1 00:00:00,040 --> 00:00:01,320 Speaker 1: I've got a great book. 2 00:00:01,360 --> 00:00:03,480 Speaker 2: I want to recommend you got to get started reading it, 3 00:00:03,520 --> 00:00:05,120 Speaker 2: though it's going to take you fifty years. 4 00:00:05,160 --> 00:00:08,200 Speaker 1: It's one more thing, Oh jees more Armstrong and Getty. 5 00:00:08,800 --> 00:00:13,159 Speaker 3: One more thing is it Ulysses? Because I think I've 6 00:00:13,160 --> 00:00:15,720 Speaker 3: been working on that for nine months and I haven't 7 00:00:15,720 --> 00:00:16,400 Speaker 3: finished it yet. 8 00:00:17,480 --> 00:00:21,560 Speaker 2: Ulysses is a pamphlet you get at your doctor's office. 9 00:00:21,600 --> 00:00:25,320 Speaker 3: Compared to this book, stay with us. It's a business card. 10 00:00:26,880 --> 00:00:28,880 Speaker 3: I'm going to talk about this on Tuesday's Armstrong and 11 00:00:28,920 --> 00:00:30,600 Speaker 3: Getty radio show. I don't think we've ever done a 12 00:00:30,640 --> 00:00:33,120 Speaker 3: tease in the One More Thing podcast for the radio show, 13 00:00:33,159 --> 00:00:36,400 Speaker 3: but just came across this. So when they started cracking 14 00:00:36,440 --> 00:00:38,960 Speaker 3: down on illegals up in Wisconsin where you got a 15 00:00:39,000 --> 00:00:42,040 Speaker 3: lot of dairy farm stuff like that, a variety of 16 00:00:42,120 --> 00:00:45,400 Speaker 3: dairy farmers started getting robots and you got one farm 17 00:00:45,400 --> 00:00:49,000 Speaker 3: now that produces three times more milk per worker now 18 00:00:50,000 --> 00:00:52,320 Speaker 3: because of the robots they hired doing a bunch of 19 00:00:52,320 --> 00:00:53,240 Speaker 3: work on the dairy farm. 20 00:00:53,640 --> 00:00:54,040 Speaker 1: Yeah. 21 00:00:54,160 --> 00:00:59,920 Speaker 2: Interesting, Yeah, it's achieved the same thing and artificially hymen 22 00:01:00,040 --> 00:01:02,480 Speaker 2: them wage. Would I suppose I hope you don't convince 23 00:01:02,480 --> 00:01:05,000 Speaker 2: his people. Hey, it's worth it to invest in the technology. 24 00:01:05,000 --> 00:01:05,520 Speaker 1: Now, let's do it. 25 00:01:05,560 --> 00:01:08,360 Speaker 3: I gotta hope you don't get your teeth pulled off. 26 00:01:09,000 --> 00:01:12,240 Speaker 3: Nobody wants that get your ringer? 27 00:01:12,319 --> 00:01:13,440 Speaker 1: Is the old saying used to go? 28 00:01:13,640 --> 00:01:17,680 Speaker 3: Made Katie WinCE enough? Very that would be that would 29 00:01:17,720 --> 00:01:22,920 Speaker 3: be very painful. In my opinion, Yes, I think so ill. 30 00:01:23,640 --> 00:01:27,400 Speaker 3: Nobody does laundry anymore with that sort of system where 31 00:01:27,400 --> 00:01:30,759 Speaker 3: you're actually putting clothes through a ringer to dry them out. 32 00:01:30,840 --> 00:01:33,280 Speaker 3: We have dryers now, so the chance of getting your 33 00:01:34,000 --> 00:01:35,920 Speaker 3: breasticle caught in a ringer is. 34 00:01:36,000 --> 00:01:38,120 Speaker 1: Very righted, it's much lower, certainly. 35 00:01:38,600 --> 00:01:42,160 Speaker 2: Apparently back in the day that that saying was popularized, 36 00:01:42,160 --> 00:01:46,360 Speaker 2: women didn't have enough, like multiple shirts to throw one 37 00:01:46,480 --> 00:01:48,960 Speaker 2: on during the process of the ringing. 38 00:01:49,080 --> 00:01:53,760 Speaker 3: Good God, that would hurt. Oh was that a regular occurrence? 39 00:01:54,000 --> 00:01:56,040 Speaker 3: My grandma were so alive. I'd ask her because she 40 00:01:56,040 --> 00:02:01,200 Speaker 3: had laundry like that regular enough cord question to ask. 41 00:02:01,080 --> 00:02:06,400 Speaker 4: My grandma, Yeah, agreed, any any any I can only 42 00:02:06,440 --> 00:02:08,920 Speaker 4: imagine it's not probably not as bad as the balls, 43 00:02:08,960 --> 00:02:11,320 Speaker 4: but I mean any incident with the boob is just not. 44 00:02:12,639 --> 00:02:14,880 Speaker 3: Get your testicles caught in the ringer. You're doing your 45 00:02:14,960 --> 00:02:16,480 Speaker 3: laundry in a weird way. 46 00:02:20,840 --> 00:02:30,720 Speaker 1: I get more leverage. 47 00:02:30,800 --> 00:02:34,600 Speaker 2: So I find this so interesting and I would love 48 00:02:34,680 --> 00:02:37,040 Speaker 2: to I am going to dig into this a little more. 49 00:02:37,680 --> 00:02:41,160 Speaker 2: The article is entitled the Strangest Book in Harvard Library, 50 00:02:41,200 --> 00:02:44,800 Speaker 2: but it's the strangest book in any library. And this 51 00:02:44,880 --> 00:02:49,239 Speaker 2: piece was written by Ted Joya, who I love. I'd 52 00:02:49,280 --> 00:02:51,120 Speaker 2: never heard of the Inmand Diary. 53 00:02:51,200 --> 00:02:52,359 Speaker 3: Jackie, had you ever heard of that? 54 00:02:53,720 --> 00:02:57,440 Speaker 2: You're very literary? He has not, Folks, Katie, the Inmand 55 00:02:57,480 --> 00:03:01,960 Speaker 2: Diary no, by like how Jack just walked. I've lost 56 00:03:02,000 --> 00:03:03,960 Speaker 2: interest myself. I feel like. 57 00:03:04,000 --> 00:03:06,160 Speaker 3: I've heard of it, but I don't remember what it is. 58 00:03:06,880 --> 00:03:10,440 Speaker 1: Yeah, so I just walked off. 59 00:03:11,720 --> 00:03:14,880 Speaker 2: On the opening page, the book's editor makes a bold 60 00:03:14,880 --> 00:03:17,760 Speaker 2: claim this work has no counterpart in any literature that 61 00:03:17,800 --> 00:03:22,399 Speaker 2: I am aware of. The author, Arthur Inman, was obsessed 62 00:03:22,480 --> 00:03:27,480 Speaker 2: with winning some sort of fame or immortality, but he 63 00:03:27,560 --> 00:03:30,120 Speaker 2: really had no way to do it. As he himself wrote, 64 00:03:30,560 --> 00:03:33,519 Speaker 2: the only way for him to win fame, perhaps even immortality, 65 00:03:33,560 --> 00:03:36,200 Speaker 2: would be to write a diary unlike any ever written. 66 00:03:36,520 --> 00:03:39,200 Speaker 2: It would contain the kind of information that he had 67 00:03:39,200 --> 00:03:42,960 Speaker 2: looked for and never found in other diaries, which Joy 68 00:03:43,120 --> 00:03:49,720 Speaker 2: points out seems like an impossible goal, because there are many, many, dozens, 69 00:03:49,720 --> 00:03:54,840 Speaker 2: if not hundreds, of diaries from Augustine to Rousseau to whatever, 70 00:03:54,880 --> 00:04:00,440 Speaker 2: Samuel peeps right, who had famous diaries that are fascinating 71 00:04:00,480 --> 00:04:03,280 Speaker 2: relics of their time. So what could Arthur Edman do 72 00:04:03,320 --> 00:04:05,760 Speaker 2: in the twentieth century that hadn't already been done before? 73 00:04:06,120 --> 00:04:10,240 Speaker 2: Adding to the challenge, Inmann had practically nothing to write about, 74 00:04:10,640 --> 00:04:13,320 Speaker 2: or so it seemed. He was a semi invalid who 75 00:04:13,320 --> 00:04:14,600 Speaker 2: spent most of his life in. 76 00:04:14,560 --> 00:04:15,640 Speaker 1: A darkened room. 77 00:04:16,000 --> 00:04:22,000 Speaker 3: Oh geez, even recluses like Proust and Pyncheon are gadabouts 78 00:04:22,040 --> 00:04:25,160 Speaker 3: by Commerson writes, joy, Wow, he spent his whole life 79 00:04:25,160 --> 00:04:27,000 Speaker 3: in a darkened room and then kept a diary and 80 00:04:27,040 --> 00:04:28,679 Speaker 3: I'm supposed to read it. 81 00:04:28,720 --> 00:04:29,560 Speaker 1: Brace yourself. 82 00:04:30,080 --> 00:04:35,200 Speaker 2: Yet, Inman wrote some seventeen million words and filled one 83 00:04:35,320 --> 00:04:39,640 Speaker 2: hundred and fifty five volumes now housed in Harvard's Houton Library. 84 00:04:39,880 --> 00:04:43,560 Speaker 2: That's roughly twenty five times as long as the Bible. 85 00:04:44,520 --> 00:04:48,120 Speaker 2: He devoted forty years to this project from nineteen nineteen, 86 00:04:48,600 --> 00:04:51,080 Speaker 2: and he continued working on until shortly after his death 87 00:04:51,120 --> 00:04:54,200 Speaker 2: in nineteen sixty. Before his death, rather, he didn't work 88 00:04:54,360 --> 00:04:57,440 Speaker 2: on it after his death. Before in nineteen sixty. 89 00:04:57,279 --> 00:04:59,839 Speaker 3: June sixth, nineteen twenty eight. 90 00:05:00,080 --> 00:05:04,000 Speaker 2: Well, sitting in the room again, same dark room I 91 00:05:04,080 --> 00:05:07,640 Speaker 2: referred to in yesterday's post, And for that matter, the 92 00:05:07,680 --> 00:05:10,440 Speaker 2: day before you ever wonder about getting your tit and 93 00:05:10,480 --> 00:05:17,159 Speaker 2: a ringer? Ill, I bought myself a ringer, And as 94 00:05:17,240 --> 00:05:20,039 Speaker 2: much as I cranked and pressed my chest against anyway, no. 95 00:05:20,200 --> 00:05:21,839 Speaker 3: Weird thing happened got my testicle. 96 00:05:21,839 --> 00:05:23,839 Speaker 1: Cat. I thought I had more leverage. 97 00:05:26,240 --> 00:05:29,159 Speaker 3: I was squatting down to get a good firm footing. 98 00:05:29,520 --> 00:05:31,599 Speaker 1: And well, he'll never guess what happened next. 99 00:05:34,320 --> 00:05:38,320 Speaker 2: Back to the actual diary, here's where it gets crazy. 100 00:05:39,400 --> 00:05:43,600 Speaker 2: So here's the twist that actually got him the immortality 101 00:05:43,640 --> 00:05:47,440 Speaker 2: in a way that he was looking for. He took 102 00:05:47,600 --> 00:05:51,680 Speaker 2: ads in the newspaper offering to hire talkers who would 103 00:05:51,720 --> 00:05:55,279 Speaker 2: tell him the wildest and most intimate details of their lives. 104 00:05:56,279 --> 00:05:58,640 Speaker 2: The end result was a diary with more than one 105 00:05:58,680 --> 00:06:05,640 Speaker 2: thousand characters' striving with one another to provide the most compelling, uncensored, 106 00:06:05,960 --> 00:06:08,799 Speaker 2: perfectly honest narratives of their lives. 107 00:06:08,839 --> 00:06:12,279 Speaker 3: That is fascinating. There needs to be an abridged version. 108 00:06:12,000 --> 00:06:15,440 Speaker 2: Of this, though, oh yes, please, yes, please, Abridging it 109 00:06:15,440 --> 00:06:18,760 Speaker 2: would take thirty years. That crowd sourced approach turned the 110 00:06:18,800 --> 00:06:23,279 Speaker 2: Inmand journals into a compendium of confessions unlike anything ever 111 00:06:23,440 --> 00:06:24,120 Speaker 2: written down. 112 00:06:24,120 --> 00:06:26,600 Speaker 1: To be sure, so he. 113 00:06:26,640 --> 00:06:29,520 Speaker 2: Paid his talkers, as he called them, a dollar an hour, 114 00:06:29,960 --> 00:06:32,320 Speaker 2: which you know, depending on when in the project it was, 115 00:06:32,600 --> 00:06:35,920 Speaker 2: you know, at least enough money to show up, particularly 116 00:06:35,960 --> 00:06:37,960 Speaker 2: because a lot of these people he talked to were 117 00:06:38,080 --> 00:06:41,320 Speaker 2: kind of down and outers. He often went beyond listening 118 00:06:41,400 --> 00:06:43,719 Speaker 2: having sexual relations with some of the women who. 119 00:06:43,560 --> 00:06:44,160 Speaker 1: Took the job. 120 00:06:44,360 --> 00:06:48,520 Speaker 3: What by by any definition, outo. 121 00:06:51,240 --> 00:06:53,720 Speaker 2: And he'd say, you know, he'd have him spill their 122 00:06:53,760 --> 00:06:57,039 Speaker 2: sexual secrets or whatever. And I'm guessing he'd say, you know, 123 00:06:57,080 --> 00:06:59,120 Speaker 2: this is kind of getting me horned up, how about you? 124 00:06:59,560 --> 00:07:02,160 Speaker 3: And if they said, yeah, kind of, you know, that's 125 00:07:02,200 --> 00:07:04,160 Speaker 3: a good line. Yeah, well I don't do it. 126 00:07:04,279 --> 00:07:08,560 Speaker 2: Frank Man inn't them. But by any definition, he was 127 00:07:08,600 --> 00:07:12,280 Speaker 2: a creepy guy whose behavior violated all reasonable norms, even 128 00:07:12,320 --> 00:07:15,920 Speaker 2: as editor Daniel Aaron admits that this disturbed individual's massive 129 00:07:15,960 --> 00:07:19,440 Speaker 2: journal quote is the autobiography of a warped and deeply 130 00:07:19,440 --> 00:07:23,480 Speaker 2: troubled man whose aberrations call for psychiatric probing. 131 00:07:24,440 --> 00:07:27,520 Speaker 3: That's super interesting. They gotta have ai A bridget, because 132 00:07:27,920 --> 00:07:30,680 Speaker 3: it would take too long for any human obviously. Oh, 133 00:07:30,760 --> 00:07:32,560 Speaker 3: you can feed that into AI and have it a 134 00:07:32,600 --> 00:07:34,480 Speaker 3: bridget somehow and turn it into a you know, a 135 00:07:34,600 --> 00:07:36,920 Speaker 3: manageable eight hundred pages or something. 136 00:07:37,000 --> 00:07:39,280 Speaker 2: Or you'd have to hire a team of twenty five 137 00:07:39,760 --> 00:07:42,120 Speaker 2: you know, like grad students in editing or something. 138 00:07:42,120 --> 00:07:42,520 Speaker 1: I don't know. 139 00:07:43,120 --> 00:07:46,080 Speaker 3: He often closed the diaries with the send off, I. 140 00:07:46,040 --> 00:07:48,280 Speaker 1: Wish I were dead. Wow. 141 00:07:48,640 --> 00:07:51,200 Speaker 2: Yet he also saw himself in a heroic light, dreaming 142 00:07:51,240 --> 00:07:54,560 Speaker 2: of the posthumous fame his massive diary would eventually bring. 143 00:07:54,400 --> 00:07:56,480 Speaker 3: You well, see you tomorrow, wish I was dead. 144 00:07:57,280 --> 00:08:02,040 Speaker 2: His talkers were extraordinarily trusting in handed Perhaps the darkened 145 00:08:02,120 --> 00:08:04,320 Speaker 2: room in the quasi anonymity of the setting made it 146 00:08:04,400 --> 00:08:08,200 Speaker 2: feel like an actual confessional. Maybe it's even simpler. People 147 00:08:08,240 --> 00:08:11,920 Speaker 2: wanted to reveal their darkest secrets and still do as 148 00:08:13,520 --> 00:08:15,840 Speaker 2: cites somebody sayas, and we'll seek out settings where it 149 00:08:15,880 --> 00:08:19,160 Speaker 2: can happen. Or perhaps the reality is more banal and tragic. 150 00:08:19,240 --> 00:08:21,320 Speaker 2: These folks simply needed the cash, and Edmand was the 151 00:08:21,320 --> 00:08:25,360 Speaker 2: only person paying for their secrets. Sometimes Inman's talkers showed 152 00:08:25,440 --> 00:08:27,200 Speaker 2: up with stories to tell, but if they were reticent, 153 00:08:27,280 --> 00:08:30,560 Speaker 2: he would immediately start probing. Here is his account of 154 00:08:30,560 --> 00:08:33,280 Speaker 2: a first meeting with missus Haviland, never brought back for 155 00:08:33,280 --> 00:08:35,600 Speaker 2: a second session because she was too quote unquote sweet. 156 00:08:36,000 --> 00:08:37,760 Speaker 2: I asked her how old she was, how long she'd 157 00:08:37,800 --> 00:08:40,240 Speaker 2: been married, whether she loved her husband, whether he loved her, 158 00:08:40,360 --> 00:08:42,680 Speaker 2: whether she loved her son or husband best, why she'd 159 00:08:42,720 --> 00:08:45,280 Speaker 2: been to the hospital lately, whether she used contraceptives, how 160 00:08:45,320 --> 00:08:48,199 Speaker 2: much salary your husband made, who her ancestors were, how 161 00:08:48,240 --> 00:08:50,760 Speaker 2: she budgeted her money, if she believed in God? How 162 00:08:50,760 --> 00:08:52,760 Speaker 2: many friends she had, What did she look forward to 163 00:08:52,760 --> 00:08:54,800 Speaker 2: in life? What sort of childhood she'd had? Was she 164 00:08:54,880 --> 00:08:57,280 Speaker 2: calm or emotional? Did she read like music, the movies? 165 00:08:57,280 --> 00:08:57,679 Speaker 1: And so on? 166 00:08:57,880 --> 00:09:02,880 Speaker 3: Most of her answers I believed some I didn't. Let's see, 167 00:09:03,400 --> 00:09:05,800 Speaker 3: So is this available anywhere? Is it online or anything? 168 00:09:06,960 --> 00:09:09,680 Speaker 1: That is a good question I can dig into that. 169 00:09:09,720 --> 00:09:11,840 Speaker 2: I don't recall seeing that I read the article, but 170 00:09:12,000 --> 00:09:13,520 Speaker 2: it was a couple of weeks ago, and I've just 171 00:09:13,520 --> 00:09:14,640 Speaker 2: been holding on to it. 172 00:09:16,520 --> 00:09:17,080 Speaker 1: He writes. 173 00:09:17,160 --> 00:09:19,920 Speaker 2: I doubt that inmund Diary could still be published by 174 00:09:20,000 --> 00:09:23,440 Speaker 2: Harvard University Press nowadays. There's just too much in its pages. 175 00:09:23,679 --> 00:09:27,320 Speaker 2: In its pages rather to upset dismay, shock, and appall. 176 00:09:27,800 --> 00:09:30,480 Speaker 2: And if you aren't offended by Inman's dealings with his talkers, 177 00:09:30,679 --> 00:09:35,360 Speaker 2: you will inevitably invariably find his opinions on politics, society, religion, race, 178 00:09:35,600 --> 00:09:39,840 Speaker 2: and a host of other matters reprehensible in whole. 179 00:09:39,640 --> 00:09:42,160 Speaker 1: Or in part. Well, let me make it clear. 180 00:09:42,520 --> 00:09:42,880 Speaker 3: Go ahead. 181 00:09:43,559 --> 00:09:45,240 Speaker 2: Uh. If you're the kind of person who needs a 182 00:09:45,240 --> 00:09:47,280 Speaker 2: trigger warning, proceed no further. 183 00:09:47,880 --> 00:09:50,320 Speaker 3: Wow, Well, the guy I would read this sort of 184 00:09:50,320 --> 00:09:52,880 Speaker 3: thing for that sort of stuff, that's what you're looking for, 185 00:09:53,240 --> 00:09:53,880 Speaker 3: and he says. 186 00:09:53,720 --> 00:09:54,480 Speaker 1: It's a historian. 187 00:09:54,559 --> 00:09:59,600 Speaker 3: It's just absolutely I'm valuable. So I'm looking at h Amazon, 188 00:10:00,080 --> 00:10:02,520 Speaker 3: number one bookseller in the world, The Inman Diary of 189 00:10:02,520 --> 00:10:06,080 Speaker 3: Public and Private Conficient Confession by Arthur C. Inman. There 190 00:10:06,160 --> 00:10:09,599 Speaker 3: all are volumes you can buy The Inmand Diary of 191 00:10:09,679 --> 00:10:13,440 Speaker 3: Public and Private Confession. Yeah, it's split into two pieces. 192 00:10:13,440 --> 00:10:16,880 Speaker 3: It looks like from a darkened room, the Inmand Diary. 193 00:10:17,400 --> 00:10:18,840 Speaker 1: Huh. I'll have to look into this more. 194 00:10:19,360 --> 00:10:23,720 Speaker 3: But it's got to be way, way way abridged obviously. 195 00:10:23,760 --> 00:10:27,240 Speaker 2: Right, which is good. But they mentioned he mentions. Inman's 196 00:10:27,240 --> 00:10:30,560 Speaker 2: talkers didn't seem very interested in self censorship, and many 197 00:10:30,600 --> 00:10:33,679 Speaker 2: clearly savored the opportunity to tell their raw stories without 198 00:10:33,679 --> 00:10:36,960 Speaker 2: fear of consequences or judgment. They're a strange assortment. But 199 00:10:36,960 --> 00:10:38,719 Speaker 2: where else will you find a book written in the 200 00:10:38,800 --> 00:10:42,320 Speaker 2: nineteen thirties, or on a single page you encounter a 201 00:10:42,360 --> 00:10:49,240 Speaker 2: first hand account of pimping, prostitution, bootlegging, bribing, drug addiction, homosexuality, rape, 202 00:10:49,320 --> 00:10:53,880 Speaker 2: illegal gambling, drunkenness, police violence, a stint in bellevue, and 203 00:10:53,920 --> 00:10:58,360 Speaker 2: even glimmerings of a philosophy of life. The appearance of 204 00:10:58,400 --> 00:11:01,720 Speaker 2: a skilled musician who tickle the ivories is just an extra. 205 00:11:02,240 --> 00:11:04,840 Speaker 2: Do you doubt me? Here's an extract from the testimony 206 00:11:04,880 --> 00:11:07,480 Speaker 2: of Anthony Obruso of age twenty four. 207 00:11:10,000 --> 00:11:11,840 Speaker 1: It's a whole page. 208 00:11:12,920 --> 00:11:15,880 Speaker 3: That's truly interesting. I'm uh, you know, maybe I heard 209 00:11:15,880 --> 00:11:17,960 Speaker 3: about it last year and I forgot. I'm capable of that, 210 00:11:18,000 --> 00:11:20,640 Speaker 3: but I'm surprised I didn't know about this, and I'm 211 00:11:20,640 --> 00:11:24,760 Speaker 3: going to look into it. The volumes that are available, Yeah, 212 00:11:24,800 --> 00:11:26,440 Speaker 3: I see one here from ninety six. 213 00:11:26,480 --> 00:11:29,160 Speaker 4: It's a bridge down to It's down to five hundred 214 00:11:29,160 --> 00:11:30,000 Speaker 4: and ninety two pages. 215 00:11:30,480 --> 00:11:34,640 Speaker 3: God taste doable, Wow, seven million words or whatever reason 216 00:11:34,679 --> 00:11:37,439 Speaker 3: it was, Yeah, making five hundred pages out of it. 217 00:11:37,240 --> 00:11:39,800 Speaker 2: Hit me with a link that link if you would, Katie. 218 00:11:39,840 --> 00:11:42,040 Speaker 2: I mean, I could replicate your search, but why all right, 219 00:11:42,120 --> 00:11:44,040 Speaker 2: let me just hit you with one paragraph. I guess 220 00:11:44,040 --> 00:11:47,160 Speaker 2: from the nineteen thirties. I was making seventeen dollars. This 221 00:11:47,160 --> 00:11:49,960 Speaker 2: is the piano player. I was making seventeen dollars a week. 222 00:11:50,000 --> 00:11:52,080 Speaker 2: I hired a room. One day, I decided to find 223 00:11:52,160 --> 00:11:54,960 Speaker 2: out what women was all about. I knew where the 224 00:11:55,080 --> 00:11:58,640 Speaker 2: red light district was. He it's a black guy, and 225 00:11:58,679 --> 00:12:01,240 Speaker 2: he like writes it in the dialect, so I'll just 226 00:12:01,280 --> 00:12:03,520 Speaker 2: read what's in front of me. I knew where the 227 00:12:03,600 --> 00:12:05,760 Speaker 2: red light district was, so I went there. I got 228 00:12:05,800 --> 00:12:07,960 Speaker 2: myself a Southern girl. She showed me what it was 229 00:12:08,000 --> 00:12:09,960 Speaker 2: all about. I took to it like a fish to 230 00:12:10,040 --> 00:12:11,240 Speaker 2: water me too. 231 00:12:11,679 --> 00:12:12,120 Speaker 1: Uh. 232 00:12:12,160 --> 00:12:14,079 Speaker 2: She was a country girl to come to New York to 233 00:12:14,120 --> 00:12:16,520 Speaker 2: make a success. She'd hit the bumps and landed up 234 00:12:16,559 --> 00:12:19,720 Speaker 2: a prostitute. She was twenty three. She tried waking for 235 00:12:19,760 --> 00:12:21,439 Speaker 2: a boss, but didn't like it none, so it was 236 00:12:21,480 --> 00:12:23,680 Speaker 2: on her own. She was a nice baby. She took 237 00:12:23,720 --> 00:12:26,160 Speaker 2: dope and wanted me to, but I told her no, dice. 238 00:12:26,240 --> 00:12:28,920 Speaker 2: She didn't make me pay. Three other prostitutes I had 239 00:12:28,960 --> 00:12:31,520 Speaker 2: did though. Then there was a stenographer. It wasn't a 240 00:12:31,559 --> 00:12:33,720 Speaker 2: matter of sex with her. I just liked her. Oh yes, 241 00:12:33,760 --> 00:12:35,800 Speaker 2: there was a housemaid in the Bronx. She didn't cost 242 00:12:35,880 --> 00:12:37,880 Speaker 2: me nothing. As a matter of fact, I borrowed money 243 00:12:37,880 --> 00:12:39,160 Speaker 2: from her and never paid it back. 244 00:12:40,080 --> 00:12:40,360 Speaker 3: Wow. 245 00:12:42,240 --> 00:12:45,800 Speaker 2: Then he gets into all the rest of it. You know, 246 00:12:45,880 --> 00:12:47,720 Speaker 2: I'm gonna hit you with one more bit. I became 247 00:12:47,760 --> 00:12:50,440 Speaker 2: more and more of an inebriate. One night, a taxi 248 00:12:50,480 --> 00:12:52,240 Speaker 2: hit me. Then I got to see in things. I 249 00:12:52,280 --> 00:12:54,200 Speaker 2: saw a street car running off the tracks and heading 250 00:12:54,240 --> 00:12:56,800 Speaker 2: straight for me. I guess I screamed. A cop grabbed me. 251 00:12:57,080 --> 00:12:57,720 Speaker 2: I socked him. 252 00:12:57,760 --> 00:12:58,360 Speaker 1: He socked me. 253 00:12:58,760 --> 00:13:00,800 Speaker 3: Then he takes me to the psycho pathic ward at 254 00:13:00,800 --> 00:13:01,760 Speaker 3: Bellevue Hospital. 255 00:13:01,800 --> 00:13:02,400 Speaker 1: What a place. 256 00:13:02,679 --> 00:13:04,760 Speaker 2: I was there for two weeks. They gave me ether 257 00:13:04,840 --> 00:13:07,320 Speaker 2: and alcohol to cure me. You'd never seen such a 258 00:13:07,320 --> 00:13:10,079 Speaker 2: place as them. Two wards. Drunks sprawling on the floor 259 00:13:10,120 --> 00:13:13,520 Speaker 2: on mattresses, drunks trembling and seeing things and having dts 260 00:13:13,559 --> 00:13:17,160 Speaker 2: and losing up their guts. Guards beating up drunks. Insane 261 00:13:17,160 --> 00:13:20,040 Speaker 2: men and straight jackets and insane men out of straight jackets, 262 00:13:20,200 --> 00:13:23,520 Speaker 2: and moaning and hollering and shouting. Honestly, mister mmon, it 263 00:13:23,559 --> 00:13:25,000 Speaker 2: was the first time in my life that I had 264 00:13:25,040 --> 00:13:28,400 Speaker 2: ever given thought to my fellow creatures as individuals. Hitherto 265 00:13:28,520 --> 00:13:31,160 Speaker 2: I had just lived, done no thinking whatsoever. It was 266 00:13:31,200 --> 00:13:33,160 Speaker 2: also the first time I had ever given my thought 267 00:13:33,200 --> 00:13:33,920 Speaker 2: to my future. 268 00:13:34,280 --> 00:13:35,480 Speaker 1: Jeez, I did some thinking. 269 00:13:36,360 --> 00:13:38,080 Speaker 3: That's pretty good. That's pretty good. 270 00:13:38,720 --> 00:13:41,240 Speaker 1: Wow, the inmund Diaries. 271 00:13:41,600 --> 00:13:42,360 Speaker 3: I'll check it out. 272 00:13:43,800 --> 00:13:49,320 Speaker 5: Check it out to tell the story of my dad 273 00:13:49,360 --> 00:13:52,000 Speaker 5: squatting over a campfire and there were some high pitched 274 00:13:52,080 --> 00:13:55,760 Speaker 5: yells and well, anyway. 275 00:13:55,400 --> 00:13:58,800 Speaker 3: It's a good story, well short but compelling. 276 00:13:59,080 --> 00:14:00,959 Speaker 5: No, no, I'm not going to tell the whole thing. 277 00:14:02,320 --> 00:14:06,719 Speaker 3: Well, I guess that's it. What a cliffhanger is? 278 00:14:07,000 --> 00:14:07,720 Speaker 1: What the hell