1 00:00:00,120 --> 00:00:06,320 Speaker 1: M are. Welcome to episode to thirty two. We're gonna 2 00:00:06,320 --> 00:00:07,960 Speaker 1: talk about a few different things coming up. We'll get 3 00:00:07,960 --> 00:00:10,760 Speaker 1: with Lauren Elena. She has a new EP that's out 4 00:00:10,840 --> 00:00:12,600 Speaker 1: called Getting Good. She's in l A right now and 5 00:00:12,680 --> 00:00:14,880 Speaker 1: probably in the back of a car. We'll also talk 6 00:00:14,920 --> 00:00:17,720 Speaker 1: about musicians who made it later in life. You know, 7 00:00:17,760 --> 00:00:19,880 Speaker 1: I think most of us assume people are teenagers or 8 00:00:19,920 --> 00:00:22,480 Speaker 1: young twenties before they blow up and make it a 9 00:00:22,520 --> 00:00:24,279 Speaker 1: lot of them aren't one of them with sixty five 10 00:00:24,640 --> 00:00:27,120 Speaker 1: and they're super famous and they didn't make ITTI sixty five. 11 00:00:27,480 --> 00:00:29,640 Speaker 1: So we'll get into that. You know. There's also another 12 00:00:29,680 --> 00:00:34,120 Speaker 1: part of music that is called SINC music, and I 13 00:00:34,159 --> 00:00:36,199 Speaker 1: actually want to play this song. This is from a 14 00:00:36,200 --> 00:00:39,080 Speaker 1: band called out Skirts. Mike, if you play some of this, 15 00:00:39,080 --> 00:00:43,280 Speaker 1: this is called born for this, digging off gloves. I've 16 00:00:43,360 --> 00:00:49,200 Speaker 1: had enough. It's in my blood this do you know things? 17 00:00:49,240 --> 00:00:54,640 Speaker 1: This's Mike. Yeah. Brandon Ray is the lead singer of 18 00:00:54,720 --> 00:00:57,120 Speaker 1: out Skirts as well. Brandon, are you guys even a 19 00:00:57,200 --> 00:01:01,000 Speaker 1: real band or is this just for sinc? Alright, though, 20 00:01:01,320 --> 00:01:05,199 Speaker 1: we we started writing for TV film and Sync, and 21 00:01:05,880 --> 00:01:09,760 Speaker 1: you know, we wrote about twenty to thirty songs for 22 00:01:09,880 --> 00:01:12,360 Speaker 1: whether it was for commercials or whatever. But we kind 23 00:01:12,360 --> 00:01:16,240 Speaker 1: of landed on this sound, this hype rock sound for 24 00:01:16,760 --> 00:01:21,160 Speaker 1: you know, different promos, sports promos and everything. And we 25 00:01:21,200 --> 00:01:23,440 Speaker 1: started writing one and we wrote two. Then it turned 26 00:01:23,480 --> 00:01:27,800 Speaker 1: into ten songs that started getting placed on TV. And 27 00:01:27,840 --> 00:01:32,720 Speaker 1: so explain to our audience what a SYNC song is. So, uh, 28 00:01:33,240 --> 00:01:38,920 Speaker 1: sync is short for synchronization. UM. Basically a song that 29 00:01:39,160 --> 00:01:42,920 Speaker 1: is sync to a TV show or a moving picture 30 00:01:43,400 --> 00:01:45,640 Speaker 1: you know, which is you know, a commercial or TV 31 00:01:45,680 --> 00:01:49,360 Speaker 1: show or movie. Uh. And there's things there's different kinds 32 00:01:49,360 --> 00:01:53,080 Speaker 1: of sinks. TV film that's whatever you would see inside 33 00:01:53,080 --> 00:01:56,840 Speaker 1: of a TV show, uh, or a or a movie. 34 00:01:57,120 --> 00:02:00,920 Speaker 1: And then there is add an add placement, which is 35 00:02:00,960 --> 00:02:05,720 Speaker 1: any commercial radio or TV. And so this song here, 36 00:02:06,000 --> 00:02:09,480 Speaker 1: which by the way, dude, I love this song. This 37 00:02:09,600 --> 00:02:12,079 Speaker 1: might be one of my favorite songs you've ever put 38 00:02:12,080 --> 00:02:17,600 Speaker 1: out because it's kind of the hype jam. Like it's 39 00:02:17,680 --> 00:02:21,440 Speaker 1: like if you like imagine dragons, which I do. It's 40 00:02:21,480 --> 00:02:27,120 Speaker 1: like that kind of white guy football, you know exactly. 41 00:02:27,160 --> 00:02:29,519 Speaker 1: It's like if if I'm m m A, that's what 42 00:02:29,760 --> 00:02:33,000 Speaker 1: I'm being listening to. There's definitely a need for this, 43 00:02:33,040 --> 00:02:35,960 Speaker 1: and even in my playlist, I just actually posted on 44 00:02:35,960 --> 00:02:38,400 Speaker 1: my Instagram story and was like, this is my hype 45 00:02:38,440 --> 00:02:49,320 Speaker 1: song right now might be played again and Brandon to 46 00:02:49,360 --> 00:02:52,959 Speaker 1: hear that through his phone to you, Yeah, dude, this 47 00:02:53,040 --> 00:02:54,680 Speaker 1: is a jam. That's a jam And so what was 48 00:02:54,720 --> 00:02:59,360 Speaker 1: that put in? So that was NFL Network used that 49 00:02:59,520 --> 00:03:01,960 Speaker 1: for all of their super Bowl promos the week of 50 00:03:01,960 --> 00:03:05,079 Speaker 1: the super Bowl. That's pretty cool that you get to 51 00:03:05,120 --> 00:03:08,960 Speaker 1: see your song and promos for NFL football. It was 52 00:03:09,040 --> 00:03:11,080 Speaker 1: will my my wife. It was the first time my 53 00:03:11,120 --> 00:03:15,320 Speaker 1: wife actually thought I was cool. And so he's writing 54 00:03:15,400 --> 00:03:19,239 Speaker 1: songs for his band, which is bad Land Sons. He's 55 00:03:19,240 --> 00:03:21,720 Speaker 1: writing songs for other artists. And now when you write 56 00:03:21,760 --> 00:03:24,440 Speaker 1: sing songs for TV or film, do you go on 57 00:03:24,560 --> 00:03:29,920 Speaker 1: with that in mind? Yeah, you kind of go in with, Okay, 58 00:03:30,160 --> 00:03:35,840 Speaker 1: there's somebody editing a piece of uh film together. You know, 59 00:03:35,880 --> 00:03:38,040 Speaker 1: there's somebody putting all this stuff together, so you have 60 00:03:38,120 --> 00:03:40,720 Speaker 1: to give them edit marks, like at the end of 61 00:03:40,760 --> 00:03:42,880 Speaker 1: a chorus, you know, at the end of that one, 62 00:03:43,640 --> 00:03:47,119 Speaker 1: it ends with silence before it goes into the second verse, 63 00:03:47,200 --> 00:03:50,680 Speaker 1: just to give an edit mark. Um. And I'm I'm 64 00:03:50,760 --> 00:03:52,520 Speaker 1: kind of new to this. It's I've been doing it 65 00:03:52,560 --> 00:03:54,880 Speaker 1: about a year. Um. I used to do it ten 66 00:03:54,960 --> 00:03:58,120 Speaker 1: years ago in l A when I had a rock band. Um, 67 00:03:58,200 --> 00:04:00,520 Speaker 1: so getting back into it is a little bit different. 68 00:04:00,640 --> 00:04:03,160 Speaker 1: But man, it's just kind of the same thing like 69 00:04:03,280 --> 00:04:06,920 Speaker 1: with with hype rock. With you know, whatever you're doing, 70 00:04:07,000 --> 00:04:10,320 Speaker 1: you just gotta give them a hook, uh to either 71 00:04:10,400 --> 00:04:15,640 Speaker 1: talk around or build uh build the moving picture around. 72 00:04:15,960 --> 00:04:19,640 Speaker 1: Is it called hype rock? I call it. Some people 73 00:04:19,680 --> 00:04:23,600 Speaker 1: call it hype rock, some people call it swagger bomb rock. Um. 74 00:04:24,080 --> 00:04:26,240 Speaker 1: We we kind of uh you know, followed in the 75 00:04:26,279 --> 00:04:31,800 Speaker 1: footsteps of bands like Imagine Dragons, X Ambassadors the score, um, 76 00:04:31,839 --> 00:04:34,200 Speaker 1: you know. And and what's crazy is we came out 77 00:04:34,240 --> 00:04:38,240 Speaker 1: with it Friday and we landed like the biggest independent 78 00:04:38,680 --> 00:04:43,240 Speaker 1: workout playlist there is. It's called Training Workout Motivation. It's 79 00:04:43,240 --> 00:04:47,599 Speaker 1: got like two thousand followers. Um, but yeah, people, people 80 00:04:47,600 --> 00:04:51,359 Speaker 1: love to work out for this stuff. And I'm kidding. 81 00:04:51,560 --> 00:04:54,960 Speaker 1: I love the song good Man, I got ten morals 82 00:04:55,000 --> 00:04:59,880 Speaker 1: than just I think, and I think it's so good. 83 00:05:00,080 --> 00:05:02,039 Speaker 1: So see Alex Skirts but without an Eye? Is that 84 00:05:02,040 --> 00:05:04,919 Speaker 1: what it is? That's right? Yeah? O U T S 85 00:05:05,000 --> 00:05:09,919 Speaker 1: k R T S. And Brandon is actually with his 86 00:05:10,040 --> 00:05:13,080 Speaker 1: band bad Land Sons, and so that's the one you 87 00:05:13,080 --> 00:05:15,920 Speaker 1: actually exist in Alex Skarts doesn't really exist. But bad 88 00:05:16,000 --> 00:05:17,280 Speaker 1: Land Sons is your band that you go out and 89 00:05:17,320 --> 00:05:21,320 Speaker 1: you play with, right yeah, so in in in country music. 90 00:05:21,400 --> 00:05:24,159 Speaker 1: You know, I had a solo career and decided to 91 00:05:24,240 --> 00:05:27,440 Speaker 1: make the move to create a band. And you know, 92 00:05:27,480 --> 00:05:31,040 Speaker 1: we've had two songs come out the past two months, 93 00:05:31,040 --> 00:05:33,560 Speaker 1: one with Lucy Sylva's called Crowded House and then and 94 00:05:33,640 --> 00:05:36,760 Speaker 1: then another we just came out with called Xes And 95 00:05:36,800 --> 00:05:40,640 Speaker 1: we're starting to you know, book dates, uh coming up 96 00:05:40,640 --> 00:05:42,640 Speaker 1: in the summer, you know, country festivals and all that 97 00:05:42,720 --> 00:05:45,400 Speaker 1: kind of stuff. So well, check out bad Land Sons. 98 00:05:45,400 --> 00:05:47,160 Speaker 1: I'm a big fan of out Skirts, Scotty, be honest 99 00:05:47,200 --> 00:05:49,320 Speaker 1: with you, I think I think I think that song 100 00:05:49,480 --> 00:05:51,560 Speaker 1: is that you know, and I haven't heard like the 101 00:05:51,640 --> 00:05:53,839 Speaker 1: high products of in a while that you know, it's 102 00:05:53,839 --> 00:05:56,800 Speaker 1: like Limp Biscuit without the rapping. There you go, and 103 00:05:56,800 --> 00:05:59,560 Speaker 1: and we we both love Limp Biscuits, That's true. I 104 00:05:59,560 --> 00:06:01,520 Speaker 1: do love of this kid. And you can make you 105 00:06:01,560 --> 00:06:03,480 Speaker 1: can make decent money right in this stuff for TV 106 00:06:03,640 --> 00:06:06,640 Speaker 1: and and commercials and stuff like that. You can, you 107 00:06:06,920 --> 00:06:09,560 Speaker 1: actually can. And I had no idea until we just 108 00:06:09,600 --> 00:06:12,359 Speaker 1: started giving it a shot and getting to know, you 109 00:06:12,400 --> 00:06:16,279 Speaker 1: know music supervisors and uh, my publisher at Warner Chapel 110 00:06:16,720 --> 00:06:20,240 Speaker 1: has just been phenomenal at connecting us with those people 111 00:06:20,440 --> 00:06:22,360 Speaker 1: who would we need to get permission from to use 112 00:06:22,440 --> 00:06:27,920 Speaker 1: that song in our podcast. You, I mean you're totally allowed. Yeah, 113 00:06:27,960 --> 00:06:31,719 Speaker 1: but you don't own it all, do you? Um? Well yeah, 114 00:06:31,760 --> 00:06:35,120 Speaker 1: I I me and Christian Hall, the other guy we 115 00:06:35,160 --> 00:06:38,240 Speaker 1: owned the master. So Mike, let's see what that rule 116 00:06:38,279 --> 00:06:40,880 Speaker 1: is because I kind of like this song, yeah, as 117 00:06:40,960 --> 00:06:43,520 Speaker 1: like a as something I don't know yet, but as 118 00:06:43,600 --> 00:06:48,560 Speaker 1: something I can give you. Katie Jones, uh information at 119 00:06:48,600 --> 00:06:53,320 Speaker 1: Warner she'll so gladly. All right, we'll follow up on 120 00:06:53,320 --> 00:06:55,960 Speaker 1: all right, dude, Brandon Ray Music. Right, that's your instagram, 121 00:06:57,040 --> 00:06:58,760 Speaker 1: all right at Brandon Ray Music. Good talk to you, 122 00:06:58,760 --> 00:07:01,040 Speaker 1: budd Hey, Hey, you guys, have a good day and 123 00:07:01,120 --> 00:07:03,360 Speaker 1: check out out Skirts and and bad Land Sons. All right, 124 00:07:03,360 --> 00:07:07,160 Speaker 1: there's Brandon Ray. Um. Before before we came on, we 125 00:07:07,200 --> 00:07:09,240 Speaker 1: played that song again. You don't feel it? Huh, let 126 00:07:09,279 --> 00:07:11,840 Speaker 1: me play it again. The gloves I've had away from 127 00:07:11,840 --> 00:07:19,320 Speaker 1: the very beginning, it's that's the whole vibe. I'm into this. 128 00:07:21,560 --> 00:07:23,640 Speaker 1: If you didn't know when you think this was like 129 00:07:24,120 --> 00:07:26,000 Speaker 1: like you're walking to the tunnel. You have to watch 130 00:07:26,080 --> 00:07:27,920 Speaker 1: the game. It sounds like like the song on like 131 00:07:27,920 --> 00:07:31,440 Speaker 1: a Madden Manji. Yeah, that's exactly, Yes, perfect run to 132 00:07:31,640 --> 00:07:37,880 Speaker 1: the ring. Then the dog sider ring the bell and 133 00:07:38,000 --> 00:07:43,040 Speaker 1: it's town Mano digging off the gloves. I've had enough. 134 00:07:43,440 --> 00:07:51,520 Speaker 1: It's in my blood. I was born for this. I 135 00:07:51,720 --> 00:08:09,720 Speaker 1: was down for this. It was cookie catchy. I don't 136 00:08:09,720 --> 00:08:13,760 Speaker 1: know why I love it. I don't guess checking out outskirts. 137 00:08:13,800 --> 00:08:17,280 Speaker 1: That's called born for this. We're gonna get into the 138 00:08:17,320 --> 00:08:19,600 Speaker 1: rest of the podcast in a second. What's cool is 139 00:08:20,280 --> 00:08:22,360 Speaker 1: Mike d has a movie podcast. What's the newest one 140 00:08:22,400 --> 00:08:25,000 Speaker 1: that went up. I'm talking about musicians who tried out 141 00:08:25,040 --> 00:08:28,840 Speaker 1: to be actors. Yeah, whether they succeeded or just kind 142 00:08:28,840 --> 00:08:34,760 Speaker 1: of flopped. M okay, did Garth ever act? I know 143 00:08:35,000 --> 00:08:39,720 Speaker 1: that Chris Chris Gaines was supposed to be a movie. Yeah, 144 00:08:39,840 --> 00:08:41,319 Speaker 1: that was supposed to be like a whole movie thing 145 00:08:41,320 --> 00:08:44,320 Speaker 1: and it got shelved. And then there were some roles 146 00:08:44,360 --> 00:08:47,720 Speaker 1: that like Twister. Yeah, he was supposedly casting that and 147 00:08:47,920 --> 00:08:50,040 Speaker 1: turned it down, so he never actually went and never 148 00:08:50,080 --> 00:08:54,720 Speaker 1: went into anything. Now, who would have sucked like justin 149 00:08:54,760 --> 00:08:58,319 Speaker 1: to Kelly, were they on on your list because that 150 00:08:58,320 --> 00:09:00,400 Speaker 1: that was really just one movie they did. Oh they 151 00:09:00,400 --> 00:09:02,640 Speaker 1: need multiple movies. Yeah. I did some with one movies, 152 00:09:02,679 --> 00:09:04,079 Speaker 1: but I kind of put them in a different spot. 153 00:09:04,160 --> 00:09:08,240 Speaker 1: Britney Spears. Yeah, she did one Crossroads and then the 154 00:09:08,280 --> 00:09:10,079 Speaker 1: Good Ones. And I don't know who's on your list here, 155 00:09:10,120 --> 00:09:14,320 Speaker 1: but Mark Marky Mark Mark, that's like the biggest one. 156 00:09:15,240 --> 00:09:18,480 Speaker 1: He's like a music guy who did movies, Mark Wahlberg, 157 00:09:19,600 --> 00:09:22,120 Speaker 1: don't tell me. Hold on who else would be a 158 00:09:22,240 --> 00:09:27,240 Speaker 1: music person. It's a really big one. Ludicrous Ludicrous, Yeah, 159 00:09:27,480 --> 00:09:32,120 Speaker 1: that's into Furious any anything else? Chris Isaac, But I 160 00:09:32,120 --> 00:09:34,480 Speaker 1: guess more TV? Yeah, more TV. I focused on movies. 161 00:09:34,520 --> 00:09:38,160 Speaker 1: And then Will Smith. Oh the biggest one. That's the biggest, 162 00:09:37,800 --> 00:09:40,080 Speaker 1: biggest one. That's the biggest one. Check out movie Mix 163 00:09:40,120 --> 00:09:42,480 Speaker 1: movie podcast Google that search that not Google it just 164 00:09:42,520 --> 00:09:46,320 Speaker 1: searching movie Mike's Movie podcast where if you listen to podcasts, 165 00:09:46,320 --> 00:09:50,119 Speaker 1: and I'll tell you Caroline Hobby m sorry, my coronavirus 166 00:09:50,160 --> 00:09:55,959 Speaker 1: got conat. Caroline Hobby has a podcast called Get Real 167 00:09:56,000 --> 00:09:58,119 Speaker 1: with Caroline Hobby. They did a really cool live podcast 168 00:09:58,480 --> 00:10:01,640 Speaker 1: where they went out and it was Kane Brown's wife 169 00:10:01,679 --> 00:10:05,880 Speaker 1: Caitlin and Jason al Dean's wife and Brittany, and they 170 00:10:05,920 --> 00:10:07,599 Speaker 1: did a whole thing. By the way, I us, she 171 00:10:07,640 --> 00:10:10,760 Speaker 1: made some pretty good money doing that. Yeah. Nice, good 172 00:10:10,760 --> 00:10:13,400 Speaker 1: for her. I know some people were like, she made 173 00:10:13,440 --> 00:10:17,160 Speaker 1: money doing that. Good hit it. Go make all the 174 00:10:17,200 --> 00:10:20,760 Speaker 1: money you can make. A capitalist have you can make money. 175 00:10:20,760 --> 00:10:23,240 Speaker 1: Go make money and hopefully you're able to get back 176 00:10:23,280 --> 00:10:25,040 Speaker 1: some to at some point, so you can make money. 177 00:10:25,000 --> 00:10:28,120 Speaker 1: Gonna make money. You got you got kids, you got 178 00:10:28,120 --> 00:10:31,199 Speaker 1: a husband. I don't know, I'm providing this stands you 179 00:10:31,280 --> 00:10:33,760 Speaker 1: got a husband. Um, so yeah, check it out. Check 180 00:10:33,760 --> 00:10:36,280 Speaker 1: out Get Real with Caroline Hobby and then The Velvet's 181 00:10:36,320 --> 00:10:38,520 Speaker 1: Edge with Kelly Henderson. There's just a lot over on 182 00:10:38,520 --> 00:10:41,800 Speaker 1: the network, and I appreciate you guys hanging out. Do 183 00:10:41,840 --> 00:10:47,080 Speaker 1: you have the Drake just flipped the switch? So this 184 00:10:47,200 --> 00:10:51,000 Speaker 1: is right now at TikTok, and you're seeing a lot 185 00:10:51,040 --> 00:10:53,480 Speaker 1: of people. One person in the bathroom right next to 186 00:10:53,520 --> 00:10:55,559 Speaker 1: the switch, one person behind him, and they flip the 187 00:10:55,600 --> 00:10:57,760 Speaker 1: switch and they come up and they're doing the reverse. 188 00:10:58,720 --> 00:11:01,320 Speaker 1: It's been on TikTok, like you four or five months. Yeah, 189 00:11:01,320 --> 00:11:03,400 Speaker 1: it's been a while, so much so that I thought 190 00:11:03,400 --> 00:11:05,160 Speaker 1: it was gone. Yeah, I went away, and it's like 191 00:11:05,200 --> 00:11:07,760 Speaker 1: back again. And now it's back, I guess because j 192 00:11:07,920 --> 00:11:10,839 Speaker 1: Lo did it, and right, did she bring it back? 193 00:11:10,920 --> 00:11:12,559 Speaker 1: Or they do it because it sell someone else to it. 194 00:11:13,080 --> 00:11:14,720 Speaker 1: I think that's the first one I've seen in a while, 195 00:11:14,800 --> 00:11:16,640 Speaker 1: so I think it was her. Well, now it's back 196 00:11:17,440 --> 00:11:21,400 Speaker 1: and everybody's doing it. It's funny how TikTok now gonna 197 00:11:21,480 --> 00:11:25,040 Speaker 1: roll over into the other social media's like everything else, 198 00:11:25,360 --> 00:11:28,959 Speaker 1: like Instagram, Twitter, because a lot of people don't have TikTok, 199 00:11:28,960 --> 00:11:31,600 Speaker 1: but some people are still trying to do this. Okay, yeah, 200 00:11:31,760 --> 00:11:35,439 Speaker 1: I just flipped the switchboy. Look, do you like j 201 00:11:35,559 --> 00:11:37,880 Speaker 1: Loo and a Rod or No? Not really me either. 202 00:11:37,920 --> 00:11:40,439 Speaker 1: I don't know. I don't really I don't know. I'm 203 00:11:40,440 --> 00:11:42,160 Speaker 1: not that interested in him. Do you have any couple 204 00:11:42,240 --> 00:11:45,319 Speaker 1: that you like? I like Justin Bieber and Haley Baldwin. 205 00:11:45,679 --> 00:11:48,240 Speaker 1: I followed them both on Instagram. Yeah, you're quote to follow. 206 00:11:48,320 --> 00:11:51,960 Speaker 1: I think they're interesting. My girlfriend goes to church with them. 207 00:11:52,040 --> 00:11:55,079 Speaker 1: I'll tell you that. Yeah, say they're super nice. They 208 00:11:55,080 --> 00:11:57,400 Speaker 1: seem pretty danuine on she said Haley is the nicest 209 00:11:57,400 --> 00:12:00,079 Speaker 1: person ever, and then Justin's super nice too, and this 210 00:12:00,240 --> 00:12:04,079 Speaker 1: like super approachable and Justin like play soccer in the 211 00:12:04,160 --> 00:12:06,240 Speaker 1: church soccer team and they just go out and play. 212 00:12:06,520 --> 00:12:09,560 Speaker 1: What it sounds like is he's completely inaccessible when he's 213 00:12:09,559 --> 00:12:11,400 Speaker 1: a big star Justin Bieber, but when he's normal dude, 214 00:12:11,440 --> 00:12:14,320 Speaker 1: he just does normal dude things and nobody bothers him 215 00:12:14,360 --> 00:12:16,120 Speaker 1: because they'll just be out at the soccer field where 216 00:12:16,120 --> 00:12:17,960 Speaker 1: anybody could go up and Justin O they're just playing 217 00:12:17,960 --> 00:12:21,000 Speaker 1: soccer's crazy, and he's just the church where anybody could 218 00:12:21,000 --> 00:12:24,000 Speaker 1: get into. Like they don't have rules. You just go 219 00:12:24,040 --> 00:12:27,400 Speaker 1: into the church. So it seems like it's two ways. 220 00:12:27,520 --> 00:12:29,200 Speaker 1: It's either you can't get to him because he has 221 00:12:29,200 --> 00:12:31,559 Speaker 1: tons of security and it's like he's Justin bie with 222 00:12:31,679 --> 00:12:34,240 Speaker 1: a superstar, or he's just just in the dude and 223 00:12:34,240 --> 00:12:38,720 Speaker 1: he's just not doing normal life things. It's crazy, right, Yeah, 224 00:12:38,760 --> 00:12:40,040 Speaker 1: you can just go in there just to be a 225 00:12:40,040 --> 00:12:43,000 Speaker 1: great church. See. And I'm I'm like that too, where 226 00:12:43,040 --> 00:12:44,920 Speaker 1: I'm just normal Bobby and nobody cares. And there's also 227 00:12:44,920 --> 00:12:47,040 Speaker 1: a Normalobby where nobody cares. That's the two. That's the 228 00:12:47,240 --> 00:12:50,160 Speaker 1: two things I'm doing always. Um, all right, here you go, 229 00:12:50,280 --> 00:12:52,960 Speaker 1: this is um a pretty fun episode. We're kind of 230 00:12:53,200 --> 00:12:55,560 Speaker 1: straying together a few cool things with Brandon Lauren and 231 00:12:55,559 --> 00:13:01,079 Speaker 1: then artists who didn't make it until they were older 232 00:13:01,120 --> 00:13:03,320 Speaker 1: in terms of making it in music and how people 233 00:13:03,440 --> 00:13:05,520 Speaker 1: feel and what ages you make it. So check it out. 234 00:13:05,520 --> 00:13:08,920 Speaker 1: I appreciate you guys, Thanks for sharing the podcast, thanks 235 00:13:08,920 --> 00:13:12,400 Speaker 1: for tagging us on Instagram Instagram story, and I hope 236 00:13:12,440 --> 00:13:15,320 Speaker 1: you enjoy it. Here you go, Hey, Hey, what's happening? 237 00:13:15,679 --> 00:13:17,720 Speaker 1: Just riding in a car in l A which is 238 00:13:17,840 --> 00:13:21,840 Speaker 1: really fun today. I get so car sick. I get 239 00:13:21,880 --> 00:13:24,400 Speaker 1: really car sick too when I think about being in 240 00:13:24,440 --> 00:13:27,960 Speaker 1: Los Angeles, Like that's the feeling that comes into my 241 00:13:28,000 --> 00:13:30,280 Speaker 1: body is sitting in the back of an uber just 242 00:13:30,559 --> 00:13:35,600 Speaker 1: wanting to be out of it and nauseous. Yeah, yeah, 243 00:13:35,720 --> 00:13:38,920 Speaker 1: that's what's happening to me. What what are you? Where 244 00:13:38,960 --> 00:13:43,400 Speaker 1: are you going tonight? I am going to film with 245 00:13:44,280 --> 00:13:47,880 Speaker 1: Neil how you say it? That app where you sing 246 00:13:48,920 --> 00:13:53,160 Speaker 1: and they get the fans can sing with you. You 247 00:13:53,160 --> 00:13:55,920 Speaker 1: know I'm talking about. Yeah, You're going to the place 248 00:13:55,960 --> 00:14:00,400 Speaker 1: to sing there I guess their office and filming it. Well. 249 00:14:01,040 --> 00:14:03,199 Speaker 1: I wanted to bring you on and talk about your 250 00:14:03,200 --> 00:14:07,640 Speaker 1: new EP, which I think first I think we should 251 00:14:07,679 --> 00:14:11,960 Speaker 1: do a quick introductory of what exactly an EP versus 252 00:14:12,000 --> 00:14:14,559 Speaker 1: an LP is, because I think we throw these letters 253 00:14:14,600 --> 00:14:17,440 Speaker 1: out thinking that everybody understands. But until someone explained it 254 00:14:17,440 --> 00:14:19,440 Speaker 1: to me, I didn't know the difference. Do you know 255 00:14:19,480 --> 00:14:23,280 Speaker 1: what EP versus the LP is? It's A stands for 256 00:14:25,920 --> 00:14:29,680 Speaker 1: nice and it's the shorter one, yes, which doesn't make 257 00:14:29,720 --> 00:14:34,200 Speaker 1: sense right. Well, But but when you hear LP, which 258 00:14:34,200 --> 00:14:37,920 Speaker 1: stands for long play, right, I guess it does make sense. 259 00:14:38,240 --> 00:14:40,280 Speaker 1: I guess, yeah, but right if it's just extended play, 260 00:14:40,280 --> 00:14:42,800 Speaker 1: it doesn't make a lot of sense. So I am 261 00:14:42,880 --> 00:14:45,480 Speaker 1: more of an EP guy whenever it comes to artists 262 00:14:45,520 --> 00:14:48,680 Speaker 1: releasing music, because I feel like I need four or 263 00:14:48,680 --> 00:14:51,760 Speaker 1: five six songs to digest and really pay attention to 264 00:14:51,840 --> 00:14:54,600 Speaker 1: every song. Was that in mind whenever you put out 265 00:14:54,640 --> 00:14:57,360 Speaker 1: the EP? Yeah? And I just think people are consuming 266 00:14:57,480 --> 00:15:00,760 Speaker 1: music so differently. Now. I just wanted I've been working 267 00:15:00,760 --> 00:15:02,760 Speaker 1: on the album for a while and I'm not done 268 00:15:02,840 --> 00:15:04,600 Speaker 1: with it. I just wanted to get music out. I 269 00:15:04,640 --> 00:15:06,160 Speaker 1: was ready to get some music out. We did the 270 00:15:06,200 --> 00:15:11,000 Speaker 1: headlining tour and I sang these six songs on the tour, 271 00:15:11,080 --> 00:15:13,080 Speaker 1: and then I realized no one had access to the song. 272 00:15:13,680 --> 00:15:16,400 Speaker 1: This is this is not good. So I just wanted 273 00:15:16,440 --> 00:15:19,360 Speaker 1: to put it out and get some music out, and 274 00:15:19,400 --> 00:15:22,360 Speaker 1: I think people can digest it a little bit better 275 00:15:22,400 --> 00:15:25,960 Speaker 1: than twelve songs all at one time. And I'm all 276 00:15:26,080 --> 00:15:28,760 Speaker 1: for an album if it's for like my very favorite artist, 277 00:15:28,880 --> 00:15:32,479 Speaker 1: right but it's hard for people that aren't the absolute 278 00:15:32,560 --> 00:15:35,520 Speaker 1: favorite artists of most people to become that favorite artist. 279 00:15:35,720 --> 00:15:38,560 Speaker 1: And if you were to put out twelve fourteen songs 280 00:15:38,560 --> 00:15:40,680 Speaker 1: as a new artist or kind of a middle artist, 281 00:15:41,080 --> 00:15:43,400 Speaker 1: people are gonna sit. They're not gonna hear a lot 282 00:15:43,440 --> 00:15:45,480 Speaker 1: of the songs because they're gonna catch a couple of 283 00:15:45,520 --> 00:15:46,680 Speaker 1: them and just go to the next thing. And I 284 00:15:46,720 --> 00:15:48,360 Speaker 1: feel like a lot of songs go to waste because 285 00:15:48,360 --> 00:15:52,040 Speaker 1: of that. Well, tell me about your favorite song. If 286 00:15:52,040 --> 00:15:54,040 Speaker 1: I were to play one of them that you like 287 00:15:54,120 --> 00:15:58,960 Speaker 1: the most, my favorite song on the EPs right now? 288 00:15:58,960 --> 00:16:03,040 Speaker 1: You can change what is it right now? Somebody else's problem? Oh, 289 00:16:03,080 --> 00:16:06,000 Speaker 1: somebody else's problem. That's a good one. Tell me about 290 00:16:06,000 --> 00:16:10,720 Speaker 1: that one. It's a breakup song. It's a very fassy 291 00:16:10,800 --> 00:16:15,680 Speaker 1: breakup song. And I would say that this song represents 292 00:16:15,800 --> 00:16:22,160 Speaker 1: my personality the best. It's kind of sarcastic and you 293 00:16:22,200 --> 00:16:24,280 Speaker 1: get assen to who I am When you listen to it, 294 00:16:24,320 --> 00:16:26,960 Speaker 1: I think, and I've been through a couple of breakups 295 00:16:27,000 --> 00:16:30,720 Speaker 1: in the last few years, so I think it's time 296 00:16:30,720 --> 00:16:33,200 Speaker 1: for me to put out a breakup album. Did you 297 00:16:33,560 --> 00:16:36,600 Speaker 1: write the song or find the song? Yes, I wrote 298 00:16:36,640 --> 00:16:40,680 Speaker 1: the song with Jeff Warburton and Jesse Frazier. And so 299 00:16:40,720 --> 00:16:42,760 Speaker 1: when you go into the room to write this song, 300 00:16:42,960 --> 00:16:45,200 Speaker 1: was it fresh? Are you gonna say after which breakup? 301 00:16:45,240 --> 00:16:47,640 Speaker 1: Or was it kind of an encapsulation. I don't even 302 00:16:47,640 --> 00:16:50,160 Speaker 1: know if it matters. Okay, Hey, listen, I gotta ask 303 00:16:50,200 --> 00:16:54,920 Speaker 1: the question, Lauren. You go into the room, and what 304 00:16:54,920 --> 00:16:58,960 Speaker 1: do you say in the room. Well, I was driving 305 00:16:59,000 --> 00:17:02,160 Speaker 1: a Kia Bobby, and I drove my Kia until it 306 00:17:02,240 --> 00:17:05,960 Speaker 1: stopped working, and I was like, I think I hold 307 00:17:05,960 --> 00:17:11,280 Speaker 1: onto things longer than I should, and I've really got 308 00:17:11,280 --> 00:17:14,119 Speaker 1: to learn when it's time to let something go. And 309 00:17:14,160 --> 00:17:18,640 Speaker 1: I was just talking about my original idea. I had 310 00:17:18,680 --> 00:17:22,600 Speaker 1: that job, like, uh, the idea with the car and 311 00:17:22,640 --> 00:17:25,080 Speaker 1: all of that kind of written down in my notes section, 312 00:17:25,119 --> 00:17:28,160 Speaker 1: and I was like, I hold onto things longer than 313 00:17:28,200 --> 00:17:31,320 Speaker 1: I should, and I had the idea, I'm just time 314 00:17:31,359 --> 00:17:32,800 Speaker 1: to treat my heart like that old car, and I'm 315 00:17:32,800 --> 00:17:36,679 Speaker 1: gonna let you start being somebody else's problem. And my 316 00:17:36,720 --> 00:17:38,240 Speaker 1: original idea, I was going to do a bunch of 317 00:17:38,320 --> 00:17:41,520 Speaker 1: different examples, and then when I got in the room 318 00:17:41,560 --> 00:17:43,240 Speaker 1: with the guys, they were like, I think we could 319 00:17:43,280 --> 00:17:45,359 Speaker 1: just stick to the car theme because it's pretty cool, 320 00:17:45,760 --> 00:17:48,239 Speaker 1: and then we did. So we compared love to a 321 00:17:48,240 --> 00:17:51,560 Speaker 1: car it's breaking down, you know. It's always interesting to 322 00:17:51,600 --> 00:17:53,240 Speaker 1: hear too, like when a song like this comes out, 323 00:17:53,440 --> 00:17:57,240 Speaker 1: how long ago was this song written versus how long 324 00:17:57,280 --> 00:17:59,800 Speaker 1: did it take for it to come out? Well, that 325 00:18:00,000 --> 00:18:01,919 Speaker 1: to answer one of those questions, you don't even want 326 00:18:01,920 --> 00:18:02,960 Speaker 1: to say. I bet I could probably go to the 327 00:18:03,000 --> 00:18:05,240 Speaker 1: publishing of it. Huh, I won't. I won't, Lawrence, I 328 00:18:06,720 --> 00:18:09,720 Speaker 1: wrote it. I don't even know when I wrote it, honestly, 329 00:18:09,760 --> 00:18:14,240 Speaker 1: over a year ago. Yeah, tell me about country and Me. 330 00:18:15,440 --> 00:18:17,479 Speaker 1: Oh that's my dad. See. That was the other one 331 00:18:17,520 --> 00:18:19,199 Speaker 1: I was going to say. It was, Well, that was 332 00:18:19,240 --> 00:18:21,919 Speaker 1: my favorite one. That's why I was asking, Okay, maybe 333 00:18:22,000 --> 00:18:24,399 Speaker 1: maybe country Me is my favorite. I don't know. I 334 00:18:24,440 --> 00:18:27,200 Speaker 1: love them all. I'm really proud of all of them. Um. 335 00:18:27,359 --> 00:18:29,720 Speaker 1: Country Me is the love song. It's about and they 336 00:18:29,840 --> 00:18:35,159 Speaker 1: love and it's about a guy that reminds you of 337 00:18:35,160 --> 00:18:39,040 Speaker 1: where you came from, and I had such a Southern raising, 338 00:18:39,359 --> 00:18:42,600 Speaker 1: and I really wanted to tap into that for the 339 00:18:42,680 --> 00:18:44,680 Speaker 1: new music. I wanted to bank sure that I gave 340 00:18:44,720 --> 00:18:46,800 Speaker 1: a nod to where I came from a little bit 341 00:18:46,840 --> 00:18:49,600 Speaker 1: more than maybe on my last album, because I've spent 342 00:18:49,640 --> 00:18:51,320 Speaker 1: a lot of time at home in the last couple 343 00:18:51,320 --> 00:18:54,639 Speaker 1: of years with my family and friends, and I have 344 00:18:54,720 --> 00:18:56,679 Speaker 1: been wanting to write about them, and I was writing 345 00:18:56,720 --> 00:19:00,840 Speaker 1: about someone who brings that out and you not about 346 00:19:00,840 --> 00:19:04,639 Speaker 1: anyone specifically, really, But whenever you played a bunch of 347 00:19:04,640 --> 00:19:06,359 Speaker 1: these new songs at your show, which one did you 348 00:19:06,400 --> 00:19:09,520 Speaker 1: feel like got the best reaction night after night new stuff? 349 00:19:10,320 --> 00:19:15,680 Speaker 1: Probably somebody else's problem is, I don't know, it's it's 350 00:19:15,720 --> 00:19:18,840 Speaker 1: just it's a really good live song. It feels good 351 00:19:18,880 --> 00:19:21,040 Speaker 1: you kind of the country and me was good life too, 352 00:19:21,040 --> 00:19:23,520 Speaker 1: because you can sway to it. But somebody else's problem 353 00:19:23,880 --> 00:19:26,080 Speaker 1: makes you gonna like dance and throw your hands up 354 00:19:26,080 --> 00:19:29,320 Speaker 1: and half a good time. So I would say all 355 00:19:29,359 --> 00:19:31,440 Speaker 1: of them went over well, though we opened the show 356 00:19:31,480 --> 00:19:34,200 Speaker 1: within my veins, so I don't think people really got 357 00:19:34,200 --> 00:19:36,359 Speaker 1: to spend a ton of time with that one, you know, 358 00:19:36,920 --> 00:19:40,520 Speaker 1: And then um, somebody else's problem was in a prompt 359 00:19:40,560 --> 00:19:43,960 Speaker 1: spot and set. I introduced the band on it. I 360 00:19:44,080 --> 00:19:47,159 Speaker 1: made I set it up really well and made jokes 361 00:19:47,200 --> 00:19:50,159 Speaker 1: about the car reference. So I think, I don't know. 362 00:19:50,400 --> 00:19:52,800 Speaker 1: I don't know why. I'm curious about how you put 363 00:19:52,800 --> 00:19:56,359 Speaker 1: together a set list. Your first song on your tour. 364 00:19:56,480 --> 00:20:02,879 Speaker 1: This last tour was a new song. Yes, oh yes, 365 00:20:03,040 --> 00:20:06,000 Speaker 1: and we worked really I worked really really hard on 366 00:20:06,080 --> 00:20:09,600 Speaker 1: that set. But we played a video, so I did 367 00:20:09,640 --> 00:20:16,040 Speaker 1: that on my headlining tour. I did, um, I did 368 00:20:16,040 --> 00:20:19,160 Speaker 1: this video wall behind me and I put together all 369 00:20:19,160 --> 00:20:22,760 Speaker 1: this content. So even though it was the first song, 370 00:20:22,800 --> 00:20:25,320 Speaker 1: they kind of had already heard from me by the 371 00:20:25,359 --> 00:20:28,119 Speaker 1: time they heard the song because it played a video 372 00:20:28,160 --> 00:20:31,000 Speaker 1: before it to kind of connect with them. But I 373 00:20:31,040 --> 00:20:33,720 Speaker 1: referenced it and it just fit the first segment of 374 00:20:33,800 --> 00:20:35,560 Speaker 1: the show. I did the show kind of like a 375 00:20:35,680 --> 00:20:43,840 Speaker 1: play and um, I did um. I'm so sorry, we 376 00:20:43,960 --> 00:20:47,160 Speaker 1: just got where we were going. There haven't no I'm 377 00:20:47,160 --> 00:20:50,840 Speaker 1: gonna just get away from the conversation, okay. So I 378 00:20:50,920 --> 00:20:53,639 Speaker 1: felt that they can talk. Do you have to go 379 00:20:53,680 --> 00:20:55,760 Speaker 1: to a guard gate? Is that what they're doing. I 380 00:20:55,800 --> 00:20:57,480 Speaker 1: don't know what we're doing. We seem to me on 381 00:20:57,480 --> 00:21:01,440 Speaker 1: the side of the street. Um, in now Vadora. I 382 00:21:01,480 --> 00:21:03,560 Speaker 1: think we're gonna sit in the car for a minute. Yeah, 383 00:21:03,680 --> 00:21:09,560 Speaker 1: thank you. Sorry, you know you're good. Um sorry, Bobby, Um. Yeah, 384 00:21:09,560 --> 00:21:11,879 Speaker 1: So we put. I did the show kind of like 385 00:21:11,920 --> 00:21:14,879 Speaker 1: a play where I had like three acts, and the 386 00:21:14,960 --> 00:21:17,360 Speaker 1: first act was where I came from. So I did 387 00:21:17,359 --> 00:21:20,760 Speaker 1: in my Veins and like my mother does Georgia Peaces 388 00:21:20,880 --> 00:21:23,840 Speaker 1: and all of those songs kind of like the beginning 389 00:21:23,880 --> 00:21:25,919 Speaker 1: of my career and where I grew up. So In 390 00:21:25,960 --> 00:21:28,679 Speaker 1: my Veins was like the perfect kind of set up 391 00:21:28,760 --> 00:21:32,679 Speaker 1: for that. Well before you and then go ahead, and 392 00:21:32,720 --> 00:21:35,960 Speaker 1: then I sprinkled the other ones, you know, throughout the 393 00:21:36,000 --> 00:21:38,719 Speaker 1: other segments. So well, let me say this, Lawrence got 394 00:21:38,720 --> 00:21:42,359 Speaker 1: a new EP called Getting Good Before you Go. You 395 00:21:42,400 --> 00:21:45,080 Speaker 1: will be the backstage announcer at the A c M S, 396 00:21:45,440 --> 00:21:49,639 Speaker 1: which is pretty cool. I'm pretty pumped about that. What 397 00:21:49,800 --> 00:21:52,720 Speaker 1: exactly will you be doing? So I'm gonna be talking 398 00:21:52,720 --> 00:21:55,040 Speaker 1: to people after they win their awards, hanging out with 399 00:21:55,640 --> 00:21:59,120 Speaker 1: the artists back stage and kind of giving the fans 400 00:21:59,520 --> 00:22:01,720 Speaker 1: of you of what we're what it's like back there, 401 00:22:02,640 --> 00:22:06,960 Speaker 1: and I'm excited. I'm gonna be announcing different categories and stuff. 402 00:22:07,000 --> 00:22:10,120 Speaker 1: I'm now, were you traveling right now? Are you worried 403 00:22:10,119 --> 00:22:16,840 Speaker 1: about coronavirus? Am I worried about the coronavirus? Yes, I 404 00:22:16,880 --> 00:22:20,560 Speaker 1: would say, I'm not like overly worried about it because 405 00:22:20,560 --> 00:22:23,800 Speaker 1: I feel like it's the flu. It's basically the flu, 406 00:22:23,880 --> 00:22:26,159 Speaker 1: except we don't have a shot for it. Right, But 407 00:22:26,280 --> 00:22:29,200 Speaker 1: what if they said that everyone's getting the flu, be 408 00:22:29,359 --> 00:22:30,920 Speaker 1: super aware of the flu. What don't you still be like, 409 00:22:31,000 --> 00:22:32,760 Speaker 1: Holy crap. I don't get to like the real flu. 410 00:22:32,840 --> 00:22:35,720 Speaker 1: I don't get the flu. I don't like germs in general. 411 00:22:35,960 --> 00:22:38,600 Speaker 1: So I had wet wapes in my purse before the 412 00:22:38,600 --> 00:22:42,119 Speaker 1: coronavirus broke out, and I'll have them after it goes away. 413 00:22:42,240 --> 00:22:44,520 Speaker 1: All right, Well, don't get sick, wash your hands, and 414 00:22:44,560 --> 00:22:47,400 Speaker 1: congratulations on the EP. Lauren, Thank you, Bobby, You're the best. 415 00:22:47,359 --> 00:22:55,840 Speaker 1: All right, Lawn, talk to you soon. All right. This 416 00:22:55,880 --> 00:22:59,320 Speaker 1: is interesting. These are artists who made it later in life. 417 00:22:59,760 --> 00:23:01,720 Speaker 1: Now don't mean like a d I don't mean like 418 00:23:01,840 --> 00:23:05,040 Speaker 1: right before they died. But I mean later than you 419 00:23:05,080 --> 00:23:09,919 Speaker 1: would think, because it seems like most artists start at 420 00:23:09,960 --> 00:23:15,400 Speaker 1: like nine two years old, right early on, not mid 421 00:23:15,440 --> 00:23:18,479 Speaker 1: thirties and forties. A little more rare. Yeah, and so 422 00:23:18,680 --> 00:23:21,800 Speaker 1: they is big stars too that started way later. For example, 423 00:23:22,520 --> 00:23:25,240 Speaker 1: Chris Stapleton, who is now forty one years old, he 424 00:23:25,440 --> 00:23:28,800 Speaker 1: really blew up when he turned thirty seven. Christ Apleton 425 00:23:28,880 --> 00:23:31,640 Speaker 1: was behind the scenes songwriter in Nashville for over a decade. 426 00:23:32,240 --> 00:23:34,720 Speaker 1: He was lead singer in a bluegrass band and a 427 00:23:34,800 --> 00:23:37,880 Speaker 1: southern rock band before he released his debut award winning 428 00:23:37,880 --> 00:23:44,679 Speaker 1: solo album at age thirty seven. I would encourage you 429 00:23:44,680 --> 00:23:46,399 Speaker 1: to go back and listen to the Bobby Catch with 430 00:23:46,520 --> 00:23:51,159 Speaker 1: Robert Deaton because Robert Deaton is the producer of the 431 00:23:51,160 --> 00:23:53,120 Speaker 1: c m A Awards and talks about how Chris Stapleton 432 00:23:53,520 --> 00:23:56,160 Speaker 1: got on the c m A Awards, which this performance 433 00:23:56,240 --> 00:24:00,720 Speaker 1: is really what catapulted this song again to blow up, 434 00:24:00,840 --> 00:24:03,639 Speaker 1: and then Stableton to do the same thing, but thirty 435 00:24:03,680 --> 00:24:06,399 Speaker 1: seven years old when he really hit it as an artist. 436 00:24:07,280 --> 00:24:11,280 Speaker 1: Cheryl Crowe thirty two years old. She worked as a 437 00:24:11,359 --> 00:24:15,680 Speaker 1: music teacher at a Missouri elementary school. She created commercial 438 00:24:15,720 --> 00:24:20,000 Speaker 1: jingles for McDonald's and Toyota served as a backing vocalist 439 00:24:20,000 --> 00:24:23,200 Speaker 1: from Michael Jackson in the eighties and really didn't get 440 00:24:23,200 --> 00:24:25,960 Speaker 1: cracking on her first album until the early nineties and 441 00:24:26,080 --> 00:24:28,600 Speaker 1: nine two, she recorded her first attempt at a self 442 00:24:28,640 --> 00:24:32,879 Speaker 1: titled record, but the label said nope, and still though 443 00:24:32,920 --> 00:24:35,720 Speaker 1: the album started to be put out, and that was 444 00:24:35,760 --> 00:24:38,600 Speaker 1: when file sharing started to really be a thing, or 445 00:24:38,640 --> 00:24:41,440 Speaker 1: at least the early stages of people who knew how 446 00:24:41,440 --> 00:24:44,440 Speaker 1: to get file sharing could get file sharing, and so 447 00:24:44,840 --> 00:24:47,680 Speaker 1: that's when she got some attention. She released her first 448 00:24:47,720 --> 00:24:51,960 Speaker 1: official debut album, Tuesday Night Music Club in and became 449 00:24:52,000 --> 00:24:55,920 Speaker 1: a breakout success at the age of thirty two years old. 450 00:24:56,240 --> 00:24:57,800 Speaker 1: And here you Go, Here's All I Want to Do 451 00:24:58,040 --> 00:25:01,439 Speaker 1: and the song I love this record one of my 452 00:25:01,480 --> 00:25:06,639 Speaker 1: favorite kid albums. When I was twelve years old, this 453 00:25:06,720 --> 00:25:08,600 Speaker 1: was this was it I knew ever saw on it. 454 00:25:08,920 --> 00:25:11,120 Speaker 1: I had a CD player and I was like, I'm 455 00:25:11,160 --> 00:25:14,480 Speaker 1: so freaking cool. The first CDs that I had though, 456 00:25:15,080 --> 00:25:18,040 Speaker 1: where a C D C ball Breaker and Mariah Carey 457 00:25:18,119 --> 00:25:23,760 Speaker 1: Butterfly Butterfly, and then I had Cheryl Crowe. The one 458 00:25:23,760 --> 00:25:25,720 Speaker 1: that I listened to the most was Hooting the Blowfish 459 00:25:25,720 --> 00:25:29,399 Speaker 1: Cracked Review, which I later had to rebuy the cassette 460 00:25:30,359 --> 00:25:32,080 Speaker 1: because the car that I bought with a piece of 461 00:25:32,119 --> 00:25:34,159 Speaker 1: crap when I would drive it to football practice, so 462 00:25:34,200 --> 00:25:35,760 Speaker 1: I had to get a cassette to listen to in 463 00:25:35,760 --> 00:25:38,600 Speaker 1: the car. But then I graduated to a CD player 464 00:25:38,640 --> 00:25:40,560 Speaker 1: that you would take a cassette that was attached to 465 00:25:40,560 --> 00:25:43,280 Speaker 1: the CD and you put the cassette in the cassette 466 00:25:43,280 --> 00:25:45,600 Speaker 1: player and it played the CD player that you that 467 00:25:45,680 --> 00:25:51,560 Speaker 1: you like taped or gunked the dash and it had 468 00:25:51,640 --> 00:25:53,880 Speaker 1: this you put the CD player on it, and CD 469 00:25:53,960 --> 00:25:56,520 Speaker 1: players would skip. If you're a kid now and you're 470 00:25:56,520 --> 00:25:59,320 Speaker 1: listening to this, you would have a like a walkman 471 00:25:59,440 --> 00:26:03,280 Speaker 1: or a discman, and if you like ran with it 472 00:26:03,320 --> 00:26:06,719 Speaker 1: and shook, it would just skip to skip. So what 473 00:26:06,800 --> 00:26:09,960 Speaker 1: they did is they built these bases and you attached 474 00:26:10,040 --> 00:26:12,920 Speaker 1: the base to your dash, but the base would shake. 475 00:26:12,960 --> 00:26:17,199 Speaker 1: It allowed for some room much like a like a 476 00:26:17,200 --> 00:26:20,920 Speaker 1: a shock. Okay, oh you don't know this, not entirely. 477 00:26:20,920 --> 00:26:22,920 Speaker 1: I remember having like just the straight of tape deck 478 00:26:22,960 --> 00:26:25,960 Speaker 1: that you would slide in plug into like the audio 479 00:26:26,040 --> 00:26:28,920 Speaker 1: jack of a walkman or something. Well, the tape deck 480 00:26:28,920 --> 00:26:32,040 Speaker 1: would plug into a discman and you could open it 481 00:26:32,119 --> 00:26:34,520 Speaker 1: up and actually play your disks through the car. And 482 00:26:34,560 --> 00:26:35,920 Speaker 1: then it got to the point where you didn't want 483 00:26:35,920 --> 00:26:37,760 Speaker 1: to hold your discman all the time, so you would 484 00:26:37,760 --> 00:26:39,560 Speaker 1: take your discman and you would put it on a base, 485 00:26:40,160 --> 00:26:42,080 Speaker 1: and the base had a fixed base underneath it, but 486 00:26:42,160 --> 00:26:44,520 Speaker 1: had like shocks on it, so when you hit a bump, 487 00:26:44,520 --> 00:26:46,920 Speaker 1: it would just like bounce instead of skip, but it 488 00:26:47,000 --> 00:26:48,680 Speaker 1: still skipped like crazy. So I didn't know about the 489 00:26:48,720 --> 00:26:50,600 Speaker 1: base thing. By the time I got around to it, 490 00:26:50,600 --> 00:26:52,560 Speaker 1: they already had like the anti skip ones. Well, and 491 00:26:52,600 --> 00:26:55,600 Speaker 1: you're ten years younger than so you missed it. It 492 00:26:55,680 --> 00:26:58,200 Speaker 1: was right when I was. It sounds kind of awful though, 493 00:26:58,560 --> 00:27:02,120 Speaker 1: well yes, and no awful now. Back in the day, 494 00:27:02,119 --> 00:27:04,960 Speaker 1: it was legit because it was the first attempt to 495 00:27:05,119 --> 00:27:07,720 Speaker 1: not have CDs skip whenever you were driving your car, 496 00:27:08,200 --> 00:27:10,479 Speaker 1: and fifty percent of the time it worked, and that 497 00:27:10,520 --> 00:27:14,399 Speaker 1: was more than it used to be. Also, when they 498 00:27:14,440 --> 00:27:18,560 Speaker 1: had Discmond's and they came out, mine was blown because 499 00:27:18,560 --> 00:27:20,920 Speaker 1: the Walkman was a big deal and only rich people 500 00:27:20,960 --> 00:27:22,959 Speaker 1: had Walkman, only rich people had Discmond. But I then 501 00:27:23,040 --> 00:27:25,639 Speaker 1: had my own job, so when I was sixteen, I 502 00:27:25,680 --> 00:27:27,800 Speaker 1: was working full time and I could afford a Discman, 503 00:27:28,280 --> 00:27:32,919 Speaker 1: and so legit just change the world. And I remember 504 00:27:33,359 --> 00:27:35,920 Speaker 1: when one of my friends got a five disc changer. Oh, 505 00:27:35,960 --> 00:27:40,000 Speaker 1: I forgot about the CD changer. Could not believe you 506 00:27:40,000 --> 00:27:42,719 Speaker 1: could listen to five c ds at the same time. 507 00:27:43,080 --> 00:27:45,640 Speaker 1: Are you out of your mind? And you just hit 508 00:27:45,640 --> 00:27:46,920 Speaker 1: a button it was skip to the next c D. 509 00:27:48,160 --> 00:27:53,560 Speaker 1: I had the seven Mary three Cumbersome, and I had 510 00:27:53,600 --> 00:27:55,360 Speaker 1: that disc and I would listen to it. I only 511 00:27:55,400 --> 00:27:57,120 Speaker 1: wanted to hear one song, so I had to get 512 00:27:57,119 --> 00:27:59,280 Speaker 1: the disc out of the book. Takes the book out, 513 00:27:59,600 --> 00:28:06,639 Speaker 1: but the skin and ah hell bick comb combersome, do 514 00:28:06,920 --> 00:28:08,760 Speaker 1: my war and then not here it and take it out, 515 00:28:08,800 --> 00:28:10,320 Speaker 1: switch it out. But my friend had the same disc 516 00:28:10,320 --> 00:28:15,639 Speaker 1: and he would be like, when you're cumbersome, yep, the 517 00:28:15,720 --> 00:28:18,280 Speaker 1: disc with the silver chairs CD would move out of 518 00:28:18,280 --> 00:28:21,160 Speaker 1: the way and seven Mary three would go right in. Yeah, 519 00:28:21,160 --> 00:28:24,719 Speaker 1: it's pretty legit. But that was one of my first CDs, 520 00:28:24,760 --> 00:28:26,560 Speaker 1: I would say, one of my first five CDs with 521 00:28:26,600 --> 00:28:30,680 Speaker 1: Cheryl Crow Tusy Night Music Club. Alan Jackson, he didn't 522 00:28:30,680 --> 00:28:32,480 Speaker 1: have his first number one song until he was thirty 523 00:28:32,520 --> 00:28:36,040 Speaker 1: three years old. He's now sixty one. Growing up, Alan 524 00:28:36,119 --> 00:28:40,680 Speaker 1: Jackson was primarily listening to gospel music. When he was 525 00:28:40,720 --> 00:28:45,440 Speaker 1: twenty seven, him and his wife moved from Newman to Nashville, Tennessee. 526 00:28:45,680 --> 00:28:48,960 Speaker 1: So at seven he thought, I'll go pursued music full time. 527 00:28:49,520 --> 00:28:54,280 Speaker 1: Inven he cut an album titled New Traditional Did that 528 00:28:54,360 --> 00:28:58,240 Speaker 1: a docts place in Hendersonville Tesse? But it was it's 529 00:28:58,280 --> 00:29:01,360 Speaker 1: so rare. It was only released in Japan. I think 530 00:29:01,360 --> 00:29:05,760 Speaker 1: about that, Alan Jackson. The only place this was released 531 00:29:05,840 --> 00:29:10,480 Speaker 1: was in Japan, which you don't even know. I don't 532 00:29:10,480 --> 00:29:11,920 Speaker 1: even know if they like country music over there. I 533 00:29:11,920 --> 00:29:15,440 Speaker 1: don't even know more American gospel music today. In eighty nine, 534 00:29:15,440 --> 00:29:19,120 Speaker 1: he released his debut single, Blue Blooded Woman. In late 535 00:29:19,240 --> 00:29:22,360 Speaker 1: nineteen um it didn't reach the top forty in the 536 00:29:22,400 --> 00:29:25,560 Speaker 1: Hot Country Songs. Don't Rock the Jukebox was the title 537 00:29:25,560 --> 00:29:28,920 Speaker 1: of his second album. It was released in nineteen four 538 00:29:29,000 --> 00:29:32,200 Speaker 1: number one singles. He also co wrote songs on Randy 539 00:29:32,240 --> 00:29:35,400 Speaker 1: Travis album High Lonesome. But Here you Go? Do you 540 00:29:35,400 --> 00:29:39,320 Speaker 1: have some Allen Jackson, Here you Go? The name was 541 00:29:39,320 --> 00:29:41,120 Speaker 1: first number one till he was thirty three years old. 542 00:29:42,560 --> 00:29:49,480 Speaker 1: It's my heart in off the rules Stop. I don't 543 00:29:49,560 --> 00:29:54,800 Speaker 1: feel black rocking? Next up Willie Nelson forty years old. 544 00:29:54,960 --> 00:29:57,880 Speaker 1: By the way, now Willie's eighty six. But Willie Nelson 545 00:29:57,920 --> 00:30:00,520 Speaker 1: struggled for years as a singer songwriter. Now shielt he 546 00:30:00,560 --> 00:30:04,920 Speaker 1: moved Austin, Texas, started the outlaw country movement. He was 547 00:30:05,000 --> 00:30:08,080 Speaker 1: forty when Shotgun Willie came out, which cracked the billboard 548 00:30:08,080 --> 00:30:10,800 Speaker 1: Hot one hundred. Here he's gone, well, it's it's around 549 00:30:10,880 --> 00:30:18,360 Speaker 1: and it's underwhere so the horns out all. What's funny 550 00:30:18,520 --> 00:30:20,840 Speaker 1: is when like when Lady and Bellam R. Tomas put 551 00:30:20,840 --> 00:30:23,040 Speaker 1: horns on records in the past few years that any 552 00:30:23,080 --> 00:30:25,400 Speaker 1: country that any country who puts horns on country, that's 553 00:30:25,400 --> 00:30:30,680 Speaker 1: that country. And John and Johnny Cash and Willie it's 554 00:30:31,360 --> 00:30:32,880 Speaker 1: that really that's a trigger for me and people go 555 00:30:32,920 --> 00:30:37,480 Speaker 1: that in country. But yeah, so in the documentary did 556 00:30:37,480 --> 00:30:40,200 Speaker 1: you watch the Country? Was a documentary, they do a 557 00:30:40,200 --> 00:30:42,840 Speaker 1: lot of Willie Nelson talk and you know, Willie didn't 558 00:30:42,840 --> 00:30:45,840 Speaker 1: make it until he was forty. But he was like 559 00:30:45,880 --> 00:30:48,880 Speaker 1: a nerdy little songwriter in Nashville, more like a suit 560 00:30:48,960 --> 00:30:55,520 Speaker 1: and tie and you know, always down on Broadway. Once 561 00:30:55,640 --> 00:30:58,880 Speaker 1: was so disappointed and sad, he just laid the middle 562 00:30:58,880 --> 00:31:01,480 Speaker 1: of the street and was like, I'm done. Luckily no 563 00:31:01,560 --> 00:31:05,200 Speaker 1: car hit him, but just a nerdy little guy. Then 564 00:31:05,200 --> 00:31:07,400 Speaker 1: he moved moved to Austin to kind of you know, 565 00:31:07,480 --> 00:31:09,880 Speaker 1: restarted because it couldn't get anything going to Nashville. That 566 00:31:10,000 --> 00:31:16,840 Speaker 1: crazy old Dominion, The whole band and their forties Matt 567 00:31:16,920 --> 00:31:21,040 Speaker 1: Ramsey's forty four, Trevor Rosen's forty five. They've been a 568 00:31:21,080 --> 00:31:22,880 Speaker 1: band since two thousand seven, but the first hit came 569 00:31:22,880 --> 00:31:26,160 Speaker 1: in would break up with him. They were all in 570 00:31:26,200 --> 00:31:30,080 Speaker 1: their late thirties and forties, which I think they're very 571 00:31:30,120 --> 00:31:33,600 Speaker 1: appreciative of it now, and they've written a bunch of songs, 572 00:31:33,720 --> 00:31:36,520 Speaker 1: a bunch for other people, but you know, they couldn't 573 00:31:36,560 --> 00:31:41,280 Speaker 1: make it work as artists. What's crazy is that's a 574 00:31:41,320 --> 00:31:44,440 Speaker 1: lot of songwriters is they couldn't make it as artists, 575 00:31:45,200 --> 00:31:50,000 Speaker 1: so they end up being really great songwriters. And I 576 00:31:50,040 --> 00:31:51,680 Speaker 1: hate to put anyone in that spot where it's like 577 00:31:51,720 --> 00:31:53,280 Speaker 1: they couldn't make it as an artist. But some of 578 00:31:53,320 --> 00:31:56,880 Speaker 1: the best songwriters in town, like a Ross Copperman, I 579 00:31:56,920 --> 00:31:58,120 Speaker 1: think he came to town. I was trying to be 580 00:31:58,160 --> 00:32:01,600 Speaker 1: an artist. I know Ross a little bit. A lot 581 00:32:01,640 --> 00:32:04,200 Speaker 1: of those guys were artists in some former fashion early on, 582 00:32:04,600 --> 00:32:07,040 Speaker 1: and they didn't make it like, well, I'll write songs too, 583 00:32:07,080 --> 00:32:10,080 Speaker 1: and that's really where they thrived. But Old Dominion, the 584 00:32:10,080 --> 00:32:14,760 Speaker 1: guys in their forties. Toby Keith, aged twenty nine. There 585 00:32:14,800 --> 00:32:17,080 Speaker 1: was a time in Toby keats early career, where it 586 00:32:17,200 --> 00:32:19,000 Speaker 1: was basically a hobby. He was in his late twenties. 587 00:32:19,000 --> 00:32:20,920 Speaker 1: He's not with the record label. They were gonna shelve 588 00:32:21,040 --> 00:32:22,880 Speaker 1: his first album before his career even had a chance. 589 00:32:23,240 --> 00:32:24,920 Speaker 1: At the time, he told himself he did If he 590 00:32:24,920 --> 00:32:27,200 Speaker 1: didn't get his big break by thirty, he was gonna 591 00:32:27,200 --> 00:32:31,040 Speaker 1: to find work elsewhere. That eleventh our moment came in 592 00:32:31,080 --> 00:32:33,200 Speaker 1: the form of an early morning phone called eighteen days 593 00:32:33,200 --> 00:32:36,560 Speaker 1: before his thirtieth birthday from a guy Mercury Records named 594 00:32:36,600 --> 00:32:40,320 Speaker 1: Harold shed who was interested because so I'll performed after 595 00:32:40,400 --> 00:32:43,920 Speaker 1: hearing one of Keats demos. So he produced this sid 596 00:32:44,320 --> 00:32:47,600 Speaker 1: with Alabama, kt Oslin, Take Your Headhunters, Glenn Campbell and others. 597 00:32:48,040 --> 00:32:51,400 Speaker 1: So he works with them. Toby's about to quit and 598 00:32:51,480 --> 00:32:54,600 Speaker 1: should have been a cowboy became his first number one 599 00:32:54,600 --> 00:33:05,920 Speaker 1: in when he was thirty two years old, sho wearing 600 00:33:06,080 --> 00:33:13,880 Speaker 1: my six riding my pony on the cabin drive. But 601 00:33:14,000 --> 00:33:16,240 Speaker 1: one of my favorites. We'll move over to Bill Withers. 602 00:33:16,680 --> 00:33:20,160 Speaker 1: Give a Bill Weather's clip Ain't No Sunshine when She's 603 00:33:20,560 --> 00:33:23,920 Speaker 1: go I think pou propoun my favorite song ever I 604 00:33:23,960 --> 00:33:27,040 Speaker 1: knew it is this and stopped Stop This Train, John 605 00:33:27,040 --> 00:33:30,560 Speaker 1: Mayor Bill weathers Ain't No Sunshine. Bill Weather spent nine 606 00:33:30,680 --> 00:33:32,800 Speaker 1: years serving in the U. S. Navy before moving to 607 00:33:32,840 --> 00:33:36,600 Speaker 1: Los Angeles to pursue music. He worked as an assembler 608 00:33:37,120 --> 00:33:39,800 Speaker 1: for several different companies while recording demo tapes with his 609 00:33:39,840 --> 00:33:43,680 Speaker 1: own money and performing in clubs at night. He released 610 00:33:43,680 --> 00:33:46,840 Speaker 1: his debut album, Just As I Am in nine one, 611 00:33:46,920 --> 00:33:49,880 Speaker 1: at the age of thirty four. First record thirty four, 612 00:33:50,440 --> 00:33:53,880 Speaker 1: The album features Ain't No Sunshine. When he first debuted 613 00:33:53,880 --> 00:33:57,280 Speaker 1: the song, he reportedly refused to resigning from his assembling 614 00:33:57,360 --> 00:34:00,240 Speaker 1: job right away because he believed the music and this 615 00:34:00,320 --> 00:34:03,080 Speaker 1: was a very fickle industry, which it is, by the way. 616 00:34:03,480 --> 00:34:06,160 Speaker 1: Clearly it all worked out. The single help make Bill 617 00:34:06,200 --> 00:34:09,720 Speaker 1: Withers the Star? Do you have a Bill Wither's playlist 618 00:34:09,760 --> 00:34:11,239 Speaker 1: over there, Mike? Can you pull that up? Pulling up? 619 00:34:11,600 --> 00:34:14,120 Speaker 1: And He eventually won a Grammy for Best R and 620 00:34:14,120 --> 00:34:18,600 Speaker 1: B Song in nineteen seventy two. But like use Me 621 00:34:19,719 --> 00:34:22,600 Speaker 1: is the jam, and I hear a lot of great 622 00:34:22,640 --> 00:34:30,799 Speaker 1: covers that people doing use me. Come on, don't make 623 00:34:30,880 --> 00:34:33,400 Speaker 1: you cover this right now? Like a country artist, one 624 00:34:33,400 --> 00:34:37,239 Speaker 1: of these guys with like some soul. I think Darius 625 00:34:37,440 --> 00:34:39,520 Speaker 1: and who do. He did a cover of this in 626 00:34:39,560 --> 00:34:45,600 Speaker 1: the last ten years or so. Sad News It is 627 00:34:45,680 --> 00:34:47,880 Speaker 1: this good. Getting you like gets so annoyed when the 628 00:34:47,880 --> 00:34:51,160 Speaker 1: Peloton writers sing along with the songs, they'll just be 629 00:34:51,239 --> 00:34:53,120 Speaker 1: sitting there with that headset on and it'll be like 630 00:34:53,880 --> 00:34:57,759 Speaker 1: nineties rock and they're singing every freaking word. I don't 631 00:34:57,760 --> 00:35:00,560 Speaker 1: want to hear you sing Peloton instructure, just pedal, just 632 00:35:00,600 --> 00:35:04,480 Speaker 1: to the same motivational things. Run the class. That's one 633 00:35:04,520 --> 00:35:07,600 Speaker 1: girl just well now it's like classic rock. She sings 634 00:35:07,680 --> 00:35:10,840 Speaker 1: every song like we're watching a concert, like a Peloton 635 00:35:10,920 --> 00:35:13,960 Speaker 1: instructor concert. I'm a fifty three weeks in a row 636 00:35:14,000 --> 00:35:17,399 Speaker 1: now though now it's a lot. Yeah, I'm pretty proud 637 00:35:17,400 --> 00:35:20,400 Speaker 1: of myself. To Chains the rapper, he didn't get a 638 00:35:20,400 --> 00:35:23,440 Speaker 1: big break till thirty four years old. Yeah, I'm Deffer, 639 00:35:24,040 --> 00:35:27,279 Speaker 1: I'm before he was to change. He was titty Boy. 640 00:35:28,520 --> 00:35:30,520 Speaker 1: He changed it to more family friendly name. In two 641 00:35:30,520 --> 00:35:34,960 Speaker 1: thousand eleven, and thirty four years old, he released his 642 00:35:35,000 --> 00:35:38,759 Speaker 1: seventh mixtape, True Religion, first one to make it on 643 00:35:38,800 --> 00:35:42,520 Speaker 1: Billboard charts two Chains Now but Everybody's forty two. But yeah, 644 00:35:42,520 --> 00:35:44,560 Speaker 1: when he was titty Boy, couldn't get any worth really 645 00:35:45,800 --> 00:35:51,000 Speaker 1: at two chains thirty four, he could Louis Armstrong and 646 00:35:51,640 --> 00:35:54,600 Speaker 1: Louis is super famous. Now you'll know this song here. 647 00:35:56,280 --> 00:35:58,239 Speaker 1: Maybe you won't know this song, but you'll know who 648 00:35:58,239 --> 00:36:02,880 Speaker 1: it is. But he was sixty four years old. What 649 00:36:02,920 --> 00:36:06,840 Speaker 1: do you? What do you else from? Do you have 650 00:36:07,360 --> 00:36:13,840 Speaker 1: a see children cry? I watched them girl, But the 651 00:36:13,920 --> 00:36:17,240 Speaker 1: Hello Dolly was from his album when he was sixty 652 00:36:17,239 --> 00:36:18,799 Speaker 1: four years old. You probably know him from this, but 653 00:36:18,800 --> 00:36:21,640 Speaker 1: he was sixty four when he hits. Died at sixty nine, 654 00:36:22,600 --> 00:36:24,600 Speaker 1: so he didn't even get to hold onto that fan 655 00:36:24,719 --> 00:36:29,920 Speaker 1: for very, very long. Michael Fitzpatrick of Fits in the Tantrums, 656 00:36:30,880 --> 00:36:33,080 Speaker 1: he had been working primarily as a recording engineer for 657 00:36:33,160 --> 00:36:35,600 Speaker 1: years when he's forming the group. He was forty years 658 00:36:35,600 --> 00:36:38,000 Speaker 1: old when they released their debut album with their song 659 00:36:38,080 --> 00:36:44,719 Speaker 1: Money Grabbers. He's now forty nine years old. I didn't 660 00:36:44,760 --> 00:36:46,799 Speaker 1: know he was at old, did you, Yeah? I knew 661 00:36:46,800 --> 00:36:49,960 Speaker 1: he was older. It's kind of a blunt, like the 662 00:36:49,960 --> 00:36:51,640 Speaker 1: white hair kind of going, But yeah, I see him, 663 00:36:51,640 --> 00:36:53,879 Speaker 1: but I thought it was kind of a a stage thing. 664 00:36:54,000 --> 00:36:58,399 Speaker 1: I think they died it. Rachel Platten, she was thirty 665 00:36:58,480 --> 00:37:00,759 Speaker 1: four years old when she released the find song EP 666 00:37:01,440 --> 00:37:05,799 Speaker 1: which had this song on it. She's not thirty eight, 667 00:37:05,880 --> 00:37:11,480 Speaker 1: but here's one for you. Farrell had a rule big 668 00:37:11,520 --> 00:37:14,839 Speaker 1: career as a producer Neptunes. He wrote and produced I'm 669 00:37:14,840 --> 00:37:18,360 Speaker 1: a Slave for You for Brittany and he would have 670 00:37:18,440 --> 00:37:21,440 Speaker 1: just died a producer that made it, he said, But 671 00:37:21,719 --> 00:37:26,440 Speaker 1: he was forty years old when Happy was released. He's 672 00:37:26,480 --> 00:37:30,000 Speaker 1: forty six now, but a song has been out six years. 673 00:37:31,520 --> 00:37:34,680 Speaker 1: It still looks like he's twenty. Yeah. And then finally 674 00:37:34,760 --> 00:37:37,600 Speaker 1: Sea Sea worked as a backup singer for a lot 675 00:37:37,640 --> 00:37:42,000 Speaker 1: of groups, including Jamir Kuai and the zero Seven's, which 676 00:37:42,000 --> 00:37:44,759 Speaker 1: is the English group, and didn't released an album under 677 00:37:44,800 --> 00:37:46,719 Speaker 1: her own name. It wasn't until she was forty one 678 00:37:46,800 --> 00:37:49,719 Speaker 1: years old that she got her first number one single, Chandelier. 679 00:38:06,480 --> 00:38:10,000 Speaker 1: Isn't that No? I don't know this is true or not. 680 00:38:10,040 --> 00:38:12,680 Speaker 1: Why does she cover her face? I think she didn't 681 00:38:12,680 --> 00:38:16,319 Speaker 1: want to associate her sound with anything, so she wanted 682 00:38:16,360 --> 00:38:20,439 Speaker 1: just to be like blank. She shows her face now, yeah, 683 00:38:20,480 --> 00:38:23,800 Speaker 1: she shows, but now when you performed phil on stage, 684 00:38:23,800 --> 00:38:26,759 Speaker 1: she always has the wig covering cover your face. The 685 00:38:26,840 --> 00:38:30,480 Speaker 1: radio show cover my Face. That's a bunch of musicians 686 00:38:30,480 --> 00:38:31,840 Speaker 1: who made it later in life. So I thought that 687 00:38:31,880 --> 00:38:35,080 Speaker 1: was pretty cool. Don't forget. You can follow Lauren at 688 00:38:35,560 --> 00:38:39,400 Speaker 1: Lauren Elena on Instagram. Always good to talk to her 689 00:38:39,680 --> 00:38:43,959 Speaker 1: and you, guys, please rate us, review us, and write 690 00:38:43,960 --> 00:38:45,600 Speaker 1: in the comments that you like the podcast. If you 691 00:38:45,680 --> 00:38:49,279 Speaker 1: like the podcast, which appreciate you listening, tell your friends 692 00:38:49,280 --> 00:38:52,560 Speaker 1: about it. Please post on Instagram story you like listening 693 00:38:52,600 --> 00:38:55,560 Speaker 1: to it. We'll get Kelsey Ballerini on Real soon. She 694 00:38:55,640 --> 00:38:58,839 Speaker 1: was gonna come on. She got sick and she was like, 695 00:38:58,960 --> 00:39:01,800 Speaker 1: I'll still come over. Like, no that I forward you 696 00:39:01,800 --> 00:39:04,400 Speaker 1: to the video. She said me, No, I didn't see it. 697 00:39:05,280 --> 00:39:07,799 Speaker 1: I can play it at least some of it. I don't. 698 00:39:07,840 --> 00:39:15,600 Speaker 1: I know Spred doesn't play all of it. I'm sending 699 00:39:15,640 --> 00:39:17,440 Speaker 1: you this in a video forum so you can hear me. 700 00:39:18,400 --> 00:39:23,040 Speaker 1: I'm a little ill, and yeah I heard it, and 701 00:39:23,120 --> 00:39:26,200 Speaker 1: she was like, I'll come over and do it Bobby 702 00:39:26,239 --> 00:39:28,759 Speaker 1: cast with you later, which I'm down to do. But 703 00:39:29,000 --> 00:39:31,160 Speaker 1: I'm giving you the auction to opt out if you 704 00:39:31,200 --> 00:39:35,399 Speaker 1: don't want this all up in your space, so let 705 00:39:35,400 --> 00:39:41,600 Speaker 1: me know I'm down either way. UM, just so hollow 706 00:39:41,680 --> 00:39:43,600 Speaker 1: it at her and I was like, you stay home. 707 00:39:44,080 --> 00:39:49,080 Speaker 1: I don't need that to get Corona right now. That's 708 00:39:49,080 --> 00:39:50,880 Speaker 1: what's up again. Thank you guys, thanks for listening to 709 00:39:50,880 --> 00:39:53,520 Speaker 1: the Bobbycast. Appreciate you guys making a sup a successful 710 00:39:53,560 --> 00:39:56,120 Speaker 1: music podcast. So if you have any ideas too, you 711 00:39:56,120 --> 00:39:57,960 Speaker 1: should send him over to his d M s. Yeah 712 00:39:58,480 --> 00:40:00,480 Speaker 1: we even thought about that, Yeah, at the Bobby Casts 713 00:40:00,520 --> 00:40:02,399 Speaker 1: on Instagram at the Bobby Cast and that's your ideas. 714 00:40:02,520 --> 00:40:03,799 Speaker 1: I appreciate you guys. We'll talk to you soon.