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Speaker 1: Welcome to Get It to Dutch, a screenwriter's Journey.

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Speaker 2: I'm Mark, I'm Greg, I'm Brendan.

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Speaker 1: And we are a team of Hollywood screenwriters who meet

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Speaker 1: every week to read from an original screenplay that one

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Speaker 1: of us has written. We give notes and rank the scripts,

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Speaker 1: and of course, at the end of the season, we're

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Speaker 1: going to pitch the best script to the now deceased

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Speaker 1: Dutch Huxley. Alright, but I mean now it will hopefully

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Speaker 1: be pitching to his son Duck, not Dutch, which is

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Speaker 1: a confusing title. We're not going to get into that.

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Speaker 1: Let's get into new business.

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Speaker 3: New business.

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Speaker 2: Well, the first things first. If you heard last week

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Speaker 2: the apartment was bright and shiny, and this week gets

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Speaker 2: back to what we know a dark dank He'll escape.

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Speaker 1: It's a shit dump.

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Speaker 2: The blackout curtains are back, the heat's back, the weight

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Speaker 2: bench is back.

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Speaker 3: The sticky kind of whatever residue.

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Speaker 1: Itch. Yeah, well what else is back? As I'm back

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Speaker 1: to whacking it, let one loose, and I don't give

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Speaker 1: a shit anymore, So welcome back. Sad to say, what

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Speaker 1: I love about this apartment is back. I'm back to

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Speaker 1: loving and I.

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Speaker 3: Don't know you could love about anything about this apartment.

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Speaker 1: Well, you know what, you're still on the couch and

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Speaker 1: tell us your new business, asshole.

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Speaker 3: New business is. I went ahead and ordered a new

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Speaker 3: couch from Joybird and it should be here this week

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Speaker 3: because this thing's impossible to sleep on with your money

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Speaker 3: and the other with your money. I have new business.

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Speaker 3: Oh the other new businesses. Okay, the other new businesses. Oh,

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Speaker 3: you guys are gonna love this. I ran into Lachland Bins,

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Speaker 3: fucking lockey boy. I hadn't seen him in like three years,

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Speaker 3: and it was three years too soon.

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Speaker 1: The Lockaness Binster for.

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Speaker 3: Those who want to know, and I don't think I'll

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Speaker 3: ever listen to the podcast. Lachland Binch is a guy

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Speaker 3: that we've known for years around the industry.

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Speaker 1: He's tell me you didn't make the mistake of asking

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Speaker 1: him how he's doing.

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Speaker 3: Yeah, I asked him how he's doing and he was like, honestly, man, great,

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Speaker 3: of course.

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Speaker 2: Yeah, always crushing everything, everything's crushing. The sun is always

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Speaker 2: shining right on his ass.

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Speaker 3: And you know when he hugs you, but he gives

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Speaker 3: you like the high five hug and then he kissed

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Speaker 3: my neck.

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Speaker 1: Yeah, he holds my jaw every time he sees me. Yeah,

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Speaker 1: doesn't hug me. He holds my jaw like Jesus holds

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Speaker 1: the lamblessings Lamb.

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Speaker 2: I always have to reintroduce myself. He forgets he meets

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Speaker 2: me every time.

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Speaker 3: He always is just.

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Speaker 2: Like, what's your name?

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Speaker 1: Brother?

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Speaker 3: Bro? It's so good to see you.

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Speaker 1: Bro. Want to know why we're not hanging out more? So?

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Speaker 3: He's doing great. He said he sold three scripts this year,

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Speaker 3: he's working on a fourth. He's attached as a director

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Speaker 3: to all of them.

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Speaker 1: And lord, has he ever directed anything?

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Speaker 3: I don't think. So he's dating Zan Daya.

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Speaker 1: What yeah, Oh my god?

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Speaker 3: And isn't he like forty You can't tell?

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Speaker 2: I would be so awesome if my parents are rich,

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Speaker 2: I'd be the coolest.

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Speaker 1: Fucking is that thing?

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Speaker 3: He's a trust fun death or trust fun kid Nepo

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Speaker 3: baby nepo baby.

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Speaker 1: Lord hate him.

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Speaker 3: But then he said he'd pay me a thousand bucks

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Speaker 3: if I wrote his nephew's college essay.

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Speaker 1: So really, are you going to do it? Well? Of

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Speaker 1: course I am one thousand dollars to write an essay?

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Speaker 3: Totally.

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Speaker 1: Does he have other nephews?

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Speaker 3: I don't know. I'll email him.

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Speaker 2: Shit, please I'll email him, you know, I'll throw an

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Speaker 2: email in there too. He's a great guy.

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Speaker 3: Yeah, he's actually not a bad guy.

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Speaker 1: I don't mind him. He can be fun, gets ship done.

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Speaker 1: If you get to know him, he better than you.

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Speaker 3: Got to respect that.

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Speaker 1: It gives out on a surface level.

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Speaker 2: Yeah, great guy.

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Speaker 1: And it was hopefully boy Bence.

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Speaker 3: You know it was good to run into Bence.

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Speaker 1: Yeah, always a good time to run into Bence.

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Speaker 3: That's so great, Brendan, any any business for you, Brenda?

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Speaker 3: Anything on the Big Wonder front?

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Speaker 2: Well, I had my network test, yes Wonder let us knowbody,

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Speaker 2: Small Wonder reboot, and I jinked it was that?

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Speaker 1: Is that bad? I fucked it all up? What did

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Speaker 1: you do? No, you were better than you think.

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Speaker 2: The whole day just started bad. You know the bus

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Speaker 2: drivers are on strike in La. Yes, I didn't get there.

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Speaker 2: I don't drive anymore, so I have to take buses everywhere.

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Speaker 2: So what I ended up having to do was taking

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Speaker 2: a TMZ celebrity bus tour because they passed by the studio. Okay,

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Speaker 2: so I'm sitting on this goddamn thing for an hour

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Speaker 2: and a half.

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Speaker 3: Open top ones.

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Speaker 2: Yeah, and it was a score chair. I was just

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Speaker 2: dripping sweat. Get to the studio. They let me on

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Speaker 2: the lot. I go through a wrong door. I'm trapped

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Speaker 2: in a stairwell for like half an hour. I thought

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Speaker 2: it was going to get there early, be Colm and cool.

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Speaker 2: So anyway, long story longer. I get into the room.

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Speaker 2: I do the audition, and I'm reading with Small Wonder

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Speaker 2: herself Big Wonder, Tiffany Brissett, the original Vicky. Me and

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Speaker 2: her are doing the scripted stuff and we are crushing.

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Speaker 3: Awesome.

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Speaker 1: Course you are great.

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Speaker 2: The room, rolling laughter going throughout, and then fucking Vicky

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Speaker 2: takes this goddamn swing and starts to do an improft.

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Speaker 3: I improf is never good.

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Speaker 2: I just froze me impro shut down.

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Speaker 1: You took a workshop, didn't you?

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Speaker 3: What did she think?

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Speaker 2: She is? Ubc Well, anyway, I panicked. She starts improvising.

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Speaker 2: I panic and I just walked out. You know what what?

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Speaker 1: You walked down?

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Speaker 2: What am I? I'm not a fucking writer?

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Speaker 3: Yes you are. That's this whole podcast.

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Speaker 1: This is literally a writing podcast.

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Speaker 2: I'm not a writer, hyphen actor. I am an actor period.

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Speaker 2: I am a writer, period. And so you know when

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Speaker 2: you tell me to improvise after doing written material for

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Speaker 2: a written material show. I feel like you're cheating. I

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Speaker 2: feel like you're trying to steal my ideas. And I

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Speaker 2: don't know.

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Speaker 3: What did your feedback did? Yeah, what's your managers at

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Speaker 3: A One Entertainment say?

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Speaker 2: I called Nan Plimpton and she said casting was big fans.

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Speaker 1: That could be okay.

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Speaker 3: You know, she's probably never dealt with this before because

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Speaker 3: she's got so many young clients and they never asked

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Speaker 3: kids to improvise.

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Speaker 1: Aren't the kids mostly tap dancers? Yeah?

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Speaker 2: Tap dancing is coming back and very big way in

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Speaker 2: this town.

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Speaker 3: Oh, I'm taking a hip hop dancing class. It's going

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Speaker 3: quite well.

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Speaker 1: Really show us some.

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Speaker 2: Oh yeah, I guess like.

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Speaker 1: The chicken dance.

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Speaker 3: What fuck off? Mark? This is what we do now,

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Speaker 3: my people?

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Speaker 1: Anyway, what that means?

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Speaker 2: I got the big fan curse? Nobody gives a crap

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Speaker 2: about me?

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Speaker 1: Well you were. They said you were big fans before

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Speaker 1: and you and you thought, oh, you screwed it up,

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Speaker 1: and then you got the network test.

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Speaker 3: And we're big fans here in the real way, in

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Speaker 3: a good way.

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Speaker 1: You mean it?

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Speaker 2: Yeah, stop blinking so much. Anyway, I'm really down in

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Speaker 2: the dump saying.

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Speaker 1: Hey, man, this week is your script week? Yeah?

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Speaker 2: Come on, it ties all into that. I turned on

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Speaker 2: my writer brain, yes, and I decided to take this

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Speaker 2: sadness and pump it into a script. All right, So, uh,

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Speaker 2: I have something here for you guys. Here's the scripts here.

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Speaker 2: This is one of my favorite genres. This is a

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Speaker 2: kid sports movie. Okay, like yeah, great ones from the eighties. Oh, great,

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Speaker 2: great ones in the nineties. So this is kind of

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Speaker 2: like teen Wolf meets Frankenstein meets Any Given Sunday.

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Speaker 3: Oh wow, last one. They're all that's a they're all

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Speaker 3: great movies.

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Speaker 1: Cool.

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Speaker 2: Yeah, so this is like written for me. The coach

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Speaker 2: part is written for me because you know, I wanted

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Speaker 2: a starring vehicle for myself. I'm kind of like just

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Speaker 2: tired of this town saying, Oh, you're a chubby dufist.

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Speaker 2: That's what you are all the time. You bumble stumble

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Speaker 2: through everything, you know what. No, this is for me.

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Speaker 2: This is a hard edge coach. I wanted to, you know,

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Speaker 2: stretch my acting chaps.

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Speaker 1: This says it was written for bb Starland on the

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Speaker 1: title page.

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Speaker 2: Who's that you're looking at him? Baby?

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Speaker 1: You changed me? Did you change your name? Yes?

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Speaker 2: Brendon Jennings is dead. He died in that network test

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Speaker 2: room the second he walked out of there. Brendon Jennings

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Speaker 2: is dead.

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Speaker 4: Maybe we count on the ashes rises bebe Stalin Baby.

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Speaker 1: Is that your.

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Speaker 3: Voice that just sounds like al Pacino?

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Speaker 1: Maybe we should we should test some we should pitch

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Speaker 1: out on some other names other than BB Starland.

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Speaker 3: And some others. Got a great name and some other voices.

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Speaker 2: That's the name, Guy.

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Speaker 1: The voice does sound like albat Who does it?

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Speaker 2: I think that's me. That's just the voice I think

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Speaker 2: of when I think of a no nonsense, lett it

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Speaker 2: all loose kind of character.

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Speaker 1: Any given Sunday.

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Speaker 3: Yeah, well, I can't wait because honestly, I love a good,

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Speaker 3: feel good sports movie. And that I mean, if you

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Speaker 3: can deliver on that, I'm excited me too.

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Speaker 1: I do love the genre. So set it up for us.

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Speaker 2: You're really gonna Guy is about a coach called vick Stein,

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Speaker 2: a very popular high school basketball coach who faces the

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Speaker 2: biggest challenge of his career. And this is a little

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Speaker 2: movie called Hoopenstein.

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Speaker 1: Copenstein, Oopenstein.

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Speaker 3: Love it.

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Speaker 2: There you go guys, that Greg, will you handle the

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Speaker 2: stage directs?

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Speaker 3: I would be happy to mark.

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Speaker 2: Your parts are highlighted.

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Speaker 1: There, I see that all right.

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Speaker 3: Here we go exterior high school day. A crowd of

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Speaker 3: fans cheer and wait outside the gym doors. The doors

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Speaker 3: swing open and outcomes coach Victor Stein. Think al Pacino

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Speaker 3: and a team of basketball players. Wait, so you did

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Speaker 3: say it is it's al Pacino.

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Speaker 2: No, I want you to think of me as al Pacino.

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Speaker 2: I love them. I've always admired how he just goes

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Speaker 2: for it, and that's who I am. Now, that's who

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Speaker 2: Bb Starland is as an actor. I go for it.

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Speaker 3: Okay. I just can never think of you as having

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Speaker 3: the name BB Starland.

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Speaker 1: But go on.

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Speaker 2: Okay.

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Speaker 3: The players climb onto a bus with a banner that

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Speaker 3: reads Mary Shelley High fifteen time World High School Champions.

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Speaker 3: A gaggle of reporters surround Coach Stein.

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Speaker 1: I'm here with legendary high school basketball coach, mister one

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Speaker 1: hundred Victor Stein. After another season opening.

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Speaker 4: Win, Mallory, please call me coach Victory Stein.

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Speaker 1: Coach, you've gone from being the only high school player

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Speaker 1: ever to score one hundred points in a single game

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Speaker 1: to now being the coach of a basketball dynasty. How

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Speaker 1: do you feel about your chances of yet another world

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Speaker 1: high school champion.

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Speaker 2: Oh, I love my chances. Baby.

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Speaker 4: With these kids in my famous monster offense, we can't

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Speaker 4: be beat when it comes to championships.

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Speaker 2: I'm just getting warmed up.

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Speaker 3: Ah. Coach Stein waves at the adoring crowd and gets

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Speaker 3: on the bus as we cut to interior bus. Sometime later,

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Speaker 3: Coach Stein is lost in thought as he stares out

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Speaker 3: the bus window when assistant coach Richie Igorski plops down

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Speaker 3: next to him.

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Speaker 4: Hell of a w today, Coach you okay, ah, yeah,

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Speaker 4: thank you, coach of Gorsky.

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Speaker 2: Yeah, yeah, I'm fine.

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Speaker 3: Coach Stein looks out the window and we are transported

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Speaker 3: on a memory to Mary Shelley High School basketball gym.

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Speaker 3: Principal Gary Rice stands at half court with tears in

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Speaker 3: his eyes. The empty gym is full with the echoes

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Speaker 3: of Glory's pass. We hear the footsteps of Coach Stein

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Speaker 3: as he enters with a newspaper under his arm.

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Speaker 4: Ah, this old gym show filled with the echoes of

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Speaker 4: Glory's past. Hey you Gary, Oops, we're at work, Principal Gary.

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Speaker 3: Gary starts to sob.

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Speaker 1: Dump Vick.

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Speaker 2: I fucked up huge?

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Speaker 1: What is it? Gary? What did you do.

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Speaker 3: I had it. I had all the cars, Garry, the

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Speaker 3: mob they cheated me, they had to. I had all the.

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Speaker 4: Car garyy, What did you do?

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Speaker 2: Your fuck?

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Speaker 3: Coach Stein rolls up the newspaper and starts to beat

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Speaker 3: Gary with it like a dog.

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Speaker 2: Don't fig, don't beat me no more.

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Speaker 3: We've been for in since we were kids.

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Speaker 2: What did you do? You degenerate gambling fuck?

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Speaker 3: I lost the school Mary Shelley High belongs to the mob.

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Speaker 4: Now, oh Gary, Oh how could you?

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Speaker 3: But we can win it back. I made it double

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Speaker 3: and nothing with them. All you gotta do is do

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Speaker 3: I gotta do, all.

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Speaker 2: I gotta do. You drag me in this.

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Speaker 3: All you gotta do is win like you always do.

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Speaker 3: If you win the championship, we can keep the school

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Speaker 3: and my ledger is clean.

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Speaker 2: Oh Gary, simple fuck? Oh you simple stupid fuck winn

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Speaker 2: It ain't Gary, indeed. Man, when it is a dame.

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Speaker 4: Shaking her ass and pearls in your face one minute,

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Speaker 4: then in a blink she's grinding the lap of some

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Speaker 4: other stumbles o the next.

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Speaker 2: You can't put this on me, but you never lose?

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Speaker 3: Or what if this time I do get? What if

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Speaker 3: this time I do cut? Back to interior bus. Coach

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Speaker 3: Stein's sighs, a heavy sigh.

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Speaker 2: I just winning a coach.

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Speaker 3: The bus jolts and everyone screams. Coach Stein looks to

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Speaker 3: the front of the bus at driver Aggi Wilcox.

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Speaker 2: What's going on up there again?

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Speaker 1: It breaks through oud and the axles are coming on

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Speaker 1: done and the cats takes a fire.

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Speaker 2: Christ's mom, everybody listen.

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Speaker 3: Here, But no one can listen here because the bus explodes.

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Speaker 3: Cut to the bus is a twisted heap. Flames and

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Speaker 3: body parts are everywhere. Delirious Coach Stein reaches out, trying

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Speaker 3: to call to his team. Yeah, I got your coach

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Speaker 3: through a fog. Coach Stein's he's Coach Igorsky carrying him away.

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Speaker 3: The world goes black. Into your hospital, Coach Stein wakes up,

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00:13:00,000 --> 00:13:01,760
Speaker 3: heavily bandaged and confused.

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Speaker 1: Coach Stein, I'm doctor Henry Muskin. I'm sad to tell

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Speaker 1: you that your whole team, with the exception of your

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Speaker 1: assistant coach Richie Gorski, is dead.

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Speaker 3: Oh shit, whoa okay?

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Speaker 1: Yeah man?

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Speaker 3: Oh so is this a kid's movie?

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Speaker 1: Yeah, there's a lot of fucks and there was a

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Speaker 1: shaking of the ass.

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Speaker 2: Well, I mean, have you seen eighties movies. I mean

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Speaker 2: cursing and moves everywhere. This is fine, it's gonna be fat.

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Speaker 3: It's fun.

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Speaker 2: I feel alive. Man baby, get on the bb Express.

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Speaker 1: So cool. All right, So coach Stein he's got a

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Speaker 1: monster offense. Yeah, so what is that? What's the monster offense?

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Speaker 1: Do we see it? Is it like the triangle offense?

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Speaker 1: Is it hard to understand?

320
00:13:52,440 --> 00:13:54,320
Speaker 3: It's it kind of like the flying V or something.

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Speaker 2: That's something I'm hoping a director knows.

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Speaker 1: Okay, So al Pacino is he's the coach, yes, and

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00:14:01,920 --> 00:14:06,520
Speaker 1: well I'm the coach, right, Bobe Starlind right, But it's okay.

324
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Speaker 1: I can't not picture al Pacino is the problem.

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Speaker 2: That's interesting.

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Speaker 1: That's good. It's a great it's a great al Pacino.

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Speaker 1: I mean, the voice is fantastic. Oh I'm not this

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Speaker 1: was animated. I would see you doing it total al Pacino.

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00:14:18,080 --> 00:14:20,600
Speaker 2: That's how I act. Now that's my voice.

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Speaker 3: You're doing the al Pacino thing where you just pick

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Speaker 3: random words to yell too, which I love.

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Speaker 2: That's passion.

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Speaker 1: You know.

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Speaker 2: I kind of realized as I sat there in that

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Speaker 2: room just kind of delivering these big wonder lines that

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00:14:32,720 --> 00:14:36,040
Speaker 2: I wasn't putting passion into it, like where's your hair?

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Speaker 1: Whoa, Yeah, it's a great again great al Pacino. It

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Speaker 1: only reads like an al Pacino movie where he's beating

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Speaker 1: his friend with a newspaper like a dog. And this

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Speaker 1: is a kid's movie. Oh, it's just a little bit

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Speaker 1: of a disconnect for me. If it's al Pacino, I

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Speaker 1: get it.

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Speaker 2: Well, this is the part of the movie that sets

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Speaker 2: up the fun sports part.

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Speaker 3: This is great.

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Speaker 2: His team is dead now, okay, So he gets this

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Speaker 2: kind of fun goofy team together. You know, a bunch

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Speaker 2: of misfits. You know, you have like a kid named Jupiter.

349
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Speaker 2: He's big and fat like Jupiter, and he eats everything

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Speaker 2: all the time. You get a kid named trash Mouth

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Speaker 2: who sucks at basketball, but he talks such good trash

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Speaker 2: like the other team goofs up.

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Speaker 3: Cool.

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Speaker 2: You got a kid named Jet He's super fast, but

355
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Speaker 2: he can't do anything else, so he just runs really

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Speaker 2: fast in the walls and stuff like that. So Coach

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Speaker 2: Stein has this group of misfits and they go through

358
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Speaker 2: all the funny things where they keep losing it. Coach

359
00:15:30,560 --> 00:15:34,120
Speaker 2: Stein has never ever lost before that. Then he has

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Speaker 2: this idea to end all ideas. He breaks into the

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Speaker 2: morgue and he finds the freezer full of his old

362
00:15:40,560 --> 00:15:43,400
Speaker 2: ex player's body parts for me, and he takes all

363
00:15:43,600 --> 00:15:45,760
Speaker 2: the best of them. You know, give me Murphy's legs,

364
00:15:46,160 --> 00:15:49,680
Speaker 2: give me Henderson's eyes, all that stuff, and he cobbles

365
00:15:49,720 --> 00:15:56,080
Speaker 2: together this perfect player, this seven foot five monstrosity that

366
00:15:56,240 --> 00:15:59,800
Speaker 2: is like horrifying to see, but is quickly beloved by

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Speaker 2: the wh community because he's a fucking legendary baller.

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Speaker 3: Okay, so this is kind of a fun yeah, Frankensteiny.

369
00:16:08,120 --> 00:16:12,160
Speaker 2: Yeah, the team's on a losing streak. Coach Stein enters

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00:16:12,200 --> 00:16:14,280
Speaker 2: into the gym the next day for the big tournament.

371
00:16:14,280 --> 00:16:16,320
Speaker 2: The team looks up, the opposing team looks up, and

372
00:16:16,360 --> 00:16:19,880
Speaker 2: he says, say helo to my big friend, and then

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Speaker 2: in he comes.

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Speaker 1: Which is kind of which is an al pacino.

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Speaker 2: Yeah, wine, that is I mean, say a little my

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Speaker 2: big friend.

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Speaker 1: It's pretty close. I don't know, so, okay, so who

378
00:16:30,080 --> 00:16:32,640
Speaker 1: this guy? So I mean I'm assuming the genre. He

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Speaker 1: starts winning more games because Hoopenstein is fantastic.

380
00:16:35,520 --> 00:16:37,840
Speaker 2: So there's like stein Mania.

381
00:16:38,280 --> 00:16:41,320
Speaker 1: Oh okay, that's cool. So it's sort of like a party.

382
00:16:41,560 --> 00:16:44,280
Speaker 1: The monster's super happy to be there and is like,

383
00:16:44,360 --> 00:16:48,240
Speaker 1: you know, soaking in the celebrity status kind of way

384
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Speaker 1: not say that.

385
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Speaker 2: Honestly, I don't even want to. He's not happy talk

386
00:16:52,840 --> 00:16:56,680
Speaker 2: about the monster right now. Well, yeah, writing the Monster

387
00:16:56,840 --> 00:17:01,320
Speaker 2: is the hardest thing I've ever done. Honestly, kind I

388
00:17:01,400 --> 00:17:03,000
Speaker 2: kind of wish I never brought him back to life.

389
00:17:05,320 --> 00:17:07,840
Speaker 3: Well, do you want to set up the next scene?

390
00:17:07,920 --> 00:17:08,360
Speaker 3: Let's see?

391
00:17:08,680 --> 00:17:10,960
Speaker 1: Okay, do you not want to read it? What's wrong

392
00:17:11,000 --> 00:17:11,760
Speaker 1: with the.

393
00:17:11,440 --> 00:17:13,480
Speaker 3: There's a bunch of monologues in here. I mean, there's

394
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Speaker 3: like one hundred pages of monologues for coach Stein.

395
00:17:16,440 --> 00:17:18,880
Speaker 2: What if I just rattle out a couple of these monologues?

396
00:17:18,920 --> 00:17:21,320
Speaker 2: You know, let B B show you one?

397
00:17:21,520 --> 00:17:24,199
Speaker 1: Why don't you do one? This is pages and pages

398
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Speaker 1: of just you talking.

399
00:17:25,680 --> 00:17:28,119
Speaker 2: Okay, Well, I'd really like to show you guys what

400
00:17:28,200 --> 00:17:31,399
Speaker 2: I'm all about now, But if you only want to

401
00:17:31,440 --> 00:17:35,959
Speaker 2: do one, let's see. Let us jump here towards the end. Okay,

402
00:17:36,680 --> 00:17:38,040
Speaker 2: this is a good one, all right. This is the

403
00:17:38,080 --> 00:17:41,679
Speaker 2: low moment right here. The team is in disarray because

404
00:17:41,680 --> 00:17:43,800
Speaker 2: there was a quote in the paper where Coach Stein

405
00:17:43,960 --> 00:17:47,600
Speaker 2: says that he trashes the team. He calls him losers,

406
00:17:47,680 --> 00:17:49,560
Speaker 2: and they all see this, and now the team is

407
00:17:49,680 --> 00:17:53,240
Speaker 2: really mad at Coach Hoopenstein. The monster. He is an

408
00:17:53,359 --> 00:17:57,560
Speaker 2: unstoppable machine until he loses his right arm. Oh no,

409
00:17:57,680 --> 00:18:00,359
Speaker 2: why the arms parents, They had to move and the

410
00:18:00,440 --> 00:18:03,080
Speaker 2: arm gets redistricted to another team.

411
00:18:03,160 --> 00:18:06,200
Speaker 3: The arm gets redistricted to another teams.

412
00:18:06,240 --> 00:18:08,960
Speaker 1: So like the student would have had to change schools,

413
00:18:08,960 --> 00:18:11,639
Speaker 1: so the arm of the student. Yes, so we get it.

414
00:18:11,680 --> 00:18:15,560
Speaker 2: Now Hoopenstein has fun to right arm. So everyone's sitting

415
00:18:15,600 --> 00:18:18,160
Speaker 2: in the locker room before the big championship game. All

416
00:18:18,200 --> 00:18:21,960
Speaker 2: seems lost. And this is when Coach Vic comes in.

417
00:18:22,400 --> 00:18:24,080
Speaker 3: You had me down for the monster. Is there a

418
00:18:24,119 --> 00:18:25,959
Speaker 3: particular monster voice you want me to use?

419
00:18:26,680 --> 00:18:29,240
Speaker 2: I wanted you to think of like ten people all

420
00:18:29,359 --> 00:18:30,720
Speaker 2: dying at the same time.

421
00:18:30,840 --> 00:18:33,879
Speaker 1: Okay, okay, he's not a happy monster, is what we're saying.

422
00:18:34,440 --> 00:18:38,639
Speaker 3: Here we go interior locker room day. The team sits dejected,

423
00:18:38,880 --> 00:18:41,800
Speaker 3: all still wearing their street clothes. In the corner, Hoopenstein

424
00:18:41,880 --> 00:18:45,040
Speaker 3: is slumped, nearly lifeless. His right arm is missing. Kachi

425
00:18:45,119 --> 00:18:47,720
Speaker 3: Gorski tends to him, pressing a cold damp cloth to

426
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Speaker 3: his head.

427
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Speaker 1: Easier, I got you. You'll be all right by game time.

428
00:18:52,040 --> 00:18:57,760
Speaker 2: Whoa million faults woa million feelings, all your modest prosulifund

429
00:18:59,040 --> 00:18:59,280
Speaker 2: like that.

430
00:18:59,640 --> 00:19:00,720
Speaker 1: Yeah.

431
00:19:00,800 --> 00:19:02,560
Speaker 3: The room turns to the sound of the locker room

432
00:19:02,640 --> 00:19:04,439
Speaker 3: door opening and Coach Stein walking in.

433
00:19:04,640 --> 00:19:05,679
Speaker 1: Whoa, what is this?

434
00:19:05,720 --> 00:19:11,119
Speaker 2: The stable horses? Why the long faces? All right, come on,

435
00:19:11,440 --> 00:19:13,120
Speaker 2: let's go get your gear on game.

436
00:19:13,440 --> 00:19:17,119
Speaker 1: We can't win Houbinstein's right arm got taken off. His

437
00:19:17,280 --> 00:19:20,359
Speaker 1: parents moved, so it's been redistricted to Baylor Heights.

438
00:19:20,440 --> 00:19:22,880
Speaker 3: And you don't win with us anyway, or you don't

439
00:19:22,920 --> 00:19:25,960
Speaker 3: read the paper front page. Coach Stein says, I can't

440
00:19:25,960 --> 00:19:27,639
Speaker 3: win with this team of goofy fucks.

441
00:19:28,080 --> 00:19:29,359
Speaker 1: What is that? Let me see that?

442
00:19:30,080 --> 00:19:32,359
Speaker 2: Yeah, yeah, yeah, I said that. Hey that's a good read,

443
00:19:32,880 --> 00:19:37,480
Speaker 2: I said it, sure, But this fool, this heck left

444
00:19:37,480 --> 00:19:39,720
Speaker 2: out the best part. I said.

445
00:19:39,760 --> 00:19:42,439
Speaker 4: I can't win with this team of goofy fucks. I

446
00:19:42,520 --> 00:19:47,320
Speaker 4: can dominate, I can destroy. There's no place I'd rather

447
00:19:47,440 --> 00:19:48,399
Speaker 4: beat than with.

448
00:19:48,520 --> 00:19:51,200
Speaker 2: These goofy fucks. But they don't print that, nah man,

449
00:19:51,320 --> 00:19:53,960
Speaker 2: do they No? That don't move papers.

450
00:19:53,800 --> 00:19:57,520
Speaker 1: Just stop, coach Everyone's right without Hoopinstein, were just a

451
00:19:57,560 --> 00:20:00,479
Speaker 1: bunch of misfits. We're not like you, mister one hundred,

452
00:20:00,600 --> 00:20:01,720
Speaker 1: miss the one hundred.

453
00:20:02,480 --> 00:20:05,520
Speaker 2: Yeah, yeah, I was missed one hundred? Is that what

454
00:20:05,560 --> 00:20:09,560
Speaker 2: you think basketball is? Boys scoring one hundred points, you

455
00:20:09,640 --> 00:20:12,760
Speaker 2: throw up a century of buckets, bust out the parade.

456
00:20:12,760 --> 00:20:14,480
Speaker 1: You won, right? Pretty much?

457
00:20:14,880 --> 00:20:17,080
Speaker 2: They never tell the other part of that story. Do they?

458
00:20:17,880 --> 00:20:18,120
Speaker 1: Sure?

459
00:20:18,280 --> 00:20:19,919
Speaker 2: I scored one hundred.

460
00:20:20,080 --> 00:20:23,880
Speaker 4: But the other team scored one twenty nine? That's right,

461
00:20:24,760 --> 00:20:28,320
Speaker 4: one twenty nine to one hundred. That's a loss, my man.

462
00:20:29,200 --> 00:20:32,399
Speaker 4: Sure you're in the news. Oh the ladies they love it.

463
00:20:32,680 --> 00:20:37,240
Speaker 4: They're lined up around the block. But the facts are facts, daddy.

464
00:20:37,880 --> 00:20:41,240
Speaker 4: One twenty nine beats one hundred every time.

465
00:20:41,760 --> 00:20:42,680
Speaker 2: The worst part.

466
00:20:43,119 --> 00:20:48,280
Speaker 4: O the worst part, all my teammates and coaches they

467
00:20:48,359 --> 00:20:52,920
Speaker 4: went and got pizza Pizza Hut on the coach man,

468
00:20:53,400 --> 00:20:57,000
Speaker 4: I love pizza Hut. That night, that night, mister one

469
00:20:57,119 --> 00:20:59,840
Speaker 4: hundred late crying in his bed because he got knowing.

470
00:21:01,200 --> 00:21:02,960
Speaker 2: Because no team wants to.

471
00:21:02,880 --> 00:21:07,920
Speaker 4: Snoff a personal pad with some clown that can't pass

472
00:21:08,000 --> 00:21:10,400
Speaker 4: the ball and hogs all the glory for himself.

473
00:21:10,840 --> 00:21:12,920
Speaker 2: That's what personal glory gets you.

474
00:21:12,880 --> 00:21:17,240
Speaker 4: Boys, a blown achilles, a pillowcase full of tears, and

475
00:21:17,320 --> 00:21:19,800
Speaker 4: an empty belly. Think I belled on you?

476
00:21:20,320 --> 00:21:22,560
Speaker 2: You think I'm doing with you?

477
00:21:22,680 --> 00:21:26,760
Speaker 3: No, boys, never check this Coach Stein, there's a big

478
00:21:26,800 --> 00:21:28,600
Speaker 3: duffel bag in front of the boys. They open it

479
00:21:28,640 --> 00:21:29,720
Speaker 3: and pull out a jersey.

480
00:21:29,840 --> 00:21:32,600
Speaker 1: It's one giant jersey with five head spots.

481
00:21:32,760 --> 00:21:35,400
Speaker 2: No one man can do it alone. There's something else

482
00:21:35,440 --> 00:21:36,679
Speaker 2: in that too, check the bottom.

483
00:21:36,760 --> 00:21:39,960
Speaker 3: Jupiter digs in and pulls out a right arm.

484
00:21:39,960 --> 00:21:40,600
Speaker 1: Careful with that.

485
00:21:40,680 --> 00:21:43,240
Speaker 2: Now that on scored one hundred points in the game

486
00:21:43,280 --> 00:21:45,400
Speaker 2: ones you mean that's right?

487
00:21:45,560 --> 00:21:48,439
Speaker 3: Coach Stein turns dramatically, revealing a pinned up sleeve on

488
00:21:48,480 --> 00:21:50,679
Speaker 3: his suit where his legendary right arm used to be.

489
00:21:50,960 --> 00:21:54,960
Speaker 4: Coachagowski. Pop that arm onto our beastly boy post haaste.

490
00:21:55,359 --> 00:22:00,560
Speaker 4: Now let's go out there and play like a team.

491
00:22:00,680 --> 00:22:03,720
Speaker 2: I know, big daddy. Now listen up, gang, we go

492
00:22:03,800 --> 00:22:05,359
Speaker 2: out there, winna lose?

493
00:22:05,760 --> 00:22:06,280
Speaker 4: The deal?

494
00:22:06,480 --> 00:22:06,840
Speaker 1: Is this?

495
00:22:07,400 --> 00:22:10,639
Speaker 2: When it's over, we're putting this motherfucker out of his

496
00:22:10,720 --> 00:22:13,240
Speaker 2: misery and then pizzas on me.

497
00:22:13,760 --> 00:22:23,040
Speaker 3: The team roared. Ah wow, BB, I'm sorry, Brendan.

498
00:22:22,800 --> 00:22:25,960
Speaker 2: No, that's correct, call me BB. What do you think?

499
00:22:26,000 --> 00:22:28,520
Speaker 2: That's probably my favorite monologue and the whole piece.

500
00:22:28,800 --> 00:22:30,400
Speaker 1: It's a cool monologue.

501
00:22:30,480 --> 00:22:32,840
Speaker 3: Yeah, I want to talk about the monster real quick.

502
00:22:33,359 --> 00:22:34,720
Speaker 1: He's scaring me.

503
00:22:35,119 --> 00:22:38,439
Speaker 2: Oh, I mean I sat down and I tried to

504
00:22:38,440 --> 00:22:41,240
Speaker 2: think about this monster, not think of this. He is

505
00:22:41,520 --> 00:22:44,439
Speaker 2: so many different people, right, so many different dreams, so

506
00:22:44,480 --> 00:22:48,760
Speaker 2: many different desires, so many different teenage insecurities all rolled

507
00:22:48,800 --> 00:22:49,400
Speaker 2: up into one.

508
00:22:49,560 --> 00:22:49,720
Speaker 1: Right.

509
00:22:49,840 --> 00:22:52,439
Speaker 2: I mean the thought of that waking up into that

510
00:22:52,720 --> 00:22:55,760
Speaker 2: is a nightmare that yeah, just kept me awake for

511
00:22:55,840 --> 00:22:57,000
Speaker 2: weeks when I wrote this thing.

512
00:22:57,080 --> 00:22:58,800
Speaker 1: Oh my god, it's so terrifying.

513
00:22:58,880 --> 00:23:01,480
Speaker 3: Yeah, I guess i'd have one note make the monster fun.

514
00:23:01,880 --> 00:23:06,160
Speaker 1: Yeah. Yeah, is he like speaking from some demonic hell void?

515
00:23:06,280 --> 00:23:09,440
Speaker 1: Like why why is he so he he doesn't want

516
00:23:09,480 --> 00:23:10,000
Speaker 1: to exist?

517
00:23:10,080 --> 00:23:13,760
Speaker 2: Yeah, that's a horrifying nightmare. Every second that Hoopenstein's alive

518
00:23:14,040 --> 00:23:16,960
Speaker 2: is the worst tell you can possibly imagine.

519
00:23:17,040 --> 00:23:20,359
Speaker 1: It almost feels like a horror movie. Yeah, No, I

520
00:23:20,359 --> 00:23:21,520
Speaker 1: don't think is a great thing.

521
00:23:21,720 --> 00:23:23,879
Speaker 2: I think about the horror movie wouldn't have somebody like

522
00:23:24,000 --> 00:23:27,600
Speaker 2: We're plenty goofy things. At one point, Jupiter like eats

523
00:23:27,600 --> 00:23:29,480
Speaker 2: a shoe because he thinks it's a piece of pizza.

524
00:23:29,600 --> 00:23:32,399
Speaker 1: So I mean people are gonna be rolling well. And

525
00:23:32,440 --> 00:23:34,159
Speaker 1: that also brings me back to the use of the

526
00:23:34,160 --> 00:23:36,399
Speaker 1: word motherfucker that happens so often.

527
00:23:36,480 --> 00:23:38,000
Speaker 3: Yeah, I don't think you could have that. It's really

528
00:23:38,400 --> 00:23:40,600
Speaker 3: I mean I realized these movies typically are for the

529
00:23:40,640 --> 00:23:42,920
Speaker 3: whole family, So there's something for the adults, there's something

530
00:23:42,920 --> 00:23:44,600
Speaker 3: for the kids. But I don't think you can actually

531
00:23:44,640 --> 00:23:46,920
Speaker 3: have things that are for the adults that the kids

532
00:23:47,000 --> 00:23:47,560
Speaker 3: can't hear.

533
00:23:47,680 --> 00:23:51,080
Speaker 2: Sure, I feel like Bad News Bearers had like twenty Motherfuckers,

534
00:23:51,080 --> 00:23:53,679
Speaker 2: no rated X. Is that Mighty Ducks?

535
00:23:54,200 --> 00:23:54,240
Speaker 3: No?

536
00:23:55,359 --> 00:23:57,440
Speaker 2: One of them goes pretty heavy. I thought Estevez was

537
00:23:57,480 --> 00:24:00,520
Speaker 2: pretty geared up on Mighty Ducks and dropped a couple mefors.

538
00:24:01,000 --> 00:24:02,960
Speaker 3: I don't think so. I think you just need to

539
00:24:02,960 --> 00:24:05,359
Speaker 3: maybe pull back on that stuff. And again, could you

540
00:24:05,400 --> 00:24:06,359
Speaker 3: make the monster fun?

541
00:24:06,800 --> 00:24:08,520
Speaker 1: Yeah, we want to like him.

542
00:24:08,760 --> 00:24:11,000
Speaker 2: I don't see how something like that could exist and

543
00:24:11,119 --> 00:24:11,639
Speaker 2: be fun.

544
00:24:20,680 --> 00:24:21,920
Speaker 3: Well, what do we got next?

545
00:24:22,280 --> 00:24:25,600
Speaker 2: I mean, I am satisfied bb Starland has made his

546
00:24:25,640 --> 00:24:27,920
Speaker 2: grand debut. I think this is a home run. I

547
00:24:27,960 --> 00:24:28,440
Speaker 2: feel great.

548
00:24:28,440 --> 00:24:31,880
Speaker 3: Well, isn't there like the Big Game or something else?

549
00:24:32,000 --> 00:24:33,680
Speaker 1: Let's read to the end or at least.

550
00:24:33,920 --> 00:24:35,679
Speaker 3: I mean, I want to get those chills, you know.

551
00:24:35,760 --> 00:24:37,439
Speaker 3: That was what we were talking about at the beginning,

552
00:24:37,520 --> 00:24:40,520
Speaker 3: is like how do they come together as the one

553
00:24:40,560 --> 00:24:41,600
Speaker 3: player in the Jersey?

554
00:24:41,760 --> 00:24:44,600
Speaker 1: I love the thing I love about these movies hoosiers,

555
00:24:44,680 --> 00:24:47,800
Speaker 1: these mighty ducks. You go right to the end and

556
00:24:47,960 --> 00:24:50,520
Speaker 1: get that perfect hit where yeah.

557
00:24:50,320 --> 00:24:52,000
Speaker 3: The changels in the outfield.

558
00:24:52,280 --> 00:24:54,400
Speaker 1: It's like you don't know whether you're gonna cry, but

559
00:24:54,560 --> 00:24:56,840
Speaker 1: certainly your body is just I mean, the chills is

560
00:24:56,880 --> 00:25:00,280
Speaker 1: a perfect word for it. Okay, it's there, right, Yeah,

561
00:25:00,359 --> 00:25:02,520
Speaker 1: let's do the final scene, the climax.

562
00:25:02,680 --> 00:25:07,639
Speaker 2: Oh, page ninety five, We'll get you the big sports ending.

563
00:25:08,200 --> 00:25:09,760
Speaker 2: Set your body for chills.

564
00:25:09,920 --> 00:25:11,640
Speaker 1: Oh great, nice, Here.

565
00:25:11,480 --> 00:25:13,880
Speaker 3: We go interior basketball gym day.

566
00:25:14,160 --> 00:25:17,120
Speaker 2: The days has arrived, folks, the championship game.

567
00:25:17,240 --> 00:25:20,359
Speaker 1: And here they come. But Mary Shelley fighting monsters and

568
00:25:20,680 --> 00:25:23,600
Speaker 1: what's this? They're all wearing one giant jersey.

569
00:25:24,280 --> 00:25:26,800
Speaker 3: The team emerges under the court. The crowd laughs and

570
00:25:26,880 --> 00:25:28,680
Speaker 3: heckles this latest monstrosity.

571
00:25:28,760 --> 00:25:30,000
Speaker 1: You're laughing at us, coach.

572
00:25:30,240 --> 00:25:32,840
Speaker 4: Don't you worry about them, Joop. All you need is

573
00:25:33,000 --> 00:25:35,280
Speaker 4: right here together as one.

574
00:25:35,240 --> 00:25:37,840
Speaker 3: The monster groans and all the players circle up with

575
00:25:37,880 --> 00:25:38,359
Speaker 3: their coach.

576
00:25:38,640 --> 00:25:42,800
Speaker 2: Well, one unit, one team, one monster. Let's go.

577
00:25:43,400 --> 00:25:46,280
Speaker 3: We jump cut through the game action as dazzling dunks, blocks,

578
00:25:46,280 --> 00:25:48,480
Speaker 3: and steals keep the team's neck and neck until the

579
00:25:48,520 --> 00:25:51,159
Speaker 3: final minute. The Cougars hit a three point shot to

580
00:25:51,200 --> 00:25:53,320
Speaker 3: take the lead, and the Monsters call a time out.

581
00:25:53,359 --> 00:25:56,280
Speaker 3: I'm out with five seconds on the clock. The scoreboard

582
00:25:56,320 --> 00:26:01,600
Speaker 3: reads Cougars one hundred, Monsters ninety nine. The teams emerge

583
00:26:01,640 --> 00:26:03,840
Speaker 3: from their huddles and fan out onto the court. The

584
00:26:03,960 --> 00:26:08,040
Speaker 3: crowd holds its collective breath, anticipating the dramatic final play.

585
00:26:08,119 --> 00:26:10,479
Speaker 1: The Cougars all know where the ball is going. Everyone

586
00:26:10,520 --> 00:26:12,520
Speaker 1: in the stadium knows where the ball is going to

587
00:26:12,720 --> 00:26:15,080
Speaker 1: Coach Victor Stein's right arm.

588
00:26:15,119 --> 00:26:17,800
Speaker 3: Sure enough, Jupiter inbounds to the right arm.

589
00:26:17,920 --> 00:26:21,120
Speaker 1: Just as everyone suspected. Five seconds to go. The Cougar's

590
00:26:21,160 --> 00:26:22,840
Speaker 1: triple team the right arm.

591
00:26:22,960 --> 00:26:26,560
Speaker 3: The opposing coach smiles on the sideline, awaiting his inevitable triumph.

592
00:26:26,760 --> 00:26:29,960
Speaker 3: But then the right arm dribbles once and lobs the

593
00:26:30,000 --> 00:26:31,840
Speaker 3: ball all the way back over to the Jupiter on

594
00:26:31,880 --> 00:26:34,400
Speaker 3: the other side of the jersey. Jupiter catches the ball

595
00:26:34,440 --> 00:26:37,040
Speaker 3: and finds himself wide open, standing in front of the basket.

596
00:26:37,600 --> 00:26:42,760
Speaker 3: Shoot time slows Jupiter's face to face with the one

597
00:26:42,800 --> 00:26:45,080
Speaker 3: shot he's never been able to make. As the clock

598
00:26:45,160 --> 00:26:47,359
Speaker 3: ticks down, three two.

599
00:26:47,440 --> 00:26:53,480
Speaker 4: Shoot, Joop, you beautiful gool That school, that school, of course,

600
00:26:53,600 --> 00:26:54,520
Speaker 4: the granny shot.

601
00:26:54,640 --> 00:26:56,840
Speaker 3: Jupiter underhand heaves the ball in the air. As the

602
00:26:56,880 --> 00:27:01,600
Speaker 3: buzzer sounds, the ball circling the cylinder, out in, out in.

603
00:27:02,480 --> 00:27:04,480
Speaker 2: The crowd goes wild.

604
00:27:04,560 --> 00:27:08,440
Speaker 3: As the scoreboard changes to Cougar's one hundred monsters one

605
00:27:08,480 --> 00:27:12,000
Speaker 3: oh one. The team pig piles on Jupiter. Coach Stein

606
00:27:12,080 --> 00:27:15,040
Speaker 3: jumps in the air and hugs Coachy Gorski. Principal Gary

607
00:27:15,160 --> 00:27:17,480
Speaker 3: runs out of the crowd and hugs Coach. As the

608
00:27:17,520 --> 00:27:20,840
Speaker 3: bleachers clear and the crowd surges under the court.

609
00:27:21,200 --> 00:27:23,320
Speaker 2: You did it, I always.

610
00:27:22,920 --> 00:27:25,440
Speaker 3: The two friends Cheryl laugh and look out into the crowd,

611
00:27:25,480 --> 00:27:28,280
Speaker 3: where mob Boss Dino Muzzarelli tears up the deed to

612
00:27:28,320 --> 00:27:35,000
Speaker 3: the school angrily. Yes there we Wow, this is like great. Yeah,

613
00:27:35,040 --> 00:27:35,959
Speaker 3: I'm kind of into this.

614
00:27:36,960 --> 00:27:37,120
Speaker 4: Ten.

615
00:27:37,880 --> 00:27:39,320
Speaker 3: Yeah, I'm on board two ten.

616
00:27:39,800 --> 00:27:41,920
Speaker 2: The ending is a ten and a lot more page, guys.

617
00:27:42,000 --> 00:27:43,960
Speaker 2: I'm sorry to interrupt all that. I appreciate it.

618
00:27:43,960 --> 00:27:45,480
Speaker 3: I don't think we I mean, if they win, that's

619
00:27:45,520 --> 00:27:46,120
Speaker 3: all we really.

620
00:27:46,600 --> 00:27:48,520
Speaker 2: There's just a little bit more that I wrote. I

621
00:27:48,560 --> 00:27:51,639
Speaker 2: think you guys will be happy with it. But yeah,

622
00:27:51,720 --> 00:27:55,920
Speaker 2: right after mob Boss Dino Muzzarelli tears up the deed,

623
00:27:55,960 --> 00:27:57,480
Speaker 2: we have one more page.

624
00:27:57,680 --> 00:28:00,840
Speaker 3: Okay, at center court Hoopenstein is mobbed by a cheering crowd.

625
00:28:00,840 --> 00:28:04,199
Speaker 3: Hoppenstein turns to see cheerleader Amber emerging from the crowd.

626
00:28:04,440 --> 00:28:07,640
Speaker 1: Hey, hoop, heck of a shot. You never miss, do you?

627
00:28:09,960 --> 00:28:10,360
Speaker 1: I know?

628
00:28:10,640 --> 00:28:13,760
Speaker 3: But Amber holds her hands to her belly. Hopenstein gives

629
00:28:13,760 --> 00:28:15,639
Speaker 3: a look like, whoa you mean it?

630
00:28:15,960 --> 00:28:20,040
Speaker 1: Yep, I'm pregnant and it's yours too. I ditched Winthrop,

631
00:28:20,200 --> 00:28:23,640
Speaker 1: That preppy loser can't compare to my big green daddy

632
00:28:23,640 --> 00:28:24,240
Speaker 1: of scare.

633
00:28:27,440 --> 00:28:33,520
Speaker 3: Hoppenstein beams and embraces his love well. The whole crowd

634
00:28:33,640 --> 00:28:39,280
Speaker 3: joins in on the big Man's catchphrase. Everyone cheers. Is

635
00:28:39,320 --> 00:28:42,120
Speaker 3: the gym doors fly open? It's Winthrop and a whole

636
00:28:42,120 --> 00:28:43,680
Speaker 3: group of townspeople with torches.

637
00:28:43,880 --> 00:28:45,880
Speaker 2: There's the beasts pawing my Amber.

638
00:28:46,320 --> 00:28:49,720
Speaker 3: Get him, they're angry. Mob surges forward and sets the

639
00:28:49,800 --> 00:28:50,760
Speaker 3: monster a blaze.

640
00:28:50,960 --> 00:28:54,400
Speaker 2: Boo die, you evil, best it die.

641
00:28:54,800 --> 00:28:58,520
Speaker 3: Hopenstein screams a horrid scream. The whole gym cheers.

642
00:28:58,600 --> 00:29:00,640
Speaker 1: Now get him, he made the monster.

643
00:29:00,880 --> 00:29:03,320
Speaker 3: The whole crowd turns to coach Stein. They rush him

644
00:29:03,320 --> 00:29:06,880
Speaker 3: and pull him apart with their hands. Winter holds Amber close.

645
00:29:08,240 --> 00:29:09,600
Speaker 2: The night man is done.

646
00:29:09,880 --> 00:29:15,800
Speaker 3: Fade to black. The end What what chills?

647
00:29:15,920 --> 00:29:20,120
Speaker 1: Huh, well, kind of like the chills you get when

648
00:29:20,160 --> 00:29:20,840
Speaker 1: you have a fever.

649
00:29:21,360 --> 00:29:24,520
Speaker 3: Maybe yeah, can't we just end on like the karate

650
00:29:24,600 --> 00:29:26,200
Speaker 3: Kid moment, like freeze frame.

651
00:29:26,440 --> 00:29:29,640
Speaker 1: They win, they tear him apart. This is a horror movie.

652
00:29:29,640 --> 00:29:32,800
Speaker 1: Why does Amber? Hold on Amber? I don't know who

653
00:29:32,800 --> 00:29:33,400
Speaker 1: Amber is.

654
00:29:33,680 --> 00:29:36,120
Speaker 2: She is a cheerleader, that's the most popular girl in

655
00:29:36,160 --> 00:29:37,520
Speaker 2: school and he had sex.

656
00:29:37,320 --> 00:29:39,560
Speaker 1: With or there's a scene where they sleep together.

657
00:29:39,640 --> 00:29:41,120
Speaker 2: Yeah, sure, you know the goofy thing.

658
00:29:41,680 --> 00:29:44,280
Speaker 1: This is a kid's movie. Man, a monster is sleeping

659
00:29:44,280 --> 00:29:46,000
Speaker 1: with a cheerleader. He's underage.

660
00:29:46,040 --> 00:29:49,520
Speaker 2: It's an eighties kids movie. Then people were bopping and

661
00:29:49,560 --> 00:29:50,720
Speaker 2: banking all over the place.

662
00:29:51,040 --> 00:29:53,440
Speaker 1: An, so it's a horror movie.

663
00:29:53,640 --> 00:29:56,360
Speaker 2: No, it's a kid's a B movie. At one point,

664
00:29:56,480 --> 00:29:58,440
Speaker 2: Jupiter walks in and he starts eating his shirt.

665
00:29:58,480 --> 00:30:00,200
Speaker 1: What was he a goat? He ate his shirt? He

666
00:30:00,200 --> 00:30:03,080
Speaker 1: eat his shoe. Yeah, you know, so hold on. Amber

667
00:30:03,360 --> 00:30:06,880
Speaker 1: says I'm pregnant. Mm hmm, so it's and then she

668
00:30:07,080 --> 00:30:09,880
Speaker 1: says get him yeah, and is a lot back with

669
00:30:09,920 --> 00:30:11,880
Speaker 1: win through. What the fuck is going on?

670
00:30:11,960 --> 00:30:15,120
Speaker 2: Okay, I beforehand put all this on Twitter and I

671
00:30:15,160 --> 00:30:18,120
Speaker 2: asked for notes, so I got a pretty big collection

672
00:30:18,160 --> 00:30:19,400
Speaker 2: of notes, and I kind of just took.

673
00:30:19,200 --> 00:30:19,640
Speaker 1: All of them.

674
00:30:19,640 --> 00:30:21,320
Speaker 2: That's probably why that's a little confusing.

675
00:30:21,400 --> 00:30:23,160
Speaker 1: Oh yeah, you put it on Twitter.

676
00:30:23,400 --> 00:30:26,520
Speaker 2: Okay you mean x Yeah, Oh that's right.

677
00:30:26,640 --> 00:30:28,880
Speaker 3: So did you just kill the monster instead of taking

678
00:30:28,880 --> 00:30:31,160
Speaker 3: the note of people that were just telling you to

679
00:30:31,240 --> 00:30:31,760
Speaker 3: kill yourself?

680
00:30:32,920 --> 00:30:35,840
Speaker 2: The monster? Okay, the monster, here we go, let's just

681
00:30:35,920 --> 00:30:39,200
Speaker 2: deal with it. The monster in the movie is me.

682
00:30:39,760 --> 00:30:41,080
Speaker 2: That was Brendan Jennings.

683
00:30:41,160 --> 00:30:43,800
Speaker 3: Okay that oh I see in the old Brendan Jennings

684
00:30:43,800 --> 00:30:46,760
Speaker 3: is dead and now he's immerges BB Starlandland.

685
00:30:46,080 --> 00:30:48,120
Speaker 2: And in order for BB to rise up out of

686
00:30:48,160 --> 00:30:51,760
Speaker 2: the ashes, Brendan Jennings and all his insecurities, all of

687
00:30:51,800 --> 00:30:57,920
Speaker 2: his nervous diarrhea before every goddamn audition, every I gotta get,

688
00:30:58,000 --> 00:31:00,120
Speaker 2: everywhere I go an hour and a half, really, as

689
00:31:00,160 --> 00:31:03,280
Speaker 2: I sweat too much, is just burned and dead and

690
00:31:03,360 --> 00:31:05,040
Speaker 2: all that left is BB.

691
00:31:05,520 --> 00:31:07,280
Speaker 3: You know, I think this is gonna need a major

692
00:31:07,320 --> 00:31:09,360
Speaker 3: rewrite if you're going to approach BB with it, to

693
00:31:09,400 --> 00:31:10,240
Speaker 3: be honest.

694
00:31:10,240 --> 00:31:12,600
Speaker 1: Or you know what, we leave this as a metaphor,

695
00:31:12,800 --> 00:31:15,000
Speaker 1: and like the monster, we tear it apart and throw

696
00:31:15,040 --> 00:31:17,800
Speaker 1: it in the fire. It's done right, Like you've killed

697
00:31:17,800 --> 00:31:19,320
Speaker 1: your demons, you know what?

698
00:31:19,480 --> 00:31:23,360
Speaker 2: Yeah, yeah, it's gone, you know, And I'm a whole

699
00:31:23,440 --> 00:31:27,200
Speaker 2: new man. You want to say, Pacino. Sure, I ain't gonna.

700
00:31:26,880 --> 00:31:31,360
Speaker 4: Sit back and let this town, these people tell me

701
00:31:31,520 --> 00:31:32,720
Speaker 4: who I'm supposed to be.

702
00:31:32,880 --> 00:31:37,960
Speaker 2: Huh. I'm talented. I sweat the perfect amount for a

703
00:31:38,000 --> 00:31:39,040
Speaker 2: normal human being.

704
00:31:39,360 --> 00:31:43,560
Speaker 4: Debatable, And I'm allowed to eat dairy if I want

705
00:31:43,560 --> 00:31:44,880
Speaker 4: to because it tastes good.

706
00:31:45,560 --> 00:31:51,800
Speaker 2: I'm here, baby, Let's rank this one, okay, I say, uh,

707
00:31:52,720 --> 00:31:54,840
Speaker 2: you know what, I can't even rank this thing. I'm

708
00:31:54,840 --> 00:32:01,760
Speaker 2: too close to it. It's dead and gone. I say ten,

709
00:32:02,440 --> 00:32:04,000
Speaker 2: then I gotta I give it a ten. But you

710
00:32:04,040 --> 00:32:05,440
Speaker 2: know what, don't even care.

711
00:32:05,480 --> 00:32:06,760
Speaker 3: Well, you don't have to give it a ten. You

712
00:32:06,800 --> 00:32:08,880
Speaker 3: could just give it another number, you know.

713
00:32:09,160 --> 00:32:11,600
Speaker 2: Yeah, you're right, I mean, it could be anything. I'm

714
00:32:11,600 --> 00:32:12,320
Speaker 2: just going to say ten.

715
00:32:12,480 --> 00:32:17,400
Speaker 3: Okay, Well, unless I can get confirmation that BB is attached,

716
00:32:17,440 --> 00:32:20,040
Speaker 3: which I'm not quite sure. We could do word descript

717
00:32:20,080 --> 00:32:21,880
Speaker 3: you know. Yeah, at this point, I'm going to go

718
00:32:21,880 --> 00:32:22,680
Speaker 3: ahead and give it a five.

719
00:32:23,000 --> 00:32:25,160
Speaker 1: Okay. I would give it a ten if it was

720
00:32:25,440 --> 00:32:27,320
Speaker 1: on a scale to one hundred. So I'll give it

721
00:32:27,360 --> 00:32:28,160
Speaker 1: a zero.

722
00:32:28,040 --> 00:32:32,800
Speaker 2: Okay, And look at that tad with all the other ones.

723
00:32:33,640 --> 00:32:35,960
Speaker 1: So fifteen yeah, that puts it into a neck and

724
00:32:36,040 --> 00:32:44,880
Speaker 1: neck race with yeah every other yeah donello, mom d well,

725
00:32:44,920 --> 00:32:47,280
Speaker 1: thanks for joining us. Can't wait to have you back

726
00:32:47,320 --> 00:32:51,160
Speaker 1: next time. Until then, it's lights camera action, but for

727
00:32:51,240 --> 00:32:51,600
Speaker 1: writing

728
00:32:52,280 --> 00:33:02,400
Speaker 4: Now still Dan