1 00:00:01,720 --> 00:00:04,440 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,320 --> 00:00:12,039 Speaker 1: Welcome to and That's what You're really missed podcast. 4 00:00:13,240 --> 00:00:17,360 Speaker 2: Oh hello Kevin, Hi Jenna, I've been You and I 5 00:00:17,360 --> 00:00:19,520 Speaker 2: have not discussed this episode at all yet. 6 00:00:20,120 --> 00:00:21,439 Speaker 1: I haven't texted you about it. 7 00:00:21,640 --> 00:00:24,600 Speaker 2: Oh you haven't. Normally you do, just even if it's 8 00:00:24,600 --> 00:00:27,240 Speaker 2: a sentence. And I've heard nothing from you, and I've 9 00:00:28,200 --> 00:00:30,440 Speaker 2: this is the first time. How many episodes have we done? 10 00:00:31,160 --> 00:00:35,200 Speaker 2: This is the first time I am waiting with baited 11 00:00:35,240 --> 00:00:38,160 Speaker 2: breath to hear your opinions, because correct me if I'm wrong. 12 00:00:38,240 --> 00:00:41,159 Speaker 2: This is the first episode we've gotten to that you 13 00:00:41,240 --> 00:00:41,840 Speaker 2: have not seen. 14 00:00:43,159 --> 00:00:47,800 Speaker 1: Correct, Okay. Our producer Sam had said that there was 15 00:00:47,840 --> 00:00:51,640 Speaker 1: a lot of there's a lot of critical acclaim Critics, 16 00:00:51,840 --> 00:00:56,120 Speaker 1: fans like one of the bestly episodes ever, so great. 17 00:00:56,280 --> 00:00:58,640 Speaker 1: People loved it, I mean obviously in the Q and 18 00:00:58,680 --> 00:01:01,400 Speaker 1: as we have seen that, people will say, like you 19 00:01:01,440 --> 00:01:04,320 Speaker 1: know from New York season five and six, like they 20 00:01:04,400 --> 00:01:06,960 Speaker 1: want spinoffs, they want more of this. This is like 21 00:01:07,319 --> 00:01:10,120 Speaker 1: hot take some of the best stuff, and I am 22 00:01:10,160 --> 00:01:11,040 Speaker 1: here to report. 23 00:01:11,680 --> 00:01:15,720 Speaker 2: Wait, I wait, I feel like I need to save it. 24 00:01:16,840 --> 00:01:23,039 Speaker 2: Don't say it yet? Why because I'm scared. What do 25 00:01:23,120 --> 00:01:24,560 Speaker 2: you think about it? I want to know what you 26 00:01:24,600 --> 00:01:26,960 Speaker 2: think first. Okay, let's get through all the stuff. It's 27 00:01:27,000 --> 00:01:29,399 Speaker 2: get to the business, okay, and then I want to 28 00:01:29,400 --> 00:01:34,840 Speaker 2: hear your opinion. First. We're edging this. 29 00:01:34,840 --> 00:01:38,600 Speaker 1: This is season five, episode fourteen, New New York. Yeah, 30 00:01:38,920 --> 00:01:42,360 Speaker 1: April first, twenty fourteen. What was the number one song? 31 00:01:43,280 --> 00:01:45,360 Speaker 2: Number one song is Still Happy by Pharrell. The number 32 00:01:45,360 --> 00:01:48,559 Speaker 2: one movie is Noah, featuring our very own Douglas Booth, 33 00:01:48,720 --> 00:01:49,320 Speaker 2: Dougie Booth. 34 00:01:49,880 --> 00:01:51,440 Speaker 1: Oh didn't see it? 35 00:01:52,280 --> 00:01:55,880 Speaker 2: You don't need to love Douglas, love Darren or Dougie 36 00:01:56,200 --> 00:02:00,280 Speaker 2: not not the finest work? Got it? Got It news 37 00:02:00,280 --> 00:02:02,560 Speaker 2: this week on April first, Glee the music New New 38 00:02:02,680 --> 00:02:07,160 Speaker 2: York EP Wild That It Was, an EP featuring six tracks, 39 00:02:07,240 --> 00:02:12,680 Speaker 2: was released from this episode for digital download only. Sana 40 00:02:12,720 --> 00:02:17,280 Speaker 2: Hamri directed this episode. I've only heard of Sona. I 41 00:02:17,320 --> 00:02:19,160 Speaker 2: have never met Sona. 42 00:02:19,800 --> 00:02:23,720 Speaker 1: This was This is strange for me because I know 43 00:02:23,800 --> 00:02:29,120 Speaker 1: everybody and I'm it's unnerving to me to experience it 44 00:02:29,280 --> 00:02:33,120 Speaker 1: in this way. But we'll get deeper into that. This 45 00:02:33,200 --> 00:02:37,399 Speaker 1: is written by Ryan Murphy. There's lots of people in it. 46 00:02:38,560 --> 00:02:42,560 Speaker 2: Charles Melton is in this episode. Yes, as a guest star. 47 00:02:42,720 --> 00:02:45,640 Speaker 2: And I don't know. He and I have not talked 48 00:02:45,680 --> 00:02:49,200 Speaker 2: about this, Like I worked with him for like two 49 00:02:49,240 --> 00:02:52,120 Speaker 2: weeks and this never came up. Maybe he forgot I 50 00:02:52,200 --> 00:02:57,480 Speaker 2: never I forgot. So it's so brief. It is very brief, right. 51 00:02:58,240 --> 00:03:00,040 Speaker 2: There are quite a few songs in this. 52 00:03:00,440 --> 00:03:03,280 Speaker 1: Quite a few, tell me some of them. 53 00:03:02,680 --> 00:03:05,639 Speaker 2: Downtown performed by Rachel, Kurt, Blaine, Sam and Artie. 54 00:03:06,080 --> 00:03:08,639 Speaker 1: You make Me Feel So Young by Blaine Kurt. 55 00:03:09,320 --> 00:03:13,079 Speaker 2: Best Day of My Life by Blaine and Sam. 56 00:03:13,280 --> 00:03:16,240 Speaker 1: A rock Star by Elliott and Kurt. 57 00:03:17,320 --> 00:03:19,760 Speaker 2: Don't Sleep in the Subway by Artie and Rachel. 58 00:03:20,000 --> 00:03:22,400 Speaker 1: And people of course. 59 00:03:22,960 --> 00:03:23,200 Speaker 2: Yes. 60 00:03:23,760 --> 00:03:25,959 Speaker 1: With this episode, the show shifts to New York City, 61 00:03:25,960 --> 00:03:28,720 Speaker 1: where the action will be centered for the remainder of 62 00:03:28,760 --> 00:03:30,560 Speaker 1: the season. It's like quite a few episodes. 63 00:03:30,960 --> 00:03:32,799 Speaker 2: This is the first episode of the series to not 64 00:03:32,840 --> 00:03:34,880 Speaker 2: have any scenes in McKinley. 65 00:03:35,880 --> 00:03:36,760 Speaker 1: That is so. 66 00:03:38,120 --> 00:03:41,280 Speaker 2: It's so sad, It's so weird, so weird. 67 00:03:41,880 --> 00:03:45,520 Speaker 1: It's also the first to take place exclusively in New York. 68 00:03:46,400 --> 00:03:49,680 Speaker 2: This episode features the smallest number of main cast members 69 00:03:49,800 --> 00:03:54,240 Speaker 2: present Leah, Chris Me, Darren and court Wow. The rest 70 00:03:54,240 --> 00:03:56,080 Speaker 2: of the season, five main casts are credited, but do 71 00:03:56,200 --> 00:03:58,920 Speaker 2: not appear, so they still got that check got it. 72 00:03:59,000 --> 00:04:01,120 Speaker 1: This is the first episode in which Marley, Ryder and 73 00:04:01,200 --> 00:04:04,680 Speaker 1: Jake are absence since their intro, and the second episode 74 00:04:04,720 --> 00:04:06,000 Speaker 1: with Tina. 75 00:04:06,240 --> 00:04:11,760 Speaker 2: Wanh wanh We miss You. Artie, Blaine, Rachel, and Sam 76 00:04:11,840 --> 00:04:14,480 Speaker 2: all have voiceovers in this episode, making this episode one 77 00:04:14,520 --> 00:04:16,279 Speaker 2: of the largest number of voiceovers in it. 78 00:04:16,680 --> 00:04:19,440 Speaker 1: Hmmm, that is the only main character president in the 79 00:04:19,480 --> 00:04:21,239 Speaker 1: episode not to have a voiceover. 80 00:04:21,720 --> 00:04:24,400 Speaker 2: This is the second episode ever where all the main 81 00:04:24,480 --> 00:04:27,880 Speaker 2: characters present an episode sing a song, the first being 82 00:04:28,120 --> 00:04:32,480 Speaker 2: The Power of Madonna. M Wow. I guess that's easier 83 00:04:32,480 --> 00:04:35,080 Speaker 2: when there's only five cast members literally. 84 00:04:35,640 --> 00:04:38,520 Speaker 1: Starting with this episode, every subsequent episode had a digital 85 00:04:38,560 --> 00:04:40,360 Speaker 1: EP released for it. 86 00:04:40,720 --> 00:04:44,919 Speaker 2: The times are change in geez. This is the last 87 00:04:44,960 --> 00:04:47,880 Speaker 2: episode to feature Elliott Gilbert. 88 00:04:48,080 --> 00:04:50,360 Speaker 1: And this is the first episode since a Katie or 89 00:04:50,400 --> 00:04:53,800 Speaker 1: Agaga to not feature Will singing in any capacity. 90 00:04:54,120 --> 00:04:59,160 Speaker 2: Wow. This is also the first episode since Guilty Pleasures 91 00:04:59,200 --> 00:05:03,000 Speaker 2: to not feature Will in any capacity, and both. 92 00:05:02,839 --> 00:05:05,560 Speaker 1: Leah's dad marks Our Foddy and Chris's boyfriend will share 93 00:05:05,560 --> 00:05:07,400 Speaker 1: It appear in this episode but are uncredited. 94 00:05:09,520 --> 00:05:12,679 Speaker 2: Maybe they were in the streets of New York fair enough, Okay, 95 00:05:12,760 --> 00:05:14,520 Speaker 2: that might have been what was going on? 96 00:05:15,160 --> 00:05:19,120 Speaker 1: Will is in class? Uh oh, he's in mine class? 97 00:05:19,760 --> 00:05:22,200 Speaker 1: And then okay, and Lea's dad is in the street. Okay, 98 00:05:22,200 --> 00:05:22,520 Speaker 1: got it? 99 00:05:22,600 --> 00:05:24,200 Speaker 2: That makes sense. I think I remember that. 100 00:05:24,600 --> 00:05:24,920 Speaker 1: Yes. 101 00:05:25,520 --> 00:05:27,560 Speaker 2: A few months after the end of Glee Club, New 102 00:05:27,600 --> 00:05:30,560 Speaker 2: Directions alumni are adjusting to the new lives in the 103 00:05:30,560 --> 00:05:32,960 Speaker 2: Big Apple. Blaine and Sam have moved in with Kurt, 104 00:05:33,000 --> 00:05:37,360 Speaker 2: while already experiences difficulties navigating the mean streets of Manhattan. Also, 105 00:05:37,560 --> 00:05:40,960 Speaker 2: Rachel gets accustomed to being a Broadway star, and Mercedes 106 00:05:41,040 --> 00:05:43,400 Speaker 2: moves to New York to work on her album. 107 00:05:44,120 --> 00:05:48,880 Speaker 1: Okay, okay, Jenna, tell me what is your feeling about this? 108 00:05:48,880 --> 00:05:50,200 Speaker 2: Do you want to hear my thoughts first? 109 00:05:50,720 --> 00:05:51,400 Speaker 1: Yes? I do? 110 00:05:52,920 --> 00:06:02,080 Speaker 2: Okay, I jut I like it. I like it, but 111 00:06:02,120 --> 00:06:07,599 Speaker 2: it feels like it's a completely different show it to me, 112 00:06:07,520 --> 00:06:09,440 Speaker 2: and so I enjoyed it first, So let me just 113 00:06:09,440 --> 00:06:11,479 Speaker 2: say I liked it. It feels very male heavy, which 114 00:06:11,520 --> 00:06:17,679 Speaker 2: I don't love. It's very male heavy, right, And also 115 00:06:17,760 --> 00:06:22,080 Speaker 2: after reading some of the hot takes, it does really 116 00:06:22,160 --> 00:06:25,960 Speaker 2: feel like Rachel is becoming a villain. Like this whole 117 00:06:25,960 --> 00:06:29,360 Speaker 2: episode is like Rachel is like out of her mind 118 00:06:29,560 --> 00:06:35,640 Speaker 2: in an like not cute way. So didn't love that. Yeah, 119 00:06:36,200 --> 00:06:37,640 Speaker 2: but it does just feel like a different show. I 120 00:06:37,720 --> 00:06:41,600 Speaker 2: kept thinking about the title Glee, and then this is. 121 00:06:41,720 --> 00:06:43,960 Speaker 2: If somebody had missed a couple seasons of Glee and 122 00:06:43,960 --> 00:06:46,000 Speaker 2: they came back and turned this on, it would be like, 123 00:06:46,600 --> 00:06:51,080 Speaker 2: what show is this? And I know things change, but 124 00:06:51,240 --> 00:06:54,080 Speaker 2: like I know from watching other shows, like this is 125 00:06:54,080 --> 00:06:56,039 Speaker 2: a very different show. But let's talk about like Homeland, 126 00:06:56,720 --> 00:07:00,560 Speaker 2: where the first three seasons were one thing right, and 127 00:07:00,560 --> 00:07:04,400 Speaker 2: then it geographically moves to somewhere else in the scene. 128 00:07:04,400 --> 00:07:08,120 Speaker 2: After that geography, it's hard to keep me. It feels 129 00:07:08,160 --> 00:07:10,400 Speaker 2: like I'm not watching the same show anymore. That's obviously 130 00:07:10,480 --> 00:07:13,560 Speaker 2: quite different, but like, to me, the show is about 131 00:07:13,920 --> 00:07:17,800 Speaker 2: high school and McKinley, and that's where we've been. As 132 00:07:17,880 --> 00:07:19,960 Speaker 2: much as I love New York, I've almost I would 133 00:07:19,960 --> 00:07:23,520 Speaker 2: almost want it to be a different show. Okay, how 134 00:07:23,560 --> 00:07:24,440 Speaker 2: do you feel about it? 135 00:07:25,000 --> 00:07:31,080 Speaker 1: I loved it, really, I loved it. I think part 136 00:07:31,160 --> 00:07:33,600 Speaker 1: of it I thought you were gonna hate it. No, 137 00:07:33,720 --> 00:07:37,600 Speaker 1: I loved it. I think part of it is like 138 00:07:38,000 --> 00:07:40,840 Speaker 1: watching all of your friends and like not my friends 139 00:07:41,120 --> 00:07:44,240 Speaker 1: behind the scenes, like in front of the like in 140 00:07:44,320 --> 00:07:47,000 Speaker 1: my living room as a viewer because I'm not in 141 00:07:47,040 --> 00:07:49,440 Speaker 1: the show anymore. This is not Tina's not in the 142 00:07:49,480 --> 00:07:52,160 Speaker 1: show right now. I am watching it as Jenna, and 143 00:07:52,200 --> 00:07:55,160 Speaker 1: I am like, this is so much fun. I'm watching 144 00:07:55,240 --> 00:07:59,120 Speaker 1: my friends grow up and watching Sam and Artie and 145 00:07:59,200 --> 00:08:02,240 Speaker 1: Blaine and Kurr like grow up. And it was like 146 00:08:02,440 --> 00:08:06,640 Speaker 1: so refreshing to be like in New York. It had 147 00:08:06,680 --> 00:08:09,400 Speaker 1: the vibe that like when you see New York City. 148 00:08:09,440 --> 00:08:11,680 Speaker 1: I was like, oh, I missed New York, kind of 149 00:08:11,680 --> 00:08:13,600 Speaker 1: like when you watch a show like Emily and Paris 150 00:08:13,640 --> 00:08:17,960 Speaker 1: for Paris. Also like the culture and the culture. Like 151 00:08:18,120 --> 00:08:20,240 Speaker 1: I was like, oh, I love seeing all of the 152 00:08:20,280 --> 00:08:22,880 Speaker 1: New York in it. I had so many questions for you. 153 00:08:23,640 --> 00:08:26,320 Speaker 1: I loved watching the characters kind of go through these things. 154 00:08:26,400 --> 00:08:29,200 Speaker 1: It felt gleeish. It was missing a little bit of 155 00:08:29,240 --> 00:08:33,320 Speaker 1: that like bump, you know, slow ballad music that Mister 156 00:08:33,400 --> 00:08:35,680 Speaker 1: Shoe brought to it at the end, like that kind 157 00:08:35,679 --> 00:08:38,360 Speaker 1: of emotion I saw. I was like missing that piece 158 00:08:38,400 --> 00:08:41,960 Speaker 1: of it a little bit. But like I I really 159 00:08:42,040 --> 00:08:43,880 Speaker 1: liked it, Like it's the best New York episode I 160 00:08:43,920 --> 00:08:47,800 Speaker 1: think I've seen so far. Wow. And I think it's 161 00:08:47,800 --> 00:08:50,560 Speaker 1: because all of you guys are also there. Like it's 162 00:08:50,559 --> 00:08:53,560 Speaker 1: not just split up between these two places, It's like 163 00:08:54,120 --> 00:08:58,920 Speaker 1: all of our favorite people are in this new place together. Yeah, 164 00:08:58,960 --> 00:09:01,280 Speaker 1: it was so exciting, and I did not think I 165 00:09:01,320 --> 00:09:02,560 Speaker 1: was gonna like it. I just didn't know what I 166 00:09:02,640 --> 00:09:04,440 Speaker 1: was what I was gonna get at all. I've never 167 00:09:04,520 --> 00:09:07,720 Speaker 1: seen this episode before. That thought the music was really great. 168 00:09:07,800 --> 00:09:10,680 Speaker 1: I thought it all fit in really well. I liked 169 00:09:10,720 --> 00:09:13,400 Speaker 1: the blame storyline of like following him around when you 170 00:09:13,400 --> 00:09:15,560 Speaker 1: move to a new city and like you don't really 171 00:09:15,640 --> 00:09:17,400 Speaker 1: have an identity of your own yet, so you like 172 00:09:17,920 --> 00:09:21,719 Speaker 1: tag onto somebody else's I loved. I was like, we 173 00:09:21,920 --> 00:09:24,560 Speaker 1: better talk about Artie and being handicapped New York City 174 00:09:24,600 --> 00:09:29,439 Speaker 1: because that is a thing. Anyway, I really loved it. 175 00:09:29,960 --> 00:09:31,960 Speaker 1: I don't know where it goes from here, Like I 176 00:09:31,960 --> 00:09:34,320 Speaker 1: don't know how much I'm gonna love like a whole 177 00:09:34,440 --> 00:09:38,760 Speaker 1: season of this, but like a launch of like a 178 00:09:38,800 --> 00:09:41,320 Speaker 1: new place and in New New York. Like I was like, 179 00:09:41,559 --> 00:09:45,360 Speaker 1: we do need something refreshing and different if you're gonna 180 00:09:45,400 --> 00:09:47,240 Speaker 1: do it so like they did it. 181 00:09:48,040 --> 00:09:51,000 Speaker 2: I'm so glad you liked it. 182 00:09:51,200 --> 00:09:55,000 Speaker 1: Oh, I like there's no stakes here for me, like 183 00:09:55,600 --> 00:09:58,280 Speaker 1: it Tina or the storylines or anything. So like, I 184 00:09:58,320 --> 00:10:01,359 Speaker 1: just had so much fun watching I feel. 185 00:10:01,400 --> 00:10:04,080 Speaker 2: My hesitance are like why I said, I feel like 186 00:10:04,080 --> 00:10:06,440 Speaker 2: it should be a different show. I think I'm more projecting. 187 00:10:06,440 --> 00:10:10,280 Speaker 2: I'm like how viewers feel about it. But you know 188 00:10:10,320 --> 00:10:13,000 Speaker 2: what I mean, like it totally when you're saying that 189 00:10:13,040 --> 00:10:15,520 Speaker 2: makes me feel better about all of it. And so like, 190 00:10:15,880 --> 00:10:16,199 Speaker 2: if this. 191 00:10:16,320 --> 00:10:19,480 Speaker 1: Was a show that aired like initially, it would be 192 00:10:19,520 --> 00:10:22,240 Speaker 1: a totally different show. I get that. I get that, 193 00:10:22,840 --> 00:10:25,840 Speaker 1: but it's not the same case. It just evolved. Yeah, 194 00:10:25,840 --> 00:10:31,240 Speaker 1: it's an evolved season. With that said, I'm let's let's 195 00:10:31,240 --> 00:10:37,319 Speaker 1: talk about some of these storylines because Rachel, a lot 196 00:10:37,320 --> 00:10:38,880 Speaker 1: of the people in the QA said, like, you know, 197 00:10:38,960 --> 00:10:40,880 Speaker 1: Rachel's starting to become a little bit of a villain, 198 00:10:41,080 --> 00:10:43,720 Speaker 1: Like she is starting to act a little crazy. She 199 00:10:43,800 --> 00:10:46,920 Speaker 1: definitely goes off the r Else in this episode, the 200 00:10:47,400 --> 00:10:53,240 Speaker 1: producer gives her a driver, which on Broadway, stars like 201 00:10:53,520 --> 00:10:56,160 Speaker 1: big stars do get a car to pick them up 202 00:10:56,200 --> 00:10:58,319 Speaker 1: and take them to the theater and drop them off. Now, 203 00:11:00,160 --> 00:11:03,880 Speaker 1: nine point nine percent of the rest of Broadway don't 204 00:11:03,880 --> 00:11:05,800 Speaker 1: get that, but it's pretty cool when you get a 205 00:11:05,840 --> 00:11:06,720 Speaker 1: car because like. 206 00:11:06,800 --> 00:11:09,320 Speaker 2: Don't get to have it all day, right, it's just too, 207 00:11:09,320 --> 00:11:11,239 Speaker 2: and from the theater exactly. 208 00:11:11,559 --> 00:11:14,560 Speaker 1: And then at night like they'll take you either home 209 00:11:14,679 --> 00:11:17,160 Speaker 1: or to wherever you want to go, a restaurant or 210 00:11:17,160 --> 00:11:21,360 Speaker 1: something like that. Yeah, no, it's not twenty four or seven. 211 00:11:21,800 --> 00:11:26,520 Speaker 1: And she takes the car initially to go downtown to 212 00:11:26,559 --> 00:11:30,880 Speaker 1: meet her friends. All of you, guys, I love this number. 213 00:11:32,160 --> 00:11:37,559 Speaker 1: You all sound great. It's refreshing. I feel like I'm 214 00:11:37,559 --> 00:11:41,480 Speaker 1: watching an episode of Mary Tyler Moore when this song happens. Wow, 215 00:11:41,559 --> 00:11:44,880 Speaker 1: it's so joyful, gleeful if you will. 216 00:11:45,200 --> 00:11:53,240 Speaker 2: Yes, it was very fun. It was. This episode was 217 00:11:53,280 --> 00:11:57,440 Speaker 2: really fun to shoot. Was it just like watching it? 218 00:11:57,440 --> 00:11:59,600 Speaker 2: It feels different, right, it feels a little more grown 219 00:11:59,640 --> 00:12:02,440 Speaker 2: up like these It felt like that shooting it. Okay, 220 00:12:02,679 --> 00:12:06,000 Speaker 2: it felt like a clean break of our lives are 221 00:12:06,080 --> 00:12:09,320 Speaker 2: different now, like in real life, like we are shooting 222 00:12:09,360 --> 00:12:12,560 Speaker 2: a different show. That's what. It was very strange because 223 00:12:12,600 --> 00:12:15,080 Speaker 2: half a lot of this episode was shot in New York. 224 00:12:17,960 --> 00:12:24,480 Speaker 2: It was yeah, Oh I couldn't tell. All the interior 225 00:12:24,480 --> 00:12:30,080 Speaker 2: stuff was obviously LA. The exterior part with Mercedes moving 226 00:12:30,080 --> 00:12:32,240 Speaker 2: into that was on Paramount. 227 00:12:33,520 --> 00:12:46,920 Speaker 1: That was the New York street. Honestly, I got tricked. Yeah, 228 00:12:47,520 --> 00:12:49,200 Speaker 1: did you know that? Like it was going to be 229 00:12:49,200 --> 00:12:51,120 Speaker 1: shot in New York, like you were going to be 230 00:12:51,400 --> 00:12:54,280 Speaker 1: going back and forth to New York a bunch before 231 00:12:54,440 --> 00:12:56,560 Speaker 1: you started this half of the season. 232 00:12:58,000 --> 00:13:00,320 Speaker 2: That's hard to remember, but I think vaguely we would 233 00:13:00,320 --> 00:13:02,680 Speaker 2: go shoot in chunks, so we wouldn't go, you know, 234 00:13:02,720 --> 00:13:06,880 Speaker 2: every week and go. We would go, Yeah, we would 235 00:13:06,880 --> 00:13:10,440 Speaker 2: go and shoot. It was you know, shooting in New 236 00:13:10,480 --> 00:13:12,360 Speaker 2: York was pretty quick because we would do a couple 237 00:13:12,440 --> 00:13:15,240 Speaker 2: takes and then we would move, so wow, two or 238 00:13:15,240 --> 00:13:21,400 Speaker 2: three days. We would shoot exteriors for several episodes. Crazy. 239 00:13:21,679 --> 00:13:23,240 Speaker 2: I mean, if you see in this episode, we're going 240 00:13:23,280 --> 00:13:25,920 Speaker 2: to all the same locations that we've already used so 241 00:13:25,960 --> 00:13:28,760 Speaker 2: we know we can use them. They're you know, Blaine 242 00:13:28,960 --> 00:13:33,800 Speaker 2: and Sam are performing Times Square again. We're doing Downtown 243 00:13:33,800 --> 00:13:38,520 Speaker 2: and Washington Square Park. We're using the same places. Got it? 244 00:13:38,679 --> 00:13:41,840 Speaker 1: Got it now? I also think there's something too, they're 245 00:13:41,880 --> 00:13:48,040 Speaker 1: only being like five six main cast. It's a better 246 00:13:48,120 --> 00:13:51,080 Speaker 1: show when there's less characters to care about and deal 247 00:13:51,120 --> 00:13:54,040 Speaker 1: with in every episode. Not to say that these you know, 248 00:13:54,080 --> 00:13:57,320 Speaker 1: we don't love all these characters, right, but like to 249 00:13:57,440 --> 00:14:00,560 Speaker 1: really focus in on a few, it just feels and 250 00:14:00,600 --> 00:14:02,839 Speaker 1: you feel like you're getting a whole story in a 251 00:14:02,880 --> 00:14:03,559 Speaker 1: whole picture. 252 00:14:03,920 --> 00:14:06,720 Speaker 2: Interesting. Yeah, I see that. You know, you're really staying 253 00:14:06,720 --> 00:14:09,600 Speaker 2: with all these Every character is serviced in one episode 254 00:14:09,600 --> 00:14:10,800 Speaker 2: which never happens. 255 00:14:11,280 --> 00:14:17,440 Speaker 1: Yes, literally, so you guys do Okay, I'm getting ahead 256 00:14:17,440 --> 00:14:19,920 Speaker 1: of myself, but you guys don't fit in the car, 257 00:14:20,120 --> 00:14:24,560 Speaker 1: and Rachel goes without you, you and Sam because you're 258 00:14:24,600 --> 00:14:25,400 Speaker 1: gonna go to lunch. 259 00:14:25,760 --> 00:14:30,360 Speaker 2: Yeah, Rachel shows up. Yeah, Artie can't go, and that's fine. 260 00:14:30,360 --> 00:14:33,040 Speaker 2: They carry on with their lives. But it's sort of 261 00:14:33,080 --> 00:14:37,320 Speaker 2: like the first indication of like, you know, life's a 262 00:14:37,360 --> 00:14:39,400 Speaker 2: little different here. This is going to be a little harder. 263 00:14:39,760 --> 00:14:44,680 Speaker 2: And then yeah, Artie gets mugged in the subway, which 264 00:14:44,720 --> 00:14:47,280 Speaker 2: is the same we use the same subway for all 265 00:14:47,320 --> 00:14:49,440 Speaker 2: of these subway moments. 266 00:14:49,960 --> 00:14:53,240 Speaker 1: Was there a point to making the man being uncrutches 267 00:14:53,760 --> 00:14:54,280 Speaker 1: versus not? 268 00:14:54,800 --> 00:14:56,920 Speaker 2: I think so. I think it was just like. 269 00:14:57,880 --> 00:15:00,520 Speaker 1: The recognizable person for later. 270 00:15:01,240 --> 00:15:07,640 Speaker 2: No. I think the gag was like by somebody. 271 00:15:07,240 --> 00:15:09,440 Speaker 1: Somebody also who crutches and. 272 00:15:09,440 --> 00:15:12,240 Speaker 2: You can't even like catch up to him. It's sort 273 00:15:12,280 --> 00:15:16,320 Speaker 2: of like the DOUBLET punch of like, are you kidding me? 274 00:15:17,000 --> 00:15:18,560 Speaker 1: Okay, okay, I understand that. 275 00:15:19,120 --> 00:15:20,840 Speaker 2: Yeah, I think it is a bit of a gag. 276 00:15:20,960 --> 00:15:22,560 Speaker 2: It's also you know comedy. 277 00:15:23,080 --> 00:15:26,640 Speaker 1: You guys running though in the subway, you chasing after him. 278 00:15:26,680 --> 00:15:29,160 Speaker 1: You're pretty close, say until you get to the stairs. 279 00:15:29,360 --> 00:15:31,840 Speaker 2: But I was pretty fascinate that. I think I had 280 00:15:31,840 --> 00:15:33,640 Speaker 2: to slow down on a side. 281 00:15:33,760 --> 00:15:36,400 Speaker 1: Sure, I mean, if you're on wheels, I would have 282 00:15:36,440 --> 00:15:40,680 Speaker 1: caught his ass, he would have. Yeah, you get mugged 283 00:15:40,880 --> 00:15:42,240 Speaker 1: in your lap, your poor little lap. 284 00:15:42,280 --> 00:15:44,880 Speaker 2: Yeah, it was so sad, And I remember, like the thing, 285 00:15:45,720 --> 00:15:51,120 Speaker 2: it was so easy to make already sad, right that, Like, 286 00:15:52,360 --> 00:15:55,080 Speaker 2: I don't ever think he's just like he's frustrated all 287 00:15:55,080 --> 00:15:57,360 Speaker 2: the time because he's like he wants to do and 288 00:15:57,440 --> 00:16:02,760 Speaker 2: be like everybody else and forgets that he has some lias. 289 00:16:03,080 --> 00:16:04,920 Speaker 1: Yeah, totally, and. 290 00:16:05,480 --> 00:16:07,440 Speaker 2: Like going to New York. And I am glad, like 291 00:16:07,480 --> 00:16:13,160 Speaker 2: you said, they addressed this immediately. And I'm also glad 292 00:16:13,200 --> 00:16:17,960 Speaker 2: that in Rachel's Delusion, which Leah was very good at, yes, 293 00:16:18,400 --> 00:16:24,080 Speaker 2: being this sort of completely disconnected person from reality, just 294 00:16:24,320 --> 00:16:27,120 Speaker 2: out of her mind, it was very funny. I think 295 00:16:27,160 --> 00:16:30,280 Speaker 2: it's very funny. But then Artie's the one to call 296 00:16:30,280 --> 00:16:32,920 Speaker 2: her out, which he does a lot in this show. 297 00:16:33,800 --> 00:16:37,600 Speaker 2: He calls her out every now and then, He's not afraid, no, 298 00:16:38,000 --> 00:16:42,720 Speaker 2: And I love that. It was so strange to be 299 00:16:43,080 --> 00:16:45,360 Speaker 2: in this group because they, you know, like half of 300 00:16:45,360 --> 00:16:47,440 Speaker 2: them had already been in New York already, and then 301 00:16:47,480 --> 00:16:50,680 Speaker 2: it's me, Cord and Darren showing up. But Cord and 302 00:16:50,720 --> 00:16:52,760 Speaker 2: Darren had been in New York for some trips. 303 00:16:53,040 --> 00:16:54,640 Speaker 1: You know, what did it feel like for you as 304 00:16:54,800 --> 00:16:57,880 Speaker 1: Kevin to show back up into this and like be 305 00:16:58,000 --> 00:17:01,400 Speaker 1: integrated into this new cast essentially. 306 00:17:01,160 --> 00:17:03,120 Speaker 2: Going into it. I don't think there was some conscious 307 00:17:03,200 --> 00:17:08,000 Speaker 2: you thought of I'm joining them right. It more felt 308 00:17:08,040 --> 00:17:11,200 Speaker 2: like Alreaty's older. Now we've done a little time jump. 309 00:17:11,400 --> 00:17:13,920 Speaker 2: You grow up quick in New York. It's a different 310 00:17:13,920 --> 00:17:16,320 Speaker 2: way of life. I felt older, and I think after 311 00:17:16,359 --> 00:17:19,199 Speaker 2: playing a high school student for so many years, it 312 00:17:19,359 --> 00:17:22,800 Speaker 2: sort of gave me like a little permission to not 313 00:17:23,000 --> 00:17:29,240 Speaker 2: be a kid anymore as Artie. And obviously we had 314 00:17:29,320 --> 00:17:30,920 Speaker 2: been in the loft and we had hung out in 315 00:17:30,960 --> 00:17:35,080 Speaker 2: the loft before. Shooting in the loft was new. Was 316 00:17:35,080 --> 00:17:36,919 Speaker 2: spending that much time in the loft was new for me. 317 00:17:39,800 --> 00:17:43,719 Speaker 2: All of it just felt so new and exciting because 318 00:17:44,480 --> 00:17:46,439 Speaker 2: to be on a show in the fifth season and 319 00:17:46,480 --> 00:17:49,800 Speaker 2: then start learning new things was just really cool because 320 00:17:49,800 --> 00:17:52,000 Speaker 2: obviously the crew and the cast that had been regularly 321 00:17:52,000 --> 00:17:55,720 Speaker 2: working on these sets knew how it worked. I was 322 00:17:55,760 --> 00:18:00,000 Speaker 2: observing their system for the first time, so weird, very weird. 323 00:18:00,119 --> 00:18:02,600 Speaker 2: And then like, we're shooting in the streets of New 324 00:18:02,680 --> 00:18:09,640 Speaker 2: York and I had never by myself, you know, been 325 00:18:09,680 --> 00:18:12,280 Speaker 2: in a wheelchair on the sidewalks of New York and 326 00:18:12,280 --> 00:18:15,600 Speaker 2: shooting the show. He'd always been big group numbers, been 327 00:18:15,600 --> 00:18:18,320 Speaker 2: doing big group numbers, and so it was. It was 328 00:18:18,359 --> 00:18:21,480 Speaker 2: really fun. It felt more like more responsibility because the 329 00:18:21,520 --> 00:18:24,960 Speaker 2: cast was smaller. It sort of felt like a slight 330 00:18:25,040 --> 00:18:29,080 Speaker 2: promotion in a way because we all did have even 331 00:18:29,200 --> 00:18:34,960 Speaker 2: storylines and for me that was new. And then like 332 00:18:35,040 --> 00:18:40,560 Speaker 2: here I'm doing a duet with Leah, which never happens, 333 00:18:40,960 --> 00:18:43,240 Speaker 2: and so all this was really fun and new. To 334 00:18:43,400 --> 00:18:48,560 Speaker 2: just be being able to explore new facets of the 335 00:18:48,600 --> 00:18:50,480 Speaker 2: show that we'd been working on for so long was 336 00:18:50,520 --> 00:18:55,040 Speaker 2: exciting totally. Also, getting slushied on the streets of New 337 00:18:55,119 --> 00:18:58,400 Speaker 2: York was It's the same. They used the same slushy 338 00:18:58,400 --> 00:19:01,320 Speaker 2: stuff as like, the car is driving me great and 339 00:19:01,359 --> 00:19:04,000 Speaker 2: I had to do it. I think twice, Oh my god, 340 00:19:04,160 --> 00:19:06,160 Speaker 2: it doesn't even look like that much on camera, but. 341 00:19:06,119 --> 00:19:08,040 Speaker 1: It was was that in that was in New York. 342 00:19:08,200 --> 00:19:10,240 Speaker 2: That was in New York. What I want to do 343 00:19:10,280 --> 00:19:13,160 Speaker 2: spelling bee. I was walking to rehearsal and I looked 344 00:19:13,160 --> 00:19:14,800 Speaker 2: at the corner and I was like, that's why. 345 00:19:14,840 --> 00:19:15,120 Speaker 1: I guess. 346 00:19:15,160 --> 00:19:16,960 Speaker 2: I'm like, I think that's the corner. And I had 347 00:19:16,960 --> 00:19:22,720 Speaker 2: this feeling the pitomized stomach, like watch out, I remember. 348 00:19:22,400 --> 00:19:25,040 Speaker 1: It so weird. Yeah, I always got to bring back 349 00:19:25,040 --> 00:19:28,640 Speaker 1: to the slash y. I appreciate that, just a simple reminder. 350 00:19:28,720 --> 00:19:32,040 Speaker 1: It's just a touch of humility. Let's talk about the 351 00:19:32,880 --> 00:19:36,879 Speaker 1: subway number, because it is funny. You had said like 352 00:19:36,960 --> 00:19:40,920 Speaker 1: you're kind of like exploring this new thing and kind 353 00:19:40,920 --> 00:19:45,960 Speaker 1: of like, uh an artis too. And so Rachel once 354 00:19:46,000 --> 00:19:48,560 Speaker 1: brought back down to earth a little bit and taking 355 00:19:48,600 --> 00:19:51,639 Speaker 1: the subway again, getting rid of the car, getting herself 356 00:19:51,640 --> 00:19:54,440 Speaker 1: a tea, Like she comes back down to earth thanks 357 00:19:54,440 --> 00:19:58,000 Speaker 1: to her friends and realizing that she's better without it. 358 00:19:58,119 --> 00:20:00,480 Speaker 1: You guys, she's going to help you conquer your fear 359 00:20:00,480 --> 00:20:02,920 Speaker 1: in the subway, you guys, sing, don't sleep in the subway. 360 00:20:03,160 --> 00:20:07,520 Speaker 1: There's also a Twitter post that San Santas are pretty 361 00:20:07,520 --> 00:20:10,680 Speaker 1: sure that like somebody was watching you guys while on 362 00:20:10,720 --> 00:20:13,720 Speaker 1: the subway platform from across the other on the other 363 00:20:13,840 --> 00:20:16,199 Speaker 1: going the other way, like of you guys filming it, 364 00:20:16,240 --> 00:20:17,919 Speaker 1: so we see like the camera creo, we see you 365 00:20:17,920 --> 00:20:19,720 Speaker 1: guys coming out of the subway. It was so cool 366 00:20:19,720 --> 00:20:21,080 Speaker 1: and I was like, who is that? And then I 367 00:20:21,119 --> 00:20:22,840 Speaker 1: watched the episode and I was like, Oh my god, 368 00:20:22,960 --> 00:20:29,000 Speaker 1: that's my friends. It's such a great, great number. We 369 00:20:29,040 --> 00:20:33,919 Speaker 1: have some friends in that in the subways dancing with y'all. 370 00:20:35,760 --> 00:20:41,879 Speaker 1: The subway is so jarring to take in general, to 371 00:20:42,000 --> 00:20:44,840 Speaker 1: shoot a show and a musical number and a subway 372 00:20:45,600 --> 00:20:48,639 Speaker 1: is very scary to me, Like what what did they do? 373 00:20:48,720 --> 00:20:51,080 Speaker 1: Did they block it off where there are no subways 374 00:20:51,119 --> 00:20:53,760 Speaker 1: coming by? Like how did they do that? From a 375 00:20:53,800 --> 00:20:56,800 Speaker 1: production standpoint. 376 00:20:56,200 --> 00:20:58,359 Speaker 2: So, I don't know how the subway we used. I 377 00:20:58,400 --> 00:21:04,440 Speaker 2: don't know if it's normally functioning. I don't know that situation. 378 00:21:04,520 --> 00:21:09,920 Speaker 2: But we had for the entire day the one part 379 00:21:09,920 --> 00:21:13,280 Speaker 2: of the platform and the platform we were on. We 380 00:21:13,320 --> 00:21:15,919 Speaker 2: shot all that subway stuff, the mugging, all on that 381 00:21:16,000 --> 00:21:22,160 Speaker 2: same platform, and then we had one actual train got 382 00:21:22,160 --> 00:21:24,600 Speaker 2: it and we would run it back and forth. I 383 00:21:24,600 --> 00:21:28,240 Speaker 2: think we were one stop below Times Square, Oh my god, 384 00:21:28,560 --> 00:21:31,280 Speaker 2: and we would run it back and forth between the 385 00:21:31,320 --> 00:21:33,040 Speaker 2: station we were at in Times Square. 386 00:21:33,760 --> 00:21:36,360 Speaker 1: Oh my god, sometimes you get. 387 00:21:36,160 --> 00:21:38,280 Speaker 2: Stuck in the middle of it. And so we have 388 00:21:38,359 --> 00:21:40,919 Speaker 2: all these dancers, there's camera crew with the heavy camera, 389 00:21:42,320 --> 00:21:45,200 Speaker 2: and we're just like sitting there and it's hot. And 390 00:21:46,359 --> 00:21:48,080 Speaker 2: it was very strange. 391 00:21:48,160 --> 00:21:50,879 Speaker 1: Now with you guys on the train, because I'd imagine 392 00:21:50,880 --> 00:21:54,120 Speaker 1: there's like not a lot of like communication on time. 393 00:21:54,160 --> 00:21:58,280 Speaker 2: I don't remember. To be honest, I don't remember, but 394 00:21:58,400 --> 00:22:01,480 Speaker 2: it's so hard. It was so weird though, because we 395 00:22:01,640 --> 00:22:05,040 Speaker 2: pull up to the Times Square stop and then it's 396 00:22:05,080 --> 00:22:08,040 Speaker 2: obviously just like so full of people, and then we're 397 00:22:08,040 --> 00:22:10,879 Speaker 2: all in. They're like, hi, we're not getting off, and 398 00:22:10,920 --> 00:22:12,800 Speaker 2: then we you know, started back up and we shoot 399 00:22:12,800 --> 00:22:14,840 Speaker 2: it again on the way back. Totally, and so we 400 00:22:14,840 --> 00:22:16,520 Speaker 2: were just running it. But I love that number. 401 00:22:17,200 --> 00:22:18,240 Speaker 1: Oh it's so good. 402 00:22:18,560 --> 00:22:21,719 Speaker 2: I thought all those moments on the train it was 403 00:22:21,760 --> 00:22:24,679 Speaker 2: like a real like a real musical. It's not just 404 00:22:24,760 --> 00:22:28,000 Speaker 2: us walking around and doing things. It was totally. I 405 00:22:28,080 --> 00:22:31,240 Speaker 2: really loved it and it was really fun to shoot. Yeah, 406 00:22:31,240 --> 00:22:38,080 Speaker 2: our dancer friends like Alexander was there. It's just so nice, like, yeah, Lexi. 407 00:22:38,240 --> 00:22:41,480 Speaker 1: You guys sounded great. I love the energy. It is 408 00:22:41,520 --> 00:22:42,520 Speaker 1: such a good number. 409 00:22:42,960 --> 00:22:46,600 Speaker 2: I loved it. I loved it. I was also so surprised, 410 00:22:46,680 --> 00:22:49,159 Speaker 2: like that first shot in the subway when everybody's moving 411 00:22:49,280 --> 00:22:52,640 Speaker 2: and it's like, oh, yes, like come on, yeah, yeah, 412 00:22:52,720 --> 00:22:54,760 Speaker 2: we've never done this, you know, when we were talking 413 00:22:54,760 --> 00:23:00,280 Speaker 2: about some of those recent Hallway musical numbers, Yes, finding 414 00:23:00,320 --> 00:23:03,480 Speaker 2: me of that where it's like, yeah, something new and 415 00:23:03,520 --> 00:23:06,159 Speaker 2: elevated and we're really using like the space we're in 416 00:23:06,920 --> 00:23:10,080 Speaker 2: and it was just really fun. Leah and I. Leah 417 00:23:10,080 --> 00:23:11,800 Speaker 2: took me to lunch that day. I went to lunch 418 00:23:11,800 --> 00:23:16,760 Speaker 2: with her family. It was it was fun. Yeah, And 419 00:23:16,800 --> 00:23:19,879 Speaker 2: it was like shooting in a new location in New 420 00:23:19,960 --> 00:23:23,199 Speaker 2: York was crazy, like how because you know, like you 421 00:23:23,240 --> 00:23:26,080 Speaker 2: have questions. I had questions like how does this work? 422 00:23:26,720 --> 00:23:30,919 Speaker 2: How are we going to do this? I remember and 423 00:23:30,960 --> 00:23:33,639 Speaker 2: we've talked to Jesslin about this. But while we were shooting, 424 00:23:34,359 --> 00:23:36,760 Speaker 2: a train pulled up and it had Jescelin' space on 425 00:23:36,800 --> 00:23:39,800 Speaker 2: it because she was on the show Vikings. So funny, 426 00:23:40,280 --> 00:23:46,080 Speaker 2: so weird, like we're in character right shooting the show 427 00:23:46,200 --> 00:23:49,760 Speaker 2: she used to be on. You see Terry Shooster as 428 00:23:49,800 --> 00:23:52,760 Speaker 2: a Viking across the platform and so I took a 429 00:23:52,760 --> 00:23:53,960 Speaker 2: picture of it and sent it to her and it 430 00:23:54,040 --> 00:23:57,960 Speaker 2: was so strange, but it was really fun. Also, it's 431 00:23:58,000 --> 00:23:59,919 Speaker 2: because of where we were, you know, when we shooting. 432 00:24:00,000 --> 00:24:02,320 Speaker 2: So normally there's like hundreds of people watching, and you 433 00:24:02,359 --> 00:24:04,800 Speaker 2: see that in a lot of these other numbers, but 434 00:24:05,080 --> 00:24:07,639 Speaker 2: it was much easier to block off with people watching. 435 00:24:07,720 --> 00:24:08,920 Speaker 2: It was much more limited. 436 00:24:09,520 --> 00:24:12,320 Speaker 1: Sure, I loved it. I loved all of it. I 437 00:24:12,320 --> 00:24:16,440 Speaker 1: love seeing Ardy in New York. It's very exciting Kurt 438 00:24:16,520 --> 00:24:19,440 Speaker 1: and Blaine. So Blaine moves to New York and Kurt 439 00:24:19,520 --> 00:24:23,000 Speaker 1: moves in and Sam is couch surfing with them. For 440 00:24:23,160 --> 00:24:29,240 Speaker 1: too long, we'll get to Sam. But they're having a 441 00:24:29,280 --> 00:24:33,399 Speaker 1: great time. They're living their life together. It's so weird 442 00:24:33,440 --> 00:24:36,960 Speaker 1: to see a young couple living together at that point 443 00:24:36,960 --> 00:24:40,640 Speaker 1: in time, because obviously you're like, God, they're so young, 444 00:24:40,720 --> 00:24:45,199 Speaker 1: they shouldn't be living together. But Blaine is also just 445 00:24:45,320 --> 00:24:48,800 Speaker 1: having an identity crisis because he's gotten to New York 446 00:24:48,800 --> 00:24:52,879 Speaker 1: and he doesn't quite know what to do with himself. 447 00:24:52,880 --> 00:24:55,360 Speaker 1: He's following Kurt around, Kurt's starting to feel like he's 448 00:24:55,359 --> 00:24:57,760 Speaker 1: in a box. I love them. Mind scene at the 449 00:24:57,800 --> 00:25:00,680 Speaker 1: classroom scene where Blaine gets into he tells me you 450 00:25:00,720 --> 00:25:04,720 Speaker 1: get almost all of his classes, and then the mind 451 00:25:04,840 --> 00:25:08,560 Speaker 1: teachers like you're in a box. The person next to you, 452 00:25:08,560 --> 00:25:13,560 Speaker 1: you're the box is getting smaller. But I appreciate that 453 00:25:13,680 --> 00:25:16,959 Speaker 1: storyline because all of you guys are entering into a 454 00:25:17,080 --> 00:25:21,920 Speaker 1: new chapter and like to actually address it and make 455 00:25:22,000 --> 00:25:25,960 Speaker 1: it into the story. I think that's part of why 456 00:25:26,000 --> 00:25:29,320 Speaker 1: it's like watching you guys transition was like we're in 457 00:25:29,440 --> 00:25:30,280 Speaker 1: on it all. 458 00:25:30,440 --> 00:25:35,720 Speaker 2: Yeah, totally, you know. I also, as like fans of 459 00:25:35,840 --> 00:25:39,720 Speaker 2: Kurt and Blaine, it's nice to see them put into 460 00:25:39,840 --> 00:25:44,040 Speaker 2: different situations because, as we were saying, you know, during 461 00:25:44,040 --> 00:25:46,199 Speaker 2: the Hot Takes episode, like Kurt's storyline a lot of 462 00:25:46,200 --> 00:25:50,240 Speaker 2: the time was a bit redundant for a while. And 463 00:25:50,800 --> 00:25:53,399 Speaker 2: seeing it also felt like Chris. I think we were 464 00:25:53,440 --> 00:25:58,080 Speaker 2: all energized coming into this, and it seemed like Chris 465 00:25:58,720 --> 00:26:02,400 Speaker 2: and Darren, everybody he was more energized in a way 466 00:26:02,480 --> 00:26:05,240 Speaker 2: because we get to do different things with the characters. 467 00:26:05,359 --> 00:26:09,040 Speaker 2: And seeing Chris act this out with there and I 468 00:26:09,040 --> 00:26:12,280 Speaker 2: thought was so funny and like, great, we know Chris 469 00:26:12,359 --> 00:26:15,480 Speaker 2: is an incredible dramatic actor and he's also an incredible 470 00:26:15,480 --> 00:26:19,200 Speaker 2: comedic actor, and a lot of this was very much 471 00:26:19,760 --> 00:26:23,000 Speaker 2: we're given looks were uncomfortable. I'm saying a lot when 472 00:26:23,040 --> 00:26:23,800 Speaker 2: I don't have to say it. 473 00:26:23,840 --> 00:26:26,200 Speaker 1: Actually, Yes, And. 474 00:26:27,520 --> 00:26:30,040 Speaker 2: I thought Darren was so good that I'm so glad 475 00:26:30,080 --> 00:26:31,120 Speaker 2: Adam Lambert's back. 476 00:26:31,800 --> 00:26:35,880 Speaker 1: Oh so sweet. I was thrilled to see Adam Lambert back, 477 00:26:36,040 --> 00:26:37,840 Speaker 1: just because, like, I feel like these guest stars they 478 00:26:37,960 --> 00:26:40,480 Speaker 1: don't really get the time, and like Adam is so good. 479 00:26:41,320 --> 00:26:44,119 Speaker 1: I like that storyline of like Blaine kind of coming 480 00:26:44,160 --> 00:26:48,959 Speaker 1: in and confronting Elliott for something so ridiculous, but like 481 00:26:50,560 --> 00:26:52,639 Speaker 1: and then Kurt getting mad, being like this is the 482 00:26:52,680 --> 00:26:55,440 Speaker 1: only friend that I made here and I had here 483 00:26:55,560 --> 00:26:59,959 Speaker 1: and like you, It's just the whole storyline was like 484 00:27:00,200 --> 00:27:05,200 Speaker 1: so realistic to me when a couple one one's been 485 00:27:05,240 --> 00:27:08,080 Speaker 1: somewhere already and finding their footing and their space, and 486 00:27:08,119 --> 00:27:10,320 Speaker 1: then the other one kind of just infringes on everything 487 00:27:10,359 --> 00:27:15,199 Speaker 1: that's going on around it. And I like Blaine and 488 00:27:15,200 --> 00:27:17,879 Speaker 1: Elliott too, Like I like that scene. I loved watching 489 00:27:17,920 --> 00:27:22,240 Speaker 1: their chemistry. I thought they were great. It was just 490 00:27:22,280 --> 00:27:24,600 Speaker 1: watching all of these characters that we've been watching for 491 00:27:24,640 --> 00:27:26,959 Speaker 1: this whole season now being intertwined. 492 00:27:27,640 --> 00:27:30,040 Speaker 2: Yes, and all the plans they've been talking about for 493 00:27:30,160 --> 00:27:36,000 Speaker 2: years for seasons, Yes are now happening. Yes, and to see. 494 00:27:36,800 --> 00:27:42,680 Speaker 2: I thought the full Blaine freak out was so good. 495 00:27:43,920 --> 00:27:47,080 Speaker 2: And also it's like, yeah, he's projecting. He's accusing Kurt 496 00:27:47,160 --> 00:27:48,960 Speaker 2: of cheating. He's like, well you were the cheating. 497 00:27:49,400 --> 00:27:49,680 Speaker 1: Yeah. 498 00:27:49,800 --> 00:27:53,080 Speaker 2: I like that, that's why. Yeah, I do love you 499 00:27:53,119 --> 00:27:55,159 Speaker 2: make me feel so young that Blaine and Kurt do 500 00:27:55,880 --> 00:27:57,200 Speaker 2: so it was so cute. 501 00:27:57,680 --> 00:28:01,240 Speaker 1: So cute. And then also a rock star by Elliott 502 00:28:01,280 --> 00:28:04,640 Speaker 1: and Kurt that we get as well, so good. 503 00:28:05,080 --> 00:28:10,360 Speaker 2: I mean, Adam Lambert, Adam Lambert, It's just not okay. 504 00:28:10,760 --> 00:28:12,160 Speaker 2: I just don't understand. 505 00:28:12,680 --> 00:28:15,080 Speaker 1: It's like otherworldly. 506 00:28:15,480 --> 00:28:17,560 Speaker 2: He there were a couple of times in that song 507 00:28:17,600 --> 00:28:19,639 Speaker 2: where he just seems like one note, you know, like 508 00:28:19,680 --> 00:28:22,520 Speaker 2: as an ad lib. Oh my damn, that is good. 509 00:28:23,000 --> 00:28:25,879 Speaker 1: Oh my god, I love this. I loved all of 510 00:28:25,920 --> 00:28:28,119 Speaker 1: these numbers. I think they all fit in so beautifully, 511 00:28:28,160 --> 00:28:32,560 Speaker 1: Like everybody they It felt like, again we were getting 512 00:28:32,680 --> 00:28:36,560 Speaker 1: songs that fit the storyline at the storyline, you know, 513 00:28:36,720 --> 00:28:40,520 Speaker 1: like fitting into the songs. Yeah, and then tagging onto 514 00:28:40,560 --> 00:28:43,720 Speaker 1: this this Kurt Blaine storyline is Sam who's couch surfing. 515 00:28:45,120 --> 00:28:48,120 Speaker 1: He came to pursue his modeling career. He hasn't cannot 516 00:28:48,120 --> 00:28:50,520 Speaker 1: get in touch with his agent. He's playing, you know, 517 00:28:50,680 --> 00:28:55,320 Speaker 1: video games all day long. Won't like living in dirty clothes, 518 00:28:56,280 --> 00:28:59,320 Speaker 1: very unmotivated, kind of scared to go outside, which is 519 00:28:59,360 --> 00:29:02,480 Speaker 1: also real. Like kids who go to college in the 520 00:29:02,520 --> 00:29:04,560 Speaker 1: city who have never Like I went to school in 521 00:29:04,600 --> 00:29:07,480 Speaker 1: New York City. That was my campus, and I saw 522 00:29:07,560 --> 00:29:10,480 Speaker 1: kids from coming from the Midwest, like with their suitcase, 523 00:29:10,520 --> 00:29:14,400 Speaker 1: like thoroughly Matyren Millie, like coming to pursue their dreams 524 00:29:14,440 --> 00:29:17,840 Speaker 1: on Broadway, and like, you know, they're like, hop, do 525 00:29:17,960 --> 00:29:20,960 Speaker 1: it here, learn how to get to school on the subway, 526 00:29:21,320 --> 00:29:23,160 Speaker 1: learn how to get to school, take the bus, buy 527 00:29:23,160 --> 00:29:26,640 Speaker 1: a metro card, figure your way, your you know, way 528 00:29:26,640 --> 00:29:30,360 Speaker 1: to navigate the city. So like your you just got 529 00:29:30,400 --> 00:29:34,120 Speaker 1: to jump in, yes, Like it's a scary place to 530 00:29:34,200 --> 00:29:36,400 Speaker 1: start out as a you know, a kid out of 531 00:29:36,440 --> 00:29:40,240 Speaker 1: high school. And I love that sam Uh was kind 532 00:29:40,240 --> 00:29:42,840 Speaker 1: of like scared of it all. So the Blatant and 533 00:29:43,680 --> 00:29:49,640 Speaker 1: sam number, even though it was locations that they used before, 534 00:29:50,160 --> 00:29:53,000 Speaker 1: like that we've all seen before, the whole cast and 535 00:29:53,320 --> 00:29:56,160 Speaker 1: show has used, it felt new. And I love this 536 00:29:56,320 --> 00:29:58,760 Speaker 1: song and I love them together. 537 00:29:58,560 --> 00:30:02,960 Speaker 2: And I sound together. So just blam is the best. 538 00:30:03,280 --> 00:30:05,160 Speaker 1: I know. Why are they so good? 539 00:30:05,400 --> 00:30:08,160 Speaker 2: I don't know. I think because in real life they're 540 00:30:08,200 --> 00:30:12,720 Speaker 2: just like bros. Yeah that's right, they're just bros. And 541 00:30:12,720 --> 00:30:15,960 Speaker 2: they're silly and stupid and down. The clown and. 542 00:30:17,560 --> 00:30:19,960 Speaker 1: Blaine and the character I don't know, it all kind 543 00:30:19,960 --> 00:30:21,959 Speaker 1: of like seems into one and I just love it. 544 00:30:22,000 --> 00:30:25,320 Speaker 1: And he's helping him kind of like get out of 545 00:30:25,320 --> 00:30:27,160 Speaker 1: a shell and see all the things there are to 546 00:30:27,200 --> 00:30:29,720 Speaker 1: see in New York and helping him kind of like 547 00:30:29,800 --> 00:30:35,080 Speaker 1: find himself again. So Sam actually gets a gig and 548 00:30:35,240 --> 00:30:40,400 Speaker 1: he moves out, he cuts his hair. Do you remember that? 549 00:30:40,560 --> 00:30:43,560 Speaker 1: Like him and Rihanna, who we know from nine zero one. 550 00:30:43,840 --> 00:30:48,080 Speaker 1: She was actually the one cutting chords hair in the 551 00:30:48,200 --> 00:30:50,840 Speaker 1: musical in the scene because I was like, who is 552 00:30:50,880 --> 00:30:53,200 Speaker 1: cutting chords hair right now? What is he letting cut 553 00:30:53,200 --> 00:30:55,840 Speaker 1: his hair cut? And that's Rihanna, who's one of the 554 00:30:55,840 --> 00:30:58,880 Speaker 1: best in the bids. She does everybody, So I was like, oh, 555 00:30:58,960 --> 00:31:03,520 Speaker 1: that's another friend. Ways Anglely, did you see Peacock in 556 00:31:03,560 --> 00:31:07,080 Speaker 1: the No A Times Square Number No? 557 00:31:08,280 --> 00:31:11,239 Speaker 2: I to go back and yeah, Peacock was like our 558 00:31:11,280 --> 00:31:15,160 Speaker 2: assistant choreographer for a while, and he is one of 559 00:31:15,200 --> 00:31:19,280 Speaker 2: the dancers during that number of yes, and now he's 560 00:31:19,320 --> 00:31:22,080 Speaker 2: an incredible music director and creative director. 561 00:31:21,840 --> 00:31:22,240 Speaker 1: Get it. 562 00:31:23,040 --> 00:31:27,800 Speaker 2: I love who Sam has become because you take him 563 00:31:27,840 --> 00:31:30,320 Speaker 2: to the big He's always been a good person, yes, 564 00:31:30,880 --> 00:31:32,360 Speaker 2: but you take him to the big city and he's 565 00:31:32,360 --> 00:31:35,320 Speaker 2: scared of it and intimidated. But he spends like the 566 00:31:35,360 --> 00:31:40,600 Speaker 2: first night in the model apartment and his roommate. Also, 567 00:31:40,640 --> 00:31:43,680 Speaker 2: that moment of looking at girl Sam for the first 568 00:31:43,680 --> 00:31:46,680 Speaker 2: time was so good. But you know, seeing like all 569 00:31:46,720 --> 00:31:49,120 Speaker 2: these pills and she's giving him like water pills and 570 00:31:49,160 --> 00:31:51,479 Speaker 2: all these things, and he's like, I'm out, I gotta go. 571 00:31:51,520 --> 00:31:53,320 Speaker 2: I want to do it the right way. And also 572 00:31:53,520 --> 00:31:57,200 Speaker 2: his friendship with Blaine has always been so special, like 573 00:31:57,240 --> 00:31:59,720 Speaker 2: they need each other in so many ways. Yes, and 574 00:31:59,760 --> 00:32:04,400 Speaker 2: it is. It's really nice to see a straight guy 575 00:32:04,400 --> 00:32:09,520 Speaker 2: and gay guy relationship that young, because I don't feel 576 00:32:09,560 --> 00:32:12,640 Speaker 2: like I see that enough, especially in twenty fourteen. I 577 00:32:12,680 --> 00:32:16,480 Speaker 2: wasn't seeing that a lot teens who are best friends 578 00:32:16,480 --> 00:32:19,440 Speaker 2: and one's gay and one straight and there's no like Obviously, 579 00:32:19,480 --> 00:32:23,160 Speaker 2: Blaine had a little moment with fatuation with Sam for 580 00:32:23,200 --> 00:32:26,080 Speaker 2: a little bit, but Sam didn't care. That didn't affect 581 00:32:26,080 --> 00:32:28,480 Speaker 2: their relationship in a negative way, and now here they 582 00:32:28,520 --> 00:32:32,040 Speaker 2: are helping each other in this next chapter of their lives, 583 00:32:32,560 --> 00:32:35,440 Speaker 2: and that just I mean, as a fan of that 584 00:32:35,720 --> 00:32:37,760 Speaker 2: in them, it just meant a lot, I think to 585 00:32:37,840 --> 00:32:40,280 Speaker 2: me to be able to see that portrayed. 586 00:32:41,000 --> 00:32:46,120 Speaker 1: Yeah, I agree. And then Mercedes comes, which I didn't 587 00:32:46,440 --> 00:32:50,440 Speaker 1: remember that Mercedes is in this Is she now in 588 00:32:50,480 --> 00:32:52,720 Speaker 1: New York with you guys for the rest of the season. 589 00:32:53,720 --> 00:32:55,520 Speaker 2: Yes, I think so, Yes, okay. 590 00:32:55,920 --> 00:33:00,400 Speaker 1: And she comes to pursue her her recording dream. She's 591 00:33:00,400 --> 00:33:03,240 Speaker 1: gonna work on her album, and Sam and Mercedes of 592 00:33:03,280 --> 00:33:05,560 Speaker 1: course have this adorable scene in her apartment. 593 00:33:05,720 --> 00:33:07,720 Speaker 2: Oh oh, oh my god. 594 00:33:07,720 --> 00:33:11,320 Speaker 1: I just again another ship that I love. 595 00:33:11,720 --> 00:33:13,360 Speaker 2: There's nothing better than them. 596 00:33:14,000 --> 00:33:16,480 Speaker 1: I think this is why too. Like the chemistry between 597 00:33:16,600 --> 00:33:21,040 Speaker 1: all these like duo storylines were just like favorites you 598 00:33:21,080 --> 00:33:23,040 Speaker 1: know that we haven't seen in a while. And it 599 00:33:23,120 --> 00:33:26,640 Speaker 1: was like, yes, give it all to me. They're great. 600 00:33:26,920 --> 00:33:27,680 Speaker 1: They were great. 601 00:33:28,200 --> 00:33:32,800 Speaker 2: They're so good and I love just like Sam immediately 602 00:33:32,800 --> 00:33:36,480 Speaker 2: addressing their sexual chemistry, I love it and her being 603 00:33:36,520 --> 00:33:39,120 Speaker 2: like no, no, it's like also very amber. 604 00:33:39,720 --> 00:33:42,960 Speaker 1: Yeah, yes, it's so cute. I really I really like 605 00:33:43,040 --> 00:33:48,680 Speaker 1: them together. But Sam is gonna actually rent rent for Mercedes, right, 606 00:33:48,800 --> 00:33:51,760 Speaker 1: so now they're living there and Blaine all living there. Yes, 607 00:33:51,840 --> 00:33:53,920 Speaker 1: so Sam and Blaine are gonna go live there. That's 608 00:33:54,120 --> 00:33:56,760 Speaker 1: crazy because Blaine has also decided that it's best for 609 00:33:56,840 --> 00:33:59,440 Speaker 1: them that Blaine get his own new start and stuff. 610 00:33:59,480 --> 00:34:00,960 Speaker 1: He's going to move about as well, and he's not 611 00:34:00,960 --> 00:34:04,200 Speaker 1: gonna live with Kurt anymore, which I thought would be 612 00:34:04,240 --> 00:34:06,280 Speaker 1: more of a like a bigger deal, like if you 613 00:34:06,320 --> 00:34:09,239 Speaker 1: were Kurt, right and you're like, my boyfriend's moving out. Now. 614 00:34:09,320 --> 00:34:11,319 Speaker 1: That's not exactly what I was hoping for, but like, 615 00:34:11,600 --> 00:34:14,600 Speaker 1: I don't know, maybe it is, but I think it 616 00:34:14,640 --> 00:34:18,000 Speaker 1: was a really well written scene where they talk all 617 00:34:18,040 --> 00:34:20,880 Speaker 1: about it, and I, yes, it's like an education and 618 00:34:20,920 --> 00:34:23,080 Speaker 1: effective communication and a relationship. 619 00:34:23,480 --> 00:34:25,480 Speaker 2: It's like this is very mature that you go through 620 00:34:25,480 --> 00:34:30,239 Speaker 2: your thing where you're each having your reactions right, like 621 00:34:30,360 --> 00:34:33,240 Speaker 2: Kurt's like this is too much, I'm suffocating and Blaine 622 00:34:33,280 --> 00:34:35,520 Speaker 2: is like, I'm going to make it office and like 623 00:34:35,560 --> 00:34:37,560 Speaker 2: your design sucks and I want to be with you 624 00:34:37,600 --> 00:34:40,080 Speaker 2: all the time. And they're not communicating. They don't know 625 00:34:40,120 --> 00:34:41,719 Speaker 2: how to do this. It's the first time they've ever 626 00:34:43,360 --> 00:34:48,040 Speaker 2: been in this situation, and so having that sort of 627 00:34:48,160 --> 00:34:52,200 Speaker 2: explosion and then the release of that and being able 628 00:34:52,239 --> 00:34:55,319 Speaker 2: to like talk about it was really nice. I really 629 00:34:55,400 --> 00:34:58,759 Speaker 2: enjoyed that scene because it was a real conversation like 630 00:34:58,880 --> 00:35:00,719 Speaker 2: is this bad? Does this mean we're not going to 631 00:35:00,760 --> 00:35:04,000 Speaker 2: be together sort of thing, and like, yeah, this will 632 00:35:04,000 --> 00:35:07,719 Speaker 2: actually save our relationship, this will be better for our relationship. 633 00:35:07,880 --> 00:35:11,760 Speaker 1: So and I want to see Three's company in that apartment. Anyways, 634 00:35:13,920 --> 00:35:18,760 Speaker 1: totally look, if this is what the rest of season 635 00:35:18,800 --> 00:35:21,000 Speaker 1: five is going to be, like, I'm here for it. 636 00:35:21,560 --> 00:35:24,600 Speaker 1: I don't know about you as an STD. I don't 637 00:35:24,640 --> 00:35:27,520 Speaker 1: know where these episodes are going. I will say that 638 00:35:27,680 --> 00:35:30,520 Speaker 1: I'm just I'm open and I'm excited. 639 00:35:31,360 --> 00:35:35,080 Speaker 2: I like the STD storyline. 640 00:35:35,840 --> 00:35:37,279 Speaker 1: I didn't know that. I thought you hated it. 641 00:35:37,520 --> 00:35:39,880 Speaker 2: No, no, no, I was just cold in that one scene. Okay, 642 00:35:39,920 --> 00:35:44,640 Speaker 2: and the outfit is weird, However, I think it's really funny. 643 00:35:45,040 --> 00:35:45,480 Speaker 1: Got it? 644 00:35:45,920 --> 00:35:48,560 Speaker 2: And you know, I'm just thinking. I think after the 645 00:35:48,719 --> 00:35:51,840 Speaker 2: real life events that we've all been through during the season, 646 00:35:52,560 --> 00:35:56,560 Speaker 2: to have the shift it feels really good. It feels 647 00:35:56,600 --> 00:36:01,680 Speaker 2: like a new start, and it felt like something we 648 00:36:01,680 --> 00:36:05,200 Speaker 2: could sink our teeth into and honestly get out of 649 00:36:05,239 --> 00:36:08,719 Speaker 2: the same place as we had been in that were 650 00:36:08,840 --> 00:36:11,360 Speaker 2: hard to be in whilst grieving. 651 00:36:11,560 --> 00:36:15,520 Speaker 1: You know, yes, well said I do think a fresh 652 00:36:15,520 --> 00:36:20,520 Speaker 1: start was intentional on the writer's part too, probably. 653 00:36:20,960 --> 00:36:24,040 Speaker 2: Get us something to note during this episode. In the 654 00:36:24,040 --> 00:36:28,040 Speaker 2: episode before, I had gotten a movie with Dustin Hoffman 655 00:36:28,160 --> 00:36:31,840 Speaker 2: with Dustin Hoffman, and I was really scared because like, 656 00:36:31,880 --> 00:36:34,160 Speaker 2: how am I going to get to do this movie? 657 00:36:34,360 --> 00:36:37,520 Speaker 2: And I'm bringing it up now for context for the 658 00:36:37,560 --> 00:36:43,400 Speaker 2: next episode, so just remember this. And I got approval 659 00:36:43,440 --> 00:36:47,640 Speaker 2: from Ryan. Brian was like, absolutely, go do it. You 660 00:36:47,680 --> 00:36:51,640 Speaker 2: can take an episode off. I'm like, cool, that's great. 661 00:36:54,280 --> 00:36:58,319 Speaker 2: Logistics didn't go so well. Things were not communicated to 662 00:36:58,360 --> 00:37:02,439 Speaker 2: writers or anybody. And that's not Ryan's falt, by the way, 663 00:37:02,600 --> 00:37:06,040 Speaker 2: I won't call his fault. It was Ryan did nothing wrong. 664 00:37:06,239 --> 00:37:12,440 Speaker 2: Ryan actually made repeated attempts to help the situation. And 665 00:37:12,480 --> 00:37:12,759 Speaker 2: then what. 666 00:37:12,800 --> 00:37:15,920 Speaker 1: Happened Kevin when you opened your script up for next week. 667 00:37:15,880 --> 00:37:19,279 Speaker 2: Well, Michael Hitchcock came up to me on set while 668 00:37:19,280 --> 00:37:22,200 Speaker 2: we were filming something and he goes, oh, we have 669 00:37:22,280 --> 00:37:24,440 Speaker 2: such a fun thing for you next episode. And I 670 00:37:24,480 --> 00:37:27,080 Speaker 2: was like, oh, I'm not here next episode. He's like, no, 671 00:37:27,480 --> 00:37:34,360 Speaker 2: you're the a storyline next episode. He was like, god, okay, 672 00:37:34,480 --> 00:37:37,840 Speaker 2: because that's not the writer's fault. They didn't know, and 673 00:37:38,000 --> 00:37:40,759 Speaker 2: I just had to like go call my manager and. 674 00:37:40,800 --> 00:37:43,960 Speaker 1: Agents and I remember this, I was here for this, 675 00:37:44,200 --> 00:37:46,520 Speaker 1: that's like I remember. 676 00:37:46,200 --> 00:37:48,080 Speaker 2: Yeah, I think that was the episode before this was happening. 677 00:37:48,200 --> 00:37:50,600 Speaker 1: Yes, yes, so they were ahead and they were writing, 678 00:37:50,640 --> 00:37:53,680 Speaker 1: and I remember you being like no, no, no, no, no. 679 00:37:53,520 --> 00:37:56,200 Speaker 2: No no, absolutely, I'm completely freaking out. 680 00:38:04,160 --> 00:38:14,040 Speaker 1: Okay, let's grade these performances downtown A yeah. I mean 681 00:38:14,080 --> 00:38:15,920 Speaker 1: I was gonna give it a solid ay and I 682 00:38:15,920 --> 00:38:17,560 Speaker 1: don't know if it's better or worse than A. 683 00:38:18,120 --> 00:38:22,400 Speaker 2: There's also some inappropriate paparazzi photos from that day because 684 00:38:22,760 --> 00:38:25,400 Speaker 2: Cored and I were acting A full but yeah. 685 00:38:25,120 --> 00:38:31,520 Speaker 1: We love that. You make me feel so young B 686 00:38:31,600 --> 00:38:34,920 Speaker 1: plus YEA B plus I agreed, best day of my 687 00:38:35,000 --> 00:38:42,120 Speaker 1: life A A yeah, rock star plus okay, fair enough. 688 00:38:42,440 --> 00:38:45,880 Speaker 2: I love I love the the song. I mean I 689 00:38:45,920 --> 00:38:49,520 Speaker 2: love how they sound together. Performance Yeah you know. 690 00:38:50,360 --> 00:38:55,960 Speaker 1: Okay, uh don't slink in the subway A plus really, 691 00:38:56,520 --> 00:38:57,560 Speaker 1: oh yeah, for sure. 692 00:38:57,400 --> 00:38:58,520 Speaker 2: That choreography is great. 693 00:38:58,960 --> 00:38:59,959 Speaker 1: Best number of EPISO. 694 00:39:00,560 --> 00:39:02,040 Speaker 2: Oh wow, Okay, sorry. 695 00:39:01,719 --> 00:39:04,480 Speaker 1: I got ahead of myself. People. 696 00:39:04,680 --> 00:39:07,719 Speaker 2: People, we didn't talk about we didn't talk about this. 697 00:39:07,800 --> 00:39:11,319 Speaker 1: We talk about this here. Yeah, I love that they can. 698 00:39:11,440 --> 00:39:14,359 Speaker 1: They're like they just put in there, like I'm going 699 00:39:14,400 --> 00:39:17,160 Speaker 1: to a soundtrack and there she is in a glease 700 00:39:17,160 --> 00:39:21,920 Speaker 1: spotlight and no, no, no, it's perfect. It's perfect. Just 701 00:39:22,640 --> 00:39:27,120 Speaker 1: it's just perfect. Yeah, you can get it her. That 702 00:39:27,239 --> 00:39:31,080 Speaker 1: was her audition for Funny Girl on Broadway. Let's see 703 00:39:31,080 --> 00:39:38,520 Speaker 1: some starty takes, Okay, cringe moments. I don't know. I 704 00:39:38,520 --> 00:39:41,839 Speaker 1: think maybe is this the first? No, this isn't a first. 705 00:39:41,880 --> 00:39:44,200 Speaker 1: You definitely had episodes with not many cringe and months, 706 00:39:44,200 --> 00:39:48,000 Speaker 1: but this is really this is this is good, This 707 00:39:48,080 --> 00:39:48,640 Speaker 1: is really good. 708 00:39:48,960 --> 00:39:50,880 Speaker 2: I don't think I have any No, I don't. 709 00:39:50,680 --> 00:39:54,719 Speaker 1: Have any either, Okay, best dance move the whole like 710 00:39:54,840 --> 00:39:57,680 Speaker 1: picture in the Don't Sleep on the Subway in the 711 00:39:57,719 --> 00:40:00,160 Speaker 1: beginning with all the dancers and you guys are in 712 00:40:00,239 --> 00:40:02,600 Speaker 1: the middle and doing all those like in the actual subway. 713 00:40:02,880 --> 00:40:06,040 Speaker 2: Yeah so good. Yeah, I like that a lot. Agreed, Yes, 714 00:40:06,600 --> 00:40:11,880 Speaker 2: like the ticking like yeah, yes, so good. 715 00:40:12,360 --> 00:40:16,120 Speaker 1: Best song Don't See when the Subway is definitely a favorite, 716 00:40:16,160 --> 00:40:17,760 Speaker 1: and asks is people? 717 00:40:18,000 --> 00:40:22,520 Speaker 2: Yeah definitely. Oh, best performance by a prop. There's a 718 00:40:22,560 --> 00:40:25,760 Speaker 2: lot in this episode. Also, can we talk about soda 719 00:40:25,840 --> 00:40:31,360 Speaker 2: stream because I remember shooting this with the soda stream 720 00:40:31,960 --> 00:40:37,640 Speaker 2: and we were all like, is did yeah, did you 721 00:40:37,640 --> 00:40:41,640 Speaker 2: get paid for this? It was so funny because we also, 722 00:40:41,760 --> 00:40:44,319 Speaker 2: like everyone had to try so hard to not make 723 00:40:44,360 --> 00:40:48,480 Speaker 2: it sound like a commercial, and there were bigger versions 724 00:40:48,520 --> 00:40:50,360 Speaker 2: of it where it was a little more commercially and 725 00:40:50,400 --> 00:40:52,960 Speaker 2: I think there was a there's more dialogue about it, 726 00:40:53,719 --> 00:40:56,960 Speaker 2: but it made me feel a little strange. We all 727 00:40:56,960 --> 00:40:58,480 Speaker 2: talked about it because it was like, why are we 728 00:40:58,520 --> 00:41:00,399 Speaker 2: doing the product placement all of a sudden, We've never 729 00:41:00,440 --> 00:41:00,799 Speaker 2: done that. 730 00:41:01,080 --> 00:41:03,319 Speaker 1: I feel like we did that maybe a couple of 731 00:41:03,360 --> 00:41:06,520 Speaker 1: times while I was there, but it didn't feel quite 732 00:41:06,520 --> 00:41:07,360 Speaker 1: as obvious. 733 00:41:07,920 --> 00:41:10,439 Speaker 2: No, Like they showed the Intercontinental when we stayed there, 734 00:41:10,480 --> 00:41:16,480 Speaker 2: like sure, but we're staying there. American Airlines fights like whatever. 735 00:41:16,840 --> 00:41:17,799 Speaker 1: But can't. 736 00:41:18,320 --> 00:41:21,720 Speaker 2: The soda stress was something you want some sugar free 737 00:41:21,800 --> 00:41:23,800 Speaker 2: homemade soda orange. 738 00:41:24,080 --> 00:41:28,640 Speaker 1: Like what you want an orange soda. I will also 739 00:41:28,719 --> 00:41:32,880 Speaker 1: say the bedbug couch and the reaction to that was 740 00:41:33,040 --> 00:41:33,640 Speaker 1: very funny. 741 00:41:34,120 --> 00:41:39,640 Speaker 2: Also, the bubble underwear so weird and great and I 742 00:41:39,680 --> 00:41:41,960 Speaker 2: love how like the models are all excited about that 743 00:41:42,000 --> 00:41:43,759 Speaker 2: you got that campaign and he's excited. 744 00:41:46,200 --> 00:41:49,840 Speaker 1: Best line Alreadie saying I'm. 745 00:41:49,680 --> 00:41:56,040 Speaker 2: Rolling, Did you notice my hint of a New York accent. 746 00:41:56,400 --> 00:41:59,759 Speaker 1: He is so good. I was like, wow, he's got 747 00:41:59,760 --> 00:42:02,440 Speaker 1: like a bit of an Italian New Yorker, you know. 748 00:42:02,680 --> 00:42:05,879 Speaker 2: I was really I was like, I'm here, like you're 749 00:42:05,920 --> 00:42:07,520 Speaker 2: trying to assimilate to the culture. 750 00:42:09,480 --> 00:42:10,319 Speaker 1: It's very good. 751 00:42:10,560 --> 00:42:15,960 Speaker 2: Okay. My favorite line is Mercedes, Sam goes, but what 752 00:42:16,000 --> 00:42:18,680 Speaker 2: are we going to do about our sexual chemistry? And 753 00:42:18,760 --> 00:42:23,520 Speaker 2: Mercedes goes, I will bite your wax lips off. Lost it, 754 00:42:23,840 --> 00:42:25,480 Speaker 2: lost it. 755 00:42:26,840 --> 00:42:30,719 Speaker 1: So so good performance, MVP. I don't know. I think 756 00:42:30,800 --> 00:42:32,080 Speaker 1: all of you, guys. 757 00:42:32,200 --> 00:42:35,839 Speaker 2: New York New York was the MVP this episode. Did 758 00:42:35,880 --> 00:42:39,080 Speaker 2: you notice that during people by the way of the 759 00:42:39,160 --> 00:42:42,000 Speaker 2: security guards on either side of Lea during walking down 760 00:42:42,040 --> 00:42:47,440 Speaker 2: the street, they're not being subtle. They're full on talking 761 00:42:47,560 --> 00:42:49,480 Speaker 2: and saying move out of the way, Move out of 762 00:42:49,480 --> 00:42:53,520 Speaker 2: the way on either side of Lea. No, yeah, he 763 00:42:53,560 --> 00:42:55,920 Speaker 2: has his arm out like pushing people away. 764 00:42:56,040 --> 00:42:58,800 Speaker 1: Oh no, that's funny. 765 00:42:59,440 --> 00:43:02,279 Speaker 2: I'm so glad you liked this episode. I'm so you 766 00:43:02,320 --> 00:43:05,480 Speaker 2: know how Sam told us that it's critically acclaimed. I 767 00:43:05,480 --> 00:43:08,000 Speaker 2: guess there's some discourse about it on Twitter. Maybe you 768 00:43:08,000 --> 00:43:13,040 Speaker 2: guys can fill us in on that. But you know, 769 00:43:14,360 --> 00:43:16,160 Speaker 2: I'm glad it was a success. 770 00:43:16,600 --> 00:43:18,240 Speaker 1: I couldn't be more thrilled. 771 00:43:18,440 --> 00:43:21,520 Speaker 2: It was a weird time. We didn't know for me personally, 772 00:43:22,640 --> 00:43:29,239 Speaker 2: I was closest to you and right Amber and the 773 00:43:29,320 --> 00:43:33,600 Speaker 2: crew like and it was just different all of a sudden. Okay, 774 00:43:34,239 --> 00:43:39,680 Speaker 2: shit we found on TikTok. Look, Joe Glow. I don't 775 00:43:39,719 --> 00:43:47,040 Speaker 2: know if I condone this and by highlighting it okay, 776 00:43:48,280 --> 00:43:51,719 Speaker 2: but it says behind every girl there was a long 777 00:43:51,760 --> 00:43:54,279 Speaker 2: and storied history with Glee. And there's a picture of 778 00:43:54,320 --> 00:43:57,400 Speaker 2: herself and then another picture of her lower back tattoo 779 00:43:57,440 --> 00:44:00,640 Speaker 2: that says, and that's what you missed on Glee. What 780 00:44:01,000 --> 00:44:16,200 Speaker 2: I'm watching Jenna's reaction to this, Yes, nor the girl 781 00:44:16,239 --> 00:44:17,560 Speaker 2: with the Glee tramp stamp. 782 00:44:18,000 --> 00:44:19,920 Speaker 1: Oh my gosh, so she had a Glee transtemp And 783 00:44:19,960 --> 00:44:23,680 Speaker 1: then they're on toles and that's what you missed on Glee. 784 00:44:24,400 --> 00:44:25,200 Speaker 2: Isn't that wild? 785 00:44:26,760 --> 00:44:30,440 Speaker 1: That's a big one. It's big because I do remember 786 00:44:30,480 --> 00:44:32,839 Speaker 1: those girls who got Glee on the inner lip, that 787 00:44:32,880 --> 00:44:35,920 Speaker 1: inner lipto that they used to have. This is something 788 00:44:37,080 --> 00:44:38,480 Speaker 1: please let me on the podcast. 789 00:44:38,960 --> 00:44:42,239 Speaker 2: I love the comments. The comments are so someone had 790 00:44:42,239 --> 00:44:43,680 Speaker 2: to do it. This is insane, but in a very 791 00:44:43,719 --> 00:44:47,279 Speaker 2: impressive way. You know what. Hell yeah, oh my god, 792 00:44:47,280 --> 00:44:49,600 Speaker 2: I want this so bad. I mean I gasped. I 793 00:44:49,640 --> 00:44:52,560 Speaker 2: need it. That is so fucking sligh. This is such 794 00:44:52,600 --> 00:44:53,319 Speaker 2: a diva move. 795 00:44:54,719 --> 00:44:55,279 Speaker 1: Wow. 796 00:44:55,680 --> 00:45:00,200 Speaker 2: Charisma, uniqueness, nerve, and talent. This is so normal. Let 797 00:45:00,200 --> 00:45:01,400 Speaker 2: anyone tell you any different. 798 00:45:04,680 --> 00:45:06,640 Speaker 1: Well, thank you, thank you for that, because that was 799 00:45:07,800 --> 00:45:10,600 Speaker 1: a time never. That's a new one for me. 800 00:45:10,920 --> 00:45:12,200 Speaker 2: Oh god, so good. 801 00:45:12,600 --> 00:45:16,799 Speaker 1: Well that is New New York. Thanks for joining us. 802 00:45:16,800 --> 00:45:19,200 Speaker 1: I'm super excited for the rest of the season. If 803 00:45:19,200 --> 00:45:20,279 Speaker 1: that's what we're in store for. 804 00:45:20,840 --> 00:45:24,319 Speaker 2: And that's what you really miss Thanks for listening and 805 00:45:24,480 --> 00:45:27,120 Speaker 2: follow us on Instagram at and that's what you really 806 00:45:27,120 --> 00:45:29,239 Speaker 2: miss pod. Make sure to write us a review and 807 00:45:29,400 --> 00:45:31,319 Speaker 2: leave us five stars. See you next time.