1 00:00:07,520 --> 00:00:10,760 Speaker 1: Hey there, folks. It is Friday, October third, and the 2 00:00:10,840 --> 00:00:17,640 Speaker 1: guy from Succession is also a corner and it makes 3 00:00:17,640 --> 00:00:20,759 Speaker 1: for one of the best horror movies you are gonna see. 4 00:00:20,800 --> 00:00:20,880 Speaker 2: You. 5 00:00:20,920 --> 00:00:23,960 Speaker 1: Welcome to Deep Cuts, our countdown here on Amy and 6 00:00:24,000 --> 00:00:27,800 Speaker 1: TJ of the best horror movies that you might not 7 00:00:28,400 --> 00:00:31,479 Speaker 1: know and Robes this was I think I was this 8 00:00:31,520 --> 00:00:33,519 Speaker 1: one I introduced you to I'll take credit for I 9 00:00:33,640 --> 00:00:34,720 Speaker 1: love this movie. 10 00:00:34,840 --> 00:00:37,440 Speaker 2: You absolutely introduced this one to me. I had seen 11 00:00:37,479 --> 00:00:41,000 Speaker 2: it on my streaming services and I just thought, I 12 00:00:41,040 --> 00:00:43,400 Speaker 2: don't know what is that movie about. And you saw 13 00:00:43,440 --> 00:00:46,320 Speaker 2: it and you said, no, you have to watch this movie. 14 00:00:46,400 --> 00:00:48,800 Speaker 2: And so we sat down and watched it, and you 15 00:00:48,880 --> 00:00:50,400 Speaker 2: did not oversell it. 16 00:00:50,400 --> 00:00:52,080 Speaker 3: It was amazing. 17 00:00:52,120 --> 00:00:54,880 Speaker 2: One of my favorite horror movies that was sitting there 18 00:00:54,920 --> 00:00:57,000 Speaker 2: in front of me the whole time that I never 19 00:00:57,160 --> 00:01:00,240 Speaker 2: actually clicked on to watch, and when I did, I 20 00:01:00,360 --> 00:01:01,480 Speaker 2: did not regret it. 21 00:01:01,520 --> 00:01:03,560 Speaker 1: Okay, here we go, folks, and this is number twenty 22 00:01:03,680 --> 00:01:07,279 Speaker 1: nine on our list of Deep Cuts, as we count 23 00:01:07,319 --> 00:01:10,319 Speaker 1: down to our favorite horror movies that maybe you have 24 00:01:10,560 --> 00:01:14,479 Speaker 1: never heard of, and even Robes the title of this 25 00:01:14,520 --> 00:01:18,440 Speaker 1: one won't this intrigue people? So number twenty nine on 26 00:01:18,480 --> 00:01:19,440 Speaker 1: our list, folks. 27 00:01:19,720 --> 00:01:25,840 Speaker 2: The Autopsy of Jane Doe. It's a twenty sixteen horror mystery. 28 00:01:26,240 --> 00:01:29,120 Speaker 2: It runs in that sweet spot of an hour and 29 00:01:29,200 --> 00:01:31,800 Speaker 2: twenty six minutes, as you'll find most of our movies do. 30 00:01:32,360 --> 00:01:33,920 Speaker 3: Here's the synopsis for you. 31 00:01:34,040 --> 00:01:37,480 Speaker 2: A corner and his son conduct an autopsy on a 32 00:01:37,520 --> 00:01:44,360 Speaker 2: beautiful Jane Doe murder victim and find increasingly bizarre clues. 33 00:01:44,520 --> 00:01:47,160 Speaker 1: I almost don't want to give more than that, because 34 00:01:47,240 --> 00:01:50,240 Speaker 1: this movie, you'd have no idea where this thing is going, 35 00:01:50,560 --> 00:01:52,600 Speaker 1: and then when you find out in the end, you go, oh, 36 00:01:52,680 --> 00:01:55,000 Speaker 1: holy hell. I never would have thought of that. This 37 00:01:55,120 --> 00:01:57,680 Speaker 1: movie is intriguing from the jump. And you said a 38 00:01:57,720 --> 00:02:02,280 Speaker 1: corner and his son. The corner is Brian Cox, an 39 00:02:02,320 --> 00:02:06,640 Speaker 1: award winning actor who is best known at least as 40 00:02:06,640 --> 00:02:09,320 Speaker 1: of Late Robes for Succession. Yes, that's a lead in 41 00:02:09,320 --> 00:02:09,640 Speaker 1: that show. 42 00:02:09,720 --> 00:02:12,360 Speaker 2: You know his face immediately when you see it. And 43 00:02:12,800 --> 00:02:17,160 Speaker 2: Emil Hirsh that is that's the model. You went and 44 00:02:17,200 --> 00:02:21,040 Speaker 2: did a deep dive on the Jane Doe in the movie. 45 00:02:21,200 --> 00:02:24,160 Speaker 1: So the Jane Doe. So this movie, Yes, they are 46 00:02:24,200 --> 00:02:27,280 Speaker 1: performing an autopsy on a Jane Doe literally what the 47 00:02:27,320 --> 00:02:31,240 Speaker 1: title says, but really robes. 48 00:02:32,600 --> 00:02:32,680 Speaker 2: It. 49 00:02:33,000 --> 00:02:35,560 Speaker 1: Even though Brian Cox is in there. The star of 50 00:02:35,639 --> 00:02:38,720 Speaker 1: the movie may be someone that you never heard of 51 00:02:39,080 --> 00:02:43,280 Speaker 1: who never says a word the whole movie and literally 52 00:02:43,680 --> 00:02:48,160 Speaker 1: lays there the whole time. Its U's a model named 53 00:02:48,200 --> 00:02:52,520 Speaker 1: Olwen Kelly, and she is laying on this autopsy table 54 00:02:53,400 --> 00:02:59,760 Speaker 1: naked in kind of white, pale skin the entire movie essentially, 55 00:03:00,200 --> 00:03:03,520 Speaker 1: and robes as wild as it seems. She gets so 56 00:03:03,720 --> 00:03:05,960 Speaker 1: much credit for putting on a good performance. 57 00:03:06,320 --> 00:03:07,160 Speaker 3: It's true. 58 00:03:07,240 --> 00:03:11,880 Speaker 2: She really is playing a dead corpse, and yet it's 59 00:03:11,919 --> 00:03:15,320 Speaker 2: so good. And yes, Emil Hirsh is the sun and 60 00:03:15,560 --> 00:03:18,519 Speaker 2: he is also a familiar face, and the. 61 00:03:18,520 --> 00:03:21,800 Speaker 3: Acting is so good. 62 00:03:21,960 --> 00:03:28,639 Speaker 2: I actually was so impressed with that because, look, I 63 00:03:28,680 --> 00:03:31,160 Speaker 2: passed it over because I just thought, well, you know what, 64 00:03:31,240 --> 00:03:33,880 Speaker 2: is this some lame autopsy. It's going to be gross 65 00:03:33,919 --> 00:03:37,320 Speaker 2: body horror. It's gonna be grotesque. It's gonna be gross. 66 00:03:37,840 --> 00:03:40,360 Speaker 3: Honestly, I was. 67 00:03:40,400 --> 00:03:42,640 Speaker 2: So wrong about this movie, and you were so right. 68 00:03:42,680 --> 00:03:45,000 Speaker 2: It got eighty six percent on Rotten Tomatoes. By the way, 69 00:03:45,120 --> 00:03:49,000 Speaker 2: so the critics agreed with you, and the critics consensus. 70 00:03:49,040 --> 00:03:50,480 Speaker 2: I'm going to read this for you because I think 71 00:03:50,520 --> 00:03:54,680 Speaker 2: you'll feel validated. The autopsy of Jane Doe subverts the 72 00:03:54,720 --> 00:03:59,560 Speaker 2: gruesome expectations triggered by its title, which is exactly why 73 00:03:59,600 --> 00:04:04,640 Speaker 2: I didn't tune in to deliver a smart, suggestively creepy 74 00:04:04,800 --> 00:04:10,840 Speaker 2: thriller that bolsters director Andre Overdall's growing reputation. So I 75 00:04:10,920 --> 00:04:13,600 Speaker 2: actually then looked at the director overdll He's done. 76 00:04:13,680 --> 00:04:15,120 Speaker 3: I don't do you know any of these movies? 77 00:04:15,400 --> 00:04:20,479 Speaker 2: Future Murder, troll Hunter, Scary Stories to tell in the Dark, Mortal, 78 00:04:20,760 --> 00:04:22,720 Speaker 2: and The Last Voyage of Demeter. 79 00:04:23,279 --> 00:04:26,320 Speaker 1: You know the last one, Yes, the Last Voyage of 80 00:04:26,400 --> 00:04:29,080 Speaker 1: the Demeter. It did not get a lot of great 81 00:04:29,160 --> 00:04:32,479 Speaker 1: reviews in by critics, and it wasn't a big box 82 00:04:32,520 --> 00:04:36,119 Speaker 1: office success, but it was the story of Dracula coming 83 00:04:36,200 --> 00:04:40,400 Speaker 1: over across the sea on this particular boat, the Demeter. 84 00:04:40,720 --> 00:04:43,240 Speaker 1: I love that for a lot of reasons. So when 85 00:04:43,279 --> 00:04:45,680 Speaker 1: you pointed that out, I was like, Oh, okay, I 86 00:04:45,760 --> 00:04:47,960 Speaker 1: do like this guy. He does some stuff that I 87 00:04:48,000 --> 00:04:52,400 Speaker 1: do like, but this I guess maybe is that a 88 00:04:52,440 --> 00:04:54,560 Speaker 1: reason you skipped over it as well? Because of the title. 89 00:04:54,680 --> 00:04:57,440 Speaker 2: Yes, so I thought when I saw the critics consensus 90 00:04:57,520 --> 00:05:00,800 Speaker 2: after we watched it, I also felt validated because it 91 00:05:00,920 --> 00:05:03,560 Speaker 2: says you have a certain expectation it's going to be gruesome. 92 00:05:03,720 --> 00:05:05,440 Speaker 3: I'm not in the mood for an autopsy. 93 00:05:05,800 --> 00:05:07,680 Speaker 2: You know, you sit down on a Friday night or 94 00:05:07,680 --> 00:05:11,080 Speaker 2: a Saturday night, and when I see autopsy, I don't 95 00:05:11,080 --> 00:05:12,680 Speaker 2: necessarily want to watch. 96 00:05:12,760 --> 00:05:15,000 Speaker 3: And this is coming from somebody who when you see. 97 00:05:14,800 --> 00:05:17,880 Speaker 2: Exorcism, I'll watch that, but I don't want to watch 98 00:05:17,920 --> 00:05:21,839 Speaker 2: an autopsy. So I think that is absolutely why I 99 00:05:21,880 --> 00:05:23,880 Speaker 2: skipped over this movie because of the title. So we're 100 00:05:23,880 --> 00:05:26,599 Speaker 2: here to tell you do not skip over this movie 101 00:05:26,640 --> 00:05:27,520 Speaker 2: because of the title. 102 00:05:27,680 --> 00:05:28,320 Speaker 3: And here's the deal. 103 00:05:28,360 --> 00:05:31,320 Speaker 2: The budget was four million, the box office only six 104 00:05:31,400 --> 00:05:34,400 Speaker 2: point one seven, so this was a sleeper and yet 105 00:05:34,720 --> 00:05:38,479 Speaker 2: highly reviewed. And we can absolutely attest to the fact 106 00:05:38,520 --> 00:05:42,640 Speaker 2: that this is highly entertaining. I love that this is 107 00:05:42,680 --> 00:05:45,360 Speaker 2: on our list because I think this is something that a. 108 00:05:45,320 --> 00:05:47,080 Speaker 3: Lot of people have overlooked. 109 00:05:47,480 --> 00:05:49,320 Speaker 2: We know it when you look at the box office, 110 00:05:49,400 --> 00:05:52,640 Speaker 2: and yet when you do take the time, your hour 111 00:05:53,000 --> 00:05:56,479 Speaker 2: and twenty six minutes, I really don't think you'll regret it. 112 00:05:56,560 --> 00:05:58,880 Speaker 3: I can't imagine not being entertained by this. 113 00:05:58,960 --> 00:06:01,359 Speaker 1: The acting is stella to your point, but it's this 114 00:06:01,440 --> 00:06:05,200 Speaker 1: one is non stop suspense. You're like, wait, what they 115 00:06:05,240 --> 00:06:07,960 Speaker 1: were all there? Are a number of shocking moments, a 116 00:06:08,040 --> 00:06:12,279 Speaker 1: few jump scares, but this is a mystery that builds, 117 00:06:12,279 --> 00:06:14,760 Speaker 1: and every time they reveal another piece of the mystery, 118 00:06:15,240 --> 00:06:19,440 Speaker 1: it becomes I think, more tense. It adds to tension 119 00:06:19,480 --> 00:06:21,800 Speaker 1: in the room every time a new mystery is revealed, 120 00:06:21,920 --> 00:06:24,360 Speaker 1: and you owe the whole time, like, guys, get the 121 00:06:24,360 --> 00:06:27,240 Speaker 1: hell out of there. Yes, it is the wonderful I. 122 00:06:27,279 --> 00:06:30,559 Speaker 2: Want them to get out so badly. So I wrote 123 00:06:30,560 --> 00:06:32,360 Speaker 2: down why it made the list for me. And it's 124 00:06:32,360 --> 00:06:34,120 Speaker 2: funny I heard you just say that, So I wrote 125 00:06:34,160 --> 00:06:38,760 Speaker 2: this movie is gripping. It slowly and creepily builds, and 126 00:06:38,800 --> 00:06:41,680 Speaker 2: you have no idea what is going on, and you 127 00:06:41,800 --> 00:06:44,120 Speaker 2: have no idea what is going to happen next, and 128 00:06:44,160 --> 00:06:45,760 Speaker 2: you will sit there and you will try to figure 129 00:06:45,800 --> 00:06:48,560 Speaker 2: it out and you will be wrong. The acting is phenomenal, 130 00:06:48,680 --> 00:06:50,760 Speaker 2: the script is phenomenal. But I also love the fact 131 00:06:50,760 --> 00:06:54,720 Speaker 2: that there's a dramatic storm. There's weather going on, so 132 00:06:54,760 --> 00:06:58,040 Speaker 2: they're in this basement to paint the picture for you. 133 00:06:58,480 --> 00:07:03,880 Speaker 2: Brian Cox the corner and his son have a basically 134 00:07:04,279 --> 00:07:07,440 Speaker 2: I guess they're medical examiners and they have a basically 135 00:07:07,480 --> 00:07:10,840 Speaker 2: a cremation room or some sort of a funeral home 136 00:07:11,120 --> 00:07:13,880 Speaker 2: esque set up in their basement. 137 00:07:13,600 --> 00:07:16,680 Speaker 1: Examining, and you know what, you to your point, the 138 00:07:16,920 --> 00:07:20,000 Speaker 1: setting actually adds to the dread. You are literally in 139 00:07:20,120 --> 00:07:22,800 Speaker 1: a and you feel like you're in the basement where 140 00:07:22,880 --> 00:07:27,720 Speaker 1: they perform autopsies, they store dead bodies, they cremate dead bodies, 141 00:07:27,760 --> 00:07:30,280 Speaker 1: and everything it's dark and that's dark wool. 142 00:07:30,360 --> 00:07:34,200 Speaker 2: There's scary elevator and it's like dark brick. Everything's dark. 143 00:07:34,640 --> 00:07:38,040 Speaker 2: Everything is so the setting is perfect. And yes, you're 144 00:07:38,080 --> 00:07:42,000 Speaker 2: not in some hospital clinic, medical examiner's office. No, you're 145 00:07:42,040 --> 00:07:45,040 Speaker 2: in someone's like victorian home basement, like you know, one 146 00:07:45,080 --> 00:07:48,600 Speaker 2: of those old school funeral homes. It's one of those. 147 00:07:48,760 --> 00:07:53,280 Speaker 2: So it just adds to this creepy feeling of being trapped. 148 00:07:53,320 --> 00:07:58,320 Speaker 2: There's a storm like blowing outside, like there's tornado warnings 149 00:07:58,400 --> 00:08:00,080 Speaker 2: or whatever it is going on, and so the. 150 00:08:00,080 --> 00:08:03,200 Speaker 1: Sheriff shows up late says, hey, we need we got 151 00:08:03,240 --> 00:08:05,360 Speaker 1: a Jane Doe need you to do this tonight and 152 00:08:05,400 --> 00:08:07,600 Speaker 1: it's very important. So that's the setup. They were all 153 00:08:07,680 --> 00:08:11,080 Speaker 1: headed home essentially for the night. It's late, there's a storm, 154 00:08:11,600 --> 00:08:14,000 Speaker 1: sheriff comes, I need you to really tell me how 155 00:08:14,040 --> 00:08:14,680 Speaker 1: this girl died. 156 00:08:14,920 --> 00:08:17,040 Speaker 2: And then the young son is trying to go out 157 00:08:17,040 --> 00:08:19,160 Speaker 2: and hang out with his girlfriend, but he gets pulled 158 00:08:19,200 --> 00:08:20,840 Speaker 2: back in out of duty to his father. 159 00:08:21,160 --> 00:08:23,040 Speaker 3: So there's a while this dramatic storm. 160 00:08:23,040 --> 00:08:27,280 Speaker 2: While this dramatic weather's going on upstairs, supernatural events are 161 00:08:27,320 --> 00:08:32,079 Speaker 2: happening simultaneously, and you don't know what's the storm, what's 162 00:08:32,520 --> 00:08:35,600 Speaker 2: the supernatural? How this dead body has anything to do 163 00:08:35,720 --> 00:08:36,520 Speaker 2: with it? 164 00:08:36,520 --> 00:08:38,720 Speaker 3: It is so good. So who is this movie for? 165 00:08:40,240 --> 00:08:41,240 Speaker 3: What would you say, TJ? 166 00:08:43,559 --> 00:08:47,080 Speaker 1: I would this is not a lot. And again, some 167 00:08:47,120 --> 00:08:50,280 Speaker 1: people don't like horror because they don't like gore. There's 168 00:08:50,320 --> 00:08:53,520 Speaker 1: not a lot of that. There is an autopsy going on, 169 00:08:53,559 --> 00:08:57,240 Speaker 1: but it's not that gruesome throughout. You don't see killing 170 00:08:57,320 --> 00:09:00,400 Speaker 1: and death necessarily throughout, but you do see hearts of 171 00:09:00,440 --> 00:09:03,320 Speaker 1: an autopsy, and there's some body gore. 172 00:09:03,679 --> 00:09:05,600 Speaker 3: There is some, but it's not as much as you 173 00:09:05,600 --> 00:09:06,400 Speaker 3: would expect. 174 00:09:06,480 --> 00:09:09,040 Speaker 1: And again, so I am the guy who hates bodygore 175 00:09:09,080 --> 00:09:10,800 Speaker 1: in a movie, and I love this movie. 176 00:09:10,840 --> 00:09:12,040 Speaker 3: So for me, it says a lot. 177 00:09:12,120 --> 00:09:13,760 Speaker 1: That does that says a lot. 178 00:09:13,840 --> 00:09:14,439 Speaker 3: I think. 179 00:09:15,559 --> 00:09:17,360 Speaker 1: Again, this is a one like the previous one we 180 00:09:17,480 --> 00:09:20,240 Speaker 1: talked about. You have to sit and you pay attention. 181 00:09:20,559 --> 00:09:23,320 Speaker 1: You need to invest in this movie, you can't look 182 00:09:23,360 --> 00:09:25,400 Speaker 1: away and then turn back when you think an action 183 00:09:26,000 --> 00:09:29,520 Speaker 1: unique because it builds so beautifully little moments. You remember 184 00:09:29,520 --> 00:09:32,400 Speaker 1: the bell is what there's a bell involved? 185 00:09:32,440 --> 00:09:33,880 Speaker 3: You know, they put a bell on the. 186 00:09:33,800 --> 00:09:36,120 Speaker 1: Toe of a of a dead body. 187 00:09:36,120 --> 00:09:38,439 Speaker 3: That plays significantly in this movie. 188 00:09:38,559 --> 00:09:42,400 Speaker 1: This movie is just tense and it's creepy. And this 189 00:09:42,440 --> 00:09:45,560 Speaker 1: is another one Robes. Don't you dare watch this movie alone. 190 00:09:45,640 --> 00:09:48,080 Speaker 3: I don't think you should watch this movie alone at all. 191 00:09:48,280 --> 00:09:50,960 Speaker 2: So I think this is for anyone who loves a mystery, 192 00:09:51,520 --> 00:09:54,520 Speaker 2: anyone who loves to be surprised, anyone who loves to 193 00:09:54,559 --> 00:09:58,200 Speaker 2: try and guess what's going to happen next, and you know, 194 00:09:59,200 --> 00:10:01,520 Speaker 2: you get disappointed when it's so obvious, like Dove, of 195 00:10:01,600 --> 00:10:03,840 Speaker 2: course that's the killer, or Dove, of course that person's 196 00:10:03,880 --> 00:10:04,360 Speaker 2: gonna die. 197 00:10:04,679 --> 00:10:05,839 Speaker 3: That is not this movie. 198 00:10:05,880 --> 00:10:08,720 Speaker 2: This movie will keep you guessing about what is going 199 00:10:08,760 --> 00:10:12,600 Speaker 2: to happen next and what is going on in this place. 200 00:10:12,840 --> 00:10:15,160 Speaker 3: So I absolutely think that should. 201 00:10:15,080 --> 00:10:17,440 Speaker 2: Pretty much sum up anybody who loves a thriller or 202 00:10:17,440 --> 00:10:19,640 Speaker 2: a who done it? Or what the hell is going 203 00:10:19,679 --> 00:10:23,240 Speaker 2: on here? And that is absolutely this is the movie 204 00:10:23,280 --> 00:10:25,760 Speaker 2: for you. Now coming up after the break We're gonna 205 00:10:25,760 --> 00:10:29,400 Speaker 2: tell you who this movie is not for. What you 206 00:10:29,400 --> 00:10:33,680 Speaker 2: should pair it with, food, drink, snack, ambiyonce, and where 207 00:10:33,760 --> 00:10:47,560 Speaker 2: you can watch it. Welcome back to our horror hit list. 208 00:10:48,440 --> 00:10:51,560 Speaker 2: I love that deep cuts. You're getting used to the title, 209 00:10:51,640 --> 00:10:53,240 Speaker 2: yet TJ still don't like it. 210 00:10:54,720 --> 00:10:56,200 Speaker 1: Horror hitless. 211 00:10:56,280 --> 00:10:58,600 Speaker 2: All right, So these are the horror movies we're counting 212 00:10:58,640 --> 00:11:01,720 Speaker 2: down to Halloween that you might not have seen, that 213 00:11:01,760 --> 00:11:03,680 Speaker 2: you might have passed over, that you might not have 214 00:11:03,760 --> 00:11:06,400 Speaker 2: even heard about. And this one is number twenty nine 215 00:11:06,440 --> 00:11:08,800 Speaker 2: on our list. It is one of our absolute favorites. 216 00:11:09,120 --> 00:11:13,560 Speaker 2: The Autopsy of Jane Doe. We just told you who 217 00:11:13,640 --> 00:11:16,199 Speaker 2: this movie is for. We're now going to tell you 218 00:11:16,280 --> 00:11:19,440 Speaker 2: who this movie is not for. I think if you 219 00:11:19,800 --> 00:11:22,720 Speaker 2: can't stand suspense, if that drives you crazy, if you 220 00:11:22,760 --> 00:11:25,280 Speaker 2: don't like looking at dead bodies or even the idea 221 00:11:25,320 --> 00:11:28,520 Speaker 2: of an autopsy, or you don't like demons or dark 222 00:11:28,559 --> 00:11:31,800 Speaker 2: and closed spaces, if you can't handle a little bit 223 00:11:31,800 --> 00:11:34,400 Speaker 2: of blood and guts. It isn't a slasher. We've made 224 00:11:34,440 --> 00:11:37,400 Speaker 2: that very very clear. It's not exceptionally gory. 225 00:11:38,000 --> 00:11:40,520 Speaker 1: You may sell those movies with nobody. Well, you don't 226 00:11:40,559 --> 00:11:41,480 Speaker 1: like this, here's the deal. 227 00:11:42,200 --> 00:11:45,400 Speaker 3: Some horror movie folks love a thriller, love a suspense. 228 00:11:45,000 --> 00:11:48,520 Speaker 2: But they don't like demons, like that's too scary, or 229 00:11:48,559 --> 00:11:52,480 Speaker 2: they don't like claustrophobic kind of feeling, like dark. 230 00:11:52,280 --> 00:11:53,079 Speaker 3: And closed spaces. 231 00:11:53,080 --> 00:11:55,560 Speaker 2: I feel like this definitely has some of those elements 232 00:11:55,600 --> 00:11:55,920 Speaker 2: to it. 233 00:11:56,600 --> 00:11:57,800 Speaker 3: But it's not a slasher. 234 00:11:58,280 --> 00:12:01,640 Speaker 2: It's a supernatural threat, I believe, is the best way 235 00:12:01,640 --> 00:12:02,040 Speaker 2: to put it. 236 00:12:02,280 --> 00:12:05,400 Speaker 3: But I have friends who will watch a slasher, but. 237 00:12:05,360 --> 00:12:07,040 Speaker 2: They don't want to watch anything to do with the 238 00:12:07,120 --> 00:12:10,360 Speaker 2: demon because that's too scary for them. So I understand that. 239 00:12:10,400 --> 00:12:13,559 Speaker 2: So if you don't like supernatural, you should not watch 240 00:12:13,640 --> 00:12:14,160 Speaker 2: this movie. 241 00:12:14,200 --> 00:12:15,920 Speaker 1: But then don't you say I have people that are 242 00:12:16,000 --> 00:12:19,320 Speaker 1: the opposite as well. Right, yeah, it's whatever your preference is. 243 00:12:19,520 --> 00:12:27,680 Speaker 1: But this is an absolute, a hair raising I have goosebumps, 244 00:12:28,120 --> 00:12:32,160 Speaker 1: chill fest and it is wonderful. But you are I mean, look, 245 00:12:32,200 --> 00:12:34,640 Speaker 1: give your heads up. You are looking at almost the 246 00:12:34,800 --> 00:12:37,920 Speaker 1: entire movie, three quarters of it a day, a dead body, 247 00:12:38,160 --> 00:12:42,600 Speaker 1: a woman laid out naked on this table, but a 248 00:12:42,760 --> 00:12:46,000 Speaker 1: wonderful performance by the woman in that role. As crazy 249 00:12:46,040 --> 00:12:47,719 Speaker 1: as it seems to say, she has a gap in 250 00:12:47,760 --> 00:12:50,120 Speaker 1: her tooth, even she has her eyes are open, and 251 00:12:50,200 --> 00:12:52,439 Speaker 1: her her the color of her eye, everything about her. 252 00:12:52,760 --> 00:12:54,800 Speaker 2: It's weird, you think, And you remember, I was just 253 00:12:54,840 --> 00:12:56,280 Speaker 2: thinking if she was a friend of mine or I 254 00:12:56,360 --> 00:12:58,079 Speaker 2: hung out with her, it would probably freak me out 255 00:12:58,080 --> 00:13:00,400 Speaker 2: because you look at this body and it's a beautiful 256 00:13:00,440 --> 00:13:02,840 Speaker 2: body by the way, a beautiful face, a beautiful body, 257 00:13:03,000 --> 00:13:05,160 Speaker 2: but you look at it for so long during this movie, 258 00:13:05,240 --> 00:13:06,240 Speaker 2: and it's so creepy. 259 00:13:06,679 --> 00:13:07,760 Speaker 3: I think it would be. 260 00:13:08,040 --> 00:13:11,000 Speaker 2: I wonder how how her acting career has gone on 261 00:13:11,120 --> 00:13:15,160 Speaker 2: from there, because I actually googled her and I was like, WHOA, 262 00:13:15,160 --> 00:13:15,760 Speaker 2: there she is. 263 00:13:16,200 --> 00:13:17,520 Speaker 3: So I don't know. 264 00:13:17,600 --> 00:13:20,800 Speaker 2: If this maybe even hurt her acting career because that's 265 00:13:20,840 --> 00:13:24,080 Speaker 2: all I can see is her dead body in the Autopsy. 266 00:13:23,600 --> 00:13:27,760 Speaker 3: Of Jane Doe. I wonder, But her role is great. 267 00:13:27,800 --> 00:13:31,840 Speaker 1: And again, Brian Cox is so good, so good in 268 00:13:32,000 --> 00:13:34,679 Speaker 1: everything he does, and this is another one he should 269 00:13:34,679 --> 00:13:38,800 Speaker 1: be given credit for. Ro This movie is who would 270 00:13:38,800 --> 00:13:42,400 Speaker 1: I tell what we're saying who? This movie is not for, right, 271 00:13:42,480 --> 00:13:46,200 Speaker 1: is what we're getting at. This is not for somebody 272 00:13:46,240 --> 00:13:49,000 Speaker 1: who doesn't have a friend to watch movies with. This 273 00:13:49,080 --> 00:13:52,040 Speaker 1: is another one that is spooky. 274 00:13:52,240 --> 00:13:53,400 Speaker 3: I wouldn't want to watch it alone. 275 00:13:53,440 --> 00:13:58,520 Speaker 1: Noises down the hallway door slamming, you know, banging. There's 276 00:13:58,559 --> 00:14:02,400 Speaker 1: even a cat in this one that plays a significant role. 277 00:14:03,120 --> 00:14:06,800 Speaker 1: This is one that just will creep you out with 278 00:14:07,000 --> 00:14:09,400 Speaker 1: every noise you hear in the house after you watch it. 279 00:14:09,440 --> 00:14:12,480 Speaker 2: I would also add to that if there is a storm, 280 00:14:12,960 --> 00:14:14,960 Speaker 2: don't watch it during a storm, because if you know, 281 00:14:15,280 --> 00:14:19,600 Speaker 2: like light's going out, weird noises, like anytime a storm 282 00:14:19,680 --> 00:14:21,640 Speaker 2: is coming, that would I mean, if you're with friends, 283 00:14:21,640 --> 00:14:23,400 Speaker 2: it might be fun to watch it in that environment, 284 00:14:23,440 --> 00:14:25,800 Speaker 2: like I'm weird like that. That would actually make me 285 00:14:25,920 --> 00:14:27,880 Speaker 2: want to turn this one on. But for some people 286 00:14:28,200 --> 00:14:29,760 Speaker 2: this might not be the time. 287 00:14:30,000 --> 00:14:34,240 Speaker 1: You make a good point. This is a good group movie. Damn, 288 00:14:34,320 --> 00:14:35,880 Speaker 1: I didn't think about that. And maybe that's the way 289 00:14:35,920 --> 00:14:38,200 Speaker 1: we should consider some of these movies a one on one. 290 00:14:38,200 --> 00:14:40,080 Speaker 1: Sometimes I just want to sit and watch one with you, 291 00:14:40,360 --> 00:14:42,440 Speaker 1: And then sometimes it's cool to have a group experience. 292 00:14:42,680 --> 00:14:44,080 Speaker 1: This is a good group experience. 293 00:14:44,160 --> 00:14:44,480 Speaker 3: Agreed. 294 00:14:44,640 --> 00:14:47,080 Speaker 2: Agreed? That good? All right, So you've got your group, 295 00:14:47,600 --> 00:14:50,480 Speaker 2: you don't have a storm brewing. What would you pair 296 00:14:50,640 --> 00:14:53,680 Speaker 2: this movie with in terms of snacks, drinks, food, and setting? 297 00:14:53,680 --> 00:14:55,600 Speaker 2: What would you say, Yes, we set a group setting, 298 00:14:55,640 --> 00:14:57,680 Speaker 2: but beyond that what would you put with this? 299 00:14:57,760 --> 00:14:59,640 Speaker 3: You know what I would say, don't do red wine 300 00:14:59,640 --> 00:14:59,960 Speaker 3: in state. 301 00:15:00,600 --> 00:15:04,000 Speaker 2: I think that'd be a really tough pairing with this movie. 302 00:15:04,240 --> 00:15:09,080 Speaker 1: I'm trying to think of eating a dead body. Okay, 303 00:15:09,160 --> 00:15:10,720 Speaker 1: I am this is you know this how I am. 304 00:15:10,720 --> 00:15:13,000 Speaker 1: Even when we go to movies that aren't big horror movies. 305 00:15:13,040 --> 00:15:14,960 Speaker 1: I don't like eating in the movie. There, you don't. 306 00:15:15,000 --> 00:15:16,880 Speaker 1: I don't like ordering a full meal. Yeah, I'll take 307 00:15:16,920 --> 00:15:19,520 Speaker 1: the chicken caesadias while I'm watching. No, I don't want that. 308 00:15:19,680 --> 00:15:21,840 Speaker 1: Give me some popcorn, give me my drink, and let's go. 309 00:15:22,120 --> 00:15:24,760 Speaker 1: So it's hard for me to pair food in this one. 310 00:15:24,800 --> 00:15:27,440 Speaker 1: This is a hard one to eat. I'm picturing myself 311 00:15:28,480 --> 00:15:32,880 Speaker 1: the throw blanket, like actually feet up on the couch. 312 00:15:33,000 --> 00:15:35,880 Speaker 1: Like you don't need to be sitting normally for this one. 313 00:15:36,080 --> 00:15:38,800 Speaker 1: You need to be curled up fetal position if you want, 314 00:15:39,000 --> 00:15:42,600 Speaker 1: but you need to be like completely up and tucked 315 00:15:42,600 --> 00:15:45,360 Speaker 1: in in some way, and possibly with somebody to watch 316 00:15:45,400 --> 00:15:46,560 Speaker 1: this movie. I love this. 317 00:15:46,800 --> 00:15:49,280 Speaker 2: I'm gonna pick here's what I would drink with this movie, 318 00:15:49,280 --> 00:15:53,760 Speaker 2: and espresso martini because I would want to stay really heightened. 319 00:15:53,800 --> 00:15:56,640 Speaker 2: I would want to have some caffeine, but also feel 320 00:15:56,640 --> 00:15:59,040 Speaker 2: a little relaxed. But I'd want to really be into it. 321 00:15:59,560 --> 00:16:02,200 Speaker 2: And and I again, no steak. 322 00:16:02,280 --> 00:16:02,680 Speaker 3: I could not. 323 00:16:02,880 --> 00:16:04,640 Speaker 2: I don't think I can eat meat with this movie. 324 00:16:04,680 --> 00:16:06,640 Speaker 2: Just when I'm looking at a dead body. I think 325 00:16:06,680 --> 00:16:10,440 Speaker 2: I'd keep it to like a vegetarian light dish, like 326 00:16:10,480 --> 00:16:11,040 Speaker 2: a salad. 327 00:16:11,120 --> 00:16:13,000 Speaker 3: I would just keep it light. I wouldn't want anything 328 00:16:14,400 --> 00:16:15,680 Speaker 3: that had to do with meat. 329 00:16:15,960 --> 00:16:17,600 Speaker 1: This is what I would say. This is a late 330 00:16:17,720 --> 00:16:21,360 Speaker 1: night movie like this is one. It is if it's 331 00:16:21,560 --> 00:16:24,040 Speaker 1: ten o'clock and you're still kind of wired and you 332 00:16:24,040 --> 00:16:25,640 Speaker 1: look at your partner like you know what you want 333 00:16:25,680 --> 00:16:28,120 Speaker 1: to watch it. This is a late at ten o'clock 334 00:16:28,320 --> 00:16:30,480 Speaker 1: because it will keep you up. This is when you're 335 00:16:30,520 --> 00:16:33,240 Speaker 1: not gonna fall asleep on if you start watching. 336 00:16:33,000 --> 00:16:37,480 Speaker 2: Especially if you have my espresso Martini o'clock, that espresso 337 00:16:37,520 --> 00:16:38,640 Speaker 2: martini Caesar salad. 338 00:16:38,920 --> 00:16:39,520 Speaker 3: That's my thing. 339 00:16:39,520 --> 00:16:42,400 Speaker 2: All right, We're gonna tell you where you can watch 340 00:16:42,400 --> 00:16:44,960 Speaker 2: this now, because this is like you know how you're 341 00:16:45,000 --> 00:16:47,040 Speaker 2: going and trying to find where you can find the movie. 342 00:16:47,080 --> 00:16:48,160 Speaker 3: Here's what I came up with. 343 00:16:48,440 --> 00:16:51,520 Speaker 2: Right now, if you have Hulu and you have the 344 00:16:51,560 --> 00:16:55,040 Speaker 2: Showtime Paramount Plus package, you can absolutely watch it, and 345 00:16:55,080 --> 00:16:57,600 Speaker 2: if you have Amazon Prime and you have the Paramount 346 00:16:57,600 --> 00:16:59,720 Speaker 2: Plus package, you can watch it there too. 347 00:17:00,000 --> 00:17:02,160 Speaker 3: Oh I have I have all of those. 348 00:17:02,440 --> 00:17:03,720 Speaker 1: Wait, so it's just no param Plus. 349 00:17:03,800 --> 00:17:05,560 Speaker 2: Yeah, but then you can also go onto Amazon Prime 350 00:17:05,640 --> 00:17:07,359 Speaker 2: or Hulu and it's all part of it. Yes, but 351 00:17:07,600 --> 00:17:10,080 Speaker 2: that's just the obvious place to find it. Of course, 352 00:17:10,119 --> 00:17:13,960 Speaker 2: you can always purchase it for less than five bucks 353 00:17:14,040 --> 00:17:18,200 Speaker 2: on Apple TV as well, so it's readily available, highly recommended. 354 00:17:18,720 --> 00:17:21,480 Speaker 2: You are not gonna regret watching this The Autopsy of 355 00:17:21,640 --> 00:17:22,200 Speaker 2: Jane Doe. 356 00:17:22,240 --> 00:17:22,880 Speaker 3: It's amazing. 357 00:17:23,000 --> 00:17:26,680 Speaker 2: So we're gonna tease ahead now for tomorrow's This will 358 00:17:26,720 --> 00:17:31,720 Speaker 2: be number twenty eight. The next movie. We don't want 359 00:17:31,720 --> 00:17:32,640 Speaker 2: to give away the. 360 00:17:32,520 --> 00:17:34,479 Speaker 3: Title, but I will tell you this. 361 00:17:34,600 --> 00:17:38,119 Speaker 2: If you like a movie about young folks, like in 362 00:17:38,160 --> 00:17:40,440 Speaker 2: their twenties going on vacation. 363 00:17:40,800 --> 00:17:42,840 Speaker 3: Right, So, this is a group of. 364 00:17:42,720 --> 00:17:47,160 Speaker 2: Probably twenty somethings going and looking for some fun during 365 00:17:47,200 --> 00:17:51,879 Speaker 2: a sunny holiday in Mexico. And we told you that 366 00:17:51,960 --> 00:17:54,560 Speaker 2: the other two we've just given you aren't that gruesome. 367 00:17:54,960 --> 00:17:57,600 Speaker 2: We'll forget that on this one. This one is gruesome. 368 00:17:57,720 --> 00:17:59,560 Speaker 2: This one is gory, and if you like that, you're 369 00:17:59,600 --> 00:18:02,520 Speaker 2: gonna love of Number twenty eight, and we'll get that 370 00:18:02,680 --> 00:18:05,920 Speaker 2: to you in our next episode.