh coming out of bluegrass. Mike and myself, Uh, you know,

673
00:26:39,240 --> 00:26:43,040
Speaker 13: we grew up around bluegrass music and and uh a

674
00:26:43,040 --> 00:26:46,200
Speaker 13: lot of the soul that was in bluegrass music, uh,

675
00:26:46,320 --> 00:26:49,880
Speaker 13: you know it, it really it really helped a lot.

676
00:26:50,160 --> 00:26:52,679
Speaker 13: And and I think it kind of that there was

677
00:26:52,720 --> 00:26:55,359
Speaker 13: a like a forging of of of a lot of

678
00:26:55,400 --> 00:26:58,119
Speaker 13: that that was all put together, that that came together.

679
00:26:58,520 --> 00:27:03,440
Speaker 13: It's kind of like the uh, the Man of Constant

680
00:27:03,520 --> 00:27:08,080
Speaker 13: Sorrow cut you know, man, you know it sounds like

681
00:27:08,160 --> 00:27:10,080
Speaker 13: right off the press of Ralph and.

682
00:27:10,040 --> 00:27:17,400
Speaker 8: Carter Stanley, a man concon sorrow.

683
00:27:18,960 --> 00:27:22,400
Speaker 13: You know, and it's just you know where people actually

684
00:27:22,720 --> 00:27:25,840
Speaker 13: you know, they they heard the hurt and what they

685
00:27:25,840 --> 00:27:28,560
Speaker 13: were singing about. And of course up through the Appalachia,

686
00:27:29,400 --> 00:27:31,560
Speaker 13: you know, that's that there was a lot of that

687
00:27:31,560 --> 00:27:33,399
Speaker 13: that that went on. There's a lot of coal mining

688
00:27:33,440 --> 00:27:36,560
Speaker 13: that went on and not safe coal mining and then

689
00:27:36,640 --> 00:27:39,720
Speaker 13: just a hard way of living and uh and people

690
00:27:39,760 --> 00:27:41,879
Speaker 13: took to that and it meant a lot to them.

691
00:27:41,920 --> 00:27:44,720
Speaker 13: And when people would write songs that would be local

692
00:27:44,800 --> 00:27:46,959
Speaker 13: songs that were there that just for people to listen to.

693
00:27:47,000 --> 00:27:49,720
Speaker 8: They didn't do it for any industry. The stuff that

694
00:27:49,720 --> 00:27:50,680
Speaker 8: they would write was.

695
00:27:50,640 --> 00:27:52,919
Speaker 13: You know, they were singing to one another because it

696
00:27:53,119 --> 00:27:56,240
Speaker 13: you know, everybody identified with it. Everybody knew what they

697
00:27:56,240 --> 00:27:57,679
Speaker 13: were talking about. It was like parables.

698
00:27:58,880 --> 00:28:01,639
Speaker 1: You know, whenever I hear talk about bluegrass and you

699
00:28:01,640 --> 00:28:04,119
Speaker 1: can tell me how completely wrong. But the lick, you know,

700
00:28:04,240 --> 00:28:06,359
Speaker 1: don't church I come on the road like it's almost

701
00:28:06,400 --> 00:28:09,480
Speaker 1: like a blue grassy lick. And the guitar part there

702
00:28:09,520 --> 00:28:14,800
Speaker 1: because it's so fast. You know, any of that bluegrass

703
00:28:14,800 --> 00:28:18,360
Speaker 1: experience affect your guitar playing with some of the way

704
00:28:18,359 --> 00:28:19,240
Speaker 1: you play guitar.

705
00:28:19,880 --> 00:28:20,400
Speaker 3: Will it does?

706
00:28:20,920 --> 00:28:22,960
Speaker 13: I mean, Jim and Mike would always make fun that

707
00:28:23,680 --> 00:28:26,040
Speaker 13: the way that I would play rhythm. But you know

708
00:28:26,080 --> 00:28:27,919
Speaker 13: that the only way I knew how to play rhythm

709
00:28:27,960 --> 00:28:30,159
Speaker 13: was to keep time, you know. And it may not

710
00:28:30,200 --> 00:28:33,239
Speaker 13: be on the stroke that where they felt like it

711
00:28:33,280 --> 00:28:35,280
Speaker 13: needed to be, but you know, I just kind of

712
00:28:35,280 --> 00:28:38,360
Speaker 13: felt like it, you know. And and for some tunes

713
00:28:38,760 --> 00:28:42,120
Speaker 13: it didn't fit, you know, but to me it did, you.

714
00:28:42,080 --> 00:28:44,400
Speaker 1: Know, like Sunday in the South didn't fit.

715
00:28:44,800 --> 00:28:46,600
Speaker 8: Maybe no Sunday in the South fit.

716
00:28:46,720 --> 00:28:47,680
Speaker 3: Well, well I'm wrong.

717
00:28:47,720 --> 00:28:49,240
Speaker 1: I'm wrong again, I'm stupid.

718
00:28:49,680 --> 00:28:50,680
Speaker 3: Go ahead and go right.

719
00:28:50,760 --> 00:28:53,360
Speaker 1: Know they are Shannon and Doah. I've been here and

720
00:28:53,360 --> 00:28:57,360
Speaker 1: they've been a really great guess, so quickly you guys

721
00:28:57,360 --> 00:28:59,920
Speaker 1: have I'm gonna just promote these shows real quick. Get

722
00:29:00,040 --> 00:29:05,080
Speaker 1: tickets at Shannandoah band dot com. But Georgia, Tennessee, Midland, Texas, Clinton, Tennessee,

723
00:29:05,160 --> 00:29:07,800
Speaker 1: Bowling Green, Kentucky. I would spend money to go watch

724
00:29:07,840 --> 00:29:09,760
Speaker 1: you guys, and we don't get no, no, no, I'm

725
00:29:09,760 --> 00:29:12,600
Speaker 1: not giving you money now. If you need a loan,

726
00:29:12,720 --> 00:29:15,360
Speaker 1: we can talk interest rates. But but it's like you

727
00:29:15,400 --> 00:29:17,680
Speaker 1: guys are awesome and you were a big part of

728
00:29:18,720 --> 00:29:21,320
Speaker 1: me musically growing up. But you're also still good now.

729
00:29:21,520 --> 00:29:23,120
Speaker 1: And that's what's really cool to see you guys out

730
00:29:23,160 --> 00:29:26,520
Speaker 1: still like performing at a level that's just fun to

731
00:29:26,680 --> 00:29:28,160
Speaker 1: like you guys in Brooks and done like I can

732
00:29:28,160 --> 00:29:30,600
Speaker 1: see both of you guys perform and feel like I'm

733
00:29:30,640 --> 00:29:32,760
Speaker 1: still there but also enjoy what's happening now.

734
00:29:32,880 --> 00:29:35,959
Speaker 13: Well, you know the thing that we always try to do, Bobby,

735
00:29:36,000 --> 00:29:38,320
Speaker 13: and we've always tried to do it. You know, look,

736
00:29:38,840 --> 00:29:40,360
Speaker 13: you know, people to spend a little bit of money

737
00:29:40,400 --> 00:29:43,720
Speaker 13: to come see us, and we appreciate that, and you know,

738
00:29:43,760 --> 00:29:46,200
Speaker 13: I actually would you know, we were hired to entertain people,

739
00:29:47,120 --> 00:29:49,320
Speaker 13: and we like it when folks you know, sing and

740
00:29:49,720 --> 00:29:52,440
Speaker 13: they sing along and have a good time and clap

741
00:29:52,480 --> 00:29:54,480
Speaker 13: their hands and hoop holler and that kind of stuff.

742
00:29:55,480 --> 00:29:57,680
Speaker 13: And if we can get them, if we can get

743
00:29:57,680 --> 00:29:59,960
Speaker 13: them to that spot and people, you know, really enjoy

744
00:30:00,080 --> 00:30:03,080
Speaker 13: themselves and they sing along. And at the end of

745
00:30:03,120 --> 00:30:06,000
Speaker 13: the evening, whether it's ninety minutes or two hours, depending

746
00:30:06,000 --> 00:30:08,760
Speaker 13: on however long we play, but at the end of

747
00:30:08,760 --> 00:30:11,640
Speaker 13: that ninety minutes or two hours, uh, at the end

748
00:30:11,720 --> 00:30:13,320
Speaker 13: of the evening they feel like they were a part

749
00:30:13,360 --> 00:30:15,080
Speaker 13: of a show instead of just sitting and witnessing.

750
00:30:15,160 --> 00:30:17,480
Speaker 8: Won You know, look, I've been.

751
00:30:17,320 --> 00:30:19,560
Speaker 13: To shows that I that I actually liked a lot,

752
00:30:20,680 --> 00:30:22,920
Speaker 13: but uh, there wasn't a whole lot of entertainment in it,

753
00:30:23,520 --> 00:30:25,200
Speaker 13: you know, who I went to go see. They did

754
00:30:25,200 --> 00:30:26,760
Speaker 13: what I wanted them to do, and I and I

755
00:30:26,840 --> 00:30:29,800
Speaker 13: enjoyed it, but there wasn't a lot of entertainment in it,

756
00:30:30,520 --> 00:30:32,920
Speaker 13: you know. And that's that that's their groove, that's you know,

757
00:30:32,960 --> 00:30:35,440
Speaker 13: that's that's the way they do it. But you know,

758
00:30:35,480 --> 00:30:37,240
Speaker 13: as far as what we do, it's it's real high

759
00:30:37,400 --> 00:30:40,400
Speaker 13: energy and and uh we try to get folks involved

760
00:30:40,400 --> 00:30:43,120
Speaker 13: in what we're doing, like I say, and uh man,

761
00:30:43,160 --> 00:30:46,680
Speaker 13: we love it when people do. And and uh we've

762
00:30:46,720 --> 00:30:49,160
Speaker 13: been it's been coming away pretty good here of late.

763
00:30:49,240 --> 00:30:52,920
Speaker 13: You know, the crowds have gotten absolutely humongous, and uh,

764
00:30:53,600 --> 00:30:55,640
Speaker 13: you know, we just brother, we're still chasing the dream.

765
00:30:55,680 --> 00:30:58,960
Speaker 13: It's what we're doing. We're still railing the lumber right now.

766
00:31:00,080 --> 00:31:00,760
Speaker 13: Know what you're doing.

767
00:31:01,760 --> 00:31:08,200
Speaker 1: I go, ho, oh, no, you're not, you're not doing

768
00:31:08,200 --> 00:31:14,360
Speaker 1: it right. Oh yes, that's better. That's better than I

769
00:31:14,440 --> 00:31:15,200
Speaker 1: never knew.

770
00:31:15,240 --> 00:31:16,680
Speaker 10: Mother loves h.

771
00:31:17,120 --> 00:31:20,040
Speaker 1: Know that song. I don't I'm singing your song.

772
00:31:20,840 --> 00:31:21,360
Speaker 4: That's not mean.

773
00:31:21,560 --> 00:31:22,360
Speaker 1: Yeah, it's it is.

774
00:31:23,360 --> 00:31:24,520
Speaker 8: You didn't give me much to go on.

775
00:31:24,560 --> 00:31:27,560
Speaker 3: You get to give to the church on the Cumberlin

776
00:31:27,680 --> 00:31:29,800
Speaker 3: ro bom boum bound.

777
00:31:29,600 --> 00:31:30,200
Speaker 1: Give her that one.

778
00:31:30,280 --> 00:31:33,040
Speaker 13: Yeah, we've been rocking all night, but don't you know

779
00:31:33,280 --> 00:31:34,600
Speaker 13: you've got to get me to the.

780
00:31:34,640 --> 00:31:36,760
Speaker 3: Church on the Cumberland rue bam.

781
00:31:37,680 --> 00:31:40,760
Speaker 1: Now now I wrote that one, me and Jimmy Dickey

782
00:31:41,240 --> 00:31:45,080
Speaker 1: nineteen sixty four. Look, everybody go Washingna. Do I love

783
00:31:45,120 --> 00:31:46,840
Speaker 1: these guys. That's why I can sit here and give

784
00:31:46,840 --> 00:31:48,840
Speaker 1: them a hard time because I enjoy their music but

785
00:31:48,840 --> 00:31:51,160
Speaker 1: also enjoy them as people. What I want to say

786
00:31:51,160 --> 00:31:53,880
Speaker 1: before we leave here is one check out the new song.

787
00:31:53,880 --> 00:31:55,280
Speaker 1: We can't wait for the new music. You let us

788
00:31:55,320 --> 00:31:58,719
Speaker 1: know when it's done. I will back in, you know,

789
00:31:58,880 --> 00:32:02,560
Speaker 1: ninety two thousands whatever. I have friends that I have

790
00:32:02,720 --> 00:32:06,040
Speaker 1: really healthy rivalries with that I am like, that's like,

791
00:32:06,080 --> 00:32:09,760
Speaker 1: that's my dude. But I'm also like, we're rivals, we're competing.

792
00:32:09,960 --> 00:32:11,920
Speaker 1: Do you have any rivalries or any country artists?

793
00:32:12,680 --> 00:32:14,800
Speaker 10: I don't know that we here temper at your peers.

794
00:32:16,760 --> 00:32:19,800
Speaker 13: Well, I was thinking, and I was too, you know,

795
00:32:20,440 --> 00:32:22,880
Speaker 13: you know, I think the good thing about what we've

796
00:32:22,880 --> 00:32:24,880
Speaker 13: been able to do is you know we we we

797
00:32:24,960 --> 00:32:27,440
Speaker 13: just always seem to have a good relationship with you know,

798
00:32:27,480 --> 00:32:28,720
Speaker 13: with everybody.

799
00:32:28,280 --> 00:32:29,479
Speaker 1: Little Texas. Everyone to fight.

800
00:32:29,560 --> 00:32:32,120
Speaker 12: Those guys, we used to beat their butts every day.

801
00:32:32,120 --> 00:32:36,840
Speaker 1: But I'm talking about just kidding. Hey, look the revival

802
00:32:36,880 --> 00:32:39,520
Speaker 1: tour Shannado a band dot com. Get that new music done.

803
00:32:39,560 --> 00:32:41,880
Speaker 1: Let us know you guys go to these shows.

804
00:32:41,880 --> 00:32:44,680
Speaker 13: I wasn't kidding about that. When we get when we

805
00:32:44,720 --> 00:32:46,880
Speaker 13: get it done, I personally bring it well.

806
00:32:46,760 --> 00:32:48,520
Speaker 4: You know, yeah, I know I said you were playing

807
00:32:48,560 --> 00:32:50,200
Speaker 4: in Midland. You say that was a date, right?

808
00:32:51,040 --> 00:32:51,520
Speaker 3: Yes?

809
00:32:52,000 --> 00:32:56,480
Speaker 4: Okay, So anytime I hear you know, Mama knows, you

810
00:32:56,560 --> 00:32:59,840
Speaker 4: knows your son that I sometimes I don't know.

811
00:32:59,840 --> 00:33:02,520
Speaker 1: There's cause I sang perfectly to them. They didn't know it, right.

812
00:33:03,040 --> 00:33:05,040
Speaker 4: That's one of my favorite songs ever.

813
00:33:05,400 --> 00:33:06,560
Speaker 5: And what it.

814
00:33:08,200 --> 00:33:08,960
Speaker 8: Mama nos?

815
00:33:09,160 --> 00:33:11,480
Speaker 4: Yes, And anytime I hear it, it takes me right

816
00:33:11,520 --> 00:33:15,440
Speaker 4: back to middl and Odessa, to Big Daddy's Catfish and Chicken,

817
00:33:15,440 --> 00:33:17,880
Speaker 4: because I went there for spring break one year and

818
00:33:18,400 --> 00:33:21,080
Speaker 4: I worked like I just was a hostess. And that's

819
00:33:21,080 --> 00:33:22,840
Speaker 4: where I go every single time in my mind whenever

820
00:33:22,880 --> 00:33:23,280
Speaker 4: I hear it.

821
00:33:24,040 --> 00:33:25,360
Speaker 12: Music's funny like that you.

822
00:33:27,080 --> 00:33:28,760
Speaker 1: Pack and you're railing lumber before you even know it.

823
00:33:29,600 --> 00:33:32,080
Speaker 13: I think you pressed would honest, And Trudy said it

824
00:33:32,120 --> 00:33:36,040
Speaker 13: best a song remembers when Yeah, it could. It literally

825
00:33:36,080 --> 00:33:38,560
Speaker 13: can can transform and take you back to places that

826
00:33:38,600 --> 00:33:41,560
Speaker 13: you never never thought it would, And all of a

827
00:33:41,560 --> 00:33:43,840
Speaker 13: sudden you hear something and bam, you're right in the

828
00:33:43,840 --> 00:33:45,160
Speaker 13: same even the same.

829
00:33:44,960 --> 00:33:46,320
Speaker 4: Smell, smell the hushpuppies.

830
00:33:46,360 --> 00:33:49,120
Speaker 8: Yeah, that's what I'm saying, even the same smell. You know.

831
00:33:49,440 --> 00:33:51,320
Speaker 8: Set up to have some chicken fingers right there.

832
00:33:51,920 --> 00:33:55,200
Speaker 1: I love just have some lunch right now. Yeah.

833
00:33:54,600 --> 00:33:56,040
Speaker 3: So here's the thing.

834
00:33:56,440 --> 00:33:56,920
Speaker 10: Set me up.

835
00:33:56,920 --> 00:33:58,520
Speaker 1: I'm going to play a Church on Cumberland Road. Tell

836
00:33:58,520 --> 00:34:00,440
Speaker 1: me a story. What when I they tell me a

837
00:34:00,440 --> 00:34:03,480
Speaker 1: story about Church on Coming Road? The song performing it?

838
00:34:03,520 --> 00:34:05,560
Speaker 1: What story comes to mind? First?

839
00:34:06,360 --> 00:34:06,640
Speaker 8: Why on?

840
00:34:06,720 --> 00:34:09,080
Speaker 13: A judge told me at the T and N Viewers

841
00:34:09,080 --> 00:34:14,440
Speaker 13: a Choice, Viewers Choice Awards, we'd had that and uh

842
00:34:14,880 --> 00:34:18,800
Speaker 13: and then we we'd had I think, uh two dozen

843
00:34:18,880 --> 00:34:23,319
Speaker 13: rowses Sunday and said, anyway, so we were performing and

844
00:34:23,360 --> 00:34:25,520
Speaker 13: she said, you know, are y'all y'all gonna do two dozen?

845
00:34:25,680 --> 00:34:27,320
Speaker 13: I mean Church on Coming Road and I said, no,

846
00:34:27,560 --> 00:34:29,480
Speaker 13: I think we're going to do Uh, I want to

847
00:34:29,480 --> 00:34:30,120
Speaker 13: be loved like that.

848
00:34:30,280 --> 00:34:30,600
Speaker 3: She goes.

849
00:34:30,640 --> 00:34:33,200
Speaker 8: You know, Church on Coming Road was pitched to us.

850
00:34:33,520 --> 00:34:35,400
Speaker 13: We you know, we knew that wasn't for us, and

851
00:34:35,440 --> 00:34:38,160
Speaker 13: I thought to myself, No, that don't sound like a

852
00:34:38,200 --> 00:34:42,040
Speaker 13: judge tune to me anyway, I said, Man, I'm glad

853
00:34:42,080 --> 00:34:43,080
Speaker 13: y'all passed on it.

854
00:34:43,480 --> 00:34:45,080
Speaker 1: You know that's crazy.

855
00:34:45,160 --> 00:34:48,480
Speaker 13: Yeah, I mean that seriously that I'll think of that sometimes.

856
00:34:48,480 --> 00:34:50,240
Speaker 13: And that's that's what that's what comes to mind.

857
00:34:50,880 --> 00:34:53,799
Speaker 1: And what about next to you next to me? What

858
00:34:53,800 --> 00:34:55,319
Speaker 1: what comes to mind when I say next to you

859
00:34:55,360 --> 00:34:58,200
Speaker 1: next to me, what's what story or idea or memory?

860
00:34:58,480 --> 00:35:00,640
Speaker 13: Well, I know that we never had a it'll in

861
00:35:00,719 --> 00:35:03,520
Speaker 13: the band up until that point, and uh, you know,

862
00:35:03,560 --> 00:35:07,759
Speaker 13: coming out of bluegrass music, you know, I thought, you know, uh, man,

863
00:35:07,800 --> 00:35:10,560
Speaker 13: and sure would be nice. My daddy was a fiddle player, man,

864
00:35:10,680 --> 00:35:17,839
Speaker 13: sure would be nice if we had. And plus Mark

865
00:35:17,840 --> 00:35:21,479
Speaker 13: O'Connor fiddled it, and man Son he could you know.

866
00:35:21,680 --> 00:35:25,080
Speaker 3: He he he can carry the mail too. Anyway.

867
00:35:25,080 --> 00:35:26,560
Speaker 13: But you know, by the time we got done with

868
00:35:26,600 --> 00:35:28,480
Speaker 13: that and you hear all the fiddle licks on it, man,

869
00:35:28,520 --> 00:35:31,600
Speaker 13: it was just man, you think man. Surely the goodness man,

870
00:35:31,680 --> 00:35:33,840
Speaker 13: this is you know, the songs already there. The fiddle

871
00:35:33,920 --> 00:35:36,080
Speaker 13: just kind of kinda put the ice in on the cake.

872
00:35:36,719 --> 00:35:40,520
Speaker 1: I don't always like icing that cake. I liked. I like, Yeah,

873
00:35:41,040 --> 00:35:43,200
Speaker 1: I'm super good to see you guys, see us soon.

874
00:35:43,680 --> 00:35:50,640
Speaker 1: Keep killing it. We love you and hey, we appreciate you. Yeah.

875
00:35:50,760 --> 00:35:54,320
Speaker 1: Here's a voicemail from last night of the night before Bobby.

876
00:35:54,719 --> 00:35:58,160
Speaker 15: I just want to say thank you. I'm an idiot

877
00:35:58,200 --> 00:36:00,279
Speaker 15: and my I dragged my husband to because you know,

878
00:36:00,600 --> 00:36:02,919
Speaker 15: Friday night, to go to your show, only to find

879
00:36:02,960 --> 00:36:05,920
Speaker 15: out that we were a week early. We'll see show.

880
00:36:06,120 --> 00:36:08,279
Speaker 15: Instead of going to your show, we decided to stand

881
00:36:08,360 --> 00:36:11,839
Speaker 15: gambled some and I won five hundred dollars thanks to you.

882
00:36:12,200 --> 00:36:14,439
Speaker 15: I'm a big winner. I wouldn't have gambled other right.

883
00:36:14,440 --> 00:36:16,200
Speaker 1: That's funny. I will not take credit for that because

884
00:36:16,239 --> 00:36:18,520
Speaker 1: if anybody else said, they probably gonna lose. I don't

885
00:36:18,560 --> 00:36:19,680
Speaker 1: want to take credit because I dont want to take

886
00:36:19,680 --> 00:36:21,879
Speaker 1: blame if it happened the other way. Correct. But yeah,

887
00:36:22,040 --> 00:36:24,279
Speaker 1: the show is Friday night and Tulsa. It's sold out.

888
00:36:24,280 --> 00:36:26,279
Speaker 1: There are no tickets left. But that's hilarious. They went

889
00:36:26,320 --> 00:36:31,080
Speaker 1: a week early. What way off that? Yeah, that's way off,

890
00:36:31,520 --> 00:36:33,319
Speaker 1: Thank you though, Lluie, looking forward to that show. We'll

891
00:36:33,320 --> 00:36:35,399
Speaker 1: be in Louisville coming up to in the next month

892
00:36:35,480 --> 00:36:37,040
Speaker 1: or so. That's really the only show you can buy

893
00:36:37,080 --> 00:36:39,160
Speaker 1: tickets through. The rest are sold out, but I appreciate that.

894
00:36:39,320 --> 00:36:42,200
Speaker 1: All right, let's do a morning corny voicemail from Jennifer

895
00:36:42,239 --> 00:36:47,040
Speaker 1: in Oklahoma City? What happened when you touch Dwayne Johnson?

896
00:36:47,440 --> 00:36:50,760
Speaker 15: But rock bottom?

897
00:36:50,920 --> 00:36:54,400
Speaker 1: Okay, it's pretty good, pile of stories.

898
00:36:54,560 --> 00:36:56,239
Speaker 4: Okay, there's a pilot and I don't know if he's

899
00:36:56,280 --> 00:36:58,120
Speaker 4: genius or this is a waste of time, but he

900
00:36:58,239 --> 00:37:01,160
Speaker 4: founded something called dial ap pilot it and it gives

901
00:37:01,200 --> 00:37:03,879
Speaker 4: nervous passengers a chance to book a fifteen minute call

902
00:37:03,920 --> 00:37:05,360
Speaker 4: with him and he calms their nerves.

903
00:37:05,760 --> 00:37:07,760
Speaker 3: That is amazing. While he's flying.

904
00:37:07,880 --> 00:37:09,879
Speaker 1: No, I don't think he's flying. I hope not, because

905
00:37:09,920 --> 00:37:11,440
Speaker 1: that is not as amazing little bit.

906
00:37:12,320 --> 00:37:15,920
Speaker 4: But he assures that's great. Ninety nine cents a minute

907
00:37:16,239 --> 00:37:17,320
Speaker 4: is very safe.

908
00:37:17,480 --> 00:37:19,759
Speaker 1: Five dollars a call? What are charging I'm trying to

909
00:37:19,800 --> 00:37:20,839
Speaker 1: call right now. That's why I'm asking.

910
00:37:20,880 --> 00:37:22,560
Speaker 4: I don't know the cost. You don't have to google

911
00:37:22,640 --> 00:37:25,920
Speaker 4: dial a pilot and he says that if you want to,

912
00:37:26,440 --> 00:37:29,040
Speaker 4: you know, not feel like a lot of movement in

913
00:37:29,080 --> 00:37:31,480
Speaker 4: the plane, sit at the wing. We've heard that before.

914
00:37:31,560 --> 00:37:33,400
Speaker 1: Why don't we just get him on the show? Can

915
00:37:33,440 --> 00:37:34,960
Speaker 1: we call dial a pilot put this guy on.

916
00:37:35,080 --> 00:37:35,960
Speaker 3: We'd have to pay for that.

917
00:37:36,080 --> 00:37:36,960
Speaker 4: His name's Kyle.

918
00:37:38,239 --> 00:37:40,800
Speaker 1: Each call is fifteen minutes long and cost fifty dollars.

919
00:37:41,200 --> 00:37:41,520
Speaker 6: Wow.

920
00:37:41,560 --> 00:37:43,279
Speaker 1: Hey, but here's the thing. Well, we don't want to pay.

921
00:37:43,400 --> 00:37:45,680
Speaker 1: It's promotion. Yeah, we'll get it for free. I would

922
00:37:45,719 --> 00:37:47,080
Speaker 1: love to talk to this guy. I think this is

923
00:37:47,080 --> 00:37:49,680
Speaker 1: a great idea. Okay, we go. Cool. Yeah, what else?

924
00:37:49,800 --> 00:37:52,080
Speaker 4: Well, he said, try to get a window seat to

925
00:37:52,160 --> 00:37:55,600
Speaker 4: keep your eyes on the horizon, especially during takeoff. So,

926
00:37:56,080 --> 00:37:57,319
Speaker 4: I don't know, I just thought it was super cool

927
00:37:57,320 --> 00:37:59,320
Speaker 4: of him. And I also saw this poll speaking of flying,

928
00:37:59,360 --> 00:38:01,959
Speaker 4: the worst thing you can do on a plane the worst.

929
00:38:01,840 --> 00:38:02,480
Speaker 1: In the bathroom.

930
00:38:02,560 --> 00:38:03,919
Speaker 3: Yeah, that's probably what's No, that's.

931
00:38:03,840 --> 00:38:07,960
Speaker 4: Not the worst. Nope, it's any personal grooming, like if

932
00:38:08,000 --> 00:38:10,560
Speaker 4: you clip your fingernails, like that's what people say.

933
00:38:10,560 --> 00:38:11,879
Speaker 1: It's the worst for everybody else.

934
00:38:11,960 --> 00:38:16,040
Speaker 4: Yeah yeah, yeah, yeah, so clipping nails, painting nails, anything.

935
00:38:15,719 --> 00:38:18,759
Speaker 1: Eating tuna, onions. Yeah, I mean there's a lot of

936
00:38:18,760 --> 00:38:20,239
Speaker 1: eatings the smells that are bad.

937
00:38:20,320 --> 00:38:22,640
Speaker 4: Yeah, okay, so we're all trying, baby, They won't.

938
00:38:22,440 --> 00:38:24,680
Speaker 1: Stop trying, that's for sure, baby.

939
00:38:24,760 --> 00:38:27,120
Speaker 4: Yes, we're all trying to get a better night's sleep.

940
00:38:27,280 --> 00:38:32,320
Speaker 4: And the latest sleep hack trending on TikTok is called

941
00:38:32,600 --> 00:38:34,560
Speaker 4: like lettuce water and you drink.

942
00:38:34,440 --> 00:38:36,360
Speaker 1: It before bed do just people messing with you, guys,

943
00:38:36,800 --> 00:38:38,480
Speaker 1: is that it's literally just people messing with it.

944
00:38:38,719 --> 00:38:41,800
Speaker 4: Sounds disgusting, but people swear by it. All you have

945
00:38:41,880 --> 00:38:44,120
Speaker 4: to do is boil water, add romaine lettuce to it

946
00:38:44,160 --> 00:38:45,680
Speaker 4: and let it steep for ten minutes and then you

947
00:38:45,800 --> 00:38:46,520
Speaker 4: drink the liquid.

948
00:38:47,480 --> 00:38:51,279
Speaker 1: So let us there's no hard try America the one

949
00:38:51,280 --> 00:38:52,560
Speaker 1: that put this out.

950
00:38:52,719 --> 00:38:56,440
Speaker 4: Yeah okay, yeah, I'm pretty gross. So Rebo was on

951
00:38:56,760 --> 00:39:00,200
Speaker 4: Watch What Happens Lide with Andy Cohen and he did

952
00:39:00,200 --> 00:39:03,000
Speaker 4: a game with her called textual Behavior where you go

953
00:39:03,080 --> 00:39:05,160
Speaker 4: through like your text messages, what it's like to communicate

954
00:39:05,160 --> 00:39:08,000
Speaker 4: with people, and Dolly Pardon came up and she said, oh, yeah, no,

955
00:39:08,160 --> 00:39:09,160
Speaker 4: Dolly doesn't text.

956
00:39:09,320 --> 00:39:12,000
Speaker 1: Dolly does not tixt, she does not does she email her?

957
00:39:12,680 --> 00:39:12,839
Speaker 15: No?

958
00:39:13,280 --> 00:39:15,880
Speaker 3: Really no, So you only can get a hold of

959
00:39:15,880 --> 00:39:16,840
Speaker 3: her on the landline.

960
00:39:17,000 --> 00:39:17,360
Speaker 1: Facts?

961
00:39:17,760 --> 00:39:23,000
Speaker 3: Wow, facts, Really you can only fax her.

962
00:39:23,120 --> 00:39:24,520
Speaker 1: I don't have her telephone number.

963
00:39:24,680 --> 00:39:26,759
Speaker 5: And I asked Kenny Rogers one time, I said, do you.

964
00:39:26,719 --> 00:39:30,960
Speaker 1: Have Dollary's number? I can vouch that you can't call Dolly.

965
00:39:31,160 --> 00:39:33,560
Speaker 1: Really you can. You can send a fact to Dolly's

966
00:39:33,960 --> 00:39:35,640
Speaker 1: fax machine. I don't even know if it's in her house,

967
00:39:36,239 --> 00:39:37,600
Speaker 1: or you can call Dolly's people.

968
00:39:39,160 --> 00:39:40,600
Speaker 3: They were, they were joking about the facts.

969
00:39:40,600 --> 00:39:41,799
Speaker 1: No, no, no, no, not at all.

970
00:39:42,120 --> 00:39:42,719
Speaker 3: That's here.

971
00:39:42,880 --> 00:39:44,360
Speaker 1: She still has a fact machine at her house.

972
00:39:44,200 --> 00:39:45,759
Speaker 4: And I kind of picture it like I think she

973
00:39:46,600 --> 00:39:49,000
Speaker 4: seems like the types that would like handwritten stuff and

974
00:39:49,000 --> 00:39:50,799
Speaker 4: she can handwrite it out and fax it on over.

975
00:39:50,960 --> 00:39:53,319
Speaker 1: No, you just type it and facts it. Oh you

976
00:39:53,400 --> 00:39:56,879
Speaker 1: hit no, listen, that's just that's that's supposedly what word

977
00:39:56,920 --> 00:39:58,920
Speaker 1: on the street. She still has a fax machine, that's

978
00:39:58,920 --> 00:40:01,000
Speaker 1: what she uses. You just write Allie called me and

979
00:40:01,040 --> 00:40:04,960
Speaker 1: the facts. But she won't call you. It's like Bill Mary.

980
00:40:04,960 --> 00:40:06,520
Speaker 1: You can't get hold of him. There's just one phone.

981
00:40:06,800 --> 00:40:09,239
Speaker 1: So you call and you leave a message and then

982
00:40:09,320 --> 00:40:11,960
Speaker 1: maybe he hears it, maybe he doesn't. Oh have you

983
00:40:11,960 --> 00:40:12,440
Speaker 1: not heard that?

984
00:40:12,600 --> 00:40:12,799
Speaker 4: No?

985
00:40:13,440 --> 00:40:14,799
Speaker 1: Yeah, you can't get hold of Bill Mary. Just leave

986
00:40:14,800 --> 00:40:17,279
Speaker 1: a message this random number. That's so cool. I wish

987
00:40:17,320 --> 00:40:17,640
Speaker 1: I had that.

988
00:40:18,080 --> 00:40:19,360
Speaker 4: You can you can start doing that.

989
00:40:19,520 --> 00:40:21,400
Speaker 1: I kind of do it is my own number.

990
00:40:21,640 --> 00:40:22,920
Speaker 4: That's my pile.

991
00:40:23,840 --> 00:40:27,160
Speaker 3: That was Amy's pile of stories. It's time for the

992
00:40:27,200 --> 00:40:28,760
Speaker 3: good news much box.

993
00:40:32,920 --> 00:40:36,080
Speaker 7: Angela lives in Pittsburgh and has some disabilities that makes

994
00:40:36,120 --> 00:40:37,920
Speaker 7: it hard for her to take care of her yard,

995
00:40:38,239 --> 00:40:40,360
Speaker 7: and so the weeds are getting out of control. In

996
00:40:40,400 --> 00:40:43,200
Speaker 7: the city of Pittsburgh kept giving her a fine. Hey,

997
00:40:43,400 --> 00:40:46,880
Speaker 7: you gotta maintain your yard. Another fine, another fine, and

998
00:40:46,920 --> 00:40:50,040
Speaker 7: she's like, look, I can't do it. I'm disabled. So

999
00:40:50,080 --> 00:40:52,640
Speaker 7: she finally went to the news and the news did

1000
00:40:52,640 --> 00:40:54,839
Speaker 7: a story. It was like, oh, this lady keeps getting fine.

1001
00:40:54,880 --> 00:40:57,480
Speaker 7: Look at her yard. She needs help. And people in

1002
00:40:57,520 --> 00:41:00,319
Speaker 7: the community they came out and they help and they

1003
00:41:00,400 --> 00:41:04,240
Speaker 7: cleaned up her entire yard, boom cutting the grass, ripping

1004
00:41:04,239 --> 00:41:06,520
Speaker 7: out the weeds, redoing everything.

1005
00:41:06,760 --> 00:41:08,399
Speaker 1: It's nice, nice in the news to do that too.

1006
00:41:08,520 --> 00:41:09,920
Speaker 1: When you worked at the news, Eddy, would you guys

1007
00:41:09,960 --> 00:41:11,040
Speaker 1: look for good news stories? Ever?

1008
00:41:11,680 --> 00:41:11,879
Speaker 3: Yeah?

1009
00:41:12,040 --> 00:41:14,399
Speaker 1: Always like as a like to balance out.

1010
00:41:15,000 --> 00:41:17,359
Speaker 2: Yeah, I mean the new station I worked at news

1011
00:41:17,360 --> 00:41:20,080
Speaker 2: Aid Austin. At the time, it was all about positive

1012
00:41:20,120 --> 00:41:22,439
Speaker 2: news more than more than like the bad bad news

1013
00:41:22,480 --> 00:41:24,000
Speaker 2: of course, if there was like a car accident, a

1014
00:41:24,040 --> 00:41:25,400
Speaker 2: bad one, we'd have to cover it.

1015
00:41:25,480 --> 00:41:26,759
Speaker 3: But yeah, we would, dude.

1016
00:41:26,760 --> 00:41:28,640
Speaker 2: We did news stories on like trees all the time,

1017
00:41:28,719 --> 00:41:29,439
Speaker 2: Like look at this tree.

1018
00:41:29,440 --> 00:41:30,880
Speaker 3: It's one hundred and fifty years old.

1019
00:41:30,960 --> 00:41:32,880
Speaker 1: When you wreck the news Dan, are you covering a

1020
00:41:32,880 --> 00:41:33,560
Speaker 1: positive story?

1021
00:41:33,760 --> 00:41:33,920
Speaker 3: No?

1022
00:41:34,840 --> 00:41:39,239
Speaker 1: Uh, I've wrecked the newsman coming back from lunch. So

1023
00:41:39,280 --> 00:41:41,719
Speaker 1: you took the newsman to lunch? Yeah, man, I lived

1024
00:41:41,719 --> 00:41:42,280
Speaker 1: in the newsman.

1025
00:41:42,520 --> 00:41:44,239
Speaker 3: That was my car. I was like a cop, you know,

1026
00:41:44,320 --> 00:41:45,759
Speaker 3: like always in the you want to like a cop, but.

1027
00:41:47,280 --> 00:41:48,719
Speaker 4: Night, uh huh, yeah.

1028
00:41:48,640 --> 00:41:50,040
Speaker 3: Man, I could go play golf with Bobby in the

1029
00:41:50,040 --> 00:41:50,480
Speaker 3: news band.

1030
00:41:51,200 --> 00:41:52,840
Speaker 4: I guess they thought that the.

1031
00:41:52,800 --> 00:41:54,960
Speaker 1: Golf course the news was covering something there, huh. And

1032
00:41:55,040 --> 00:41:56,839
Speaker 1: so so we're trying to wave you out, like it's clear,

1033
00:41:56,880 --> 00:41:58,319
Speaker 1: it's clear than you pulled out. Someone held you.

1034
00:41:58,400 --> 00:41:58,600
Speaker 8: Yeah.

1035
00:41:58,640 --> 00:42:00,560
Speaker 2: I was in the middle lane turning left and there

1036
00:42:00,560 --> 00:42:03,480
Speaker 2: were two lanes you know that coming ongoing traffic or whatever,

1037
00:42:03,600 --> 00:42:06,200
Speaker 2: and somebody said, hey, you're good to go, and somebody

1038
00:42:06,239 --> 00:42:08,319
Speaker 2: was on lan and coming boom t bone me.

1039
00:42:08,400 --> 00:42:10,080
Speaker 1: If I'd have been the car that said go ahead

1040
00:42:10,080 --> 00:42:11,359
Speaker 1: and go, I drove out out of there.

1041
00:42:11,360 --> 00:42:14,920
Speaker 3: Oh yeah, they did. They didn't stick around. They were gone.

1042
00:42:15,000 --> 00:42:17,520
Speaker 1: Well that's a great story, though, love it appreciate that

1043
00:42:18,000 --> 00:42:19,160
Speaker 1: everybody stepping up for the neighbors.

1044
00:42:19,200 --> 00:42:19,480
Speaker 3: That's cool.

1045
00:42:19,520 --> 00:42:20,280
Speaker 1: That's what it's all about.

1046
00:42:20,880 --> 00:42:22,359
Speaker 3: That was telling me something good.

1047
00:42:24,120 --> 00:42:25,120
Speaker 1: All right, here's a voicemail.

1048
00:42:25,360 --> 00:42:27,200
Speaker 14: I was in Nashville at this StAst weekend and I

1049
00:42:27,239 --> 00:42:29,279
Speaker 14: did the tour for the Home of the Stars, and

1050
00:42:29,320 --> 00:42:31,600
Speaker 14: I wanted to know if you knew that they mentioned

1051
00:42:31,640 --> 00:42:35,520
Speaker 14: where you lived on that tour, I can tell you I'm.

1052
00:42:35,360 --> 00:42:36,400
Speaker 4: One of your biggest fans.

1053
00:42:36,440 --> 00:42:39,680
Speaker 14: I was totally blown away, to the point where she said,

1054
00:42:40,560 --> 00:42:43,840
Speaker 14: at this next house, we have a radio DJ host.

1055
00:42:43,880 --> 00:42:47,520
Speaker 14: And I gasped real loud and I was like, oh, bizes,

1056
00:42:47,760 --> 00:42:49,879
Speaker 14: And she's like, oh, I guess we have a fan here.

1057
00:42:50,640 --> 00:42:53,680
Speaker 14: And I was just so shocked, like and so surprised,

1058
00:42:53,760 --> 00:42:56,600
Speaker 14: and I honestly started crying, like I thought it was great.

1059
00:42:56,920 --> 00:42:58,000
Speaker 4: Oh no, she does.

1060
00:42:58,400 --> 00:43:02,840
Speaker 1: Oh it's a compliment that they would do that. I

1061
00:43:02,880 --> 00:43:07,200
Speaker 1: don't live there anymore. Oh yeah, we're selling that house

1062
00:43:07,640 --> 00:43:09,839
Speaker 1: and it's been listed in the news, and so now

1063
00:43:09,880 --> 00:43:11,640
Speaker 1: they take people by there and see I still live there.

1064
00:43:11,680 --> 00:43:14,080
Speaker 1: I do not. I wonder if they know that now

1065
00:43:14,080 --> 00:43:15,680
Speaker 1: you told them they're going to find a new place.

1066
00:43:15,800 --> 00:43:19,400
Speaker 1: They will not. They might well, but that that is

1067
00:43:19,440 --> 00:43:21,880
Speaker 1: not it. All I'm saying is that is not it. So,

1068
00:43:22,680 --> 00:43:24,400
Speaker 1: which is the case in a lot of these Hollywood

1069
00:43:24,520 --> 00:43:27,520
Speaker 1: Sometimes they make it up. Sometimes they never even live there.

1070
00:43:27,560 --> 00:43:29,080
Speaker 7: Oh you know what Eddie did to me One time

1071
00:43:29,320 --> 00:43:31,239
Speaker 7: he told me where Dolly Parton lived, and my parents

1072
00:43:31,280 --> 00:43:31,799
Speaker 7: came to town.

1073
00:43:31,800 --> 00:43:33,920
Speaker 3: They're like, oh, Eddie said that where Dolly Parton was.

1074
00:43:34,000 --> 00:43:35,840
Speaker 3: Let's go look at it. So my parents took a

1075
00:43:35,840 --> 00:43:38,480
Speaker 3: picture in front of Dolly Parton's house. It was doll house.

1076
00:43:38,719 --> 00:43:40,680
Speaker 3: Got him. I just picked up a big house.

1077
00:43:42,160 --> 00:43:44,680
Speaker 1: That's what the tours due. It make everybody feel good.

1078
00:43:44,680 --> 00:43:47,200
Speaker 1: Nobody ever goes back and check, like, yeah, Dolly could

1079
00:43:47,200 --> 00:43:48,399
Speaker 1: live there, so rude.

1080
00:43:48,480 --> 00:43:51,080
Speaker 3: My parents were so excited. My mom's a big dollar.

1081
00:43:50,920 --> 00:43:52,600
Speaker 1: And I just let him think it. It didn't hurt, you know.

1082
00:43:52,800 --> 00:43:55,320
Speaker 3: But then Eddie was like, I'm just joking, dude.

1083
00:43:55,200 --> 00:43:57,239
Speaker 1: Got him. Let's go to the morning corner.

1084
00:43:57,280 --> 00:44:02,560
Speaker 3: Here we go. The mourning corny.

1085
00:44:02,920 --> 00:44:05,040
Speaker 4: What does zombie say when they meet humans?

1086
00:44:05,239 --> 00:44:08,719
Speaker 1: Oh? We Halloween? Now, yeah, what does zombie say when

1087
00:44:08,719 --> 00:44:09,600
Speaker 1: they meet humans?

1088
00:44:09,880 --> 00:44:14,000
Speaker 4: Nice to eat you?

1089
00:44:15,160 --> 00:44:17,200
Speaker 3: That was the mourning corny.

1090
00:44:17,239 --> 00:44:21,879
Speaker 1: I liked it. It's theme. I got one hundred bucks

1091
00:44:21,880 --> 00:44:23,439
Speaker 1: in my hand. Anybody want to win it? Yeah?

1092
00:44:23,600 --> 00:44:24,080
Speaker 3: Show all right?

1093
00:44:24,120 --> 00:44:29,640
Speaker 1: Good? So top ten superhero Halloween costumes. We rolled the dice.

1094
00:44:29,719 --> 00:44:32,960
Speaker 1: Eddie goes first. So if you win this game, you'll

1095
00:44:33,040 --> 00:44:34,719
Speaker 1: choose one of the four doors and I'll open a

1096
00:44:34,760 --> 00:44:38,640
Speaker 1: door and we'll see what's behind the door. Yeah. I

1097
00:44:38,680 --> 00:44:41,279
Speaker 1: already have everything written out what's behind each door.

1098
00:44:41,360 --> 00:44:41,839
Speaker 3: I love it.

1099
00:44:41,880 --> 00:44:44,120
Speaker 1: I can't change it. This is great. So when the game,

1100
00:44:44,200 --> 00:44:47,560
Speaker 1: open the door? Okay, can you name the top ten

1101
00:44:47,680 --> 00:44:49,080
Speaker 1: superhero costumes?

1102
00:44:50,080 --> 00:44:50,440
Speaker 3: Eddie?

1103
00:44:50,920 --> 00:44:56,680
Speaker 1: Batman show me Batman. Batman's the number two answer? Have

1104
00:44:56,719 --> 00:45:00,960
Speaker 1: yourself two pointsa okay, okay, okay, let's go with cat Woman.

1105
00:45:01,400 --> 00:45:02,440
Speaker 1: Give me the cat Woman.

1106
00:45:05,520 --> 00:45:05,600
Speaker 11: No?

1107
00:45:06,280 --> 00:45:10,080
Speaker 3: Are you experial? Already? And he're the number one. I

1108
00:45:10,120 --> 00:45:11,719
Speaker 3: thought you were gonna sweep the category.

1109
00:45:12,320 --> 00:45:18,279
Speaker 1: Amy, Ironman show me iron Man? Do you number five?

1110
00:45:18,320 --> 00:45:18,560
Speaker 10: Answer?

1111
00:45:18,640 --> 00:45:19,840
Speaker 1: Have yourself five little points?

1112
00:45:20,120 --> 00:45:22,600
Speaker 4: Okay, spider Man show me spider Man?

1113
00:45:24,200 --> 00:45:24,560
Speaker 3: Good?

1114
00:45:24,760 --> 00:45:25,840
Speaker 1: Three points.

1115
00:45:27,200 --> 00:45:35,160
Speaker 4: Okay, Captain America, yep, four points.

1116
00:45:38,880 --> 00:45:41,160
Speaker 1: I study was recently down by a major costume retailer

1117
00:45:41,160 --> 00:45:44,560
Speaker 1: that found the best selling superhero costumes of twenty twenty three.

1118
00:45:45,360 --> 00:45:47,399
Speaker 3: Yeah, so showy Thor.

1119
00:45:50,640 --> 00:45:53,640
Speaker 1: Emmy's off the board. Now it's still the first round. Lunchbox,

1120
00:45:53,680 --> 00:45:56,040
Speaker 1: you're up the ones off the border, Batman, Spider Man,

1121
00:45:56,080 --> 00:45:57,600
Speaker 1: Captain America and iron Man.

1122
00:45:57,760 --> 00:45:59,200
Speaker 3: How many points should you get?

1123
00:45:59,239 --> 00:46:00,239
Speaker 1: Twelve? Dang?

1124
00:46:00,280 --> 00:46:01,680
Speaker 3: Okay, I can still win, Superman.

1125
00:46:01,840 --> 00:46:04,280
Speaker 1: Show me that number one answer.

1126
00:46:04,280 --> 00:46:09,000
Speaker 3: I have yourself a point yep, okay, I'm mean I'm green.

1127
00:46:11,160 --> 00:46:14,280
Speaker 1: Show me the whole ten points.

1128
00:46:14,600 --> 00:46:15,759
Speaker 4: Oh wow, shoot him?

1129
00:46:15,760 --> 00:46:17,279
Speaker 3: Man, that's enough? What you say?

1130
00:46:17,560 --> 00:46:19,560
Speaker 4: I said shoot a monkey because it was between Thor

1131
00:46:19,640 --> 00:46:22,719
Speaker 4: and Holts for me and I went Thor lunchbocks.

1132
00:46:22,760 --> 00:46:25,440
Speaker 3: There are so four answers on the board now I'm

1133
00:46:25,480 --> 00:46:25,920
Speaker 3: in trouble.

1134
00:46:26,680 --> 00:46:28,880
Speaker 16: I don't know anymore our superheroes. I should watch those

1135
00:46:29,000 --> 00:46:36,439
Speaker 16: stupid movies. I mean, he's considered it superhero. I guess

1136
00:46:37,360 --> 00:46:42,960
Speaker 16: give me a man and man. I was like that

1137
00:46:43,600 --> 00:46:46,560
Speaker 16: first round is over. Points are doubled. Eddie back over

1138
00:46:46,600 --> 00:46:49,080
Speaker 16: to you. Just six, seven, eight, and nine are still

1139
00:46:49,160 --> 00:46:49,720
Speaker 16: on the board.

1140
00:46:50,719 --> 00:46:53,640
Speaker 3: Bones. Give me did we do Wonder Woman already?

1141
00:46:55,360 --> 00:46:57,640
Speaker 1: I can't give answers like that. Yeah, okay, Captain Marble,

1142
00:46:57,880 --> 00:47:01,240
Speaker 1: give me Captain Marble correct.

1143
00:47:01,280 --> 00:47:04,000
Speaker 4: I don't know if that wud aye Wonder Woman.

1144
00:47:08,080 --> 00:47:10,239
Speaker 1: Number seven answer worth fourteen points.

1145
00:47:11,360 --> 00:47:15,040
Speaker 4: An idiot, Eddie, you said Catwoman, so I just set bones.

1146
00:47:15,200 --> 00:47:15,759
Speaker 6: You're idiot.

1147
00:47:15,760 --> 00:47:20,600
Speaker 3: I'm an idiot, idiot. There's more.

1148
00:47:20,680 --> 00:47:23,399
Speaker 1: You're a good guy. I like it. Okay, super Girl

1149
00:47:23,480 --> 00:47:28,960
Speaker 1: show me Supergirl. Wow, Lunchbox still three answers on the

1150
00:47:29,000 --> 00:47:31,319
Speaker 1: board points him double yeah.

1151
00:47:32,719 --> 00:47:40,919
Speaker 3: Are there any other chicks? Ah? Man, there's that one

1152
00:47:41,000 --> 00:47:43,680
Speaker 3: with like, I don't even know what I mean, I

1153
00:47:43,760 --> 00:47:48,239
Speaker 3: don't watch superhero stupid. Give me this. I don't even

1154
00:47:48,239 --> 00:47:49,560
Speaker 3: know if there's a Superhero Flash?

1155
00:47:49,719 --> 00:47:51,040
Speaker 1: Is that someone give me Flash?

1156
00:47:51,080 --> 00:47:51,239
Speaker 14: Yeah?

1157
00:47:51,280 --> 00:47:57,200
Speaker 1: Yeah, that's for that's a numbert answer for sixteen points.

1158
00:47:57,239 --> 00:47:58,040
Speaker 3: That's ridiculous.

1159
00:47:58,160 --> 00:47:59,480
Speaker 1: A lunchbox takes the lead.

1160
00:48:00,760 --> 00:48:01,160
Speaker 4: Flash.

1161
00:48:01,520 --> 00:48:03,640
Speaker 1: I don't know, give me that thing on the camera.

1162
00:48:03,800 --> 00:48:06,200
Speaker 3: The Flash, I mean, I don't even know what Flash does.

1163
00:48:07,280 --> 00:48:09,319
Speaker 1: Runs fast, super fast.

1164
00:48:09,520 --> 00:48:09,840
Speaker 3: Okay.

1165
00:48:10,080 --> 00:48:12,160
Speaker 1: Two answers on the board take a second.

1166
00:48:12,400 --> 00:48:12,600
Speaker 3: Yeah.

1167
00:48:12,800 --> 00:48:14,799
Speaker 1: Number one was Superman. Number two was Batman. Number three

1168
00:48:14,880 --> 00:48:17,040
Speaker 1: was spider Man. Number four was Captain America. Number five

1169
00:48:17,160 --> 00:48:21,760
Speaker 1: was iron Man. Number seven was wonder Woman. Idiot number

1170
00:48:21,800 --> 00:48:25,359
Speaker 1: eight was the Flash. Number ten is the Hulk. Two

1171
00:48:25,440 --> 00:48:29,000
Speaker 1: answers on the board. Luxbox has twenty seven points points

1172
00:48:29,040 --> 00:48:30,480
Speaker 1: are double yeah.

1173
00:48:31,000 --> 00:48:33,040
Speaker 3: Man, it's not too old. That ain't gonna work.

1174
00:48:33,400 --> 00:48:33,680
Speaker 1: Dang it.

1175
00:48:35,360 --> 00:48:37,680
Speaker 3: Then they're not superheroes. Dang it, ain't it?

1176
00:48:37,719 --> 00:48:38,040
Speaker 1: Answer?

1177
00:48:38,800 --> 00:48:41,080
Speaker 3: Give me he Man, show me he Man.

1178
00:48:44,280 --> 00:48:46,320
Speaker 1: I don't know the other superhero point a triple for

1179
00:48:46,400 --> 00:48:49,200
Speaker 1: the last round, Eddie. You can still absolutely win this thing.

1180
00:48:49,520 --> 00:48:50,759
Speaker 3: And we have how many left too?

1181
00:48:51,280 --> 00:48:53,439
Speaker 1: You's gotta get both man or just get nine.

1182
00:48:54,520 --> 00:48:56,839
Speaker 8: Oh yeah, all right, I got a guess.

1183
00:48:56,920 --> 00:48:59,959
Speaker 1: Go ahead, give me Black Widow, show me black Wood.

1184
00:49:00,080 --> 00:49:05,759
Speaker 1: Oh okay, that's amy. You can win, but not either

1185
00:49:05,800 --> 00:49:06,239
Speaker 1: one of these.

1186
00:49:06,400 --> 00:49:08,759
Speaker 4: I know, but all I have is Black Widow. Like,

1187
00:49:09,000 --> 00:49:10,240
Speaker 4: what the heck is left?

1188
00:49:11,520 --> 00:49:11,719
Speaker 14: You know?

1189
00:49:13,040 --> 00:49:14,640
Speaker 4: I can't think of anything I got.

1190
00:49:17,040 --> 00:49:17,560
Speaker 3: Superhero.

1191
00:49:18,520 --> 00:49:22,280
Speaker 1: A study was recently done the best selling superhero costumes

1192
00:49:22,280 --> 00:49:23,000
Speaker 1: of twenty twenty three.

1193
00:49:27,880 --> 00:49:31,680
Speaker 4: What's my son? Then they're a spider girl?

1194
00:49:32,880 --> 00:49:44,360
Speaker 1: Yes, yes, let's go show me what brain?

1195
00:49:46,320 --> 00:49:46,360
Speaker 11: What?

1196
00:49:50,960 --> 00:49:51,120
Speaker 1: Oh?

1197
00:49:52,840 --> 00:49:53,480
Speaker 11: No? Matter what.

1198
00:49:56,719 --> 00:49:57,359
Speaker 3: Superheroes?

1199
00:49:57,400 --> 00:50:06,600
Speaker 10: So and the other two answers on the board.

1200
00:50:07,560 --> 00:50:09,000
Speaker 1: Hey, Eddie, I don't know what happened to you? Man?

1201
00:50:09,960 --> 00:50:14,760
Speaker 1: Twice you could wonder Woman, could have in mind idio, wonderful,

1202
00:50:15,040 --> 00:50:21,799
Speaker 1: Black Panther would six Black Widow. And there's one more

1203
00:50:21,840 --> 00:50:23,720
Speaker 1: that's really old Robin.

1204
00:50:23,880 --> 00:50:23,920
Speaker 11: No?

1205
00:50:24,080 --> 00:50:26,640
Speaker 1: Was was there another movie on this one really, Oh,

1206
00:50:27,400 --> 00:50:32,760
Speaker 1: but some in water? Uncle, man, Mama, that's it. Okay,

1207
00:50:33,040 --> 00:50:35,920
Speaker 1: so lunchbox, you are the winner. Now there are four doors.

1208
00:50:36,160 --> 00:50:37,560
Speaker 1: Let me let me take a peek behind this one

1209
00:50:37,600 --> 00:50:38,080
Speaker 1: door here, let.

1210
00:50:38,040 --> 00:50:42,040
Speaker 6: Me Carol see, Oh there it is.

1211
00:50:42,239 --> 00:50:42,600
Speaker 10: They close.

1212
00:50:42,640 --> 00:50:42,920
Speaker 3: There you go.

1213
00:50:43,239 --> 00:50:44,960
Speaker 1: So I got four doors here, I got them all

1214
00:50:45,040 --> 00:50:45,319
Speaker 1: right down.

1215
00:50:45,320 --> 00:50:46,719
Speaker 10: I'll be paying for so I'm not changing it on you.

1216
00:50:46,719 --> 00:50:48,839
Speaker 10: You got door one, two, three, and four?

1217
00:50:49,440 --> 00:50:54,879
Speaker 3: Which door would you not like? Oh man, you're gonna

1218
00:50:54,880 --> 00:50:55,320
Speaker 3: make me do this.

1219
00:50:55,520 --> 00:50:57,479
Speaker 1: Which door would you not like? Behind one of the doors?

1220
00:50:57,560 --> 00:50:57,680
Speaker 14: One?

1221
00:50:58,239 --> 00:51:00,200
Speaker 10: Behind one of the doors is a one hundred dollars.

1222
00:51:00,239 --> 00:51:01,319
Speaker 3: All right, I don't want number one.

1223
00:51:01,480 --> 00:51:03,680
Speaker 10: Okay, open that door number one.

1224
00:51:03,880 --> 00:51:07,080
Speaker 1: Behind door number one, you get a pen let. So

1225
00:51:07,200 --> 00:51:07,680
Speaker 1: that's yes.

1226
00:51:10,239 --> 00:51:11,040
Speaker 10: You didn't want that one.

1227
00:51:11,120 --> 00:51:11,520
Speaker 1: You didn't want.

1228
00:51:11,560 --> 00:51:12,319
Speaker 3: I don't want that one?

1229
00:51:12,400 --> 00:51:17,879
Speaker 10: Maybe okay, No, my god, the next door you don't want.

1230
00:51:18,040 --> 00:51:25,520
Speaker 3: No, don't want to do what? Oh my gosh, are

1231
00:51:25,600 --> 00:51:28,800
Speaker 3: you ready? What are we doing? Have you decided? I

1232
00:51:28,920 --> 00:51:29,680
Speaker 3: think I've decided?

1233
00:51:29,760 --> 00:51:36,560
Speaker 1: Man, Okay, I don't want He said that number three?

1234
00:51:37,000 --> 00:51:38,439
Speaker 10: He doesn't want number three?

1235
00:51:38,880 --> 00:51:41,120
Speaker 1: Oh no, let's open the door.

1236
00:51:42,719 --> 00:51:44,920
Speaker 13: No, oh no.

1237
00:51:45,280 --> 00:51:48,520
Speaker 1: Behind door number three is a glasses cleaner.

1238
00:51:49,800 --> 00:52:01,480
Speaker 6: My gosh, two doors left, so I didn't take vindy, No,

1239
00:52:01,640 --> 00:52:02,440
Speaker 6: we're not taking fifty.

1240
00:52:03,480 --> 00:52:05,200
Speaker 1: Behind one of the doors is a one hundred dollar

1241
00:52:05,280 --> 00:52:09,880
Speaker 1: bill oh Man. Behind another one of the doors, A surprised.

1242
00:52:09,920 --> 00:52:15,000
Speaker 1: You don't really want it? Now?

1243
00:52:15,040 --> 00:52:15,560
Speaker 3: What am I doing?

1244
00:52:15,600 --> 00:52:18,399
Speaker 1: Now? You gotta choose one kick the one you want,

1245
00:52:18,480 --> 00:52:19,160
Speaker 1: now the.

1246
00:52:19,239 --> 00:52:19,799
Speaker 6: One I want?

1247
00:52:22,400 --> 00:52:24,520
Speaker 3: Hey, you know what my soccer jersey number was in

1248
00:52:24,600 --> 00:52:25,360
Speaker 3: high school, don't you?

1249
00:52:25,760 --> 00:52:26,480
Speaker 6: I do remember?

1250
00:52:26,640 --> 00:52:28,480
Speaker 1: I don't you remember? Have you ever said one?

1251
00:52:28,560 --> 00:52:28,640
Speaker 14: Jo?

1252
00:52:29,200 --> 00:52:30,040
Speaker 3: It was number two?

1253
00:52:30,800 --> 00:52:31,319
Speaker 8: So give me.

1254
00:52:33,000 --> 00:52:33,160
Speaker 10: Two?

1255
00:52:33,600 --> 00:52:34,839
Speaker 3: Door number four?

1256
00:52:35,640 --> 00:52:36,680
Speaker 10: Two? They said two.

1257
00:52:36,760 --> 00:52:38,000
Speaker 3: Now this is my soccer number.

1258
00:52:38,239 --> 00:52:40,560
Speaker 6: Then when I'm going with door number four, it makes

1259
00:52:40,600 --> 00:52:40,960
Speaker 6: no sense.

1260
00:52:41,040 --> 00:52:43,919
Speaker 3: Door number four, Joe Chapples, how does.

1261
00:52:43,960 --> 00:52:44,440
Speaker 10: Not take two?

1262
00:52:45,640 --> 00:52:46,000
Speaker 3: I don't know.

1263
00:52:46,320 --> 00:52:49,279
Speaker 1: Okay, show him door number four?

1264
00:52:53,160 --> 00:52:54,880
Speaker 3: You and Morgan's duck chief.

1265
00:52:56,560 --> 00:53:00,600
Speaker 1: You're lying, No, doesn't look like door number two. If

1266
00:53:00,640 --> 00:53:03,600
Speaker 1: you had to open this door right here, you know

1267
00:53:03,719 --> 00:53:07,680
Speaker 1: one one hundred dollars. His soccer jersey is soccer. That's

1268
00:53:07,680 --> 00:53:08,759
Speaker 1: why I picked it a soccer jo.

1269
00:53:09,040 --> 00:53:09,320
Speaker 3: Wow.

1270
00:53:09,600 --> 00:53:11,440
Speaker 1: Yeah, that's all I think about the soccer number all day,

1271
00:53:11,440 --> 00:53:14,600
Speaker 1: all night high school. And look they were all written

1272
00:53:14,640 --> 00:53:22,040
Speaker 1: down here, A man, no changing it. Yeah, sorry, buddy, Hey,

1273
00:53:22,080 --> 00:53:23,920
Speaker 1: it's all right, dude, you know it's a big fani.

1274
00:53:23,920 --> 00:53:25,440
Speaker 1: You play soccer high school. I just don't really wanted

1275
00:53:25,480 --> 00:53:26,360
Speaker 1: to celebrate that.

1276
00:53:27,280 --> 00:53:29,200
Speaker 3: I thought there was no way you'd pick two because of.

1277
00:53:29,200 --> 00:53:31,480
Speaker 1: The soccer jersey of course. Ye, all right, let's play this.

1278
00:53:31,600 --> 00:53:33,839
Speaker 8: I have no idea show.

1279
00:53:35,280 --> 00:53:38,560
Speaker 1: This article in Daily Mail is from a psychologist and

1280
00:53:38,640 --> 00:53:40,520
Speaker 1: they're like, hey, here are signs that you're a doormat

1281
00:53:40,560 --> 00:53:42,160
Speaker 1: and people are walking all over you, even if you

1282
00:53:42,239 --> 00:53:44,080
Speaker 1: don't know you are, and even if you don't know

1283
00:53:44,160 --> 00:53:50,839
Speaker 1: they are Number one difficulty saying no to request or demands. Yeah,

1284
00:53:51,200 --> 00:53:54,120
Speaker 1: I think that there's a couple of you guys here

1285
00:53:54,560 --> 00:53:57,440
Speaker 1: before working on it, and I think some people can

1286
00:53:57,480 --> 00:53:59,719
Speaker 1: be overly not like I think I'm a little too

1287
00:53:59,760 --> 00:54:03,560
Speaker 1: rigid the other way. It's all now little yes is yeah,

1288
00:54:03,560 --> 00:54:05,520
Speaker 1: it's I mean, but I don't think that's healthy either.

1289
00:54:06,160 --> 00:54:10,080
Speaker 1: But yeah, door, Mattie, can I say who do you

1290
00:54:10,120 --> 00:54:10,440
Speaker 1: guys care?

1291
00:54:10,560 --> 00:54:10,719
Speaker 15: Sure?

1292
00:54:10,800 --> 00:54:13,800
Speaker 1: I think Eddie and Amy are a bit really nice

1293
00:54:14,239 --> 00:54:17,439
Speaker 1: and that's how you guys confuse that And you're like, yeah,

1294
00:54:17,719 --> 00:54:18,400
Speaker 1: maybe or.

1295
00:54:18,400 --> 00:54:21,920
Speaker 4: Maybe don't want to hurt people, right, I know you

1296
00:54:22,000 --> 00:54:23,920
Speaker 4: don't either. You don't just want to give them honesty.

1297
00:54:23,960 --> 00:54:27,320
Speaker 4: And clarity, right, and we should have that. We should

1298
00:54:27,360 --> 00:54:29,600
Speaker 4: have that that this is not hurting someone's feelings. It's

1299
00:54:29,640 --> 00:54:31,840
Speaker 4: being honest and clear and clear is kind and unclear

1300
00:54:31,880 --> 00:54:32,600
Speaker 4: as unkind.

1301
00:54:32,400 --> 00:54:35,959
Speaker 1: Amen, baby, and I I am unclear a lot. Amen.

1302
00:54:36,040 --> 00:54:39,000
Speaker 1: Byby next up, prioritizing others' needs over your own because

1303
00:54:39,000 --> 00:54:40,839
Speaker 1: you're worried about upsetting them, Yeah, I have no issue

1304
00:54:40,880 --> 00:54:43,239
Speaker 1: with that because I feel like if I've set them

1305
00:54:43,280 --> 00:54:46,520
Speaker 1: short term quickly, they're going to get over it faster

1306
00:54:46,680 --> 00:54:48,320
Speaker 1: and will be at a healthier place sooner.

1307
00:54:48,440 --> 00:54:50,880
Speaker 4: You're a bison. Excuse me, you're a bison.

1308
00:54:50,960 --> 00:54:51,600
Speaker 1: Don't know what that means.

1309
00:54:51,800 --> 00:54:54,759
Speaker 4: Bisons go into the storm, they face it, whatever it is.

1310
00:54:54,880 --> 00:54:56,279
Speaker 4: They go head on because they know they're going to

1311
00:54:56,320 --> 00:54:57,000
Speaker 4: get out of it faster.

1312
00:54:57,120 --> 00:54:58,680
Speaker 1: Oh that's it. Yeah, it's not because I'm not scared

1313
00:54:58,719 --> 00:55:00,520
Speaker 1: of the storm, right, because I know if I get

1314
00:55:00,560 --> 00:55:02,920
Speaker 1: into it, I'm gonna be out the other side faster, exactly.

1315
00:55:03,040 --> 00:55:05,320
Speaker 4: And cows, I mean, this is really what happens. Cows

1316
00:55:05,440 --> 00:55:07,960
Speaker 4: turn away and go away from the storm, but the

1317
00:55:08,000 --> 00:55:10,120
Speaker 4: storm eventually catches up to them and then they end

1318
00:55:10,239 --> 00:55:11,720
Speaker 4: up in the storm longer.

1319
00:55:12,280 --> 00:55:14,560
Speaker 1: That's interesting. Guess, like you're walking with a storm, so

1320
00:55:14,640 --> 00:55:16,640
Speaker 1: it stays over you longer. Right, I never heard that

1321
00:55:16,680 --> 00:55:19,120
Speaker 1: analogy before. It's a good one. Feeling like you have

1322
00:55:19,239 --> 00:55:22,560
Speaker 1: no control in your life. Do you guys ever feel that? Nah? Control?

1323
00:55:23,120 --> 00:55:24,480
Speaker 1: Gaining it good for you?

1324
00:55:24,800 --> 00:55:26,920
Speaker 4: Yeah, I'm working on.

1325
00:55:27,000 --> 00:55:30,160
Speaker 1: I feel pretty good except for the health part. Oh yeah,

1326
00:55:30,239 --> 00:55:31,560
Speaker 1: But that's a constant struggle.

1327
00:55:32,320 --> 00:55:32,480
Speaker 12: Right.

1328
00:55:32,719 --> 00:55:34,520
Speaker 3: Like you always say, like, if they're cookies in the house,

1329
00:55:34,520 --> 00:55:35,120
Speaker 3: you're gonna eat them?

1330
00:55:35,239 --> 00:55:36,399
Speaker 4: Is that what you mean by health?

1331
00:55:36,600 --> 00:55:40,080
Speaker 1: Like the I mean you just can't control health. You

1332
00:55:40,160 --> 00:55:41,280
Speaker 1: can as best you can carry.

1333
00:55:41,120 --> 00:55:43,320
Speaker 4: Because you don't know what's happening inside your body. Disease

1334
00:55:43,400 --> 00:55:45,040
Speaker 4: making upon you, you can't control it.

1335
00:55:45,160 --> 00:55:46,719
Speaker 3: So I always thinking cookies my bad.

1336
00:55:48,120 --> 00:55:50,000
Speaker 1: To be fair, I'm always thinking about cookies. It's not

1337
00:55:50,120 --> 00:55:55,880
Speaker 1: here allowing boundaries to be consistently crossed. How do you

1338
00:55:55,920 --> 00:55:56,440
Speaker 1: feel about that?

1339
00:55:56,840 --> 00:55:57,040
Speaker 14: Better?

1340
00:55:57,280 --> 00:55:59,719
Speaker 4: Getting better? But I also am trying to be better

1341
00:55:59,760 --> 00:56:04,640
Speaker 4: at respecting other people's boundaries too, and knowing now that

1342
00:56:04,760 --> 00:56:06,799
Speaker 4: I'm trying to be better implementing them if they are

1343
00:56:07,120 --> 00:56:09,360
Speaker 4: implemented upon me. I don't take it personally.

1344
00:56:09,640 --> 00:56:11,960
Speaker 1: I think I need help understanding what my boundaries are

1345
00:56:13,200 --> 00:56:16,560
Speaker 1: because I think mine are just understood. But what's what

1346
00:56:16,640 --> 00:56:19,880
Speaker 1: are my boundaries? No, I don't feel like people cross them.

1347
00:56:20,719 --> 00:56:22,800
Speaker 1: And I think maybe my boundaries are a little deeper

1348
00:56:22,840 --> 00:56:25,560
Speaker 1: into the city limits than most folks. But I don't

1349
00:56:25,600 --> 00:56:30,560
Speaker 1: know what my boundaries are because I feel like, I mean,

1350
00:56:30,600 --> 00:56:31,520
Speaker 1: don't call after nine.

1351
00:56:31,680 --> 00:56:32,040
Speaker 14: I don't know.

1352
00:56:32,400 --> 00:56:34,160
Speaker 4: I wasn't gonna say I got too much text?

1353
00:56:34,520 --> 00:56:35,320
Speaker 1: Yeah, I don't know.

1354
00:56:35,520 --> 00:56:38,080
Speaker 3: What about like staying your house too long? Yeah? Like

1355
00:56:38,160 --> 00:56:40,120
Speaker 3: that is one right me?

1356
00:56:40,560 --> 00:56:42,640
Speaker 1: No? No, like if we go to your house for dinner,

1357
00:56:42,960 --> 00:56:46,239
Speaker 1: Oh that's a good two hours. I'm telling you. And

1358
00:56:46,360 --> 00:56:48,719
Speaker 1: Eddie's MVP because we had a dinner at my house.

1359
00:56:49,320 --> 00:56:51,080
Speaker 1: We had like ten people there and it was a

1360
00:56:51,200 --> 00:56:53,000
Speaker 1: great time. It really was. It was an a plus time.

1361
00:56:53,280 --> 00:56:55,920
Speaker 1: And my wife and I made this pasta from scratch

1362
00:56:56,000 --> 00:56:58,160
Speaker 1: that we learned how to do on vacation. We spent

1363
00:56:59,520 --> 00:57:02,080
Speaker 1: eight hours making this meal. It really was great. We

1364
00:57:02,160 --> 00:57:04,960
Speaker 1: had a fantastic group of friends that were over. And

1365
00:57:05,000 --> 00:57:06,719
Speaker 1: it's about two hours into it and Eddie looks at

1366
00:57:06,760 --> 00:57:07,560
Speaker 1: me and he goes, do you want us to go?

1367
00:57:07,600 --> 00:57:09,919
Speaker 1: And I said yes, And then Eddie was the first

1368
00:57:09,920 --> 00:57:11,160
Speaker 1: one up with his wife goes, all right, we're going

1369
00:57:11,200 --> 00:57:13,239
Speaker 1: to get out of here, and I was like, oh,

1370
00:57:13,840 --> 00:57:15,240
Speaker 1: all right, there, give him a trophy.

1371
00:57:15,760 --> 00:57:18,640
Speaker 4: Would Caitlin have said yes, No, she enjoys it. She

1372
00:57:18,720 --> 00:57:19,640
Speaker 4: put work into that.

1373
00:57:19,800 --> 00:57:20,200
Speaker 3: So did I.

1374
00:57:20,360 --> 00:57:21,360
Speaker 1: But it was also time to go.

1375
00:57:21,680 --> 00:57:22,960
Speaker 3: It was it was a time in the night.

1376
00:57:23,040 --> 00:57:24,480
Speaker 1: And I think it's that time too where I'm worried

1377
00:57:24,520 --> 00:57:26,000
Speaker 1: that people want to go and they're afraid to say

1378
00:57:26,040 --> 00:57:28,080
Speaker 1: they want to go. So I start to feel that too.

1379
00:57:28,120 --> 00:57:28,760
Speaker 1: It's a mixture.

1380
00:57:28,880 --> 00:57:29,760
Speaker 4: Okay, I'm sure.

1381
00:57:29,800 --> 00:57:32,480
Speaker 1: And Eddie also knows me and he goes he probably

1382
00:57:32,520 --> 00:57:33,960
Speaker 1: wanted to go as well, and he's like, give me

1383
00:57:34,000 --> 00:57:35,880
Speaker 1: to go. I was like, yes, please, and he goes, well,

1384
00:57:35,960 --> 00:57:40,320
Speaker 1: we got the kids. Start with yawn, yeah, and it's like, well,

1385
00:57:40,360 --> 00:57:41,600
Speaker 1: you've always had the kids, but it was a.

1386
00:57:41,600 --> 00:57:43,880
Speaker 4: Different Yeah, it was a school night.

1387
00:57:44,120 --> 00:57:46,800
Speaker 1: Yeah, it's a work night, so yeah, that's a good one.

1388
00:57:47,560 --> 00:57:50,200
Speaker 1: Often feeling overwhelmed or stress due to accommodating others and

1389
00:57:50,280 --> 00:57:54,840
Speaker 1: over committing my stress does not comfort over committing to others.

1390
00:57:54,920 --> 00:57:57,920
Speaker 1: It's over committing myself sometimes because I feel like I

1391
00:57:57,960 --> 00:58:00,760
Speaker 1: can grind it all out and segments of a day,

1392
00:58:01,000 --> 00:58:02,560
Speaker 1: but I feel I don't. I'm not a door mat.

1393
00:58:02,640 --> 00:58:04,680
Speaker 1: I'm gonna take me off this. I don't even have

1394
00:58:04,720 --> 00:58:07,800
Speaker 1: a door. It's just sad. You can't even get in.

1395
00:58:08,120 --> 00:58:09,440
Speaker 1: You know, that's a problem. You can't even get in

1396
00:58:09,480 --> 00:58:11,360
Speaker 1: over here. It's hard to get in, Amy.

1397
00:58:11,360 --> 00:58:14,240
Speaker 4: I don't think that. I if I have struggled with that,

1398
00:58:14,280 --> 00:58:14,560
Speaker 4: I'm not.

1399
00:58:14,560 --> 00:58:16,720
Speaker 1: Anymore fear of standing up for yourself and speaking your

1400
00:58:16,760 --> 00:58:19,400
Speaker 1: truth at times. Yeah, I think you've gotten a lot

1401
00:58:19,440 --> 00:58:21,440
Speaker 1: better at that. Fired off of me a couple of times,

1402
00:58:21,440 --> 00:58:24,200
Speaker 1: and I'm like, that's oh really, Yeah, of course I

1403
00:58:24,360 --> 00:58:27,520
Speaker 1: love it. Okay, the games you are you a lot

1404
00:58:27,560 --> 00:58:29,280
Speaker 1: of the Yeah you get the yellow cards like I've

1405
00:58:29,320 --> 00:58:29,760
Speaker 1: never seen.

1406
00:58:29,680 --> 00:58:34,760
Speaker 3: Yeah for you, Amy, But yeah, okay, No, it's good.

1407
00:58:35,280 --> 00:58:35,640
Speaker 11: I like it.

1408
00:58:36,080 --> 00:58:40,600
Speaker 1: Feeling taken advantage of or hold hidden resentfulness.

1409
00:58:41,480 --> 00:58:42,760
Speaker 3: No you Reddy? Yeah?

1410
00:58:42,840 --> 00:58:46,160
Speaker 1: Sometimes sure by who who do you just resent? No?

1411
00:58:46,280 --> 00:58:48,600
Speaker 2: No, not really resent, just feeling like sometimes I feel

1412
00:58:48,600 --> 00:58:50,640
Speaker 2: like I don't say anything how I really feel, so

1413
00:58:50,680 --> 00:58:53,920
Speaker 2: I get taken advantage of where just different parts of

1414
00:58:53,960 --> 00:58:54,280
Speaker 2: my life.

1415
00:58:54,360 --> 00:58:55,480
Speaker 3: Yeah, like we worked too much?

1416
00:58:56,120 --> 00:58:58,600
Speaker 1: Like if you think you work too much, that's not

1417
00:58:58,720 --> 00:59:02,080
Speaker 1: it having low self esteem or lack or self confidence,

1418
00:59:03,280 --> 00:59:04,000
Speaker 1: like and self confidence.

1419
00:59:04,120 --> 00:59:07,040
Speaker 4: I got that you worked on that this a lot

1420
00:59:07,120 --> 00:59:08,120
Speaker 4: this year. Self war.

1421
00:59:08,400 --> 00:59:09,920
Speaker 1: Yeah, what's the key.

1422
00:59:12,480 --> 00:59:17,440
Speaker 4: I mean, really trying to figure out what true value

1423
00:59:17,600 --> 00:59:19,320
Speaker 4: is within me. And some of that has come from

1424
00:59:19,360 --> 00:59:25,240
Speaker 4: self endorsement, me believing in myself and having the confidence

1425
00:59:25,400 --> 00:59:28,240
Speaker 4: to get there and not relying on other people for

1426
00:59:28,360 --> 00:59:31,680
Speaker 4: that affirmation and it coming from within. And it's taken

1427
00:59:33,040 --> 00:59:35,200
Speaker 4: a long time, but I think I'm.

1428
00:59:35,920 --> 00:59:38,840
Speaker 1: From you though. Thanks at times too, when you're like

1429
00:59:38,960 --> 00:59:42,000
Speaker 1: shut up and I'm like, that's talk about. I love it.

1430
00:59:42,240 --> 00:59:43,960
Speaker 4: I love it, but I mean it has to I

1431
00:59:44,080 --> 00:59:47,479
Speaker 4: have to believe that I'm truly worthy of certain things.

1432
00:59:47,520 --> 00:59:49,600
Speaker 4: And I think a lot of it is this year.

1433
00:59:49,640 --> 00:59:51,080
Speaker 4: I've had to take a lot of agency over my

1434
00:59:51,200 --> 00:59:54,920
Speaker 4: life that I previously avoided and I had to realize,

1435
00:59:54,960 --> 00:59:59,320
Speaker 4: oh wait, I'm I'm worth investing in this and digging

1436
00:59:59,360 --> 01:00:02,720
Speaker 4: a little deeper and going places that you previously scared

1437
01:00:02,800 --> 01:00:06,000
Speaker 4: me because I want to value that. I want to

1438
01:00:06,040 --> 01:00:07,360
Speaker 4: come out the other side stronger.

1439
01:00:07,400 --> 01:00:08,840
Speaker 1: And some of that is a bison.

1440
01:00:09,720 --> 01:00:10,640
Speaker 4: I want to be a bison.

1441
01:00:10,760 --> 01:00:14,880
Speaker 1: That's actually true. And yeah we chase storms around here.

1442
01:00:15,320 --> 01:00:17,280
Speaker 1: We didn't wait for them. We go storm chasing head on.

1443
01:00:17,440 --> 01:00:19,840
Speaker 1: Yeah we're stupid. We just go find storms. Yeah, well

1444
01:00:20,560 --> 01:00:24,480
Speaker 1: it's awesome, it's awesome. To see TVD. No, not TVD.

1445
01:00:24,600 --> 01:00:27,160
Speaker 1: You're doing great to developing as we speak.

1446
01:00:27,400 --> 01:00:30,160
Speaker 4: Yeah, I think we're always. Yeah, you were like I

1447
01:00:30,280 --> 01:00:31,120
Speaker 4: need I.

1448
01:00:31,160 --> 01:00:32,520
Speaker 1: Need to step out for a couple of months, and

1449
01:00:32,560 --> 01:00:36,120
Speaker 1: I'm like, good now, it's like you're like, I'm rocking.

1450
01:00:37,120 --> 01:00:38,160
Speaker 1: It's great to see the growth.

1451
01:00:38,680 --> 01:00:41,280
Speaker 4: Oh, I'm grateful. I'm grateful for that time. So thank you.

1452
01:00:41,440 --> 01:00:44,600
Speaker 4: I mean, yeah, I know I wasn't showing up as

1453
01:00:45,080 --> 01:00:48,080
Speaker 4: probably the co host that you needed or someone here

1454
01:00:48,240 --> 01:00:51,160
Speaker 4: that you needed. But I definitely just had to power

1455
01:00:51,240 --> 01:00:52,760
Speaker 4: through that season. That's probably a little bit of a

1456
01:00:52,840 --> 01:00:56,480
Speaker 4: cal but you know, well I took it like the cow.

1457
01:00:56,560 --> 01:00:57,560
Speaker 3: The cow runs away from this.

1458
01:00:58,200 --> 01:01:00,560
Speaker 4: I went on a detour, but I finally I'm figuring

1459
01:01:00,640 --> 01:01:02,479
Speaker 4: it out, so I have got.

1460
01:01:02,480 --> 01:01:04,000
Speaker 3: To be back. All right, Well, you're.

1461
01:01:06,640 --> 01:01:08,280
Speaker 6: Time for the news.

1462
01:01:08,840 --> 01:01:10,720
Speaker 3: Bobby's story.

1463
01:01:12,280 --> 01:01:15,400
Speaker 1: What ordering a steak means on a date for the

1464
01:01:15,440 --> 01:01:17,600
Speaker 1: girl or the guy. A man who orders the steak

1465
01:01:17,680 --> 01:01:21,880
Speaker 1: during the date wants more than a good meal. Okay,

1466
01:01:22,080 --> 01:01:24,680
Speaker 1: even if a guy secretly prefers pasta, he'll lot for

1467
01:01:24,760 --> 01:01:28,360
Speaker 1: a more macho or expensive choice to assert his manliness.

1468
01:01:28,720 --> 01:01:30,080
Speaker 1: He wants you to know he has a good job

1469
01:01:30,160 --> 01:01:33,440
Speaker 1: and he can provide for you. The steak is typically

1470
01:01:33,520 --> 01:01:36,040
Speaker 1: a way to impress his date, and an expensive meal

1471
01:01:36,160 --> 01:01:37,720
Speaker 1: or just an app tends to show he's not that

1472
01:01:37,880 --> 01:01:39,960
Speaker 1: interested in the date. So now it's like he has

1473
01:01:40,040 --> 01:01:42,120
Speaker 1: to spend money too. It's not used to be, Oh,

1474
01:01:42,120 --> 01:01:45,040
Speaker 1: if a girl goes and goes, I'll have the main

1475
01:01:45,360 --> 01:01:49,840
Speaker 1: most expensive thing. You know. That meant you know, yeah, yeah,

1476
01:01:51,240 --> 01:01:52,440
Speaker 1: But now the dude's got to do it too.

1477
01:01:52,480 --> 01:01:55,800
Speaker 4: I guess, man, why why why not just everybody order

1478
01:01:55,840 --> 01:01:57,000
Speaker 4: what they want to order right exactly?

1479
01:01:57,080 --> 01:01:59,960
Speaker 1: And if it's steak at steak, like, you're put your

1480
01:02:00,000 --> 01:02:02,400
Speaker 1: flag in around with that state though. Yeah, And the

1481
01:02:02,720 --> 01:02:06,240
Speaker 1: more rare it is, the more just bring me the

1482
01:02:06,320 --> 01:02:09,800
Speaker 1: cow walk it up here alive. That's from Northwestern University.

1483
01:02:10,320 --> 01:02:12,080
Speaker 1: Experts found which line is best to go in at

1484
01:02:12,080 --> 01:02:15,480
Speaker 1: the grocery store. At the grocery store, the best line

1485
01:02:15,560 --> 01:02:19,080
Speaker 1: is to the left always. Market researchers say left lines

1486
01:02:19,120 --> 01:02:21,320
Speaker 1: move faster because of our tendency to go right since

1487
01:02:21,320 --> 01:02:25,400
Speaker 1: we're right handed. Interesting, and for the absolute shortest line,

1488
01:02:25,480 --> 01:02:29,000
Speaker 1: avoid Friday, Saturdays, and Sundays because obviously that's when most

1489
01:02:29,000 --> 01:02:31,680
Speaker 1: people go. Wednesday is your best bet with the least

1490
01:02:31,680 --> 01:02:34,680
Speaker 1: amount of customers. They also found this line theory typically

1491
01:02:34,720 --> 01:02:37,760
Speaker 1: applies to sporting events, theme parks, and concerts as well.

1492
01:02:38,760 --> 01:02:40,320
Speaker 1: I'd usually just look at the age of the people

1493
01:02:40,360 --> 01:02:42,160
Speaker 1: in the line. If they're older, there's going to be

1494
01:02:42,200 --> 01:02:45,479
Speaker 1: a slower line. I look at the cashier whoever's taking

1495
01:02:45,520 --> 01:02:48,520
Speaker 1: at That's mostly what I do to see if we're

1496
01:02:48,560 --> 01:02:51,280
Speaker 1: gonna move faster or not. That's from Countdown to Magic,

1497
01:02:51,440 --> 01:02:54,320
Speaker 1: a trip planning company. You've heard the couples tend to

1498
01:02:54,360 --> 01:02:56,040
Speaker 1: look like after they've been together for a while, right.

1499
01:02:56,640 --> 01:02:59,320
Speaker 1: That's because when one smiles, the other smiles, and slowly

1500
01:02:59,360 --> 01:03:01,400
Speaker 1: over time they have a similar line across their faces.

1501
01:03:01,560 --> 01:03:02,040
Speaker 3: That's cool.

1502
01:03:02,520 --> 01:03:05,160
Speaker 1: Couples also dress alike, and it's probably because the man

1503
01:03:05,200 --> 01:03:07,040
Speaker 1: stopped buying clothes and his wife does it for him.

1504
01:03:07,080 --> 01:03:10,920
Speaker 1: Now that's me and that's similar to her style. Couples

1505
01:03:10,960 --> 01:03:13,800
Speaker 1: even start to sound alike over time, one partner naturally

1506
01:03:13,800 --> 01:03:16,680
Speaker 1: adopts the other style of speaking. That's from the journal

1507
01:03:16,760 --> 01:03:21,080
Speaker 1: Personality and Social Psychology. I think if you're with someone,

1508
01:03:21,160 --> 01:03:22,640
Speaker 1: you pick up a lot of their mannerisms, even if

1509
01:03:22,680 --> 01:03:24,800
Speaker 1: you don't mean to. Sometimes, especially if they're the ones

1510
01:03:24,840 --> 01:03:27,960
Speaker 1: that you find positive, you probably do them too.

1511
01:03:29,080 --> 01:03:31,720
Speaker 4: Yeah, I feel like that happens even people that you're

1512
01:03:31,720 --> 01:03:33,680
Speaker 4: friends with, her that you work with. You don't have

1513
01:03:33,720 --> 01:03:34,320
Speaker 4: to be your partner.

1514
01:03:35,040 --> 01:03:37,480
Speaker 1: Somebody always were dark room glasses walking around there.

1515
01:03:38,840 --> 01:03:40,280
Speaker 4: I don't have glasses.

1516
01:03:40,720 --> 01:03:43,320
Speaker 1: An Australia man fights a buff kangaroo to save his dog.

1517
01:03:43,800 --> 01:03:44,920
Speaker 1: Do you guys see the video? No?

1518
01:03:45,400 --> 01:03:45,800
Speaker 4: Who won?

1519
01:03:49,040 --> 01:03:50,880
Speaker 1: Holding the little dog in front of him and the guy.

1520
01:03:51,320 --> 01:03:53,200
Speaker 1: So there's a guy who was forced to fight a

1521
01:03:53,240 --> 01:03:56,800
Speaker 1: buff kangaroo. The whole thing's on camera. They say that

1522
01:03:56,920 --> 01:04:00,160
Speaker 1: down under beat down who took a swing of the

1523
01:04:00,200 --> 01:04:02,720
Speaker 1: animal he got in return the camera took a tumble

1524
01:04:02,760 --> 01:04:05,360
Speaker 1: into water. But the dog is safe and so the

1525
01:04:06,000 --> 01:04:08,600
Speaker 1: dog was in like a little headlock from the kangaroo.

1526
01:04:08,960 --> 01:04:10,880
Speaker 1: And so he's like, I gotta go in. This kangaroo

1527
01:04:10,960 --> 01:04:12,680
Speaker 1: is ripped, and you got stop tagging me on this

1528
01:04:12,760 --> 01:04:14,680
Speaker 1: because you're just sending me the most RiPP kangaroo. Why

1529
01:04:14,720 --> 01:04:16,200
Speaker 1: don't you send me little baby kangaroos. I can for

1530
01:04:16,280 --> 01:04:18,760
Speaker 1: sure beat up. That's not the most ripped king. Oh

1531
01:04:18,840 --> 01:04:23,120
Speaker 1: for a lot of this, I still stand by. If

1532
01:04:23,160 --> 01:04:25,240
Speaker 1: you gave me a random kangaroo, I would kick its button.

1533
01:04:26,440 --> 01:04:28,360
Speaker 1: That would be bad luck and I'd really struggle with it,

1534
01:04:28,800 --> 01:04:30,680
Speaker 1: but I think I can still beat it because I

1535
01:04:30,720 --> 01:04:34,040
Speaker 1: have a human brain. But if we're just going with

1536
01:04:34,320 --> 01:04:37,120
Speaker 1: average kangaroo, there's also a shot I get a tiny

1537
01:04:37,200 --> 01:04:40,240
Speaker 1: one or a baby or a one that doesn't have

1538
01:04:40,760 --> 01:04:42,920
Speaker 1: all functions, and you can't use that.

1539
01:04:43,040 --> 01:04:45,240
Speaker 2: I have a human brain. Like people try to last

1540
01:04:45,280 --> 01:04:46,720
Speaker 2: eight seconds on a bull and can't do it.

1541
01:04:46,920 --> 01:04:49,600
Speaker 1: I would whoop a kangaroo's butt, random kangaroo, but stop

1542
01:04:50,160 --> 01:04:52,680
Speaker 1: tagging me on the biggest buffet kangaroos. I thought about

1543
01:04:52,680 --> 01:04:54,000
Speaker 1: you when I saw a video that would be like

1544
01:04:54,040 --> 01:04:55,280
Speaker 1: me going. I think I could want to fight against

1545
01:04:55,320 --> 01:04:58,040
Speaker 1: average human and you only sending me wrestlers and being like,

1546
01:04:58,080 --> 01:05:00,440
Speaker 1: what about this guy, isn't his ultimate warrior? Well, yeah,

1547
01:05:00,440 --> 01:05:03,160
Speaker 1: if you taged me on that, But I whoop a

1548
01:05:03,200 --> 01:05:05,800
Speaker 1: kangaroo and then I would just keep whooping just to

1549
01:05:05,880 --> 01:05:06,760
Speaker 1: show you, guys.

1550
01:05:07,800 --> 01:05:09,760
Speaker 3: The way he was standing over the water.

1551
01:05:09,920 --> 01:05:12,320
Speaker 1: Yeah, yeah, his arms were so big. You know how, guys,

1552
01:05:12,360 --> 01:05:13,640
Speaker 1: well do they can't fit through the door because the

1553
01:05:13,640 --> 01:05:15,560
Speaker 1: words are so big. That's how the kangaroo was standing.

1554
01:05:15,720 --> 01:05:17,160
Speaker 4: Wow, I haven't seen it yet.

1555
01:05:17,240 --> 01:05:17,760
Speaker 3: He's ripped.

1556
01:05:18,040 --> 01:05:20,600
Speaker 1: A ghost hunter says he's cursed after visiting the most

1557
01:05:20,640 --> 01:05:24,000
Speaker 1: haunted doll. A professional ghost hunter from Nashville says he

1558
01:05:24,080 --> 01:05:26,000
Speaker 1: visited the most haunted doll in the world, and now

1559
01:05:26,040 --> 01:05:29,200
Speaker 1: people are convinced that he has cursed. Kalanie Smith, who's

1560
01:05:29,240 --> 01:05:33,080
Speaker 1: twenty five. Man, I don't know. I wouldn't do it.

1561
01:05:33,080 --> 01:05:34,520
Speaker 1: I don't even believe in it, but I still wouldn't

1562
01:05:34,520 --> 01:05:37,960
Speaker 1: go do this crap just in case. Because he performed

1563
01:05:37,960 --> 01:05:40,480
Speaker 1: a blood ritual sacrifice to the terrifying Robert the doll

1564
01:05:40,680 --> 01:05:41,120
Speaker 1: we were.

1565
01:05:41,640 --> 01:05:44,400
Speaker 4: That's why I didn't want the scary doll in my house.

1566
01:05:44,480 --> 01:05:48,000
Speaker 1: Robert lives in a museum. That's the doll in Key West, Florida.

1567
01:05:48,200 --> 01:05:50,000
Speaker 1: The doll a boy dressed in a sailor suit holding

1568
01:05:50,040 --> 01:05:51,280
Speaker 1: a small dog. He said to have been gifted to

1569
01:05:51,320 --> 01:05:52,480
Speaker 1: a boy who grew up to be an a centric

1570
01:05:52,560 --> 01:05:56,080
Speaker 1: artist New York Post. I'm just not going to mess

1571
01:05:56,120 --> 01:05:58,040
Speaker 1: with it again. I don't believe in it, but I'm

1572
01:05:58,040 --> 01:05:59,560
Speaker 1: not going to mess with it just in case I'm wrong.

1573
01:05:59,600 --> 01:06:03,600
Speaker 1: I've been long before, I'll probably wrong again. In case

1574
01:06:03,640 --> 01:06:06,960
Speaker 1: I'm wrong here, I ain't messing with it. When we

1575
01:06:07,080 --> 01:06:11,440
Speaker 1: had that ghost doll, haunted doll who had to keep

1576
01:06:11,440 --> 01:06:13,480
Speaker 1: it at their house, I was supposed to.

1577
01:06:13,680 --> 01:06:15,080
Speaker 3: And then I don't know you paid him and he

1578
01:06:15,680 --> 01:06:16,120
Speaker 3: you paid me.

1579
01:06:16,240 --> 01:06:17,880
Speaker 4: Oh my gosh, I paid him a lot.

1580
01:06:18,440 --> 01:06:20,280
Speaker 3: Are you kidding?

1581
01:06:20,320 --> 01:06:20,960
Speaker 1: He paid you a lot?

1582
01:06:21,240 --> 01:06:21,800
Speaker 3: She paid.

1583
01:06:23,240 --> 01:06:25,720
Speaker 1: Yeah, I forgot about.

1584
01:06:25,520 --> 01:06:28,600
Speaker 4: The money part. And now I'm irritated because he seems fine.

1585
01:06:29,880 --> 01:06:31,680
Speaker 3: There was a lot that went wrong with my life.

1586
01:06:32,200 --> 01:06:34,240
Speaker 1: What happened I don't remember, Oh you don't.

1587
01:06:34,360 --> 01:06:35,919
Speaker 3: And then I had to go burn it at Eddie's house,

1588
01:06:36,000 --> 01:06:37,360
Speaker 3: that's right. And then something happened to me.

1589
01:06:37,400 --> 01:06:39,960
Speaker 1: I think you guys can't be saying generic things like

1590
01:06:40,520 --> 01:06:42,120
Speaker 1: something happened to me. I think a lot of things

1591
01:06:42,200 --> 01:06:47,280
Speaker 1: went wrong. Julia Louis Dry says she doesn't know anything

1592
01:06:47,280 --> 01:06:49,720
Speaker 1: about a Seinfeld reunion because Jerry Seinfeld was talking about

1593
01:06:49,760 --> 01:06:52,040
Speaker 1: possible reunion and she doesn't know. This reminds me of

1594
01:06:52,080 --> 01:06:53,200
Speaker 1: me in high school. They'd be like, oh, ye know

1595
01:06:53,200 --> 01:06:54,560
Speaker 1: about the party. I don't know about the party, and

1596
01:06:54,640 --> 01:06:59,960
Speaker 1: you know why, Well, she would be invited. Would be

1597
01:07:00,040 --> 01:07:02,920
Speaker 1: part of sea Hollywood reporter with that story. A car

1598
01:07:03,000 --> 01:07:05,360
Speaker 1: expert says, shoul rub potato on your windshield versus an

1599
01:07:05,400 --> 01:07:08,160
Speaker 1: ice scraper. I think this is very interesting, and I

1600
01:07:08,200 --> 01:07:09,760
Speaker 1: think you should all remember me saying this, right, now

1601
01:07:09,800 --> 01:07:12,080
Speaker 1: because it could come in handy. Cutting a potato in

1602
01:07:12,160 --> 01:07:15,200
Speaker 1: half and rubbing the exposed side all over a vehicle's

1603
01:07:15,240 --> 01:07:18,560
Speaker 1: windshield can prevent it from icing over in the winter

1604
01:07:18,720 --> 01:07:22,640
Speaker 1: and getting foggy in the rain, so it's preventative. It

1605
01:07:22,720 --> 01:07:24,040
Speaker 1: feels like I don't think you can go out when

1606
01:07:24,040 --> 01:07:25,440
Speaker 1: it's covered in a sheet of ice and the potato

1607
01:07:25,520 --> 01:07:28,560
Speaker 1: melts it. But this is one where if it's gonna sleep,

1608
01:07:28,680 --> 01:07:30,120
Speaker 1: or if it's gonna snow and you know it's gonna

1609
01:07:30,160 --> 01:07:32,800
Speaker 1: be icy, you can rub it on there. So cut

1610
01:07:32,880 --> 01:07:36,480
Speaker 1: it the open the middle part, rub it on there.

1611
01:07:36,720 --> 01:07:39,480
Speaker 1: The reason it works is sugar from the potato creates

1612
01:07:39,520 --> 01:07:42,640
Speaker 1: a layer between the glass and whatever freezes on it,

1613
01:07:43,320 --> 01:07:46,360
Speaker 1: and so whenever it does freeze over, it's very easy

1614
01:07:46,440 --> 01:07:50,040
Speaker 1: to brush it off. Okay, it's not just so attached

1615
01:07:50,080 --> 01:07:53,120
Speaker 1: to the ice. I drove into work once with Amy

1616
01:07:53,160 --> 01:07:55,520
Speaker 1: when her ice, I mean she might have had a

1617
01:07:55,600 --> 01:07:57,800
Speaker 1: pin to look through a pinhole.

1618
01:07:58,080 --> 01:08:02,320
Speaker 4: She's like, WHOA, yeah, but you've made it to work,

1619
01:08:02,360 --> 01:08:03,520
Speaker 4: and otherwise you didn't have a ride.

1620
01:08:03,600 --> 01:08:05,439
Speaker 1: I don't think you made it to work. A live

1621
01:08:05,560 --> 01:08:06,800
Speaker 1: is a really good Yeah.

1622
01:08:07,040 --> 01:08:11,600
Speaker 4: It was a blizzard. It was a crazy storm. I

1623
01:08:11,720 --> 01:08:13,400
Speaker 4: thought I did have to roll the window down and

1624
01:08:13,440 --> 01:08:14,640
Speaker 4: stick my head out to see.

1625
01:08:15,440 --> 01:08:16,920
Speaker 1: I thought she her windows were already clear. She's like,

1626
01:08:16,920 --> 01:08:18,360
Speaker 1: I'll pick you off. I'm like great. Then she gets

1627
01:08:18,400 --> 01:08:21,240
Speaker 1: there and I can't see her in the car. Yeah, like, Amy,

1628
01:08:21,320 --> 01:08:23,800
Speaker 1: is that you? She rolled her down?

1629
01:08:23,840 --> 01:08:24,120
Speaker 3: It's me.

1630
01:08:25,439 --> 01:08:27,640
Speaker 1: Uh okay, it's been approved. We talked about it. The

1631
01:08:27,720 --> 01:08:29,320
Speaker 1: flag football is going to be in the twenty twenty

1632
01:08:29,320 --> 01:08:32,640
Speaker 1: eight Olympics in Los Angeles. Yes, so start put your

1633
01:08:32,680 --> 01:08:35,240
Speaker 1: team together. Oh, you're gonna try this is what you've

1634
01:08:35,280 --> 01:08:37,400
Speaker 1: been training for. Maybe this is it. Wow, I always

1635
01:08:37,400 --> 01:08:39,439
Speaker 1: wonder why I'm training so hard. Maybe this is it.

1636
01:08:39,800 --> 01:08:42,559
Speaker 1: But the International Olympic Committee approved flag football, and then

1637
01:08:42,600 --> 01:08:46,000
Speaker 1: other sports too. Cricket, baseball, softball, lacrosse, and squash were

1638
01:08:46,040 --> 01:08:48,360
Speaker 1: all approved for the program as well. Flag football and

1639
01:08:48,400 --> 01:08:51,120
Speaker 1: squash making their debuts, and then the other ones are

1640
01:08:51,160 --> 01:08:52,879
Speaker 1: being brought back. What's squash?

1641
01:08:53,320 --> 01:08:53,680
Speaker 10: I don't know.

1642
01:08:53,800 --> 01:08:55,280
Speaker 1: Is that the Harry Potter game they play?

1643
01:08:55,760 --> 01:08:56,480
Speaker 3: That's squiddish?

1644
01:08:56,720 --> 01:09:00,320
Speaker 1: Oh wait, what WI goods with it?

1645
01:09:01,680 --> 01:09:02,200
Speaker 3: Whatever? Yeah?

1646
01:09:02,200 --> 01:09:03,680
Speaker 1: I don't know what squash is, but I feel like

1647
01:09:03,760 --> 01:09:09,120
Speaker 1: there's probably circle thing that's smashball or spikeball, spiderball.

1648
01:09:09,600 --> 01:09:10,280
Speaker 4: I really don't know.

1649
01:09:10,439 --> 01:09:10,559
Speaker 3: Hu.

1650
01:09:12,120 --> 01:09:14,360
Speaker 1: I like to eat it. Squashed me too.

1651
01:09:14,880 --> 01:09:16,760
Speaker 3: Squashes kind of like racquetball.

1652
01:09:17,280 --> 01:09:20,559
Speaker 1: Okay, there's probably a country going, Oh we got squash

1653
01:09:20,640 --> 01:09:22,600
Speaker 1: in like we're doing flag football because they're going to

1654
01:09:22,680 --> 01:09:23,160
Speaker 1: dominate it.

1655
01:09:23,479 --> 01:09:25,000
Speaker 4: Oh squash, Yeah?

1656
01:09:25,439 --> 01:09:26,479
Speaker 1: Is squash racketball?

1657
01:09:26,600 --> 01:09:26,800
Speaker 3: Yeah?

1658
01:09:26,880 --> 01:09:29,280
Speaker 4: Basically it looks like what's the difference.

1659
01:09:29,439 --> 01:09:30,479
Speaker 1: I'm pretty good at racketball.

1660
01:09:31,080 --> 01:09:33,240
Speaker 7: It just says it's played by two or four players

1661
01:09:33,280 --> 01:09:35,880
Speaker 7: in a four walled court with a small hollow rubber ball,

1662
01:09:36,280 --> 01:09:37,960
Speaker 7: the players alternating striking the ball.

1663
01:09:38,360 --> 01:09:40,519
Speaker 3: Racketball. Yeah, let's go.

1664
01:09:40,760 --> 01:09:44,320
Speaker 1: I go back to the YMCA started training again. Tennessee

1665
01:09:44,360 --> 01:09:47,040
Speaker 1: gas prices fall ten cents. National average is also down.

1666
01:09:47,880 --> 01:09:50,200
Speaker 1: That's where we live as far as Tennessee, but also

1667
01:09:50,360 --> 01:09:53,960
Speaker 1: all around the country down twenty four cents over a

1668
01:09:54,080 --> 01:09:57,200
Speaker 1: year year to year. So there you go. The Ally

1669
01:09:57,240 --> 01:09:59,400
Speaker 1: parton to perform at halftime at the Cowboys Thanksgiving game.

1670
01:09:59,680 --> 01:10:03,879
Speaker 1: Awesome them. So she's gonna be doing Cowboys Commanders Thanksgiving

1671
01:10:03,960 --> 01:10:06,960
Speaker 1: Day at and T Stadium. She's gonna do the hits

1672
01:10:07,040 --> 01:10:09,479
Speaker 1: and then possibly a new song from her upcoming rock

1673
01:10:09,600 --> 01:10:12,160
Speaker 1: album rock Star. They game will their four pm Eastern

1674
01:10:12,200 --> 01:10:14,240
Speaker 1: on CBS CBS Sports Cowboys one last night. By the

1675
01:10:14,240 --> 01:10:17,479
Speaker 1: way they did, they watched it, goodness, the whole game. No,

1676
01:10:17,680 --> 01:10:20,160
Speaker 1: I stayed up and watched the end of it. Oh okay, yeah,

1677
01:10:20,200 --> 01:10:21,760
Speaker 1: we went to dinner wait a friend in town last night,

1678
01:10:22,000 --> 01:10:24,479
Speaker 1: so I watched the second half. You know, I'm telling you,

1679
01:10:24,520 --> 01:10:25,320
Speaker 1: not the most interesting game.

1680
01:10:27,320 --> 01:10:28,200
Speaker 3: That's pretty mediocre.

1681
01:10:28,320 --> 01:10:29,920
Speaker 1: I mean, I'm glad they won at the end. The

1682
01:10:30,040 --> 01:10:30,599
Speaker 1: ending was nice.

1683
01:10:30,680 --> 01:10:30,840
Speaker 11: Yeah.

1684
01:10:30,920 --> 01:10:35,160
Speaker 1: Yeah, great grandma starts retirement and she wants a million

1685
01:10:35,160 --> 01:10:38,639
Speaker 1: bucks in the lottery than how old is great grandma?

1686
01:10:39,560 --> 01:10:43,240
Speaker 1: The great grandma is? I don't think her age is

1687
01:10:43,280 --> 01:10:43,559
Speaker 1: on here.

1688
01:10:43,720 --> 01:10:45,200
Speaker 3: Gotta be old to be a great grandma.

1689
01:10:45,360 --> 01:10:46,439
Speaker 1: Yeah, I thought it would be.

1690
01:10:46,680 --> 01:10:46,880
Speaker 5: Yeah.

1691
01:10:47,040 --> 01:10:51,280
Speaker 1: Yeah, really, well, let's just do best and worst. So worst,

1692
01:10:51,600 --> 01:10:53,799
Speaker 1: see if she let's say she had a kid at eighteen,

1693
01:10:54,479 --> 01:10:57,240
Speaker 1: I mean earlier, and then well, okay, my mom had

1694
01:10:57,280 --> 01:10:59,240
Speaker 1: me with you was sixteen, sixteen, Okay, let's do sixteen,

1695
01:10:59,520 --> 01:11:01,680
Speaker 1: and then he has a kid at sixteen, so that

1696
01:11:01,800 --> 01:11:04,120
Speaker 1: maybe you have a thirty two year grandma and you

1697
01:11:04,200 --> 01:11:07,120
Speaker 1: got a forty eight year old grandy eight.

1698
01:11:08,320 --> 01:11:08,559
Speaker 4: Wow.

1699
01:11:09,320 --> 01:11:10,160
Speaker 3: I didn't think about that.

1700
01:11:12,920 --> 01:11:13,439
Speaker 4: Happening here.

1701
01:11:13,760 --> 01:11:16,120
Speaker 7: I mean that means that the girls that were sixteen

1702
01:11:16,160 --> 01:11:19,240
Speaker 7: and pregnant. They're about three or four years away from heaven.

1703
01:11:19,320 --> 01:11:22,320
Speaker 7: They could have a great Oh man, yeah, I can

1704
01:11:22,400 --> 01:11:26,120
Speaker 7: be watching teen Grandma in the next generation teen Grandma.

1705
01:11:27,439 --> 01:11:31,640
Speaker 3: All right, that's the news. Bobby's story.

1706
01:11:33,520 --> 01:11:37,000
Speaker 1: Quick recap. Lunchbox goes, we should buy a Pallette. We're like,

1707
01:11:37,080 --> 01:11:40,160
Speaker 1: what's that? He goes, it's all the returns from Amazon.

1708
01:11:40,680 --> 01:11:43,280
Speaker 1: They're on a Pallette. You spend a bunch of money

1709
01:11:43,320 --> 01:11:46,599
Speaker 1: not knowing what it is. Then you make a bunch

1710
01:11:46,600 --> 01:11:49,280
Speaker 1: of money. Could you sell it off individually? And so

1711
01:11:49,439 --> 01:11:51,320
Speaker 1: we're like, we're in. And then we're like, we have questions.

1712
01:11:51,520 --> 01:11:52,880
Speaker 1: And then it turns out he doesn't know what he's doing,

1713
01:11:53,520 --> 01:11:54,880
Speaker 1: so he takes all of our money. He's been holding

1714
01:11:54,880 --> 01:11:56,600
Speaker 1: our money hostage for two weeks or so.

1715
01:11:56,720 --> 01:11:58,400
Speaker 3: Now, yeah, about a week and a half.

1716
01:11:58,520 --> 01:12:00,639
Speaker 4: Yeah, now much longer.

1717
01:12:01,640 --> 01:12:03,439
Speaker 1: It's been longer. That's what we've been trying to do,

1718
01:12:03,720 --> 01:12:06,280
Speaker 1: is we put our money into this. We all put

1719
01:12:06,360 --> 01:12:09,000
Speaker 1: eighty bucks in by palette. We don't even know what's

1720
01:12:09,040 --> 01:12:11,559
Speaker 1: in it. We don't have it. And then I asked, Lunchbox,

1721
01:12:11,600 --> 01:12:12,880
Speaker 1: how do we know this guy that we're buying it

1722
01:12:12,920 --> 01:12:14,840
Speaker 1: from has to looked through it and taking out all

1723
01:12:14,880 --> 01:12:16,840
Speaker 1: the good stuff, right, And so you called him and

1724
01:12:16,840 --> 01:12:17,519
Speaker 1: had a conversation.

1725
01:12:17,760 --> 01:12:20,360
Speaker 7: Yeah, I called him because I knew you had questions,

1726
01:12:20,400 --> 01:12:22,280
Speaker 7: so I wanted to get your questions answered so then

1727
01:12:22,320 --> 01:12:24,519
Speaker 7: we can come to a final decision if we're going

1728
01:12:24,560 --> 01:12:25,360
Speaker 7: to get this palette or not.

1729
01:12:25,600 --> 01:12:27,080
Speaker 1: But we've already asked for our money back and you're

1730
01:12:27,080 --> 01:12:27,880
Speaker 1: not giving us our money.

1731
01:12:27,880 --> 01:12:29,760
Speaker 7: Well, yeah, but I just want to make sure you're

1732
01:12:29,800 --> 01:12:33,040
Speaker 7: comfortable buying the palette. I want you guys, as business partners.

1733
01:12:33,080 --> 01:12:36,200
Speaker 7: I want you to feel comfortable when we eventually buy

1734
01:12:36,280 --> 01:12:37,960
Speaker 7: this palleter. If we don't buy the palette, so I

1735
01:12:38,040 --> 01:12:40,760
Speaker 7: want to do all the digging I can so you

1736
01:12:40,920 --> 01:12:41,920
Speaker 7: guys feel comfortable.

1737
01:12:41,960 --> 01:12:43,720
Speaker 1: We already don't feel comforted. Yeah, we don't. You've made

1738
01:12:43,800 --> 01:12:45,400
Speaker 1: us not feel comfortable by not knowing anything about it.

1739
01:12:45,439 --> 01:12:47,679
Speaker 4: Yet thought you'd done due diligence already.

1740
01:12:47,840 --> 01:12:49,960
Speaker 1: We shouldn't have thought that, because you never do. This

1741
01:12:50,200 --> 01:12:52,240
Speaker 1: is Wholesale Palete Outlet and Levin in Tennessee.

1742
01:12:52,280 --> 01:12:52,840
Speaker 3: Here is Matt.

1743
01:12:54,880 --> 01:12:56,080
Speaker 11: Thank you for calling whole sal Palates.

1744
01:12:56,120 --> 01:12:56,640
Speaker 3: How can I help you?

1745
01:12:57,080 --> 01:12:59,439
Speaker 7: Matt this lunch box again. I'm calling you back about

1746
01:12:59,439 --> 01:12:59,920
Speaker 7: your palettes.

1747
01:13:00,120 --> 01:13:01,720
Speaker 11: Man, Hey Lynch Fox, how's it going.

1748
01:13:01,720 --> 01:13:03,559
Speaker 3: Man, I'm doing great. Look I listen.

1749
01:13:03,680 --> 01:13:05,600
Speaker 7: I am on the verge of buying this palette. But

1750
01:13:05,760 --> 01:13:08,040
Speaker 7: one of my business partners has a couple questions that

1751
01:13:08,120 --> 01:13:10,120
Speaker 7: I need your help with. How do you check the

1752
01:13:10,200 --> 01:13:12,280
Speaker 7: quality of goods? How do we know we're not just

1753
01:13:12,320 --> 01:13:14,240
Speaker 7: getting a bunch of broken items like.

1754
01:13:14,320 --> 01:13:16,559
Speaker 11: You said the other day, you know you might am

1755
01:13:16,600 --> 01:13:18,160
Speaker 11: I gonna buy a dirty pair underwear?

1756
01:13:18,240 --> 01:13:18,479
Speaker 3: Maybe?

1757
01:13:18,760 --> 01:13:21,720
Speaker 11: I really don't know. We don't check anything. We don't

1758
01:13:21,760 --> 01:13:25,120
Speaker 11: guarantee the quality of anything. We don't guarantee any sort

1759
01:13:25,160 --> 01:13:28,400
Speaker 11: of marketability of it or anything like that. All I

1760
01:13:28,439 --> 01:13:30,599
Speaker 11: can tell you is that, like with an Amazon pealette,

1761
01:13:30,680 --> 01:13:34,520
Speaker 11: it's full of Amazon medium merchandise, Okay.

1762
01:13:34,360 --> 01:13:37,960
Speaker 7: Perfect, And then also you can guarantee that you don't

1763
01:13:38,000 --> 01:13:39,640
Speaker 7: take anything out, like you don't go through it and

1764
01:13:39,680 --> 01:13:41,160
Speaker 7: be like, oh there's a camera, let me take that

1765
01:13:41,240 --> 01:13:41,760
Speaker 7: out and then.

1766
01:13:41,720 --> 01:13:42,360
Speaker 3: Sell the box.

1767
01:13:42,800 --> 01:13:43,120
Speaker 4: Correct.

1768
01:13:43,240 --> 01:13:44,080
Speaker 11: Yeah, we don't do any of.

1769
01:13:44,120 --> 01:13:44,679
Speaker 3: That, Okay.

1770
01:13:45,120 --> 01:13:47,080
Speaker 7: Is there any schedule shipments this week or is it

1771
01:13:47,200 --> 01:13:48,400
Speaker 7: just kinda they're coming with.

1772
01:13:48,439 --> 01:13:49,960
Speaker 11: The cool right now? I don't know that we could

1773
01:13:49,960 --> 01:13:51,360
Speaker 11: suit another truckload in here right now.

1774
01:13:51,720 --> 01:13:53,760
Speaker 3: Oh, pretty fall. That means a lot of opportunity, a

1775
01:13:53,800 --> 01:13:56,400
Speaker 3: lot of opportunity. Yes, sir, all right, thank you so much.

1776
01:13:56,479 --> 01:13:56,679
Speaker 10: Man.

1777
01:13:56,920 --> 01:13:58,600
Speaker 1: I feel like you edited him out at the end.

1778
01:13:58,680 --> 01:14:02,320
Speaker 1: Dat did you cut that out off? Where he was like, yeah,

1779
01:14:02,360 --> 01:14:03,080
Speaker 1: we don't look through So.

1780
01:14:06,640 --> 01:14:07,840
Speaker 3: That's all. I mean, that's all you needed.

1781
01:14:08,280 --> 01:14:10,280
Speaker 1: No, no, no, what else did he say?

1782
01:14:10,880 --> 01:14:10,920
Speaker 11: No?

1783
01:14:11,080 --> 01:14:12,519
Speaker 7: He was just like, no, we don't look through it.

1784
01:14:12,640 --> 01:14:14,280
Speaker 7: I mean we just we literally get off the truck,

1785
01:14:14,320 --> 01:14:15,800
Speaker 7: put it on the floor. I feel like you got

1786
01:14:15,840 --> 01:14:17,360
Speaker 7: the point I didn't. You don't want it to be

1787
01:14:17,400 --> 01:14:20,479
Speaker 7: a twenty minute call, so I took out like he said, no,

1788
01:14:20,640 --> 01:14:21,280
Speaker 7: we don't look through it.

1789
01:14:21,680 --> 01:14:22,439
Speaker 3: That's all you need to know.

1790
01:14:22,640 --> 01:14:24,240
Speaker 1: Well, how much harder would have been to leave that

1791
01:14:24,320 --> 01:14:26,040
Speaker 1: in like one second of him going we don't look

1792
01:14:26,040 --> 01:14:26,160
Speaker 1: to it.

1793
01:14:26,240 --> 01:14:28,639
Speaker 3: Well, I don't know. I try to sometimes I don't

1794
01:14:28,720 --> 01:14:29,240
Speaker 3: feel shady.

1795
01:14:29,320 --> 01:14:29,599
Speaker 1: He does.

1796
01:14:29,640 --> 01:14:29,960
Speaker 8: Stuffed.

1797
01:14:29,960 --> 01:14:30,960
Speaker 3: It makes us feel shady.

1798
01:14:31,000 --> 01:14:31,680
Speaker 1: You don't like that.

1799
01:14:31,960 --> 01:14:34,360
Speaker 7: You don't like clips very long sometimes. So I tried to,

1800
01:14:34,520 --> 01:14:36,880
Speaker 7: you know, get it clear and concise, and that was

1801
01:14:36,920 --> 01:14:39,320
Speaker 7: all you need. The information was he doesn't go through it. Boom,

1802
01:14:39,400 --> 01:14:39,680
Speaker 7: let's go.

1803
01:14:39,880 --> 01:14:40,200
Speaker 3: It's good.

1804
01:14:40,200 --> 01:14:41,560
Speaker 1: A power gives in the middle of a sentence and

1805
01:14:41,600 --> 01:14:42,160
Speaker 1: you cut him off.

1806
01:14:42,840 --> 01:14:43,800
Speaker 3: I'm not good at editing.

1807
01:14:43,920 --> 01:14:46,320
Speaker 4: Sorry, I thought the reason we were calling was because

1808
01:14:46,400 --> 01:14:51,080
Speaker 4: Bobby saw that they do actually say that they make

1809
01:14:51,120 --> 01:14:54,200
Speaker 4: sure good stuff. And he's like, dirty underwear.

1810
01:14:53,880 --> 01:14:55,560
Speaker 1: It can be dirty underwear. We don't guarantee anything. You

1811
01:14:55,600 --> 01:14:57,080
Speaker 1: might actually die and looks like perfect.

1812
01:14:58,360 --> 01:14:58,599
Speaker 3: Yeah.

1813
01:14:59,560 --> 01:15:01,680
Speaker 7: No, what he saying is look and they don't look

1814
01:15:01,760 --> 01:15:04,439
Speaker 7: through it, so you they don't take anything out. They

1815
01:15:04,520 --> 01:15:07,280
Speaker 7: can't guarantee you you're gonna get good stuff. But you

1816
01:15:07,400 --> 01:15:09,479
Speaker 7: could get good stuff. They just get the pallet off

1817
01:15:09,520 --> 01:15:10,840
Speaker 7: the truck, put it on the floor, you buy it.

1818
01:15:11,000 --> 01:15:12,599
Speaker 7: They put it in your cart, and you go home.

1819
01:15:12,760 --> 01:15:14,840
Speaker 4: And if it's so awesome, why is their warehouse so full?

1820
01:15:15,560 --> 01:15:17,320
Speaker 3: They just got a new shipment last week.

1821
01:15:17,600 --> 01:15:19,640
Speaker 1: He lunch sounds like a guy's get something sold to him.

1822
01:15:19,640 --> 01:15:21,120
Speaker 1: I know, no, no, no, If you don't buy it now,

1823
01:15:21,360 --> 01:15:23,160
Speaker 1: they're not gonna have another one. There's a guy bidden over.

1824
01:15:23,360 --> 01:15:24,760
Speaker 1: So I'm gonna play this clip at the guy again.

1825
01:15:24,800 --> 01:15:27,200
Speaker 1: Tell me if it sounds suspicious, how lunchbox cuts him off.

1826
01:15:27,920 --> 01:15:29,760
Speaker 7: That you don't take anything out, like, you don't go

1827
01:15:29,880 --> 01:15:31,320
Speaker 7: through it and be like, oh, there's a camera, let

1828
01:15:31,320 --> 01:15:32,920
Speaker 7: me take that out and then sell the box.

1829
01:15:33,320 --> 01:15:34,680
Speaker 11: Correct, Yeah, we don't do any of that.

1830
01:15:34,920 --> 01:15:37,519
Speaker 3: Okay, is there any schedule shipments this week? Or is

1831
01:15:37,560 --> 01:15:38,759
Speaker 3: it just gonna they're.

1832
01:15:38,600 --> 01:15:40,160
Speaker 1: Coming on a sentence?

1833
01:15:42,640 --> 01:15:43,920
Speaker 4: But what would he have said after that?

1834
01:15:44,000 --> 01:15:44,160
Speaker 11: Though?

1835
01:15:44,720 --> 01:15:45,840
Speaker 1: Well, because the whole this.

1836
01:15:45,920 --> 01:15:48,960
Speaker 2: Whole thing started because they said that they quality control it,

1837
01:15:49,080 --> 01:15:50,839
Speaker 2: they go through it to make sure nothing's broken.

1838
01:15:51,200 --> 01:15:53,599
Speaker 1: But then he says they don't go through it right

1839
01:15:53,760 --> 01:15:55,400
Speaker 1: at all, So something must have gotten dirty underwear.

1840
01:15:55,520 --> 01:15:57,920
Speaker 7: You can't guarantee you're not gonna get dirty underwear. It's

1841
01:15:58,000 --> 01:16:01,840
Speaker 7: Amazon returns and stuff they can't sell. Boom it comes us.

1842
01:16:01,920 --> 01:16:02,840
Speaker 3: Can we get our money back?

1843
01:16:02,880 --> 01:16:04,200
Speaker 1: Okay? If we vote to get our money back, you

1844
01:16:04,280 --> 01:16:05,160
Speaker 1: have to give it back to us fleet.

1845
01:16:05,479 --> 01:16:07,400
Speaker 4: Now at this point, guys, let's just get a medium.

1846
01:16:07,439 --> 01:16:08,080
Speaker 1: Let's get a vote.

1847
01:16:08,200 --> 01:16:09,479
Speaker 3: Let's get a vote. Let's get a vote.

1848
01:16:09,640 --> 01:16:11,280
Speaker 1: How many people are in rail Handfred? Just in.

1849
01:16:14,080 --> 01:16:14,240
Speaker 14: Ray?

1850
01:16:14,280 --> 01:16:14,560
Speaker 1: Are you in?

1851
01:16:15,000 --> 01:16:15,280
Speaker 11: Not in?

1852
01:16:15,520 --> 01:16:15,680
Speaker 1: More?

1853
01:16:15,880 --> 01:16:16,120
Speaker 10: Are you in?

1854
01:16:16,680 --> 01:16:16,800
Speaker 14: There?

1855
01:16:16,880 --> 01:16:18,120
Speaker 10: Six of us here?

1856
01:16:19,000 --> 01:16:20,439
Speaker 1: One to three, four, five, six, Eddie?

1857
01:16:20,600 --> 01:16:22,720
Speaker 3: Oh I'm in, I'm in Okay, Oh anybody's in? You

1858
01:16:22,840 --> 01:16:24,760
Speaker 3: know I'm saying I'm in original.

1859
01:16:24,680 --> 01:16:26,880
Speaker 1: Okay, there are six of us in? Who votes? They

1860
01:16:26,920 --> 01:16:27,800
Speaker 1: want their money back?

1861
01:16:28,120 --> 01:16:28,160
Speaker 11: Me?

1862
01:16:29,000 --> 01:16:31,160
Speaker 1: Eddie? Okay, Mike, okay, what Mike?

1863
01:16:31,240 --> 01:16:32,840
Speaker 3: What are you such a sissy boy. I brought your

1864
01:16:32,840 --> 01:16:33,719
Speaker 3: stupid cards.

1865
01:16:35,080 --> 01:16:37,000
Speaker 1: You also bought cards for you. That's the same thing.

1866
01:16:37,479 --> 01:16:40,479
Speaker 1: And who votes? We still buy the palette me but

1867
01:16:40,640 --> 01:16:46,519
Speaker 1: lunchbox maybe, so I'm the vote, Bobby.

1868
01:16:46,640 --> 01:16:48,439
Speaker 7: Do you remember, hey, do you remember when these guys

1869
01:16:48,560 --> 01:16:49,960
Speaker 7: doubted us on the storage unit?

1870
01:16:50,200 --> 01:16:51,800
Speaker 1: I doubted us because you didn't get my money back.

1871
01:16:51,920 --> 01:16:54,080
Speaker 3: And what did we do? We made straight?

1872
01:16:54,360 --> 01:16:55,599
Speaker 1: Okay, let's that's by the palette.

1873
01:16:55,760 --> 01:16:57,720
Speaker 3: Yeah, that's your vote. Yeah, why not?

1874
01:16:57,880 --> 01:17:00,000
Speaker 4: We've already the money we got.

1875
01:17:01,000 --> 01:17:01,920
Speaker 1: We get fill five hours.

1876
01:17:02,520 --> 01:17:04,559
Speaker 2: I understand that part, but I feel like the money's

1877
01:17:04,600 --> 01:17:06,040
Speaker 2: not there. I feel like he spent the money. No

1878
01:17:06,320 --> 01:17:08,320
Speaker 2: he didn't, But how's he gonna get palid then? Yeah,

1879
01:17:08,400 --> 01:17:09,000
Speaker 2: he spent the money.

1880
01:17:09,040 --> 01:17:12,640
Speaker 1: He'll use his own money. That's the same thing. Do

1881
01:17:13,880 --> 01:17:16,719
Speaker 1: you won't get our money back though, It's what I'm saying. Okay,

1882
01:17:16,840 --> 01:17:18,840
Speaker 1: so maybe Friday or Monday, we'll get it here and

1883
01:17:18,920 --> 01:17:19,960
Speaker 1: open it do our thing.

1884
01:17:20,160 --> 01:17:21,200
Speaker 3: Yeah, it's gonna be awesome.

1885
01:17:21,360 --> 01:17:23,280
Speaker 9: We're taking him hostage when he comes to work on Thursday.

1886
01:17:23,320 --> 01:17:24,720
Speaker 9: I think it's the next best day I can do it.

1887
01:17:24,800 --> 01:17:26,479
Speaker 9: And we're gonna go Thursday on the show to pick

1888
01:17:26,479 --> 01:17:26,720
Speaker 9: it up.

1889
01:17:26,720 --> 01:17:32,439
Speaker 1: Okay, good luck. Everybody did that guy sounds credible edited

1890
01:17:32,640 --> 01:17:35,120
Speaker 1: he said you might get underwear. I can't promise. You're

1891
01:17:35,160 --> 01:17:36,719
Speaker 1: not right, And then you're.

1892
01:17:36,560 --> 01:17:39,599
Speaker 7: Like, perfect, it's fine. That's the chance that you take

1893
01:17:39,640 --> 01:17:42,880
Speaker 7: in business, when you you take risks. That's the that's

1894
01:17:42,960 --> 01:17:44,120
Speaker 7: the thing when you open a business.

1895
01:17:44,160 --> 01:17:48,280
Speaker 1: Thanks businessman, will you take that? He's not done anything

1896
01:17:48,320 --> 01:17:50,880
Speaker 1: in business, but he's like, own business. What do you

1897
01:17:50,960 --> 01:17:52,920
Speaker 1: mean even the one thing that you've done and invested

1898
01:17:52,960 --> 01:17:55,040
Speaker 1: in you got caught at the border, and he.

1899
01:17:56,600 --> 01:17:57,519
Speaker 3: I take a chance. Yes.

1900
01:17:57,600 --> 01:18:01,320
Speaker 7: I was doing bootleg Disney DVD from overseas. Me and

1901
01:18:01,400 --> 01:18:03,000
Speaker 7: my buddy Oscar, the same one that I'm on the

1902
01:18:03,040 --> 01:18:05,680
Speaker 7: phone playing with. Me and him were business partners and

1903
01:18:05,760 --> 01:18:10,000
Speaker 7: we ordered Disney dvs from overseas, sold them on eBay

1904
01:18:10,120 --> 01:18:12,320
Speaker 7: and we made like a thousand bucks and we were like, wow,

1905
01:18:12,320 --> 01:18:13,320
Speaker 7: we did a small shipment.

1906
01:18:13,520 --> 01:18:16,559
Speaker 1: So then we went big and we ordered all your

1907
01:18:16,600 --> 01:18:19,439
Speaker 1: money on all our money, and we got a note.

1908
01:18:19,280 --> 01:18:23,920
Speaker 7: Says customs has these DVDs. If you'd like to come

1909
01:18:24,000 --> 01:18:26,360
Speaker 7: and you know, vouch for him and see why they're

1910
01:18:26,360 --> 01:18:28,000
Speaker 7: being you can, or you can just let it find

1911
01:18:28,040 --> 01:18:29,240
Speaker 7: them and you can just have them.

1912
01:18:29,280 --> 01:18:30,920
Speaker 3: We don't want to go to jail, and we lost

1913
01:18:30,920 --> 01:18:32,600
Speaker 3: all our money and that was your only business. That

1914
01:18:32,840 --> 01:18:34,679
Speaker 3: that's the one no storage unit.

1915
01:18:35,880 --> 01:18:38,200
Speaker 4: Okay, so you're being like two and twenty years hey.

1916
01:18:38,240 --> 01:18:39,200
Speaker 1: And both were shady.

1917
01:18:40,280 --> 01:18:45,240
Speaker 3: They made them a little shady. Bobby Bone's show up today.

1918
01:18:45,840 --> 01:18:49,400
Speaker 7: This story comes up from Marion County, Florida. A woman

1919
01:18:49,560 --> 01:18:51,759
Speaker 7: was in the gas station. She was waiting in line,

1920
01:18:52,240 --> 01:18:54,000
Speaker 7: three people in front of her. She starts l the

1921
01:18:54,040 --> 01:18:57,600
Speaker 7: cast here, you could go a little bit faster. Cashier's like,

1922
01:18:57,640 --> 01:19:00,000
Speaker 7: I'm trying. I'm trying, you could go a little bit faster.

1923
01:19:01,120 --> 01:19:03,080
Speaker 7: So then she finally got fed up, went to the

1924
01:19:03,120 --> 01:19:07,479
Speaker 7: little sausage roller, grabbed a sausage wow, oh, threw it

1925
01:19:07,520 --> 01:19:10,000
Speaker 7: at the cashier, threw the tongs at the cashier.

1926
01:19:10,200 --> 01:19:10,320
Speaker 11: Oh.

1927
01:19:11,120 --> 01:19:12,519
Speaker 3: And then she sat there and taunt at her for

1928
01:19:12,600 --> 01:19:14,160
Speaker 3: eight minutes before police are riding in arrest.

1929
01:19:14,200 --> 01:19:15,400
Speaker 1: Well, if she had all the say minutes of time

1930
01:19:15,439 --> 01:19:17,200
Speaker 1: to taunt, why didn't she just wait in line write

1931
01:19:17,320 --> 01:19:19,439
Speaker 1: more patients, because I think she'd probably been through the

1932
01:19:19,479 --> 01:19:20,200
Speaker 1: line in eight minutes.

1933
01:19:20,720 --> 01:19:22,599
Speaker 4: Well, priority she prefers to talent.

1934
01:19:22,800 --> 01:19:25,600
Speaker 3: I guess okay, I'm lunchbox. That's your bonehead story of

1935
01:19:25,600 --> 01:19:26,040
Speaker 3: the day.

1936
01:19:27,479 --> 01:19:28,559
Speaker 1: Amy watched that dirty movie.

1937
01:19:28,640 --> 01:19:31,439
Speaker 4: Mike was Thomas about, Oh yeah, what is it an

1938
01:19:31,479 --> 01:19:32,280
Speaker 4: erotic thriller?

1939
01:19:32,439 --> 01:19:32,599
Speaker 14: Oh?

1940
01:19:33,320 --> 01:19:34,760
Speaker 1: Mike d came on. I was like, hey, there's a

1941
01:19:34,800 --> 01:19:38,280
Speaker 1: movie on Netflix called fair Play. It's an erotic thriller.

1942
01:19:38,360 --> 01:19:39,240
Speaker 1: All I heard was erotic?

1943
01:19:40,120 --> 01:19:40,400
Speaker 4: Me too?

1944
01:19:41,040 --> 01:19:42,600
Speaker 1: Is it just feels like what I would try to

1945
01:19:42,680 --> 01:19:45,280
Speaker 1: stay up and sneak on cinemax to my friend Evan's

1946
01:19:45,320 --> 01:19:47,080
Speaker 1: house when I'd stay over with him at like one

1947
01:19:47,120 --> 01:19:49,000
Speaker 1: am and he didn't have the channel. We'd flip it

1948
01:19:49,040 --> 01:19:50,360
Speaker 1: real fast. You can only see a second of it,

1949
01:19:51,000 --> 01:19:53,519
Speaker 1: and so we try to make out boobs and so

1950
01:19:53,800 --> 01:19:56,320
Speaker 1: that was what. That's what erotic thriller sounds like to me?

1951
01:19:56,840 --> 01:19:57,000
Speaker 14: Right?

1952
01:19:57,240 --> 01:20:02,280
Speaker 4: It actually has an interesting story story line for sure, don't.

1953
01:20:02,920 --> 01:20:05,120
Speaker 4: I had it on my computer walking around doing things,

1954
01:20:05,280 --> 01:20:06,840
Speaker 4: just make sure kids are not around.

1955
01:20:07,120 --> 01:20:07,800
Speaker 1: Did that happen with you?

1956
01:20:08,000 --> 01:20:08,160
Speaker 6: Well?

1957
01:20:08,320 --> 01:20:11,080
Speaker 4: I mean at one point my son was coming in

1958
01:20:11,280 --> 01:20:13,639
Speaker 4: and I was like, oh, and I just turned my computer.

1959
01:20:13,680 --> 01:20:16,559
Speaker 4: I was in my closet hanging up clothes. Don't come

1960
01:20:16,600 --> 01:20:21,040
Speaker 4: in here. It's not it's not all. There are some

1961
01:20:21,640 --> 01:20:28,080
Speaker 4: very there's some intense like moments that were hard I

1962
01:20:28,120 --> 01:20:30,840
Speaker 4: could I had to look away even by your own point,

1963
01:20:32,000 --> 01:20:34,200
Speaker 4: it's not even that. It was just that it's intense,

1964
01:20:34,360 --> 01:20:38,960
Speaker 4: like it's not a healthy relationship per se. And Mike

1965
01:20:39,120 --> 01:20:42,360
Speaker 4: is right, if you can make it through the first scene,

1966
01:20:43,080 --> 01:20:44,639
Speaker 4: I guess you can make it through.

1967
01:20:45,040 --> 01:20:46,160
Speaker 3: Do you think it the rest?

1968
01:20:46,320 --> 01:20:48,240
Speaker 4: I thought it was. I thought it was really interesting.

1969
01:20:48,360 --> 01:20:53,000
Speaker 4: Some of it not necessary, but I understand the storyline.

1970
01:20:53,000 --> 01:20:56,040
Speaker 4: It does make you think sometimes about relationships and the

1971
01:20:56,160 --> 01:20:58,599
Speaker 4: dynamic between men and women and if suddenly a woman

1972
01:20:58,760 --> 01:21:00,920
Speaker 4: is in more of a place power, what it does

1973
01:21:01,040 --> 01:21:02,400
Speaker 4: to the man's ego.

1974
01:21:04,400 --> 01:21:09,720
Speaker 1: Wow, the music dies right, looks at me right right, Mike, yep, yep.

1975
01:21:09,920 --> 01:21:12,840
Speaker 1: So what do you rate it? Or no?

1976
01:21:13,800 --> 01:21:14,519
Speaker 3: No, you're not the.

1977
01:21:16,040 --> 01:21:18,760
Speaker 1: That kind of movie council, Like what do you rate it?

1978
01:21:18,880 --> 01:21:20,599
Speaker 1: As far as like a score?

1979
01:21:21,840 --> 01:21:25,519
Speaker 4: I mean, if you're yeah, if you can get past

1980
01:21:25,560 --> 01:21:27,400
Speaker 4: some of the stuff, like, it's a good yeah. I

1981
01:21:27,479 --> 01:21:29,320
Speaker 4: give it three point five out of five.

1982
01:21:29,920 --> 01:21:30,559
Speaker 1: What's the symbol?

1983
01:21:30,600 --> 01:21:33,720
Speaker 4: You're gonna very intense moments?

1984
01:21:34,920 --> 01:21:36,680
Speaker 1: Three and a half, very intense moments out of five

1985
01:21:37,160 --> 01:21:39,120
Speaker 1: three and a half. You knew I was going to

1986
01:21:39,160 --> 01:21:40,760
Speaker 1: ask you for this. We always say what do you

1987
01:21:41,120 --> 01:21:41,559
Speaker 1: what are you rat?

1988
01:21:41,720 --> 01:21:42,840
Speaker 3: You got to pick something that's.

1989
01:21:42,720 --> 01:21:45,920
Speaker 4: In the movie all right, three out of five. Uh

1990
01:21:46,600 --> 01:21:47,719
Speaker 4: stock trades.

1991
01:21:48,880 --> 01:21:51,800
Speaker 1: There we go, There you go. An erotic thriller called

1992
01:21:51,840 --> 01:21:53,519
Speaker 1: fair Play on Netflix. More gonn you watch it?

1993
01:21:54,000 --> 01:21:54,639
Speaker 12: No, I haven't.

1994
01:21:54,760 --> 01:21:56,360
Speaker 1: Her eyes got really wide like she had seen it.

1995
01:21:56,680 --> 01:21:58,160
Speaker 1: But I guess she's just like me and is like,

1996
01:21:58,200 --> 01:22:00,679
Speaker 1: I can't believe Amy watched it. Well, you woun't approved,

1997
01:22:00,720 --> 01:22:01,080
Speaker 1: Amy though?

1998
01:22:01,160 --> 01:22:03,400
Speaker 3: Yeah, lonely Amy, Yeah this is wild.

1999
01:22:06,240 --> 01:22:06,439
Speaker 10: Amy.

2000
01:22:07,680 --> 01:22:11,240
Speaker 1: I just a good okay, thank you, We will see

2001
01:22:11,280 --> 01:22:13,720
Speaker 1: you tomorrow. Have a great day by anybody, love me

2002
01:22:13,800 --> 01:22:14,160
Speaker 1: Bones