WEBVTT - Incandescent Rage

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<v Speaker 1>Good morning, peeps, and welcome to Okay EFFI daily with

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<v Speaker 1>me your girl Danielle Moody, recording back live from our

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<v Speaker 1>pun Stream studios here in Times Square. Dear friends, what

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<v Speaker 1>a goddamn week it has been. I want to believe

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<v Speaker 1>that there is still time. I want to believe that

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<v Speaker 1>the collection of Democrats who recognize the urgency of this

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<v Speaker 1>moment are going to act that they are not going

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<v Speaker 1>to let this historic time pass us by and be

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<v Speaker 1>left with a bunch of what ifs. But if you

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<v Speaker 1>are watching the infrastructure bill fight play out right now,

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<v Speaker 1>you are not feeling hopeful. You are actually probably feeling aggravated,

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<v Speaker 1>anxiety induced, rage filled at the fact that you have

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<v Speaker 1>two supposed Democrats who are willing to extinguish our democracy

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<v Speaker 1>for their own ends. So again, when we direct all

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<v Speaker 1>of our hope, right when we direct all of our

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<v Speaker 1>hope on oh, I don't know, two fucking people, or

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<v Speaker 1>the hope that they're going to be more Francises in

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<v Speaker 1>the world or more Fiona Hills in the world, and

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<v Speaker 1>we realize that they are not, that that this country

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<v Speaker 1>is actually made up of a bunch of cinemas and mansions,

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<v Speaker 1>people that don't really give a fuck. They only care

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<v Speaker 1>about their own town, their own life, their own family,

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<v Speaker 1>and be damned everyone else you even had This week

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<v Speaker 1>Joe Biden mentioning there are two people that are holding

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<v Speaker 1>up my agenda, but doesn't have the balls to say

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<v Speaker 1>who the fuck those two people are being? Is how

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<v Speaker 1>we all know who they are that doesn't have the

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<v Speaker 1>balls to take it to them to the fucking street

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<v Speaker 1>and say, you know what, here's the thing, American people,

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<v Speaker 1>I am doing everything within my goddamn power in order

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<v Speaker 1>to try and make sure that another six hundred and

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<v Speaker 1>fifty thousand Americans don't die from COVID, and I'm sorry

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<v Speaker 1>we are now at over seven hundred thousand that I'm

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<v Speaker 1>trying to do my best to make sure that more

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<v Speaker 1>people don't lose their jobs, that you have clean drinking water,

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<v Speaker 1>that we can build up infrastructure to fight our twenty

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<v Speaker 1>first century climate change problem, right the crises that we

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<v Speaker 1>are in. And I could do all of these things,

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<v Speaker 1>you see, because I have great policy ideas and I

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<v Speaker 1>have good people working with me. But I have two

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<v Speaker 1>people that refuse. And so, dear fellow American, do you

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<v Speaker 1>know what I need? I need you to pick up

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<v Speaker 1>the fucking phone. I need you to inundate their offices.

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<v Speaker 1>I need you to do sit ins, I need you

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<v Speaker 1>to do march is. I need you to make calls,

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<v Speaker 1>and I need you to defund these two fucking senators

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<v Speaker 1>because they are the ones that are standing between you

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<v Speaker 1>and your livelihood, between you and our democracy. Because let

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<v Speaker 1>me tell you something, we are running out of time

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<v Speaker 1>for Joe Biden to play the fucking comforter in chief.

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<v Speaker 1>And I am frankly don't need a comforter anymore. I

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<v Speaker 1>will say it again. I need a fucking commander. I

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<v Speaker 1>need a warrior. I need somebody that knows that we

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<v Speaker 1>don't have any time left and need to leave everything

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<v Speaker 1>on the fucking floor. Right, But Joe Biden still believes

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<v Speaker 1>that he's operating with twentieth century senators. He still believes

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<v Speaker 1>that Mitch McConnell gon spit in his face but then

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<v Speaker 1>want to grab a scotch with him later and that

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<v Speaker 1>will hash it out as the way we do in

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<v Speaker 1>the deliberative body. Dear Joe Biden, the Senate is dead.

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<v Speaker 1>Collaboration is dead, right. I don't know what else it

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<v Speaker 1>is that Mitch McConnell literally has to say other than

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<v Speaker 1>what he already said, which is that his one job,

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<v Speaker 1>his job is not to make sure that the American

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<v Speaker 1>people are okay. His job is not to make sure

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<v Speaker 1>that America stays competitive on the global stage. No, his

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<v Speaker 1>one job is to make sure that you are a

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<v Speaker 1>one term president. Ding ding ding. Where the fuck did

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<v Speaker 1>we hear that before? So here's the thing. We keep

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<v Speaker 1>betting on everyone's better angels. And the question that I

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<v Speaker 1>am offering is what if they have none? Right? I

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<v Speaker 1>know that I say this often, but I gotta tell

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<v Speaker 1>you this week not making me feel great, kind of

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<v Speaker 1>making me feel like. You know, we are already living

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<v Speaker 1>in nineteen eighty four and big Brother is everywhere. All

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<v Speaker 1>I can say is, you know, at least China is

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<v Speaker 1>transparent about their shit. And by transparent, I mean that

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<v Speaker 1>they are all about social control right and beating back

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<v Speaker 1>any type of resistance. In America, we say that you're

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<v Speaker 1>We're all about freedom, except we've sold your data to

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<v Speaker 1>the highest bidder. We're all about freedom, except we're using

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<v Speaker 1>your information against you for capitalistic gains. And then we

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<v Speaker 1>won't regulate shit, because then that would be taking money

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<v Speaker 1>out of our own coffers. I don't think Wu Tang

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<v Speaker 1>knew how prolific they were when they said that cash

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<v Speaker 1>rules everything around me. But dear fucking god, they really were.

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<v Speaker 1>Coming up next is my conversation with the brilliant writer

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<v Speaker 1>from The New Yorker and the voice one of the

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<v Speaker 1>voices behind the new book Black Lives Matter is Gilanni Cobb.

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<v Speaker 1>So stay tuned for that conversation, folks. I am very

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<v Speaker 1>excited to have our second you, Gilani Cobb, are our

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<v Speaker 1>second in studio guest um for wok app Daily. I'm

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<v Speaker 1>really excited to beat me up the MSNBC host Yasmin

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<v Speaker 1>Masougi and beat you out. So I mean something like

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<v Speaker 1>the silver medalist. You are a silver but still on

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<v Speaker 1>the podium. Yeah, but you know they always say like

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<v Speaker 1>the bronze medalist is happier than the civil the silver

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<v Speaker 1>medal because the silver is the runner up. Bronze medalist

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<v Speaker 1>is happy to be getting a medal, but the silver

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<v Speaker 1>medalist is like, what could I have done? And so

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<v Speaker 1>it's the situation where I was like, I lost by

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<v Speaker 1>a fraction of a second. Could I have gotten you here?

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<v Speaker 1>If I had enticed you with the fact that you

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<v Speaker 1>would have been the first sure you have come quicker. Absolutely, Okay,

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<v Speaker 1>all right, definitely that was my That was my I'm

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<v Speaker 1>just saying, standing here with the silver medal, with the

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<v Speaker 1>silver medal, but you're still on woke app so that

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<v Speaker 1>in and of itself is winning and makes you a champion.

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<v Speaker 1>Gilanni Cobb, you are a staff writer with The New Yorker.

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<v Speaker 1>You have put together edited one of the most dance

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<v Speaker 1>books I think that cover black life in America, The

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<v Speaker 1>Matter of black Lives. You put this together. He I

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<v Speaker 1>don't even know how you were working in the midst

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<v Speaker 1>of twenty twenty. Me. I needed to be partly catatonic

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<v Speaker 1>for half of it, and then, you know, then started

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<v Speaker 1>to kind of get the win back in my sales.

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<v Speaker 1>But I want to talk to you about did you

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<v Speaker 1>think the weeks the months following the murder of George

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<v Speaker 1>Floyd that we had reached some type of reckoning because

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<v Speaker 1>we were all collectively indoors, right, we were all on

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<v Speaker 1>our devices, staring at the TV, just waiting for whatever

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<v Speaker 1>bit of news about the future of our lives, of

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<v Speaker 1>our planet as it was being enveloped in this virus,

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<v Speaker 1>and then recognizing the multiple pandemics that we are actually

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<v Speaker 1>living in Did you think that it was going to

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<v Speaker 1>be a reckoning or was it just going to be

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<v Speaker 1>one of the many? So I was at a disadvantage

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<v Speaker 1>in understanding the significance of George Floyd. And the reason

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<v Speaker 1>I was at a disadvantage was the fact that I

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<v Speaker 1>had written about when I was in my twenties, I

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<v Speaker 1>had written about Amadudiallo and Abner Louima, you know, who

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<v Speaker 1>were respectively shot and sexually abused by in my PD offices,

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<v Speaker 1>and the kind of tortured path it took to get

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<v Speaker 1>any semblance of justice those situations. Of course, it was

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<v Speaker 1>you're Rodney King. Before that I wasn't really writing. But

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<v Speaker 1>in my thirties, you know, I had written about all

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<v Speaker 1>of these instances of police excessive use of force. In

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<v Speaker 1>my forties, had written about, you know, all these concerns.

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<v Speaker 1>And here I was as a fifty one year old person,

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<v Speaker 1>and I had seen overwhelmingly the same outcome of the

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<v Speaker 1>administration or the bureaucracy circling ranks and finding a way

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<v Speaker 1>to exonerate the person who had committed and agree just wrong.

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<v Speaker 1>And so I thought, when I looked at the video,

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<v Speaker 1>I said, this is horrific. Is in humane, is disgusting.

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<v Speaker 1>They'll find a way to get to get this guy off.

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<v Speaker 1>And what I underestimated was, well, I undersubmitated two things.

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<v Speaker 1>The first was the impact of everyone at home. There

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<v Speaker 1>was nothing to distract your people didn't have to go

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<v Speaker 1>to work, you know, and so they could just stew

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<v Speaker 1>in these visuals and what the inhumanity of it meant.

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<v Speaker 1>And the second thing was the excruciating length of that video,

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<v Speaker 1>which I still never watched. I attempted to watch it

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<v Speaker 1>when we did a documentary on policing, and you know,

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<v Speaker 1>as part of the documentary, I sat down and said

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<v Speaker 1>I should watch this video, and you know, I got

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<v Speaker 1>to like maybe the four minute mark, and I was like,

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<v Speaker 1>I need to stop this. But for people who sat

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<v Speaker 1>there and watched and like, do how long it takes anything?

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<v Speaker 1>For eight minutes and forty six seconds, you know, that

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<v Speaker 1>is commitment. And this person kneeled a minute after minute

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<v Speaker 1>after minute after minute in service of the cause of

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<v Speaker 1>extinguishing George Floyd's like And I think that people weren't

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<v Speaker 1>prepared to see that kind of casual sadism on display

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<v Speaker 1>because it's different. I mean, it's all tortuous and disgusting.

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<v Speaker 1>But it's different with a bullet, right, because there's a there,

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<v Speaker 1>there is a distance right that is between it, and

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<v Speaker 1>it's generally generally quicker. Right, this was right, and he

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<v Speaker 1>could say, oh, I feared from her, I feared from

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<v Speaker 1>my life. Right is the common refrain because it's so quick,

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<v Speaker 1>and you know, cops have to act so quickly under pressure,

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<v Speaker 1>is what they tell us time and time again. But

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<v Speaker 1>this wasn't that. And I think that I foolishly believed

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<v Speaker 1>that this was going to be a reckoning moment because

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<v Speaker 1>I said, there's no way that you watch this for

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<v Speaker 1>that long. And but but at the same time, I

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<v Speaker 1>did also say, well, they're going to hang this on

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<v Speaker 1>this one bad apple, which is what they say every

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<v Speaker 1>single time on woke AF. I say, yeah, it's a

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<v Speaker 1>bad apple from a poisonous orchard that had spanned the

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<v Speaker 1>length of this country. What are we what are you

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<v Speaker 1>talking about? But as long as we can convince people

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<v Speaker 1>that if we get rid of this one, there are

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<v Speaker 1>so many good ones, right, which is which is what

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<v Speaker 1>happened in the Derek Chauvin trial. You know, I covered

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<v Speaker 1>the trial and when you saw the police chief Madaria

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<v Speaker 1>Rodondo come out and denounce Chauvin's actions. You saw the

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<v Speaker 1>various members of the police department come out, you saw

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<v Speaker 1>police voices from across the country denouncing what he had done.

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<v Speaker 1>And I said, you know, we're being good copped, you know,

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<v Speaker 1>because in order to highlight the idea that the police

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<v Speaker 1>are fundamentally good and benign, we need to distinguish ourselves

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<v Speaker 1>from this person, to say he's not one of us,

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<v Speaker 1>he's not like us. But the problem is that he

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<v Speaker 1>had been on the Minneapolis Police Force for I think

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<v Speaker 1>it was nineteen years, that he had been in a

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<v Speaker 1>supervisory capacity, that he had been training younger officers in

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<v Speaker 1>the ways of the department, and he had been promoted.

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<v Speaker 1>And so by what metric was this man not one

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<v Speaker 1>of you? And so of course he was one of them.

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<v Speaker 1>He represented them in their values and as demonstrated by

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<v Speaker 1>their continued employment of him and their promotions of him.

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<v Speaker 1>And so it was really a kind of illusion that

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<v Speaker 1>thought we were being sold. And the point of it

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<v Speaker 1>was so that we could get back to the business

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<v Speaker 1>as usual set of presumptions that if there is this person,

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<v Speaker 1>especially if it's a person of color, who dies in

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<v Speaker 1>the course of an interact, with the police. They had

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<v Speaker 1>it coming. This your book, The Matter of Black Lives,

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<v Speaker 1>with this deep anthology, all of these stories, this analysis,

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<v Speaker 1>How how or do you hold on to any semblance

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<v Speaker 1>that America isn't destined for just implosion more of the same. Yeah,

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<v Speaker 1>because I will tell you that one of the things

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<v Speaker 1>that gets me every time that I read you know,

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<v Speaker 1>your writing, uh and others, Charles Blow other other folks.

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<v Speaker 1>I'm like, it just never gets any better, right, And

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<v Speaker 1>so how you know, how do you hang on to

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<v Speaker 1>any like that that we're not just going to implode,

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<v Speaker 1>that we're just not headed towards destruction. It's interesting, Um,

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<v Speaker 1>you know, in this collection, we have this really dazzling

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<v Speaker 1>array of people, you know, thinking about these questions and

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<v Speaker 1>how they pertain um and not necessarily you know, expressly

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<v Speaker 1>or explicitly. Sometimes it's as a subtext, you know. But

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<v Speaker 1>we have you know, Tony Morrison's writing in here, Hilton Owl's,

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<v Speaker 1>Zadie Smith, Henry Lewis Gates during Saint Felix, my current

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<v Speaker 1>colleague at The New Yorker, Khalif Asana, you know, a

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<v Speaker 1>whole I hate when I started mentioning people because then

0:15:35.680 --> 0:15:38.000
<v Speaker 1>you leave people out the people starting upset about it,

0:15:38.040 --> 0:15:42.360
<v Speaker 1>But there's really so much, such a breath of work

0:15:43.120 --> 0:15:46.320
<v Speaker 1>in there that I really think it's a kind of

0:15:46.320 --> 0:15:52.680
<v Speaker 1>profound set of meditations about individuals, about events, about places,

0:15:52.720 --> 0:15:56.720
<v Speaker 1>about people, and so on. And maybe the net effect

0:15:56.720 --> 0:16:01.680
<v Speaker 1>of that is to have a broader perspective on whether

0:16:01.720 --> 0:16:05.880
<v Speaker 1>or not there's hope, whether or not there's the possibility

0:16:05.920 --> 0:16:10.040
<v Speaker 1>of change. You know, as I wrote in the introduction,

0:16:10.080 --> 0:16:12.800
<v Speaker 1>I said that the anthology is not about race. It's

0:16:12.840 --> 0:16:17.240
<v Speaker 1>about the people who are most commonly tasked with confronting it,

0:16:18.120 --> 0:16:21.760
<v Speaker 1>you know, because race affects the entire society, but it

0:16:21.880 --> 0:16:25.000
<v Speaker 1>is typically black people who expect it to confront and

0:16:25.040 --> 0:16:28.120
<v Speaker 1>wrestle with, you know, this demon and try to drag

0:16:28.160 --> 0:16:31.400
<v Speaker 1>it out of the public square. And so that's what

0:16:31.440 --> 0:16:33.200
<v Speaker 1>we were trying to get at, you know, to your

0:16:33.360 --> 0:16:39.480
<v Speaker 1>specific question about about implosion, I actually don't view it

0:16:39.520 --> 0:16:44.600
<v Speaker 1>that way. I think that there is change, but it's

0:16:44.640 --> 0:16:48.720
<v Speaker 1>just that that change is fragile, is contested that you

0:16:48.800 --> 0:16:51.560
<v Speaker 1>have to protect it, you have to hold onto it.

0:16:52.240 --> 0:16:57.080
<v Speaker 1>But you know, when we start looking at our political representation,

0:16:58.080 --> 0:17:03.440
<v Speaker 1>even as the people are trying to throw impediments, you know,

0:17:03.480 --> 0:17:06.919
<v Speaker 1>between us and the ballot box. Now, you know, in

0:17:06.960 --> 0:17:09.640
<v Speaker 1>some ways, we're looking at this from a different vantage

0:17:09.680 --> 0:17:12.840
<v Speaker 1>point because you know, we have a congressional Black caucus,

0:17:12.880 --> 0:17:16.959
<v Speaker 1>we have black elected officials and cities across the country

0:17:16.960 --> 0:17:20.200
<v Speaker 1>on the municipal level. You know, on the state level,

0:17:20.240 --> 0:17:22.959
<v Speaker 1>that black people have a level of political power an

0:17:23.040 --> 0:17:28.520
<v Speaker 1>authority which is far and away different from what we

0:17:28.560 --> 0:17:30.840
<v Speaker 1>looked at in nineteen sixty five, which is to say

0:17:30.880 --> 0:17:34.200
<v Speaker 1>that what John Lewis was getting hit over the head

0:17:34.240 --> 0:17:38.760
<v Speaker 1>for worked. You know, it wasn't a cure. It was

0:17:38.800 --> 0:17:41.680
<v Speaker 1>a treatment, but it was a treatment that had results,

0:17:42.160 --> 0:17:45.520
<v Speaker 1>and so I think that we have to have an assessment.

0:17:45.560 --> 0:17:47.640
<v Speaker 1>The other thing that I think it's important is that

0:17:48.119 --> 0:17:49.840
<v Speaker 1>you know, when I have this conversation, which I have

0:17:49.960 --> 0:17:54.800
<v Speaker 1>quite frequently with my students, I always direct them at

0:17:54.880 --> 0:17:59.800
<v Speaker 1>to the last message that w Eb Dwo Boys released

0:18:00.080 --> 0:18:03.240
<v Speaker 1>the world, or rather the message that was released upon

0:18:03.400 --> 0:18:07.480
<v Speaker 1>his death, and as background, the Boys, when he was

0:18:07.520 --> 0:18:11.119
<v Speaker 1>twenty five years old, said that he would devote his

0:18:11.200 --> 0:18:16.359
<v Speaker 1>life to slaying white supremacy, that he would fight against

0:18:16.400 --> 0:18:18.800
<v Speaker 1>white supremacy on behalf of black people. That was what

0:18:18.840 --> 0:18:21.160
<v Speaker 1>he wanted to dedicate his life too. He was twenty

0:18:21.160 --> 0:18:23.399
<v Speaker 1>five years old. He did that until he was ninety

0:18:23.400 --> 0:18:26.240
<v Speaker 1>five years old. He was still fighting when he died.

0:18:26.920 --> 0:18:32.160
<v Speaker 1>Seven decades of his life, seven decades he pursued this mission.

0:18:32.720 --> 0:18:37.919
<v Speaker 1>And when he died, he left a message saying for

0:18:38.040 --> 0:18:42.240
<v Speaker 1>people coming after him to not despair because our struggles

0:18:42.240 --> 0:18:45.320
<v Speaker 1>along and because the roads are difficult, you know, but

0:18:45.600 --> 0:18:49.320
<v Speaker 1>always humanity reaches a higher level, he said. And so

0:18:50.280 --> 0:18:53.240
<v Speaker 1>I don't have the vantage point of seventy years of struggle.

0:18:53.760 --> 0:18:56.560
<v Speaker 1>So I don't really have the right to be pessimistic

0:18:57.440 --> 0:19:00.800
<v Speaker 1>day that I see it now making me feel like

0:19:00.880 --> 0:19:02.960
<v Speaker 1>I don't have the right to be that. I based

0:19:02.960 --> 0:19:06.679
<v Speaker 1>my lave this journey. Um. Now the last question, the

0:19:06.760 --> 0:19:11.400
<v Speaker 1>last question for you. Um. You know, the past eighteen

0:19:11.600 --> 0:19:17.640
<v Speaker 1>months have been one of the most trying times in

0:19:17.640 --> 0:19:23.320
<v Speaker 1>our country, on our planet, and in our world. And

0:19:23.359 --> 0:19:26.960
<v Speaker 1>I'm curious, you know, on woke AF I talk a lot,

0:19:27.000 --> 0:19:32.000
<v Speaker 1>obviously about politics, and talk a lot about race and identity, UM,

0:19:33.119 --> 0:19:35.480
<v Speaker 1>but I'm also moving into a place of talking about

0:19:35.520 --> 0:19:38.480
<v Speaker 1>what it means to live whole and to live full

0:19:38.640 --> 0:19:43.320
<v Speaker 1>and to center joy, especially in the face of persistent despair.

0:19:44.080 --> 0:19:48.679
<v Speaker 1>So how do you keep yourself centered in some type

0:19:48.720 --> 0:19:53.919
<v Speaker 1>of joy. How do you keep your light about you

0:19:54.040 --> 0:19:57.800
<v Speaker 1>in the face of darkness? You know, it's funny because

0:19:58.280 --> 0:20:03.200
<v Speaker 1>I mean very small thing things, you know. So if

0:20:03.240 --> 0:20:07.560
<v Speaker 1>I think about what made me really happy today, I

0:20:07.680 --> 0:20:13.800
<v Speaker 1>woke up at four fifty nine this morning, and I

0:20:13.840 --> 0:20:16.760
<v Speaker 1>got up and before I did anything, you know, started anything,

0:20:17.200 --> 0:20:23.320
<v Speaker 1>I just sat down in the dark quiet, and that

0:20:23.480 --> 0:20:25.879
<v Speaker 1>was it. You know, that was the thing that made

0:20:25.880 --> 0:20:31.240
<v Speaker 1>me happiest in that day. And then, you know, I

0:20:31.320 --> 0:20:36.840
<v Speaker 1>think that for me looking at the younger people who

0:20:36.840 --> 0:20:41.280
<v Speaker 1>were coming up now and coming into their own and

0:20:41.920 --> 0:20:44.320
<v Speaker 1>even you know, the children that were coming included mind,

0:20:44.800 --> 0:20:49.680
<v Speaker 1>you know that that, you know, those are things that

0:20:49.760 --> 0:20:54.439
<v Speaker 1>make me happy. I went out and bought myself a

0:20:54.480 --> 0:20:57.880
<v Speaker 1>new suit last week, which is you know, I love clothes,

0:20:58.920 --> 0:21:01.919
<v Speaker 1>and one point, buying a new suit would have really

0:21:02.000 --> 0:21:05.000
<v Speaker 1>like been a thing like, oh wow, this suit, we

0:21:05.000 --> 0:21:06.560
<v Speaker 1>haven't gonna wear it, and it's and so forth. And

0:21:06.600 --> 0:21:08.399
<v Speaker 1>it was okay. I mean I liked it. I mean

0:21:08.440 --> 0:21:11.600
<v Speaker 1>I still like suits. But you know, the thing that

0:21:11.680 --> 0:21:14.320
<v Speaker 1>really made me happy is thinking about playing a role

0:21:14.960 --> 0:21:18.200
<v Speaker 1>in the development of these younger people who are coming

0:21:18.240 --> 0:21:23.399
<v Speaker 1>after me. I love that. Joanni Cobb, thank you so much.

0:21:23.440 --> 0:21:26.159
<v Speaker 1>For making time, folks. The book is the matter of

0:21:26.359 --> 0:21:29.720
<v Speaker 1>black lives. I implore you all to pick it up

0:21:29.800 --> 0:21:32.480
<v Speaker 1>because we're going to be going through it on the show.

0:21:33.040 --> 0:21:40.320
<v Speaker 1>Thank you, Thank you so much. That's it for Today's Woke,

0:21:40.320 --> 0:21:42.880
<v Speaker 1>a f daily podcast. To hear more from today's show,

0:21:42.920 --> 0:21:46.240
<v Speaker 1>including my full interview with Jilanni Cobb, support me on

0:21:46.320 --> 0:21:49.879
<v Speaker 1>Patreon at patreon dot com. Slash Woke a power to

0:21:49.960 --> 0:21:52.400
<v Speaker 1>the people and to all the people power, get woke

0:21:52.480 --> 0:21:53.840
<v Speaker 1>and stay woke as fuck.