1 00:00:02,120 --> 00:00:06,840 Speaker 1: With Alexi Napola and Marisa Patton an iHeartRadio podcast. 2 00:00:08,000 --> 00:00:12,200 Speaker 2: Okay, my friend, Well, how are you feeling today? I'm 3 00:00:12,280 --> 00:00:12,880 Speaker 2: much better. 4 00:00:13,080 --> 00:00:15,120 Speaker 1: I did my hair, put a little bit of makeup 5 00:00:15,160 --> 00:00:17,560 Speaker 1: for you, and I'm feeling a lot better. Wow. I 6 00:00:17,560 --> 00:00:20,239 Speaker 1: didn't do any of that for you. Oh, I kind 7 00:00:20,239 --> 00:00:22,759 Speaker 1: of did it for myself. I'm not gonna lie. It 8 00:00:22,800 --> 00:00:24,880 Speaker 1: always makes me feel better. This is what makes me 9 00:00:24,920 --> 00:00:28,520 Speaker 1: feel better. Yeah. Yeah, if I look good, I feel good. Yeah, 10 00:00:28,720 --> 00:00:30,840 Speaker 1: and vice versa. If I feel good, then I feel 11 00:00:30,880 --> 00:00:33,440 Speaker 1: like I look good. But in this case, I wasn't 12 00:00:33,440 --> 00:00:35,760 Speaker 1: feeling good and I wasn't looking good, so I had 13 00:00:35,760 --> 00:00:36,440 Speaker 1: to do my hair. 14 00:00:36,320 --> 00:00:38,680 Speaker 2: In a little bit of makeup. All right, Well, I'm 15 00:00:38,720 --> 00:00:43,519 Speaker 2: representing all the ugliness today. Guy and my cold. 16 00:00:43,880 --> 00:00:45,920 Speaker 1: We have a lot of things to chat about, Yes, 17 00:00:45,960 --> 00:00:49,680 Speaker 1: we do. But I guess one of the first hat 18 00:00:49,720 --> 00:00:52,240 Speaker 1: gimbi question is people want to know how we keep 19 00:00:52,240 --> 00:00:56,840 Speaker 1: our friendship so strong considering that there's so much drama 20 00:00:57,040 --> 00:00:59,120 Speaker 1: in our friend group. I love how you're saying that 21 00:00:59,160 --> 00:01:01,520 Speaker 1: with like a giggle a wink when you look at me. 22 00:01:01,960 --> 00:01:05,039 Speaker 1: I think you and I have found the recipe of 23 00:01:05,200 --> 00:01:07,720 Speaker 1: survival in this page. 24 00:01:07,959 --> 00:01:10,440 Speaker 2: Right, should we not share it or should we share it? 25 00:01:11,000 --> 00:01:13,000 Speaker 1: Well, I mean, we can share it, it's very difficult 26 00:01:13,000 --> 00:01:15,319 Speaker 1: to emulate it because you have to be very honest 27 00:01:15,800 --> 00:01:19,080 Speaker 1: and very truthful and very open, which we are, and 28 00:01:19,120 --> 00:01:21,480 Speaker 1: we talk all the time and we're clear with each other. 29 00:01:21,680 --> 00:01:24,480 Speaker 1: I think that's I mean, even when we say things 30 00:01:24,480 --> 00:01:28,000 Speaker 1: to each other, you know that aren't things we really 31 00:01:28,000 --> 00:01:28,440 Speaker 1: want to hear. 32 00:01:28,520 --> 00:01:30,800 Speaker 2: But at least we're being honest and truthful, right. 33 00:01:30,640 --> 00:01:33,560 Speaker 1: And then that keeps the lines of communication open and 34 00:01:34,360 --> 00:01:37,119 Speaker 1: and I don't know, I feel like you can't disappoint 35 00:01:37,160 --> 00:01:40,000 Speaker 1: if we're always communicating and open and honest with each other, 36 00:01:41,440 --> 00:01:42,160 Speaker 1: that is true. 37 00:01:42,400 --> 00:01:44,600 Speaker 3: I think that we have really proven to each other 38 00:01:44,720 --> 00:01:47,920 Speaker 3: like a laty and we really don't let the rest 39 00:01:47,960 --> 00:01:49,800 Speaker 3: of the girls. I think that they know no matter 40 00:01:49,880 --> 00:01:52,320 Speaker 3: what they say or what they say. 41 00:01:52,040 --> 00:01:53,760 Speaker 2: You know, we're not going to let it affect us 42 00:01:53,800 --> 00:01:54,720 Speaker 2: and our friendship. 43 00:01:54,760 --> 00:01:58,480 Speaker 3: That our friendship is stronger then whatever you know, rumor 44 00:01:58,560 --> 00:02:01,480 Speaker 3: or anything that can insinuate about us. 45 00:02:01,480 --> 00:02:03,480 Speaker 1: We have the foundation, you know. I think we've proven 46 00:02:03,520 --> 00:02:06,560 Speaker 1: it to each other throughout the years, and I think 47 00:02:06,600 --> 00:02:08,200 Speaker 1: that now they get it right, like. 48 00:02:08,200 --> 00:02:10,600 Speaker 2: After one of the years, if. 49 00:02:10,480 --> 00:02:11,960 Speaker 1: They try to do it, you and I are like, 50 00:02:12,080 --> 00:02:15,200 Speaker 1: I both follward and then we laugh on the side, like, 51 00:02:15,480 --> 00:02:18,120 Speaker 1: what were they thinking They're gonna break us up? 52 00:02:18,320 --> 00:02:20,280 Speaker 2: I think we're gonna get mad at each other. 53 00:02:20,520 --> 00:02:21,359 Speaker 1: They're crazy. 54 00:02:21,400 --> 00:02:22,480 Speaker 2: That's never gonna happen. 55 00:02:23,080 --> 00:02:24,600 Speaker 3: No, And I think it's kind of like, if you 56 00:02:24,600 --> 00:02:27,000 Speaker 3: can't beat them, join them. And now it's you know, 57 00:02:27,080 --> 00:02:29,440 Speaker 3: I'm happy to that we're all, you know, kind of 58 00:02:29,520 --> 00:02:32,960 Speaker 3: enjoying each other. And yeah, and it's becoming a really 59 00:02:33,000 --> 00:02:37,280 Speaker 3: fun friend group. I love friends. Yeah, I mean, as 60 00:02:37,320 --> 00:02:38,639 Speaker 3: you like to have friends, Marisol. 61 00:02:38,840 --> 00:02:41,760 Speaker 1: I've always had a lot of girlfriends. They weren't always 62 00:02:41,840 --> 00:02:44,880 Speaker 1: good friends, but I've had a lot of them. I 63 00:02:44,919 --> 00:02:47,399 Speaker 1: can vouch for that, you know, I seen I've seen 64 00:02:47,440 --> 00:02:50,840 Speaker 1: a few of your disappointments throughout my friendship history with you. 65 00:02:51,200 --> 00:02:52,960 Speaker 1: I want to say that I have a better eye, 66 00:02:53,120 --> 00:02:57,160 Speaker 1: you know, have better judgment with girlfriends. I'm not gonna 67 00:02:57,160 --> 00:02:59,880 Speaker 1: talk about guy friends, but with girlfriends, I definitely have 68 00:03:00,040 --> 00:03:03,880 Speaker 1: a better judgment. Yeah, I would walk right into a 69 00:03:03,880 --> 00:03:06,720 Speaker 1: booby trap every time. I'm like, oh, there's so people 70 00:03:06,760 --> 00:03:08,440 Speaker 1: get me if they're fun. If they're fun, I'm like, 71 00:03:08,560 --> 00:03:10,400 Speaker 1: oh my god, they're so fun. And then I want 72 00:03:10,400 --> 00:03:13,720 Speaker 1: to do anything and everything for them and then you know, 73 00:03:13,919 --> 00:03:17,320 Speaker 1: they suck it, they take it, you know, because I'm 74 00:03:17,440 --> 00:03:18,239 Speaker 1: very giving and that. 75 00:03:18,440 --> 00:03:20,160 Speaker 2: So that's all. That's all you need to be fun 76 00:03:20,200 --> 00:03:20,840 Speaker 2: to be a friend. 77 00:03:21,360 --> 00:03:24,040 Speaker 1: Yeah, that's how you got to be my friend. You're 78 00:03:24,160 --> 00:03:25,760 Speaker 1: a little bit more than that. I guess that I 79 00:03:25,840 --> 00:03:29,600 Speaker 1: stayed because I'm a little bit more than just fun. Right, absolutely, Well, 80 00:03:29,639 --> 00:03:30,799 Speaker 1: I'm moving right along. 81 00:03:32,200 --> 00:03:33,400 Speaker 2: Yes, I guess we're going. 82 00:03:33,400 --> 00:03:40,760 Speaker 1: To be talking about the latest in the Shakira Pek drama. Sakira, 83 00:03:41,520 --> 00:03:43,720 Speaker 1: I know, well, you know, I guess so she she's 84 00:03:43,760 --> 00:03:48,480 Speaker 1: the she's the type of like a woman that that 85 00:03:48,560 --> 00:03:49,400 Speaker 1: she likes to speak. 86 00:03:49,480 --> 00:03:50,880 Speaker 2: You know, it's probably healing for her. 87 00:03:51,480 --> 00:03:53,280 Speaker 3: And I feel like, you know, after a year that 88 00:03:53,360 --> 00:03:57,280 Speaker 3: she's been going with some divorce drama, that she's you know, 89 00:03:57,440 --> 00:04:01,080 Speaker 3: finally talking about the fact that she was betrayed by 90 00:04:01,080 --> 00:04:04,800 Speaker 3: her expka while her dad was in the ICU, and 91 00:04:04,840 --> 00:04:07,000 Speaker 3: like everything just happened at once. 92 00:04:07,680 --> 00:04:10,000 Speaker 2: Oh my god. Yeah, it's always like that. 93 00:04:10,040 --> 00:04:14,440 Speaker 3: Okay, So Shakira quoted he me and her dad went 94 00:04:14,480 --> 00:04:17,240 Speaker 3: to Barcelona to console me after I was consumed with 95 00:04:17,320 --> 00:04:20,839 Speaker 3: sadness because of my separation. Well, he was at Milon's 96 00:04:20,839 --> 00:04:24,120 Speaker 3: first communion, he was gravely injured in an accident. Everything 97 00:04:24,200 --> 00:04:26,839 Speaker 3: happened at once. I was finding out through the press 98 00:04:26,880 --> 00:04:28,800 Speaker 3: that I had been betrayed while my dad was in 99 00:04:28,839 --> 00:04:29,440 Speaker 3: the ICU. 100 00:04:29,880 --> 00:04:34,160 Speaker 1: It's so tough for super forwid Yeah, Shakira was facing 101 00:04:34,160 --> 00:04:35,120 Speaker 1: so much at one time. 102 00:04:35,880 --> 00:04:38,440 Speaker 3: Was there any time in your life that everything happened 103 00:04:38,440 --> 00:04:39,080 Speaker 3: to you at once? 104 00:04:39,560 --> 00:04:39,720 Speaker 1: Oh? 105 00:04:39,720 --> 00:04:41,120 Speaker 2: My god, you know that story? 106 00:04:41,240 --> 00:04:45,760 Speaker 1: I do. Yeah, yeah, this happened to me. And worse, 107 00:04:46,200 --> 00:04:48,599 Speaker 1: maybe there was no cheating, but I lost my parent, 108 00:04:49,240 --> 00:04:54,839 Speaker 1: and preceding that, my house was a horrible hurricane, all flooded. 109 00:04:55,160 --> 00:04:57,000 Speaker 2: I was trapped in there with water. 110 00:04:57,680 --> 00:05:00,720 Speaker 1: My cat died, My man I was living with moved out, 111 00:05:00,720 --> 00:05:02,880 Speaker 1: and a week later my dad died. So I know 112 00:05:02,960 --> 00:05:05,160 Speaker 1: what it feels like to have everything happen at the 113 00:05:05,200 --> 00:05:07,080 Speaker 1: same time, and you're like, where do I go from here? 114 00:05:07,080 --> 00:05:10,159 Speaker 1: I just want to die, you know, heartbroken. The person 115 00:05:10,200 --> 00:05:11,839 Speaker 1: you want to talk to that was your closest to 116 00:05:12,320 --> 00:05:15,040 Speaker 1: you'd like to talk about, you know, the pain you're 117 00:05:15,080 --> 00:05:18,559 Speaker 1: feeling of grieving a parent or having your parent to 118 00:05:18,800 --> 00:05:21,360 Speaker 1: talk to about your partner leaving. It was like there 119 00:05:21,440 --> 00:05:24,720 Speaker 1: was nobody. It was very difficult, and I can understand 120 00:05:24,920 --> 00:05:27,880 Speaker 1: her feeling like it was the hardest time in her life. Absolutely, 121 00:05:28,480 --> 00:05:30,480 Speaker 1: have you had an experience, well, I know you've had 122 00:05:30,480 --> 00:05:33,320 Speaker 1: a lot of experiences and a lot of the difficult things. 123 00:05:33,680 --> 00:05:36,200 Speaker 1: The first thing that comes to my mind was Frankie's accident, 124 00:05:37,200 --> 00:05:40,839 Speaker 1: where you think, why is this happening to me? It 125 00:05:40,880 --> 00:05:43,599 Speaker 1: wasn't even like why is this everything happening to me 126 00:05:43,640 --> 00:05:45,599 Speaker 1: at once, but like why is this happening to me? 127 00:05:46,760 --> 00:05:50,039 Speaker 1: So for me, that was the most difficult time because 128 00:05:50,040 --> 00:05:53,600 Speaker 1: it wasn't only recovering and you know, holding on to Frankie, 129 00:05:53,640 --> 00:05:57,440 Speaker 1: but it's like you feel your whole family is falling apart. Truthfully, 130 00:05:57,680 --> 00:06:00,760 Speaker 1: it's you know, after it's been eleven years, and I 131 00:06:00,920 --> 00:06:03,080 Speaker 1: just like, you know, remember that moment that I could 132 00:06:03,160 --> 00:06:06,440 Speaker 1: only focus on Frankie. But I knew that Peter needed 133 00:06:06,440 --> 00:06:09,320 Speaker 1: my help, that Herman needed me, Like my whole family 134 00:06:09,440 --> 00:06:11,719 Speaker 1: was trying to be strong for me because I was 135 00:06:11,760 --> 00:06:14,440 Speaker 1: filled with so much hope. But I knew that I 136 00:06:14,440 --> 00:06:16,920 Speaker 1: had to be strong for them, but I couldn't because 137 00:06:17,040 --> 00:06:20,040 Speaker 1: I could only be strong, you know, for Frankie Ranky. 138 00:06:20,360 --> 00:06:24,719 Speaker 1: So that was for sure the worst situation and the 139 00:06:24,720 --> 00:06:27,599 Speaker 1: most difficult that I've been in my life that like 140 00:06:27,640 --> 00:06:29,920 Speaker 1: I said that, it was like why is everything happened 141 00:06:29,960 --> 00:06:30,200 Speaker 1: to me? 142 00:06:30,360 --> 00:06:32,680 Speaker 3: Wasn't even the question. It was like why is this 143 00:06:32,760 --> 00:06:36,120 Speaker 3: happening to me and my family right now? The second 144 00:06:36,120 --> 00:06:39,040 Speaker 3: time in my life where I actually was in that 145 00:06:39,080 --> 00:06:41,680 Speaker 3: situation again that said why is everything happening to me? 146 00:06:41,720 --> 00:06:44,960 Speaker 3: At once was recently, like two years ago, when I 147 00:06:45,000 --> 00:06:50,520 Speaker 3: was planning my wedding with Todd and I got sick 148 00:06:50,600 --> 00:06:55,159 Speaker 3: with COVID and I had to I had to reschedule 149 00:06:55,200 --> 00:06:58,160 Speaker 3: the wedding, and my friends and family were the only 150 00:06:58,200 --> 00:07:01,960 Speaker 3: ones that knew at that point, and my mom didn't even. 151 00:07:01,760 --> 00:07:02,760 Speaker 2: Know that I had COVID. 152 00:07:02,960 --> 00:07:06,400 Speaker 1: Sorry, we scheduled my wedding for August twenty fifth, my 153 00:07:06,560 --> 00:07:09,320 Speaker 1: mom got COVID and my mom passed away that day. 154 00:07:10,320 --> 00:07:13,920 Speaker 3: So it was the same thing, that situation like why 155 00:07:14,000 --> 00:07:17,160 Speaker 3: is this happening to me? My happy time in my life, 156 00:07:17,720 --> 00:07:20,560 Speaker 3: and even like with Frankie's accident, the same thing. When 157 00:07:20,600 --> 00:07:23,280 Speaker 3: Frankie had his accident, we had just come back from 158 00:07:23,520 --> 00:07:27,760 Speaker 3: from Mikonos and from a beautiful European trip and Frankie 159 00:07:27,800 --> 00:07:29,440 Speaker 3: was about to start school. 160 00:07:29,680 --> 00:07:32,160 Speaker 1: It was the day before school started on a Sunday. 161 00:07:32,280 --> 00:07:34,640 Speaker 1: So it's kind of like we feel like, you know, 162 00:07:34,760 --> 00:07:36,720 Speaker 1: sometimes in my life that's what I've lived, Like I'm 163 00:07:36,840 --> 00:07:39,320 Speaker 1: very happy and like everything is going great and I'm 164 00:07:39,320 --> 00:07:42,880 Speaker 1: so happy, and then something like terrible happens and you know, 165 00:07:43,000 --> 00:07:47,800 Speaker 1: takes away that happiness. So sometimes I've really worked on myself, 166 00:07:47,920 --> 00:07:49,640 Speaker 1: like for me not to have that feeling because it's 167 00:07:49,640 --> 00:07:52,880 Speaker 1: a terrible way to live. But sometimes I feel like 168 00:07:53,160 --> 00:07:55,800 Speaker 1: when everything is going so great and you're so happy, 169 00:07:55,840 --> 00:07:58,000 Speaker 1: like something bad has to happen because that's been like 170 00:07:58,120 --> 00:07:59,560 Speaker 1: my experience. So it's like I'm. 171 00:07:59,400 --> 00:08:03,240 Speaker 3: Afraid to be super happy because I feel like it's 172 00:08:03,240 --> 00:08:05,160 Speaker 3: not gonna last for a long time. But I've worned 173 00:08:05,200 --> 00:08:07,840 Speaker 3: so much on myself because I honestly it's a terrible 174 00:08:07,840 --> 00:08:10,040 Speaker 3: way to live, right, Yeah, but just because it brings 175 00:08:10,120 --> 00:08:12,600 Speaker 3: me back to those horrible times in my life when 176 00:08:12,600 --> 00:08:15,120 Speaker 3: that's happened. It's like everything was great, I had a 177 00:08:15,120 --> 00:08:17,920 Speaker 3: beautiful summer, the whole family was together with our friends 178 00:08:17,920 --> 00:08:21,880 Speaker 3: and family, you know, and the rest of Europe. So 179 00:08:21,920 --> 00:08:24,520 Speaker 3: I come back and something horrific like that happens in 180 00:08:24,640 --> 00:08:28,679 Speaker 3: just like a second, my life changes, and so yes, 181 00:08:28,920 --> 00:08:29,800 Speaker 3: so that you know. 182 00:08:29,720 --> 00:08:33,280 Speaker 1: What I think since your mom is now taking care 183 00:08:33,320 --> 00:08:35,360 Speaker 1: of me from above, that's not going to happen anymore. 184 00:08:36,520 --> 00:08:39,120 Speaker 3: Well, my father's always been taking care of me, which 185 00:08:39,160 --> 00:08:43,760 Speaker 3: is also like another question here that says like, you know, 186 00:08:43,840 --> 00:08:45,760 Speaker 3: what do you use to help you through it? Like 187 00:08:45,760 --> 00:08:47,680 Speaker 3: how did you get through like this terrible time in 188 00:08:47,720 --> 00:08:48,160 Speaker 3: your life? 189 00:08:48,240 --> 00:08:48,400 Speaker 1: Right? 190 00:08:48,520 --> 00:08:52,280 Speaker 3: Yeah, And like I said, for me, it's always been 191 00:08:52,280 --> 00:08:56,800 Speaker 3: about faith and prayer and thank God, you know that 192 00:08:56,840 --> 00:08:59,040 Speaker 3: I have so much faith and I'm so spiritual and 193 00:08:59,720 --> 00:09:02,800 Speaker 3: I praise so much that that really helped me, you know, 194 00:09:02,880 --> 00:09:06,120 Speaker 3: get through, you know, the horrible time, these horrible times 195 00:09:06,160 --> 00:09:09,360 Speaker 3: in my life. And when Frankie had the accident, I 196 00:09:09,400 --> 00:09:12,160 Speaker 3: had my mom that was also that was alive. So 197 00:09:12,200 --> 00:09:14,200 Speaker 3: my mom helped me a lot to get through it 198 00:09:14,240 --> 00:09:17,000 Speaker 3: because you know, my mom was my mom met but 199 00:09:17,040 --> 00:09:20,240 Speaker 3: she was also a psychiatrist. She was very therapeutic. And 200 00:09:20,320 --> 00:09:22,640 Speaker 3: my mom helped me a lot. My friends and my 201 00:09:22,679 --> 00:09:26,600 Speaker 3: family were like, you know everything to me, you know, 202 00:09:26,679 --> 00:09:27,600 Speaker 3: my support system. 203 00:09:27,679 --> 00:09:29,120 Speaker 1: So I had a great support system. 204 00:09:29,760 --> 00:09:32,160 Speaker 3: And I also kept the journal by the way I'm 205 00:09:32,160 --> 00:09:36,520 Speaker 3: like moving now and and I found it and I 206 00:09:36,559 --> 00:09:39,640 Speaker 3: started reading through it and it was just like, yeah, 207 00:09:39,800 --> 00:09:43,480 Speaker 3: I'm still very emotional like even though I spend eleven years, 208 00:09:43,480 --> 00:09:45,560 Speaker 3: you read that and you're like, wow, like were you 209 00:09:45,760 --> 00:09:48,360 Speaker 3: that state of mind that I was at, you know 210 00:09:48,480 --> 00:09:51,600 Speaker 3: versus now? And still you could see that Like I 211 00:09:51,600 --> 00:09:54,240 Speaker 3: would write, Marathon, I would write like, you know, today 212 00:09:54,320 --> 00:09:56,760 Speaker 3: is a happy day, like Frankie laughed, you know, and 213 00:09:56,800 --> 00:09:59,200 Speaker 3: it was just that was my happiness, Just Frankie like 214 00:09:59,440 --> 00:10:01,239 Speaker 3: smiling at Yeah. 215 00:10:01,280 --> 00:10:03,360 Speaker 2: I obviously had to put it away because I couldn't. 216 00:10:03,920 --> 00:10:05,240 Speaker 1: But yeah, I. 217 00:10:05,320 --> 00:10:07,960 Speaker 2: Take your priorities, right, It's like a tough moment. 218 00:10:08,000 --> 00:10:10,000 Speaker 3: You're so desperate you take anything, but you know what 219 00:10:10,080 --> 00:10:11,000 Speaker 3: happens you forget. 220 00:10:11,000 --> 00:10:13,079 Speaker 2: I don't I live forever great focus. He's my remind 221 00:10:13,160 --> 00:10:14,199 Speaker 2: or every single day in my life. 222 00:10:14,360 --> 00:10:17,959 Speaker 3: Yeah, sometimes when things are schooling is so great, right, 223 00:10:18,040 --> 00:10:21,000 Speaker 3: we forget about you know those times and then God 224 00:10:21,000 --> 00:10:25,560 Speaker 3: we do because it's so hard. But anyways, yeah, I 225 00:10:25,600 --> 00:10:28,720 Speaker 3: think faith and prayer, my families and my friends, you know, 226 00:10:28,800 --> 00:10:31,760 Speaker 3: keeping this journal where I would like everything helped me 227 00:10:31,840 --> 00:10:36,440 Speaker 3: so much. And yeah and now and the same you 228 00:10:36,480 --> 00:10:38,360 Speaker 3: know I had, like you know, I've always I prayed 229 00:10:38,360 --> 00:10:40,480 Speaker 3: to like my father, you know, like they say, like 230 00:10:40,520 --> 00:10:43,640 Speaker 3: it was my angel and my grandparents that are in heaven. 231 00:10:43,679 --> 00:10:45,760 Speaker 3: So I've always been like, we've always had that connection 232 00:10:45,920 --> 00:10:47,800 Speaker 3: that even though they're not here with us, I feel 233 00:10:47,880 --> 00:10:49,240 Speaker 3: like spiritually fail them. 234 00:10:49,679 --> 00:10:50,680 Speaker 2: Yeah, and I feel them. 235 00:10:50,720 --> 00:10:52,400 Speaker 1: So I have that like I knew, like my dad 236 00:10:52,480 --> 00:10:54,120 Speaker 1: was going to save my son, like my dad and 237 00:10:54,160 --> 00:10:56,959 Speaker 1: the angels and you know, the saints and and God 238 00:10:57,040 --> 00:11:00,640 Speaker 1: and just everybody. Right. So it's it's just so it's 239 00:11:00,679 --> 00:11:03,439 Speaker 1: you know, it's you can't explain it unless you live 240 00:11:03,480 --> 00:11:04,319 Speaker 1: your life like that too. 241 00:11:04,400 --> 00:11:05,719 Speaker 2: I know you're very spiritual too. 242 00:11:06,520 --> 00:11:08,480 Speaker 1: You have that connection, like you know with your mom 243 00:11:08,520 --> 00:11:10,920 Speaker 1: and dad, and you know, it's hard to explain to 244 00:11:10,960 --> 00:11:13,280 Speaker 1: other people that don't have that, but for me, it's 245 00:11:13,280 --> 00:11:14,760 Speaker 1: the only way to live, and it's the only way 246 00:11:14,800 --> 00:11:16,960 Speaker 1: that I've been able to get through all the obstacles 247 00:11:17,000 --> 00:11:20,280 Speaker 1: and adversity in my life. It's the it's the only 248 00:11:20,360 --> 00:11:24,720 Speaker 1: way for me too. Undred I was reading about Shakira, 249 00:11:24,920 --> 00:11:27,840 Speaker 1: and Shakira says that what helped her was her music, 250 00:11:28,240 --> 00:11:29,760 Speaker 1: and you know, we can see that in all those 251 00:11:29,760 --> 00:11:32,160 Speaker 1: new songs and she's written I have a lot to 252 00:11:32,200 --> 00:11:34,800 Speaker 1: do about Pique and their relationship. You know, it's a 253 00:11:34,840 --> 00:11:37,439 Speaker 1: little bit of anger and pain and you know, all 254 00:11:37,480 --> 00:11:38,760 Speaker 1: of it put together. 255 00:11:38,720 --> 00:11:40,800 Speaker 2: Taylor Swift, Miley Cyrus things. 256 00:11:41,600 --> 00:11:45,040 Speaker 1: Yeah, but in Spanish, I think it's Spanish, and I see, 257 00:11:46,400 --> 00:11:50,959 Speaker 1: I feel like it's Spanish. Yeahanish, it's more powerful. Yeah, 258 00:11:51,040 --> 00:11:52,640 Speaker 1: I think you know Spanish lyrics. 259 00:11:52,920 --> 00:11:56,119 Speaker 3: You know, if you speak Spanish, obviously you're more passionate 260 00:11:56,200 --> 00:11:59,320 Speaker 3: and the more like they make more of an impact, 261 00:11:59,520 --> 00:12:00,520 Speaker 3: right Yeah. 262 00:12:00,640 --> 00:12:03,000 Speaker 2: So yeah, you know, I think musical is a beautiful thing. 263 00:12:03,080 --> 00:12:05,600 Speaker 3: And I've always wanted to to sing, just like you 264 00:12:05,640 --> 00:12:11,160 Speaker 3: said we made twos. Always wanted to sing and perform 265 00:12:11,240 --> 00:12:12,800 Speaker 3: and do all that because I think it's like a. 266 00:12:12,800 --> 00:12:22,360 Speaker 1: Chance and I want to say I'm quite good. Oh yeah, 267 00:12:23,120 --> 00:12:24,679 Speaker 1: you have to you have to perform. 268 00:12:24,880 --> 00:12:27,319 Speaker 2: Yeah. But anyways, I saw, I see that Shakira. 269 00:12:27,640 --> 00:12:30,000 Speaker 3: It's helped her a lot, and it made me think 270 00:12:30,040 --> 00:12:32,440 Speaker 3: of Frankie and a Peter, both of my sons. I 271 00:12:32,520 --> 00:12:35,800 Speaker 3: love music, and they said, especially Frankie that would sing 272 00:12:35,840 --> 00:12:38,080 Speaker 3: and he would freestyle and do all that kind of stuff. 273 00:12:38,480 --> 00:12:41,720 Speaker 1: And I see how music is still so therapeutic for him. 274 00:12:42,200 --> 00:12:44,800 Speaker 1: And people tell me like he can't express himself so 275 00:12:44,800 --> 00:12:47,920 Speaker 1: so good with words, but he knows every single song, 276 00:12:48,120 --> 00:12:50,400 Speaker 1: all the words, you know, because I see other part 277 00:12:50,400 --> 00:12:52,559 Speaker 1: of the brain, the other side of the brain, so 278 00:12:52,720 --> 00:12:55,720 Speaker 1: he he knows how to get us through when we're 279 00:12:55,760 --> 00:12:59,520 Speaker 1: lost in a car. Even the other time, he has 280 00:12:59,640 --> 00:13:02,880 Speaker 1: like a map app in his brain. Yeah, we could 281 00:13:02,920 --> 00:13:05,079 Speaker 1: be anywhere and we're thinking we're getting to go to 282 00:13:05,120 --> 00:13:08,120 Speaker 1: the round. He's like, no, mom, left and right straight, Like, 283 00:13:08,200 --> 00:13:10,560 Speaker 1: I don't even know how he knows any of that, right, 284 00:13:10,640 --> 00:13:13,040 Speaker 1: you know, it's such a mystery. 285 00:13:13,080 --> 00:13:14,320 Speaker 2: The brain is such a mystery. 286 00:13:14,400 --> 00:13:16,319 Speaker 3: Right, he lost so many has so many deficits and 287 00:13:16,400 --> 00:13:20,440 Speaker 3: other areas, yet you know, so many strengths and other areas, 288 00:13:20,760 --> 00:13:22,600 Speaker 3: and music is one of them. So you know he 289 00:13:22,640 --> 00:13:25,200 Speaker 3: can still know all the words to all the songs. 290 00:13:25,240 --> 00:13:27,520 Speaker 3: He loves music, and you know it keeps them going. 291 00:13:27,600 --> 00:13:30,000 Speaker 3: And I know the music has been you know, so 292 00:13:30,080 --> 00:13:33,520 Speaker 3: instrumental also in Peter's life, and you know where he's 293 00:13:33,559 --> 00:13:36,280 Speaker 3: ringed music and he loves the music, and you know, 294 00:13:36,400 --> 00:13:39,000 Speaker 3: and and again I don't have that talent, but I 295 00:13:39,040 --> 00:13:42,600 Speaker 3: can see how it's really helped and saved Shakiro's life 296 00:13:42,600 --> 00:13:44,840 Speaker 3: and going through all the pain that she has, and 297 00:13:44,880 --> 00:13:47,040 Speaker 3: she's been able to write about it and sing about. 298 00:13:46,880 --> 00:13:47,720 Speaker 1: It express it. 299 00:13:47,840 --> 00:13:50,000 Speaker 3: Yeah, And like I said, I mean she said that 300 00:13:50,040 --> 00:13:52,080 Speaker 3: her new music was she was going to discuss the 301 00:13:52,120 --> 00:13:57,079 Speaker 3: different stages that she's gone through spiritually, mentally, and even physically, 302 00:13:57,559 --> 00:13:59,880 Speaker 3: because you know, when you go through a situation like 303 00:14:00,360 --> 00:14:03,640 Speaker 3: and you know that's kind of breakup, you do experience 304 00:14:03,760 --> 00:14:06,280 Speaker 3: all these different stages that you go through, right, you know, 305 00:14:06,320 --> 00:14:09,320 Speaker 3: first you go through denial and then rage and then pain, 306 00:14:09,600 --> 00:14:11,880 Speaker 3: and then you accept it and then you grieve about it, 307 00:14:11,920 --> 00:14:15,320 Speaker 3: and then you're hopeful, and then deception, you know, and 308 00:14:15,360 --> 00:14:16,520 Speaker 3: then again excitement. 309 00:14:17,240 --> 00:14:20,760 Speaker 1: Elizabeth Koubler ros she's the one that stated the seven 310 00:14:20,800 --> 00:14:21,720 Speaker 1: steps of grieving. 311 00:14:21,800 --> 00:14:23,480 Speaker 2: That's everything you just said. 312 00:14:23,560 --> 00:14:26,200 Speaker 1: Right, So she's gone through it all. I guess we're 313 00:14:26,200 --> 00:14:27,720 Speaker 1: going to listen to it in her music. 314 00:14:27,800 --> 00:14:30,000 Speaker 2: Did she drop a lot away? She's always had a 315 00:14:30,000 --> 00:14:30,600 Speaker 2: great body. 316 00:14:30,720 --> 00:14:32,680 Speaker 1: I don't think she dropped a lot away, because I 317 00:14:32,720 --> 00:14:34,760 Speaker 1: know every time I'm suffering, I can't eat and I 318 00:14:34,800 --> 00:14:36,760 Speaker 1: get bone thin like a boom. 319 00:14:37,120 --> 00:14:39,280 Speaker 2: Then I can't sleep, I can't eat. 320 00:14:39,320 --> 00:14:42,040 Speaker 1: Well, that's like the revenge body too, but in your case, 321 00:14:42,120 --> 00:14:44,120 Speaker 1: you can't do that because you're already skinny, so like 322 00:14:44,160 --> 00:14:53,920 Speaker 1: you don't want to get the revenge body. Iver no no, no, 323 00:14:55,600 --> 00:14:58,600 Speaker 1: cadaver vibes. I'm always kind of hungry, so none of 324 00:14:58,600 --> 00:14:59,880 Speaker 1: those things I've ever accepted. 325 00:15:01,640 --> 00:15:04,040 Speaker 2: It's never exactly affected my way. 326 00:15:04,200 --> 00:15:08,800 Speaker 1: But yeah, so anyways, you know all those things, you know, 327 00:15:08,800 --> 00:15:11,120 Speaker 1: we have so many emotions and feelings that at times 328 00:15:11,160 --> 00:15:11,760 Speaker 1: seem mixed. 329 00:15:12,280 --> 00:15:14,280 Speaker 3: She this is what she's saying. So she had all 330 00:15:14,280 --> 00:15:17,200 Speaker 3: these different emotions and feelings that at times were mixed, 331 00:15:17,680 --> 00:15:19,720 Speaker 3: then she didn't seem to be able to go exist 332 00:15:19,760 --> 00:15:23,200 Speaker 3: inside of her. But then she's been able to untangle 333 00:15:23,240 --> 00:15:26,520 Speaker 3: them only through her songs, and through her songs she 334 00:15:26,640 --> 00:15:29,920 Speaker 3: understands herself better, which is like what I was saying, 335 00:15:29,960 --> 00:15:31,720 Speaker 3: like writing, like you know, I would keep I was 336 00:15:31,800 --> 00:15:33,760 Speaker 3: keeping a journal and it's good to go back and 337 00:15:33,800 --> 00:15:36,320 Speaker 3: reflect and to read that. And that's what I was 338 00:15:36,400 --> 00:15:38,280 Speaker 3: kind of trying to do today. But for me, it 339 00:15:38,320 --> 00:15:42,120 Speaker 3: brings me a lot of sadness. So I decided to 340 00:15:42,200 --> 00:15:45,120 Speaker 3: not do it, and you know, I just read a 341 00:15:45,160 --> 00:15:47,320 Speaker 3: little bit and then I continued because I had a 342 00:15:47,320 --> 00:15:49,360 Speaker 3: lot of things to pick up, and you know, I 343 00:15:49,400 --> 00:15:51,120 Speaker 3: didn't feel like crying because. 344 00:15:50,880 --> 00:15:54,720 Speaker 1: I've always heard like sometimes if you're fighting with someone 345 00:15:55,200 --> 00:15:58,920 Speaker 1: a partner or a boyfriend or you know, a good friend, 346 00:15:59,320 --> 00:16:01,400 Speaker 1: write a letter to them and never mail it because 347 00:16:01,400 --> 00:16:04,600 Speaker 1: it can be very cathartic, and then your thoughts and 348 00:16:04,680 --> 00:16:06,160 Speaker 1: the things that you thought you would have said in 349 00:16:06,240 --> 00:16:08,520 Speaker 1: a moment of rage you come down from once you 350 00:16:08,560 --> 00:16:11,640 Speaker 1: write it down and you look at it, you regurgitate 351 00:16:11,680 --> 00:16:13,440 Speaker 1: it and you're like, wow, Okay, you put it away. 352 00:16:13,480 --> 00:16:15,200 Speaker 1: You look at it a few days later, and you 353 00:16:15,240 --> 00:16:19,200 Speaker 1: think differently. It keeps you from making rash decisions and 354 00:16:19,440 --> 00:16:20,600 Speaker 1: it's very cathartic. 355 00:16:21,240 --> 00:16:23,280 Speaker 3: Well, in her case, she's really seen the song that 356 00:16:23,400 --> 00:16:25,600 Speaker 3: anybody's look at her song before she wrote it, the 357 00:16:25,680 --> 00:16:26,440 Speaker 3: last one. 358 00:16:26,800 --> 00:16:30,360 Speaker 2: I'm the One, and re wrote it a million times, right. 359 00:16:30,240 --> 00:16:32,240 Speaker 3: I think for music it's different. I think they could 360 00:16:32,280 --> 00:16:35,040 Speaker 3: get away with it. And how do you feel, Like, 361 00:16:35,200 --> 00:16:37,480 Speaker 3: do you think it's good like to speak out about 362 00:16:37,520 --> 00:16:39,920 Speaker 3: your breakup? You know, like like how she has. I 363 00:16:39,920 --> 00:16:43,040 Speaker 3: mean I think everybody's different, right, Like some artists and 364 00:16:43,120 --> 00:16:46,640 Speaker 3: celebrities you know, keep it quiet and they really don't 365 00:16:46,640 --> 00:16:49,120 Speaker 3: want to discuss their personal life. But I was kind 366 00:16:49,120 --> 00:16:51,360 Speaker 3: of surprised because you know, she led a really private life, 367 00:16:51,480 --> 00:16:54,040 Speaker 3: like with her on PK, I want to say, and 368 00:16:54,080 --> 00:16:57,400 Speaker 3: then all of a sudden, you know, nobody really talked 369 00:16:57,440 --> 00:16:58,920 Speaker 3: about them and it's all like she did, you know, 370 00:16:59,000 --> 00:17:03,440 Speaker 3: interviews like about the relationship. And I've been really surprised 371 00:17:03,480 --> 00:17:06,399 Speaker 3: about her now speaking out and you know, talking so 372 00:17:06,480 --> 00:17:08,520 Speaker 3: much about her relationship, Like would you help, would have 373 00:17:08,600 --> 00:17:10,000 Speaker 3: kept it private something like this? 374 00:17:10,560 --> 00:17:14,160 Speaker 1: I mean, I like to be private about my things. 375 00:17:14,200 --> 00:17:16,280 Speaker 1: But I think, like, as you know, and I know, 376 00:17:16,440 --> 00:17:18,960 Speaker 1: doing a reality show, sometimes it's better and tell your 377 00:17:19,000 --> 00:17:20,959 Speaker 1: story and then to let someone else tell it for you. 378 00:17:21,040 --> 00:17:23,440 Speaker 2: Oh yeah, but she's not on a reality show. Maybeia, 379 00:17:23,640 --> 00:17:24,200 Speaker 2: I know, but. 380 00:17:24,200 --> 00:17:26,679 Speaker 1: She's in the public eye, and if he was with 381 00:17:26,800 --> 00:17:29,360 Speaker 1: a few women, maybe someone starts talking and the embarrass 382 00:17:29,400 --> 00:17:31,600 Speaker 1: everyone's shame the family. It's better to just stand up 383 00:17:31,600 --> 00:17:34,560 Speaker 1: and tell your story before anybody else does and tells 384 00:17:34,560 --> 00:17:38,480 Speaker 1: it wrong, you know, just kids. I mean it guessings afterwards, 385 00:17:41,000 --> 00:17:41,199 Speaker 1: you know. 386 00:17:41,480 --> 00:17:43,760 Speaker 2: No, I think it was just really like like who 387 00:17:43,760 --> 00:17:44,399 Speaker 2: she is, you know. 388 00:17:44,440 --> 00:17:46,320 Speaker 3: I guess that made her feel good, Like you said, 389 00:17:46,320 --> 00:17:48,000 Speaker 3: you like to say her part of the story. You know, 390 00:17:48,080 --> 00:17:51,439 Speaker 3: sometimes that's therapeutic as well, like once you talk about it, 391 00:17:51,480 --> 00:17:53,480 Speaker 3: you feel better about it. And you're right, she couldn't 392 00:17:53,520 --> 00:17:55,840 Speaker 3: hide it because he you know, he was his out 393 00:17:55,840 --> 00:17:59,960 Speaker 3: and about doing it publicly. Yes, So no, I you know, 394 00:18:00,080 --> 00:18:02,040 Speaker 3: I wanted to say, I've always been you know, a 395 00:18:02,080 --> 00:18:05,080 Speaker 3: fan of Shakira, and now more than ever, you know, 396 00:18:05,080 --> 00:18:07,199 Speaker 3: because I've seen her not only as an artist and 397 00:18:07,240 --> 00:18:09,639 Speaker 3: her music and her songs, but as a woman and 398 00:18:09,680 --> 00:18:12,359 Speaker 3: as a mother. So I just wanted to say that 399 00:18:12,440 --> 00:18:16,600 Speaker 3: the resilience of the human being is inexhaustible, and more 400 00:18:16,680 --> 00:18:20,639 Speaker 3: so that of a woman, you know. So although we 401 00:18:20,760 --> 00:18:24,399 Speaker 3: understand how long complicated of a journey it must have 402 00:18:24,480 --> 00:18:26,560 Speaker 3: been for her to get to where she is, you know, 403 00:18:26,600 --> 00:18:29,440 Speaker 3: we're so happy that she's found herself in this process. 404 00:18:30,359 --> 00:18:32,280 Speaker 2: She says that she used music. 405 00:18:32,119 --> 00:18:35,159 Speaker 1: To help her through it, and I applaud her because 406 00:18:35,280 --> 00:18:37,040 Speaker 1: music is everything, you know. 407 00:18:37,160 --> 00:18:38,960 Speaker 2: Music changes people's lives. 408 00:18:39,000 --> 00:18:42,400 Speaker 3: It's therapeutic, and it helps everyone, you know, get through 409 00:18:42,440 --> 00:18:44,120 Speaker 3: really difficult times in her life. 410 00:18:44,400 --> 00:18:46,640 Speaker 1: Yeah, and she's putting good energy out there. So she's 411 00:18:46,640 --> 00:18:48,840 Speaker 1: putting good energy out there and everyone else is enjoying. 412 00:18:48,880 --> 00:18:51,359 Speaker 1: And she's making a lot of money. And she's making 413 00:18:51,440 --> 00:18:54,480 Speaker 1: money which creates good energy and good vibes and everybody wins. 414 00:18:55,119 --> 00:18:56,440 Speaker 2: Yes, So. 415 00:19:00,200 --> 00:19:02,119 Speaker 1: I love her too. She's so good. I thought she 416 00:19:02,200 --> 00:19:04,439 Speaker 1: nailed the super Bowl. It was so good. And I 417 00:19:04,480 --> 00:19:06,600 Speaker 1: love that she's dating you guys, and you know, and 418 00:19:06,640 --> 00:19:09,479 Speaker 1: spending time with her kids in Miami. Who's she dating 419 00:19:09,680 --> 00:19:16,600 Speaker 1: the race car driver Lewis Hamilton, Yeah, gringo. He's British, 420 00:19:16,800 --> 00:19:32,160 Speaker 1: he's a crowd. Yeah, he's super chutter. Lewis looks Britishly well. 421 00:19:32,160 --> 00:19:36,720 Speaker 1: In other music news, what are you thinking about this 422 00:19:36,880 --> 00:19:40,560 Speaker 1: new outburst of behavior of people throwing things on stage 423 00:19:40,840 --> 00:19:43,600 Speaker 1: at celebrities while they're performing, I e. 424 00:19:43,760 --> 00:19:46,480 Speaker 2: Baby Rexa and Pink and many others. 425 00:19:46,520 --> 00:19:49,119 Speaker 3: I mean, it's now it's getting more attention, but this 426 00:19:49,240 --> 00:19:51,600 Speaker 3: is something that has always existed and I feel like 427 00:19:51,600 --> 00:19:54,800 Speaker 3: it's existed from the artists also throwing things at the. 428 00:19:54,800 --> 00:19:56,199 Speaker 2: Audience and at the crowd. 429 00:19:56,720 --> 00:19:58,919 Speaker 1: But I mean not in a dangerous way or not 430 00:19:58,960 --> 00:20:00,960 Speaker 1: trying to be mean or of nothing, but I feel 431 00:20:01,000 --> 00:20:02,840 Speaker 1: like back in the day and you artists will like 432 00:20:02,920 --> 00:20:04,720 Speaker 1: throw things to like the crowd, like they say, like 433 00:20:04,760 --> 00:20:08,200 Speaker 1: their sunglasses, like I know Beyonce through liquor sunglasses. Obviously 434 00:20:08,200 --> 00:20:11,280 Speaker 1: sunglasses aren't going to hurt anyone, but what could happen 435 00:20:11,400 --> 00:20:13,439 Speaker 1: is that everybody's going to go for the sunglasses and 436 00:20:13,440 --> 00:20:14,719 Speaker 1: they're all going to get hurt together. 437 00:20:15,240 --> 00:20:17,960 Speaker 2: So I mean, just throwing anything period, whether it's. 438 00:20:17,840 --> 00:20:19,960 Speaker 3: The crowd to the artists or the artists, to the 439 00:20:20,119 --> 00:20:23,040 Speaker 3: to the to the crowd should be No. 440 00:20:23,680 --> 00:20:26,720 Speaker 1: It's gotten really dangerous because back in the day, women 441 00:20:26,760 --> 00:20:28,879 Speaker 1: would throw their underwear at Tom Jones and that was 442 00:20:28,920 --> 00:20:32,119 Speaker 1: just like soft, silky underwear, so there's no heart. That 443 00:20:32,280 --> 00:20:34,679 Speaker 1: was fun and you had a brazier and it was 444 00:20:34,800 --> 00:20:37,560 Speaker 1: just like, oh, you know, you're sexy and I'm sharing 445 00:20:37,560 --> 00:20:40,040 Speaker 1: my lingerie with you. That was a little more fun. 446 00:20:40,080 --> 00:20:42,760 Speaker 1: But now it's getting dangerous. For God's sakes, did you 447 00:20:42,800 --> 00:20:48,400 Speaker 1: see that somebody throw their mother's ashes at Pink on stage? 448 00:20:48,440 --> 00:20:50,160 Speaker 1: I'm like, what are you not scary? The care? 449 00:20:50,560 --> 00:20:51,480 Speaker 2: Like, why would you do that? 450 00:20:51,680 --> 00:20:54,000 Speaker 1: Like, I just don't get first of all, I mean 451 00:20:54,040 --> 00:20:56,119 Speaker 1: I think it has to do again with mental health, 452 00:20:56,840 --> 00:20:59,960 Speaker 1: because I mean you cannot, you know, you know, show 453 00:21:01,080 --> 00:21:05,280 Speaker 1: with your mom's ashes and you know, unless like the past, 454 00:21:05,440 --> 00:21:10,040 Speaker 1: I think, right, But even so, like I just don't 455 00:21:10,080 --> 00:21:10,399 Speaker 1: get it. 456 00:21:10,440 --> 00:21:12,480 Speaker 3: I think just taking your mom's ashes, our mom would 457 00:21:12,480 --> 00:21:14,800 Speaker 3: have taken it all in. But like throwing them at 458 00:21:14,840 --> 00:21:17,680 Speaker 3: the artists, you know, it's dangerous and you know they're 459 00:21:17,760 --> 00:21:20,280 Speaker 3: lucky that you know, nothing happened, you know for that 460 00:21:20,320 --> 00:21:21,440 Speaker 3: matter in that instance. 461 00:21:22,040 --> 00:21:23,520 Speaker 1: But I mean it's something. 462 00:21:23,240 --> 00:21:26,480 Speaker 3: That now you know, we we have to be aware 463 00:21:26,480 --> 00:21:28,080 Speaker 3: of and actually be scared. 464 00:21:28,160 --> 00:21:30,159 Speaker 2: You know, if you're an artist, they. 465 00:21:30,040 --> 00:21:33,960 Speaker 1: Need to like check people's phones and any extra accouture 466 00:21:34,000 --> 00:21:35,320 Speaker 1: moments they're bringing into a concert. 467 00:21:35,359 --> 00:21:37,479 Speaker 2: How are they going to do it care thousands of people. 468 00:21:38,000 --> 00:21:39,800 Speaker 1: Well, they have to figure it out or leave your phone, 469 00:21:40,160 --> 00:21:42,160 Speaker 1: you know, like they're doing the airport. You just can't 470 00:21:42,160 --> 00:21:44,439 Speaker 1: bring anything in except your wallet and your cash, and 471 00:21:44,440 --> 00:21:45,280 Speaker 1: you're in and you're out. 472 00:21:45,680 --> 00:21:48,320 Speaker 3: It's probably going to end up like that because the 473 00:21:48,440 --> 00:21:50,120 Speaker 3: artists aren't going to want to perform. I mean, they're 474 00:21:50,119 --> 00:21:51,240 Speaker 3: going to be scared or they're going to have to 475 00:21:51,280 --> 00:21:54,719 Speaker 3: do like some type of barricade where they can't even reads. Yeah, 476 00:21:54,800 --> 00:21:57,000 Speaker 3: you know, the artists, because they're not going to put 477 00:21:57,040 --> 00:21:58,679 Speaker 3: their lives, you know, on the line for that. And 478 00:21:58,840 --> 00:22:01,640 Speaker 3: lately there's been so many instances like this and even 479 00:22:01,680 --> 00:22:04,200 Speaker 3: at different concerts, you know, people getting hurt. 480 00:22:04,280 --> 00:22:06,240 Speaker 1: So, I mean, so it takes away the joy. It 481 00:22:06,280 --> 00:22:09,320 Speaker 1: takes away the joy of like even going to a concert. No, 482 00:22:09,400 --> 00:22:12,200 Speaker 1: but I think also I think this whole concert thing 483 00:22:12,240 --> 00:22:15,480 Speaker 1: has really changed now obviously because of the phone as well, 484 00:22:15,560 --> 00:22:23,760 Speaker 1: and like social media and like TikTok by the way, No, no, 485 00:22:23,840 --> 00:22:26,640 Speaker 1: it's a super me too. 486 00:22:26,960 --> 00:22:29,240 Speaker 2: I think it's like not for me at all. 487 00:22:30,040 --> 00:22:34,479 Speaker 3: I find it super juvenile and stupid, and I'm sorry. 488 00:22:34,520 --> 00:22:37,760 Speaker 2: It's good to be have a brand, but for just 489 00:22:37,800 --> 00:22:39,200 Speaker 2: to just go on there and talk. 490 00:22:39,040 --> 00:22:40,960 Speaker 1: I don't even know it's a brand. It's all fraud. 491 00:22:41,000 --> 00:22:45,240 Speaker 1: I think everything is a fraud regardless. Talking about TikTok 492 00:22:45,600 --> 00:22:50,919 Speaker 1: on our next our next podcast, next segment trashing TikTok. 493 00:22:51,080 --> 00:22:54,919 Speaker 3: But no, I find no joy in it, truthfully, And 494 00:22:55,160 --> 00:22:56,880 Speaker 3: I think that a lot of these kids are doing 495 00:22:56,920 --> 00:23:00,000 Speaker 3: that just to get like that media attention, because you know, 496 00:23:00,240 --> 00:23:01,280 Speaker 3: the youth. 497 00:23:01,280 --> 00:23:03,879 Speaker 2: Is is obsessed with. 498 00:23:05,400 --> 00:23:06,760 Speaker 1: Yeah, with media, with attention. 499 00:23:07,520 --> 00:23:09,679 Speaker 3: So I think it's like a try anything that becomes 500 00:23:09,760 --> 00:23:11,600 Speaker 3: viral or trend whatever on TikTok. 501 00:23:11,680 --> 00:23:13,320 Speaker 2: You know, these kids want to do and repeat. 502 00:23:14,000 --> 00:23:15,679 Speaker 3: And you see, that's where I have a problem with 503 00:23:15,720 --> 00:23:18,159 Speaker 3: social media because if it was something good that they 504 00:23:18,240 --> 00:23:21,240 Speaker 3: want to repeat, you know, and and emulate, fine, but 505 00:23:21,359 --> 00:23:23,480 Speaker 3: like something like that. So apparently there was like a 506 00:23:23,560 --> 00:23:27,680 Speaker 3: viral it's going in TikTok, viral of you know, kids 507 00:23:27,720 --> 00:23:30,560 Speaker 3: going to concerts and then throwing the phone at the 508 00:23:30,600 --> 00:23:33,240 Speaker 3: stage or the artists and then the artist picks up 509 00:23:33,280 --> 00:23:35,639 Speaker 3: the phone and records, you know, and just like a 510 00:23:35,800 --> 00:23:39,000 Speaker 3: selfie on their phone and records something. So of course 511 00:23:39,040 --> 00:23:42,240 Speaker 3: the child, the youth, the kid, you know, gets immediate 512 00:23:42,280 --> 00:23:44,680 Speaker 3: fame all of a sudden just because the artists did 513 00:23:44,680 --> 00:23:45,800 Speaker 3: that and they have that on the phone. 514 00:23:46,400 --> 00:23:50,520 Speaker 2: Follow interesting said, oh, it's funny. 515 00:23:50,520 --> 00:23:52,760 Speaker 3: If I throw it, maybe she'll catch it and do 516 00:23:52,840 --> 00:23:54,879 Speaker 3: me a little thing and throw it back. These are 517 00:23:55,000 --> 00:23:57,160 Speaker 3: kids and they're just watching these things all day long 518 00:23:57,720 --> 00:23:58,920 Speaker 3: and there doing my. 519 00:23:58,920 --> 00:24:01,840 Speaker 1: Phone is going to crack and it's another thousand dollars. 520 00:24:01,880 --> 00:24:05,040 Speaker 1: These kids must be rich. See you dating a pappyomami 521 00:24:05,160 --> 00:24:09,200 Speaker 1: or they're not even thinking the consequences, right, because how 522 00:24:09,240 --> 00:24:11,040 Speaker 1: does he even though it's gonna land and you know 523 00:24:11,040 --> 00:24:13,399 Speaker 1: it's not gonna hurt somebody. It's just like really really 524 00:24:13,400 --> 00:24:14,120 Speaker 1: poor judgment. 525 00:24:14,840 --> 00:24:17,359 Speaker 3: And again, I just think it's because they're they're watching 526 00:24:17,400 --> 00:24:20,720 Speaker 3: these things on social media and they think it's funny 527 00:24:21,320 --> 00:24:21,960 Speaker 3: and it's not. 528 00:24:22,640 --> 00:24:23,080 Speaker 2: It is not. 529 00:24:23,320 --> 00:24:24,639 Speaker 1: Yeah, it's like you say, I mean, it used to 530 00:24:24,680 --> 00:24:26,280 Speaker 1: be back in the day that the girls want to, 531 00:24:26,480 --> 00:24:29,119 Speaker 1: you know, to throw the bra or a panty or 532 00:24:29,119 --> 00:24:30,040 Speaker 1: they would throw like. 533 00:24:31,840 --> 00:24:33,439 Speaker 3: I don't know, you want to give them kisses. You 534 00:24:33,440 --> 00:24:35,160 Speaker 3: wanted to go up there to like, you know, give 535 00:24:35,200 --> 00:24:37,760 Speaker 3: them a hug or a kiss, for them to sing 536 00:24:37,800 --> 00:24:40,960 Speaker 3: you a song. But like this to me is aggression, 537 00:24:41,200 --> 00:24:42,800 Speaker 3: you know, and I feel like we're just living in 538 00:24:42,840 --> 00:24:44,000 Speaker 3: a way danger already. 539 00:24:44,600 --> 00:24:45,720 Speaker 2: That's too aggressive. 540 00:24:45,760 --> 00:24:49,200 Speaker 3: I think people are too aggressive and there's no need 541 00:24:49,280 --> 00:24:51,280 Speaker 3: to throw anybody anything. 542 00:24:53,040 --> 00:24:56,119 Speaker 1: I agree with you, my friend. There's this is a 543 00:24:56,160 --> 00:24:57,760 Speaker 1: pretty cut and dry topic here. 544 00:24:58,000 --> 00:25:00,760 Speaker 3: I mean, if they go to me, nobody's going to 545 00:25:00,840 --> 00:25:03,000 Speaker 3: do that, you know, I think it might do it 546 00:25:03,080 --> 00:25:06,280 Speaker 3: might be like the artist too, I mean, for example, 547 00:25:06,320 --> 00:25:07,840 Speaker 3: I mean, I don't know, have we seen maybe we 548 00:25:07,840 --> 00:25:10,440 Speaker 3: should do a little bit of researchency. Do these things 549 00:25:10,480 --> 00:25:13,080 Speaker 3: occur with Hispanic artists? 550 00:25:14,520 --> 00:25:17,919 Speaker 1: I'm sure, I don't know. I'm gonna. I'm gonna I'm 551 00:25:17,960 --> 00:25:19,639 Speaker 1: gonna look that up after we hang up, because I 552 00:25:19,680 --> 00:25:23,560 Speaker 1: want to see. You could always say, miel oh they 553 00:25:23,680 --> 00:25:27,280 Speaker 1: Mark Antonio Solis or Mark Anthony, They've ever thrown anything 554 00:25:27,280 --> 00:25:27,640 Speaker 1: at them. 555 00:25:27,840 --> 00:25:30,280 Speaker 2: I have no idea. That's our homework, that's my homework. 556 00:25:30,280 --> 00:25:31,440 Speaker 1: I'm going to do that for myself. 557 00:25:32,480 --> 00:25:34,440 Speaker 3: We need to think that we need to fix that 558 00:25:34,600 --> 00:25:37,120 Speaker 3: because that doesn't make me very happy, you know, thank God, 559 00:25:37,160 --> 00:25:39,520 Speaker 3: my you know, my kids, you know, don't go to concerts. 560 00:25:39,520 --> 00:25:43,359 Speaker 3: But if I had, you know, young kids, you know, 561 00:25:43,440 --> 00:25:45,920 Speaker 3: the would be going to concerts. I would be scared 562 00:25:45,960 --> 00:25:48,160 Speaker 3: because I feel like I've been listening and reading about 563 00:25:48,160 --> 00:25:48,920 Speaker 3: this all the time. 564 00:25:49,160 --> 00:25:50,760 Speaker 2: People shouldn't be out in with phones. 565 00:25:51,440 --> 00:25:53,080 Speaker 1: By the way. I look at the one of the 566 00:25:53,119 --> 00:25:58,520 Speaker 1: last concerts I think it was Beyonces one of her 567 00:25:58,520 --> 00:26:00,920 Speaker 1: first concerts. Someone recorded the whole thing on their phone 568 00:26:00,920 --> 00:26:02,719 Speaker 1: and put it out on the internet, and everyone's like, well, 569 00:26:02,720 --> 00:26:04,119 Speaker 1: I don't need to go now, I just saw the 570 00:26:04,160 --> 00:26:07,840 Speaker 1: whole concert. Oh well, that's so stupid. I can't with 571 00:26:07,880 --> 00:26:10,119 Speaker 1: that with the people to go to a concert instead 572 00:26:10,119 --> 00:26:13,320 Speaker 1: of enjoying and taking in the moment and listening and 573 00:26:13,359 --> 00:26:15,560 Speaker 1: singing along and looking at the artists so the entire 574 00:26:15,640 --> 00:26:18,159 Speaker 1: time with their phone recording, I'm like, dude, for that, 575 00:26:18,200 --> 00:26:20,800 Speaker 1: why did you come? This is about the experience. Like, 576 00:26:20,840 --> 00:26:22,359 Speaker 1: if you just want to see the video, you can 577 00:26:22,480 --> 00:26:24,919 Speaker 1: get that from anybody. That's another stupidity. But you know what, 578 00:26:24,960 --> 00:26:26,720 Speaker 1: there's a lot of stupid people. What can I tell 579 00:26:26,760 --> 00:26:28,880 Speaker 1: you that now people are just going to go crazy 580 00:26:28,880 --> 00:26:32,200 Speaker 1: your concert and do one thing, next level worst, worse 581 00:26:32,240 --> 00:26:36,080 Speaker 1: than the last person, until somebody dies because it's dangerous. 582 00:26:36,720 --> 00:26:39,040 Speaker 2: Well, that's another thing. Is this only going on in 583 00:26:39,080 --> 00:26:39,720 Speaker 2: this country? 584 00:26:39,800 --> 00:26:42,920 Speaker 3: Do these artists have these same situations when they perform 585 00:26:43,080 --> 00:26:44,000 Speaker 3: in other countries. 586 00:26:45,160 --> 00:26:49,159 Speaker 2: That's a good question. It's a good question. Let us know, listeners. 587 00:26:50,400 --> 00:26:52,080 Speaker 3: Yes, well, I think I'm also going to do my 588 00:26:52,080 --> 00:26:54,200 Speaker 3: homework and look at that because I feel like it's 589 00:26:54,200 --> 00:26:56,800 Speaker 3: something that's going on in the US. You know, I 590 00:26:56,800 --> 00:26:59,800 Speaker 3: feel like in other countries, these things aren't. These things aren't. 591 00:26:59,840 --> 00:27:02,439 Speaker 1: How so you know what, we're just going to have 592 00:27:02,520 --> 00:27:20,359 Speaker 1: to perform in a different Countryya, I'm gonna our next 593 00:27:20,400 --> 00:27:23,879 Speaker 1: topic is one of our favorites. Yes, the one that 594 00:27:23,920 --> 00:27:26,240 Speaker 1: we do all the time. And that's why our podcast 595 00:27:26,280 --> 00:27:30,280 Speaker 1: is because this is what we do here in Miami. 596 00:27:30,440 --> 00:27:32,280 Speaker 1: It's called Miami English. 597 00:27:32,560 --> 00:27:34,080 Speaker 2: Yeah, it's unique. 598 00:27:34,119 --> 00:27:37,480 Speaker 1: It's only in days. It's a dialect emerging in South Florida. 599 00:27:37,720 --> 00:27:40,600 Speaker 1: You and I brought that to the to the limelight. 600 00:27:40,680 --> 00:27:43,080 Speaker 1: People all over the world listen to us speak Miami 601 00:27:43,119 --> 00:27:45,120 Speaker 1: English or saying you know, I. 602 00:27:45,040 --> 00:27:45,840 Speaker 2: Love I love that. 603 00:27:45,920 --> 00:27:49,600 Speaker 3: We're finally getting some attention and they're considering it a dialect. 604 00:27:50,119 --> 00:27:51,240 Speaker 2: So I think it's so funny. 605 00:27:51,280 --> 00:27:53,640 Speaker 1: So I moved to Spain when I was seventeen years old, 606 00:27:53,640 --> 00:27:56,879 Speaker 1: my last year of high school, and and I thought 607 00:27:57,000 --> 00:28:01,760 Speaker 1: I spoke Spanish and my parents in school, right, and 608 00:28:01,840 --> 00:28:04,040 Speaker 1: my parents thought we spoke Spanish as well. So my 609 00:28:04,119 --> 00:28:05,800 Speaker 1: parents are like, okay, you're going to go to a 610 00:28:05,840 --> 00:28:12,080 Speaker 1: private Catholic Spanish school. So as I'm there and I 611 00:28:12,440 --> 00:28:15,239 Speaker 1: start school and I start speaking in Spanish, thought they 612 00:28:15,240 --> 00:28:18,320 Speaker 1: would ask me gay the alecto, like what dialect are 613 00:28:18,320 --> 00:28:24,440 Speaker 1: you speaking act? And I'm like, yall, look, they they 614 00:28:24,480 --> 00:28:26,880 Speaker 1: thought back then I spoke a dialect and guess what 615 00:28:26,920 --> 00:28:29,359 Speaker 1: they were right, and it's a Miami dialect. And I 616 00:28:29,400 --> 00:28:31,280 Speaker 1: was like, okay, now I get it because there is 617 00:28:31,320 --> 00:28:35,200 Speaker 1: a difference between like the proper Spanish, the Castilian Spanish, 618 00:28:35,480 --> 00:28:38,800 Speaker 1: and like our Spanish, you know, mixed with English. 619 00:28:38,840 --> 00:28:39,840 Speaker 2: I like ours better. 620 00:28:40,120 --> 00:28:42,520 Speaker 1: By the way, it's so so much funer, it's so 621 00:28:42,600 --> 00:28:45,320 Speaker 1: much easier and yer. Yeah, I must say no, even 622 00:28:45,320 --> 00:28:46,880 Speaker 1: though the Castilian Spanish is sexy. 623 00:28:48,960 --> 00:28:53,440 Speaker 3: They're finally recognizing our dialect, our language here in Miami. 624 00:28:53,560 --> 00:28:56,719 Speaker 1: It's an actual study at Florida International University. They've been 625 00:28:56,720 --> 00:28:59,240 Speaker 1: doing it for a decade and I'm like, it's only 626 00:28:59,280 --> 00:29:01,320 Speaker 1: been ten years been studying. We've been doing this for 627 00:29:01,360 --> 00:29:06,400 Speaker 1: fifty sixty years now, translating English to Spanish, modeling our words, 628 00:29:06,640 --> 00:29:10,080 Speaker 1: saying everything grammatically incorrect, but it's super funny. You know. 629 00:29:10,240 --> 00:29:13,600 Speaker 1: Cubans are so funny. They love they're they're the funnest people. 630 00:29:14,000 --> 00:29:14,400 Speaker 2: Did you know? 631 00:29:14,600 --> 00:29:18,600 Speaker 1: This new dialect is called only Indeed, And according to FIU, 632 00:29:18,920 --> 00:29:23,360 Speaker 1: the dialect incorporates what linguist is called kylkes, which are 633 00:29:23,400 --> 00:29:26,640 Speaker 1: borrower translations from the speaker's native language, and in this 634 00:29:26,800 --> 00:29:29,680 Speaker 1: case it's Spanish. Most of the time, it is a 635 00:29:29,720 --> 00:29:33,440 Speaker 1: literal translation, which is what we do, like phrases like 636 00:29:33,920 --> 00:29:37,800 Speaker 1: get down from the car right, like baja caro, so 637 00:29:37,920 --> 00:29:41,520 Speaker 1: get down from the car right, or like I'm super hungry, 638 00:29:42,440 --> 00:29:45,120 Speaker 1: or I'll have the meat and banada, you know, because 639 00:29:45,120 --> 00:29:48,320 Speaker 1: we were saying like banala goden instead of beef and banada. 640 00:29:48,360 --> 00:29:50,200 Speaker 1: What do you say? Do you say beef and banada 641 00:29:50,280 --> 00:29:55,400 Speaker 1: or meat and banada? I say beef, beef and banada. 642 00:29:54,840 --> 00:29:59,240 Speaker 3: Of course, because you're tore macrina, I say meat and panada. 643 00:29:59,400 --> 00:30:00,800 Speaker 2: You know that, Okay. 644 00:30:00,920 --> 00:30:05,360 Speaker 3: So these were commonly used among the second generation Cuban Americans, 645 00:30:05,360 --> 00:30:08,400 Speaker 3: so that would be us obviously, So like that's what 646 00:30:08,480 --> 00:30:09,480 Speaker 3: that's what I say. 647 00:30:09,720 --> 00:30:14,880 Speaker 1: Yeah, yeah, or like they say, turn on the candle, 648 00:30:16,640 --> 00:30:19,800 Speaker 1: and it's just grammatically incorrect. But I mean, I don't 649 00:30:20,200 --> 00:30:23,000 Speaker 1: speak like that. I prefer Spanglish for me. Spanglish is 650 00:30:23,040 --> 00:30:24,440 Speaker 1: so much more fun, don't you think? 651 00:30:25,120 --> 00:30:25,360 Speaker 2: Yeah? 652 00:30:25,400 --> 00:30:27,960 Speaker 3: Because it is different, right, So, because the study out 653 00:30:27,960 --> 00:30:30,000 Speaker 3: of the FIU explains that the way people in South 654 00:30:30,000 --> 00:30:32,920 Speaker 3: Floria speak can be considered a new dialect and it's 655 00:30:32,960 --> 00:30:35,040 Speaker 3: not Spanglish because everybody who is going to think of 656 00:30:35,040 --> 00:30:40,880 Speaker 3: a Spanglish right right, and in this case it's a translation. 657 00:30:41,040 --> 00:30:43,080 Speaker 3: And I feel that other cultures do it too. I mean, 658 00:30:43,120 --> 00:30:45,400 Speaker 3: I know we're getting all the attention, the Cubans because 659 00:30:45,400 --> 00:30:48,040 Speaker 3: you know we're we do. We deserve it in Miami, right, 660 00:30:48,080 --> 00:30:49,200 Speaker 3: it's like our own little country. 661 00:30:49,200 --> 00:30:52,000 Speaker 1: It's like our own little city, our own language and 662 00:30:52,160 --> 00:30:54,960 Speaker 1: our little language, and we look and we talk a 663 00:30:55,000 --> 00:30:59,440 Speaker 1: certain way, but in reality it's it's not Spanglish, like 664 00:30:59,480 --> 00:31:01,560 Speaker 1: we said. But you know, we could do both. We 665 00:31:01,600 --> 00:31:04,040 Speaker 1: can do both. I don't really do not only in 666 00:31:04,120 --> 00:31:06,400 Speaker 1: day chap, but I do love the Spanish. I love 667 00:31:06,480 --> 00:31:10,280 Speaker 1: trans like mixing a word from Spanish to English, and 668 00:31:10,400 --> 00:31:12,800 Speaker 1: bastardizing is just like my favorite thing in the world. 669 00:31:12,840 --> 00:31:17,280 Speaker 1: It's just so funny. It's funny. And give me an example, like. 670 00:31:17,760 --> 00:31:21,040 Speaker 2: Embarkation or trigation or tragation. 671 00:31:21,680 --> 00:31:27,000 Speaker 1: Tragation, Yeah, so a drink tragash when you're being in 672 00:31:27,080 --> 00:31:30,800 Speaker 1: when you're embarking on something, or somebody leaves you waiting 673 00:31:30,880 --> 00:31:34,200 Speaker 1: or hanging, you say embarkation. It's funny. It's just it's 674 00:31:34,680 --> 00:31:37,479 Speaker 1: there's so many. I couldn't even begin to remember them all. 675 00:31:37,520 --> 00:31:38,600 Speaker 1: What's one of your favorites. 676 00:31:38,760 --> 00:31:42,960 Speaker 2: We do it all the time. Let me see. I 677 00:31:42,960 --> 00:31:45,200 Speaker 2: mean I do a lot of like the Spanish to English. 678 00:31:45,280 --> 00:31:47,920 Speaker 1: Like if I think of the word in Spanish better 679 00:31:47,920 --> 00:31:50,680 Speaker 1: than in English, I say it in Spanish, so I'll 680 00:31:50,680 --> 00:31:53,920 Speaker 1: throw it in there. It's lazy, We're lazy. Whatever comes 681 00:31:53,960 --> 00:31:55,720 Speaker 1: to our mind first, we just repeat it. 682 00:31:56,720 --> 00:31:59,080 Speaker 3: I don't I don't even think that it's lazy. I 683 00:31:59,160 --> 00:32:01,320 Speaker 3: just think like it either sounds better or you learned it. 684 00:32:01,440 --> 00:32:03,760 Speaker 1: It must be like I learned it in Spanish, so 685 00:32:03,920 --> 00:32:07,400 Speaker 1: like I was saying in Spanish better. But yeah, I 686 00:32:07,440 --> 00:32:10,600 Speaker 1: just think it's really cool. And you have to like 687 00:32:10,760 --> 00:32:11,320 Speaker 1: kind of like. 688 00:32:11,360 --> 00:32:14,200 Speaker 3: Live here to know, because like I said, I've been 689 00:32:14,320 --> 00:32:16,880 Speaker 3: even in different parts of the country, or I've done this, 690 00:32:16,960 --> 00:32:18,720 Speaker 3: I've gone back and forth, like with my mom and 691 00:32:18,760 --> 00:32:21,280 Speaker 3: my sisters. I think I've said this before, and like 692 00:32:21,360 --> 00:32:24,640 Speaker 3: the people will stop us and say, Senora, like get 693 00:32:24,720 --> 00:32:26,680 Speaker 3: kang a Lando, like what language are you speaking? 694 00:32:26,720 --> 00:32:28,720 Speaker 2: Because are Americans? 695 00:32:29,200 --> 00:32:29,400 Speaker 1: No? 696 00:32:29,440 --> 00:32:30,520 Speaker 2: Hekay? 697 00:32:30,640 --> 00:32:30,720 Speaker 1: You? 698 00:32:30,840 --> 00:32:32,920 Speaker 3: I mean I've been in Spain and we've been lucky 699 00:32:32,960 --> 00:32:35,040 Speaker 3: between the English and Spanish. I've been in other parts 700 00:32:35,040 --> 00:32:38,080 Speaker 3: of the country, and or the people I've been trying 701 00:32:38,080 --> 00:32:40,320 Speaker 3: to see, they'll be like, Okay, I speak English and 702 00:32:40,360 --> 00:32:42,320 Speaker 3: I speak Spanish, but what the hell are you speaking? 703 00:32:42,560 --> 00:32:45,280 Speaker 2: Because like I know those two languages, what do you guys. 704 00:32:45,080 --> 00:32:47,800 Speaker 1: Speak saying any of them? Right? 705 00:32:48,360 --> 00:32:50,320 Speaker 3: So like it's you know, it's like you have to 706 00:32:50,360 --> 00:32:52,040 Speaker 3: have the ear for it, and I feel like being 707 00:32:52,080 --> 00:32:54,560 Speaker 3: here from Miami, we kind of like get it and 708 00:32:54,600 --> 00:32:56,240 Speaker 3: we have the ear for that and we have that 709 00:32:56,320 --> 00:32:59,080 Speaker 3: ability where we can go from English and Spanish or 710 00:32:59,120 --> 00:33:00,760 Speaker 3: even do that lee and day thing. 711 00:33:01,200 --> 00:33:01,440 Speaker 1: Yeah. 712 00:33:01,560 --> 00:33:04,920 Speaker 2: I just remembered one chan chanks. 713 00:33:05,560 --> 00:33:09,480 Speaker 3: Okay, that's cute. That's a good one too. There's so many, 714 00:33:09,520 --> 00:33:11,880 Speaker 3: we have so many. We're always teaching these girls. 715 00:33:12,680 --> 00:33:14,920 Speaker 1: Yeah, we're always teaching the girls in our friend group 716 00:33:16,040 --> 00:33:19,840 Speaker 1: these words. But chances are if you're Cuban American or 717 00:33:19,880 --> 00:33:23,120 Speaker 1: you have any Cuban in your family, you've helped create 718 00:33:23,160 --> 00:33:28,680 Speaker 1: that dialect. Yes, yes, I like to personally take credit 719 00:33:28,720 --> 00:33:32,520 Speaker 1: for dragation. I just want to say we were. 720 00:33:32,560 --> 00:33:33,960 Speaker 2: The visky a London. 721 00:33:35,880 --> 00:33:36,360 Speaker 1: Dragation. 722 00:33:38,560 --> 00:33:43,600 Speaker 2: No, no, no, it's so. 723 00:33:43,720 --> 00:33:49,040 Speaker 1: Funny though, I don't think there's a funnier Hispanic group 724 00:33:49,120 --> 00:33:52,000 Speaker 1: of people. In Cubans, they're just so funny. They love 725 00:33:53,240 --> 00:33:55,480 Speaker 1: they love to talk, they love to have fun. They're 726 00:33:55,520 --> 00:33:58,880 Speaker 1: so expressive, so passionate. That's the other things to right, 727 00:33:59,000 --> 00:34:01,360 Speaker 1: get like the way we talk is that we're not 728 00:34:01,400 --> 00:34:04,040 Speaker 1: even fighting, and they're like I remember my grandma always saying, 729 00:34:04,040 --> 00:34:09,080 Speaker 1: but we're like, Ailita, like that's not how like fighting, 730 00:34:09,280 --> 00:34:13,880 Speaker 1: We're just excited, right, We're just talking Because my grandmother 731 00:34:13,960 --> 00:34:16,480 Speaker 1: was like, you know, really like self spoken and coret down. 732 00:34:17,120 --> 00:34:19,080 Speaker 1: But how do you feel people outside Miami are going 733 00:34:19,080 --> 00:34:25,120 Speaker 1: to react to this dialect? You know? I feel like 734 00:34:25,239 --> 00:34:27,920 Speaker 1: when we're talking and people around us don't know what 735 00:34:27,920 --> 00:34:31,759 Speaker 1: we're talking about, they look seem so confused, and it's 736 00:34:31,800 --> 00:34:34,520 Speaker 1: just so hard to explain because we speak so quickly, right, 737 00:34:34,560 --> 00:34:37,319 Speaker 1: don't Cubans speak very quickly? And then you're like in 738 00:34:37,360 --> 00:34:40,880 Speaker 1: this accelerated ad D speaking moment that you're in to 739 00:34:41,040 --> 00:34:43,640 Speaker 1: stop and explain everything. Then we end up being real 740 00:34:43,680 --> 00:34:45,040 Speaker 1: because you're like, oh my god, forget it. You're never 741 00:34:45,080 --> 00:34:46,880 Speaker 1: going to get it. To go back and stop what 742 00:34:46,920 --> 00:34:49,839 Speaker 1: you're saying and explain it. It's just impossible. So I 743 00:34:49,880 --> 00:34:51,880 Speaker 1: feel like people are going to think we're obnoxious and 744 00:34:51,920 --> 00:34:54,160 Speaker 1: we're weird. That's what I think they're gonna say. 745 00:34:54,800 --> 00:34:56,880 Speaker 3: Well, I'm going to think that when we're very proud, 746 00:34:57,840 --> 00:34:59,879 Speaker 3: you know, I mean, not that that's you know, I mean, 747 00:35:00,080 --> 00:35:03,280 Speaker 3: I think it's pretty cool that finally somebody recognized that, because, 748 00:35:03,320 --> 00:35:05,360 Speaker 3: like I said, I feel like in other parts of 749 00:35:05,400 --> 00:35:08,080 Speaker 3: the country, they've heard me do this or you speak this. 750 00:35:08,080 --> 00:35:10,720 Speaker 1: Way, and they actually think it's a dialect. 751 00:35:10,920 --> 00:35:12,239 Speaker 2: So I kind of get it. 752 00:35:12,320 --> 00:35:16,279 Speaker 1: So finally it's been recognized as a dialect, and I'm 753 00:35:16,320 --> 00:35:16,799 Speaker 1: proud of it. 754 00:35:17,080 --> 00:35:21,120 Speaker 2: M Mayami y Yeah, chat, it was good to see you. 755 00:35:21,320 --> 00:35:23,879 Speaker 1: I'm seeing you since I you know, we landed here 756 00:35:23,880 --> 00:35:27,759 Speaker 1: from Mexico and you look great. 757 00:35:27,960 --> 00:35:29,680 Speaker 2: I look like shit. I'm sorry I didn't turn out. 758 00:35:29,960 --> 00:35:32,799 Speaker 1: No, you don't, they said. I've been beginning like shit 759 00:35:32,960 --> 00:35:35,279 Speaker 1: for like four days. Does the audience know we have 760 00:35:35,440 --> 00:35:38,960 Speaker 1: rona now? They do now they do. Alexi and I 761 00:35:38,960 --> 00:35:41,560 Speaker 1: got Rona. It's still a thing, guys, So yes, it's 762 00:35:41,560 --> 00:35:43,920 Speaker 1: still it still exists, and we both have browna That's 763 00:35:43,920 --> 00:35:47,120 Speaker 1: why I keep coughing and we're I'm a little lethargic today. 764 00:35:47,120 --> 00:35:48,279 Speaker 2: I'm sorry. I'm not. 765 00:35:48,400 --> 00:35:50,680 Speaker 1: I'm a wig game. But I'm a little bit more 766 00:35:50,680 --> 00:35:53,719 Speaker 1: excited now now that I saw you. I'm a little 767 00:35:53,760 --> 00:35:54,440 Speaker 1: bit more excited. 768 00:35:54,600 --> 00:35:56,480 Speaker 2: I need to see you and talk to you. 769 00:35:56,560 --> 00:35:58,040 Speaker 1: Yeah, yeah, yeah, because when I see you like an 770 00:35:58,040 --> 00:36:02,879 Speaker 1: animated yes, we get like it makes it more fun. Yeah, 771 00:36:02,920 --> 00:36:06,560 Speaker 1: I'm sorry. I also have a black eye. Everyone listening, 772 00:36:06,640 --> 00:36:09,399 Speaker 1: I have a dreadful black eye from a sty from 773 00:36:09,440 --> 00:36:09,759 Speaker 1: a stye. 774 00:36:09,840 --> 00:36:11,960 Speaker 3: Can you please, can you please say why you have 775 00:36:12,040 --> 00:36:14,040 Speaker 3: the black eye? It wasn't any of the friends that 776 00:36:14,120 --> 00:36:14,840 Speaker 3: did it too. 777 00:36:14,960 --> 00:36:15,600 Speaker 1: I have a sty. 778 00:36:15,719 --> 00:36:15,919 Speaker 2: Well. 779 00:36:15,960 --> 00:36:17,719 Speaker 1: The doctor even said to me, you know, I've only 780 00:36:17,719 --> 00:36:20,800 Speaker 1: seen this a few times, that someone gets an entire 781 00:36:20,880 --> 00:36:24,320 Speaker 1: black eye from a sty. My eyes like purple and brown. 782 00:36:24,840 --> 00:36:27,880 Speaker 1: So there's no visual of me today. And I'm also 783 00:36:28,040 --> 00:36:32,080 Speaker 1: dying over here from the Rhona. So apologize for all 784 00:36:32,120 --> 00:36:34,759 Speaker 1: my coughing and that you can't see me. Despite all 785 00:36:34,840 --> 00:36:38,040 Speaker 1: that you look good. I'm looking at you. 786 00:36:38,200 --> 00:36:40,080 Speaker 3: I said, thank you for coming on screen because I 787 00:36:40,160 --> 00:36:42,279 Speaker 3: needed to see your face so I could do this. 788 00:36:44,120 --> 00:36:46,960 Speaker 2: I know it makes a different skin looks beautiful. 789 00:36:47,040 --> 00:36:53,239 Speaker 1: Oh, thank you. I tried on my wedding dress. I 790 00:36:53,280 --> 00:36:59,800 Speaker 1: want to see it. It's cute. I love you listen 791 00:37:00,120 --> 00:37:01,160 Speaker 1: as said place it. 792 00:37:03,480 --> 00:37:04,560 Speaker 2: Thank you for listening. 793 00:37:04,719 --> 00:37:06,359 Speaker 1: We love talking with each other and we love when 794 00:37:06,360 --> 00:37:08,520 Speaker 1: you listen to us, and we love your feedback. 795 00:37:08,600 --> 00:37:09,480 Speaker 2: We love you mucho. 796 00:37:09,600 --> 00:37:11,520 Speaker 1: We can't wait to answer all your questions. 797 00:37:11,600 --> 00:37:16,080 Speaker 3: You can ask us anything in I thanks for listening. 798 00:37:16,600 --> 00:37:20,600 Speaker 1: Follow us on Instagram at iPort Forward Podcast. Make sure 799 00:37:20,640 --> 00:37:23,080 Speaker 1: to write us a review and leave us five stars. 800 00:37:23,239 --> 00:37:25,680 Speaker 2: Attaluelo Astella Proxima