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Speaker 1: Who do you who? This is a reminder for all

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Speaker 1: New York City residents that I, George Severis, am doing

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Speaker 1: a show on December third at the Bellhouse in Brooklyn,

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Speaker 1: New York, to celebrate the release of my debut comedy special.

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Speaker 1: It will be a George and Friends show with Sabrina Wu,

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Speaker 1: Mary Beth Brown and hopefully some other surprise guests. So

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Speaker 1: by your tickets now, I believe they are going fast.

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Speaker 1: You can find tickets at the Bellhouse website and in

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Speaker 1: my Instagram bio and I will see you December third

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Speaker 1: at the Bellhouse. And that's it for now. Enjoy the show.

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Speaker 2: Podcast starts now. Hello everyone, I love.

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Speaker 1: Australia, everyone, and welcome to the show.

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Speaker 2: How are you feeling, George?

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Speaker 1: I am feeling honestly really great, really yeah, how so,

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Speaker 1: I just feel like I'm the perfect level of caffeinated.

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Speaker 1: I'm with my friends, I'm ready to party. Okay, she

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Speaker 1: is being I'm quoting Kristen Wigan Bridesmaids.

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Speaker 2: There, okay, which I have seen.

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Speaker 1: Actually, yeah, but did you know that that's what I

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Speaker 1: was doing? Nope, it's when she's on the plane and

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Speaker 1: she takes a sleeping pill.

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Speaker 2: It sure iconic scene. Mm hmm.

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Speaker 3: Next question, Well, I would like to say that my

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Speaker 3: back is completely covered in sweat, okay, and I have

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Speaker 3: to address it.

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Speaker 2: Even though my back is on the couch, no one

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Speaker 2: can see it, but you have to do my word

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Speaker 2: for it.

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Speaker 3: And previously we just recorded and I was on a

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Speaker 3: sweater and I said, I'll I have to take this

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Speaker 3: off because I want to sweat quite crazy. And then

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Speaker 3: I took the sweater off. Guess what still sweat like crazy?

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Speaker 3: And the weirdest part is that no one else's back

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Speaker 3: was covered in sweat. You're back completely dry, our past

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Speaker 3: guests back completely dry.

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Speaker 1: Not that you think is wrong with you.

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Speaker 2: I don't know something clearly something is wrong. It's just

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Speaker 2: not right. I don't like to be singled out like that.

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Speaker 2: Do you have issues with don't even suggest that.

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Speaker 1: Yes, I was not going to suggest that you sweat

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Speaker 1: a lot. I would net that would be way more rude.

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Speaker 1: What I'm about to ask, which is what is your

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Speaker 1: current relationship to fitting in?

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Speaker 2: Oh?

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Speaker 1: Because this is an important question.

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Speaker 2: This is a hugely important question. I really appreciate you.

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Speaker 1: And I think that I think everyone everyone has arenas

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Speaker 1: in their life where they care about fitting in and

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Speaker 1: arenas where they don't care about fitting in, and it's

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Speaker 1: actually like a really great orchak test of like what

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Speaker 1: your personality is like. They should do a sort of

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Speaker 1: uh astrology or like, you know, if you're like I'm

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Speaker 1: iantia or whatever, they should do that. But for the

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Speaker 1: specific question of where you need or don't need to

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Speaker 1: fit in.

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Speaker 3: Well, Unfortunately, like most things in life, this does go

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Speaker 3: back to New York versus La.

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Speaker 2: I wish it didn't more than anyone. I wish it didn't.

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Speaker 1: I was getting shaky actually in a sort of like

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Speaker 1: withdrawal type way, because I hadn't talked thought about New

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Speaker 1: York ber zil A and approximately forty five cents.

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Speaker 3: I don't want to bring it up. It's just like

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Speaker 3: in New York, there is something to fit into.

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Speaker 2: There is community.

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Speaker 3: Yeah, you know, you can be like, oh, I'm dressing

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Speaker 3: like this type of person.

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Speaker 2: Yeah, and I'm fishing.

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Speaker 1: That brings you comfort.

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Speaker 3: I think that does bring me comfort In La. Whenever

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Speaker 3: I'm to go to an event, I'm like, well, I

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Speaker 3: haven't seen a soul in roughly ten days.

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Speaker 1: Yeah, I have no idea where fashion has gone in

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Speaker 1: the last two years.

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Speaker 2: I haven't seen a store.

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Speaker 1: Certainly, I haven't read a magazine.

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Speaker 2: I haven't seen a person not wearing sweatpants.

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Speaker 1: I mean, I know what cars are in vogue.

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Speaker 2: I know what cars are in vogue. Ribbeans. Everyone wants

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Speaker 2: a ribbon.

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Speaker 1: So you're kind of the community is liberating to you.

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Speaker 1: We're letting for other people that enjoy the isolation and

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Speaker 1: complete lack of culture of Los Angeles. It's liberating to

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Speaker 1: be in a more individualist to be like, oh, I

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Speaker 1: can just be rockabilly and I will fit in just

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Speaker 1: as much as someone that looks preppy, and they will

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Speaker 1: fit in just as much as someone who is Billie Eilish.

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Speaker 3: Yeah, I think everyone is standing out in LA, but

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Speaker 3: because you have no other option, you're sort of guessing.

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Speaker 1: But there's no standing out when everyone it's like the

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Speaker 1: scene in Sorry Annie Hall when they're driving in LA

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Speaker 1: and each each house is a different style, if you

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Speaker 1: know what I'm talking about. Yeah, it's like one of

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Speaker 1: them is like Spanish, one of them is colonial, and

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Speaker 1: all the houses just are One of them has Greek columns,

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Speaker 1: but they're all in a row and none of them

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Speaker 1: fit in, but also none of them stick out. It

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Speaker 1: just is like a diverse tableau.

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Speaker 2: That feeling when the tableau is diverse.

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Speaker 1: Feeling the tableau's diverse. In the Woody Allen film.

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Speaker 2: What's your relationship with standing out or fitting in? Right now?

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Speaker 1: You know, I do think I'm more comfortable standing out

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Speaker 1: as I get older, But I actually feel this way

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Speaker 1: more in terms of like my views and opinions.

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Speaker 2: Oh yeah, you want to go edgy.

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Speaker 1: I it's not even that I want to go edgy

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Speaker 1: wants to go ed you know, it's sometimes it's the opposite.

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Speaker 1: Sometimes I'll see people having like a really intense conversation

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Speaker 1: and I'll be like, what you guys are saying doesn't matter.

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Speaker 1: I think it's actually cool to have zero opinion about

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Speaker 1: like whether this new album is good or not, and

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Speaker 1: you guys are actually being complete losers and idiots and

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Speaker 1: you should honestly start talking about healthcare, housing, these things

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Speaker 1: that are actually But then, but then also also on

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Speaker 1: the other side of things, as you're saying, I do

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Speaker 1: sometimes enjoy I think that then gives me more permission

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Speaker 1: to be edgy when I want to, because I'm like,

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Speaker 1: I'm sitting this one out. I'm sitting this one out.

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Speaker 1: I'm sitting this one out. Oh what are we talking about?

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Speaker 4: Now?

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Speaker 1: You know?

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Speaker 4: Here you go?

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Speaker 2: Can't wait. I can't wait to see what you pull.

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Speaker 1: Whether it's okay to reference Andy Hall on a podcast,

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Speaker 1: My answer is yes.

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Speaker 3: So you were silent when you know Taylor Swift released

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Speaker 3: her newest album, Don't Care, so that you could then

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Speaker 3: talk about any Hall and the diverse tablo of houses.

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Speaker 1: But I do think in terms of visually, I don't

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Speaker 1: I'm not really in a place where I need to

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Speaker 1: be standing out or wearing like a crazy you know,

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Speaker 1: neon green blazer. But I think intellectually, I'm like, after

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Speaker 1: all these years of conformity, I'm finally ready to express

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Speaker 1: an opinion.

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Speaker 2: Sure, I think standing out.

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Speaker 3: It's interesting that you say standing out when it's like

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Speaker 3: I just was sweaty, Like I just had a sweaty bag.

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Speaker 1: You were the one who brought it into standing out

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Speaker 1: because you were like, we were all here. Because what

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Speaker 1: I noticed in your story is that rather than being

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Speaker 1: uncomfortable with just the act of sweating, don't do that.

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Speaker 1: It made you uncomfortable. What is you literally were like

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Speaker 1: you weren't sweaty, Our guest wasn't sweaty. What made you

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Speaker 1: uncomfortable was that you were the only one who was sweaty.

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Speaker 3: Yeah, because I'm worried to have a medical issue because

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Speaker 3: everyone else is completely unsweaty.

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Speaker 2: I'm sort of like, what what pills are you taking to?

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Speaker 1: You're comparing yourself in order to like in a healthway,

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Speaker 1: in a health way, and it's sort of self diagnosis

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Speaker 1: web md.

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Speaker 2: It exactly.

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Speaker 1: It has nothing to do with you wanting to fit in.

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Speaker 2: I'm googling excessive sweat. No one else has room with

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Speaker 2: multiple people, only one with a sweat on back, only

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Speaker 2: on back.

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Speaker 3: Speaking of excessive sweat, our guests showed up in lingerie today.

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Speaker 1: Our guest showed up in literally X rated sex store

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Speaker 1: between style lingerie.

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Speaker 2: Big xes on his nipples.

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Speaker 1: On snipples, duct tape, taping his cock fully tucked, fully tucked,

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Speaker 1: but bottomless.

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Speaker 2: Neude illusion except it's not an illusion because it's nude.

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Speaker 1: But but skin poor, less, beautiful.

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Speaker 3: Sure, unmakeuped, raw skin, completely living as you.

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Speaker 1: So please welcome our friend, who you can see off Broadway,

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Speaker 1: no fence. In the play Messy White Gays, written by

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Speaker 1: past guest Drew Droghi Aaron Jackson.

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Speaker 4: Hey, I have so much to say please. First of all,

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Speaker 4: I was wearing a jacket a shirt and tanked off

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Speaker 4: and hand. No, no, you're wearing but the jacket was

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Speaker 4: off the shoulder because because and I really want to

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Speaker 4: get into this, I was sweating a lot.

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Speaker 1: Oh so at which point, so now I'm the odd

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Speaker 1: mine out.

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Speaker 4: Yeah, well, no, okay, I have so much to say

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Speaker 4: about the sweat that I used to never sweat, like

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Speaker 4: it could actually exercise and not sweat. Same And then

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Speaker 4: somewhere around thirty five or something somewhere around COVID, I'm

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Speaker 4: Perry Fuzzle. I just started sweating and it's gotten it's

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Speaker 4: gotten crazy so much. So to talk about the play,

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Speaker 4: I've been we we we were in previews and I

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Speaker 4: had a different costume, and I wore a gray tank top.

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Speaker 4: And by the end of the play, because its kind

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Speaker 4: of physical, I would be completely the back and the

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Speaker 4: front completely sweat through. Discuss like completely sweat sweat through.

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Speaker 1: Well, he's also through. Is it less visible on a white.

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Speaker 4: Tank yes, ch less visible? And and and also the

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Speaker 4: tank top was really tight, so we just like cling.

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Speaker 4: So I told the costumers, like, I want a new costume.

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Speaker 4: I look like a fucking hog. Up here and none

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Speaker 4: of the others are sweating, and they're like, no, it's

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Speaker 4: kind of fun because like the place kookie, and they're

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Speaker 4: like I look cooked out and like and I'm like,

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Speaker 4: but I'm the only one. I'm hog sweat and these

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Speaker 4: oeole ready to shoot their Vogue. So I ready to

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Speaker 4: shoot their Vogue, ready to shoot their vote.

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Speaker 1: Phrase just dropped. Iowa Debris ready to shoot her girl.

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Speaker 4: She had been in Vogue and now she's a cover girl.

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Speaker 4: That's fucking crazy. God bless, God bless. You can catch

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Speaker 4: her on Broadway and then you can cut her on

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Speaker 4: not off honey, right on top of.

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Speaker 2: Broadway, right there.

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Speaker 4: But yeah, I sweat a lot now.

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Speaker 2: Interesting and has a doctor sort of checked you out?

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Speaker 4: Or yeah, they're like, damn Western medicine.

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Speaker 1: Fine, hasn't set you know, an acupuncturist.

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Speaker 4: Yeah, no, the doctors all they they all say, am

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Speaker 4: hot Okay.

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Speaker 1: They say they're they're down, they say yeah, yeah, that'll

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Speaker 1: be five hundred million dollars.

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Speaker 4: You know, folks talk about healthcare.

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Speaker 2: Seriously, It's time we talk about it. I did notice

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Speaker 2: that during your big.

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Speaker 1: Play, which we went to last night. We want to say,

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Speaker 1: is it's fresh in our minds. Yes, Usually we don't

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Speaker 1: really allow guests to promote a project, but this time,

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Speaker 1: because we just saw it, it actually coincides that we

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Speaker 1: would talk about any Yeah, we.

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Speaker 4: Were together hours ago.

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Speaker 1: We were together, we went to the play.

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Speaker 3: I went to sleep and I was looking at you,

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Speaker 3: and I'm awake and I'm seeing you again.

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Speaker 2: Yeah.

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Speaker 1: I'm kind of like, I hope we find things to

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Speaker 1: talk about.

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Speaker 2: Yeah, because I'm like, we pretty much covered a lot

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Speaker 2: of money.

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Speaker 4: That was all gossip. We can't say anything, I know,

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Speaker 4: you know, we can say one thing.

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Speaker 1: I guess who we saw at dinner we.

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Speaker 4: Went to and sitting at the table next to us.

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Speaker 2: Was James Cordon.

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Speaker 4: I said, God only in New yorkton.

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Speaker 1: Who you know? I have to say? So, he's in

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Speaker 1: the currently on Broadway in the Yasmina race of play art.

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Speaker 1: Every review I've read says the play is bad, but

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Speaker 1: he's the highlight.

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Speaker 4: Well, I didn't see that play. He wanted Tony four

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Speaker 4: before he got the show, his talk show, and everyone

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Speaker 4: was like it was it was all rayed across the board.

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Speaker 1: It's one of the toughest things to admit to ourselves

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Speaker 1: is that James Corden is really talented.

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Speaker 4: He's a good actor.

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Speaker 2: Yeah, he's actually and you know, for no no disrespect

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Speaker 2: to everyone who's ever been yelled at him, yelled at

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Speaker 2: by him. But he didn't yell a single waiter last night.

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Speaker 1: Yeah, didn't yell at a single waiter, didn't union.

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Speaker 2: Didn't throw anything.

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Speaker 4: He even seemed calm. I would dare to see.

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Speaker 2: Job seemed inviting. Kept kept looking at us, waving us.

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Speaker 4: Over, licking his lips.

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Speaker 2: Because saying, hay, sweet things, why don't you come over here?

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Speaker 2: Got a couple extra seats, and I said, he is

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Speaker 2: much nicer, so much nice.

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Speaker 4: Tabloids are set, they're discussed, they lie, they tear anyone

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Speaker 4: apart if they were successful, so messed up.

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Speaker 2: And British they just hate Brits.

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Speaker 4: They hate Brett so messed up.

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Speaker 1: I'm I mean, I'm so tempted to tell our famous

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Speaker 1: James Corden story that we heard third hand.

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Speaker 2: We have a famous James Cordon Yeah.

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Speaker 1: I feel like it's so third hand. Can we get

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Speaker 1: it's okay.

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Speaker 4: To tell it?

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Speaker 2: I have no idea who the story is.

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Speaker 1: Okay, I will tell it quickly so that if we

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Speaker 1: end up cutting it, it's okay, and it won't cut

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Speaker 1: it into the episode. Ready, love, I'm gonna do it.

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Speaker 3: And I had an amazing thing to say about your

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Speaker 3: but hey, first we're on James Cordon.

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Speaker 4: We'll come back.

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Speaker 1: Well, friend of a friend was in i'll say it,

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Speaker 1: first class on an airplane. Oh, it must be nice.

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Speaker 1: James Corden was on that flight. He gets on a seat,

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Speaker 1: there's a woman with a baby next to him. The

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Speaker 1: baby's crying the whole time. Uh, and my friend is like, oh,

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Speaker 1: our friends. Like I expected James Cordon to like be

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Speaker 1: a dick about it because he sort of has a

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Speaker 1: reputation whatever, But it turns out he is fine about it.

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Speaker 1: He's just like sort of staring at a screen and

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Speaker 1: like not and ignoring the baby. Whatever flight is, you know,

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Speaker 1: six seven hours whatever. Plane lands, The woman with the

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Speaker 1: baby is holding the baby, gets up, tries to get

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Speaker 1: the suitcase. Turns to James Cordon. Was James, can you

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Speaker 1: help out? It was his baby? So he was ignoring

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Speaker 1: his baby and then not helping with the suitcase.

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Speaker 4: God, yeah, I forgot he was.

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Speaker 2: A dad me too, so did he. The baby wasn't

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Speaker 2: out last night.

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Speaker 1: That wasn't out last night. No, he was having a

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Speaker 1: night with the boys.

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Speaker 4: That's okay.

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Speaker 1: Now we have to Hardhivoto a different topic in case

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Speaker 1: we cut that.

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Speaker 2: So what we're okay?

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Speaker 3: So, Aaron, this was in response to the sweating on stage.

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Speaker 3: You know, I did notice you jump around on the

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Speaker 3: furniture quite a bit.

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Speaker 2: Yeah. Do you ever fall?

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Speaker 4: No? I haven't falled. But okay, they're like, there's blood

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Speaker 4: in this play except to clean the stage. And after

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Speaker 4: a matinee they cleaned the stage and sometimes they cleaned

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Speaker 4: the rug and the rug hasn't dried fully, so it's

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Speaker 4: extremely wet. So we all do slip a bunch when

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Speaker 4: that happened.

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Speaker 2: So which night of the week is the slippy night.

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Speaker 4: It'd be Saturday night and Sunday night.

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Speaker 2: So okay, slip roll up Saturday and Sunday.

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Speaker 1: Yeah, and Sunday slippy night, you remember, because often the.

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Speaker 4: Cast is slipping the slip bay slippe. I think they

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Speaker 4: might stop washing the rug in the matinee because of it.

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Speaker 4: I think they should lub it up, have some budes

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Speaker 4: the night they should night where it's just all and

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Speaker 4: everyone's constantly falling on the rocky horror, they just throw the.

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Speaker 1: Play is very much like Rocky Horror, exactly.

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Speaker 4: Like it in fact, in most ways, do.

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Speaker 1: You find that, and I'm sorry to ask this, do

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Speaker 1: you find that everyone is constantly making references to Nicole

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Speaker 1: Scherzinger because you end the play with blood?

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Speaker 4: Yes, but it's extremely vogue. Okay, everyone you don't plays

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Speaker 4: in blood? Yeah, because it's that a Vida and blood director.

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Speaker 4: There's another one too. Anyway, it's in vogue cynically.

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Speaker 2: Do you think it's to have an instagramble moment?

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Speaker 4: I think this was always in the play before that

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Speaker 4: half before.

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Speaker 1: The Jamie Lloyd actually copied.

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Speaker 4: Got a copy of jokey script.

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Speaker 1: Jamie Lloyd, would you say is reheating Drew Jersis.

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Speaker 4: I've been saying that for a decade. It's yeah, but yeah,

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Speaker 4: I guess it's kind of instagrammable. I don't know. God,

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Speaker 4: isn't it sick?

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Speaker 2: It's disgusting?

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Speaker 4: And why does everyone want a film curtain call in

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Speaker 4: the first place? Well?

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Speaker 1: I struggle with this because the thing is, I of

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Speaker 1: course agree with you that it's ridiculous to post, you know, but.

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Speaker 4: People call it play wants you to.

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Speaker 1: And it's also like and when you're there because the

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Speaker 1: thing is I do, like I hate myself for doing it,

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Speaker 1: but I do do it because you want to just

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Speaker 1: be like you have all this excess energy from being

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Speaker 1: a passive audience member and being excited art and art

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Speaker 1: and Europe, and you want to like be like look

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Speaker 1: and it's all you can do.

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Speaker 2: Yeah, it's tough. You know. You have a healthy relationship

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Speaker 2: with Instagram.

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Speaker 4: Do I?

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Speaker 2: I think so?

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Speaker 1: Oh you're a post in bulge and cock left and right.

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Speaker 2: That's healthy. That's that's what it's for. That's what it's for.

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Speaker 4: Bulge and cock. Yeah. I don't like it, but I

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Speaker 4: am addicted to it.

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Speaker 2: Yeah. Interesting? Is that thrilling? Well?

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Speaker 1: But I think I do Berseli.

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Speaker 2: Is deeply interesting and relevant to our community.

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Speaker 4: But yeah, I turned on to post too much. But

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Speaker 4: I do stories.

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Speaker 1: But I do stories.

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Speaker 4: I do stories.

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Speaker 2: I do stories.

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Speaker 1: This is like Patti Lapoone being interviewed. I do stories.

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Speaker 4: Who I also saw at Barson Trolie once. Oh wait,

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Speaker 4: oh my god, this is crazy? What this is crazy.

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Speaker 4: I was on the train the other day, the subway

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Speaker 4: train going downtown, and I had a because I was hot,

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Speaker 4: a jacket but like off my shoulder, I was in

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Speaker 4: my and so it was on the seat next to

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Speaker 4: me a little bit. So then this hand appears when

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Speaker 4: we get out of stop and moves my jacket. I

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Speaker 4: have my headphones in, you know, and I said, oh

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Speaker 4: my god, I'm so sorry.

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Speaker 2: I look up.

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Speaker 4: It's actually quite Actually Patty Lapone, oh up, and she goes, no,

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Speaker 4: I just dodn't want to sit on your beautiful jacket.

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Speaker 4: It was not beautiful jacket. And then she sat down.

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Speaker 4: I took out my headphones and I just eaves dropped

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Speaker 4: on her the whole train ride. Well, she say, well,

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Speaker 4: I know she didn't classically say which This is so Patty,

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Speaker 4: the one I don't understand my movie stars want to

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Speaker 4: do Broadway.

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Speaker 1: That is so classic Patti Lapone in the sense that

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Speaker 1: there literally is an answer to that, and she knows it,

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Speaker 1: and yet she just had I assume she asked that

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Speaker 1: question on every phone call and has for fifty years. Yeah,

384
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Speaker 1: just like there's no evolution.

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Speaker 4: The man she was with, who I did not recognize,

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Speaker 4: but he's probably, you know, I don't know, an olak

387
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Speaker 4: Arc but he was like, he was like, well, I

388
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Speaker 4: think he just did a silly movie, so now he

389
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Speaker 4: wants to do a serious play. I love him? Why movie?

390
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Speaker 2: Wow, that was pretty big for me. No, that's huge.

391
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Speaker 1: So what has it been like being a theater actor,

392
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Speaker 1: being a being a theater actress?

393
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Speaker 4: Theater actress. You can't be an actor on stage. It's fun.

394
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Speaker 4: I am having fun. I went to a shamed to say,

395
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Speaker 4: I like, I went to a conservatory for college.

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Speaker 2: Right, what always freaks me out when you say this?

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Speaker 4: Yeah. I then moved to New York to be like

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Speaker 4: a stage actor, but then got kind of like burnt

399
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Speaker 4: out by it because I've been doing my entire.

400
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Speaker 1: Life and you originated Spring Awakening.

401
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Speaker 4: No, but literally all my friends were in there for real,

402
00:18:12,680 --> 00:18:15,120
Speaker 4: Like that's when I moved here, and everybody was in that,

403
00:18:15,320 --> 00:18:17,399
Speaker 4: and so I was like going and watching them and

404
00:18:17,440 --> 00:18:20,320
Speaker 4: being like having envy and bizarre. You know, it's just

405
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Speaker 4: like this is so bizarre. And then got into improvisational

406
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Speaker 4: comedy never forget.

407
00:18:25,200 --> 00:18:29,919
Speaker 1: And you finally decided to get serious and get I

408
00:18:29,960 --> 00:18:32,800
Speaker 1: need my childish dreams of being a theater actor behind

409
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Speaker 1: and get real about taking improv to a lot.

410
00:18:35,760 --> 00:18:36,680
Speaker 2: Time to be practical.

411
00:18:36,760 --> 00:18:39,920
Speaker 1: It's time to be practically. Obama's president.

412
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Speaker 4: Yes, George W. Bush was when I first ordered.

413
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Speaker 1: Bush's president, as I was saying, it's time to do improv.

414
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Speaker 4: Yeah, it's time. Wow, only Obama was Oh No, I

415
00:18:49,080 --> 00:18:52,920
Speaker 4: started in eight So Obama was was campaign.

416
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Speaker 1: You were inspired by his message to do him hope,

417
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Speaker 1: hope and change, no real plans behind it. I think

418
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Speaker 1: that's actually Obama. You know, he's not quite respected enough

419
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Speaker 1: for this. He really had an improv spirit to his

420
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Speaker 1: campaigning and his presidency. It was kind of like, let's

421
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Speaker 1: see what.

422
00:19:08,480 --> 00:19:11,000
Speaker 4: Yes and Biden into gay marriage?

423
00:19:11,160 --> 00:19:18,240
Speaker 1: Yes, exactly, remember, yes, I remember.

424
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Speaker 4: Those are the days. What else?

425
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Speaker 2: No, I know, It's like, here's the thing. This is

426
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Speaker 2: what's so complicated? What is that? Like? Maybe it's the

427
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Speaker 2: fear of not wanting to stand out.

428
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Speaker 3: Okay, sometimes I'm like wanting to say something, but I'm like,

429
00:19:32,520 --> 00:19:34,160
Speaker 3: this feels like it's gonna go wrong.

430
00:19:34,440 --> 00:19:36,880
Speaker 2: But here's here's wrong. Finding out that you.

431
00:19:37,840 --> 00:19:41,040
Speaker 3: Were in theater school, yeah, it's like it's if I

432
00:19:41,080 --> 00:19:42,400
Speaker 3: found out you were in the military.

433
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Speaker 2: I'm like, yeah, oh oh God.

434
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Speaker 3: Like I'm like I didn't know like the trauma you

435
00:19:48,080 --> 00:19:50,119
Speaker 3: were dealing with, right, And like I've been sort of

436
00:19:50,160 --> 00:19:51,200
Speaker 3: treating you normal, like.

437
00:19:51,160 --> 00:19:53,800
Speaker 4: I've like like a fucking comedia.

438
00:19:54,640 --> 00:19:56,600
Speaker 3: A fall to you and I don't realize that, like

439
00:19:56,680 --> 00:19:59,600
Speaker 3: you're dealing with stuff that I can't even imagine. You

440
00:19:59,680 --> 00:20:03,000
Speaker 3: were like full shock, yes, and I'm just like joking around,

441
00:20:03,160 --> 00:20:05,720
Speaker 3: like I'm like, whoa, yeah.

442
00:20:05,760 --> 00:20:07,959
Speaker 4: I think when I started doing improv, people were like,

443
00:20:09,080 --> 00:20:10,960
Speaker 4: why are you so good? And it's like it's called

444
00:20:11,000 --> 00:20:14,560
Speaker 4: stage presence starling, Like I know, I know on stage

445
00:20:15,119 --> 00:20:17,800
Speaker 4: people were and then I taught people would literally turn

446
00:20:17,840 --> 00:20:19,679
Speaker 4: their back to the audience and whisper. I'm like, so

447
00:20:19,720 --> 00:20:20,600
Speaker 4: you're gonna have to.

448
00:20:20,960 --> 00:20:23,680
Speaker 2: You're literally describing me, that's me, That's how they are.

449
00:20:24,040 --> 00:20:26,479
Speaker 4: Show up, So you do have to like be on stage.

450
00:20:26,640 --> 00:20:28,960
Speaker 3: Whenever anyone's like cheat out, I'm like, well, I'm talking

451
00:20:29,040 --> 00:20:31,760
Speaker 3: to them and I'm telling.

452
00:20:31,560 --> 00:20:36,359
Speaker 4: Us secret whisper. It's like, well, honey.

453
00:20:36,400 --> 00:20:39,360
Speaker 1: I've always wondered that about improv, and of course all

454
00:20:39,400 --> 00:20:41,120
Speaker 1: my love to the art form, but it's like course

455
00:20:41,400 --> 00:20:44,520
Speaker 1: nothing but love to learn the the to learn the

456
00:20:44,600 --> 00:20:52,240
Speaker 1: skill of improvisation outside the context of either acting, like acting, writing, enunciating,

457
00:20:53,560 --> 00:20:57,840
Speaker 1: like story structure, like the improv is something that you

458
00:20:58,160 --> 00:21:00,240
Speaker 1: already have a foundation, and then you do want top

459
00:21:00,280 --> 00:21:03,680
Speaker 1: of that. Like it's almost like being like okay, I'm

460
00:21:03,680 --> 00:21:06,080
Speaker 1: teaching an English class and it's all that punctuation. But

461
00:21:06,160 --> 00:21:08,800
Speaker 1: everyone's illiterate, right, you know what I mean? Yeah, like

462
00:21:08,840 --> 00:21:11,040
Speaker 1: we can do amazing things with commas and periods. Yeah,

463
00:21:11,040 --> 00:21:12,800
Speaker 1: if you first learn how to write.

464
00:21:14,119 --> 00:21:18,000
Speaker 4: And that is the like I hate actors about. But

465
00:21:18,080 --> 00:21:19,920
Speaker 4: when they would be an improv class, you like thank

466
00:21:19,920 --> 00:21:22,159
Speaker 4: god because they literally would be like, oh, well, like

467
00:21:22,440 --> 00:21:25,280
Speaker 4: I'll play a character and the other these people are

468
00:21:25,280 --> 00:21:29,560
Speaker 4: like yeah, yeah, It's like God, this idiot isn't here.

469
00:21:30,040 --> 00:21:32,280
Speaker 3: This is so interesting because whenever there was an actor

470
00:21:32,280 --> 00:21:35,600
Speaker 3: and an impro I'd be like, I'm going to commit murder.

471
00:21:35,680 --> 00:21:37,399
Speaker 4: Yeah yeah, yeah, like this is like the worst thing

472
00:21:37,440 --> 00:21:39,600
Speaker 4: I've ever seen. But they would like they would come in,

473
00:21:40,160 --> 00:21:41,399
Speaker 4: they come in with like energy.

474
00:21:41,640 --> 00:21:43,840
Speaker 2: That's true. It's like, that's true.

475
00:21:43,840 --> 00:21:46,920
Speaker 4: You have to like beg people again, like hey give

476
00:21:46,960 --> 00:21:48,160
Speaker 4: them achelle kids.

477
00:21:48,640 --> 00:21:52,000
Speaker 1: Well, also, an actor wants to utilize improv to a

478
00:21:52,040 --> 00:21:55,360
Speaker 1: different end, whereas an improvisor is very Yes, an improviser

479
00:21:55,440 --> 00:21:56,760
Speaker 1: is very like art for art's sake.

480
00:21:56,960 --> 00:21:58,560
Speaker 4: Yeah, it's very punk.

481
00:21:58,800 --> 00:22:04,440
Speaker 3: Yeah, totally, nothing more punk than paying twelve hundred.

482
00:22:04,240 --> 00:22:08,120
Speaker 4: Dollars yeah to play, to play, Let's just play.

483
00:22:08,200 --> 00:22:15,159
Speaker 2: Let's just so when you.

484
00:22:16,920 --> 00:22:20,560
Speaker 3: Girls, You actors go backstage after the big show? Yeah,

485
00:22:20,640 --> 00:22:21,639
Speaker 3: does it get competitive?

486
00:22:21,920 --> 00:22:22,919
Speaker 4: Does it get for what?

487
00:22:23,160 --> 00:22:23,520
Speaker 2: Yeah? Are you?

488
00:22:24,359 --> 00:22:26,720
Speaker 3: Are you who did well that night? Like, fuck, he's

489
00:22:26,760 --> 00:22:29,520
Speaker 3: gonna get more lines next week. They're gonna give him

490
00:22:29,520 --> 00:22:31,520
Speaker 3: some of my lines because he ate somebody got cut.

491
00:22:33,040 --> 00:22:35,160
Speaker 4: We all take a shower and we go home.

492
00:22:35,280 --> 00:22:36,800
Speaker 2: Oh, like, well it's.

493
00:22:36,680 --> 00:22:41,760
Speaker 4: Commut penetration, penetration, Yeah, full full of penetration.

494
00:22:41,880 --> 00:22:43,600
Speaker 2: Nice. Does you find that brings you closer together?

495
00:22:43,720 --> 00:22:47,200
Speaker 4: Totally makes the work that much more deep?

496
00:22:47,720 --> 00:22:47,960
Speaker 2: Yeah?

497
00:22:48,000 --> 00:22:49,439
Speaker 4: I can tell that much deeper.

498
00:22:49,840 --> 00:22:51,920
Speaker 1: So do you want to sort of say I don't

499
00:22:51,920 --> 00:22:53,760
Speaker 1: know why I'm being so Jimmy fallon today, But do

500
00:22:53,800 --> 00:22:55,200
Speaker 1: you want to say what the play is about?

501
00:22:55,320 --> 00:22:58,080
Speaker 4: You make me saying, yeah, we're gonna do.

502
00:22:58,040 --> 00:23:03,080
Speaker 1: A wheel of impressions, Mariah, that was my That's a

503
00:23:03,119 --> 00:23:03,960
Speaker 1: perfect note.

504
00:23:04,040 --> 00:23:06,560
Speaker 2: Jea for Coolidge, hot.

505
00:23:09,600 --> 00:23:13,359
Speaker 4: Poor thing, hot dog. You know, wait, would you ask

506
00:23:14,040 --> 00:23:17,359
Speaker 4: what is the play about? What's the play about? Okay,

507
00:23:17,400 --> 00:23:20,960
Speaker 4: So there's this Alfred Hitchcock movie rope based on these

508
00:23:20,960 --> 00:23:24,720
Speaker 4: two gay guys from the twenties that were real. Oh

509
00:23:24,720 --> 00:23:29,560
Speaker 4: I did not le Leopold and Kate and Leopold leopol

510
00:23:30,040 --> 00:23:37,800
Speaker 4: Hugh Jackman anyway, these two guys in the twenties killed

511
00:23:37,800 --> 00:23:39,800
Speaker 4: someone just to see if they could get away with it,

512
00:23:40,040 --> 00:23:42,439
Speaker 4: and they did not. And then the movie Rope is

513
00:23:42,480 --> 00:23:45,200
Speaker 4: based on them, and it's these two guys kill one

514
00:23:45,200 --> 00:23:48,240
Speaker 4: of their classmates who they think is like inferior, like intellectually,

515
00:23:48,280 --> 00:23:50,879
Speaker 4: and they hide him in like a chest, and then

516
00:23:50,880 --> 00:23:54,600
Speaker 4: they have people over for dinner party, you know, kind

517
00:23:54,600 --> 00:23:56,520
Speaker 4: of see if they can get away with it. So

518
00:23:56,640 --> 00:23:59,440
Speaker 4: ours is like sort of a riff on that two

519
00:23:59,440 --> 00:24:02,000
Speaker 4: gay guys will their threttle mate. And then but ours

520
00:24:02,040 --> 00:24:04,200
Speaker 4: is on accident. We well, we don't kill him on accident,

521
00:24:04,280 --> 00:24:06,760
Speaker 4: but then we throw a brush by accident, and so

522
00:24:06,800 --> 00:24:08,959
Speaker 4: we hide him in a Jonathan Adrod cadenza and then

523
00:24:09,240 --> 00:24:11,280
Speaker 4: Calamity and hilarity and so you.

524
00:24:11,680 --> 00:24:13,840
Speaker 1: It opens with you killing the third in the food.

525
00:24:14,480 --> 00:24:17,639
Speaker 1: I do love the James Kasati Moyer, Yes, you and

526
00:24:17,680 --> 00:24:19,760
Speaker 1: James Patimury, who people might know from slave Play. Ye,

527
00:24:19,920 --> 00:24:21,760
Speaker 1: Sony nominee or oh.

528
00:24:21,640 --> 00:24:23,480
Speaker 4: God, I forgot I just found out he was in

529
00:24:23,520 --> 00:24:26,240
Speaker 4: a DC comic movie and he dies on screen, black black,

530
00:24:26,280 --> 00:24:29,320
Speaker 4: Adam black at Oh that sound sure, James? Is that

531
00:24:29,320 --> 00:24:29,960
Speaker 4: wrong with the rock?

532
00:24:30,240 --> 00:24:30,480
Speaker 2: Yeah?

533
00:24:30,560 --> 00:24:35,120
Speaker 4: Yes, see Okay everybody stream it, but he dies on screen.

534
00:24:35,160 --> 00:24:37,400
Speaker 4: I really want to watch watch my baby die.

535
00:24:38,440 --> 00:24:40,720
Speaker 1: He is and can I just say he is hot?

536
00:24:40,800 --> 00:24:43,239
Speaker 4: He's very hot. People are in my DM, he's kind

537
00:24:43,240 --> 00:24:45,240
Speaker 4: of classically hot. They'll be like, good job, James is

538
00:24:45,280 --> 00:24:47,119
Speaker 4: so hot, and I always just reply, what about me?

539
00:24:48,880 --> 00:24:50,680
Speaker 4: Don't get in his DM's baggot.

540
00:24:51,000 --> 00:24:53,119
Speaker 1: Yeah, Well, do you think he's getting dms that are

541
00:24:53,119 --> 00:24:54,040
Speaker 1: like congrats Aaron.

542
00:24:53,920 --> 00:24:54,359
Speaker 2: Is so hot?

543
00:24:54,600 --> 00:25:00,600
Speaker 4: No, not at all, he's DMS. You're hot, get sick.

544
00:25:02,400 --> 00:25:04,560
Speaker 4: Don't tell me someone else is hot. No, that's that's

545
00:25:04,600 --> 00:25:05,440
Speaker 4: my fitting.

546
00:25:05,480 --> 00:25:08,159
Speaker 1: Person playing your love intrip Hello. It's also it's like

547
00:25:08,200 --> 00:25:11,800
Speaker 1: the implication as well, like you think, yeah, like congrats

548
00:25:11,840 --> 00:25:13,880
Speaker 1: on being in a fictional environment where you.

549
00:25:13,840 --> 00:25:18,119
Speaker 4: Could where you could possibly score James honey, please you

550
00:25:18,200 --> 00:25:24,560
Speaker 4: wish he doesn't. I really tell me I'm hot.

551
00:25:25,800 --> 00:25:27,600
Speaker 1: Please get in rd MS and say, oh my god,

552
00:25:27,600 --> 00:25:28,440
Speaker 1: congrats Aaron Aaron.

553
00:25:28,760 --> 00:25:33,560
Speaker 4: Yeah, I say, you guys are so funny, Aaron's hot, sick, disgusting,

554
00:25:33,840 --> 00:25:34,400
Speaker 4: fucking break.

555
00:25:34,960 --> 00:25:36,760
Speaker 1: I actually wouldn't mind if someone said you're funny and

556
00:25:36,800 --> 00:25:38,560
Speaker 1: Aaron's hot. I would sort of take that.

557
00:25:38,560 --> 00:25:39,479
Speaker 2: I was like, I'm okay with that.

558
00:25:39,520 --> 00:25:42,200
Speaker 4: I wouldn't wait till you read it. It's such a wow,

559
00:25:43,760 --> 00:25:45,120
Speaker 4: high clown rotten hell.

560
00:25:47,560 --> 00:25:48,959
Speaker 1: I do like I didn't know that this was part

561
00:25:49,000 --> 00:25:50,440
Speaker 1: of rope, because I don't think I've seen rope since

562
00:25:50,440 --> 00:25:53,920
Speaker 1: I was like a teen. But I I like the

563
00:25:53,960 --> 00:25:58,320
Speaker 1: idea that you murder him because he is basic. Yeah,

564
00:25:58,760 --> 00:26:00,359
Speaker 1: you murder him. What is the word I'm looking for?

565
00:26:00,720 --> 00:26:02,000
Speaker 1: Because he is banal?

566
00:26:02,440 --> 00:26:05,119
Speaker 4: Yes? Like so one of the lines that he's so

567
00:26:05,200 --> 00:26:06,760
Speaker 4: fucking medium about everything.

568
00:26:06,520 --> 00:26:10,320
Speaker 1: Yes, which is I do sometimes wish I could murder

569
00:26:10,359 --> 00:26:11,280
Speaker 1: people who are banal.

570
00:26:11,560 --> 00:26:12,119
Speaker 4: Name names.

571
00:26:12,119 --> 00:26:17,080
Speaker 1: He is so medium about everything. And then the night before,

572
00:26:17,480 --> 00:26:20,199
Speaker 1: while you guys were all on drugs and alcohol, you

573
00:26:20,240 --> 00:26:22,720
Speaker 1: invited everyone over for brunch. Yes, And so this brunch

574
00:26:22,760 --> 00:26:25,760
Speaker 1: occurs while a dead body is just sitting inside a

575
00:26:25,800 --> 00:26:27,679
Speaker 1: Jonathan Adler credenza.

576
00:26:28,119 --> 00:26:30,160
Speaker 4: That's correct, that's the hook.

577
00:26:31,119 --> 00:26:34,520
Speaker 2: See, he did see it. He was you thought he

578
00:26:34,560 --> 00:26:35,480
Speaker 2: was gonna say something wrong.

579
00:26:35,600 --> 00:26:39,240
Speaker 4: Huh. He was there last night. But I'm playing like

580
00:26:39,520 --> 00:26:41,520
Speaker 4: I'm like the straight man in it, which is is

581
00:26:41,600 --> 00:26:42,359
Speaker 4: very rare for me.

582
00:26:42,840 --> 00:26:43,560
Speaker 2: Yeah, you know what I mean.

583
00:26:43,600 --> 00:26:44,639
Speaker 4: I'm not like the comic.

584
00:26:44,840 --> 00:26:48,800
Speaker 1: You're not the relief everyone get Yeah, everyone has funny everyone,

585
00:26:49,440 --> 00:26:51,960
Speaker 1: but you're not the single comic relief right, which.

586
00:26:52,200 --> 00:26:55,879
Speaker 4: Which is is a fun muscle distratch theater school.

587
00:26:57,680 --> 00:27:00,000
Speaker 2: Were you scared to be like fuck fuck but fuck

588
00:27:00,080 --> 00:27:00,720
Speaker 2: need to be funnier?

589
00:27:01,400 --> 00:27:04,840
Speaker 4: No? No, I was like excited to get offered that

590
00:27:05,000 --> 00:27:07,800
Speaker 4: because Pete Ziyas, isn't it Pete's eyes plays this character Thacker,

591
00:27:07,800 --> 00:27:10,160
Speaker 4: who is I would say the comic Everyone is funny,

592
00:27:10,160 --> 00:27:11,240
Speaker 4: but he is like the funny one.

593
00:27:11,359 --> 00:27:14,040
Speaker 1: He's the Jack McFarlane like I guess is like he's

594
00:27:15,280 --> 00:27:17,119
Speaker 1: he's like there to be funny.

595
00:27:17,200 --> 00:27:19,000
Speaker 4: Every one of his lines is a joke, you know,

596
00:27:19,320 --> 00:27:21,120
Speaker 4: and he's amazing in it. He's so funny. It's such

597
00:27:21,119 --> 00:27:23,320
Speaker 4: a it's such a great performance. But like I I

598
00:27:23,600 --> 00:27:25,320
Speaker 4: when I would like do play as, that was always

599
00:27:25,359 --> 00:27:27,000
Speaker 4: the part I would get, you know, and I love

600
00:27:27,080 --> 00:27:29,719
Speaker 4: doing that. But I was like, oh, this is kind

601
00:27:29,760 --> 00:27:33,919
Speaker 4: of fun. I get to be like the Steakes, you know.

602
00:27:34,000 --> 00:27:37,000
Speaker 4: And I'm never casts as a love interest like my

603
00:27:37,000 --> 00:27:41,000
Speaker 4: god interest. I'm a love interest that killed somebody.

604
00:27:41,160 --> 00:27:43,000
Speaker 1: It's interesting you think of yourself as a love interest

605
00:27:43,040 --> 00:27:47,560
Speaker 1: and the protagonist who has a love interest. Totally, you

606
00:27:47,560 --> 00:27:49,320
Speaker 1: guys are equally get equal.

607
00:27:49,560 --> 00:27:53,160
Speaker 4: We start and we never leave stage and yet you think,

608
00:27:53,200 --> 00:27:56,520
Speaker 4: I mean yourself is just I'm the lead.

609
00:27:58,600 --> 00:28:02,200
Speaker 1: You have the first line in the play? Is that hard? No?

610
00:28:02,240 --> 00:28:02,760
Speaker 2: I love it?

611
00:28:03,680 --> 00:28:04,280
Speaker 4: Get me up there?

612
00:28:04,320 --> 00:28:05,639
Speaker 2: Do you ever go? Fun? Fuck? I forgot.

613
00:28:06,359 --> 00:28:08,040
Speaker 4: There are times if it.

614
00:28:08,119 --> 00:28:13,400
Speaker 1: Opening you're just like.

615
00:28:12,480 --> 00:28:13,680
Speaker 4: Ah, right, did we kill him?

616
00:28:15,640 --> 00:28:16,360
Speaker 2: Take it from the top.

617
00:28:17,600 --> 00:28:19,600
Speaker 4: No, But it is like it is sort of like

618
00:28:19,640 --> 00:28:21,400
Speaker 4: a weird because you do it eight times a week.

619
00:28:21,840 --> 00:28:25,920
Speaker 4: It's just weird, Like I don't know what I'm trying

620
00:28:25,960 --> 00:28:29,520
Speaker 4: to say, Like there's some sort of like Greek spician

621
00:28:29,960 --> 00:28:32,200
Speaker 4: like you're like, here we go again, and then you're

622
00:28:32,240 --> 00:28:33,720
Speaker 4: in the middle of it and you're like where am I?

623
00:28:33,800 --> 00:28:36,639
Speaker 4: When am I? I don't know? But it's kind of fun. Yeah,

624
00:28:36,760 --> 00:28:38,560
Speaker 4: it's like a strange exercise.

625
00:28:40,560 --> 00:28:41,320
Speaker 2: It really is.

626
00:28:41,360 --> 00:28:47,960
Speaker 4: It's like it's like bizarre, We're being amazing. Interviewer Sam

627
00:28:48,040 --> 00:28:51,360
Speaker 4: hates it. You can see it in my eyes. I'm

628
00:28:51,360 --> 00:28:54,920
Speaker 4: sort of like, who are you?

629
00:28:54,920 --> 00:28:57,560
Speaker 1: No, we're asking you, like we're asking you straightforward questions

630
00:28:57,600 --> 00:28:58,800
Speaker 1: and then you're answering them and we're.

631
00:28:58,600 --> 00:29:02,680
Speaker 4: Like, okay, I was like expecting, like like I thought

632
00:29:02,680 --> 00:29:05,160
Speaker 4: we were gonna like sort of Joe Firestone him. No.

633
00:29:05,840 --> 00:29:07,440
Speaker 4: Episode is so funny.

634
00:29:07,520 --> 00:29:13,960
Speaker 1: Okay, now that now lets Joe firestone him.

635
00:29:14,080 --> 00:29:20,600
Speaker 2: Okay, so here's what I want to know. So okay, like, like,

636
00:29:20,720 --> 00:29:23,240
Speaker 2: any feuds on set? Am I set? I mean stage?

637
00:29:23,360 --> 00:29:24,520
Speaker 2: Did you just call the stage a set?

638
00:29:25,160 --> 00:29:29,000
Speaker 4: Yes, it's me say lights, camera action right before we start.

639
00:29:29,240 --> 00:29:32,560
Speaker 2: You already asked that. I didn't ask about feuds. I said,

640
00:29:32,560 --> 00:29:33,160
Speaker 2: who's jealous?

641
00:29:33,320 --> 00:29:36,239
Speaker 4: There's oh who's jealous? There's no feuds. I wish there

642
00:29:36,240 --> 00:29:36,800
Speaker 4: were feuds.

643
00:29:36,840 --> 00:29:37,520
Speaker 2: Do you want to start one?

644
00:29:37,600 --> 00:29:37,760
Speaker 4: Yeah?

645
00:29:37,800 --> 00:29:38,360
Speaker 1: Make something up?

646
00:29:38,440 --> 00:29:41,000
Speaker 4: Yeah, a feud. I mean I would start a feud

647
00:29:41,000 --> 00:29:44,000
Speaker 4: with Drew Jogi, so I could. I could. I could

648
00:29:44,280 --> 00:29:47,480
Speaker 4: have all the jokes, not not even more all all.

649
00:29:47,920 --> 00:29:49,000
Speaker 4: So it's like I'm have.

650
00:29:48,960 --> 00:29:52,160
Speaker 1: Everyone else just be like really blank and blank.

651
00:29:51,880 --> 00:29:53,640
Speaker 4: And just every single one of their lines is setting

652
00:29:53,720 --> 00:29:54,200
Speaker 4: me up.

653
00:29:54,960 --> 00:29:57,600
Speaker 2: Did you ever find did you ever find it interesting?

654
00:29:57,640 --> 00:29:59,000
Speaker 2: There was no choreo, no dancing.

655
00:29:59,200 --> 00:30:04,800
Speaker 4: Yeah, I they're extremely interesting. I say why isn't there singing?

656
00:30:04,840 --> 00:30:06,720
Speaker 4: Because I was watching and I was like, this is

657
00:30:06,760 --> 00:30:10,520
Speaker 4: so interesting that there's no dancing. I think I not

658
00:30:10,560 --> 00:30:12,200
Speaker 4: to be really good. I think one of the producers

659
00:30:12,240 --> 00:30:14,320
Speaker 4: because you know that like plague that happened where like

660
00:30:14,440 --> 00:30:18,760
Speaker 4: there was always a curtain clas COVID. It was called COVID,

661
00:30:19,120 --> 00:30:20,440
Speaker 4: It's called COVID.

662
00:30:20,400 --> 00:30:21,200
Speaker 1: Mascot.

663
00:30:22,640 --> 00:30:27,520
Speaker 4: Omikron. I think the producers at one point wanted to

664
00:30:27,560 --> 00:30:29,520
Speaker 4: do one of those, like they come out a curtain

665
00:30:29,560 --> 00:30:32,400
Speaker 4: cal and dance and we were all like, no, that

666
00:30:32,480 --> 00:30:35,200
Speaker 4: happened like for almost like not like Angels in America.

667
00:30:35,600 --> 00:30:37,680
Speaker 1: Angels in America. They're coming out during the Makarana at the.

668
00:30:37,640 --> 00:30:41,480
Speaker 2: End, like at the end of Shrek there's a big

669
00:30:41,560 --> 00:30:42,720
Speaker 2: musical number for no reason.

670
00:30:42,800 --> 00:30:45,240
Speaker 4: Totally, And also I always found that so exhausting because

671
00:30:45,280 --> 00:30:47,680
Speaker 4: you just watched the play. It also always, if it's

672
00:30:47,680 --> 00:30:49,880
Speaker 4: a musical, always ends with the song and then they're like,

673
00:30:49,960 --> 00:30:52,040
Speaker 4: we're coming out again and we're singing again. You're like again,

674
00:30:52,800 --> 00:30:53,640
Speaker 4: well again?

675
00:30:53,720 --> 00:30:57,040
Speaker 2: Are they doing it for socials? Damn? It's disgusting what

676
00:30:57,080 --> 00:30:59,520
Speaker 2: people do for socials that, you know.

677
00:30:59,680 --> 00:31:01,320
Speaker 1: I think there should be like a reality show or

678
00:31:01,360 --> 00:31:04,240
Speaker 1: something about the people that do the socials for Broadway.

679
00:31:03,840 --> 00:31:06,920
Speaker 4: Plays starring you know, a little Reese Havoc Austin spirerou

680
00:31:07,640 --> 00:31:10,480
Speaker 4: Do you know this person? No, great, little, great little

681
00:31:10,480 --> 00:31:13,200
Speaker 4: person that runs around town drag queen, but does does

682
00:31:13,200 --> 00:31:14,600
Speaker 4: this oh Mary, yes?

683
00:31:14,680 --> 00:31:14,960
Speaker 1: Okay?

684
00:31:15,120 --> 00:31:18,880
Speaker 4: Extremely good? The dross yes, oh, Mary, and I think

685
00:31:19,160 --> 00:31:20,520
Speaker 4: liberation Prince faga.

686
00:31:20,960 --> 00:31:21,080
Speaker 2: Uh.

687
00:31:21,560 --> 00:31:24,240
Speaker 4: The other one, John Proctor is the villains.

688
00:31:23,400 --> 00:31:26,040
Speaker 1: The villain, yes, but I and again I don't know

689
00:31:26,080 --> 00:31:29,880
Speaker 1: this person, so this is not about him them him him.

690
00:31:30,160 --> 00:31:37,280
Speaker 4: He proudly he him, Oh, proudly. Great to be whatever

691
00:31:37,320 --> 00:31:39,760
Speaker 4: you want. That's amazing, Yeah, shout out. Wait, just so

692
00:31:39,840 --> 00:31:43,160
Speaker 4: everyone listening at home, we're all wearing blue, that's right,

693
00:31:44,440 --> 00:31:50,400
Speaker 4: he said, No, we're going boy boys wear blue. Okay, sorry,

694
00:31:50,480 --> 00:31:53,040
Speaker 4: talk about but your.

695
00:31:52,920 --> 00:31:54,760
Speaker 2: Blue is like LGBTQ blue.

696
00:31:54,800 --> 00:32:00,240
Speaker 1: It's well, it's silk. We're wearing three different materials. We're

697
00:32:00,280 --> 00:32:04,800
Speaker 1: wearing three different materials, but they're all blue. It's literally

698
00:32:04,800 --> 00:32:07,760
Speaker 1: like podcasting at the end of the world. Outside everyone

699
00:32:07,760 --> 00:32:11,440
Speaker 1: has died. It's post apocalyptic and I'm like, okay, blue materials.

700
00:32:11,680 --> 00:32:12,280
Speaker 2: Sure it's again.

701
00:32:13,200 --> 00:32:15,720
Speaker 1: There should be a reality show for the people who

702
00:32:15,720 --> 00:32:17,800
Speaker 1: do social media for John Rockers and villain. What else?

703
00:32:17,800 --> 00:32:18,080
Speaker 1: What else?

704
00:32:18,120 --> 00:32:18,440
Speaker 4: What else?

705
00:32:18,520 --> 00:32:21,400
Speaker 1: My eyes start bleeding. I'm foaming at the mouth. You know,

706
00:32:21,480 --> 00:32:24,000
Speaker 1: there's a zombie apocalypse outside. Trump is president and the

707
00:32:24,080 --> 00:32:25,080
Speaker 1: zombies are hot.

708
00:32:24,880 --> 00:32:28,800
Speaker 4: And oh my god, music should do because they always

709
00:32:28,800 --> 00:32:31,200
Speaker 4: do hot vampires, they should do hot zombies. Well that

710
00:32:31,240 --> 00:32:35,600
Speaker 4: would be tough because can't they just come back and

711
00:32:35,640 --> 00:32:37,960
Speaker 4: be hot? Why do I have to be ugly?

712
00:32:39,200 --> 00:32:41,800
Speaker 1: I feel like it's difficult to be hot while also

713
00:32:41,920 --> 00:32:46,400
Speaker 1: being undead, like you have to you can't be charming.

714
00:32:46,120 --> 00:32:47,160
Speaker 4: As vampires undead.

715
00:32:47,320 --> 00:32:50,840
Speaker 1: Yeah, the vampire has a personality zombies literally zombie esque

716
00:32:50,880 --> 00:32:51,600
Speaker 1: like that.

717
00:32:52,040 --> 00:32:57,040
Speaker 4: But maybe that's what am I trying to say stereotype.

718
00:32:58,600 --> 00:33:01,920
Speaker 1: So you're saying that this is interesting, Now, this is interesting.

719
00:33:01,960 --> 00:33:02,240
Speaker 2: You know what?

720
00:33:02,320 --> 00:33:04,480
Speaker 1: Actually, I think I've maybe talked about this once before.

721
00:33:04,760 --> 00:33:08,120
Speaker 1: When I was in college, there was this this is

722
00:33:08,120 --> 00:33:10,640
Speaker 1: so scary. There was this like post stock or something.

723
00:33:10,640 --> 00:33:12,760
Speaker 1: I'm not making this up. This was in the department

724
00:33:12,800 --> 00:33:16,000
Speaker 1: of like just gender studies, feminist studies. Oh my god,

725
00:33:16,240 --> 00:33:18,800
Speaker 1: forget this. I swear to god this is true. Her

726
00:33:18,840 --> 00:33:23,920
Speaker 1: research was on dead bodies and how they are treated

727
00:33:23,960 --> 00:33:27,400
Speaker 1: as passive but in fact they have agency. So she

728
00:33:27,600 --> 00:33:32,120
Speaker 1: was using like feminist theory and uh, you know, queer

729
00:33:32,120 --> 00:33:36,760
Speaker 1: theory to argue in like on behalf of dead bodies.

730
00:33:36,920 --> 00:33:37,880
Speaker 4: She jumped the shark.

731
00:33:38,080 --> 00:33:42,040
Speaker 1: She fully jumped the shark. It is I remember being like, oh,

732
00:33:42,800 --> 00:33:46,360
Speaker 1: academia has maybe two decades left, Like this is this

733
00:33:46,440 --> 00:33:48,520
Speaker 1: is like what Republicans think is happening.

734
00:33:48,600 --> 00:33:52,400
Speaker 4: It is sometimes that you are. You're thinking too hard.

735
00:33:52,600 --> 00:33:54,960
Speaker 1: Yeah, you could just think a little. You're getting a

736
00:33:55,000 --> 00:33:57,360
Speaker 1: little bit lost. You're thinking too hard to watch TV.

737
00:33:59,280 --> 00:34:01,480
Speaker 1: You're thinking too hard and also not thinking enough. Like

738
00:34:01,520 --> 00:34:04,080
Speaker 1: you're you're fully not aware of your surroundings. Yes, there's

739
00:34:04,120 --> 00:34:06,400
Speaker 1: a fire happening all around you, and you're at your

740
00:34:06,440 --> 00:34:08,400
Speaker 1: desk being like as food co said.

741
00:34:08,480 --> 00:34:08,719
Speaker 4: Yeah.

742
00:34:09,120 --> 00:34:12,120
Speaker 1: Yeah, anyway, I recently looked at that woman on LinkedIn

743
00:34:12,160 --> 00:34:16,840
Speaker 1: and she works at like a corporate consultancy gave up

744
00:34:16,840 --> 00:34:20,719
Speaker 1: at academia. Wow, well, maybe she's consulting on how to

745
00:34:20,840 --> 00:34:23,200
Speaker 1: be more welcoming dead people in the workplace.

746
00:34:23,400 --> 00:34:26,359
Speaker 4: Yeah, maybe she's consulting at Big mor Big More, Big

747
00:34:26,920 --> 00:34:27,359
Speaker 4: Big More.

748
00:34:28,080 --> 00:34:32,640
Speaker 2: That'd be nice. Questions about the play.

749
00:34:32,719 --> 00:34:34,920
Speaker 4: You have to talk about the play. We talked a

750
00:34:34,920 --> 00:34:35,360
Speaker 4: lot about them.

751
00:34:35,560 --> 00:34:36,600
Speaker 2: We talked a lot about the play.

752
00:34:37,000 --> 00:34:38,760
Speaker 4: We'll see it by Okay, see.

753
00:34:38,560 --> 00:34:41,600
Speaker 1: A girl, go seee a girl, Go see a girl.

754
00:34:41,920 --> 00:34:42,600
Speaker 2: See in your mind.

755
00:34:42,680 --> 00:34:44,760
Speaker 1: That should be the tagline if I did social media

756
00:34:44,800 --> 00:34:49,240
Speaker 1: for mess messy, way go see a Actually, that actually

757
00:34:49,280 --> 00:34:51,080
Speaker 1: would be like a great I have a marketing tip too.

758
00:34:51,120 --> 00:34:55,320
Speaker 2: Okay, great, Uh, you team up with like a touring company,

759
00:34:55,520 --> 00:34:58,400
Speaker 2: like a tourist company. Okay, and you'd go you go

760
00:34:58,480 --> 00:34:59,879
Speaker 2: around Hell's Kitchen.

761
00:34:59,640 --> 00:35:00,959
Speaker 4: For all references.

762
00:35:01,000 --> 00:35:03,160
Speaker 1: There's a lot of there's a lot of Hell's Kitchen references.

763
00:35:03,160 --> 00:35:05,759
Speaker 1: These guys, I think they're Hell's Kitchen gates. They're not

764
00:35:05,840 --> 00:35:08,920
Speaker 1: like Williamsburg gays. They're not Bushwick gays their health kitchen games.

765
00:35:08,760 --> 00:35:10,040
Speaker 4: And certainly not Ridgewood gays.

766
00:35:10,960 --> 00:35:12,799
Speaker 1: Not even close opposite of Ridgewood Gates.

767
00:35:13,440 --> 00:35:14,520
Speaker 2: They're so different.

768
00:35:14,640 --> 00:35:17,399
Speaker 3: There's like almost a new type of species. Like when

769
00:35:17,440 --> 00:35:19,440
Speaker 3: there's a ridge with gay versus a health kitchen gay,

770
00:35:19,440 --> 00:35:21,360
Speaker 3: you're sort of like, these couldn't be further.

771
00:35:21,600 --> 00:35:24,439
Speaker 4: And these are even hyper wealthy Heal's Kitchen gays. Yeah,

772
00:35:24,680 --> 00:35:25,960
Speaker 4: that's even that.

773
00:35:25,960 --> 00:35:28,600
Speaker 1: That was an interesting element of it too.

774
00:35:30,560 --> 00:35:34,600
Speaker 4: I have another so I talk about the plague.

775
00:35:34,719 --> 00:35:37,200
Speaker 1: No, no, no, I actually think I'm really I like

776
00:35:37,239 --> 00:35:40,080
Speaker 1: that you're giving suggestions, and I actually have a few

777
00:35:40,120 --> 00:35:42,239
Speaker 1: notes as well. We have a few notes. So I

778
00:35:42,280 --> 00:35:47,480
Speaker 1: think I'm just an actress in terms of mesty white gays.

779
00:35:47,719 --> 00:35:51,160
Speaker 1: Sounds kind of exclusionary. Potentially you could do like messy

780
00:35:51,200 --> 00:35:55,480
Speaker 1: intersectional LGBTQ plus individuals. Okay, Yeah, and I would even

781
00:35:55,480 --> 00:35:58,359
Speaker 1: go so far as say messy limits you as well. Sure,

782
00:35:58,400 --> 00:36:03,440
Speaker 1: so it could be like diverse lgbt Q plus folks

783
00:36:03,480 --> 00:36:06,400
Speaker 1: of all stripes. Maybe that could be an interesting title

784
00:36:06,440 --> 00:36:07,040
Speaker 1: all stripe.

785
00:36:07,719 --> 00:36:08,000
Speaker 2: I think.

786
00:36:08,040 --> 00:36:12,000
Speaker 3: I think just to shorten it, yeah, Americans. Yes, that's

787
00:36:12,040 --> 00:36:14,400
Speaker 3: a really good Americans.

788
00:36:14,920 --> 00:36:17,279
Speaker 1: And I would even say, like to carry us the.

789
00:36:17,360 --> 00:36:19,239
Speaker 2: Americans, this is just Americans.

790
00:36:19,239 --> 00:36:22,359
Speaker 1: And maybe to add a positive spin on it, think

791
00:36:22,360 --> 00:36:26,239
Speaker 1: of something really something that that people associate with positivity,

792
00:36:26,239 --> 00:36:29,560
Speaker 1: maybe like angels, and you could maybe call it angels

793
00:36:29,600 --> 00:36:34,680
Speaker 1: in Americans, Angels in Americans. And so I would say

794
00:36:34,719 --> 00:36:37,000
Speaker 1: that's that's good something and then.

795
00:36:38,360 --> 00:36:39,240
Speaker 4: Get two plays.

796
00:36:39,520 --> 00:36:40,640
Speaker 1: Make I would say make.

797
00:36:40,480 --> 00:36:42,960
Speaker 2: It because I was like, okay, now what and then

798
00:36:43,040 --> 00:36:43,759
Speaker 2: what happens?

799
00:36:44,360 --> 00:36:46,080
Speaker 3: Like to me, the end, it was just the beginning,

800
00:36:46,920 --> 00:36:49,120
Speaker 3: and I was like, what if just as an exercise

801
00:36:49,360 --> 00:36:51,839
Speaker 3: we start there, let's start there.

802
00:36:52,520 --> 00:36:55,759
Speaker 2: It's just like where we go there, just that's an exercise.

803
00:36:56,200 --> 00:36:58,839
Speaker 4: I just want to know, let's do it tonight. When

804
00:36:58,840 --> 00:37:01,080
Speaker 4: I go, do it tonight and provides a second place

805
00:37:01,840 --> 00:37:02,640
Speaker 4: where we ended.

806
00:37:02,960 --> 00:37:05,200
Speaker 1: And then I think just to kind of piggyback off

807
00:37:05,280 --> 00:37:08,239
Speaker 1: with Sam SLID's piggy So this is the entire cast

808
00:37:08,360 --> 00:37:11,120
Speaker 1: is actually all men. I think we could maybe make

809
00:37:11,160 --> 00:37:14,640
Speaker 1: it half men half women. And then I thought your

810
00:37:14,640 --> 00:37:16,919
Speaker 1: performance was great, But what if it was someone like

811
00:37:17,280 --> 00:37:23,520
Speaker 1: Andrew Garfield, like a like you know, a big name

812
00:37:23,600 --> 00:37:26,480
Speaker 1: that the people, you know, people are flying in from

813
00:37:26,520 --> 00:37:27,919
Speaker 1: all over going to play.

814
00:37:28,440 --> 00:37:32,200
Speaker 2: James Cordon, James, Hello, he's already there.

815
00:37:32,239 --> 00:37:33,960
Speaker 4: Maybe that's why he was at the restaurant last night.

816
00:37:34,040 --> 00:37:37,480
Speaker 4: Maybe he was like sniffing at my game. He's like,

817
00:37:37,520 --> 00:37:39,759
Speaker 4: I hope they spot me and cast me because you

818
00:37:39,800 --> 00:37:41,720
Speaker 4: wrote and cast it. I believe I wrote.

819
00:37:42,560 --> 00:37:48,240
Speaker 1: Yeah, so Angels and Americans arts, Andrew Garfield, James Cordon.

820
00:37:50,080 --> 00:37:52,200
Speaker 1: And then I think for the female parts, we got

821
00:37:52,239 --> 00:37:55,560
Speaker 1: to go. We have to get the youth interested. So

822
00:37:55,600 --> 00:38:01,200
Speaker 1: I'm thinking like Sabrina Carpenter, Sydney, Sydney, and that.

823
00:38:05,200 --> 00:38:06,920
Speaker 2: Should course.

824
00:38:09,160 --> 00:38:12,200
Speaker 4: And they're the chorus, and they're the chorus, and then

825
00:38:12,200 --> 00:38:13,040
Speaker 4: there's a dance, and.

826
00:38:13,040 --> 00:38:14,840
Speaker 2: Then there's a dance. I had a pitch too, I

827
00:38:14,880 --> 00:38:17,960
Speaker 2: just couldn't help. But notice there was a corpse played

828
00:38:18,000 --> 00:38:18,439
Speaker 2: by a doll.

829
00:38:18,800 --> 00:38:21,400
Speaker 4: Yes, that could have been and that could have been

830
00:38:21,440 --> 00:38:21,759
Speaker 4: a corpse.

831
00:38:21,840 --> 00:38:26,080
Speaker 1: Did you guys consult with Actors Equity about that?

832
00:38:26,120 --> 00:38:30,080
Speaker 4: Every day we consulted. We actually never rehearsed because speaking

833
00:38:30,120 --> 00:38:32,040
Speaker 4: of corpse, right, and he could have been a zombie.

834
00:38:32,120 --> 00:38:34,319
Speaker 1: That's a hot zombies and that woman that post talk

835
00:38:34,360 --> 00:38:37,399
Speaker 1: that I was talking about could probably do a great

836
00:38:37,440 --> 00:38:40,160
Speaker 1: job as a dramater, walking you guys through how to

837
00:38:40,200 --> 00:38:43,239
Speaker 1: respect the corpse totally because it seemed like you were

838
00:38:43,280 --> 00:38:44,240
Speaker 1: not being very respectful.

839
00:38:44,280 --> 00:38:47,160
Speaker 4: Wait, okay, there are two corpses. There's like an understudy

840
00:38:47,280 --> 00:38:49,279
Speaker 4: corpse for real, and one of them is the one

841
00:38:49,280 --> 00:38:50,960
Speaker 4: we always use, and it used to be like a

842
00:38:51,000 --> 00:38:53,040
Speaker 4: sex doll, but they made it because it was too heavy,

843
00:38:53,040 --> 00:38:55,759
Speaker 4: but it has this like very silicone face. But then

844
00:38:55,800 --> 00:38:57,839
Speaker 4: when they made the other one, like the backup one,

845
00:38:57,920 --> 00:39:00,200
Speaker 4: they couldn't get that sex doll face again, and so

846
00:39:00,239 --> 00:39:03,240
Speaker 4: it's just like a mannequin's head. But she's like beat

847
00:39:05,640 --> 00:39:11,799
Speaker 4: Like god, it's just mascara, had like pouty lips and

848
00:39:11,880 --> 00:39:15,799
Speaker 4: like the bangs are very like sweepy tucked in and

849
00:39:15,800 --> 00:39:18,920
Speaker 4: it's like, oh, look at heard though, is.

850
00:39:18,840 --> 00:39:19,799
Speaker 2: That ever distracting?

851
00:39:20,480 --> 00:39:22,279
Speaker 4: Well, he's like kind of face down the whole time,

852
00:39:22,320 --> 00:39:23,960
Speaker 4: except that the at the end, you know.

853
00:39:24,120 --> 00:39:26,160
Speaker 1: Yeah, So it's a little gag just for you guys.

854
00:39:26,160 --> 00:39:27,839
Speaker 4: It's a little gag for the girls.

855
00:39:28,080 --> 00:39:30,799
Speaker 1: So, speaking of gagging the girls, another suggestion I had is,

856
00:39:31,520 --> 00:39:33,360
Speaker 1: you know, right now, it's a play, so it's on

857
00:39:33,440 --> 00:39:35,160
Speaker 1: stage and you'll have to go there and see it

858
00:39:35,239 --> 00:39:38,880
Speaker 1: in person. What if it was in order for more

859
00:39:38,880 --> 00:39:41,320
Speaker 1: people to be able to see it, like a mini series,

860
00:39:41,480 --> 00:39:46,439
Speaker 1: streaming mini streaming wind And what if it was set

861
00:39:46,560 --> 00:39:50,840
Speaker 1: in like Philly. Yeah, oh my god, the murder could

862
00:39:50,840 --> 00:39:53,640
Speaker 1: be instead of a gay guy, like a young girl totally,

863
00:39:53,680 --> 00:39:55,440
Speaker 1: and she could be solving the murder and they're all

864
00:39:55,440 --> 00:39:57,239
Speaker 1: doing accent, and they're all doing accent, and her name

865
00:39:57,320 --> 00:40:00,960
Speaker 1: is something really random like mirror mayor.

866
00:40:01,080 --> 00:40:03,480
Speaker 4: So mean to make a British person say the name

867
00:40:03,560 --> 00:40:10,719
Speaker 4: Mary Philadelphia a lot? Ma ma, it's a great idea.

868
00:40:10,760 --> 00:40:11,520
Speaker 2: Do you like our pitches?

869
00:40:11,600 --> 00:40:12,880
Speaker 4: I'm implementing them all tonight.

870
00:40:13,120 --> 00:40:16,920
Speaker 2: Good do you ever? Oh my god, you should get

871
00:40:16,960 --> 00:40:18,319
Speaker 2: in a big fight with Drew.

872
00:40:18,800 --> 00:40:21,560
Speaker 3: First of all, you're gonna start the start and then

873
00:40:21,640 --> 00:40:24,239
Speaker 3: to get like to be like, get back at him

874
00:40:24,280 --> 00:40:27,359
Speaker 3: from the many hurtful things. He will say yes because

875
00:40:27,400 --> 00:40:28,840
Speaker 3: he's got them locked and loaded.

876
00:40:28,960 --> 00:40:30,600
Speaker 4: Trust she's got opinions.

877
00:40:32,000 --> 00:40:34,280
Speaker 2: So then you should do the whole play British.

878
00:40:35,040 --> 00:40:36,440
Speaker 1: Yeah, do the whole British.

879
00:40:37,200 --> 00:40:40,840
Speaker 4: Wait, can I tell Drew drogis story please? Because he

880
00:40:40,840 --> 00:40:44,200
Speaker 4: he does have a lot of opinions. He's not that's weird.

881
00:40:44,360 --> 00:40:46,560
Speaker 4: He's not he's not medium as his.

882
00:40:46,719 --> 00:40:49,040
Speaker 1: Oh totally, well, that's what we all love about it.

883
00:40:49,239 --> 00:40:52,760
Speaker 4: No, exactly one time when we were doing this last summer,

884
00:40:54,520 --> 00:40:58,040
Speaker 4: somehow Lucille Ball came up and he's like, God, don't

885
00:40:58,040 --> 00:41:03,000
Speaker 4: get me started on that count, like Lucille do you

886
00:41:03,160 --> 00:41:05,560
Speaker 4: know he just hates sir?

887
00:41:07,239 --> 00:41:09,520
Speaker 1: Oh God, that's good, that's really good.

888
00:41:10,280 --> 00:41:13,800
Speaker 4: And then we were posing for like for publicity pictures

889
00:41:13,800 --> 00:41:17,240
Speaker 4: for this. The photographer kept going like, give me something,

890
00:41:17,239 --> 00:41:19,600
Speaker 4: like let's do a wacky one like think Lucille Ball,

891
00:41:19,840 --> 00:41:23,480
Speaker 4: and Drew is like, see him physically painting.

892
00:41:23,600 --> 00:41:25,279
Speaker 1: So do we know why he doesn't like Lucy?

893
00:41:25,360 --> 00:41:26,840
Speaker 4: You know, he's read a bunch of things. He's like

894
00:41:26,880 --> 00:41:29,360
Speaker 4: she was actually mean or whatever. I don't know, but

895
00:41:29,400 --> 00:41:32,560
Speaker 4: I don't even care. I a woman he's never met

896
00:41:32,560 --> 00:41:35,160
Speaker 4: who's beloved, Well, it hates her.

897
00:41:37,600 --> 00:41:40,040
Speaker 1: The idea that Lucille Ball would not have been mean,

898
00:41:40,480 --> 00:41:43,640
Speaker 1: like to like wake up. The whole thing is like

899
00:41:43,920 --> 00:41:46,360
Speaker 1: women didn't have power at that time. There was no

900
00:41:46,520 --> 00:41:49,000
Speaker 1: such thing as like a woman producing her own sitcom

901
00:41:49,160 --> 00:41:50,680
Speaker 1: and she did it. Can you imagine how many people

902
00:41:50,719 --> 00:41:52,040
Speaker 1: she had to murder to make that happen.

903
00:41:52,160 --> 00:41:54,640
Speaker 4: You guys should watch this Aaron Sorkin film.

904
00:41:55,160 --> 00:41:57,560
Speaker 1: Can I tell you something I couldn't get through it?

905
00:41:58,080 --> 00:41:59,640
Speaker 4: Yeah, no offense to all involved.

906
00:41:59,680 --> 00:42:00,959
Speaker 1: No, it was one of the worst films.

907
00:42:00,960 --> 00:42:05,279
Speaker 4: I just thought, it's so like to be you know,

908
00:42:05,320 --> 00:42:08,080
Speaker 4: and it's like, funny people aren't always funny. It's it's

909
00:42:08,080 --> 00:42:09,879
Speaker 4: a movie about one of the funniest people and it's

910
00:42:10,080 --> 00:42:10,880
Speaker 4: not a joke in it.

911
00:42:11,600 --> 00:42:14,600
Speaker 1: I was shocked. I was shocked. And how bad it

912
00:42:14,640 --> 00:42:15,680
Speaker 1: was for Nicole.

913
00:42:16,480 --> 00:42:18,960
Speaker 4: She was not married for an ask her, Yeah, that's okay. Yeah,

914
00:42:19,000 --> 00:42:19,760
Speaker 4: she's doing okay.

915
00:42:20,880 --> 00:42:24,080
Speaker 1: Well I didn't really, she's getting divorced being the Ricardo's remember.

916
00:42:24,080 --> 00:42:25,000
Speaker 2: I remember it came out.

917
00:42:25,120 --> 00:42:26,600
Speaker 4: Sure, we'll watch it tonight.

918
00:42:27,120 --> 00:42:28,120
Speaker 2: I watch it.

919
00:42:28,120 --> 00:42:28,680
Speaker 1: It's really bad.

920
00:42:30,600 --> 00:42:31,560
Speaker 4: I have to Mommy.

921
00:42:32,200 --> 00:42:33,760
Speaker 2: I hate when you guys all watch movies.

922
00:42:33,840 --> 00:42:35,440
Speaker 4: Sorry, it's okay.

923
00:42:35,719 --> 00:42:37,400
Speaker 2: Sometimes if a movie is bad, you should just be like,

924
00:42:37,400 --> 00:42:38,719
Speaker 2: this one's not coming out.

925
00:42:39,120 --> 00:42:41,360
Speaker 4: Oh god, I know, But think of all the people

926
00:42:41,400 --> 00:42:42,600
Speaker 4: that worked so hard on.

927
00:42:42,600 --> 00:42:43,759
Speaker 1: I mean, I am.

928
00:42:46,880 --> 00:42:47,960
Speaker 4: What else do we talk about?

929
00:42:48,200 --> 00:42:49,960
Speaker 2: Should we do it for a segment got the play.

930
00:42:50,640 --> 00:42:52,279
Speaker 1: I was enjoying making suggestions.

931
00:42:52,480 --> 00:42:54,960
Speaker 3: Well, I think we've suggested a lot. I think it

932
00:42:54,960 --> 00:42:57,640
Speaker 3: would just take a while to implement all that. Yeah,

933
00:42:57,840 --> 00:42:59,360
Speaker 3: I think when the play is in four hours?

934
00:42:59,520 --> 00:43:01,280
Speaker 4: Yeah, dude, rehearsals.

935
00:43:01,800 --> 00:43:04,080
Speaker 1: Can I just say, if Drew is listening, I really

936
00:43:04,120 --> 00:43:07,239
Speaker 1: like I really like folks he's not. I really look

937
00:43:07,320 --> 00:43:09,520
Speaker 1: up to Drew. I'm like, I love what are It's like?

938
00:43:09,960 --> 00:43:13,680
Speaker 1: I just I find he's such a treasure in our community,

939
00:43:14,080 --> 00:43:19,880
Speaker 1: and I I know there are other people that also

940
00:43:20,520 --> 00:43:22,399
Speaker 1: right and starting plays. I'm not saying he's the only one,

941
00:43:22,400 --> 00:43:27,000
Speaker 1: but there is something the way he manages to I'm

942
00:43:27,040 --> 00:43:27,560
Speaker 1: not familiar.

943
00:43:27,760 --> 00:43:28,399
Speaker 2: I don't know that one.

944
00:43:28,719 --> 00:43:31,640
Speaker 1: I don't know. Is that something when you know from

945
00:43:31,640 --> 00:43:32,320
Speaker 1: acting school?

946
00:43:32,480 --> 00:43:35,600
Speaker 4: Yeah, school school. There's somebody who know from acting school.

947
00:43:35,840 --> 00:43:37,399
Speaker 4: Oh cool, they were really bad.

948
00:43:39,200 --> 00:43:40,320
Speaker 1: I've heard they're a real cunt.

949
00:43:40,760 --> 00:43:41,200
Speaker 4: Totally.

950
00:43:41,600 --> 00:43:45,600
Speaker 1: He's really mean to everyone they meet and universally hated.

951
00:43:45,760 --> 00:43:49,520
Speaker 1: The university Aboard has has a kind of a rapper

952
00:43:49,600 --> 00:43:52,040
Speaker 1: mentality of, you know, bursting into every room and making

953
00:43:52,080 --> 00:43:52,920
Speaker 1: it all about themselves.

954
00:43:52,960 --> 00:44:00,200
Speaker 2: A rapper, A rapper, Yes, what are you talking?

955
00:44:00,280 --> 00:44:03,560
Speaker 4: Do? They usually burst into rooms you're talking about maybe

956
00:44:03,560 --> 00:44:04,359
Speaker 4: the kool Aid man.

957
00:44:04,400 --> 00:44:05,840
Speaker 2: I'd be like, sure, that's what the coolid.

958
00:44:06,000 --> 00:44:07,319
Speaker 4: Yeah, he says it's like a rap.

959
00:44:07,560 --> 00:44:10,319
Speaker 1: When you say someone has a rappers, that means they're

960
00:44:10,400 --> 00:44:11,680
Speaker 1: like larger than life and.

961
00:44:11,640 --> 00:44:13,040
Speaker 2: They're bursting into rooms.

962
00:44:15,160 --> 00:44:17,360
Speaker 4: Sorry, Han, you cancel.

963
00:44:20,400 --> 00:44:21,920
Speaker 2: That makes no sense.

964
00:44:24,880 --> 00:44:26,799
Speaker 1: Do you not think of rappers as being like.

965
00:44:26,840 --> 00:44:30,279
Speaker 4: George, you're digging your heels in in a way that's

966
00:44:30,360 --> 00:44:33,040
Speaker 4: so say no, it's not insane. One time I saw

967
00:44:33,040 --> 00:44:34,360
Speaker 4: a cupcake the rapper.

968
00:44:34,520 --> 00:44:36,240
Speaker 1: Okay, that's not what I mean when I say a rapper,

969
00:44:36,239 --> 00:44:37,400
Speaker 1: I mean a male wrapper.

970
00:44:38,000 --> 00:44:40,960
Speaker 2: You don't think I love a cupcakes doesn't rap? You

971
00:44:40,960 --> 00:44:44,080
Speaker 2: think upad doesn't wrap. You think she's a sing you

972
00:44:44,080 --> 00:44:46,560
Speaker 2: think she's a pop girl because oh she's a woman.

973
00:44:46,920 --> 00:44:47,480
Speaker 4: That's interesting.

974
00:44:47,560 --> 00:44:48,960
Speaker 2: She's a woman that's interesting.

975
00:44:50,000 --> 00:44:52,640
Speaker 4: Oh but she was really late for her show one time,

976
00:44:52,719 --> 00:44:54,560
Speaker 4: and she did she came, I want to say, like

977
00:44:54,600 --> 00:44:56,440
Speaker 4: over an hour, and she goes, sorry, I couldn't find

978
00:44:56,440 --> 00:44:58,799
Speaker 4: my panties, and then started.

979
00:44:58,800 --> 00:45:00,560
Speaker 1: I think I was at that show. Yeah it was

980
00:45:00,560 --> 00:45:03,239
Speaker 1: that it was in Brooklyn, Yes, yes, it was in

981
00:45:03,239 --> 00:45:04,640
Speaker 1: like twenty sixty or something something like that.

982
00:45:04,719 --> 00:45:05,480
Speaker 2: Yes, yeaheah, I was.

983
00:45:06,000 --> 00:45:07,800
Speaker 1: And then you know what she did. She pressed play,

984
00:45:07,880 --> 00:45:09,640
Speaker 1: I'm not going to press play on the album and

985
00:45:09,680 --> 00:45:11,799
Speaker 1: wrapped over it. It was it wasn't like a backing track.

986
00:45:11,840 --> 00:45:14,560
Speaker 1: It was fully just the album on Spotifyny, that's nice.

987
00:45:15,400 --> 00:45:16,120
Speaker 2: It was incredible.

988
00:45:16,120 --> 00:45:23,720
Speaker 4: I forgot her favorite and her band. But yeah, Drew's

989
00:45:23,760 --> 00:45:32,720
Speaker 4: great with the rapper rapper vibe and Drew. I've always

990
00:45:32,760 --> 00:45:42,880
Speaker 4: said total, So what do you think? So should we

991
00:45:42,920 --> 00:45:44,000
Speaker 4: don't do our first segment? Oh?

992
00:45:44,080 --> 00:45:47,040
Speaker 3: Right, I think we should so air our first segment,

993
00:45:47,080 --> 00:45:49,200
Speaker 3: as you know, is called straight shooters, where we ask

994
00:45:49,239 --> 00:45:50,799
Speaker 3: you this thing or this other thing, and the only

995
00:45:50,880 --> 00:45:55,120
Speaker 3: rules you can't ask any fall up questions yes or

996
00:45:55,160 --> 00:45:57,400
Speaker 3: we'll kill your ass.

997
00:45:57,440 --> 00:46:01,160
Speaker 1: The Heritage Foundation or the Chair of Pantsuit Nation.

998
00:46:01,360 --> 00:46:04,160
Speaker 4: Chairuff can't suit, Asia, City that Never sleeps, or a

999
00:46:04,160 --> 00:46:09,439
Speaker 4: pity to have never skeatd the pity.

1000
00:46:09,120 --> 00:46:15,480
Speaker 1: Lather, rinse, repeat, control all, delete, or that poem is oblique, oblique.

1001
00:46:14,920 --> 00:46:16,240
Speaker 4: I'm always in the last one.

1002
00:46:16,360 --> 00:46:19,960
Speaker 3: A seven minute standing oh, or a heaven sent manly Ho.

1003
00:46:22,040 --> 00:46:23,960
Speaker 4: Yeah, heaven is that Manley Ho of course?

1004
00:46:24,640 --> 00:46:29,000
Speaker 1: Decor that's Ghosh or Jador Juliette Binoche.

1005
00:46:29,840 --> 00:46:33,640
Speaker 3: Decor that's Coche attending a baby shower presenting a lady

1006
00:46:33,719 --> 00:46:35,400
Speaker 3: a flower baby shower.

1007
00:46:35,719 --> 00:46:38,760
Speaker 1: Oh, hip hip, hooray, or beep beep he's.

1008
00:46:38,520 --> 00:46:39,919
Speaker 4: Gayep, he's gay.

1009
00:46:40,280 --> 00:46:43,040
Speaker 2: Corporations are people or fornication is evil.

1010
00:46:43,640 --> 00:46:46,399
Speaker 4: Corporations are people who We really brought our a game

1011
00:46:46,440 --> 00:46:47,359
Speaker 4: to that one.

1012
00:46:47,719 --> 00:46:49,560
Speaker 2: That was really good. That's crazy.

1013
00:46:49,600 --> 00:46:51,040
Speaker 3: I actually did that at this coffee shop where they

1014
00:46:51,040 --> 00:46:52,640
Speaker 3: gave me the George Severas branded coffee.

1015
00:46:52,719 --> 00:46:55,080
Speaker 2: You did what my straight Shooters coffee shop.

1016
00:46:55,400 --> 00:46:57,280
Speaker 1: Wow, you're really inspired by my coffee.

1017
00:46:57,280 --> 00:46:58,960
Speaker 2: I was really inspired by your brand coffee.

1018
00:46:59,080 --> 00:47:04,600
Speaker 1: Say this is too busy visually, it's like he wants

1019
00:47:04,640 --> 00:47:07,160
Speaker 1: to fix I don't know if you can tell.

1020
00:47:07,360 --> 00:47:11,799
Speaker 2: Tell you about like he's a baby.

1021
00:47:10,760 --> 00:47:14,560
Speaker 3: He just wants to fix the world to do huh,

1022
00:47:14,640 --> 00:47:19,400
Speaker 3: he needs a nap. Somebody has creative direction? Can do

1023
00:47:19,400 --> 00:47:20,319
Speaker 3: you see what I'm talking about?

1024
00:47:20,320 --> 00:47:22,879
Speaker 1: This is I'm pointing out it to go coffee cup

1025
00:47:22,880 --> 00:47:27,120
Speaker 1: for anyone listening and apology. It says, iHeart GC fine,

1026
00:47:27,440 --> 00:47:30,799
Speaker 1: The I G C are made to look like that

1027
00:47:30,960 --> 00:47:34,080
Speaker 1: turnover like the like the train station.

1028
00:47:35,719 --> 00:47:35,839
Speaker 2: Tick.

1029
00:47:36,400 --> 00:47:39,800
Speaker 1: Then there's a heart fine with the heart has a

1030
00:47:39,960 --> 00:47:44,080
Speaker 1: pulse pulse line line on it, which to me is scary.

1031
00:47:44,400 --> 00:47:48,400
Speaker 1: And then there's a stops a humanoid stop sign with

1032
00:47:48,760 --> 00:47:52,440
Speaker 1: angel making peace making a piece sign with a halo.

1033
00:47:53,560 --> 00:47:57,400
Speaker 4: And what is GC even? Is that the coffee Grand coffee?

1034
00:47:57,400 --> 00:47:57,600
Speaker 2: Okay?

1035
00:47:57,920 --> 00:48:01,719
Speaker 1: Then we have the New York skyline and heartbeat heartbeats

1036
00:48:01,760 --> 00:48:03,720
Speaker 1: here It's like where message are we sending?

1037
00:48:03,760 --> 00:48:05,800
Speaker 4: Heart beat is negative? Yet that to me, I guess

1038
00:48:05,880 --> 00:48:08,920
Speaker 4: that feels like a hospital. Also the angel yea halo,

1039
00:48:09,080 --> 00:48:10,319
Speaker 4: and the horror. I feel death.

1040
00:48:10,640 --> 00:48:11,239
Speaker 2: I feel death.

1041
00:48:11,239 --> 00:48:13,440
Speaker 4: I'm gonna do the Guardian Angel. I don't feel like

1042
00:48:13,440 --> 00:48:14,360
Speaker 4: I want a cup of coffee.

1043
00:48:14,480 --> 00:48:15,280
Speaker 2: It's giving death.

1044
00:48:18,200 --> 00:48:22,480
Speaker 4: Tim Guns, designer of designers.

1045
00:48:22,680 --> 00:48:24,000
Speaker 2: What will Nina say?

1046
00:48:24,520 --> 00:48:26,160
Speaker 1: Designers? Can I ask you to gether around?

1047
00:48:26,200 --> 00:48:26,520
Speaker 4: Please?

1048
00:48:26,800 --> 00:48:27,719
Speaker 1: This is giving death.

1049
00:48:29,280 --> 00:48:30,640
Speaker 2: Your cup is giving death.

1050
00:48:31,120 --> 00:48:33,160
Speaker 4: I think Jimmy fallon imprecious.

1051
00:48:35,280 --> 00:48:38,359
Speaker 3: I also think there's something about maximalism like this where

1052
00:48:38,520 --> 00:48:40,080
Speaker 3: it's very a album.

1053
00:48:39,840 --> 00:48:42,839
Speaker 1: Cover, Yes, it's very m I A it's a glitch art.

1054
00:48:42,960 --> 00:48:46,160
Speaker 2: Glitch art is art. It's commentary on the web.

1055
00:48:46,280 --> 00:48:50,040
Speaker 1: Yes completely, And it's commentary on like inundated God, we're

1056
00:48:50,080 --> 00:48:53,440
Speaker 1: always inundated with information, and they and and they're just

1057
00:48:53,480 --> 00:48:55,680
Speaker 1: harvesting our thoughts and views.

1058
00:48:57,760 --> 00:49:00,600
Speaker 4: Of course, the support artists and I'm so proudly if you.

1059
00:49:00,640 --> 00:49:02,880
Speaker 1: Think an artist made that, you're living in a dream world.

1060
00:49:02,960 --> 00:49:07,880
Speaker 1: My friend who made it? Then I would say, I

1061
00:49:07,880 --> 00:49:10,319
Speaker 1: don't even Yeah, it's not even I think it's someone

1062
00:49:10,360 --> 00:49:13,600
Speaker 1: whose job isn't clip art. Yeah, it's it's like someone

1063
00:49:13,719 --> 00:49:15,319
Speaker 1: they didn't have a graphic desire to make it. So

1064
00:49:15,360 --> 00:49:16,960
Speaker 1: someone was just like, all right, let's put in like

1065
00:49:17,000 --> 00:49:17,560
Speaker 1: five things in.

1066
00:49:17,640 --> 00:49:19,680
Speaker 2: Well, the question is like, when they made that, did

1067
00:49:19,680 --> 00:49:21,160
Speaker 2: they become an artist? Wait?

1068
00:49:21,200 --> 00:49:23,680
Speaker 4: Also, the moon is behind the Empire State building. It's

1069
00:49:23,719 --> 00:49:24,440
Speaker 4: not even just that.

1070
00:49:24,840 --> 00:49:30,160
Speaker 1: Yeah, it's so much. Check it out.

1071
00:49:30,320 --> 00:49:30,759
Speaker 4: Check it out.

1072
00:49:31,680 --> 00:49:36,759
Speaker 2: You guys go to Grand Coffee are Yeah, what is

1073
00:49:36,800 --> 00:49:37,600
Speaker 2: your straight topic?

1074
00:49:37,800 --> 00:49:41,160
Speaker 4: Okay, well, I didn't mean to bring it back to theater.

1075
00:49:42,520 --> 00:49:43,800
Speaker 4: It's not my play. It's not my play.

1076
00:49:43,680 --> 00:49:44,960
Speaker 1: Because get it, you're in a play.

1077
00:49:45,000 --> 00:49:48,800
Speaker 4: I want to say my straight topic is musical theater.

1078
00:49:49,080 --> 00:49:52,400
Speaker 1: This is obviously an insane thing deposit because the musical

1079
00:49:52,440 --> 00:49:55,160
Speaker 1: theater is kind of a classic gay guy gay guy

1080
00:49:55,239 --> 00:49:58,960
Speaker 1: thing and almost in a cliche way, it's like say

1081
00:49:59,160 --> 00:50:00,440
Speaker 1: award shows like it's.

1082
00:50:02,360 --> 00:50:04,839
Speaker 4: But I just want to say someone I used to

1083
00:50:04,840 --> 00:50:10,839
Speaker 4: do it, yeah a lot, and coming up it's very like, well,

1084
00:50:10,880 --> 00:50:13,360
Speaker 4: first of all, it's basic and basic is straight, do

1085
00:50:13,400 --> 00:50:13,920
Speaker 4: you know what I mean?

1086
00:50:13,920 --> 00:50:15,960
Speaker 2: But it's confusing though, because it's niche and basic.

1087
00:50:16,000 --> 00:50:21,239
Speaker 1: It's niche and basic, but so is anime. Sorry, not anime. Anime,

1088
00:50:21,360 --> 00:50:23,160
Speaker 1: it's kind of niche and basic, but anime I think

1089
00:50:23,239 --> 00:50:26,640
Speaker 1: is also kind of like elevated and can be sophisticated.

1090
00:50:26,800 --> 00:50:29,560
Speaker 1: What I meant to say was so is like so consmusic.

1091
00:50:29,640 --> 00:50:34,360
Speaker 1: So it is like nerd culture, like like like sometimes

1092
00:50:34,400 --> 00:50:37,319
Speaker 1: like pre big Marvel comic books. You know what I mean?

1093
00:50:37,400 --> 00:50:40,680
Speaker 1: That is both niche and that was both niche and basic. Yeah, yeah,

1094
00:50:40,680 --> 00:50:42,840
Speaker 1: you're like flame and a nerd. But also it's like

1095
00:50:42,920 --> 00:50:46,400
Speaker 1: I know a lot about whatever Aquaman or something, Okay,

1096
00:50:46,520 --> 00:50:52,920
Speaker 1: but it's also big like church girl energy, like a

1097
00:50:53,040 --> 00:50:57,600
Speaker 1: lot like Mormons love musical theater that makes makes sense,

1098
00:50:57,760 --> 00:51:00,440
Speaker 1: love it and when you do it, like a lot

1099
00:51:00,480 --> 00:51:02,600
Speaker 1: growing up you meet a lot of Mormons, like hyper

1100
00:51:02,719 --> 00:51:05,640
Speaker 1: Christian gals, and a lot of Broadway is full of these,

1101
00:51:05,680 --> 00:51:08,200
Speaker 1: like they all go to this church in Times Square

1102
00:51:08,600 --> 00:51:10,560
Speaker 1: really yeah yeah yeah, and it's.

1103
00:51:10,400 --> 00:51:13,719
Speaker 4: Like super Christian. And I think there's something about the

1104
00:51:13,800 --> 00:51:19,279
Speaker 4: extremely stringent schedule and the like using your voice sort

1105
00:51:19,280 --> 00:51:22,480
Speaker 4: of like God's gift. It all just sort of feels interesting,

1106
00:51:22,760 --> 00:51:24,040
Speaker 4: it feels very straight.

1107
00:51:24,600 --> 00:51:28,520
Speaker 1: I was gonna maybe go a different direction, but scapism

1108
00:51:28,719 --> 00:51:32,600
Speaker 1: it's like escape. It's almost like how I imagine, not

1109
00:51:32,719 --> 00:51:34,960
Speaker 1: to imagine like Disney Adult.

1110
00:51:35,719 --> 00:51:38,920
Speaker 4: Very Disney adult, and Disney Gaze. Obviously that's like but

1111
00:51:38,960 --> 00:51:40,719
Speaker 4: it's like, that's really straight to me, to be a

1112
00:51:40,719 --> 00:51:41,239
Speaker 4: Disney gang.

1113
00:51:41,320 --> 00:51:46,600
Speaker 1: Well, yes, yeah, yeah, there's this. And also and I

1114
00:51:46,600 --> 00:51:49,680
Speaker 1: think both musical theater and Disney have this. It is

1115
00:51:49,719 --> 00:51:53,759
Speaker 1: a suspended childhood thing, like it is. It's wanting to

1116
00:51:53,880 --> 00:52:00,400
Speaker 1: exist in a childlike universe where bad things don't exist. Mmmm,

1117
00:52:01,640 --> 00:52:05,000
Speaker 1: which is also very like avoiding sin. And I understand

1118
00:52:05,000 --> 00:52:07,319
Speaker 1: that musicals do also. I understand that sins next to normal.

1119
00:52:07,360 --> 00:52:10,160
Speaker 1: All musicals are about mental health. But before that, but.

1120
00:52:10,080 --> 00:52:13,320
Speaker 4: I but the take the take.

1121
00:52:13,760 --> 00:52:15,160
Speaker 2: Oh you think he's not gonna have the take?

1122
00:52:15,680 --> 00:52:16,200
Speaker 4: But you know.

1123
00:52:17,760 --> 00:52:22,000
Speaker 1: Classic, you know Oklahoma, Oklahoma. You get to exist in

1124
00:52:22,040 --> 00:52:26,359
Speaker 1: a world where there isn't you don't have to think

1125
00:52:26,360 --> 00:52:30,200
Speaker 1: about the real world temptations you have. Yeah, well, and

1126
00:52:30,239 --> 00:52:32,600
Speaker 1: they're also kind of like often morality tales.

1127
00:52:32,920 --> 00:52:34,520
Speaker 2: Is there sexuality in musical theater?

1128
00:52:35,520 --> 00:52:38,799
Speaker 4: I think some of it, like I do like some musicals,

1129
00:52:39,080 --> 00:52:43,560
Speaker 4: but most are pretty uh painful, but you know most

1130
00:52:43,560 --> 00:52:46,520
Speaker 4: most are pretty embarrassing and hard. Yeah, but there are

1131
00:52:46,560 --> 00:52:48,240
Speaker 4: some good ones, and some of them can be horny.

1132
00:52:48,239 --> 00:52:49,760
Speaker 4: I think when some good.

1133
00:52:49,640 --> 00:52:51,640
Speaker 2: Ones, but I'm like, but the horny is specifically.

1134
00:52:51,760 --> 00:52:55,600
Speaker 4: I think when someone sings really well, like actually well,

1135
00:52:55,719 --> 00:52:59,080
Speaker 4: not like bad way, like it's like a yummy like,

1136
00:52:59,120 --> 00:53:01,280
Speaker 4: that to me is horny. And then if they're singing

1137
00:53:01,280 --> 00:53:03,239
Speaker 4: really well and acting horny at the same time, that

1138
00:53:03,400 --> 00:53:06,359
Speaker 4: is horny. Yeah, but not like Nicole I loved I

1139
00:53:06,400 --> 00:53:08,840
Speaker 4: loved Sunset Boulevard and loved Nicole in it, but that

1140
00:53:08,880 --> 00:53:12,040
Speaker 4: wasn't horny to me. That was like camp, like a camp. Sure,

1141
00:53:13,719 --> 00:53:16,920
Speaker 4: you know, it's interesting, but I think it Yeah, ultimately

1142
00:53:16,960 --> 00:53:18,719
Speaker 4: I think it maybe like think of if you if

1143
00:53:18,760 --> 00:53:22,480
Speaker 4: you love Hamilton, that's not gay, no.

1144
00:53:22,440 --> 00:53:24,680
Speaker 1: Right, I mean there's well, but I think there's a difference.

1145
00:53:26,000 --> 00:53:30,839
Speaker 1: And even let me wicked, like, yeah, I think that's

1146
00:53:31,360 --> 00:53:33,040
Speaker 1: certainly you're right, You're right.

1147
00:53:34,040 --> 00:53:35,839
Speaker 4: In fact, it makes it kind of I find it

1148
00:53:35,880 --> 00:53:37,840
Speaker 4: alienating because.

1149
00:53:37,680 --> 00:53:39,560
Speaker 2: Everyone's like, this is a gay thing.

1150
00:53:39,840 --> 00:53:45,520
Speaker 4: Yeah, but I'm like, but everyone that's liking it isn't. Yay, kay,

1151
00:53:46,000 --> 00:53:47,640
Speaker 4: I'm not fucking to this a basement.

1152
00:53:49,040 --> 00:53:51,919
Speaker 2: Literally, it's like mom's driving, right.

1153
00:53:52,239 --> 00:53:55,000
Speaker 4: That's how I got into musicals. Is my mom loved

1154
00:53:55,080 --> 00:53:58,480
Speaker 4: musicals and when we drive listen to like lames and shit. Yeah,

1155
00:53:58,520 --> 00:54:00,600
Speaker 4: And I was like, oh, I like this my mom.

1156
00:54:00,800 --> 00:54:03,080
Speaker 4: She's straight as hell, My straight mom. By the way,

1157
00:54:03,280 --> 00:54:04,799
Speaker 4: by the way, not a.

1158
00:54:04,840 --> 00:54:06,239
Speaker 2: Bye part in her.

1159
00:54:06,320 --> 00:54:07,239
Speaker 1: Oh your mom isn't by.

1160
00:54:07,400 --> 00:54:12,200
Speaker 4: My mom's not by. That's really I try.

1161
00:54:14,760 --> 00:54:15,360
Speaker 2: It's tough.

1162
00:54:15,600 --> 00:54:19,560
Speaker 1: I well, okay, there something that is gay about it

1163
00:54:19,600 --> 00:54:24,000
Speaker 1: is like the old Hollywood glamor, like or the old

1164
00:54:24,080 --> 00:54:27,880
Speaker 1: Broadway glamor of it all, Like when you think about divas,

1165
00:54:27,920 --> 00:54:31,560
Speaker 1: like divas worship music that's gay, like to be like,

1166
00:54:31,760 --> 00:54:35,080
Speaker 1: I love Bernadette Peters is gay. That's not straight. Yes,

1167
00:54:35,640 --> 00:54:41,839
Speaker 1: what is straight about it is the first of all

1168
00:54:41,840 --> 00:54:44,520
Speaker 1: the contemporary Broadway landscape where it's like everything is an

1169
00:54:44,560 --> 00:54:48,200
Speaker 1: adaptation of like a nineties rom com or something. But

1170
00:54:48,239 --> 00:54:51,839
Speaker 1: then also I think it's almost like musicals start out

1171
00:54:51,920 --> 00:54:53,839
Speaker 1: gay and then get straighter and straighter and straighter as

1172
00:54:53,840 --> 00:54:55,600
Speaker 1: they get bigger or yeah, you know what I mean.

1173
00:54:55,600 --> 00:55:00,799
Speaker 1: It's like even even frankly, something like Hamilton, I could

1174
00:55:00,800 --> 00:55:02,560
Speaker 1: see when it was seut the public, I could see

1175
00:55:02,560 --> 00:55:04,400
Speaker 1: it being like this thing that like if you know,

1176
00:55:04,480 --> 00:55:06,279
Speaker 1: you know, and it's by word of mouth, And isn't

1177
00:55:06,280 --> 00:55:09,400
Speaker 1: it so punk rock that it's like that, you know,

1178
00:55:10,040 --> 00:55:11,719
Speaker 1: George Washington is not white or.

1179
00:55:11,800 --> 00:55:14,840
Speaker 4: Right right right, that doesn't feel gay totally.

1180
00:55:16,320 --> 00:55:17,960
Speaker 1: But then as it gets bigger and bigger, then it

1181
00:55:18,000 --> 00:55:19,400
Speaker 1: just becomes m Felon.

1182
00:55:19,440 --> 00:55:23,040
Speaker 4: Yeah, yeah, wicked, these monoliths, Mama Mia, which is obviously

1183
00:55:23,080 --> 00:55:24,320
Speaker 4: so gay, is like pretty straight.

1184
00:55:24,400 --> 00:55:28,440
Speaker 1: It's like there's this range. When something starts it's Sondheim,

1185
00:55:28,560 --> 00:55:30,080
Speaker 1: and when it ends it's.

1186
00:55:30,040 --> 00:55:32,600
Speaker 4: Just Somenheim is like, is pretty gay even though he

1187
00:55:32,680 --> 00:55:36,400
Speaker 4: writes like all straight, he never writes like queer stories.

1188
00:55:36,440 --> 00:55:39,120
Speaker 1: Yeah, but is there anything gayer than I only writing

1189
00:55:39,160 --> 00:55:41,560
Speaker 1: about straight people and being in deep pain?

1190
00:55:41,920 --> 00:55:46,800
Speaker 3: Yes, there's something about the thing with them getting bigger

1191
00:55:46,800 --> 00:55:49,480
Speaker 3: and bigger because it just becomes something to bring the

1192
00:55:49,480 --> 00:55:50,759
Speaker 3: family to exactly.

1193
00:55:50,960 --> 00:55:54,080
Speaker 4: That's where a lot of Broadway is that, like obviously

1194
00:55:54,160 --> 00:55:56,160
Speaker 4: the Disney ones like Aladdin or whatever in Harry Potter,

1195
00:55:56,239 --> 00:55:58,520
Speaker 4: but like even just like like when Boop was out,

1196
00:55:58,560 --> 00:56:01,720
Speaker 4: it's like this is not full or like we're pushing

1197
00:56:01,760 --> 00:56:03,120
Speaker 4: the medium forward.

1198
00:56:02,880 --> 00:56:05,360
Speaker 3: Sometimes the way that I don't understand the theater landscape

1199
00:56:05,640 --> 00:56:08,760
Speaker 3: is funny. It's like like hearing about like a foreign country.

1200
00:56:09,080 --> 00:56:11,080
Speaker 4: Well also, okay, so we went out after the play

1201
00:56:11,160 --> 00:56:14,879
Speaker 4: last night and it was you, you two and two

1202
00:56:14,920 --> 00:56:18,359
Speaker 4: other human beings who are also Brooklyn gay guys, and

1203
00:56:18,440 --> 00:56:21,080
Speaker 4: the way you were all completely lost in Hell's Kitchen,

1204
00:56:21,120 --> 00:56:24,279
Speaker 4: like where do we go? Where are we? Like like

1205
00:56:25,120 --> 00:56:27,440
Speaker 4: as it if we were in another country where we

1206
00:56:27,480 --> 00:56:30,320
Speaker 4: did not speak the language. I'm in no GPS.

1207
00:56:30,480 --> 00:56:32,680
Speaker 3: There's a level of stress I'm working with because I'm like,

1208
00:56:32,840 --> 00:56:34,759
Speaker 3: I'm forty minutes from where I'm supposed to.

1209
00:56:34,760 --> 00:56:37,959
Speaker 4: Guys only knew what flaming saddles was. All of it

1210
00:56:38,000 --> 00:56:39,800
Speaker 4: was like name of bar. It was like flaming sounds

1211
00:56:39,880 --> 00:56:40,920
Speaker 4: Like that's crazy.

1212
00:56:41,040 --> 00:56:42,879
Speaker 2: I'm even like, okay, so we're close to the Eagle.

1213
00:56:42,960 --> 00:56:46,000
Speaker 2: We're not even close to the Eagle twenty blocks.

1214
00:56:45,640 --> 00:56:48,239
Speaker 1: Away, like you know every Hell's Kitchen bar I've been

1215
00:56:48,239 --> 00:56:52,040
Speaker 1: to exactly once and then had like a frankly like

1216
00:56:52,280 --> 00:56:55,520
Speaker 1: Lynchean night, Like I just it's like I remember like

1217
00:56:55,600 --> 00:56:58,960
Speaker 1: this inclusive, like why was James Gordon there? No the

1218
00:56:59,000 --> 00:56:59,640
Speaker 1: wind when we.

1219
00:56:59,640 --> 00:57:02,080
Speaker 2: Left, My god, we all got blasted with dust in

1220
00:57:02,120 --> 00:57:02,520
Speaker 2: our mouths.

1221
00:57:02,560 --> 00:57:05,400
Speaker 4: Yeah, it was crazy. That was Lynchia. It actually the

1222
00:57:07,760 --> 00:57:12,680
Speaker 4: tornado we were all Isabella Roussolini.

1223
00:57:14,200 --> 00:57:16,400
Speaker 3: I mean it was it was interesting to see you

1224
00:57:16,480 --> 00:57:18,840
Speaker 3: It's like watching a fish, you know, get dropped into

1225
00:57:18,880 --> 00:57:20,680
Speaker 3: water and you're like knowing where to go.

1226
00:57:20,760 --> 00:57:24,240
Speaker 4: I was like, whoa, Yeah, well because I went to

1227
00:57:24,280 --> 00:57:26,520
Speaker 4: theater school, I have seen a lot of theater, so

1228
00:57:26,600 --> 00:57:28,440
Speaker 4: I do know that area. Because I was telling you

1229
00:57:28,600 --> 00:57:31,480
Speaker 4: last night, we go out after a French show. So

1230
00:57:31,480 --> 00:57:33,680
Speaker 4: it's like I know that, but I don't go to

1231
00:57:33,720 --> 00:57:35,400
Speaker 4: Hell's Kitchens like hang out. But now I go there

1232
00:57:35,440 --> 00:57:37,840
Speaker 4: every single day for work. Yeah, so they do sort

1233
00:57:37,880 --> 00:57:38,120
Speaker 4: of like.

1234
00:57:38,280 --> 00:57:41,280
Speaker 1: It's I think Hell's Kitchen is what I think. I

1235
00:57:41,320 --> 00:57:43,160
Speaker 1: have a list of places that I'm like, those are

1236
00:57:43,280 --> 00:57:46,320
Speaker 1: pre show or post show places. I think if that

1237
00:57:46,440 --> 00:57:49,880
Speaker 1: is different from Hell's Kitchen absolutely, which you're going for

1238
00:57:49,920 --> 00:57:52,960
Speaker 1: like a gay night. Yeah that feels a game, yes exactly.

1239
00:57:52,680 --> 00:57:54,919
Speaker 4: You know, like we're like we're going to the gay

1240
00:57:54,960 --> 00:57:57,880
Speaker 4: bars in Hell's Kitchen. Yeah, that's a different thing than

1241
00:57:57,880 --> 00:57:59,120
Speaker 4: like I'm having a post.

1242
00:57:59,080 --> 00:58:01,400
Speaker 1: It also stresses me out because it actually tests my

1243
00:58:02,040 --> 00:58:04,800
Speaker 1: relationship with reality. I'm like, this is an entire this

1244
00:58:04,920 --> 00:58:07,080
Speaker 1: is actually the default world.

1245
00:58:07,520 --> 00:58:09,680
Speaker 4: That's why watching you all it was hilarious.

1246
00:58:09,720 --> 00:58:13,280
Speaker 3: It was no it's it's truly like, what is this

1247
00:58:13,400 --> 00:58:14,560
Speaker 3: city looking at like?

1248
00:58:16,560 --> 00:58:17,880
Speaker 1: And by the way, they're in New York is in

1249
00:58:17,960 --> 00:58:20,880
Speaker 1: some ways way more valid than ours. They are in

1250
00:58:20,960 --> 00:58:23,920
Speaker 1: completely like no, but it's like they're in They're in

1251
00:58:23,960 --> 00:58:26,400
Speaker 1: New York. They're in New York. We're barely in New York.

1252
00:58:26,400 --> 00:58:27,120
Speaker 1: We're in the suburbs.

1253
00:58:27,160 --> 00:58:31,680
Speaker 4: We're in the suburbs. And then you then you realize too,

1254
00:58:31,880 --> 00:58:34,880
Speaker 4: not to whatever, but like when you're in Fire Island,

1255
00:58:34,880 --> 00:58:36,600
Speaker 4: you're like, these are the people that I'm like out

1256
00:58:36,600 --> 00:58:37,240
Speaker 4: and about with. No.

1257
00:58:37,320 --> 00:58:39,000
Speaker 2: It's like, wait, there's only twenty gig guys.

1258
00:58:39,000 --> 00:58:41,320
Speaker 3: I like, yeah, like, and then every other gig guy

1259
00:58:41,400 --> 00:58:43,560
Speaker 3: is like the most foreign person I've ever met.

1260
00:58:43,840 --> 00:58:47,600
Speaker 2: It's so different from me. Yeah, it's really scary. Sometimes

1261
00:58:47,640 --> 00:58:49,840
Speaker 2: I don't think I don't think it's good when my

1262
00:58:49,880 --> 00:58:51,080
Speaker 2: world expands.

1263
00:58:51,160 --> 00:58:52,120
Speaker 4: Keep it, keep it.

1264
00:58:52,240 --> 00:58:55,200
Speaker 2: I'm like, there's fifteen guys did guys.

1265
00:58:55,200 --> 00:58:56,640
Speaker 4: They all do comedy.

1266
00:58:57,920 --> 00:58:59,360
Speaker 2: The backgrounds, but.

1267
00:58:59,320 --> 00:59:02,400
Speaker 4: They also just them now and they're right, yeah, they're

1268
00:59:02,440 --> 00:59:06,360
Speaker 4: right right, but none of it them act me. It's

1269
00:59:07,040 --> 00:59:13,800
Speaker 4: it does, but no one sees it. And those are

1270
00:59:13,800 --> 00:59:18,720
Speaker 4: the fifteen guys, the fifty guys population. Fifteen guys guys.

1271
00:59:20,960 --> 00:59:22,680
Speaker 3: That's why whenever there's an election, I'm like, whoa, wha,

1272
00:59:22,680 --> 00:59:24,080
Speaker 3: whoa who whoa not my fifteen?

1273
00:59:24,760 --> 00:59:27,560
Speaker 2: Yeah you wait on men, he got fifteen votes?

1274
00:59:27,600 --> 00:59:27,920
Speaker 1: Did he not.

1275
00:59:30,160 --> 00:59:35,640
Speaker 2: Coct that's unanimous? Rianimous, not my fifteen.

1276
00:59:35,760 --> 00:59:37,640
Speaker 1: Whereas not only is it unanimous, but then if some

1277
00:59:37,840 --> 00:59:40,880
Speaker 1: if one person of the fifteen has like a descending opinion,

1278
00:59:40,920 --> 00:59:43,520
Speaker 1: you're like, oh god, like should we put him down?

1279
00:59:43,640 --> 00:59:43,880
Speaker 2: Yeah?

1280
00:59:43,920 --> 00:59:48,680
Speaker 4: I'm literally wait, the propositions were so funny watching people

1281
00:59:48,720 --> 00:59:51,680
Speaker 4: spin out. Wait because the liberals disagreed. That was like

1282
00:59:51,720 --> 00:59:54,120
Speaker 4: the and even like the like the leftist.

1283
00:59:53,880 --> 00:59:57,160
Speaker 1: Yes, no, that was I was really Every every like

1284
00:59:57,600 --> 01:00:00,000
Speaker 1: five years there is an issue where there's like legit

1285
01:00:00,040 --> 01:00:02,800
Speaker 1: the mint disagreement among the fifteen and like uh and

1286
01:00:02,800 --> 01:00:05,480
Speaker 1: people don't both sides discourse and people don't know how

1287
01:00:05,480 --> 01:00:07,480
Speaker 1: to act. Yeah, no, they go nuts because it's like

1288
01:00:07,480 --> 01:00:10,160
Speaker 1: we're used to like slit their throat, yeah, versus them,

1289
01:00:10,160 --> 01:00:13,840
Speaker 1: but it's like, oh, actually people are confused. Yeah, yeah,

1290
01:00:13,840 --> 01:00:16,760
Speaker 1: people are confused. They're reading different use No, they're both

1291
01:00:16,880 --> 01:00:17,520
Speaker 1: sort of right.

1292
01:00:17,680 --> 01:00:19,200
Speaker 4: Yeah, I loved it.

1293
01:00:19,280 --> 01:00:23,880
Speaker 2: Yeah, Nuance, Sorry, I don't pay attention to right.

1294
01:00:23,880 --> 01:00:26,360
Speaker 4: You're in la Wait where he registered to vote.

1295
01:00:26,520 --> 01:00:27,640
Speaker 2: That's an amazing question.

1296
01:00:27,680 --> 01:00:31,360
Speaker 1: Thank you vote absentee. So I voted in the bats,

1297
01:00:31,520 --> 01:00:35,479
Speaker 1: now in the Okay, but then we changed our car

1298
01:00:35,520 --> 01:00:38,520
Speaker 1: insurance and accidentally registered.

1299
01:00:39,040 --> 01:00:41,760
Speaker 4: It's almost you're a California girl. Now you're Katie Fury.

1300
01:00:41,840 --> 01:00:43,840
Speaker 3: But then I'm going to you know, it's all complicated

1301
01:00:43,880 --> 01:00:45,560
Speaker 3: because then I'm going to come back and it's all

1302
01:00:45,560 --> 01:00:46,000
Speaker 3: missed up.

1303
01:00:46,040 --> 01:00:46,920
Speaker 4: So you're av Levine.

1304
01:00:47,000 --> 01:00:51,040
Speaker 1: So they need to do a recount. When you come back, They're.

1305
01:00:50,800 --> 01:00:53,520
Speaker 2: Like, wait, there's sixteen votes. This changes everything.

1306
01:00:53,520 --> 01:00:55,080
Speaker 4: Wait, I thought they were in Lance Live.

1307
01:00:55,360 --> 01:00:57,880
Speaker 1: I thought there were fifteen gay guys.

1308
01:00:57,920 --> 01:01:01,000
Speaker 4: Wait, z way doing Eric Adams. That's so far, so funny.

1309
01:01:01,760 --> 01:01:06,320
Speaker 4: Shout out, Shout out to the girl, Eric, after the

1310
01:01:06,320 --> 01:01:06,919
Speaker 4: girl Eric.

1311
01:01:08,040 --> 01:01:09,960
Speaker 2: One of the biggest depos we've got.

1312
01:01:10,280 --> 01:01:15,000
Speaker 1: It really is an underdiscussed element of like he is

1313
01:01:15,280 --> 01:01:17,000
Speaker 1: a truly unique figure in it.

1314
01:01:17,960 --> 01:01:21,840
Speaker 4: Do you remember this, This is the whole issue with

1315
01:01:22,040 --> 01:01:24,960
Speaker 4: and all these people that are really horrible politicians where wait,

1316
01:01:25,040 --> 01:01:25,840
Speaker 4: if you just didn't.

1317
01:01:25,600 --> 01:01:26,720
Speaker 2: Have power, you would be so funny.

1318
01:01:26,760 --> 01:01:29,520
Speaker 4: Oh my god, Well, okay, do you remember it was

1319
01:01:29,560 --> 01:01:32,600
Speaker 4: like shortly after he got elected, one of his campaigns

1320
01:01:32,680 --> 01:01:34,440
Speaker 4: was to stop they're not at vs. But you know,

1321
01:01:34,600 --> 01:01:37,480
Speaker 4: people like ride those things all around, and he was like,

1322
01:01:37,520 --> 01:01:40,440
Speaker 4: we're going to stop these and and so he had

1323
01:01:40,440 --> 01:01:42,560
Speaker 4: like gathered a bunch of them up and then had

1324
01:01:42,560 --> 01:01:47,440
Speaker 4: a monster truck run them over. It's like, that's cint.

1325
01:01:48,640 --> 01:01:49,680
Speaker 2: I love that.

1326
01:01:50,080 --> 01:01:55,080
Speaker 4: No, that's nice that more politician just run them over

1327
01:01:55,840 --> 01:02:01,600
Speaker 4: monster truck. I'm mayor so fun Also, mayor is sort

1328
01:02:01,600 --> 01:02:03,920
Speaker 4: of a funny title. I know it doesn't carry the

1329
01:02:03,920 --> 01:02:06,600
Speaker 4: weight of you know, president, and I know that, and

1330
01:02:06,640 --> 01:02:09,760
Speaker 4: I know that it's an important job of course, oh god.

1331
01:02:09,480 --> 01:02:13,000
Speaker 1: Yeah, but tell me exactly what the mayor can and

1332
01:02:13,040 --> 01:02:15,120
Speaker 1: can't do, because I can run it.

1333
01:02:15,280 --> 01:02:18,280
Speaker 4: Over with But the mayor is not in charge of

1334
01:02:18,320 --> 01:02:21,400
Speaker 4: the subway. Well that's like an independent of.

1335
01:02:22,920 --> 01:02:28,360
Speaker 1: I'm just like, what what can we what can the

1336
01:02:28,400 --> 01:02:30,640
Speaker 1: mayor actually change? Why is he not just like the

1337
01:02:30,680 --> 01:02:32,480
Speaker 1: CEO of the city. Why can't he and why did

1338
01:02:32,520 --> 01:02:33,520
Speaker 1: you just say he.

1339
01:02:34,720 --> 01:02:48,160
Speaker 2: Because wow, let's unpack? Unpack? And is the mayor a rapper? George?

1340
01:02:49,760 --> 01:02:51,480
Speaker 1: I mean, I do think Zorn is not ect. I

1341
01:02:51,520 --> 01:02:53,480
Speaker 1: guess he's maybe like chance the rapper.

1342
01:02:55,120 --> 01:02:58,680
Speaker 4: Didn't he requested Kim Tetris. That was going, Yeah, that's

1343
01:02:58,840 --> 01:03:01,400
Speaker 4: like I mean, I gotta all from Grace happening soon.

1344
01:03:01,440 --> 01:03:01,960
Speaker 2: No, it's not.

1345
01:03:02,080 --> 01:03:05,080
Speaker 1: I'm like he I was like, this selection needs to

1346
01:03:05,080 --> 01:03:08,480
Speaker 1: happen soon because this this shtick is not lasting much

1347
01:03:08,560 --> 01:03:11,960
Speaker 1: like I get it. He's charmed everyone, he's charmed me,

1348
01:03:12,040 --> 01:03:15,200
Speaker 1: but like we are one week away from everyone turning.

1349
01:03:15,960 --> 01:03:18,880
Speaker 4: Yeah happens, that's it happens with social media.

1350
01:03:18,880 --> 01:03:21,480
Speaker 1: Thing, with social media. He is ultimately an influencer. He's

1351
01:03:21,520 --> 01:03:24,840
Speaker 1: our first influencer. Mayor at last, at last, thank god,

1352
01:03:24,960 --> 01:03:28,520
Speaker 1: at last. The branding is on point. No notes from George.

1353
01:03:30,480 --> 01:03:35,160
Speaker 2: Creative direction was to die. Oh he had his baba.

1354
01:03:35,280 --> 01:03:36,360
Speaker 2: He has no more creative direction.

1355
01:03:38,360 --> 01:03:38,760
Speaker 4: Baba.

1356
01:03:41,960 --> 01:03:45,600
Speaker 3: So in terms of musical theater, Oh right, that's what

1357
01:03:45,880 --> 01:03:47,120
Speaker 3: I was like, should we wrap up?

1358
01:03:47,240 --> 01:03:47,479
Speaker 1: No?

1359
01:03:47,240 --> 01:03:48,240
Speaker 4: No, I want to know.

1360
01:03:48,640 --> 01:03:51,000
Speaker 2: I want to know, like like so that sounds like

1361
01:03:51,040 --> 01:03:51,520
Speaker 2: the beginning.

1362
01:03:52,840 --> 01:03:55,640
Speaker 1: I want to know what is the straightest musical?

1363
01:03:57,720 --> 01:04:00,520
Speaker 2: I mean, what's the musical?

1364
01:04:00,680 --> 01:04:04,320
Speaker 4: No, Wicked is pretty straight to me, but let's let's

1365
01:04:04,320 --> 01:04:07,040
Speaker 4: do like a non monolith non like it's been running

1366
01:04:07,040 --> 01:04:09,920
Speaker 4: for twenty years, you know, like what's the straightest you know, like.

1367
01:04:09,920 --> 01:04:11,480
Speaker 1: You a non monolith?

1368
01:04:11,640 --> 01:04:14,280
Speaker 4: Yeah, like as the straightest musical because all of those

1369
01:04:14,320 --> 01:04:16,640
Speaker 4: are like they've all been because they're just for tourists.

1370
01:04:16,760 --> 01:04:19,240
Speaker 1: Sure, sure, sure, sure, no offense. But even of those,

1371
01:04:19,400 --> 01:04:22,520
Speaker 1: like as Phantom straight, I feel.

1372
01:04:22,240 --> 01:04:28,000
Speaker 4: Like Phantom's gayer than Wicked because Phantom is about a

1373
01:04:28,040 --> 01:04:30,760
Speaker 4: masked man who's obsessed with an opera singer completely and

1374
01:04:30,800 --> 01:04:33,400
Speaker 4: he takes her down to his foggy little land and

1375
01:04:33,440 --> 01:04:34,680
Speaker 4: what just wants her to sing.

1376
01:04:34,960 --> 01:04:38,520
Speaker 1: I almost I almost think dial Worship step A Worship

1377
01:04:38,680 --> 01:04:41,280
Speaker 1: is Mama Mia straight Mom and Mia.

1378
01:04:41,200 --> 01:04:43,880
Speaker 4: Even though obviously it's very gay, Like, I think that's

1379
01:04:43,880 --> 01:04:44,480
Speaker 4: pretty straight.

1380
01:04:44,840 --> 01:04:46,840
Speaker 2: I will say. I mean I've only seen the film,

1381
01:04:47,040 --> 01:04:50,480
Speaker 2: but that was kind of horny to me, Mama.

1382
01:04:50,280 --> 01:04:54,280
Speaker 3: Miah, Yeah, Dad, they're all like three guys and doesn't

1383
01:04:54,800 --> 01:04:56,480
Speaker 3: like I'm Nola's.

1384
01:04:59,200 --> 01:04:59,880
Speaker 1: Being Nola.

1385
01:05:00,720 --> 01:05:02,360
Speaker 4: No, it's very horny.

1386
01:05:02,520 --> 01:05:03,920
Speaker 2: I was like, you're allowed to say this.

1387
01:05:04,200 --> 01:05:08,200
Speaker 4: Yeah, And then like they're all like all the young

1388
01:05:08,280 --> 01:05:10,640
Speaker 4: chorus people are like in swimsuits the whole time. Yeah,

1389
01:05:11,320 --> 01:05:13,200
Speaker 4: they're singing like kind of naked.

1390
01:05:13,360 --> 01:05:17,640
Speaker 1: Loads are gonna fine me, I will not refuse.

1391
01:05:21,040 --> 01:05:22,200
Speaker 4: You must love it because of Greek.

1392
01:05:22,760 --> 01:05:23,320
Speaker 1: I do love it.

1393
01:05:23,400 --> 01:05:24,840
Speaker 2: Yeah, did you see yourself in that? I?

1394
01:05:25,240 --> 01:05:26,440
Speaker 1: Yes, I absolutely did.

1395
01:05:26,520 --> 01:05:28,200
Speaker 4: Do you love sister? Heard of the Traveling pants because

1396
01:05:28,240 --> 01:05:33,320
Speaker 4: of Greek Oh yes, so I never saw that until

1397
01:05:33,440 --> 01:05:35,320
Speaker 4: like I want to say, like five years ago on

1398
01:05:35,360 --> 01:05:35,800
Speaker 4: a plane.

1399
01:05:35,880 --> 01:05:36,520
Speaker 2: Oh my god.

1400
01:05:36,640 --> 01:05:39,240
Speaker 4: And I was entranced. The best.

1401
01:05:41,480 --> 01:05:42,640
Speaker 2: No, that is the best.

1402
01:05:43,360 --> 01:05:46,520
Speaker 4: And they're all beautiful. For the girl, I was just like,

1403
01:05:46,840 --> 01:05:48,240
Speaker 4: look at these beautiful.

1404
01:05:47,920 --> 01:05:50,440
Speaker 1: It is like genuinely inspiring that they're all different and

1405
01:05:50,440 --> 01:05:52,480
Speaker 1: can be friends. I'm like, yeah, and the.

1406
01:05:52,480 --> 01:05:56,400
Speaker 3: Pants fit, the pants fit folks and.

1407
01:05:56,960 --> 01:06:01,040
Speaker 4: So and what's the Gilmore girl alex Plaut when she

1408
01:06:01,040 --> 01:06:04,000
Speaker 4: she that was filmed, that was I was not stupid, right,

1409
01:06:04,000 --> 01:06:07,480
Speaker 4: that was filmed in Greece. Yes, I'm like that gig.

1410
01:06:07,600 --> 01:06:10,560
Speaker 1: I know just has to play soccer.

1411
01:06:10,640 --> 01:06:13,720
Speaker 4: I get to make out with a hot guy in Greece. Yeah,

1412
01:06:13,760 --> 01:06:15,919
Speaker 4: I'll take that firstus like, yeah, like.

1413
01:06:16,160 --> 01:06:21,080
Speaker 1: Babysitting literally, other girls are I'm babysitting, I'm playing soccer

1414
01:06:21,160 --> 01:06:23,800
Speaker 1: and literally I'm being fat shamed. Yeah, those are those

1415
01:06:23,800 --> 01:06:26,120
Speaker 1: are the other three. And then by super.

1416
01:06:25,840 --> 01:06:28,000
Speaker 4: Stepmom and then she said I'll go to Greece and

1417
01:06:28,280 --> 01:06:31,640
Speaker 4: like funk like, sign me up and I'll do the

1418
01:06:31,680 --> 01:06:35,120
Speaker 4: sequel to Bitch. I love it.

1419
01:06:35,320 --> 01:06:36,760
Speaker 2: Good for her, Good for her.

1420
01:06:38,040 --> 01:06:41,840
Speaker 1: They should do that for gay guys. The Traveling Pants

1421
01:06:41,880 --> 01:06:45,760
Speaker 1: the Traveling Jockstrap, Traveling Jockstraps guys. And it's like we

1422
01:06:45,800 --> 01:06:48,960
Speaker 1: did a Lake Home High plot that was I was

1423
01:06:48,960 --> 01:06:49,160
Speaker 1: in it.

1424
01:06:49,200 --> 01:06:49,800
Speaker 2: I think you were.

1425
01:06:50,480 --> 01:06:57,440
Speaker 4: It was like, Hi, at the Annoyance r I P alright,

1426
01:06:57,480 --> 01:07:01,800
Speaker 4: p Brooklyn Annoyance, Brooklyn annoyance, Fast of Chicago at Last

1427
01:07:02,840 --> 01:07:05,480
Speaker 4: sour crowd on the hot dogs or no, that's not no, No,

1428
01:07:05,520 --> 01:07:07,800
Speaker 4: it's hot peppers and mustard, Hot peppers and must and

1429
01:07:07,800 --> 01:07:12,720
Speaker 4: a pickle. Of course. Of course, boys Town, that's the

1430
01:07:12,720 --> 01:07:17,360
Speaker 4: best of the three of Hell's Kitchen, Boystown, West Hollywood,

1431
01:07:17,400 --> 01:07:20,400
Speaker 4: West Hollywood or the Castro still.

1432
01:07:20,240 --> 01:07:24,040
Speaker 1: Okay, it's gonna be voice anything I would say. I mean,

1433
01:07:24,040 --> 01:07:25,680
Speaker 1: I would certainly say West Hollywood is dead.

1434
01:07:25,560 --> 01:07:27,840
Speaker 2: Last fuck.

1435
01:07:29,600 --> 01:07:31,200
Speaker 4: And I guess I guess like dead.

1436
01:07:31,440 --> 01:07:35,000
Speaker 1: I would maybe do the last, maybe do Boystown. Then

1437
01:07:35,200 --> 01:07:37,320
Speaker 1: casts as a.

1438
01:07:37,040 --> 01:07:40,240
Speaker 2: Cast there's an old there's an old school charm like Castro.

1439
01:07:40,440 --> 01:07:42,520
Speaker 1: You always think it's going to be more basic than

1440
01:07:42,600 --> 01:07:44,560
Speaker 1: it is. It actually like is fun.

1441
01:07:44,760 --> 01:07:48,840
Speaker 3: I would actually like sex positives, fun, sex positive, sick.

1442
01:07:50,120 --> 01:07:53,080
Speaker 3: I mean serious, there's naked men, Yes, there's n and

1443
01:07:53,080 --> 01:07:55,800
Speaker 3: also you think, I guess San Francisco is all like

1444
01:07:56,640 --> 01:07:58,720
Speaker 3: or over the last few years has been all like

1445
01:07:59,640 --> 01:08:02,560
Speaker 3: annoying tech transplants. You think that's what the cash is

1446
01:08:02,600 --> 01:08:04,160
Speaker 3: going to be, but then it's like you'll see like

1447
01:08:04,160 --> 01:08:06,520
Speaker 3: a sort of leathery old gay couple walking around.

1448
01:08:06,560 --> 01:08:07,280
Speaker 2: You're like, okay, great.

1449
01:08:07,440 --> 01:08:10,800
Speaker 4: And I also the bars, you know how like West

1450
01:08:10,800 --> 01:08:12,840
Speaker 4: Hollywood and even Hell's Kitchen, they have just sort of

1451
01:08:12,840 --> 01:08:15,840
Speaker 4: the like like click art gay bar. Yeah, I feel

1452
01:08:16,080 --> 01:08:17,920
Speaker 4: but I like Michael and I were there in December

1453
01:08:18,000 --> 01:08:20,080
Speaker 4: January or something, and they have there's like a bar

1454
01:08:20,160 --> 01:08:22,000
Speaker 4: that like feels like an old ship and there's like

1455
01:08:22,000 --> 01:08:24,240
Speaker 4: a big fish yeah you know, and you're like, Okay,

1456
01:08:24,240 --> 01:08:26,840
Speaker 4: this is not like yeah, it's not just yeah, like.

1457
01:08:27,560 --> 01:08:29,840
Speaker 1: They've maintained it. I mean a lot of it has.

1458
01:08:29,840 --> 01:08:32,000
Speaker 4: Where do where do like the gay guys that live

1459
01:08:32,000 --> 01:08:34,559
Speaker 4: in San Francisco like go though, I mean it depends

1460
01:08:34,600 --> 01:08:39,040
Speaker 4: there's like well tell me, depends on what the day.

1461
01:08:39,200 --> 01:08:41,760
Speaker 1: I mean, I like el Rio, have you been? By

1462
01:08:41,800 --> 01:08:43,960
Speaker 1: the way, all my references for anyone listening are fifteen

1463
01:08:44,040 --> 01:08:46,720
Speaker 1: years old, so don't write in Okay, I need a.

1464
01:08:46,720 --> 01:08:47,320
Speaker 2: Hole in the wall.

1465
01:08:47,560 --> 01:08:50,160
Speaker 1: Hole in the wall. Okay, see I don't really like

1466
01:08:50,200 --> 01:08:51,040
Speaker 1: hold the wall, no offense.

1467
01:08:51,240 --> 01:08:52,400
Speaker 2: I go to the leather spots.

1468
01:08:52,479 --> 01:08:54,200
Speaker 4: Oh it's not I know you.

1469
01:08:55,640 --> 01:08:57,920
Speaker 1: When I was living there in you know again fifteen

1470
01:08:57,960 --> 01:09:03,879
Speaker 1: years ago, I liked del Rio. I mean the stud

1471
01:09:04,200 --> 01:09:06,120
Speaker 1: was like a yeah, I've heard of that place.

1472
01:09:08,040 --> 01:09:10,479
Speaker 2: Cool San Francis. Listeners are screaming like.

1473
01:09:10,439 --> 01:09:12,200
Speaker 4: It's They're like, those are all wrong.

1474
01:09:13,000 --> 01:09:17,120
Speaker 2: Problem, We're all going to splash.

1475
01:09:16,439 --> 01:09:23,400
Speaker 4: Splash, Splash New York. I was, let's hear it, New Splash.

1476
01:09:23,439 --> 01:09:24,040
Speaker 4: You stupid?

1477
01:09:24,479 --> 01:09:28,639
Speaker 3: Oh do you like to I do like to date

1478
01:09:29,200 --> 01:09:32,280
Speaker 3: oneself through knowing which gay bars were around when. Yeah,

1479
01:09:32,320 --> 01:09:34,360
Speaker 3: like the fact that I was alive.

1480
01:09:34,240 --> 01:09:36,320
Speaker 2: When sugar Land was alive. Sugar Land, I'm like, I'm

1481
01:09:36,320 --> 01:09:37,000
Speaker 2: one hundred.

1482
01:09:36,760 --> 01:09:38,040
Speaker 4: Wait do you remember Love Gun?

1483
01:09:39,040 --> 01:09:40,440
Speaker 2: Do I remember.

1484
01:09:43,760 --> 01:09:48,200
Speaker 1: The Podcarver the TikTok Old gaze where they're like literally

1485
01:09:48,200 --> 01:09:50,559
Speaker 1: reminiscing about like what the remember like.

1486
01:09:50,479 --> 01:09:55,519
Speaker 4: A barbershop quartet, Respect your Elders Honey, Darling Gun was open.

1487
01:09:56,479 --> 01:09:58,320
Speaker 1: We had to record an ad for the Old Gays

1488
01:09:58,400 --> 01:10:02,639
Speaker 1: podcast that started with Respect your Elders Honey.

1489
01:10:03,920 --> 01:10:06,280
Speaker 2: People were making fun of us. They should.

1490
01:10:08,200 --> 01:10:10,320
Speaker 1: No one point. I had to record it and I

1491
01:10:10,360 --> 01:10:11,720
Speaker 1: sent in the file and then I got any of

1492
01:10:11,720 --> 01:10:13,559
Speaker 1: the back that was like this file doesn't open. I

1493
01:10:13,560 --> 01:10:15,519
Speaker 1: never responded, this found isn't open this fold?

1494
01:10:15,560 --> 01:10:16,519
Speaker 4: Is it upen? Due to bigotry?

1495
01:10:16,600 --> 01:10:17,320
Speaker 2: Yeah?

1496
01:10:17,680 --> 01:10:20,240
Speaker 3: No, love gun was so they were bussing in gay

1497
01:10:20,240 --> 01:10:22,880
Speaker 3: guys from Hell's Kitchen to Brooklyn because they didn't think

1498
01:10:22,880 --> 01:10:24,240
Speaker 3: Brooklyn gay guys mattered.

1499
01:10:24,320 --> 01:10:25,880
Speaker 1: I don't like they do with animal.

1500
01:10:27,240 --> 01:10:29,040
Speaker 2: No. But they were literally paying for buses.

1501
01:10:29,280 --> 01:10:35,920
Speaker 4: But it was so crazy Mamdannie and peoples from Healths

1502
01:10:35,960 --> 01:10:37,400
Speaker 4: Kitchen to Williams Bat's.

1503
01:10:37,400 --> 01:10:40,160
Speaker 3: So I voted and then everyone hated it so much

1504
01:10:40,160 --> 01:10:41,720
Speaker 3: because Brooklyn was not in a place where they were

1505
01:10:41,720 --> 01:10:42,320
Speaker 3: ready for a place with.

1506
01:10:42,320 --> 01:10:42,920
Speaker 2: The cover yet.

1507
01:10:43,000 --> 01:10:45,000
Speaker 4: Yeah, and it was it was like twenty dollars cop.

1508
01:10:44,920 --> 01:10:46,439
Speaker 2: It was crazy. Wait one and by the way, this

1509
01:10:46,640 --> 01:10:48,720
Speaker 2: was nineteen eighty two, nineteen eighty two.

1510
01:10:49,120 --> 01:10:52,920
Speaker 4: And then so then within just from the first track,

1511
01:10:53,160 --> 01:10:54,800
Speaker 4: Madonna was a name I was just hearing.

1512
01:10:55,880 --> 01:10:58,839
Speaker 1: So then that's when I fisted Larry Kramer.

1513
01:10:59,720 --> 01:11:02,479
Speaker 2: All gonna stopped going like within two weeks.

1514
01:11:03,000 --> 01:11:04,559
Speaker 4: I remember, it was like, oh, there's a new place,

1515
01:11:04,640 --> 01:11:06,280
Speaker 4: let's all go. We all went, We're like this sucks,

1516
01:11:06,320 --> 01:11:07,400
Speaker 4: and we supped this.

1517
01:11:07,600 --> 01:11:09,680
Speaker 3: Then they stopped charging the cover. Yeah, and then I

1518
01:11:09,760 --> 01:11:13,599
Speaker 3: start going every single weekend. There's approximately three people inside,

1519
01:11:13,640 --> 01:11:16,080
Speaker 3: and I'm like, this is my favorite bar on then

1520
01:11:16,640 --> 01:11:16,920
Speaker 3: and this.

1521
01:11:16,880 --> 01:11:18,960
Speaker 4: Is how you know death Now they started filming web

1522
01:11:19,040 --> 01:11:19,879
Speaker 4: series there.

1523
01:11:20,240 --> 01:11:21,040
Speaker 2: And even porn.

1524
01:11:21,080 --> 01:11:23,680
Speaker 4: Oh yeah, porn, because I remember, like you know, in

1525
01:11:23,720 --> 01:11:26,800
Speaker 4: my research I saw the big love gun sign like

1526
01:11:26,840 --> 01:11:28,000
Speaker 4: in a porn I was like, oh my god, like

1527
01:11:28,040 --> 01:11:29,080
Speaker 4: sending it to everyone, like.

1528
01:11:32,120 --> 01:11:34,799
Speaker 3: They would charge you different prices for drinks, like depending

1529
01:11:34,840 --> 01:11:36,360
Speaker 3: on their mood, because they were like, oh, this place

1530
01:11:36,479 --> 01:11:37,120
Speaker 3: doesn't matter.

1531
01:11:37,280 --> 01:11:39,920
Speaker 4: That was very this and that too rip and that

1532
01:11:39,960 --> 01:11:42,280
Speaker 4: was totally different. That was like a real that was real,

1533
01:11:42,320 --> 01:11:44,280
Speaker 4: that had real Brooklyn, that had an energy. And remember

1534
01:11:44,280 --> 01:11:45,680
Speaker 4: when it's a comedy theater before it was this and

1535
01:11:45,720 --> 01:11:50,439
Speaker 4: that the cove. I did improv there too, great failure.

1536
01:11:52,880 --> 01:11:54,040
Speaker 2: Wow, it's fun to reminisce.

1537
01:11:54,520 --> 01:11:56,479
Speaker 1: Yeah, that was really fun. You were here for this

1538
01:11:56,560 --> 01:12:00,600
Speaker 1: and I wasn't here. Pat Reagan's first gay bar was

1539
01:12:00,640 --> 01:12:03,679
Speaker 1: this and not Whoa Sadly during that time, I've probably

1540
01:12:03,680 --> 01:12:06,200
Speaker 1: lived in Boston, which I've also lived in Boston, I

1541
01:12:06,280 --> 01:12:08,559
Speaker 1: must say, did you were you a club cafe queen?

1542
01:12:09,000 --> 01:12:09,640
Speaker 4: Uh?

1543
01:12:09,720 --> 01:12:11,439
Speaker 1: Yeah, the worst gay bars I've ever been to to

1544
01:12:11,439 --> 01:12:12,360
Speaker 1: offense love Boston.

1545
01:12:12,439 --> 01:12:13,920
Speaker 4: I didn't go out that much because I was like

1546
01:12:13,960 --> 01:12:16,280
Speaker 4: eighteen to twenty two years old and poor.

1547
01:12:16,360 --> 01:12:19,160
Speaker 1: That's where your conservatory was, Yes, the Boston Conservatory. Boston

1548
01:12:19,160 --> 01:12:21,519
Speaker 1: Conservatory sort of a gay bar in and of itself.

1549
01:12:21,680 --> 01:12:28,679
Speaker 4: Absolutely, Yeah, Okay, we should do our final segment.

1550
01:12:28,960 --> 01:12:32,760
Speaker 2: Okay, I'm not asking anymore. I'm not asking for me.

1551
01:12:32,920 --> 01:12:43,599
Speaker 4: She's got her mommy pants on, mommy's mad, mommy's mad

1552
01:12:43,640 --> 01:12:44,680
Speaker 4: at her boys.

1553
01:12:45,360 --> 01:12:51,559
Speaker 2: She's mommy pants. Let's do it, you know, my little

1554
01:12:51,560 --> 01:12:56,960
Speaker 2: segment way the way that what you know, it's I'm

1555
01:12:57,000 --> 01:13:00,920
Speaker 2: so excited for you in your future. What's lots of it.

1556
01:13:03,160 --> 01:13:06,120
Speaker 1: I'm so excited for you and your time. Talk about

1557
01:13:06,160 --> 01:13:08,880
Speaker 1: mommy pants for you were dropping you off, we were

1558
01:13:08,960 --> 01:13:10,320
Speaker 1: dropping you off at Bassar.

1559
01:13:10,600 --> 01:13:12,680
Speaker 4: You're gonna be somebody one day when you are a

1560
01:13:12,720 --> 01:13:14,320
Speaker 4: fifty five year old gay guy.

1561
01:13:14,840 --> 01:13:20,400
Speaker 3: It is over four, Like when you are like like

1562
01:13:20,920 --> 01:13:23,200
Speaker 3: you've been drunk for like eight hours straight and it's

1563
01:13:23,360 --> 01:13:24,800
Speaker 3: seven pm.

1564
01:13:24,320 --> 01:13:27,000
Speaker 2: And you're like, someone's got our mommy pants on. So

1565
01:13:27,040 --> 01:13:29,200
Speaker 2: you think to be an alcoholic, you're.

1566
01:13:29,000 --> 01:13:31,760
Speaker 1: Gonna be the Drew Drogan character from the play.

1567
01:13:31,800 --> 01:13:33,799
Speaker 3: I just think if you want to like make a splash,

1568
01:13:33,840 --> 01:13:35,680
Speaker 3: you do need to be an alcoholic. You you do

1569
01:13:35,800 --> 01:13:37,679
Speaker 3: need to find it within you. I know it's gonna

1570
01:13:37,680 --> 01:13:40,200
Speaker 3: be hard on your body, but that's what the theater

1571
01:13:40,240 --> 01:13:40,640
Speaker 3: trainings for.

1572
01:13:41,280 --> 01:13:44,720
Speaker 4: It's just training for eight shows a week. Eight drink tonight.

1573
01:13:47,080 --> 01:13:50,599
Speaker 2: Because those little things. Imagine a twenty two year old

1574
01:13:50,600 --> 01:13:51,000
Speaker 2: hearing that.

1575
01:13:52,600 --> 01:13:55,559
Speaker 4: I'm dad. Wait, can I tell a story please? I

1576
01:13:55,560 --> 01:13:57,320
Speaker 4: don't know if this is allowed to be told. I

1577
01:13:57,360 --> 01:13:59,679
Speaker 4: heard this third hand from somebody who was there. Someone

1578
01:13:59,720 --> 01:14:03,400
Speaker 4: was also about James Cordon. No, no, somebody was at

1579
01:14:03,680 --> 01:14:07,559
Speaker 4: a one of our mutual friends. Who was that Fire

1580
01:14:07,680 --> 01:14:10,800
Speaker 4: Island Like rich gay guy old.

1581
01:14:11,000 --> 01:14:13,120
Speaker 1: Rich gay guy old likes.

1582
01:14:12,960 --> 01:14:16,639
Speaker 4: To invite youth over and like have dinner and like

1583
01:14:16,720 --> 01:14:19,599
Speaker 4: you know, like be fancy, have cocktails and then like

1584
01:14:19,640 --> 01:14:21,040
Speaker 4: you know, tell them about the past. That's sort of

1585
01:14:21,080 --> 01:14:23,240
Speaker 4: like the toll you pay. But but it's a nice

1586
01:14:23,240 --> 01:14:24,880
Speaker 4: house and but everybody likes to go, Oh.

1587
01:14:24,800 --> 01:14:25,559
Speaker 1: I know that.

1588
01:14:25,840 --> 01:14:26,040
Speaker 2: Yeah.

1589
01:14:26,080 --> 01:14:27,920
Speaker 4: Yeah, I'm sure it's like the one house that has them.

1590
01:14:27,960 --> 01:14:28,840
Speaker 4: I'm sure you paid the toll.

1591
01:14:29,320 --> 01:14:32,040
Speaker 1: Oh I paid. Anyways, no one wanted me. They said,

1592
01:14:32,120 --> 01:14:33,519
Speaker 1: we don't. We can't tell if you're older. Young.

1593
01:14:34,680 --> 01:14:38,240
Speaker 4: Our friend was there, and also the actor actor Andrew

1594
01:14:38,240 --> 01:14:40,720
Speaker 4: Scott was there, Okay, and then some guy was there

1595
01:14:40,760 --> 01:14:43,040
Speaker 4: with his like young. I'm just throwing in the age

1596
01:14:43,080 --> 01:14:44,760
Speaker 4: twenty two, but let's just say twenties. I don't know

1597
01:14:44,760 --> 01:14:49,000
Speaker 4: how old this person was. This young boyfriend was there,

1598
01:14:49,200 --> 01:14:52,280
Speaker 4: and the young boyfriend is in a Broadway musical, like

1599
01:14:52,320 --> 01:14:56,080
Speaker 4: in the chorus of a Broadway musical, finds out Andrew

1600
01:14:56,080 --> 01:14:59,799
Speaker 4: Scott is an actor, was like, oh, you're an actor already,

1601
01:14:59,840 --> 01:15:02,080
Speaker 4: Like hilarious. I was like, what are you in? And

1602
01:15:02,120 --> 01:15:03,960
Speaker 4: this is when he was in Vanya. He's like, I'm

1603
01:15:03,960 --> 01:15:06,680
Speaker 4: in Vanya and they were like, where's that and he's like,

1604
01:15:06,720 --> 01:15:08,960
Speaker 4: it's that the Lucy allerts out never heard of it.

1605
01:15:10,040 --> 01:15:13,759
Speaker 4: And then they're like, I'm on Broadway. Then then okay.

1606
01:15:13,840 --> 01:15:18,120
Speaker 4: Then the queer elder is telling their their story and

1607
01:15:18,160 --> 01:15:21,639
Speaker 4: they're talking about the AIDS epidemic and they're talking about

1608
01:15:21,640 --> 01:15:24,240
Speaker 4: how when your answering machine was full, you knew like

1609
01:15:24,320 --> 01:15:26,800
Speaker 4: oh one of your friends got it. And so he's

1610
01:15:26,840 --> 01:15:30,200
Speaker 4: like that's so bad. He's like, I walk home and

1611
01:15:30,200 --> 01:15:32,519
Speaker 4: my answering machine's full and I'll never forget the day

1612
01:15:32,520 --> 01:15:33,960
Speaker 4: and I'm just making up a day. He's like, I'll

1613
01:15:34,000 --> 01:15:35,760
Speaker 4: never forget the day. It was like April second, nineteen

1614
01:15:35,840 --> 01:15:38,400
Speaker 4: ninety one. Evan, the kid goes, that's my sister's birthday.

1615
01:15:44,280 --> 01:15:45,880
Speaker 4: That is so good.

1616
01:15:46,600 --> 01:15:47,679
Speaker 1: That is crazy.

1617
01:15:47,720 --> 01:15:49,040
Speaker 4: I want to give credit to the person who told

1618
01:15:49,040 --> 01:15:50,800
Speaker 4: me the story, but I don't want to in case

1619
01:15:50,840 --> 01:15:55,200
Speaker 4: they don't want for everyone to know. They're DM Aaron

1620
01:15:55,280 --> 01:15:58,280
Speaker 4: for the credit. But who I know who told me

1621
01:15:58,320 --> 01:16:00,840
Speaker 4: the story? And it's your story. I'm telling him.

1622
01:16:00,960 --> 01:16:05,040
Speaker 1: My god, Wow, that is legendary.

1623
01:16:07,280 --> 01:16:10,760
Speaker 2: That's nice. That's nice. I love the youth. No, it's

1624
01:16:10,760 --> 01:16:11,759
Speaker 2: just always gonna happen.

1625
01:16:12,040 --> 01:16:14,360
Speaker 1: Yeah, and that was us. No, for sure, you know,

1626
01:16:14,520 --> 01:16:15,320
Speaker 1: mere decades ago.

1627
01:16:15,400 --> 01:16:17,639
Speaker 4: No, I was never getting invited to a rich gay

1628
01:16:17,640 --> 01:16:20,280
Speaker 4: guys house. I'm still not getting invited to a rich sometimes.

1629
01:16:20,280 --> 01:16:22,120
Speaker 1: Well, the likelihood is not going to increase as you

1630
01:16:22,120 --> 01:16:22,400
Speaker 1: get all.

1631
01:16:22,720 --> 01:16:25,040
Speaker 4: Come on, baby, DM me, I'm hot.

1632
01:16:28,800 --> 01:16:29,960
Speaker 2: Keep up those socials.

1633
01:16:31,160 --> 01:16:31,680
Speaker 1: Socials.

1634
01:16:34,520 --> 01:16:37,080
Speaker 3: Our final segment is called shout Outs, and in this

1635
01:16:37,120 --> 01:16:39,080
Speaker 3: segment we pay a marshals the Grand Strat tradition of

1636
01:16:39,080 --> 01:16:41,400
Speaker 3: the radio shout out, shouting out anything people place, these

1637
01:16:41,400 --> 01:16:42,679
Speaker 3: things ideas that we are enjoying.

1638
01:16:43,320 --> 01:16:44,760
Speaker 2: I have one off the top of.

1639
01:16:44,760 --> 01:16:49,040
Speaker 3: My head, what is up freak exclosers and most importantly,

1640
01:16:49,040 --> 01:16:51,160
Speaker 3: perverts around the globe. I would like to give a

1641
01:16:51,240 --> 01:16:53,160
Speaker 3: huge shout out to Alexis Bladell.

1642
01:16:53,960 --> 01:16:57,280
Speaker 4: I don't know why I feel such strong feelings about

1643
01:16:57,320 --> 01:17:00,439
Speaker 4: Alexis Bladell. I feel that she is my cousin.

1644
01:17:00,520 --> 01:17:03,280
Speaker 3: I won't say sister, but there's something about her that

1645
01:17:03,320 --> 01:17:04,759
Speaker 3: I'm like, we grew up together.

1646
01:17:05,160 --> 01:17:06,080
Speaker 2: We either went to.

1647
01:17:06,040 --> 01:17:09,840
Speaker 4: School together, or we are cousins. There is something so

1648
01:17:10,160 --> 01:17:13,519
Speaker 4: familial about Alexis Bladell. And whenever she gets a roll,

1649
01:17:13,600 --> 01:17:16,519
Speaker 4: I'm like, damn, she did that. And whenever she doesn't

1650
01:17:16,520 --> 01:17:18,439
Speaker 4: get a roll, I'm like, I'm so glad she's like

1651
01:17:18,560 --> 01:17:22,920
Speaker 4: taking a break, Like Alexis Bladell to me, you know

1652
01:17:23,120 --> 01:17:26,240
Speaker 4: she is going to I can't wait till she's older.

1653
01:17:26,400 --> 01:17:30,200
Speaker 3: Because she's fit me five. She's gonna have an amazing life,

1654
01:17:30,240 --> 01:17:32,680
Speaker 3: an amazing career. And I think she's already made a

1655
01:17:32,760 --> 01:17:34,760
Speaker 3: huge impact on the culture. And I think she has

1656
01:17:34,800 --> 01:17:37,320
Speaker 3: been happy and healthy the entire time. And I know

1657
01:17:37,439 --> 01:17:40,000
Speaker 3: because I'm an EmPATH and she is my cousin. So

1658
01:17:40,080 --> 01:17:42,719
Speaker 3: shout out to Alexa Pladell. I don't know how related,

1659
01:17:42,720 --> 01:17:43,240
Speaker 3: but it doesn't.

1660
01:17:43,280 --> 01:17:45,240
Speaker 2: I just feel it. XXO. Sam.

1661
01:17:45,400 --> 01:17:49,639
Speaker 4: Who do you think they'll do a reboot?

1662
01:17:49,760 --> 01:17:52,040
Speaker 1: They already did, but she's the mom though, oh that.

1663
01:17:52,040 --> 01:17:54,280
Speaker 4: I don't know, and then have a precocious daughter of

1664
01:17:54,280 --> 01:17:54,639
Speaker 4: her own.

1665
01:17:55,920 --> 01:17:58,320
Speaker 2: She should have a fucked up crazy daughter with addiction.

1666
01:17:58,439 --> 01:18:02,040
Speaker 1: It should be should be a mom on Euphoria Day

1667
01:18:02,320 --> 01:18:04,960
Speaker 1: with the drugs. Oh yeah, her daughter should be in

1668
01:18:05,040 --> 01:18:05,559
Speaker 1: Day Heroin.

1669
01:18:06,120 --> 01:18:07,680
Speaker 4: I can't wait for a season three D four.

1670
01:18:07,800 --> 01:18:08,360
Speaker 2: I can't wait.

1671
01:18:08,400 --> 01:18:09,080
Speaker 4: It's gonna be that.

1672
01:18:09,320 --> 01:18:12,200
Speaker 1: It's all gonna be in there forties, I fully.

1673
01:18:12,080 --> 01:18:13,559
Speaker 2: Brand new cat, like what's going on?

1674
01:18:13,600 --> 01:18:14,200
Speaker 4: I can't wait.

1675
01:18:14,200 --> 01:18:15,080
Speaker 2: It's gonna be a game.

1676
01:18:14,920 --> 01:18:17,439
Speaker 4: Show since as a host.

1677
01:18:17,479 --> 01:18:18,200
Speaker 1: It's on Quibbie.

1678
01:18:18,600 --> 01:18:21,280
Speaker 4: She's relapsing through the Price Aday.

1679
01:18:21,400 --> 01:18:22,479
Speaker 2: It's like Joker three.

1680
01:18:24,200 --> 01:18:27,519
Speaker 1: She's relapsing and doing the prices right. It's about her.

1681
01:18:27,560 --> 01:18:30,360
Speaker 1: It's the comeback, come back, but it's but it's in

1682
01:18:30,439 --> 01:18:32,840
Speaker 1: Day instead of Lisa Gutro. She's doing a reality show

1683
01:18:32,840 --> 01:18:35,000
Speaker 1: about how She's like, I can't wait about how season

1684
01:18:35,040 --> 01:18:36,680
Speaker 1: three of Before it keeps getting rescheduled.

1685
01:18:36,960 --> 01:18:39,800
Speaker 2: That's gonna be good. Yeah, I can't wait.

1686
01:18:42,120 --> 01:18:44,080
Speaker 1: Let's up Breaks and Losers. I want to give a

1687
01:18:44,120 --> 01:18:48,280
Speaker 1: shout out to I'm gonna say it. I want to

1688
01:18:48,280 --> 01:18:50,000
Speaker 1: give a shout out to our friend Rachel Sennet.

1689
01:18:52,160 --> 01:18:53,200
Speaker 2: You did that.

1690
01:18:54,160 --> 01:18:55,840
Speaker 1: I am so I am proud of her like a

1691
01:18:55,920 --> 01:18:58,599
Speaker 1: father is proud of his daughter, a cousin like a cousin,

1692
01:18:58,880 --> 01:19:03,759
Speaker 1: except I do know her personally. Okay, we all I'm saying.

1693
01:19:03,520 --> 01:19:06,400
Speaker 2: On like Aless's, but there's a familiarity, all right.

1694
01:19:07,600 --> 01:19:09,559
Speaker 1: I just want to say, you know, ever, you know,

1695
01:19:09,640 --> 01:19:13,639
Speaker 1: she's funny, she's a great writer, she's extremely hard working,

1696
01:19:13,680 --> 01:19:15,960
Speaker 1: She's done it all. But I want to specifically shout

1697
01:19:15,960 --> 01:19:19,040
Speaker 1: out her acting talents. I think that, like the classical

1698
01:19:19,080 --> 01:19:21,240
Speaker 1: training is really jumping out. I think she is a

1699
01:19:21,560 --> 01:19:24,799
Speaker 1: very gifted actress, which not a lot of these girls

1700
01:19:25,360 --> 01:19:27,040
Speaker 1: can say for themselves. And I think we have to

1701
01:19:27,120 --> 01:19:27,840
Speaker 1: be honest about that.

1702
01:19:27,920 --> 01:19:28,479
Speaker 4: Let's be honest.

1703
01:19:28,520 --> 01:19:31,320
Speaker 1: Let's be honest. But when I'm seeing her, there's things

1704
01:19:31,360 --> 01:19:32,439
Speaker 1: happening up here.

1705
01:19:32,920 --> 01:19:33,240
Speaker 2: She is.

1706
01:19:33,320 --> 01:19:37,080
Speaker 1: It's a completely embodied performance. You might think it's easy

1707
01:19:37,200 --> 01:19:40,960
Speaker 1: to play, you know, a kind of exaggerated version of

1708
01:19:41,040 --> 01:19:43,719
Speaker 1: yourself or something, or you might think that's Rachel's doing wrong.

1709
01:19:44,080 --> 01:19:46,080
Speaker 1: She is doing something that very few people can do,

1710
01:19:46,439 --> 01:19:50,160
Speaker 1: and the Stella Adler is oozing through her veins. And

1711
01:19:50,240 --> 01:19:52,360
Speaker 1: so I just want to say, congrats, Rachel, We're all

1712
01:19:52,439 --> 01:19:54,360
Speaker 1: very proud of you. Here at the Brooklyn all comedy scene.

1713
01:19:54,400 --> 01:20:00,519
Speaker 4: We are, Yeah, I am Josh Sharp. He's a comedian.

1714
01:20:00,560 --> 01:20:01,160
Speaker 1: I don't know him.

1715
01:20:01,280 --> 01:20:02,920
Speaker 2: Josh on the fifteen.

1716
01:20:04,240 --> 01:20:07,559
Speaker 4: Me and him did joke punch ups on that movie Bodies,

1717
01:20:07,600 --> 01:20:10,160
Speaker 4: Bodies Bodies, Oh yeah, And we were doing it before

1718
01:20:10,360 --> 01:20:13,120
Speaker 4: it was cast and then they we were like talking

1719
01:20:13,120 --> 01:20:15,960
Speaker 4: to the people and they're like, oh, we're we're seeing

1720
01:20:16,120 --> 01:20:19,200
Speaker 4: Rachel Senate for this one part. And I'm not claiming

1721
01:20:19,200 --> 01:20:20,559
Speaker 4: that I had anything to do with her getting that part,

1722
01:20:20,560 --> 01:20:22,960
Speaker 4: but we were like, you have to, you have to

1723
01:20:23,000 --> 01:20:25,519
Speaker 4: cast her. And then we just wrote like every joke

1724
01:20:25,760 --> 01:20:28,320
Speaker 4: for that gar yea. Literally like we were like, oh,

1725
01:20:28,479 --> 01:20:30,080
Speaker 4: that it's gonna be a generational talent.

1726
01:20:30,160 --> 01:20:31,040
Speaker 2: And then she of.

1727
01:20:31,000 --> 01:20:33,719
Speaker 4: Course booked it and was so good in that movie.

1728
01:20:33,760 --> 01:20:36,240
Speaker 2: She was really in that movie. It's really good to

1729
01:20:36,240 --> 01:20:36,799
Speaker 2: your turn.

1730
01:20:37,600 --> 01:20:42,160
Speaker 4: Hey, Pigs, Hogs and slop fucks, good to see you all.

1731
01:20:42,760 --> 01:20:47,000
Speaker 4: Something I'm really enjoying these days that I want to

1732
01:20:47,040 --> 01:20:49,960
Speaker 4: shout out and these two can attest is a Gin

1733
01:20:50,160 --> 01:20:55,960
Speaker 4: Martini with olive, but not I'm really I'm I'm really

1734
01:20:55,960 --> 01:20:58,559
Speaker 4: in that bag. I love to have one of those

1735
01:20:59,560 --> 01:21:03,120
Speaker 4: and just feel like I just really feel like that girl.

1736
01:21:03,160 --> 01:21:04,360
Speaker 4: I feel like Margot chanting.

1737
01:21:04,520 --> 01:21:07,439
Speaker 1: I'm really in that bad. I like to have one

1738
01:21:07,479 --> 01:21:07,920
Speaker 1: of those.

1739
01:21:08,960 --> 01:21:15,240
Speaker 4: It's very very it's giving me having one, it's giving

1740
01:21:15,320 --> 01:21:18,840
Speaker 4: to Yeah, I'm loving.

1741
01:21:18,600 --> 01:21:21,720
Speaker 3: That well, and I couldn't agree more as well. It

1742
01:21:21,800 --> 01:21:23,760
Speaker 3: was so beautiful when you ordered that last night.

1743
01:21:24,640 --> 01:21:27,599
Speaker 4: I'll have the same. I love sale, I love saying.

1744
01:21:30,080 --> 01:21:35,040
Speaker 1: That's from Euphoria before. It's about heroines into apatos and

1745
01:21:35,160 --> 01:21:37,599
Speaker 1: they is really like strung out and then and then

1746
01:21:37,720 --> 01:21:39,960
Speaker 1: mod appatite goes. I'll have what she's happening.

1747
01:21:42,120 --> 01:21:43,680
Speaker 2: God, I remember that. I remember where I was when

1748
01:21:43,680 --> 01:21:45,240
Speaker 2: I saw that scene. I was on set.

1749
01:21:47,600 --> 01:21:48,519
Speaker 4: Its showrunner.

1750
01:21:48,800 --> 01:21:52,040
Speaker 3: It's impossible to direct. And it's the reason it's so

1751
01:21:52,120 --> 01:21:53,240
Speaker 3: delighted is because I'm busy.

1752
01:21:53,600 --> 01:21:54,800
Speaker 4: I'm busy this pod.

1753
01:21:55,320 --> 01:21:59,360
Speaker 1: We were on tour and I've just been so busy,

1754
01:22:00,160 --> 01:22:03,240
Speaker 1: right contemplating moving back to New York's a lot of

1755
01:22:03,320 --> 01:22:08,400
Speaker 1: thinking getting divorced, getting remarried or married or sure will

1756
01:22:08,439 --> 01:22:08,760
Speaker 1: they won't?

1757
01:22:08,800 --> 01:22:09,320
Speaker 2: They all different?

1758
01:22:09,360 --> 01:22:10,400
Speaker 4: Guys, Ross and Rachel.

1759
01:22:13,880 --> 01:22:16,559
Speaker 2: Check out Messy White Gay please on.

1760
01:22:17,479 --> 01:22:20,839
Speaker 4: Not Broadway, off Broadway at the Duke Theater. It's available

1761
01:22:20,880 --> 01:22:24,479
Speaker 4: wherever talks to Broadway, but like really on forty second Street.

1762
01:22:24,479 --> 01:22:26,280
Speaker 1: It's not one of those Off Broadway theaters. It's like

1763
01:22:26,320 --> 01:22:28,800
Speaker 1: downtown when I learned in Midtown, when I learned that

1764
01:22:28,920 --> 01:22:30,120
Speaker 1: Off Broadway could be anywhere.

1765
01:22:30,120 --> 01:22:32,840
Speaker 4: It's all about theater size. That stressed me out, size queen,

1766
01:22:33,080 --> 01:22:33,439
Speaker 4: and it is.

1767
01:22:33,960 --> 01:22:36,160
Speaker 1: It is about theater size. But yours is like for

1768
01:22:36,280 --> 01:22:38,599
Speaker 1: an off Broadway theater, you know, pretty large.

1769
01:22:38,640 --> 01:22:40,040
Speaker 4: It's not one hundred nine nine seats.

1770
01:22:40,120 --> 01:22:41,040
Speaker 2: Yeah, that's gigantic.

1771
01:22:41,320 --> 01:22:42,920
Speaker 1: Just make it a clean two hundred.

1772
01:22:43,240 --> 01:22:44,879
Speaker 2: Two d the limit that makes it Broadway.

1773
01:22:45,000 --> 01:22:47,240
Speaker 4: No, I think it's at four hundred nine nine seats.

1774
01:22:47,280 --> 01:22:48,720
Speaker 4: Is a Broadway house? So four?

1775
01:22:49,240 --> 01:22:50,840
Speaker 1: What is it with this ninety nine there? It's like

1776
01:22:50,880 --> 01:22:51,839
Speaker 1: a sale relaxed.

1777
01:22:51,960 --> 01:22:54,880
Speaker 4: It's KOOKI there's a little bit of magic left in

1778
01:22:54,920 --> 01:22:55,519
Speaker 4: the squirrel. I.

1779
01:22:56,400 --> 01:22:59,639
Speaker 2: So Ron, do something about theater. This ship doesn't make.

1780
01:22:59,560 --> 01:23:01,800
Speaker 1: Any He needs the standardize it.

1781
01:23:01,920 --> 01:23:02,839
Speaker 2: I hate this bullshit.

1782
01:23:02,920 --> 01:23:03,760
Speaker 1: Do something about theater.

1783
01:23:04,040 --> 01:23:07,679
Speaker 4: Close the M and M store, close them, yeah, close

1784
01:23:07,760 --> 01:23:11,800
Speaker 4: them all movies only from now on television thirty five

1785
01:23:11,880 --> 01:23:13,559
Speaker 4: million industry is doing so well.

1786
01:23:13,640 --> 01:23:21,160
Speaker 2: Oh bitch, well, hold an age of television.

1787
01:23:22,360 --> 01:23:24,160
Speaker 1: Okay, okay, we have to go.

1788
01:23:24,200 --> 01:23:26,080
Speaker 2: Okay, we have to go. Goodbye bye.

1789
01:23:26,280 --> 01:23:30,599
Speaker 5: Let me goodbye pants on podcast and now want more,

1790
01:23:31,080 --> 01:23:34,160
Speaker 5: subscribe to our Patreon for two extra episodes a month,

1791
01:23:34,439 --> 01:23:37,960
Speaker 5: discord access and more by heading to patreon dot com.

1792
01:23:38,200 --> 01:23:39,960
Speaker 5: Slash Stradio Lab and for.

1793
01:23:40,000 --> 01:23:42,840
Speaker 2: All our visual earners, free full length video episodes are

1794
01:23:42,840 --> 01:23:44,519
Speaker 2: available on our YouTube now.

1795
01:23:44,600 --> 01:23:45,400
Speaker 1: Get Back to Work.

1796
01:23:45,720 --> 01:23:48,080
Speaker 4: Stradia Lab is a production by Will Ferrell's Big Money

1797
01:23:48,080 --> 01:23:49,800
Speaker 4: Players Network and iHeart Podcasts.

1798
01:23:49,960 --> 01:23:52,799
Speaker 1: Created and hosted by George Severis and Sam Taggart.

1799
01:23:52,920 --> 01:23:56,439
Speaker 4: Executive produced by Will Ferrell, Hans Sonny and Olivia Aguilar,

1800
01:23:56,600 --> 01:23:59,959
Speaker 4: co produced by Bay Wang, edited and engineered by Adam Avalos.

1801
01:24:00,400 --> 01:24:02,519
Speaker 1: Artwork by Michael Philes and Matt Grug.

1802
01:24:02,640 --> 01:24:03,840
Speaker 2: Theme music by Ben Kling