WEBVTT - L.A.B. Golf - Part 5: "Brett Rumford" - The Fire Pit w/ Matt Ginella

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<v Speaker 1>Getting it in the hands of the greatest players in

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<v Speaker 1>the world, that's the number one thing, that's the convincing part.

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<v Speaker 1>And then when Lucas Glover, that's classic case in point,

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<v Speaker 1>you know, wins back to back at possibly the most

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<v Speaker 1>critical time of the year. So just so and off

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<v Speaker 1>things go, so and more and more people will Zelatorus

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<v Speaker 1>is playing great. He's just had twenty two puts today

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<v Speaker 1>in the third round of the Genesis Invitational at Riviera,

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<v Speaker 1>which is arguably possibly some of the toughest greens to

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<v Speaker 1>put on with the poe of their pure but tricky breaking.

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<v Speaker 1>I think he'll hold over well. The footage of puts

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<v Speaker 1>was crazy, and really at the end of the day,

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<v Speaker 1>winning all comes down to putting, basical at the end

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<v Speaker 1>of the day. So I'm just waiting for Scotti Scheffler

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<v Speaker 1>to get one in his hands and the world, the

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<v Speaker 1>world will be a better place for him.

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<v Speaker 2>Put another log on all the five.

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<v Speaker 1>Nobody here is given time.

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<v Speaker 3>Welcome to the fire pit with Matt Chanella. Here we

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<v Speaker 3>go part five of this story about how and why

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<v Speaker 3>lab Golf has stormed the gates of the old guards

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<v Speaker 3>of putting and the technology in putters. From Bill Pressey's

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<v Speaker 3>issues with his putter in twenty twelve.

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<v Speaker 4>LAB was ultimately started as a as a desperate attempt

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<v Speaker 4>to fix my own yips, because I had the yips

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<v Speaker 4>really bad, like I was shaking, like the putter when

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<v Speaker 4>I took it back, maybe rotated in thirty three different

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<v Speaker 4>directions by different degrees.

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<v Speaker 1>It is, just.

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<v Speaker 5>Couldn't stop it.

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<v Speaker 3>To Press's garage where he invents his revealer and ultimately

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<v Speaker 3>the original directed force putter, which he sold at the

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<v Speaker 3>trunk of his car. People like Matt Holme and Stuart

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<v Speaker 3>Smith had a big impact on the boutique business. Then

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<v Speaker 3>along comes Sam Han.

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<v Speaker 6>They were about to close the doors, and I'd ask

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<v Speaker 6>Bill to put me in touch with the guys that

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<v Speaker 6>he was partnered with, worked out a deal with them. Me,

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<v Speaker 6>my dad, and my brother all put everything together and

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<v Speaker 6>bought out Bill's existing partners. And that's how the whole thing,

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<v Speaker 6>that's how LAB started. So then at that point, so

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<v Speaker 6>that was late twenty seventeen, I think we were officially,

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<v Speaker 6>you know, business married in early twenty eighteen, and we

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<v Speaker 6>were off to the races.

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<v Speaker 3>Through some hustle and sweat marketing. Han gets putters in

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<v Speaker 3>the bags of Jeff Sluman, von Taylor, people like Kelly Slater,

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<v Speaker 3>the eleven time world champion of surfing and scratch golfer,

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<v Speaker 3>founded on his own but was influencing others.

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<v Speaker 7>I've just spoken about the club to anyone and anyone

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<v Speaker 7>who wants to listen, and generally I'll just play with

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<v Speaker 7>people and they'll see me roll the ball and it

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<v Speaker 7>just rolls so pure off the club that they can't

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<v Speaker 7>help but ask about it.

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<v Speaker 3>So Leader's friendship with Adam Scott leads to Scott not

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<v Speaker 3>only trying one, he made it his gamer.

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<v Speaker 2>There's a fabulous stuff going on with the lab from

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<v Speaker 2>the grip to the head, other angles in between, and

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<v Speaker 2>being so non traditional it raised his eyebrows for sure.

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<v Speaker 2>But I just had this sense like this, you know,

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<v Speaker 2>if you can embrace what this potter does and stay

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<v Speaker 2>out of your own way, the results could come. And

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<v Speaker 2>I just had this feeling and I said it to Sam,

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<v Speaker 2>although it didn't pan out, but like, this was the

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<v Speaker 2>potter that can win around Augusta.

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<v Speaker 3>We ended Part four with independent validation from Adam Beach

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<v Speaker 3>of My Golf Spy.

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<v Speaker 8>I think it's unfortunate, you know, golfers aren't as willing

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<v Speaker 8>to try unconventional things. But if more golfers were willing

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<v Speaker 8>to try this unconventional putter, I'm very confident that more

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<v Speaker 8>golfers would sink more cuts.

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<v Speaker 3>So you're caught up again. Lab Golf is rolling literally

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<v Speaker 3>and figuratively, and we're building to the Lucas Glover story,

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<v Speaker 3>which will include insight and thoughtful reflections from Glover, plus

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<v Speaker 3>his agent, one of his best friends, a Navy seal,

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<v Speaker 3>the Lab Tour Rep. Han Pressey, and a few more.

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<v Speaker 3>But before the back to back wins in August of

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<v Speaker 3>twenty twenty three, we're going back to twenty eighteen to

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<v Speaker 3>a hitch in Lab Golf's giddeup to a time in

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<v Speaker 3>the company's history in which they received pushback from an

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<v Speaker 3>Australian short game guru, a journeyman who's widely respected for

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<v Speaker 3>his articulate takes on chipping and putting and in this case,

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<v Speaker 3>for questioning labs lie angle and balance. Here's Sam Hahn again,

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<v Speaker 3>the CEO of Lab Golf.

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<v Speaker 6>You're Brett Rumford. Yeah, Robbie, Yeah, there's a fucking legend,

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<v Speaker 6>absolutely the.

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<v Speaker 3>Guy and how does he fit in.

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<v Speaker 6>Bits in twice? This is great, so very early on

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<v Speaker 6>he gets it. So he's a thinker. So he's always

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<v Speaker 6>been an extraordinarily competent putter. But what's different about him

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<v Speaker 6>than like a Brad Faxon is that like Brett's like,

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<v Speaker 6>I'm gonna put well because I know how a putter

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<v Speaker 6>needs to move, so I'm happy to try anything because

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<v Speaker 6>I can make the putter move how it needs to move.

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<v Speaker 6>So he was always tinkering and always trying. He was

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<v Speaker 6>actually one of the first guys to be super competent

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<v Speaker 6>with a broomstick, despite the fact that, again he was

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<v Speaker 6>already a very competent putter. And so he emails us

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<v Speaker 6>very early on, maybe twenty eighteen, because there was there.

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<v Speaker 6>We had a weird little presence in Australia because Bill's

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<v Speaker 6>dad is actually Australian, so we had some putters over there.

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<v Speaker 6>Runny got a hold of one there and he emails

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<v Speaker 6>us and kind of gives us some feedback, and he's like,

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<v Speaker 6>you know, I get what you guys are trying to do,

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<v Speaker 6>but the way that this thing sets up is fucked,

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<v Speaker 6>And I'm like, well, what do you mean. He's like,

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<v Speaker 6>it doesn't sold properly because if I put your press

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<v Speaker 6>grip you know, I don't know if you've seen him enough.

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<v Speaker 6>Like the crooked grip we got on the putters there,

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<v Speaker 6>if I actually put that thing to neutral, the face

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<v Speaker 6>opens up. And at this point, I mean, this is

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<v Speaker 6>this is like literally year one of my education and

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<v Speaker 6>the whole putting role, and I'm like, I have no

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<v Speaker 6>idea what you're talking about.

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<v Speaker 3>Brett Rumford of Perth, Australia plays on the PGA Tour

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<v Speaker 3>of Australasia. He won the nineteen ninety eight Australian Amateur

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<v Speaker 3>and he won the nineteen ninety nine PGA Tour of

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<v Speaker 3>Australasia's an Z Players Championship. As an amateur after turning

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<v Speaker 3>pro in two thousand, he has won six European Tour events.

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<v Speaker 3>He played twenty six events on the PGA Tour in

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<v Speaker 3>two thousand and eight, where he made ten cuts and

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<v Speaker 3>had one top ten at the Bob Hope Chrysler Classic.

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<v Speaker 3>His best finish in a major was a T sixteen

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<v Speaker 3>at the two thousand and six Open Championship at Royal Liverpool,

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<v Speaker 3>which was won by Tiger Woods. When's the first time

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<v Speaker 3>you remember seeing or hearing about or holding it or like,

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<v Speaker 3>what when did directed force or Lab golf show up

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<v Speaker 3>on your radar.

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<v Speaker 1>I think I might have been. I was in Europe,

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<v Speaker 1>just traveling around, but there was a facility where we

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<v Speaker 1>played in Denmark, which was amazing. But there's a gentleman

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<v Speaker 1>there that actually had a proper putting lab started the art,

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<v Speaker 1>had all the equipment. So that was the first time

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<v Speaker 1>actually had seen the lab potters. So they which was

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<v Speaker 1>the original Direct Force, which is a real big head,

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<v Speaker 1>a little bit obscure, looking really random, but had all

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<v Speaker 1>the tech in it, crazy stable at the full, you know,

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<v Speaker 1>all the tech. So that was the first time I'd

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<v Speaker 1>seen it. And then from that meeting, the guy offered

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<v Speaker 1>me actually to take a few homes, so I took

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<v Speaker 1>a few home with varying lengths and lives. But this

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<v Speaker 1>is where I sort of saw the discrepancy with the

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<v Speaker 1>product in which they fixed subsequently, and they're doing a

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<v Speaker 1>great job with it. The thing with it is that

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<v Speaker 1>with the direct Force when they first came out, because

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<v Speaker 1>of that varyingly angle and length, that would change the

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<v Speaker 1>fixed point of where the radius would sit at the

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<v Speaker 1>end of the golf club. So what I found was

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<v Speaker 1>the wall the putter would still have the same effect

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<v Speaker 1>so it could sit more or less open or closed.

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<v Speaker 1>And I kind of just gave this feedback to one

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<v Speaker 1>of the guys at the facility, which I think got

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<v Speaker 1>back to LAB and they kind of blew up and said,

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<v Speaker 1>you know, the product you know was great and everything else,

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<v Speaker 1>and it was just my feedback. Anyways, that was my

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<v Speaker 1>first introduction to LAB.

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<v Speaker 6>We go back and forth, and like I knew it

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<v Speaker 6>was a tour pro, but he was being a super

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<v Speaker 6>pain in the ass and just like relentlessly telling us

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<v Speaker 6>how stupid we are. The interaction actually ended in him

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<v Speaker 6>telling me to fuck off.

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<v Speaker 3>I don't know if you said it to them or

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<v Speaker 3>they Sam said it to you or whatever. It was

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<v Speaker 3>like a fuck off, you know. It was like, you know,

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<v Speaker 3>your feedback kind of devastated. It was kind of devastating

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<v Speaker 3>to him because he was like, wait a minute, you

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<v Speaker 3>know this guy's he's undermining our whole this is our

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<v Speaker 3>whole company. Yeah, of a sudden, you know you're coming

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<v Speaker 3>in and it was like that's what he said. Now

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<v Speaker 3>was that him to you or you to him? What

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<v Speaker 3>was there?

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<v Speaker 1>Yeah? No, no, no, I was very look, hey, I'm

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<v Speaker 1>I'm one for It's really weird because I'm so far

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<v Speaker 1>as practice concerned. I don't know why, but I can

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<v Speaker 1>see things within within product that might be you know,

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<v Speaker 1>maybe not thought of or misaligned or otherwise anyway. For

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<v Speaker 1>some reason, I just think of these things, and when

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<v Speaker 1>I put it down, I'm very much probably was right

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<v Speaker 1>in my I guess forte, you know, because with my

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<v Speaker 1>mirror putting and everything else, I really got to make

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<v Speaker 1>sure my nineties are all all good and well. But

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<v Speaker 1>I just noticed some was wrong with this butter. I

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<v Speaker 1>took some photos and I sent it back to the

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<v Speaker 1>gentleman at this at this facility, and then obviously he

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<v Speaker 1>made the email and made contact with Sam, which then

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<v Speaker 1>subsequently told me to fuck off and went like nuts

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<v Speaker 1>nuts nuts. So two days later I got the feedback

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<v Speaker 1>and I went, okay, no, what I said, Look, it's

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<v Speaker 1>only my feedback, but look, you know what, yeah, if

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<v Speaker 1>there's and I'm look, I'm not saying with I'm not

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<v Speaker 1>saying that I'm smart. I'm just saying, hey, look this

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<v Speaker 1>is what I see, and yeah, there's there's people in

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<v Speaker 1>that facility that are like crazy smart, crazy smart. Yeah,

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<v Speaker 1>so but it is what it is. So but that

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<v Speaker 1>I don't have the I don't have the smarts to

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<v Speaker 1>work out how to fix it. That was their job,

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<v Speaker 1>and it's just great that that they've got on board

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<v Speaker 1>with it.

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<v Speaker 3>Worse noting and as it relates to dates, my original

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<v Speaker 3>interview with Han was in August of twenty twenty three.

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<v Speaker 1>About.

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<v Speaker 6>Six about six months ago. He reaches out again and

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<v Speaker 6>he's like, I've been using your mes one for you know,

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<v Speaker 6>however long things Absolutely brilliant. You fix the issue that

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<v Speaker 6>I was talking about, which I still kind of don't understand.

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<v Speaker 6>I mean I do I actually that's a lie. When

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<v Speaker 6>he reached out about the MEZ, I still didn't understand it.

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<v Speaker 6>I've since gotten some FaceTime with him and I totally

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<v Speaker 6>get it now and he's spot on correct. But what

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<v Speaker 6>was so cool about Brett was is that he went

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<v Speaker 6>through that whole thing that I did. He went through

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<v Speaker 6>that that that hangover period, and he stuck with it

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<v Speaker 6>because he knew there was something there. And so he

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<v Speaker 6>was here in June, came to the factory in June,

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<v Speaker 6>spent a couple of days here blowing all of our

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<v Speaker 6>minds and listening to Brett, you know, who's a very

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<v Speaker 6>well respected short game nerd. You know, I mean people

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<v Speaker 6>who know about putting. No Brett Rumfort and he uh,

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<v Speaker 6>he's telling me in his words, my whole stick, he's

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<v Speaker 6>telling you know, his the way that he puts it,

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<v Speaker 6>you know, like my tagline is like, you know you've

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<v Speaker 6>in the past you have to keep a face square,

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<v Speaker 6>and with us, all you have to do is let

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<v Speaker 6>a face stay square. And his whole thing is you

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<v Speaker 6>have to let go of control to gain control. That's

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<v Speaker 6>how how he describes, you know, what the what the

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<v Speaker 6>feeling is.

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<v Speaker 1>I think for me, I think the real light bulb

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<v Speaker 1>moment was like I've always thought the the technology in

0:12:39.440 --> 0:12:42.400
<v Speaker 1>the putter was was fantastic, Like I'm all on board

0:12:42.440 --> 0:12:46.280
<v Speaker 1>with it, and it truly is in terms of all

0:12:46.320 --> 0:12:49.560
<v Speaker 1>the stuff that's out there. It is definitely, you know,

0:12:50.080 --> 0:12:53.160
<v Speaker 1>cutting edge, and it is probably the only technology in

0:12:53.240 --> 0:12:57.840
<v Speaker 1>terms of what it is that actually is is different

0:12:57.840 --> 0:13:00.480
<v Speaker 1>to the rest. You know, it's it's literally zero talk

0:13:00.760 --> 0:13:04.240
<v Speaker 1>in every sense of the word. So when I was

0:13:04.280 --> 0:13:08.440
<v Speaker 1>playing not Yourself, I've been playing sort of like very

0:13:08.559 --> 0:13:10.600
<v Speaker 1>sparsely these days, doing a lot of coaching as well.

0:13:10.600 --> 0:13:13.280
<v Speaker 1>But we had a local tournament here thirty six goals

0:13:14.440 --> 0:13:16.199
<v Speaker 1>but still winnings, winning isn't it. You know, you're still

0:13:16.200 --> 0:13:18.120
<v Speaker 1>going to go through the same process as you're still

0:13:18.840 --> 0:13:21.160
<v Speaker 1>you know, you're still competing at a high level with

0:13:21.200 --> 0:13:25.560
<v Speaker 1>the local professionals here. But I got into a playoff

0:13:26.040 --> 0:13:28.640
<v Speaker 1>and hold a great put on seventeen and the rest.

0:13:28.679 --> 0:13:34.040
<v Speaker 1>But obviously with that heightened sense of adrenaline emotion, everything

0:13:34.080 --> 0:13:37.640
<v Speaker 1>else that starts to come out. Your senses get really

0:13:37.679 --> 0:13:40.679
<v Speaker 1>really alive. You know, they just buzz, They're just everything

0:13:40.720 --> 0:13:44.000
<v Speaker 1>that should feel, cease, smell, tusks, just everything is just

0:13:44.600 --> 0:13:47.400
<v Speaker 1>is alive. Right, it's alert. You're very aware of your

0:13:47.520 --> 0:13:51.800
<v Speaker 1>surroundings internally externally. But I had a thirty footer down

0:13:51.800 --> 0:13:55.760
<v Speaker 1>the hill, double breaker, crazy. It was a new green

0:13:55.840 --> 0:13:59.280
<v Speaker 1>Graham Marsh design. So for those that know Graham Marsh

0:13:59.640 --> 0:14:02.960
<v Speaker 1>is eight greens are always a little bit indifferent. They're

0:14:02.960 --> 0:14:06.120
<v Speaker 1>pretty funky tears ridges all over the place, but that's

0:14:06.120 --> 0:14:08.480
<v Speaker 1>his thing. So I had a really tricky part. But

0:14:08.559 --> 0:14:10.600
<v Speaker 1>all you can do in these situations is just try

0:14:10.600 --> 0:14:13.640
<v Speaker 1>and hit the best possible part you can. That's all

0:14:13.640 --> 0:14:17.240
<v Speaker 1>you're hoping for, and then you just basically let you

0:14:17.240 --> 0:14:20.160
<v Speaker 1>know what the golf and gods do the rest. But

0:14:21.440 --> 0:14:23.760
<v Speaker 1>when I stood over this thing. When I stood over

0:14:23.760 --> 0:14:26.840
<v Speaker 1>the part and I pulled the truth. As soon as

0:14:26.840 --> 0:14:30.360
<v Speaker 1>I took it away, there was just nothing within my hands.

0:14:30.400 --> 0:14:33.480
<v Speaker 1>It was just nothing. It was empty. And then when

0:14:33.480 --> 0:14:36.040
<v Speaker 1>I made the transition, it was still empty and there

0:14:36.080 --> 0:14:37.880
<v Speaker 1>was just there was no tension, there was no there

0:14:37.880 --> 0:14:40.600
<v Speaker 1>was no fight, there was no grab, there was nothing.

0:14:40.800 --> 0:14:42.800
<v Speaker 1>It kind of the part of just it just fell.

0:14:43.800 --> 0:14:45.640
<v Speaker 1>And as soon as I struck the part, all I

0:14:45.640 --> 0:14:47.800
<v Speaker 1>can remember was when I hit it, I just went,

0:14:48.280 --> 0:14:52.160
<v Speaker 1>my god, that was the best part I think I've

0:14:52.200 --> 0:14:54.560
<v Speaker 1>ever hit. But I think it was more the sense

0:14:54.600 --> 0:14:59.800
<v Speaker 1>of the feeling, my heightened sense of emotion that really

0:15:00.080 --> 0:15:03.480
<v Speaker 1>enacted me to this stroking this put But it was

0:15:03.520 --> 0:15:06.800
<v Speaker 1>just amazing in that situation where normally you might feel

0:15:06.800 --> 0:15:09.240
<v Speaker 1>a little bit of the tension or a little bit

0:15:09.280 --> 0:15:11.840
<v Speaker 1>of the grab or a little bit of that after

0:15:11.880 --> 0:15:13.360
<v Speaker 1>the hit, you feel like that little bit of the

0:15:13.400 --> 0:15:17.440
<v Speaker 1>acceleration or that I wouldn't use the word apprehension, but

0:15:17.920 --> 0:15:19.800
<v Speaker 1>it's just it is what it is. It's just nerves

0:15:19.800 --> 0:15:22.280
<v Speaker 1>and the rest. But this thing just flowed and it

0:15:22.360 --> 0:15:23.800
<v Speaker 1>just went it off of my hands and I just

0:15:23.840 --> 0:15:25.440
<v Speaker 1>looked up and I just went, Wow, that's got to

0:15:25.480 --> 0:15:28.480
<v Speaker 1>be the purest part I think I've ever hit subsequently

0:15:28.680 --> 0:15:33.720
<v Speaker 1>subsequently it went in. But irrespective of that, I just find,

0:15:33.840 --> 0:15:36.560
<v Speaker 1>I mean that that feeling and memory will last with

0:15:36.600 --> 0:15:38.680
<v Speaker 1>me for a long while, because I'd say to Sam,

0:15:38.720 --> 0:15:41.360
<v Speaker 1>if I had have had this technology, maybe when I

0:15:41.400 --> 0:15:45.120
<v Speaker 1>first turned pro, who knows how many order one, maybe

0:15:45.120 --> 0:15:47.240
<v Speaker 1>with the broomstick, a part of very well with the broomstick.

0:15:47.280 --> 0:15:51.320
<v Speaker 1>But yeah, look, it's just it's quite amazing technology. It's

0:15:51.320 --> 0:15:54.360
<v Speaker 1>pretty cool and you just got to experience it, but

0:15:54.480 --> 0:15:56.080
<v Speaker 1>you sort of you have to give it some time too,

0:15:56.120 --> 0:16:00.800
<v Speaker 1>because so many people don't like the feeling of no control,

0:16:00.920 --> 0:16:02.760
<v Speaker 1>that don't like the feeling of like giving up that

0:16:03.360 --> 0:16:05.760
<v Speaker 1>feeling of where the face is or the awareness of it.

0:16:05.880 --> 0:16:09.200
<v Speaker 1>And it's just I love the internal feeling where everything

0:16:09.200 --> 0:16:11.880
<v Speaker 1>this switches off through here rather than trying to feel

0:16:11.920 --> 0:16:14.760
<v Speaker 1>this tension, I just love the flow of it. And

0:16:14.800 --> 0:16:16.600
<v Speaker 1>you get into the flow after a while, but it

0:16:16.640 --> 0:16:18.520
<v Speaker 1>takes time, and.

0:16:18.560 --> 0:16:21.760
<v Speaker 6>A lot of the high level pros the feedback we

0:16:21.880 --> 0:16:24.760
<v Speaker 6>get is they describe this very kind of vague feeling,

0:16:24.880 --> 0:16:27.880
<v Speaker 6>you know, in along kind of similar to what we

0:16:27.920 --> 0:16:29.440
<v Speaker 6>talked about before about it, you know, just kind of

0:16:29.440 --> 0:16:32.000
<v Speaker 6>how the potter head disappears. That's a good thing. That's

0:16:32.000 --> 0:16:33.680
<v Speaker 6>when you know you're doing it right. When it kind

0:16:33.680 --> 0:16:36.440
<v Speaker 6>of feels vague and free, that's when you know the

0:16:36.440 --> 0:16:38.680
<v Speaker 6>putter's face is squared up to the plane that you're

0:16:38.680 --> 0:16:41.320
<v Speaker 6>putting it on. It's when you start feeling resistance. That's

0:16:41.320 --> 0:16:42.200
<v Speaker 6>when you know you're off.

0:16:42.480 --> 0:16:44.680
<v Speaker 1>I find if you want more or less face rotation,

0:16:44.880 --> 0:16:47.120
<v Speaker 1>I would go more lying. So if you go sixty

0:16:47.120 --> 0:16:49.760
<v Speaker 1>eight to seventy two degree lying l and you're swinging

0:16:49.960 --> 0:16:54.040
<v Speaker 1>face to path, your appearance would be your face is

0:16:54.120 --> 0:16:57.560
<v Speaker 1>opening more or less, but it's still face to path.

0:16:57.840 --> 0:16:59.560
<v Speaker 1>So but if you want the visual of having more

0:16:59.640 --> 0:17:02.760
<v Speaker 1>or less face rotation, go flatter with your langel If

0:17:02.800 --> 0:17:05.600
<v Speaker 1>you want less, go more upright. So that's why I

0:17:05.640 --> 0:17:08.120
<v Speaker 1>went to a broomstick for all those years from four

0:17:08.200 --> 0:17:10.600
<v Speaker 1>right the way through to when it was banned. It

0:17:10.720 --> 0:17:16.560
<v Speaker 1>was cheating. It wasn't It wasn't cheating, but technically speaking,

0:17:16.960 --> 0:17:20.399
<v Speaker 1>it was like cheating. So and I just found that

0:17:20.600 --> 0:17:23.800
<v Speaker 1>was you know, I maxed out at eighty degrees pretty much,

0:17:23.840 --> 0:17:26.560
<v Speaker 1>which was legal at the time, still is legal today.

0:17:27.560 --> 0:17:30.840
<v Speaker 1>And Adam Scott still I mean, he's Scotty's sister genius. Anyway,

0:17:30.880 --> 0:17:35.160
<v Speaker 1>he's a kid, is so switched on and he's basically

0:17:35.200 --> 0:17:39.120
<v Speaker 1>now just swinging this sting with minimal face rotation relative

0:17:39.200 --> 0:17:41.080
<v Speaker 1>to his path, so there's less to try and do,

0:17:41.119 --> 0:17:45.840
<v Speaker 1>there's less to try and square up. So yeah, so

0:17:45.880 --> 0:17:48.399
<v Speaker 1>you start going lower. That's a lot of face rotation

0:17:48.480 --> 0:17:51.640
<v Speaker 1>unless you're doing it mechanically, and like Tiger probably would

0:17:51.720 --> 0:17:55.880
<v Speaker 1>open it more and close it more with his risk mechanics,

0:17:56.119 --> 0:17:59.359
<v Speaker 1>which probably not advisable. When you look at his putting

0:17:59.359 --> 0:18:02.880
<v Speaker 1>stroke on sam put Lab, it's not efficient at all.

0:18:02.920 --> 0:18:05.680
<v Speaker 1>It's not green at all, apart from the one aspect,

0:18:05.680 --> 0:18:09.480
<v Speaker 1>which is consistency. Is consistency is off the charts, but

0:18:09.560 --> 0:18:12.440
<v Speaker 1>every other paramet is a little bit ordinary. So maybe

0:18:12.440 --> 0:18:15.760
<v Speaker 1>you wouldn't copy it in an ideal world, but there's

0:18:15.760 --> 0:18:19.760
<v Speaker 1>always an exception to the rule. So yeah, So for me,

0:18:20.440 --> 0:18:24.000
<v Speaker 1>that whole face rotation concept is a little bit I

0:18:24.000 --> 0:18:27.800
<v Speaker 1>think misleading, And for me, it's it's all about with

0:18:27.840 --> 0:18:30.399
<v Speaker 1>the lab product, it's all about For me, it's like

0:18:30.480 --> 0:18:33.080
<v Speaker 1>giving up control to take control. And I think so

0:18:33.119 --> 0:18:35.800
<v Speaker 1>many people, you know, whether it's a personality or otherwise,

0:18:37.440 --> 0:18:40.600
<v Speaker 1>try to you know, control the face, control the stroke,

0:18:41.160 --> 0:18:43.080
<v Speaker 1>and they get so caught up in the stroke and

0:18:43.119 --> 0:18:45.000
<v Speaker 1>the plan and everything else, which is all good and world.

0:18:45.040 --> 0:18:48.240
<v Speaker 1>You do your work, but and you know, the holy

0:18:48.280 --> 0:18:50.400
<v Speaker 1>grail is having it perfectly arked and have your face

0:18:50.480 --> 0:18:53.080
<v Speaker 1>to path and all the rest of it. But there's

0:18:53.080 --> 0:18:54.200
<v Speaker 1>got to be a point where you just got to

0:18:54.200 --> 0:18:56.119
<v Speaker 1>go play, and you just got to go You just

0:18:56.160 --> 0:18:59.479
<v Speaker 1>got to get just give up all the controlling element.

0:19:00.080 --> 0:19:01.600
<v Speaker 1>You just got to just let it go.

0:19:02.200 --> 0:19:05.480
<v Speaker 3>The Revealer itself. Have you ever tinkered with the Revealer?

0:19:05.560 --> 0:19:06.480
<v Speaker 3>Have been on the Revealer?

0:19:07.240 --> 0:19:07.480
<v Speaker 6>Yeah?

0:19:07.480 --> 0:19:10.239
<v Speaker 1>The Revealer is amazing. Huh. The thing, the crazy thing

0:19:10.240 --> 0:19:12.920
<v Speaker 1>with with the Revealer is that other product which has

0:19:13.000 --> 0:19:18.040
<v Speaker 1>similar tech with the you know you call it toe

0:19:18.080 --> 0:19:22.000
<v Speaker 1>up or face target balanced, or however you want to

0:19:22.040 --> 0:19:26.520
<v Speaker 1>refer to the lab face remaining vertical. You put in

0:19:26.560 --> 0:19:31.760
<v Speaker 1>the Revealer, and they don't test well at all the

0:19:31.800 --> 0:19:35.000
<v Speaker 1>same as any other potter. They get really loose and

0:19:35.160 --> 0:19:38.000
<v Speaker 1>out of balance. So love is the only potter. Is

0:19:38.040 --> 0:19:40.560
<v Speaker 1>What I mean is that it's it's like it's cutting edge.

0:19:40.640 --> 0:19:43.360
<v Speaker 1>It's there's nothing else like it on the planet. That

0:19:43.440 --> 0:19:45.879
<v Speaker 1>Revealer is is really you know, when you when you

0:19:45.880 --> 0:19:48.600
<v Speaker 1>speak to people about it about its technology and what

0:19:48.640 --> 0:19:51.560
<v Speaker 1>it does and how it how it will feel. But

0:19:51.600 --> 0:19:53.120
<v Speaker 1>then we actually put it in it and start doing

0:19:53.119 --> 0:19:57.240
<v Speaker 1>figure eights, that's crazy. Actually hitting puts with it, that's crazy.

0:19:58.880 --> 0:20:03.320
<v Speaker 1>So yeah, it's a pretty cool apparatus. Yeah, and I

0:20:03.359 --> 0:20:04.879
<v Speaker 1>think there needs to be more of that in pro

0:20:04.960 --> 0:20:06.679
<v Speaker 1>shops as well. They need to send more of that

0:20:06.680 --> 0:20:09.480
<v Speaker 1>that product out the revealer to give people a better

0:20:09.560 --> 0:20:12.159
<v Speaker 1>understanding and the insight as to what the technology is

0:20:12.160 --> 0:20:12.720
<v Speaker 1>all about.

0:20:12.880 --> 0:20:15.640
<v Speaker 3>Do you think it's fair to say that Bill Pressey

0:20:16.080 --> 0:20:22.400
<v Speaker 3>will go down in golf history someday as as revolutionary

0:20:22.440 --> 0:20:23.040
<v Speaker 3>a genius.

0:20:24.280 --> 0:20:26.639
<v Speaker 1>I think yeah, I think he should already be at

0:20:26.640 --> 0:20:29.440
<v Speaker 1>that point anyway, just for coming up with the concept.

0:20:30.040 --> 0:20:33.080
<v Speaker 1>You know, it's an amazing concept, which and again it's

0:20:33.080 --> 0:20:35.879
<v Speaker 1>been refined, but not even refined. It's the same technology.

0:20:35.920 --> 0:20:38.560
<v Speaker 1>But I think anyone like you never stopped learning as

0:20:38.560 --> 0:20:40.840
<v Speaker 1>well at the same time, So the genius that is

0:20:40.840 --> 0:20:43.080
<v Speaker 1>Bill Pressy and the concept in which he's come up

0:20:43.119 --> 0:20:47.080
<v Speaker 1>with it's been refined. But I think, you know, in

0:20:47.160 --> 0:20:50.040
<v Speaker 1>saying that, maybe it's taken someone like Sam to sort of, hey,

0:20:50.280 --> 0:20:54.639
<v Speaker 1>like you know what, let's not this out. It takes

0:20:54.720 --> 0:20:59.160
<v Speaker 1>other other perspectives sometimes to make you know, the goal

0:20:59.200 --> 0:21:02.280
<v Speaker 1>of the dream work. And I think it's just like

0:21:02.359 --> 0:21:05.520
<v Speaker 1>anything in time. You know, there's you know, with successful

0:21:05.520 --> 0:21:08.600
<v Speaker 1>people whatever it may be, and times that have altered

0:21:09.240 --> 0:21:11.760
<v Speaker 1>the course of history as being in the right place

0:21:11.800 --> 0:21:14.240
<v Speaker 1>at the right time. So you know, it just needed

0:21:14.280 --> 0:21:16.879
<v Speaker 1>someone like Sam with his you know, broadened arise and

0:21:16.920 --> 0:21:19.840
<v Speaker 1>a bit more holistic, a bit more you know, inclusive,

0:21:21.040 --> 0:21:25.399
<v Speaker 1>to maybe just change Bill Presley's thinking. Who knows, with

0:21:25.480 --> 0:21:28.359
<v Speaker 1>the conversations that have gone by, and it's always a

0:21:28.440 --> 0:21:30.560
<v Speaker 1>case of, you know, even with Scottie Camera with with

0:21:30.680 --> 0:21:36.240
<v Speaker 1>Tiger like, you can't you can't replicate the history of

0:21:36.320 --> 0:21:39.359
<v Speaker 1>getting a partter in one man's hand in setting the

0:21:39.640 --> 0:21:42.159
<v Speaker 1>record books, you know. Alt. I mean, that's just the

0:21:42.280 --> 0:21:46.000
<v Speaker 1>right place at the right time. But still he had

0:21:46.000 --> 0:21:48.680
<v Speaker 1>the knowledge, he had the expertise, he had the product,

0:21:49.440 --> 0:21:51.080
<v Speaker 1>and it's just the case of just you know what,

0:21:52.240 --> 0:21:53.760
<v Speaker 1>you've got to be ready for it as well. So

0:21:53.800 --> 0:21:56.680
<v Speaker 1>I guess the world just isn't quite ready, but they're becoming,

0:21:56.840 --> 0:21:59.720
<v Speaker 1>they're becoming aware of it. And I think, and I

0:21:59.720 --> 0:22:02.399
<v Speaker 1>said to stand a long long time ago where his

0:22:02.480 --> 0:22:04.600
<v Speaker 1>product was, Yeah, it was right on that edge, wasn't it.

0:22:04.640 --> 0:22:06.960
<v Speaker 1>So it's just it was close, but just wasn't quite

0:22:06.960 --> 0:22:09.040
<v Speaker 1>cracking it. And I said, mate, you've got to be

0:22:09.080 --> 0:22:11.160
<v Speaker 1>ready when this thing goes. You've got to be ready.

0:22:11.160 --> 0:22:13.159
<v Speaker 1>You've got to have some product lined up, and you

0:22:13.240 --> 0:22:15.520
<v Speaker 1>better be ready because when this thing goes and the

0:22:15.560 --> 0:22:18.160
<v Speaker 1>technology gets you know, it gets out there and people

0:22:18.160 --> 0:22:21.000
<v Speaker 1>start to get their head around it, you've got to

0:22:21.040 --> 0:22:24.280
<v Speaker 1>be ready to be to capitalize on it. And that's

0:22:24.320 --> 0:22:26.679
<v Speaker 1>the thing is that how many units do you you know,

0:22:26.720 --> 0:22:29.000
<v Speaker 1>do you trust in it? You got the trust there,

0:22:29.040 --> 0:22:31.439
<v Speaker 1>you know, you know that it's a sound product. You

0:22:31.440 --> 0:22:33.919
<v Speaker 1>know it's amazing. You know, you just got to you

0:22:34.040 --> 0:22:36.199
<v Speaker 1>just got to win the people over. But and as

0:22:36.240 --> 0:22:37.680
<v Speaker 1>I said, you know, getting it in the hands of

0:22:38.000 --> 0:22:41.640
<v Speaker 1>the greatest players in the world, that's the number one thing.

0:22:42.080 --> 0:22:44.880
<v Speaker 1>That's the convincing part. And then when Lucas Glover, that's

0:22:44.920 --> 0:22:47.200
<v Speaker 1>classic case in point, you know, wins back to back

0:22:47.760 --> 0:22:51.600
<v Speaker 1>that possibly the most critical time of the year. So

0:22:52.000 --> 0:22:56.679
<v Speaker 1>just so and off things go so and more and

0:22:56.720 --> 0:22:58.919
<v Speaker 1>more people will Zelatorus is playing great. He's just had

0:22:58.960 --> 0:23:01.600
<v Speaker 1>twenty two puts today in the third round of the

0:23:01.640 --> 0:23:06.560
<v Speaker 1>Genesis Invitational at Riviera, which is arguably possibly some of

0:23:06.600 --> 0:23:09.159
<v Speaker 1>the toughest screens to put on. With the poet their

0:23:09.200 --> 0:23:13.760
<v Speaker 1>pure but tricky breaking, I think you'll hold over well.

0:23:14.080 --> 0:23:16.760
<v Speaker 1>The footage of parts was crazy, and really, at the

0:23:16.840 --> 0:23:19.719
<v Speaker 1>end of the day, winning all comes down to putting,

0:23:19.920 --> 0:23:22.159
<v Speaker 1>basically at the end of the day. So I'm just

0:23:22.200 --> 0:23:24.800
<v Speaker 1>waiting for Scotti Scheffler to get one in his hands

0:23:24.800 --> 0:23:27.760
<v Speaker 1>and the world, the world will be a better place

0:23:27.800 --> 0:23:28.120
<v Speaker 1>for him.

0:23:28.400 --> 0:23:31.639
<v Speaker 3>On that note, I asked Rumford to talk more about

0:23:31.640 --> 0:23:35.960
<v Speaker 3>the concept of letting go of control to gain control.

0:23:36.320 --> 0:23:38.959
<v Speaker 3>You can say that about a golf swing. You can

0:23:39.000 --> 0:23:41.640
<v Speaker 3>say that about life in general, right, but I mean

0:23:41.680 --> 0:23:44.440
<v Speaker 3>it certainly as it relates to this technology.

0:23:45.280 --> 0:23:46.960
<v Speaker 6>Yes, that is the essence of it.

0:23:47.880 --> 0:23:52.199
<v Speaker 1>Look and not is zero understanding of the internals in

0:23:52.240 --> 0:23:54.399
<v Speaker 1>a golf swing and a chip shot. So when I

0:23:54.480 --> 0:23:57.000
<v Speaker 1>chip people of trans you know they're almost transfixed by

0:23:57.960 --> 0:24:01.960
<v Speaker 1>mesmerized by my low so to speak. But mastery comes

0:24:02.000 --> 0:24:05.560
<v Speaker 1>down to mastering the movement and then everything switches off,

0:24:05.600 --> 0:24:09.480
<v Speaker 1>so everything deactivates. So when you walk, you've mastered the

0:24:09.600 --> 0:24:11.600
<v Speaker 1>art of walking. Yes, So if I were to ask

0:24:11.680 --> 0:24:14.919
<v Speaker 1>you what you activate in your legs when you walk, truthfully,

0:24:15.080 --> 0:24:17.000
<v Speaker 1>just walk, anyone, just get it. Out of your couch,

0:24:17.000 --> 0:24:19.840
<v Speaker 1>whoever's listening to this right now, and just walk and

0:24:19.880 --> 0:24:21.840
<v Speaker 1>walk a little bit faster when I say that, and

0:24:21.840 --> 0:24:23.640
<v Speaker 1>walk a little bit faster again, and tell me what's

0:24:23.680 --> 0:24:27.520
<v Speaker 1>being activated. You couldn't tell me. You wouldn't know. So

0:24:27.680 --> 0:24:31.160
<v Speaker 1>unless you're actually standing there and actually physically activating your quads,

0:24:31.280 --> 0:24:34.040
<v Speaker 1>activating your hip flexes. That's where most people live. When

0:24:34.040 --> 0:24:37.840
<v Speaker 1>they chip, they literally they try and create a force.

0:24:37.880 --> 0:24:40.359
<v Speaker 1>They're trying to control the golf club, but which is

0:24:41.359 --> 0:24:43.040
<v Speaker 1>partly to do with the balance of the golf club.

0:24:43.160 --> 0:24:46.080
<v Speaker 1>So if you're in balance with chip in and I'd

0:24:46.160 --> 0:24:48.240
<v Speaker 1>rather find the balance of the golf club not so much. Plain,

0:24:49.720 --> 0:24:52.239
<v Speaker 1>we won't go down that rabbit hole. So but for me,

0:24:52.320 --> 0:24:55.400
<v Speaker 1>when I'm swinging, I couldn't tell you what I activate.

0:24:55.640 --> 0:24:57.960
<v Speaker 1>I can tell you where the golf club's traveling. I

0:24:57.960 --> 0:25:02.280
<v Speaker 1>could tell you what I'm doing, my orientation of lower

0:25:02.320 --> 0:25:05.919
<v Speaker 1>body and everything else the parts that I'm moving, But

0:25:06.000 --> 0:25:10.080
<v Speaker 1>I couldn't tell you, like walking, what I'm actually physically activating.

0:25:10.359 --> 0:25:14.520
<v Speaker 1>I wouldn't know. But that's that mastery of movement when

0:25:14.560 --> 0:25:17.720
<v Speaker 1>you're putting, that's what I feel that lab gives you. Anyway,

0:25:18.240 --> 0:25:22.359
<v Speaker 1>it just gives you that freedom of understanding what flows

0:25:22.400 --> 0:25:25.440
<v Speaker 1>all about, what that feeling of like giving up control

0:25:25.480 --> 0:25:28.160
<v Speaker 1>to take control. You don't control your legs when you walk,

0:25:28.200 --> 0:25:31.800
<v Speaker 1>You just walk, so and that's kind of like it's

0:25:31.840 --> 0:25:34.800
<v Speaker 1>a stupid analogy, but it's it's the only one I

0:25:34.800 --> 0:25:37.680
<v Speaker 1>can give you. And what's crazy about it in this

0:25:37.800 --> 0:25:43.720
<v Speaker 1>world is that everyone's signs with a putto contract. I

0:25:43.840 --> 0:25:46.960
<v Speaker 1>just that's the one thing when you talk about controlling

0:25:47.160 --> 0:25:50.760
<v Speaker 1>of all things, controlling the one club in your bag

0:25:51.280 --> 0:25:54.159
<v Speaker 1>that should be a free agent to do what you

0:25:54.280 --> 0:25:58.720
<v Speaker 1>want to the people out there listening and the juniors

0:25:58.720 --> 0:26:02.040
<v Speaker 1>coming through, don't so with a putter. Just use the

0:26:02.040 --> 0:26:04.840
<v Speaker 1>best product out there. Sign with third end clubs because

0:26:04.840 --> 0:26:07.280
<v Speaker 1>of the putter. As I say to my kids and

0:26:07.320 --> 0:26:10.480
<v Speaker 1>my juniors coming through, is that if you want to

0:26:10.560 --> 0:26:13.600
<v Speaker 1>buy that one hundred million dollar yacht, three hundred million

0:26:13.640 --> 0:26:16.760
<v Speaker 1>dollar yacht, if you want to go give millions to charity,

0:26:16.920 --> 0:26:20.200
<v Speaker 1>if you want houses all over the world's holiday destinations,

0:26:20.560 --> 0:26:21.959
<v Speaker 1>if you want to change the world in some way,

0:26:21.960 --> 0:26:24.200
<v Speaker 1>if you want to run for president one day eventually

0:26:24.760 --> 0:26:27.200
<v Speaker 1>with your influence in the game of golf. And that's

0:26:27.240 --> 0:26:31.680
<v Speaker 1>whole a part because Putting is the key to all

0:26:31.720 --> 0:26:34.879
<v Speaker 1>your heart's desires. That's the only club that's going to

0:26:35.440 --> 0:26:38.840
<v Speaker 1>basically give you all the success, all the records, all

0:26:38.840 --> 0:26:43.600
<v Speaker 1>the majors, everything else. One man did this for well,

0:26:43.720 --> 0:26:47.639
<v Speaker 1>two men have done it, actually, Nicholas and Tiger. You know,

0:26:47.760 --> 0:26:50.479
<v Speaker 1>people will say, if your life depends on it, who

0:26:50.520 --> 0:26:52.159
<v Speaker 1>are the two guys or one guy that's going to be,

0:26:52.200 --> 0:26:54.199
<v Speaker 1>you know, holding that part if your life depends on it,

0:26:54.320 --> 0:26:56.320
<v Speaker 1>and it's going to be Jack or Tiger. The two

0:26:56.359 --> 0:27:00.960
<v Speaker 1>people that basically have re written the record books over

0:27:01.000 --> 0:27:04.320
<v Speaker 1>two generations are the two people that basically just whole

0:27:04.359 --> 0:27:07.720
<v Speaker 1>puts for fun. So my advice would be to those

0:27:08.400 --> 0:27:10.520
<v Speaker 1>up and comers out there, or even for any of

0:27:10.560 --> 0:27:13.399
<v Speaker 1>these guys that are out there now. Adam Scott he

0:27:13.680 --> 0:27:18.000
<v Speaker 1>tore up his titles contract basically for other reasons, I'm

0:27:18.000 --> 0:27:19.960
<v Speaker 1>sure probably, but you know what, it's freed him up

0:27:20.320 --> 0:27:22.480
<v Speaker 1>with the one with the one thing, with the one

0:27:22.480 --> 0:27:25.040
<v Speaker 1>part of the game that basically has always struggled with,

0:27:25.160 --> 0:27:27.000
<v Speaker 1>you know, putting, And you look at his Adam Scott's

0:27:27.040 --> 0:27:29.720
<v Speaker 1>putting stats unbelievable. I think he led maybe a couple

0:27:29.760 --> 0:27:32.280
<v Speaker 1>of categories. And I've always said you look at any

0:27:32.280 --> 0:27:34.160
<v Speaker 1>stat you get inside the top thirty of the world's

0:27:34.160 --> 0:27:36.680
<v Speaker 1>best players on any tour. If you're inside that top

0:27:36.800 --> 0:27:40.880
<v Speaker 1>thirty on any stat then you're elite. Top thirty is elite.

0:27:41.000 --> 0:27:43.639
<v Speaker 1>So cracking twenty seventh you see twenty seventh on a

0:27:43.680 --> 0:27:47.000
<v Speaker 1>stat or twenty fourth, not even number one, very very

0:27:47.040 --> 0:27:50.240
<v Speaker 1>fine line between thirtieth and first, but you get thirtieth,

0:27:50.280 --> 0:27:53.560
<v Speaker 1>top thirtieth on any start, you're doing something very very well.

0:27:53.600 --> 0:27:57.240
<v Speaker 1>But so Scotty and all these guys you know that

0:27:57.359 --> 0:28:00.160
<v Speaker 1>have that part of that's freed up for them, free

0:28:00.240 --> 0:28:02.720
<v Speaker 1>up your contract, to free up your your putting. You

0:28:02.800 --> 0:28:06.080
<v Speaker 1>just might fulfill all your heart's desires. But I'm not

0:28:06.080 --> 0:28:09.080
<v Speaker 1>saying it's going to go like that. But hey, yeah,

0:28:09.640 --> 0:28:11.399
<v Speaker 1>I just find it crazy how people are locked in

0:28:11.440 --> 0:28:13.159
<v Speaker 1>with the parts and you know the complaint of the

0:28:13.200 --> 0:28:15.639
<v Speaker 1>car part, but they're stuck in this this contract I

0:28:15.720 --> 0:28:17.600
<v Speaker 1>just don't like the part of. But and you go, well,

0:28:18.760 --> 0:28:20.600
<v Speaker 1>that's what winning is all about. If you want to

0:28:20.600 --> 0:28:24.399
<v Speaker 1>be auted for winning, use something that's going to win, right,

0:28:24.960 --> 0:28:26.439
<v Speaker 1>Or if you just want to make top thirty make

0:28:26.480 --> 0:28:29.760
<v Speaker 1>a living, then yeah, sign a contract and just you know,

0:28:29.920 --> 0:28:34.040
<v Speaker 1>just hate yourself for the rest of your life. It's ridiculous.

0:28:34.040 --> 0:28:35.960
<v Speaker 1>It's just the most stupid thing I think I could

0:28:36.000 --> 0:28:39.280
<v Speaker 1>you could. In my experience, it's most, yes, most for anything.

0:28:39.320 --> 0:28:42.880
<v Speaker 1>And that's the blessing with with Titleist was the fact

0:28:42.880 --> 0:28:46.920
<v Speaker 1>that I could use whatever I wanted throughout my career.

0:28:47.040 --> 0:28:49.480
<v Speaker 1>So I've got thirteen clubs. The drive is definitely a

0:28:50.080 --> 0:28:52.160
<v Speaker 1>have to use it d either, that's a non negotiable

0:28:52.160 --> 0:28:56.240
<v Speaker 1>there in the contract. But I think Titleist, Yeah, trust

0:28:56.280 --> 0:28:57.920
<v Speaker 1>in the product. You want to use the product, you can,

0:28:58.000 --> 0:29:01.400
<v Speaker 1>but if not, use something else. So that's my two cents.

0:29:01.400 --> 0:29:05.360
<v Speaker 3>Anyway, I went back through Adam Scott's putting stats in

0:29:05.400 --> 0:29:09.360
<v Speaker 3>twenty seventeen twenty eighteen, before he started using lab putters,

0:29:09.840 --> 0:29:12.840
<v Speaker 3>he was one hundred and sixty fifth in strokes gained

0:29:12.880 --> 0:29:16.800
<v Speaker 3>putting and one hundred and seventy fifth in putting average.

0:29:18.000 --> 0:29:21.320
<v Speaker 3>In twenty eighteen twenty nineteen, which is when he made

0:29:21.320 --> 0:29:25.360
<v Speaker 3>the switch, he jumped to thirty first in strokes gain

0:29:25.440 --> 0:29:30.120
<v Speaker 3>putting and was forty third in putting average in twenty

0:29:30.200 --> 0:29:35.320
<v Speaker 3>nineteen twenty twenty. He was forty ninth and forty fourth, respectively.

0:29:36.440 --> 0:29:40.120
<v Speaker 3>In twenty twenty twenty twenty one, he was eighteenth and

0:29:40.240 --> 0:29:44.960
<v Speaker 3>fortieth in twenty twenty one. In twenty twenty two, he

0:29:45.120 --> 0:29:49.480
<v Speaker 3>was forty first and thirty fourth. In twenty twenty two

0:29:49.680 --> 0:29:54.600
<v Speaker 3>and twenty twenty three he was nineteenth and ninth. And

0:29:54.640 --> 0:29:58.480
<v Speaker 3>this year and it's early, he's fiftieth and thirty third.

0:29:58.800 --> 0:30:01.720
<v Speaker 3>He's on his sixth street year of using a lab

0:30:01.760 --> 0:30:05.480
<v Speaker 3>putter and the sixth consecutive year of never being outside

0:30:05.520 --> 0:30:09.120
<v Speaker 3>the top fifty and two critical putting stats. Have you

0:30:09.160 --> 0:30:13.800
<v Speaker 3>ever had a conversation with Adam or Lucas about labs,

0:30:13.840 --> 0:30:16.400
<v Speaker 3>specifically with Scotty.

0:30:16.520 --> 0:30:18.560
<v Speaker 1>Yes, yeah, Look, Scotty and I we're very much on

0:30:18.560 --> 0:30:22.880
<v Speaker 1>the same page. So yeah, that conversation is just like

0:30:23.040 --> 0:30:25.760
<v Speaker 1>speaking to me in a mirror, right from where it goes.

0:30:25.800 --> 0:30:27.560
<v Speaker 1>So I used the broomstick a long long time ago

0:30:27.640 --> 0:30:29.640
<v Speaker 1>and then he switched to the broomstick. You know, I

0:30:29.680 --> 0:30:31.560
<v Speaker 1>talked about how I used it and stuff, and he's like,

0:30:31.920 --> 0:30:35.840
<v Speaker 1>you know, the same thing. So Scott is very astute.

0:30:37.160 --> 0:30:39.880
<v Speaker 1>So yeah, he thinks about the game, Scotty, you know

0:30:39.920 --> 0:30:42.040
<v Speaker 1>as much as you don't. You know, you think he's

0:30:42.120 --> 0:30:45.120
<v Speaker 1>very very technically sound, which he is probably doesn't think

0:30:45.120 --> 0:30:48.800
<v Speaker 1>too much about the golf swing, but he does about

0:30:48.840 --> 0:30:51.400
<v Speaker 1>other areas of the game. So I spent some time

0:30:51.400 --> 0:30:52.680
<v Speaker 1>with it with the PGA. We've got on the chip

0:30:52.760 --> 0:30:55.280
<v Speaker 1>and green. I'm filling his brains with all these you know,

0:30:56.080 --> 0:30:59.280
<v Speaker 1>my thoughts and feels. And we spent about two hours

0:30:59.320 --> 0:31:03.320
<v Speaker 1>there is back in maybe eighteen twenty eighteen. I'd cool

0:31:03.360 --> 0:31:05.360
<v Speaker 1>them and we go to the driving range and we're

0:31:05.400 --> 0:31:06.920
<v Speaker 1>hitting a few balls next to each other. We're just

0:31:06.920 --> 0:31:09.720
<v Speaker 1>talking about, you know, stuff as mates do. And I

0:31:09.800 --> 0:31:12.120
<v Speaker 1>just asked him about he's ripping these drives down. It

0:31:12.240 --> 0:31:15.080
<v Speaker 1>like just just flat plane, just frozen rowe one half

0:31:15.080 --> 0:31:17.760
<v Speaker 1>of the other, like twenty thirty in a row. And

0:31:18.200 --> 0:31:20.520
<v Speaker 1>I've always like struggled with driving, you know, so he's

0:31:20.520 --> 0:31:23.280
<v Speaker 1>struggled with chipping a little bit. But I'm getting very

0:31:23.320 --> 0:31:26.520
<v Speaker 1>technical and everything else with the short game and telling how,

0:31:26.680 --> 0:31:30.440
<v Speaker 1>you know, how I changed things to manipulate flights and stuff.

0:31:30.440 --> 0:31:32.080
<v Speaker 1>And then you know, what do you do with the

0:31:32.120 --> 0:31:35.720
<v Speaker 1>driver Scotty, Well, you know, Rabbie is what I thought.

0:31:35.720 --> 0:31:37.240
<v Speaker 1>You know what, here we go. I'm going to get

0:31:37.240 --> 0:31:39.560
<v Speaker 1>the I'm going to get the holy Grail of secrets

0:31:39.600 --> 0:31:43.760
<v Speaker 1>here and I'm on it right So Scotty starts talking about, well,

0:31:43.800 --> 0:31:45.480
<v Speaker 1>what I do. I mean, I get my nineties, so

0:31:45.640 --> 0:31:47.440
<v Speaker 1>I get my grip right, and then I just really

0:31:47.520 --> 0:31:50.760
<v Speaker 1>ensure that nine degrees to my target. You know, I'm

0:31:50.760 --> 0:31:53.240
<v Speaker 1>all squared off because he is it so straight. It's

0:31:53.320 --> 0:31:54.960
<v Speaker 1>very very important if you get it very straight and

0:31:55.080 --> 0:31:57.840
<v Speaker 1>very repetitive something. And yeah, that makes sense, and he

0:31:57.920 --> 0:31:59.680
<v Speaker 1>goes the first poot. You know, I'm just trying to

0:31:59.680 --> 0:32:03.080
<v Speaker 1>feel as out the face just like remains fairly square

0:32:03.360 --> 0:32:05.320
<v Speaker 1>to the golf ball, like it's just like looking at it.

0:32:05.880 --> 0:32:09.880
<v Speaker 1>And then after that, I don't know. I can't tell

0:32:09.920 --> 0:32:17.440
<v Speaker 1>you what I do, and I just gon't. You're gonna

0:32:17.440 --> 0:32:18.760
<v Speaker 1>be kidding me. If you've got to give me more

0:32:18.800 --> 0:32:22.480
<v Speaker 1>than that, Scotty, give me something, It's like, nah, just

0:32:22.560 --> 0:32:25.680
<v Speaker 1>get my nineties, keep the face square. This is all

0:32:25.720 --> 0:32:27.920
<v Speaker 1>I know is that, you know, from this point here,

0:32:28.360 --> 0:32:31.920
<v Speaker 1>like I'm very very very aware of this point. Beyond that,

0:32:31.960 --> 0:32:33.320
<v Speaker 1>all I know is that I've just got the most

0:32:33.360 --> 0:32:37.560
<v Speaker 1>videoed and photographed golf swing probably in the game. But

0:32:37.600 --> 0:32:42.440
<v Speaker 1>what I do you're from me? I was devastated. I

0:32:42.520 --> 0:32:45.080
<v Speaker 1>was like, oh no, that's not going to work for me.

0:32:47.320 --> 0:32:50.960
<v Speaker 1>So oh man, in terms of putting though, he's very

0:32:51.040 --> 0:32:53.200
<v Speaker 1>very that's kind of like where it flips, you know's

0:32:53.240 --> 0:32:55.600
<v Speaker 1>goal swing. He's got that, you know, locked away, and

0:32:55.640 --> 0:32:58.720
<v Speaker 1>then when he gets degree, you know, he's I've always

0:32:58.720 --> 0:33:01.440
<v Speaker 1>found that he's he's used part is too heavy, so

0:33:01.520 --> 0:33:03.440
<v Speaker 1>with the lab and particularly the long one as well.

0:33:03.680 --> 0:33:07.520
<v Speaker 1>You know, you get on greens like Augusta and you

0:33:07.600 --> 0:33:09.400
<v Speaker 1>get a part of that's really really heavy. But he

0:33:09.480 --> 0:33:11.480
<v Speaker 1>kind of like liked that. But that's why Scotty has

0:33:11.480 --> 0:33:14.680
<v Speaker 1>had that really long short stroke kind of thing at

0:33:14.720 --> 0:33:18.040
<v Speaker 1>the masses where it's like like reversing a train and

0:33:18.080 --> 0:33:20.320
<v Speaker 1>then trying to put it forward. It's like, oh shit,

0:33:20.360 --> 0:33:23.239
<v Speaker 1>it takes some time, right, So you kind of like

0:33:23.280 --> 0:33:24.880
<v Speaker 1>want to have a bit more of that, you know

0:33:24.920 --> 0:33:28.240
<v Speaker 1>that that faster beats for a minute, should I say,

0:33:28.280 --> 0:33:31.719
<v Speaker 1>but maintain the same ratio. So, but the other thing

0:33:31.720 --> 0:33:33.560
<v Speaker 1>I've ever said to Scotty was this, man, you need

0:33:33.600 --> 0:33:35.720
<v Speaker 1>to lighten up this head, just line up the whole thing,

0:33:35.760 --> 0:33:38.479
<v Speaker 1>because it's the broomsticks all good and well, but still

0:33:38.800 --> 0:33:40.240
<v Speaker 1>you just want to try and create a bit more

0:33:40.480 --> 0:33:42.720
<v Speaker 1>more flow with a bit more speed and have that

0:33:43.040 --> 0:33:46.440
<v Speaker 1>dynamic of stroke sort of match backstroke to follow through.

0:33:46.560 --> 0:33:48.959
<v Speaker 1>But that's the only thing I've ever said to Scotty

0:33:49.000 --> 0:33:51.160
<v Speaker 1>in terms of parting and the rest is you don't

0:33:51.160 --> 0:33:55.280
<v Speaker 1>say too much to Scotty really, so he's a yeah,

0:33:55.280 --> 0:33:56.120
<v Speaker 1>he's a world clock.

0:33:56.480 --> 0:33:59.000
<v Speaker 3>Back to Adam Scott, who if You're not caught up,

0:33:59.160 --> 0:34:04.160
<v Speaker 3>was prominent part four of this series. Brett Rumford, who

0:34:04.200 --> 0:34:08.120
<v Speaker 3>I'm sure sure you know he he pushed back on

0:34:08.440 --> 0:34:11.680
<v Speaker 3>Sam and the technology originally sort of tried it and said,

0:34:12.040 --> 0:34:14.840
<v Speaker 3>you know that he had some issues with this going back,

0:34:15.920 --> 0:34:19.319
<v Speaker 3>you know, early days, and then eventually came back as

0:34:19.360 --> 0:34:21.960
<v Speaker 3>they continued to tweak what they were doing. He came

0:34:22.000 --> 0:34:25.000
<v Speaker 3>back in and said, you know what, and now I

0:34:25.080 --> 0:34:28.440
<v Speaker 3>get it. I'm I'm all in. I've I've bought it,

0:34:28.520 --> 0:34:32.200
<v Speaker 3>almost like independently, was having his own kind of relationship

0:34:32.280 --> 0:34:36.160
<v Speaker 3>with the putter of the technology, the feel and he

0:34:36.719 --> 0:34:39.359
<v Speaker 3>said something to them, which is I finally get it.

0:34:40.040 --> 0:34:43.320
<v Speaker 3>You've got to let go of control to gain control.

0:34:45.440 --> 0:34:47.640
<v Speaker 3>Does that ring true to you? Is that something that

0:34:47.719 --> 0:34:48.400
<v Speaker 3>makes sense to you?

0:34:49.760 --> 0:34:49.920
<v Speaker 1>Yeah?

0:34:50.040 --> 0:34:53.040
<v Speaker 2>I think absolutely it does. I think, you know, I

0:34:53.120 --> 0:34:56.799
<v Speaker 2>try and do that with my entire game. But we're

0:34:57.440 --> 0:35:01.320
<v Speaker 2>we're so professional in a senseue we think of everything

0:35:01.360 --> 0:35:03.440
<v Speaker 2>all the time, we're trying to be so good at

0:35:03.480 --> 0:35:05.640
<v Speaker 2>every little part of it, and when it comes to

0:35:05.719 --> 0:35:10.120
<v Speaker 2>performing and shooting the lower score, you know, you want

0:35:10.160 --> 0:35:12.439
<v Speaker 2>to have all the stuff under control that you've thought

0:35:12.440 --> 0:35:15.440
<v Speaker 2>about and then forget it and just execute and just

0:35:15.480 --> 0:35:17.720
<v Speaker 2>play and just let go. And that's what I'm trying

0:35:17.719 --> 0:35:20.879
<v Speaker 2>to do generally. So I think I think that does

0:35:21.000 --> 0:35:24.680
<v Speaker 2>ring true. I probably didn't have the internal fights that

0:35:24.800 --> 0:35:27.880
<v Speaker 2>Rummy had in his head with the putter. I was

0:35:27.920 --> 0:35:30.520
<v Speaker 2>just like, yeah, this swing's really good. Yeah, this is

0:35:30.560 --> 0:35:34.000
<v Speaker 2>getting a consistent role. I don't need to find necessarily

0:35:34.040 --> 0:35:36.000
<v Speaker 2>fault with it. How about I just use this thing

0:35:36.120 --> 0:35:40.200
<v Speaker 2>and make more putts. And I was enjoying that end

0:35:40.239 --> 0:35:44.560
<v Speaker 2>of it. And I've really enjoyed the relationship with Sam

0:35:44.600 --> 0:35:47.120
<v Speaker 2>and his team and being able to give him feedback

0:35:47.160 --> 0:35:51.200
<v Speaker 2>and then being receptive to that feedback, and in developing

0:35:53.040 --> 0:35:57.240
<v Speaker 2>the MEZ and the mes Max and you know, getting

0:35:57.239 --> 0:35:59.239
<v Speaker 2>to a place where I feel like I'm putting with

0:35:59.320 --> 0:36:01.960
<v Speaker 2>as good a putter as I can cut with. That's

0:36:02.200 --> 0:36:04.400
<v Speaker 2>that's been a fun process for me.

0:36:04.719 --> 0:36:06.680
<v Speaker 1>I think he's very factual Scotty. I don't think he

0:36:06.719 --> 0:36:09.160
<v Speaker 1>does anything, you know, on a whim or out of

0:36:09.320 --> 0:36:12.000
<v Speaker 1>just you know, there is feel. I think, yeah, Scotty

0:36:12.040 --> 0:36:13.400
<v Speaker 1>is very much a feel player, but I think at

0:36:13.400 --> 0:36:15.839
<v Speaker 1>the same time he's very factual as well, So he's

0:36:15.960 --> 0:36:19.319
<v Speaker 1>very very calculative Scotty. As much as you think he's

0:36:19.440 --> 0:36:23.080
<v Speaker 1>very feel orientated, he's still very shoot with his with

0:36:23.200 --> 0:36:25.400
<v Speaker 1>his thoughts and his concepts of what he's doing. So

0:36:25.880 --> 0:36:27.920
<v Speaker 1>but very definite as well. And when he and the

0:36:27.960 --> 0:36:29.640
<v Speaker 1>game is all that confidence, isn't it. You know, So

0:36:29.960 --> 0:36:33.680
<v Speaker 1>when you start to back up you know, science technology

0:36:33.760 --> 0:36:36.920
<v Speaker 1>with the feel and then the understanding, it's a it's

0:36:36.920 --> 0:36:41.719
<v Speaker 1>a very powerful concoction of you know, of positives that's

0:36:41.719 --> 0:36:45.200
<v Speaker 1>going to give you that that unequivocal without a doubt.

0:36:45.840 --> 0:36:48.480
<v Speaker 1>Just go play. You know everything's locked away. Just go

0:36:48.560 --> 0:36:50.880
<v Speaker 1>play now and that's probably the best thing. You know,

0:36:51.000 --> 0:36:52.960
<v Speaker 1>you get a bit in the world of what it's

0:36:53.000 --> 0:36:55.000
<v Speaker 1>all about, and then just go play. The idea of

0:36:55.000 --> 0:36:57.640
<v Speaker 1>golf is just go play. Don't have to worry about

0:36:57.680 --> 0:37:00.960
<v Speaker 1>all the all that stuff. You know, and does become feel,

0:37:01.000 --> 0:37:05.040
<v Speaker 1>it becomes you know intuitive, just step up, give up

0:37:05.040 --> 0:37:07.520
<v Speaker 1>control to take control and just let it go. You know,

0:37:07.719 --> 0:37:09.799
<v Speaker 1>that's that's the world where you want to live. Get

0:37:09.880 --> 0:37:12.560
<v Speaker 1>sold on the technology. Sure, that's you know, anyone can

0:37:12.600 --> 0:37:14.680
<v Speaker 1>sell a putter, but at the end of the day,

0:37:14.680 --> 0:37:16.560
<v Speaker 1>you have to you have to live with it, so

0:37:17.920 --> 0:37:19.880
<v Speaker 1>and you've got to compete with that technology day and

0:37:19.960 --> 0:37:22.600
<v Speaker 1>day out for your livelihood or otherwise or kicking your

0:37:22.600 --> 0:37:25.120
<v Speaker 1>ass's mates. So yeah, kicking the butts of your mates

0:37:25.120 --> 0:37:28.480
<v Speaker 1>and the rest of it. So and I think that's

0:37:28.480 --> 0:37:32.320
<v Speaker 1>what wins people over eventually, is is that at the

0:37:32.440 --> 0:37:35.319
<v Speaker 1>end of the day, that's it. The only other thing

0:37:35.440 --> 0:37:38.799
<v Speaker 1>is maybe just the loft dynamics that I'm trying. I'm

0:37:38.840 --> 0:37:41.760
<v Speaker 1>working hard with Samy on, but I just want.

0:37:41.640 --> 0:37:45.960
<v Speaker 9>To see maybe the options of lofts, maybe because the

0:37:46.000 --> 0:37:49.520
<v Speaker 9>putter does sold so well, and maybe having two or

0:37:49.520 --> 0:37:52.719
<v Speaker 9>three heads that with varying surfaces, you might be able

0:37:52.719 --> 0:37:55.640
<v Speaker 9>to just manipulate the losts without you know, trying to

0:37:55.640 --> 0:37:56.320
<v Speaker 9>throw your hands.

0:37:56.120 --> 0:37:59.440
<v Speaker 1>Back and forth. But that's about it, and love the

0:37:59.480 --> 0:38:00.359
<v Speaker 1>rest it's I think.

0:38:00.719 --> 0:38:03.080
<v Speaker 6>Yeah, him coming here in June, We're hoping was the

0:38:03.120 --> 0:38:07.000
<v Speaker 6>beginning of a very beautiful relationship between us, and he's

0:38:07.000 --> 0:38:09.920
<v Speaker 6>able to communicate this stuff to people that you know,

0:38:09.960 --> 0:38:12.880
<v Speaker 6>who trust him and everything, and it's a beautiful relationship.

0:38:13.040 --> 0:38:15.880
<v Speaker 3>Yeah, they said your visits to Oregon and your feedback

0:38:15.920 --> 0:38:22.000
<v Speaker 3>and your your your your thoughts in perspective have been

0:38:22.080 --> 0:38:27.040
<v Speaker 3>critical to UH to to where they are as a company.

0:38:27.080 --> 0:38:28.919
<v Speaker 3>So they give you a lot of credit and uh

0:38:28.960 --> 0:38:31.200
<v Speaker 3>and they you know, in the end, I think they've

0:38:31.239 --> 0:38:34.719
<v Speaker 3>really appreciated the back and forth and you making the

0:38:35.120 --> 0:38:37.479
<v Speaker 3>effort and the trips and yeah, so.

0:38:38.200 --> 0:38:41.520
<v Speaker 1>I'm more I'm more thankful that that Sam reached out

0:38:41.600 --> 0:38:44.600
<v Speaker 1>and made the contact, and not to say that he

0:38:44.680 --> 0:38:47.880
<v Speaker 1>admitted the wrongings, but it was just cool that he

0:38:47.960 --> 0:38:52.120
<v Speaker 1>that he reached out and you know, just yeah, it

0:38:52.120 --> 0:38:53.759
<v Speaker 1>got to the bottom of it, and probably just more

0:38:53.840 --> 0:38:57.480
<v Speaker 1>just try to clarify what his engineers already saw anyway,

0:38:58.040 --> 0:39:00.200
<v Speaker 1>so they're they're already on it. They're already on the

0:39:00.239 --> 0:39:03.000
<v Speaker 1>same page. So I certainly want want to take credit

0:39:03.160 --> 0:39:06.200
<v Speaker 1>full credit for for what those guys are doing over there,

0:39:06.200 --> 0:39:09.400
<v Speaker 1>because it's amazing what they're doing. The factor is incredible,

0:39:09.520 --> 0:39:13.480
<v Speaker 1>it's growing every day. But they're prepared from the last

0:39:13.520 --> 0:39:16.520
<v Speaker 1>time I was there. They've got some amazing technology. They've

0:39:16.520 --> 0:39:21.440
<v Speaker 1>got some amazing machinery in there as well, which is

0:39:21.480 --> 0:39:25.480
<v Speaker 1>doing his job. So just an awesome company, awesome family.

0:39:25.840 --> 0:39:27.680
<v Speaker 1>At the end of the day when you get to

0:39:27.680 --> 0:39:31.080
<v Speaker 1>that first green, it's just all about locking into holding

0:39:31.080 --> 0:39:33.920
<v Speaker 1>a part and just the more things that you can

0:39:33.920 --> 0:39:37.200
<v Speaker 1>eliminate in the thought process with putting them, the better,

0:39:37.360 --> 0:39:40.239
<v Speaker 1>you know, simplify it to just hitting that the best

0:39:40.239 --> 0:39:43.480
<v Speaker 1>puts you can. And a classic example was a story

0:39:43.520 --> 0:39:45.600
<v Speaker 1>I told at the Cotta Slow Open where I've got

0:39:45.600 --> 0:39:47.880
<v Speaker 1>a thirty footer. There's lots of stuff that can happen

0:39:47.880 --> 0:39:50.919
<v Speaker 1>in between the impact of that golfer going in the hole,

0:39:51.280 --> 0:39:52.840
<v Speaker 1>but at the end of the day, you go, you

0:39:52.960 --> 0:39:55.520
<v Speaker 1>just got to give up on that and just put

0:39:55.560 --> 0:39:58.439
<v Speaker 1>the best stroke you can on it. And that's what

0:39:58.480 --> 0:40:00.880
<v Speaker 1>was really evident. It was just an amazing moment for

0:40:00.960 --> 0:40:04.400
<v Speaker 1>me which I went, Okay, I get it. I understand

0:40:04.400 --> 0:40:08.440
<v Speaker 1>what Sam's on about a bill and the technology, what

0:40:08.880 --> 0:40:13.040
<v Speaker 1>it's all about. So it was just purely just emptied.

0:40:13.400 --> 0:40:15.920
<v Speaker 1>It was amazing. It was quite don't want too used

0:40:15.920 --> 0:40:17.200
<v Speaker 1>the word it was very spiritual.

0:40:17.840 --> 0:40:20.120
<v Speaker 3>What version, what version do you put with?

0:40:21.600 --> 0:40:25.879
<v Speaker 1>Well, I've I loved the DF three, I've had the prototype,

0:40:26.120 --> 0:40:27.800
<v Speaker 1>and now they've just come out with a new DF

0:40:27.960 --> 0:40:31.680
<v Speaker 1>which I'm Sam's going to be sending me well right now,

0:40:31.760 --> 0:40:33.200
<v Speaker 1>So I think it's in the post, so I can't

0:40:33.200 --> 0:40:35.479
<v Speaker 1>wait to get my hands on that because I love

0:40:35.520 --> 0:40:40.759
<v Speaker 1>the DF. I love I love it's yeah, I love

0:40:40.760 --> 0:40:43.319
<v Speaker 1>its size, and I love it shaft and I love

0:40:43.320 --> 0:40:45.680
<v Speaker 1>it's offset as well. So I just love seeing a

0:40:45.680 --> 0:40:48.640
<v Speaker 1>lot of the face. There's no shaft wall that's that's

0:40:48.640 --> 0:40:51.920
<v Speaker 1>interfering with the with the leading edge. So just it's

0:40:51.960 --> 0:40:53.640
<v Speaker 1>just really out there in the open and it's just

0:40:53.760 --> 0:40:55.680
<v Speaker 1>good sight lines. I just love it and it just

0:40:55.719 --> 0:41:00.239
<v Speaker 1>feels crazy balanced. I've used them all. The link is right.

0:41:00.480 --> 0:41:03.120
<v Speaker 1>I'm using the MESSI max at the moment mes max so,

0:41:04.760 --> 0:41:08.440
<v Speaker 1>which is awesome as well. So they're all all the

0:41:08.480 --> 0:41:10.520
<v Speaker 1>tech is the same. I can I can part with

0:41:10.760 --> 0:41:12.680
<v Speaker 1>any any one of them. And I do you know,

0:41:12.800 --> 0:41:14.960
<v Speaker 1>play Wednesday comes here. I'm playing once or twice a

0:41:14.960 --> 0:41:18.600
<v Speaker 1>week and I just alternated. I mix it up. It's

0:41:18.600 --> 0:41:19.200
<v Speaker 1>a good feeling.

0:41:19.560 --> 0:41:23.960
<v Speaker 3>We end this episode fittingly where it all began with

0:41:24.000 --> 0:41:24.680
<v Speaker 3>Bill Pressey.

0:41:25.360 --> 0:41:32.160
<v Speaker 4>I just so I talked to Sam yesterday. I sent

0:41:32.280 --> 0:41:36.640
<v Speaker 4>him a message and I'm like, hey, I'm gonna be

0:41:36.719 --> 0:41:40.440
<v Speaker 4>on the fire Pit Collective tomorrow. Is there any you

0:41:40.480 --> 0:41:46.400
<v Speaker 4>know messages or you know the coaching, Uh, what's our message?

0:41:46.560 --> 0:41:52.640
<v Speaker 5>And it's just just just do your thing. Am I okay?

0:41:53.040 --> 0:41:53.439
<v Speaker 5>All right?

0:41:53.880 --> 0:41:55.960
<v Speaker 4>And I'm like, you sound busy. He's like, yeah, I'm

0:41:56.000 --> 0:41:58.359
<v Speaker 4>playing I'm playing golf with the Brent Rumfer right now.

0:41:58.960 --> 0:42:00.000
<v Speaker 4>So that was yesterday.

0:42:00.080 --> 0:42:04.600
<v Speaker 5>But I don't know anything else about it. What you

0:42:04.640 --> 0:42:05.000
<v Speaker 5>tell me?

0:42:05.880 --> 0:42:10.840
<v Speaker 3>Well, apparently he he second guessed the technology. Then eventually

0:42:10.880 --> 0:42:15.400
<v Speaker 3>he came back and endorsed the technology he had. He

0:42:15.560 --> 0:42:19.320
<v Speaker 3>was like a critic and now he's he's in within

0:42:19.400 --> 0:42:26.720
<v Speaker 3>the culture and ultimately came up with the realization that quote,

0:42:27.080 --> 0:42:30.400
<v Speaker 3>this is what was told to me. You've got to

0:42:30.480 --> 0:42:33.719
<v Speaker 3>let go of control to gain control.

0:42:36.080 --> 0:42:39.840
<v Speaker 4>That's correct, That's cool. I don't I don't know anything

0:42:39.880 --> 0:42:41.440
<v Speaker 4>about this. I've been out in the woods for a

0:42:41.520 --> 0:42:48.440
<v Speaker 4>couple of days. That's great. Ah, he's such a good dude.

0:42:48.960 --> 0:42:50.520
<v Speaker 4>He's one of the good guys.

0:42:50.880 --> 0:42:54.800
<v Speaker 3>He's second guest. He second guest. He had issues with it.

0:42:54.600 --> 0:42:57.439
<v Speaker 3>It didn't make sense to him. He's he he got

0:42:57.680 --> 0:42:59.880
<v Speaker 3>he went down the rabbit hole, he got in the weeds,

0:43:00.680 --> 0:43:04.800
<v Speaker 3>and ultimately, you know, back and forthing with Sam or whatever,

0:43:04.880 --> 0:43:09.279
<v Speaker 3>and then ultimately came back with like, hold on, now,

0:43:09.440 --> 0:43:12.279
<v Speaker 3>I think you guys got it right now, I'm I'm

0:43:12.400 --> 0:43:15.080
<v Speaker 3>in on it now it's I see it, and now

0:43:15.160 --> 0:43:21.000
<v Speaker 3>I've realized. I've come to the realization that quote, in

0:43:21.120 --> 0:43:24.440
<v Speaker 3>order to have this technology do what it's supposed to do,

0:43:24.520 --> 0:43:28.640
<v Speaker 3>in order to have lie Angle Balance perform what it's

0:43:28.640 --> 0:43:31.120
<v Speaker 3>supposed to do, which is basically the review, what is

0:43:31.160 --> 0:43:34.879
<v Speaker 3>the revealer, it's totally letting go of control in order

0:43:34.920 --> 0:43:38.759
<v Speaker 3>to gain control. That's what it articulates, right in a

0:43:38.840 --> 0:43:42.040
<v Speaker 3>very simple form. He had to come to it to

0:43:42.160 --> 0:43:45.680
<v Speaker 3>himself and ultimately decided that in order to make this work,

0:43:46.080 --> 0:43:49.240
<v Speaker 3>you got to let go of control to gain control.

0:43:49.560 --> 0:43:52.040
<v Speaker 3>And that was his light bulb moment. And now he's

0:43:52.080 --> 0:43:52.680
<v Speaker 3>all in.

0:43:53.840 --> 0:43:56.280
<v Speaker 5>That's so cool. I have to talk to Sam Tomar

0:43:56.520 --> 0:43:59.760
<v Speaker 5>or later today or something. I didn't know. This is great.

0:44:02.560 --> 0:44:07.960
<v Speaker 5>He's a you know, outside the Raiders thing. You know,

0:44:08.000 --> 0:44:11.960
<v Speaker 5>he's a great guy.

0:44:13.160 --> 0:44:17.480
<v Speaker 3>Fuck the Raiders. Hey, uh yeah, uh you know, I

0:44:17.560 --> 0:44:22.440
<v Speaker 3>mean seriously, lab Putters quote let go of control to

0:44:22.520 --> 0:44:26.360
<v Speaker 3>gain control. It's actually it's actually it actually works in

0:44:26.440 --> 0:44:29.919
<v Speaker 3>life too, right, Like sometimes you've gotta sometimes you've got

0:44:29.960 --> 0:44:34.000
<v Speaker 3>to let go to to gain control.

0:44:34.520 --> 0:44:38.640
<v Speaker 4>And I think people let go of their fears the

0:44:38.680 --> 0:44:41.600
<v Speaker 4>hardest thing that even though, like it's a fear, you

0:44:41.680 --> 0:44:43.919
<v Speaker 4>think it would be easy to let go of, right,

0:44:44.200 --> 0:44:47.719
<v Speaker 4>But fear in golf is the hardest thing by far.

0:44:48.440 --> 0:44:53.520
<v Speaker 4>The scar tissue in and and the memories that that

0:44:53.520 --> 0:44:59.560
<v Speaker 4>that exist in lurking your subconscious somewhere during that backstroke,

0:45:01.160 --> 0:45:02.360
<v Speaker 4>they tend to open the door.

0:45:02.880 --> 0:45:07.319
<v Speaker 5>And that is the.

0:45:05.760 --> 0:45:11.719
<v Speaker 4>The fear there's you know what fear comes from, I'll

0:45:11.760 --> 0:45:16.400
<v Speaker 4>tell you it comes from missing, right, comes from missing

0:45:17.160 --> 0:45:22.239
<v Speaker 4>You know, what you miss is torque and unless you

0:45:22.320 --> 0:45:28.279
<v Speaker 4>practice enough, or you've got this innate ability to know

0:45:28.400 --> 0:45:31.239
<v Speaker 4>this particular golf club just like a good driver or

0:45:31.400 --> 0:45:33.279
<v Speaker 4>like a good wedge that you have, you know it.

0:45:33.600 --> 0:45:34.480
<v Speaker 5>You know what it's gonna do.

0:45:37.719 --> 0:45:40.279
<v Speaker 4>But when you take away the torque, you could take

0:45:40.280 --> 0:45:43.640
<v Speaker 4>away the fear and start reprogramming. And then you know,

0:45:43.800 --> 0:45:47.239
<v Speaker 4>if you miss putts, it's a misread or or you

0:45:47.320 --> 0:45:50.000
<v Speaker 4>made a poor stroke. It wasn't the yips though, the

0:45:50.120 --> 0:45:56.000
<v Speaker 4>yips is, there's there's no bigger fear that is.

0:45:56.360 --> 0:45:56.880
<v Speaker 5>I've had that.

0:45:57.719 --> 0:46:01.080
<v Speaker 4>Have you ever had the yips with your driver? I've

0:46:01.080 --> 0:46:05.239
<v Speaker 4>had the yips with my driver before. And it's the

0:46:05.280 --> 0:46:08.799
<v Speaker 4>same thing. It's it's a it's a fear and and

0:46:11.360 --> 0:46:13.720
<v Speaker 4>that's a scary, scary place to be in. I can't

0:46:13.719 --> 0:46:18.320
<v Speaker 4>imagine a professional making a living to feed his family

0:46:18.360 --> 0:46:21.720
<v Speaker 4>and pay his mortgage and all that stuff playing golf

0:46:21.920 --> 0:46:22.759
<v Speaker 4>with the yips.

0:46:22.880 --> 0:46:26.000
<v Speaker 5>That's just insane.

0:46:27.520 --> 0:46:31.480
<v Speaker 3>On the subject of yips, up next, a deep dive

0:46:31.680 --> 0:46:36.720
<v Speaker 3>into the Lucas Glover story. You'll hear from Glover, his agent,

0:46:37.239 --> 0:46:41.040
<v Speaker 3>one of his best friends, a Navy seal, and several others,

0:46:41.320 --> 0:46:44.400
<v Speaker 3>including more from Sam Hun.

0:46:44.880 --> 0:46:48.840
<v Speaker 1>Lucas Glover crazy. Is it absolutely nuts?

0:46:48.840 --> 0:46:50.759
<v Speaker 6>I mean, there's there's nothing to say. I mean, it's

0:46:50.840 --> 0:46:55.359
<v Speaker 6>just there's there's nothing to say that hasn't been said

0:46:55.600 --> 0:46:58.680
<v Speaker 6>in you know that the tens of thousands of words

0:46:58.680 --> 0:47:00.239
<v Speaker 6>that have been written about him in the last couple

0:47:00.239 --> 0:47:05.200
<v Speaker 6>of weeks, and he deserves every one of them. I've

0:47:05.239 --> 0:47:08.359
<v Speaker 6>seen some remarkable turnarounds. I've never seen anything like that.

0:47:09.080 --> 0:47:13.880
<v Speaker 6>I've never seen anything like it, and it's so fucking validating.

0:47:29.480 --> 0:47:36.719
<v Speaker 1>Put another log on the fire. Nobody here is to

0:47:37.000 --> 0:47:37.680
<v Speaker 1>get the time