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Speaker 1: It's nine oh gene onegin with Jenny Garth and Tory Spelling.

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Speaker 1: Oh okay nine O two one omg ars. We are

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Speaker 1: back for another episode of your favorite podcast, Lucky You.

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Speaker 2: So Lucky yus. Did we like this episode? Guys?

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Speaker 3: It was weird?

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Speaker 2: Wah. That was how I feeled about, Not like a

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Speaker 2: good weird, like a just weird.

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Speaker 1: I don't know. It had its moments.

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Speaker 3: They all have their moments, Yeah we do.

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Speaker 1: We're talking about Season five, episode twenty six, A Song

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Speaker 1: for My Mama. No that's not what it's called. A

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Speaker 1: song for your mother. No, that's not what it's called

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Speaker 1: A song for my mother. Aired April fifth, nineteen ninety five.

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Speaker 2: Arm synopsist Donna travels to Portland to visit Ray, and

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Speaker 2: David tags along to visit his mom, but their quick

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Speaker 2: trip to Oregon turns into despair when David discovers the

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Speaker 2: truth about his mom, who has gone missing, and Donna

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Speaker 2: discovers a violent side of Ray. Prue it with one tea. Meanwhile,

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Speaker 2: in La Dylan gets hypnotized and Valerie gets inked.

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Speaker 1: Directed by Chip Chalmers The Old Chipster Chip Chippy Chippy

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Speaker 1: and written by Max Eisenberg of our regulars.

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Speaker 3: We had three That was what was just so weird.

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Speaker 1: Really, Yes, Donna, David.

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Speaker 3: Dylan, I mean I don't count val Or.

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Speaker 2: You don't have to count val Now they're regulars. Now

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Speaker 2: they're not like my.

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Speaker 3: Old crew we had three ogs.

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Speaker 1: We had a little in that respect. Maybe your old

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Speaker 1: double up theory again.

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Speaker 2: Double ups.

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Speaker 1: Wait, no one's ever verified. If that's the truth.

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Speaker 3: That's the makes sense.

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Speaker 2: I don't find it.

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Speaker 1: I don't remember it being like that in Double Ups.

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Speaker 1: I remember everybody being just as involved in each episode,

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Speaker 1: but we just had to do twice as much work,

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Speaker 1: like we were going back and forth.

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Speaker 2: Yeah, but they did try to minimize the storylines if

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Speaker 2: they could.

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Speaker 1: I see, Yes, you're right, I really think so. I

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Speaker 1: don't know. This episode was very you know. I was like, look,

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Speaker 1: who gets to go to Portland?

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Speaker 2: Oh?

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Speaker 1: Not me again?

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Speaker 2: Or not me? No?

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Speaker 1: Wait, you were in Portland?

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Speaker 3: The airport seemed real?

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Speaker 2: Nope, where was the airport?

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Speaker 1: Laxperbank.

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Speaker 2: I didn't go anywhere, you guys. This was not fun.

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Speaker 1: Oh okay.

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Speaker 2: I had to put on a coat pretend it was cold.

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Speaker 2: It was right outside our stage.

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Speaker 1: I like that coat. By the way, the long coat.

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Speaker 3: Are we gonna go through it? Or should I throw

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Speaker 3: my mel flag on the plane? Now?

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Speaker 1: Not not yet.

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Speaker 2: We have trivia?

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Speaker 1: Oh good, well the first one we already answered. This

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Speaker 1: episode only features Dylan, Valerie, Donna, and David. So Amy,

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Speaker 1: you're the big winner. For the first time ever in

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Speaker 1: the series, Jason Priestley does not appear.

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Speaker 2: Yeah, no twins at all. Weird episode with no twins.

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Speaker 1: Well, Walsh's whatsoever?

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Speaker 2: It was weird?

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Speaker 1: Do you want to give them the next trivia?

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Speaker 2: Oh? Sure? It was the first appearance of David's mother,

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Speaker 2: Sheila Silver, played by Caroline Lagerfeldts.

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Speaker 1: Is that right?

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Speaker 3: Yeah, she's pretty recognizable even in her like later years.

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Speaker 2: Well she was in Gossip Girl.

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Speaker 3: Yeah roads, Yeah, yeah, well that's right.

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Speaker 1: And also Malibu experienced mudslides in nineteen ninety four, and

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Speaker 1: this is what Dylan and his hypno therapists were talking about.

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Speaker 1: I don't know if you noticed, but that drive up

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Speaker 1: the hill, you saw all the burnout lots, remember, Yeah.

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Speaker 3: So the mudslides half from made it?

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Speaker 1: Yeah, from the fire.

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Speaker 3: That all was boring.

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Speaker 1: I was more excited to see the burnout spots in Malibu.

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Speaker 2: Like that was not Like who thought that storyline? Was

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Speaker 2: going to be like, ooh, this is a doozy. Nope,

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Speaker 2: well I.

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Speaker 1: Think it might get more interesting. We'll see, we'll see.

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Speaker 3: But because I do remember West, I do.

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Speaker 1: Do you guys remember driving up to Malibu when it

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Speaker 1: was when it looked like that? Yeah, our makeup, no,

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Speaker 1: our hairstylist. I shall refrain from using names. But he

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Speaker 1: and his husband bought a burnout lot wow, on that

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Speaker 1: very hill in Malibu for a fraction of the price

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Speaker 1: you could buy it, and they built this beautiful house

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Speaker 1: and they've lived there ever since.

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Speaker 3: But didn't it happen again? Not that long ago?

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Speaker 1: Right, it's like different areas, seems like every couple of years. Yeah,

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Speaker 1: it's a risky place to live.

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Speaker 3: But oh, why don't buy a mansion too, because I'm worrying.

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Speaker 3: That's the only reason I wish you.

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Speaker 1: Would buy a Montecito mansion. So we can all come

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Speaker 1: to it. Okay, let's go through it. Okay, we start

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Speaker 1: in the airport in Portland, raised with the flowers raised,

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Speaker 1: They're all so sweet. He comes to meet Donna at

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Speaker 1: the airport and then surprise, surprise, surprise, ex boyfriend is there.

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Speaker 2: One for the two for the price a bogo.

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Speaker 1: I mean, what a position they are putting Donna in, right, I.

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Speaker 2: Mean whyse were he so upset about David being there?

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Speaker 2: I don't because i'm ex boyfriend. Well, and I don't

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Speaker 2: remember them being so like they had confrontation.

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Speaker 3: They had that confrontation, and he's.

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Speaker 1: Pissed off that he was there for the fire. No oops,

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Speaker 1: wrong character. He's pissed off that he was there for

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Speaker 1: the bad guy break in and he wasn't.

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Speaker 2: So he's kept going like he was bummed he rescued

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Speaker 2: me from the fire.

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Speaker 1: No, no, listen, listen, listen. Okay, that was really exciting.

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Speaker 2: Yeah, then we go what he should have done. He

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Speaker 2: should have said, David, I haven't seen you in person,

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Speaker 2: thank you for saving my saving.

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Speaker 3: He's still mad because of that confrontation over the record.

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Speaker 2: Lady, that's what he's mad. Okay about Valerie yet right?

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Speaker 1: So rough and rays Oh my god, Valerie's not out

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Speaker 1: of the bag yet. No, the whole Raleigh Valerie right,

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Speaker 1: I called it Rallery.

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Speaker 3: Y that's a good name.

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Speaker 2: Rallery is going to go down.

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Speaker 1: Yep, yep, I'm here for it.

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Speaker 2: Okay.

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Speaker 1: The Tattoo Parlor, where, for some reason, Dylan is there

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Speaker 1: with his girlfriend Valerie because she wants to get a tattoo,

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Speaker 1: but he thinks it's a bad idea. I mean, he's

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Speaker 1: not into tattoos, but he is into hypnotherapy.

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Speaker 3: It just was like, who cares? And why is he

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Speaker 3: always like her boyfriend? But then he's not her boyfriend.

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Speaker 1: It's like very befunny, he says, right, he says the

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Speaker 1: worst things to her ever ever, Like like there's one

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Speaker 1: point in the script where he says where she's saying

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Speaker 1: he does protest too much and or something like that,

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Speaker 1: and Dylan says he does, meaning I don't want you,

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Speaker 1: And then he says, but since you're here, they're.

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Speaker 3: Falling, falling out of the bed, all giggly googly. It's

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Speaker 3: just so ridiculous.

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Speaker 1: It's grody, but they're cute together. I decided it's true.

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Speaker 1: I'm into it.

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Speaker 2: Glad you came to your senses.

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Speaker 1: Yeah, thanks, it's because of you. You really really shine

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Speaker 1: a light on that for me and made me look

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Speaker 1: at it in a different perspective.

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Speaker 2: So thanks. Always hear it now.

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Speaker 1: But Dylan says that he's gonna Yeah, that's where Dylan

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Speaker 1: says he's going to go get the hypnotherapy. Wait, I

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Speaker 1: want to have a question. Yeap, Dylan had Dylan Luke

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Speaker 1: had no tattoos, Dylan had no tattoos? Valerie Tiffany had tattoos?

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Speaker 3: Or did you have tattoos? Show?

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Speaker 1: Is the is the the daisy that she ends up getting?

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Speaker 1: Is that her real tattoo? I've forgotten?

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Speaker 2: I believe it is.

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Speaker 1: Yeah, right, it looks familiar.

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Speaker 3: Yeah, because why would they? Why wouldn't they?

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Speaker 2: It was a daisy?

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Speaker 1: Yes? AnyWho, we're going to go back to Portland now, Okay,

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Speaker 1: David shows up to an office building look looking for

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Speaker 1: his mummy at her old job, but her former boss

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Speaker 1: has no idea where she is. So that's red flag

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Speaker 1: number one.

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Speaker 3: Oh I knew things were bad.

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Speaker 1: Yeah yeah, yeah, is Donna? No, Donna's not with him yet.

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Speaker 3: She's with Ray. They're kissing for like an hour in it.

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Speaker 1: They're doing it right now, Well they're not doing.

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Speaker 3: It because she does oh right, right, right, Well, they're

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Speaker 3: just kissing.

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Speaker 2: Donna doesn't do that, gets boys hot and heavy and

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Speaker 2: worked up and walks away. Yeah.

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Speaker 1: Then he goes to Then David goes to an apartment

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Speaker 1: building where the manager says that she skipped out on

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Speaker 1: the rent. He tells David she's a dead beat and

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Speaker 1: has been gone for two months, and oh's heer?

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Speaker 2: What was it? Two grand?

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Speaker 3: Yeah, very affordable?

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Speaker 1: One thousand dollars a month. He's losing on this chick lady.

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Speaker 3: And the alimony checks have not even been cashed.

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Speaker 1: I wonder how much they are though the alimony a minute,

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Speaker 1: because that's super confused. I was like, why is she

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Speaker 1: getting alimony if David? Oh wait, what, No, that's different.

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Speaker 3: Rights what you get when Bell made a pretty penny,

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Speaker 3: he is not poor.

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Speaker 2: No, I thought the same thing, Jen, So you're right,

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Speaker 2: it's not child sports because they've been married over ten years,

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Speaker 2: So you get that for how long rest of your life?

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Speaker 1: Oh? I never got any of those things, so I

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Speaker 1: don't really know the difference. Okay, No therapist house in

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Speaker 1: Maliboo your most exciting storyline. It's for I like this lady.

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Speaker 3: What's wrong with her? Remember she's a friend of what's

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Speaker 3: his doozy? They bumped into it the peach Oh remember

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Speaker 3: they bumped into her at the party at the peach pit.

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Speaker 3: I'm getting that right, right, it was the therapist. She's

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Speaker 3: the screenwriters.

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Speaker 1: Oh, she's Mollie Campbell. Remember, yeah, yeah, yeah, oh Charlie.

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Speaker 2: It's his friend, Charlie's friend, doctor Molly Campbell, okay, okay,

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Speaker 2: played by Jane Daily.

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Speaker 1: I thought she was charming and cute and beautiful and

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Speaker 1: I would have loved to hang out with her.

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Speaker 3: But I'm in the therapy. I'm nervous about hypno therapy.

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Speaker 2: But wait, just correct. Hypno Therapy is where they put

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Speaker 2: you under completely right, kind of like remember it's so

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Speaker 2: back in the.

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Speaker 1: Day, it's that hollow the whatever.

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Speaker 2: I think. I tried it once for flying and I

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Speaker 2: was like, nope, still right here. It didn't work.

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Speaker 1: Have you ever you've never tried hypnotherapy?

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Speaker 3: Amy One time when I was a little kid, I

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Speaker 3: had to get a surgery and they like didn't have

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Speaker 3: to fully put me under, but they hypnotized me and

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Speaker 3: it totally worked.

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Speaker 2: They were like, they hypnotized you for surgery.

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Speaker 3: Yeah, like it was I had to get something removed

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Speaker 3: from my face, and so I think it was just

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Speaker 3: like a local anesthetic and they maybe gave me like

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Speaker 3: a you know, like a little calmya down pill. I

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Speaker 3: mean I was little, I was like ten, maybe eleven,

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Speaker 3: But then they told.

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Speaker 2: Me hypnotize instead. Of drugs to go.

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Speaker 3: Yeah. They so they hypnotized me a little, but told

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Speaker 3: me to pretend I was watching my favorite TV show,

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Speaker 3: which was Wonder Woman at the and.

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Speaker 1: Did they count back from ten?

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Speaker 3: I don't know, but I think I were out yeah

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Speaker 3: that or because it wasn't like I was under anesthesia.

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Speaker 3: It was just like a little who knows, but I mean, yes,

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Speaker 3: watching Wonder Woman's chill.

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Speaker 1: I got hypnotized once when I was on Dancing with

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Speaker 1: the Stars, because I know, terrifying stage fright, no way that.

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Speaker 1: I literally was having my Cindy Brady moment every time

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Speaker 1: I went out there. They said, and don't sing the

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Speaker 1: chachall Jenny Garth then her partner Terry Cuff, I have

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Speaker 1: goosebumps of terror right now.

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Speaker 2: Oh my god.

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Speaker 4: Did the hypnotizing work, I guess so yeah, I think so.

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Speaker 4: It was weird, but you know the weirdest part. But

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Speaker 4: the girl's dad, aka my ex is a hypnotherapist.

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Speaker 2: Now wait, wait to go back, go back, you said,

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Speaker 2: aka your ex weight I'm confused. Peter. Peter is a hypnotherapist.

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Speaker 1: He is a licensed hypnoist dying you guys, you can

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Speaker 1: go to him. He doesn't have like a practice or anything.

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Speaker 2: He just wanted to learn it.

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Speaker 1: Put it on the internet.

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Speaker 3: Come get hit the chest.

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Speaker 2: What are you doing right now?

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Speaker 1: He's really into.

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Speaker 2: Hypnot The reason you have never told me that Peter

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Speaker 2: is a therapy I kind of forgot.

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Speaker 1: About it, and then I don't know why I just remembered.

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Speaker 1: But yeah, this.

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Speaker 3: Raining I know he did.

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Speaker 2: He do it for training to play the part of

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Speaker 2: the cult leader.

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Speaker 1: No, this was after that, I think.

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Speaker 2: I don't know.

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Speaker 1: He's the one that took me to get hypnotized when

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Speaker 1: I was on Dancing with the Star.

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Speaker 2: So we took you to get hypnotized. Yes, yes, it's.

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Speaker 1: Very nice, lady, but it was like this weird like

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Speaker 1: apartment upstairs into local lake and left me in this

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Speaker 1: woman's house.

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Speaker 3: I was like, what, No, I wouldn't like that.

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Speaker 2: Oh wait, but you guys were still together when you

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Speaker 2: were Dancing with the Stars. Okay, now it's making more sense.

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Speaker 1: Okay, Yeah, honestly, he would hypnotize me today if I

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Speaker 1: asked him to.

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Speaker 2: But I'd be afraid, but he would WHOA the world,

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Speaker 2: Oh let's do it with him, he can do me,

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Speaker 2: and then you could observe to see if it's okay,

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Speaker 2: and then he'll do you and I'll watch it. Make sure. Wait,

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Speaker 2: do you guys.

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Speaker 1: Remember that episode of Verne Shirley, please.

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Speaker 2: Say you do?

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Speaker 1: Please say you do?

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Speaker 2: Yes, We keep going, keep going.

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Speaker 1: When they when they're I think they're stuck inside that

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Speaker 1: like glass set where they're at the mall or in

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Speaker 1: a store front or something, and you can see them

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Speaker 1: all the time. It's like an experiment, like a social experiment,

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Speaker 1: and you can see everything, like they live in the

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Speaker 1: public side, like the whole house is. They got hypnotized.

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Speaker 1: I don't even know how these two storylines connected. But

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Speaker 1: every time she would hear a ding a bell, she

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Speaker 1: would start clucking.

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Speaker 3: Like a I do remember, I knew there was a

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Speaker 3: chicken involved.

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Speaker 2: Today.

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Speaker 1: It was such a I think that's my favorite episode, Shirley.

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Speaker 2: Oh my goodness.

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Speaker 1: Okay, Oh, I would love, love, love for someone to

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Speaker 1: hypnotize me. Every time a bell rings, I clock like

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Speaker 1: a chicken. That was so fun. That'd be like a

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Speaker 1: great party trick.

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Speaker 2: Yeah, where were we? That's the most fun episode of

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Speaker 2: a seventies thing?

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Speaker 3: And and that and quicksand those were brilliant prominent.

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Speaker 1: Yes island. Uh.

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Speaker 3: And then there was always somebody getting hypnotized and like

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Speaker 3: clucking like a chick.

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Speaker 1: Yeah, they did that on Gilligan's Island too. He got

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Speaker 1: hypnotized by professor.

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Speaker 3: Uh huh uh huh oh by the professor. Yeah, always quick,

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Speaker 3: saying I.

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Speaker 1: Wish we could go back to the Jeopardy Show and

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Speaker 1: there was a category on seventies sitcoms, because I would

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Speaker 1: that we would really be in the running back to

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Speaker 1: nine oh two one out Raise Hotel.

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Speaker 2: Where was the front of that taken?

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Speaker 4: Though?

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Speaker 3: Did we ever see the front? I just remember the

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Speaker 3: weird hallway.

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Speaker 2: I don't know we see the front of something with

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Speaker 2: red flashing lights, which made me. It was the only

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Speaker 2: time I was like, wait, did we go to Portland? Like,

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Speaker 2: how would they get this?

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Speaker 1: Well, maybe they just shut that outside of it.

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Speaker 3: I was there though.

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Speaker 1: For you, you were in the outside scene you're talking about,

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Speaker 1: Do you.

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Speaker 2: Guys know what I'm talking about? It was a shot

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Speaker 2: in red it said the name of the hotel.

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Speaker 3: It's kind of blurry, but I sort of remember it

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Speaker 3: now a little.

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Speaker 2: Bit, so I guess they just picked some random place downtown.

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Speaker 1: But here's my concern. Yeah, I was told never stay

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Speaker 1: at a hotel or motel when there's a red light flashing.

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Speaker 3: Because it means why, it'll give you a seizure.

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Speaker 2: Why, well maybe if you're lucky.

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Speaker 3: Is it where ladies of the evening go.

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Speaker 1: That's that's the that's the rumor.

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Speaker 3: They weren't by the hour at those kind of places.

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Speaker 1: The Red Light Hotel, you know that songs?

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Speaker 2: Yeah? Whoa, that was good right.

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Speaker 1: Actually he says, you don't have to turn on the

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Speaker 1: red light, bro, that's just for you.

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Speaker 2: Sorry.

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Speaker 3: I literally just saw him, not like we're not friends.

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Speaker 3: Like I saw him in concert with the symphony. It

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Speaker 3: was pretty legit. That was our Valentine.

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Speaker 2: That's cool. Wait.

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Speaker 1: Side note, my daughter Luca, she works for amphar and

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Speaker 1: she's on the events team and she makes the big

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Speaker 1: galla events that they throw, and they just did one

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Speaker 1: on Palm Beach and Sting was I said, babe, because

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00:19:15,000 --> 00:19:18,080
Speaker 1: they always have some amazing Last time it was Kelly Clarkson. Yeah,

347
00:19:18,760 --> 00:19:22,000
Speaker 1: I said, babe, who's who's performing? And she said, Sting,

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Speaker 1: I don't know who that is. I was like, oh,

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Speaker 1: I said, you better go find out who he is

350
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Speaker 1: right now. And then she sent me a video. She's like,

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Speaker 1: you're right, mom, he's awesome.

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00:19:32,920 --> 00:19:38,360
Speaker 2: Yeah, my god, he looks good too.

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Speaker 1: So anyway, this scene Ray's hotel is where Ray is

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Speaker 1: screaming at Donna once again once again.

355
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Speaker 2: Wait, okay, sorry you guys, maybe you.

356
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Speaker 3: Skipped ahead for sure.

357
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Speaker 1: I wanted to get to the meat of it.

358
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Speaker 2: You can, we can skip ahead, okay.

359
00:19:54,480 --> 00:19:54,760
Speaker 3: Sorry.

360
00:19:56,400 --> 00:19:58,520
Speaker 1: Donna and Ray are making out, sorry but for you.

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00:19:58,920 --> 00:20:01,720
Speaker 1: So they're they're making out and David knock knock knocks

362
00:20:01,760 --> 00:20:04,200
Speaker 1: on the door. That's that sucks for it?

363
00:20:04,480 --> 00:20:06,920
Speaker 2: That was really Wait is this one Donna has absolutely

364
00:20:07,000 --> 00:20:07,680
Speaker 2: no makeup on.

365
00:20:08,920 --> 00:20:13,320
Speaker 3: I love that. Yeah, I don't notice that plot twist.

366
00:20:13,760 --> 00:20:14,399
Speaker 2: I loved it.

367
00:20:14,800 --> 00:20:18,359
Speaker 1: You look so funny about makeup, right, Hello, I was

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Speaker 1: you know.

369
00:20:19,280 --> 00:20:22,600
Speaker 2: How I feel. I usually feel very embarrassed without makeup,

370
00:20:22,640 --> 00:20:24,560
Speaker 2: and I don't like how I look. I was so

371
00:20:25,080 --> 00:20:26,399
Speaker 2: happy you look.

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Speaker 1: Fresh, like fresh, like you like me?

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Speaker 2: Yes. Yeah.

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00:20:31,480 --> 00:20:34,400
Speaker 1: So Ray is super annoyed and he leaves.

375
00:20:34,359 --> 00:20:38,240
Speaker 2: Very annoyed and overly annoyed, overly annoyed. It's like, okay,

376
00:20:38,359 --> 00:20:41,280
Speaker 2: welcome to this episode. You're gonna be annoyed all episode.

377
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Speaker 2: It's like, have levels.

378
00:20:42,920 --> 00:20:47,160
Speaker 1: Really put him? Really put him in a bad mood

379
00:20:47,240 --> 00:20:49,399
Speaker 1: while he had to go to work, and he just

380
00:20:49,560 --> 00:20:55,000
Speaker 1: leaves Donna and David there to snuggle basically on the bed.

381
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Speaker 1: Do you see the way he David sits down in

382
00:20:58,680 --> 00:21:00,280
Speaker 1: the bed and he's like looking at some thing, and

383
00:21:01,880 --> 00:21:05,359
Speaker 1: Donna just cozies right up to him, like like they're

384
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Speaker 1: all real good.

385
00:21:07,440 --> 00:21:09,960
Speaker 2: Friends, best friends, do you know?

386
00:21:10,680 --> 00:21:14,040
Speaker 1: Okay, she first loves you know. But they're gonna they're

387
00:21:14,080 --> 00:21:18,920
Speaker 1: on the hunt. They're gonna go find right mama Silver Right, which.

388
00:21:18,800 --> 00:21:22,400
Speaker 3: Is a tall order in Portland, Like, it's not a small.

389
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Speaker 1: Town, and it's a town full of people living on

390
00:21:25,920 --> 00:21:30,840
Speaker 1: the streets. So even back then, flyers worked. But yeah,

391
00:21:34,040 --> 00:21:35,840
Speaker 1: so then they're out on the street looking for her,

392
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Speaker 1: and David finds out that his mother was arrested for

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Speaker 1: disorderly conduct.

394
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Speaker 2: Motel.

395
00:21:43,440 --> 00:21:45,359
Speaker 3: Yeah, that seemed like a red light.

396
00:21:46,840 --> 00:21:48,520
Speaker 2: Motel that she was at.

397
00:21:48,760 --> 00:21:51,800
Speaker 1: It's just getting seedier and sedier. She doesn't have a job,

398
00:21:52,320 --> 00:21:54,960
Speaker 1: she's been kicked out of her where she lives, and

399
00:21:55,119 --> 00:21:59,080
Speaker 1: now she's been arrested for disorderly contact. So this is

400
00:21:59,160 --> 00:21:59,880
Speaker 1: not looking good.

401
00:22:00,119 --> 00:22:01,000
Speaker 3: No, she's not well.

402
00:22:02,000 --> 00:22:04,360
Speaker 1: That's when Donna and David decide it's time to call mel.

403
00:22:04,720 --> 00:22:08,480
Speaker 3: Yeah. Smart, that was I actually I was smart.

404
00:22:08,720 --> 00:22:13,359
Speaker 1: Well, it was Donna's idea, duh, yeah, yeah, but the

405
00:22:13,480 --> 00:22:16,399
Speaker 1: cop won't look for her until he is uh no,

406
00:22:16,680 --> 00:22:19,240
Speaker 1: the cop won't look for her until she's been reported

407
00:22:19,320 --> 00:22:21,680
Speaker 1: missing for forty eight hours. And David says she has

408
00:22:21,800 --> 00:22:28,000
Speaker 1: been but they just reported miss He says, go check

409
00:22:28,040 --> 00:22:28,600
Speaker 1: the shelters.

410
00:22:29,560 --> 00:22:31,200
Speaker 2: Oh yeah too.

411
00:22:31,359 --> 00:22:34,480
Speaker 3: They go to the shelter. This looks so real.

412
00:22:35,040 --> 00:22:38,640
Speaker 1: Was this not a real shelter you're saying in Portland?

413
00:22:39,280 --> 00:22:42,080
Speaker 2: I am I'm not saying it wasn't a real shelter.

414
00:22:42,520 --> 00:22:46,359
Speaker 2: I don't remember filming an organ Is there a way

415
00:22:46,440 --> 00:22:52,520
Speaker 2: to look this up? Yeah? Yeah, yeah ninety five?

416
00:22:54,440 --> 00:22:58,480
Speaker 1: She was like, yes, story, you were there for season five,

417
00:22:58,680 --> 00:23:03,520
Speaker 1: episode whatever that I wish. Do you want to talk

418
00:23:03,560 --> 00:23:05,959
Speaker 1: about your time in the Mission shelter in Oregon?

419
00:23:07,200 --> 00:23:10,120
Speaker 2: I can't remember it, you know, I remember a lot.

420
00:23:10,240 --> 00:23:12,280
Speaker 2: I don't remember that one standing out.

421
00:23:13,840 --> 00:23:17,679
Speaker 1: It was sad. It was I mean, imagine putting yourself

422
00:23:17,720 --> 00:23:20,879
Speaker 1: in David's position and walking through there looking for his mom.

423
00:23:22,760 --> 00:23:25,640
Speaker 2: Seems that you maybe did go to Portland, Oh.

424
00:23:27,720 --> 00:23:32,280
Speaker 3: Lied the Candlelight Cafe and Bar, Portland, Oregon?

425
00:23:36,080 --> 00:23:36,520
Speaker 2: Was I there?

426
00:23:37,840 --> 00:23:40,440
Speaker 1: That seems like where Brandon and Emily went.

427
00:23:40,800 --> 00:23:42,280
Speaker 2: I am telling you I didn't go.

428
00:23:43,480 --> 00:23:44,680
Speaker 1: Oh, they were in San Francisco.

429
00:23:44,760 --> 00:23:50,560
Speaker 2: Sorry, I'm remembering the little hotel room right now where

430
00:23:50,560 --> 00:23:53,480
Speaker 2: he pushed me all around and that was filmed on

431
00:23:53,600 --> 00:23:58,400
Speaker 2: a set. Wait, okay, well maybe so bum who can

432
00:23:58,480 --> 00:24:00,720
Speaker 2: you ask? Well, there's this whole.

433
00:24:00,600 --> 00:24:03,480
Speaker 3: Website and I know two one zero locations.

434
00:24:06,359 --> 00:24:08,320
Speaker 2: Maybe they sent a crew to film next to year.

435
00:24:08,560 --> 00:24:12,760
Speaker 3: It says all these Oregon locations, Legacy, Good Samaritan Hospital.

436
00:24:14,640 --> 00:24:18,040
Speaker 3: I mean things seems like maybe he went to Oregon.

437
00:24:18,240 --> 00:24:20,320
Speaker 1: The whole time, you're hanging out with David at the

438
00:24:20,520 --> 00:24:23,480
Speaker 1: on the streets and in the shelter, I'm thinking, oh

439
00:24:23,600 --> 00:24:26,720
Speaker 1: my god, Ray, it's so mad.

440
00:24:28,720 --> 00:24:31,720
Speaker 2: You knew, you knew, you knew it was coming up. Yes,

441
00:24:32,920 --> 00:24:33,280
Speaker 2: damn it.

442
00:24:33,680 --> 00:24:36,000
Speaker 1: You just didn't show up at his gig. Who does that?

443
00:24:37,720 --> 00:24:41,000
Speaker 3: Well, it's like an emergency, and Ray just couldn't take it.

444
00:24:41,760 --> 00:24:44,439
Speaker 1: Well, I guess like she didn't have a cell phone,

445
00:24:44,560 --> 00:24:45,600
Speaker 1: she couldn't call him.

446
00:24:47,440 --> 00:24:48,679
Speaker 3: He was like on a payphone.

447
00:24:48,920 --> 00:24:51,960
Speaker 2: It's a mess. But he was just way too mad,

448
00:24:53,000 --> 00:24:56,440
Speaker 2: too much, like the director should have said, come on, fine, fine,

449
00:24:56,560 --> 00:25:00,720
Speaker 2: levels like it's too it's too hot the whole time,

450
00:25:01,560 --> 00:25:04,439
Speaker 2: especially coming from other episodes where he has not been.

451
00:25:04,520 --> 00:25:08,800
Speaker 1: Like this, I've seen Why are you saying this because

452
00:25:08,840 --> 00:25:11,040
Speaker 1: you're worried that the audience will not like him?

453
00:25:12,480 --> 00:25:12,760
Speaker 2: Fine?

454
00:25:14,280 --> 00:25:17,280
Speaker 1: Yeah, oh my god, up until the very last moment,

455
00:25:17,359 --> 00:25:17,720
Speaker 1: look at you.

456
00:25:17,880 --> 00:25:19,959
Speaker 2: I didn't even know and you said it, and then

457
00:25:20,000 --> 00:25:20,840
Speaker 2: I had to check.

458
00:25:20,680 --> 00:25:22,440
Speaker 3: And I was like, I don't know what they're doing

459
00:25:22,600 --> 00:25:22,960
Speaker 3: with him.

460
00:25:24,080 --> 00:25:26,320
Speaker 2: I think keeps growing up.

461
00:25:26,520 --> 00:25:29,879
Speaker 3: They just make him likable than terrible, theun likable than terrible.

462
00:25:29,920 --> 00:25:31,760
Speaker 3: It's like, I stand strong on.

463
00:25:33,880 --> 00:25:35,240
Speaker 2: They should have made him likable.

464
00:25:35,760 --> 00:25:39,480
Speaker 1: Honestly, he's so much better at being terrible, though, I

465
00:25:39,600 --> 00:25:40,000
Speaker 1: don't know.

466
00:25:40,960 --> 00:25:41,520
Speaker 2: I don't know.

467
00:25:42,200 --> 00:25:45,720
Speaker 1: I'm afraid of him. His muscles look big, and Donna's

468
00:25:46,200 --> 00:25:49,919
Speaker 1: so little and frail. It's making me nervous. But anyway,

469
00:25:50,040 --> 00:25:52,680
Speaker 1: muscles look big. Where do you see big muscles?

470
00:25:52,720 --> 00:25:55,040
Speaker 2: He's he's a musician.

471
00:25:55,160 --> 00:25:57,800
Speaker 1: Big in the in the in comparison to your muscles.

472
00:25:58,160 --> 00:26:02,560
Speaker 2: Oh, anything's bigger than my little spring muscles in this episode.

473
00:26:03,040 --> 00:26:05,200
Speaker 1: Anyways, So that's happening, and we're gonna go back to

474
00:26:05,280 --> 00:26:08,440
Speaker 1: Dylan's house where they're discussing what tattoos she should get

475
00:26:08,480 --> 00:26:13,000
Speaker 1: and they start making out. But he looks cute in

476
00:26:13,040 --> 00:26:18,399
Speaker 1: that bed. I'll like, see was like tossled Luke Perry

477
00:26:18,640 --> 00:26:23,440
Speaker 1: in that bed shirtless. He looked fine, He did look good,

478
00:26:25,000 --> 00:26:28,000
Speaker 1: and I was like, once again I like them together.

479
00:26:28,560 --> 00:26:30,400
Speaker 1: She's a lucky bitch because she's in bed with him,

480
00:26:32,200 --> 00:26:35,840
Speaker 1: and you know, well very very strongly about it.

481
00:26:38,480 --> 00:26:39,240
Speaker 2: Back to Portland.

482
00:26:39,720 --> 00:26:44,000
Speaker 1: Yeah, here we go, raise hotel. Now, this is it.

483
00:26:44,160 --> 00:26:47,480
Speaker 1: This is it, kids, This is where Ray starts screaming

484
00:26:47,520 --> 00:26:50,399
Speaker 1: at Donna. When she tries to leave, he pushes her

485
00:26:50,480 --> 00:26:53,120
Speaker 1: back on the bed and says she's not going anywhere

486
00:26:53,160 --> 00:26:57,040
Speaker 1: until he says she can. But then she runs out

487
00:26:57,040 --> 00:27:00,960
Speaker 1: to David's room. Yeah, got David right across the hall.

488
00:27:01,680 --> 00:27:02,440
Speaker 2: A good thing too.

489
00:27:03,320 --> 00:27:05,600
Speaker 3: And then and she just ran into the bathroom and

490
00:27:05,640 --> 00:27:07,399
Speaker 3: started crying. Didn't even tell him what was happening.

491
00:27:07,600 --> 00:27:10,560
Speaker 1: Mm hmm yeah, because that's she doesn't want to tell

492
00:27:10,640 --> 00:27:11,080
Speaker 1: David that.

493
00:27:13,680 --> 00:27:14,320
Speaker 2: We look at her now.

494
00:27:14,400 --> 00:27:17,040
Speaker 1: She doesn't even want to say it now. Torry doesn't

495
00:27:17,040 --> 00:27:18,680
Speaker 1: even want him to word.

496
00:27:21,320 --> 00:27:23,760
Speaker 2: It's so bad. He's a good guy. I'm going to

497
00:27:23,800 --> 00:27:26,680
Speaker 2: stick with that. He was having some anger issue. He

498
00:27:26,840 --> 00:27:30,600
Speaker 2: is not a good god, I guess not. No, he's

499
00:27:30,640 --> 00:27:31,840
Speaker 2: a mass of course.

500
00:27:31,920 --> 00:27:35,000
Speaker 1: He feels bad for getting physical and gives They always

501
00:27:35,080 --> 00:27:40,800
Speaker 1: do David is nice guy and then he Donna comes back.

502
00:27:41,000 --> 00:27:43,199
Speaker 3: Yep, I think he went to Oregon.

503
00:27:44,280 --> 00:27:48,440
Speaker 1: Okay, this is we have got to solve this mystery immediately.

504
00:27:48,760 --> 00:27:53,399
Speaker 3: I mean it just look all signs point to this

505
00:27:53,600 --> 00:27:54,000
Speaker 3: was film.

506
00:27:54,880 --> 00:27:59,560
Speaker 2: Larry Mullen has confirmed that you did not go to Portland.

507
00:27:59,800 --> 00:28:01,520
Speaker 3: Just got exteriors in Portland?

508
00:28:01,760 --> 00:28:02,160
Speaker 2: Correct.

509
00:28:02,680 --> 00:28:04,800
Speaker 1: Wait, now you have Larry Mullin on speed dial.

510
00:28:06,200 --> 00:28:09,480
Speaker 2: I'd say speed dial got it?

511
00:28:09,680 --> 00:28:13,000
Speaker 3: So you shot they shot exteriors or took stock footage

512
00:28:13,000 --> 00:28:13,760
Speaker 3: of exteriors.

513
00:28:13,880 --> 00:28:16,520
Speaker 2: Yeah, something I knew, you guys. I would have known

514
00:28:16,560 --> 00:28:18,320
Speaker 2: if I went to Portland because I wanted to go

515
00:28:18,440 --> 00:28:20,800
Speaker 2: to Portland in my whole life, and I never went there.

516
00:28:21,240 --> 00:28:25,920
Speaker 2: You still like I had to fly there there? Oh yeah,

517
00:28:25,960 --> 00:28:26,400
Speaker 2: yeah yeah?

518
00:28:26,680 --> 00:28:27,640
Speaker 1: Do you fly there? Now?

519
00:28:29,800 --> 00:28:30,080
Speaker 2: Drive?

520
00:28:30,600 --> 00:28:36,040
Speaker 1: We've driven, you've driven, you didn't. Okay, it's a pretty

521
00:28:36,119 --> 00:28:40,640
Speaker 1: quick flight. I mean just saying, I know we have.

522
00:28:40,720 --> 00:28:42,600
Speaker 2: Not been there since both I was pregnant with bo

523
00:28:42,720 --> 00:28:45,440
Speaker 2: which is almost, oh my god, seven years ago. My

524
00:28:45,560 --> 00:28:49,000
Speaker 2: brother and his family comes here a lot, and we drove.

525
00:28:49,160 --> 00:28:51,920
Speaker 2: I don't know why we drove. It was fourteen hour drive.

526
00:28:52,320 --> 00:28:54,960
Speaker 1: Yeah, because you had four kids and that's a lot

527
00:28:55,080 --> 00:28:55,600
Speaker 1: to take on it.

528
00:28:55,640 --> 00:28:58,640
Speaker 2: It was a lot. Yeah, it seemed like a good idea,

529
00:28:58,760 --> 00:28:59,960
Speaker 2: but I was well and you were pregnant.

530
00:29:00,040 --> 00:29:04,120
Speaker 1: But maybe that's a beautiful drive. Oh my god, it is.

531
00:29:04,280 --> 00:29:19,200
Speaker 1: It was. Mel arrives at the Portland Airport and David

532
00:29:19,280 --> 00:29:22,760
Speaker 1: is there to pick him up, and that is where

533
00:29:23,240 --> 00:29:28,840
Speaker 1: Mel confesses to him that his mom is actually manic depressive.

534
00:29:30,000 --> 00:29:34,120
Speaker 2: It's now called bipolar disorder. Here's my flag on them.

535
00:29:34,440 --> 00:29:39,040
Speaker 3: Okay, Mel paints himself sort of as the hero, which

536
00:29:39,080 --> 00:29:43,240
Speaker 3: I understand, but we also know Mel to like have

537
00:29:43,480 --> 00:29:51,840
Speaker 3: been cheating with the dental hygientist, right like, so Mel, really,

538
00:29:51,960 --> 00:29:54,240
Speaker 3: I mean, look, I had compassion for Mel, of course,

539
00:29:54,880 --> 00:29:58,720
Speaker 3: but also he sort of really like made it seem

540
00:29:58,800 --> 00:30:03,360
Speaker 3: like he was the hero. But so here's my question though,

541
00:30:03,480 --> 00:30:08,160
Speaker 3: and forgive my not strong memory, this is the first

542
00:30:08,240 --> 00:30:17,040
Speaker 3: we've really learned that David's mom had uh mental health issue?

543
00:30:17,120 --> 00:30:18,800
Speaker 2: Yeah? Any Yeah, we just knew. I haven't even heard

544
00:30:18,840 --> 00:30:18,920
Speaker 2: of it.

545
00:30:19,040 --> 00:30:21,120
Speaker 3: It wasn't around right she bailed.

546
00:30:21,720 --> 00:30:22,000
Speaker 2: Yeah.

547
00:30:24,640 --> 00:30:26,800
Speaker 1: Yeah, So we find out that she's been on medication

548
00:30:26,920 --> 00:30:29,720
Speaker 1: since David was a kid. Yeah, that's a pretty big

549
00:30:29,880 --> 00:30:32,840
Speaker 1: bomb to drop on him right there, Ortland Airport.

550
00:30:32,600 --> 00:30:37,120
Speaker 2: Say lithium, Yeah, that's a strong one. How old is David, Like,

551
00:30:37,200 --> 00:30:38,600
Speaker 2: how old are they now? Nineteen?

552
00:30:39,000 --> 00:30:41,520
Speaker 3: No, they're twenty almost twenty one. We're gonna start having

553
00:30:41,560 --> 00:30:42,760
Speaker 3: twenty one birthdays.

554
00:30:42,360 --> 00:30:45,560
Speaker 2: So oh okay, cool. I think that's odd not to

555
00:30:45,680 --> 00:30:47,520
Speaker 2: tell your kid for that long.

556
00:30:49,360 --> 00:30:54,600
Speaker 1: Or like just especially since it's genetic right right, Like

557
00:30:54,720 --> 00:30:57,000
Speaker 1: that's the first thing I thought of when I heard it.

558
00:30:57,080 --> 00:30:59,360
Speaker 1: I was like, oh, well, if I was David, I

559
00:30:59,400 --> 00:31:01,960
Speaker 1: would start spiraling and thinking and.

560
00:31:02,040 --> 00:31:04,400
Speaker 3: We get the big yeah, yeah, we get the big

561
00:31:04,440 --> 00:31:07,840
Speaker 3: revelation like don't do drugs. Well, this would have been

562
00:31:07,920 --> 00:31:11,200
Speaker 3: helpful probably to tell David before he started doing.

563
00:31:11,040 --> 00:31:13,360
Speaker 2: Drugs because he's predisposed.

564
00:31:14,080 --> 00:31:16,120
Speaker 1: Yeah wow yeah.

565
00:31:16,400 --> 00:31:18,360
Speaker 3: And Bell didn't even bring it up when he was

566
00:31:18,440 --> 00:31:19,520
Speaker 3: doing drugs.

567
00:31:20,120 --> 00:31:22,840
Speaker 2: Just saying oh once again showing us Mels a piece

568
00:31:22,880 --> 00:31:26,880
Speaker 2: of sh but was still like them, it's not like

569
00:31:26,960 --> 00:31:31,800
Speaker 2: she has addiction problems. She has you are pre correct.

570
00:31:31,800 --> 00:31:34,720
Speaker 3: But if you're predisposed to mental illness, and I'm gonna

571
00:31:35,440 --> 00:31:38,520
Speaker 3: say this although I have no medical expertise whatsoever, it's

572
00:31:38,560 --> 00:31:39,720
Speaker 3: just basically what I kind of know.

573
00:31:40,800 --> 00:31:41,200
Speaker 2: You can be.

574
00:31:41,280 --> 00:31:44,320
Speaker 3: Predisposed to a condition and if you start doing drugs,

575
00:31:44,680 --> 00:31:48,720
Speaker 3: it messes with the chemical makeup and it can trigger

576
00:31:49,360 --> 00:31:53,160
Speaker 3: the mental illness. Don't do drugs.

577
00:31:53,320 --> 00:31:55,160
Speaker 1: It's a good idea, it's not good.

578
00:31:57,280 --> 00:32:00,440
Speaker 2: Just say o, cook eggs and a frying pans. It

579
00:32:00,480 --> 00:32:01,320
Speaker 2: could look like your brain.

580
00:32:01,720 --> 00:32:05,040
Speaker 3: Remember that that was really Yes, this is your brain

581
00:32:05,360 --> 00:32:06,000
Speaker 3: that was big.

582
00:32:06,680 --> 00:32:07,920
Speaker 2: This is your brain on drugs.

583
00:32:08,200 --> 00:32:09,120
Speaker 3: That was big at the time.

584
00:32:10,480 --> 00:32:15,080
Speaker 2: Okay, drug or eat eggs, thank you. Perfect.

585
00:32:15,560 --> 00:32:20,480
Speaker 1: So back to Malibu for a little hypnotherapy. Dylan goes

586
00:32:20,640 --> 00:32:23,960
Speaker 1: under and sees himself running on the train tracks and

587
00:32:24,120 --> 00:32:27,280
Speaker 1: that is enough to scare the heck out of him

588
00:32:28,120 --> 00:32:32,480
Speaker 1: and send him away from hypnotherapy at least for now.

589
00:32:33,760 --> 00:32:38,440
Speaker 2: Yeah for now, Like sorry, why on the train track

590
00:32:38,560 --> 00:32:39,320
Speaker 2: was that supposed to be?

591
00:32:40,120 --> 00:32:41,320
Speaker 1: Why did that scare him so bad?

592
00:32:42,240 --> 00:32:45,160
Speaker 2: Because remember that last time, remember on the train tracks

593
00:32:45,240 --> 00:32:51,800
Speaker 2: where his sister was kneeling and she's like, oh something, yeah, yeah, yeah.

594
00:32:52,280 --> 00:32:53,200
Speaker 2: Train tracks really.

595
00:32:53,080 --> 00:32:56,000
Speaker 1: Get a bad wrap. People always dream about that it is,

596
00:32:56,720 --> 00:32:58,640
Speaker 1: and then it comes in the form of the train tracks.

597
00:32:59,240 --> 00:33:01,920
Speaker 2: Well that's true, as you can die if you were

598
00:33:02,000 --> 00:33:02,520
Speaker 2: on them.

599
00:33:02,800 --> 00:33:05,080
Speaker 1: If you run on them on a foggy, dark night.

600
00:33:05,520 --> 00:33:07,960
Speaker 3: And there's always every horror movie they're like trapped on

601
00:33:08,120 --> 00:33:11,600
Speaker 3: the subway on the track, you know, what.

602
00:33:11,880 --> 00:33:15,400
Speaker 2: Who was a dastardly do he used to tire to

603
00:33:15,480 --> 00:33:20,520
Speaker 2: the train tracks? You remember this? The bad guy in

604
00:33:20,600 --> 00:33:26,360
Speaker 2: the cartoon Lady to the and he'd have to come

605
00:33:27,480 --> 00:33:33,160
Speaker 2: what cartoon whiplash? How about that one? Definitly do?

606
00:33:33,320 --> 00:33:33,440
Speaker 1: Right?

607
00:33:33,520 --> 00:33:37,600
Speaker 3: Don't we do it? Oh? You got that was in

608
00:33:37,680 --> 00:33:38,640
Speaker 3: the quicksand era.

609
00:33:38,960 --> 00:33:43,920
Speaker 2: I think, yeah, we're running, I can't get out, okay, on.

610
00:33:45,520 --> 00:33:48,480
Speaker 1: So good. You know what train track scene I remember

611
00:33:48,640 --> 00:33:51,200
Speaker 1: is from Footloose.

612
00:33:52,200 --> 00:33:54,720
Speaker 2: Oh, that's a good one.

613
00:33:55,280 --> 00:33:59,440
Speaker 1: When they're like yeah, when they're the warehouse.

614
00:34:00,080 --> 00:34:02,480
Speaker 3: In the warehouse, yeah, because there's also like a truck

615
00:34:02,640 --> 00:34:03,800
Speaker 3: and they're playing chicken.

616
00:34:04,040 --> 00:34:06,160
Speaker 1: Oh, that's the tractor scene. That's different.

617
00:34:08,320 --> 00:34:11,600
Speaker 3: I just think of train tracks in speed Remember she

618
00:34:11,760 --> 00:34:15,120
Speaker 3: gets should they think they're good and then they get

619
00:34:15,160 --> 00:34:18,399
Speaker 3: off the bus and then the bad guy gets over

620
00:34:18,440 --> 00:34:21,680
Speaker 3: at the end of the subway and the track's not

621
00:34:22,000 --> 00:34:23,360
Speaker 3: finished and.

622
00:34:23,400 --> 00:34:26,360
Speaker 1: They have to let the old tracks not finished.

623
00:34:29,880 --> 00:34:30,640
Speaker 3: I love that movie.

624
00:34:31,200 --> 00:34:37,160
Speaker 1: Yeah, any this time he's frightened, Yes, he's frightened.

625
00:34:37,320 --> 00:34:37,480
Speaker 2: Yes.

626
00:34:38,080 --> 00:34:42,960
Speaker 1: So then we go back to Portland and melon David

627
00:34:43,080 --> 00:34:47,600
Speaker 1: fined mom Sheila on the sho someone called Ray.

628
00:34:49,239 --> 00:34:52,600
Speaker 3: They must have had his number, and.

629
00:34:52,760 --> 00:34:57,840
Speaker 1: David starts crying and she suddenly remembers him. Yeah, it

630
00:34:58,000 --> 00:34:58,880
Speaker 1: was a sad scene.

631
00:34:59,080 --> 00:35:02,000
Speaker 3: Yeah, yeah, it's sort of a good episode in a

632
00:35:02,120 --> 00:35:02,680
Speaker 3: weird way.

633
00:35:03,280 --> 00:35:05,680
Speaker 1: Definitely a good episode for David and Brian.

634
00:35:05,840 --> 00:35:06,160
Speaker 2: Was great.

635
00:35:06,719 --> 00:35:07,680
Speaker 1: Mm hmmmm hmm.

636
00:35:08,200 --> 00:35:10,920
Speaker 2: You know, minus the little hair stuff here, but yeah.

637
00:35:11,080 --> 00:35:12,640
Speaker 1: Minus the occasional.

638
00:35:13,800 --> 00:35:16,760
Speaker 3: And like so was Jamie Walters, even though he sucks,

639
00:35:17,520 --> 00:35:21,120
Speaker 3: he was good at doing what he Definitely, yeah, you're right,

640
00:35:21,200 --> 00:35:22,399
Speaker 3: the three of us were good.

641
00:35:23,480 --> 00:35:26,680
Speaker 1: Up. Nobody needs the rest of that stupid cast line.

642
00:35:29,440 --> 00:35:31,920
Speaker 2: I wish not to do it again, but fine, it worked.

643
00:35:33,440 --> 00:35:35,920
Speaker 1: You guys are great. I think that that Yeah, that

644
00:35:36,040 --> 00:35:39,040
Speaker 1: scene when he sees his mom at the on the streets,

645
00:35:40,040 --> 00:35:42,879
Speaker 1: it really stirred up something to me and I was thinking, wow,

646
00:35:43,080 --> 00:35:45,160
Speaker 1: I think that's what I would look like if I

647
00:35:45,360 --> 00:35:49,160
Speaker 1: was on the streets. Like I felt like, that's the

648
00:35:49,239 --> 00:35:52,359
Speaker 1: same look I would have just like checked out.

649
00:35:53,080 --> 00:35:56,160
Speaker 2: Well, let's hope we never have to fine find out

650
00:35:56,880 --> 00:36:01,280
Speaker 2: Yeah if so, well noted check the Portland streets.

651
00:36:02,239 --> 00:36:03,080
Speaker 1: Yeah, or the.

652
00:36:04,960 --> 00:36:10,799
Speaker 3: Heavy storyline, its real heavy. It really is a lot,

653
00:36:12,280 --> 00:36:16,759
Speaker 3: yeah and out of nowhere, but that's fine, And so

654
00:36:17,719 --> 00:36:21,000
Speaker 3: we had no lead up to that, just was happening.

655
00:36:21,600 --> 00:36:26,680
Speaker 2: It's very it's not soapy, it's not campy, it's just

656
00:36:27,120 --> 00:36:28,759
Speaker 2: whoa straightforward.

657
00:36:28,920 --> 00:36:34,279
Speaker 1: Yeah. They take his mom to the hospital and then

658
00:36:34,320 --> 00:36:35,880
Speaker 1: he finds out that she's going to live in a

659
00:36:35,920 --> 00:36:39,400
Speaker 1: halfway house and then he has that bonding moment with

660
00:36:39,480 --> 00:36:42,920
Speaker 1: her in the hospital room. Good thing, and that's kind

661
00:36:42,960 --> 00:36:47,720
Speaker 1: of like a nice closure to that storyline pretty much, right, Yeah, Okay.

662
00:36:49,520 --> 00:36:51,920
Speaker 1: Back at Ray's hotel room, Ray tells Donna that he's

663
00:36:52,000 --> 00:36:56,719
Speaker 1: under pressure and that behavior wasn't really him. She said,

664
00:36:56,960 --> 00:36:58,520
Speaker 1: who believes him? Right?

665
00:36:59,120 --> 00:36:59,799
Speaker 2: You did? Don?

666
00:37:00,560 --> 00:37:01,239
Speaker 3: Johnna did?

667
00:37:01,520 --> 00:37:03,760
Speaker 2: I'm still believing it right now? What do you mean.

668
00:37:05,400 --> 00:37:06,840
Speaker 1: My second? How about you? Amy?

669
00:37:08,400 --> 00:37:08,440
Speaker 2: No?

670
00:37:09,080 --> 00:37:12,879
Speaker 3: No, he's like in the credit opening credits of season six.

671
00:37:13,120 --> 00:37:14,600
Speaker 1: I like, he's got to check.

672
00:37:14,680 --> 00:37:15,440
Speaker 3: It's so weird.

673
00:37:15,680 --> 00:37:18,239
Speaker 1: Yeah, he needs to get out of our opening credits. Sorry, right,

674
00:37:18,640 --> 00:37:21,440
Speaker 1: no offense, but we can't be seen with you.

675
00:37:21,680 --> 00:37:24,239
Speaker 3: He's not in them yet, but he's gonna be in them.

676
00:37:24,719 --> 00:37:25,440
Speaker 2: No, he's not.

677
00:37:26,680 --> 00:37:28,719
Speaker 3: He's in them because we're in season five, but he's

678
00:37:28,760 --> 00:37:31,000
Speaker 3: in the opening credits in season six and it's.

679
00:37:30,880 --> 00:37:34,799
Speaker 1: Like, you're coming the show in season six corect not.

680
00:37:34,920 --> 00:37:36,000
Speaker 3: The same, but he is.

681
00:37:37,360 --> 00:37:39,640
Speaker 2: They trying to redeem him. I don't know they didn't

682
00:37:39,840 --> 00:37:40,840
Speaker 2: know this would.

683
00:37:40,680 --> 00:37:45,680
Speaker 3: Happen bad, Like, who's gonna like that guy?

684
00:37:46,280 --> 00:37:47,520
Speaker 2: We had no idea.

685
00:37:48,280 --> 00:37:52,920
Speaker 3: Nobody likes this guy. Yes, yes, well he ruined his

686
00:37:53,040 --> 00:37:53,680
Speaker 3: whole career.

687
00:37:54,719 --> 00:37:57,840
Speaker 1: He's gonna flare up again. I have a feeling the

688
00:37:57,960 --> 00:38:02,520
Speaker 1: stairs dude is gonna be by Starewell. Back at Dylan's

689
00:38:02,560 --> 00:38:06,840
Speaker 1: house for our last scene of the episode, Valisak stillan

690
00:38:07,000 --> 00:38:08,880
Speaker 1: out with a fake tattoo with his name on it

691
00:38:08,960 --> 00:38:12,399
Speaker 1: on her boob, and then she shows him her real

692
00:38:12,480 --> 00:38:17,160
Speaker 1: tattoo of a very sweet little daisy silly, which we

693
00:38:17,480 --> 00:38:21,200
Speaker 1: both think that's her real tattoo. We don't have any

694
00:38:21,239 --> 00:38:22,160
Speaker 1: confirmation on that.

695
00:38:22,320 --> 00:38:22,400
Speaker 3: But.

696
00:38:23,880 --> 00:38:29,360
Speaker 1: Allegedly that's her tattooed. Dylan sits outside looking upset. Valerie

697
00:38:29,400 --> 00:38:31,759
Speaker 1: tells them to enjoy life because they're only here for

698
00:38:31,800 --> 00:38:32,640
Speaker 1: a short time.

699
00:38:33,760 --> 00:38:34,279
Speaker 2: She should know.

700
00:38:35,640 --> 00:38:39,359
Speaker 1: She's dealt with some things. But he says he thinks

701
00:38:39,400 --> 00:38:41,359
Speaker 1: that maybe we're not just here for a short time,

702
00:38:42,360 --> 00:38:45,160
Speaker 1: and it sounds like he's starting to believe in reincarnation.

703
00:38:45,680 --> 00:38:49,120
Speaker 1: And that just left me feeling like empty inside. That

704
00:38:49,400 --> 00:38:51,360
Speaker 1: was not a good end of an episode.

705
00:38:52,680 --> 00:38:55,359
Speaker 2: It's not an end. That's not an end that's got

706
00:38:55,400 --> 00:38:57,439
Speaker 2: a reason to get you to come back next week.

707
00:38:57,560 --> 00:39:00,839
Speaker 1: No, he says. He stands there, and he says, I'm

708
00:39:00,920 --> 00:39:02,640
Speaker 1: just starting to think it's maybe it's not for a

709
00:39:02,719 --> 00:39:04,680
Speaker 1: short time. Roll credits.

710
00:39:04,800 --> 00:39:09,120
Speaker 2: What Well, then, why did they end the episode like this,

711
00:39:09,600 --> 00:39:12,680
Speaker 2: like give me a reason to come back next Wednesday

712
00:39:12,760 --> 00:39:16,440
Speaker 2: at eight o'clock? Well, Ray, sorry, is that enough?

713
00:39:17,400 --> 00:39:18,120
Speaker 3: No? No?

714
00:39:18,840 --> 00:39:21,319
Speaker 1: Yeah, Alay got a tattoo? Is that enough?

715
00:39:22,160 --> 00:39:27,240
Speaker 2: Nope? Dylan believes and incarnation m cool.

716
00:39:27,600 --> 00:39:29,719
Speaker 1: Nope, David found his mama.

717
00:39:30,719 --> 00:39:33,440
Speaker 2: That's great, But they didn't end it on that, like

718
00:39:35,840 --> 00:39:37,160
Speaker 2: end it like you mean it.

719
00:39:37,840 --> 00:39:40,440
Speaker 1: Yeah, there's no one in there that makes me want

720
00:39:40,480 --> 00:39:41,759
Speaker 1: to come back yourself now night.

721
00:39:42,160 --> 00:39:42,640
Speaker 2: But I will.

722
00:39:43,040 --> 00:39:45,520
Speaker 1: I will, yeah, because you know what, it's our job.

723
00:39:45,600 --> 00:39:49,200
Speaker 2: It's it's quite literally our job. We must come back

724
00:39:49,239 --> 00:39:49,680
Speaker 2: next week.

725
00:39:49,800 --> 00:39:50,520
Speaker 1: Got the best.

726
00:39:51,480 --> 00:39:52,120
Speaker 2: It's not the best.

727
00:39:52,160 --> 00:39:52,920
Speaker 1: It's not the worst.

728
00:39:53,080 --> 00:39:56,279
Speaker 2: It's not the worst, but it's not the best. It

729
00:39:56,480 --> 00:39:59,480
Speaker 2: was the best of times, it was the worst time.

730
00:40:00,000 --> 00:40:02,160
Speaker 1: I really enjoyed, like I said before, your long trench

731
00:40:02,239 --> 00:40:04,200
Speaker 1: coat moment, you look really cute that and you had

732
00:40:04,320 --> 00:40:07,600
Speaker 1: a lot of jeans on in this episode also, which

733
00:40:07,600 --> 00:40:10,839
Speaker 1: I thought was important, Harry, Yes, But I also thought,

734
00:40:11,440 --> 00:40:13,200
Speaker 1: when you know when you're with your boyfriend, you start

735
00:40:13,239 --> 00:40:17,360
Speaker 1: your dress like him. Yes, so Ray always wears jeans.

736
00:40:17,400 --> 00:40:21,439
Speaker 2: He's a huge Jay Donna is totally starting to dress

737
00:40:21,520 --> 00:40:24,480
Speaker 2: like Ray. Jamie Walters is cute, he's always but he

738
00:40:24,640 --> 00:40:25,680
Speaker 2: Yea sucks.

739
00:40:26,239 --> 00:40:26,960
Speaker 3: Ray sucks.

740
00:40:27,719 --> 00:40:33,800
Speaker 1: Yeah, well then that's it. People score. Wait, let me

741
00:40:33,840 --> 00:40:35,520
Speaker 1: guess what Amy's going to give it, and I guess

742
00:40:35,520 --> 00:40:37,440
Speaker 1: what you're going to give it. I guess that Amy

743
00:40:37,640 --> 00:40:40,880
Speaker 1: is going to give this episode. She says she didn't

744
00:40:41,080 --> 00:40:43,600
Speaker 1: like it, but Amy always scores high. I say she's

745
00:40:43,640 --> 00:40:45,760
Speaker 1: going to go with a six or seven.

746
00:40:46,560 --> 00:40:49,080
Speaker 3: I think she's you nailed it six point five. Would

747
00:40:49,080 --> 00:40:49,560
Speaker 3: you really?

748
00:40:49,840 --> 00:40:51,279
Speaker 2: I thought for sure you were going to give it

749
00:40:51,360 --> 00:40:53,320
Speaker 2: a Nate no something about it.

750
00:40:53,400 --> 00:40:54,680
Speaker 3: I just did not love it.

751
00:40:55,000 --> 00:40:57,000
Speaker 1: Wait, what do you think. I think you're going to

752
00:40:57,120 --> 00:40:59,959
Speaker 1: give it five?

753
00:41:00,160 --> 00:41:00,480
Speaker 2: Right here?

754
00:41:01,080 --> 00:41:02,280
Speaker 3: I think you're going to give it a seven?

755
00:41:02,560 --> 00:41:05,040
Speaker 2: You go to seven. Okay, I give it a seven. Yeah.

756
00:41:05,680 --> 00:41:07,759
Speaker 2: I was really excited about my hair and lack of

757
00:41:07,880 --> 00:41:09,040
Speaker 2: not make them still look cute.

758
00:41:09,120 --> 00:41:11,560
Speaker 3: You have a good performance too, For the very reason,

759
00:41:11,640 --> 00:41:14,680
Speaker 3: I'm going to give it a seven to Oh. I know, Lois,

760
00:41:14,760 --> 00:41:15,799
Speaker 3: this is first time ever.

761
00:41:16,239 --> 00:41:20,120
Speaker 2: This is the first time Glad to take it to

762
00:41:20,200 --> 00:41:22,319
Speaker 2: the comments. Tell her you're not happy with her?

763
00:41:22,760 --> 00:41:25,640
Speaker 1: She loves that. How dare you give it a six

764
00:41:25,800 --> 00:41:27,440
Speaker 1: point five? Amy?

765
00:41:27,680 --> 00:41:32,360
Speaker 2: Amy? Why? Where I know? Maybe I need to rewatch

766
00:41:32,400 --> 00:41:32,759
Speaker 2: it again.

767
00:41:33,360 --> 00:41:35,000
Speaker 3: I didn't dislike it when I was watching it.

768
00:41:35,040 --> 00:41:39,640
Speaker 1: I just was like, well, hopefully next week it'll be exciting.

769
00:41:39,719 --> 00:41:42,240
Speaker 1: It'll be more exciting. Next episode of season five, episode

770
00:41:42,239 --> 00:41:47,720
Speaker 1: twenty seven, schoolwash it. Either they're going to go gardening

771
00:41:47,920 --> 00:41:52,360
Speaker 1: and pick some squash or there's a isn't there like

772
00:41:52,440 --> 00:41:55,040
Speaker 1: that tennis game called squash like?

773
00:41:56,160 --> 00:41:58,480
Speaker 2: Way? Wait? Wait, sorry, I can't find this on my notes.

774
00:41:58,560 --> 00:42:01,239
Speaker 2: It's really called squash it. We had an episode called

775
00:42:01,360 --> 00:42:02,000
Speaker 2: squash It.

776
00:42:02,200 --> 00:42:02,880
Speaker 1: Squash It.

777
00:42:03,400 --> 00:42:06,680
Speaker 2: Oh, it's like whack a mole a David Busters. What

778
00:42:06,760 --> 00:42:07,840
Speaker 2: are you talking about?

779
00:42:08,320 --> 00:42:14,160
Speaker 1: Somebody's gonna be squashing it? Maybe maybe it's a rumor. Oh,

780
00:42:14,200 --> 00:42:16,600
Speaker 1: somebody has to squash the rumor. That's a good one.

781
00:42:18,040 --> 00:42:18,239
Speaker 2: Oh.

782
00:42:18,960 --> 00:42:21,719
Speaker 1: I just refreshed my memory because you cheated and looked ahead.

783
00:42:22,640 --> 00:42:23,880
Speaker 2: Did you know what was like?

784
00:42:23,920 --> 00:42:26,120
Speaker 3: We only have a few episodes like what is what?

785
00:42:26,520 --> 00:42:28,239
Speaker 2: Ray squashed on it again?

786
00:42:29,360 --> 00:42:32,080
Speaker 3: We barely have any episodes that are than Andrea and

787
00:42:32,280 --> 00:42:36,640
Speaker 3: the Walshes. They're like wrapping up their time too. I mean,

788
00:42:36,680 --> 00:42:39,400
Speaker 3: they already shows up again, but like not as regulars.

789
00:42:39,719 --> 00:42:40,640
Speaker 2: Oh my god, this is it.

790
00:42:40,960 --> 00:42:44,359
Speaker 1: This is it weird. And that's all we off for you, guys.

791
00:42:44,600 --> 00:42:45,160
Speaker 3: Bye, guys,