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Speaker 1: Hey, hey, hey, Yeah, I got to tell you something, man,

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Speaker 1: and I am so excited about this. And I don't

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Speaker 1: know anything about this company. I don't know anything about

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Speaker 1: what uh you know. All I know is it's working

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Speaker 1: for my kids, and it's gotten my kids off of

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Speaker 1: video games and it's got me playing the shit too,

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Speaker 1: and it's really it's a lot of fun and everything.

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Speaker 1: It's called Gravi Tracks. Have you heard of it?

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Speaker 2: I saw it on Casey's Instagram and explain it to

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Speaker 2: people who don't know what it is. But on I

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Speaker 2: saw what Rocko built and it was fucking awesome.

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Speaker 1: Yeah, okay, So Gravitracks is like a marble racing obstacle

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Speaker 1: course slash uh.

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Speaker 2: I want to like it reminds you of like old

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Speaker 2: school Hot Wheels tracks.

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Speaker 1: Kind of like that also, but also like Lego also

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Speaker 1: because you have to build and it shows you pictures

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Speaker 1: of things you need to make the obstacle course and

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Speaker 1: everything work. It's really awesome and the accessories that come

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Speaker 1: with it, you know, are very creative. Also. There's like

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Speaker 1: elevators and you know, trampolines and catapults and you know,

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Speaker 1: sling shot like crazy things like loop de loops like

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Speaker 1: crazy things.

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Speaker 2: And you get into it with your son, so you're like,

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Speaker 2: you don't feel like you're playing something that's you know,

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Speaker 2: it's cool because you're as interested as he is. So

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Speaker 2: you're actually playing with your kids something that's fun for

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Speaker 2: you both.

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Speaker 1: All Right. When I was a kid, Times Square has

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Speaker 1: this place called Port Authority. It's where all the buses

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Speaker 1: come into New York City, right, and growing up that

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Speaker 1: place was like a freaking scary ass you know, dirty.

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Speaker 1: You know. They made a television show about the neighborhood

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Speaker 1: I grew up in, and it's about pimps and prostitutes

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Speaker 1: and crackheads and you know, the beauty of forty second

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Speaker 1: Street and where all the movie theaters were, right, they

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Speaker 1: made a move a television show about it. Anyway, Qort

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Speaker 1: Authority had this thing and it had like a bunch

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Speaker 1: of pool cue ball you know, balls from you know,

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Speaker 1: from the pool table, so like from one all the

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Speaker 1: way to was it twelve balls, right, And they had

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Speaker 1: a bunch of them and they created something very similar

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Speaker 1: to what Gravitracks is doing, and it would but this

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Speaker 1: thing made like music, and I remember as a kid,

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Speaker 1: people used to surround this thing, because it was like

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Speaker 1: this clever contraption of you know, winding. You know, if

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Speaker 1: anybody out there remembers the sesame street one, two, three, four, five,

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Speaker 1: Sixcess nine eleven twelve, right that remember how the cartoon

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Speaker 1: went where it was like a pinball machine. But then

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Speaker 1: when you when you hit the ball, it went inside

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Speaker 1: one of the holes. And then now the ball's on

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Speaker 1: a track and rolling all around us. That's what Gravi

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Speaker 1: Tracks is, man, And it's amazing. It's so much fun.

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Speaker 1: It's so much fun. We have so much fun with

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Speaker 1: the The kids have been doing it for two days

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Speaker 1: straight without being on a television screen, without you know,

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Speaker 1: with it's just them and their mind and their imagination

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Speaker 1: and awesome. I just want to give a shout out

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Speaker 1: to them, uh and say, yo, thank you so much for.

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Speaker 2: Saving I'm sure lots of parents are looking for any

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Speaker 2: way to have their kids be fascinated by something other

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Speaker 2: than video.

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Speaker 1: Games absolutely or television. You know. Uh. It makes kids

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Speaker 1: have to use their brains. There's a lot of math involved,

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Speaker 1: you know, it's very specific in how things work, and

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Speaker 1: then you have to be creative with what you're given

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Speaker 1: in that realm. It's really awesome.

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Speaker 2: That's awesome. All right, Well, everybody check that out. We

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Speaker 2: got to talk about wonder Woman, because I don't I

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Speaker 2: really am confused about wonder Woman. I don't know what

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Speaker 2: the hell was going on. And I know I'm speaking

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Speaker 2: to three fans of superhero movies. I don't ever like

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Speaker 2: to diss anyone involved in creative endeavors because it is

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Speaker 2: so fucking hard to make anything, and thousands of people

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Speaker 2: worked on this movie, and there's so much talent. The

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Speaker 2: actors are all amazing. I know the director is amazing.

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Speaker 2: I just want to know from three people who like

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Speaker 2: these sort of things what that was.

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Speaker 1: But a great question, Zach, Joe, you go first, you

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Speaker 1: want to talk about it.

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Speaker 3: I feel like this is the branded direction DC has

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Speaker 3: chosen to go in where they don't mind making these

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Speaker 3: sort of like be heavy camp films.

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Speaker 1: But they're not for me. But four like them.

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Speaker 2: We were they four because I was watching it, going

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Speaker 2: is a kid gonna get any of this?

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Speaker 1: Children?

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Speaker 3: It's for adults, specifically guys I think who are really

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Speaker 3: into like old school comics which didn't always have to

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Speaker 3: make sense like the the basis of reality or even

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Speaker 3: have like strong structure. Now there's a lot of great

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Speaker 3: like classic comic books, but also there was a genre

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Speaker 3: of comics specifically for looking at late eighties early nineties,

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Speaker 3: where like the physics were off and the body mechanics

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Speaker 3: were way off, and there's like no sense of reality

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Speaker 3: and there's no sort of tie to like, oh, I

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Speaker 3: need a great American hero. And it's not even you know,

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Speaker 3: sixties cheesiness. It was just like wild, extreme, like pumped

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Speaker 3: up nineties kind of stuff. And those fans have really

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Speaker 3: clung to like that ideal of superheroism. That's like what

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Speaker 3: they really enjoy and so you know, you don't need

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Speaker 3: a motivational reason for a Cheeta lady to happen. She

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Speaker 3: just happens and it's totally fine. It's not for me.

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Speaker 3: I think there's like especially a disappointing that Wonder Woman

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Speaker 3: doesn't get to be the center character in her own movie.

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Speaker 3: It's a little disappointing. I really like Wonder Woman. There's

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Speaker 3: a lot of great source material for her, and for me,

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Speaker 3: it doesn't do the character justice. But I also don't

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Speaker 3: want to take anything away from DC fans. I'm a

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Speaker 3: true believer that like, if you like.

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Speaker 2: A thing, you know and the DC fans like this movie.

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Speaker 2: I haven't searched the internet to know if it's well

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Speaker 2: received or not. I don't even have critics liked it.

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Speaker 2: I didn't even look to see what critics liked it.

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Speaker 3: It was critically panned, and it seems to me that

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Speaker 3: while some DC fans were like, no, this is a

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Speaker 3: solid superhero movie, it's certainly not getting the praise of

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Speaker 3: like Justice League or the the Call for you know,

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Speaker 3: Zack Snyder Cut or anything like that. So I think

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Speaker 3: it's sort of middling.

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Speaker 1: I have I have a real problem. Listen, we got

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Speaker 1: we were really excited to watch it.

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Speaker 2: Yeah, me too.

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Speaker 1: We were really excited because.

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Speaker 2: I love all those actors.

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Speaker 1: Yeah yeah, and great cast, great cast. And the first

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Speaker 1: three minutes of the movie with the little Girl of

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Speaker 1: the is the best part of the movie to me,

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Speaker 1: where she uh is in the race and at the

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Speaker 1: last minute her I don't want to spoil it, so

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Speaker 1: I'm going to shut up, but she's in the race

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Speaker 1: and uh, that was the best part of the movie.

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Speaker 1: And then the minute this is where I was like,

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Speaker 1: I think we're in trouble now. I'm not hating on

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Speaker 1: this movie. I'm not hating on this movie. I don't

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Speaker 1: want to hate on this movie, but this is where

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Speaker 1: I was like, oh, we're in trouble. When Wonder Woman

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Speaker 1: turned back around and winked at the little girl, I

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Speaker 1: was like, oh, uh oh o oh no, And what

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Speaker 1: did it for me? Because and because my wife is

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Speaker 1: a great judge of what you know, what's to come,

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Speaker 1: Like she figured out the usual suspect before you know,

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Speaker 1: the minute the movie started. She was like, oh, that's

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Speaker 1: kinds of that's kinds of right, yeah, And I was like, oh, okay.

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Speaker 1: She she said, uh oh these are her exact words.

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Speaker 1: She went like this, She went uh oh. And I

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Speaker 1: was like what what what? What what? And she was like, uh,

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Speaker 1: if the rest of the movie is like this, we

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Speaker 1: got a problem. What was with all the slow mo?

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Speaker 1: What was with all the slow I don't know.

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Speaker 2: I have to say I Wonder Woman understand how she

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Speaker 2: could fly.

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Speaker 1: I mean that she's always been able to do that.

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Speaker 1: She's always been able to do that. Hold on, now, now,

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Speaker 1: let's let's if you.

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Speaker 2: Want to go and told me on Twitter that she

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Speaker 2: was last doing the lightning.

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Speaker 1: I didn't know. Okay, I've never seen her do that before.

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Speaker 1: But Wonder Woman has always been able to fly. What

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Speaker 1: was weird was why does she have the invisible jet

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Speaker 1: because she can fly? That was always the that was

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Speaker 1: always the argument, you know what I mean, Like, what's

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Speaker 1: the point of the invisible jet if you can fly?

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Speaker 1: But so as far as that goes, her powers and

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Speaker 1: everything like that are top notch uh and and they're

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Speaker 1: dying and they're and they're but they're doing it justice, man, Like,

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Speaker 1: that's that's the truth. She's supposed to be. If Superman

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Speaker 1: is the male version of what is the most powerful,

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Speaker 1: wonder Woman is the female version of what is the

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Speaker 1: most powerful? You know what I mean? Like they're supposed

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Speaker 1: to be the Titans that protect Earth, you know what,

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Speaker 1: And that that that is a parent in this movie.

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Speaker 1: It's clear if you are a mere mortal on this

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Speaker 1: planet and you go against her, and you go against Diana,

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Speaker 1: you're gonna get your ass kick.

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Speaker 2: On the other side of things, we all loved Soul, right,

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Speaker 2: Soul was incredible.

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Speaker 3: You didn't like Soul, Joelle, I have so many feelings

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Speaker 3: about Soul. It's a beautiful film. I cried at the end.

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Speaker 3: I think structurally it's very sound. I sort of wish

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Speaker 3: in the way that Coco got to experience and after

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Speaker 3: life that was authentic to a culture. I wish Soul

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Speaker 3: had provided us with an afterlife authentic to Black culture.

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Speaker 3: But performances outstanding. I really really did enjoy just watching

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Speaker 3: the film.

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Speaker 2: Animation was stunning. I thought, beautiful, beautiful art. I saw

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Speaker 2: someone coming on Twitter and one of them like the

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Speaker 2: body types, and it wasn't just African Americans being the

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Speaker 2: star of the show, but the way that they the

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Speaker 2: artists drew different body types and facial types and shapes

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Speaker 2: and sizes, the way they drew his barber. I mean,

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Speaker 2: I just love I loved this. The art of it

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Speaker 2: I thought was medical.

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Speaker 1: I loved Soul for a lot of reasons, but mostly

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Speaker 1: for like there there's something special about an artist when

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Speaker 1: they can inspire you. And usually when an artist does that,

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Speaker 1: they win Academy Awards and stuff like that. And Jamie

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Speaker 1: Fox is one of those artists. When he gets it right,

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Speaker 1: when the movie is right, and when he's in that zone,

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Speaker 1: he really can inspire you, you know what I mean,

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Speaker 1: Like he really his talent is top notch. When the

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Speaker 1: when the cards are in his favor and he's playing

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Speaker 1: that hand, you know what, I mean, like I and

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Speaker 1: this is one of the This ray is one of those,

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Speaker 1: but this one also it's like you listen to him

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Speaker 1: and you're like, holy cow, I need to be a

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Speaker 1: voice actor. I think. I think I think if I

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Speaker 1: focus really hard, I could be a voice actor. Oh

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Speaker 1: you know what I mean. He just makes it seem

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Speaker 1: like you can do it too, and it's a gift

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Speaker 1: that you have. I once told him that, and I

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Speaker 1: think it came off kind of wrong, and he was like, well.

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Speaker 1: I was like, I was like, dude, man, make you

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Speaker 1: make people feel like they can win oscars. He was like, well, shit, motherfucker,

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Speaker 1: go get you one.

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Speaker 2: Then I was like, though he was laughing with you,

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Speaker 2: I was like, A right.

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Speaker 1: All right, my bad, but yo. Anyway, the point is

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Speaker 1: he's just amazing in this role. And when it comes

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Speaker 1: to music, it really does. You know, he really does shine,

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Speaker 1: whether he's talking it or singing it or you know,

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Speaker 1: you know, there's just something special about him when it

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Speaker 1: comes to that.

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Speaker 2: Yeah, it's a beautiful movie, I think, and everyone should

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Speaker 2: see it, even if you're not. If you know I

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Speaker 2: I I thought it was just artful and Pixar man,

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Speaker 2: do they have it do they have it down. It's

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Speaker 2: just almost every single time flawless.

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Speaker 1: Daniel, you didn't see that one either, did You.

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Speaker 4: Didn't see it yet?

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Speaker 2: Daniel was building computers. I wanted to talk about all

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Speaker 2: the all the pictures of those of you who bought onesies.

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Speaker 2: Donald and I are both loving all the pictures you're posting.

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Speaker 2: It brings a giant smile to our face. We love

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Speaker 2: that you love this podcast. I just be sentimental for

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Speaker 2: one second before Donald counts us in. You know the

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Speaker 2: amount of love that you shower upon the four of

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Speaker 2: us on social media, and it really means a lot.

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Speaker 2: And I saw so much varying from silliness and someone

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Speaker 2: in a onesie eagling their their husband to someone saying

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Speaker 2: this show probably saved my life. No joking around this year.

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Speaker 2: And I just want you to know that we we

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Speaker 2: hear it, and we love you, and we did not

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Speaker 2: think we'd make this much of a difference, but it

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Speaker 2: means so much to all of us when we see

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Speaker 2: your reaction. You're here, amen, and so we're going to

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Speaker 2: keep entertaining you because that's what we're here to do

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Speaker 2: is hopefully put a smile on your face. Right Donald,

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Speaker 2: absolutely all right.

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Speaker 1: I second that.

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Speaker 2: All right, well, let's let's uh, why don't we rewatch

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Speaker 2: an episode of Scrubs and discussing made about a bunch of.

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Speaker 5: A story.

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Speaker 2: Yeah, so, do you have your recap ready?

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Speaker 1: I do have my recap ready. How did you feel

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Speaker 1: about this episode?

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Speaker 2: I thought it was very silly. It was very short.

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Speaker 2: It felt shorter than normal.

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Speaker 1: Here's here's something I don't understand. How do you make

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Speaker 1: an episode that really is only funny if you've smoked

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Speaker 1: a lot of weed about about you know, uh, you

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Speaker 1: know this is your brain on drugs? How do you

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Speaker 1: make you know what I mean? Like, this show has

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Speaker 1: so many like if if you're stoned and you're watching this,

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Speaker 1: this is a very very funny episode, like like the

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Speaker 1: type of episode where you go out your nose because

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Speaker 1: you laughed so hard. Yeah, you know what I mean?

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Speaker 2: I felt like if I were since you asked me,

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Speaker 2: it's like the writers were. I can tell when the

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Speaker 2: room and when the vibe of the writer's room was

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Speaker 2: particularly stonery and silly that week. Absolutely now one of

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Speaker 2: the main of this episode. But the Brain on Drugs episode,

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Speaker 2: the b story is essentially that the janitor.

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Speaker 1: Wait, let me get into the RecA.

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Speaker 2: Okay, okay, but I mean it's definitely an If you

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Speaker 2: had a stoner friend who wasn't into scrubs, I suppose

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Speaker 2: you'd probably start with Wizard of Oz with musical, but

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Speaker 2: this might be one to show them.

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Speaker 1: Right, absolutely, absolutely, all right.

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Speaker 2: All right, hold on, hold on, hold on, stop watch

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Speaker 2: and go.

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Speaker 1: Jad and Carla have really bonded over the last few year.

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Speaker 1: Turk's sick of being nagged over his butt watching habits,

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Speaker 1: Elliot and Cox think differently of a patient, and the

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Speaker 1: janitor is maybe the most desperate we've ever seen him.

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Speaker 1: What are the limits to fidelity? When does it become infidelity?

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Speaker 1: That's not up for anyone to decide, but you my

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Speaker 1: personal belief, if you need to lie for whatever reason,

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Speaker 1: you're probably doing more harm to the situation than helping.

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Speaker 1: Communication is always key.

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Speaker 2: Amen on communication being always key. But Turk can't be

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Speaker 2: looking and fucking all these asses.

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Speaker 1: Why not? Why not? Why not? Why not?

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Speaker 2: If his wife says and means it and isn't bullshitting

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Speaker 2: If she says, honey, honestly, you're a man, and I

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Speaker 2: don't find it disrespectful, and I'm gonna look at that

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Speaker 2: ass too, she's got a great ass. Whatever the whatever

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Speaker 2: their whatever their rules are, and it's honest. She's not

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Speaker 2: just putting it on to be cool, to be cool wife.

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Speaker 2: And this communication okay, I'm just saying, if it's real,

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Speaker 2: if it's not just like she's like, oh, I don't

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Speaker 2: want to be like uptight. I'm gonna pretend like I'm

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Speaker 2: okay with it, but really I'm crying inside. I mean,

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Speaker 2: Turk is like when she says go, he turns and

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Speaker 2: he just looks at the ass like this.

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Speaker 1: I feel like Turk and Carla might be open for

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Speaker 1: a little you know, uh, you know, we talked about

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Speaker 1: it before, you know, JD kind of things. It's possible.

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Speaker 1: I think they're open to a little, you know, in

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Speaker 1: a marital.

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Speaker 2: First of all, I don't think this episode. First of all,

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Speaker 2: she goes on a date. This was so weird, Like

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Speaker 2: she goes on a date and JD doesn't tell Turk

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Speaker 2: but don't give a.

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Speaker 1: Shit either, Yes you would have, but he doesn't in

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Speaker 1: the show.

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Speaker 2: I forgot, Sorry I did. I brain farted on what

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Speaker 2: your what? What your reaction was?

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Speaker 1: When she finally a reaction that they give is not

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Speaker 1: a reaction they give JD's fantasy of what's going to happen?

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Speaker 2: Right? Do you ever see what really happens? Oh my god,

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Speaker 2: how funny.

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Speaker 1: By the way, how first of all, you'd be this

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Speaker 1: age right now?

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Speaker 2: I said this, I just blew you outside. I said

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Speaker 2: the same thing, dude. First of all, the funniest part

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Speaker 2: of the show, in my mind is me as an

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Speaker 2: old man, still living with you and farting. And then

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Speaker 2: I went I did the math, and I'm like, that's

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Speaker 2: that's me at forty.

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Speaker 1: Five, right right, right, right right?

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Speaker 2: That's how how trippy is that to see yourself? I mean,

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Speaker 2: this is an experience most people on earth will never have,

334
00:17:21,760 --> 00:17:25,680
Speaker 2: seeing how you as a twenty five year old portrayed

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Speaker 2: yourself at forty five, and then going back in forty

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Speaker 2: five and watching it. I was old and bald and fat.

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Speaker 1: And farting and farting and still.

338
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Speaker 2: Living with my friends and very very Jewish and extra jewy,

339
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Speaker 2: extra jewey, sorry because I've got nowhere else to go.

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Speaker 2: I was like, I was like a fucking Seinfeld character.

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Speaker 2: Oh my god, I was very funny. Though I wish

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Speaker 2: if you saw more of that character. I want to

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Speaker 2: see more of them.

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Speaker 1: That would have been great.

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Speaker 2: There are certain things I've wish he had more of.

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Speaker 2: I wish there was I wish Turk's mole puppet was

347
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Speaker 2: a running gag, and I certainly wish forty five, but

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Speaker 2: really seventy five year old extra Jewey Zach was a character.

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Speaker 1: I mean extra Jewey JD.

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Speaker 2: Extra Jewey JD. Well, they overlap, all right, Jady's nipples

351
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Speaker 2: name is Jasper. I laughed at that. JD loves the

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Speaker 2: show his nipples.

353
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Speaker 1: Right, you're right. Nipples name is Jasper. Yes, and you

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00:18:24,760 --> 00:18:27,640
Speaker 1: have one hair named Clancy. So there's Jasper and Clancy.

355
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Speaker 2: Well, the hair is named Clancy, and the we don't

356
00:18:30,520 --> 00:18:33,440
Speaker 2: get the left nipples name is no. I think it's

357
00:18:33,480 --> 00:18:35,600
Speaker 2: the left. I think it's my left. That's Jasper.

358
00:18:36,440 --> 00:18:37,639
Speaker 1: Yeah, it's your left, that's Jasper.

359
00:18:37,680 --> 00:18:39,000
Speaker 2: I'm sure it's on scrubs Wiki.

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Speaker 1: You're right, now, you're right, you're right, you're right.

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Speaker 3: Right.

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Speaker 2: But anyway, first of all, in the spirit of sexual

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Speaker 2: harassment at the workplace, I mean, JD and Turk are

364
00:18:46,040 --> 00:18:50,560
Speaker 2: just like really not being subtle at all ogling this

365
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Speaker 2: woman's tush.

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Speaker 1: Yes they are, And I got to ask you a question.

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Speaker 2: Okay, it's funny even in two thousand and two or

368
00:19:01,280 --> 00:19:04,320
Speaker 2: three whenever we're making must have been three. Uh, we

369
00:19:04,640 --> 00:19:08,600
Speaker 2: seem to not be playing character. We seem to not

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Speaker 2: be playing characters that were toning it down or I

371
00:19:10,920 --> 00:19:13,040
Speaker 2: don't know, it just seemed out of Placezar.

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00:19:14,080 --> 00:19:16,440
Speaker 1: I gotta ask you, though, are you a ass man

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Speaker 1: or a breastman?

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Speaker 2: Ass man times ten?

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Speaker 1: Okay, So when we first met, though, dude, you were

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00:19:20,960 --> 00:19:24,360
Speaker 1: a breastman. You were all about tiny waste and big breast. Dude,

377
00:19:24,400 --> 00:19:25,360
Speaker 1: when we never met, that.

378
00:19:25,359 --> 00:19:26,600
Speaker 2: Was your game of another friend.

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00:19:26,960 --> 00:19:27,600
Speaker 1: That was you.

380
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Speaker 5: Dude.

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00:19:27,960 --> 00:19:29,240
Speaker 1: You were like, it has to be I was like,

382
00:19:29,240 --> 00:19:30,800
Speaker 1: what about the big ass? You were like, it has

383
00:19:30,840 --> 00:19:32,679
Speaker 1: to be so tiny, it has to be.

384
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Speaker 2: Disagree.

385
00:19:33,800 --> 00:19:36,520
Speaker 1: Maybe I remember this, Oh my god, we're gonna fight.

386
00:19:37,240 --> 00:19:37,600
Speaker 2: You're sorry.

387
00:19:37,600 --> 00:19:38,720
Speaker 1: I don't mean yeah, we're gonna fight.

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00:19:38,720 --> 00:19:42,399
Speaker 2: We're gonna be your appreciation. I'm not saying that your

389
00:19:42,480 --> 00:19:44,840
Speaker 2: appreciation for giant tushes.

390
00:19:44,880 --> 00:19:47,480
Speaker 1: I don't like me a little bit. I don't like fake.

391
00:19:47,880 --> 00:19:49,360
Speaker 1: I like giant. I don't like fake.

392
00:19:49,400 --> 00:19:51,480
Speaker 2: We both we both have something in common that we

393
00:19:51,600 --> 00:19:52,440
Speaker 2: like the real real.

394
00:19:53,160 --> 00:19:54,040
Speaker 1: I like the real real.

395
00:19:54,560 --> 00:19:56,960
Speaker 2: Yeah. I definitely didn't know that ass implants were a

396
00:19:56,960 --> 00:19:58,680
Speaker 2: thing until recently, I thought that was a joke.

397
00:19:59,119 --> 00:20:01,720
Speaker 1: It looks weird, and you got this big, big, big,

398
00:20:01,760 --> 00:20:05,119
Speaker 1: big like hump on your bet but and then like

399
00:20:05,160 --> 00:20:07,560
Speaker 1: these real tiny legs, like if it don't match the

400
00:20:08,080 --> 00:20:11,359
Speaker 1: if the if the hamstring don't match the booty, what

401
00:20:11,520 --> 00:20:14,200
Speaker 1: you're really doing, what you're really doing.

402
00:20:14,000 --> 00:20:18,600
Speaker 2: To each the right Really, if you're listening right now

403
00:20:18,640 --> 00:20:20,960
Speaker 2: and you're on the fence about where they get the

404
00:20:21,000 --> 00:20:23,360
Speaker 2: ass implants, Donald and I are begging you not.

405
00:20:23,400 --> 00:20:26,000
Speaker 1: To unless you got no ass. If you've got no

406
00:20:26,119 --> 00:20:26,680
Speaker 1: ass and you.

407
00:20:26,640 --> 00:20:30,000
Speaker 2: Can, then do squats. Don't fucking put silicone in your toush.

408
00:20:30,359 --> 00:20:35,400
Speaker 1: Sometimes squats, Sometimes squat, okay, Daniel, Sometimes squats don't help though.

409
00:20:35,720 --> 00:20:38,520
Speaker 2: Well I'm just I mean to each their own again,

410
00:20:38,680 --> 00:20:41,280
Speaker 2: if you're sitting there on a cushy ass implant, then

411
00:20:41,400 --> 00:20:45,000
Speaker 2: manzle tough. I'm just saying I personally, I would rather

412
00:20:45,040 --> 00:20:45,800
Speaker 2: you did squats.

413
00:20:45,920 --> 00:20:47,640
Speaker 1: Joelle just over there sipping on hot tea.

414
00:20:51,200 --> 00:20:53,359
Speaker 2: By the way, someone runs something so funny on Twitter.

415
00:20:53,400 --> 00:20:58,400
Speaker 2: They said, rip to Joel's UH search history. After last

416
00:20:58,440 --> 00:21:01,800
Speaker 2: week's episode where we made search for the amount of

417
00:21:03,280 --> 00:21:04,040
Speaker 2: sperm that are.

418
00:21:03,960 --> 00:21:09,240
Speaker 3: In each practically no penis pill ads yet.

419
00:21:09,080 --> 00:21:11,600
Speaker 2: Just you wait, but you were doing a service for

420
00:21:11,640 --> 00:21:13,720
Speaker 2: the America, well, for the for the for the Earth,

421
00:21:13,840 --> 00:21:15,240
Speaker 2: for the.

422
00:21:14,640 --> 00:21:16,960
Speaker 1: Earth, for Earth, Planet Earth.

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Speaker 2: You're welcome. You're welcome, You're well welcome. Isn't it funny

424
00:21:20,800 --> 00:21:23,280
Speaker 2: when you when you not funny, but when you, like

425
00:21:23,520 --> 00:21:26,560
Speaker 2: you google something and then you're on some other website

426
00:21:26,600 --> 00:21:28,560
Speaker 2: and ads for that thing come up, and you're like,

427
00:21:28,600 --> 00:21:31,119
Speaker 2: what the fuck? I just looked for two seconds. I

428
00:21:31,160 --> 00:21:33,679
Speaker 2: don't care. And it doesn't even be like pornographic. It's like,

429
00:21:34,160 --> 00:21:38,119
Speaker 2: I'm not that interested in in in iron shelving. I

430
00:21:38,160 --> 00:21:38,800
Speaker 2: looked once.

431
00:21:38,920 --> 00:21:42,520
Speaker 1: Yeah, it's I looked at a knife online, like a

432
00:21:42,520 --> 00:21:44,439
Speaker 1: cooking knife, because you guys know, I'm so in the

433
00:21:44,440 --> 00:21:47,040
Speaker 1: cooking a chopping knife, and I looked into it because

434
00:21:47,040 --> 00:21:48,640
Speaker 1: it's like one of those big ones that you see

435
00:21:48,680 --> 00:21:50,440
Speaker 1: on the Food Network and stuff.

436
00:21:50,840 --> 00:21:51,000
Speaker 2: Thick.

437
00:21:51,640 --> 00:21:54,959
Speaker 1: Yeah, it won't stop showing up. It just keeps showing

438
00:21:55,000 --> 00:21:58,159
Speaker 1: up on my phone in every ad that in every

439
00:21:58,280 --> 00:22:04,800
Speaker 1: ad on any site that I go to YouTube, freaking Facebook, Twitter, well,

440
00:22:04,880 --> 00:22:08,679
Speaker 1: Twitter and have ads, but Instagram, it shows up.

441
00:22:08,960 --> 00:22:12,360
Speaker 2: Yeah, they got you. Zuckerberg's got you all right now.

442
00:22:12,400 --> 00:22:16,600
Speaker 2: The janitor's whole storyline, yes, is a big storyline is

443
00:22:16,920 --> 00:22:19,960
Speaker 2: he has a twin brother named Roscoe, and he's committed

444
00:22:20,000 --> 00:22:23,160
Speaker 2: to tricking Jad and Turk that he I mean, does

445
00:22:23,200 --> 00:22:28,200
Speaker 2: this guy have any work to do? He the entire

446
00:22:28,400 --> 00:22:32,600
Speaker 2: time trying to convince us that he has a twin brother, and.

447
00:22:32,760 --> 00:22:38,879
Speaker 1: And he goes through like outrageous feats to his theory.

448
00:22:39,040 --> 00:22:43,520
Speaker 1: He enlists Troy, right, he lists Troy. He jumps out

449
00:22:43,600 --> 00:22:46,600
Speaker 1: of a window, a one story window. He jumps from

450
00:22:46,600 --> 00:22:50,640
Speaker 1: the second story to the top of the first story.

451
00:22:50,359 --> 00:22:52,600
Speaker 2: Roof and then onto an ambulance and then onto an.

452
00:22:52,480 --> 00:22:55,000
Speaker 1: Ambulance and then falls off the ambulance.

453
00:22:54,520 --> 00:22:57,639
Speaker 2: Because the ambulance gets a call so they speed off.

454
00:22:57,880 --> 00:23:01,600
Speaker 2: He falls onto the ground. I mean, this guy really, really,

455
00:23:01,640 --> 00:23:03,600
Speaker 2: really really was committed to trigger.

456
00:23:03,640 --> 00:23:08,480
Speaker 1: He made a video yes with Troy for the birthday

457
00:23:09,080 --> 00:23:11,680
Speaker 1: for the two of them for their twin birthday party.

458
00:23:11,800 --> 00:23:16,920
Speaker 2: Twin birthday party. This episode was so silly, I mean.

459
00:23:16,800 --> 00:23:18,600
Speaker 1: And he goes, take your time to look at this

460
00:23:20,520 --> 00:23:21,480
Speaker 1: and runs around.

461
00:23:21,800 --> 00:23:23,880
Speaker 2: Yeah, and then the other comes in and it's got

462
00:23:23,960 --> 00:23:25,200
Speaker 2: nail polish on the other hand.

463
00:23:26,400 --> 00:23:28,480
Speaker 1: But then when he walks in, he goes walking slowly.

464
00:23:29,200 --> 00:23:32,679
Speaker 2: Yeah. Yeah, what was the woman's name on his in

465
00:23:32,720 --> 00:23:35,920
Speaker 2: his h and his brain trust. Do you remember her?

466
00:23:37,000 --> 00:23:39,720
Speaker 2: It must have been crazy eyed Margo. It must have

467
00:23:39,760 --> 00:23:44,639
Speaker 2: been her hand, crazy eyed Margo memory. Someone wrote on Twitter.

468
00:23:44,680 --> 00:23:47,879
Speaker 2: I saw someone wrote on Instagram or Twitter about you.

469
00:23:47,920 --> 00:23:50,919
Speaker 2: It was funny. They said, there's definitely a Goldilocked sweet

470
00:23:50,920 --> 00:23:54,440
Speaker 2: spot for how high Donald should be. Sometimes it's too little,

471
00:23:54,520 --> 00:23:55,840
Speaker 2: sometimes it's too much.

472
00:23:56,160 --> 00:23:59,600
Speaker 1: Right, Sometimes I get too far gone. Yeah, I'm like,

473
00:23:59,640 --> 00:24:01,320
Speaker 1: holy ship, I was high in that episode.

474
00:24:01,440 --> 00:24:01,680
Speaker 2: Yeah.

475
00:24:01,680 --> 00:24:03,320
Speaker 1: And then there's sometimes where I was like, I probably

476
00:24:03,320 --> 00:24:04,719
Speaker 1: should have smoked weed in that episode.

477
00:24:04,920 --> 00:24:07,840
Speaker 2: Yeah. I just love that someone compared you to Goldilocks,

478
00:24:07,840 --> 00:24:10,480
Speaker 2: Like that's that's that's that porridge, that that weed is

479
00:24:10,480 --> 00:24:12,520
Speaker 2: not enough, that weed is too much, that weed, that's

480
00:24:12,680 --> 00:24:18,000
Speaker 2: just right, that's right. Why don't go to break, right, Joel,

481
00:24:18,680 --> 00:24:20,440
Speaker 2: We're gonna go break and we come right back. We're

482
00:24:20,440 --> 00:24:23,199
Speaker 2: gonna talk about firm like Mutton the second time then

483
00:24:23,200 --> 00:24:26,040
Speaker 2: an ass it has been compared to Mutton in Scrubs.

484
00:24:26,160 --> 00:24:27,080
Speaker 2: We'll be right back.

485
00:24:33,080 --> 00:24:41,119
Speaker 1: And we're bad. Okay, all right. I have a question

486
00:24:41,400 --> 00:24:44,520
Speaker 1: why why? First of all, why that why? Why? I

487
00:24:44,520 --> 00:24:44,800
Speaker 1: don't know.

488
00:24:44,840 --> 00:24:46,720
Speaker 2: It came to my mind when you did that noise.

489
00:24:46,960 --> 00:24:54,480
Speaker 1: Okay, second of the second second second of all, I

490
00:24:54,560 --> 00:24:57,840
Speaker 1: thought Elliott had gotten past this look. I thought we

491
00:24:57,840 --> 00:25:00,400
Speaker 1: were moving past this look at this point, aren't we?

492
00:25:00,760 --> 00:25:02,880
Speaker 2: No, she does this rocker hair for like, I think

493
00:25:02,880 --> 00:25:06,120
Speaker 2: the whole season really okay? Yeah, I think season three

494
00:25:06,240 --> 00:25:07,320
Speaker 2: was Elliott rocker hair.

495
00:25:07,760 --> 00:25:08,920
Speaker 1: Okay, the whole season.

496
00:25:09,119 --> 00:25:11,560
Speaker 2: Yeah, I'm sad about it too.

497
00:25:10,920 --> 00:25:13,080
Speaker 1: And the whole season and then and season three ends

498
00:25:13,080 --> 00:25:17,120
Speaker 1: with us getting with uh, Carla and Turk getting married, right.

499
00:25:17,880 --> 00:25:21,640
Speaker 2: I don't know, Oh, Joelle says, yes, I can. Look,

500
00:25:21,680 --> 00:25:23,040
Speaker 2: I have it in front of me here, what Joe,

501
00:25:23,160 --> 00:25:26,480
Speaker 2: you're looking? Yes, I'm looking right here? Do you want

502
00:25:26,480 --> 00:25:29,080
Speaker 2: to know what's coming up? We have? Oh, we have

503
00:25:30,560 --> 00:25:34,480
Speaker 2: his story. This must be when you narrate.

504
00:25:35,320 --> 00:25:38,000
Speaker 1: Oh shucks, is either mea John c McGinley.

505
00:25:38,200 --> 00:25:40,399
Speaker 2: No, it says you. Turk has hesitations about whether or

506
00:25:40,440 --> 00:25:42,080
Speaker 2: not to mail his wedding invitations.

507
00:25:42,320 --> 00:25:45,880
Speaker 1: Oh shit, yep.

508
00:25:45,920 --> 00:25:48,560
Speaker 2: And then we have Scott Foley coming back. I mean

509
00:25:48,640 --> 00:25:50,160
Speaker 2: we haven't booked on the episode.

510
00:25:49,840 --> 00:25:52,760
Speaker 1: But Connecticut's favorite Scott Foley. Yeah.

511
00:25:52,760 --> 00:25:56,240
Speaker 2: And then we have Richard Kines episode and yeah, it ends.

512
00:25:57,400 --> 00:26:02,240
Speaker 2: It ends with Carla and Turk getting married with George.

513
00:26:02,920 --> 00:26:07,960
Speaker 1: Everbody's gonna ask you that that just that line alone

514
00:26:08,000 --> 00:26:09,600
Speaker 1: in that song. I don't even know the song, but

515
00:26:09,720 --> 00:26:12,000
Speaker 1: just that line alone. Classic.

516
00:26:12,480 --> 00:26:15,280
Speaker 2: So the sixth member of the cast of Spin City

517
00:26:15,359 --> 00:26:18,760
Speaker 2: joins this, Alexander Chaplin. Now we call him Sandy. I'm

518
00:26:18,840 --> 00:26:22,480
Speaker 2: know Sandy forever. We went to theater camp together, which

519
00:26:22,520 --> 00:26:24,359
Speaker 2: sounds like a joke from Scrubbs, but is true. We

520
00:26:24,400 --> 00:26:26,440
Speaker 2: went to a theater camp called stage Door mannor together.

521
00:26:27,040 --> 00:26:30,440
Speaker 1: And he is related to say it, tell it. There's

522
00:26:30,440 --> 00:26:31,679
Speaker 1: a reason why his name was Chapman.

523
00:26:32,840 --> 00:26:38,240
Speaker 2: No Chaplain, He's not related to Chaplain. His father in

524
00:26:38,320 --> 00:26:41,120
Speaker 2: law is Hal Prince, the most celebrated I was under.

525
00:26:40,880 --> 00:26:46,000
Speaker 1: The impression that Sandy was was related to Charlie Chaplin.

526
00:26:46,520 --> 00:26:49,360
Speaker 2: No, you can, let's look up. I would know that.

527
00:26:49,840 --> 00:26:52,880
Speaker 1: I would just look this up. But his father told

528
00:26:52,880 --> 00:26:54,879
Speaker 1: me this, David Allen Base told me this. So I'm

529
00:26:54,880 --> 00:26:57,520
Speaker 1: gonna put David David Allen Base on.

530
00:26:59,040 --> 00:27:01,480
Speaker 2: I don't think so. I feel like I would know

531
00:27:01,520 --> 00:27:04,200
Speaker 2: that tidbit about him because I know him, and he's

532
00:27:04,240 --> 00:27:07,239
Speaker 2: a very very sweet man and a wonderful actor. And

533
00:27:07,280 --> 00:27:08,720
Speaker 2: do you know what film he was in that was

534
00:27:08,760 --> 00:27:13,200
Speaker 2: really where his where his acting was really incredible. I

535
00:27:13,320 --> 00:27:17,520
Speaker 2: wish I was here m hmm. Do you remember that Donald,

536
00:27:18,520 --> 00:27:25,040
Speaker 2: isn't it He plays the young Rabbi? Do you remember

537
00:27:25,040 --> 00:27:26,040
Speaker 2: that Donald?

538
00:27:26,880 --> 00:27:33,480
Speaker 1: Oh? Yeah, that's right. The car, Yeah, and the plant

539
00:27:33,520 --> 00:27:34,960
Speaker 1: and something about the plant. Right.

540
00:27:35,480 --> 00:27:38,840
Speaker 2: He is a great actor. I think, very very I

541
00:27:38,840 --> 00:27:41,480
Speaker 2: think it's very underused. I mean, the guy should have

542
00:27:41,480 --> 00:27:43,760
Speaker 2: his own show. At this moment where he explodes on

543
00:27:43,800 --> 00:27:46,840
Speaker 2: Elliott over trying to get pain medication out of her,

544
00:27:47,119 --> 00:27:49,480
Speaker 2: I mean, it was just like it was just like

545
00:27:49,560 --> 00:27:52,919
Speaker 2: a quick, little three sentence monologue and he fucking killed it.

546
00:27:52,960 --> 00:27:53,800
Speaker 2: He's so talented.

547
00:27:54,119 --> 00:27:56,320
Speaker 1: He's very talented and very funny.

548
00:27:56,320 --> 00:27:59,880
Speaker 2: Also, he's very funny. He can also has a beautiful voice.

549
00:28:01,000 --> 00:28:02,879
Speaker 2: I love this man. I wish, I wish that I

550
00:28:02,960 --> 00:28:05,199
Speaker 2: saw him more. We gotta, we gotta, we gotta. If

551
00:28:05,240 --> 00:28:07,359
Speaker 2: you're out there and you're a casting director, you gotta

552
00:28:07,680 --> 00:28:11,600
Speaker 2: book Alexander Chaplin because he is a talented fellow.

553
00:28:12,240 --> 00:28:15,920
Speaker 1: Yeah he is. Just give me a second. I'm still looking.

554
00:28:16,000 --> 00:28:17,639
Speaker 2: I think Joelle is doing the work for you.

555
00:28:17,760 --> 00:28:17,960
Speaker 5: Yeah.

556
00:28:18,040 --> 00:28:20,520
Speaker 3: They're not related, and it doesn't even look like that

557
00:28:20,600 --> 00:28:22,800
Speaker 3: maybe his original last name. It says that he adapted

558
00:28:22,840 --> 00:28:26,760
Speaker 3: it when he got married. According to their Wikipedia page.

559
00:28:26,200 --> 00:28:28,440
Speaker 1: Do talk about stage Door manor though, Zach.

560
00:28:28,359 --> 00:28:30,480
Speaker 2: Yeah, does it say that he's his father in law?

561
00:28:30,520 --> 00:28:31,040
Speaker 2: Is Hal Prince?

562
00:28:31,480 --> 00:28:31,880
Speaker 1: It does?

563
00:28:32,119 --> 00:28:36,639
Speaker 2: There you go, wow, he is.

564
00:28:36,840 --> 00:28:39,400
Speaker 1: He is very Look he's one of those people where

565
00:28:39,440 --> 00:28:41,240
Speaker 1: you're like, dude, he should be working way more.

566
00:28:41,440 --> 00:28:44,040
Speaker 2: I agree, Listen, this is why I tell people and

567
00:28:44,080 --> 00:28:45,600
Speaker 2: not that. And Sandy's had a great career. He's been

568
00:28:45,640 --> 00:28:47,440
Speaker 2: on Spin City, He's been on lots of shows. He's

569
00:28:47,480 --> 00:28:49,720
Speaker 2: a working actor. But I do have to say when

570
00:28:49,720 --> 00:28:51,920
Speaker 2: people go, when people talk about becoming actors, I go,

571
00:28:52,560 --> 00:28:57,200
Speaker 2: there are people like Sandy Slash Alexander Chaplin that are

572
00:28:57,320 --> 00:29:00,760
Speaker 2: so good and handsome, and you're like, why is this

573
00:29:00,800 --> 00:29:04,800
Speaker 2: guy not a household name? I mean, that's that's it's humbling,

574
00:29:05,440 --> 00:29:08,000
Speaker 2: because you go, That's why I always talk about it

575
00:29:08,000 --> 00:29:10,160
Speaker 2: all being a lottery, like the fact that that guy

576
00:29:11,040 --> 00:29:14,120
Speaker 2: never had his own show or has yet to have

577
00:29:14,160 --> 00:29:16,720
Speaker 2: his own show. I just can't believe it, because he

578
00:29:16,720 --> 00:29:21,040
Speaker 2: can do everything, and he's and he's charming, and anyway

579
00:29:21,400 --> 00:29:23,120
Speaker 2: I cast him, I'll continue to cast him.

580
00:29:23,200 --> 00:29:25,200
Speaker 1: It's crazy how that is, though, because you meet a

581
00:29:25,200 --> 00:29:28,040
Speaker 1: lot of those people in Hollywood as you go through

582
00:29:28,600 --> 00:29:31,640
Speaker 1: the as you go, you know, as you climb the ranks,

583
00:29:31,640 --> 00:29:33,760
Speaker 1: and as you fall down the ranks, you know what

584
00:29:33,800 --> 00:29:36,000
Speaker 1: I mean, as you as you fall you meet a

585
00:29:36,040 --> 00:29:39,960
Speaker 1: lot of the same type of people who are running

586
00:29:40,040 --> 00:29:42,080
Speaker 1: the same type of race that you are. Man, this

587
00:29:42,200 --> 00:29:45,400
Speaker 1: thing really is like it. I remember when I lived

588
00:29:45,440 --> 00:29:47,320
Speaker 1: in New York, we used to look at this thing,

589
00:29:47,600 --> 00:29:50,080
Speaker 1: look at the acting game as the trenches, because like

590
00:29:50,160 --> 00:29:52,160
Speaker 1: your best friend all of a sudden is your enemy

591
00:29:52,160 --> 00:29:54,960
Speaker 1: the minute you walk into an audition space, because you're

592
00:29:55,040 --> 00:29:58,600
Speaker 1: all competing for a job. And I you know, you're

593
00:29:58,640 --> 00:30:00,960
Speaker 1: absolutely right. He's one of those people that you watch

594
00:30:01,040 --> 00:30:04,760
Speaker 1: and you're like wow, even as an actor, when you

595
00:30:04,800 --> 00:30:07,760
Speaker 1: look at them, you're like, this person, there's something something's

596
00:30:07,800 --> 00:30:09,920
Speaker 1: wrong that this person's not doing it right.

597
00:30:09,960 --> 00:30:12,000
Speaker 2: And it's like why, like why, I mean other than

598
00:30:12,080 --> 00:30:15,040
Speaker 2: just the lottery of of of the way the chips fall,

599
00:30:15,120 --> 00:30:16,840
Speaker 2: I don't know see why. I mean, Donald and I

600
00:30:16,920 --> 00:30:20,920
Speaker 2: both well, you know, can can name privately actors that

601
00:30:21,080 --> 00:30:24,600
Speaker 2: are hugely successful and totally cut together in the edit room,

602
00:30:24,640 --> 00:30:27,440
Speaker 2: and they owe their career to an editor and a director.

603
00:30:27,960 --> 00:30:31,640
Speaker 2: And then there's people like Sandy Chaplin who, like I

604
00:30:32,320 --> 00:30:33,840
Speaker 2: directed him in which I was here, there's not a

605
00:30:33,880 --> 00:30:36,520
Speaker 2: single take he did I couldn't, I couldn't use in

606
00:30:36,560 --> 00:30:37,440
Speaker 2: the film, he's.

607
00:30:37,320 --> 00:30:40,440
Speaker 1: Right that him yelling at Elliott is also just on him.

608
00:30:40,560 --> 00:30:43,640
Speaker 1: It never cuts to her reaction until after he's done.

609
00:30:44,080 --> 00:30:46,600
Speaker 1: So you see the you see him smiling, and then

610
00:30:46,640 --> 00:30:49,920
Speaker 1: the ramp and the and the it's really it's.

611
00:30:49,840 --> 00:30:51,760
Speaker 2: And then he quickly turns a joke and then right

612
00:30:51,800 --> 00:30:56,160
Speaker 2: and then right comes back. I think he recurs a

613
00:30:56,160 --> 00:30:56,640
Speaker 2: few times.

614
00:30:56,640 --> 00:30:59,080
Speaker 1: Bill loves the same character. Yeah, Bill loves him too.

615
00:31:00,040 --> 00:31:01,960
Speaker 2: All right, there's our there's our monologue about how much

616
00:31:01,960 --> 00:31:06,080
Speaker 2: we love Alexander Chaplin and and again, sorry shameless plug,

617
00:31:06,240 --> 00:31:08,840
Speaker 2: if you still haven't seen Wish I was here, please

618
00:31:08,920 --> 00:31:10,920
Speaker 2: check it out. And he's really good in that. He's

619
00:31:11,080 --> 00:31:13,280
Speaker 2: I play a guy who's so not into his religion

620
00:31:13,280 --> 00:31:17,120
Speaker 2: and he's secular and was raised Orthodox and and he

621
00:31:17,280 --> 00:31:21,360
Speaker 2: befriends this younger rabbi who sort of, you know, shows

622
00:31:21,400 --> 00:31:23,520
Speaker 2: him that there's a way to be religious without being

623
00:31:23,560 --> 00:31:27,560
Speaker 2: the religious ways his parents were and uh and and

624
00:31:27,600 --> 00:31:30,480
Speaker 2: so he finds his own unique way to connect to spirituality.

625
00:31:30,600 --> 00:31:32,480
Speaker 2: He's sort of the rabbi I always wished i'd met.

626
00:31:32,840 --> 00:31:36,040
Speaker 2: I wish i'd met a rabbi who who who?

627
00:31:36,480 --> 00:31:36,640
Speaker 1: Who?

628
00:31:36,720 --> 00:31:39,600
Speaker 2: Taught me a way to be spiritual without the strict

629
00:31:39,600 --> 00:31:41,840
Speaker 2: dogma that I was sort of had forced upon me.

630
00:31:41,760 --> 00:31:46,560
Speaker 1: As a child. I have a question for you. Go ahead,

631
00:31:48,040 --> 00:31:50,160
Speaker 1: and this is hypothetical, and so I don't want to

632
00:31:50,400 --> 00:31:52,480
Speaker 1: just change. I don't want to. I don't want to

633
00:31:52,520 --> 00:31:56,280
Speaker 1: be uh because I think everybody did a great job

634
00:31:56,280 --> 00:31:57,760
Speaker 1: and wish I was here and everything like that. But

635
00:31:57,800 --> 00:31:59,960
Speaker 1: if Natalie Portman would have played your wife in that movie,

636
00:32:00,080 --> 00:32:03,360
Speaker 1: do you have to made it the sequel to to Uh?

637
00:32:05,120 --> 00:32:10,200
Speaker 2: No? No, No, I don't think so. I I I

638
00:32:11,160 --> 00:32:13,360
Speaker 2: see how they are. There's there's sort of cousins of

639
00:32:13,400 --> 00:32:17,400
Speaker 2: each other. But I think I didn't want to go

640
00:32:17,400 --> 00:32:20,760
Speaker 2: anywhere near Garden State. I mean, obviously I'm I I

641
00:32:20,800 --> 00:32:23,720
Speaker 2: it's coming out of my brain and in this case,

642
00:32:23,800 --> 00:32:25,880
Speaker 2: and wish I was Here's case my brother Adam as well.

643
00:32:26,240 --> 00:32:29,200
Speaker 2: But so they're all gonna, you know, have a piece

644
00:32:29,200 --> 00:32:31,280
Speaker 2: of me. And in fact, the new script's funny. Someone

645
00:32:31,400 --> 00:32:34,000
Speaker 2: someone I know and love and trust read it and

646
00:32:34,040 --> 00:32:35,320
Speaker 2: I said, this is the first thing I've written that

647
00:32:35,400 --> 00:32:37,400
Speaker 2: really isn't about me. And they read it and laughed.

648
00:32:37,400 --> 00:32:39,680
Speaker 2: They said, you think this isn't about you? I meaning

649
00:32:39,760 --> 00:32:43,320
Speaker 2: it's not about a struggling artist, a guy from Jersey,

650
00:32:43,600 --> 00:32:46,320
Speaker 2: but it is so much of who I am in it.

651
00:32:46,440 --> 00:32:48,160
Speaker 2: I think that that's just, you know, that's what comes

652
00:32:48,160 --> 00:32:49,920
Speaker 2: out of me when I when I write, So I

653
00:32:49,920 --> 00:32:52,160
Speaker 2: think I see how they're cousins of each other, but

654
00:32:52,240 --> 00:32:55,360
Speaker 2: I didn't. I didn't see Kate's character having anything to

655
00:32:55,400 --> 00:32:56,840
Speaker 2: do with Natalie's character.

656
00:32:57,080 --> 00:32:59,520
Speaker 1: Would you ever consider revisiting that.

657
00:33:00,760 --> 00:33:02,600
Speaker 2: I'd love to work with Natalie again. I don't want

658
00:33:02,600 --> 00:33:04,880
Speaker 2: to do like I've had so many opportunities to do

659
00:33:05,120 --> 00:33:07,840
Speaker 2: incarnations of Garden State. I just kind of want to

660
00:33:07,920 --> 00:33:08,360
Speaker 2: lead at it.

661
00:33:08,400 --> 00:33:10,640
Speaker 1: Would you ever want to put this cast back to

662
00:33:10,880 --> 00:33:12,520
Speaker 1: like this is what I don't understand, This is what

663
00:33:12,560 --> 00:33:15,120
Speaker 1: I don't understand it certain and some directors do it,

664
00:33:15,160 --> 00:33:16,880
Speaker 1: and then other directors don't do it, and I don't

665
00:33:16,920 --> 00:33:20,560
Speaker 1: understand that. And sometimes it really upsets me because you

666
00:33:20,600 --> 00:33:22,840
Speaker 1: meet certain directors and you're like, I want to work

667
00:33:22,840 --> 00:33:24,760
Speaker 1: with this person forever, and then you never work with

668
00:33:24,800 --> 00:33:27,520
Speaker 1: that person again. Yes, but like Scorsese's one of those

669
00:33:27,520 --> 00:33:30,160
Speaker 1: people where if he loves you, you're in everything. He's

670
00:33:30,200 --> 00:33:32,080
Speaker 1: gonna do same thing with Oliver Stone, you know what

671
00:33:32,080 --> 00:33:35,479
Speaker 1: I mean. I don't understand why people don't take something

672
00:33:35,520 --> 00:33:39,720
Speaker 1: that was successful like Garden State and bring the entire

673
00:33:39,840 --> 00:33:44,880
Speaker 1: cast back together, same writer, same director, same everything, and

674
00:33:45,080 --> 00:33:48,920
Speaker 1: create something different. If it all worked the first time,

675
00:33:49,320 --> 00:33:51,840
Speaker 1: why would it be different the second time.

676
00:33:52,000 --> 00:33:54,080
Speaker 2: That's a great point, But you'd have to write something

677
00:33:54,120 --> 00:33:58,040
Speaker 2: that would be perfect for all those people again, you know,

678
00:33:58,600 --> 00:33:58,920
Speaker 2: but you.

679
00:33:58,960 --> 00:34:01,120
Speaker 1: Already kind of know what it is because you did

680
00:34:01,200 --> 00:34:03,280
Speaker 1: it the first time. No, all right, if I just

681
00:34:03,280 --> 00:34:07,080
Speaker 1: stick to the blueprint, the blueprint says this is gonna work.

682
00:34:07,160 --> 00:34:09,160
Speaker 1: This is something that rappers do all the time, all right.

683
00:34:09,200 --> 00:34:11,600
Speaker 1: The blueprint says this is gonna work. This is something

684
00:34:11,640 --> 00:34:14,440
Speaker 1: that artists do all the time. The blueprint says this

685
00:34:14,560 --> 00:34:18,640
Speaker 1: is gonna work. And it does pretty much every time,

686
00:34:19,239 --> 00:34:20,359
Speaker 1: pretty much every time.

687
00:34:20,600 --> 00:34:24,359
Speaker 2: If in the rap world, but not not in the film,

688
00:34:25,640 --> 00:34:28,799
Speaker 2: there's plenty to recreate the magic. Look at the whole

689
00:34:28,800 --> 00:34:31,600
Speaker 2: world of sequels. I mean, how many sequels are good?

690
00:34:32,960 --> 00:34:35,759
Speaker 1: That's you're you're absolutely right when it comes to sequels.

691
00:34:36,000 --> 00:34:39,600
Speaker 2: But the squel exactly this equal is exactly what you're saying.

692
00:34:40,120 --> 00:34:43,120
Speaker 1: Well, no, not really, because when it's the sequel, you

693
00:34:43,160 --> 00:34:45,879
Speaker 1: want something different. That's the That's the only thing that's

694
00:34:45,920 --> 00:34:48,680
Speaker 1: the that's the that's the difference between the sequel and

695
00:34:48,719 --> 00:34:52,400
Speaker 1: what the formula is. The formula works every time. The

696
00:34:52,520 --> 00:34:55,799
Speaker 1: sequel can't be the formula again. That's the rule. Man,

697
00:34:55,840 --> 00:34:58,239
Speaker 1: it can't be all right, I made Star Wars, so

698
00:34:58,320 --> 00:35:00,640
Speaker 1: the next one has to be Star Wars again. They

699
00:35:00,680 --> 00:35:03,200
Speaker 1: made Star Wars, and the next one was Empire Strikes Back.

700
00:35:03,400 --> 00:35:04,680
Speaker 1: And that's why this.

701
00:35:04,560 --> 00:35:06,680
Speaker 2: Is the challenge, though, and and and I heard here's

702
00:35:06,680 --> 00:35:08,600
Speaker 2: how I'll address it in the way that what I

703
00:35:08,680 --> 00:35:11,080
Speaker 2: experienced is it took me a long time to make

704
00:35:11,120 --> 00:35:13,680
Speaker 2: another film after Garden State, and and when I and

705
00:35:13,680 --> 00:35:17,280
Speaker 2: and I didn't. You know, it's the classic sophomore effort.

706
00:35:17,400 --> 00:35:19,880
Speaker 2: And I think artists of all types feel this is.

707
00:35:20,920 --> 00:35:22,920
Speaker 2: Of course, I want the audience to come back for

708
00:35:23,000 --> 00:35:26,560
Speaker 2: what they loved, but I don't want to repeat myself.

709
00:35:27,040 --> 00:35:29,160
Speaker 2: You know, it's the class any any musician with their

710
00:35:29,160 --> 00:35:31,680
Speaker 2: sophomore album would say the same thing. I want I

711
00:35:31,719 --> 00:35:34,120
Speaker 2: want everyone to come back into the tent, but I

712
00:35:34,160 --> 00:35:36,960
Speaker 2: don't want everyone to think I'm just biting myself. So

713
00:35:37,040 --> 00:35:39,880
Speaker 2: you're trying to say, here's something in the spirit of

714
00:35:39,920 --> 00:35:43,120
Speaker 2: what you liked. But I'm also gonna tiptoe us over here.

715
00:35:43,360 --> 00:35:46,759
Speaker 2: Now that'll either work or it won't. Sometimes they won't

716
00:35:46,800 --> 00:35:48,480
Speaker 2: like the tiptoe and they'll be like, where the fuck? Like,

717
00:35:48,520 --> 00:35:50,120
Speaker 2: for example, wish I was here doesn't really have a

718
00:35:50,120 --> 00:35:53,920
Speaker 2: love story. You know, there's it's a couple that's that's

719
00:35:53,960 --> 00:35:55,480
Speaker 2: that that loves each other and they're going through a

720
00:35:55,520 --> 00:35:57,880
Speaker 2: tough time and there's a chance there's a chance they

721
00:35:57,960 --> 00:35:59,919
Speaker 2: might break up, but at the center of it isn't

722
00:35:59,920 --> 00:36:03,000
Speaker 2: a love story, right, So people that's so related to

723
00:36:03,040 --> 00:36:05,760
Speaker 2: a love story were like, Oh, it's a Zach Brafft

724
00:36:05,760 --> 00:36:07,319
Speaker 2: movie and it's got it's got it's got a vibe,

725
00:36:07,360 --> 00:36:08,920
Speaker 2: it's got music, and it's kind of it's goint of

726
00:36:08,920 --> 00:36:11,279
Speaker 2: great actors I love. And then when they saw that

727
00:36:11,840 --> 00:36:14,000
Speaker 2: there was no will they or won't they love story,

728
00:36:14,080 --> 00:36:18,080
Speaker 2: I think I suspect we're disappointed by that. So it's

729
00:36:18,080 --> 00:36:20,520
Speaker 2: always a challenge to go, I wanna I want to

730
00:36:20,719 --> 00:36:23,560
Speaker 2: I pray you all come back into the tent, but

731
00:36:23,640 --> 00:36:27,560
Speaker 2: I also want to kind of do something different together.

732
00:36:27,680 --> 00:36:30,239
Speaker 1: Right, no doubt, no, no, I totally understand what you're saying.

733
00:36:30,840 --> 00:36:33,880
Speaker 1: I totally get what you're saying. But that makes me wonder.

734
00:36:33,920 --> 00:36:37,959
Speaker 1: Then Scorsese has figured out his formula. It seems like, yeah,

735
00:36:38,000 --> 00:36:41,600
Speaker 1: he makes really good gritty movies, you know what I mean.

736
00:36:41,800 --> 00:36:45,480
Speaker 2: Uh, But Scorsese always delivers. He's going you're gonna see guns,

737
00:36:45,560 --> 00:36:48,760
Speaker 2: You're going you're going to see criminal activity, you're gonna

738
00:36:48,760 --> 00:36:52,160
Speaker 2: see you're going to see amazing cinematography. You're always going

739
00:36:52,239 --> 00:36:55,520
Speaker 2: to see the top actors in the world. He he does.

740
00:36:55,800 --> 00:36:59,160
Speaker 1: Rodriguez is another one that's done that. It's my point,

741
00:36:59,560 --> 00:37:02,640
Speaker 1: they're very There are like a handful of directors that

742
00:37:02,680 --> 00:37:05,480
Speaker 1: have done that. Tarantino. You know what you're going to

743
00:37:05,480 --> 00:37:06,960
Speaker 1: see when you see a Tarantino movie.

744
00:37:07,000 --> 00:37:09,400
Speaker 2: Yeah, And Tarantino's done it in a genius way that

745
00:37:09,600 --> 00:37:13,520
Speaker 2: even more than anyone that they I think they are

746
00:37:13,800 --> 00:37:16,760
Speaker 2: so specifically Tarantino films, but they're all over the place,

747
00:37:16,840 --> 00:37:19,400
Speaker 2: in there, in there, in there in what they're about.

748
00:37:19,760 --> 00:37:21,640
Speaker 1: So then what's wrong with you doing that? What's wrong

749
00:37:21,680 --> 00:37:22,239
Speaker 1: with you doing is.

750
00:37:24,160 --> 00:37:26,279
Speaker 2: As good a writer or as prolific a writer.

751
00:37:26,400 --> 00:37:30,040
Speaker 1: But Zach Garden State is fucking fire, dude. Regardless of

752
00:37:30,080 --> 00:37:31,960
Speaker 1: what you want to say, and regardless of what you

753
00:37:32,000 --> 00:37:34,839
Speaker 1: want to say about which I was here, that's fire dude.

754
00:37:34,920 --> 00:37:38,440
Speaker 1: It's a great story. You know what I mean, and

755
00:37:38,480 --> 00:37:40,359
Speaker 1: it touches something that you don't see in a lot

756
00:37:40,360 --> 00:37:41,960
Speaker 1: of movies. You don't see a lot of people think

757
00:37:41,960 --> 00:37:43,280
Speaker 1: I jump into that.

758
00:37:43,239 --> 00:37:45,120
Speaker 2: Thank you, and I think. I think what I do

759
00:37:45,680 --> 00:37:50,520
Speaker 2: that is what I write, probably has a smaller audience,

760
00:37:50,920 --> 00:37:53,440
Speaker 2: but it can grow. But that's fine. Grow, but that's fine.

761
00:37:53,680 --> 00:37:57,000
Speaker 2: I don't need to be you two the band that

762
00:37:57,040 --> 00:37:59,960
Speaker 2: came to my mind first. I can be a small

763
00:38:00,280 --> 00:38:03,680
Speaker 2: act at a smaller venue, but there definitely there clearly

764
00:38:03,760 --> 00:38:06,239
Speaker 2: is an audience for it. But you know, I'm not

765
00:38:06,400 --> 00:38:10,839
Speaker 2: I'm content not being as as hugely successful as Tarantino.

766
00:38:11,080 --> 00:38:14,120
Speaker 1: My point is not just for you, this is for everybody.

767
00:38:14,239 --> 00:38:16,520
Speaker 1: It's all right to do what you do. There's nothing

768
00:38:16,560 --> 00:38:18,960
Speaker 1: wrong with doing what you do. Nobody does you better

769
00:38:19,000 --> 00:38:19,239
Speaker 1: than you.

770
00:38:19,400 --> 00:38:22,319
Speaker 2: Yeah, I agree, no matter what you're, no matter what

771
00:38:22,360 --> 00:38:24,600
Speaker 2: your no matter what your art is, I believe that

772
00:38:24,880 --> 00:38:27,280
Speaker 2: and also what comes out of you at the time

773
00:38:27,600 --> 00:38:30,680
Speaker 2: is the art that you have to contribute to the world.

774
00:38:31,160 --> 00:38:34,920
Speaker 2: I always go back to Justin from Bonever saying to

775
00:38:34,920 --> 00:38:37,600
Speaker 2: me it was about I think I sold the story

776
00:38:37,600 --> 00:38:39,680
Speaker 2: on the show that he said. I tried to give

777
00:38:39,760 --> 00:38:41,759
Speaker 2: him a note on the song for wish I was here,

778
00:38:41,800 --> 00:38:44,560
Speaker 2: and he said, that's what came out of me when

779
00:38:44,560 --> 00:38:48,200
Speaker 2: I saw the film. And so I don't apologize at

780
00:38:48,239 --> 00:38:51,080
Speaker 2: all for the stuff I make, whether sometimes it works

781
00:38:51,080 --> 00:38:53,040
Speaker 2: sometimes it doesn't, because it's what came out of me

782
00:38:53,200 --> 00:38:55,279
Speaker 2: at the time. It's what I had to say, and

783
00:38:55,320 --> 00:38:56,759
Speaker 2: hopefully some people liked it.

784
00:38:57,480 --> 00:39:01,760
Speaker 1: Right speaking, that's very difficult to be on that page

785
00:39:02,160 --> 00:39:04,160
Speaker 1: because then that goes against everything that I was just

786
00:39:04,200 --> 00:39:07,439
Speaker 1: talking about, where the formula always works if you're on

787
00:39:07,480 --> 00:39:12,239
Speaker 1: that this is what I expressed at that moment one.

788
00:39:12,320 --> 00:39:13,520
Speaker 1: That's the only thing.

789
00:39:13,840 --> 00:39:15,480
Speaker 2: That's the only thing I can do. I think I

790
00:39:15,480 --> 00:39:17,640
Speaker 2: don't know how to I don't know. I mean, I

791
00:39:17,680 --> 00:39:20,600
Speaker 2: have yet to know how to to write something that's

792
00:39:20,640 --> 00:39:22,880
Speaker 2: not like a in order for me to get in

793
00:39:22,920 --> 00:39:25,480
Speaker 2: a chair and spend that much time and commitment, and

794
00:39:26,239 --> 00:39:28,839
Speaker 2: I need to tap into like what I feel as

795
00:39:28,880 --> 00:39:33,239
Speaker 2: a human being. I yet to be able to be like,

796
00:39:33,280 --> 00:39:35,480
Speaker 2: oh my god, I have a great submarine movie idea.

797
00:39:35,600 --> 00:39:38,319
Speaker 2: And it's not to say it's not to say it's

798
00:39:38,360 --> 00:39:40,399
Speaker 2: not to say that I don't have an occasional good

799
00:39:40,400 --> 00:39:42,920
Speaker 2: submarine movie idea, but I wouldn't have the commitment to

800
00:39:42,920 --> 00:39:46,439
Speaker 2: sit down and put the time in to do it

801
00:39:46,719 --> 00:39:49,640
Speaker 2: in order for me to fucking do the thing that

802
00:39:49,680 --> 00:39:52,560
Speaker 2: we writers do, which is stare at the blinking cursor alone,

803
00:39:52,680 --> 00:39:55,400
Speaker 2: wishing you were doing anything else. I need to I

804
00:39:55,440 --> 00:39:58,160
Speaker 2: need to feel like it's coming out of my fucking body.

805
00:40:00,400 --> 00:40:01,200
Speaker 1: That's your formula.

806
00:40:02,000 --> 00:40:05,719
Speaker 2: Yeah, My formula is to is to tap into my

807
00:40:05,960 --> 00:40:10,520
Speaker 2: own psyche and my own the things that make me

808
00:40:10,640 --> 00:40:13,399
Speaker 2: joyous and the things that made me depressed and and

809
00:40:13,680 --> 00:40:14,600
Speaker 2: and craft.

810
00:40:14,719 --> 00:40:17,640
Speaker 1: Well, it shows. It shows in your movies, man, because

811
00:40:17,719 --> 00:40:19,920
Speaker 1: after walking out of Wish I was here, I think

812
00:40:19,960 --> 00:40:21,880
Speaker 1: everybody was like, fuck, I'm depressed.

813
00:40:22,760 --> 00:40:25,880
Speaker 2: Come on, it's not that bad. There's hope at the end.

814
00:40:26,719 --> 00:40:30,279
Speaker 1: That's very little. That ship. That family is so fucked man,

815
00:40:30,520 --> 00:40:31,520
Speaker 1: Oh my god.

816
00:40:31,920 --> 00:40:32,960
Speaker 2: At the end they're happy.

817
00:40:33,680 --> 00:40:36,839
Speaker 1: Yeah, well they're happy because they freaking the bully died.

818
00:40:37,040 --> 00:40:41,200
Speaker 2: You know, well no, and he he fought. No spoilers,

819
00:40:41,239 --> 00:40:43,480
Speaker 2: but he definitely begins a new chapter of his life

820
00:40:43,520 --> 00:40:45,160
Speaker 2: and he seems like he's content.

821
00:40:45,280 --> 00:40:48,080
Speaker 1: In the end, in the very end, in the very

822
00:40:48,239 --> 00:40:50,600
Speaker 1: very end. I love the movie, dude. I'm just telling you, man,

823
00:40:50,640 --> 00:40:53,480
Speaker 1: that that family is that's a very and and what's

824
00:40:53,520 --> 00:40:56,640
Speaker 1: crazy about it is that's the truth though, that was

825
00:40:56,680 --> 00:40:59,560
Speaker 1: a truth and it's not a wrap this up with

826
00:40:59,600 --> 00:41:00,640
Speaker 1: a big both.

827
00:41:00,719 --> 00:41:02,719
Speaker 2: I don't want to make that ship. There's plenty of

828
00:41:02,760 --> 00:41:05,560
Speaker 2: people making that shit. I want to make the real real.

829
00:41:05,640 --> 00:41:07,560
Speaker 2: I want to make you know you and your wife

830
00:41:07,560 --> 00:41:10,920
Speaker 2: can have an all out fucking battle and yeah you

831
00:41:10,960 --> 00:41:13,480
Speaker 2: love each other, and yeah you will do anything for

832
00:41:13,520 --> 00:41:15,279
Speaker 2: each other. But in the back of your mind, you're like,

833
00:41:15,400 --> 00:41:18,920
Speaker 2: is this gonna fucking last forever? Like, I don't know,

834
00:41:19,520 --> 00:41:21,120
Speaker 2: I want to make that movie. I don't want to

835
00:41:21,120 --> 00:41:22,880
Speaker 2: make the I lift her up and we hug on

836
00:41:22,920 --> 00:41:25,560
Speaker 2: the beach. Bullshit. There's plenty of people doing that.

837
00:41:25,560 --> 00:41:27,560
Speaker 1: That feels good though, too, keep me one hundred.

838
00:41:28,960 --> 00:41:31,680
Speaker 2: Yeah, but there's plenty of people doing that. There's plenty.

839
00:41:31,920 --> 00:41:33,839
Speaker 2: I'd rather I'd rather tell it on a story about

840
00:41:33,840 --> 00:41:36,200
Speaker 2: a couple that hopes they're gonna make it.

841
00:41:36,600 --> 00:41:39,040
Speaker 1: Yeah, that's the truth, because that that is the truth, man,

842
00:41:39,120 --> 00:41:42,480
Speaker 1: that's what That's what really. You know, when you walk

843
00:41:42,480 --> 00:41:44,160
Speaker 1: out of I wish I was here and I'm fucking

844
00:41:44,200 --> 00:41:47,279
Speaker 1: totally you know, I'd totally sound like your best friend

845
00:41:47,280 --> 00:41:49,080
Speaker 1: who's so totally proud of you. But it's like when

846
00:41:49,120 --> 00:41:52,000
Speaker 1: you walk out of that movie, regardless of who you are,

847
00:41:52,080 --> 00:41:55,640
Speaker 1: where you are or what you're doing, if if you know,

848
00:41:55,800 --> 00:41:59,560
Speaker 1: if you don't feel like shit, damn man, I'm happy.

849
00:41:59,640 --> 00:42:03,720
Speaker 1: I'm that right now, not them right now.

850
00:42:04,719 --> 00:42:07,040
Speaker 2: I just want to aspire to I aspire to make

851
00:42:07,040 --> 00:42:09,000
Speaker 2: you watch something that makes you talk about it, like

852
00:42:09,080 --> 00:42:10,279
Speaker 2: you know, when you can see a movie and then

853
00:42:10,280 --> 00:42:12,000
Speaker 2: by the time you get to your car, you're like,

854
00:42:12,040 --> 00:42:14,440
Speaker 2: should we get deserved? Like I mean, in normal times,

855
00:42:14,680 --> 00:42:17,040
Speaker 2: should we? And just it's gone, It's gone, like you

856
00:42:17,080 --> 00:42:18,399
Speaker 2: had cotton candy, right.

857
00:42:19,239 --> 00:42:21,280
Speaker 1: I'd rather be like yo, you remember the part.

858
00:42:21,400 --> 00:42:25,080
Speaker 2: Yeah, of course, and be like iven by the way,

859
00:42:25,160 --> 00:42:27,160
Speaker 2: even if you're like I fucking hated the way he

860
00:42:27,200 --> 00:42:29,840
Speaker 2: wrote that one character, like even I just want your passion.

861
00:42:30,080 --> 00:42:30,600
Speaker 1: I love that.

862
00:42:31,239 --> 00:42:33,440
Speaker 2: By the way, I'm fine to be polarizing. I want

863
00:42:33,480 --> 00:42:39,239
Speaker 2: your passion right right. That's what's up about shrubs. Why

864
00:42:39,239 --> 00:42:42,080
Speaker 2: don't we, Joel, why don't we invite the guests after

865
00:42:42,160 --> 00:42:47,080
Speaker 2: a break. We'll be right back after these fine words.

866
00:42:51,840 --> 00:42:55,400
Speaker 1: And we're bad.

867
00:42:55,200 --> 00:42:56,440
Speaker 2: Gargle gargle.

868
00:42:56,880 --> 00:43:00,680
Speaker 1: Okay, here's where are we going? When we see the

869
00:43:00,760 --> 00:43:03,360
Speaker 1: janitor after he falls off the ambulance. I thought we

870
00:43:03,360 --> 00:43:06,319
Speaker 1: were going to play basketball. The basketball hoops behind us.

871
00:43:06,480 --> 00:43:08,560
Speaker 2: I'm with you, dude. I think that the director was

872
00:43:08,600 --> 00:43:11,480
Speaker 2: assuming that the audience doesn't know the geography of our

873
00:43:11,520 --> 00:43:12,120
Speaker 2: parking lot.

874
00:43:12,480 --> 00:43:15,560
Speaker 1: Well, this was written written by rich Estes is that

875
00:43:15,640 --> 00:43:16,319
Speaker 1: I say his name?

876
00:43:17,719 --> 00:43:21,239
Speaker 2: I don't know who's written by Let me look, this

877
00:43:21,400 --> 00:43:24,440
Speaker 2: was written by uh oh, I don't know who Rich

878
00:43:24,480 --> 00:43:28,799
Speaker 2: Eustace is. He wasn't a regular staff writer. I'm not

879
00:43:28,800 --> 00:43:30,080
Speaker 2: sure what the story with Rich.

880
00:43:29,960 --> 00:43:31,759
Speaker 1: Eustace's And then who directed it?

881
00:43:31,880 --> 00:43:33,560
Speaker 2: Maybe Gail man Cusso directed it.

882
00:43:33,640 --> 00:43:36,200
Speaker 1: Oh, Gil, you love Gail. We do love Gail.

883
00:43:36,680 --> 00:43:40,279
Speaker 2: Love Gail. Gail has won many and Emmy I think

884
00:43:40,360 --> 00:43:41,839
Speaker 2: for directing modern family.

885
00:43:41,960 --> 00:43:46,719
Speaker 1: She does that is creat she does it, she does it.

886
00:43:46,680 --> 00:43:53,279
Speaker 2: Right, She's great. I want texted Gail to have her

887
00:43:53,360 --> 00:43:57,520
Speaker 2: direct Alex inc. And she didn't reply to me. Now,

888
00:43:57,600 --> 00:44:00,480
Speaker 2: I don't know if I had the wrong self this

889
00:44:00,560 --> 00:44:03,160
Speaker 2: many years later, but I to this day am harboring.

890
00:44:04,880 --> 00:44:08,600
Speaker 2: I'm sure you have a listener in your life, someone

891
00:44:08,600 --> 00:44:11,560
Speaker 2: that never replied, And you're like, do I have a

892
00:44:11,600 --> 00:44:13,799
Speaker 2: wrong number or did they ghost me?

893
00:44:14,120 --> 00:44:15,520
Speaker 1: And I feel that way.

894
00:44:15,719 --> 00:44:18,239
Speaker 2: And I'm like and I'm like, no, Gail loved me.

895
00:44:18,280 --> 00:44:20,319
Speaker 2: It's not like we have beef or anything. Why would

896
00:44:20,360 --> 00:44:21,000
Speaker 2: she ignore me.

897
00:44:21,280 --> 00:44:22,840
Speaker 1: Oh, I have a bunch of people that I'm like

898
00:44:22,920 --> 00:44:25,640
Speaker 1: that with. Man, it's ridiculous where it's like I text

899
00:44:25,680 --> 00:44:27,200
Speaker 1: them and then they never text me back.

900
00:44:28,160 --> 00:44:28,920
Speaker 2: Yeah.

901
00:44:28,960 --> 00:44:30,799
Speaker 1: It's weird though, man. But but do.

902
00:44:30,800 --> 00:44:33,000
Speaker 2: You have people in your phone, Like, let's say someone

903
00:44:33,040 --> 00:44:35,359
Speaker 2: hits you up right, Yeah, and they're not your it's

904
00:44:35,360 --> 00:44:37,440
Speaker 2: not me, it's not someone in your closed circle. It's

905
00:44:37,600 --> 00:44:40,680
Speaker 2: it's like a outer ring friend and you're not dissing them. Yeah,

906
00:44:40,719 --> 00:44:42,200
Speaker 2: you'll get back to them. They're cool, but you're not

907
00:44:42,200 --> 00:44:43,520
Speaker 2: gonna do it right now because you're in the middle

908
00:44:43,520 --> 00:44:45,680
Speaker 2: of something and then you forget. Yeah, all the time,

909
00:44:45,960 --> 00:44:49,440
Speaker 2: of course, so sometimes because of my neurosis, I'll go

910
00:44:49,520 --> 00:44:51,719
Speaker 2: back and go, oh fuck, I never replied to so

911
00:44:51,800 --> 00:44:52,120
Speaker 2: and so.

912
00:44:52,239 --> 00:44:53,840
Speaker 1: It just happens too often with me.

913
00:44:53,960 --> 00:44:56,120
Speaker 2: You know, you're a stoner too, so it must happen

914
00:44:56,160 --> 00:44:58,439
Speaker 2: more because of the amount of ganja. All right, Now,

915
00:44:59,239 --> 00:45:03,719
Speaker 2: I laughed hard at my character getting attacked for hitting

916
00:45:03,719 --> 00:45:10,560
Speaker 2: on a woman in the elevator. Now, I think she

917
00:45:10,640 --> 00:45:11,800
Speaker 2: overreacted a bit.

918
00:45:12,320 --> 00:45:14,319
Speaker 1: Just a little bit, because that's the salt that was.

919
00:45:14,960 --> 00:45:18,320
Speaker 2: She assaulted me because all you said, I used a

920
00:45:18,360 --> 00:45:20,560
Speaker 2: bad pickup line, and she beats the ship out of me.

921
00:45:21,560 --> 00:45:23,600
Speaker 2: But it's hilarious and I'm sure there's a lot of

922
00:45:23,600 --> 00:45:25,640
Speaker 2: women out there who watched that, being like, yeah, that's

923
00:45:25,640 --> 00:45:27,439
Speaker 2: what you want to do. Sometimes when a guy's hitting

924
00:45:27,480 --> 00:45:28,520
Speaker 2: on you in an elevator, that's what.

925
00:45:28,520 --> 00:45:32,000
Speaker 1: You get, okay.

926
00:45:32,120 --> 00:45:32,239
Speaker 5: Uh.

927
00:45:32,960 --> 00:45:36,040
Speaker 1: Carla ripping the condom open with her teeth kind of

928
00:45:36,120 --> 00:45:37,399
Speaker 1: gave me movement. I don't know why.

929
00:45:37,560 --> 00:45:39,319
Speaker 2: Really, there was a bit of a like a there

930
00:45:39,360 --> 00:45:42,400
Speaker 2: was a shift he felt a jiggle was Yeah, that

931
00:45:42,560 --> 00:45:45,200
Speaker 2: was a little bit of a yeah, although you probably

932
00:45:45,200 --> 00:45:46,839
Speaker 2: don't have a light jiggle like I feel like when

933
00:45:46,880 --> 00:45:49,319
Speaker 2: you have movement, it's like like what you know, like

934
00:45:49,360 --> 00:45:52,040
Speaker 2: when they make the sound effect of a giant boat moving.

935
00:45:51,800 --> 00:45:52,120
Speaker 1: It's like.

936
00:45:53,840 --> 00:45:59,320
Speaker 2: Me, you know when they do like the underwater shot

937
00:45:59,480 --> 00:46:02,319
Speaker 2: of like the aircraft carrier turning and the like we

938
00:46:02,360 --> 00:46:05,040
Speaker 2: had to turn turn turn and they cut underwater and

939
00:46:05,080 --> 00:46:12,320
Speaker 2: then you hear the boat like like a big treaky turn. Yeah. Yeah,

940
00:46:12,320 --> 00:46:13,879
Speaker 2: that's what I feel like. It sounds like when you're

941
00:46:13,920 --> 00:46:19,040
Speaker 2: Penis shifts all right, Carla received Carla going on a date.

942
00:46:19,120 --> 00:46:22,759
Speaker 2: It was just I had trouble with that. Yeah, like

943
00:46:22,840 --> 00:46:26,560
Speaker 2: I did never do that. It felt so duplicitous and

944
00:46:26,560 --> 00:46:29,320
Speaker 2: and the fact that she made JD hold the secret.

945
00:46:29,600 --> 00:46:31,080
Speaker 1: That's where I had a problem. I didn't have a

946
00:46:31,120 --> 00:46:33,680
Speaker 1: problem with her going on to date because that can happen,

947
00:46:34,000 --> 00:46:36,279
Speaker 1: that could happen where, but the fact that JD was

948
00:46:36,320 --> 00:46:38,680
Speaker 1: there when it happened, and she said yes, and then

949
00:46:38,719 --> 00:46:41,279
Speaker 1: she was like, yo, if you tell on me, these

950
00:46:41,320 --> 00:46:45,200
Speaker 1: beads mean nothing. That was like, wait, hold on, yeah,

951
00:46:45,320 --> 00:46:47,080
Speaker 1: I don't know if y'all know how this works. But

952
00:46:47,120 --> 00:46:50,080
Speaker 1: his bros before hoes. B. That's real talk, B, real

953
00:46:50,160 --> 00:46:51,440
Speaker 1: real fucking talk.

954
00:46:51,680 --> 00:46:54,200
Speaker 2: What you say, Alca, Casey said to me, I'm gonna

955
00:46:54,200 --> 00:46:55,960
Speaker 2: go on a date before Donald and I.

956
00:46:57,000 --> 00:47:00,600
Speaker 1: You don't tell me, dog, that's a wrap. B. You see,

957
00:47:00,800 --> 00:47:03,680
Speaker 1: we really are friends. You might as well fuck Casey. Dude,

958
00:47:03,800 --> 00:47:06,400
Speaker 1: you might as well fuck Casey if she says, yo.

959
00:47:06,560 --> 00:47:09,239
Speaker 2: I'm going down to Ravine, it.

960
00:47:09,000 --> 00:47:12,360
Speaker 1: Is not bad. Dude. If Casey said to you, let's

961
00:47:12,400 --> 00:47:15,279
Speaker 1: let's put it this way. Hold on, hold on, let

962
00:47:15,280 --> 00:47:18,840
Speaker 1: me finish we hanging out, right, You, you and my

963
00:47:18,880 --> 00:47:21,359
Speaker 1: wife are friends. And I'm like, I don't give I'm

964
00:47:21,360 --> 00:47:24,160
Speaker 1: not threatened by this situation. You guys are best friend.

965
00:47:24,560 --> 00:47:28,440
Speaker 1: It doesn't mean I encourage this because of my relationship

966
00:47:28,440 --> 00:47:30,880
Speaker 1: with you, Zach. You two hang out, so you too

967
00:47:30,920 --> 00:47:33,120
Speaker 1: are hanging out. You go out one night and she

968
00:47:33,320 --> 00:47:36,719
Speaker 1: runs into I don't know, let's say, Brad Pitt. That's

969
00:47:36,719 --> 00:47:39,759
Speaker 1: somebody she talks about a lot, and Brad Pitt says

970
00:47:39,800 --> 00:47:42,719
Speaker 1: to her, oh my god, I was a huge fan

971
00:47:42,760 --> 00:47:46,919
Speaker 1: of the Newlyweds. You used to make me laugh all

972
00:47:47,000 --> 00:47:51,359
Speaker 1: the time. And Casey was like, oh my god, I'm

973
00:47:51,360 --> 00:47:53,439
Speaker 1: a fan of yourself. And they're just having them having

974
00:47:53,480 --> 00:47:57,319
Speaker 1: a cute little meet cute right, And then at the

975
00:47:57,360 --> 00:47:59,319
Speaker 1: end of it, Brad goes, I would love to pick

976
00:47:59,400 --> 00:48:01,520
Speaker 1: this up some other time.

977
00:48:02,160 --> 00:48:06,480
Speaker 2: Case Oh, Casey, or Casey, what a horrible position.

978
00:48:06,520 --> 00:48:09,560
Speaker 1: What's your number. I'll give you a call. Maybe we

979
00:48:09,600 --> 00:48:11,960
Speaker 1: can go watch some other time. But she's like, blah

980
00:48:12,000 --> 00:48:16,160
Speaker 1: blah blah, uh uh one five five five five five

981
00:48:16,160 --> 00:48:17,520
Speaker 1: five five five five five five and.

982
00:48:17,520 --> 00:48:19,160
Speaker 2: Gives him to just keep dialing five.

983
00:48:22,040 --> 00:48:23,200
Speaker 1: And you didn't tell me.

984
00:48:23,480 --> 00:48:24,760
Speaker 2: Of course I would tell you.

985
00:48:24,840 --> 00:48:28,279
Speaker 1: And no, I'm talking about about the show, and you

986
00:48:28,360 --> 00:48:31,680
Speaker 1: didn't tell me. You might as well fuck Casey, you.

987
00:48:31,719 --> 00:48:34,120
Speaker 2: Might as well. I don't agree that. I don't agree

988
00:48:34,120 --> 00:48:36,600
Speaker 2: that those two are equal. Me not telling you she

989
00:48:36,640 --> 00:48:37,080
Speaker 2: wanted to do with.

990
00:48:37,280 --> 00:48:39,160
Speaker 1: If she goes on to day with Brad pittchy gonna

991
00:48:39,200 --> 00:48:40,880
Speaker 1: leave me for Brad Pitt. Dude, She's gonna be like

992
00:48:40,920 --> 00:48:44,920
Speaker 1: bye Roco, Bye Wilder, Bye donald Is Brad all day?

993
00:48:45,080 --> 00:48:46,959
Speaker 2: Well, would be a mistake for her, wouldn't.

994
00:48:46,640 --> 00:48:49,319
Speaker 1: It, Because Brad Pitt, we might have to cut this.

995
00:48:49,760 --> 00:48:54,800
Speaker 2: No, bradficts perfect example, because every woman who's straight listening

996
00:48:54,880 --> 00:48:57,200
Speaker 2: is like, yeah, I get it, that would be a conundrum.

997
00:48:57,480 --> 00:48:59,880
Speaker 2: And every guy who's gay listening is like, yeah, I

998
00:49:00,040 --> 00:49:02,000
Speaker 2: get it, that wuld be a conundrum. And every guy

999
00:49:02,000 --> 00:49:04,560
Speaker 2: whose kinsy scale allows right now, I was thinking, like, yeah,

1000
00:49:04,560 --> 00:49:06,040
Speaker 2: I get it, that might be a problem. You know

1001
00:49:06,040 --> 00:49:10,040
Speaker 2: what I'm saying, Joelle, you'll preach yes.

1002
00:49:10,200 --> 00:49:11,960
Speaker 1: Yes, absolutely, Brad Pitt.

1003
00:49:12,680 --> 00:49:14,759
Speaker 3: Brad Pitt is like, yo, got you gotta look at

1004
00:49:14,760 --> 00:49:16,440
Speaker 3: your briner and be like yo baby pass.

1005
00:49:17,520 --> 00:49:22,279
Speaker 2: No. No, I don't believe let's make it work. I

1006
00:49:22,280 --> 00:49:23,879
Speaker 2: don't believe in that. I think that's just the game

1007
00:49:23,960 --> 00:49:25,720
Speaker 2: couples play. I don't think.

1008
00:49:25,600 --> 00:49:29,200
Speaker 1: This show is all about this episode is all about that, though, Man,

1009
00:49:29,640 --> 00:49:32,719
Speaker 1: a whole pass dude. If you if the fact that

1010
00:49:32,840 --> 00:49:35,880
Speaker 1: j D didn't tell Turk is some bullshit right there.

1011
00:49:36,440 --> 00:49:36,920
Speaker 2: I agree with you.

1012
00:49:37,160 --> 00:49:38,520
Speaker 1: That doesn't make any sense.

1013
00:49:38,560 --> 00:49:41,560
Speaker 2: What's so I didn't write Donald. The writers needed to

1014
00:49:41,560 --> 00:49:44,320
Speaker 2: find some drama, so they created the drama.

1015
00:49:44,400 --> 00:49:47,080
Speaker 1: But that's made up drama, man, Come on, man, that's

1016
00:49:47,280 --> 00:49:47,680
Speaker 1: made up.

1017
00:49:47,760 --> 00:49:50,840
Speaker 2: That's I agree? Is the is the guest here, Daniel.

1018
00:49:51,160 --> 00:49:54,120
Speaker 2: Let's invite this person in and make their day. Let's

1019
00:49:54,200 --> 00:49:57,600
Speaker 2: cheer them up or or tickle them with our words.

1020
00:50:00,320 --> 00:50:05,440
Speaker 1: Oh, ladies and gentleman wearing it's fake doctor's real friends

1021
00:50:05,560 --> 00:50:08,280
Speaker 1: onesie give it up for Jimmy.

1022
00:50:08,520 --> 00:50:14,600
Speaker 2: Catlin, Jamie, welcome to the program. You're our very first

1023
00:50:14,640 --> 00:50:17,800
Speaker 2: guest to be wearing the onesie live on the show.

1024
00:50:17,960 --> 00:50:21,680
Speaker 2: I encourage all future guests if you if you have

1025
00:50:21,719 --> 00:50:24,320
Speaker 2: a onesie to wear it as as a guest.

1026
00:50:24,600 --> 00:50:27,719
Speaker 1: You can ask you a question. Yeah, before we get

1027
00:50:27,840 --> 00:50:29,400
Speaker 1: me for isn't it cozy?

1028
00:50:29,920 --> 00:50:34,759
Speaker 6: It's so cozy? Can I say real quick, I'm using

1029
00:50:34,760 --> 00:50:39,799
Speaker 6: my brother in laws computer. My name's actually cam By.

1030
00:50:39,760 --> 00:50:42,600
Speaker 2: Cam Okay, so confusing.

1031
00:50:43,680 --> 00:50:45,200
Speaker 5: I'm sorry. I thought I could change you.

1032
00:50:45,320 --> 00:50:47,080
Speaker 2: Cam You can you know if you go on your

1033
00:50:47,080 --> 00:50:49,719
Speaker 2: who see up her right end corner of those those

1034
00:50:49,760 --> 00:50:51,759
Speaker 2: three dots and you click on it and then it

1035
00:50:51,840 --> 00:50:55,120
Speaker 2: says you. Oh, sorry, Daniel's gonna do it for you.

1036
00:50:56,320 --> 00:51:03,560
Speaker 7: Gentleman, give it up for Actually, I mean, I really

1037
00:51:03,560 --> 00:51:05,480
Speaker 7: just couldn't go through life knowing that I didn't get

1038
00:51:05,480 --> 00:51:07,719
Speaker 7: Donald's oprah intro to someone else's name.

1039
00:51:10,560 --> 00:51:12,680
Speaker 2: But when you play the show back, when you play

1040
00:51:12,680 --> 00:51:15,839
Speaker 2: the show back for your brother, it's your brother in law,

1041
00:51:16,080 --> 00:51:17,719
Speaker 2: your brother in law, he's gonna be happy that he

1042
00:51:17,760 --> 00:51:18,480
Speaker 2: got a don't know.

1043
00:51:19,320 --> 00:51:21,719
Speaker 1: Your last name, ain't even Keckley, is it. It's not.

1044
00:51:21,840 --> 00:51:26,920
Speaker 2: It's all right, but listen, let's go. Let's kill and

1045
00:51:27,000 --> 00:51:28,000
Speaker 2: me camp Donald.

1046
00:51:28,040 --> 00:51:33,360
Speaker 1: Let's gentlemen, give it up for camp Sleby.

1047
00:51:35,040 --> 00:51:37,879
Speaker 2: Donald. I want to say that the onesie looks really

1048
00:51:37,920 --> 00:51:38,760
Speaker 2: good on cam.

1049
00:51:39,360 --> 00:51:41,400
Speaker 5: It is very comfortable, very cozy.

1050
00:51:41,600 --> 00:51:43,880
Speaker 2: Now cam, do you like the fact that it has pockets,

1051
00:51:43,880 --> 00:51:46,120
Speaker 2: because sometimes you get a onesie and there's nowhere to

1052
00:51:46,160 --> 00:51:49,320
Speaker 2: put your phone or your stuff. You can put anything

1053
00:51:49,360 --> 00:51:49,960
Speaker 2: you want in there.

1054
00:51:50,160 --> 00:51:52,160
Speaker 6: Yeah, not only the pockets, but I like where they're

1055
00:51:52,160 --> 00:51:54,440
Speaker 6: placed too, you know, not even like to decide they're

1056
00:51:54,520 --> 00:51:56,560
Speaker 6: like perfect like hoodie pockets.

1057
00:51:56,680 --> 00:52:02,799
Speaker 1: You know, I have only one complain about our onesie. Okay,

1058
00:52:03,400 --> 00:52:04,440
Speaker 1: no poop flap.

1059
00:52:04,280 --> 00:52:07,040
Speaker 2: No poop flap. Yeah, next incarnation we need to add

1060
00:52:07,040 --> 00:52:08,720
Speaker 2: of pooflow. It's gonna cost more money though.

1061
00:52:08,880 --> 00:52:10,200
Speaker 1: Yeah, yeah, you cost more money.

1062
00:52:10,320 --> 00:52:11,839
Speaker 5: You do have to go all the way off if

1063
00:52:11,840 --> 00:52:12,440
Speaker 5: you want to, you know.

1064
00:52:13,000 --> 00:52:15,719
Speaker 2: Yeah. I just think a poop flap's funny, even if

1065
00:52:15,719 --> 00:52:17,239
Speaker 2: you don't use the poof flap. I just think I

1066
00:52:17,320 --> 00:52:21,360
Speaker 2: laugh every time I see a poof flap. Cam, welcome

1067
00:52:21,400 --> 00:52:22,960
Speaker 2: to the program. Where are you calling from.

1068
00:52:23,880 --> 00:52:25,839
Speaker 5: I'm from Charleston, South Carolina?

1069
00:52:26,120 --> 00:52:28,839
Speaker 2: Okay, Carol, And do you have a question for any

1070
00:52:28,840 --> 00:52:30,279
Speaker 2: of us today to be on the show?

1071
00:52:30,680 --> 00:52:32,640
Speaker 5: I do. I do have a question for all of you.

1072
00:52:32,719 --> 00:52:34,040
Speaker 2: Actually, go ahead and Cam not.

1073
00:52:34,040 --> 00:52:37,040
Speaker 6: Really scrub specific. And I just got to say so

1074
00:52:37,080 --> 00:52:39,520
Speaker 6: I give credit where credit is due. I kind of

1075
00:52:39,520 --> 00:52:42,040
Speaker 6: got this question from another podcast I listened to. It's

1076
00:52:42,080 --> 00:52:46,080
Speaker 6: called The Watch through the Rigger Network. Shout out Cha Serato,

1077
00:52:47,480 --> 00:52:50,000
Speaker 6: The Watch, but the watches two guys.

1078
00:52:50,040 --> 00:52:50,880
Speaker 5: They had Jason.

1079
00:52:50,640 --> 00:52:53,040
Speaker 6: Mazukas on and they were talking a lot about this

1080
00:52:53,080 --> 00:52:56,080
Speaker 6: past year, and the question was, do you feel the

1081
00:52:56,120 --> 00:52:58,799
Speaker 6: way you consume content or what content you want to

1082
00:52:58,800 --> 00:53:02,560
Speaker 6: consume has changed over the past ten months? Your personal

1083
00:53:02,640 --> 00:53:04,799
Speaker 6: taste or what you find funny has that changed over

1084
00:53:04,840 --> 00:53:05,799
Speaker 6: the past year as well?

1085
00:53:06,120 --> 00:53:08,160
Speaker 5: Obviously with the pandemic things like that.

1086
00:53:10,040 --> 00:53:13,040
Speaker 1: Yeah, I think I think my taste and what I

1087
00:53:13,080 --> 00:53:14,920
Speaker 1: find funny has changed. And I think a lot of

1088
00:53:14,920 --> 00:53:17,160
Speaker 1: it has to do with how the culture has shifted.

1089
00:53:17,320 --> 00:53:24,400
Speaker 1: You know, what is considered bullying and not necessarily was

1090
00:53:24,440 --> 00:53:29,400
Speaker 1: considered punching down now used to be considered very funny,

1091
00:53:29,440 --> 00:53:35,440
Speaker 1: and it's it's not anymore. And so yeah, i think

1092
00:53:35,480 --> 00:53:39,960
Speaker 1: I'm way more conscious of when listening to jokes, and

1093
00:53:40,000 --> 00:53:42,200
Speaker 1: this is and and this is something that I'm not

1094
00:53:42,280 --> 00:53:46,440
Speaker 1: necessarily happy about or sad about. It's just that i'm

1095
00:53:46,560 --> 00:53:49,719
Speaker 1: very I'm I'm very aware of this now that when

1096
00:53:49,760 --> 00:53:55,360
Speaker 1: I listen to jokes, I'm also well when I'm consuming content,

1097
00:53:55,400 --> 00:53:59,400
Speaker 1: I should say, I'm also checking to see if it

1098
00:53:59,480 --> 00:54:03,759
Speaker 1: offends anyone, because if it does, then I'm not necessary

1099
00:54:04,080 --> 00:54:07,440
Speaker 1: Like once I feel like something offends somebody, then I

1100
00:54:07,480 --> 00:54:09,720
Speaker 1: have a problem with it in a lot of ways.

1101
00:54:09,760 --> 00:54:12,239
Speaker 1: And I don't know, and I think I think it

1102
00:54:12,280 --> 00:54:14,360
Speaker 1: has a lot to do with, you know, just the

1103
00:54:14,400 --> 00:54:16,760
Speaker 1: climate that we're in right now. I don't want anyone

1104
00:54:16,840 --> 00:54:24,719
Speaker 1: to necessarily be offended by me, like in ways that

1105
00:54:24,840 --> 00:54:27,960
Speaker 1: I've been offended by people, you know what I mean.

1106
00:54:28,080 --> 00:54:32,680
Speaker 1: So if I ever make somebody feel like I have felt,

1107
00:54:34,040 --> 00:54:35,680
Speaker 1: then I got a problem with that. And I think

1108
00:54:35,680 --> 00:54:39,840
Speaker 1: this year, more than anything, because of the climate, we

1109
00:54:39,960 --> 00:54:44,200
Speaker 1: are experiencing that more. I think whether it's okay, Well,

1110
00:54:44,239 --> 00:54:46,040
Speaker 1: now that I know that it hurts you, people are

1111
00:54:46,160 --> 00:54:50,000
Speaker 1: using it more, or I know that it hurts you,

1112
00:54:50,080 --> 00:54:52,319
Speaker 1: I'm going to refrain from saying it. And even if

1113
00:54:52,320 --> 00:54:55,160
Speaker 1: it's not honest, at least it's at least it's an

1114
00:54:55,239 --> 00:54:57,520
Speaker 1: effort to say, you know what I see that that

1115
00:54:57,640 --> 00:54:59,080
Speaker 1: hurts you. My bad.

1116
00:55:00,680 --> 00:55:03,960
Speaker 2: What about you, Joelle? Do you think your ways of

1117
00:55:04,320 --> 00:55:06,160
Speaker 2: or the way you view content has changed all during

1118
00:55:06,160 --> 00:55:06,719
Speaker 2: the pandemic?

1119
00:55:07,400 --> 00:55:08,000
Speaker 1: Uh?

1120
00:55:08,920 --> 00:55:09,240
Speaker 2: No?

1121
00:55:09,760 --> 00:55:12,800
Speaker 3: I mean I had a film and television critic beforehand

1122
00:55:13,320 --> 00:55:16,040
Speaker 3: that I watched things all the time streaming or on

1123
00:55:16,120 --> 00:55:19,960
Speaker 3: my computer because that's how we get the screeners. I

1124
00:55:20,000 --> 00:55:22,960
Speaker 3: think that there's a possibility I like certain shows a

1125
00:55:22,960 --> 00:55:25,560
Speaker 3: lot more than I would have pre pandemic. I still

1126
00:55:25,600 --> 00:55:26,920
Speaker 3: would have enjoyed like I would have enjoyed to the

1127
00:55:27,000 --> 00:55:29,839
Speaker 3: Lasso whenever it came out, But my God, wasn't like

1128
00:55:30,280 --> 00:55:32,799
Speaker 3: vital to just lifting the spear. It was like came

1129
00:55:32,880 --> 00:55:34,560
Speaker 3: like the darkest point of the pandemic, where we were like,

1130
00:55:34,600 --> 00:55:37,040
Speaker 3: I don't there's no cure insight, I don't know what's happening.

1131
00:55:37,080 --> 00:55:39,000
Speaker 3: Then like like a beacon of light, here comes Ted

1132
00:55:39,080 --> 00:55:41,240
Speaker 3: Last so just to like bowl you over with comedy,

1133
00:55:41,320 --> 00:55:41,879
Speaker 3: and then did you.

1134
00:55:41,840 --> 00:55:44,960
Speaker 2: Feel sorry to digress that episode two was the best episode?

1135
00:55:45,200 --> 00:55:48,680
Speaker 3: Oh, clearly clearly the best, superior to all the episodes.

1136
00:55:48,719 --> 00:55:50,400
Speaker 2: It was something about the way it was director go ahead.

1137
00:55:51,920 --> 00:55:55,720
Speaker 3: And then there shows like The Queen's Gambit or even

1138
00:55:55,840 --> 00:55:57,160
Speaker 3: I don't know if you guys have had an opportunity

1139
00:55:57,160 --> 00:55:58,400
Speaker 3: see Maraini's Black Bottom.

1140
00:55:58,480 --> 00:55:59,319
Speaker 2: Yet Yeah, I love that.

1141
00:55:59,640 --> 00:56:01,880
Speaker 1: WHOA like again.

1142
00:56:01,719 --> 00:56:03,719
Speaker 3: Like there's something tinly about these things, even Soul, which

1143
00:56:03,719 --> 00:56:06,600
Speaker 3: I think maybe I would have been more harshly critical of,

1144
00:56:06,960 --> 00:56:10,279
Speaker 3: like pre pandemic, in the pandemic fictions like this is

1145
00:56:10,360 --> 00:56:13,600
Speaker 3: so now again I like Soul, I might have been

1146
00:56:13,640 --> 00:56:18,040
Speaker 3: more critical in a world where you know, we probably

1147
00:56:18,080 --> 00:56:20,680
Speaker 3: would have had a similar summer despite the pandemic. Right, So,

1148
00:56:21,280 --> 00:56:23,279
Speaker 3: tensions are high, and there's a lot to consider about

1149
00:56:23,320 --> 00:56:26,799
Speaker 3: black representation and art. But like, my god, anything that's

1150
00:56:26,840 --> 00:56:29,239
Speaker 3: gonna make me feel some kind of joy or light

1151
00:56:29,640 --> 00:56:33,680
Speaker 3: or or feels like just remotely better than the previous

1152
00:56:33,680 --> 00:56:36,120
Speaker 3: representation we've had and like give it a hall pass,

1153
00:56:36,239 --> 00:56:38,640
Speaker 3: like I can't. I can't canticue too harshly because I

1154
00:56:38,840 --> 00:56:41,920
Speaker 3: just need this level of joy and content in this time.

1155
00:56:41,960 --> 00:56:45,160
Speaker 1: Somebody you're talking about a little bit has changed.

1156
00:56:45,200 --> 00:56:47,200
Speaker 3: I appreciate certain things a little bit more, but for

1157
00:56:47,239 --> 00:56:50,359
Speaker 3: the most part, no, I'm watching and consuming when you hear.

1158
00:56:50,320 --> 00:56:54,239
Speaker 1: People, But when you hear people say certain things like uh,

1159
00:56:55,080 --> 00:56:59,480
Speaker 1: you know, hurtful things in media and in in in,

1160
00:57:00,040 --> 00:57:02,239
Speaker 1: it doesn't affect you more like it affects me way

1161
00:57:02,280 --> 00:57:07,120
Speaker 1: more now because I feel like everybody is well aware. Like, Okay,

1162
00:57:07,120 --> 00:57:09,560
Speaker 1: I just saw something recently where a young lady is

1163
00:57:09,600 --> 00:57:13,600
Speaker 1: going crazy over her phone accusing of a young accusing

1164
00:57:13,640 --> 00:57:16,480
Speaker 1: a young black kid of stealing her phone.

1165
00:57:16,560 --> 00:57:20,320
Speaker 2: Right, and it.

1166
00:57:19,840 --> 00:57:22,280
Speaker 1: Really angered me because it was like, wait, hold on, now,

1167
00:57:22,640 --> 00:57:25,400
Speaker 1: you know what's going on. There's a better way to

1168
00:57:25,480 --> 00:57:28,840
Speaker 1: do this, dude. What you're doing right now isn't the

1169
00:57:28,920 --> 00:57:32,400
Speaker 1: right way. There's a better way to handle all of this.

1170
00:57:32,520 --> 00:57:35,640
Speaker 1: You know what's what climate, This is what's going on

1171
00:57:35,760 --> 00:57:37,600
Speaker 1: right now, and you're not even paying. You don't give

1172
00:57:37,640 --> 00:57:39,720
Speaker 1: a fuck, And that pisses me off, you know what

1173
00:57:39,760 --> 00:57:40,000
Speaker 1: I mean?

1174
00:57:40,040 --> 00:57:43,080
Speaker 3: When I see a shit like that that can't really media.

1175
00:57:43,120 --> 00:57:46,520
Speaker 3: That's something somebody like captured, right, Like, that's not but.

1176
00:57:46,520 --> 00:57:48,280
Speaker 1: It's turned into media though, you know what I mean,

1177
00:57:48,280 --> 00:57:49,840
Speaker 1: it's now turned into something to invoke.

1178
00:57:50,040 --> 00:57:53,640
Speaker 3: That is a much broader conversation, which I don't a

1179
00:57:53,720 --> 00:57:56,720
Speaker 3: thousand percent disagree with you, but it's a much broader

1180
00:57:56,720 --> 00:57:59,960
Speaker 3: conversation than I think we could tackle here. I think

1181
00:58:00,000 --> 00:58:02,200
Speaker 3: I've always been sensitive to that stuff, Like, I mean,

1182
00:58:02,280 --> 00:58:04,920
Speaker 3: if you're gonna come yelling at children who are just

1183
00:58:04,960 --> 00:58:08,480
Speaker 3: being kids, like, I've always found that the r right,

1184
00:58:08,520 --> 00:58:09,120
Speaker 3: I don't get it.

1185
00:58:09,840 --> 00:58:10,600
Speaker 2: What about you, Daniel?

1186
00:58:11,560 --> 00:58:14,320
Speaker 4: I think you know inherently. One thing that has affected

1187
00:58:14,320 --> 00:58:17,160
Speaker 4: my media watching is just the climate of the world

1188
00:58:17,240 --> 00:58:20,120
Speaker 4: from a health standpoint. Every movie or thing that I

1189
00:58:20,160 --> 00:58:21,880
Speaker 4: watched from the past, I just look at and be like,

1190
00:58:21,920 --> 00:58:24,160
Speaker 4: can you believe all those people are so close together?

1191
00:58:24,480 --> 00:58:26,760
Speaker 4: Can you believe that we were just so accepting of

1192
00:58:26,800 --> 00:58:28,120
Speaker 4: like this or that or the other?

1193
00:58:28,200 --> 00:58:28,439
Speaker 2: Thing?

1194
00:58:28,920 --> 00:58:29,200
Speaker 1: Right?

1195
00:58:29,440 --> 00:58:30,919
Speaker 4: You know, one thing I saw one thing I saw

1196
00:58:30,960 --> 00:58:33,960
Speaker 4: recently people someone on Twitter was saying, can you believe

1197
00:58:33,960 --> 00:58:36,760
Speaker 4: that we all just like went bowling, like sticking your

1198
00:58:36,760 --> 00:58:39,120
Speaker 4: fingers into the bowling ball that someone else? You have

1199
00:58:39,200 --> 00:58:41,640
Speaker 4: no idea that we all just did that and then

1200
00:58:41,840 --> 00:58:46,480
Speaker 4: ate our chicken fingers and that fall. So I think,

1201
00:58:46,480 --> 00:58:49,600
Speaker 4: you know, anytime I watched something from a year ago

1202
00:58:49,640 --> 00:58:52,280
Speaker 4: and beyond, there's that, and that's definitely going on in

1203
00:58:52,280 --> 00:58:54,280
Speaker 4: the back of my head, and going forward, I will

1204
00:58:54,280 --> 00:58:57,040
Speaker 4: definitely be considering that and the safety of everybody around

1205
00:58:57,640 --> 00:58:58,360
Speaker 4: in production.

1206
00:58:58,840 --> 00:59:00,520
Speaker 1: Do you think the movie should be Do you think

1207
00:59:00,560 --> 00:59:03,120
Speaker 1: movies should be conscious of that? Do you think do

1208
00:59:03,200 --> 00:59:05,560
Speaker 1: you think movies should go back to the way they

1209
00:59:05,600 --> 00:59:11,160
Speaker 1: were before compared to what's going on now? Should movies

1210
00:59:11,240 --> 00:59:16,760
Speaker 1: tackle the fact that corona happened and sanitizing your hand

1211
00:59:16,840 --> 00:59:18,640
Speaker 1: and washing your hands? And you know what I mean,

1212
00:59:18,680 --> 00:59:20,600
Speaker 1: because when you go and watch a movie and somebody

1213
00:59:20,640 --> 00:59:22,240
Speaker 1: does that, the whole audience is going to be like,

1214
00:59:22,280 --> 00:59:23,760
Speaker 1: oh my god, so fucking no.

1215
00:59:24,040 --> 00:59:26,440
Speaker 2: I know it's a question because I'm hoping to shoot

1216
00:59:26,480 --> 00:59:30,200
Speaker 2: my film this coming summer and I don't plan to

1217
00:59:30,360 --> 00:59:34,640
Speaker 2: address COVID at all, because I imagine it will come out

1218
00:59:34,800 --> 00:59:39,360
Speaker 2: a year from the summer and with God willing, universe willing,

1219
00:59:39,880 --> 00:59:42,840
Speaker 2: where COVID will be tackled. And I don't want my

1220
00:59:42,880 --> 00:59:45,840
Speaker 2: film to be like, oh, it's a COVID movie, but yeah,

1221
00:59:45,880 --> 00:59:49,400
Speaker 2: it's weird you think of, like, yeah, you think of

1222
00:59:50,080 --> 00:59:53,240
Speaker 2: shooting something. I agree everything I watch now I'm like,

1223
00:59:53,240 --> 00:59:55,920
Speaker 2: oh my god. We were watching the show call Somebody

1224
00:59:55,920 --> 00:59:57,400
Speaker 2: Feed Phill. I don't know if you've ever seen. It's

1225
00:59:57,400 --> 01:00:01,000
Speaker 2: really funny food show, and he's like literally sharing a

1226
01:00:01,040 --> 01:00:04,840
Speaker 2: fork with a stranger and everyone we just like when

1227
01:00:04,840 --> 01:00:07,120
Speaker 2: the room gasped, we were like, oh my god.

1228
01:00:07,880 --> 01:00:10,240
Speaker 4: I just really quickly on that very point. I think

1229
01:00:10,280 --> 01:00:14,120
Speaker 4: sometimes the best movies exist in a world where, like

1230
01:00:14,200 --> 01:00:18,160
Speaker 4: the the situation of the world isn't the focus. It

1231
01:00:18,280 --> 01:00:20,840
Speaker 4: just happens to exist in that world. I think, like

1232
01:00:20,880 --> 01:00:23,800
Speaker 4: you know, you think about the kind of Cloverfield, the

1233
01:00:23,920 --> 01:00:27,240
Speaker 4: monster movie. Cloverfield tried to do a good job of

1234
01:00:27,600 --> 01:00:30,880
Speaker 4: telling a story in a world where a monster movie

1235
01:00:30,920 --> 01:00:34,200
Speaker 4: is happening, rather than making the movie about the monster.

1236
01:00:34,560 --> 01:00:36,800
Speaker 4: Maybe not the best example, but I think as we

1237
01:00:36,920 --> 01:00:39,520
Speaker 4: see movies going forward, there will be movies that exist

1238
01:00:39,600 --> 01:00:42,080
Speaker 4: in the time of COVID. But if there are movies

1239
01:00:42,120 --> 01:00:44,880
Speaker 4: that are about COVID, it's just going to be contrived

1240
01:00:44,920 --> 01:00:47,480
Speaker 4: and boring and lame. But seeing a movie that exists

1241
01:00:47,480 --> 01:00:49,920
Speaker 4: in this world that's about something else, I'm interested to

1242
01:00:49,920 --> 01:00:53,320
Speaker 4: see how that'sful part of life, and so how to

1243
01:00:53,360 --> 01:00:54,680
Speaker 4: tackle that in film and media?

1244
01:00:54,800 --> 01:00:55,400
Speaker 2: I'm interested.

1245
01:00:55,520 --> 01:00:57,760
Speaker 6: So they they made a comment in that other podcast

1246
01:00:57,800 --> 01:01:00,480
Speaker 6: about how they were watching old episodes about and PI

1247
01:01:01,000 --> 01:01:03,480
Speaker 6: and uh he's and the guy was Jason was like,

1248
01:01:03,600 --> 01:01:06,880
Speaker 6: everyone in that show is dealing with Vietnam, you know,

1249
01:01:07,000 --> 01:01:09,720
Speaker 6: years and years later. And his thought was like, you're

1250
01:01:09,760 --> 01:01:11,400
Speaker 6: you know, you have to have like a character dealing

1251
01:01:11,400 --> 01:01:12,960
Speaker 6: with the pan like what was going on in their

1252
01:01:13,000 --> 01:01:14,800
Speaker 6: life during the pandemic. I don't know. I thought it

1253
01:01:14,840 --> 01:01:18,160
Speaker 6: was kind of interesting thought, but I agree, Zach, You're

1254
01:01:18,160 --> 01:01:19,840
Speaker 6: not gonna make a COVID.

1255
01:01:21,160 --> 01:01:24,360
Speaker 2: Somebody. Somebody will. Somebody will, and I think and I

1256
01:01:24,400 --> 01:01:26,400
Speaker 2: think that also that they'll do both things. Someone will

1257
01:01:26,400 --> 01:01:29,439
Speaker 2: make a film about honey, movies about COVID. But then,

1258
01:01:29,760 --> 01:01:33,800
Speaker 2: like in your Magnum p I analogy, they'll be art

1259
01:01:33,840 --> 01:01:37,280
Speaker 2: of all types, whether it's a PI show or or

1260
01:01:37,440 --> 01:01:41,280
Speaker 2: a little dark indie where COVID is is a character.

1261
01:01:41,480 --> 01:01:45,400
Speaker 2: Just the the the trauma, the emotional trauma of what's

1262
01:01:45,440 --> 01:01:49,520
Speaker 2: happened to the earth for what will be two years

1263
01:01:49,800 --> 01:01:52,360
Speaker 2: or more, I think is going to be something a

1264
01:01:52,400 --> 01:01:56,960
Speaker 2: lot of artists make art about. All right, Cam, what's

1265
01:01:57,000 --> 01:01:58,800
Speaker 2: your next question? For for the group.

1266
01:01:59,120 --> 01:02:01,520
Speaker 5: Well, that was actually my other question was do you

1267
01:02:02,280 --> 01:02:03,560
Speaker 5: do you see art changing?

1268
01:02:04,320 --> 01:02:04,520
Speaker 1: Now?

1269
01:02:04,600 --> 01:02:07,760
Speaker 6: All of y'a are in different types of obviously art,

1270
01:02:08,600 --> 01:02:10,720
Speaker 6: and I know there's obviously the lohnging flute like fruit

1271
01:02:10,760 --> 01:02:13,520
Speaker 6: like I assume, like you know, dance floors where DJs

1272
01:02:13,520 --> 01:02:15,520
Speaker 6: are not going to be completely filled. Maybe, But do

1273
01:02:15,520 --> 01:02:17,840
Speaker 6: you see it changing coming out of this on the

1274
01:02:17,880 --> 01:02:19,600
Speaker 6: other side because of two or two and a half

1275
01:02:19,680 --> 01:02:20,920
Speaker 6: years of being in it, I.

1276
01:02:21,000 --> 01:02:22,200
Speaker 1: Never really thought about that.

1277
01:02:22,360 --> 01:02:25,040
Speaker 2: I don't think. I think. I think eventually people will

1278
01:02:25,080 --> 01:02:27,600
Speaker 2: go back to nightclubs and people will go back to theaters.

1279
01:02:28,000 --> 01:02:31,080
Speaker 2: I don't think any of that's dying that quick a death.

1280
01:02:31,120 --> 01:02:33,600
Speaker 2: People love dance, people love to go see movies together.

1281
01:02:34,160 --> 01:02:36,200
Speaker 2: People like me are obsessed with live theater.

1282
01:02:36,400 --> 01:02:38,240
Speaker 1: Wait, hold on, let me get this straight to Zach.

1283
01:02:38,280 --> 01:02:39,800
Speaker 1: You feel like the movie theater is going to make

1284
01:02:39,840 --> 01:02:40,600
Speaker 1: a comeback again.

1285
01:02:40,840 --> 01:02:43,840
Speaker 2: I think the movie theater as a as an experience

1286
01:02:44,120 --> 01:02:48,920
Speaker 2: for Blockbusters is going to outlive us. Okay, I do

1287
01:02:49,080 --> 01:02:54,320
Speaker 2: think that the idea, even I who love movies, when

1288
01:02:54,360 --> 01:02:58,280
Speaker 2: I see when I see the trailer, I go, I'll

1289
01:02:58,320 --> 01:03:00,600
Speaker 2: wait till it's to be on my big screen TV.

1290
01:03:01,760 --> 01:03:04,480
Speaker 2: Because I don't. It's not a film that for me.

1291
01:03:04,600 --> 01:03:08,560
Speaker 2: I want the theatrical experience. But then then nineteen seventeen

1292
01:03:08,640 --> 01:03:10,720
Speaker 2: came out. I actually watched the screener because I had

1293
01:03:10,760 --> 01:03:13,640
Speaker 2: the Award screener for it, and I went, holy shit,

1294
01:03:13,760 --> 01:03:15,880
Speaker 2: I have done this film a disservice. I want to

1295
01:03:15,920 --> 01:03:18,440
Speaker 2: go see it on a big ass screen. So I

1296
01:03:18,440 --> 01:03:21,800
Speaker 2: think they'll always be, at least for our lifetime, an

1297
01:03:21,800 --> 01:03:24,360
Speaker 2: experience that someone can go have and go see a

1298
01:03:24,360 --> 01:03:30,240
Speaker 2: movie on a big screen. I think that the business

1299
01:03:30,320 --> 01:03:33,360
Speaker 2: they'll do for smaller films that aren't about spectacle will

1300
01:03:33,400 --> 01:03:34,080
Speaker 2: will dwindle.

1301
01:03:34,720 --> 01:03:37,680
Speaker 1: Yeah, it's just I have a hard time thinking that

1302
01:03:37,720 --> 01:03:40,240
Speaker 1: people will go back to theaters. And I hope they

1303
01:03:40,240 --> 01:03:42,400
Speaker 1: do go back to theaters. I don't want to jinx this,

1304
01:03:43,000 --> 01:03:44,960
Speaker 1: but it's just that's one of the dirtiest places you

1305
01:03:45,000 --> 01:03:47,840
Speaker 1: can go as far as hygiene goes. You go to

1306
01:03:47,880 --> 01:03:49,840
Speaker 1: the bed, like when you sit down and the arm

1307
01:03:49,880 --> 01:03:50,720
Speaker 1: rest next.

1308
01:03:50,480 --> 01:03:53,760
Speaker 2: To you, Well, COVID will be tackled. I mean, how

1309
01:03:53,800 --> 01:03:55,760
Speaker 2: long is the question, but it will be conquered.

1310
01:03:56,240 --> 01:04:00,720
Speaker 1: Okay, well it needs to be. We need I'm listen

1311
01:04:01,000 --> 01:04:02,640
Speaker 1: and I hate to get political. I don't want to

1312
01:04:02,640 --> 01:04:04,240
Speaker 1: get political about this, because I don't think this is

1313
01:04:04,240 --> 01:04:08,840
Speaker 1: a political statement. But one hundred million vaccine, one hundred

1314
01:04:08,840 --> 01:04:12,080
Speaker 1: million vaccine ship to the US, how many people have

1315
01:04:12,160 --> 01:04:13,080
Speaker 1: been inoculated?

1316
01:04:13,640 --> 01:04:16,880
Speaker 4: How many people have received a code vaccine? A million people?

1317
01:04:17,240 --> 01:04:19,960
Speaker 1: Okay, so one million out of one hundred million.

1318
01:04:20,760 --> 01:04:21,800
Speaker 2: Not a three hundred million.

1319
01:04:21,800 --> 01:04:23,320
Speaker 4: I see where you're going though, because the thing is

1320
01:04:23,360 --> 01:04:24,920
Speaker 4: what I did read earlier today is that like at

1321
01:04:24,920 --> 01:04:27,200
Speaker 4: the current rate that we're that we're giving out the vaccine,

1322
01:04:27,240 --> 01:04:29,120
Speaker 4: we're not going to give out the vaccine in total

1323
01:04:29,320 --> 01:04:31,919
Speaker 4: for ten years, if we want to tell you.

1324
01:04:31,880 --> 01:04:35,040
Speaker 2: Men, I know, okay, but in defense of in defense

1325
01:04:35,120 --> 01:04:38,960
Speaker 2: of human beings and global logistics, I think that it

1326
01:04:39,080 --> 01:04:42,560
Speaker 2: will be begin If you looked at the graph, it's

1327
01:04:42,600 --> 01:04:46,160
Speaker 2: going to start picking. I mean not to be political,

1328
01:04:46,160 --> 01:04:49,040
Speaker 2: but of course I have a feeling when Biden takes

1329
01:04:49,040 --> 01:04:51,840
Speaker 2: over there might be a few smarter people in the

1330
01:04:51,920 --> 01:04:56,280
Speaker 2: room to kick up the distribution. But even if it wasn't,

1331
01:04:56,360 --> 01:04:59,760
Speaker 2: even if everyone in this current administration were well in

1332
01:04:59,800 --> 01:05:02,720
Speaker 2: ten and doing their best at one hundred percent, it's

1333
01:05:02,720 --> 01:05:07,200
Speaker 2: still a pretty massive undertaking to to to give the

1334
01:05:07,240 --> 01:05:09,120
Speaker 2: COVID vaccine to three hundred million people.

1335
01:05:09,520 --> 01:05:11,720
Speaker 4: Yeah, it's going to be an enormous undertaking. Also just

1336
01:05:11,720 --> 01:05:14,080
Speaker 4: to correct because people will undoubtedly come at us. It's

1337
01:05:14,080 --> 01:05:16,240
Speaker 4: two point one million people as of the recording. Two

1338
01:05:16,240 --> 01:05:18,560
Speaker 4: point one million people in the US have received their company.

1339
01:05:18,400 --> 01:05:20,440
Speaker 1: And we've gotten a hot So let's make sure we

1340
01:05:20,560 --> 01:05:23,480
Speaker 1: clarinet if you. Like I said, I don't want to

1341
01:05:23,520 --> 01:05:27,080
Speaker 1: offend anybody by my numbers. These are the things. Before

1342
01:05:27,120 --> 01:05:28,760
Speaker 1: I would just black fucking it's such and such and

1343
01:05:28,800 --> 01:05:30,440
Speaker 1: such and touch. I don't give a fuck about facts.

1344
01:05:31,080 --> 01:05:33,400
Speaker 1: Nowadays it's very important. You're absolutely right.

1345
01:05:33,600 --> 01:05:35,760
Speaker 3: Yeah, to zax point you like you're gonna want to

1346
01:05:35,760 --> 01:05:38,480
Speaker 3: see a horror film in a theater again, Like, it's

1347
01:05:38,480 --> 01:05:40,640
Speaker 3: not the same. It's not the same watching a horror

1348
01:05:40,640 --> 01:05:42,880
Speaker 3: movie at home by yourself. You're like, oh, it's it's

1349
01:05:42,960 --> 01:05:45,520
Speaker 3: kind of scary. But when you hear three hundred people

1350
01:05:45,600 --> 01:05:49,440
Speaker 3: gasp in a movie theater, there's nothing is replacing that presence.

1351
01:05:49,480 --> 01:05:51,960
Speaker 3: How will that be packaged, delivered and sold to us

1352
01:05:52,040 --> 01:05:53,760
Speaker 3: is going to change drastically. My guess is we're gonna

1353
01:05:53,760 --> 01:05:56,920
Speaker 3: see a spike in low ink like the dollar theaters

1354
01:05:56,920 --> 01:05:58,880
Speaker 3: and things like that that are cheap and running very

1355
01:05:58,920 --> 01:06:01,800
Speaker 3: old movies and things like that, because and then we'll

1356
01:06:01,800 --> 01:06:04,360
Speaker 3: see obviously a hike in the very expensive you can

1357
01:06:04,400 --> 01:06:08,040
Speaker 3: get booze and a like food items and things delivered,

1358
01:06:08,040 --> 01:06:09,640
Speaker 3: and there's smells in the air or whatever they can

1359
01:06:09,680 --> 01:06:11,760
Speaker 3: do to sensationalize and get more money. Because theaters are

1360
01:06:11,800 --> 01:06:14,720
Speaker 3: going to have to adjust post pandemic, but they will adjust.

1361
01:06:14,760 --> 01:06:15,800
Speaker 3: They'll still have audiences.

1362
01:06:15,800 --> 01:06:17,920
Speaker 1: All right. Here's a great example, Joelle, if you had

1363
01:06:17,960 --> 01:06:19,320
Speaker 1: to go to if you went to the movie theaters

1364
01:06:19,360 --> 01:06:22,840
Speaker 1: to see Wonder Woman nineteen eighty five, which before you

1365
01:06:22,880 --> 01:06:25,280
Speaker 1: pissed whatever it was when you walked out, wouldn't you

1366
01:06:25,280 --> 01:06:25,919
Speaker 1: be pissed off?

1367
01:06:27,360 --> 01:06:27,560
Speaker 5: Well?

1368
01:06:27,840 --> 01:06:29,800
Speaker 3: No, I want to say, I understand that sometimes movies

1369
01:06:29,840 --> 01:06:31,400
Speaker 3: are gonna be bad. I'm a movie theater goer.

1370
01:06:31,560 --> 01:06:32,080
Speaker 1: Again, I don't know.

1371
01:06:32,080 --> 01:06:34,840
Speaker 3: I'm probably a bias pressa. I'm a film critic, so

1372
01:06:34,920 --> 01:06:36,560
Speaker 3: I really have to pay for a movie. But even

1373
01:06:36,560 --> 01:06:38,080
Speaker 3: when I do, I'm like, I go in for the

1374
01:06:38,120 --> 01:06:41,040
Speaker 3: experience of like, I can't see a movie, and Wonder Woman,

1375
01:06:41,320 --> 01:06:44,000
Speaker 3: to Zach's earlier point, gives you so much to talk about.

1376
01:06:44,200 --> 01:06:46,640
Speaker 3: You could critique that movie seven thousand different ways, so

1377
01:06:46,640 --> 01:06:47,600
Speaker 3: many things to discuss.

1378
01:06:47,600 --> 01:06:49,680
Speaker 1: It make cats though, Man, it ain't as bad as

1379
01:06:49,560 --> 01:06:51,680
Speaker 1: it like. You know what I'm saying that I think

1380
01:06:51,920 --> 01:06:52,720
Speaker 1: a cat.

1381
01:06:54,080 --> 01:06:54,360
Speaker 2: The thing.

1382
01:06:54,360 --> 01:06:56,120
Speaker 1: That's what I'm trying to say.

1383
01:06:56,240 --> 01:06:59,600
Speaker 2: By the way, Kristin Wig, Kristin Wigg was was a cat.

1384
01:07:02,760 --> 01:07:06,880
Speaker 2: I was expecting her to be like Jelics can and Jelicals.

1385
01:07:06,200 --> 01:07:09,920
Speaker 1: To step about that down, here's a curious.

1386
01:07:09,440 --> 01:07:13,040
Speaker 6: Beast, James, James Gordon comes falling down.

1387
01:07:13,120 --> 01:07:14,040
Speaker 5: You know whatever, it's cool.

1388
01:07:14,560 --> 01:07:17,000
Speaker 2: The person who put Kristen Wig in a movie and

1389
01:07:17,080 --> 01:07:19,880
Speaker 2: did not allow her one opportunity to be funny needs

1390
01:07:20,000 --> 01:07:29,880
Speaker 2: a handslap. Yeah all right, Cam, how can we? It's

1391
01:07:29,960 --> 01:07:35,040
Speaker 2: time for everyone's favorite segment in South Carolina especially, it's

1392
01:07:35,080 --> 01:07:36,960
Speaker 2: time to.

1393
01:07:36,240 --> 01:07:40,160
Speaker 1: Fix your lie.

1394
01:07:42,040 --> 01:07:43,800
Speaker 2: Cam. We're here for you. How can we help you?

1395
01:07:43,800 --> 01:07:45,040
Speaker 2: We are professional therapist.

1396
01:07:45,680 --> 01:07:46,480
Speaker 5: Yeah, I don't know.

1397
01:07:46,680 --> 01:07:49,760
Speaker 1: I don't it's you're talking to three professional therapists and

1398
01:07:49,800 --> 01:07:51,560
Speaker 1: Donald Yeah yeah.

1399
01:07:52,240 --> 01:07:57,360
Speaker 5: I value your your judgement, Donald, for good or bad, if.

1400
01:07:57,240 --> 01:07:59,360
Speaker 2: It's about weed or Star Wars. We haven't ex I

1401
01:07:59,400 --> 01:07:59,960
Speaker 2: got you.

1402
01:08:00,600 --> 01:08:02,160
Speaker 5: Well.

1403
01:08:02,200 --> 01:08:08,680
Speaker 6: I don't want to be on too long, so I

1404
01:08:08,720 --> 01:08:10,480
Speaker 6: hate to go down the rabbit hole of always asking

1405
01:08:10,600 --> 01:08:13,000
Speaker 6: the love questions. But and as my sister sex nice

1406
01:08:13,000 --> 01:08:16,200
Speaker 6: to me specialty, she's going to roll her eyes.

1407
01:08:16,240 --> 01:08:17,759
Speaker 1: But is your sister next to you?

1408
01:08:17,880 --> 01:08:18,840
Speaker 5: Yeah, she's right here.

1409
01:08:19,040 --> 01:08:21,400
Speaker 2: Oh, hi, sisters sister, that's.

1410
01:08:21,280 --> 01:08:26,000
Speaker 6: My sister Caroline. Yes, So I'm I'm thirty seven. I'm

1411
01:08:26,040 --> 01:08:27,680
Speaker 6: the middle child. My sister is younger. I have an

1412
01:08:27,680 --> 01:08:30,680
Speaker 6: older brother as well. Uh. They are both married and

1413
01:08:30,800 --> 01:08:33,320
Speaker 6: have not one but two kids. The second one is

1414
01:08:33,320 --> 01:08:35,479
Speaker 6: on the way for both of them. So I'm the

1415
01:08:35,560 --> 01:08:39,000
Speaker 6: lone single sibling left in the family. And not that

1416
01:08:39,000 --> 01:08:40,880
Speaker 6: there's a lot of pressure from the parents or from

1417
01:08:40,920 --> 01:08:43,599
Speaker 6: other family members, but some uh and and I guess

1418
01:08:43,720 --> 01:08:46,880
Speaker 6: my roundabout question is I don't know if some of

1419
01:08:46,920 --> 01:08:47,760
Speaker 6: them feel like I'm too.

1420
01:08:47,640 --> 01:08:51,360
Speaker 5: Picky sometimes with finding a girl and then I.

1421
01:08:51,280 --> 01:08:51,640
Speaker 3: Want to go.

1422
01:08:54,000 --> 01:08:54,599
Speaker 1: So I know.

1423
01:08:54,960 --> 01:08:56,200
Speaker 5: And I say that because I.

1424
01:08:56,120 --> 01:08:57,720
Speaker 6: You know, there's this idea of like when you know,

1425
01:08:57,840 --> 01:09:01,799
Speaker 6: you know, and everybody has their story right that whatever

1426
01:09:01,840 --> 01:09:03,679
Speaker 6: it may be. I feel like when people get married

1427
01:09:03,760 --> 01:09:06,120
Speaker 6: or when they get together, they're like, you know, it

1428
01:09:06,120 --> 01:09:07,760
Speaker 6: never would have happened because of this and this, And

1429
01:09:07,840 --> 01:09:09,600
Speaker 6: I feel like I've had those moments, but then it

1430
01:09:09,600 --> 01:09:10,400
Speaker 6: hasn't banned out.

1431
01:09:10,680 --> 01:09:13,080
Speaker 5: So I'm like, is that a real moment? Was I

1432
01:09:13,120 --> 01:09:15,200
Speaker 5: fooling myself? Was I not? You know?

1433
01:09:15,400 --> 01:09:17,840
Speaker 6: So I guess that's the idea a little bit, if

1434
01:09:17,840 --> 01:09:21,280
Speaker 6: that's a question at all, you know, I guess that

1435
01:09:21,400 --> 01:09:22,920
Speaker 6: when you know, you know it is a true statement.

1436
01:09:22,960 --> 01:09:24,679
Speaker 5: Maybe, But I just am I too picky?

1437
01:09:25,120 --> 01:09:27,280
Speaker 1: You know, Like, no, I don't think there's such thing

1438
01:09:27,320 --> 01:09:30,320
Speaker 1: as too picky. But you got to realize that it's

1439
01:09:31,040 --> 01:09:34,160
Speaker 1: you know, it's a two way street, sore where you're

1440
01:09:34,240 --> 01:09:38,479
Speaker 1: picky and your cup of tea might present itself you

1441
01:09:38,600 --> 01:09:41,080
Speaker 1: might not necessarily be that person's cup of tea.

1442
01:09:41,200 --> 01:09:47,320
Speaker 2: So but also, can I say something you we all

1443
01:09:47,439 --> 01:09:52,679
Speaker 2: are subscribing to this societal construct that there's something wrong

1444
01:09:52,720 --> 01:09:56,160
Speaker 2: with you if you're your age and you haven't found

1445
01:09:56,160 --> 01:09:58,840
Speaker 2: your person yet. And I think step one is you

1446
01:09:58,880 --> 01:10:00,280
Speaker 2: have to just let that bullshit go.

1447
01:10:00,840 --> 01:10:03,240
Speaker 1: Yeah, it's because of kids, though, man, it's because of kids.

1448
01:10:03,439 --> 01:10:05,479
Speaker 2: Okay, Okay, that's the only reason.

1449
01:10:05,520 --> 01:10:08,720
Speaker 1: Though. It's all you get old or it's maybe a

1450
01:10:08,760 --> 01:10:10,760
Speaker 1: little bit more difficult to have kids, and that's the

1451
01:10:10,800 --> 01:10:11,880
Speaker 1: only reason why.

1452
01:10:12,160 --> 01:10:15,040
Speaker 2: Just as let me just say my thoughts. Just as

1453
01:10:15,040 --> 01:10:17,840
Speaker 2: you were programmed, I'm sure that this was the right

1454
01:10:17,880 --> 01:10:21,120
Speaker 2: religion for our family, and this is what we believe.

1455
01:10:21,439 --> 01:10:23,599
Speaker 2: And look, there's a book that says it all and

1456
01:10:23,640 --> 01:10:28,040
Speaker 2: these are the rules, and and XYZ happens if you're good,

1457
01:10:28,120 --> 01:10:31,600
Speaker 2: and ABC happens if you're bad. You were also programmed

1458
01:10:31,640 --> 01:10:35,280
Speaker 2: that by age thirty you better be married and be

1459
01:10:35,320 --> 01:10:38,600
Speaker 2: thinking about having kids, and you better stay with that

1460
01:10:38,640 --> 01:10:41,439
Speaker 2: person for the rest of your life. And I just

1461
01:10:41,439 --> 01:10:45,080
Speaker 2: think a good starting point for the conversation is just

1462
01:10:45,200 --> 01:10:46,720
Speaker 2: as I don't know if you're religious or not, but

1463
01:10:46,800 --> 01:10:49,960
Speaker 2: just as Donald and I, for example, are secular and

1464
01:10:50,400 --> 01:10:54,200
Speaker 2: don't and chose not to subscribe to that aspect of

1465
01:10:54,240 --> 01:10:56,719
Speaker 2: what we were fed. You can also say, guess what,

1466
01:10:56,720 --> 01:11:00,280
Speaker 2: what if my path is that I continue lead the

1467
01:11:00,320 --> 01:11:02,840
Speaker 2: life that I have with enjoyment, I continue dating, and

1468
01:11:02,960 --> 01:11:05,400
Speaker 2: holy shit, what if I find true love at forty five?

1469
01:11:07,040 --> 01:11:08,439
Speaker 2: What if I have a kid? By the way, I

1470
01:11:08,479 --> 01:11:10,799
Speaker 2: have a good friend who started having kids at fifty.

1471
01:11:11,120 --> 01:11:13,960
Speaker 2: I've never seen the guy happier in his whole existence,

1472
01:11:14,240 --> 01:11:18,599
Speaker 2: you know, Gary Donald, So you don't know what's coming

1473
01:11:18,680 --> 01:11:22,639
Speaker 2: for you. Now. We can give you strategies for some

1474
01:11:22,880 --> 01:11:25,599
Speaker 2: ideas on how to know how to up your chances

1475
01:11:25,640 --> 01:11:28,360
Speaker 2: of meeting the person. But I think the first step

1476
01:11:28,360 --> 01:11:32,000
Speaker 2: would be letting go of like I'm in the wrong

1477
01:11:32,360 --> 01:11:35,800
Speaker 2: because of what society tells me I'm supposed to be.

1478
01:11:35,720 --> 01:11:38,160
Speaker 6: Doing yeah and well, and coming from the South, I

1479
01:11:38,160 --> 01:11:40,439
Speaker 6: feel like it was like, all right, you graduated from

1480
01:11:40,520 --> 01:11:42,479
Speaker 6: high school, you go to college for four years, you

1481
01:11:42,520 --> 01:11:44,479
Speaker 6: graduate from college, you get the job, you get the

1482
01:11:44,479 --> 01:11:47,599
Speaker 6: white picket fence, and yeah, by thirty that's all online.

1483
01:11:47,760 --> 01:11:51,439
Speaker 6: And I'm way past that. And it's been a understand Zach.

1484
01:11:51,479 --> 01:11:53,000
Speaker 6: And it's a tough thing to let go of. But

1485
01:11:53,160 --> 01:11:55,640
Speaker 6: in the back of my mind it like, you know,

1486
01:11:55,800 --> 01:11:57,200
Speaker 6: gnawls at you a little bit, and well.

1487
01:11:57,160 --> 01:11:59,320
Speaker 2: What's happening is that every day you're telling yourself there's

1488
01:11:59,320 --> 01:11:59,800
Speaker 2: something wrong with you.

1489
01:12:00,439 --> 01:12:00,559
Speaker 5: Hm.

1490
01:12:01,040 --> 01:12:03,479
Speaker 1: And also that white picket fence fairy tale is of

1491
01:12:03,520 --> 01:12:04,280
Speaker 1: the past. Man that shit.

1492
01:12:04,479 --> 01:12:05,840
Speaker 2: Who the fuck wants a picket fence?

1493
01:12:05,920 --> 01:12:06,639
Speaker 1: Nobody wants that shit?

1494
01:12:06,680 --> 01:12:09,559
Speaker 2: In more right, No, I mean literally and figuratively, who

1495
01:12:09,600 --> 01:12:15,400
Speaker 2: the fuck wants that? I think they're ugly. I actually

1496
01:12:15,400 --> 01:12:18,360
Speaker 2: have a I actually have an old weathered one. They're

1497
01:12:18,360 --> 01:12:23,280
Speaker 2: beautiful weathered. I just don't like the white. Now that's

1498
01:12:23,360 --> 01:12:25,719
Speaker 2: my that's my speech on that. That's just my two cents,

1499
01:12:25,760 --> 01:12:28,160
Speaker 2: because obviously it's coming from a place that I've thought

1500
01:12:28,160 --> 01:12:30,000
Speaker 2: a lot about. Because I'm forty five. I have a

1501
01:12:30,000 --> 01:12:32,280
Speaker 2: girlfriend I'm in love with. But I'm forty five and

1502
01:12:32,320 --> 01:12:34,599
Speaker 2: haven't done any of the White Picket Fence of it all.

1503
01:12:35,400 --> 01:12:37,719
Speaker 2: And when I do, you've done.

1504
01:12:37,760 --> 01:12:39,920
Speaker 1: You have done one thing that you have done, one

1505
01:12:39,960 --> 01:12:43,200
Speaker 1: thing that is very and I think I know what

1506
01:12:43,240 --> 01:12:43,599
Speaker 1: it is.

1507
01:12:43,720 --> 01:12:44,760
Speaker 2: I have a home and a dog.

1508
01:12:45,280 --> 01:12:49,280
Speaker 1: You've you put together quite a career and and that's

1509
01:12:49,360 --> 01:12:51,759
Speaker 1: and that's part of the White Picket Finch fairy tale.

1510
01:12:51,840 --> 01:12:53,240
Speaker 1: And I think, and I'm gonna be honest with you,

1511
01:12:53,320 --> 01:12:56,559
Speaker 1: I think that is part of the reason why so

1512
01:12:56,680 --> 01:13:02,840
Speaker 1: many people nowadays are having a hard time finding the uh,

1513
01:13:02,880 --> 01:13:05,800
Speaker 1: the person that they're looking for or the person that

1514
01:13:06,000 --> 01:13:08,559
Speaker 1: they think is out there for them. They're perfect person.

1515
01:13:10,080 --> 01:13:13,400
Speaker 1: You have to focus on yourself, if you're listen. I've been,

1516
01:13:13,560 --> 01:13:16,200
Speaker 1: I've been in that relationship where it was like, let's

1517
01:13:16,240 --> 01:13:19,639
Speaker 1: make this work, because maybe we can be happy if

1518
01:13:19,680 --> 01:13:22,519
Speaker 1: we make No. Man, you have to be happy first

1519
01:13:22,520 --> 01:13:25,360
Speaker 1: to be able to make someone else happy. You can't

1520
01:13:25,360 --> 01:13:29,120
Speaker 1: be a miserable person and then and and expect to

1521
01:13:29,280 --> 01:13:32,360
Speaker 1: find happiness in someone else. It doesn't work that way.

1522
01:13:32,600 --> 01:13:35,400
Speaker 1: That's not how it works. Regardless of what regardless of

1523
01:13:35,439 --> 01:13:37,800
Speaker 1: what the movie says, and everything like that. That's not

1524
01:13:37,840 --> 01:13:42,200
Speaker 1: how it goes. You have to be confident in yourself first.

1525
01:13:44,439 --> 01:13:46,160
Speaker 1: And I think you're already there, and so I think,

1526
01:13:46,240 --> 01:13:48,479
Speaker 1: I think, I think. I don't think the problem is

1527
01:13:48,920 --> 01:13:52,320
Speaker 1: whether you want to you know, why me? Why hasn't

1528
01:13:52,320 --> 01:13:54,200
Speaker 1: it happened for me yet? I don't think it's I

1529
01:13:54,240 --> 01:13:55,840
Speaker 1: don't think you're ready for it yet. I think if

1530
01:13:55,840 --> 01:13:57,280
Speaker 1: you wanted it, you could go get that ship.

1531
01:13:57,479 --> 01:14:01,519
Speaker 2: Anybody will get that. I'm sure Cam, especially in that

1532
01:14:01,560 --> 01:14:04,360
Speaker 2: Onesie could go, could go on dates and and meet

1533
01:14:04,439 --> 01:14:05,800
Speaker 2: chicks to hook up with.

1534
01:14:05,960 --> 01:14:09,840
Speaker 1: But the ones here in the mustache make you look fire.

1535
01:14:10,320 --> 01:14:14,760
Speaker 2: Listen, Cam, I'm sure what called what I think is

1536
01:14:14,840 --> 01:14:16,719
Speaker 2: happening is that Cam uh.

1537
01:14:17,320 --> 01:14:20,160
Speaker 1: On your body cam?

1538
01:14:20,600 --> 01:14:24,439
Speaker 2: If you want these things. I'm sure you're dating, not

1539
01:14:24,479 --> 01:14:27,960
Speaker 2: in COVID, but pre COVID. I'm sure you were dating, right, yes,

1540
01:14:28,040 --> 01:14:29,639
Speaker 2: And are you on any of the apps?

1541
01:14:30,840 --> 01:14:34,120
Speaker 5: It's a relationship so some some months yes, some muths know.

1542
01:14:35,160 --> 01:14:40,120
Speaker 2: Yeah, yeah, I can tell you that that of course

1543
01:14:40,200 --> 01:14:42,160
Speaker 2: you gotta be You gotta be on the field. You know,

1544
01:14:42,240 --> 01:14:43,880
Speaker 2: you can't be in the stands. You got to be

1545
01:14:43,920 --> 01:14:47,160
Speaker 2: playing the game, right because if you're if you're not

1546
01:14:47,400 --> 01:14:51,000
Speaker 2: I mean, nowadays, you know, people don't want to go

1547
01:14:51,160 --> 01:14:53,240
Speaker 2: lean on a bar and yell to a stranger. I

1548
01:14:53,400 --> 01:14:56,600
Speaker 2: like your skirt. You can actually have a chance to

1549
01:14:57,240 --> 01:15:00,599
Speaker 2: kind of get to know someone a little bit. Yeah,

1550
01:15:00,880 --> 01:15:03,000
Speaker 2: think you're just sitting there giggling at me. Did you

1551
01:15:03,040 --> 01:15:06,040
Speaker 2: fucking hit that weed during our break? Did you hit

1552
01:15:06,040 --> 01:15:06,320
Speaker 2: the weed?

1553
01:15:06,600 --> 01:15:06,720
Speaker 7: No?

1554
01:15:06,760 --> 01:15:10,400
Speaker 1: Man, I wouldn't about you. I want you. I want

1555
01:15:10,400 --> 01:15:12,120
Speaker 1: you to be I want I'm gonna be one hundred

1556
01:15:12,439 --> 01:15:16,120
Speaker 1: honest with you. There will never be a time ever

1557
01:15:16,200 --> 01:15:19,559
Speaker 1: when we're making this podcast where while we're making it,

1558
01:15:19,920 --> 01:15:21,960
Speaker 1: I'm smoking weed unless.

1559
01:15:21,840 --> 01:15:25,879
Speaker 2: We all agree that we're smoking weed during the PA.

1560
01:15:26,040 --> 01:15:31,400
Speaker 2: Let's come, let's come in, hold on, let's no listen

1561
01:15:32,240 --> 01:15:37,160
Speaker 2: once once. Once we're all injected and we and we're safe,

1562
01:15:37,600 --> 01:15:40,240
Speaker 2: I think we should do an episode where we get

1563
01:15:40,240 --> 01:15:42,919
Speaker 2: together in the same room and get high as balls

1564
01:15:42,960 --> 01:15:43,679
Speaker 2: and do the show.

1565
01:15:44,200 --> 01:15:47,240
Speaker 1: Yes, that's finding me. It won't be any different from me,

1566
01:15:47,280 --> 01:15:48,320
Speaker 1: It just be different for y'all.

1567
01:15:50,439 --> 01:15:56,559
Speaker 2: All right, Sorry, but back to Cam's closet. Might be mad,

1568
01:15:56,600 --> 01:15:58,880
Speaker 2: but we can have well maybe because the kids will

1569
01:15:58,880 --> 01:16:03,639
Speaker 2: be back at school. Cam. One thing I just want

1570
01:16:03,680 --> 01:16:07,040
Speaker 2: to say is that you have to know that it's

1571
01:16:07,080 --> 01:16:10,960
Speaker 2: it takes work to sustain a relationship. It's not just

1572
01:16:11,000 --> 01:16:13,880
Speaker 2: like if I think one thing that one thing negative

1573
01:16:13,880 --> 01:16:15,559
Speaker 2: that's coming to the apps is that everyone's just like

1574
01:16:15,600 --> 01:16:18,639
Speaker 2: pulling the roulette wheel and sorry, I think everyone's pulling

1575
01:16:18,680 --> 01:16:20,559
Speaker 2: the one arm bandit. What do you call that thing?

1576
01:16:20,560 --> 01:16:24,000
Speaker 2: Slot machine? Yeah, yeah, everyone's everyone's like okay, okay, oh cool,

1577
01:16:24,000 --> 01:16:25,360
Speaker 2: she's cool. Yeah, we had a good day. Oh I'm

1578
01:16:25,400 --> 01:16:30,640
Speaker 2: liking her. Oh she smokes drink. Next, Oh oh she

1579
01:16:30,720 --> 01:16:33,720
Speaker 2: was kind of obnoxious to uh, you know, I want

1580
01:16:34,400 --> 01:16:38,080
Speaker 2: people are people are are pulling the slot machine so

1581
01:16:38,160 --> 01:16:42,760
Speaker 2: quickly being like thank you next, As Ariana Grande said,

1582
01:16:43,240 --> 01:16:46,880
Speaker 2: and and whereas if you are in pursuit of a

1583
01:16:46,920 --> 01:16:51,599
Speaker 2: committed relationship, it does take patience and giving giving something

1584
01:16:51,800 --> 01:16:52,880
Speaker 2: time to brew.

1585
01:16:53,520 --> 01:16:55,479
Speaker 5: Yeah, I think I been guilty of that on some dates,

1586
01:16:55,479 --> 01:16:56,439
Speaker 5: So I understand what you're saying.

1587
01:16:56,760 --> 01:16:58,960
Speaker 2: I'm sure there may be girls you went on a

1588
01:16:59,040 --> 01:17:01,600
Speaker 2: date with and one sing negative happened and you're like,

1589
01:17:01,760 --> 01:17:04,960
Speaker 2: fuck this. Then that girl could have been amazing. She

1590
01:17:05,040 --> 01:17:06,000
Speaker 2: might have had a bad night.

1591
01:17:07,479 --> 01:17:12,960
Speaker 1: Right, Donald, Donald, I, I I was just thinking about that.

1592
01:17:16,040 --> 01:17:18,479
Speaker 1: Or you might have had a bad night and you

1593
01:17:18,600 --> 01:17:20,840
Speaker 1: might want that second chance, you know what I mean. Like,

1594
01:17:20,880 --> 01:17:26,280
Speaker 1: that's that's the thing. The first impression ship is it's

1595
01:17:26,400 --> 01:17:30,400
Speaker 1: it's you always hear the story. Well, the first impression

1596
01:17:30,439 --> 01:17:32,760
Speaker 1: was horrible, but the second impression, that's when I knew

1597
01:17:32,800 --> 01:17:37,040
Speaker 1: I liked the person. With these app things, Now, you're right,

1598
01:17:37,080 --> 01:17:39,120
Speaker 1: it is swipe. I don't I don't know, but I

1599
01:17:39,360 --> 01:17:42,360
Speaker 1: imagine that it would be with my kids at least

1600
01:17:42,560 --> 01:17:47,680
Speaker 1: swipe swipe, swipe such and and and it's like everybody's

1601
01:17:47,720 --> 01:17:52,720
Speaker 1: reading attributes nope, next and when did you ever have

1602
01:17:52,800 --> 01:17:58,360
Speaker 1: that next? When did you have that? Right? But when

1603
01:17:58,400 --> 01:18:02,880
Speaker 1: did you ever have that uh, that capability? You had

1604
01:18:02,880 --> 01:18:05,040
Speaker 1: to get to know somebody before all of that. And

1605
01:18:05,080 --> 01:18:07,519
Speaker 1: sometimes when you got to know somebody, you were able

1606
01:18:07,560 --> 01:18:10,280
Speaker 1: to dismiss some of the attributes that you're reading, you

1607
01:18:10,280 --> 01:18:12,680
Speaker 1: know what I mean. And so that's the one thing

1608
01:18:12,720 --> 01:18:17,120
Speaker 1: that's a little bit crazy about the the the the

1609
01:18:17,280 --> 01:18:21,840
Speaker 1: state of dating nowadays, this computer age, this app age,

1610
01:18:22,040 --> 01:18:25,880
Speaker 1: it just seems like there's just there's there's a little

1611
01:18:25,920 --> 01:18:29,360
Speaker 1: bit of a disconnect because you're doing it through the

1612
01:18:29,400 --> 01:18:32,080
Speaker 1: wires of the computer. You're getting to know you know.

1613
01:18:32,120 --> 01:18:35,000
Speaker 2: But I do think it's I'm very pro I think

1614
01:18:35,120 --> 01:18:37,840
Speaker 2: you know, Daniel is one person. I have another friend.

1615
01:18:38,200 --> 01:18:42,160
Speaker 2: I'm very I've seen people really find true love through it, So.

1616
01:18:42,120 --> 01:18:44,040
Speaker 1: I'm not saying it can't happen. I'm just saying there

1617
01:18:44,040 --> 01:18:46,520
Speaker 1: are steps that are you know what I mean. Whereas

1618
01:18:46,840 --> 01:18:48,840
Speaker 1: you had to make an effort just to see each

1619
01:18:48,880 --> 01:18:51,439
Speaker 1: other and talk to each other before. I now try

1620
01:18:52,000 --> 01:18:53,360
Speaker 1: typing it on the phone.

1621
01:18:53,240 --> 01:18:56,040
Speaker 2: Try and match, Try and match Cam, because that seems

1622
01:18:56,040 --> 01:18:57,759
Speaker 2: to be the one I keep hearing works for people.

1623
01:18:57,880 --> 01:19:00,200
Speaker 2: And you know, Tinder, you know, I think it's for

1624
01:19:00,240 --> 01:19:02,599
Speaker 2: people looking to hook up, you know. And I don't

1625
01:19:02,640 --> 01:19:04,200
Speaker 2: really know about the other ones because I've never been

1626
01:19:04,240 --> 01:19:04,679
Speaker 2: on them.

1627
01:19:04,720 --> 01:19:06,240
Speaker 1: But I've never been on Bumble.

1628
01:19:06,280 --> 01:19:08,840
Speaker 2: I've never I've never been on any of that ship Cam.

1629
01:19:09,160 --> 01:19:11,800
Speaker 2: I recommend Match because I feel like that one I

1630
01:19:11,800 --> 01:19:13,240
Speaker 2: seem to I seem to have a lot of people

1631
01:19:13,439 --> 01:19:15,880
Speaker 2: they don't. They should advertise with this because I've I've

1632
01:19:16,000 --> 01:19:18,240
Speaker 2: I've heard a lot of people have success with that one.

1633
01:19:18,680 --> 01:19:20,200
Speaker 2: But anyway, Cam, the point is you got to put

1634
01:19:20,200 --> 01:19:23,320
Speaker 2: in the time and don't just and don't just especially

1635
01:19:23,360 --> 01:19:25,200
Speaker 2: now during the pandemic, there's no reason you can't be

1636
01:19:25,280 --> 01:19:28,280
Speaker 2: like laying foundation and flirting and getting yourself out there.

1637
01:19:28,720 --> 01:19:31,519
Speaker 5: Yeah, I think that.

1638
01:19:31,280 --> 01:19:34,120
Speaker 1: I recommend an only fans page cam. Yeah.

1639
01:19:34,280 --> 01:19:39,800
Speaker 2: Also, also, don't be afraid to start on Donald. You

1640
01:19:39,840 --> 01:19:42,280
Speaker 2: realize that every guest that comes on you recommend they

1641
01:19:42,280 --> 01:19:45,719
Speaker 2: get an only fans account. Well, I think you're turning

1642
01:19:45,720 --> 01:19:46,800
Speaker 2: our guests into.

1643
01:19:50,400 --> 01:19:53,720
Speaker 5: Versus my first suscriber. Only if it's Donald, Only if

1644
01:19:53,760 --> 01:19:54,280
Speaker 5: it's free.

1645
01:19:56,600 --> 01:20:01,479
Speaker 2: I don't think you can watch? Yeah you can, you can,

1646
01:20:01,760 --> 01:20:05,599
Speaker 2: they're free, they're I've done my research about this only fans.

1647
01:20:05,640 --> 01:20:05,680
Speaker 5: No.

1648
01:20:05,800 --> 01:20:07,519
Speaker 2: I looked twin what's your name? Got it? And one

1649
01:20:07,560 --> 01:20:09,080
Speaker 2: made all that money. I was curious. I was like,

1650
01:20:09,120 --> 01:20:10,320
Speaker 2: what did you subscribe?

1651
01:20:10,560 --> 01:20:10,680
Speaker 7: No?

1652
01:20:10,720 --> 01:20:12,400
Speaker 2: I wasn't gonna give her money, but that was the.

1653
01:20:12,320 --> 01:20:16,519
Speaker 1: Thing that you subscribe to only fans? Did What's that?

1654
01:20:17,600 --> 01:20:19,200
Speaker 2: Bella Thorne was the first person that made me go,

1655
01:20:19,240 --> 01:20:20,800
Speaker 2: what the fuck is this? And I looked it up,

1656
01:20:20,800 --> 01:20:20,960
Speaker 2: but I.

1657
01:20:20,960 --> 01:20:24,639
Speaker 1: Did you subscribe to OnlyFans? Though? No, I haven't subscribed

1658
01:20:24,640 --> 01:20:29,040
Speaker 1: to only fans like I have not even like listen,

1659
01:20:29,360 --> 01:20:32,160
Speaker 1: I'm gonna be honest with you, man. There are a

1660
01:20:32,200 --> 01:20:35,439
Speaker 1: bunch of people in I just spit on my camera.

1661
01:20:35,479 --> 01:20:39,679
Speaker 1: Look at that ship, that ship, there are a bunch

1662
01:20:39,720 --> 01:20:44,680
Speaker 1: of people in on Instagram that have only fans and

1663
01:20:44,800 --> 01:20:47,639
Speaker 1: male and female, and I'm like, why would you get

1664
01:20:47,760 --> 01:20:49,800
Speaker 1: only fans? I don't understand, you know what I mean?

1665
01:20:50,000 --> 01:20:51,679
Speaker 1: And then I heard about the money you can make

1666
01:20:51,920 --> 01:20:53,920
Speaker 1: why and it's like yeah, And then it's like, wait

1667
01:20:53,920 --> 01:20:56,479
Speaker 1: a second, you could make some money on only.

1668
01:20:56,520 --> 01:20:57,960
Speaker 2: People want to see naughty ship.

1669
01:20:58,040 --> 01:20:59,920
Speaker 1: I mean, they don't necessarily have to do naughty.

1670
01:21:00,120 --> 01:21:02,320
Speaker 2: Yes, you have to like beat off, but you have

1671
01:21:02,360 --> 01:21:03,720
Speaker 2: to like show.

1672
01:21:04,520 --> 01:21:07,120
Speaker 1: Something I got I gotta show. I gotta show junk.

1673
01:21:08,200 --> 01:21:13,320
Speaker 2: I think, Joelle, why Joe, what are people paying for

1674
01:21:13,479 --> 01:21:13,960
Speaker 2: if they're not?

1675
01:21:14,000 --> 01:21:16,920
Speaker 3: So here's the problem. Here's the problem is that people

1676
01:21:17,360 --> 01:21:19,439
Speaker 3: like celebrities are like, oh, I'm doing only fans and

1677
01:21:19,439 --> 01:21:21,920
Speaker 3: everyone's like, oh, naughty bits, dope. I will pay one

1678
01:21:22,000 --> 01:21:24,080
Speaker 3: hundred dollars for that photo. And then they get the

1679
01:21:24,120 --> 01:21:26,800
Speaker 3: photo and you can have seen that on Instagram and

1680
01:21:26,880 --> 01:21:27,920
Speaker 3: you're like, what the hell did I.

1681
01:21:27,880 --> 01:21:30,000
Speaker 1: Just spend one hundred dollars for? So you can go

1682
01:21:30,000 --> 01:21:31,120
Speaker 1: on there and post whatever you want.

1683
01:21:31,160 --> 01:21:33,800
Speaker 3: But customer satisfaction varies.

1684
01:21:34,000 --> 01:21:36,200
Speaker 2: Right, But you haven't answered my question, Joelle, which is

1685
01:21:37,120 --> 01:21:41,200
Speaker 2: what am I seeing on only fans? As a satisfied

1686
01:21:41,240 --> 01:21:45,320
Speaker 2: customer that doesn't involve nudity, nothing, nothing.

1687
01:21:45,160 --> 01:21:47,799
Speaker 3: I mean, there wasn't ever intentionally designed for this originally

1688
01:21:47,800 --> 01:21:49,200
Speaker 3: supposed to be for like artists and stuff.

1689
01:21:52,360 --> 01:21:55,280
Speaker 2: No matter what, no matter what anyone invents, they're like, okay, now,

1690
01:21:55,320 --> 01:21:56,479
Speaker 2: how can we use it for sex?

1691
01:21:57,360 --> 01:22:00,519
Speaker 4: It's just like Patreon, and Patreon also has as this

1692
01:22:00,640 --> 01:22:03,320
Speaker 4: as well. There are people who sell you know, sex

1693
01:22:03,400 --> 01:22:06,800
Speaker 4: work on Patreon. It's just only fans became something that

1694
01:22:06,880 --> 01:22:11,040
Speaker 4: seemed more for that. Yeah, but even so their platform.

1695
01:22:11,200 --> 01:22:18,280
Speaker 1: I feel like, you know, what is it, two birds

1696
01:22:18,280 --> 01:22:23,360
Speaker 1: with one stone? Only fans, you're meeting people, meeting new people.

1697
01:22:23,680 --> 01:22:25,680
Speaker 2: No, I don't think you should go on only fans.

1698
01:22:25,360 --> 01:22:28,519
Speaker 1: And two you're making money. So let's let's just get

1699
01:22:28,680 --> 01:22:29,400
Speaker 1: down to it.

1700
01:22:29,560 --> 01:22:30,559
Speaker 2: Don't take his advice.

1701
01:22:31,320 --> 01:22:33,879
Speaker 1: It's the American white Oh god.

1702
01:22:33,960 --> 01:22:36,720
Speaker 2: All right. On that note, Cam, you are welcome. You're

1703
01:22:36,760 --> 01:22:40,240
Speaker 2: welcome to We hope that you'll when you finally meet

1704
01:22:40,280 --> 01:22:43,600
Speaker 2: someone that you have some stronger feelings for than just

1705
01:22:43,640 --> 01:22:45,479
Speaker 2: a hook up. I hope you'll let us know and

1706
01:22:45,560 --> 01:22:49,000
Speaker 2: check in. And I do think that you should use this,

1707
01:22:49,000 --> 01:22:52,800
Speaker 2: this opportunity, this moment that you were on the podcast

1708
01:22:52,880 --> 01:22:55,400
Speaker 2: wearing our faces on you as a means of hooking

1709
01:22:55,479 --> 01:22:57,240
Speaker 2: up with your new lady. If there's like.

1710
01:22:57,280 --> 01:22:58,960
Speaker 1: Any girl out there that you want to talk to

1711
01:22:59,120 --> 01:23:02,719
Speaker 1: right now, if you I don't mind putting pressure on you, Cam.

1712
01:23:02,680 --> 01:23:05,439
Speaker 2: No, I'll do with your sister and your brother.

1713
01:23:05,880 --> 01:23:07,200
Speaker 1: No, you don't want to You don't want.

1714
01:23:07,040 --> 01:23:11,000
Speaker 2: To call out anyone specifics name in South Carolina?

1715
01:23:11,120 --> 01:23:13,240
Speaker 1: Well people all the time. You know who you are.

1716
01:23:13,320 --> 01:23:13,559
Speaker 2: Girl.

1717
01:23:13,680 --> 01:23:16,720
Speaker 5: This will just be a story for a date, right right,

1718
01:23:17,560 --> 01:23:19,360
Speaker 5: story by the.

1719
01:23:19,360 --> 01:23:20,519
Speaker 2: Way, by the way, and by the way, and this

1720
01:23:20,560 --> 01:23:22,479
Speaker 2: is how you end the story. You go and and

1721
01:23:22,520 --> 01:23:24,640
Speaker 2: then and then after they gave me that advice, all

1722
01:23:24,680 --> 01:23:32,040
Speaker 2: I could think about was you wow, man, Mike Tropp,

1723
01:23:32,360 --> 01:23:35,640
Speaker 2: Mike Troup, Dan the sound of a mi trop.

1724
01:23:36,439 --> 01:23:39,240
Speaker 1: Can't now you just used it?

1725
01:23:39,280 --> 01:23:42,080
Speaker 2: Man, Missus Cam doesn't listen to this podcast.

1726
01:23:42,320 --> 01:23:45,400
Speaker 1: If they're gonna work out that she probably does. Man,

1727
01:23:45,479 --> 01:23:47,040
Speaker 1: they probably have that in common.

1728
01:23:47,800 --> 01:23:49,639
Speaker 2: What's gonna bring listens to the office?

1729
01:23:49,720 --> 01:23:54,759
Speaker 1: We fixed Cam Man. She listens and that's probab podcast.

1730
01:23:54,760 --> 01:23:57,280
Speaker 2: Alright, we gotta go because I have to pee and

1731
01:23:57,320 --> 01:23:58,960
Speaker 2: we've really done the show. Cam. You can stay for

1732
01:23:59,000 --> 01:24:00,840
Speaker 2: the end because we pretty much did the show. It's

1733
01:24:00,840 --> 01:24:01,720
Speaker 2: a weird one, but we laugh.

1734
01:24:01,760 --> 01:24:02,400
Speaker 5: I appreciate it.

1735
01:24:03,040 --> 01:24:05,840
Speaker 6: I want to go on real quick, real quick. I

1736
01:24:05,920 --> 01:24:08,880
Speaker 6: just I appreciate y'all. Joelle mentioned Ted Lasts so earlier,

1737
01:24:08,880 --> 01:24:11,599
Speaker 6: but this podcast definitely came wrong at the right time

1738
01:24:11,640 --> 01:24:13,880
Speaker 6: for me obviously, right when the pandemic started, and for

1739
01:24:14,000 --> 01:24:17,720
Speaker 6: my mental health has been a blessing every week. I

1740
01:24:17,960 --> 01:24:19,800
Speaker 6: thought a lot about Jimmy V and what he said

1741
01:24:19,800 --> 01:24:23,519
Speaker 6: in one of his speeches on ESPN about you should laugh, think,

1742
01:24:23,640 --> 01:24:25,720
Speaker 6: and have your emotions moved to tears every day and

1743
01:24:25,880 --> 01:24:26,639
Speaker 6: it's a full day.

1744
01:24:26,800 --> 01:24:28,720
Speaker 5: And this podcast definitely does those three things for me.

1745
01:24:28,800 --> 01:24:29,720
Speaker 2: Every time I listen.

1746
01:24:30,240 --> 01:24:32,720
Speaker 5: I appreciate all of y'all.

1747
01:24:32,880 --> 01:24:36,040
Speaker 2: Listen. There is no better There is no better compliment, Cam.

1748
01:24:36,120 --> 01:24:38,360
Speaker 2: And if you're out there and we are making you

1749
01:24:38,479 --> 01:24:43,120
Speaker 2: laugh and and I can't tell you there's no thing

1750
01:24:43,160 --> 01:24:45,479
Speaker 2: that makes Donald and I and I'm sure Joell and Danelle,

1751
01:24:45,560 --> 01:24:47,920
Speaker 2: but I can definitely speak for Donald and I. Nothing

1752
01:24:47,960 --> 01:24:49,920
Speaker 2: makes us happier than hearing somebody say that.

1753
01:24:50,080 --> 01:24:54,800
Speaker 1: So absolutely, it's also just for selfish purposes, you know,

1754
01:24:54,920 --> 01:24:58,600
Speaker 1: just for you're right, Cam, Like, just for us to

1755
01:24:58,640 --> 01:25:01,840
Speaker 1: be able to get together once twice a week and

1756
01:25:01,960 --> 01:25:04,479
Speaker 1: talk to each other, you know. And this time I

1757
01:25:04,479 --> 01:25:07,519
Speaker 1: don't see a lot of people, and you know, I

1758
01:25:07,520 --> 01:25:09,559
Speaker 1: I was starting to hang out with Zach again and

1759
01:25:09,600 --> 01:25:11,840
Speaker 1: then you know, we got locked down and stuff like that.

1760
01:25:11,880 --> 01:25:15,040
Speaker 1: So I definitely appreciate what you're talking about, Kim. I

1761
01:25:15,360 --> 01:25:16,040
Speaker 1: totally feel you.

1762
01:25:16,080 --> 01:25:17,120
Speaker 5: Man cool, thanks.

1763
01:25:16,920 --> 01:25:20,719
Speaker 2: Man, all right, everybody, thank you for listening, and we'll

1764
01:25:20,760 --> 01:25:22,599
Speaker 2: be back with more soon.

1765
01:25:22,680 --> 01:25:26,040
Speaker 1: Wait, but before we go. Last week we did five, six, seven, eight,

1766
01:25:26,040 --> 01:25:26,840
Speaker 1: and people got pissed.

1767
01:25:26,840 --> 01:25:30,360
Speaker 2: I think Okay, I think we did, but we didn't

1768
01:25:30,360 --> 01:25:34,160
Speaker 2: trust we did not. So Donald, do you want me

1769
01:25:34,200 --> 01:25:35,479
Speaker 2: to do it? Because I've been a while since I

1770
01:25:35,479 --> 01:25:35,800
Speaker 2: did it.

1771
01:25:36,960 --> 01:25:38,479
Speaker 1: Get your mouth, Freddy, let me warm up.

1772
01:25:38,560 --> 01:25:40,840
Speaker 2: Baby bibo boom baby baby bi bo boo. The lips

1773
01:25:40,880 --> 01:25:42,880
Speaker 2: tip the tongue, the lips tipsy the tongue, Whether will

1774
01:25:42,880 --> 01:25:45,120
Speaker 2: it be colder, whether would be hot? Will be together like.

1775
01:25:45,439 --> 01:25:45,840
Speaker 1: Like or not?

1776
01:25:47,880 --> 01:25:53,920
Speaker 2: Ready?

1777
01:25:53,000 --> 01:25:58,160
Speaker 7: Sure, we made about a bunch of.

1778
01:26:00,040 --> 01:26:01,200
Speaker 2: Animal who love making.

1779
01:26:01,360 --> 01:26:02,920
Speaker 5: I said, here's the stories.

1780
01:26:03,720 --> 01:26:05,000
Speaker 2: Nepww should know.

1781
01:26:06,640 --> 01:26:10,280
Speaker 1: So gadder rand you here, Gader round you

1782
01:26:10,439 --> 01:26:15,920
Speaker 7: Here, our scufree my shobies and no mm hmmm,