WEBVTT - Caroline Rose

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<v Speaker 1>Pushkin. Singer songwriter Caroline Rose has always been a character.

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<v Speaker 1>Her music videos often feature Caroline as the screwball lead

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<v Speaker 1>navigating ambition, desire, and superstardom. Since her twenty twelve debut,

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<v Speaker 1>Caroline's music has evolved from an American of folk sound

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<v Speaker 1>to incorporating more elements of synth, heavy indie dance, and

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<v Speaker 1>straight up pop. Now, on the verge of releasing her

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<v Speaker 1>latest album, The Art of Forgetting, Caroline is shedding all

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<v Speaker 1>of the past pretense and offering up an unflinching look

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<v Speaker 1>into her inner life in the midst of personal turmoil.

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<v Speaker 1>The result is an album packed with clever lyricism and

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<v Speaker 1>soaring arrangements. Caroline produced the album and collaborated with Nick

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<v Speaker 1>Sanborn of Silvanesso, who helped stack and distort her vocal.

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<v Speaker 1>On today's episode, Broken Record producer Leah Rose talks to

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<v Speaker 1>Caroline Rose about why she wanted to set her living

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<v Speaker 1>room on fire for the sake of her album art.

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<v Speaker 1>Caroline also shares an early demo of a song she

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<v Speaker 1>wrote under a starry desert sky and explains how, aside

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<v Speaker 1>from herself, Caroline's parents are her harshest critics. This is

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<v Speaker 1>broken Record liner notes for the Digital Age. I'm justin Mitchman.

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<v Speaker 1>Here's Lea Rose with Caroline Rose.

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<v Speaker 2>So let's talk about the new album. Yeah, where are

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<v Speaker 2>you sitting with it?

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<v Speaker 3>Now?

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<v Speaker 4>You're done with it, You're ready to start talking about it.

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<v Speaker 4>Hopefully eventually you're going to start touring it. How do

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<v Speaker 4>you feel about it now as like a completed piece

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<v Speaker 4>of work.

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<v Speaker 5>Well, you know, you're catching me at an interesting time because, uh,

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<v Speaker 5>you know, I wrote these songs a while ago now,

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<v Speaker 5>and I wasn't sure what I was even going to

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<v Speaker 5>do with them. I thought that they were just songs

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<v Speaker 5>that I wrote to kind of help me through this

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<v Speaker 5>difficult time, and then it ended up being pretty clear

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<v Speaker 5>that it was an album and it's finally coming out,

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<v Speaker 5>which I'm I'm really proud of it as a body

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<v Speaker 5>of work. I think it's by far my strongest material

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<v Speaker 5>and I'm really proud of that, and I think it's

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<v Speaker 5>really beautiful. But there's something else that it's like, it's bittersweet,

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<v Speaker 5>I think because it's really difficult for me to have

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<v Speaker 5>to keep reliving this stuff, and I you know, now

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<v Speaker 5>that it's finally coming out, I'm like, wow, did I

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<v Speaker 5>just shoot myself on the foot putting out this really

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<v Speaker 5>painful material. Yeah, that's on me though, you know, I

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<v Speaker 5>did this to myself really, so it's a mixed bag.

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<v Speaker 4>The album is very much it feels very much like

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<v Speaker 4>it's connected to a situation, and a very painful situation.

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<v Speaker 4>I don't know if it's a if it qualifies as

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<v Speaker 4>a breakup album, but as far as just that situation goes,

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<v Speaker 4>do you have enough distance from it? Like do you

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<v Speaker 4>feel like you've healed and moved on from whatever spurred this?

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<v Speaker 6>Yeah?

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<v Speaker 5>Well, you know, it was a series of things that

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<v Speaker 5>all happened at the same time, so there was like,

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<v Speaker 5>you know, this like handful of one, two, three, four

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<v Speaker 5>punches all at the same time that I was just like, uh,

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<v Speaker 5>And I think the process of moving on it's not linear,

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<v Speaker 5>Like you don't ever reach a place where you're.

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<v Speaker 6>Like, oh, I'm completely moved.

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<v Speaker 5>On from this. You know, it'll all there will always

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<v Speaker 5>be tendrils of things that pull you back into something.

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<v Speaker 5>And I find myself going in these waves of I'm oh,

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<v Speaker 5>I am moved on. You know, I'm in a much better,

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<v Speaker 5>happier place now. And for a while I kind of

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<v Speaker 5>lost my sense of humor and that doesn't like, that

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<v Speaker 5>doesn't feel like the case anymore.

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<v Speaker 6>But there are moments.

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<v Speaker 5>I mean, I had one this morning where I was

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<v Speaker 5>like just riddled with anxiety and fear, and I'm like,

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<v Speaker 5>what if I done I've made a huge mistake, just

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<v Speaker 5>full of doubt, and then I get thrown back into

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<v Speaker 5>you know, the lore of the past of like what

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<v Speaker 5>I could have done differently, And I think it's always

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<v Speaker 5>going to be this way of fascinating back and forth

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<v Speaker 5>being like, oh, I'm in a good place, and then

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<v Speaker 5>it's like duh, Yeah.

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<v Speaker 4>I mean the fact that you're so honest with this

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<v Speaker 4>new album, because that's what it feels like. It feels

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<v Speaker 4>like it's like almost like a primal scream, like it's

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<v Speaker 4>obviously you processing some sort of trauma, whether it was

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<v Speaker 4>one or many traumas, and you like really like we're

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<v Speaker 4>going through it with you, and you know, I, as

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<v Speaker 4>a listener, I felt very connected to you and your pain.

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<v Speaker 4>But I also you know, when I think about Caroline Rose,

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<v Speaker 4>like I know you almost like a character. Is that

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<v Speaker 4>actually a decision or how did you deal with putting

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<v Speaker 4>forth a more honest and open version of yourself?

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<v Speaker 1>Yeah?

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<v Speaker 6>To be honest, it didn't really feel like good.

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<v Speaker 7>True.

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<v Speaker 5>It felt more more like when I was younger, uh,

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<v Speaker 5>you know, even a teenager, and I felt really isolated

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<v Speaker 5>in those times, you know, as like a young queer

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<v Speaker 5>kid kind of trying to figure out who I was

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<v Speaker 5>and where I belonged in the world. And these songs

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<v Speaker 5>like it was really similar to that process of just

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<v Speaker 5>you have to express yourself somehow or else it'll build up,

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<v Speaker 5>and you know, bad things happen when you don't express

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<v Speaker 5>yourself and you have all these feelings. It didn't feel

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<v Speaker 5>like a choice because I had to get it out somehow.

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<v Speaker 5>It was just you know, also, mind you, all of

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<v Speaker 5>these things were happening in the midst of the most

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<v Speaker 5>isolating time any of us will probably ever feel in

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<v Speaker 5>our whole lives, like during the pandemic, and you know,

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<v Speaker 5>being forced to kind of stay inside and be alone

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<v Speaker 5>as much as possible, so you're just sitting just marinating

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<v Speaker 5>in your own thoughts. So to be trying to heal

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<v Speaker 5>from things, which requires looking inward in a very isolating time,

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<v Speaker 5>you know, that's a lot of loneliness right there, and

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<v Speaker 5>that's a lot of ripping some big band aids of like, Okay, well,

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<v Speaker 5>if I'm going to improve my life and if I'm

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<v Speaker 5>going to try and become a better person, improve my

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<v Speaker 5>mental health and start to love myself, I have to

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<v Speaker 5>go deep. And sometimes that's so scary. It's still scary.

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<v Speaker 5>You know, the characters that you're talking about, they are

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<v Speaker 5>still me. Yeah, And that was something that was probably

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<v Speaker 5>my bad of not making that more clear that anytime

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<v Speaker 5>I was like kind of putting on an act, it

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<v Speaker 5>was like just a poking, fun a version of myself,

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<v Speaker 5>like right, but this time there were no crutches because

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<v Speaker 5>I wasn't really I didn't have any I didn't.

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<v Speaker 4>Yeah, would the melodies come to you first? Or would

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<v Speaker 4>the words come to you first? Like how was the

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<v Speaker 4>actual construction of the songs happening?

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<v Speaker 6>It's always different.

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<v Speaker 5>I don't understand it, but you know, some things at work,

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<v Speaker 5>some things at work in there, because sometimes you know

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<v Speaker 5>the melody, I'll just be noodling on an instrument, the

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<v Speaker 5>piano or guitar, which is so much fun because there's

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<v Speaker 5>no gadgets involved.

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<v Speaker 6>You just sit down, dress.

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<v Speaker 5>A note and it makes a sound and then you

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<v Speaker 5>can immediately there's no waiting, like you can just make

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<v Speaker 5>something that sounds interesting, and there it is, and then

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<v Speaker 5>the song is made. So sometimes it's as simple as that,

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<v Speaker 5>as you just sit down, you hear something and then

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<v Speaker 5>it's like pulling a thread and you're like, this makes

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<v Speaker 5>me feel this way, and this other chord makes me

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<v Speaker 5>feel this way, and you just pull the thread more

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<v Speaker 5>and more until it's like, oh.

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<v Speaker 6>This is what this is about and it's so cool. Yeah.

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<v Speaker 5>And other times, you know it, there'll be a line.

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<v Speaker 5>I'll be like, oh, this is such a great line.

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<v Speaker 2>You have some great line on this album.

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<v Speaker 6>Oh thank you.

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<v Speaker 4>The first one that stood out to me just because

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<v Speaker 4>the sequence of the album was in Miami, where you're

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<v Speaker 4>talking back and forth with your mom in the song

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<v Speaker 4>your father and I were in the last stage of

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<v Speaker 4>our lives. So for God's sake, no more talk about

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<v Speaker 4>you imagine dying.

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<v Speaker 2>Yeah, you know you're going through.

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<v Speaker 4>All these like woes and troubles, but then you hear

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<v Speaker 4>what your mom's going through, what she's facing, and she's like, look,

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<v Speaker 4>I'm facing death.

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<v Speaker 5>Yeah, I mean, and that's real talk right there. That

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<v Speaker 5>I feel like if only we all did that when

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<v Speaker 5>we were having kind of getting sucked into our own

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<v Speaker 5>little worlds. And just thought about the fact that this

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<v Speaker 5>isn't This doesn't last forever. You know, yeah, everything is impermanent,

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<v Speaker 5>and we all have an expiration date, including the good

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<v Speaker 5>times and the bad times, like they all have an

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<v Speaker 5>expiration date. So I need that reminder. And at that time,

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<v Speaker 5>when I was writing that song, I didn't have a

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<v Speaker 5>lot of tools to remind.

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<v Speaker 6>Myself of that. I know, it's obvious.

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<v Speaker 5>And now I look back, I'm like, this stuff is

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<v Speaker 5>so obvious, but for people like me at least to

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<v Speaker 5>get sucked into the stream of busyness and things thrown

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<v Speaker 5>at you and expectations and you know, ambition, right.

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<v Speaker 2>Is that an actual conversation you've had with your mom.

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<v Speaker 6>It's almost, word for word, a real conversation.

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<v Speaker 5>And when I was making this and when the album

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<v Speaker 5>kind of started revealing itself as a complete thing, I

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<v Speaker 5>did have this moment where I was like, I haven't

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<v Speaker 5>held back with myself at all. I'm not there's no

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<v Speaker 5>facade here, and I'm like, if I'm going to put

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<v Speaker 5>this out, I might as well go for it, like

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<v Speaker 5>go deep and make it as real as possible. And

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<v Speaker 5>I mean, man, so much of this is real. If

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<v Speaker 5>there's any quotes in there, like I don't know if

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<v Speaker 5>you have the lyrics sheets and stuff, but sometimes I'll

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<v Speaker 5>have little conversation. You'll see quotes where I'm having a

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<v Speaker 5>conversation with myself and these will be like real things

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<v Speaker 5>that I'm talking the voice in my head is saying,

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<v Speaker 5>and you know, sometimes the voice in my head is

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<v Speaker 5>like the most cruel.

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<v Speaker 4>Yeah, once you started to figure out that this might

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<v Speaker 4>actually be an album, how did you figure out what

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<v Speaker 4>went where?

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<v Speaker 6>Man?

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<v Speaker 5>Sequencing is probably my favorite part of the album making process.

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<v Speaker 5>You can craft the journey that people are going on,

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<v Speaker 5>and you know, normally I will put the more upbeat

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<v Speaker 5>stuff up front and then and then make it like

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<v Speaker 5>kind of heavier as you go along, or more theorial

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<v Speaker 5>or something, and sort of the opposite on this one.

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<v Speaker 6>I well, first.

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<v Speaker 5>Off, I knew that Love Love Friend was gonna be

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<v Speaker 5>the first song. I wrote that really quickly. It just

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<v Speaker 5>really I don't know it again, the magic I don't

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<v Speaker 5>ask questions, but it just kind of wrote itself. It

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<v Speaker 5>was just and I was like, this is the beginning

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<v Speaker 5>of some sort of journey. It just felt like the

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<v Speaker 5>beginning and it kind of captured the mystery in the longing.

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<v Speaker 5>But to me, there's a sort of hope in it.

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<v Speaker 5>I'll be a mixed in with some pain.

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<v Speaker 1>Yeah.

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<v Speaker 4>What I thought was interesting about that song, Like, it's

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<v Speaker 4>definitely I mean, it is the perfect first song because

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<v Speaker 4>it makes such an emotional statement and sets the tone

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<v Speaker 4>for the album. And you start out it's kind of

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<v Speaker 4>like making a personal statement, and I feel like you're

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<v Speaker 4>advocating for yourself. I'm not your lover, I'm not your mother,

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<v Speaker 4>I'm not your son, And it feels like you're trying

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<v Speaker 4>to figure out how you want to be treated in

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<v Speaker 4>an intimate relationship. And you have this love on one

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<v Speaker 4>end in your life that is unconditional, that comes from

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<v Speaker 4>your family. And there's all these like really sweet, beautiful

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<v Speaker 4>voicemails sprinkled throughout from I think it's your grandma. Yeah,

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<v Speaker 4>Who's like I love you, How are you doing? Are

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<v Speaker 4>you eating? Like these really like beautiful basic questions. She

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<v Speaker 4>just wants to know you're okay. And then you, you know,

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<v Speaker 4>have the conversation with your mom and you know, mention

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<v Speaker 4>of your family, which is just like this strong, unconditional love.

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<v Speaker 5>Yeah, oh man, that makes me, it makes me like

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<v Speaker 5>kind of weepy. Well, I should also mention my my

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<v Speaker 5>grandma like pass away the other day. Oh my gosh,

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<v Speaker 5>her voicemails are like all over it.

0:12:42.596 --> 0:12:48.116
<v Speaker 2>I'm so sorry. She sounded just like the sweetest.

0:12:47.316 --> 0:12:49.876
<v Speaker 5>Yeah, she she really was. She's like kind of a

0:12:49.956 --> 0:12:53.436
<v Speaker 5>rock in her family. But even just thinking about my family,

0:12:53.476 --> 0:12:56.556
<v Speaker 5>we're all so close and going through a hard time

0:12:56.636 --> 0:12:59.356
<v Speaker 5>and having a family that really cares for one another.

0:13:00.556 --> 0:13:05.156
<v Speaker 5>It's such a beautiful privilege. I just feel so grateful

0:13:05.476 --> 0:13:06.636
<v Speaker 5>for my family.

0:13:07.196 --> 0:13:07.596
<v Speaker 2>Mm hmm.

0:13:08.836 --> 0:13:12.836
<v Speaker 5>And I don't know this album, You're right, it captures

0:13:12.876 --> 0:13:15.956
<v Speaker 5>a certain moment in time, And I don't really consider

0:13:15.956 --> 0:13:17.996
<v Speaker 5>it a breakup album because that was just like one

0:13:18.076 --> 0:13:21.356
<v Speaker 5>of the things, one of the things during that time.

0:13:21.756 --> 0:13:24.956
<v Speaker 5>But to me, it's like it just will always remind

0:13:24.996 --> 0:13:29.356
<v Speaker 5>me of a time when I was in pieces and myself,

0:13:29.996 --> 0:13:33.156
<v Speaker 5>along with my family and my close friends like helped

0:13:33.276 --> 0:13:34.316
<v Speaker 5>put me back together.

0:13:36.476 --> 0:13:36.676
<v Speaker 2>Yeah.

0:13:36.716 --> 0:13:39.796
<v Speaker 4>The other line that really stood out to me is

0:13:40.476 --> 0:13:43.276
<v Speaker 4>on the last song on the album, on where Do

0:13:43.356 --> 0:13:46.076
<v Speaker 4>I Go From Here, which is a great last song title,

0:13:47.116 --> 0:13:49.676
<v Speaker 4>everybody wants a seat at the table. I just want

0:13:49.716 --> 0:13:52.916
<v Speaker 4>to be swaddled and rocked in a cradle. Where did

0:13:52.956 --> 0:13:53.596
<v Speaker 4>that come from?

0:13:54.036 --> 0:13:58.556
<v Speaker 5>I think I vacillate between being really ambitious about something

0:13:58.596 --> 0:14:00.356
<v Speaker 5>where I was like, oh, I could make you know,

0:14:00.916 --> 0:14:03.156
<v Speaker 5>why do this when you can make something even bigger

0:14:03.236 --> 0:14:07.516
<v Speaker 5>and greater and like it could be like legendary. And

0:14:07.556 --> 0:14:10.316
<v Speaker 5>then the other side of the spectrum is like I

0:14:10.436 --> 0:14:14.036
<v Speaker 5>just want to grow a garden, have my quiet little

0:14:14.076 --> 0:14:14.916
<v Speaker 5>life and.

0:14:15.596 --> 0:14:17.076
<v Speaker 6>Never see another soul again.

0:14:17.476 --> 0:14:19.556
<v Speaker 5>You know, Like I kind of flip lot between the

0:14:19.596 --> 0:14:22.516
<v Speaker 5>two extremes, and I'm trying to, like, you know, find

0:14:22.516 --> 0:14:26.316
<v Speaker 5>a balance between the two. But so often, you know,

0:14:26.396 --> 0:14:31.316
<v Speaker 5>I feel hold in this direction of it's like intense

0:14:32.396 --> 0:14:37.276
<v Speaker 5>ambitious kind of like success, you know, and sometimes I'm

0:14:37.356 --> 0:14:39.636
<v Speaker 5>just like I want to crawl back into the womb.

0:14:41.316 --> 0:14:44.956
<v Speaker 4>Man just thinking about your career and ambition and what

0:14:45.116 --> 0:14:47.596
<v Speaker 4>you want, like if you if there was like no

0:14:47.716 --> 0:14:52.796
<v Speaker 4>barrier to entry, no money issues, anything like how famous

0:14:52.836 --> 0:14:53.396
<v Speaker 4>do you want to be?

0:14:54.076 --> 0:14:56.396
<v Speaker 5>I can tell you right now that I care more

0:14:56.436 --> 0:14:58.916
<v Speaker 5>about and this is something I like work on with

0:14:58.956 --> 0:15:01.636
<v Speaker 5>my therapist. But ever since I was a little kid,

0:15:01.676 --> 0:15:04.676
<v Speaker 5>I've always had this like I don't know, like complex

0:15:04.716 --> 0:15:10.756
<v Speaker 5>maybe about being respected. I really just want, like I

0:15:10.796 --> 0:15:15.036
<v Speaker 5>want to die knowing I've been I've made decent enough

0:15:15.156 --> 0:15:17.236
<v Speaker 5>art to be considered a true artist.

0:15:17.636 --> 0:15:19.676
<v Speaker 6>That is what I want and I.

0:15:19.636 --> 0:15:21.756
<v Speaker 5>Still want it, and I you know, part of me

0:15:21.876 --> 0:15:25.636
<v Speaker 5>is just like who cares? Just quit, like just put

0:15:25.636 --> 0:15:29.116
<v Speaker 5>out this album. It's so stressful promoting an album and

0:15:29.156 --> 0:15:32.396
<v Speaker 5>like pouring in and especially this material is just gonna

0:15:32.836 --> 0:15:33.556
<v Speaker 5>You're gonna hear me.

0:15:33.516 --> 0:15:34.076
<v Speaker 6>Cry a lot.

0:15:34.156 --> 0:15:36.076
<v Speaker 5>This isn't the first time, Like you know, I'm gonna

0:15:36.076 --> 0:15:38.636
<v Speaker 5>be crying for the next two years talking about this album.

0:15:39.156 --> 0:15:42.276
<v Speaker 5>But it's really a lot, and you know, like this morning,

0:15:42.396 --> 0:15:44.316
<v Speaker 5>I was just like, I think I'm gonna do something

0:15:44.316 --> 0:15:46.276
<v Speaker 5>else after this, like I'm done with music.

0:15:46.756 --> 0:15:48.516
<v Speaker 6>It really depends on what day you catch me on.

0:15:48.836 --> 0:15:52.236
<v Speaker 5>I mean, if things are going well, people really appreciate

0:15:52.316 --> 0:15:55.796
<v Speaker 5>it and are moved by it, then maybe it'll carry

0:15:55.836 --> 0:15:57.516
<v Speaker 5>me on to do another one.

0:15:58.196 --> 0:16:03.236
<v Speaker 4>Is there like a marker of recognition, like something that

0:16:03.276 --> 0:16:05.876
<v Speaker 4>you could finally reach, Like whether it's like getting like

0:16:06.356 --> 0:16:08.916
<v Speaker 4>the Kennedy Center on ors, Like what's what would be

0:16:08.916 --> 0:16:11.516
<v Speaker 4>the ultimate marker that lets you know that like I

0:16:11.556 --> 0:16:12.916
<v Speaker 4>am a respected artist.

0:16:13.556 --> 0:16:17.636
<v Speaker 5>That's a really good question because I don't really care

0:16:17.676 --> 0:16:21.116
<v Speaker 5>about the awards. It's not that I think it would

0:16:21.156 --> 0:16:24.796
<v Speaker 5>be if if some of my favorite artists heard my

0:16:24.916 --> 0:16:27.676
<v Speaker 5>music or watch my videos or something, and we're like

0:16:28.276 --> 0:16:31.556
<v Speaker 5>this is good. If Tom Waits was like I really

0:16:31.636 --> 0:16:35.356
<v Speaker 5>like this stuff, I'd be like, I'm done. I checked out.

0:16:35.356 --> 0:16:38.956
<v Speaker 5>I've checked out. My career is over now because I've succeeded.

0:16:39.916 --> 0:16:42.556
<v Speaker 5>But yeah, I guess that. And sometimes that does happen,

0:16:42.636 --> 0:16:47.076
<v Speaker 5>you know, like mean directors or other musicians that I

0:16:47.156 --> 0:16:50.396
<v Speaker 5>really admire will write me, and.

0:16:50.156 --> 0:16:51.196
<v Speaker 6>That means so much.

0:16:51.556 --> 0:16:53.916
<v Speaker 5>That that means so much coming from people who whose

0:16:53.996 --> 0:16:56.676
<v Speaker 5>art that I also really admire.

0:16:56.676 --> 0:16:58.476
<v Speaker 2>So that gives you like a little like gas in

0:16:58.516 --> 0:16:59.036
<v Speaker 2>your tank.

0:16:59.356 --> 0:17:01.996
<v Speaker 6>Yeah, And but I think it's like that.

0:17:02.316 --> 0:17:04.236
<v Speaker 5>But at the end of the day, it's really what

0:17:04.316 --> 0:17:07.436
<v Speaker 5>people the fans send me that makes it feel like

0:17:07.516 --> 0:17:09.036
<v Speaker 5>I actually have some sort of value.

0:17:09.396 --> 0:17:11.276
<v Speaker 6>Like what I'm doing isn't just for me.

0:17:11.516 --> 0:17:15.356
<v Speaker 5>It's really to move people and like bring some beauty

0:17:15.356 --> 0:17:18.156
<v Speaker 5>into the world where there wasn't some before.

0:17:18.676 --> 0:17:21.236
<v Speaker 2>People actually like send you things, Oh.

0:17:21.156 --> 0:17:24.636
<v Speaker 5>Yeah, my friend just sent me this message. They're a

0:17:24.676 --> 0:17:28.916
<v Speaker 5>writer and they're talking about how the writing on the album.

0:17:29.516 --> 0:17:34.156
<v Speaker 5>It felt a lot like there's some writing process where

0:17:34.236 --> 0:17:37.436
<v Speaker 5>you'll write a draft and then you're kind of taking

0:17:37.476 --> 0:17:39.836
<v Speaker 5>the razor out and you're sharpening it down so that

0:17:39.916 --> 0:17:43.316
<v Speaker 5>each line is like razor sharp, gets to the point

0:17:43.356 --> 0:17:44.796
<v Speaker 5>and kind of hits.

0:17:44.596 --> 0:17:45.796
<v Speaker 6>You where it needs to hit you.

0:17:46.436 --> 0:17:51.276
<v Speaker 5>And they were saying that this album really feels like that,

0:17:52.596 --> 0:17:55.676
<v Speaker 5>you know, there's no extra fluff, and yeah, that really

0:17:55.716 --> 0:17:58.516
<v Speaker 5>got to me, and I was like, maybe I'm finally

0:17:58.556 --> 0:18:00.956
<v Speaker 5>getting closer to becoming a real artist.

0:18:04.956 --> 0:18:07.636
<v Speaker 2>And your parents are artists, right, That's.

0:18:07.476 --> 0:18:08.756
<v Speaker 6>Why I have such a complex.

0:18:09.556 --> 0:18:13.516
<v Speaker 5>I have such fierce critics aside from myself, they're my

0:18:13.556 --> 0:18:15.596
<v Speaker 5>biggest critics, especially my dad.

0:18:15.956 --> 0:18:17.636
<v Speaker 2>Do you send him your work and then he gives

0:18:17.636 --> 0:18:18.236
<v Speaker 2>you feedback?

0:18:18.436 --> 0:18:18.596
<v Speaker 1>Oh?

0:18:18.676 --> 0:18:20.956
<v Speaker 6>Yeah, and my dad will tell me how he feels.

0:18:21.076 --> 0:18:25.196
<v Speaker 5>He sent me a legendary email once that I had

0:18:25.236 --> 0:18:27.116
<v Speaker 5>made a draft in a song because I wasn't I

0:18:27.156 --> 0:18:29.556
<v Speaker 5>was like, you know, I'm not totally sure I nailed

0:18:29.556 --> 0:18:33.796
<v Speaker 5>this one. I just wanted to try, like a different technique,

0:18:33.836 --> 0:18:38.196
<v Speaker 5>and so I tried this different style and I sent

0:18:38.316 --> 0:18:42.276
<v Speaker 5>it to him and he wrote back, Oh great, let

0:18:42.316 --> 0:18:45.916
<v Speaker 5>me just douse myself in gasoline and let himself on fire.

0:18:46.556 --> 0:18:51.076
<v Speaker 5>And I'm like, wow, ouch. My dad is very dramatic

0:18:52.236 --> 0:18:56.356
<v Speaker 5>and also hilarious. But he wasn't a fan, and so

0:18:56.436 --> 0:18:58.116
<v Speaker 5>I was like, well, Okay.

0:18:58.436 --> 0:19:00.116
<v Speaker 4>So do you change it at that point? Like, how

0:19:00.116 --> 0:19:02.556
<v Speaker 4>do you know like when to go against what your dad?

0:19:02.596 --> 0:19:04.396
<v Speaker 4>Because you know a lot of times like dads can

0:19:04.436 --> 0:19:06.916
<v Speaker 4>be like God in our minds, Like do you go

0:19:07.036 --> 0:19:08.996
<v Speaker 4>against God or do you just like do you?

0:19:10.076 --> 0:19:13.316
<v Speaker 5>Well, the thing is, my dad's still a dad, and

0:19:13.356 --> 0:19:16.436
<v Speaker 5>he's still you know, an old white man, but he

0:19:16.516 --> 0:19:17.636
<v Speaker 5>is a genius artist.

0:19:17.876 --> 0:19:21.316
<v Speaker 6>He's a genius. Like my dad is one of my

0:19:21.396 --> 0:19:22.236
<v Speaker 6>favorite living.

0:19:22.116 --> 0:19:25.596
<v Speaker 2>Artists with medium does He work in mostly.

0:19:25.316 --> 0:19:28.636
<v Speaker 5>Draws, but he's one of those freaks that he could

0:19:28.676 --> 0:19:32.676
<v Speaker 5>do anything. He decided all of a sudden to become

0:19:32.716 --> 0:19:36.436
<v Speaker 5>a carpenter and made the most beautiful pieces.

0:19:36.476 --> 0:19:40.356
<v Speaker 6>I mean he could do anything. Wow, very brilliant mind.

0:19:40.956 --> 0:19:43.996
<v Speaker 5>Has no idea of the depths of his talent and

0:19:44.156 --> 0:19:45.956
<v Speaker 5>needs to be constantly reassured.

0:19:46.076 --> 0:19:47.636
<v Speaker 6>But he's a true genius.

0:19:47.676 --> 0:19:50.596
<v Speaker 5>And so when he does tell me something, he'll say

0:19:50.636 --> 0:19:52.476
<v Speaker 5>like this is low hanging fruit, or like this isn't

0:19:52.476 --> 0:19:53.356
<v Speaker 5>your best material.

0:19:53.756 --> 0:19:56.236
<v Speaker 6>It doesn't hold a candle to the other stuff. He's

0:19:56.316 --> 0:20:00.636
<v Speaker 6>usually right, wow, So I'll rework it and rework it.

0:20:00.716 --> 0:20:04.076
<v Speaker 5>And it's not like my dad is my main demographic.

0:20:04.156 --> 0:20:06.716
<v Speaker 5>But I do think that if it's a good song,

0:20:07.156 --> 0:20:10.596
<v Speaker 5>it kind of permeates demographics.

0:20:11.276 --> 0:20:12.396
<v Speaker 2>Yeah, that's true.

0:20:12.516 --> 0:20:13.756
<v Speaker 6>So if my.

0:20:13.716 --> 0:20:16.956
<v Speaker 5>Parents are like, I really wish you wouldn't curse so much,

0:20:17.036 --> 0:20:18.316
<v Speaker 5>I'm like, okay, disregard.

0:20:18.716 --> 0:20:21.516
<v Speaker 6>But if they say something about like the.

0:20:21.476 --> 0:20:25.116
<v Speaker 5>Emotional level of the song or something that really it's

0:20:25.116 --> 0:20:28.236
<v Speaker 5>a real thought that they're moved by in some way,

0:20:28.636 --> 0:20:31.996
<v Speaker 5>like it's it doesn't move me enough, or there's too

0:20:32.036 --> 0:20:35.916
<v Speaker 5>many bells and whistles that sometimes that is a critique

0:20:35.916 --> 0:20:38.236
<v Speaker 5>of my dad, and almost all the time he's right.

0:20:38.556 --> 0:20:40.916
<v Speaker 2>That's incredible. What about your mom? What does she do?

0:20:41.516 --> 0:20:44.316
<v Speaker 5>My mom is also an artist. She's worked for NBC

0:20:44.676 --> 0:20:47.196
<v Speaker 5>doing mechanicals for a really long time and so she

0:20:47.276 --> 0:20:49.956
<v Speaker 5>got really good at like layouts and stuff like that.

0:20:50.036 --> 0:20:52.636
<v Speaker 5>So she does all the layouts for my albums and

0:20:53.196 --> 0:20:55.116
<v Speaker 5>all my friend's albums.

0:20:55.836 --> 0:20:58.516
<v Speaker 4>So getting back to the album, tell me about the

0:20:58.556 --> 0:20:59.636
<v Speaker 4>thought behind the album cover.

0:21:00.396 --> 0:21:03.716
<v Speaker 5>My friend Monica, Monica Murray, she came to my house

0:21:03.756 --> 0:21:10.356
<v Speaker 5>and had this special film and it took nine shots

0:21:10.396 --> 0:21:15.116
<v Speaker 5>to get this really beautiful photo of me. In my

0:21:15.716 --> 0:21:18.516
<v Speaker 5>I have this red chair in my living room and

0:21:18.556 --> 0:21:21.116
<v Speaker 5>that's where I meditate every day and I read and

0:21:21.116 --> 0:21:21.316
<v Speaker 5>I have.

0:21:21.396 --> 0:21:23.356
<v Speaker 6>My coffee it's like my favorite chair.

0:21:23.516 --> 0:21:26.236
<v Speaker 5>When I moved into this house, I was in the

0:21:26.356 --> 0:21:29.516
<v Speaker 5>depths of despair and my molm was like, just make

0:21:29.596 --> 0:21:33.716
<v Speaker 5>yourself a corner. And so I made this corner with

0:21:33.756 --> 0:21:36.676
<v Speaker 5>my chair and my plants and the rest of the

0:21:36.716 --> 0:21:38.956
<v Speaker 5>house was pretty much empty, and I just sat in

0:21:39.036 --> 0:21:42.156
<v Speaker 5>this chair for so long, so it was very special

0:21:42.156 --> 0:21:45.196
<v Speaker 5>to me. And she took this brilliant photo of me

0:21:45.316 --> 0:21:47.956
<v Speaker 5>in this chair and I had this fur coat on

0:21:48.276 --> 0:21:51.796
<v Speaker 5>and I like no shirt underneath, like in my underwear,

0:21:52.596 --> 0:21:55.236
<v Speaker 5>and it just was so beautiful. And I was obsessed

0:21:55.236 --> 0:21:56.676
<v Speaker 5>with this photo and we were both like, this is

0:21:56.716 --> 0:21:58.916
<v Speaker 5>so great. We got to do something with this. And

0:21:58.956 --> 0:22:01.036
<v Speaker 5>the more I sat on it and the album was

0:22:01.116 --> 0:22:04.076
<v Speaker 5>kind of coming together, I had this idea. I knew

0:22:04.076 --> 0:22:05.956
<v Speaker 5>the album was going to be called The Art Forgetting,

0:22:06.476 --> 0:22:11.116
<v Speaker 5>which is sort of a a poetic maybe a more

0:22:11.116 --> 0:22:15.236
<v Speaker 5>poetic way of saying learning how to let go of things.

0:22:15.876 --> 0:22:17.596
<v Speaker 5>At first, it was more of like the art of

0:22:17.676 --> 0:22:19.756
<v Speaker 5>forgetting to protect yourself.

0:22:19.396 --> 0:22:20.116
<v Speaker 6>Like I'm forgetting.

0:22:20.356 --> 0:22:21.196
<v Speaker 2>That's good.

0:22:22.076 --> 0:22:25.716
<v Speaker 5>But I knew it was called the Art Forgetting. And

0:22:25.756 --> 0:22:27.396
<v Speaker 5>I sent you to Monica. I was like, we need

0:22:27.436 --> 0:22:30.116
<v Speaker 5>to we need to make this album cover, like with

0:22:30.236 --> 0:22:33.036
<v Speaker 5>this same photo but with the room on fire.

0:22:33.596 --> 0:22:34.116
<v Speaker 6>And then it.

0:22:34.076 --> 0:22:35.956
<v Speaker 5>Became like, okay, how were we going to do it?

0:22:35.956 --> 0:22:39.756
<v Speaker 5>It Like, here's our budget, how can we light my

0:22:39.876 --> 0:22:40.916
<v Speaker 5>living room ondifire?

0:22:43.556 --> 0:22:45.756
<v Speaker 6>And it was such a labor of love.

0:22:45.836 --> 0:22:51.396
<v Speaker 5>Like my neighbor Andy Flores is a brilliant artist herself,

0:22:51.516 --> 0:22:56.356
<v Speaker 5>and Andy and Monica and our builder front Tory came

0:22:56.716 --> 0:22:59.756
<v Speaker 5>came over and we made a plan to rebuild my

0:22:59.836 --> 0:23:00.396
<v Speaker 5>living room.

0:23:00.916 --> 0:23:01.396
<v Speaker 2>Wow.

0:23:02.036 --> 0:23:04.556
<v Speaker 5>So we rebuilt the living room and I happen to

0:23:04.596 --> 0:23:06.756
<v Speaker 5>have a warehouse in the back of my yard that

0:23:06.836 --> 0:23:11.196
<v Speaker 5>my friends use and sweet the warehouse built the set.

0:23:11.516 --> 0:23:14.596
<v Speaker 5>It was like identical to my actual living room. I

0:23:14.676 --> 0:23:16.956
<v Speaker 5>was really going to light it on fire, and turns

0:23:16.996 --> 0:23:20.956
<v Speaker 5>out like that's very difficult to do in a city.

0:23:21.236 --> 0:23:22.796
<v Speaker 2>But why not just photoshop it?

0:23:22.996 --> 0:23:25.036
<v Speaker 5>Well, okay, So the thing is I wanted it to

0:23:25.076 --> 0:23:26.876
<v Speaker 5>be real. I was like, okay, I've gone this far

0:23:26.956 --> 0:23:29.996
<v Speaker 5>in this album. I'm getting deep, like this is real

0:23:30.516 --> 0:23:34.876
<v Speaker 5>for me. I wanted to all feel real everything, and

0:23:35.116 --> 0:23:36.996
<v Speaker 5>so I was like, let's really light it on fire.

0:23:38.276 --> 0:23:41.476
<v Speaker 5>And ultimately the reason why I didn't was it had

0:23:41.516 --> 0:23:44.596
<v Speaker 5>nothing to do with the cost or how difficult it

0:23:44.636 --> 0:23:47.076
<v Speaker 5>would be. But it had more to do with you

0:23:47.116 --> 0:23:50.036
<v Speaker 5>can't control the lighting. What you see is what you get, like,

0:23:50.036 --> 0:23:51.076
<v Speaker 5>you can only do it once.

0:23:51.996 --> 0:23:52.276
<v Speaker 2>True.

0:23:52.596 --> 0:23:55.516
<v Speaker 5>If the lighting isn't right, then you've just lit your

0:23:55.716 --> 0:23:59.036
<v Speaker 5>entire set on fire and that's your album cover.

0:24:00.196 --> 0:24:01.676
<v Speaker 6>And so I asked a bunch of people about this.

0:24:01.716 --> 0:24:04.516
<v Speaker 5>So I asked, like the set designer what he does,

0:24:04.916 --> 0:24:07.156
<v Speaker 5>and all of these people kind of said the same thing.

0:24:07.196 --> 0:24:09.956
<v Speaker 5>They were like, you have to recreate the effects of

0:24:09.996 --> 0:24:13.276
<v Speaker 5>the fire, and then you can add the flames on

0:24:13.396 --> 0:24:15.556
<v Speaker 5>top and then it looks very real, and then you've

0:24:15.596 --> 0:24:18.396
<v Speaker 5>got to you've got to use actual smoke. So it

0:24:18.436 --> 0:24:20.996
<v Speaker 5>actually worked really well because we had control over the

0:24:21.036 --> 0:24:21.516
<v Speaker 5>whole set.

0:24:21.916 --> 0:24:23.756
<v Speaker 2>So why are you blindfolded?

0:24:24.076 --> 0:24:27.196
<v Speaker 5>I find it so funny, like smoking a cigarette in

0:24:27.196 --> 0:24:30.516
<v Speaker 5>a burning room. Your outcome is not good, but you

0:24:30.556 --> 0:24:32.396
<v Speaker 5>don't want to see it, like you don't want to

0:24:32.436 --> 0:24:35.676
<v Speaker 5>see it. And I like the idea that people can

0:24:35.716 --> 0:24:37.436
<v Speaker 5>interpret it in their own way. You know, it can

0:24:37.476 --> 0:24:40.236
<v Speaker 5>be funny, it could be despairing, it could be like suicidal.

0:24:40.796 --> 0:24:44.436
<v Speaker 5>To me, it's funny because I also tend to laugh

0:24:44.996 --> 0:24:50.636
<v Speaker 5>when I'm so despairingly sad. It's like, you come on,

0:24:50.716 --> 0:24:53.076
<v Speaker 5>you've got to laugh. A little bit like this is pathetic,

0:24:53.756 --> 0:24:55.956
<v Speaker 5>and I felt that way. I was like, this is

0:24:56.276 --> 0:25:02.596
<v Speaker 5>hilariously pathetic to me, fur coat, and it's like blazingly.

0:25:02.156 --> 0:25:05.276
<v Speaker 6>Hot in there, right. I don't know, I just.

0:25:05.836 --> 0:25:09.556
<v Speaker 5>I'm always looking for, you know, ways to shake things

0:25:09.596 --> 0:25:12.476
<v Speaker 5>up a little bit, like the athlete was all the cigarettes.

0:25:13.356 --> 0:25:15.076
<v Speaker 4>I know you're such a great sense of humor. I

0:25:15.116 --> 0:25:17.676
<v Speaker 4>love that, and I love that that's still intact.

0:25:18.436 --> 0:25:21.036
<v Speaker 5>Yeah, I think I like anything that kind of makes

0:25:21.036 --> 0:25:22.876
<v Speaker 5>people laugh and think at the same time.

0:25:24.036 --> 0:25:25.916
<v Speaker 1>We're going to take a quick break here and then

0:25:25.996 --> 0:25:33.756
<v Speaker 1>come back with more from Caroline Rose. We're back with

0:25:33.796 --> 0:25:37.796
<v Speaker 1>the rest of Leo Rose's conversation with Caroline Rose. Before

0:25:37.796 --> 0:25:40.556
<v Speaker 1>we jump back in, let's hear a demo from Caroline's

0:25:40.596 --> 0:25:44.116
<v Speaker 1>new album, The Art of Forgetting. Here's the demo for

0:25:44.196 --> 0:25:47.156
<v Speaker 1>her song love Song for Myself.

0:25:52.516 --> 0:26:01.956
<v Speaker 8>If I a doorman, then im.

0:26:05.316 --> 0:26:10.196
<v Speaker 3>Hanover, I'm exceptional.

0:26:13.196 --> 0:26:17.956
<v Speaker 7>I am at times treasure on a hor with fall.

0:26:22.116 --> 0:26:35.916
<v Speaker 3>If I'm a punching bird, then to get your face

0:26:38.436 --> 0:26:42.556
<v Speaker 3>you are we wait fighter.

0:26:43.596 --> 0:27:02.516
<v Speaker 7>Genuine coloring. If I'm lonelys, then I'm not lonely. If

0:27:02.596 --> 0:27:08.316
<v Speaker 7>I'm suffering, deny am the moet.

0:27:10.876 --> 0:27:12.756
<v Speaker 3>If I'm a deacent.

0:27:15.756 --> 0:27:47.076
<v Speaker 9>The la two they from all the place, my final

0:27:50.596 --> 0:27:52.076
<v Speaker 9>a hurricane.

0:27:55.036 --> 0:28:16.556
<v Speaker 3>Coming to destroying. There are two the ritter of both things.

0:28:16.636 --> 0:28:43.436
<v Speaker 8>Beautiful my bed, you see a little beauty within me.

0:28:46.796 --> 0:28:56.276
<v Speaker 3>But until that, let's keep in time. I'll just be

0:28:56.516 --> 0:29:00.956
<v Speaker 3>here for then that.

0:29:24.956 --> 0:29:27.396
<v Speaker 2>When you sing this song by yourself live, how is

0:29:27.436 --> 0:29:29.876
<v Speaker 2>it different than what appears on the album.

0:29:31.516 --> 0:29:34.076
<v Speaker 5>Honestly, it doesn't. It doesn't feel that much different to me.

0:29:34.156 --> 0:29:36.756
<v Speaker 5>I think there's a little more production value on the

0:29:37.556 --> 0:29:41.476
<v Speaker 5>on the album. But I remember when I wrote it.

0:29:41.516 --> 0:29:43.916
<v Speaker 5>I was I was out in the desert and it

0:29:44.036 --> 0:29:47.756
<v Speaker 5>was just like a I brought this little nylon string

0:29:47.836 --> 0:29:50.396
<v Speaker 5>and I was just laying on the ground, like looking

0:29:50.436 --> 0:29:53.396
<v Speaker 5>up at the stars. It was very idyllic and dramatic

0:29:53.476 --> 0:29:57.316
<v Speaker 5>and beautiful, and it was sort of like the clouds

0:29:57.316 --> 0:30:00.556
<v Speaker 5>that part parted, and there's some golden hope for me

0:30:00.716 --> 0:30:03.516
<v Speaker 5>that I was learning how to love myself again, like

0:30:03.596 --> 0:30:06.396
<v Speaker 5>do nice things for myself. And I'm like, you know what,

0:30:06.956 --> 0:30:09.076
<v Speaker 5>even though I feel like I have the training wheels

0:30:09.316 --> 0:30:13.236
<v Speaker 5>and I don't remember how to totally love myself again,

0:30:13.956 --> 0:30:17.516
<v Speaker 5>I'm gonna just pretend you kind of hear that.

0:30:17.676 --> 0:30:19.316
<v Speaker 6>It's like if I'm a doormat.

0:30:19.436 --> 0:30:22.916
<v Speaker 5>Then I'm hand woven, I'm an heirloom, I'm a treasure

0:30:23.436 --> 0:30:24.396
<v Speaker 5>on the floor.

0:30:25.716 --> 0:30:28.156
<v Speaker 2>You know, Oh that's so nice.

0:30:28.316 --> 0:30:30.356
<v Speaker 5>If you can't be nice yourself, you can at least

0:30:30.396 --> 0:30:31.596
<v Speaker 5>just fake it till you make it.

0:30:32.356 --> 0:30:33.636
<v Speaker 2>Yeah, well, hopefully it worked.

0:30:33.756 --> 0:30:35.316
<v Speaker 6>Yeah, it did work. It did work.

0:30:35.916 --> 0:30:39.956
<v Speaker 4>Talk about your decision to distort your vocals. A lot

0:30:39.996 --> 0:30:42.996
<v Speaker 4>of the songs your vocals are are distorted a little bit.

0:30:43.076 --> 0:30:46.956
<v Speaker 4>I was curious does that change, does that change your performance,

0:30:47.076 --> 0:30:50.556
<v Speaker 4>like how you actually perform the song, and does that

0:30:50.676 --> 0:30:53.516
<v Speaker 4>ever allow you to say things that you wouldn't say

0:30:53.716 --> 0:30:54.716
<v Speaker 4>without the distortion.

0:30:56.076 --> 0:30:59.956
<v Speaker 5>I think a big part of a performance is the

0:31:00.076 --> 0:31:03.796
<v Speaker 5>vibe of it, you know, the sonics and the characteristics

0:31:03.836 --> 0:31:07.356
<v Speaker 5>that make you feel a certain way. And pretty early

0:31:07.396 --> 0:31:10.276
<v Speaker 5>on I made a point that it it was important

0:31:10.636 --> 0:31:14.396
<v Speaker 5>that I can play all of the songs by myself solo,

0:31:14.596 --> 0:31:17.556
<v Speaker 5>even the ones that ended up sounding pretty produced, they

0:31:17.556 --> 0:31:20.636
<v Speaker 5>can all be pledged, stripped down solo and be a

0:31:20.756 --> 0:31:25.316
<v Speaker 5>complete song. And I really liked this idea of if

0:31:25.396 --> 0:31:30.076
<v Speaker 5>you imagine the solo performance as this little small ball,

0:31:31.116 --> 0:31:37.356
<v Speaker 5>and this little small ball that is fragile and vulnerable

0:31:37.636 --> 0:31:42.836
<v Speaker 5>and at any moment could break and then these big

0:31:43.156 --> 0:31:47.916
<v Speaker 5>moments of magnitude and Hi Phi Sonics, kind of like

0:31:48.276 --> 0:31:53.476
<v Speaker 5>in Gulf does little little vulnerable nucleus. I kept seeing

0:31:53.556 --> 0:31:56.396
<v Speaker 5>that come up over and over again, because you know,

0:31:56.476 --> 0:31:59.996
<v Speaker 5>when you're feeling so bad, you do feel like you

0:32:00.036 --> 0:32:04.316
<v Speaker 5>could you could combust at any moment. Like humans also,

0:32:04.796 --> 0:32:10.236
<v Speaker 5>we have the ability to create measurably beautiful world even

0:32:10.276 --> 0:32:14.876
<v Speaker 5>from the depths of our sadness. And I felt that

0:32:14.956 --> 0:32:17.756
<v Speaker 5>even at the worst moment, I was like, Okay, I

0:32:17.796 --> 0:32:21.916
<v Speaker 5>know I'm definitely toward the bottom of the well right now,

0:32:22.796 --> 0:32:26.316
<v Speaker 5>but I know that's where I am, but just the

0:32:26.476 --> 0:32:29.316
<v Speaker 5>view from the bottom is enough to kind of give

0:32:29.356 --> 0:32:32.756
<v Speaker 5>me some hope. And that really fueled kind of the

0:32:33.636 --> 0:32:37.076
<v Speaker 5>textures of the album. And I wanted to maintain that

0:32:37.156 --> 0:32:41.916
<v Speaker 5>vulnerability but also have it feel triumphant and magnificent and

0:32:41.916 --> 0:32:45.236
<v Speaker 5>at times really dreamy, to kind of emulate that feeling

0:32:45.356 --> 0:32:49.476
<v Speaker 5>of being able to pull yourself out of despair and

0:32:49.756 --> 0:32:53.236
<v Speaker 5>recognize your own power even when you're feeling weak.

0:32:53.876 --> 0:32:56.996
<v Speaker 2>Totally, did you come up with all of the arrangements.

0:32:57.596 --> 0:33:00.196
<v Speaker 5>The only things that I didn't come up with were

0:33:00.196 --> 0:33:03.196
<v Speaker 5>the string arrangements, and those were done by my friend

0:33:03.196 --> 0:33:04.996
<v Speaker 5>Talcats and Sammy Weisberg.

0:33:05.756 --> 0:33:08.116
<v Speaker 2>The strings on, Jill Saysar's gorgeous.

0:33:08.276 --> 0:33:09.036
<v Speaker 6>They're beautiful.

0:33:09.836 --> 0:33:12.196
<v Speaker 5>They did such a great job, and they sent me

0:33:12.276 --> 0:33:14.676
<v Speaker 5>like the rough of it, and then I was like, oh,

0:33:14.716 --> 0:33:16.556
<v Speaker 5>what if it you know, what if it swells here

0:33:16.596 --> 0:33:19.756
<v Speaker 5>and does this and you move this section here, and

0:33:19.796 --> 0:33:23.356
<v Speaker 5>then it was like the next draft was done pretty

0:33:23.436 --> 0:33:24.356
<v Speaker 5>much as simple as that.

0:33:24.756 --> 0:33:25.836
<v Speaker 6>They really nailed it.

0:33:26.316 --> 0:33:28.556
<v Speaker 4>How did that song come together? And how did you

0:33:28.916 --> 0:33:31.156
<v Speaker 4>come up with the idea for the arrangement.

0:33:31.236 --> 0:33:35.076
<v Speaker 6>On, Jill says. Jill says, yeah, well, Jill's my therapist.

0:33:36.236 --> 0:33:36.796
<v Speaker 2>I love that.

0:33:37.476 --> 0:33:38.156
<v Speaker 6>Yeah.

0:33:38.276 --> 0:33:42.076
<v Speaker 5>And I had been noodling on the on the piano

0:33:42.356 --> 0:33:46.596
<v Speaker 5>at my parents' house when I visited, and I think

0:33:46.636 --> 0:33:49.996
<v Speaker 5>I had been listening to a lot of classical music,

0:33:50.276 --> 0:33:54.076
<v Speaker 5>a lot of w C and Satis. I really love

0:33:54.276 --> 0:33:59.716
<v Speaker 5>all the French minimalists kind of composers. And I think

0:33:59.716 --> 0:34:04.316
<v Speaker 5>I was just practicing and that the arpeggio that kind

0:34:04.316 --> 0:34:07.356
<v Speaker 5>of is like three or four octave arpeggio.

0:34:07.756 --> 0:34:09.036
<v Speaker 6>It sounded so beautiful.

0:34:09.196 --> 0:34:12.236
<v Speaker 5>I was just like, Wow, I can't believe I can

0:34:12.276 --> 0:34:15.316
<v Speaker 5>play this, because I've never really thought of myself as

0:34:15.556 --> 0:34:19.236
<v Speaker 5>a piano player. But I think those early early years

0:34:19.236 --> 0:34:23.076
<v Speaker 5>of piano lessons of somehow they've never left my hands.

0:34:23.196 --> 0:34:23.716
<v Speaker 2>Very cool.

0:34:23.876 --> 0:34:26.236
<v Speaker 5>Yeah, I was like impressed with myself. I'm like Dan,

0:34:26.276 --> 0:34:29.436
<v Speaker 5>I didn't know I could play as well. But I

0:34:29.516 --> 0:34:32.516
<v Speaker 5>really liked this sort of floral feel to it. It

0:34:32.596 --> 0:34:36.036
<v Speaker 5>was floral and it reminded me of the beautiful times

0:34:36.116 --> 0:34:40.236
<v Speaker 5>in this relationship that had ended. And it was like,

0:34:40.316 --> 0:34:44.236
<v Speaker 5>you know, a relationship can end and it doesn't all

0:34:44.276 --> 0:34:47.236
<v Speaker 5>have to be bad, like you can honor it. Even

0:34:47.236 --> 0:34:49.036
<v Speaker 5>if you don't have a relationship with that person, you

0:34:49.516 --> 0:34:51.116
<v Speaker 5>can still honor your time together.

0:34:51.556 --> 0:34:52.796
<v Speaker 6>And that's what it felt like to me.

0:34:52.876 --> 0:34:56.636
<v Speaker 5>It was like, you know, complicated time, but it was

0:34:56.676 --> 0:35:00.396
<v Speaker 5>a beautiful time. And so I liked this idea that

0:35:00.636 --> 0:35:02.596
<v Speaker 5>it was almost like a little movie soundtrack.

0:35:03.036 --> 0:35:04.276
<v Speaker 2>It feels very cinematic.

0:35:04.716 --> 0:35:06.916
<v Speaker 5>Yeah, yeah, it is cinematic. I do think when you

0:35:06.956 --> 0:35:10.156
<v Speaker 5>put strings on something, it automatically sounds cinematic. But even

0:35:10.156 --> 0:35:11.796
<v Speaker 5>if the strings were in there, I think this would

0:35:11.796 --> 0:35:12.836
<v Speaker 5>be a cinematic sounding.

0:35:14.076 --> 0:35:15.956
<v Speaker 2>How do you feel about in a way when you

0:35:15.996 --> 0:35:18.356
<v Speaker 2>write a song, it's almost like, as an artist, if

0:35:18.356 --> 0:35:20.836
<v Speaker 2>this is your job, you're in a way you're commodifying

0:35:20.876 --> 0:35:24.516
<v Speaker 2>your feelings. How does that feel for you?

0:35:25.836 --> 0:35:29.276
<v Speaker 5>This is a tough question for me because I am

0:35:29.396 --> 0:35:33.876
<v Speaker 5>realizing more and more that if I want to make

0:35:33.916 --> 0:35:37.356
<v Speaker 5>my best work, I have to put that out of

0:35:37.396 --> 0:35:43.556
<v Speaker 5>my mind completely, and that includes not even involving anyone

0:35:43.676 --> 0:35:46.756
<v Speaker 5>to do with business or thinking in a business manner.

0:35:47.716 --> 0:35:48.836
<v Speaker 6>It cannot be involved.

0:35:48.876 --> 0:35:51.716
<v Speaker 5>And that's something I actually learned on Superstar, which I

0:35:52.516 --> 0:35:55.756
<v Speaker 5>made some choices that looking back on it, I'm like,

0:35:55.756 --> 0:35:56.956
<v Speaker 5>would I have done that again?

0:35:57.036 --> 0:35:57.956
<v Speaker 6>Knowing what I know now.

0:36:00.156 --> 0:36:02.316
<v Speaker 5>The only regrets I've ever had in my career have

0:36:02.476 --> 0:36:05.196
<v Speaker 5>been one I've made a business choice over a creative one,

0:36:05.756 --> 0:36:09.996
<v Speaker 5>Hans Now, every single time that's been the the issue,

0:36:10.076 --> 0:36:12.476
<v Speaker 5>and I did I made a point of not doing

0:36:12.476 --> 0:36:15.116
<v Speaker 5>that this time, and I really think that the music

0:36:15.156 --> 0:36:18.516
<v Speaker 5>benefits from that. So when it's made, I am selling

0:36:18.516 --> 0:36:21.116
<v Speaker 5>a product and my whole team, I have a whole

0:36:21.116 --> 0:36:24.676
<v Speaker 5>team that helps me sell a product and you know,

0:36:25.116 --> 0:36:26.956
<v Speaker 5>essentially selling myself too.

0:36:27.596 --> 0:36:29.876
<v Speaker 2>Yeah, yourself and like your most vulnerable self.

0:36:30.076 --> 0:36:31.396
<v Speaker 6>Yeah, we'll see how this goes.

0:36:31.876 --> 0:36:32.156
<v Speaker 3>Yeah.

0:36:32.196 --> 0:36:34.876
<v Speaker 4>Well, look, I wish you so much luck with the

0:36:34.916 --> 0:36:38.036
<v Speaker 4>whole promo cycle of the album, And thank you so

0:36:38.116 --> 0:36:38.956
<v Speaker 4>much for talking with me.

0:36:39.276 --> 0:36:41.036
<v Speaker 6>Oh, thank you. It's been a real pleasure.

0:36:43.596 --> 0:36:47.036
<v Speaker 1>Thanks again to Caroline Rose. You can hear her latest album,

0:36:47.116 --> 0:36:50.516
<v Speaker 1>The Artist Forgetting, along with our other favorite songs of hers,

0:36:50.596 --> 0:36:54.396
<v Speaker 1>at broken Record podcast dot com. You can subscribe to

0:36:54.476 --> 0:36:58.636
<v Speaker 1>our YouTube channel at YouTube dot com slash broken Record Podcast,

0:36:58.756 --> 0:37:02.156
<v Speaker 1>where you can find all of our new episodes. Broken

0:37:02.196 --> 0:37:05.396
<v Speaker 1>Record is produced with help from Leah Rose, Jason Gambrel,

0:37:05.676 --> 0:37:10.756
<v Speaker 1>Ben Taliday, Nisha Venkat, Jordan McMillan, and Eric Sandler. Our

0:37:10.876 --> 0:37:15.156
<v Speaker 1>editor is Sophie Credible. Broken Record is a production of

0:37:15.196 --> 0:37:18.396
<v Speaker 1>Pushkin Industries. If you love this show and others from Pushkin,

0:37:18.556 --> 0:37:23.196
<v Speaker 1>consider subscribing to Pushkin Plus. Pushkin Plus is a podcast

0:37:23.196 --> 0:37:27.156
<v Speaker 1>subscription service that offers bonus content and unintrupted ad free

0:37:27.196 --> 0:37:30.676
<v Speaker 1>listening for only four ninety nine a month. Look for

0:37:30.716 --> 0:37:34.836
<v Speaker 1>Pushkin Plus on Apple podcast subscriptions, and if you like

0:37:34.916 --> 0:37:37.476
<v Speaker 1>the show, remember to share, rate, and review us on

0:37:37.516 --> 0:37:41.156
<v Speaker 1>your podcast staff. Our theme music expec. Kenny Beats. I'm

0:37:41.276 --> 0:37:41.956
<v Speaker 1>justin Richmond.