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Speaker 1: Welcome back to another episode of Alchemy is covid N.

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Speaker 1: I'm your host, Kevin Pollock, as that Kevin poll to

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Speaker 1: tell you the truth, I don't remember what it was

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Speaker 1: like to just, you know, break into people's houses without

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Speaker 1: them being there. But I digress. Let's meet our alchemists

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Speaker 1: and no particular order. Shall we say hello to James Heeny.

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Speaker 1: I knew you were going to try to get me first,

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Speaker 1: Johnny Handsome Heeny. When was the last time you bought

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Speaker 1: a new pillow? Um? About four years ago. I bought

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Speaker 1: a pillow with a foam corps and I ended up

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Speaker 1: not liking the sleep with just the foam corps, just

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Speaker 1: the phone corps. Yeah, it's like a memory phone had

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Speaker 1: a memory foam center, and I used it for a while,

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Speaker 1: but I just didn't like it. It was too big

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Speaker 1: of a pillow. But then I found it if I

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Speaker 1: took the memory foam core out, which is why I

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Speaker 1: bought it in the first place. That pillow was great.

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Speaker 1: Did you use a dog or any sort of animal

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Speaker 1: to burrow in and rip it out? No, it was

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Speaker 1: like it was like a sleeve. The pillow around it

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Speaker 1: was like a sleeve. You could pull the memory foam

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Speaker 1: just out of it really easily, probably to wash or something.

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Speaker 1: So am I say hey to Caroline Connor, Dr Peach

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Speaker 1: and pooh. If you were in the mafia, what would

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Speaker 1: your mobbed up nickname? B oh um old crusty? I

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Speaker 1: I don't remember being this happy look out. It's returning Champion,

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Speaker 1: Mark Gagliardi park your Marcus. What is your mobbed up nickname? Weirdly,

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Speaker 1: it's Mark Gagliardi, Welcome back. Thanks. Hey, there's Craig Kakowski

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Speaker 1: co cow. What do you get on your burger? And

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Speaker 1: how do you like it? Cooked? Medium? I'd like some pink,

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Speaker 1: like some pink in the middle. Um, I gotta I

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Speaker 1: gotta have cheese. You know you want to specify. I'd

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Speaker 1: love some tillamook Cheddarn sure you would, you know, straight

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Speaker 1: from the Oregon coast. Um, if bacon's on there, I'm

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Speaker 1: not gonna say no to that. If you put some

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Speaker 1: avocado in there, sir, you just tell us what you want,

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Speaker 1: yes or no. If you guys have mustard, I don't know. Uh,

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Speaker 1: I'd love some dijons, some yellow, but no catchup. For

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Speaker 1: God's sake, don't put ketchup on your burger. Hell yeah,

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Speaker 1: bring it off and last, but get a real nice

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Speaker 1: dose of chicken droppings in your bank. Love of if

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Speaker 1: you think I'm least it's Joey Greer, Jay Doug, can

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Speaker 1: you really bound? It's any chair on your chin and

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Speaker 1: or my balls? Yes, I can. Both are as rigid

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Speaker 1: and as hard as you can imagine. So it's it's

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Speaker 1: actually pretty easy. So any rigid object you can balance

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Speaker 1: on your chin. No, my chin is rigid and so

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Speaker 1: are your ball. That's why there's like a perfect groove.

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Speaker 1: I see so wondering. There's a masterclass on that. You

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Speaker 1: can just check that out. They call his chin the

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Speaker 1: perfect groove. All right, let's do a show, shall We

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Speaker 1: are seeing suggestions today mostly coming from your listener emails,

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Speaker 1: the rest of from our fine Patreon v I P. S.

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Speaker 1: If you'd like to submit your listener email, please write

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Speaker 1: to the podcast at your name here at alchemy desk

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Speaker 1: dot com. That's your name here at alchemy dot com.

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Speaker 1: See number one in fact, comes from Tree and v I. P. Chance,

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Speaker 1: who wrote, I finally remembered two message through the Patreon page.

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Speaker 1: But I digress. The scene is this A family enters

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Speaker 1: a haunted house but instead of the ghost being scary,

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Speaker 1: they just act normal and boring. Also, instead of hold

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Speaker 1: the door guy, it's hold the door ghost. Thanks. Please

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Speaker 1: tell James to calm the funk down on that coffee.

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Speaker 1: I have went down to one to two cups a

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Speaker 1: day and feels like I conquered a cocaine addiction. James

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Speaker 1: just took a big old gulp from his coffee. F y.

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Speaker 1: I it's a good coffee, though, Honey, did you hear

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Speaker 1: that well? Um? Yeah, but it wasn't me. I thought

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Speaker 1: that was you. No, that coughing sound. Oh oh my god,

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Speaker 1: I'm sorry. Um, yes, I heard that. I heard that

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Speaker 1: cough Okay, are you feeling sick because you were sick

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Speaker 1: for so long? And if you're sick now, you're looking

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Speaker 1: right at me. That's not me coughing. That's coming from

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Speaker 1: the wall. The walls coughing. Someone in the wall is coughing.

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Speaker 1: That's insane or Larry's back. Let's find out, Larry, Larry,

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Speaker 1: the ghost is that you? Did you bring a book

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Speaker 1: to read? Oh god, damn it, Larry Larry? Please, what

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Speaker 1: do we have to do to get you out of

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Speaker 1: this house? Or have to die so I can kill me.

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Speaker 1: I would love for you to be scary and kill me,

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Speaker 1: but you're just normal and boring. This is not helpful. Larry.

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Speaker 1: What are you reading these days? Um? I'm reading How

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Speaker 1: to Train Your Dragon? Okay, that's interesting. Can you tell us?

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Speaker 1: Can you tell us your second and third thing about

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Speaker 1: the book? Um? Sho, I don't know at the uh,

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Speaker 1: there's some pictures in the book, Larry, Larry, we've been

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Speaker 1: over this. You don't have to talk like what you

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Speaker 1: think a ghost sounds like you can just talk to

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Speaker 1: us man. And by the way, did you make friends

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Speaker 1: last time we spoke? It seems like it's been a year.

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Speaker 1: Oh my god, that's another cough coming from the opposite wall.

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Speaker 1: Are you throwing your voice, Larry? No, no, no, me sorry,

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Speaker 1: I mean no, that was me normal voice. First, Why

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Speaker 1: do you pretend? Because well, being a ghost, you know,

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Speaker 1: I figured we're supposed to. I'm Mike Helen, is it? Yeah?

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Speaker 1: I'm Helen. This is my husband, Frank. Hey, Frank, nice

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Speaker 1: to meet you, guys. Welcome my house. Quick question, how'd

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Speaker 1: you go? I'm always curious that. Oh man, that's super rude,

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Speaker 1: Like that's really rude. That's like, that's like asking someone

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Speaker 1: what they do for a living, Like right when you

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Speaker 1: meet them, that's what he does all the time. Maybe

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Speaker 1: you should get etiquette lessons, Frank Helen, is this really

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Speaker 1: their business? What do you mean is their business? You

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Speaker 1: asked them an extremely personal question. I think they're allowed

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Speaker 1: to kind of. And that's what it's like all the time,

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Speaker 1: all the time. Man, It's like they no matter how

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Speaker 1: many times I tell him how I passed, how did

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Speaker 1: you die? How did you die? It's like, look, I'm

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Speaker 1: stuck on this plane forever and they're making me relive

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Speaker 1: the horrific tragedy that that caused me to be here. Yeah,

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Speaker 1: I mean, I think they just there. It's a blind spot.

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Speaker 1: It's a blind spot form you know, this life privilege

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Speaker 1: man's life exactly exactly exactly. You know, everyone wants to

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Speaker 1: know what happened to the afterlife. Nobody asked me that.

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Speaker 1: Nobody asked me what is life over here? There's like

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Speaker 1: how did you get there? And what? I think? This

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Speaker 1: is the house I've I've got I've got a reading

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Speaker 1: on my Geiger counter, and I think that this is

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Speaker 1: the one that's got the ghosts in it. Your Geiger counter,

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Speaker 1: it's picking up some irregularities. It's radio activity, my man.

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Speaker 1: There's a real low hum of radioactivity to go. That's

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Speaker 1: why they glow. Idiot. Look, man, you're you're the scientist.

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Speaker 1: I'm not gonna not gonna challenge your authority here. All right,

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Speaker 1: We'll get the gas cans out of the back of

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Speaker 1: the truck. Okay, we're gonna burn this fucker down. That's oxygen, man,

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Speaker 1: those are oxygen tanks. That's flammable. That's a flammable gas tank.

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Speaker 1: I'm using gas in the traditional sense of it's a

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Speaker 1: catalyst for fire. Get the oxygen tanks out, all right, man,

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Speaker 1: Look what if there's humans living here? Though? You know

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Speaker 1: I don't want to burn down a house. You know

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Speaker 1: I don't either, But if those humans are in there,

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Speaker 1: there's a fifty percent chance that they've been possessed by

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Speaker 1: the ghosts the man, how do you know that? Man,

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Speaker 1: it's a that it's true or it's not true. It's

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Speaker 1: fifty chance it's either true or not true. Hey Frank Helen, Yeah,

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Speaker 1: I'm sorry to interrupt. Um, we're just it's okay. We're

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Speaker 1: just making love and it lasts for a short amount

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Speaker 1: of time, so you're not really interrupting at all. I

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Speaker 1: think times relative. When you're a ghost, it's ten seconds.

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Speaker 1: Ten seconds is ten seconds. I just want to thank

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Speaker 1: you again. I'm sorry to interrupt your love making, which

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Speaker 1: you guys are great at. By the way, thank you.

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Speaker 1: We've taken a lot of masterclasses seminars. Really, I'm sorry.

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Speaker 1: There's a as much as I love to talk about

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Speaker 1: making love, can't do it anymore. Um, there's a there's

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Speaker 1: a truck full of oxygen tanks out front, and they

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Speaker 1: look like they're unloading something. How long did you have

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Speaker 1: a delivery of more oxygen? I did, but that's not

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Speaker 1: scheduled till next month. Well how do yeah, you know,

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Speaker 1: I've been here for six years. And also you guys

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Speaker 1: just putting out some tanks over at the neighbor's house.

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Speaker 1: Huh Yeah, I think they're having a birthday party or something.

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Speaker 1: Oh yeah, I love me a birthday party. Haven't been

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Speaker 1: invited over in a long time. Yeah, you know, it's

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Speaker 1: just these things like I don't blame them. You know,

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Speaker 1: you know who knows why people like the privacy? You

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Speaker 1: know what I mean? Yeah, So it's I get it. People.

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Speaker 1: Is that a Geiger counter is? How do you get there. Yeah,

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Speaker 1: how did you do? Oh? Yeah, well my pop's he

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Speaker 1: worked for JPL, so you know, you know how it goes.

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Speaker 1: But anyway, you know, there's a lot of stuff going

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Speaker 1: on nowadays. Do you guys want to come inside me?

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Speaker 1: We're really busy, honestly, come on, I would be remiss

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Speaker 1: if you didn't come into. I got hot lemonade, I

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Speaker 1: got cold hot dogs. What do you want? I mean,

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Speaker 1: everything's all right. Well, I got some mother's stuff. I

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Speaker 1: got some mothers. Come out here. I mean, honey, who

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Speaker 1: are you talking to out here? Darn well, I'm talking

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Speaker 1: to I guess some planners. I don't know who. Hell

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Speaker 1: the hell? Anyway, they look like nice. They gotta come inside.

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Speaker 1: They gotta toward the house. They gotta get somebody drink.

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Speaker 1: Come talk to these guys. I gotta finish this up.

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Speaker 1: You talk to these guys, you're gonna douse the house

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Speaker 1: in oxygen to leave the oxygen outside. I'm gonna splash

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Speaker 1: it with some cleaner. Don't tell them what the cleaners meaning.

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Speaker 1: I look just like soap, water man. That's so no,

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Speaker 1: it's it's it's a homemade gasoline napalm with some soap

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Speaker 1: inside of it. I wasn't gonna say it, but this

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Speaker 1: really is. Guess Look you're the scientist man. Everything you're

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Speaker 1: saying is tracking so far. Thanks Terry. Thanks so your

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Speaker 1: folks must must really do it up for Halloween. Huh

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Speaker 1: oh my god. My little lady in there, she can't

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Speaker 1: get enough with you a coult. I'll tell you that

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Speaker 1: apparently her great grandmother was a witch of some shortened cast,

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Speaker 1: a spell that goes past generations. So you know, weren't

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Speaker 1: destined for greatness, but just ain't happen yet. So what

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Speaker 1: about you, Christian? No, I'm chuck. Oh, chuck, chuck. I

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Speaker 1: thought he said Terry or something like that. I don't know,

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Speaker 1: don't know. I don't know the scientist. I get that.

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Speaker 1: I that's great. My dad worked for JPL. I don't

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Speaker 1: know if I mentioned that. But you're familiar. Was a

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Speaker 1: lot of Geiger counters. You're familiar. Yeah, oh wow, that's great.

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Speaker 1: That's great. Yeah, so come on inside checking out. We

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Speaker 1: got a pool indoors. I really can't you take a

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Speaker 1: break from so Mike? Uh yeah, I feel like we've

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Speaker 1: we've been talking a while. Maybe it's slightly more appropriate. Now,

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Speaker 1: how how did you how did you go. I knew

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Speaker 1: that was coming, man, I knew that was coming. Um.

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Speaker 1: You know what I used to be. I was a

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Speaker 1: librarian and uh and I was just sitting in my

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Speaker 1: library one day, uh, yelling yelling at some kids. And uh,

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Speaker 1: you were yelling in the library. I thought you were

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Speaker 1: supposed to be quiet in there. You are. And that's

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Speaker 1: what I was actually yelling at these kids to be.

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Speaker 1: What I have is I have a rip that page open?

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Speaker 1: Double dog army. Who's yelling in my library? Did I

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Speaker 1: just hear you say rip a page open? Yeah? And

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Speaker 1: I did it a piece of ship. Make this I

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Speaker 1: will make I will come over there right now. I

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Speaker 1: will come over there right now. And I who put this?

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Speaker 1: Who put this here? Who put this here? Under the

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Speaker 1: leg of this who put this here under the leg

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Speaker 1: of this this shelf? Put this here? Yeah? Who put

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Speaker 1: this knife under the well? Did as a prank? Darry

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Speaker 1: to stab yourself with it? If it will shut you

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Speaker 1: kids up? I will stab myself in the heart with

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Speaker 1: this knife the library. Do it? So that's um, that's

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Speaker 1: how I went. I mean, in retrospect. In retrospect, I

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Speaker 1: don't know why I let him get to me like that.

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Speaker 1: You know, kids can be really mean to a librarian. Yeah,

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Speaker 1: it sound just from that story you told us. And again,

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Speaker 1: I'm so sorry that happened to you, but it sounds

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Speaker 1: like it escalated so quickly. Were you just a very

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Speaker 1: bad librarian? Uh, that's what the bosses said. I didn't

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Speaker 1: think I was, but like at four different libraries they

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Speaker 1: had said that. Okay, Mike, um, thank you for coming in. Yeah. Sure,

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Speaker 1: you know you're kind of getting passed around here. Uh

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Speaker 1: and uh, I'm looking at your your reports from previous

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Speaker 1: employment in the county library system, and you know, high

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Speaker 1: high levels of aggression. And you know, one of the

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Speaker 1: things that I like about the library is that it

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Speaker 1: can be a place of peace and trying quility. Okay,

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Speaker 1: it looks like you're really digging your nails into that

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Speaker 1: chair there. I'm just I'm sorry, Mrs Henderson. It's just

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Speaker 1: that when you know, when people I don't like being

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Speaker 1: told to relax. I don't like being told to calm down.

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Speaker 1: You And oh wow, who put this knife under your chair?

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Speaker 1: Some students did? Some kids came in. See this kind

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Speaker 1: of stuff drives me. Christ hold on, hold on, calm down,

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Speaker 1: just come down now. I dare you distab yourself? All right,

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Speaker 1: Hey Tommy, we're gonna order some luncheon today. Did you

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Speaker 1: want to get something? Yeah, let's get a why don't

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Speaker 1: we get just give me a whole pig uncooked and uh,

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Speaker 1: I'll probably get to it later tonight. Okay, you want

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Speaker 1: to side with that, let me get another pig I'll take.

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Speaker 1: Did you want anything? Oh, we were in the middle

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Speaker 1: of We were in the middle of my interview here

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Speaker 1: and and and then suddenly you're you're ordering pigs. Well,

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Speaker 1: you know what going. Well, I'll let you do it,

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Speaker 1: all right, Terry, Chuck whatever. It's time to go. We

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Speaker 1: should wrap up whatever you If you're drinking that lemonade

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Speaker 1: piping hot, we got to go. Okay, we got three

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Speaker 1: minutes and forty seven seconds left before it's too late. Right,

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Speaker 1: let's blow up all those fuck ghosts ghosts. I hate ghosts,

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Speaker 1: all right. So so Mike, um, it sounds like in

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Speaker 1: that life you had some business to work out. Yeah.

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Speaker 1: By the way, they're smearing something all over the front

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Speaker 1: of this house. I don't know if it's soap or

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Speaker 1: napalm or what, but there they were. Sorry, heads up,

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Speaker 1: would you mind maybe? Uh? If giving a shot, you

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Speaker 1: talk to the people out front. You know what? Yeah,

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Speaker 1: I'm sorry, go ahead, Where are you gonna say? I

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Speaker 1: was just gonna say we would do it, but we

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Speaker 1: don't want to. That's that's fair. I mean, look, I'm

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Speaker 1: I'm a helpful ghost. I'm here. I've been working on

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Speaker 1: my anger. So let's see if let's see if this

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Speaker 1: doesn't blow up in my face. But there's no there

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Speaker 1: are no knives out there, Mike, if nothing else, Oh,

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Speaker 1: thank goodness. All right, I'm going out front. I'm gonna

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Speaker 1: go through this wall. Sorry, that wall is locked. Going

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Speaker 1: through this wall. Hey, ellas, yeah, told you my Gaiger

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Speaker 1: counter was working. Yeah, I'm guys. Do you say geiger counter?

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Speaker 1: Like a Geiger counter? It's how I find ghosts before

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Speaker 1: I blow them up. I got him check out my

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Speaker 1: radio activity levels than I never wondered why you glowed?

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Speaker 1: Am I the only scientist ghost hunter around? What is

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Speaker 1: going on? Maybe? Um? I just Frank and Helen. Um.

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Speaker 1: Frank and Helen don't want you messing with their house.

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Speaker 1: If that's okay, Well, who are they more ghosts? No? No, no, no, no,

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Speaker 1: they're the humans that live here. It's just me and

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Speaker 1: Larry who still has my copy of How to Train

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Speaker 1: Your Dragon, but I can't get into that with him

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Speaker 1: right now. Just two of them? Um, yeah, could you

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Speaker 1: what is this stuff that you're smearing all over the place?

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Speaker 1: Because this seems a mixture of gasoline and dawn dish

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Speaker 1: soak are filled with oxygen. But what I've wiped down

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Speaker 1: the sides of the molding, Like, I don't know how

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Speaker 1: it's gonna work. But he's a scientist, he is a

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Speaker 1: sci Are you look familiar? Man? You like a librarian

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Speaker 1: years ago that I dared to stab himself. Wait you

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Speaker 1: were that? Are you Chuck? I was Chuck? Then I'm

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Speaker 1: Terry now. Yeah, the background check for Chuck turned out

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Speaker 1: real bad. Terry ended up super clean. I like Terry

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Speaker 1: a lot more than Chuck. You know, Terry, Chuck whatever

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Speaker 1: you're calling yourself now. I honestly I gotta thank you, man. Um,

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Speaker 1: you taught me I had some anger issues. Uh, And

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Speaker 1: in my ghost life, I've just been everything's been super calm,

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Speaker 1: and I'm I'm really just trying to I'm really just

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Speaker 1: trying to turn over a new leaf. So I'd really

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Speaker 1: appreciate it if if you guys wouldn't you know, step

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Speaker 1: on that right now. Hey, here's an idea, though, Why

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Speaker 1: don't you go next door? Those two the nosy the

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Speaker 1: nosy neighbors next door, Why don't you just smear this

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Speaker 1: oxygen all over their place and blow their house up.

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Speaker 1: If you guys really need to blow something up. I'm

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Speaker 1: sure they probably have ghosts to you were this was

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Speaker 1: specifically to get rid of me. Yeah, it's if we

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Speaker 1: blow up the foundation of the house you're haunting, you'll

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Speaker 1: have nowhere to go. I mean, that's kind of thrown

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Speaker 1: out the baby with the bathwater. I could just go

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Speaker 1: to another house. Why why hunting this house anywhere? That

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Speaker 1: that library was like two counties over. I always like

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Speaker 1: this house. I used to drive by it as a kid,

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Speaker 1: and it's got the wrap around port. Tethered to this house?

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Speaker 1: No man, a stupid beetle juice documentary. Wait, I'm sorry

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Speaker 1: beetlejuice documentary. We watched documentary about the real beetle juice.

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Speaker 1: I thought, I thought in the afterlife, you were tethered

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Speaker 1: to a house. This is bullship what narrated it. I

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Speaker 1: could just as easily go next door. You know, what

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Speaker 1: if if they want me to Frank and Helen. They

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Speaker 1: seem nice, like they don't even seem like they want

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Speaker 1: us to leave. Who called you? I followed my guigro colendar.

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Speaker 1: I've got a long Okay, that's twenty tanks of oxygen

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Speaker 1: you want to return? Is that right, sir? Yeah? I

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Speaker 1: don't need him anymore. There was a lot of oxygen

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Speaker 1: everywhere around us. So, but I'm I mean, some of

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00:20:28,160 --> 00:20:31,000
Speaker 1: these are empty, sir. I can't just take these tanks back. Well,

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Speaker 1: I opened them up and the oxygen was released, sir. So,

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Speaker 1: I mean, I'm sure you just fill it back up.

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Speaker 1: It's the tank that costs so much, right, it can't

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Speaker 1: be the oxygen, because I could blow oxygen at you

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Speaker 1: all afternoon. You're gonna pay me for it. That's carbon

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Speaker 1: dioxide what you're blowing at me. Alright, alright, you gotta

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Speaker 1: be there. Okay, I'm a scientist, a fan, I'll use

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Speaker 1: a fan. Okay, Look, sir, I cannot. I can't accept

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Speaker 1: this return. I can't afford to keep. But you can't afford.

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Speaker 1: You purchased them, so they don't cost you more money

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Speaker 1: that house or a hold. It's just yeah, I just

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Speaker 1: I need to I need to allocate the money that

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Speaker 1: I spent. I'm sorry, your friend. Can you please put

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Speaker 1: those down? Please? Sir? Can you please put those knives down?

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Speaker 1: To your partner comes in all the time you're touching

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Speaker 1: the knives. Look, um, I can't take these back, sir.

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Speaker 1: I'm sorry. You're gonna have to store credit. Come on,

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Speaker 1: store credit for the tank. Yeah, okay, sixty nine cents.

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Speaker 1: Oh ship. Anyway, I'm sorry. Sorry I made you kill

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Speaker 1: yourself all those years ago. It's it's been nice having

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Speaker 1: you around the apartment. Yeah, you know, this place is great, man,

349
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Speaker 1: this is great. You got you got all these books here,

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Speaker 1: you know what. I'm glad you kept reading. Honestly, I'm

351
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Speaker 1: glad you kept reading. Once a librarian, always a librarian. Huh, Chuck.

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Speaker 1: I think I'm sorry Terry. Now you know I didn't much.

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Speaker 1: I didn't much care for Chuck, but but I really

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Speaker 1: like Terry. Do you mind if I and fight my

355
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Speaker 1: buddy Larry over? I think you love it here. Whatever

356
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Speaker 1: floats your boat. The more, the more ghosts, the better.

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Speaker 1: I think. I think that guy I was working with

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Speaker 1: was sucking crazy, and I've seen one. Oh. He finally

359
00:22:17,960 --> 00:22:22,480
Speaker 1: came to his senses about his partner and crime. You

360
00:22:22,560 --> 00:22:29,320
Speaker 1: can't ask for more than that, seemed to today comes

361
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Speaker 1: from listener, who wrote, Alchemist, I am from a tiny

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Speaker 1: town in Iowa that has a population just over five people,

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Speaker 1: just over. You don't want to give us the exact number,

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Speaker 1: if it's point five people. Yeah, we have one gas

365
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Speaker 1: station and a bar, that same thing. It's the same thing.

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Speaker 1: So I'm curious to hear what you guys think teenagers

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Speaker 1: do here for fun. Oh and no, we don't tip

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Speaker 1: cows because it's very harmful to them. Thanks a lot,

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Speaker 1: Hayley from Iowa. Uh, next case here Jensen versus car Michael,

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Speaker 1: who would like to speak for either party? You're on

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Speaker 1: or Uh, I'm I'm I'm Tony Jensen. Yeah, I mean

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Speaker 1: you know, I'm Tony Jensen. There's there's every two of

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Speaker 1: us in this town, is it too now? Yeah? Yeah? Yeah?

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Speaker 1: They they had the baby over at the partner places.

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Speaker 1: Yeah as really nice. Anyway, anyway, what's this about your honor?

376
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Speaker 1: I got a I got a text message to come in. Well,

377
00:23:58,840 --> 00:24:03,679
Speaker 1: it seems that one of your cow's got loose, and uh,

378
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Speaker 1: rather than being tipped over, it was set up right.

379
00:24:08,520 --> 00:24:13,440
Speaker 1: Apparently it had fallen and some of the kids in

380
00:24:13,600 --> 00:24:16,680
Speaker 1: towns set her up right, So we just wanted to

381
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Speaker 1: get the get some answers, that's all, am I. When

382
00:24:22,680 --> 00:24:24,760
Speaker 1: the verses kind of comes into play, my am I

383
00:24:24,840 --> 00:24:28,480
Speaker 1: not on Is it just about the cow then, because

384
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Speaker 1: I also got a text message to come in here.

385
00:24:30,200 --> 00:24:34,639
Speaker 1: And now you're saying, yeah, you're boys, your boys are

386
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Speaker 1: the one who apparently put the cow up right. Yeah,

387
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Speaker 1: I'm just I'm just a family. If you just so,

388
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Speaker 1: I no, no, no, Maybe we should be talking to

389
00:24:43,760 --> 00:24:45,520
Speaker 1: each other then, because it doesn't sound like these guys,

390
00:24:45,800 --> 00:24:48,040
Speaker 1: I can't really tell if a crime has happened or not.

391
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Speaker 1: That's what I'm saying is I got a text to

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Speaker 1: show up here too, and I'm just looks like the

393
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Speaker 1: one person in the jury box. So I feel like,

394
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Speaker 1: why do you need me if there's a judge? Oh,

395
00:25:00,600 --> 00:25:03,280
Speaker 1: we don't need to go to a jury. I don't

396
00:25:03,320 --> 00:25:06,919
Speaker 1: think on this one. Just I supposed to do If

397
00:25:06,960 --> 00:25:09,080
Speaker 1: I'm here, I got texted, I got off work today.

398
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Speaker 1: Would you mind taking some notes, Susan, I don't have hands,

399
00:25:13,080 --> 00:25:18,440
Speaker 1: but sure, I'll do my fucking best. Hey, your honor. Look, yeah,

400
00:25:18,560 --> 00:25:21,320
Speaker 1: I don't wanna I don't wanna you know, seem out

401
00:25:21,359 --> 00:25:24,080
Speaker 1: of line here, but you don't want to. I don't

402
00:25:24,119 --> 00:25:26,000
Speaker 1: want to. But you called us all here. I mean

403
00:25:26,119 --> 00:25:31,000
Speaker 1: the text message clearly came from your phone. Yep. Is

404
00:25:31,080 --> 00:25:33,680
Speaker 1: this about the divorce? Man? Did you just need someone

405
00:25:33,760 --> 00:25:38,879
Speaker 1: to talk to? All right? Yep? I guess that's what

406
00:25:39,000 --> 00:25:41,200
Speaker 1: it's about. Can I leave because I don't want you

407
00:25:41,280 --> 00:25:44,440
Speaker 1: to talk about our marriage in front of everyone? Okay?

408
00:25:44,480 --> 00:25:46,760
Speaker 1: If you have? The divorce is hard for me too,

409
00:25:46,920 --> 00:25:50,080
Speaker 1: I'm gonna go. I just thought some witnesses for the

410
00:25:50,200 --> 00:25:53,439
Speaker 1: prosecution might be a nice change, Susan. I think it's

411
00:25:53,440 --> 00:25:55,240
Speaker 1: important that you stick around. I mean, you have as

412
00:25:55,359 --> 00:25:56,920
Speaker 1: much to say as anyone else. I mean, you're a

413
00:25:56,960 --> 00:25:59,159
Speaker 1: human being. You have feelings you should express that you know.

414
00:25:59,280 --> 00:26:02,480
Speaker 1: And Gaylords, why don't you tell us a thing or two?

415
00:26:02,600 --> 00:26:08,000
Speaker 1: Public defender? Right? Yeah, of course, I've got all day. Gaylord,

416
00:26:08,040 --> 00:26:11,600
Speaker 1: you wanted to chime in there with my wife? Is

417
00:26:11,640 --> 00:26:15,879
Speaker 1: that what I'm hearing? Yeah, I'm starting to feel like

418
00:26:15,960 --> 00:26:21,399
Speaker 1: gay Lord might know something about that. Okay, I'll say it.

419
00:26:21,560 --> 00:26:25,800
Speaker 1: I uh, I was talking Michael. At this point in time,

420
00:26:26,000 --> 00:26:29,320
Speaker 1: you have not done anything wrong. Be careful what you

421
00:26:29,400 --> 00:26:34,760
Speaker 1: say this is a court, I think. I mean it's

422
00:26:34,840 --> 00:26:37,720
Speaker 1: my back basketball court at the house here it's and

423
00:26:37,920 --> 00:26:41,440
Speaker 1: he's a judge. If you say something wrong, listen, gay Lord,

424
00:26:41,680 --> 00:26:44,000
Speaker 1: he's trying to entrap you. I'm a public defender. You

425
00:26:44,080 --> 00:26:48,240
Speaker 1: can trust, Okay, if I may, if I made tim

426
00:26:48,440 --> 00:26:54,960
Speaker 1: You're not a public defender, you're the defend defend the public. Yeah,

427
00:26:55,000 --> 00:26:57,639
Speaker 1: and everybody knows you do a bang up job with it.

428
00:26:58,200 --> 00:27:04,040
Speaker 1: It's just I didn't text you. Yeah, but I've got

429
00:27:04,160 --> 00:27:06,600
Speaker 1: it inside, scoop. I know when the stories are you

430
00:27:06,680 --> 00:27:10,280
Speaker 1: know when the trust Are you a journalist or a

431
00:27:10,400 --> 00:27:15,240
Speaker 1: public defender? What you've got, Well, some people chase ambulances.

432
00:27:15,560 --> 00:27:18,159
Speaker 1: Other people just keep their ear to the ground for

433
00:27:18,240 --> 00:27:22,040
Speaker 1: when a text goes out. You're you're honor Sorry sorry interrupt,

434
00:27:22,960 --> 00:27:26,440
Speaker 1: but I just got word that old man Crookshank died.

435
00:27:26,520 --> 00:27:31,560
Speaker 1: So we're back to five oh one. My God, didn't

436
00:27:31,640 --> 00:27:36,840
Speaker 1: say did the words say what happened? Did the word say? Well,

437
00:27:36,880 --> 00:27:39,600
Speaker 1: he said, I just got word, So I didn't know

438
00:27:39,720 --> 00:27:42,320
Speaker 1: how he received that, Susan. You think it was one

439
00:27:42,400 --> 00:27:45,080
Speaker 1: word that accompassed everything that where he just expressed you

440
00:27:45,240 --> 00:27:49,159
Speaker 1: really don't understand what I'm saying. Gay lord, I know

441
00:27:49,280 --> 00:27:51,440
Speaker 1: exactly what you're saying, and it's confusing. I don't think

442
00:27:51,480 --> 00:27:53,720
Speaker 1: you know what you're saying. I didn't know how he

443
00:27:53,800 --> 00:27:58,120
Speaker 1: received the information. I was clearly he was hearing something.

444
00:27:58,440 --> 00:28:00,280
Speaker 1: You know what. I'm sorry. This is not about me.

445
00:28:01,080 --> 00:28:05,159
Speaker 1: This is not about me. Hey, your um, I have

446
00:28:05,200 --> 00:28:08,480
Speaker 1: an objection to your son's playing horse while we're trying

447
00:28:08,520 --> 00:28:12,720
Speaker 1: to handle whatever is getting handled here. Give it a rest,

448
00:28:15,800 --> 00:28:21,400
Speaker 1: thank you, your honor. Sorry about that. Alright, if we're

449
00:28:21,440 --> 00:28:24,120
Speaker 1: all good here that maybe I could go and there

450
00:28:24,160 --> 00:28:26,600
Speaker 1: could be a state thing going on. They might need

451
00:28:26,680 --> 00:28:28,920
Speaker 1: a lawyer. That's uh, And I can still keep my

452
00:28:29,000 --> 00:28:32,399
Speaker 1: day rating. How are you still ambulance chasing? When the

453
00:28:32,440 --> 00:28:36,200
Speaker 1: ambulance is parked in front of the house, the ambulance

454
00:28:36,280 --> 00:28:39,360
Speaker 1: chasing ear to the ground with text messaging. That's that's

455
00:28:39,920 --> 00:28:42,480
Speaker 1: the word message. I just heard words. Somebody died, and

456
00:28:42,640 --> 00:28:44,800
Speaker 1: you know what happens when somebody dies. You gotta split

457
00:28:44,920 --> 00:28:47,719
Speaker 1: up the money, and you know who you need a lawyer,

458
00:28:48,200 --> 00:28:52,400
Speaker 1: a public defender. The ambulance and my blocking anybody in.

459
00:28:53,800 --> 00:28:57,120
Speaker 1: You know, we're all gonna we can always drive around.

460
00:28:57,160 --> 00:28:59,400
Speaker 1: It is not you know, you're it's an ambulance we're

461
00:28:59,440 --> 00:29:04,240
Speaker 1: not gonna stop that. You know. Hey, man, all of

462
00:29:04,320 --> 00:29:07,640
Speaker 1: our parents are in there acting like jerks there in

463
00:29:07,720 --> 00:29:13,080
Speaker 1: my dad's basketball court or whatever, soying Scott. Yeah, yeah,

464
00:29:13,200 --> 00:29:15,240
Speaker 1: so I'm just thinking we get up to something, you know,

465
00:29:15,440 --> 00:29:20,680
Speaker 1: like why why aren't we rabble rousing or catting around

466
00:29:20,960 --> 00:29:28,200
Speaker 1: or to stop using old timey language around. Yeah. I

467
00:29:28,400 --> 00:29:30,600
Speaker 1: keep hearing my mom talk about what they did when

468
00:29:30,640 --> 00:29:33,360
Speaker 1: they were teenagers, and I just feel like we're wasting

469
00:29:33,680 --> 00:29:37,880
Speaker 1: some time here, some precious time generation and the generation

470
00:29:38,000 --> 00:29:40,240
Speaker 1: before them they literally waste their time. We should be

471
00:29:40,360 --> 00:29:42,760
Speaker 1: looking at coding. We should be thinking about how to

472
00:29:42,800 --> 00:29:45,160
Speaker 1: affect climate change. We should be thinking about how to

473
00:29:45,240 --> 00:29:47,480
Speaker 1: get each other registered to vote. I mean, I just

474
00:29:47,680 --> 00:29:50,000
Speaker 1: don't think the idea of going around and birdening the

475
00:29:50,160 --> 00:29:52,920
Speaker 1: public buildings is a good use of our time. I

476
00:29:53,120 --> 00:29:56,000
Speaker 1: just honestly think in general, we should be educating ourselves

477
00:29:56,040 --> 00:29:58,000
Speaker 1: in the way that the school system has been educating. No,

478
00:29:58,200 --> 00:30:01,960
Speaker 1: don't tell me to stop, Okay, no, don't. The new

479
00:30:02,080 --> 00:30:06,840
Speaker 1: girlfriend is really annoying that. Yeah, hey, Kenny, why don't

480
00:30:06,880 --> 00:30:09,120
Speaker 1: you get the cow to stop farting? And we cannot

481
00:30:09,160 --> 00:30:14,440
Speaker 1: worry about global climate? That's actually good point. We should

482
00:30:14,480 --> 00:30:19,200
Speaker 1: plug up all the cows butt man. I don't know

483
00:30:19,320 --> 00:30:21,959
Speaker 1: you guys, Scotty. Isn't that how your mom lost her

484
00:30:22,040 --> 00:30:27,440
Speaker 1: arms in the first place? Ye? Off the hands crazy,

485
00:30:27,840 --> 00:30:30,360
Speaker 1: just like a clean pop, no holes or anything. Yeah,

486
00:30:31,840 --> 00:30:34,480
Speaker 1: but that's okay since cows don't have hands. I don't

487
00:30:34,520 --> 00:30:37,440
Speaker 1: think there's gonna be any problem at all. I mean,

488
00:30:38,240 --> 00:30:40,360
Speaker 1: your dad did call all of the adults in the

489
00:30:40,440 --> 00:30:42,840
Speaker 1: neighborhood to the house for some reason this morning, Like

490
00:30:43,280 --> 00:30:46,120
Speaker 1: they're all there, we might as well, right, I just

491
00:30:46,280 --> 00:30:48,880
Speaker 1: feel like we strike while the iron is hot, and

492
00:30:49,280 --> 00:30:53,360
Speaker 1: all these plugs we just happened to have the butt plugs.

493
00:30:53,760 --> 00:30:56,000
Speaker 1: Let's do it. Their biotograde, well, anyway, let's do it,

494
00:30:56,480 --> 00:31:03,360
Speaker 1: are they? Yeah? Chrome ones? Chrome is biodegradable. It's a metal.

495
00:31:05,560 --> 00:31:08,200
Speaker 1: It just takes a long takes a one day. You're

496
00:31:08,200 --> 00:31:12,480
Speaker 1: going to go on to be the president or something. Hi? Yeah,

497
00:31:13,120 --> 00:31:18,000
Speaker 1: is this paranormals? Uh huh. I'm trying to get talk

498
00:31:18,040 --> 00:31:20,000
Speaker 1: with one of the HD scientists over paranormals. I know

499
00:31:20,080 --> 00:31:23,040
Speaker 1: that you guys do go stuff with oxygen. We kind

500
00:31:23,040 --> 00:31:26,200
Speaker 1: of split it. Who was that talking with the ghosts?

501
00:31:28,400 --> 00:31:31,480
Speaker 1: Was that talking to someone else before? We're both standing here.

502
00:31:32,040 --> 00:31:36,680
Speaker 1: Oh my god, I'm starting using a bluetooth, so you

503
00:31:36,760 --> 00:31:38,800
Speaker 1: didn't realize you're in speaker phone. I'm sorry, we should

504
00:31:38,800 --> 00:31:42,000
Speaker 1: have said that. Sorry about it. Usually people just come

505
00:31:42,080 --> 00:31:45,680
Speaker 1: into the store. Yeah, what's your deal. Well, I'm over

506
00:31:45,800 --> 00:31:51,239
Speaker 1: at Hutchinson County population of four ninety nine, sadly and uh,

507
00:31:51,480 --> 00:31:54,400
Speaker 1: just we need your help. It's something paranormal, something other

508
00:31:54,440 --> 00:31:57,120
Speaker 1: worldly is happening. Could you be more specific? Could you

509
00:31:57,280 --> 00:31:59,360
Speaker 1: describe an event? Yea, yeah, I was. I mean I

510
00:31:59,400 --> 00:32:01,520
Speaker 1: was getting to I mean, I was just building up.

511
00:32:02,880 --> 00:32:05,320
Speaker 1: We don't need like ghosts, we don't need to build up.

512
00:32:06,920 --> 00:32:13,240
Speaker 1: You could just get well, all the cows hooves have

513
00:32:13,400 --> 00:32:16,800
Speaker 1: popped off, okay, okay, it's all on their sides, and

514
00:32:16,880 --> 00:32:18,560
Speaker 1: I don't know what the hell is going on and

515
00:32:20,360 --> 00:32:24,560
Speaker 1: lifted again. I just feel like you're wasting some time there.

516
00:32:24,600 --> 00:32:28,280
Speaker 1: There was a pretty big pause between cows and you know,

517
00:32:28,360 --> 00:32:29,880
Speaker 1: if you could just get to the can I just

518
00:32:29,960 --> 00:32:34,800
Speaker 1: talk to one of you. Unfortunately, it sounds like he's

519
00:32:34,880 --> 00:32:38,000
Speaker 1: the guy he deals with the beasts of a natural origin.

520
00:32:38,160 --> 00:32:41,280
Speaker 1: I deal with the supernatural. These are natural origin, these

521
00:32:41,320 --> 00:32:44,680
Speaker 1: are cows. Are to deal with him because I deal

522
00:32:44,840 --> 00:32:49,160
Speaker 1: with the afterlife. Okay, you said paranormal. This is paranormal.

523
00:32:49,160 --> 00:32:50,960
Speaker 1: I don't know what this is. Who deals with aliens?

524
00:32:52,680 --> 00:32:56,160
Speaker 1: While you were right to uh to contact the livestock Department,

525
00:32:56,200 --> 00:32:58,440
Speaker 1: I don't know why you reached out to a paranormal

526
00:32:58,520 --> 00:33:03,720
Speaker 1: investigator for I don't know. I don't know. I was

527
00:33:03,760 --> 00:33:05,080
Speaker 1: there someone else on the line, or am I just

528
00:33:05,560 --> 00:33:09,360
Speaker 1: I'm using my bluetooth. I don't know if it's just me. Okay, Yeah,

529
00:33:09,360 --> 00:33:11,280
Speaker 1: I'm sorry about that. I just I've been I've been

530
00:33:11,320 --> 00:33:14,800
Speaker 1: watching all these documentaries about Beetle Juice and Edward Scissor Hands,

531
00:33:14,880 --> 00:33:17,960
Speaker 1: and it just it just I got I got into it.

532
00:33:18,080 --> 00:33:19,560
Speaker 1: Never really thought this was the best way to go.

533
00:33:20,120 --> 00:33:21,959
Speaker 1: Those documentaries were incredible, by the way, both of those

534
00:33:21,960 --> 00:33:25,640
Speaker 1: stories really happened. Yes, Oh, I know, I know they did.

535
00:33:25,760 --> 00:33:29,760
Speaker 1: I know they did. I mean that comes. Can you

536
00:33:29,840 --> 00:33:37,120
Speaker 1: imagine that big, big, great great great great great great

537
00:33:37,120 --> 00:33:39,560
Speaker 1: great great great great Livy he lives in New York City.

538
00:33:39,920 --> 00:33:41,959
Speaker 1: Can you imagine that with all those never been there

539
00:33:42,080 --> 00:33:46,560
Speaker 1: would love to go never been by a degradable chrome

540
00:33:46,640 --> 00:33:53,040
Speaker 1: butt plugs. Yeah, listen, Tim, I could use a little

541
00:33:53,080 --> 00:33:58,080
Speaker 1: direction on the reading of this opening Peace in the

542
00:33:58,440 --> 00:34:03,320
Speaker 1: Narration Alec, just just you're just narrating the story of

543
00:34:03,440 --> 00:34:07,960
Speaker 1: the real beetle Juice. It's it's it's just it's it's

544
00:34:08,080 --> 00:34:11,400
Speaker 1: very straightforward. This is the factual account of of beetle

545
00:34:11,480 --> 00:34:15,399
Speaker 1: Juice on straightforward. You know, hire John Lovett's for fox sake.

546
00:34:15,880 --> 00:34:19,520
Speaker 1: Oh okay, you want to act this all right? Um?

547
00:34:20,560 --> 00:34:24,440
Speaker 1: Make make it? Make it sound scary. I don't know that, Alec.

548
00:34:24,480 --> 00:34:27,480
Speaker 1: You've been impossible. We've been in this booth for six days.

549
00:34:28,640 --> 00:34:32,360
Speaker 1: I just need you to say you don't impossible. You

550
00:34:32,440 --> 00:34:37,279
Speaker 1: want a nice, smooth and easy Baldwin. Is that the idea? Yeah, honestly,

551
00:34:37,520 --> 00:34:41,160
Speaker 1: I'd like a smooth and easy Baldwin. His name is

552
00:34:41,280 --> 00:34:45,959
Speaker 1: Billy Baldwin. Noh god, I totally thought you were about

553
00:34:46,000 --> 00:34:48,800
Speaker 1: to start the script it begins. His name was beetle Juice.

554
00:34:49,480 --> 00:34:52,799
Speaker 1: I thought we were. Do you want something to eat

555
00:34:52,840 --> 00:34:54,640
Speaker 1: at all? We're gonna do a lunch run just a

556
00:34:54,719 --> 00:35:00,920
Speaker 1: bat Okay, does h Alec want anything? Or yeah? Give

557
00:35:00,960 --> 00:35:05,760
Speaker 1: me a slice of raise and original and a slice

558
00:35:05,800 --> 00:35:11,080
Speaker 1: of raise Coca cola. That's a raise and an original.

559
00:35:11,800 --> 00:35:14,239
Speaker 1: Bottom is cold. If it's not cold enough, you can

560
00:35:14,239 --> 00:35:19,920
Speaker 1: shove it up your ass. Okay, I'll back. What was

561
00:35:19,960 --> 00:35:23,000
Speaker 1: that guy's fucking problem. I don't think he knows what

562
00:35:23,160 --> 00:35:25,480
Speaker 1: rais original is because we don't have a raise original

563
00:35:25,560 --> 00:35:29,320
Speaker 1: in Burbank. I know you live in New York. I

564
00:35:29,440 --> 00:35:31,440
Speaker 1: know you live in New York, Alec and I know

565
00:35:31,640 --> 00:35:34,400
Speaker 1: things are better in New York. You talk about it

566
00:35:34,440 --> 00:35:37,239
Speaker 1: all the time, and I know you're a Broadway guy,

567
00:35:37,360 --> 00:35:39,239
Speaker 1: But can you please, for the love of God, just

568
00:35:39,880 --> 00:35:42,600
Speaker 1: just read the narration? Yeah, Tim, I'm sorry, I don't

569
00:35:42,600 --> 00:35:46,279
Speaker 1: live in Glendale. Just watch the documentary with me, Okay,

570
00:35:46,480 --> 00:35:49,120
Speaker 1: it just it. Just watch it. It's everything in here

571
00:35:49,640 --> 00:35:52,440
Speaker 1: is fucking true. This is real ship that's happening. I

572
00:35:52,520 --> 00:35:58,520
Speaker 1: don't okay, fine, just watching with me. Just watch it

573
00:35:58,680 --> 00:36:03,040
Speaker 1: with said. Yes, Why are you still acting defensive? I'm

574
00:36:03,080 --> 00:36:06,759
Speaker 1: not just watching with me. Information here, it's just the

575
00:36:06,960 --> 00:36:11,040
Speaker 1: information in this documentary. You're responding to me as if

576
00:36:11,120 --> 00:36:13,920
Speaker 1: I have said no. I am saying yes to you.

577
00:36:14,120 --> 00:36:16,879
Speaker 1: I would love for you to play play press play

578
00:36:17,440 --> 00:36:21,040
Speaker 1: on the fucking Netflix screen. Okay. It's it's just like

579
00:36:21,560 --> 00:36:23,960
Speaker 1: people don't know about this, so of course they're not

580
00:36:24,040 --> 00:36:28,600
Speaker 1: gonna is wrong with you? What is wrong with you?

581
00:36:28,640 --> 00:36:31,279
Speaker 1: I just want you to answer that for me. What's

582
00:36:31,280 --> 00:36:32,719
Speaker 1: wrong with me is I want you to understand where

583
00:36:32,719 --> 00:36:34,759
Speaker 1: I'm coming from. Okay, I just want you to take

584
00:36:36,800 --> 00:36:41,320
Speaker 1: play video video. I want to. I want to. I

585
00:36:41,400 --> 00:36:42,680
Speaker 1: want you to watch this with me. I want you

586
00:36:43,239 --> 00:36:48,160
Speaker 1: You have an iron grip around the Netflix remote. That's right,

587
00:36:48,239 --> 00:36:52,680
Speaker 1: Netflix said, is a special remote that don't you always

588
00:36:52,760 --> 00:36:54,520
Speaker 1: do this every time we're holding something, You've gotta have

589
00:36:54,560 --> 00:36:56,399
Speaker 1: this weird exposition about why we have it or where

590
00:36:56,400 --> 00:37:01,160
Speaker 1: we gotta. I know that, Okay, I know that. Just

591
00:37:01,480 --> 00:37:06,800
Speaker 1: watch this documentary with me saying yes. If you do

592
00:37:06,960 --> 00:37:10,319
Speaker 1: not play it in the next five seconds, I'm going

593
00:37:10,400 --> 00:37:13,200
Speaker 1: to lose it. Charlie, I got it. I got a

594
00:37:13,320 --> 00:37:18,440
Speaker 1: question about this paranormal Um. I was under the understanding

595
00:37:18,480 --> 00:37:22,680
Speaker 1: that paranormal was also supernatural. You usually handle you know,

596
00:37:22,800 --> 00:37:26,000
Speaker 1: bigfoot and stuff like that. Am I do I not

597
00:37:26,200 --> 00:37:30,320
Speaker 1: belong here? If I do, just ghosts? I mean you

598
00:37:30,400 --> 00:37:33,440
Speaker 1: want to start your own shop? Huh you're saying you

599
00:37:33,480 --> 00:37:36,360
Speaker 1: want to start your own shop. I don't want to.

600
00:37:36,520 --> 00:37:40,040
Speaker 1: I just always thought that paranormal was like everything that

601
00:37:40,200 --> 00:37:42,600
Speaker 1: was on except why would you break us up? I'm

602
00:37:42,640 --> 00:37:44,480
Speaker 1: not trying to break us up. I've just I've gotten

603
00:37:44,520 --> 00:37:49,320
Speaker 1: really self conscious ever since he said that, you know,

604
00:37:49,640 --> 00:37:53,960
Speaker 1: aliens are paranormal? Is that is that true? Charlie? Tell

605
00:37:54,040 --> 00:38:02,120
Speaker 1: the truth? Yeah they are. What does paranormal mean? Tell

606
00:38:02,200 --> 00:38:06,040
Speaker 1: the truth? Don't? Well you're You're right to consult a librarian.

607
00:38:06,400 --> 00:38:11,080
Speaker 1: Thank you. Nobody ever comes to ask us anything. Just

608
00:38:11,360 --> 00:38:15,640
Speaker 1: larger than normal? I think it's basically truth. Larger than

609
00:38:15,719 --> 00:38:19,320
Speaker 1: normal would be like Bigfoot's paranormal. Well that would be

610
00:38:19,400 --> 00:38:25,400
Speaker 1: more like cryptozoology. So two different imagined creatures is cryptozoology?

611
00:38:26,480 --> 00:38:32,160
Speaker 1: Aliens are paranormal? I'm sure they are. They not tell

612
00:38:32,200 --> 00:38:37,960
Speaker 1: the truth? Are they not? Because they aren't bigger? Okay,

613
00:38:38,080 --> 00:38:40,880
Speaker 1: Like I don't have that book. I'll need to to

614
00:38:41,120 --> 00:38:43,160
Speaker 1: look it up. Can you keep your voice down, by

615
00:38:43,200 --> 00:38:45,920
Speaker 1: the way, I'm sorry, I'm sorry, I'm sorry, But here's

616
00:38:45,920 --> 00:38:47,960
Speaker 1: the real here's the kicker. I just need to know.

617
00:38:48,840 --> 00:38:52,800
Speaker 1: Can I work in a paranormal shop if I only

618
00:38:52,960 --> 00:38:57,840
Speaker 1: deal with ghosts? Just shoot it straight, Just shoot it straight, please.

619
00:38:58,640 --> 00:39:02,320
Speaker 1: So you're saying that, uh, paranormal creates a false impression

620
00:39:02,440 --> 00:39:05,239
Speaker 1: that you're gonna deal with more than ghosts. You're not

621
00:39:05,400 --> 00:39:08,319
Speaker 1: prepared to handle big Foot or aliens. You just want

622
00:39:08,320 --> 00:39:12,640
Speaker 1: to go on that stuff Okay, ghosts. If you have

623
00:39:12,800 --> 00:39:16,000
Speaker 1: somebody else at a different department discovering that stuff, I

624
00:39:16,040 --> 00:39:18,520
Speaker 1: think you're covered. Yeah, I don't think it's a whole

625
00:39:18,560 --> 00:39:21,600
Speaker 1: saveraging to say that you're you work for a paranormal

626
00:39:21,640 --> 00:39:26,320
Speaker 1: investigation firm. Thank you. Give me a hug. I can't

627
00:39:26,320 --> 00:39:34,880
Speaker 1: do that, COVID. There's quarantine this area if here, okay,

628
00:39:34,960 --> 00:39:38,080
Speaker 1: let's quarter that section now. Anybody coming in and out

629
00:39:38,120 --> 00:39:39,920
Speaker 1: of the field. I need to know who they are

630
00:39:40,000 --> 00:39:42,920
Speaker 1: and what they're doing. Okay. I don't want any contaminants

631
00:39:42,920 --> 00:39:45,000
Speaker 1: in here as they're already are. We don't know what

632
00:39:45,160 --> 00:39:47,080
Speaker 1: the hell is hiding these cows. We don't know what

633
00:39:47,200 --> 00:39:51,080
Speaker 1: the hell is in their ass, and we do we

634
00:39:51,239 --> 00:39:57,359
Speaker 1: do okay, Okay, it's biodegradable chrome butt plugs. Okay, now

635
00:39:57,480 --> 00:39:59,840
Speaker 1: we know all right, you know what, Let's move it

636
00:40:00,080 --> 00:40:02,359
Speaker 1: in the lines where people can't come in. All right,

637
00:40:02,440 --> 00:40:04,520
Speaker 1: why don't we do that. I'll make that. I'll do that.

638
00:40:04,680 --> 00:40:07,520
Speaker 1: You know what I'm saying. I'll come halfway. I'll come halfway.

639
00:40:07,680 --> 00:40:09,560
Speaker 1: Which are you just? You are we just making a

640
00:40:09,719 --> 00:40:12,879
Speaker 1: human chain to depend in these butt plugged cows? Well,

641
00:40:12,960 --> 00:40:16,040
Speaker 1: we're doing okay, we don't have the budget for take

642
00:40:16,280 --> 00:40:20,120
Speaker 1: all right, we don't have much, okay, Sorge, Yeah, there's

643
00:40:20,160 --> 00:40:25,600
Speaker 1: six of us. Why all the yelling? Well, well, I

644
00:40:25,680 --> 00:40:27,320
Speaker 1: want to make sure that you can hear me in

645
00:40:27,440 --> 00:40:31,279
Speaker 1: the field. All right, can you hear me close to you?

646
00:40:31,600 --> 00:40:35,200
Speaker 1: We're close to you. Now, get back, get back, get back. Okay,

647
00:40:35,600 --> 00:40:37,680
Speaker 1: but if we get backed in, our hands won't touch

648
00:40:37,760 --> 00:40:41,520
Speaker 1: and we can't make this chain. Why don't we just

649
00:40:41,600 --> 00:40:44,040
Speaker 1: tip these cows over and build a fence around. Don't

650
00:40:44,040 --> 00:40:45,640
Speaker 1: you don't you touch that. Don't you touch that cow.

651
00:40:45,719 --> 00:40:48,480
Speaker 1: Don't you touch that cow? But just tip it over.

652
00:40:48,560 --> 00:40:52,520
Speaker 1: And then if you tip cows, what do we teenagers

653
00:40:52,560 --> 00:40:55,400
Speaker 1: in a small town in Iowa. I'll arrest you, you, donnie,

654
00:40:55,480 --> 00:40:57,239
Speaker 1: I'll arrest your ask if you tip that? Try to

655
00:40:57,680 --> 00:41:03,880
Speaker 1: arrest me? Serious have you don't have the jurisdiction fucking

656
00:41:03,960 --> 00:41:06,400
Speaker 1: sheriff's department, you piece of ship. Let me tell you

657
00:41:06,400 --> 00:41:15,600
Speaker 1: some do it? Shi By. Oh we're doing dares now

658
00:41:15,920 --> 00:41:20,399
Speaker 1: and this guy's being too loud. Hey, Sorge, I dare

659
00:41:20,440 --> 00:41:25,960
Speaker 1: you to stab yourself? Oh God, alright, Jesus Christ. Look, okay, look,

660
00:41:26,000 --> 00:41:28,600
Speaker 1: you didn't make the w w E audition. All right,

661
00:41:28,640 --> 00:41:31,160
Speaker 1: that's not our fault. Okay, buddy, but you can't just

662
00:41:31,239 --> 00:41:33,040
Speaker 1: keep coming up to anyone you want and starting to

663
00:41:33,080 --> 00:41:35,680
Speaker 1: have a wrestling match. Alright, you cannot do that. All right,

664
00:41:35,719 --> 00:41:40,000
Speaker 1: that's assault. Sorry, there are six of us and two cows.

665
00:41:40,080 --> 00:41:42,640
Speaker 1: Can we just call it a day now? Okay? You know,

666
00:41:43,000 --> 00:41:45,480
Speaker 1: just you know what another happened to this town? Okay,

667
00:41:45,600 --> 00:41:48,000
Speaker 1: So finally we get a case and I'm fucking explainable

668
00:41:48,120 --> 00:41:50,120
Speaker 1: and I'm like, I figure all hands on that we're

669
00:41:50,120 --> 00:41:54,160
Speaker 1: gonna be for this ship. But nobody what serge? Uh?

670
00:41:54,840 --> 00:41:59,040
Speaker 1: What what parts? Unexplainable? How the biodegradable chrome butt plugs

671
00:41:59,120 --> 00:42:05,239
Speaker 1: got in these two cowses area? Yes? I think that, Yes,

672
00:42:06,280 --> 00:42:09,919
Speaker 1: and that blood bath was the inspiration for Beatles. I'm

673
00:42:10,120 --> 00:42:15,879
Speaker 1: John Lovett's Thanks John, Thanks John? That was perfect. Um,

674
00:42:17,320 --> 00:42:19,560
Speaker 1: I can't think if I need anything else right now?

675
00:42:20,239 --> 00:42:22,839
Speaker 1: You want to parking validated? Would you want to come

676
00:42:22,880 --> 00:42:27,120
Speaker 1: back tomorrow? Do ed Wood? Sure? That's not a true story,

677
00:42:27,239 --> 00:42:33,759
Speaker 1: is it all? I don't believe it? Okay, John? John?

678
00:42:33,880 --> 00:42:38,000
Speaker 1: High listen. Um Uh, We've had a couple of calls

679
00:42:39,160 --> 00:42:41,680
Speaker 1: about all the yelling, and um, I know what's your

680
00:42:41,719 --> 00:42:47,400
Speaker 1: thing and it's your stick, but I'm not a goddamn library. Right, No,

681
00:42:47,600 --> 00:42:49,759
Speaker 1: you're not. But this these walls are a little thinner

682
00:42:49,840 --> 00:42:53,600
Speaker 1: than we'd like them to be. So um uh, you

683
00:42:53,640 --> 00:42:56,520
Speaker 1: know today's work was great and we got a recording

684
00:42:56,600 --> 00:43:01,840
Speaker 1: of it, that's for sure. Well, i'd say burnt bronze

685
00:43:01,960 --> 00:43:04,440
Speaker 1: at this point. So when we come back tomorrow, when

686
00:43:04,480 --> 00:43:08,800
Speaker 1: we pick up fresh, maybe, um, maybe dash in a

687
00:43:08,920 --> 00:43:13,960
Speaker 1: little bit of humanity and reality when you talk? Are

688
00:43:14,000 --> 00:43:17,239
Speaker 1: you giving me a line rating? Sir? No, No, that

689
00:43:17,239 --> 00:43:19,200
Speaker 1: would be to actually say the line for you how

690
00:43:19,280 --> 00:43:21,759
Speaker 1: I want it done. In this case, I'm looking for

691
00:43:21,800 --> 00:43:24,520
Speaker 1: a different time. Hey, Henry, how you doing? I'm calling

692
00:43:24,560 --> 00:43:27,720
Speaker 1: on behalf of John. He's not gonna come in today, Okay.

693
00:43:27,960 --> 00:43:30,239
Speaker 1: He's pretty upset from what you were telling him the

694
00:43:30,360 --> 00:43:33,680
Speaker 1: day before, apparently with line readings and whatnot. Uh and

695
00:43:34,040 --> 00:43:38,879
Speaker 1: uh yeah, so he's uh if you know, yeah, that's great.

696
00:43:39,600 --> 00:43:42,080
Speaker 1: Is this John's roommate again? Yeah it is? Okay, yes

697
00:43:42,160 --> 00:43:45,879
Speaker 1: it is. And uh as as someone who lives run free,

698
00:43:45,880 --> 00:43:48,640
Speaker 1: I feel is my responsibility to call in and speak

699
00:43:48,640 --> 00:43:50,320
Speaker 1: for him in ways that he doesn't feel comfortable do.

700
00:43:50,440 --> 00:43:51,920
Speaker 1: And Henry, look, I like you. You know when I

701
00:43:52,000 --> 00:43:54,040
Speaker 1: met you, you were you were casual. You were fine,

702
00:43:54,280 --> 00:43:56,080
Speaker 1: but oh no, I think you've been very disrespectful to

703
00:43:56,120 --> 00:43:58,759
Speaker 1: him and he's not loving it. Now I'm still great,

704
00:43:59,120 --> 00:44:02,600
Speaker 1: it's still great that line. I love that John has

705
00:44:02,719 --> 00:44:05,600
Speaker 1: himself his very own kato kaalen. It's just when it

706
00:44:05,680 --> 00:44:07,840
Speaker 1: comes to what I do, I don't live in a

707
00:44:07,880 --> 00:44:13,279
Speaker 1: backhouse in the exact same apartment as John. All right, right,

708
00:44:14,200 --> 00:44:15,960
Speaker 1: that's a good point. That's a good point. So you're

709
00:44:16,000 --> 00:44:22,279
Speaker 1: more like the odd couple. I guess, I guess. And yeah,

710
00:44:22,360 --> 00:44:25,120
Speaker 1: he's a little there, he's dirty. I'm a little out there.

711
00:44:25,160 --> 00:44:28,520
Speaker 1: I'm dirty. Well again, this none of this is my business.

712
00:44:29,200 --> 00:44:34,359
Speaker 1: I'll tell you what. Let's tell you what when uh

713
00:44:35,360 --> 00:44:38,600
Speaker 1: if John wants to come back tomorrow, I just need

714
00:44:38,719 --> 00:44:43,680
Speaker 1: my notes input, you know, to slightly change his what

715
00:44:44,120 --> 00:44:46,200
Speaker 1: it is he does. Henry, I don't. I don't know

716
00:44:46,239 --> 00:44:48,080
Speaker 1: what you're not getting here. Okay, John does his things

717
00:44:48,320 --> 00:44:51,120
Speaker 1: the way he does because he loves it. He doesn't

718
00:44:51,120 --> 00:44:55,239
Speaker 1: want to do your thing because he's not loving it.

719
00:44:55,440 --> 00:45:01,520
Speaker 1: All right, Yeah, yeah, I really enjoy our our daily conversations.

720
00:45:01,600 --> 00:45:05,440
Speaker 1: By the way to well, I hope my roommate made

721
00:45:05,480 --> 00:45:10,319
Speaker 1: it clear what my parameters are. Yes, parameters are greater

722
00:45:10,520 --> 00:45:15,480
Speaker 1: than meters. Yep, yep, yep, yep. And so the idea

723
00:45:15,600 --> 00:45:20,640
Speaker 1: here is that you're loving it, bought up loving it

724
00:45:23,000 --> 00:45:27,239
Speaker 1: that has seen two ladies and Jews. Oh man, I

725
00:45:27,360 --> 00:45:29,399
Speaker 1: hope that made me hear what teenagers and I were

726
00:45:29,480 --> 00:45:36,600
Speaker 1: up to stuff. I mean, how much clear could we

727
00:45:37,000 --> 00:45:46,680
Speaker 1: in fact be? C three comes to us from Patreon B. P. James,

728
00:45:47,680 --> 00:45:50,640
Speaker 1: who wrote, I think this could be a great one. Okay,

729
00:45:50,880 --> 00:45:57,279
Speaker 1: those of you writing in suggestions, we don't need to qualifier.

730
00:45:57,760 --> 00:46:00,239
Speaker 1: You don't need to cast your opinion first, or you

731
00:46:00,360 --> 00:46:07,200
Speaker 1: offer up the scene. Okay. A grandpa in parentheses played

732
00:46:07,239 --> 00:46:13,239
Speaker 1: by Joey due to his fantastic extended monologues and parentheses,

733
00:46:13,719 --> 00:46:22,879
Speaker 1: tells his grandkids stories from the Vietnam War. Keep kicking ass. Yes,

734
00:46:22,960 --> 00:46:26,160
Speaker 1: So my granddad's gonna come downstairs. When he does, uh,

735
00:46:26,400 --> 00:46:28,359
Speaker 1: you know, just kind of go with it and uh,

736
00:46:28,680 --> 00:46:33,440
Speaker 1: the sooner he gets going, he's like, really old. I

737
00:46:33,480 --> 00:46:36,160
Speaker 1: don't think he should be coming down that's just it.

738
00:46:36,239 --> 00:46:38,759
Speaker 1: I'm hoping he doesn't come downstairs. I'm just warning you

739
00:46:38,840 --> 00:46:41,080
Speaker 1: in case he does. Why do you hate your grandpa

740
00:46:41,280 --> 00:46:43,839
Speaker 1: so much? Well, because he has a lot of money

741
00:46:43,960 --> 00:46:46,320
Speaker 1: and I'm looking forward to that money being mine. Is

742
00:46:46,400 --> 00:46:51,239
Speaker 1: that weird? That's why you hate him? No, I don't

743
00:46:51,280 --> 00:46:53,560
Speaker 1: hate him. He just asked you why do you hate him?

744
00:46:53,719 --> 00:46:58,279
Speaker 1: And you didn't first se I don't hate him. You

745
00:46:58,440 --> 00:47:04,120
Speaker 1: immediately went into that story. So don't we always hate

746
00:47:04,200 --> 00:47:09,680
Speaker 1: our parents and grandparents? You? I love my parents. I

747
00:47:09,760 --> 00:47:12,200
Speaker 1: love my grandparents because I love them and they're poor

748
00:47:12,280 --> 00:47:15,320
Speaker 1: and they won't give me money. See, this is what

749
00:47:15,360 --> 00:47:16,800
Speaker 1: I'm saying. If they had a lot of money, you

750
00:47:16,840 --> 00:47:19,239
Speaker 1: would hate them. That's how it works. You don't know.

751
00:47:19,600 --> 00:47:26,719
Speaker 1: I don't know. Money is the root of all evil. Exactly, exactly. Oh, kids, kids, kids,

752
00:47:27,120 --> 00:47:29,080
Speaker 1: everybody sit down. I don't know if you know this,

753
00:47:30,400 --> 00:47:33,560
Speaker 1: but it's my dad's birthday and he's gonna come down.

754
00:47:33,640 --> 00:47:35,880
Speaker 1: We're gonna have a birthday night for him. Do you

755
00:47:35,960 --> 00:47:41,239
Speaker 1: love your dad? Yeah? Tell the truth, Dad, Dad, Tell

756
00:47:41,280 --> 00:47:44,880
Speaker 1: the truth. He's he was wonderful. He's the one you

757
00:47:44,960 --> 00:47:49,759
Speaker 1: don't want to quite a bit. He's changed quite a bit.

758
00:47:50,600 --> 00:47:54,480
Speaker 1: He's gotten a little older, and I'll tell you sometimes.

759
00:47:54,600 --> 00:47:56,880
Speaker 1: You know. What I just want is everybody to have

760
00:47:56,920 --> 00:48:01,400
Speaker 1: a nice, calm evening. Try not to disrupt your sweating's birthday.

761
00:48:02,160 --> 00:48:04,799
Speaker 1: I'm just a little bit worried. Birthdays are a day

762
00:48:04,840 --> 00:48:06,840
Speaker 1: that he likes to reminisce. And let's just say that

763
00:48:08,080 --> 00:48:11,600
Speaker 1: Grandpa's got some things that are not good to reminisce about.

764
00:48:11,640 --> 00:48:14,279
Speaker 1: Here he comes, there, he comes, there, you come. Wow,

765
00:48:14,360 --> 00:48:19,040
Speaker 1: he moved so well. Look at all this stand here.

766
00:48:19,360 --> 00:48:24,480
Speaker 1: Everyone's just saying that dance stays? Is that right? Let

767
00:48:24,560 --> 00:48:28,880
Speaker 1: me alone upstairs? Your birthday, sucking birthday? Is that right? Well?

768
00:48:28,880 --> 00:48:30,640
Speaker 1: He left me upstairs with all the lights off. What

769
00:48:30,719 --> 00:48:35,239
Speaker 1: the hell was that about? Huh, don't trap. I'm not

770
00:48:35,280 --> 00:48:37,520
Speaker 1: gonna gonna get my fucking money. You know that, your

771
00:48:37,560 --> 00:48:41,120
Speaker 1: little ship, You're not gonna get my goddamn money. Watch

772
00:48:41,160 --> 00:48:43,640
Speaker 1: your language. These are children. None of people are past

773
00:48:43,719 --> 00:48:46,000
Speaker 1: the min I don't give a ship. I'll get any

774
00:48:46,080 --> 00:48:48,160
Speaker 1: to hear this language. Look, I know what he thinks.

775
00:48:48,200 --> 00:48:50,399
Speaker 1: I'm as sleep, he whispers as he walks around. I'm

776
00:48:50,400 --> 00:48:52,040
Speaker 1: gonna get all his money. I hate that, old man.

777
00:48:52,320 --> 00:48:56,880
Speaker 1: I hear you a little shit. No do you say that, son? No,

778
00:48:57,080 --> 00:49:00,719
Speaker 1: of course not. And when I say it's a joke,

779
00:49:01,719 --> 00:49:06,319
Speaker 1: like like how he smells funny and weird, that's a joke.

780
00:49:08,000 --> 00:49:10,799
Speaker 1: He doesn't smell funny and weird. Oh really, Why does

781
00:49:10,840 --> 00:49:13,719
Speaker 1: he smell differently than you? Dad? I smoke cigars, That's

782
00:49:13,719 --> 00:49:16,680
Speaker 1: why I smell like goddamn cigar. Do you smoke him

783
00:49:16,719 --> 00:49:19,399
Speaker 1: out of your ass? What the hell is this your ship?

784
00:49:20,120 --> 00:49:23,880
Speaker 1: Can you puff a cigar with your animal canal? I

785
00:49:24,040 --> 00:49:25,960
Speaker 1: think that maybe I'm gonna ask my mom to come

786
00:49:26,000 --> 00:49:29,480
Speaker 1: pick me up because having a birthday party. We're having

787
00:49:29,520 --> 00:49:34,160
Speaker 1: a birthday party dinner for Dad. All my fucking friends

788
00:49:34,200 --> 00:49:37,000
Speaker 1: are here, my ship, grandson and his two little weird friends,

789
00:49:37,400 --> 00:49:39,880
Speaker 1: and my dumbass son Tony Rood left me in the

790
00:49:40,120 --> 00:49:45,680
Speaker 1: dark upstairs. Great, you know it's my birthday and has

791
00:49:45,760 --> 00:49:47,920
Speaker 1: my birthday. I have the right to tell stories as

792
00:49:48,000 --> 00:49:50,680
Speaker 1: long as I want. Grandpa tell us a story. I'm

793
00:49:50,680 --> 00:49:52,520
Speaker 1: gonna tell you a story. Shut up, I'm gonna do that.

794
00:49:53,480 --> 00:49:55,960
Speaker 1: I tell your story A little thing called Vietnam. Do

795
00:49:56,000 --> 00:50:04,160
Speaker 1: you remember that you weren't alive? Boom boom boom boom

796
00:50:04,200 --> 00:50:13,000
Speaker 1: boom boom. Time was nineteen Me and my buddies. We

797
00:50:13,080 --> 00:50:20,200
Speaker 1: were just driving around Lincoln Spield, local, Ohio, were looking

798
00:50:20,680 --> 00:50:27,560
Speaker 1: anything for a local dairy queen. Hang what people were

799
00:50:27,600 --> 00:50:29,800
Speaker 1: screaming in the background. I remember what they say. My

800
00:50:29,880 --> 00:50:33,080
Speaker 1: memories gone thin, a lot of smalling pomer the morning,

801
00:50:33,320 --> 00:50:37,759
Speaker 1: and if you got the Queen, And there was the

802
00:50:37,840 --> 00:50:43,400
Speaker 1: most beautiful thing I'd ever seen, nineteen sixty eight Mark

803
00:50:44,320 --> 00:50:50,400
Speaker 1: fourteen Mustang Chevrolet. That car was the Beauty four fifty

804
00:50:50,560 --> 00:50:54,000
Speaker 1: four cubic inch engine to sixty two V eight nine

805
00:50:54,760 --> 00:51:01,040
Speaker 1: seven blowback seven victory. And then and and then when

806
00:51:01,600 --> 00:51:06,279
Speaker 1: and then um ship? Where was I was on a

807
00:51:06,400 --> 00:51:10,960
Speaker 1: hue And then Cindy, I gotta you, gotta bring some

808
00:51:11,040 --> 00:51:13,000
Speaker 1: food quick to get him to shut up. He's honey,

809
00:51:13,120 --> 00:51:16,399
Speaker 1: started a story, Tony, Tony. The kids will be fine.

810
00:51:16,440 --> 00:51:18,560
Speaker 1: They'll listen to the story for a little while. It'll

811
00:51:18,600 --> 00:51:21,200
Speaker 1: be okay. Is he telling the is he telling the

812
00:51:21,320 --> 00:51:24,120
Speaker 1: Vietnam stories again? I think he's giving the big abridged

813
00:51:24,280 --> 00:51:26,640
Speaker 1: version right now. But we've got to stop him before

814
00:51:26,680 --> 00:51:30,919
Speaker 1: he gets into any specific stories. These stories aren't appropriate

815
00:51:31,040 --> 00:51:34,160
Speaker 1: for children. I mean, he's already, is he already up

816
00:51:34,160 --> 00:51:36,720
Speaker 1: to the part about the huey and Lincolnville, Ohio? Walked

817
00:51:36,719 --> 00:51:39,080
Speaker 1: out on the huey and I thought it was an emergency.

818
00:51:39,160 --> 00:51:42,080
Speaker 1: Did you finish it? It's coming. But here here's some

819
00:51:42,160 --> 00:51:46,239
Speaker 1: Totino's pizza rolls. Thank you, thank you, thank you. So

820
00:51:46,400 --> 00:51:50,920
Speaker 1: then after the war, I went back in Washington, Northwest,

821
00:51:51,760 --> 00:51:55,000
Speaker 1: and I was completely rejected by the local sheriffs department.

822
00:51:55,520 --> 00:51:59,480
Speaker 1: Everyone else just snap. So I was in the woods

823
00:51:59,719 --> 00:52:02,600
Speaker 1: story and then I was just I was hunting everybody

824
00:52:02,680 --> 00:52:05,840
Speaker 1: you could imagine. I was hunting. And then I was

825
00:52:06,000 --> 00:52:09,960
Speaker 1: blowing up buildings inside this small town and they were

826
00:52:11,000 --> 00:52:17,200
Speaker 1: through the jungle. And then that what I remember when

827
00:52:18,080 --> 00:52:20,200
Speaker 1: Cindy the pizza rules didn't work. He didn't stop the

828
00:52:20,840 --> 00:52:23,200
Speaker 1: Oh my god, I'm sorry, honey. Well let's see what

829
00:52:23,360 --> 00:52:25,560
Speaker 1: else do we have. I don't think we're gonna have

830
00:52:25,680 --> 00:52:30,640
Speaker 1: to use some sort of physical restraint on him. Tony,

831
00:52:31,200 --> 00:52:34,800
Speaker 1: it's time that we have that talk. What about sending

832
00:52:34,840 --> 00:52:36,799
Speaker 1: your dad to a home. For God's sake, he used

833
00:52:36,840 --> 00:52:41,080
Speaker 1: to hunt police. Can we please? You know he's happy

834
00:52:41,239 --> 00:52:44,839
Speaker 1: upstairs in the dark attic, He's not happy upstairs. Every

835
00:52:44,880 --> 00:52:47,000
Speaker 1: time he comes down it's like the hose has been

836
00:52:47,120 --> 00:52:49,880
Speaker 1: bent on his weird life. Every time he comes downstairs,

837
00:52:49,960 --> 00:52:52,879
Speaker 1: he tells the worst stories. Do you know one of those?

838
00:52:53,760 --> 00:52:56,600
Speaker 1: And then and then afterwards I was alone and my friend,

839
00:52:56,719 --> 00:52:59,040
Speaker 1: Colonel Tradeum came to me and he said, we're gonna

840
00:52:59,080 --> 00:53:02,240
Speaker 1: need you back we're gonna to send you back into

841
00:53:02,360 --> 00:53:05,400
Speaker 1: Vietnam to save the po ws know the people, and

842
00:53:05,440 --> 00:53:08,040
Speaker 1: I said you, I'm not gonna do that. Ship I'm out.

843
00:53:08,480 --> 00:53:11,800
Speaker 1: And then and then if we send him to a

844
00:53:11,880 --> 00:53:14,520
Speaker 1: home one of those damn orderlies, it's going to trick

845
00:53:14,600 --> 00:53:17,880
Speaker 1: him into giving his money to them. We get the money. So, Tony,

846
00:53:18,040 --> 00:53:20,600
Speaker 1: is this about the money? No, it's side. I love

847
00:53:20,680 --> 00:53:24,560
Speaker 1: him so much, You're just like your son. Look, I've

848
00:53:24,600 --> 00:53:27,440
Speaker 1: I've been CEO of Totino's for forty years and you're

849
00:53:27,440 --> 00:53:31,759
Speaker 1: telling me that I spent of my ad budget on this? What?

850
00:53:32,040 --> 00:53:35,880
Speaker 1: What is this? First of all? Twenty minutes long? This

851
00:53:36,040 --> 00:53:43,560
Speaker 1: is not interesting? Well, it's depressing. It's depressing the music

852
00:53:43,680 --> 00:53:47,439
Speaker 1: licensing a and it's gonna kill us. Well that's our budget. Sorry.

853
00:53:48,920 --> 00:53:51,000
Speaker 1: You can definitely see how that's kind of affecting the

854
00:53:51,040 --> 00:53:53,319
Speaker 1: acting and the writing. But I do I do want

855
00:53:53,360 --> 00:53:55,560
Speaker 1: to say, just in general, people are all about it.

856
00:53:55,640 --> 00:53:58,440
Speaker 1: They can't get enough. I mean, just just look at

857
00:53:58,480 --> 00:53:59,879
Speaker 1: the comments I'm getting here. All read you, A read

858
00:53:59,880 --> 00:54:01,400
Speaker 1: you a fewer right here? Are we doing some of

859
00:54:01,440 --> 00:54:11,560
Speaker 1: the comments here? Uh? So this is this is running already? Y? Yes? No, well,

860
00:54:11,600 --> 00:54:13,160
Speaker 1: I mean yes, I'm running to buy you in the

861
00:54:13,200 --> 00:54:15,160
Speaker 1: sense that I want you to know what's happening. But so,

862
00:54:15,320 --> 00:54:18,160
Speaker 1: I mean, so you know, people are saying that they're going, oh,

863
00:54:18,200 --> 00:54:20,279
Speaker 1: well this, this reminds me a lot of Rambo or

864
00:54:20,680 --> 00:54:24,759
Speaker 1: or this. This sounds like a poor a poor representation

865
00:54:24,840 --> 00:54:29,520
Speaker 1: of what those films could have been. Other people are saying, no, sir,

866
00:54:29,680 --> 00:54:31,560
Speaker 1: gets better. Some people are also saying, like, hey, I

867
00:54:31,680 --> 00:54:35,239
Speaker 1: remember these propaganda films. Other people are saying, let's see,

868
00:54:36,640 --> 00:54:40,279
Speaker 1: we don't get the word propaganda associated. I think you

869
00:54:40,320 --> 00:54:44,080
Speaker 1: said Totino's Pizza rolls twice in the whole thing. Well,

870
00:54:45,200 --> 00:54:47,400
Speaker 1: you've only watched eleven minutes. We say it more as

871
00:54:47,640 --> 00:54:57,960
Speaker 1: it goes on. But I yes, sir, yes, sir. And

872
00:54:58,080 --> 00:55:01,480
Speaker 1: then here the other round of just Totino's Pizza to

873
00:55:01,560 --> 00:55:05,560
Speaker 1: take him out of. I don't want those fucking Tostino roles.

874
00:55:05,600 --> 00:55:14,040
Speaker 1: They taste like ship. Okay, okay, if you're going to

875
00:55:14,120 --> 00:55:17,120
Speaker 1: get the brand name out there, you gotta say it right,

876
00:55:17,680 --> 00:55:19,800
Speaker 1: right right. I mean, how many takes did you do

877
00:55:19,920 --> 00:55:22,040
Speaker 1: with this guy? Just one take? We just went all

878
00:55:22,040 --> 00:55:24,840
Speaker 1: the way through. So I think that what we have

879
00:55:25,239 --> 00:55:29,200
Speaker 1: here is an opportunity for not only younger generations to

880
00:55:29,400 --> 00:55:31,480
Speaker 1: know about what those movies were like, right, because we

881
00:55:31,520 --> 00:55:34,880
Speaker 1: don't have the money to the lexis those films, so

882
00:55:35,160 --> 00:55:39,480
Speaker 1: we have to have kind of summary about sometimes, like

883
00:55:39,560 --> 00:55:43,320
Speaker 1: you know what they're about and all that. And I

884
00:55:43,440 --> 00:55:45,520
Speaker 1: think I understand now what you mean when you say

885
00:55:45,600 --> 00:55:50,920
Speaker 1: you hate your grandfather, right, yeah, I want him. I

886
00:55:51,080 --> 00:55:53,520
Speaker 1: also want him to die so you can get all

887
00:55:53,640 --> 00:55:56,239
Speaker 1: of his money and then guess what, you get some

888
00:55:56,760 --> 00:55:59,360
Speaker 1: Why can I play with this bone arrow? All my

889
00:55:59,520 --> 00:56:01,560
Speaker 1: friends can play with I don't give a ship. We

890
00:56:01,680 --> 00:56:05,160
Speaker 1: all get some of your money. Yeah yeah, and we're

891
00:56:05,160 --> 00:56:09,279
Speaker 1: gonna live together in a giant mansion. What Yeah, All

892
00:56:09,480 --> 00:56:12,800
Speaker 1: we're gonna escape from all of our horrible parents and

893
00:56:13,000 --> 00:56:18,759
Speaker 1: live in one big giant Okay, so this commercial is

894
00:56:18,760 --> 00:56:20,279
Speaker 1: already playing, but I just want to get kind of

895
00:56:20,280 --> 00:56:22,840
Speaker 1: a feel for everyone who's been watching it. What what

896
00:56:22,960 --> 00:56:24,760
Speaker 1: feelings are coming up here? And you have three boxes

897
00:56:24,800 --> 00:56:26,800
Speaker 1: you can check off? Like it? I don't know, and

898
00:56:26,880 --> 00:56:30,720
Speaker 1: I don't like it, So I said, I don't know. Okay,

899
00:56:30,800 --> 00:56:32,600
Speaker 1: we got want I don't know. I don't know how

900
00:56:32,680 --> 00:56:37,160
Speaker 1: I feel. I don't like it. I don't like it, Okay,

901
00:56:38,000 --> 00:56:41,359
Speaker 1: I don't like it. Okay, not a lot. Okay, one

902
00:56:41,400 --> 00:56:42,920
Speaker 1: of the time, gentlemen, please all, I will ask you

903
00:56:42,960 --> 00:56:49,239
Speaker 1: to leave. I'm real sorry, go go go ahead. Well,

904
00:56:49,280 --> 00:56:51,400
Speaker 1: this is a lot longer than commercials abuse. So this

905
00:56:51,480 --> 00:56:55,719
Speaker 1: is like forty five minutes long, and there's there's profanity. Yes,

906
00:56:57,040 --> 00:56:59,799
Speaker 1: there's also like a whole kind of other a lot

907
00:56:59,880 --> 00:57:04,359
Speaker 1: of different plots going on. I'm not sure what. I'm

908
00:57:04,400 --> 00:57:06,600
Speaker 1: not sure what children trying to get money from their

909
00:57:06,640 --> 00:57:11,160
Speaker 1: grandfather has to do with Totino's pizza rolls. These are

910
00:57:11,239 --> 00:57:15,279
Speaker 1: these on the table? Are cold by the way to

911
00:57:15,320 --> 00:57:17,320
Speaker 1: get them? Until the film was done, so I enjoyed

912
00:57:17,360 --> 00:57:19,360
Speaker 1: did a lot of the music that I was wondering

913
00:57:19,440 --> 00:57:22,080
Speaker 1: why there was nothing by John Foberty. I think that

914
00:57:22,240 --> 00:57:26,280
Speaker 1: war is not the same without something. My tired Run

915
00:57:26,320 --> 00:57:30,720
Speaker 1: through the Jungle by CC are clearly played, you did, Okay.

916
00:57:31,840 --> 00:57:33,440
Speaker 1: I just feel like if I'm in the middle of

917
00:57:33,520 --> 00:57:37,000
Speaker 1: a show and all of a sudden, this, this film

918
00:57:37,080 --> 00:57:39,360
Speaker 1: of a commercial comes on after I'm waiting for a

919
00:57:39,440 --> 00:57:43,720
Speaker 1: cliffhanger to be resulted in my show, I'm just I'm

920
00:57:43,760 --> 00:57:48,160
Speaker 1: not going to enjoy the commercial. What about Fortunate Son?

921
00:57:48,240 --> 00:57:50,440
Speaker 1: Did you hear Fortunate Son? That's a favorite? A then

922
00:57:51,920 --> 00:57:55,120
Speaker 1: maybe they just couldn't get the license license. It wasn't there.

923
00:57:55,400 --> 00:58:00,240
Speaker 1: It wasn't there. It was it a cover. Now, no,

924
00:58:00,440 --> 00:58:02,880
Speaker 1: we are The budget went to the licensing of those songs,

925
00:58:02,960 --> 00:58:06,160
Speaker 1: so we that's where all that money was. Mhm. Was

926
00:58:06,240 --> 00:58:09,720
Speaker 1: there a was there a paranormal element to this? Uh?

927
00:58:09,920 --> 00:58:13,760
Speaker 1: There actually there was a paranoid thank you. Yeah. So

928
00:58:14,240 --> 00:58:16,640
Speaker 1: it wasn't aliens. It wasn't aliens. It was the fact

929
00:58:16,720 --> 00:58:19,960
Speaker 1: that the commercial was bigger than most normal commercials. Right,

930
00:58:22,200 --> 00:58:24,440
Speaker 1: I would say longer in length. I wouldn't say bigger,

931
00:58:25,360 --> 00:58:31,840
Speaker 1: but not always, not always. So let's do something. Let's

932
00:58:31,840 --> 00:58:34,520
Speaker 1: do something here where why don't we all I'm gonna

933
00:58:34,600 --> 00:58:39,720
Speaker 1: replay it? Okay, I have I have an appointment in

934
00:58:39,920 --> 00:58:44,320
Speaker 1: fifteen minutes. Okay, well if you need wait, you're telling

935
00:58:44,360 --> 00:58:46,640
Speaker 1: me I spent two million more dollars on testing for

936
00:58:46,680 --> 00:58:49,440
Speaker 1: a commercial that's already running. Yes, right, and look, if

937
00:58:49,480 --> 00:58:51,240
Speaker 1: you look, let me just read you some of the

938
00:58:51,920 --> 00:58:53,600
Speaker 1: some of the feedback that we got from these people here.

939
00:58:54,360 --> 00:58:59,320
Speaker 1: The majority had said, uh, was there any fleetwood mac okay? Uh.

940
00:58:59,440 --> 00:59:02,840
Speaker 1: Some other people had said, uh, I didn't like the tostinos,

941
00:59:02,880 --> 00:59:05,120
Speaker 1: they were too cold, and if they were hot enough

942
00:59:05,520 --> 00:59:07,360
Speaker 1: something scratched the top of my mouth. Now they were

943
00:59:07,480 --> 00:59:12,520
Speaker 1: clear that too. First, Yes, sir, yes, if we're just

944
00:59:12,640 --> 00:59:15,040
Speaker 1: the company for years now, Yes, sir, I have and

945
00:59:15,120 --> 00:59:18,200
Speaker 1: I love it. And uh, I'm just reading what they said.

946
00:59:18,240 --> 00:59:21,040
Speaker 1: They said so Tostino, some of them said Tostino's. So

947
00:59:21,280 --> 00:59:24,440
Speaker 1: why that's if if they watched our forty five minute

948
00:59:24,480 --> 00:59:26,560
Speaker 1: add and and came out not knowing the name of

949
00:59:26,600 --> 00:59:30,040
Speaker 1: the product, that's not go sir. I can't agree more.

950
00:59:30,200 --> 00:59:32,720
Speaker 1: That's why I've taken the liberty to sign your name

951
00:59:32,800 --> 00:59:35,680
Speaker 1: off of getting a whole series of these commercials greenlit.

952
00:59:36,000 --> 00:59:38,680
Speaker 1: So we're looking at maybe four or five, I mean,

953
00:59:38,720 --> 00:59:40,880
Speaker 1: as many as there are Rocky and Rambo movie. We're

954
00:59:40,880 --> 00:59:43,720
Speaker 1: going to be doing those kind of commercials and introducing

955
00:59:43,840 --> 00:59:49,720
Speaker 1: the backstory as well as lower mythology to this Tostino's family.

956
00:59:49,840 --> 00:59:53,400
Speaker 1: So if you be a trigger warning for veterans, I

957
00:59:53,520 --> 01:00:00,360
Speaker 1: think and that's our show. Oh let's of all of

958
01:00:00,400 --> 01:00:03,920
Speaker 1: our alchemists, please, Dr James Heeny, thank you so much

959
01:00:03,960 --> 01:00:06,480
Speaker 1: for being here today. Oh, thank you for having me

960
01:00:06,600 --> 01:00:11,080
Speaker 1: here today. And I understand a new cast hang went

961
01:00:11,200 --> 01:00:13,600
Speaker 1: down on the Friday, But my guess is this is

962
01:00:13,640 --> 01:00:16,400
Speaker 1: gonna air after that, but yeah, I was gonna fake

963
01:00:16,480 --> 01:00:18,360
Speaker 1: that part. We did a cast hang and it went

964
01:00:18,440 --> 01:00:21,680
Speaker 1: great and you're gonna upload it soon. Yeah, yeah, yeah,

965
01:00:22,240 --> 01:00:26,040
Speaker 1: thank you for that, Greigkowski. Oh man, that cast hang

966
01:00:26,240 --> 01:00:29,760
Speaker 1: was so much fun. Remember when we did that? That

967
01:00:29,920 --> 01:00:33,600
Speaker 1: was the best. That was a blast. I also watched

968
01:00:33,600 --> 01:00:37,840
Speaker 1: a little documentary called Misery Loves Comedy. Oh, that I

969
01:00:38,000 --> 01:00:41,600
Speaker 1: really enjoyed, directed by somebody in this very room. Thank

970
01:00:41,640 --> 01:00:44,240
Speaker 1: you for that and every big name you could think

971
01:00:44,280 --> 01:00:47,560
Speaker 1: of in comedy. It was really well done, annoyingly famous

972
01:00:47,600 --> 01:00:51,320
Speaker 1: funny people. Yes, um, how how did that come onto

973
01:00:51,360 --> 01:00:54,480
Speaker 1: your radar? Forgive me for selfishly asking. I watched it

974
01:00:54,680 --> 01:00:58,000
Speaker 1: on the Topic channel, which is just one of those

975
01:00:58,280 --> 01:01:01,720
Speaker 1: channels I think you could do a free trial on.

976
01:01:02,080 --> 01:01:03,760
Speaker 1: And I noticed that it was there, and I remember

977
01:01:03,800 --> 01:01:05,000
Speaker 1: that you had done it, but I've never seen it.

978
01:01:05,080 --> 01:01:07,400
Speaker 1: I'm glad that I did well. God bless us all,

979
01:01:07,440 --> 01:01:12,720
Speaker 1: everyone said the atheist Caroline Carter, thank you so much

980
01:01:12,760 --> 01:01:16,120
Speaker 1: for being here. You're welcome. I had a great time

981
01:01:16,200 --> 01:01:18,160
Speaker 1: at the hang. I had a great time watching the

982
01:01:18,280 --> 01:01:23,760
Speaker 1: movie to documentary, and folks should look up your wares

983
01:01:23,880 --> 01:01:27,280
Speaker 1: where I guess just Carter poop on Instagram. I don't know,

984
01:01:27,440 --> 01:01:33,920
Speaker 1: don't have anything happening. Beautiful and Mark Agliani, thanks so

985
01:01:34,040 --> 01:01:40,600
Speaker 1: much for rejoining. This is very fun and uh, you'll

986
01:01:40,640 --> 01:01:43,560
Speaker 1: be allegedly going back to work soon. On the television

987
01:01:43,600 --> 01:01:47,840
Speaker 1: program We Are We Are Blood and Treasure Season two

988
01:01:47,960 --> 01:01:52,040
Speaker 1: is coming this fall to CBS SO and then the

989
01:01:52,120 --> 01:01:54,280
Speaker 1: Fall still the same on the calendar as it was

990
01:01:54,400 --> 01:01:56,320
Speaker 1: last year. I know Fall is actually gonna be in

991
01:01:56,400 --> 01:02:08,680
Speaker 1: February now, yeah, Zephyr, Yeah, schedule is coming later because

992
01:02:08,720 --> 01:02:12,880
Speaker 1: of the whole you know, no Fall itself is coming later. Well,

993
01:02:12,920 --> 01:02:16,040
Speaker 1: I didn't believe that was changing. Actually we could do

994
01:02:16,080 --> 01:02:17,840
Speaker 1: a whole episode. And how the fact that the seasons

995
01:02:17,840 --> 01:02:20,760
Speaker 1: are no longer lining up the way they used to. Yes,

996
01:02:20,880 --> 01:02:28,080
Speaker 1: please let's do that. Write it in Joey grest I

997
01:02:28,200 --> 01:02:30,400
Speaker 1: really want to just give my time to James. I

998
01:02:30,480 --> 01:02:33,360
Speaker 1: really want to hear more about what he wants to do.

999
01:02:33,440 --> 01:02:37,000
Speaker 1: You can check me out a Jebby Grieber online. I

1000
01:02:37,120 --> 01:02:41,040
Speaker 1: just on Instagram, I guess anywhere else? Uh, what else

1001
01:02:41,120 --> 01:02:48,800
Speaker 1: was I gonna say? One of these? Let's give our

1002
01:02:48,840 --> 01:02:52,360
Speaker 1: wholehearted thanks to our engineering producer to the stars, Mr

1003
01:02:52,440 --> 01:02:56,280
Speaker 1: Doug Baan and the fine folks that I heard media.

1004
01:02:58,120 --> 01:03:00,680
Speaker 1: I'm your host, Kevin Pollock. Thank you so very much.

1005
01:03:00,720 --> 01:03:02,640
Speaker 1: Continue to write to us. I love replying to all

1006
01:03:02,720 --> 01:03:04,720
Speaker 1: of your emails. Write your name here at alcove me

1007
01:03:04,800 --> 01:03:08,160
Speaker 1: this dot com and please stay healthy and thank you

1008
01:03:08,280 --> 01:03:10,800
Speaker 1: for your listenership. Until next time,