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Speaker 1: I want to start off with and with an apology,

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Speaker 1: not for myself, but just sort of like for this

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Speaker 1: process and how it's going to play out. We are

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Speaker 1: way behind on this project and like and what we're

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Speaker 1: trying to accomplish here. This is a result of and

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Speaker 1: I take some of this on myself, and I know

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Speaker 1: Sean does too.

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Speaker 2: I take a very small amount.

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Speaker 3: Yeah, I mean just in terms of the at a

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Speaker 3: certain point, I'm responsible for the relationships I have, in

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Speaker 3: the level of professionalism I expect from my co workers,

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Speaker 3: my collaborators, and my friends and there. So there's a

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Speaker 3: couple of apologies going on. One is we actually are

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Speaker 3: way behind. We need to get a lot done. There

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Speaker 3: is more on your plate than there should be. For

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Speaker 3: this episode, we're gonna have to sort of back into

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Speaker 3: some stuff that has to happen that should have happened

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Speaker 3: last week.

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Speaker 2: And again that's on both of us and mostly also

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Speaker 2: on the guests.

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Speaker 3: But another thing is, I know John, in particular, you

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Speaker 3: love sitting through the opening story when we do when

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Speaker 3: we do an episode, you like that.

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Speaker 4: Yeah, I'm sorry, I'm so. I just put my headphones on.

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Speaker 4: Did when someone say I thought I heard John through

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Speaker 4: the headphones.

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Speaker 1: It doesn't matter. It honestly doesn't matter. We need to

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Speaker 1: move so quickly. We don't have time to like catch

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Speaker 1: you up on and we don't have time to do

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Speaker 1: the opening story. And that's what Jehn was apologizing for.

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Speaker 1: We know how much you love that.

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Speaker 3: Yeah, and we don't and we can't do my other

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Speaker 3: idea for you actually, which was that I did want

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Speaker 3: to do an episode where you are officially retiring the

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Speaker 3: character of Gino. You're sick of playing Gino. You want

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Speaker 3: to expose like how how versatile you are. And you

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Speaker 3: have a whole new character, somebody that we've never met

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Speaker 3: before who's totally different and it's going to surprise a

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Speaker 3: lot of people. And the character's name Chicken Parme John,

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Speaker 3: and he's identical to Gino in every way.

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Speaker 4: Yeah, I know, I also wanted to do that episode.

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Speaker 4: My uh, your agent told my agent about that episode idea,

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Speaker 4: and I've really liked it, and I built out uh

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Speaker 4: Tony Parma John.

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Speaker 5: What was it, Chicken Parma.

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Speaker 2: John, Chick John. Yeah, yeah, that makes more sense.

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Speaker 4: Yeah, because I was doing Tony Parma John and people

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Speaker 4: were confused by that.

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Speaker 2: That actually sucks shit.

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Speaker 3: Yeah, And if that's what my agent told your agent.

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Speaker 2: Then both agents are fired because I don't know.

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Speaker 4: The miscommunication could be between you and your agent, in

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Speaker 4: between the two agents, or between the agent and my

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Speaker 4: agent and myself.

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Speaker 3: And this is what we get these games of telephone.

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Speaker 3: And this is fun.

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Speaker 1: And Joe Wiger, you can speak to this a little bit.

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Speaker 6: Okay, yes, of course.

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Speaker 5: We get trapped.

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Speaker 1: Not now, and I want to say, not now, please

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Speaker 1: don't speaking to this, uh, And like this is the

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Speaker 1: kind of thing that I wish we could do. I

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Speaker 1: wish we had time to do. I wish we could

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Speaker 1: catch up with like what's been I like, I have

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Speaker 1: so much about like what's been going on with Joe

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Speaker 1: that I wanted Joe's and like, Joe, you want to

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Speaker 1: talk about how you did like Modern Family, you did

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Speaker 1: like a few episodes of Modern Family, and like and

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Speaker 1: like set stories and stuff like that, Like God, that

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Speaker 1: would be.

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Speaker 2: Like I would that would be really interesting.

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Speaker 6: Yes, that set just ran so efficiently, and so all

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Speaker 6: of my stories are just about admiring the efficiency. So

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Speaker 6: they're pretty short stories.

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Speaker 2: But and even for that, we don't have time, which

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Speaker 2: is heartbreaking. I guess we could have one.

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Speaker 7: Okay, you know, they told us that we were going

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Speaker 7: to wrap, you know, at six o'clock, and I was

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Speaker 7: in my car by five point thirty, you know, and

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Speaker 7: the whole ride home, I was like, these guys know

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Speaker 7: what they're doing.

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Speaker 1: This is this is just the.

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Speaker 6: Cast and the crew get to go home and spend

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Speaker 6: time with their families, and really that's what the show

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Speaker 6: is about, and they're living it. That's the camera behind

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Speaker 6: the cant.

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Speaker 3: That's when you're going to work because you're doing research

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Speaker 3: for the show. So it's like, oh, I can't wait

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Speaker 3: to get off work and go home home. Well, actually

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Speaker 3: I can't wait to get off work and go to

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Speaker 3: work researching for the show.

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Speaker 6: Those actually thirty minutes. I'm going to go home and

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Speaker 6: have some sort of high jinks with my extended family

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Speaker 6: in one of our very beautiful homes, and then that's

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Speaker 6: going to be an idea for another episode.

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Speaker 3: I was thinking about how the whole family everyone is

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Speaker 3: so rich.

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Speaker 1: Yeah, but that makes sense.

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Speaker 2: That's cool. No, it's true. Whole families are rich.

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Speaker 1: Yeah, that's like you when you think about it, it does

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Speaker 1: make sense. It would be strange if like one if

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Speaker 1: like one of the kids, for example, was very poor.

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Speaker 3: Well you will that you you are obviously not interested

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Speaker 3: in watching Michael Colton and JOHNA. Bood's new show Home Economics,

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Speaker 3: about three siblings, one from the one percent, one comfortably

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Speaker 3: you know, uh sure, wealthy, and the third one really

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Speaker 3: struggling to make ends meet.

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Speaker 5: I like it that. I'm I'm pumped about home and now.

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Speaker 1: I am too.

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Speaker 3: I I want to see it. Hayes was saying, it's

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Speaker 3: it's doesn't make any sense the.

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Speaker 1: Specific examples that I gave. So you're saying that in

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Speaker 1: Home Economics they have it's a family, and it's a

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Speaker 1: rich family, but they they have a child and one

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Speaker 1: of the children in the family is very poor.

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Speaker 2: That to me, yes, well, I mean one of the

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Speaker 2: adult children.

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Speaker 1: Like one of your okay, well, like to.

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Speaker 2: Three siblings and adult siblings.

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Speaker 1: Like and actually in oxymora, because those are actually the

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Speaker 1: opposite of each other. There's an adult and then there's

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Speaker 1: a child, and never the twain. We cannot And that's

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Speaker 1: not what we were talking about with modern family either.

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Speaker 1: I don't think anyone was implying that Manny should be poor.

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Speaker 1: The idea was we're following three different families. I was

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Speaker 1: actually applied the opposite. I think that Manny should not

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Speaker 1: be poor.

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Speaker 5: I'm confused that you guys do for this though.

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Speaker 1: We actually we do not, and I have I think

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Speaker 1: it's important.

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Speaker 3: I think I think the conversation that's important to have

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Speaker 3: because we do a lot to do.

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Speaker 2: I don't know how we're going to get it.

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Speaker 1: I'm glad that we are figuring this out.

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Speaker 2: When you're upset. I don't know how we do the

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Speaker 2: show within.

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Speaker 1: Nuclear family to have different wealth SATs so like a

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Speaker 1: husband and wife are married and the husband is very poor,

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Speaker 1: but the wife is very rich. Like to me that

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Speaker 1: they should be sharing their money. It does.

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Speaker 3: But a modern family where when I say when I

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Speaker 3: say all the families are wealthy, I mean because I

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Speaker 3: was going directly off of Wangert saying one of their

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Speaker 3: beautiful homes. Do you get every member of the nuclear

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Speaker 3: family has their own home, because obviously it was implying

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Speaker 3: that there are like three different parts of the family

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Speaker 3: that we're dealing with. Yeah, which is what's happening on

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Speaker 3: home economics as well. So I actually think you understand

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Speaker 3: and I actually think we can move on.

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Speaker 1: I'm insisting that disappointed that you're this upset, we do

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Speaker 1: not I actually the.

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Speaker 2: Fact that you're this upset. When I'm last, I feel

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Speaker 2: great and I'm having fun.

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Speaker 1: No, I actually feel amazing that we are moving on,

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Speaker 1: which is what I've been trying to do from the beginning,

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Speaker 1: and so.

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Speaker 2: I think we need you because you're so mad.

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Speaker 1: It's actually a giant win for me, and so I

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Speaker 1: feel amazing because I won.

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Speaker 6: Great because I before I know you guys want to

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Speaker 6: get into it, but I just have to like let

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Speaker 6: this go now so that I'm not carrying it through

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Speaker 6: the whole podcast. I'm kind of mad that you explained

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Speaker 6: the premise of Home Economics. When the new shows come out,

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Speaker 6: I stop reading Deadline. I don't know anything that's coming

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Speaker 6: up about what any of the shows are because I

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Speaker 6: like to just not have anything spoiled.

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Speaker 4: So I'm the same way Joe. And it's a bummer

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Speaker 4: because I used to love watching TV show trailers. I

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Speaker 4: always thought they were just so exciting, good examples of

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Speaker 4: like the last one I watched, Bob Loves Abashola. I'm

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Speaker 4: still like, I'm pissed its spoiled so much from the series.

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Speaker 2: Part Oh is that good?

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Speaker 1: Good?

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Speaker 4: Well, now I know why they didn't let me into

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Speaker 4: the fucking premiere party. I had the fucking name wrong.

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Speaker 2: Humiliating and what's the name of the premiere party you're attending?

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Speaker 3: Okay, everything else checks out, You're on the list, and

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Speaker 3: just one quick thing.

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Speaker 1: This is all yeah, and this is like so funny.

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Speaker 1: I love this stuff, but like we I and this

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Speaker 1: is all on Paul and I. Oh, Like the position

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Speaker 1: we're in now is actually the responsibility of people who

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Speaker 1: who are not here. Yes, yeah, they burned a huge

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Speaker 1: amount of time on like their personal stuff on like

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Speaker 1: creating with sabotage.

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Speaker 3: It was sabotage if you remember that Shatner YouTube.

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Speaker 1: Video, and and so that has created the conditions that

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Speaker 1: we are dealing with today, which is we are so

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Speaker 1: far behind and we have this project that is very

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Speaker 1: ambitious by design, like that's very intentional. We are really

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Speaker 1: trying to do something here. We are creating a narrative podcast. Interesting.

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Speaker 2: It's like American history, isn't it.

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Speaker 3: Where we're now in this spot where we are very

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Speaker 3: deep in debt. During the Wangard and Gabers episode, and

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Speaker 3: people are going to say, wow, this episod that's so bad.

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Speaker 3: Wingard and Gabriis were bad guests. Well, it's really the

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Speaker 3: Hooverville's right, where Calvin Coolidge, who was generally regarded as like,

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Speaker 3: you know, nice and maybe a little ineffective, actually is

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Speaker 3: the one who drove the economy into the nadir that

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Speaker 3: they found themselves in during Hoover's presidency.

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Speaker 2: But we don't even have to go back.

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Speaker 3: And so it's like this episode will be bad and

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Speaker 3: you know that's not that's not your fault, and really

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Speaker 3: it's pft.

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Speaker 2: And Io's fault already going pft and Iowa, I still like,

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Speaker 2: which is not fair.

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Speaker 3: It's not fair to anyone, even to them, because they

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Speaker 3: won't learn, they won't grow from that.

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Speaker 1: We don't even have to go Coolidge. I think we're

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Speaker 1: seeing it right now. We're spending money that we don't have.

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Speaker 1: It happened yesterday. We're just like, we're just sending money

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Speaker 1: to whoever freaking to people that are actually probably not

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Speaker 1: even real, and no one is checking to see whether

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Speaker 1: or not they're real. And so then it's on the

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Speaker 1: next week for that podcast or like that government to

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Speaker 1: say like, oh, where's all the money, Oh, we spent

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Speaker 1: it all?

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Speaker 3: Oh no, because no one's doing because no one is

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Speaker 3: doing their due diligence, and it's been time and time again.

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Speaker 3: Is that we get these dudes in there and we think, oh,

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Speaker 3: this is cool dude, but he does do his due diligence.

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Speaker 5: What did you need us for?

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Speaker 1: God? The podcasters promise. The podcasters promised threeenty ten. We

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Speaker 1: are creating a narrative project together. It is grounded sci fi.

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Speaker 2: Uh part sci fi.

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Speaker 1: It is based in real present day the extrapolated forward

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Speaker 1: into the future sci flies rock card. Do you are

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Speaker 1: You're you're caught up on where we're where we're at

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Speaker 1: with this.

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Speaker 3: You guys, I mean, you guys heard last week and

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Speaker 3: you could be forgiven. You could be forgiven for not

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Speaker 3: being able to follow it from last week because it

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Speaker 3: was such a shit show because the yes, we're so unprofessional.

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Speaker 1: But I honestly haven't been able to listen either because

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Speaker 1: of the professional and so this is PFT and IO

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Speaker 1: as well. I was barely able to listen while I

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Speaker 1: was while it was happening.

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Speaker 2: To me, I was upset.

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Speaker 3: I mean, I was like, hey, is at the top

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Speaker 3: of this podcast where I was so mad and here

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Speaker 3: and they were like me, they were laughing.

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Speaker 5: Okay, I have a follow up question.

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Speaker 4: What do you need us for It's the same question again,

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Speaker 4: but I will say it as a follow up to it.

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Speaker 5: You're half of these.

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Speaker 1: And now this is now the Actually I am taking

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Speaker 1: some of the blame off of PFT and IO, who

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Speaker 1: were not obviously supposed to tell you what you are

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Speaker 1: doing here. That is more of an executive producer's role.

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Speaker 1: That is the role of someone who is getting paid.

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Speaker 1: I don't want to say the number of figures, but

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Speaker 1: it's gigantic to now scene to now like be independent

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Speaker 1: and like had us bet on him essentially as we

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Speaker 1: went independent, and like this is our first big project

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Speaker 1: as an independent entity, so like there's there's kind of

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Speaker 1: a lot of that's it in the success of this

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Speaker 1: is our first big kind of move as an independent show.

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Speaker 1: And to not for the guests to not know what

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Speaker 1: they are doing here, that is not PFT at io's job.

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Speaker 1: Just to be fair to them, and.

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Speaker 3: I'm actually going to apologize to them a little bit

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Speaker 3: because realizing that they had been given no information by

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Speaker 3: the executive producer who's being paid an obscene wage and

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Speaker 3: is being handed out money much like the United States

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Speaker 3: government is doing to just these randos. Well, here's another

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Speaker 3: Rando apparently, who didn't do jack shit, didn't explain anything,

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Speaker 3: didn't prep the guests, and now I'm left doing his

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Speaker 3: job and my job, and guess what, my job's pretty

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Speaker 3: hard to do on its own podcaster.

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Speaker 5: I didn't mean to get anybody in trouble.

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Speaker 1: I was.

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Speaker 4: I was just like, it could be my fault that

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Speaker 4: I'm not play like I might not have read the

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Speaker 4: email or got you know, my agent could have been

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Speaker 4: lost in translation between the agent.

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Speaker 3: Shouldn't be an email, should be an in person meeting.

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Speaker 3: Should be an in person meeting.

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Speaker 4: I rejected that because it was in person in an

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Speaker 4: eight by eight dance studio.

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Speaker 3: Public place has to be in a public place, just

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Speaker 3: so everyone's accounted for. Yes, we cannot have this behind

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Speaker 3: closed doors, he said. He said business going on after

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Speaker 3: Kevin goes to yes while there is a dance class going, Yes.

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Speaker 4: That there was a zooma class going on. It was

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Speaker 4: it was hot, It felt against all COVID protocols, and

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Speaker 4: it was kind of stressful.

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Speaker 1: Well the hotness like it's it's very hot, which actually

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Speaker 1: is killing oh.

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Speaker 4: I was saying it was hot like sexual okay, because

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Speaker 4: there was some like big fat chicks just fucking going

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Speaker 4: ham on the Zooma beats banished it.

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Speaker 1: Even though we don't have time for any of this stuff,

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Speaker 1: we have managed to say something horrible.

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Speaker 4: I mean there was fat dudes too, and then and

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Speaker 4: there were skinny chicks with like small tits and stuff.

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Speaker 4: But it was like still fucking tons of hotties going

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Speaker 4: fucking ham to the beat.

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Speaker 1: And this was laid out and you didn't even go

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Speaker 1: to this. So this was laid out in the email. Yes,

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Speaker 1: it was all you didn't attend this meeting.

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Speaker 4: Well, I don't know because my agent forwarded me the email,

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Speaker 4: so I don't know if they went in and changed

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Speaker 4: some details or specifics, or like something else got lost

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Speaker 4: in the translation of the forward, you know sometimes like

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Speaker 4: an apostrophe becomes like a little question box, you know.

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Speaker 4: And I don't know if the dancers was added in

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Speaker 4: and like through wing dings or some shit.

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Speaker 5: I don't know. I'm sorry.

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Speaker 4: I know you don't have time for any of this,

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Speaker 4: but I'm just I want really prepared. I've been trying

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Speaker 4: to get into acting, to try to start taking more seriously,

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Speaker 4: so I wanted to be prepared for.

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Speaker 1: The podcasters promised threeenty ten. It takes place.

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Speaker 2: What about that on deciding to take acting more seriously.

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Speaker 4: I'm just a year of not doing it and realizing

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Speaker 4: it's been ten years of not really doing it. So

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Speaker 4: I thought maybe now, like post all that.

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Speaker 1: The other timing seemed to do, you think it's because

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Speaker 1: you weren't taking it seriously enough though, No, I always

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Speaker 1: took it very seriously. I always okay, so that was

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Speaker 1: not the problem. But you but that, But that is

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Speaker 1: how you're choosing to address it.

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Speaker 4: Yeah, I'm taking it more even more seriously, like way

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Speaker 4: more seriously.

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Speaker 2: Oh like yeah, so.

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Speaker 1: The podcaster promise. That's what we're doing, and this is

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Speaker 1: actually a great opportunity. We'd want you to obviously like

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Speaker 1: say your lines and like like do the parts that

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Speaker 1: you are assigned.

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Speaker 5: I feel like this should have been in the email,

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Speaker 5: like this information.

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Speaker 1: We didn't. I just don't. I mean, like, we send

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Speaker 1: you a script and I don't know if it needs

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Speaker 1: to go in the email. We want you to say

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Speaker 1: your lines. I just so now I'm actually taking giving

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Speaker 1: Kevin a little break here. I don't think that's something

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Speaker 1: that he needs to say.

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Speaker 4: That's what the attachment was was a script. I couldn't

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Speaker 4: so it was so fucking small.

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Speaker 1: So that actually if you click it, it explodes. It

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Speaker 1: becomes huge. So that tiny little I know, it looks

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Speaker 1: like a tiny little paper. You are not supposed to

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Speaker 1: read that, and you can't. So I'm now I'm taking

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Speaker 1: a little pressure off you gabers where like you don't

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Speaker 1: have to be like away yourself because you couldn't read

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Speaker 1: that tiny paper. You're not supposed to read that.

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Speaker 4: Oh, I'm just a click on that and then read

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Speaker 4: what I have to read it after I click.

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Speaker 3: It's almost like a magic tri It's like those you

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Speaker 3: if you remember those little kind of pill looking things

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Speaker 3: you would drop in warm water and they become a

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Speaker 3: whole dinosaur.

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Speaker 2: Oh, it's sort of like that.

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Speaker 5: I fucking love those things.

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Speaker 2: Yeah, dinosaur.

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Speaker 4: One time took a handful thinking it was creatine and

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Speaker 4: then I ship I shit rainbow dinosaurs and everyone was

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Speaker 4: fucking roasting me because of the dinosaurs thing.

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Speaker 5: Sorry, I'm sorry again. I know we don't have time

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Speaker 5: for any of this.

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Speaker 3: We do that that that I would stop down for because.

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Speaker 2: How long did it take? And like you know, we

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Speaker 2: want to post.

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Speaker 4: We could edit you guys laughing at everything I say.

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Speaker 4: We could take all that out of you guys enjoying

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Speaker 4: the kind of hip fire shots I'm taking here. We

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Speaker 4: can do that out of all that.

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Speaker 1: So podcasters promised threeenty ten. It takes place one thousand

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Speaker 1: years in the future. Every child is born with a

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Speaker 1: designated podcast with like an art nineteen account that their

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Speaker 1: podcast is uploaded to on a weekly basis, and they

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Speaker 1: have a time slot based on their personality and their

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Speaker 1: brain shape. The podcasting legends of history are revered in school.

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Speaker 1: Dax Shepherd is still alive. Crooked Media is the president.

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Speaker 3: Asia is fine with Dax Shepherd assignmonage. That was a conversation,

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Speaker 3: but he's okay with it.

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Speaker 1: Yeah, it's also alive, and he's okay with all the

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Speaker 1: Dax Shepherd stuff.

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Speaker 2: There's no beef there, yeah.

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Speaker 6: Uh.

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Speaker 1: And Sean and Hayes in this future like this like

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Speaker 1: alternate care and we will be playing These characters are

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Speaker 1: sort of like meat and potatoes, just like your classic

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Speaker 1: everyday podcasters.

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Speaker 3: Hard and a lunch pale, just get going down, blue

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Speaker 3: collar podcasters just punching the clock. Yeah, and uh, trying

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Speaker 3: to do the best damn job they can.

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Speaker 1: And they're cool with that. And if other people like

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Speaker 1: it then great, like there, that's awesome. Yeah, oh shit,

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Speaker 1: you liked my podcast. That's really cool. That's I guess

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Speaker 1: that's why I do it is so that people will

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Speaker 1: enjoy it. But I never expected anything from you. Thank

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Speaker 1: But really we're just hanging out. We're just having fun conversations,

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Speaker 1: and if people like it, that rocks because it is

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Speaker 1: just us being ourselves.

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Speaker 3: So by extension, they actually they like us, which feels

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Speaker 3: pretty good. I mean a lot of people put on

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Speaker 3: a whole persona for their thing and it's not so.

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Speaker 4: Yeah, some people like well pretend to have a persona

401
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Speaker 4: to cover like their you know, awful philosophies and points

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Speaker 4: of view and stuff like.

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Speaker 1: I would love to just finish describe it like we

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Speaker 1: we have to. We were not expecting to have to

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Speaker 1: go through the entire description of what has happened so far.

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Speaker 1: So we're like laying that's world building. We're like laying

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Speaker 1: the groundwork of this society that exists in threeenty.

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Speaker 6: Ten and it's still sandwiches and stuff. When you say

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Speaker 6: lunch pale.

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Speaker 1: This, so what show are you? Are you?

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Speaker 6: When you guys are have your hard hat in your

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Speaker 6: lunch pale is it's still.

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Speaker 2: Sat great question. Yes, it goes a different show.

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Speaker 3: No, I get what you're driving at it it yes,

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Speaker 3: yes and no, Joe, I mean food obviously is going

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Speaker 3: to evolve by threeenty ten, it won't be perishable.

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Speaker 2: There are sandwiches.

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Speaker 3: The sandwiches are digital cubes that you plug into a

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Speaker 3: USB port. Okay, and then you it's gonna sound like

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Speaker 3: up saying something roote to you.

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Speaker 2: You stick it up your ass.

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Speaker 1: But in the future you're gonna stick it over your

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Speaker 1: podcasts in different ways that are not just listening to them.

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Speaker 1: So you actually achieve nutrients by listening to Doughboys, by

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Speaker 1: listening to grocery. Why do you think Aaron and Brand

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Speaker 1: Safi chain their show to be called groceries. It becomes

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00:20:03,359 --> 00:20:07,159
Speaker 1: because they become essential workers. Now yes, right, okay to

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00:20:07,320 --> 00:20:09,119
Speaker 1: so yes, so okay. And the short term it was

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Speaker 1: so they could get the vaccine in late December. But

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Speaker 1: in the long term, uh, and so they can be

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Speaker 1: like the show that is basically like a store. When

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Speaker 1: you're like, okay, time for media shops and groceries, you

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Speaker 1: put a USB port into your took us in you

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Speaker 1: like you shove it up your ass.

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Speaker 4: Yeah, Oh okay, and I'll let you guys get right

436
00:20:30,440 --> 00:20:32,040
Speaker 4: back to it. I just had one last one more

437
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Speaker 4: quick question. Yeah, what's going on if it's threeenty ten,

438
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Speaker 4: what's going on between Dak Shepherd and Asan Minaj?

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Speaker 1: Is there? Okay? We definitely talked about time.

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Speaker 5: That's my one question.

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Speaker 3: No, this came up, and this came up last week too.

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Speaker 3: I really do wish you would have listened. I know

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Speaker 3: you're a fan of the show, so I don't know

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Speaker 3: what happened.

445
00:20:49,320 --> 00:20:51,360
Speaker 1: That was on us for not mentioning it last week,

446
00:20:51,400 --> 00:20:53,120
Speaker 1: But in this case, it would have made no difference

447
00:20:53,200 --> 00:20:55,760
Speaker 1: because you didn't listen to it a and we did

448
00:20:55,800 --> 00:20:58,760
Speaker 1: bring it up this week again we covered it.

449
00:20:58,880 --> 00:21:01,040
Speaker 4: Yeah, I feel I've feel dumb. I feel dumb.

450
00:21:01,119 --> 00:21:03,120
Speaker 1: Sorry, But the question of whether or not Dak Shepherd

451
00:21:03,160 --> 00:21:05,920
Speaker 1: is alive. I just really did not expect to be

452
00:21:06,760 --> 00:21:09,080
Speaker 1: digging into this so much. But now I really we

453
00:21:09,119 --> 00:21:12,159
Speaker 1: will make sure that it is in the in the

454
00:21:12,200 --> 00:21:16,439
Speaker 1: finished product. So every podcaster has their own personal Scott Ackerman.

455
00:21:16,560 --> 00:21:21,120
Speaker 1: AI like in her where you you download your personal

456
00:21:21,160 --> 00:21:23,879
Speaker 1: Scott Ackerman and you can like talk they're your friend

457
00:21:23,920 --> 00:21:26,080
Speaker 1: and your podcast advisor, and you can also have like

458
00:21:26,119 --> 00:21:27,960
Speaker 1: a sexual relationship with them.

459
00:21:28,359 --> 00:21:30,040
Speaker 4: Now that I'm I'm sorry, now that I'm paying attention,

460
00:21:30,080 --> 00:21:31,399
Speaker 4: you're answering a lot of my follow up.

461
00:21:31,600 --> 00:21:34,720
Speaker 3: Okay, could they and they and they also have also

462
00:21:34,800 --> 00:21:37,600
Speaker 3: like in her, could end up having sexual relationships with

463
00:21:37,680 --> 00:21:42,240
Speaker 3: other Scott ackerman Ais that they meet. And it's okay

464
00:21:42,280 --> 00:21:43,480
Speaker 3: if you feel jealous over that.

465
00:21:44,080 --> 00:21:45,600
Speaker 6: And how different are the pants?

466
00:21:46,600 --> 00:21:48,800
Speaker 1: Okay, now this question the pants they did?

467
00:21:49,080 --> 00:21:52,320
Speaker 6: I just get I just I have to under understand

468
00:21:52,320 --> 00:21:52,920
Speaker 6: the details.

469
00:21:52,920 --> 00:21:54,439
Speaker 1: People go straight to the pants.

470
00:21:54,560 --> 00:21:58,600
Speaker 2: I God, I so, Sean, go ahead, Okay. You remember

471
00:21:58,600 --> 00:22:02,080
Speaker 2: in Jurassic Park the dinosaur spits on Newman.

472
00:22:02,400 --> 00:22:03,920
Speaker 5: Yeah, yeah, the lapidors.

473
00:22:04,240 --> 00:22:08,080
Speaker 1: That's the that's definitely not definitely not the the lapidoris.

474
00:22:09,240 --> 00:22:12,399
Speaker 5: I'm pretty sure that's the name. I'm taking from me, Tony.

475
00:22:13,560 --> 00:22:16,720
Speaker 6: It's close. It's the Delinko Bolus. I think was the

476
00:22:16,840 --> 00:22:18,000
Speaker 6: name of the one that does.

477
00:22:17,880 --> 00:22:20,439
Speaker 1: That's right, it was the Delinko Bolios. Anyway, that's the

478
00:22:20,480 --> 00:22:23,000
Speaker 1: pants now then, so that's the pants. I'm pretty surance.

479
00:22:23,040 --> 00:22:27,080
Speaker 1: The lapidoris pretty legs. The pant legs flare out like

480
00:22:27,119 --> 00:22:30,800
Speaker 1: the dinosaur spit on Newman. Okay, and then it comes

481
00:22:30,840 --> 00:22:32,200
Speaker 1: down your leg onto the ground.

482
00:22:32,880 --> 00:22:33,120
Speaker 2: Yep.

483
00:22:34,080 --> 00:22:38,879
Speaker 1: So in this world, Sean and Hayes are talking to

484
00:22:38,880 --> 00:22:42,360
Speaker 1: their individual Scott Ackerman AI and they're like, what are

485
00:22:42,359 --> 00:22:45,200
Speaker 1: we like, is this an issue? Like people society did

486
00:22:45,280 --> 00:22:49,200
Speaker 1: not like our last episode. Everyone is as signed different

487
00:22:49,240 --> 00:22:51,840
Speaker 1: podcasts to listen to that week on like a random basis.

488
00:22:51,880 --> 00:22:55,560
Speaker 1: It's like totally democratic and like that pool listens to

489
00:22:55,800 --> 00:22:59,879
Speaker 1: your podcast episode that's that week, gives it five star rating,

490
00:23:00,080 --> 00:23:02,920
Speaker 1: and with good enough ratings you get elevated into the

491
00:23:02,960 --> 00:23:07,439
Speaker 1: iTunes top two hundred, which confers special ability like body

492
00:23:07,440 --> 00:23:13,199
Speaker 1: modifications and like, uh special powers. Sean and Hayes are

493
00:23:13,240 --> 00:23:16,040
Speaker 1: not about that. They don't need to get into iTunes

494
00:23:16,119 --> 00:23:16,800
Speaker 1: top two hundred.

495
00:23:17,480 --> 00:23:19,080
Speaker 2: It's never been about that for us.

496
00:23:19,080 --> 00:23:21,639
Speaker 1: Man mm hmm. But you like you don't want to

497
00:23:21,680 --> 00:23:24,359
Speaker 1: fall too far down the rankings to the point that

498
00:23:24,400 --> 00:23:26,720
Speaker 1: you're like giving up some of your parts. Like that's

499
00:23:26,720 --> 00:23:28,960
Speaker 1: where it kind of that's where the body modifications come from.

500
00:23:29,000 --> 00:23:30,760
Speaker 1: This from the because.

501
00:23:30,480 --> 00:23:33,119
Speaker 2: Then your body, your body gets dehanced.

502
00:23:32,760 --> 00:23:35,439
Speaker 1: Yes, it gets dehanced, and that's from the iTunes bottom

503
00:23:35,440 --> 00:23:39,240
Speaker 1: two hundred, which is something that has been developed in

504
00:23:39,280 --> 00:23:42,560
Speaker 1: the next thousand years. And Scott Ackerman is like, it's Okay,

505
00:23:42,600 --> 00:23:44,920
Speaker 1: you guys, just keep doing what you're doing, keep plugging away.

506
00:23:45,240 --> 00:23:48,000
Speaker 1: By the way, iTunes is back, like it's not it's

507
00:23:48,000 --> 00:23:49,959
Speaker 1: not Apple Podcasts anymore. It's iTunes again. And I think

508
00:23:50,000 --> 00:23:53,040
Speaker 1: we can all ad bet this is not working, yes, And.

509
00:23:53,000 --> 00:23:55,800
Speaker 4: So he's like, just keep doing Sorry, sorry, I'm trying

510
00:23:55,800 --> 00:23:57,240
Speaker 4: to write all this down. What I just missed that

511
00:23:57,320 --> 00:23:59,720
Speaker 4: last You definitely don't need to write any of it down.

512
00:23:59,800 --> 00:24:00,679
Speaker 4: You're nut.

513
00:24:00,720 --> 00:24:04,200
Speaker 1: I to see you be pay attention. You're not trying

514
00:24:04,200 --> 00:24:05,520
Speaker 1: to write it down. I can see both of them

515
00:24:05,960 --> 00:24:07,639
Speaker 1: folded behind your head.

516
00:24:07,880 --> 00:24:10,040
Speaker 5: No, this is I'm writing it down.

517
00:24:10,800 --> 00:24:12,480
Speaker 2: You're holding devil sticks.

518
00:24:13,280 --> 00:24:14,760
Speaker 5: Yeah, well one of them is a pen.

519
00:24:15,200 --> 00:24:20,680
Speaker 1: Oh I see it's got a retractable click click b yeah. Yes,

520
00:24:20,760 --> 00:24:23,080
Speaker 1: in a way, that pen is the ultimate devil stick.

521
00:24:23,680 --> 00:24:26,560
Speaker 1: So he's like, just keep doing what you're doing. You

522
00:24:26,600 --> 00:24:29,280
Speaker 1: guys will be fine. But never my one piece of

523
00:24:29,320 --> 00:24:31,920
Speaker 1: advice is never listen to your own podcast. That'll drive

524
00:24:31,960 --> 00:24:36,240
Speaker 1: you crazy. It just like creates this like feedback where

525
00:24:36,240 --> 00:24:38,160
Speaker 1: you get like too caught up in your own voice.

526
00:24:38,400 --> 00:24:40,240
Speaker 1: Like for me, you just got to move on to

527
00:24:40,320 --> 00:24:42,359
Speaker 1: the next week. I don't listen to my own stuff.

528
00:24:42,560 --> 00:24:45,440
Speaker 1: And we just like you just keep going. So they're okay, great,

529
00:24:45,720 --> 00:24:49,200
Speaker 1: they go home to their shared wife. It's movie night.

530
00:24:49,520 --> 00:24:54,240
Speaker 1: Their wife picks the movie. Uh, and then they're watching

531
00:24:54,400 --> 00:24:56,760
Speaker 1: They're trying to watch a movie, but they accidentally listened

532
00:24:56,800 --> 00:25:02,200
Speaker 1: to last week's podcast. Okay, so o, these are definitely these.

533
00:25:02,000 --> 00:25:03,080
Speaker 2: Are teal sticks.

534
00:25:03,359 --> 00:25:05,880
Speaker 5: Sorry, trying to get all this down, harries keep going, So.

535
00:25:06,040 --> 00:25:08,119
Speaker 1: That's clearly not right. I got anything.

536
00:25:08,160 --> 00:25:11,400
Speaker 3: It's just like the fact that one of them does

537
00:25:11,480 --> 00:25:13,960
Speaker 3: have like a pen tip that comes out of it

538
00:25:13,680 --> 00:25:15,160
Speaker 3: is sort of irrelevant.

539
00:25:18,720 --> 00:25:21,120
Speaker 4: God, I feel like I'm sorry, I'm turning this into

540
00:25:21,160 --> 00:25:22,399
Speaker 4: a full solo bolo.

541
00:25:22,920 --> 00:25:25,200
Speaker 5: Let's back it off. I got Joe, I got wangs here.

542
00:25:25,400 --> 00:25:27,280
Speaker 1: That would be Look, that would be great.

543
00:25:29,240 --> 00:25:32,800
Speaker 3: If this could reach solo bolo status, that would be enormous.

544
00:25:32,840 --> 00:25:34,199
Speaker 1: That we don't have to do any of this. We

545
00:25:34,240 --> 00:25:35,919
Speaker 1: don't have to. We can like we can let the

546
00:25:35,920 --> 00:25:38,960
Speaker 1: whole narrative but implies one.

547
00:25:39,160 --> 00:25:41,720
Speaker 2: This is this is tri month, which implies three.

548
00:25:42,080 --> 00:25:43,840
Speaker 5: So oh, okay, it's tri month.

549
00:25:43,880 --> 00:25:45,800
Speaker 2: So I apologize. Yeah, yeah, I don't want to fuck

550
00:25:45,840 --> 00:25:46,040
Speaker 2: with that.

551
00:25:46,760 --> 00:25:49,320
Speaker 1: Okay, So they watched the movie with their shared wife,

552
00:25:49,320 --> 00:25:52,560
Speaker 1: but they accidentally listened to the whole podcast from last

553
00:25:52,640 --> 00:25:56,200
Speaker 1: week that Sean Hayes did, and they realize that Ai

554
00:25:56,320 --> 00:26:01,280
Speaker 1: Scott Ackerman has been implanting audio deep in their episode

555
00:26:01,400 --> 00:26:06,639
Speaker 1: of them saying things that are not funny, like talking

556
00:26:06,680 --> 00:26:10,040
Speaker 1: over each other, not having good ideas.

557
00:26:11,520 --> 00:26:14,840
Speaker 3: Going in these little arguments over like the minute show

558
00:26:14,840 --> 00:26:17,640
Speaker 3: of like different you know, just the phrasing of how

559
00:26:17,640 --> 00:26:20,119
Speaker 3: you talk about different TV shows like just whoror just

560
00:26:20,160 --> 00:26:22,560
Speaker 3: like stuff. No one would want to listen to, yes,

561
00:26:22,640 --> 00:26:24,600
Speaker 3: And he's been putting it in the whole time.

562
00:26:24,640 --> 00:26:26,880
Speaker 2: They've never heard their own show because he's encouraged them

563
00:26:26,880 --> 00:26:28,840
Speaker 2: not to. But it's what I think.

564
00:26:28,880 --> 00:26:32,720
Speaker 3: What happens is, I, oh, their shared wife is trying

565
00:26:32,760 --> 00:26:35,879
Speaker 3: to listen to SmartLess and just says, let me listen

566
00:26:35,920 --> 00:26:40,400
Speaker 3: to the Sean Hayes podcast, and it starts playing Sean

567
00:26:40,440 --> 00:26:43,320
Speaker 3: and Hayes's voice and they hear the deep bakes.

568
00:26:43,840 --> 00:26:44,320
Speaker 2: Wow.

569
00:26:44,760 --> 00:26:47,399
Speaker 1: Yeah, so that's really good. We never the mechanics of that.

570
00:26:47,440 --> 00:26:49,320
Speaker 1: I was just kind of hoping we would figure out

571
00:26:49,320 --> 00:26:51,639
Speaker 1: how they accidentally were They're gonna watch a movie, but

572
00:26:51,680 --> 00:26:54,320
Speaker 1: they accidentally listened to an entire podcast. But that is

573
00:26:54,359 --> 00:26:58,359
Speaker 1: actually really We let her pick the movie. Yeah, that's

574
00:26:58,359 --> 00:26:59,040
Speaker 1: really helpful.

575
00:26:59,480 --> 00:27:01,280
Speaker 3: She goes, fuck suck a movie, let me hear that

576
00:27:01,400 --> 00:27:03,240
Speaker 3: Sean Hayes podcast.

577
00:27:03,760 --> 00:27:06,760
Speaker 1: They go to Ai Scott Ackerman and they say, and

578
00:27:06,840 --> 00:27:09,480
Speaker 1: I like, I'm really sorry to the listeners that you've

579
00:27:09,480 --> 00:27:11,879
Speaker 1: heard this whole thing already and that this has taken

580
00:27:12,680 --> 00:27:14,040
Speaker 1: fifteen minutes to It's.

581
00:27:13,920 --> 00:27:15,720
Speaker 3: Funny because this is just the kind of thing that

582
00:27:15,800 --> 00:27:19,440
Speaker 3: Ai Scott Ackerman in the podcasters promise would put into

583
00:27:19,440 --> 00:27:22,040
Speaker 3: the show. Is just a repeat of all the information

584
00:27:22,160 --> 00:27:23,240
Speaker 3: from the prior week.

585
00:27:23,640 --> 00:27:28,240
Speaker 1: And he says, I have had to like essentially like

586
00:27:28,440 --> 00:27:32,040
Speaker 1: pull you down so you didn't become your talents are

587
00:27:32,080 --> 00:27:35,800
Speaker 1: so powerful that you would have essentially removed my status

588
00:27:35,840 --> 00:27:38,520
Speaker 1: as one, which, by the way.

589
00:27:36,840 --> 00:27:40,399
Speaker 3: It crazy because we because we in the movie are

590
00:27:40,440 --> 00:27:43,919
Speaker 3: in the series, are we're just hanging out being ourselves.

591
00:27:43,560 --> 00:27:45,760
Speaker 1: Yes, and so like for us to like not even

592
00:27:45,800 --> 00:27:47,280
Speaker 1: know that we were doing that and we were so

593
00:27:47,359 --> 00:27:50,359
Speaker 1: like naturally talented. This that's like a moment of discovery

594
00:27:50,440 --> 00:27:53,879
Speaker 1: for Sean Hayes. But he's like, now it's time for

595
00:27:53,920 --> 00:27:55,800
Speaker 1: me to destroy you all together, and he uploads an

596
00:27:55,840 --> 00:27:59,520
Speaker 1: audio deep fake of all kinds of like horrible stuff

597
00:27:59,520 --> 00:28:02,840
Speaker 1: about the like heary podcasters like that Pete Holmes does

598
00:28:02,880 --> 00:28:05,200
Speaker 1: not actually think it's that funny all yeah.

599
00:28:05,200 --> 00:28:07,239
Speaker 3: That that he's playing up the laugh a little bit

600
00:28:07,359 --> 00:28:08,440
Speaker 3: in some of those moments.

601
00:28:08,840 --> 00:28:09,760
Speaker 1: Yeah, but it's us.

602
00:28:09,840 --> 00:28:13,000
Speaker 2: It's our voice is saying that, which we never would do.

603
00:28:13,119 --> 00:28:15,119
Speaker 3: But we just know, like, wow, this is gonna put

604
00:28:15,200 --> 00:28:17,400
Speaker 3: us in the iTunes bottom two hundred instantly.

605
00:28:17,760 --> 00:28:20,359
Speaker 4: Something that does he do any deep fakes that make you,

606
00:28:20,400 --> 00:28:24,240
Speaker 4: guys take sides in the Hassan beef, Like, does it

607
00:28:24,280 --> 00:28:26,439
Speaker 4: make you do a take where it's like your pro deacs?

608
00:28:26,520 --> 00:28:31,800
Speaker 3: We hadn't We hadn't done that yet it feels like now,

609
00:28:31,960 --> 00:28:34,280
Speaker 3: surprisingly it does feel like it needs to be addressed.

610
00:28:34,480 --> 00:28:36,560
Speaker 1: Yeah, And like going in, this was not something I

611
00:28:36,560 --> 00:28:40,320
Speaker 1: thought people cared or even necessarily knew about. And I

612
00:28:40,560 --> 00:28:43,239
Speaker 1: barely know what this is.

613
00:28:43,480 --> 00:28:44,959
Speaker 2: I was completely unfamiliar.

614
00:28:45,000 --> 00:28:48,040
Speaker 3: I'm ashamed to say I had I did not have

615
00:28:48,080 --> 00:28:49,840
Speaker 3: a fucking clue.

616
00:28:51,000 --> 00:28:54,680
Speaker 1: So many times, and so we I that's on us

617
00:28:54,760 --> 00:28:57,320
Speaker 1: and likely on me, given how this process tends to work.

618
00:28:57,400 --> 00:29:01,000
Speaker 1: I will do the research. I will figure out exactly

619
00:29:01,040 --> 00:29:03,320
Speaker 1: what this is about and and and put it into

620
00:29:03,360 --> 00:29:07,760
Speaker 1: the episode. Until then, we have to keep moving forward

621
00:29:08,000 --> 00:29:12,840
Speaker 1: on like installment, which is given how this process, yes,

622
00:29:14,000 --> 00:29:16,240
Speaker 1: and I get I do. I really do not want

623
00:29:16,240 --> 00:29:20,520
Speaker 1: to litigate this, but that's I'm sorry the research.

624
00:29:20,800 --> 00:29:22,280
Speaker 2: I'm sorry for piling on questions.

625
00:29:22,280 --> 00:29:25,080
Speaker 4: But can Kevin or whoever is in charges, can you

626
00:29:25,120 --> 00:29:27,800
Speaker 4: just leave me and Joe off mute so we can

627
00:29:27,960 --> 00:29:31,160
Speaker 4: talk if we want, or like, you know, interject and stuff.

628
00:29:30,880 --> 00:29:31,640
Speaker 2: Like starting now.

629
00:29:32,320 --> 00:29:34,600
Speaker 4: Yeah, like you keep muting and unmuting me. It's it's

630
00:29:34,640 --> 00:29:35,800
Speaker 4: making it very hard for you.

631
00:29:35,880 --> 00:29:37,520
Speaker 1: So I mean, but I would say the fact that

632
00:29:37,600 --> 00:29:40,680
Speaker 1: you have just been talking constantly no matter who else

633
00:29:40,760 --> 00:29:43,720
Speaker 1: is speaking. I think Kevin has been doing an amazing job.

634
00:29:44,680 --> 00:29:46,240
Speaker 5: No, I know he's doing good job.

635
00:29:46,240 --> 00:29:50,160
Speaker 3: But I'll keep while like somewhat natural interjections a few

636
00:29:50,160 --> 00:29:53,240
Speaker 3: too many, but it's it's felt kind of normal.

637
00:29:53,800 --> 00:29:55,880
Speaker 4: It feels weird how much I'm talking, because that's I

638
00:29:55,880 --> 00:29:58,240
Speaker 4: only really talk this much when I'm like uncomfortable or

639
00:29:58,280 --> 00:29:59,719
Speaker 4: confused as to what's going on.

640
00:30:00,200 --> 00:30:02,160
Speaker 5: So I don't know why in.

641
00:30:03,040 --> 00:30:06,360
Speaker 1: Such detail at this point, So I'm sure you are comfortable.

642
00:30:06,440 --> 00:30:09,680
Speaker 1: Now we are moving on to the new segment, which

643
00:30:09,760 --> 00:30:11,720
Speaker 1: is Sean and Hayes have to go on the run

644
00:30:12,280 --> 00:30:16,160
Speaker 1: and uh and the and Sean you can talk about this. Uh,

645
00:30:16,200 --> 00:30:19,160
Speaker 1: there there are is a special procedure that needs to

646
00:30:19,160 --> 00:30:23,440
Speaker 1: happen for them to be able to disguise their identities

647
00:30:23,480 --> 00:30:26,160
Speaker 1: now that they're on the run from the PC Police

648
00:30:26,160 --> 00:30:26,920
Speaker 1: are pursuing them.

649
00:30:27,400 --> 00:30:31,160
Speaker 3: So basically, the PC Police have activated Sean and Hayes's trackers,

650
00:30:31,240 --> 00:30:34,480
Speaker 3: which are these sort of shiny jewels that glow that

651
00:30:34,600 --> 00:30:38,120
Speaker 3: are located in your lower back, like so low on

652
00:30:38,200 --> 00:30:41,440
Speaker 3: your back, really low in an area of your back,

653
00:30:41,480 --> 00:30:45,320
Speaker 3: which is debatable whether you should still be calling at

654
00:30:45,320 --> 00:30:50,120
Speaker 3: your back because it's that low. So those trackers are blinking.

655
00:30:50,240 --> 00:30:53,800
Speaker 3: Hayes and Sean, of course are wearing the clothing of

656
00:30:53,840 --> 00:30:55,960
Speaker 3: the time, which is pants that look like the dinosaur

657
00:30:55,960 --> 00:30:59,880
Speaker 3: that spit on Newman and crop top, so they're lower

658
00:31:00,280 --> 00:31:02,880
Speaker 3: is always exposed, even as low as it is.

659
00:31:04,760 --> 00:31:07,840
Speaker 2: They now need to.

660
00:31:06,920 --> 00:31:11,520
Speaker 3: Somehow escape the scanners and trackers that are looking for

661
00:31:11,560 --> 00:31:13,959
Speaker 3: them so that the PC Police cannot capture them and

662
00:31:14,040 --> 00:31:16,920
Speaker 3: force them into the Itunes's bottom two hundred, where they

663
00:31:16,960 --> 00:31:19,640
Speaker 3: will be dehanced by having some of their body parts

664
00:31:19,680 --> 00:31:24,160
Speaker 3: replaced with the cloned body parts of survivor villain Russell Hants.

665
00:31:24,480 --> 00:31:30,000
Speaker 3: So they are now in this situation where people know

666
00:31:30,040 --> 00:31:33,120
Speaker 3: who they are, their podcast is famous for the wrong reasons.

667
00:31:33,160 --> 00:31:36,640
Speaker 3: Everyone has a podcast, they need to assume new identities,

668
00:31:37,080 --> 00:31:39,200
Speaker 3: and so they are going to you guys who are

669
00:31:39,240 --> 00:31:44,680
Speaker 3: like these shady, underground kind of criminal element, and you're

670
00:31:44,800 --> 00:31:47,440
Speaker 3: going to help them get fake IDs, which in this

671
00:31:47,560 --> 00:31:51,160
Speaker 3: case is new podcasts to host, so that they have

672
00:31:51,200 --> 00:31:54,960
Speaker 3: a cover story. They'll change their appearance, they'll change their voice,

673
00:31:55,080 --> 00:31:57,320
Speaker 3: and they'll change the topics. No longer can they just

674
00:31:57,400 --> 00:31:59,520
Speaker 3: kind of hang out and be themselves cool dudes who

675
00:31:59,560 --> 00:32:02,120
Speaker 3: people like to spend time with. They're gonna need to

676
00:32:02,160 --> 00:32:05,320
Speaker 3: have a topic, whether it's a podcast where they're reading

677
00:32:05,360 --> 00:32:08,880
Speaker 3: and reacting to a Wikipedia page or anything you know

678
00:32:09,200 --> 00:32:13,000
Speaker 3: that that could be happening. I mean, that's it's probably

679
00:32:13,040 --> 00:32:15,440
Speaker 3: that just given what the landscape currently is. But I

680
00:32:15,840 --> 00:32:19,200
Speaker 3: do think there's also room for us to have a

681
00:32:19,200 --> 00:32:21,200
Speaker 3: little bit of fun and do something creative with this.

682
00:32:21,760 --> 00:32:24,880
Speaker 2: So we're going to you where like uh, you know,

683
00:32:25,040 --> 00:32:25,800
Speaker 2: underground in.

684
00:32:25,760 --> 00:32:29,400
Speaker 3: The sewers, where like Gabriis lives and then he and

685
00:32:29,440 --> 00:32:30,400
Speaker 3: then Joe's is upstairs.

686
00:32:30,480 --> 00:32:32,160
Speaker 2: Name so a thousand years from now, I'm still in

687
00:32:32,200 --> 00:32:32,680
Speaker 2: the sewers.

688
00:32:34,240 --> 00:32:39,200
Speaker 4: Okay, Hey, I saw that movie Gleaming the Cube. Saw

689
00:32:39,240 --> 00:32:42,040
Speaker 4: that fucking cool sewer apartment and wanted it for myself.

690
00:32:42,480 --> 00:32:43,760
Speaker 5: It's not the same. It's you.

691
00:32:43,920 --> 00:32:47,160
Speaker 4: It's just one big, gelatinous like baby wipe diarrhea ball

692
00:32:47,480 --> 00:32:50,720
Speaker 4: that's just right outside my front door. I'm so afraid

693
00:32:50,800 --> 00:32:53,600
Speaker 4: to fucking if I open the door and the corner

694
00:32:53,600 --> 00:32:55,400
Speaker 4: of the door hits this thing and it pops, I'm fucked.

695
00:32:55,440 --> 00:32:58,240
Speaker 4: I'm gonna have to be knee deep and baby Wipe's

696
00:32:58,320 --> 00:32:59,280
Speaker 4: diarrhea sludge.

697
00:32:59,600 --> 00:33:01,920
Speaker 5: So I get it. I get it, but I like this.

698
00:33:02,120 --> 00:33:03,120
Speaker 5: So you're coming down.

699
00:33:03,000 --> 00:33:05,800
Speaker 1: Right now, which is your ankle deep, which is yeah,

700
00:33:05,960 --> 00:33:08,720
Speaker 1: which is fine because I have the alternative much worse.

701
00:33:09,080 --> 00:33:13,080
Speaker 6: Yeah, And I'm the upstairs neighbor. But I'm still in

702
00:33:13,120 --> 00:33:15,240
Speaker 6: the subway or I'm above ground.

703
00:33:15,880 --> 00:33:17,600
Speaker 2: It's not the subway, it's the sewers.

704
00:33:18,240 --> 00:33:21,640
Speaker 4: Well, because Joe, Joe and I were texting about our characters, okay,

705
00:33:22,240 --> 00:33:24,400
Speaker 4: and now I know what they are because now I

706
00:33:24,400 --> 00:33:26,880
Speaker 4: have context for what the ideas were. Joe's would text me,

707
00:33:26,920 --> 00:33:28,960
Speaker 4: but he was saying, there should be a subway restaurant

708
00:33:28,960 --> 00:33:32,120
Speaker 4: because it is like one of the biggest chains. It's like,

709
00:33:32,320 --> 00:33:35,280
Speaker 4: you know, one of the biggest international franchises. This is

710
00:33:35,280 --> 00:33:37,800
Speaker 4: something I heard recently on a podcast and Joe was like,

711
00:33:37,840 --> 00:33:40,880
Speaker 4: there should be a subway in the sewer, but it's

712
00:33:40,880 --> 00:33:41,800
Speaker 4: a subway restaurant.

713
00:33:41,840 --> 00:33:42,560
Speaker 5: So is that cool?

714
00:33:43,000 --> 00:33:43,400
Speaker 6: Does that?

715
00:33:43,600 --> 00:33:43,760
Speaker 1: Is that?

716
00:33:43,880 --> 00:33:45,120
Speaker 2: Okay?

717
00:33:45,240 --> 00:33:47,880
Speaker 1: I'll tell you what we want, like and just like

718
00:33:47,960 --> 00:33:50,520
Speaker 1: how this process came about for like the two of you,

719
00:33:51,360 --> 00:33:53,680
Speaker 1: we're talking about like, okay, we need these doctor characters,

720
00:33:53,720 --> 00:33:55,280
Speaker 1: and basically we're like look at each other and we're

721
00:33:55,320 --> 00:33:56,640
Speaker 1: like the same time, like, well we should get the

722
00:33:56,680 --> 00:34:01,920
Speaker 1: doctor from are you there? Chelsea? It's me Chelsea? And

723
00:34:01,920 --> 00:34:04,680
Speaker 1: we're like, oh my god, wait, we actually we know him.

724
00:34:04,960 --> 00:34:09,200
Speaker 1: That's Joe, like he was the doctor, right, And so

725
00:34:09,719 --> 00:34:13,399
Speaker 1: as far as you're concerned, we want that and and

726
00:34:13,480 --> 00:34:16,840
Speaker 1: for and for Gabris, like you know, obvious played we

727
00:34:16,920 --> 00:34:19,680
Speaker 1: want That's what That's what there is, Like.

728
00:34:19,640 --> 00:34:22,000
Speaker 5: You know, like you don't want any of my doctor characters.

729
00:34:22,360 --> 00:34:24,640
Speaker 3: We want we want and this is a big give

730
00:34:24,760 --> 00:34:28,040
Speaker 3: on my part, but we want Tony Parma John all right,

731
00:34:28,200 --> 00:34:31,399
Speaker 3: so we'll we'll go with that now. And then we want, yes,

732
00:34:31,440 --> 00:34:33,120
Speaker 3: the mob doctor from are you there, Chelsea?

733
00:34:33,200 --> 00:34:33,920
Speaker 1: It's me Chelsea?

734
00:34:34,520 --> 00:34:38,759
Speaker 6: Okay. He his gag was he had a big, a

735
00:34:38,800 --> 00:34:44,239
Speaker 6: big nasty soul patch and is that gonna be too

736
00:34:44,400 --> 00:34:47,799
Speaker 6: kind of gross for the show, because I know it's

737
00:34:47,800 --> 00:34:50,800
Speaker 6: the future, Like what is facial hair like in this future?

738
00:34:51,320 --> 00:34:54,160
Speaker 6: Oh yeah, if you take that away from that character

739
00:34:54,280 --> 00:34:58,960
Speaker 6: of doctor, then there isn't a whole lot left mm hmm.

740
00:35:03,160 --> 00:35:05,040
Speaker 1: We talked so much about the pants.

741
00:35:06,280 --> 00:35:08,720
Speaker 3: I know, we worked on the pants for like really

742
00:35:08,719 --> 00:35:10,080
Speaker 3: the majority of pre production.

743
00:35:10,440 --> 00:35:12,879
Speaker 1: And I was really relieved that that question came up

744
00:35:12,920 --> 00:35:17,239
Speaker 1: twice because I felt like really armed to respond to that.

745
00:35:18,840 --> 00:35:21,759
Speaker 1: I don't really have an answer to the facial hair

746
00:35:21,840 --> 00:35:24,360
Speaker 1: question what I think, but just like what's coming to

747
00:35:24,400 --> 00:35:30,799
Speaker 1: me now is maybe inverse facial hair where they you

748
00:35:30,880 --> 00:35:37,319
Speaker 1: go to a facility and they put various uh like

749
00:35:38,400 --> 00:35:41,520
Speaker 1: different colors of tape around your face, okay, and then

750
00:35:41,680 --> 00:35:46,360
Speaker 1: they give you a sunburn and then they remove the tape.

751
00:35:46,520 --> 00:35:51,640
Speaker 1: So what you have is essentially the opposite of facial hair, which.

752
00:35:51,440 --> 00:35:53,560
Speaker 4: Is like I used to do it like the Playboy

753
00:35:53,560 --> 00:35:54,760
Speaker 4: Bunny sticker at the beach.

754
00:35:56,440 --> 00:36:01,880
Speaker 1: Yes, that's the Kappa sticker. It's not the Playboy, but

755
00:36:02,040 --> 00:36:04,359
Speaker 1: it's very common misconception.

756
00:36:04,800 --> 00:36:08,320
Speaker 6: It's like in Police Academy, I think somebody writes something

757
00:36:08,920 --> 00:36:13,240
Speaker 6: in suntan lotion on on the on the chief's back

758
00:36:13,440 --> 00:36:13,920
Speaker 6: or something.

759
00:36:14,120 --> 00:36:17,000
Speaker 5: Yeah, so on Proctor or a Lassard.

760
00:36:17,719 --> 00:36:20,880
Speaker 3: I think Proctor, Yeah, they wouldn't be They wouldn't be

761
00:36:20,880 --> 00:36:22,440
Speaker 3: brave enough to do that to Lassard.

762
00:36:22,600 --> 00:36:23,640
Speaker 2: They wouldn't pop Lazard.

763
00:36:23,760 --> 00:36:27,200
Speaker 3: There's really there's really not a lot of consequences for

764
00:36:27,280 --> 00:36:30,160
Speaker 3: picking on Proctor. As much as he is an authority figure,

765
00:36:30,280 --> 00:36:34,000
Speaker 3: he's also somewhat impotent in the world of police academy

766
00:36:34,040 --> 00:36:37,960
Speaker 3: in terms of, you know, uh, enforcing consequences against you,

767
00:36:38,239 --> 00:36:40,600
Speaker 3: And so it is more of a hard ass and

768
00:36:40,640 --> 00:36:42,400
Speaker 3: so if you're gonna prank him, you're gonna want to

769
00:36:42,440 --> 00:36:45,120
Speaker 3: be sneaky about it, not something where he could actually,

770
00:36:45,160 --> 00:36:49,040
Speaker 3: you know, directly catch you in the act, because he

771
00:36:49,040 --> 00:36:51,120
Speaker 3: could bust your ass, probably right out of the academy.

772
00:36:51,480 --> 00:36:53,600
Speaker 1: So I have time for it, and I don't have

773
00:36:53,680 --> 00:36:56,799
Speaker 1: time for it. But this is actually great. I'm so

774
00:36:56,880 --> 00:36:59,000
Speaker 1: glad that this has come up, because, like we have

775
00:36:59,120 --> 00:37:01,799
Speaker 1: sort of been alerted by We've hired, of course a

776
00:37:01,800 --> 00:37:04,360
Speaker 1: lot now that we're independent, we hire a lot of

777
00:37:04,400 --> 00:37:07,919
Speaker 1: outside podcast consultants. Rather like the producing that we were

778
00:37:07,960 --> 00:37:11,000
Speaker 1: getting from within Earwolf. We now have to pay for that.

779
00:37:11,440 --> 00:37:15,120
Speaker 1: And they've been saying your audience is getting younger. You

780
00:37:15,239 --> 00:37:18,240
Speaker 1: have like younger people like coming through and like getting

781
00:37:18,520 --> 00:37:22,480
Speaker 1: like into the podcast world. So instead of Police Academy

782
00:37:22,480 --> 00:37:26,400
Speaker 1: as a reference, you should be referencing Let's Be Cops,

783
00:37:26,440 --> 00:37:30,480
Speaker 1: like something that like younger generations like have more access to.

784
00:37:30,560 --> 00:37:35,600
Speaker 1: So instead of Proctor and these other characters, it should

785
00:37:35,600 --> 00:37:39,080
Speaker 1: be about Ryan and Justin, the two main characters from

786
00:37:39,160 --> 00:37:44,680
Speaker 1: Let's Be Cops played by Jake Johnson and h Jr.

787
00:37:44,920 --> 00:37:47,600
Speaker 1: It's the New Girl where they become cops and they

788
00:37:47,760 --> 00:37:48,640
Speaker 1: never see that it.

789
00:37:48,640 --> 00:37:50,920
Speaker 3: Could be about and sorry, just to be inclusive, it

790
00:37:50,920 --> 00:37:52,439
Speaker 3: should be about Nina Debrev as well.

791
00:37:53,320 --> 00:37:56,120
Speaker 1: It should be yes, absolutely should be about Nina Debrev's

792
00:37:56,160 --> 00:38:01,480
Speaker 1: character Josie and of course their boss Rob rig As Seegers.

793
00:38:01,840 --> 00:38:04,560
Speaker 4: Well, look that was in the email was to watch

794
00:38:04,640 --> 00:38:06,920
Speaker 4: Let's Be Cops. I watched it like six or seven times,

795
00:38:06,920 --> 00:38:09,279
Speaker 4: so I think we're I watched it, so I think

796
00:38:09,280 --> 00:38:11,919
Speaker 4: we're ready to play the doctors in the sewer, who

797
00:38:11,960 --> 00:38:13,000
Speaker 4: give you guys fake?

798
00:38:13,480 --> 00:38:15,520
Speaker 2: Well, you're in the sewer.

799
00:38:16,120 --> 00:38:19,759
Speaker 3: Wanger works in the subway that's above the sewer but

800
00:38:19,840 --> 00:38:20,840
Speaker 3: still below the street.

801
00:38:21,520 --> 00:38:25,160
Speaker 4: It's like a lofted subway. It's a lofted sewer subway,

802
00:38:25,360 --> 00:38:33,480
Speaker 4: I see it, okay, so well, like we'll just go

803
00:38:33,520 --> 00:38:35,680
Speaker 4: through the script.

804
00:38:36,000 --> 00:38:42,400
Speaker 1: Uh interior, the the stairs, Sean Hay's walked down the

805
00:38:42,440 --> 00:38:50,520
Speaker 1: stairs underground into foot left foot, right foot into and

806
00:38:51,280 --> 00:38:55,759
Speaker 1: a there's a subway there at their level, and a

807
00:38:55,840 --> 00:38:59,520
Speaker 1: door opens and a doctor comes out.

808
00:39:00,000 --> 00:39:01,880
Speaker 5: Do you want us doing like a little improv.

809
00:39:03,480 --> 00:39:06,600
Speaker 1: So you when the hatch opens in the floor, that's

810
00:39:06,680 --> 00:39:07,799
Speaker 1: when you enter.

811
00:39:07,960 --> 00:39:10,279
Speaker 3: So h And if you want to come up with

812
00:39:10,320 --> 00:39:12,920
Speaker 3: some chuffa for that moment, that's fine. If you want

813
00:39:12,920 --> 00:39:17,680
Speaker 3: to be finishing talking to one of your like sewer friends.

814
00:39:18,360 --> 00:39:21,839
Speaker 1: And this is what I was, and I thank you

815
00:39:21,880 --> 00:39:25,319
Speaker 1: for I didn't complete this thought earlier. What I'm saying,

816
00:39:25,360 --> 00:39:27,400
Speaker 1: we do want to get the lines, but if you

817
00:39:27,600 --> 00:39:31,640
Speaker 1: like do your own thing as well, we will. We

818
00:39:31,760 --> 00:39:34,120
Speaker 1: will end up using that, especially because we got almost

819
00:39:34,160 --> 00:39:37,120
Speaker 1: nothing from PFT and IO, so we actually do need

820
00:39:37,160 --> 00:39:38,520
Speaker 1: some extra stuff. Yep.

821
00:39:39,840 --> 00:39:40,080
Speaker 2: Cool.

822
00:39:41,000 --> 00:39:43,879
Speaker 1: Uh the door opens and the the doctor comes out

823
00:39:43,880 --> 00:39:44,920
Speaker 1: of the subway restaurant.

824
00:39:45,520 --> 00:39:49,200
Speaker 6: Oh man, I every day I get more sad about

825
00:39:50,080 --> 00:39:54,279
Speaker 6: Dak Sheppard no longer being with us. Anybody need any

826
00:39:54,320 --> 00:39:55,560
Speaker 6: help with anything today?

827
00:39:55,640 --> 00:39:59,000
Speaker 1: Thank you? This is a really this area is really good.

828
00:39:59,600 --> 00:40:01,839
Speaker 1: I just want I want to make like one fundamental

829
00:40:02,200 --> 00:40:03,680
Speaker 1: just to bring up what day, which is that Dak

830
00:40:03,760 --> 00:40:04,760
Speaker 1: Shepherd is alive?

831
00:40:06,000 --> 00:40:06,880
Speaker 6: He's still alive.

832
00:40:07,280 --> 00:40:08,640
Speaker 1: Dak Shepherd is still alive.

833
00:40:08,840 --> 00:40:11,360
Speaker 3: Yes, I thought we said that, but I want to

834
00:40:11,360 --> 00:40:12,520
Speaker 3: apologize if we don't.

835
00:40:14,200 --> 00:40:16,919
Speaker 6: But it's the year. It's the year threeenty ten, right, it's.

836
00:40:16,800 --> 00:40:20,000
Speaker 1: The year threeenty ten. That's kay, Crooked Media is the president.

837
00:40:21,640 --> 00:40:26,040
Speaker 1: So enter from the subway. The doctor enters.

838
00:40:27,480 --> 00:40:32,240
Speaker 6: I am happy today because Dak Shepherd is so alive.

839
00:40:32,360 --> 00:40:32,720
Speaker 1: Still.

840
00:40:33,320 --> 00:40:39,920
Speaker 6: Anybody need any new podcast ideas for me? A doctor

841
00:40:39,960 --> 00:40:43,480
Speaker 6: at the sandwich store below the ground?

842
00:40:44,920 --> 00:40:48,000
Speaker 2: Yes, so can I literally just might as happen. It

843
00:40:48,120 --> 00:40:48,680
Speaker 2: might as well.

844
00:40:48,800 --> 00:40:52,680
Speaker 1: Yeah, yes, the doctor and I love this energy and

845
00:40:52,840 --> 00:40:55,439
Speaker 1: eagerness and I want to take advantage of it while

846
00:40:55,440 --> 00:40:55,799
Speaker 1: we can.

847
00:40:56,280 --> 00:40:58,840
Speaker 3: But I guess in my mind I should say, like

848
00:40:58,960 --> 00:41:00,560
Speaker 3: I thought it was sort of it was kind of

849
00:41:00,560 --> 00:41:02,799
Speaker 3: this sneaky underground thing where you had to like order

850
00:41:02,840 --> 00:41:05,399
Speaker 3: a specific sandwich that he would be like, we keep

851
00:41:05,400 --> 00:41:08,239
Speaker 3: those ingredients in the back and then we go into

852
00:41:08,239 --> 00:41:09,719
Speaker 3: this like sort of speakeasy type.

853
00:41:09,760 --> 00:41:13,000
Speaker 6: So I shouldn't be so upfront about this.

854
00:41:13,120 --> 00:41:16,920
Speaker 3: I think, because it is illegal. Yeah, that it would

855
00:41:16,920 --> 00:41:19,480
Speaker 3: probably be better even though the sandwich shop is I

856
00:41:19,520 --> 00:41:23,640
Speaker 3: get it, probably not getting a ton of foot traffic.

857
00:41:23,920 --> 00:41:27,359
Speaker 6: Yeah, that's the front and then the ad stuff's going

858
00:41:27,400 --> 00:41:29,600
Speaker 6: on in the back. I got it. That's a good note.

859
00:41:29,600 --> 00:41:29,880
Speaker 1: Thank you.

860
00:41:29,920 --> 00:41:34,640
Speaker 6: I appreciate that. That's a great note. Who's hungry for

861
00:41:34,760 --> 00:41:38,160
Speaker 6: a sandwich? You want it Mike's way or you want

862
00:41:38,160 --> 00:41:43,760
Speaker 6: it another way where you can sort of customize the sandwich.

863
00:41:44,320 --> 00:41:47,400
Speaker 1: Here's what I really like. Yeah, yeah, we want it

864
00:41:47,480 --> 00:41:52,040
Speaker 1: Mike's way. Podcast Mike, So that is that is the

865
00:41:52,160 --> 00:41:57,120
Speaker 1: clue that you you want to do right a podcast? Jewel?

866
00:41:57,239 --> 00:41:59,880
Speaker 1: You want your your jewels in your luwer back scooped

867
00:41:59,880 --> 00:42:02,040
Speaker 1: down out, replaced with a new one. The hatch opens

868
00:42:02,040 --> 00:42:05,040
Speaker 1: in the floor. The doctor comes out of the floor

869
00:42:05,040 --> 00:42:05,600
Speaker 1: from the sewer.

870
00:42:06,320 --> 00:42:09,200
Speaker 4: Oh hey, Mike, I could go for a sandwich. I

871
00:42:09,200 --> 00:42:12,000
Speaker 4: gotta go drop these Air Force ones off at Assan

872
00:42:12,040 --> 00:42:15,200
Speaker 4: Minaj's grave in tribute of him today's birthday.

873
00:42:16,960 --> 00:42:19,120
Speaker 1: Okay, just a couple of things. The doctor's name is

874
00:42:19,160 --> 00:42:23,920
Speaker 1: not Mike. Oh okay, okay, And you should you like

875
00:42:24,040 --> 00:42:26,840
Speaker 1: obviously know each other well like you you you know

876
00:42:26,880 --> 00:42:29,720
Speaker 1: what his name is. And Hassan Minaj is also alive.

877
00:42:30,920 --> 00:42:33,360
Speaker 1: Uh is this in the email?

878
00:42:33,680 --> 00:42:38,440
Speaker 5: Was this in the email? And Kevin forget it? Forget

879
00:42:38,520 --> 00:42:39,040
Speaker 5: I'm sorry.

880
00:42:39,800 --> 00:42:41,719
Speaker 2: Yeah, it was really.

881
00:42:41,520 --> 00:42:47,520
Speaker 1: Small, So you actually so that it was actually really small.

882
00:42:47,560 --> 00:42:49,960
Speaker 2: I gotta get a bigger monitor, that's all. Yeah, it's

883
00:42:49,960 --> 00:42:51,799
Speaker 2: on me. He had a click on it.

884
00:42:51,800 --> 00:42:52,560
Speaker 5: It's it's on me.

885
00:42:52,640 --> 00:42:54,520
Speaker 4: I had I have that super small monitor that I

886
00:42:54,520 --> 00:42:57,160
Speaker 4: thought was convenient because like doesn't take up a lot

887
00:42:57,200 --> 00:42:57,640
Speaker 4: of spacemen.

888
00:42:57,680 --> 00:42:58,440
Speaker 1: Now it's a nightmare.

889
00:42:58,760 --> 00:43:01,520
Speaker 8: We also did a table read at the dance club,

890
00:43:01,560 --> 00:43:03,839
Speaker 8: which I thought would have been valuable for you guys

891
00:43:03,840 --> 00:43:04,799
Speaker 8: both to be there for.

892
00:43:05,440 --> 00:43:05,919
Speaker 1: It was.

893
00:43:07,360 --> 00:43:08,960
Speaker 4: I couldn't they wouln't let me in the dance club

894
00:43:09,000 --> 00:43:11,320
Speaker 4: because I had a backwards hat, shorts and a long

895
00:43:11,880 --> 00:43:14,800
Speaker 4: and a long Yosemite sam t shirt on. Yeah, and

896
00:43:14,840 --> 00:43:20,080
Speaker 4: they were air and so the stupid fucking racist dress

897
00:43:20,080 --> 00:43:23,800
Speaker 4: code rules wouldn't even let me in, a fucking white guy.

898
00:43:24,000 --> 00:43:25,120
Speaker 5: How fucked up is that?

899
00:43:27,080 --> 00:43:28,600
Speaker 2: Yeah, that's my fault.

900
00:43:28,719 --> 00:43:32,480
Speaker 5: The real well, yeah, they weren't.

901
00:43:33,360 --> 00:43:33,960
Speaker 1: They were in that.

902
00:43:34,080 --> 00:43:36,200
Speaker 5: I remember reading that part of the email that was

903
00:43:36,600 --> 00:43:37,480
Speaker 5: that was a big thought.

904
00:43:38,520 --> 00:43:41,799
Speaker 4: Okay, sorry, sorry, we got it back into the scene. Yeah,

905
00:43:42,680 --> 00:43:47,000
Speaker 4: this is all good. Yeah, your own kind of music,

906
00:43:47,760 --> 00:43:49,480
Speaker 4: make your own kind.

907
00:43:49,800 --> 00:43:52,759
Speaker 5: Oh hey, who are these good guys hanging out here?

908
00:43:53,239 --> 00:43:53,560
Speaker 4: Uh?

909
00:43:54,480 --> 00:43:54,719
Speaker 5: Mike?

910
00:43:56,520 --> 00:43:56,719
Speaker 4: Wait?

911
00:43:56,719 --> 00:43:57,160
Speaker 6: What was that.

912
00:43:59,480 --> 00:44:00,279
Speaker 1: His names?

913
00:44:00,800 --> 00:44:01,759
Speaker 5: Why can't it be Mike?

914
00:44:01,840 --> 00:44:05,040
Speaker 1: It just be easy, really confusing that, he says, first

915
00:44:05,040 --> 00:44:07,719
Speaker 1: of all, it's the subway, and he's already saying whether

916
00:44:07,760 --> 00:44:09,320
Speaker 1: you want to say it, which Mike's Way, which he

917
00:44:09,360 --> 00:44:13,560
Speaker 1: about completely different restaurant. We've established that it's not spelled

918
00:44:13,719 --> 00:44:16,400
Speaker 1: like the name Mike, it's spelled like podcast bike, and

919
00:44:16,440 --> 00:44:19,560
Speaker 1: so for his name to also be Mike, it just

920
00:44:19,600 --> 00:44:21,880
Speaker 1: like could not be more confusing. And the fact that

921
00:44:21,960 --> 00:44:24,279
Speaker 1: your name, you have two names in your name, you

922
00:44:24,320 --> 00:44:26,120
Speaker 1: have Tony and John.

923
00:44:27,600 --> 00:44:30,160
Speaker 4: Right right, all right, I'm Tony Karma John yeah, yes,

924
00:44:30,760 --> 00:44:34,000
Speaker 4: and so May and so. Can I just have Joe's

925
00:44:34,040 --> 00:44:36,359
Speaker 4: name then, so that I could really kick the scene off.

926
00:44:36,520 --> 00:44:39,600
Speaker 6: Well, I mean, on Chelsea, I was just doctor, but

927
00:44:39,920 --> 00:44:42,480
Speaker 6: to sort of I did my backstory before we filmed,

928
00:44:42,480 --> 00:44:45,080
Speaker 6: and my name was Hayes Sean for that. So is

929
00:44:45,160 --> 00:44:49,480
Speaker 6: that okay? Is that going to be confusing or because

930
00:44:49,520 --> 00:44:52,319
Speaker 6: I get that you guys, that's kind of you, that's

931
00:44:52,360 --> 00:44:53,080
Speaker 6: your thing.

932
00:44:52,960 --> 00:44:58,360
Speaker 4: But that's the dude from Will and Grace, right mm hmm, yeah.

933
00:44:57,840 --> 00:44:59,880
Speaker 6: The black guy from Will and Grace?

934
00:45:00,480 --> 00:45:02,840
Speaker 5: Is there not a black guy on Will and Grace? Still?

935
00:45:03,840 --> 00:45:05,920
Speaker 5: Jesus get it together, Will and Grace?

936
00:45:06,800 --> 00:45:09,399
Speaker 1: So I you know, maybe we just like get three

937
00:45:09,440 --> 00:45:10,279
Speaker 1: what about the Earth?

938
00:45:10,320 --> 00:45:10,839
Speaker 5: Thirty ten?

939
00:45:11,280 --> 00:45:13,719
Speaker 4: Will is Will and Grace? Could because could we use

940
00:45:13,719 --> 00:45:16,719
Speaker 4: the Will and Grace riffs? It's like, is is is

941
00:45:16,760 --> 00:45:19,000
Speaker 4: it still going in thirty ten? Is there another round

942
00:45:19,000 --> 00:45:19,239
Speaker 4: of it?

943
00:45:19,880 --> 00:45:20,720
Speaker 1: Will and Grace?

944
00:45:21,080 --> 00:45:21,279
Speaker 4: Uh?

945
00:45:22,440 --> 00:45:24,360
Speaker 3: There, it's I don't know where it is in the cycle.

946
00:45:24,480 --> 00:45:26,840
Speaker 3: Like obviously Will and Grace comes back every fifteen or

947
00:45:26,880 --> 00:45:32,560
Speaker 3: twenty years, does the like it's like twelve fourteen episodes, Yeah,

948
00:45:32,640 --> 00:45:35,680
Speaker 3: and then and then recedes into the ground again.

949
00:45:35,840 --> 00:45:39,440
Speaker 2: So I guess in thirty ten, if I just like what.

950
00:45:41,280 --> 00:45:44,680
Speaker 1: They come out every every fifteen years or so, see

951
00:45:44,719 --> 00:45:46,000
Speaker 1: all the crops.

952
00:45:45,560 --> 00:45:48,000
Speaker 2: You would be and it's.

953
00:45:49,000 --> 00:45:49,360
Speaker 1: Okay.

954
00:45:49,400 --> 00:45:51,800
Speaker 3: So yeah, they're finishing. Yeah, so they're in the back half.

955
00:45:53,000 --> 00:45:55,600
Speaker 3: They're in the back half the second season of their

956
00:45:55,640 --> 00:45:59,279
Speaker 3: second season of The New Incarnation.

957
00:46:01,120 --> 00:46:04,000
Speaker 2: Dax is on it alive.

958
00:46:04,280 --> 00:46:05,720
Speaker 5: Ooh, I like that. That's fun.

959
00:46:06,520 --> 00:46:09,879
Speaker 2: Dax is playing the Sean Hayes character in a way

960
00:46:09,920 --> 00:46:14,239
Speaker 2: that is not great.

961
00:46:15,440 --> 00:46:19,319
Speaker 3: Megan Malally unfortunately has left us. It is thirty ten,

962
00:46:19,480 --> 00:46:23,200
Speaker 3: Nick Offerman has replaced her in that role in Tribute

963
00:46:23,200 --> 00:46:27,040
Speaker 3: to his wife. So it's Karen, but it's not Karen

964
00:46:27,040 --> 00:46:29,759
Speaker 3: how you think of Karen. Karen is a little more

965
00:46:29,760 --> 00:46:33,480
Speaker 3: soft spoken, and she can make a canoe with her hands.

966
00:46:34,840 --> 00:46:38,719
Speaker 1: I like that, So and I we'll just get into

967
00:46:38,719 --> 00:46:45,240
Speaker 1: our stuff. Hi. Yeah, we've heard. We need the procedure done.

968
00:46:45,920 --> 00:46:49,920
Speaker 1: We need to change our identities. We need completely new podcasts.

969
00:46:49,920 --> 00:46:54,040
Speaker 1: So we need our podcast jewels scooped out and replaced

970
00:46:54,040 --> 00:46:59,240
Speaker 1: with new ones. What do you guys have to offer

971
00:46:59,320 --> 00:47:02,120
Speaker 1: in terms of of new podcasts?

972
00:47:02,719 --> 00:47:04,680
Speaker 4: Well, what do you what kind of cover are you

973
00:47:04,719 --> 00:47:07,880
Speaker 4: guys looking for? Are you looking for like the aging

974
00:47:07,920 --> 00:47:10,960
Speaker 4: actor just cashing in on more than residuals with like

975
00:47:11,360 --> 00:47:13,959
Speaker 4: revisiting a show you were on a few years ago.

976
00:47:14,680 --> 00:47:16,719
Speaker 4: Are you looking for like I can't believe I'm leaving

977
00:47:16,719 --> 00:47:18,520
Speaker 4: money on the table as a comedian. I might as

978
00:47:18,520 --> 00:47:21,480
Speaker 4: well just have one that other people do entirely for me,

979
00:47:21,520 --> 00:47:24,280
Speaker 4: and I sit down and just read dear Abby letters

980
00:47:24,360 --> 00:47:26,839
Speaker 4: or whatever like? Are you looking for something like that?

981
00:47:26,920 --> 00:47:30,160
Speaker 4: Are you looking for are you looking for just complete

982
00:47:30,239 --> 00:47:32,200
Speaker 4: improv where it's like we need to figure out a

983
00:47:32,200 --> 00:47:35,600
Speaker 4: way to monetize this skill that I spent fifteen years

984
00:47:36,000 --> 00:47:39,120
Speaker 4: practicing and honing. Like, is there something like we need

985
00:47:39,160 --> 00:47:42,600
Speaker 4: some podcast ideas, me and Mike uh hay Sean, me

986
00:47:42,640 --> 00:47:46,799
Speaker 4: and doctor hay Sean. We need some you know, give

987
00:47:46,880 --> 00:47:49,839
Speaker 4: us some a little direction here, because we got all

988
00:47:49,920 --> 00:47:50,439
Speaker 4: kinds of shit.

989
00:47:50,880 --> 00:47:53,160
Speaker 3: I don't think we can say that we're aging actors

990
00:47:53,200 --> 00:47:55,480
Speaker 3: cashing in on a TV show we were on, because

991
00:47:55,520 --> 00:47:58,440
Speaker 3: that people are gonna sniff that out that we're not.

992
00:48:01,080 --> 00:48:05,279
Speaker 3: I would love to look. I would love nothing more

993
00:48:05,320 --> 00:48:09,879
Speaker 3: than two recap scrips. M It would be an una

994
00:48:10,440 --> 00:48:16,200
Speaker 3: and a privilege that's not available to me. And so

995
00:48:16,440 --> 00:48:18,279
Speaker 3: I think we're looking to fly under the radar. The

996
00:48:18,280 --> 00:48:20,800
Speaker 3: podcasts that you're talking about, of course, are the most

997
00:48:20,840 --> 00:48:22,720
Speaker 3: popular podcasts in the world.

998
00:48:23,400 --> 00:48:27,960
Speaker 4: Yeah, so there are a few other There are other

999
00:48:28,040 --> 00:48:30,360
Speaker 4: few other big popular cliches. If you guys want to hit,

1000
00:48:30,400 --> 00:48:33,720
Speaker 4: if you guys are willing to go a little more right.

1001
00:48:33,600 --> 00:48:36,120
Speaker 2: Wing cliches, formats formats.

1002
00:48:36,160 --> 00:48:38,239
Speaker 4: Sorry, yeah, if you're willing to go a little more

1003
00:48:38,320 --> 00:48:42,040
Speaker 4: right wing, that leads to money. Obviously you make a

1004
00:48:42,080 --> 00:48:44,960
Speaker 4: lot of money, but then you know, you get like

1005
00:48:45,000 --> 00:48:47,279
Speaker 4: a monthly Seth Simon's article about you.

1006
00:48:48,680 --> 00:48:50,600
Speaker 1: What I like if if there is sort of a

1007
00:48:50,640 --> 00:48:54,160
Speaker 1: middle ground here, I would like to be a really

1008
00:48:54,239 --> 00:48:57,480
Speaker 1: really famous actor who just wants it is working, but

1009
00:48:57,560 --> 00:49:00,760
Speaker 1: just wants like a little more affirmation. What I'm getting

1010
00:49:00,800 --> 00:49:02,960
Speaker 1: is like not quite enough, and I want it on

1011
00:49:03,000 --> 00:49:07,239
Speaker 1: a weekly basis instead of on like a monthly like

1012
00:49:07,440 --> 00:49:09,919
Speaker 1: whenever my other stuff is coming out. And I want

1013
00:49:09,960 --> 00:49:14,440
Speaker 1: it to be not funny per se, but mostly informative

1014
00:49:14,920 --> 00:49:17,799
Speaker 1: and me talking about stuff that's like sufficiently out of

1015
00:49:17,800 --> 00:49:24,200
Speaker 1: my depth that I'm often wandering into really really verytically

1016
00:49:24,440 --> 00:49:27,719
Speaker 1: dangerous territory.

1017
00:49:27,760 --> 00:49:31,920
Speaker 6: Do you feel comfortable sort of putting a lot of

1018
00:49:32,560 --> 00:49:35,680
Speaker 6: forethought and work into it or do you just want

1019
00:49:35,680 --> 00:49:37,839
Speaker 6: to have more of like a free wheeling conversation.

1020
00:49:39,200 --> 00:49:41,359
Speaker 1: I would like to put the amount of work where

1021
00:49:41,400 --> 00:49:48,040
Speaker 1: I'm yelling at someone like about the show as many

1022
00:49:48,080 --> 00:49:49,560
Speaker 1: times as I'm doing the show.

1023
00:49:49,880 --> 00:49:51,640
Speaker 3: Sorry, Is there any way for me to capitalize on

1024
00:49:51,680 --> 00:49:54,160
Speaker 3: someone's trauma?

1025
00:49:54,440 --> 00:49:57,920
Speaker 4: Ooh, yeah, your own or someone else's, because there's a

1026
00:49:57,960 --> 00:49:59,080
Speaker 4: lot a little.

1027
00:49:58,800 --> 00:50:01,160
Speaker 3: Bit of mine, but just really as an entry point

1028
00:50:01,320 --> 00:50:02,560
Speaker 3: for a lot of other people's.

1029
00:50:02,800 --> 00:50:05,120
Speaker 4: Well, there's a ton of rapists and murderers who are

1030
00:50:05,120 --> 00:50:07,720
Speaker 4: actually kind of handsome guys that we could like really

1031
00:50:07,800 --> 00:50:10,200
Speaker 4: go into about and stuff like like people who are

1032
00:50:10,239 --> 00:50:13,600
Speaker 4: like you know, kill women and fuck children that we

1033
00:50:13,640 --> 00:50:16,160
Speaker 4: could talk about for ninety minutes two hours in a clip,

1034
00:50:16,200 --> 00:50:17,160
Speaker 4: you know, in a funny way.

1035
00:50:17,640 --> 00:50:21,359
Speaker 5: I think that's kind of exciting. We could do something

1036
00:50:21,400 --> 00:50:21,719
Speaker 5: like that.

1037
00:50:21,880 --> 00:50:25,560
Speaker 4: I don't know, like exactly you want to do something

1038
00:50:25,600 --> 00:50:28,560
Speaker 4: that's medically dangerous, Hayes, You want so.

1039
00:50:29,000 --> 00:50:33,400
Speaker 1: I want Yeah, where I'm like accidentally getting people to

1040
00:50:33,960 --> 00:50:38,520
Speaker 1: do something like bad to their bodies or like to

1041
00:50:38,520 --> 00:50:41,600
Speaker 1: to not take a certain medicine that they need, just

1042
00:50:41,680 --> 00:50:44,839
Speaker 1: by like an offhand comment that I have spent no

1043
00:50:44,920 --> 00:50:47,799
Speaker 1: time thinking about ahead of time to answer your question, uh,

1044
00:50:48,000 --> 00:50:54,759
Speaker 1: doctor Mike, but also have the utmost conviction about as

1045
00:50:54,840 --> 00:50:55,799
Speaker 1: I'm saying it.

1046
00:50:55,880 --> 00:50:56,120
Speaker 2: Yeah.

1047
00:50:56,200 --> 00:50:58,080
Speaker 4: Yeah, Because if you're a very popular actor, what you

1048
00:50:58,120 --> 00:51:00,759
Speaker 4: can do is harness a hobby you have that you

1049
00:51:00,840 --> 00:51:02,720
Speaker 4: think is interesting and makes you great.

1050
00:51:02,920 --> 00:51:03,320
Speaker 5: Interesting.

1051
00:51:03,360 --> 00:51:05,120
Speaker 4: But it is like a lot of people cook or

1052
00:51:05,160 --> 00:51:06,600
Speaker 4: a lot of people exercise.

1053
00:51:06,960 --> 00:51:08,279
Speaker 1: Yeah, but now I'm doing it.

1054
00:51:08,520 --> 00:51:10,120
Speaker 4: Yeah, but now you're doing but you're saying you want

1055
00:51:10,120 --> 00:51:12,520
Speaker 4: to go even further and maybe like push the boundaries

1056
00:51:12,560 --> 00:51:15,360
Speaker 4: of what you should even be talking about sort of

1057
00:51:15,400 --> 00:51:19,680
Speaker 4: having you know, weird biological thought leaders on and stuff

1058
00:51:19,680 --> 00:51:20,319
Speaker 4: and sort of.

1059
00:51:20,880 --> 00:51:27,799
Speaker 1: I like stuff like I like a cooking show is

1060
00:51:27,800 --> 00:51:30,640
Speaker 1: like a starting point, but that like that's how you

1061
00:51:30,680 --> 00:51:34,200
Speaker 1: find out that, Like I read one somewhere that like

1062
00:51:34,360 --> 00:51:37,520
Speaker 1: all vegetables are like technically night shades, which are like

1063
00:51:37,560 --> 00:51:43,040
Speaker 1: a which actually accumulate in your body as poison. Uh,

1064
00:51:43,239 --> 00:51:45,560
Speaker 1: and so like stuff like that, and then I recommend

1065
00:51:45,600 --> 00:51:48,120
Speaker 1: something that people should be instead, which actually turns out

1066
00:51:48,120 --> 00:51:51,279
Speaker 1: to be the thing that it's actually poisonous. So like

1067
00:51:51,320 --> 00:51:54,480
Speaker 1: that it's like that area celebrity cooking show that is

1068
00:51:54,520 --> 00:51:59,040
Speaker 1: accidentally killing people. Like that's that's I will if you've

1069
00:51:59,080 --> 00:52:00,640
Speaker 1: got that, that would be amazing.

1070
00:52:01,560 --> 00:52:03,880
Speaker 3: This is actually giving me an idea to have like

1071
00:52:05,520 --> 00:52:09,520
Speaker 3: start off with some pretty unassailable, like almost common sense

1072
00:52:09,840 --> 00:52:13,920
Speaker 3: good advice for people, and then let that gateway into

1073
00:52:14,200 --> 00:52:19,600
Speaker 3: some pretty dangerous uh philosophies and and ideas under the

1074
00:52:19,600 --> 00:52:24,319
Speaker 3: guise of like being efficient or self actualized in some way.

1075
00:52:24,520 --> 00:52:30,920
Speaker 3: But actually, uh, but you'rehobia, yeah, yeah.

1076
00:52:29,640 --> 00:52:32,760
Speaker 4: Yeah, we we could do something. We could do something

1077
00:52:32,800 --> 00:52:35,120
Speaker 4: tight like that you can have on like snipers who've

1078
00:52:35,160 --> 00:52:36,080
Speaker 4: been disgraced for.

1079
00:52:36,200 --> 00:52:37,160
Speaker 2: But it's gotta be funny.

1080
00:52:37,320 --> 00:52:41,359
Speaker 4: John Oh Okay, we're going for funny. Funny, sorry too,

1081
00:52:42,080 --> 00:52:44,719
Speaker 4: mister mister John, mister Parmit John.

1082
00:52:44,560 --> 00:52:46,759
Speaker 3: Not going for funny, but it just it's going to

1083
00:52:46,800 --> 00:52:49,319
Speaker 3: be funny as a byproduct of like, hey, we're you know,

1084
00:52:49,400 --> 00:52:50,920
Speaker 3: we're having these conversations.

1085
00:52:51,239 --> 00:52:54,239
Speaker 4: We're three of the funniest dudes to ever grace the

1086
00:52:54,280 --> 00:52:57,879
Speaker 4: TV screens. We deserve a podcast. We could just riff.

1087
00:52:57,920 --> 00:52:59,600
Speaker 4: We could do it like you want that level of

1088
00:52:59,640 --> 00:53:01,840
Speaker 4: like you love you sort of loved us in the

1089
00:53:01,920 --> 00:53:05,359
Speaker 4: thousands of opportunities we've gotten on television. I think you

1090
00:53:05,440 --> 00:53:09,080
Speaker 4: might like us just bullshitting because we're real people. We

1091
00:53:09,120 --> 00:53:12,879
Speaker 4: could go that angle. I know, there's just so much territory.

1092
00:53:12,920 --> 00:53:15,200
Speaker 4: There's so much territory. And if you're and if you're

1093
00:53:15,239 --> 00:53:17,040
Speaker 4: willing to, like I know it's Haze and Sean, but

1094
00:53:17,080 --> 00:53:21,200
Speaker 4: if you're willing to, you know, change your one of

1095
00:53:21,200 --> 00:53:25,000
Speaker 4: your ethnicities or genders or something, you can really, you know,

1096
00:53:25,520 --> 00:53:28,800
Speaker 4: open up a whole new kind of slew of giving deeper,

1097
00:53:28,880 --> 00:53:32,040
Speaker 4: weirder advice that you're not like you should not be

1098
00:53:32,040 --> 00:53:36,279
Speaker 4: giving out either, you know. Okay, and also I think

1099
00:53:36,280 --> 00:53:40,200
Speaker 4: you meant to text this to Kevin, but delete this

1100
00:53:40,280 --> 00:53:42,680
Speaker 4: part you're texting me to delete this part. I think

1101
00:53:42,719 --> 00:53:46,520
Speaker 4: this is supposed to be for Kevin am I on

1102
00:53:46,640 --> 00:53:50,200
Speaker 4: mute because I'm I don't know if.

1103
00:53:48,560 --> 00:53:50,759
Speaker 5: You you.

1104
00:53:53,360 --> 00:53:57,440
Speaker 1: So we've actually uh. And then again, this is not

1105
00:53:57,600 --> 00:53:59,880
Speaker 1: the fault of anyone here. This is on pf T

1106
00:54:00,160 --> 00:54:03,560
Speaker 1: and I and I really appreciate how much farther we

1107
00:54:03,640 --> 00:54:08,920
Speaker 1: got in this episode. We got uh just about halfway

1108
00:54:08,960 --> 00:54:11,839
Speaker 1: through the through the work that we needed to do.

1109
00:54:12,080 --> 00:54:15,719
Speaker 1: It does it is going to create additional work for

1110
00:54:16,040 --> 00:54:18,320
Speaker 1: the people that are coming in next week to continue

1111
00:54:18,360 --> 00:54:22,640
Speaker 1: the podcaster's promise. But uh, this was helpful. This the

1112
00:54:22,719 --> 00:54:26,279
Speaker 1: facial hair stuff was huge. That's so good.

1113
00:54:26,360 --> 00:54:28,640
Speaker 3: Yeah, I still can't picture what Hayes is saying, but

1114
00:54:28,760 --> 00:54:30,160
Speaker 3: I love it.

1115
00:54:30,200 --> 00:54:31,600
Speaker 1: To me, it's pretty easy to picture.

1116
00:54:32,920 --> 00:54:34,600
Speaker 3: I guess I don't know how. It's the opposite of

1117
00:54:34,600 --> 00:54:36,120
Speaker 3: facial hair. That's what I'll say.

1118
00:54:36,280 --> 00:54:37,440
Speaker 1: It's the picture.

1119
00:54:37,160 --> 00:54:40,120
Speaker 3: What you're saying, which is like a sunburn in some spots.

1120
00:54:40,520 --> 00:54:43,360
Speaker 3: But I don't know what makes that the opposite of

1121
00:54:43,400 --> 00:54:44,000
Speaker 3: facial hair.

1122
00:54:44,160 --> 00:54:48,200
Speaker 1: The opposite of facial hair is like a patch indifference

1123
00:54:48,719 --> 00:54:53,759
Speaker 1: on sunburn, Like, oh, that's that. Like the opposite of

1124
00:54:53,760 --> 00:54:56,239
Speaker 1: facial hair would be like a full beard and then

1125
00:54:56,440 --> 00:54:58,800
Speaker 1: a soul patch shaved out of it. That's the opposite

1126
00:54:58,800 --> 00:55:01,160
Speaker 1: of a soul patch. No, that's wrong, because that's still

1127
00:55:01,239 --> 00:55:06,399
Speaker 1: facial hair. The opposite of facial hair is selectively sunburned.

1128
00:55:07,120 --> 00:55:08,840
Speaker 2: I think it would be ingrown hairs.

1129
00:55:09,600 --> 00:55:11,520
Speaker 4: Oh shit, I feel like we're winding down here. I

1130
00:55:11,560 --> 00:55:14,440
Speaker 4: just want to say, Tony Parma John has a perfect

1131
00:55:14,600 --> 00:55:16,200
Speaker 4: ring of hair around his lips.

1132
00:55:16,640 --> 00:55:17,160
Speaker 5: He has like a.

1133
00:55:17,160 --> 00:55:19,799
Speaker 4: Mustache that goes above and below, so it looks like

1134
00:55:19,840 --> 00:55:24,440
Speaker 4: a second set of lips. Odd, like a fury furry

1135
00:55:24,600 --> 00:55:26,600
Speaker 4: like second set of lips. That's what Tony Parme John

1136
00:55:26,600 --> 00:55:29,320
Speaker 4: has and it doesn't eat here. I believe he also

1137
00:55:29,440 --> 00:55:32,399
Speaker 4: dyes that hair lip colored. Yeah, he dyes that hair

1138
00:55:32,480 --> 00:55:36,640
Speaker 4: lip colored and dyes his lips black. So it's very confusing.

1139
00:55:38,200 --> 00:55:39,759
Speaker 4: I just want to get that in because I feel

1140
00:55:39,760 --> 00:55:41,759
Speaker 4: like we're winding down here, wrapping up side.

1141
00:55:41,360 --> 00:55:46,840
Speaker 1: We are Yeah, yeah, we are out of time. I

1142
00:55:46,880 --> 00:55:47,200
Speaker 1: don't know.

1143
00:55:47,280 --> 00:55:52,120
Speaker 3: I'm down to hang And I do want to say, Hayes,

1144
00:55:53,360 --> 00:55:57,560
Speaker 3: you really yelled over me. But I think the Reddit

1145
00:55:57,680 --> 00:55:59,520
Speaker 3: is gonna be mad if we don't double back to

1146
00:55:59,560 --> 00:56:03,160
Speaker 3: talk about how the opposite of facial hair is indifference.

1147
00:56:04,480 --> 00:56:10,280
Speaker 1: Yeah, I I did hear you, okay, but you didn't

1148
00:56:10,280 --> 00:56:13,640
Speaker 1: act like it. I feel like this whole project is

1149
00:56:13,719 --> 00:56:15,560
Speaker 1: kind of and that's you know, it's not about you.

1150
00:56:15,600 --> 00:56:17,640
Speaker 1: It's not what about what you were saying. This is

1151
00:56:17,680 --> 00:56:19,800
Speaker 1: like my stuff. I feel like this project is getting

1152
00:56:19,800 --> 00:56:24,280
Speaker 1: away from me. We we do have a lot invested

1153
00:56:24,320 --> 00:56:26,120
Speaker 1: in it. I guess it would be good to use

1154
00:56:26,120 --> 00:56:28,319
Speaker 1: this time now to sort of lay the groundwork for

1155
00:56:28,440 --> 00:56:33,160
Speaker 1: next week and say that we will be sharing in advance,

1156
00:56:34,120 --> 00:56:38,160
Speaker 1: not just the material at a normal size, but also

1157
00:56:38,440 --> 00:56:41,000
Speaker 1: what happens, so the guests no going in it. We

1158
00:56:41,000 --> 00:56:44,160
Speaker 1: don't have to every episode, and you don't have to

1159
00:56:44,160 --> 00:56:46,000
Speaker 1: write this down, Gabrius. I see you're getting the devil

1160
00:56:46,000 --> 00:56:47,960
Speaker 1: sticks out, but like this is actually not for you,

1161
00:56:48,120 --> 00:56:50,160
Speaker 1: and I really appreciate that enthusiasm, but you don't have

1162
00:56:50,200 --> 00:56:54,040
Speaker 1: to write this down talking to the So like, if

1163
00:56:54,080 --> 00:56:56,440
Speaker 1: every episode we are explaining what has happened in the

1164
00:56:56,440 --> 00:56:58,560
Speaker 1: podcast or promise up to this point that like.

1165
00:56:58,600 --> 00:57:01,360
Speaker 3: And what's going to happen and what they need to say,

1166
00:57:01,520 --> 00:57:06,160
Speaker 3: and we're just fielding a lot of surprising questions, it's

1167
00:57:06,200 --> 00:57:09,160
Speaker 3: going to be harder to get any recorded content that

1168
00:57:09,239 --> 00:57:12,360
Speaker 3: can be edited into an actual like piece, like a

1169
00:57:12,440 --> 00:57:13,240
Speaker 3: produced piece.

1170
00:57:14,840 --> 00:57:16,320
Speaker 5: Wait, have I been on mute this whole time?

1171
00:57:16,360 --> 00:57:19,320
Speaker 4: I was just listing races that people that you could get,

1172
00:57:19,640 --> 00:57:20,960
Speaker 4: that you could change yourself to.

1173
00:57:22,680 --> 00:57:26,160
Speaker 1: So that we have that audio. I think we could

1174
00:57:26,200 --> 00:57:32,640
Speaker 1: all tell that that was coming you. You introduce it

1175
00:57:32,680 --> 00:57:40,760
Speaker 1: with kind of a world that you musically list races, uh,

1176
00:57:40,800 --> 00:57:43,400
Speaker 1: and that you're exactly right, we have it just on

1177
00:57:43,440 --> 00:57:48,120
Speaker 1: your end, if you if that would be amazing, if

1178
00:57:48,160 --> 00:57:50,240
Speaker 1: you could just like say, I have it from last week.

1179
00:57:50,360 --> 00:57:51,520
Speaker 1: I have it from last week.

1180
00:57:52,080 --> 00:57:53,600
Speaker 3: We didn't want to break up the rhythm of what

1181
00:57:53,880 --> 00:57:58,919
Speaker 3: seemed to be a pretty difficult song to have memorized.

1182
00:58:00,200 --> 00:58:05,040
Speaker 4: Hm, it's it's hard, It's it's my Uh, we didn't

1183
00:58:05,040 --> 00:58:05,640
Speaker 4: start the five.

1184
00:58:05,880 --> 00:58:09,360
Speaker 5: It's very hard. I need I need a prompter, a

1185
00:58:09,400 --> 00:58:11,520
Speaker 5: proctor mm hmm.

1186
00:58:12,840 --> 00:58:17,680
Speaker 1: Justin we want to say justin right, Let's sorry, Okay,

1187
00:58:17,840 --> 00:58:20,880
Speaker 1: Joe Joy bye.

1188
00:58:24,720 --> 00:58:28,040
Speaker 8: This week on the Patreon Carl and Assan discussed sports betting,

1189
00:58:28,280 --> 00:58:31,520
Speaker 8: Seawn and Hayes watched The dough Boys, Good Morning America Interview,

1190
00:58:31,800 --> 00:58:35,440
Speaker 8: and The flager Ones are mostly talking all things basketball.

1191
00:58:35,960 --> 00:58:39,240
Speaker 8: Check out the podcast and videos at patreon dot com

1192
00:58:39,280 --> 00:58:40,600
Speaker 8: Slash the flager Ones

1193
00:58:42,240 --> 00:58:43,040
Speaker 1: Ham