WEBVTT - The Gun Runner [8]

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<v Speaker 1>Welcome to the MLK Tapes, a production of I Heart

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<v Speaker 1>Radio and Tenderfoot TV. The views and opinions expressed in

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<v Speaker 1>this podcast are solely those of the podcast author for

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<v Speaker 1>individuals participating in the podcast, and do not represent those

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<v Speaker 1>of I Heart Media, Tenderfoot TV, or their employees. Listener

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<v Speaker 1>discretion is advised. After several hours of questioning and cross examining,

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<v Speaker 1>Ray told him that there was no such person as Raoul,

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<v Speaker 1>and he knew there was no such person as Raoul.

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<v Speaker 1>He admitted that and told me that he had to

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<v Speaker 1>invent in vent Rayoul, because that's fuck Hughie wanted. He

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<v Speaker 1>suggested something that implied that I had more acuity than Bradford,

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<v Speaker 1>Huey and Hayes. I asked him how you happened to

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<v Speaker 1>pick the name Raoul, and he said that was the

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<v Speaker 1>name of a operator of a party house that he

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<v Speaker 1>had held up, and he admitted there was no Raoul.

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<v Speaker 1>He laughed at Haines and Hewish, having accepted Rayoul's story.

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<v Speaker 1>That was Percy Foreman, former attorney for James Arl Ray,

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<v Speaker 1>telling the House Select Committee in ninety eight that Ray

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<v Speaker 1>had told him that the whole story about Raoul, giving

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<v Speaker 1>him money and moving him about the country was made up,

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<v Speaker 1>and that Ray had done this because the writer Bradford Huey,

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<v Speaker 1>who Ray had never met, had wanted him to do it.

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<v Speaker 1>According to Foreman, the reason that Ray told him this

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<v Speaker 1>but had never told anyone else, was that he respected

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<v Speaker 1>Foreman's intelligence, that he knew that Foreman would see through

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<v Speaker 1>his lie about Raoul, and according to Foreman, they had

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<v Speaker 1>a good laugh about it. Of course, it may have

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<v Speaker 1>been Foreman making up the story here, but if it

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<v Speaker 1>were rely on his part, it was a safe one

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<v Speaker 1>to tell, because at that time no one had found

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<v Speaker 1>the mysterious Raoul or even claimed to know of him.

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<v Speaker 1>I called the Union Hall, I said, a matter of

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<v Speaker 1>life and death. I said, I think these people are

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<v Speaker 1>planning to kill Dr King. The authorities were parade. Oh,

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<v Speaker 1>we found a gun that James ol Ray bought in

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<v Speaker 1>Birmingham that killed Dr King. Except it wasn't the gun

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<v Speaker 1>that killed Dr King. James Lvey was upon for the

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<v Speaker 1>official story from My Heart Radio, intended for TV. The

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<v Speaker 1>plan was to get King to the city because they

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<v Speaker 1>wanted it handled in Memphis for dead in them could

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<v Speaker 1>hand it. And I've lived with it so long. My Sirion,

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<v Speaker 1>and they they scared for me. The Lord told me

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<v Speaker 1>to not the word. I've been wanting to tell it

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<v Speaker 1>all my life. I'm Bill Claiburg and this is d

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<v Speaker 1>MLK tapes. As we heard in previous episodes, James Earl

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<v Speaker 1>Ray escaped from prison in nineteen sixty seven and a

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<v Speaker 1>year later found himself in Memphis on the day King

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<v Speaker 1>was killed. After he had been captured, he told his

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<v Speaker 1>attorneys and anyone else who would listen that he had

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<v Speaker 1>met a man in Canada named Raoul who had moved

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<v Speaker 1>him about the country and gave him money in exchange

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<v Speaker 1>for odd chores. But while most details in race story

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<v Speaker 1>proved to be true, for example, the restaurant where he worked,

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<v Speaker 1>or the woman with whom he had a brief affair,

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<v Speaker 1>no one was able to find Raoul, not a big

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<v Speaker 1>surprise because Ray never knew Raoul's last name, where he lived,

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<v Speaker 1>or even for Raoul was his real first name, and

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<v Speaker 1>Raoul most likely didn't want to be found. The official

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<v Speaker 1>explanation for how Ray financed his travels, and the one

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<v Speaker 1>embraced by the House Committee, was that instead of getting

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<v Speaker 1>money from the fictional Raoul, Ray robbed a bank or two,

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<v Speaker 1>and that if he had any help, it came from

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<v Speaker 1>his brothers John and Jerry. So for twenty five years,

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<v Speaker 1>no one had come up with a good lead as

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<v Speaker 1>to who them his serious Raoul might be, if he

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<v Speaker 1>had existed at all. But then after seeing the trial

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<v Speaker 1>on television, Roy and Glenna Grabo contacted John Billings and

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<v Speaker 1>Ken Herman, who were investigators working with Bill Pepper and

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<v Speaker 1>producer Jack Saltman on the HBO trial. We met with

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<v Speaker 1>a blended Grabow and rom. She first said, I mean

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<v Speaker 1>they they're almost Their openly statement was we know the ray,

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<v Speaker 1>but we don't know it's the Rays. And we listened

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<v Speaker 1>to her story about her early life in Houston, Texas

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<v Speaker 1>and the stories and her meeting and this mysterious Rayoul,

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<v Speaker 1>and and after it was over, when they left, I

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<v Speaker 1>was convinced that she was a government plan. That's my

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<v Speaker 1>disposity is that this is incredible story and it's just government.

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<v Speaker 1>They've sent somebody here to discredit us with the story.

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<v Speaker 1>And if we're gonna go chasing this Roman in depart

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<v Speaker 1>because we're telling over kids saslation sounds very scared. After

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<v Speaker 1>hearing Glenda's story, Herman and Billings brought it to Jack Saltman,

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<v Speaker 1>with whom they had begun work on a proposed movie

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<v Speaker 1>that would be about the murder of Dr. King. Saltman

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<v Speaker 1>also found Glenda's story hard to believe, as he explained

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<v Speaker 1>at the civil trial. She claimed that her friendship would Raoul,

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<v Speaker 1>had all taken place at you still, and his story

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<v Speaker 1>was so extraordinary that when I first heard it, I

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<v Speaker 1>had to say that I was profoundly scared. But yes,

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<v Speaker 1>we did go to Houston. Um. There was only parts

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<v Speaker 1>of the story that I could get corroberational. As a

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<v Speaker 1>parts of the story that I could corroborate. We're all

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<v Speaker 1>corroborated bits of the story. You turned out to the address,

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<v Speaker 1>and he leads you to then more credibility to the

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<v Speaker 1>rest of the story. So she gained an increduence. Can

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<v Speaker 1>I ask if they say one of this lady, a

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<v Speaker 1>very uneducated lady. She left to watch she was very young.

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<v Speaker 1>She had a reminous life of abuse when she was young.

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<v Speaker 1>By the time Bill Pepper had sat down with Glenda,

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<v Speaker 1>thirty five years had passed since she was first abused

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<v Speaker 1>by members of her family, but it was still a

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<v Speaker 1>hard story for her to tell. According to her husband Roy,

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<v Speaker 1>the abuse of Glenda, much of its sexual began when

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<v Speaker 1>she was eleven or twelve. When things became intolerable at home,

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<v Speaker 1>Glenda went to live with her aunt and uncle, but

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<v Speaker 1>things there became even worse. Late at night, Glenda's uncle

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<v Speaker 1>would come into her room. What's that is not? My

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<v Speaker 1>aunt knew that, but she didn't neventhing about it. And

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<v Speaker 1>I would babysit for kids, never night that never want

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<v Speaker 1>unique food, I'd say, the kids and and everything cleaned

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<v Speaker 1>the table off and made me throw at the trash.

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<v Speaker 1>I meant nothing to It's hard to understand the withholding

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<v Speaker 1>of food from a niece who was living with them.

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<v Speaker 1>Perhaps the aunt allowed herself to believe that Glenda was

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<v Speaker 1>somehow responsible for her husband's criminal conduct, and withholding food

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<v Speaker 1>was revenge or an attempt to drive the girl away.

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<v Speaker 1>Whatever it was, Glenda at age fourteen was in a

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<v Speaker 1>horrific situation. But after school she would walk past a

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<v Speaker 1>particular gas station and there would usually be this man

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<v Speaker 1>just hanging around every day, and he would be easy

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<v Speaker 1>to be sitting out over here drinking a coach or something.

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<v Speaker 1>Instead giving the tighter chips since step keep me going anyway.

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<v Speaker 1>Conversation and potato chips were a big draw for Glenda,

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<v Speaker 1>and she got to know this fellow who was called Dago.

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<v Speaker 1>She thought he was about thirty. He had dark hair

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<v Speaker 1>and spoke with something like a Spanish accent, and he

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<v Speaker 1>could never pronounce her name. He called her, oh, Linda.

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<v Speaker 1>Glenda never saw Dago pump gas at the station, but

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<v Speaker 1>he always seemed to be there. Someone else who encountered

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<v Speaker 1>Dago was Glenn, his little brother Royce. Here is what

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<v Speaker 1>Royce remembers about Daego, as portrayed by a voice actor.

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<v Speaker 1>There was a small gas station by a store my

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<v Speaker 1>sister and I would walk to, and he would see

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<v Speaker 1>us go by, and he would get in his car

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<v Speaker 1>and follow us. He used to follow my sister and

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<v Speaker 1>I around, you know, in his car. He was kind

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<v Speaker 1>of a dark complexed guy. I guess he talked Spanish

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<v Speaker 1>or some other you know. That's why he kind of

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<v Speaker 1>stood out to me, and and I was kind of

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<v Speaker 1>scared of him. But Glenda never had an unkind thing

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<v Speaker 1>to say about Daego during this time. At least, she

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<v Speaker 1>regarded him as a friend and saw him frequently that

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<v Speaker 1>first year, But the next year, when Glenda was fifteen,

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<v Speaker 1>she escaped her home life by marrying Roy Grabo. It

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<v Speaker 1>wasn't a great trade. Roy was in prison a lot

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<v Speaker 1>of the time, and when he was out he often

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<v Speaker 1>didn't come home at night. Here going forward are Roy

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<v Speaker 1>and Glenda Grabo, as portrayed by voice actors. I just

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<v Speaker 1>got to drinking. I wasn't holding the job too long,

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<v Speaker 1>but she pretty well went where she wanted to go.

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<v Speaker 1>I mean, I was doing what I wanted to do.

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<v Speaker 1>I guess I did. Anyway, I stayed drunk pretty good.

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<v Speaker 1>Glenda and Roy moved around a bit, but since Roy

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<v Speaker 1>was hardly there and not bringing money home, Glenda, as

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<v Speaker 1>Roy just said, went where she wanted to go. She

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<v Speaker 1>found some men who would pay for her attentions, and

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<v Speaker 1>that's how she kept her boat afloat. There was one

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<v Speaker 1>older man, maybe fifty five or sixty, who was particularly

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<v Speaker 1>fond of Glenda. This name was Tomorrow, though Glenda and

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<v Speaker 1>others called him Armando. He would look out for her

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<v Speaker 1>in small ways, and in return, she became his driver.

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<v Speaker 1>Where would they go down to the Houston Docks? What

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<v Speaker 1>would they get there? Stolen guns? And Roy Grabo apparently

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<v Speaker 1>knew and approved of Armando. He get her a run

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<v Speaker 1>down to the waterfront and carry boxes. They'd have boxes

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<v Speaker 1>coming off the ship or going on the ship, some

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<v Speaker 1>of the trunk and some of the back. There'll be

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<v Speaker 1>certain ones of them, you know, a certain guard on

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<v Speaker 1>the game. I have a picture of the guard, a

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<v Speaker 1>good one. You can see that. Make sure that certain

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<v Speaker 1>guard was there, and they could drive right through. Producer

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<v Speaker 1>Jack Saltman, who was investigating Glenda's story, described the arrangement

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<v Speaker 1>this way. Well, this is Grever told me that she

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<v Speaker 1>had actually as a driver for a morrow, and that

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<v Speaker 1>she had driven down to the dark Side in Eastern

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<v Speaker 1>and she did profriended us of the garden James and

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<v Speaker 1>only certain guards wrong duty. Did she then drive in

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<v Speaker 1>the bottom of the game of a certain busy David ship.

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<v Speaker 1>There were wooden boxes which she certainly be discovered contained

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<v Speaker 1>the several cousins. According to Glinda, the boxes of guns

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<v Speaker 1>would be brought to a rundown house in South Houston,

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<v Speaker 1>where they would be assembled. The house belonged to a

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<v Speaker 1>man named Felix Torino. They take the over to Felix's

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<v Speaker 1>and I'd go sit in the living room or else

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<v Speaker 1>I'll go in the kitchen Felix. Felix was always cooking.

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<v Speaker 1>A bunch of them would sit around and put them together.

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<v Speaker 1>They would snap them this and that. This was around

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<v Speaker 1>nineteen seventy five, and it was during this time that

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<v Speaker 1>Glenda arrived at the house with Armando to find Dago,

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<v Speaker 1>who she had only seen now and then in the

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<v Speaker 1>intervening years. He was sitting there with the rest of

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<v Speaker 1>the crew and acting like he was in charge. A

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<v Speaker 1>bigger surprise was that Armando turned out to be Dago's uncle,

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<v Speaker 1>and Daego's real name was Raoul. Glenda's connection with the

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<v Speaker 1>group continued to be Armando. He told Glenda that he

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<v Speaker 1>and Raoul had come from Portugal, which explained the accent

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<v Speaker 1>that sounded Spanish. Then, while driving around with her one day,

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<v Speaker 1>Armando told Glenda that Raoul had been involved in the

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<v Speaker 1>killing of Martin Luther King. This is Bill Pepper talking

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<v Speaker 1>to Glenda in Was it Armando that first told you

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<v Speaker 1>that he was involved, that Raoul was involved in the

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<v Speaker 1>in the King case? A minded tell me that I

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<v Speaker 1>couldn't believe it, You know, hadly what did Armando actually

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<v Speaker 1>say to you? Do you recall the Fando tell me

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<v Speaker 1>in a business of daylis with ye together sure bits

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<v Speaker 1>and pieces that you were starting to put together with

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<v Speaker 1>leading you to believe what that he had involvement or

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<v Speaker 1>that he was the actual killer. He was. He admitted

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<v Speaker 1>it later that he was killing. He was trying to

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<v Speaker 1>keep it from me what it was. He got a

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<v Speaker 1>man the mind of visit any mind of tewl made.

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<v Speaker 1>Glenda kept her car keys on a ring that also

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<v Speaker 1>had a miniature viewfinder which displayed three portraits John Kennedy,

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<v Speaker 1>Bobby Kennedy, and Martin Luther King. One day, Armando and

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<v Speaker 1>Glenda arrived at to Reno's house and the usual suspects

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<v Speaker 1>were sitting around the table playing cards. This is Glenda's

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<v Speaker 1>and Roy's account of what happened next, as portrayed by

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<v Speaker 1>voice actors. Well, just me and Armando came in, and

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<v Speaker 1>I had the viewfinder with me, had the car keys

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<v Speaker 1>hooked into it, and threw him a purse and the

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<v Speaker 1>keys on the table, and one of them looked at it,

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<v Speaker 1>and he threw it over to him. Yeah, and then

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<v Speaker 1>he looked through it and jumped backwards and the chair

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<v Speaker 1>hit the floor and he started stomping on the ground. Uh,

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<v Speaker 1>just keep going they're gonna be okay. Tell him, oh,

0:13:21.240 --> 0:13:24.120
<v Speaker 1>I don't cuss or nothing. Well, don't worry about it,

0:13:24.400 --> 0:13:27.480
<v Speaker 1>just say s O P or whatever. He just said,

0:13:27.760 --> 0:13:30.760
<v Speaker 1>I killed that s O B once, Do I have

0:13:30.840 --> 0:13:33.880
<v Speaker 1>to do it again? I never understood him saying it

0:13:33.920 --> 0:13:55.480
<v Speaker 1>that way, but that's the way they talked. The boy

0:13:55.520 --> 0:13:57.720
<v Speaker 1>that he had a fight with was a karate expert

0:13:58.040 --> 0:13:59.920
<v Speaker 1>and they got in a fight inside a bar over

0:14:00.000 --> 0:14:03.080
<v Speaker 1>a topless dancer. My brother kind of had a girlfriend

0:14:03.120 --> 0:14:05.920
<v Speaker 1>that was a topless dancer. At shy In Social Club

0:14:07.000 --> 0:14:11.040
<v Speaker 1>in night, Roy Grabow's younger brother got into a scrape.

0:14:11.559 --> 0:14:15.840
<v Speaker 1>It involved alcohol, guns and a girl. They had a

0:14:15.920 --> 0:14:20.240
<v Speaker 1>fight inside and the boy knew karate and all that stuff. Well,

0:14:20.280 --> 0:14:22.480
<v Speaker 1>a friend of my brothers had a gun. He gave

0:14:22.520 --> 0:14:24.400
<v Speaker 1>my brother a gun and my brother ran him out.

0:14:24.960 --> 0:14:27.040
<v Speaker 1>They broke the fight up inside. The owner of the

0:14:27.080 --> 0:14:29.200
<v Speaker 1>club he broke it up and run that boy off.

0:14:29.720 --> 0:14:32.720
<v Speaker 1>That boy stayed outside. About an hour later, my brother

0:14:32.720 --> 0:14:35.080
<v Speaker 1>went out and he had something in his hand. They

0:14:35.080 --> 0:14:37.280
<v Speaker 1>didn't know if it was a gun or what, but

0:14:37.600 --> 0:14:39.960
<v Speaker 1>they said he had a gun. Anyway, this other boy

0:14:39.960 --> 0:14:41.960
<v Speaker 1>gave my brother back the gun and my brother shot

0:14:42.040 --> 0:14:44.400
<v Speaker 1>him dead and they got him for murder and they

0:14:44.400 --> 0:14:48.080
<v Speaker 1>gave him eighty years. Roy and Glenda both felt that

0:14:48.200 --> 0:14:51.120
<v Speaker 1>Royce brother had gotten a raw deal and they decided

0:14:51.160 --> 0:14:54.120
<v Speaker 1>to do what they could. This was still in seventy

0:14:54.120 --> 0:14:56.520
<v Speaker 1>eight and they were living in Houston and had heard

0:14:56.720 --> 0:14:59.720
<v Speaker 1>that when it came to fighting a murder charge, Percy Foreman,

0:15:00.040 --> 0:15:02.560
<v Speaker 1>who was also in Houston, was the best there was.

0:15:03.440 --> 0:15:05.720
<v Speaker 1>So they called Foreman and asked if he would handle

0:15:05.760 --> 0:15:10.120
<v Speaker 1>the appeal. Here is Roy and Glenda. I called Percy

0:15:10.160 --> 0:15:12.680
<v Speaker 1>Foreman and he said he would handle it for five

0:15:12.720 --> 0:15:15.600
<v Speaker 1>thousand dollars, and he wants that five thousand dollars right

0:15:15.640 --> 0:15:18.560
<v Speaker 1>there before I leave, a look at you. Roy and

0:15:18.600 --> 0:15:21.640
<v Speaker 1>Glenda didn't have five thousand dollars, so they put a

0:15:21.640 --> 0:15:24.640
<v Speaker 1>mortgage on their house, and when they gave him the money,

0:15:24.800 --> 0:15:27.840
<v Speaker 1>Percy Foreman did look at Roy and Glenda, but mostly

0:15:27.880 --> 0:15:31.960
<v Speaker 1>at Glenda. Had a subsequent meeting, Foreman started to pester her,

0:15:32.280 --> 0:15:35.320
<v Speaker 1>asking Glenda if she would like to work for him.

0:15:35.400 --> 0:15:37.480
<v Speaker 1>I went up there, but he got mad, sort of

0:15:37.520 --> 0:15:39.920
<v Speaker 1>because I wanted to paint houses, or he wanted me

0:15:39.960 --> 0:15:42.280
<v Speaker 1>to stay right there. He was going to move his

0:15:42.320 --> 0:15:44.520
<v Speaker 1>office or something. He wanted me to get past the

0:15:44.600 --> 0:15:46.960
<v Speaker 1>secretary and out of the office or something while they

0:15:47.000 --> 0:15:48.920
<v Speaker 1>made their move when I don't understand what he was

0:15:48.920 --> 0:15:52.720
<v Speaker 1>talking about them. By the time producer Jack Saltman got

0:15:52.720 --> 0:15:55.280
<v Speaker 1>down to Texas and was looking in the Glendas story,

0:15:55.720 --> 0:16:00.080
<v Speaker 1>Percy Foreman had died, but Michael Degaron, Foreman's partner the

0:16:00.160 --> 0:16:03.600
<v Speaker 1>law firm, was still there. So Saltman took a shot

0:16:03.640 --> 0:16:06.160
<v Speaker 1>and asked to Garon if he had any recollection at

0:16:06.200 --> 0:16:10.280
<v Speaker 1>all of Glenda Grebo. Turns out he did. As Jack

0:16:10.320 --> 0:16:15.040
<v Speaker 1>Saltman describes, Mrs Grebo had said that she had told

0:16:15.040 --> 0:16:17.760
<v Speaker 1>me as part of her statement that her husband Roy

0:16:19.480 --> 0:16:22.800
<v Speaker 1>his brother, was on a birdy charge and that she

0:16:22.880 --> 0:16:26.520
<v Speaker 1>had been termed with Percy Thornan was the topman in

0:16:26.600 --> 0:16:31.080
<v Speaker 1>the business that had gone along to see it. She

0:16:31.280 --> 0:16:33.440
<v Speaker 1>said that he had said he would charge her five

0:16:33.480 --> 0:16:36.600
<v Speaker 1>thousand dollars, but that she would give her three thousand

0:16:36.640 --> 0:16:39.600
<v Speaker 1>dollars back if she went to work for them. She said,

0:16:39.640 --> 0:16:42.120
<v Speaker 1>I paid houses. What is that going to be? What

0:16:42.360 --> 0:16:45.040
<v Speaker 1>us is that going to be? Fro an attorney, He said,

0:16:45.040 --> 0:16:48.480
<v Speaker 1>what I want you to be? Some fire um. I

0:16:48.640 --> 0:16:51.360
<v Speaker 1>gathered the fighting was of the more sexual nature, and

0:16:52.000 --> 0:16:57.560
<v Speaker 1>this was Acknoledge fires instead Garren and that that's really

0:16:57.560 --> 0:17:00.720
<v Speaker 1>what she was asked to do. She ever got the money. So,

0:17:00.760 --> 0:17:04.359
<v Speaker 1>according to Foreman's partner Michael Degaron, Glenda did work of

0:17:04.440 --> 0:17:07.399
<v Speaker 1>some kind for Foreman, but she never got the money

0:17:07.440 --> 0:17:11.160
<v Speaker 1>she was promised. As we have seen before, not honoring

0:17:11.200 --> 0:17:15.000
<v Speaker 1>his promises was Foreman's standard way of doing business. But

0:17:15.119 --> 0:17:19.080
<v Speaker 1>he did give Glenda one thing. Mrs Grebo gave me.

0:17:19.320 --> 0:17:22.840
<v Speaker 1>It was a Cartrooto bestI Foreman, and he had inscribed

0:17:23.080 --> 0:17:27.520
<v Speaker 1>to her in his own handwriting. Saltman called it a cartoon,

0:17:27.760 --> 0:17:29.720
<v Speaker 1>but what he meant to say was that it was

0:17:29.760 --> 0:17:33.080
<v Speaker 1>a reproduction of a somewhat flattering line drawing a Foreman

0:17:33.560 --> 0:17:37.560
<v Speaker 1>on which he had written to Glenda, best wishes, Percy Foreman,

0:17:38.280 --> 0:17:41.840
<v Speaker 1>You're invited to check it out on our website. Michael

0:17:41.960 --> 0:17:47.720
<v Speaker 1>Garrett Hardy confirmed that that was posie of handwriting, and

0:17:47.800 --> 0:17:49.960
<v Speaker 1>then he was exactly the sort of thing that he did.

0:17:51.240 --> 0:17:54.480
<v Speaker 1>So Glenda Grebo ended up spending time around Foreman's office,

0:17:54.640 --> 0:17:58.200
<v Speaker 1>mostly cleaning and doing make work filing jobs. Bill Pepper

0:17:58.240 --> 0:18:01.520
<v Speaker 1>would ask Glenda if Foreman ever mentioned ray or the

0:18:01.600 --> 0:18:04.959
<v Speaker 1>King case, But we didn't even know it was his lawyer.

0:18:05.080 --> 0:18:07.879
<v Speaker 1>We had no idea. We'd seen things in his office,

0:18:08.000 --> 0:18:10.080
<v Speaker 1>you know, little things that were about Ray, and we

0:18:10.119 --> 0:18:12.320
<v Speaker 1>didn't pay much attention to it, and I didn't know

0:18:12.400 --> 0:18:15.600
<v Speaker 1>he was raised lawyer. But at some point when they

0:18:15.600 --> 0:18:18.359
<v Speaker 1>were alone, Foreman felt a need to tell Glenda what

0:18:18.440 --> 0:18:21.840
<v Speaker 1>an important man he was. He told her that he

0:18:21.880 --> 0:18:24.439
<v Speaker 1>was the lawyer and the king case, the lawyer for

0:18:24.520 --> 0:18:28.560
<v Speaker 1>the infamous James Earl Ray. Then he said something else,

0:18:29.480 --> 0:18:32.120
<v Speaker 1>something about that all white people is going to thank

0:18:32.240 --> 0:18:36.880
<v Speaker 1>Ray someday for being sacrificed, for being the sacrifice for us.

0:18:37.760 --> 0:18:41.760
<v Speaker 1>Pepper then asked Glenda what Foreman said about Ray, something

0:18:41.800 --> 0:18:44.000
<v Speaker 1>about his brother sold him up the river, or something like,

0:18:44.440 --> 0:18:46.960
<v Speaker 1>I don't understand we're talking about, but I remember that part.

0:18:48.200 --> 0:18:51.679
<v Speaker 1>Until this point, Glenda is the Foreman a plaything of

0:18:51.720 --> 0:18:55.600
<v Speaker 1>no consequence because he doesn't know what she knows about

0:18:55.680 --> 0:18:58.280
<v Speaker 1>Raoul and what Raoul said he did and what his

0:18:58.359 --> 0:19:02.440
<v Speaker 1>uncle Morrow said he did. But then Glenda makes a mistake.

0:19:03.320 --> 0:19:06.680
<v Speaker 1>She thinks, because Foreman is a lawyer and already involved

0:19:06.680 --> 0:19:09.640
<v Speaker 1>in the case, an educated man up presumed the good

0:19:09.720 --> 0:19:14.720
<v Speaker 1>character that he is someone she can talk to. I figured, well,

0:19:14.760 --> 0:19:17.359
<v Speaker 1>I found somebody that knows something about this. I'm going

0:19:17.400 --> 0:19:19.920
<v Speaker 1>to tell him about it, you know. But I went

0:19:19.960 --> 0:19:23.639
<v Speaker 1>to the wrong person. I think. Glenda then told Percy

0:19:23.720 --> 0:19:27.240
<v Speaker 1>Foreman about how she knew Raoul and how she thought

0:19:27.400 --> 0:19:31.080
<v Speaker 1>he had been involved. I thought I was talking to somebody,

0:19:31.119 --> 0:19:34.639
<v Speaker 1>you know, somebody with authority, just talk about it. I

0:19:34.680 --> 0:19:37.600
<v Speaker 1>had no idea he was this liar. I didn't know

0:19:37.600 --> 0:19:40.280
<v Speaker 1>what was going on or nothing. I just just didn't

0:19:40.280 --> 0:19:45.760
<v Speaker 1>know where to turn. So Glinda tells Foreman about Raoul.

0:19:46.440 --> 0:19:50.560
<v Speaker 1>Foreman is surprised and deeply disturbed. Just a few months before,

0:19:50.760 --> 0:19:53.560
<v Speaker 1>he testified before the House Select Committee and been caught

0:19:53.560 --> 0:19:56.400
<v Speaker 1>in a number of outright lies about how he entered

0:19:56.440 --> 0:19:58.680
<v Speaker 1>the case and what he did and didn't do for Ray,

0:19:58.960 --> 0:20:02.760
<v Speaker 1>about hiring loss students to do investigative work and lying

0:20:02.800 --> 0:20:05.639
<v Speaker 1>under oath to a congressional committee could have cost him

0:20:05.680 --> 0:20:08.960
<v Speaker 1>his license, but since Foreman was on the Ray did

0:20:08.960 --> 0:20:11.879
<v Speaker 1>It Alone team, he got off with only a scolding,

0:20:12.240 --> 0:20:15.360
<v Speaker 1>and nobody challenged him about his dubious story about Ray

0:20:15.400 --> 0:20:18.120
<v Speaker 1>telling him and only him that Raoul was a made

0:20:18.160 --> 0:20:22.199
<v Speaker 1>up guy. But now suddenly Foreman had working in his

0:20:22.320 --> 0:20:25.399
<v Speaker 1>very office a woman who might blow his whole world apart,

0:20:26.200 --> 0:20:29.560
<v Speaker 1>and this is where the story gets really weird, because

0:20:29.600 --> 0:20:33.359
<v Speaker 1>Percy Foreman, former attorney for James ol Ray, appears to

0:20:33.440 --> 0:20:37.719
<v Speaker 1>know the elusive Raoul. As Jack Saltman describes the situation

0:20:38.680 --> 0:20:41.159
<v Speaker 1>when she told Raoul cooking to his story, when she

0:20:41.240 --> 0:20:45.800
<v Speaker 1>told Raoul that she was working to Percy Foreman, he

0:20:45.960 --> 0:20:48.960
<v Speaker 1>apparently lost his temper and there was curious word between

0:20:49.320 --> 0:20:53.840
<v Speaker 1>him and pressing forward. Foreman then allegedly ranging up and

0:20:54.760 --> 0:20:58.480
<v Speaker 1>so your life is in danger. There are no witnesses

0:20:58.560 --> 0:21:02.160
<v Speaker 1>to this conversation, but apparently the two men exchanged heated

0:21:02.200 --> 0:21:05.879
<v Speaker 1>words on the phone. Raoul, we might guess, is furious

0:21:05.920 --> 0:21:08.840
<v Speaker 1>that Foreman has for his own pleasure taking Glenda on

0:21:09.040 --> 0:21:12.399
<v Speaker 1>as part time office help, and Foreman most likely is

0:21:12.480 --> 0:21:15.800
<v Speaker 1>angry that Raoul and his friends have told Glenda thinks

0:21:15.840 --> 0:21:18.760
<v Speaker 1>that she should not know. The danger for each man

0:21:18.920 --> 0:21:21.399
<v Speaker 1>is real and it can be measured in words, because

0:21:21.440 --> 0:21:24.440
<v Speaker 1>the next time Foreman sees Glenda, he tells her that

0:21:24.480 --> 0:21:27.399
<v Speaker 1>she must leave town or be killed because of what

0:21:27.520 --> 0:21:30.800
<v Speaker 1>she knows. Maybe by telling her this he was just

0:21:30.880 --> 0:21:33.919
<v Speaker 1>trying to save her life. More likely, he has his

0:21:33.960 --> 0:21:37.399
<v Speaker 1>own interests in mind. Perhaps he fears a violent encounter

0:21:37.440 --> 0:21:40.840
<v Speaker 1>between Roy and Raoul, or a botched murder attempt that

0:21:40.920 --> 0:21:43.959
<v Speaker 1>drives Glenda to the police, better to just have her

0:21:44.040 --> 0:21:47.000
<v Speaker 1>leave if he can get her to go. You got

0:21:47.000 --> 0:21:49.640
<v Speaker 1>to get out of town or something. And then he said,

0:21:49.680 --> 0:21:51.359
<v Speaker 1>he talked to Raoul, but I don't know if he

0:21:51.400 --> 0:21:53.400
<v Speaker 1>came up there, talked to him on the phone or what.

0:21:53.960 --> 0:21:56.520
<v Speaker 1>He kind of sort of threatened me. He sort of

0:21:56.560 --> 0:21:59.040
<v Speaker 1>put it like, he gotta get out of town or

0:21:59.119 --> 0:22:06.440
<v Speaker 1>you ain't even gonna here. From what Glenda could understand,

0:22:06.640 --> 0:22:10.320
<v Speaker 1>Percy Foreman and Raoul seemed to know each other. Foreman

0:22:10.440 --> 0:22:13.800
<v Speaker 1>was a criminal defense attorney. He might have represented Raoul

0:22:14.000 --> 0:22:16.040
<v Speaker 1>or some of his cohorts when they got into trouble,

0:22:16.400 --> 0:22:19.440
<v Speaker 1>because defending criminals is what Foreman did for a living.

0:22:20.000 --> 0:22:22.879
<v Speaker 1>Knowing his way around and being on friendly speaking turns

0:22:22.880 --> 0:22:26.480
<v Speaker 1>with local hoodlums was good business. Did Foreman know of

0:22:26.600 --> 0:22:30.680
<v Speaker 1>Raoul before the King murder? That would be utterly outrageous,

0:22:30.920 --> 0:22:33.760
<v Speaker 1>but he may have. He certainly seemed to know him

0:22:33.840 --> 0:22:37.000
<v Speaker 1>or know of him after the murder. In any case,

0:22:37.040 --> 0:22:39.919
<v Speaker 1>Glenda and Roy took the thread at face value and

0:22:40.040 --> 0:22:42.480
<v Speaker 1>moved as fast as they could. But there was a

0:22:42.520 --> 0:22:46.080
<v Speaker 1>house to sell. So it didn't happen right away. One day,

0:22:46.080 --> 0:22:49.120
<v Speaker 1>Glenda was alone in her car. I just come back

0:22:49.119 --> 0:22:51.880
<v Speaker 1>from Cols and I hit the freeway. The wheel come off,

0:22:52.680 --> 0:22:54.840
<v Speaker 1>and the semi truck was right on my tail. I've

0:22:54.880 --> 0:22:57.480
<v Speaker 1>looked in my rearview mirror. I said, oh God, here

0:22:57.520 --> 0:23:00.240
<v Speaker 1>I go. I knew I was dead rat. Then it

0:23:00.400 --> 0:23:03.919
<v Speaker 1>just served out of the way, just in time. Pepper

0:23:03.960 --> 0:23:06.000
<v Speaker 1>then asked if they thought that someone had loosened the

0:23:06.080 --> 0:23:08.480
<v Speaker 1>lux and there was no doubt at all in Roy

0:23:08.520 --> 0:23:12.040
<v Speaker 1>Grabo's mind. It had to be. It had to be.

0:23:13.240 --> 0:23:16.800
<v Speaker 1>Roy and Glenda Grabo moved from Texas to Mississippi sometime

0:23:16.840 --> 0:23:20.600
<v Speaker 1>in nineteen nine, and they never heard from Percy Foreman again.

0:23:21.359 --> 0:23:25.880
<v Speaker 1>But then they saw something on TV. It was called

0:23:26.119 --> 0:23:47.720
<v Speaker 1>the Trial of James Earl. Ray King met with Glenda

0:23:47.840 --> 0:23:53.080
<v Speaker 1>and Loriy Bravo and listened to with Glenda and say, uh,

0:23:53.480 --> 0:23:57.400
<v Speaker 1>Paul hearing her safe when he got into wonder, I founded.

0:23:57.680 --> 0:24:00.040
<v Speaker 1>I didn't necessarily believe. I thought this was to do

0:24:01.480 --> 0:24:05.240
<v Speaker 1>too incredible. We were back with John Billings, as he

0:24:05.320 --> 0:24:08.280
<v Speaker 1>describes meeting Glenda and Roy Graybow because we were going

0:24:08.320 --> 0:24:12.760
<v Speaker 1>to follow this story down another road. Billings fellow investigator

0:24:12.800 --> 0:24:16.680
<v Speaker 1>Ken Herman and TV producer Jack Saltman, all Harvard big

0:24:16.720 --> 0:24:20.200
<v Speaker 1>doubts about Glenda's story, but they decided to look into it.

0:24:20.920 --> 0:24:24.240
<v Speaker 1>But where is start? We didn't know quite you to

0:24:24.280 --> 0:24:28.240
<v Speaker 1>talk to. So what we did was, I have handsome

0:24:28.320 --> 0:24:32.040
<v Speaker 1>contacts in Miami, New York. I've met a number of

0:24:32.040 --> 0:24:35.840
<v Speaker 1>people who quiney influential what I'm saying in underworld or

0:24:36.320 --> 0:24:41.040
<v Speaker 1>call and I had called back, call them the real help.

0:24:41.160 --> 0:24:45.480
<v Speaker 1>And they contacted a a bind coming called Las Vegas

0:24:45.520 --> 0:24:49.399
<v Speaker 1>Bond Comty in Houston. It was ran a large black

0:24:49.440 --> 0:24:53.119
<v Speaker 1>female was about six ft two and captain machine gun

0:24:53.280 --> 0:24:57.919
<v Speaker 1>art as interesting. Herman and Saltman flew to Houston and

0:24:57.920 --> 0:25:00.040
<v Speaker 1>paid a visit to the Las Vegas Bond comp and

0:25:00.440 --> 0:25:03.520
<v Speaker 1>the black woman with the machine gun. They told her

0:25:03.560 --> 0:25:05.639
<v Speaker 1>who they were looking for, but she said that she

0:25:05.680 --> 0:25:08.560
<v Speaker 1>had never heard of this guy, Raoul, but she offered

0:25:08.600 --> 0:25:11.439
<v Speaker 1>the names of two people who might have One was

0:25:11.480 --> 0:25:13.720
<v Speaker 1>a retired state judge and the other owned a string

0:25:13.760 --> 0:25:17.440
<v Speaker 1>of movie theaters. So Herman and Saltman found the judge

0:25:17.440 --> 0:25:20.400
<v Speaker 1>and sat down with him. He said he never met Raoul,

0:25:20.760 --> 0:25:22.640
<v Speaker 1>but he had heard of a guy by that name

0:25:22.640 --> 0:25:25.879
<v Speaker 1>who had a gun running operation on the Houston Docks.

0:25:25.920 --> 0:25:27.919
<v Speaker 1>Not a lot to go on, but it was something.

0:25:28.880 --> 0:25:31.399
<v Speaker 1>Then there was the theater guy. They found him and

0:25:31.400 --> 0:25:34.640
<v Speaker 1>he said right away that he knew Glenda. Here's billings.

0:25:35.720 --> 0:25:38.000
<v Speaker 1>They asked him if he had any pictures a ring laugh,

0:25:38.080 --> 0:25:40.920
<v Speaker 1>he said, I've got lots of pictures of Blen. He said,

0:25:40.920 --> 0:25:44.159
<v Speaker 1>I keeping under my band, and he went produced some

0:25:44.280 --> 0:25:47.320
<v Speaker 1>young pictures, not sque to pictures from very young pictures

0:25:47.359 --> 0:25:51.560
<v Speaker 1>for a plum, very trashic girl and talked about he's

0:25:51.600 --> 0:25:54.640
<v Speaker 1>in canters. Whether ye know she didn't, yes. He verified

0:25:54.720 --> 0:25:56.879
<v Speaker 1>what she was saying about running in this group of

0:25:57.000 --> 0:25:59.840
<v Speaker 1>gun runners and serious people and using the theaters, and

0:26:00.160 --> 0:26:06.320
<v Speaker 1>then and again story ending up, but no one they

0:26:06.359 --> 0:26:11.600
<v Speaker 1>talked to new Raoul's last name Tomorrow. Raoul's uncle spent

0:26:11.680 --> 0:26:14.080
<v Speaker 1>much more time with Glenda and Roy, and no one

0:26:14.160 --> 0:26:17.000
<v Speaker 1>knew his last name either, But he had led on

0:26:17.080 --> 0:26:18.959
<v Speaker 1>that he was a former seaman and he had some

0:26:19.000 --> 0:26:22.440
<v Speaker 1>sort of maritime card and occasionally received payments of some kind.

0:26:23.280 --> 0:26:25.720
<v Speaker 1>So Herman and Saltman paid a visit to the offices

0:26:25.760 --> 0:26:29.720
<v Speaker 1>of the Maritime Union. They presented an unusual first name

0:26:30.280 --> 0:26:32.760
<v Speaker 1>and wondered if someone will look through the files to

0:26:32.800 --> 0:26:34.879
<v Speaker 1>see if there was a person in the Union with

0:26:35.000 --> 0:26:38.080
<v Speaker 1>that name. Usually the answer would have been no, they

0:26:38.080 --> 0:26:41.359
<v Speaker 1>don't give out this kind of information. But Saltman said

0:26:41.560 --> 0:26:44.560
<v Speaker 1>that it was a matter of utmost importance. They were

0:26:44.600 --> 0:26:49.240
<v Speaker 1>making a movie. Jack kind of bossed them into wod

0:26:49.240 --> 0:26:52.719
<v Speaker 1>out as BBC predictions and we're making a movie, and

0:26:53.040 --> 0:26:58.119
<v Speaker 1>they gave him the informations that we had. We had

0:26:58.119 --> 0:27:01.280
<v Speaker 1>the name with the real last name, and the help

0:27:01.320 --> 0:27:04.320
<v Speaker 1>of a Memphis police sergeant, the team came to possess

0:27:04.359 --> 0:27:08.359
<v Speaker 1>a copy of Raoul Quelo's naturalization record. It said that

0:27:08.440 --> 0:27:11.679
<v Speaker 1>Kuelo was born in July of nineteen thirty four and

0:27:11.720 --> 0:27:13.560
<v Speaker 1>that he had first come to the United States in

0:27:13.640 --> 0:27:17.720
<v Speaker 1>nineteen sixty one. He was naturalized in nineteen sixty seven.

0:27:18.320 --> 0:27:22.760
<v Speaker 1>Saltman was elated what we had also discovered that the

0:27:22.920 --> 0:27:25.960
<v Speaker 1>same Rowl that we had met, and we see his

0:27:26.080 --> 0:27:30.840
<v Speaker 1>naturalization papers. Among his papers of his application, we knew

0:27:30.880 --> 0:27:36.960
<v Speaker 1>that he had been working in alongment factory Importugal Invisibeth, Capital, Portugal,

0:27:37.119 --> 0:27:41.720
<v Speaker 1>prior to see in the American naturalization and I believe

0:27:41.800 --> 0:27:45.440
<v Speaker 1>there was an EMBI note on the papers that suggested

0:27:45.480 --> 0:27:48.080
<v Speaker 1>he was known that he had been seting assembled guns

0:27:48.080 --> 0:27:55.520
<v Speaker 1>out of Portugal at this time. But then the big prize, Well,

0:27:55.760 --> 0:27:58.879
<v Speaker 1>we obtend a photograph that I believe was one on

0:27:58.960 --> 0:28:05.439
<v Speaker 1>his naturalization papers, so that would have been uto um

0:28:05.800 --> 0:28:08.560
<v Speaker 1>having O taking the immigration photograph. What we then did

0:28:09.160 --> 0:28:12.920
<v Speaker 1>was we've got five of the similar type graphs. We

0:28:13.040 --> 0:28:16.800
<v Speaker 1>made a spread of six phetographs, which was a sort

0:28:16.800 --> 0:28:23.480
<v Speaker 1>of thing to recent situation. So once they had the

0:28:23.520 --> 0:28:27.560
<v Speaker 1>official photo of Raoul Kaelo, Saltman thought to construct a

0:28:27.600 --> 0:28:31.119
<v Speaker 1>six photo lineup or display using photos of men of

0:28:31.160 --> 0:28:34.880
<v Speaker 1>similar age, and to use that display to see who

0:28:34.920 --> 0:28:38.480
<v Speaker 1>else might recognize this man and what person more important

0:28:38.480 --> 0:28:41.719
<v Speaker 1>to show it to than James Earl Ray. And as

0:28:41.800 --> 0:28:45.360
<v Speaker 1>John Buildings explains, he was visiting Ray quite often at

0:28:45.400 --> 0:28:51.920
<v Speaker 1>that time. We discussed shot and UH excided when he

0:28:51.960 --> 0:28:56.280
<v Speaker 1>had let see So we went to a r head

0:28:56.280 --> 0:29:00.280
<v Speaker 1>in prison and never James and said tame on in

0:29:00.360 --> 0:29:03.479
<v Speaker 1>granto James, and I told her he had a picture

0:29:03.600 --> 0:29:08.040
<v Speaker 1>photo and he seems so surprised, and I asked him

0:29:08.160 --> 0:29:10.920
<v Speaker 1>he would I attempt to pick out whole in his

0:29:11.320 --> 0:29:15.600
<v Speaker 1>photo spread. He said that he would, so we put

0:29:15.640 --> 0:29:18.440
<v Speaker 1>this before you know, James put on his glasses and

0:29:19.320 --> 0:29:23.240
<v Speaker 1>Benner two. She studied the picture very careful, and as

0:29:23.280 --> 0:29:24.760
<v Speaker 1>he studied and he looked down at him and he

0:29:24.880 --> 0:29:28.760
<v Speaker 1>just kind of dropped his finger down said that's bottle

0:29:29.840 --> 0:29:33.960
<v Speaker 1>And he said you possibly just He said, yes, I am.

0:29:34.000 --> 0:29:38.240
<v Speaker 1>And then Ray said something unexpected. He said, I've seen

0:29:38.240 --> 0:29:41.720
<v Speaker 1>this picture before, and I have seen this, so we

0:29:41.800 --> 0:29:43.960
<v Speaker 1>mean you've seen this picture before, you know, I think

0:29:43.960 --> 0:29:47.400
<v Speaker 1>Hoppy can see this because and he said that during

0:29:47.480 --> 0:29:51.640
<v Speaker 1>the Blue Quote House assassinations to me that someone had

0:29:51.720 --> 0:29:56.400
<v Speaker 1>mailed him in no return addressed picture and it was

0:29:56.440 --> 0:29:59.400
<v Speaker 1>this picture and it had a name on the backup

0:29:59.760 --> 0:30:02.760
<v Speaker 1>and he could remember the Lane. And I asked him,

0:30:02.800 --> 0:30:05.520
<v Speaker 1>We asked him he did anyone ever about this? He

0:30:05.560 --> 0:30:08.080
<v Speaker 1>said no, no one could have Benifiest, that can anybody else?

0:30:08.200 --> 0:30:11.800
<v Speaker 1>Or see said all my attorney, uh say Lee label

0:30:11.840 --> 0:30:14.640
<v Speaker 1>first and we also are working in his behalf and

0:30:14.800 --> 0:30:19.320
<v Speaker 1>seen it. After Billings reported what Ray had said, Saltman

0:30:19.360 --> 0:30:21.800
<v Speaker 1>set up a meeting with April Ferguson, who, along with

0:30:21.840 --> 0:30:24.600
<v Speaker 1>Mark Lane, had represented James ol Ray during the House

0:30:24.600 --> 0:30:28.040
<v Speaker 1>Committee hearings. He left the photo out on a table

0:30:28.080 --> 0:30:31.960
<v Speaker 1>with other material, but when Ferguson passed by she stopped

0:30:32.080 --> 0:30:34.880
<v Speaker 1>and picked it up. She picked the photo draft out

0:30:35.440 --> 0:30:40.600
<v Speaker 1>and said, I saw the photograph. I was absolutely a

0:30:40.680 --> 0:30:44.000
<v Speaker 1>fault because he was a direct actor to get the

0:30:44.000 --> 0:30:48.520
<v Speaker 1>photograph intress. Because it wasn't just anywhere, this was very specificity.

0:30:49.960 --> 0:30:54.040
<v Speaker 1>And I said what happened and she said, well, there

0:30:54.120 --> 0:30:57.520
<v Speaker 1>wasn't name grit of the back of the checked that

0:30:57.680 --> 0:31:00.280
<v Speaker 1>out and he turned out to be a placement to

0:31:00.320 --> 0:31:02.880
<v Speaker 1>the Phone group. And I said, when did you intersue

0:31:03.520 --> 0:31:06.640
<v Speaker 1>pedograph at all? She'd be cham pangra Hi. I think

0:31:06.640 --> 0:31:10.440
<v Speaker 1>the house investigators who were looking into the house as

0:31:10.440 --> 0:31:13.560
<v Speaker 1>susinations committee. The investigation was going on at that time,

0:31:14.200 --> 0:31:16.840
<v Speaker 1>and she said she was shown the pedograph him one

0:31:16.880 --> 0:31:19.560
<v Speaker 1>of the investigators. They haven't talk you to the office.

0:31:19.880 --> 0:31:21.920
<v Speaker 1>And I said did you pursue it? And she said

0:31:21.960 --> 0:31:24.040
<v Speaker 1>that top. We have no money in packing us at all.

0:31:25.200 --> 0:31:27.800
<v Speaker 1>Everybody offulys notices to pay and we just did not

0:31:27.920 --> 0:31:30.960
<v Speaker 1>have the money to hire five investigators to go checking.

0:31:31.120 --> 0:31:38.440
<v Speaker 1>So now, with all the information now discovered about Raoul Kawelo,

0:31:38.840 --> 0:31:41.160
<v Speaker 1>it was easy enough to trace the man or someone

0:31:41.240 --> 0:31:44.000
<v Speaker 1>using that identity to a home in Yonkers, New York.

0:31:44.720 --> 0:31:46.920
<v Speaker 1>But was the man living there with his wife and

0:31:47.000 --> 0:31:50.160
<v Speaker 1>daughter the same raoul who came over from Portugal in

0:31:50.280 --> 0:31:53.960
<v Speaker 1>nineteen sixty one. Was he the Dago that Glenda had known?

0:31:54.840 --> 0:31:57.160
<v Speaker 1>Was he the raoul that Percy Foreman seemed to know?

0:31:57.320 --> 0:32:00.320
<v Speaker 1>And most of all, was he the raoul who led

0:32:00.400 --> 0:32:03.720
<v Speaker 1>James ol Ray into Memphis. There were a few attempts

0:32:03.720 --> 0:32:06.760
<v Speaker 1>to answer these questions. One was simply to knock on

0:32:06.800 --> 0:32:09.880
<v Speaker 1>his door and talk to the man. This is Jack Saltman.

0:32:11.120 --> 0:32:13.960
<v Speaker 1>Some months later I went around to his house in

0:32:14.480 --> 0:32:20.360
<v Speaker 1>New York City, and not on the door. M the door,

0:32:20.600 --> 0:32:25.320
<v Speaker 1>if I can explain, was there was a gos iron

0:32:25.880 --> 0:32:28.120
<v Speaker 1>grill type door, and then there was a sort of

0:32:28.160 --> 0:32:32.479
<v Speaker 1>mesh class doors mention oject. They can obviously see how

0:32:32.720 --> 0:32:34.920
<v Speaker 1>we liked to see the sort of dark interior of

0:32:34.960 --> 0:32:40.040
<v Speaker 1>the house with shapes that It was apparently the wife

0:32:40.040 --> 0:32:43.320
<v Speaker 1>who first came to the door, but she didn't open it. Instead,

0:32:43.560 --> 0:32:46.200
<v Speaker 1>she threw at Saltman what he was pretty sure were

0:32:46.240 --> 0:32:49.800
<v Speaker 1>curses in Portuguese. She was then replaced by someone he

0:32:49.840 --> 0:32:53.280
<v Speaker 1>assumed was the daughter. She's spoken perfect English and asked

0:32:53.320 --> 0:32:55.440
<v Speaker 1>him what he wanted and what he please go away.

0:32:56.320 --> 0:32:59.080
<v Speaker 1>Saltman said that he was an English journalist, and that

0:32:59.200 --> 0:33:01.480
<v Speaker 1>he had heard certain allegations made about her father and

0:33:01.520 --> 0:33:04.200
<v Speaker 1>he wanted to sit down with him and talk. She

0:33:04.320 --> 0:33:08.920
<v Speaker 1>replied her father was indisposed. Then I said, would you

0:33:08.920 --> 0:33:11.600
<v Speaker 1>help look at this photograph? In confirms to all worstless

0:33:11.600 --> 0:33:16.680
<v Speaker 1>effect that the photographs her father. And she said something

0:33:16.760 --> 0:33:21.720
<v Speaker 1>to the effect that anybody could get nationalization photograph, and

0:33:22.080 --> 0:33:23.760
<v Speaker 1>if I could get that, then I could get all

0:33:23.760 --> 0:33:26.040
<v Speaker 1>the other answers to what I was chasing anywhere and

0:33:26.080 --> 0:33:29.840
<v Speaker 1>not something to that change. She'd been no noble for

0:33:30.040 --> 0:33:33.200
<v Speaker 1>that she had positively identified. I didn't show the spread.

0:33:33.240 --> 0:33:36.120
<v Speaker 1>I showed an enloyement of that favor. Actually, you just

0:33:36.280 --> 0:33:39.240
<v Speaker 1>showed her single vote. Yes, there's no want to ask

0:33:39.280 --> 0:33:41.280
<v Speaker 1>for it because of father, because I never believe that

0:33:41.400 --> 0:33:47.320
<v Speaker 1>was her father. So Saltman left Raoul's house believing he

0:33:47.400 --> 0:33:50.480
<v Speaker 1>had gotten a positive idea from Raoul's daughter by way

0:33:50.520 --> 0:33:52.480
<v Speaker 1>of the photo he had shown her through the door.

0:33:53.360 --> 0:33:57.320
<v Speaker 1>Not exactly conclusive, but Saltman had another idea. He gave

0:33:57.400 --> 0:34:01.200
<v Speaker 1>Glenda Grabow Raoul's phone number and asked her to call him.

0:34:01.880 --> 0:34:04.800
<v Speaker 1>She did, and, according to phone records, she had a

0:34:04.840 --> 0:34:09.600
<v Speaker 1>conversation of several minutes with Raoul. According to Glenda, Raoul

0:34:09.719 --> 0:34:12.279
<v Speaker 1>seemed happy enough to hear from her, as though nothing

0:34:12.320 --> 0:34:15.840
<v Speaker 1>bad had ever happened between them. Roy Grabow was present

0:34:15.960 --> 0:34:18.840
<v Speaker 1>during this phone call, and he testified at the civil

0:34:18.920 --> 0:34:21.920
<v Speaker 1>trial that from what he heard, Glenda was speaking to

0:34:22.040 --> 0:34:25.680
<v Speaker 1>someone she knew and who knew her. But when Glenda

0:34:25.760 --> 0:34:28.880
<v Speaker 1>described the conversation to Bill Pepper, he wanted to know

0:34:29.080 --> 0:34:33.520
<v Speaker 1>one thing. How did Raoul on the telephone pronounce her name?

0:34:34.239 --> 0:34:40.640
<v Speaker 1>Glenda replied, Golenda, Olenda down down, Tolenda Linda rather than

0:34:40.719 --> 0:34:50.160
<v Speaker 1>Glendas name. As you may recall, oh Linda was how

0:34:50.239 --> 0:34:53.800
<v Speaker 1>Dago pronounced Glenda's name in Houston. At this point, it

0:34:53.880 --> 0:34:56.160
<v Speaker 1>would appear that Pepper was well on his way to

0:34:56.320 --> 0:34:59.840
<v Speaker 1>establishing that the Yonkers Raoul was the Houston Raoul that

0:35:00.000 --> 0:35:03.000
<v Speaker 1>both Glenda and Percy Foreman new, and the Raoul who

0:35:03.120 --> 0:35:06.120
<v Speaker 1>Ray had identified by way of his photo, But how

0:35:06.160 --> 0:35:08.600
<v Speaker 1>to prove it, how to put it all on record?

0:35:09.480 --> 0:35:12.160
<v Speaker 1>At that time, Pepper was putting together the civil suit

0:35:12.440 --> 0:35:15.000
<v Speaker 1>on behalf of credit Scott King and her family, So

0:35:15.120 --> 0:35:18.400
<v Speaker 1>we decided to subpoena Raoul Kuolo to see if he

0:35:18.440 --> 0:35:22.440
<v Speaker 1>could get him to testify under oath. But Quelo declined

0:35:22.480 --> 0:35:25.080
<v Speaker 1>to appear, and he didn't have to because he lived

0:35:25.120 --> 0:35:27.360
<v Speaker 1>in New York and this was a civil matter in Tennessee.

0:35:28.080 --> 0:35:30.520
<v Speaker 1>The defenders of the Yonkers Raoul say the whole thing

0:35:30.600 --> 0:35:34.040
<v Speaker 1>was a case of mistaken identity, and according to his lawyers,

0:35:34.320 --> 0:35:37.440
<v Speaker 1>Raoul Kuelo had documents which said he was working at

0:35:37.440 --> 0:35:40.440
<v Speaker 1>a General Motors plant in Tarrytown, New York from nineteen

0:35:40.560 --> 0:35:45.120
<v Speaker 1>sixty two till nine two. In contrast, Glenda gray Bows

0:35:45.120 --> 0:35:49.080
<v Speaker 1>story seems moth eaten, filled with holes and sketchy people.

0:35:53.160 --> 0:35:56.480
<v Speaker 1>But however, sketchy Glenda's story does have a trail, and

0:35:56.600 --> 0:35:59.400
<v Speaker 1>by following the clues on that trail, Herman and Saltman

0:35:59.440 --> 0:36:03.759
<v Speaker 1>discover Raoul's last name, his naturalization papers, and then the

0:36:03.840 --> 0:36:06.759
<v Speaker 1>photo that came with those papers, a photo that Roy

0:36:06.840 --> 0:36:09.799
<v Speaker 1>and Glenda say is of the Raoul that they knew,

0:36:10.560 --> 0:36:13.360
<v Speaker 1>And according to John Billings, it's the same photo that

0:36:13.520 --> 0:36:16.359
<v Speaker 1>James Earl Ray picked out and then said that both

0:36:16.400 --> 0:36:19.920
<v Speaker 1>he and his lawyer had seen it in and the

0:36:20.040 --> 0:36:23.520
<v Speaker 1>Kailo family and Yonkers, to my knowledge, has never denied

0:36:23.560 --> 0:36:27.000
<v Speaker 1>that the photo was genuine. So if the Yonkers Raoul

0:36:27.239 --> 0:36:29.040
<v Speaker 1>has nothing at all to do with any of this.

0:36:29.760 --> 0:36:32.839
<v Speaker 1>If it really is a case of mistaken identity, how

0:36:32.960 --> 0:36:35.040
<v Speaker 1>is this photo floating around at the time of the

0:36:35.120 --> 0:36:40.480
<v Speaker 1>house hearings in So is the Yonkers raoul the same

0:36:40.560 --> 0:36:44.200
<v Speaker 1>person as the Houston raoul. Well, there's a good body

0:36:44.280 --> 0:36:47.040
<v Speaker 1>of evidence that says that he is. But whether he

0:36:47.320 --> 0:36:50.840
<v Speaker 1>is or not, there is something more important here, something

0:36:50.920 --> 0:36:53.680
<v Speaker 1>that goes to the very heart of this case. It's

0:36:53.719 --> 0:36:57.400
<v Speaker 1>the assertion that Percy Foreman knew the Houston raoul and

0:36:57.520 --> 0:37:00.719
<v Speaker 1>that he told Glenda Grebo that James Earl Ray was

0:37:00.840 --> 0:37:03.880
<v Speaker 1>just a guy who had to be sacrificed. And more

0:37:03.960 --> 0:37:06.839
<v Speaker 1>than that, Foreman told her that if she didn't want

0:37:06.840 --> 0:37:09.920
<v Speaker 1>to be sacrificed herself, she needed to leave town because

0:37:10.040 --> 0:37:12.200
<v Speaker 1>this raoul had been in on the murder of Martin

0:37:12.320 --> 0:37:16.120
<v Speaker 1>Luther King and he was dangerous. And Foreman knew all

0:37:16.200 --> 0:37:21.680
<v Speaker 1>this because he knew the guy. With Percy Foreman, the

0:37:21.800 --> 0:37:25.200
<v Speaker 1>hits keep coming. Why did he force himself into this case?

0:37:25.760 --> 0:37:29.320
<v Speaker 1>Who was he really working for? And those questions do

0:37:29.560 --> 0:37:33.239
<v Speaker 1>have answers. Stay with us and find out what really

0:37:33.320 --> 0:37:42.279
<v Speaker 1>went down when Martin Luther King was murdered. Next time

0:37:42.560 --> 0:37:46.160
<v Speaker 1>on the MLK tapes, it really kind of opened my

0:37:46.239 --> 0:37:49.480
<v Speaker 1>eyes that there was more of a conspiracy than I

0:37:49.640 --> 0:37:53.359
<v Speaker 1>thought there was. Paul reached inside his jacket and pulled

0:37:53.360 --> 0:37:55.959
<v Speaker 1>out what looked like a wallet. He flipped it open,

0:37:56.160 --> 0:37:58.799
<v Speaker 1>and all I could see where the letters FBI. Paul

0:37:58.840 --> 0:38:01.960
<v Speaker 1>smiled at me and said, don't worry. I'm your friend,

0:38:02.440 --> 0:38:05.239
<v Speaker 1>not your enemy. He said. Everybody had to make a

0:38:05.280 --> 0:38:08.279
<v Speaker 1>little money, even cops. I knew we had worked with

0:38:08.400 --> 0:38:11.040
<v Speaker 1>local cops before, but I had never known of the

0:38:11.120 --> 0:38:15.319
<v Speaker 1>FEDS being crooked. I got the feeling that there were

0:38:15.400 --> 0:38:25.000
<v Speaker 1>some investigators who were involved in either the timing, the surveillance,

0:38:25.600 --> 0:38:29.640
<v Speaker 1>maybe the planning we're talking about, I'm surfacing at the

0:38:29.800 --> 0:38:33.359
<v Speaker 1>time when the trial was about to take place. They

0:38:33.400 --> 0:38:38.560
<v Speaker 1>didn't want that civil trial. I have a client who

0:38:39.520 --> 0:38:43.640
<v Speaker 1>had imparted some information to be that, quite frankly, could

0:38:43.719 --> 0:38:48.120
<v Speaker 1>prove that James were already did not shoot. Dr King.

0:38:55.120 --> 0:38:57.360
<v Speaker 1>Thanks for listening to The MLK Tapes, a production of

0:38:57.400 --> 0:39:00.520
<v Speaker 1>I Heart Radio and tended with TV. This podcast is

0:39:00.600 --> 0:39:03.080
<v Speaker 1>not specifically endorsed by the King Family or the King

0:39:03.160 --> 0:39:06.000
<v Speaker 1>of State. The email K Tapes is written and hosted

0:39:06.080 --> 0:39:09.440
<v Speaker 1>by Bill Claiper, Matt Frederick, and Alex Williams are executive

0:39:09.480 --> 0:39:12.680
<v Speaker 1>producers on behalf of I Heart Radio with producers Trevor

0:39:12.800 --> 0:39:16.160
<v Speaker 1>Young and ben Keebrick. Donald Albright and Payne Lindsay are

0:39:16.200 --> 0:39:19.880
<v Speaker 1>executive producers on behalf of Tenderfoot TV with producers Jamie

0:39:19.920 --> 0:39:24.080
<v Speaker 1>Albright and Meredith Steadman. Original music by Makeup and Vanity Set.

0:39:24.680 --> 0:39:28.480
<v Speaker 1>Cover art by Mr Soul to six with photography by

0:39:28.560 --> 0:39:32.520
<v Speaker 1>Artemis Jenkins. Special thanks to Owen Rosenbaum and Grace Rowyer

0:39:32.680 --> 0:39:35.840
<v Speaker 1>at U t A, The Nord Group, back Median Marketing,

0:39:36.280 --> 0:39:40.440
<v Speaker 1>Envisioned Business Management, and Station sixteen. If you have questions,

0:39:40.480 --> 0:39:43.399
<v Speaker 1>you can visit our website, the email k tapes dot com.

0:39:44.000 --> 0:39:46.880
<v Speaker 1>We posted photos and videos related to the podcast on

0:39:46.960 --> 0:39:49.440
<v Speaker 1>our social media accounts. You can check them out at

0:39:49.560 --> 0:39:52.520
<v Speaker 1>the email k Tapes. For more podcasts from I Heart

0:39:52.600 --> 0:39:55.840
<v Speaker 1>Radio and Tenderfoot TV, please visit the I Heart Radio app,

0:39:55.920 --> 0:39:58.800
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